1 00:00:08,234 --> 00:00:10,434 Speaker 1: You're listening to a MoMA Mia. 2 00:00:10,353 --> 00:00:21,314 Speaker 2: Podcast From MoMA Mia. Welcome to this spill your daily 3 00:00:21,393 --> 00:00:24,314 Speaker 2: pop culture Fixed. I'm Laura Brodney, and I'm a Vernon 4 00:00:24,554 --> 00:00:28,434 Speaker 2: and I'm Tina burg Yes, we have three people in 5 00:00:28,474 --> 00:00:30,834 Speaker 2: the studio today because this is a very important episode 6 00:00:30,874 --> 00:00:32,953 Speaker 2: of Wekend Watch where we talk about the best new 7 00:00:32,994 --> 00:00:34,114 Speaker 2: TV shows and movies that. 8 00:00:34,034 --> 00:00:34,994 Speaker 3: Have come out this week. 9 00:00:35,513 --> 00:00:39,434 Speaker 2: And we have been waiting years for this episode because 10 00:00:39,473 --> 00:00:43,074 Speaker 2: the new season of Bridgeton season four, the first half 11 00:00:43,354 --> 00:00:45,594 Speaker 2: came out last night and we're doing a whole, big 12 00:00:45,593 --> 00:00:47,674 Speaker 2: deep dive on that. And we have Tina Burke here 13 00:00:47,674 --> 00:00:50,714 Speaker 2: because she is the Bridgeton Oracle and you have some 14 00:00:50,793 --> 00:00:53,394 Speaker 2: special inside knowledge that you're going to share later in 15 00:00:53,434 --> 00:00:53,914 Speaker 2: the episode. 16 00:00:54,154 --> 00:00:56,834 Speaker 3: Exciting. Well, I didn't even know what's going to be. 17 00:00:57,474 --> 00:00:59,994 Speaker 2: I've saved we haven't really talked about this. We've saved 18 00:00:59,994 --> 00:01:00,674 Speaker 2: it for this moment. 19 00:01:00,754 --> 00:01:03,114 Speaker 1: I haven't even watched it yet because I'm it's my 20 00:01:03,194 --> 00:01:04,434 Speaker 1: show I watch with my mom. 21 00:01:04,554 --> 00:01:06,033 Speaker 3: That's really a good idea. 22 00:01:06,034 --> 00:01:08,354 Speaker 1: Even though there was a bit like. 23 00:01:08,994 --> 00:01:12,554 Speaker 2: Yeah, what does everyone think of those sexy scenes When 24 00:01:12,554 --> 00:01:14,394 Speaker 2: people be like, oh, parents can't watch that. I'm just 25 00:01:14,434 --> 00:01:17,234 Speaker 2: like all their parents. 26 00:01:16,474 --> 00:01:18,034 Speaker 1: And she's read all the books as well, so she. 27 00:01:18,034 --> 00:01:23,394 Speaker 2: Kind of she's yeah, even if we haven't read the books, 28 00:01:23,394 --> 00:01:24,674 Speaker 2: we all go into it being like, well, no, they're 29 00:01:24,674 --> 00:01:27,034 Speaker 2: going to get together. But it's also how what sexy 30 00:01:27,114 --> 00:01:29,754 Speaker 2: road will lead to these people getting together? So a 31 00:01:29,754 --> 00:01:32,874 Speaker 2: little saucy debrief coming on that later. But first, Emily, 32 00:01:32,914 --> 00:01:36,074 Speaker 2: you bounded in here today, broke the door down. So 33 00:01:36,194 --> 00:01:38,474 Speaker 2: excited to talk about this movie which came out last night. 34 00:01:38,554 --> 00:01:42,274 Speaker 1: Right, yes, it is out in cinemas. It's called Send 35 00:01:42,474 --> 00:01:43,434 Speaker 1: Help exclamation. 36 00:01:44,674 --> 00:01:46,474 Speaker 2: I see no value in you. 37 00:01:47,234 --> 00:01:48,194 Speaker 3: I'm sorry, what. 38 00:01:49,634 --> 00:01:49,834 Speaker 4: You know? 39 00:01:49,914 --> 00:01:51,914 Speaker 1: We have the Bangkok merger coming up. 40 00:01:52,514 --> 00:01:58,714 Speaker 3: Prove me wrong, coach Joina, Land of the Living, Have 41 00:01:58,834 --> 00:02:03,554 Speaker 3: you tried making a distress signal? I was busy trying 42 00:02:03,554 --> 00:02:07,914 Speaker 3: to keep us alive. Let's not forget I'm your boss. 43 00:02:08,154 --> 00:02:11,514 Speaker 3: You work for me, not in the office anymore, Bradley. 44 00:02:12,234 --> 00:02:14,874 Speaker 1: It stars Rachel McAdams and Dylan O'Brien. 45 00:02:14,954 --> 00:02:17,554 Speaker 3: Oh what a dream team. I've been obsessed with their 46 00:02:17,594 --> 00:02:18,194 Speaker 3: press tour. 47 00:02:18,514 --> 00:02:21,434 Speaker 2: They are so funny together because I think people don't 48 00:02:21,474 --> 00:02:24,154 Speaker 2: realize how funny and irreverence she is, but also because 49 00:02:24,154 --> 00:02:25,913 Speaker 2: he was an action staff for such a long time, 50 00:02:26,514 --> 00:02:32,194 Speaker 2: he presents No's Runner, May's Runner. Hello, you're talking to 51 00:02:32,234 --> 00:02:35,074 Speaker 2: the world's biggest teen Wolf fan. Not the movie, which 52 00:02:35,074 --> 00:02:35,794 Speaker 2: he wasn't in, but. 53 00:02:35,754 --> 00:02:38,634 Speaker 3: The TV is got too good. Yeah, but I think he. 54 00:02:38,594 --> 00:02:40,234 Speaker 2: Was also like looked at that script was like, no, 55 00:02:40,394 --> 00:02:42,194 Speaker 2: thank you. Well, he was a breakout star of that 56 00:02:42,194 --> 00:02:42,794 Speaker 2: show and. 57 00:02:42,754 --> 00:02:43,674 Speaker 1: He wasn't even a Wolf. 58 00:02:43,794 --> 00:02:44,674 Speaker 3: No, he wasn't he. 59 00:02:46,914 --> 00:02:51,394 Speaker 2: Spoilers and teen Wolf was the breakout star style sty 60 00:02:52,034 --> 00:02:52,394 Speaker 2: he was. 61 00:02:52,474 --> 00:02:52,834 Speaker 1: I love this. 62 00:02:52,874 --> 00:02:56,194 Speaker 2: We're just talking about teen Wolf now, which I recommend 63 00:02:57,154 --> 00:02:59,914 Speaker 2: you haven't seen that show. Holy hell, it's so he 64 00:02:59,994 --> 00:03:02,674 Speaker 2: was a breakout star of that by a mile, but 65 00:03:02,794 --> 00:03:05,194 Speaker 2: playing the odd ball, funny guy who could like never 66 00:03:05,194 --> 00:03:05,714 Speaker 2: get the girl. 67 00:03:05,754 --> 00:03:07,834 Speaker 1: But then does wuld be a wolf? 68 00:03:08,354 --> 00:03:08,594 Speaker 3: Yeah? 69 00:03:08,634 --> 00:03:10,954 Speaker 2: He was the every every supernatural teen show has a 70 00:03:10,994 --> 00:03:14,634 Speaker 2: token human for like it's Matt and like Vampire Diaries, 71 00:03:14,674 --> 00:03:15,994 Speaker 2: and to be the. 72 00:03:15,834 --> 00:03:17,954 Speaker 1: Smartest one as well, because that's all they have gone. 73 00:03:18,674 --> 00:03:21,274 Speaker 2: To bring something to the team because I don't have superpowers. 74 00:03:21,394 --> 00:03:23,434 Speaker 2: But then he became the star of the Maze Runner 75 00:03:23,434 --> 00:03:24,913 Speaker 2: franchise and he was an action star. 76 00:03:25,034 --> 00:03:30,754 Speaker 1: Remember that, and watched you watch the Maze Scary you. 77 00:03:30,674 --> 00:03:33,554 Speaker 2: Would love the first one especially is the guys from 78 00:03:33,594 --> 00:03:36,914 Speaker 2: love actually, and they're like their press tools were iconic, 79 00:03:36,954 --> 00:03:38,794 Speaker 2: like it was Hunger Games level of just stupid. 80 00:03:38,874 --> 00:03:40,674 Speaker 1: I have seen the press tours are very funny. 81 00:03:40,754 --> 00:03:42,954 Speaker 3: Yeah, I know, we're just walking at Maze Runner. 82 00:03:44,914 --> 00:03:47,034 Speaker 2: And then go on TikTok and spend like watching He 83 00:03:47,194 --> 00:03:50,034 Speaker 2: got so badly hurt on that movie. Maybe he fell 84 00:03:50,074 --> 00:03:51,554 Speaker 2: off the back of the car and then the car 85 00:03:51,634 --> 00:03:54,874 Speaker 2: ran over him. When he was filming Maze Runner. Dylan 86 00:03:54,994 --> 00:03:58,474 Speaker 2: that the cars of cars, that seems like a cheat 87 00:03:58,474 --> 00:04:00,434 Speaker 2: code once they get out of the maze as cars. 88 00:04:00,474 --> 00:04:01,354 Speaker 3: Okay, yeah, okay. 89 00:04:01,634 --> 00:04:04,034 Speaker 2: So anyway, he was re kind of branded by Hollywood 90 00:04:04,034 --> 00:04:05,674 Speaker 2: as an action star. But when I watched him on 91 00:04:05,674 --> 00:04:07,874 Speaker 2: this press tour, he's such a good Oh he's. 92 00:04:07,794 --> 00:04:08,314 Speaker 3: Such a goof. 93 00:04:08,394 --> 00:04:10,194 Speaker 2: He's so silly and he was like wearing even like 94 00:04:10,234 --> 00:04:12,434 Speaker 2: pajama pants and stuff, and I was like, okay, try 95 00:04:12,434 --> 00:04:12,994 Speaker 2: to be quirky. 96 00:04:13,074 --> 00:04:16,074 Speaker 3: Okay, pickname. Yeah, So they're in the movie. 97 00:04:16,194 --> 00:04:19,474 Speaker 1: They're in the movie. He plays this guy named Bradley Preston. 98 00:04:19,714 --> 00:04:23,674 Speaker 1: She plays this girl named Linda little good name, good, 99 00:04:23,753 --> 00:04:27,033 Speaker 1: great name. So he has just inherited his dad's company 100 00:04:27,073 --> 00:04:28,794 Speaker 1: because his dad passed away. So he's like this big 101 00:04:28,873 --> 00:04:32,154 Speaker 1: CEO guy. Linda Little is like the girl in accounting. 102 00:04:32,594 --> 00:04:34,993 Speaker 1: No one really likes it. Okay, this is the thing, right, 103 00:04:35,354 --> 00:04:38,674 Speaker 1: So they made Rachel mccadams that quote unquote ugly girl 104 00:04:40,953 --> 00:04:44,433 Speaker 1: and it works. She plays her character so well, like 105 00:04:44,433 --> 00:04:48,594 Speaker 1: you're so grossed out, Like she's got a piece of 106 00:04:48,594 --> 00:04:50,753 Speaker 1: food on her like her lip, and like the camera 107 00:04:50,794 --> 00:04:54,234 Speaker 1: just assooms them out like she does it so so well. 108 00:04:54,553 --> 00:04:56,713 Speaker 1: So she's kind of like this accountant. She really really 109 00:04:56,753 --> 00:04:59,594 Speaker 1: wants a big promotion. She lives at home by herself 110 00:04:59,594 --> 00:05:00,234 Speaker 1: with her bird. 111 00:05:01,113 --> 00:05:03,633 Speaker 2: Okay, why is it always a sad woman living at 112 00:05:03,633 --> 00:05:04,394 Speaker 2: home by herself? 113 00:05:04,433 --> 00:05:07,633 Speaker 1: And she loves great and she loves survivors so so much. 114 00:05:08,834 --> 00:05:10,393 Speaker 3: Hey, I was wondering how that was going to come in. 115 00:05:10,674 --> 00:05:14,393 Speaker 1: She loves she loves the survivor and birds so much. 116 00:05:14,794 --> 00:05:17,593 Speaker 1: And then Bradley comes in. His dad promised her a promotion, 117 00:05:17,674 --> 00:05:20,274 Speaker 1: and Bradley's like, classic, actually I'm not going to give 118 00:05:20,274 --> 00:05:22,753 Speaker 1: it to you, but you know what, as like a 119 00:05:22,753 --> 00:05:24,433 Speaker 1: little make good you can come along with me to 120 00:05:24,513 --> 00:05:27,073 Speaker 1: Hong Kong and like show me the ropes. As they're 121 00:05:27,113 --> 00:05:30,153 Speaker 1: going to Hong Kong, they're playing Crash. This happens in 122 00:05:30,154 --> 00:05:36,354 Speaker 1: the first five minutes they're plane crashes, and then they're 123 00:05:36,354 --> 00:05:38,953 Speaker 1: the only two survivors and now they're stuck on this 124 00:05:39,034 --> 00:05:42,234 Speaker 1: remote island. And guess what. She's the only one who's 125 00:05:42,234 --> 00:05:45,474 Speaker 1: watched Survivor, so she knows what to do. She knows 126 00:05:45,474 --> 00:05:45,873 Speaker 1: what to do. 127 00:05:45,953 --> 00:05:47,433 Speaker 3: She's got the hot tips from Jeff Pros. 128 00:05:47,474 --> 00:05:49,593 Speaker 1: Yeah, and he's just an asshole CEO. 129 00:05:49,794 --> 00:05:52,633 Speaker 2: Well, he's like a little Nepo baby rich boy, and 130 00:05:52,633 --> 00:05:55,154 Speaker 2: he's wearing loafers the whole time, even after the plane crash. 131 00:05:55,154 --> 00:05:56,833 Speaker 1: I don't know how they stayed on, honestly. 132 00:05:57,313 --> 00:05:58,914 Speaker 3: Is it like when she wears heels in Jurassic World 133 00:05:58,953 --> 00:05:59,714 Speaker 3: and you're like, just take them off. 134 00:05:59,834 --> 00:06:04,313 Speaker 1: Yeah, she's running in bare feet, Rosie Huntington in Transformers 135 00:06:04,354 --> 00:06:06,953 Speaker 1: three heels and running on robots Like, how are you doing? 136 00:06:07,393 --> 00:06:08,633 Speaker 3: Yeah, okay, so he's got his life. 137 00:06:08,674 --> 00:06:10,313 Speaker 2: I will say, if you wear heels all the time, 138 00:06:10,433 --> 00:06:12,633 Speaker 2: like I can run on a hill all right. Yeah, 139 00:06:12,633 --> 00:06:14,874 Speaker 2: I'm just saying sorry, I'm just saying sometimes if that's 140 00:06:14,914 --> 00:06:18,153 Speaker 2: what you're used to wearing, like you're using Carrie Bradshaw's 141 00:06:18,154 --> 00:06:21,033 Speaker 2: sprint down the street flats, she wouldn't be. 142 00:06:20,993 --> 00:06:25,034 Speaker 3: Able to move her heels. She runs that's an important 143 00:06:25,034 --> 00:06:27,153 Speaker 3: point of you were surviving this situation. 144 00:06:27,274 --> 00:06:31,393 Speaker 1: Yeah, the little doesn't wear heels. She wears like brown 145 00:06:31,474 --> 00:06:37,593 Speaker 1: like tie up that he hates you like zoom In's 146 00:06:37,594 --> 00:06:39,713 Speaker 1: on shoes all the time. Okay, so shoes are a 147 00:06:39,714 --> 00:06:42,674 Speaker 1: big part of this movie anyway. So then now trapped 148 00:06:42,714 --> 00:06:44,993 Speaker 1: on this island and then you kind of go it 149 00:06:45,113 --> 00:06:50,794 Speaker 1: becomes so horrific, Like it's pure gory horror, dark comedy horror. 150 00:06:50,834 --> 00:06:53,193 Speaker 1: So if you're not into like slasher gore. 151 00:06:53,313 --> 00:06:55,153 Speaker 2: That is so interesting because I knew it was Sam 152 00:06:55,234 --> 00:06:57,674 Speaker 2: Raimi doing it and like his kind of movie he makes. 153 00:06:57,714 --> 00:07:00,193 Speaker 2: But from the marketing, I kind of do think it 154 00:07:00,274 --> 00:07:02,753 Speaker 2: was more of like a workplace comedy, but like on 155 00:07:02,794 --> 00:07:03,393 Speaker 2: an island. 156 00:07:03,553 --> 00:07:06,393 Speaker 1: No, no, No, that's how. 157 00:07:06,274 --> 00:07:09,313 Speaker 3: This movie well, well that's how these movies traditionally. 158 00:07:09,274 --> 00:07:11,153 Speaker 1: Had bits of that where you it's one of those 159 00:07:11,194 --> 00:07:13,674 Speaker 1: movies where you actually don't know what's going to happen next. 160 00:07:13,834 --> 00:07:16,994 Speaker 1: You're always like freaking out, like me, I can't do horror. 161 00:07:17,114 --> 00:07:18,874 Speaker 3: No, so like, oh, are you on the floor? 162 00:07:19,154 --> 00:07:20,874 Speaker 2: No, Because the thing is because whenever I go to 163 00:07:20,874 --> 00:07:22,594 Speaker 2: the movies with Emily watch a scary movie, I look 164 00:07:22,634 --> 00:07:23,634 Speaker 2: over on the floor. 165 00:07:23,834 --> 00:07:25,274 Speaker 3: They had to go. That's a valid reaction. 166 00:07:25,674 --> 00:07:27,674 Speaker 1: Usually i'd be on the floor like that. But with 167 00:07:27,754 --> 00:07:29,954 Speaker 1: this movie, you actually didn't know what was going to 168 00:07:29,994 --> 00:07:32,714 Speaker 1: happen next, Like there wasn't any like music or anything 169 00:07:32,754 --> 00:07:35,034 Speaker 1: that would like allude to a scary scene about it 170 00:07:35,034 --> 00:07:37,314 Speaker 1: would just like happen. And then I just freak out 171 00:07:37,354 --> 00:07:39,194 Speaker 1: because I've just watched the whole thing because no one 172 00:07:39,234 --> 00:07:40,074 Speaker 1: gave me a pre vode. 173 00:07:40,794 --> 00:07:43,074 Speaker 4: That's why I was scared, because the poster, like what 174 00:07:43,114 --> 00:07:44,914 Speaker 4: you're saying about the trailer true, but also then the 175 00:07:44,914 --> 00:07:46,593 Speaker 4: post is so bloody. 176 00:07:46,754 --> 00:07:47,033 Speaker 3: There's a. 177 00:07:48,674 --> 00:07:51,114 Speaker 2: Scarfferent genres because there's like people who are odds with 178 00:07:51,154 --> 00:07:53,153 Speaker 2: each other gets stranded on an island, they fall in love, 179 00:07:53,154 --> 00:07:53,953 Speaker 2: Like we've that movie. 180 00:07:53,874 --> 00:07:54,554 Speaker 3: A million times. 181 00:07:54,594 --> 00:07:57,754 Speaker 2: Yeah, exactly, classic Romancing the Stone, Like there's all these 182 00:07:57,834 --> 00:08:02,314 Speaker 2: kind of like classic movies about like a yeah, yeah. 183 00:08:02,034 --> 00:08:03,913 Speaker 1: This is like gross horror. And the good thing about 184 00:08:03,953 --> 00:08:06,514 Speaker 1: this is like while I was watching it, I kept 185 00:08:06,554 --> 00:08:09,914 Speaker 1: switching some who I like more. That's fun because like 186 00:08:09,914 --> 00:08:13,153 Speaker 1: they just play those characters they're acting in this like yeah, 187 00:08:13,314 --> 00:08:16,354 Speaker 1: oh my god, is beyond okay. Like I haven't seen 188 00:08:16,434 --> 00:08:18,114 Speaker 1: two of them in a role like this, and they 189 00:08:18,194 --> 00:08:20,314 Speaker 1: just go all out and it's like the zoom in 190 00:08:20,514 --> 00:08:22,954 Speaker 1: on their face and like what they don't say, and 191 00:08:22,994 --> 00:08:25,874 Speaker 1: like the facial expressions. Like the camera work is amazing, 192 00:08:25,874 --> 00:08:27,754 Speaker 1: the scenery is amazing. But oh my god. And then 193 00:08:27,794 --> 00:08:30,794 Speaker 1: when I saw him my whole Walk of Fame, Oh yeah, 194 00:08:30,953 --> 00:08:32,194 Speaker 1: I'm like, oh thank god, they're friends. 195 00:08:33,034 --> 00:08:35,473 Speaker 3: They see through me really close in real life, which 196 00:08:35,514 --> 00:08:36,114 Speaker 3: is very cute. 197 00:08:36,114 --> 00:08:38,113 Speaker 1: There's no way they couldn't have been doing some of 198 00:08:38,154 --> 00:08:41,674 Speaker 1: those scenes. Okay, okay, yeah, you guys have to watch it. 199 00:08:41,754 --> 00:08:43,274 Speaker 3: And there's a big plot twist at the end. 200 00:08:43,434 --> 00:08:46,953 Speaker 1: Yeah, there's like multiple plot twists in between, but it's 201 00:08:46,994 --> 00:08:47,914 Speaker 1: like a big one at the Kay. 202 00:08:48,034 --> 00:08:49,154 Speaker 3: So you're a own scaredy cat. 203 00:08:49,194 --> 00:08:51,194 Speaker 2: So you're saying that, like, you can watch it if 204 00:08:51,194 --> 00:08:52,674 Speaker 2: you're here with a bit of body, like a bit 205 00:08:52,674 --> 00:08:53,514 Speaker 2: of physical horror. 206 00:08:53,514 --> 00:08:55,834 Speaker 1: It's not like cheap jump scare horror. I got it. 207 00:08:55,834 --> 00:08:57,634 Speaker 1: It's just really creepy and gross and eerie. 208 00:08:57,874 --> 00:08:59,114 Speaker 3: Yeah, but we can survive that. 209 00:08:59,194 --> 00:08:59,354 Speaker 2: Yeah. 210 00:08:59,514 --> 00:09:01,914 Speaker 1: Yeah, and you have to watch their performances. Oh, like yeah, 211 00:09:01,994 --> 00:09:02,314 Speaker 1: it's so. 212 00:09:02,434 --> 00:09:04,474 Speaker 3: And do you think if people can see that the movies? 213 00:09:04,514 --> 00:09:05,314 Speaker 3: Is that the vibe? 214 00:09:05,594 --> 00:09:07,514 Speaker 1: Yes, the surround sound? 215 00:09:08,714 --> 00:09:10,954 Speaker 2: Oh my god, well I just think you get snacks 216 00:09:11,034 --> 00:09:13,394 Speaker 2: or no? Obviously, yes, who goes to a movie with 217 00:09:13,394 --> 00:09:14,314 Speaker 2: that snacks? 218 00:09:14,154 --> 00:09:15,914 Speaker 3: That's question? Is the match? 219 00:09:15,954 --> 00:09:17,354 Speaker 1: But then you always eat them before the movie. 220 00:09:17,434 --> 00:09:20,114 Speaker 3: That's so true, Sorry, dumb question. I save my SATs 221 00:09:20,154 --> 00:09:21,714 Speaker 3: for during the movie. And I know you know what 222 00:09:21,754 --> 00:09:24,354 Speaker 3: you get? You get a massive glass of wine. True. 223 00:09:24,554 --> 00:09:25,794 Speaker 3: And if I had. 224 00:09:26,154 --> 00:09:28,194 Speaker 1: Before I watch that, I'd be tripped. I did have 225 00:09:28,194 --> 00:09:29,034 Speaker 1: a life befforeting it. 226 00:09:29,514 --> 00:09:31,154 Speaker 3: Were you scared when you went home? 227 00:09:31,514 --> 00:09:31,754 Speaker 1: No? 228 00:09:31,914 --> 00:09:34,474 Speaker 3: Great, No, I'm going I'm not getting I'm not getting shipwrecked. 229 00:09:34,514 --> 00:09:37,314 Speaker 3: I'm not going to situation. I'm going to find myself 230 00:09:37,354 --> 00:09:38,234 Speaker 3: in cool. 231 00:09:40,594 --> 00:09:42,954 Speaker 1: Send help exclamation points in Cinema's now. 232 00:09:43,074 --> 00:09:45,754 Speaker 2: Yeah, so watch send Help, watch The Maze Runner, and 233 00:09:45,794 --> 00:09:47,713 Speaker 2: watch Team Wolf. Is what we've taken away from the 234 00:09:47,794 --> 00:09:48,434 Speaker 2: great Creation. 235 00:09:48,634 --> 00:09:51,154 Speaker 4: Also, dare I say it's a long time like spill listener, 236 00:09:51,434 --> 00:09:53,953 Speaker 4: That might be the best description you've ever done. 237 00:09:54,034 --> 00:09:56,794 Speaker 3: You did so well. I was holding my breath through that. 238 00:09:56,834 --> 00:09:58,634 Speaker 1: I was too nervous because I knew neither of you 239 00:09:58,674 --> 00:10:00,354 Speaker 1: had seen it. So I was like, oh god, I'm 240 00:10:00,394 --> 00:10:01,314 Speaker 1: getting no healthy. 241 00:10:01,154 --> 00:10:03,794 Speaker 2: Because if we have any new listeners. Emily famously will 242 00:10:03,834 --> 00:10:08,234 Speaker 2: watch an entire movie series, sometimes more all times, and 243 00:10:08,234 --> 00:10:10,034 Speaker 2: then I'll say, Okay, tell the listeners what it's about. 244 00:10:10,114 --> 00:10:10,794 Speaker 3: Can't do it, but. 245 00:10:10,794 --> 00:10:12,194 Speaker 1: Let's go listen to when I had to send in 246 00:10:12,194 --> 00:10:14,354 Speaker 1: a voice note about Zoo. That's all. 247 00:10:14,434 --> 00:10:16,954 Speaker 3: You'll don't know what that movie is about. Neither do I. 248 00:10:18,514 --> 00:10:21,794 Speaker 1: One of my favorites be'st me with the year. 249 00:10:23,794 --> 00:10:26,354 Speaker 2: Okay, well, change in tact only slightly, because I would 250 00:10:26,394 --> 00:10:29,674 Speaker 2: say the stakes in this recommendation are also very life 251 00:10:29,714 --> 00:10:31,714 Speaker 2: and death and very high. And that is the new 252 00:10:31,794 --> 00:10:32,834 Speaker 2: season of Bridgington. 253 00:10:33,234 --> 00:10:34,754 Speaker 1: I have not phone of Kite since I was a 254 00:10:34,754 --> 00:10:35,274 Speaker 1: little girl. 255 00:10:35,314 --> 00:10:35,954 Speaker 2: I just go to be. 256 00:10:35,954 --> 00:10:37,394 Speaker 1: Reminded of such happy memories. 257 00:10:37,794 --> 00:10:40,394 Speaker 3: Go on. Oh no, I am content to observe. 258 00:10:40,714 --> 00:10:44,634 Speaker 1: I insists unless what you're concerned you might have a 259 00:10:44,634 --> 00:10:45,154 Speaker 1: bit of fun. 260 00:10:45,834 --> 00:10:51,154 Speaker 3: You're all right because it's mindicult. Thank you, Brigiton. You 261 00:10:51,314 --> 00:10:54,794 Speaker 3: go go. 262 00:10:55,954 --> 00:10:57,954 Speaker 2: So we have Tina Burke here just because we love 263 00:10:57,994 --> 00:10:59,954 Speaker 2: having you on the pod, but also because you are 264 00:11:00,034 --> 00:11:02,634 Speaker 2: the Bridgish and Oracle. So you have watched this new season. 265 00:11:02,794 --> 00:11:04,794 Speaker 2: The first half only came out last night. You've watched 266 00:11:04,834 --> 00:11:07,634 Speaker 2: every episode twice at least already because we got the 267 00:11:07,634 --> 00:11:10,194 Speaker 2: screens early. You've read the book that it's based on 268 00:11:10,474 --> 00:11:14,034 Speaker 2: multiple times, that's all. And you've interviewed the cast and showrunner, 269 00:11:14,594 --> 00:11:15,154 Speaker 2: so you're. 270 00:11:14,994 --> 00:11:17,314 Speaker 3: You're in the weeds. You're in the depths of this. 271 00:11:21,874 --> 00:11:26,674 Speaker 1: Same movie plot and reading the re reading reading the book. 272 00:11:26,714 --> 00:11:31,194 Speaker 4: Why, Yes, it's Benedict Bridge, Yes, and so it were 273 00:11:31,234 --> 00:11:34,794 Speaker 4: you excited about him, you were about him being the lead? 274 00:11:35,114 --> 00:11:38,034 Speaker 3: Yeah, So I'm an Anthony and Kate gal like that. 275 00:11:38,234 --> 00:11:40,434 Speaker 3: In my opinion, season. 276 00:11:40,234 --> 00:11:42,274 Speaker 1: I think it's most people, Yeah, it was. 277 00:11:42,794 --> 00:11:44,994 Speaker 2: People don't like it and they're crazy and those people 278 00:11:44,994 --> 00:11:47,034 Speaker 2: are wrong. Those people are wrong, and I'm brave enough 279 00:11:47,034 --> 00:11:47,754 Speaker 2: to say it. 280 00:11:47,794 --> 00:11:50,474 Speaker 4: But their book was really really strong, but then the 281 00:11:50,514 --> 00:11:53,114 Speaker 4: season diverted from the book, so as like someone who'd 282 00:11:53,114 --> 00:11:54,994 Speaker 4: read the book and also just like loved the show 283 00:11:55,034 --> 00:11:57,354 Speaker 4: and those actors like had a fabulous time in that season. 284 00:11:57,394 --> 00:11:59,074 Speaker 4: I think it's the best one they've done. 285 00:11:59,274 --> 00:12:02,194 Speaker 2: This is my new season with Benedict is the best 286 00:12:02,194 --> 00:12:05,314 Speaker 2: British and season of all well, I thought Anthony was, 287 00:12:05,594 --> 00:12:08,154 Speaker 2: and then now I'm not entirely sure. I haven't seen 288 00:12:08,274 --> 00:12:12,914 Speaker 2: all of this season, but this is living up. Wow. 289 00:12:13,194 --> 00:12:14,194 Speaker 3: We're gonna have to see where. 290 00:12:14,074 --> 00:12:17,994 Speaker 4: It goes because it really really ends on a cliffhanger 291 00:12:18,034 --> 00:12:19,234 Speaker 4: at the end of part one and we've got to 292 00:12:19,234 --> 00:12:21,274 Speaker 4: wait like a whole month now for part two. But 293 00:12:21,354 --> 00:12:23,034 Speaker 4: this is I think maybe it's going to be on 294 00:12:23,114 --> 00:12:25,194 Speaker 4: par at the very least as the best one they've done. 295 00:12:25,794 --> 00:12:26,674 Speaker 1: Do they have Yearning? 296 00:12:26,994 --> 00:12:29,474 Speaker 3: There's so much that we want. 297 00:12:29,514 --> 00:12:32,394 Speaker 4: It's kind of in built to the plot of this 298 00:12:32,434 --> 00:12:34,674 Speaker 4: season because you couldn't really do this season without it 299 00:12:34,714 --> 00:12:36,314 Speaker 4: just being all about yearning, which is kind of why 300 00:12:36,354 --> 00:12:38,074 Speaker 4: I think it's like Kate and Anthony because there's like 301 00:12:38,074 --> 00:12:40,874 Speaker 4: a forbidden element. So if anyone who doesn't know or 302 00:12:40,874 --> 00:12:42,474 Speaker 4: like is deciding whether or not they want to watch it. 303 00:12:42,514 --> 00:12:45,354 Speaker 4: This season follows Benedict, who's like our second brother, the 304 00:12:45,474 --> 00:12:46,074 Speaker 4: artzy guy. 305 00:12:46,154 --> 00:12:47,554 Speaker 3: He was already hot, So we didn't really need a 306 00:12:47,554 --> 00:12:49,434 Speaker 3: bridget and glow up because why would you need that? 307 00:12:49,794 --> 00:12:51,874 Speaker 2: Is that something that we think the men get a 308 00:12:51,874 --> 00:12:55,354 Speaker 2: bridgeton globe each season when it's their season, they get 309 00:12:55,394 --> 00:12:55,874 Speaker 2: a glow up? 310 00:12:55,954 --> 00:12:58,874 Speaker 1: Yeah, them just losing their sideburns. 311 00:12:58,914 --> 00:13:04,554 Speaker 2: It's losing sideburns. I've not noticed this kind of saying, well, 312 00:13:04,594 --> 00:13:06,314 Speaker 2: you don't notice it at the time because right like 313 00:13:06,354 --> 00:13:08,034 Speaker 2: season one, Anthony, like I still thought he was fine 314 00:13:08,074 --> 00:13:10,034 Speaker 2: because it's Jonathan Bailey come on, yeah, he had like 315 00:13:10,114 --> 00:13:13,114 Speaker 2: mutton chops really yeah, and then in season two he's 316 00:13:13,114 --> 00:13:15,234 Speaker 2: suddenly like got like a short, snappy dude. 317 00:13:15,354 --> 00:13:17,114 Speaker 3: Yeah, and like I thought that more. 318 00:13:17,154 --> 00:13:18,754 Speaker 2: In season one they were just trying to be a 319 00:13:18,754 --> 00:13:21,634 Speaker 2: bit more historically accurate, and by season three they're like 320 00:13:22,314 --> 00:13:23,634 Speaker 2: what the hell, we don't care. 321 00:13:23,634 --> 00:13:25,954 Speaker 1: We're already playing. 322 00:13:26,554 --> 00:13:28,674 Speaker 2: They were like, put high lighter on those girls. Everyone's 323 00:13:28,714 --> 00:13:30,834 Speaker 2: got like a filler with a bit of Charlotte Tillbury lip. 324 00:13:31,674 --> 00:13:32,634 Speaker 3: Yeah, like yeah, yeah. 325 00:13:32,674 --> 00:13:35,234 Speaker 4: There's also a distinct difference between the costuming in like 326 00:13:35,274 --> 00:13:36,634 Speaker 4: season one and then season. 327 00:13:36,754 --> 00:13:39,074 Speaker 2: Four they decided to just be hot, and I respect it. 328 00:13:39,114 --> 00:13:41,474 Speaker 2: They just went let's be hot, and I was like great. 329 00:13:41,594 --> 00:13:41,794 Speaker 3: Yeah. 330 00:13:41,914 --> 00:13:44,474 Speaker 2: So season four Benedicta gets he's like mini good, but 331 00:13:44,474 --> 00:13:45,794 Speaker 2: it was hard to do because he's already hot. 332 00:13:45,914 --> 00:13:46,914 Speaker 3: So he's the artsy one. 333 00:13:46,954 --> 00:13:48,634 Speaker 2: He's been a bit of a rake, which is just 334 00:13:48,674 --> 00:13:50,674 Speaker 2: like Regency era slang for being a bit of. 335 00:13:50,594 --> 00:13:51,953 Speaker 3: A slut all the time. 336 00:13:52,194 --> 00:13:54,354 Speaker 2: When do we have we have something that's coming up 337 00:13:54,354 --> 00:13:55,954 Speaker 2: on a lot of our meetings, and this goes to 338 00:13:55,954 --> 00:13:57,634 Speaker 2: show that, like when you're as high level as we 339 00:13:57,674 --> 00:13:59,434 Speaker 2: are at this company, you talk about the big things 340 00:13:59,594 --> 00:14:00,834 Speaker 2: We've decided to bring Rake. 341 00:14:00,754 --> 00:14:02,274 Speaker 3: Back in a huge way. 342 00:14:02,514 --> 00:14:04,594 Speaker 2: So next time, Emily, you have a dating disaster, or 343 00:14:04,634 --> 00:14:06,914 Speaker 2: we meet someone, or we have something bit of a 344 00:14:07,234 --> 00:14:08,874 Speaker 2: rake a scoundrel, or I also want to. 345 00:14:08,794 --> 00:14:11,354 Speaker 3: Bring back Cad. Yeah that's a bit of fun. 346 00:14:11,394 --> 00:14:14,314 Speaker 2: Okay, yeah for me things to discuss, Well, I think 347 00:14:14,394 --> 00:14:16,234 Speaker 2: the fuck boy has lost all meetings, so we need 348 00:14:16,274 --> 00:14:18,394 Speaker 2: to move past it out. So so now and they're 349 00:14:18,394 --> 00:14:20,874 Speaker 2: a rake, everyone else start using that in your every day. 350 00:14:22,634 --> 00:14:24,834 Speaker 1: I'm really interested in this season because I didn't like, 351 00:14:24,874 --> 00:14:25,954 Speaker 1: you don't hear much. 352 00:14:25,834 --> 00:14:28,994 Speaker 2: About him the background, like being bisexual and painting, like 353 00:14:29,074 --> 00:14:29,674 Speaker 2: he's not doing it. 354 00:14:29,754 --> 00:14:31,914 Speaker 1: So didn't they allude to his like that. 355 00:14:31,834 --> 00:14:34,034 Speaker 4: He liked men, Yes, and then so that's still a 356 00:14:34,074 --> 00:14:36,314 Speaker 4: little bit of a feature this season. But his whole 357 00:14:36,314 --> 00:14:37,914 Speaker 4: thing has been like he didn't want to settle down, 358 00:14:37,954 --> 00:14:39,474 Speaker 4: Like he's like all the men in Bridgerton and they're like, 359 00:14:39,674 --> 00:14:41,194 Speaker 4: I just want to be free, and then suddenly they 360 00:14:41,234 --> 00:14:42,594 Speaker 4: meet the one woman that changes their mind. 361 00:14:42,794 --> 00:14:46,194 Speaker 2: But once they're in there, like where is it, Like 362 00:14:46,194 --> 00:14:49,034 Speaker 2: I am seventeen and unmarried yellowies, He's like, I'm twenty 363 00:14:49,074 --> 00:14:49,834 Speaker 2: one and I'm on the sholf. 364 00:14:50,514 --> 00:14:53,074 Speaker 3: But also historically accurate, correct and true. 365 00:14:53,194 --> 00:14:55,474 Speaker 4: But yeah, so Benedict's like kind of had a journey 366 00:14:55,514 --> 00:14:57,874 Speaker 4: of the last few seasons, like we saw him have 367 00:14:57,874 --> 00:14:58,434 Speaker 4: at Threesome. 368 00:14:58,554 --> 00:14:59,714 Speaker 3: I saw him experimenting. 369 00:14:59,754 --> 00:15:01,674 Speaker 4: He went to this new bohemian world and he like 370 00:15:01,914 --> 00:15:02,954 Speaker 4: kissed men, kissed women. 371 00:15:03,034 --> 00:15:05,794 Speaker 3: Did a lot more than that journey because he was hot. 372 00:15:05,834 --> 00:15:08,594 Speaker 3: Now he's hot. I was like, that is a journey. 373 00:15:08,634 --> 00:15:10,114 Speaker 4: Even on a journey of discovering it, there was like 374 00:15:10,114 --> 00:15:12,554 Speaker 4: more outside of his like region sexual distollery, like he's 375 00:15:12,634 --> 00:15:14,594 Speaker 4: outside of the ton. And then so where we find 376 00:15:14,634 --> 00:15:16,754 Speaker 4: him now, he's like Anthony's gone on a journey, which 377 00:15:16,794 --> 00:15:19,074 Speaker 4: fans are not happy about. Anthony and Kate don't feature 378 00:15:19,074 --> 00:15:19,954 Speaker 4: in this season. 379 00:15:21,154 --> 00:15:21,674 Speaker 1: At all. 380 00:15:21,754 --> 00:15:24,234 Speaker 3: Jonathan Bailey's booked him busy, and so is Simone Ashley. 381 00:15:24,274 --> 00:15:26,754 Speaker 3: I mean, she got respect your roots, but also I 382 00:15:26,754 --> 00:15:27,434 Speaker 3: don't want to do it. 383 00:15:27,474 --> 00:15:30,114 Speaker 2: I think I think that the thing is like it 384 00:15:30,114 --> 00:15:32,554 Speaker 2: gets to there's a lot of story, It gets very convoluted, 385 00:15:32,594 --> 00:15:34,234 Speaker 2: and you've got to think if they're just passing around 386 00:15:34,234 --> 00:15:36,794 Speaker 2: the background of those scenes, they can't film anything else 387 00:15:36,834 --> 00:15:39,234 Speaker 2: for like five months while they're on set or like 388 00:15:39,274 --> 00:15:40,714 Speaker 2: a block of time, that's the same. 389 00:15:40,834 --> 00:15:43,154 Speaker 1: I guess now they're so famous that it wouldn't even 390 00:15:43,194 --> 00:15:45,554 Speaker 1: be like Anthony or just be Jonathan Bailey. 391 00:15:45,674 --> 00:15:46,234 Speaker 3: Yeah. 392 00:15:46,314 --> 00:15:49,274 Speaker 2: Yeah, So Anthony and Kate have gone to India, they're 393 00:15:49,274 --> 00:15:52,074 Speaker 2: not around Ashley ma'am. Yeah, I mean I'd love to 394 00:15:52,074 --> 00:15:53,114 Speaker 2: see that girl on my screen again. 395 00:15:53,154 --> 00:15:55,714 Speaker 3: Actually she popped back again, and we've got so many more. 396 00:15:55,914 --> 00:15:57,034 Speaker 1: You just give it a chance. 397 00:15:57,114 --> 00:15:59,034 Speaker 3: She's like, great, please make her the rom com lead 398 00:15:59,074 --> 00:15:59,634 Speaker 3: of everything. 399 00:15:59,714 --> 00:16:01,594 Speaker 2: Yeah. Well again she was then to like one of 400 00:16:01,594 --> 00:16:03,314 Speaker 2: the big stars of F one, right, which yeah, and 401 00:16:03,314 --> 00:16:05,474 Speaker 2: then they cut her nominated for Best Picture. 402 00:16:05,514 --> 00:16:06,914 Speaker 3: She could have gone to the they cut her. 403 00:16:07,434 --> 00:16:10,634 Speaker 1: Brad Pig could have a love interest, which we all 404 00:16:10,634 --> 00:16:11,434 Speaker 1: definitely wanted to. 405 00:16:11,354 --> 00:16:13,914 Speaker 4: Say because no one wanted to see dancing insure since 406 00:16:13,914 --> 00:16:17,114 Speaker 4: Simone Ashley exactly would want that. So yeah, sadly we 407 00:16:17,114 --> 00:16:19,394 Speaker 4: won't see her this season, at least so far apart one. 408 00:16:19,434 --> 00:16:21,554 Speaker 4: But it does mean that Benedict's like having to do 409 00:16:21,634 --> 00:16:23,394 Speaker 4: the older brother stuff in the house. 410 00:16:23,634 --> 00:16:24,194 Speaker 3: He's bored. 411 00:16:25,594 --> 00:16:27,634 Speaker 2: Violet bridgeton the mom is like, you got to get 412 00:16:27,674 --> 00:16:29,714 Speaker 2: your act together, Like she's always on one of her kids. 413 00:16:29,754 --> 00:16:30,634 Speaker 3: This time it's Bennetty. 414 00:16:30,754 --> 00:16:30,914 Speaker 2: Yeah. 415 00:16:31,034 --> 00:16:32,794 Speaker 3: So she throws a musquerade. 416 00:16:32,234 --> 00:16:34,194 Speaker 1: Ball because it's social seasons. 417 00:16:34,234 --> 00:16:36,234 Speaker 4: It's social season, and she is the first ball of 418 00:16:36,274 --> 00:16:39,274 Speaker 4: the season and it's the Maskarade, and it's like the 419 00:16:39,314 --> 00:16:41,714 Speaker 4: same thing as every season, Benedict, when you please come 420 00:16:41,754 --> 00:16:44,354 Speaker 4: and mingle and like meet a nice lady. And he's 421 00:16:44,354 --> 00:16:46,034 Speaker 4: meeting all the eligible women of the town and he 422 00:16:46,074 --> 00:16:48,274 Speaker 4: hates all it guts because you know, they're fancy women, 423 00:16:48,594 --> 00:16:49,114 Speaker 4: because they're. 424 00:16:48,954 --> 00:16:50,234 Speaker 2: All just had here trying to get a husband, and 425 00:16:50,274 --> 00:16:53,554 Speaker 2: he thinks they're beneath him. And the thing is about 426 00:16:53,554 --> 00:16:55,074 Speaker 2: those women is like if they don't find a husband, 427 00:16:55,074 --> 00:16:57,234 Speaker 2: they're going to die the street. But like the stakes 428 00:16:57,274 --> 00:17:00,194 Speaker 2: are quite high. He's like, walk around me, like I'm 429 00:17:00,194 --> 00:17:03,794 Speaker 2: too desperate, Yes, exactly. And then across the ballroom he 430 00:17:03,834 --> 00:17:06,914 Speaker 2: sees a lady in silver, a mysterious woman with a mask, 431 00:17:07,154 --> 00:17:09,754 Speaker 2: and they cross paths and they share a conversation outside 432 00:17:09,754 --> 00:17:12,354 Speaker 2: and she calls him on his bullshit about women in 433 00:17:12,354 --> 00:17:13,994 Speaker 2: the ton, and like, the reason they're trying to impress 434 00:17:14,034 --> 00:17:16,634 Speaker 2: him so much is because, well, as discussed, they'll down 435 00:17:16,634 --> 00:17:18,313 Speaker 2: the streets if they don't find a husband. That's a 436 00:17:18,354 --> 00:17:19,314 Speaker 2: real feat, real thing. 437 00:17:19,754 --> 00:17:22,513 Speaker 4: And the women obviously are all very stressed, so they 438 00:17:22,514 --> 00:17:25,354 Speaker 4: have like a cute, flirty banter. They're both masked up, 439 00:17:25,594 --> 00:17:27,474 Speaker 4: and then clock strikes midnight. 440 00:17:27,834 --> 00:17:30,394 Speaker 3: Where's she gone? Oh she's gone? Sorry, Oh she's run away. 441 00:17:30,434 --> 00:17:31,154 Speaker 1: Okay, Cinderella. 442 00:17:31,234 --> 00:17:34,593 Speaker 2: Cinderella. So yes, this season is like a Cinderella story. 443 00:17:34,674 --> 00:17:35,434 Speaker 2: So I love that. 444 00:17:35,554 --> 00:17:37,194 Speaker 4: What it turns out to be, and this is not 445 00:17:37,274 --> 00:17:39,154 Speaker 4: spoilers because it's very much in the teaser and it's 446 00:17:39,154 --> 00:17:42,553 Speaker 4: all the promotional materials, is that this mysterious masked woman 447 00:17:42,714 --> 00:17:45,594 Speaker 4: is actually a maid for another household in the ton, 448 00:17:46,074 --> 00:17:49,194 Speaker 4: and then the two of them start crossing paths and 449 00:17:49,354 --> 00:17:51,794 Speaker 4: through some circumstances that happen that I won't spoil how 450 00:17:51,954 --> 00:17:54,513 Speaker 4: they end up being much closer together, like her as 451 00:17:54,554 --> 00:17:57,154 Speaker 4: the maid and him as Benedict Bridgeton, man of the town. 452 00:17:57,514 --> 00:17:59,474 Speaker 4: And he starts to wrestle with the fact that he 453 00:17:59,794 --> 00:18:02,554 Speaker 4: is has been chasing this masked woman ever since the ball, 454 00:18:02,554 --> 00:18:04,594 Speaker 4: and he wants to find her because she was perfect 455 00:18:04,594 --> 00:18:06,313 Speaker 4: and she could be the love of his life, but 456 00:18:06,354 --> 00:18:09,833 Speaker 4: he's also got the hots for this maid, and he's like, oh, 457 00:18:09,874 --> 00:18:12,114 Speaker 4: I really like both these women. I'm wrestling with that, 458 00:18:12,234 --> 00:18:14,714 Speaker 4: and he's like kind of too stupid to realize. 459 00:18:14,394 --> 00:18:18,074 Speaker 3: That, because because classic Cinderella story. 460 00:18:18,234 --> 00:18:20,793 Speaker 2: Hillary Duff is like, once a woman puts a mask on, 461 00:18:20,874 --> 00:18:23,994 Speaker 2: a man loses all knowledge of what she looks like. 462 00:18:24,034 --> 00:18:26,594 Speaker 3: And I did ask Jess Ronwell about it, and I 463 00:18:27,034 --> 00:18:31,114 Speaker 3: mentioned millennial woman have. 464 00:18:31,114 --> 00:18:35,234 Speaker 4: The same reference, and yeah, she was like, one, we're 465 00:18:35,274 --> 00:18:36,714 Speaker 4: gonna just have to a bit of like a willing 466 00:18:36,754 --> 00:18:39,914 Speaker 4: suspension of disbelief here, which I'm so like, that's fine, 467 00:18:39,954 --> 00:18:42,234 Speaker 4: fine by that, But she also said, like it is 468 00:18:42,354 --> 00:18:44,994 Speaker 4: part of this season's whole commentary which have done so well. 469 00:18:45,034 --> 00:18:46,994 Speaker 4: When can talk about his sex is like the class 470 00:18:46,994 --> 00:18:49,674 Speaker 4: device and how that plays out through everything. So she's like, 471 00:18:49,754 --> 00:18:53,714 Speaker 4: Benedict would not think that the beautiful woman he met 472 00:18:53,754 --> 00:18:56,114 Speaker 4: at a ball was a maid, so he just cannot 473 00:18:56,114 --> 00:18:57,954 Speaker 4: see what's right in front of him. That makes sense 474 00:18:58,074 --> 00:19:01,794 Speaker 4: because he's like so set on those class divisions in 475 00:19:01,874 --> 00:19:02,314 Speaker 4: his mind. 476 00:19:02,394 --> 00:19:04,434 Speaker 1: And I also bet he never asked her a question. 477 00:19:05,994 --> 00:19:08,274 Speaker 1: So many things can be so men start asking women 478 00:19:08,354 --> 00:19:11,714 Speaker 1: questions like what is your name? How do you do 479 00:19:11,874 --> 00:19:14,794 Speaker 1: your work? And she's like, I'm a maid. 480 00:19:14,874 --> 00:19:21,794 Speaker 3: Look because right there is one episode played by Australian. 481 00:19:21,394 --> 00:19:25,354 Speaker 2: Actress and she's so good. I want you watched the 482 00:19:25,394 --> 00:19:27,474 Speaker 2: first episode because I was just getting in the groove 483 00:19:27,514 --> 00:19:29,714 Speaker 2: of it, but like I'm just like so star struck 484 00:19:29,754 --> 00:19:31,834 Speaker 2: by what a leading lady she is and how good 485 00:19:31,954 --> 00:19:32,273 Speaker 2: she is and. 486 00:19:32,514 --> 00:19:34,553 Speaker 1: I'm so excited, Oh you're gonna be And does you 487 00:19:34,554 --> 00:19:35,474 Speaker 1: have an Australian accent? 488 00:19:35,674 --> 00:19:39,394 Speaker 3: No, she's an actor a different. 489 00:19:39,114 --> 00:19:41,394 Speaker 4: Accent, but she does a really good job of Like, yeah, 490 00:19:41,394 --> 00:19:43,714 Speaker 4: their chemistry first off is quite like it's obviously like 491 00:19:43,754 --> 00:19:45,594 Speaker 4: the opposite I guess to Kate and Anthony because like 492 00:19:45,634 --> 00:19:47,874 Speaker 4: their first encounter other than the horse riding was like 493 00:19:48,314 --> 00:19:51,394 Speaker 4: I hate you now, whereas this is like instant charm, 494 00:19:51,434 --> 00:19:53,394 Speaker 4: instant connection and then it's something else that happens. But 495 00:19:53,394 --> 00:19:57,634 Speaker 4: they have a beautiful like gazebo moment outside. Also very Cinderella. 496 00:19:57,234 --> 00:20:02,674 Speaker 3: Story, Yeah, I love her this whole season of Cinderella Story. 497 00:20:02,794 --> 00:20:04,834 Speaker 4: Yeah, and so kind of some other things that happened 498 00:20:04,834 --> 00:20:07,074 Speaker 4: that a Cinderella, which this book is very much just Cinderella. 499 00:20:07,314 --> 00:20:08,034 Speaker 3: There's an evil. 500 00:20:07,834 --> 00:20:11,154 Speaker 2: Stepmother character played by Katie Long who is Cho Chang 501 00:20:11,154 --> 00:20:13,313 Speaker 2: from Harry Potter. Obviously a million other things, but that 502 00:20:13,394 --> 00:20:14,434 Speaker 2: might be what people know her best. 503 00:20:14,474 --> 00:20:16,474 Speaker 3: Yeah, Yeah, I love that she's in there. Yeah, and 504 00:20:16,554 --> 00:20:18,714 Speaker 3: she's getting that moment brought like a really good way. 505 00:20:18,834 --> 00:20:23,914 Speaker 2: She's a stepmother whoa and she's very like I think 506 00:20:23,914 --> 00:20:25,714 Speaker 2: they've done such a good job of showing that thing, 507 00:20:25,794 --> 00:20:28,674 Speaker 2: like Kate Blanchette in the Disney Cinderella, where like you 508 00:20:28,714 --> 00:20:31,074 Speaker 2: don't like them, but you have empathy for them, Like 509 00:20:31,074 --> 00:20:33,474 Speaker 2: they're doing things or making decisions or behaving in ways 510 00:20:33,514 --> 00:20:34,994 Speaker 2: that you're like, oh, you fucking suck. 511 00:20:35,314 --> 00:20:36,594 Speaker 3: Sorry, I just swore, But. 512 00:20:38,194 --> 00:20:40,074 Speaker 2: Like, also she's played it so well that you just 513 00:20:40,074 --> 00:20:41,714 Speaker 2: have all this empathy for her, And she was just like, 514 00:20:41,754 --> 00:20:43,394 Speaker 2: I just wanted to find it in this character of 515 00:20:43,434 --> 00:20:46,033 Speaker 2: like what would I feel if you dropped me in 516 00:20:46,034 --> 00:20:48,154 Speaker 2: this time, in this situation and circumstance and there's just 517 00:20:48,194 --> 00:20:49,154 Speaker 2: a random child. 518 00:20:48,994 --> 00:20:51,593 Speaker 4: Here, How would I behave towards that person in these 519 00:20:51,594 --> 00:20:54,754 Speaker 4: same situations. So that's a really interesting story that unfold 520 00:20:54,834 --> 00:20:57,273 Speaker 4: And then how that unfolds throughout the series is it 521 00:20:57,314 --> 00:21:02,514 Speaker 4: causes like major maid mayhem in the town in the ton, 522 00:21:02,954 --> 00:21:06,634 Speaker 4: Like we've got maids swapping households. We've got a glimpse 523 00:21:06,634 --> 00:21:08,793 Speaker 4: into like the downstairs that we haven't had before, So 524 00:21:08,874 --> 00:21:10,994 Speaker 4: we see all of the servants of Bridgerton House, we 525 00:21:11,034 --> 00:21:12,434 Speaker 4: see the servants at like. 526 00:21:12,554 --> 00:21:17,914 Speaker 3: The Featherington downstairs. 527 00:21:17,954 --> 00:21:19,674 Speaker 4: Yeah, and they did a really good job and like 528 00:21:19,754 --> 00:21:21,674 Speaker 4: Jess spoke about how hard they tried to make sure 529 00:21:21,714 --> 00:21:24,634 Speaker 4: that like even like the tone will change in the music, 530 00:21:24,754 --> 00:21:26,994 Speaker 4: the lighting will change when you go downstairs, like the 531 00:21:27,074 --> 00:21:29,034 Speaker 4: pace will quicken, and then you go back upstairs and 532 00:21:29,074 --> 00:21:31,434 Speaker 4: it's like gentle and calm again. And they've also done 533 00:21:31,474 --> 00:21:34,274 Speaker 4: a good job of like distinguishing between like, yeah, you're 534 00:21:34,274 --> 00:21:36,074 Speaker 4: a servant, but if you're a servant in the Bridgeton 535 00:21:36,114 --> 00:21:39,714 Speaker 4: House a bit of fun, yeah, right, everyone everyone's flirting, 536 00:21:39,714 --> 00:21:41,674 Speaker 4: everyone's having a good time, and then if you're like 537 00:21:41,714 --> 00:21:43,354 Speaker 4: a servant in one of the other houses, you're having 538 00:21:43,354 --> 00:21:44,074 Speaker 4: a time. 539 00:21:46,634 --> 00:21:48,513 Speaker 3: Out of there. So yeah, there's like a really good 540 00:21:48,594 --> 00:21:49,074 Speaker 3: job of that. 541 00:21:49,114 --> 00:21:51,234 Speaker 4: And then they also sort of mirror it with like 542 00:21:51,314 --> 00:21:54,434 Speaker 4: some of the like higher up people. So Queen Charlotte 543 00:21:54,434 --> 00:21:56,994 Speaker 4: and Lady Danbury's relationship this season is like a really 544 00:21:56,994 --> 00:22:01,074 Speaker 4: interesting thread through the two divers. But obviously, like if 545 00:22:01,074 --> 00:22:03,194 Speaker 4: you've watched Queen Charlotte, it's like we all have like 546 00:22:03,474 --> 00:22:05,033 Speaker 4: you see a lot more of their friendship and how 547 00:22:05,034 --> 00:22:07,234 Speaker 4: it came to be. But then this season they're looking 548 00:22:07,234 --> 00:22:09,994 Speaker 4: it like how is their relationship mirrored to like a 549 00:22:10,034 --> 00:22:13,794 Speaker 4: servant and a noble person because Lady Danbury does kind 550 00:22:13,794 --> 00:22:16,474 Speaker 4: of work for the Queen essentially, Yeah, exactly, Yeah, And 551 00:22:16,514 --> 00:22:18,954 Speaker 4: they sort of do a really good job of showing 552 00:22:18,994 --> 00:22:20,914 Speaker 4: like what that would look like like if you were 553 00:22:20,914 --> 00:22:23,714 Speaker 4: best friends with like your boss slash queen, and how 554 00:22:23,754 --> 00:22:26,554 Speaker 4: that would play out when you want to leave town 555 00:22:26,674 --> 00:22:29,314 Speaker 4: or do something different with your life, move on from 556 00:22:29,314 --> 00:22:32,273 Speaker 4: this role of servitude. And then the Queen's sort of 557 00:22:32,274 --> 00:22:35,354 Speaker 4: in this weird position of like moving towards maybe having 558 00:22:35,354 --> 00:22:38,954 Speaker 4: to grieve her husband. As we know from the previous seasons, he's. 559 00:22:38,794 --> 00:22:41,273 Speaker 3: Not doing well. He's sick. He hasn't died yet, but 560 00:22:41,314 --> 00:22:42,634 Speaker 3: it's heading that way and they're not. 561 00:22:43,074 --> 00:22:47,354 Speaker 2: It's just a really beautiful storyline there, surrounding like grief 562 00:22:47,554 --> 00:22:50,874 Speaker 2: and friendship and like those conversations that you might not 563 00:22:50,914 --> 00:22:52,754 Speaker 2: have with friends. I just think there's such an interesting 564 00:22:53,234 --> 00:22:55,313 Speaker 2: thing to play with when you've got class as this 565 00:22:55,394 --> 00:22:57,273 Speaker 2: divider between every single character. 566 00:22:57,714 --> 00:22:59,634 Speaker 3: It's just been done really, really well, and I loved it. 567 00:22:59,914 --> 00:23:02,594 Speaker 1: I'm excited. So way would you slot it in terms 568 00:23:02,594 --> 00:23:04,513 Speaker 1: if you had to rank all of them, including the 569 00:23:04,594 --> 00:23:05,674 Speaker 1: Queen Charlotte? Cool? 570 00:23:05,754 --> 00:23:08,634 Speaker 3: Oh that's too. You have to need You have. 571 00:23:08,674 --> 00:23:15,794 Speaker 2: To so far Season two, Season four, Queen Charlotte Season one, 572 00:23:16,274 --> 00:23:16,954 Speaker 2: Season three. 573 00:23:19,234 --> 00:23:23,914 Speaker 3: Travers. We'll see how this season ends. 574 00:23:24,034 --> 00:23:25,394 Speaker 1: It makes me so excited to watch it though. 575 00:23:25,434 --> 00:23:27,434 Speaker 2: Oh it's so good and the yearning is beautiful that 576 00:23:27,594 --> 00:23:29,834 Speaker 2: like obviously the songs every time so good, like you've 577 00:23:29,834 --> 00:23:33,914 Speaker 2: got like enchanted Taylor Swift playing like such are good strings, 578 00:23:33,914 --> 00:23:36,034 Speaker 2: Like they've just done all of the best music choices, 579 00:23:36,114 --> 00:23:40,034 Speaker 2: and Benedict and Sophie's love story is just like primed 580 00:23:40,074 --> 00:23:42,474 Speaker 2: for that like Regency era yearning, because a maid and 581 00:23:42,514 --> 00:23:44,954 Speaker 2: a nobleman can't be so there's just all of these 582 00:23:44,994 --> 00:23:48,553 Speaker 2: really great like stares across room and like clashes of 583 00:23:48,594 --> 00:23:51,033 Speaker 2: like I dropped tea on the nobleman's hand, but like 584 00:23:51,274 --> 00:23:52,314 Speaker 2: we're also hooking up. 585 00:23:52,514 --> 00:23:52,994 Speaker 3: To hook up. 586 00:23:53,674 --> 00:23:56,553 Speaker 4: It's so good and they've done a really good job too, 587 00:23:56,594 --> 00:23:58,834 Speaker 4: if you've read the book, Like you go to Benedict's house. 588 00:23:58,834 --> 00:24:01,434 Speaker 4: He's got a house called my cottage, and like that's 589 00:24:01,434 --> 00:24:03,513 Speaker 4: in the In the show, there's a scene he has 590 00:24:03,514 --> 00:24:06,154 Speaker 4: a mister Darcy moment swimming and you see but and 591 00:24:06,274 --> 00:24:07,074 Speaker 4: that is in the show. 592 00:24:07,714 --> 00:24:09,994 Speaker 3: Where was that the trailer? Yeah, where was that? I 593 00:24:10,314 --> 00:24:11,914 Speaker 3: have sold the whole season, they wouldn't even need to 594 00:24:11,914 --> 00:24:12,314 Speaker 3: do press. 595 00:24:12,514 --> 00:24:15,714 Speaker 2: Yeah, and it ends on just the most scintillating cliffhangers 596 00:24:15,794 --> 00:24:17,794 Speaker 2: that I won't spoil but it's so good. 597 00:24:17,834 --> 00:24:19,754 Speaker 1: And then when's the next round out? 598 00:24:20,154 --> 00:24:22,794 Speaker 3: So the next four parts will drop in t six. 599 00:24:22,914 --> 00:24:23,994 Speaker 1: Okay, I'm so excited, but. 600 00:24:24,234 --> 00:24:26,634 Speaker 2: You've got time to really like settle into this one. Yeah, 601 00:24:26,674 --> 00:24:29,154 Speaker 2: watch these episodes. Yeah, and I think what you'll see 602 00:24:29,194 --> 00:24:30,994 Speaker 2: as well is like we know we're setting up then 603 00:24:31,034 --> 00:24:33,714 Speaker 2: towards like Eloise having her own season, Francesca having her 604 00:24:33,754 --> 00:24:35,194 Speaker 2: own season, and they're doing. 605 00:24:34,994 --> 00:24:36,594 Speaker 3: A really good job of that. 606 00:24:36,714 --> 00:24:39,274 Speaker 2: With Eloise, so she's sort of in her spinster era 607 00:24:39,554 --> 00:24:41,914 Speaker 2: and realizing that as much, really, as much as she 608 00:24:41,954 --> 00:24:44,074 Speaker 2: wanted to choose that it doesn't just mean getting to 609 00:24:44,074 --> 00:24:46,194 Speaker 2: be alone, because if you're a spinster in noble society, 610 00:24:46,434 --> 00:24:48,754 Speaker 2: you kind of get relegated to the background, and she 611 00:24:48,834 --> 00:24:50,714 Speaker 2: just has to take care of Hyacinth and play this 612 00:24:50,794 --> 00:24:52,754 Speaker 2: role she also doesn't want to play. So she's starting 613 00:24:52,794 --> 00:24:55,553 Speaker 2: to realize that maybe marriage is its own type of freedom, 614 00:24:55,674 --> 00:24:58,073 Speaker 2: and that's going to lead us to her story. And 615 00:24:58,114 --> 00:25:00,754 Speaker 2: then with Francesca, we've got her sort of like having 616 00:25:01,074 --> 00:25:05,114 Speaker 2: marital was she already Yeah, yeah, she's already married, but 617 00:25:05,154 --> 00:25:06,874 Speaker 2: that's not her technical. 618 00:25:06,514 --> 00:25:07,594 Speaker 3: Bridgeston line story. 619 00:25:07,794 --> 00:25:09,754 Speaker 1: Yes, yes, my mum told me something. 620 00:25:09,834 --> 00:25:11,554 Speaker 3: Yes, your mum knows all the time. 621 00:25:11,674 --> 00:25:14,034 Speaker 4: Yeah, so she's going to have her own one and 622 00:25:14,074 --> 00:25:18,914 Speaker 4: she ultimately falls for someone else. But it's all it's 623 00:25:18,954 --> 00:25:20,634 Speaker 4: all very I don't want to spoil anything, but it 624 00:25:20,634 --> 00:25:22,754 Speaker 4: will obviously be spoiled before the season comes down anyway, 625 00:25:22,754 --> 00:25:26,394 Speaker 4: because Bridges to Nowise announces it. But you will see 626 00:25:26,434 --> 00:25:29,033 Speaker 4: her starting to struggle in her relationship this season, and 627 00:25:29,074 --> 00:25:30,474 Speaker 4: like she I quite like I. 628 00:25:30,474 --> 00:25:32,793 Speaker 1: Would like that storyline because so if I've seen all 629 00:25:32,794 --> 00:25:35,354 Speaker 1: the Bridges and siblings, their stories are like who will 630 00:25:35,394 --> 00:25:37,594 Speaker 1: they end up with? And now we'll get to see 631 00:25:37,594 --> 00:25:40,553 Speaker 1: hers already knowing who she's with and then exploring that. 632 00:25:40,754 --> 00:25:43,794 Speaker 2: Start exploring that, and it's going to be so interesting 633 00:25:43,834 --> 00:25:46,194 Speaker 2: as well for people, Like I was cringing at parts 634 00:25:46,234 --> 00:25:50,154 Speaker 2: because there's just regency level conversations about sex between women 635 00:25:51,074 --> 00:25:53,114 Speaker 2: are so crazy because they don't know anything and they 636 00:25:53,114 --> 00:25:53,954 Speaker 2: can't share anything. 637 00:25:54,034 --> 00:25:55,754 Speaker 3: So there's just also like, yeah, there's is like a 638 00:25:55,754 --> 00:25:56,474 Speaker 3: bit of fun with that. 639 00:25:56,714 --> 00:25:59,954 Speaker 2: Amazing Tina, thank you so much. That very important debries 640 00:25:59,994 --> 00:26:01,634 Speaker 2: insights it's a lot to them. 641 00:26:01,754 --> 00:26:08,194 Speaker 3: So exciting. So didn't Season four Part. 642 00:26:07,954 --> 00:26:10,074 Speaker 2: One out now, Part two to come and a really 643 00:26:10,114 --> 00:26:11,434 Speaker 2: honest review to come apart one. 644 00:26:11,634 --> 00:26:14,594 Speaker 3: So much happening. Get excited, Get ready to swoon. 645 00:26:15,154 --> 00:26:17,634 Speaker 1: Thank you so much for listening to the Spill today. 646 00:26:17,834 --> 00:26:19,554 Speaker 1: If you love Bridge Tim and you need a quick 647 00:26:19,594 --> 00:26:22,714 Speaker 1: catch up before season four, our sister podcast watch Party 648 00:26:22,754 --> 00:26:25,273 Speaker 1: has dropped in Everything you need to Know episode to 649 00:26:25,314 --> 00:26:27,754 Speaker 1: get you up to speed. You'll find a link to 650 00:26:27,754 --> 00:26:29,354 Speaker 1: that in our show notes so you can listen to 651 00:26:29,394 --> 00:26:31,834 Speaker 1: that series in our watch Party feed. The Spill is 652 00:26:31,874 --> 00:26:34,714 Speaker 1: produced by Manitius Wirn, which sound production by Scots Stronik 653 00:26:34,754 --> 00:26:37,034 Speaker 1: and we will see you soon later on today for 654 00:26:37,074 --> 00:26:38,154 Speaker 1: a really honest review. 655 00:26:38,354 --> 00:26:49,474 Speaker 2: Bye bye bye, Mamma. Mia acknowledges the traditional owners of 656 00:26:49,514 --> 00:26:52,434 Speaker 2: the land. We have recorded this podcast on the Gatigor 657 00:26:52,474 --> 00:26:55,634 Speaker 2: people of the eorination. We pay our respects to their 658 00:26:55,634 --> 00:26:58,594 Speaker 2: elders past and present, and extend that respect to all 659 00:26:58,634 --> 00:27:00,834 Speaker 2: Aboriginal and Torres Strait islander cultures.