WEBVTT - The Day You Disappear

0:00:10.327 --> 0:00:13.047
<v Speaker 1>You're listening to a Mamma Mia podcast.

0:00:13.727 --> 0:00:16.767
<v Speaker 2>Mamma Mere acknowledges the traditional owners of land and waters

0:00:16.807 --> 0:00:23.767
<v Speaker 2>that this podcast is recorded on. I can do a

0:00:23.807 --> 0:00:27.047
<v Speaker 2>neat trick. I can disappear at wills.

0:00:29.047 --> 0:00:30.207
<v Speaker 3>You probably can too.

0:00:31.167 --> 0:00:33.487
<v Speaker 2>It's a skill that wasn't available to us when we

0:00:33.487 --> 0:00:37.407
<v Speaker 2>were younger, and I's first turned in our direction, sliding

0:00:37.447 --> 0:00:41.007
<v Speaker 2>over us on the street, at work, in shops and bars,

0:00:41.047 --> 0:00:47.087
<v Speaker 2>and any space where we dared to exist, to judge us, slice, categorize, conquer.

0:00:47.607 --> 0:00:52.607
<v Speaker 2>But now now we can slip through shops barely turning ahead,

0:00:53.127 --> 0:00:56.447
<v Speaker 2>vanish instantly when leaning on a bar, and our voices

0:00:56.487 --> 0:00:59.847
<v Speaker 2>when offering an opinion. Only dogs can hear it. I

0:00:59.887 --> 0:01:02.327
<v Speaker 2>could lift a young man's phone from his hand before

0:01:02.327 --> 0:01:05.607
<v Speaker 2>he noticed I was right there. I could collect sensitive

0:01:05.607 --> 0:01:09.647
<v Speaker 2>intelligence from the finest spies while pretending to whirdle alongside them.

0:01:10.207 --> 0:01:13.127
<v Speaker 2>And I am deliciously free to walk a street without

0:01:13.207 --> 0:01:17.087
<v Speaker 2>cat call or comment. There are upsides to being invisible,

0:01:17.127 --> 0:01:18.367
<v Speaker 2>you see, but.

0:01:18.447 --> 0:01:21.327
<v Speaker 3>Generally it's a jolt. Do we still.

0:01:21.087 --> 0:01:24.207
<v Speaker 2>Exist if we're harder to see? Does it matter what

0:01:24.287 --> 0:01:26.167
<v Speaker 2>we say, or what we want or what we know

0:01:26.287 --> 0:01:30.407
<v Speaker 2>if we're considered an amorphous lump of looser bodies, frizzier hair,

0:01:30.487 --> 0:01:33.847
<v Speaker 2>flatter feet. If we are invisible, not just out in

0:01:33.887 --> 0:01:36.847
<v Speaker 2>the wild, but in parliaments and boardrooms and on screens

0:01:36.847 --> 0:01:38.767
<v Speaker 2>and in our ears and in the pages of books,

0:01:39.047 --> 0:01:43.287
<v Speaker 2>will we ever even hear? Invisible women lose sight of

0:01:43.327 --> 0:01:46.847
<v Speaker 2>themselves too. That's why we start trying so hard to

0:01:46.887 --> 0:01:49.567
<v Speaker 2>stay seen, to remember who we were and who we

0:01:49.607 --> 0:01:53.407
<v Speaker 2>are still becoming. There are some different tactics to being

0:01:53.487 --> 0:01:55.647
<v Speaker 2>visible to the seeing eye, and we might try all

0:01:55.687 --> 0:01:59.367
<v Speaker 2>of them. Paint on a bold lip, iron out our creases,

0:01:59.687 --> 0:02:03.807
<v Speaker 2>cover our hair, silver stripes, wear a wild print, those thick,

0:02:03.887 --> 0:02:08.327
<v Speaker 2>colorful specks, a statement, earring all of it, saying still here,

0:02:08.767 --> 0:02:11.207
<v Speaker 2>see me pe color and movement over here? Can you

0:02:11.207 --> 0:02:16.007
<v Speaker 2>still hear me? If I complain really loud? How about now?

0:02:16.967 --> 0:02:19.687
<v Speaker 2>The trick is you, see, to lean into the soft

0:02:19.807 --> 0:02:22.767
<v Speaker 2>power in visibility gives us. Now that we're not only

0:02:22.807 --> 0:02:26.047
<v Speaker 2>defined by how firm and fuckable we are, while still

0:02:26.087 --> 0:02:30.807
<v Speaker 2>feeling like ourselves, staying bright and in sharp focus of

0:02:30.847 --> 0:02:35.207
<v Speaker 2>our own clear sight. I can do a neat trick now.

0:02:35.247 --> 0:02:40.927
<v Speaker 2>Maybe you can too, The incredible invisible woman, watch your wallet.

0:02:43.927 --> 0:02:45.647
<v Speaker 3>Hello, I'm Holly.

0:02:45.367 --> 0:02:51.207
<v Speaker 2>Wainwright and I am mid midlife, midfamily, mid disappearance. Today

0:02:51.367 --> 0:02:55.007
<v Speaker 2>I'm talking to a woman who turned midlife invisibility into

0:02:55.047 --> 0:02:59.367
<v Speaker 2>a significant advantage. While no one was looking. She wrote

0:02:59.367 --> 0:03:01.847
<v Speaker 2>a novel so clever and funny and sharp about this

0:03:01.967 --> 0:03:05.047
<v Speaker 2>time of life. Hollywood are after it, and it all

0:03:05.087 --> 0:03:10.807
<v Speaker 2>came from a particular shit moment. Jane Tara is a

0:03:10.847 --> 0:03:13.927
<v Speaker 2>writer who has written lots of children's books, who has

0:03:14.007 --> 0:03:17.087
<v Speaker 2>worked with and close to books for many years. But

0:03:17.207 --> 0:03:20.447
<v Speaker 2>the year she turned fifty, things were going to poop.

0:03:20.927 --> 0:03:24.087
<v Speaker 2>The year she turned fifty, she had been hospitalized with pneumonia,

0:03:24.447 --> 0:03:27.287
<v Speaker 2>she'd lost her business, and her partner of a decade

0:03:27.327 --> 0:03:30.167
<v Speaker 2>broke up with her by text. She sat on a

0:03:30.167 --> 0:03:33.407
<v Speaker 2>beach and decided to change her life, which is the

0:03:33.447 --> 0:03:36.327
<v Speaker 2>way a lot of my favorite stories start. Of course,

0:03:36.527 --> 0:03:41.167
<v Speaker 2>changing a life is no small matter, especially when you're invisible.

0:03:41.767 --> 0:03:43.687
<v Speaker 2>But Jane did it, and a lot of what we

0:03:43.727 --> 0:03:46.807
<v Speaker 2>talk about today is about the how, as well as

0:03:46.807 --> 0:03:50.567
<v Speaker 2>a discussion of how her book Tilda Is Visible, nails

0:03:50.607 --> 0:03:54.047
<v Speaker 2>this part of life. This conversation is a bit self helpy,

0:03:54.247 --> 0:03:58.407
<v Speaker 2>a touch woo woo, and also pretty practical. It's for

0:03:58.527 --> 0:04:01.167
<v Speaker 2>you if you don't understand why everyone keeps telling you

0:04:01.207 --> 0:04:04.527
<v Speaker 2>to meditate? What the hell phrase is like, show up

0:04:04.527 --> 0:04:08.487
<v Speaker 2>for yourself, do the work and enoughness actually mean? And

0:04:08.647 --> 0:04:12.287
<v Speaker 2>also if you just love a bloody good story. So

0:04:12.407 --> 0:04:16.287
<v Speaker 2>here we go. Two invisible women make a podcast. Meet

0:04:16.367 --> 0:04:23.847
<v Speaker 2>Jane Tara on how to bring yourself back into focus. Jane,

0:04:24.327 --> 0:04:27.527
<v Speaker 2>this is the most wonderful idea for a book ever.

0:04:27.927 --> 0:04:29.607
<v Speaker 2>Can I tell the audience about it?

0:04:29.927 --> 0:04:30.847
<v Speaker 1>Yes? Please?

0:04:31.087 --> 0:04:31.407
<v Speaker 2>Okay?

0:04:32.807 --> 0:04:35.287
<v Speaker 3>Friends. Tilda is fifty two.

0:04:35.927 --> 0:04:39.447
<v Speaker 2>She is a divorced mother of young adult children, living

0:04:39.447 --> 0:04:43.127
<v Speaker 2>a seemingly great life, owning her own small business, living

0:04:43.127 --> 0:04:45.207
<v Speaker 2>in her own home in a desirable bit of Sydney.

0:04:45.527 --> 0:04:48.887
<v Speaker 2>She's got good friends around her. And then one day

0:04:48.967 --> 0:04:53.207
<v Speaker 2>she wakes up and she realizes that she's becoming invisible.

0:04:54.047 --> 0:04:57.487
<v Speaker 2>Her little finger is missing, but it hasn't gone. It's there,

0:04:57.847 --> 0:05:01.247
<v Speaker 2>but she can't see it. And then her ear, and

0:05:01.247 --> 0:05:05.887
<v Speaker 2>then her thumb. And she goes to the doctor and Jane,

0:05:06.047 --> 0:05:08.607
<v Speaker 2>you tell me what the doctor diagnoses Tilda with.

0:05:09.407 --> 0:05:14.207
<v Speaker 1>The doctor diagnoses Tilda with invisibility, and it turns out

0:05:14.247 --> 0:05:18.727
<v Speaker 1>to be a not uncommon condition for women of a

0:05:18.727 --> 0:05:23.327
<v Speaker 1>certain age. And Tilda goes on this journey where she

0:05:23.407 --> 0:05:26.887
<v Speaker 1>meets other women who are at different stages of invisibility,

0:05:27.207 --> 0:05:30.727
<v Speaker 1>and you know, it looks for a way to cure

0:05:30.807 --> 0:05:33.847
<v Speaker 1>a supposedly incurable condition.

0:05:34.567 --> 0:05:38.967
<v Speaker 2>It's so clever, Jane, because the initial stages of this,

0:05:39.647 --> 0:05:42.047
<v Speaker 2>when the doctor is talking to her and saying it's

0:05:42.087 --> 0:05:45.927
<v Speaker 2>an incurable condition, there's a support group, like there's a

0:05:45.967 --> 0:05:50.407
<v Speaker 2>local support group of other women. Tilda starts googling, as

0:05:50.447 --> 0:05:53.167
<v Speaker 2>of course she would, and she finds there's very little

0:05:53.167 --> 0:05:57.087
<v Speaker 2>research done on invisible women's surprise, surprise, so no one's

0:05:57.127 --> 0:06:00.527
<v Speaker 2>really sure if it's hormone related. Early symptoms include being

0:06:00.567 --> 0:06:04.567
<v Speaker 2>overlooked by the servers in shops and bars, and there's

0:06:04.607 --> 0:06:08.207
<v Speaker 2>no known cure. As you say, it's so funny and clever.

0:06:09.247 --> 0:06:11.927
<v Speaker 2>Want to start with the question that I'm sure you

0:06:12.047 --> 0:06:14.167
<v Speaker 2>have been asked many times, but we need to ask

0:06:14.967 --> 0:06:18.167
<v Speaker 2>when did you get the first symptoms of invisibility.

0:06:18.647 --> 0:06:21.967
<v Speaker 1>It's interesting because at a couple of events recently, people

0:06:22.047 --> 0:06:24.607
<v Speaker 1>have told me that when they were reading the book

0:06:24.687 --> 0:06:27.327
<v Speaker 1>that they've actually googled to see if it's a real conversion.

0:06:27.447 --> 0:06:29.687
<v Speaker 1>And I've jumped in at that point and said, well,

0:06:29.727 --> 0:06:33.007
<v Speaker 1>it is, like it actually is a real condition. It

0:06:33.087 --> 0:06:38.087
<v Speaker 1>really is women. Generally from my personal experience and also

0:06:38.167 --> 0:06:42.567
<v Speaker 1>talking to women, the forties seems to be key for this.

0:06:43.007 --> 0:06:47.007
<v Speaker 1>We're juggling a lot in our forties, particularly if you

0:06:47.087 --> 0:06:49.847
<v Speaker 1>have kids, and you're juggling all of that sort of stuff,

0:06:49.887 --> 0:06:52.327
<v Speaker 1>and you're working and you've got all these balls in

0:06:52.367 --> 0:06:59.607
<v Speaker 1>the air, and it collides with perimenopause and any unaddressed

0:06:59.687 --> 0:07:03.887
<v Speaker 1>trauma or you know, past issues that you have sort

0:07:03.887 --> 0:07:06.767
<v Speaker 1>of come home to roost at that particular point as well,

0:07:07.367 --> 0:07:12.007
<v Speaker 1>and it's just this show of cortisol and stress and

0:07:12.247 --> 0:07:17.167
<v Speaker 1>hormones and often deep seated grief and you're trying to

0:07:17.207 --> 0:07:19.807
<v Speaker 1>do everything for everyone else, and at that point you

0:07:19.927 --> 0:07:22.887
<v Speaker 1>start to lose sight of yourself. And that was very

0:07:23.007 --> 0:07:27.647
<v Speaker 1>much my experience. And there were just little things that

0:07:27.847 --> 0:07:31.047
<v Speaker 1>happened along the way where I was out in the

0:07:31.087 --> 0:07:35.687
<v Speaker 1>world and suddenly I was treated in a certain way,

0:07:35.847 --> 0:07:40.407
<v Speaker 1>or I wasn't seen, or there was one really, really

0:07:40.407 --> 0:07:43.407
<v Speaker 1>great moment for me in my mid forties. My older

0:07:43.487 --> 0:07:46.047
<v Speaker 1>son's a musician, and I was at a gig of

0:07:46.087 --> 0:07:49.487
<v Speaker 1>his and I was talking to this musician who was

0:07:49.567 --> 0:07:53.167
<v Speaker 1>doing kind of the staging for the band, and he

0:07:53.207 --> 0:07:55.767
<v Speaker 1>was probably in his thirties and he was really hot.

0:07:56.087 --> 0:07:58.527
<v Speaker 1>I was just laughing and chatting to him, thinking, oh god,

0:07:58.607 --> 0:08:00.407
<v Speaker 1>you know if I was ten years younger, you know,

0:08:00.487 --> 0:08:04.247
<v Speaker 1>he's a beautiful young man. At one point he goes, oh,

0:08:04.487 --> 0:08:07.767
<v Speaker 1>I wish I had a mum like you, And he

0:08:08.007 --> 0:08:11.087
<v Speaker 1>was for me as someone I'm so much older. It's

0:08:11.167 --> 0:08:14.607
<v Speaker 1>kind of like somewhere in your thirties is still milfy

0:08:14.767 --> 0:08:17.527
<v Speaker 1>or whatever. And then suddenly you take this leap, and

0:08:17.567 --> 0:08:19.687
<v Speaker 1>from that point on I started to think, oh my god,

0:08:19.727 --> 0:08:22.047
<v Speaker 1>I really am at that stage where people are seeing

0:08:22.087 --> 0:08:24.967
<v Speaker 1>me or perceiving me in a certain way.

0:08:25.527 --> 0:08:29.687
<v Speaker 2>It's often framed a little bit that it's vanity fretting

0:08:29.727 --> 0:08:34.807
<v Speaker 2>about invisibility, or that it's very specifically about mourning being

0:08:34.927 --> 0:08:37.727
<v Speaker 2>viewed in an objectively sexual way, like oh I don't

0:08:37.727 --> 0:08:40.567
<v Speaker 2>get whistled out in the street, or like I think

0:08:40.607 --> 0:08:43.167
<v Speaker 2>it's more than that, though, don't you. It's this sort

0:08:43.167 --> 0:08:46.567
<v Speaker 2>of recategorization of you as you're talking about, like as

0:08:46.607 --> 0:08:48.007
<v Speaker 2>a different kind of person.

0:08:48.447 --> 0:08:50.647
<v Speaker 1>I think generally, you start to go through it and

0:08:50.647 --> 0:08:55.127
<v Speaker 1>you realize that perhaps you did use your youth and

0:08:55.167 --> 0:08:59.687
<v Speaker 1>your beauty as a certain currency without realizing, and that

0:08:59.767 --> 0:09:03.927
<v Speaker 1>currency has waned it is more than that. It's questioning

0:09:04.767 --> 0:09:08.327
<v Speaker 1>sort of purpose and who you are, and particularly as

0:09:08.367 --> 0:09:13.007
<v Speaker 1>your kids get old, and perhaps you've made sacrifices of

0:09:13.087 --> 0:09:18.927
<v Speaker 1>yourself for other people around you. And I've come to

0:09:19.007 --> 0:09:23.727
<v Speaker 1>realize that the way that I made sacrifices was a

0:09:23.727 --> 0:09:27.647
<v Speaker 1>form of self sabotage, because we do this as women

0:09:28.127 --> 0:09:30.007
<v Speaker 1>because we think we have do or we think we

0:09:30.087 --> 0:09:33.727
<v Speaker 1>need to give of ourselves at a certain level for

0:09:33.807 --> 0:09:38.047
<v Speaker 1>everyone else to be happy, but ultimately we don't. And

0:09:38.527 --> 0:09:40.327
<v Speaker 1>you know, the greatest thing we can actually do for

0:09:40.407 --> 0:09:42.847
<v Speaker 1>our kids is to be happy ourselves and not be

0:09:42.927 --> 0:09:44.367
<v Speaker 1>sacrificing ourselves.

0:09:45.727 --> 0:09:49.407
<v Speaker 2>Also, it's interesting because what you're talking about, it's like

0:09:49.487 --> 0:09:53.647
<v Speaker 2>a dual level invisibility. There's the invisibility in the world, which,

0:09:53.647 --> 0:09:56.607
<v Speaker 2>as you make the point in Tilda, sort of starts

0:09:56.607 --> 0:10:00.207
<v Speaker 2>when you notice yourself just being overlooked in situations and

0:10:00.247 --> 0:10:03.807
<v Speaker 2>that shift, as you say in your sexual currency, perhaps,

0:10:04.367 --> 0:10:06.687
<v Speaker 2>but then there's also that invisibility to yourself.

0:10:06.727 --> 0:10:08.487
<v Speaker 3>So it's like there are two levels to it.

0:10:08.487 --> 0:10:12.447
<v Speaker 1>Almost absolutely, and I'm being asked about both because I

0:10:12.647 --> 0:10:18.487
<v Speaker 1>tend to really write about the latter, about becoming invisible

0:10:18.807 --> 0:10:21.447
<v Speaker 1>to yourself. You know, I don't think I can change

0:10:21.807 --> 0:10:24.007
<v Speaker 1>the world at the moment, although there are some great

0:10:24.007 --> 0:10:29.007
<v Speaker 1>people out there trying to. But it's how we view ourselves,

0:10:29.047 --> 0:10:34.407
<v Speaker 1>how we perceive ourselves, and that became something of great

0:10:34.727 --> 0:10:36.767
<v Speaker 1>interest to me. And one of the reasons why this

0:10:36.847 --> 0:10:41.007
<v Speaker 1>all happens in your forties, at this hormonal shift in

0:10:41.047 --> 0:10:43.887
<v Speaker 1>our life as well, is because we're meant to be

0:10:43.967 --> 0:10:48.127
<v Speaker 1>moving into the kind of wiser woman archetype in the

0:10:48.207 --> 0:10:54.487
<v Speaker 1>human experience, and we're all grabbing hold of youth. We're

0:10:54.527 --> 0:10:58.567
<v Speaker 1>wanting to maintain youth because we're told by the external

0:10:58.607 --> 0:11:01.087
<v Speaker 1>thing that that's what gives us the currency, that's what

0:11:01.127 --> 0:11:03.927
<v Speaker 1>gives us the power. But actually there's a very deep,

0:11:04.367 --> 0:11:07.687
<v Speaker 1>almost spiritual wisdom that comes with getting older as a

0:11:07.687 --> 0:11:10.087
<v Speaker 1>woman and the four what is I call it the

0:11:10.207 --> 0:11:14.287
<v Speaker 1>vortex that you go through that period of time and

0:11:14.327 --> 0:11:16.887
<v Speaker 1>you're meant to really sink into it and work out,

0:11:17.407 --> 0:11:20.567
<v Speaker 1>you know, work through your past and your traumas, and

0:11:21.247 --> 0:11:23.807
<v Speaker 1>work out who you are and start to see yourself

0:11:24.047 --> 0:11:29.007
<v Speaker 1>very very clearly for who you are as you age

0:11:29.727 --> 0:11:33.567
<v Speaker 1>as a woman into that. It's the matriarch in society

0:11:34.127 --> 0:11:42.127
<v Speaker 1>and although society doesn't particularly value that, it will more

0:11:42.247 --> 0:11:47.727
<v Speaker 1>so if individually and collectively women value that, absolutely, we

0:11:47.727 --> 0:11:52.007
<v Speaker 1>need to start seeing ourselves as that community family matriarch

0:11:52.167 --> 0:11:54.127
<v Speaker 1>rather than trying to sort of like keep hold of.

0:11:54.087 --> 0:11:57.967
<v Speaker 2>Our youth and making that something that has status, which

0:11:58.127 --> 0:12:00.527
<v Speaker 2>you know, you could argue maybe it used to in

0:12:00.567 --> 0:12:03.687
<v Speaker 2>a different way. Now when we talk about aging, well,

0:12:03.767 --> 0:12:07.287
<v Speaker 2>we often are talking about those external markers of youth

0:12:07.447 --> 0:12:09.647
<v Speaker 2>and can we hold on to it enough. My skin

0:12:09.687 --> 0:12:11.967
<v Speaker 2>plump enough, is my hair shiny enough, is my body

0:12:12.327 --> 0:12:14.847
<v Speaker 2>limber enough? All those things that we hold on too

0:12:14.887 --> 0:12:17.327
<v Speaker 2>from youth, And that's all important, and we'll get to that,

0:12:17.407 --> 0:12:20.367
<v Speaker 2>but as you say, it's this much deeper shift. I

0:12:20.407 --> 0:12:22.927
<v Speaker 2>wanted to ask you before we do talk about some

0:12:23.047 --> 0:12:27.407
<v Speaker 2>of that deep searching work, whether or not you think

0:12:27.447 --> 0:12:31.207
<v Speaker 2>there's any advantage to the invisibility that comes in midlife,

0:12:31.247 --> 0:12:36.247
<v Speaker 2>because the external invisibility, the fact that you're less noticeable

0:12:36.287 --> 0:12:38.287
<v Speaker 2>in a way moving through the world, it's a shock

0:12:38.367 --> 0:12:41.207
<v Speaker 2>when it happens to you, because, as you said earlier,

0:12:41.647 --> 0:12:44.447
<v Speaker 2>women are kind of it's sort of pushed upon us

0:12:44.487 --> 0:12:47.967
<v Speaker 2>as soon as we hit adolescents. Really that this sexual

0:12:48.047 --> 0:12:50.247
<v Speaker 2>visibility is something we're going to have to figure out

0:12:50.327 --> 0:12:54.127
<v Speaker 2>how to handle and use maybe as a currency to figure.

0:12:53.807 --> 0:12:54.927
<v Speaker 3>Out what we do with that.

0:12:55.527 --> 0:12:58.007
<v Speaker 2>And when that leaves you there can be a bit

0:12:58.047 --> 0:13:00.527
<v Speaker 2>of freedom in it. I sometimes feel a bit of

0:13:00.567 --> 0:13:02.967
<v Speaker 2>freedom in the fact that nobody's looking at you or

0:13:03.047 --> 0:13:07.127
<v Speaker 2>expecting too much. And I read a piece by Hannah

0:13:07.247 --> 0:13:10.487
<v Speaker 2>Rosen once, the American journalist who wrote, really, because no

0:13:10.527 --> 0:13:12.687
<v Speaker 2>one can see you, you can shed a lot of

0:13:12.687 --> 0:13:15.127
<v Speaker 2>different worries as you enter your forties and fifties, and

0:13:15.167 --> 0:13:18.567
<v Speaker 2>you can create, achieve, and not play in that way anymore.

0:13:18.847 --> 0:13:21.167
<v Speaker 2>There's a freedom in that invisibility that we don't take

0:13:21.247 --> 0:13:24.607
<v Speaker 2>enough advantage of. Do you think that's true at.

0:13:24.527 --> 0:13:29.967
<v Speaker 1>One hundred percent? But I think that I enjoy that

0:13:30.127 --> 0:13:36.247
<v Speaker 1>freedom now because I see myself clearly. So we still

0:13:36.287 --> 0:13:39.527
<v Speaker 1>need to be visible to ourselves, which is the point

0:13:39.567 --> 0:13:42.687
<v Speaker 1>of tild up, and yet we can't do much about

0:13:42.687 --> 0:13:45.727
<v Speaker 1>the people who don't see us in the external world,

0:13:46.407 --> 0:13:49.367
<v Speaker 1>or the opportunities that we miss out on because we're

0:13:49.407 --> 0:13:53.287
<v Speaker 1>getting older. So there are some negatives to it as well,

0:13:53.287 --> 0:13:56.447
<v Speaker 1>but there are some positives, you know, just the freedom

0:13:56.527 --> 0:13:59.727
<v Speaker 1>that comes with not caring, really not giving a shit.

0:14:00.367 --> 0:14:04.527
<v Speaker 2>It's the great gift of aging if you can harness it.

0:14:06.247 --> 0:14:08.847
<v Speaker 2>More of my conversation with Jane Tara coming up next. Well,

0:14:08.887 --> 0:14:11.287
<v Speaker 2>we discs us how to harness your mind through meditation

0:14:11.407 --> 0:14:13.847
<v Speaker 2>if you can manage it and finally get out of

0:14:13.887 --> 0:14:19.327
<v Speaker 2>survival mode as a mid woman. I want to move

0:14:19.407 --> 0:14:22.647
<v Speaker 2>to this incredible talk you gave recently at an event

0:14:22.687 --> 0:14:25.607
<v Speaker 2>in Sydney called Generation Women. And you've written about this,

0:14:26.047 --> 0:14:28.647
<v Speaker 2>what you've touched on already about this period in your forties.

0:14:29.127 --> 0:14:30.687
<v Speaker 2>I'm going to read a little bit about it. You

0:14:30.727 --> 0:14:33.767
<v Speaker 2>talk about childhood trauma, as you mentioned before. You know,

0:14:33.927 --> 0:14:35.487
<v Speaker 2>often in this period of your life, a lot of

0:14:35.527 --> 0:14:37.647
<v Speaker 2>stuff that you think, and we've talked about this on

0:14:37.727 --> 0:14:38.447
<v Speaker 2>mid quite a bit.

0:14:38.847 --> 0:14:39.687
<v Speaker 3>You think you've.

0:14:39.567 --> 0:14:42.487
<v Speaker 2>Kind of managed to push away will come back in

0:14:42.567 --> 0:14:44.647
<v Speaker 2>this mail stream of all the things you're going through.

0:14:45.167 --> 0:14:48.207
<v Speaker 2>You write, my forties arrived, and boy were they tough.

0:14:48.327 --> 0:14:51.727
<v Speaker 2>With perimenopause, my trauma magnified, and everything that I'd been

0:14:51.727 --> 0:14:54.607
<v Speaker 2>trying to unsuccessfully escape was mirrored back to me and

0:14:54.647 --> 0:14:56.887
<v Speaker 2>the choices I'd made in the relationship I was in.

0:14:57.287 --> 0:15:00.447
<v Speaker 2>I took an emotional and psychological beating in my forties.

0:15:00.767 --> 0:15:03.367
<v Speaker 2>By forty nine, my life was in free fall. Two

0:15:03.447 --> 0:15:06.967
<v Speaker 2>weeks before I turned fifty I was in hospital with pneumonia.

0:15:07.407 --> 0:15:10.487
<v Speaker 2>I lost my business and my I partner of a decade,

0:15:10.607 --> 0:15:12.767
<v Speaker 2>and did our relationship via text.

0:15:13.527 --> 0:15:14.287
<v Speaker 3>On the day I.

0:15:14.207 --> 0:15:16.567
<v Speaker 2>Turned fifty write A bit later on, I sat on

0:15:16.607 --> 0:15:19.287
<v Speaker 2>the beach and I watched the sunrise on a new decade,

0:15:19.367 --> 0:15:20.927
<v Speaker 2>and I made a promise to myself.

0:15:21.447 --> 0:15:23.127
<v Speaker 3>This cycle of heartache.

0:15:22.687 --> 0:15:25.247
<v Speaker 2>And trauma and the same old shit happening in countless

0:15:25.287 --> 0:15:26.567
<v Speaker 2>ways was going to change.

0:15:27.167 --> 0:15:27.847
<v Speaker 3>It had to.

0:15:28.687 --> 0:15:31.167
<v Speaker 2>First of all, Jane, I could cry that is so

0:15:31.407 --> 0:15:34.407
<v Speaker 2>relatable in so many different ways to myself and so

0:15:34.487 --> 0:15:36.447
<v Speaker 2>many women who'll be listening to this.

0:15:37.207 --> 0:15:38.127
<v Speaker 3>Tell me what you did.

0:15:38.847 --> 0:15:43.047
<v Speaker 1>I went home and meditated, and I've meditated Nelly every

0:15:43.127 --> 0:15:47.087
<v Speaker 1>day since I write in that speech. That was nothing

0:15:47.167 --> 0:15:51.727
<v Speaker 1>new to me, Like I'd experimented with self development and

0:15:51.767 --> 0:15:56.407
<v Speaker 1>self help and looked for a teacher or a way

0:15:57.367 --> 0:16:00.447
<v Speaker 1>out of the trauma and the pain that I was

0:16:00.487 --> 0:16:04.927
<v Speaker 1>carrying around from living in a house where domestic violence

0:16:05.047 --> 0:16:08.247
<v Speaker 1>was the norm. So I'd really given it a good shot.

0:16:08.287 --> 0:16:11.207
<v Speaker 1>And I think I've always been really positive person and

0:16:11.967 --> 0:16:15.287
<v Speaker 1>had a really interesting life, but I carried this trauma

0:16:15.407 --> 0:16:21.607
<v Speaker 1>around and it had really shaped my perception of the world. Relationships,

0:16:21.727 --> 0:16:25.767
<v Speaker 1>love and self love ultimately. So that particular day, I

0:16:25.807 --> 0:16:30.367
<v Speaker 1>went home and I started meditating every single day and

0:16:31.007 --> 0:16:34.447
<v Speaker 1>sort of incorporated it in with a bit of neuroplasticity

0:16:34.927 --> 0:16:40.967
<v Speaker 1>and really addressing my internal programs. And that's been a

0:16:41.007 --> 0:16:44.767
<v Speaker 1>bit of a buzzword for a few years now. But

0:16:44.807 --> 0:16:47.287
<v Speaker 1>the fact is that you can change the neural pathways

0:16:47.287 --> 0:16:49.327
<v Speaker 1>of your brain, you can change the way you perceive

0:16:49.367 --> 0:16:53.527
<v Speaker 1>the world. You can change yourself and in fact, if

0:16:54.327 --> 0:16:58.847
<v Speaker 1>your life is chaotic, if your life keeps feeding back

0:16:58.927 --> 0:17:03.407
<v Speaker 1>trauma loops to you, by changing the way you think

0:17:03.447 --> 0:17:06.167
<v Speaker 1>about the world is the way you're going to change

0:17:06.167 --> 0:17:07.367
<v Speaker 1>your external world.

0:17:07.847 --> 0:17:10.207
<v Speaker 2>So you say in there, you, as you just said,

0:17:10.247 --> 0:17:13.047
<v Speaker 2>you've always been something of a searcher, and you're familiar

0:17:13.047 --> 0:17:15.407
<v Speaker 2>with ideas like chakras and all that kind of thing.

0:17:16.167 --> 0:17:19.927
<v Speaker 2>For people who might say, oh, I've tried meditating, like

0:17:20.287 --> 0:17:22.047
<v Speaker 2>I've sat in quiet rooms and I've tried, and I

0:17:22.087 --> 0:17:23.887
<v Speaker 2>can't turn my brain off and it sounds like hard

0:17:23.927 --> 0:17:25.047
<v Speaker 2>work and who's got time for that?

0:17:25.087 --> 0:17:25.487
<v Speaker 3>And all that?

0:17:25.967 --> 0:17:29.927
<v Speaker 2>Can you explain in a way that's quite simple to us?

0:17:30.607 --> 0:17:32.727
<v Speaker 2>You also, right, Tilda goes on this journey too in

0:17:32.767 --> 0:17:35.927
<v Speaker 2>the book. Right, And I've heard you say that you

0:17:36.007 --> 0:17:39.127
<v Speaker 2>now put meditating above everything else in your life because

0:17:39.167 --> 0:17:41.927
<v Speaker 2>you know that it's the foundation, So above family, above work,

0:17:41.967 --> 0:17:42.767
<v Speaker 2>above all those things.

0:17:43.727 --> 0:17:51.087
<v Speaker 4>Why like how because my meditation practice has now created

0:17:51.127 --> 0:17:56.207
<v Speaker 4>a space in my life that allows the external events

0:17:56.287 --> 0:17:56.847
<v Speaker 4>to occur.

0:17:57.527 --> 0:18:01.167
<v Speaker 1>And of course I was so reactive. My whole life

0:18:01.567 --> 0:18:05.567
<v Speaker 1>was spent reacting to things, and usually at quite a

0:18:06.047 --> 0:18:09.887
<v Speaker 1>high level, because I was living in survival and had

0:18:09.927 --> 0:18:12.607
<v Speaker 1>been living in the hormones of stress and survival my

0:18:12.807 --> 0:18:17.607
<v Speaker 1>entire life. So as that started to settle through meditating,

0:18:18.207 --> 0:18:24.127
<v Speaker 1>because it affects all your chemicals, your physiological, neurobiological kind

0:18:24.207 --> 0:18:28.167
<v Speaker 1>of makeup, It impacts that and it settles you. So

0:18:28.287 --> 0:18:31.207
<v Speaker 1>that's the first thing. And then it creates a space

0:18:31.327 --> 0:18:36.007
<v Speaker 1>for you to actually have the experience of road rage.

0:18:36.087 --> 0:18:39.087
<v Speaker 1>For example, someone yells at you and instead of that

0:18:39.247 --> 0:18:43.607
<v Speaker 1>being a huge reaction from you as well, and then

0:18:43.687 --> 0:18:46.847
<v Speaker 1>taking that into the next phase of the day and

0:18:46.887 --> 0:18:50.247
<v Speaker 1>the next and it having ripple effects, you choose how

0:18:50.287 --> 0:18:53.407
<v Speaker 1>you're going to react. You choose how you're going to

0:18:53.447 --> 0:18:56.287
<v Speaker 1>react if someone is nasty, if your boss has a

0:18:56.367 --> 0:18:59.167
<v Speaker 1>go at you, if your partner has a go at you.

0:18:59.887 --> 0:19:02.927
<v Speaker 1>So there is a space there rather than being reactive

0:19:03.007 --> 0:19:06.207
<v Speaker 1>because you flip into I need to survive because I'm

0:19:06.247 --> 0:19:08.927
<v Speaker 1>being confronted here, I could yell like I was a

0:19:08.927 --> 0:19:12.367
<v Speaker 1>big yella as well, And I can't even remember the

0:19:12.487 --> 0:19:15.567
<v Speaker 1>last time I yelled because it has been completely wired

0:19:15.727 --> 0:19:17.967
<v Speaker 1>out of my brain. Because I choose how I'm going

0:19:18.007 --> 0:19:21.127
<v Speaker 1>to react, and generally it is to my benefit, I'm

0:19:21.127 --> 0:19:24.287
<v Speaker 1>not going to like have an extreme reaction anymore.

0:19:24.607 --> 0:19:26.767
<v Speaker 2>Can I ask you in a very practical way? Because

0:19:26.767 --> 0:19:30.087
<v Speaker 2>I interviewed Catherine May on this podcast too. You probably

0:19:30.127 --> 0:19:34.527
<v Speaker 2>know about amazing writer he evmentory, and she also meditates,

0:19:34.647 --> 0:19:37.127
<v Speaker 2>of course, but she said that when she first started,

0:19:37.167 --> 0:19:38.687
<v Speaker 2>she found it became a bit of a sort of

0:19:39.287 --> 0:19:42.007
<v Speaker 2>another mountain to climb, another stick to beat herself with

0:19:42.047 --> 0:19:44.207
<v Speaker 2>if she couldn't fit it in. She said sometimes she'd

0:19:44.207 --> 0:19:46.367
<v Speaker 2>listen to Guruz who would say, you've got to do

0:19:46.407 --> 0:19:48.167
<v Speaker 2>it for this amount of time at this time of day,

0:19:48.167 --> 0:19:49.607
<v Speaker 2>and she would like, well, I can't, Like I've got

0:19:49.647 --> 0:19:51.927
<v Speaker 2>the school run. I'm like, can you tell me in

0:19:51.967 --> 0:19:54.607
<v Speaker 2>a practical way how you fit it into your life

0:19:54.807 --> 0:19:57.407
<v Speaker 2>and how women you know who have benefited in a

0:19:57.447 --> 0:20:00.647
<v Speaker 2>similar way. Do you have found ways to actually make

0:20:00.687 --> 0:20:01.487
<v Speaker 2>it work.

0:20:01.807 --> 0:20:04.367
<v Speaker 1>So I know what she means. I don't know whether

0:20:04.367 --> 0:20:06.287
<v Speaker 1>you're up to this bit in the book, but Tilda

0:20:06.367 --> 0:20:08.647
<v Speaker 1>does the the Passionate ten day course.

0:20:09.247 --> 0:20:11.527
<v Speaker 2>So that's when you go away and you're not allowed

0:20:11.567 --> 0:20:12.967
<v Speaker 2>to speak for ten days.

0:20:13.207 --> 0:20:18.367
<v Speaker 1>Yeah, silent retreat for ten days. Hell so tough, very beneficial,

0:20:18.407 --> 0:20:22.127
<v Speaker 1>but really tough. And you agree to give up all

0:20:22.167 --> 0:20:26.767
<v Speaker 1>other types of meditation and different healing modalities if you

0:20:26.847 --> 0:20:30.607
<v Speaker 1>become a practitioner and you're meant to meditate for at

0:20:30.687 --> 0:20:34.607
<v Speaker 1>least an hour a day using this technique. And I

0:20:34.847 --> 0:20:39.247
<v Speaker 1>found it so boring. The benefits were there, and I

0:20:39.327 --> 0:20:43.047
<v Speaker 1>have friends who do it and they love it, but

0:20:43.167 --> 0:20:47.007
<v Speaker 1>for me, I hated the structure of it. The meditation

0:20:47.207 --> 0:20:50.887
<v Speaker 1>style that I use Now, I can meditate for fifteen

0:20:50.887 --> 0:20:54.687
<v Speaker 1>minutes or I can meditate for two hours, depending on

0:20:54.727 --> 0:20:57.407
<v Speaker 1>the day and the time that I have. I will

0:20:57.407 --> 0:21:01.207
<v Speaker 1>meditate when it fits in. I'm in such a routine

0:21:01.287 --> 0:21:03.927
<v Speaker 1>of it now that generally I know if I'm going

0:21:03.967 --> 0:21:05.687
<v Speaker 1>to have that little bit of time in the morning,

0:21:05.807 --> 0:21:09.127
<v Speaker 1>and I use guided meditations. I never did before. It

0:21:09.407 --> 0:21:11.887
<v Speaker 1>just sit there and battle my brain and that was tough.

0:21:12.487 --> 0:21:16.647
<v Speaker 1>So I use these guided meditations and they're fun. So

0:21:17.327 --> 0:21:22.727
<v Speaker 1>what I now know is that our spiritual journey, our

0:21:22.887 --> 0:21:26.327
<v Speaker 1>journey of personal growth, we're meant to actually enjoy it.

0:21:26.327 --> 0:21:28.847
<v Speaker 1>It's not meant to be a drag. I love that

0:21:29.487 --> 0:21:33.047
<v Speaker 1>you commit to yourself that you're going to sit. You

0:21:33.087 --> 0:21:35.687
<v Speaker 1>don't beat yourself up if you miss it, but you

0:21:35.727 --> 0:21:38.767
<v Speaker 1>commit to yourself because it is really an active of

0:21:38.927 --> 0:21:43.327
<v Speaker 1>such self love to give yourself that time. And then

0:21:43.367 --> 0:21:46.527
<v Speaker 1>you do fifteen minutes or you do an hour, depending

0:21:46.527 --> 0:21:51.087
<v Speaker 1>on how long you've got busy lives. But you start

0:21:51.127 --> 0:21:53.567
<v Speaker 1>to get into a routine of that and it starts

0:21:53.567 --> 0:21:57.367
<v Speaker 1>to really impact your brain and your body and your life.

0:21:57.487 --> 0:22:02.047
<v Speaker 1>And then it becomes non negotiable because you want it

0:22:02.167 --> 0:22:05.207
<v Speaker 1>because you enjoy it. But the less structure you have

0:22:05.327 --> 0:22:07.447
<v Speaker 1>around it, the less oh, I've got to do this,

0:22:07.527 --> 0:22:09.807
<v Speaker 1>I've got to tick this box. It's another I've got

0:22:09.807 --> 0:22:13.047
<v Speaker 1>a teck called another thing I need to juggle. It's

0:22:13.047 --> 0:22:13.887
<v Speaker 1>got to be enjoyed.

0:22:14.607 --> 0:22:16.967
<v Speaker 2>So this is where we're getting to. When you were

0:22:17.007 --> 0:22:20.607
<v Speaker 2>saying about the day that you made the choice, and

0:22:20.807 --> 0:22:24.007
<v Speaker 2>that's the day you started meditating in earnest and that

0:22:24.167 --> 0:22:27.647
<v Speaker 2>self love and showing up for yourself, I've heard you say,

0:22:27.687 --> 0:22:30.207
<v Speaker 2>is the thing that did change you. So the doctor

0:22:30.207 --> 0:22:31.967
<v Speaker 2>talking to Tilda at the beginning of the book, who's

0:22:32.007 --> 0:22:36.927
<v Speaker 2>saying there is no cure. You were looking for cures

0:22:36.927 --> 0:22:39.567
<v Speaker 2>and treatments and you this has been your cure.

0:22:40.207 --> 0:22:44.807
<v Speaker 1>Yes, absolutely so, Tilda's Journey is very much my journey.

0:22:45.047 --> 0:22:48.887
<v Speaker 2>Yes, I've heard you describe it as fiction with self

0:22:48.887 --> 0:22:51.807
<v Speaker 2>help woven through it. And I want to assure everybody

0:22:51.847 --> 0:22:54.807
<v Speaker 2>like the book. It's so funny and it's so just

0:22:54.847 --> 0:22:56.127
<v Speaker 2>delightful and surprising.

0:22:56.807 --> 0:22:59.247
<v Speaker 3>So talk to me. The meditation is key.

0:22:59.607 --> 0:23:01.487
<v Speaker 2>What else does showing up for yourself mean?

0:23:01.527 --> 0:23:02.567
<v Speaker 3>Because to me and I.

0:23:02.487 --> 0:23:05.207
<v Speaker 2>Love that Tilda's business is she has a business where

0:23:05.407 --> 0:23:08.247
<v Speaker 2>they have like inspirational quotes on mugs and t shirts

0:23:08.247 --> 0:23:11.407
<v Speaker 2>and signs, and she hates I love that about this too. Yeah,

0:23:11.647 --> 0:23:14.847
<v Speaker 2>but showing up for yourself is one of those phrases

0:23:14.927 --> 0:23:16.847
<v Speaker 2>that I hear a lot, but I don't know what

0:23:16.887 --> 0:23:18.887
<v Speaker 2>it means, and I have a feeling that I meant

0:23:18.887 --> 0:23:21.967
<v Speaker 2>to do it more. What does showing up for yourself mean?

0:23:22.447 --> 0:23:25.087
<v Speaker 1>I'm sure it differs for people, but for me it

0:23:25.327 --> 0:23:30.807
<v Speaker 1>was at the end of my relationship I took. It

0:23:30.887 --> 0:23:35.807
<v Speaker 1>was nearly six years by myself and I was meditating

0:23:36.127 --> 0:23:38.807
<v Speaker 1>during that time every day, so I really worked through

0:23:38.847 --> 0:23:42.767
<v Speaker 1>a lot of my past pain and trauma and I

0:23:42.887 --> 0:23:45.807
<v Speaker 1>got to know myself really well. You know, i'd buy

0:23:45.887 --> 0:23:49.767
<v Speaker 1>flowers for myself sometimes, or you know, I always liked

0:23:49.807 --> 0:23:52.247
<v Speaker 1>my own company, I guess in my own space because

0:23:52.287 --> 0:23:54.807
<v Speaker 1>being a writer, we like our own time, love it.

0:23:55.287 --> 0:24:00.127
<v Speaker 1>But there's there's a difference between having that time and space,

0:24:00.847 --> 0:24:05.727
<v Speaker 1>and you know, the possibility of never having someone in

0:24:05.807 --> 0:24:10.207
<v Speaker 1>that bed with you again, and learning to sleep in

0:24:10.727 --> 0:24:16.527
<v Speaker 1>that bed alone and everything becoming your space and becoming

0:24:16.567 --> 0:24:21.087
<v Speaker 1>really comfortable with it and then moving into contentment. And

0:24:21.887 --> 0:24:25.887
<v Speaker 1>probably about a year, maybe eighteen months into this journey,

0:24:25.927 --> 0:24:28.127
<v Speaker 1>I was in the kitchen and I was making coffee

0:24:28.167 --> 0:24:31.967
<v Speaker 1>for myself one morning, and something was really different about me,

0:24:32.687 --> 0:24:37.007
<v Speaker 1>and it had been for about three weeks, and I

0:24:37.087 --> 0:24:41.447
<v Speaker 1>was thinking about it, thinking, is this what depression feels like?

0:24:41.607 --> 0:24:45.647
<v Speaker 1>Is this because I've never experienced that, but it was

0:24:45.727 --> 0:24:48.207
<v Speaker 1>something that I'd never experienced. But I always had very

0:24:48.287 --> 0:24:52.287
<v Speaker 1>highs and lows, but I'd never been depressed. I'd somehow

0:24:52.287 --> 0:24:54.767
<v Speaker 1>sort of pulled myself out of it, and I thought, Okay,

0:24:54.807 --> 0:24:58.247
<v Speaker 1>something here is not me. I don't know what it

0:24:58.327 --> 0:25:01.367
<v Speaker 1>is here. I am making my coffee and everything, and

0:25:01.407 --> 0:25:04.207
<v Speaker 1>I looked out the window at this tree and it

0:25:04.287 --> 0:25:08.567
<v Speaker 1>was like this just rush of energy in me, and

0:25:08.607 --> 0:25:12.687
<v Speaker 1>I went, oh my god, I'm content. Ah, And I

0:25:12.887 --> 0:25:16.447
<v Speaker 1>had never experienced that before. I might have had glimmers,

0:25:16.527 --> 0:25:20.847
<v Speaker 1>I might have had, but a maintained period of time

0:25:21.367 --> 0:25:24.767
<v Speaker 1>that was so unfamiliar to me that it took some

0:25:24.887 --> 0:25:27.647
<v Speaker 1>reflection for me to go, what is this? And then

0:25:27.687 --> 0:25:30.567
<v Speaker 1>I realized I was really deeply content.

0:25:30.247 --> 0:25:32.487
<v Speaker 2>In my life and it was so unfamiliar to you

0:25:32.567 --> 0:25:33.447
<v Speaker 2>that it worried you.

0:25:34.047 --> 0:25:36.207
<v Speaker 1>And it was just like this standing at the coffee machine,

0:25:36.247 --> 0:25:40.407
<v Speaker 1>going oh my god, you know I've got here. I've

0:25:40.447 --> 0:25:45.087
<v Speaker 1>got here. That's so great. And so that is kind

0:25:45.127 --> 0:25:46.687
<v Speaker 1>of my baseline.

0:25:47.087 --> 0:25:53.127
<v Speaker 2>Now after this shortbreak, we hear how being diagnosed with

0:25:53.167 --> 0:25:56.887
<v Speaker 2>a degenerative eye disease led Jane to having clearer vision

0:25:57.007 --> 0:26:01.527
<v Speaker 2>of how she wanted to live the rest of her life.

0:26:02.367 --> 0:26:04.487
<v Speaker 2>Can I ask you, because I know there'll be people

0:26:04.847 --> 0:26:07.247
<v Speaker 2>listening to this who relate to that journey as a

0:26:07.287 --> 0:26:11.687
<v Speaker 2>post divorce story in terms of learning to be on

0:26:11.727 --> 0:26:14.647
<v Speaker 2>your own. Maybe you like it, maybe you don't, But

0:26:14.767 --> 0:26:18.087
<v Speaker 2>as you very rightly pointed out, there's a difference between oh,

0:26:18.087 --> 0:26:20.447
<v Speaker 2>I like my alone time and now.

0:26:20.327 --> 0:26:20.887
<v Speaker 3>It's just me.

0:26:21.887 --> 0:26:25.407
<v Speaker 2>After you found that place of I am content in

0:26:25.487 --> 0:26:28.687
<v Speaker 2>what I have, this is enough, I'm enough. Did that

0:26:28.807 --> 0:26:31.967
<v Speaker 2>change the way you felt about a loneeness and whether

0:26:32.087 --> 0:26:34.607
<v Speaker 2>or not you did want to seek out companionship and

0:26:34.647 --> 0:26:35.327
<v Speaker 2>all those things.

0:26:35.807 --> 0:26:39.727
<v Speaker 1>It's interesting because everything is always an ongoing process. So

0:26:40.727 --> 0:26:45.407
<v Speaker 1>about six years into this journey, I decided that I

0:26:45.447 --> 0:26:49.327
<v Speaker 1>would go on a dating app and you know, maybe

0:26:49.767 --> 0:26:53.407
<v Speaker 1>meet someone. I didn't know how that looked or anything.

0:26:53.527 --> 0:26:56.447
<v Speaker 1>I did meet someone. I've been seeing him for about

0:26:56.487 --> 0:27:00.687
<v Speaker 1>two years and it's very much a catch up one

0:27:00.767 --> 0:27:03.767
<v Speaker 1>or two nights a week. Treats me like a queen.

0:27:04.007 --> 0:27:07.927
<v Speaker 1>We're very independent. We're in touch during the day, but

0:27:09.007 --> 0:27:14.767
<v Speaker 1>that merging of lives is not there. And at every

0:27:14.807 --> 0:27:17.847
<v Speaker 1>stage when you're reflecting on this, would I like more?

0:27:18.007 --> 0:27:20.927
<v Speaker 1>Am I capable of more? I've worked so hard to

0:27:20.967 --> 0:27:23.287
<v Speaker 1>have the life that I have and the contentment that

0:27:23.327 --> 0:27:26.287
<v Speaker 1>I have. Would I want to even risk that at

0:27:26.287 --> 0:27:29.007
<v Speaker 1>this point? And so of course I've drawn into my

0:27:29.087 --> 0:27:32.647
<v Speaker 1>life someone that very much fits with the mindset of

0:27:32.687 --> 0:27:35.887
<v Speaker 1>where I am at the moment. So, yeah, you know,

0:27:36.127 --> 0:27:39.367
<v Speaker 1>I get to have someone in my life without Havn's

0:27:39.447 --> 0:27:40.647
<v Speaker 1>like the Clayton's boyfriend.

0:27:41.447 --> 0:27:43.167
<v Speaker 3>It sounds really good.

0:27:43.487 --> 0:27:46.327
<v Speaker 2>I've heard that described as a permanent part time position

0:27:46.567 --> 0:27:50.567
<v Speaker 2>that a lot of midlife women want. It's like, I

0:27:50.607 --> 0:27:53.727
<v Speaker 2>have a world that I'm very comfortable in and I'm

0:27:53.727 --> 0:27:57.847
<v Speaker 2>not interested in going back to caretaking or giving all

0:27:57.887 --> 0:28:00.367
<v Speaker 2>of this up, but of course I have needs and

0:28:00.807 --> 0:28:04.007
<v Speaker 2>I would love companionship, So permanent part time is one

0:28:04.007 --> 0:28:07.407
<v Speaker 2>of the ways i've heard that described. Can I ask

0:28:07.487 --> 0:28:09.487
<v Speaker 2>you we might take this back a bit, because I

0:28:09.487 --> 0:28:12.567
<v Speaker 2>probably should have asked you this before. You've spoken about

0:28:12.607 --> 0:28:14.767
<v Speaker 2>how in the middle of a lot of that dark

0:28:14.887 --> 0:28:18.447
<v Speaker 2>period of when you were searching and struggling with invisibility,

0:28:18.927 --> 0:28:22.167
<v Speaker 2>you've got a misdiagnosis that really changed the way you

0:28:22.207 --> 0:28:24.647
<v Speaker 2>saw yourself literally for a while.

0:28:24.887 --> 0:28:26.487
<v Speaker 3>Can you tell me a bit about that.

0:28:27.127 --> 0:28:32.887
<v Speaker 1>So I was misdiagnosed with a condition called retinisis pigmentosa,

0:28:33.167 --> 0:28:37.287
<v Speaker 1>and I've given that condition to the love interest Patrick

0:28:37.367 --> 0:28:43.167
<v Speaker 1>in the novel, and it's a degenerative eye condition, and

0:28:44.007 --> 0:28:46.767
<v Speaker 1>they were one hundred percent certain that I had it,

0:28:46.847 --> 0:28:51.007
<v Speaker 1>and I was then referred to the Center for Eye

0:28:51.047 --> 0:28:53.607
<v Speaker 1>Health at the University of New South Wales. It's funded

0:28:53.687 --> 0:28:56.847
<v Speaker 1>by the Guide Dog Association and the idea is you

0:28:56.927 --> 0:29:00.607
<v Speaker 1>go there sort of annually they check the amount of

0:29:00.767 --> 0:29:04.607
<v Speaker 1>loss that you have to your site. And I do

0:29:04.727 --> 0:29:09.047
<v Speaker 1>have a very unusual pigmentation in my retina, which is

0:29:09.327 --> 0:29:12.327
<v Speaker 1>what they were seeing, and it presents completely as this

0:29:12.567 --> 0:29:16.167
<v Speaker 1>eye disease. Unfortunately, one of the machines that they needed

0:29:16.167 --> 0:29:18.607
<v Speaker 1>to use at the Center for Our Health was broken

0:29:18.607 --> 0:29:20.647
<v Speaker 1>at the time, and so I had to wait nearly

0:29:20.727 --> 0:29:22.767
<v Speaker 1>three months, two and a half months to get in

0:29:22.807 --> 0:29:26.407
<v Speaker 1>for my appointment. So in the novel, when Tilda is

0:29:26.447 --> 0:29:30.287
<v Speaker 1>first diagnosed and she sort of sits up in bed

0:29:30.927 --> 0:29:33.767
<v Speaker 1>in her pj's, drinking wine out of a bottle and

0:29:33.967 --> 0:29:36.007
<v Speaker 1>dancing seventies hits, that was me.

0:29:36.927 --> 0:29:38.007
<v Speaker 3>It is that what you did?

0:29:38.247 --> 0:29:41.167
<v Speaker 1>Yeah, that was definitely me. And then I went down

0:29:41.447 --> 0:29:46.407
<v Speaker 1>a big rabbit hole of this condition, how it would

0:29:46.447 --> 0:29:50.927
<v Speaker 1>present in my life, the sort of gene component of it.

0:29:50.967 --> 0:29:53.047
<v Speaker 1>I was sort of went through this whole period of

0:29:53.607 --> 0:29:57.407
<v Speaker 1>for my sons, but then I kind of veered left

0:29:57.527 --> 0:30:01.447
<v Speaker 1>and went into a whole area of the question being

0:30:01.527 --> 0:30:06.207
<v Speaker 1>what does it actually mean to see? And obviously that's

0:30:06.247 --> 0:30:10.247
<v Speaker 1>a different question for actual sight imped but for me,

0:30:10.527 --> 0:30:13.887
<v Speaker 1>it got me questioning how I actually saw the world,

0:30:14.007 --> 0:30:18.207
<v Speaker 1>how I saw myself. Each and every person sees the

0:30:18.247 --> 0:30:22.727
<v Speaker 1>world differently. We see ourselves differently, we see events differently.

0:30:23.287 --> 0:30:27.367
<v Speaker 1>And I started to really question how I would see

0:30:27.407 --> 0:30:29.847
<v Speaker 1>if I didn't have sight, but how I actually see

0:30:29.927 --> 0:30:33.687
<v Speaker 1>with sight now? And at one point I was looking

0:30:33.687 --> 0:30:36.887
<v Speaker 1>in the mirror and that had pretty much been a

0:30:37.287 --> 0:30:40.407
<v Speaker 1>exercise of self loathing. I was starting to really criticize

0:30:40.447 --> 0:30:45.727
<v Speaker 1>the aging process, and it was just like the world tilted.

0:30:45.807 --> 0:30:50.367
<v Speaker 1>It was a really strange experience. And in that moment,

0:30:50.847 --> 0:30:53.567
<v Speaker 1>I just looked at my face and all the lines

0:30:53.607 --> 0:30:57.087
<v Speaker 1>and all the living that I'd done and just loved it.

0:30:58.167 --> 0:31:01.167
<v Speaker 1>And I thought, oh my god, am I not going

0:31:01.207 --> 0:31:03.407
<v Speaker 1>to get to see myself age? Am I not going

0:31:03.447 --> 0:31:05.967
<v Speaker 1>to get to see the march of time across my face?

0:31:06.767 --> 0:31:09.727
<v Speaker 1>And I thought, if I really feel like I'm losing gift,

0:31:10.447 --> 0:31:14.167
<v Speaker 1>why would I do anything to erase it or not

0:31:14.287 --> 0:31:17.807
<v Speaker 1>embrace it. So it was a really big moment for me,

0:31:18.247 --> 0:31:22.607
<v Speaker 1>and I still carry that today. I occasionally sort of go,

0:31:22.727 --> 0:31:28.007
<v Speaker 1>oh God, very rarely I'm like, embrace it, embrace aging.

0:31:28.527 --> 0:31:33.167
<v Speaker 2>I absolutely love that story because it's so profound when

0:31:33.167 --> 0:31:35.927
<v Speaker 2>you say that. Is that this privilege that I get

0:31:35.967 --> 0:31:38.567
<v Speaker 2>to experience so much in life. And that's one of

0:31:38.607 --> 0:31:41.367
<v Speaker 2>the things that infuriates me about a lot of the

0:31:41.407 --> 0:31:44.647
<v Speaker 2>aptitudes towards midlife women is that we're sort of seen

0:31:44.647 --> 0:31:46.327
<v Speaker 2>as a bit pathetic or a bit sad, or a

0:31:46.367 --> 0:31:51.447
<v Speaker 2>bit invisible obviously, but actually we are profoundly wise, experienced, strong,

0:31:51.567 --> 0:31:54.687
<v Speaker 2>and that story illustrates that brilliantly. Is it hard to

0:31:54.767 --> 0:31:59.167
<v Speaker 2>hold on to that? Because often you have these profound

0:31:59.167 --> 0:32:02.647
<v Speaker 2>moments of realization, but we are all swimming in this

0:32:02.767 --> 0:32:07.967
<v Speaker 2>constant bombardment of look younger, be more relevant, have more opportunities.

0:32:07.967 --> 0:32:11.727
<v Speaker 2>If you eraise this, that is it hard to hold

0:32:11.767 --> 0:32:12.247
<v Speaker 2>on to it?

0:32:12.647 --> 0:32:15.967
<v Speaker 1>Well, it has been ten years since that moment, and

0:32:16.847 --> 0:32:19.327
<v Speaker 1>I would say I've done a pretty good job of

0:32:19.407 --> 0:32:22.927
<v Speaker 1>holding on to it. There are days and times I

0:32:22.967 --> 0:32:25.607
<v Speaker 1>hear that in a critic coming back in and I've

0:32:25.647 --> 0:32:29.007
<v Speaker 1>got this one line down here that came from an

0:32:29.047 --> 0:32:36.007
<v Speaker 1>expect we'll call that one, Bob, And it's like, you know,

0:32:36.087 --> 0:32:38.607
<v Speaker 1>for me going like this the whole time, the whole relationship,

0:32:38.607 --> 0:32:40.127
<v Speaker 1>and I'm like, oh, if I could get rid of that.

0:32:40.647 --> 0:32:42.927
<v Speaker 1>But actually it's just a part of it. I think

0:32:42.967 --> 0:32:50.127
<v Speaker 1>we're always going to catch ourselves criticizing ourselves. That never changes.

0:32:50.207 --> 0:32:52.767
<v Speaker 1>But the inner critics about observing you're in.

0:32:52.807 --> 0:32:54.847
<v Speaker 3>A critic has a name, Am I right?

0:32:55.007 --> 0:32:57.327
<v Speaker 2>If I heard you talk about pearl, Pearl, tell me

0:32:57.367 --> 0:32:58.007
<v Speaker 2>about Pearl.

0:32:58.447 --> 0:33:00.767
<v Speaker 1>Well, Pearl is the name that I gave the inner

0:33:00.767 --> 0:33:04.367
<v Speaker 1>critic for the novel. And so Tilda has this Pearl

0:33:04.487 --> 0:33:09.167
<v Speaker 1>and it's program everything always repeat, loop, And that is

0:33:09.287 --> 0:33:13.287
<v Speaker 1>pretty much what our inner critic does. It value tags

0:33:13.447 --> 0:33:19.087
<v Speaker 1>information that we have found important enough to keep rolling

0:33:19.127 --> 0:33:24.647
<v Speaker 1>out in our minds and in our lives. And being

0:33:24.887 --> 0:33:29.007
<v Speaker 1>a program, it can be reprogrammed, you know. That's what

0:33:29.087 --> 0:33:32.247
<v Speaker 1>I did and do with my meditation practice.

0:33:32.327 --> 0:33:36.727
<v Speaker 2>Although that acronym obviously is very specific, it also brings

0:33:36.767 --> 0:33:39.607
<v Speaker 2>to life a very specific kind of person who's talking

0:33:39.647 --> 0:33:43.087
<v Speaker 2>to you. Because Pearl, yes, is a bit of an

0:33:43.087 --> 0:33:45.527
<v Speaker 2>older lady who's got a bit of a wagging finger,

0:33:45.967 --> 0:33:46.807
<v Speaker 2>you know what I mean.

0:33:47.167 --> 0:33:50.087
<v Speaker 1>Yeah, she's like the busybody neighbor who you know, is

0:33:50.127 --> 0:33:53.007
<v Speaker 1>through the lace curtains staring at it, who's just parked

0:33:53.047 --> 0:33:55.687
<v Speaker 1>at your place, and that kind of you know. But

0:33:56.047 --> 0:33:59.927
<v Speaker 1>given that I've become quite attached to my pearl because

0:33:59.967 --> 0:34:04.047
<v Speaker 1>I understand that a lot of the programs she feeds

0:34:04.167 --> 0:34:07.767
<v Speaker 1>me is when I'm in fear. You know, if I'm

0:34:07.807 --> 0:34:10.687
<v Speaker 1>stepping out of my comfort its own. You know, she

0:34:10.727 --> 0:34:13.687
<v Speaker 1>doesn't want me to or I don't want myself to

0:34:13.767 --> 0:34:19.287
<v Speaker 1>be shamed, humiliated, harmed, all of those things. So you

0:34:19.367 --> 0:34:23.407
<v Speaker 1>can kind of nurture your own pearl as well and

0:34:23.447 --> 0:34:27.007
<v Speaker 1>make her feel a little safer as you do sort

0:34:27.007 --> 0:34:30.327
<v Speaker 1>of step out into being different, because change is really

0:34:30.407 --> 0:34:32.727
<v Speaker 1>uncomfortable state to be in.

0:34:33.407 --> 0:34:35.287
<v Speaker 2>To the people who are listening to this, who I

0:34:35.327 --> 0:34:38.127
<v Speaker 2>know they're going to love the very notion of tildre

0:34:38.207 --> 0:34:40.407
<v Speaker 2>is visible, but they might feel like they're at the

0:34:40.407 --> 0:34:43.647
<v Speaker 2>beginning of that tilded journey where you were too on

0:34:43.687 --> 0:34:47.287
<v Speaker 2>the beach that day when everything had fallen apart. What

0:34:47.887 --> 0:34:51.327
<v Speaker 2>wisdom are we giving those women who are listening to this?

0:34:51.407 --> 0:34:52.607
<v Speaker 3>What would you say to them?

0:34:53.007 --> 0:34:56.127
<v Speaker 1>Look, I know that not everyone is ready to meditate,

0:34:56.207 --> 0:35:00.207
<v Speaker 1>but I will say it anyway because I wasn't ready

0:35:00.247 --> 0:35:04.127
<v Speaker 1>to meditate when I should have started, but I came

0:35:04.207 --> 0:35:07.407
<v Speaker 1>back to it a few years later. So hearing the

0:35:07.487 --> 0:35:11.087
<v Speaker 1>message now might be an that in a few years

0:35:11.127 --> 0:35:13.807
<v Speaker 1>someone will sit down when they really need it. So

0:35:13.967 --> 0:35:19.247
<v Speaker 1>definitely meditation. But I think that once the genie is

0:35:19.287 --> 0:35:22.647
<v Speaker 1>out of the bottle and you start to observe how

0:35:22.687 --> 0:35:25.887
<v Speaker 1>you speak to yourself, you can't shove it back in.

0:35:26.487 --> 0:35:29.207
<v Speaker 1>It's out and you need to start to address it.

0:35:29.247 --> 0:35:32.367
<v Speaker 1>So when you realize that you have an inner dialogue

0:35:32.527 --> 0:35:36.527
<v Speaker 1>that's on a loop. I just say to people, think,

0:35:36.647 --> 0:35:39.087
<v Speaker 1>you know, is this true? Like if you're looking in

0:35:39.127 --> 0:35:41.407
<v Speaker 1>the mirror and you go, God, I look old? Is

0:35:41.447 --> 0:35:45.367
<v Speaker 1>that true? Is it kind? Would you say that to

0:35:45.447 --> 0:35:49.127
<v Speaker 1>your best friend? And each time that happens, change it,

0:35:49.247 --> 0:35:53.647
<v Speaker 1>observe it, change it, and you might not believe what

0:35:53.687 --> 0:35:57.487
<v Speaker 1>you say when you change it at first, but it

0:35:57.567 --> 0:36:00.367
<v Speaker 1>does eventually start to take over as the program that

0:36:00.407 --> 0:36:04.007
<v Speaker 1>comes up. So you know, I look old? Is that true?

0:36:04.487 --> 0:36:07.247
<v Speaker 1>Is it kind? Would you speak to your friend like that? No?

0:36:07.727 --> 0:36:10.807
<v Speaker 1>So then just litly say what you want to replace

0:36:10.807 --> 0:36:13.687
<v Speaker 1>it with. I look beautiful. I'm getting older. I'm a

0:36:13.687 --> 0:36:14.647
<v Speaker 1>gorgeous older woman.

0:36:15.167 --> 0:36:16.287
<v Speaker 3>I absolutely love that.

0:36:16.447 --> 0:36:19.767
<v Speaker 2>I really do. Lastly, Jane, I want to ask you, obviously,

0:36:19.807 --> 0:36:23.087
<v Speaker 2>Children Is Visible has been really successful because bloody great idea.

0:36:23.887 --> 0:36:26.087
<v Speaker 2>It's a beautiful book and it's so well written. I

0:36:26.087 --> 0:36:28.487
<v Speaker 2>mean You've had a long career in books and writing

0:36:28.567 --> 0:36:33.167
<v Speaker 2>and lots of things. But does having this very sort

0:36:33.167 --> 0:36:36.367
<v Speaker 2>of profound truth that you've wrapped up in this beautifully accessible,

0:36:36.767 --> 0:36:41.407
<v Speaker 2>funny book be so successful? Is it just so validating

0:36:41.607 --> 0:36:44.287
<v Speaker 2>you know that you've got to that in this phase

0:36:44.287 --> 0:36:45.047
<v Speaker 2>in your life.

0:36:45.407 --> 0:36:49.727
<v Speaker 1>Yeah, it's a really interesting experience, actually, Like it's out

0:36:49.727 --> 0:36:53.167
<v Speaker 1>in the US in February, and it's fantasticting to see

0:36:53.207 --> 0:36:55.727
<v Speaker 1>how it goes over there. You know, there's a lot

0:36:55.767 --> 0:36:58.407
<v Speaker 1>happening with it, a lot because it's resonating with women.

0:36:58.967 --> 0:37:02.287
<v Speaker 1>I'm always a little bit woo woo about things and

0:37:02.527 --> 0:37:07.087
<v Speaker 1>sometimes the conversations that I'm having with women, which I'm loving, Like,

0:37:07.127 --> 0:37:11.527
<v Speaker 1>I'm really loving talking to women about these themes. It's

0:37:11.567 --> 0:37:16.887
<v Speaker 1>almost like it's the creative news. You become a channel

0:37:17.087 --> 0:37:19.927
<v Speaker 1>for something to come through you, a message to come

0:37:19.967 --> 0:37:23.127
<v Speaker 1>through you, and you know, this is a conversation that

0:37:23.607 --> 0:37:26.327
<v Speaker 1>it's not just my book. There are plenty of authors

0:37:26.407 --> 0:37:31.127
<v Speaker 1>out there writing in this space, older women, writing about

0:37:31.207 --> 0:37:34.487
<v Speaker 1>older women, and it seems to be the time for

0:37:34.567 --> 0:37:38.607
<v Speaker 1>all of that. It's really exciting to have these conversations.

0:37:38.687 --> 0:37:41.927
<v Speaker 1>So I don't know, I'm just writing this way, not

0:37:42.007 --> 0:37:44.047
<v Speaker 1>at the front of it. Other women started it, but

0:37:44.087 --> 0:37:46.567
<v Speaker 1>I'm writing it and I'm really really loving it and

0:37:46.807 --> 0:37:49.207
<v Speaker 1>definitely want to keep writing in this space and having

0:37:49.287 --> 0:37:50.247
<v Speaker 1>the conversations.

0:37:50.447 --> 0:37:52.687
<v Speaker 2>Well, the thing about that is, I mean, you know,

0:37:53.047 --> 0:37:55.287
<v Speaker 2>being close to the Australian publishing industry, you know that

0:37:55.327 --> 0:38:00.087
<v Speaker 2>it's difficult, competitive, crowded, it's very tough. But it's very

0:38:00.087 --> 0:38:03.567
<v Speaker 2>interesting that it goes hand in hand with the message

0:38:03.607 --> 0:38:06.047
<v Speaker 2>of this book. It's that older women have stories to tell.

0:38:06.167 --> 0:38:06.967
<v Speaker 3>Of course we do.

0:38:07.087 --> 0:38:10.087
<v Speaker 2>We've lived a lot, we've seen a lot, survived a lot,

0:38:10.127 --> 0:38:12.447
<v Speaker 2>We've been through a lot, and it makes sense that

0:38:12.647 --> 0:38:16.767
<v Speaker 2>we want to hear those, read those, talk about those,

0:38:17.447 --> 0:38:20.287
<v Speaker 2>rather than constantly being convinced that either there's something a

0:38:20.287 --> 0:38:23.967
<v Speaker 2>bit sad about that, or that we should really just

0:38:24.007 --> 0:38:26.567
<v Speaker 2>be interested in the hottest new writer under thirty or whatever,

0:38:26.607 --> 0:38:30.047
<v Speaker 2>which is also brilliant. Of course, every generation, every era

0:38:30.207 --> 0:38:33.887
<v Speaker 2>needs its voices. But this generation and this era are

0:38:33.967 --> 0:38:36.527
<v Speaker 2>not done telling stories, right, We're not ready to shuffle

0:38:36.567 --> 0:38:37.287
<v Speaker 2>off quite yet.

0:38:38.007 --> 0:38:41.007
<v Speaker 1>No, there's a great story about my cover, which I love.

0:38:41.087 --> 0:38:44.007
<v Speaker 1>I love the cover of my novel. And the designer

0:38:44.127 --> 0:38:46.487
<v Speaker 1>is a great designer. He designs a lot of books.

0:38:46.527 --> 0:38:48.447
<v Speaker 1>But when they gave him the brief for it, he

0:38:48.567 --> 0:38:52.727
<v Speaker 1>came back with a few versions before this one. I

0:38:52.767 --> 0:38:55.647
<v Speaker 1>felt like, what you're going to say, sad old woman

0:38:55.767 --> 0:38:59.207
<v Speaker 1>with gray hair, and you know, my publisher, Kelly's like, no, no,

0:38:59.287 --> 0:39:01.767
<v Speaker 1>that's not quite right, like that, she's fifty five. It's

0:39:01.847 --> 0:39:04.807
<v Speaker 1>not you know, on another sad woman. No, no, no,

0:39:04.887 --> 0:39:08.207
<v Speaker 1>she's yeah. Go on her instagram and check out what

0:39:08.287 --> 0:39:10.527
<v Speaker 1>a fifty five year old yeah was like and the

0:39:10.567 --> 0:39:14.607
<v Speaker 1>type of life that they lead, and yeah.

0:39:13.607 --> 0:39:16.487
<v Speaker 2>Absolutely, it's so interesting. When we were launching this show,

0:39:16.727 --> 0:39:19.367
<v Speaker 2>I asked midlife women who listened to Mamma Mia out

0:39:19.367 --> 0:39:21.607
<v Speaker 2>loud or who are engaged in our communities in other

0:39:21.647 --> 0:39:25.767
<v Speaker 2>ways to send me images of themselves, because again it's

0:39:25.847 --> 0:39:29.007
<v Speaker 2>not their fault, but when you're briefing people in about

0:39:29.047 --> 0:39:31.127
<v Speaker 2>like so this shows for women in age between like

0:39:31.167 --> 0:39:33.407
<v Speaker 2>forty and sixty and you know, a bit either side

0:39:33.447 --> 0:39:36.007
<v Speaker 2>and all the rest of it. The vision that young

0:39:36.047 --> 0:39:38.527
<v Speaker 2>people have of those people is really interesting. And the

0:39:38.647 --> 0:39:42.767
<v Speaker 2>actual imagery that came to us. It's women running marathons

0:39:42.807 --> 0:39:45.887
<v Speaker 2>and getting doctorates and dyeing their hair pink and going

0:39:45.927 --> 0:39:49.087
<v Speaker 2>shopping in New York and going through cancer treatment and

0:39:49.487 --> 0:39:52.367
<v Speaker 2>writing books and you know, and they looked all kinds

0:39:52.407 --> 0:39:53.247
<v Speaker 2>of different ways.

0:39:53.327 --> 0:39:54.607
<v Speaker 3>You know, it's kind of funny.

0:39:54.687 --> 0:39:57.047
<v Speaker 2>It's kind of funny that they think we're really sad,

0:39:57.127 --> 0:39:58.487
<v Speaker 2>but we're actually anything.

0:39:58.567 --> 0:40:01.047
<v Speaker 1>But it really is. And I think you know, as

0:40:01.087 --> 0:40:03.527
<v Speaker 1>a woman, as you age, if you do the work,

0:40:03.647 --> 0:40:07.167
<v Speaker 1>and I will say meditation also really helps balance those hormones.

0:40:07.167 --> 0:40:11.047
<v Speaker 1>And on the other side of menopause. Perimenopause was hell

0:40:11.247 --> 0:40:15.047
<v Speaker 1>because I wasn't meditating, but menopause was a breeze. I'm

0:40:15.047 --> 0:40:18.567
<v Speaker 1>through the other side of it. I feel better than

0:40:18.607 --> 0:40:23.887
<v Speaker 1>I have felt probably ever, like just mentally, emotionally, physically,

0:40:24.367 --> 0:40:26.287
<v Speaker 1>you know, my energy, what I want to do in

0:40:26.327 --> 0:40:30.007
<v Speaker 1>the world. It's a very exciting time. I'm not ready

0:40:30.007 --> 0:40:33.607
<v Speaker 1>to be wheeled off to the retirement home just yet.

0:40:34.767 --> 0:40:35.407
<v Speaker 3>I hear you.

0:40:36.087 --> 0:40:38.407
<v Speaker 2>Jane, thank you so much. This has been the most

0:40:38.447 --> 0:40:42.207
<v Speaker 2>wonderful conversation. And Tilda Is Visible is the most amazing book.

0:40:42.207 --> 0:40:44.647
<v Speaker 2>And obviously we will put links in our show notes

0:40:44.687 --> 0:40:46.847
<v Speaker 2>to where everybody can buy that and find out more

0:40:46.887 --> 0:40:49.527
<v Speaker 2>about it. But thank you so much for sharing this

0:40:49.607 --> 0:40:49.967
<v Speaker 2>with us.

0:40:50.087 --> 0:40:53.207
<v Speaker 1>Thank you Holly for doing this, for having these conversations,

0:40:53.207 --> 0:40:55.567
<v Speaker 1>and for having me on as well, Thank you so much?

0:40:58.927 --> 0:40:59.567
<v Speaker 2>Is it true?

0:41:00.007 --> 0:41:00.767
<v Speaker 3>Is it kind?

0:41:01.047 --> 0:41:03.967
<v Speaker 2>Would you say that to your best friend? If you

0:41:04.047 --> 0:41:06.807
<v Speaker 2>take nothing else from this conversation with Jane, and what

0:41:06.847 --> 0:41:09.207
<v Speaker 2>you should also definitely take from it is an urge

0:41:09.327 --> 0:41:13.087
<v Speaker 2>to buy, borrow read Tilda is Visible because it's brilliant,

0:41:13.327 --> 0:41:15.127
<v Speaker 2>and a link to do that is in the show notes.

0:41:15.607 --> 0:41:19.407
<v Speaker 2>Remember those three questions for your well meaning but misguided

0:41:19.487 --> 0:41:22.847
<v Speaker 2>in a critic. What's particularly great about the way that

0:41:22.967 --> 0:41:26.047
<v Speaker 2>Jane tackles the conundrum of the invisible woman is that

0:41:26.087 --> 0:41:29.887
<v Speaker 2>it's about us, not the world. How do we continue

0:41:29.927 --> 0:41:32.687
<v Speaker 2>to see ourselves? How do we not lose focus of

0:41:32.727 --> 0:41:35.447
<v Speaker 2>what we want as we move into this next stage

0:41:35.447 --> 0:41:38.927
<v Speaker 2>of our lives? And look full disclosure, I still haven't

0:41:38.967 --> 0:41:42.447
<v Speaker 2>managed to meditate after our chat. Jane very generously sent

0:41:42.487 --> 0:41:44.887
<v Speaker 2>me some links and I had good intentions, but so

0:41:45.047 --> 0:41:46.967
<v Speaker 2>far I still haven't found a way to make it

0:41:47.007 --> 0:41:49.687
<v Speaker 2>stick in my head or my day. So don't worry

0:41:49.727 --> 0:41:53.327
<v Speaker 2>if you haven't either. We're all just muddeling along. If

0:41:53.327 --> 0:41:55.767
<v Speaker 2>you liked Jane's description of what she wants in a

0:41:55.807 --> 0:41:59.127
<v Speaker 2>relationship now, please go back and listen to episode one

0:41:59.167 --> 0:42:02.727
<v Speaker 2>of this second season with Leslie Morgan about sex. It's

0:42:02.767 --> 0:42:06.447
<v Speaker 2>really a refreshing ear pricking doozy that one. And also,

0:42:06.607 --> 0:42:08.767
<v Speaker 2>if you're keen to hear more about all this meditation,

0:42:08.887 --> 0:42:13.527
<v Speaker 2>mala apologies to everybody who meditates for that description, go

0:42:13.567 --> 0:42:16.087
<v Speaker 2>and listen to the episode with Catherine May that I

0:42:16.127 --> 0:42:21.567
<v Speaker 2>referenced in our conversation. She is brilliant on it. Stay visible,

0:42:21.687 --> 0:42:24.567
<v Speaker 2>my glorious friends. And on that note, meet me back

0:42:24.567 --> 0:42:27.327
<v Speaker 2>here next week when we'll be rounding out season two

0:42:27.527 --> 0:42:31.407
<v Speaker 2>with a supermodel, No, not that one, a gen x

0:42:31.687 --> 0:42:34.967
<v Speaker 2>icon who knows a lot about raging against and making

0:42:35.007 --> 0:42:38.567
<v Speaker 2>peace with our appearance in Mid Thank you to our

0:42:38.647 --> 0:42:43.727
<v Speaker 2>team ep Nama Brown producer Charlie Blackman and audio producers

0:42:43.927 --> 0:42:46.927
<v Speaker 2>Tom Lyon and Leah Porge's, and thank you to you

0:42:47.087 --> 0:42:48.607
<v Speaker 2>Mid's See you next week.