WEBVTT - Holly's Uncensored Golden Bachelor Moment & The End Of The Year Sprint

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<v Speaker 1>You're listening to a MoMA Mia podcast.

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<v Speaker 2>Mamma Mia acknowledges the traditional owners of land and waters

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<v Speaker 2>that this podcast is recorded on Hello and welcome to

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<v Speaker 2>Mamma Mia. Out loud. What women are actually talking about

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<v Speaker 2>on Wednesday, the twenty second of October. My name is

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<v Speaker 2>Holly Waynwright.

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<v Speaker 3>I am Amelia Lester and I'm Claire Murphy.

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<v Speaker 2>And on our agenda for today, I watched The Golden

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<v Speaker 2>Bachelor and now I need therapy, although maybe not for

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<v Speaker 2>the reason you expect.

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<v Speaker 1>Gwyneth Paltrow and Chris Martin's daughter Apple is everywhere right now?

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<v Speaker 1>Is this how a star is born? I want to

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<v Speaker 1>unpack the strategy.

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<v Speaker 4>And have you ladies heard about the October slump? It

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<v Speaker 4>sounds awful, but we have some tips on how to

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<v Speaker 4>pick that butt up out of its rut and get

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<v Speaker 4>your brain back in the game.

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<v Speaker 2>Thank god for that. But first, Amelia Lester.

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<v Speaker 1>Albow went to the White House on Monday. Finally got

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<v Speaker 1>it how they had a lovely lunch he and Donald Trump.

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<v Speaker 1>I was concerned because on the lunch menu for dessert

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<v Speaker 1>they were having a pavlova, which sounded great, but it

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<v Speaker 1>was served with pair and ice cream, and my personal

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<v Speaker 1>view is that pavlova should not be served with ice

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<v Speaker 1>cream because traditionally you have worked cream on top.

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<v Speaker 4>So why did it have to have fruit accompanying it?

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<v Speaker 4>Because fruit should be part of the pavlova?

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<v Speaker 2>Should it not a lot of questions so a little

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<v Speaker 2>bit like the Americans didn't understand Pavlova.

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<v Speaker 1>That wasn't the most awkward part of the event though,

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<v Speaker 1>look overall it went pretty well. I think the consensus

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<v Speaker 1>is that Albanezi did a good job, but there was

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<v Speaker 1>one moment which I still cannot even think about without

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<v Speaker 1>experiencing full body squarem.

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<v Speaker 2>Full body squirm.

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<v Speaker 1>Sky News political editor Andrew Klennell was at a press

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<v Speaker 1>conference afterwards and he did a little bit of us

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<v Speaker 1>shall we say shit stirring I believe it's the technical

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<v Speaker 1>term love that he asked Trump about disparaging comments that

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<v Speaker 1>Australia's ambassador to the US, Kevin Rudd, had once made

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<v Speaker 1>about him. Let's take a listen, be.

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<v Speaker 5>Concerned in Australia that it's taken nine months to get

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<v Speaker 5>this meeting. Have you had any concerns with this administration

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<v Speaker 5>with a stance on Palestine, climate change, or even things

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<v Speaker 5>the ambassador said about you in the past. He's strain

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<v Speaker 5>an ambassador.

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<v Speaker 1>I don't know anything about him. If he said bad,

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<v Speaker 1>then maybe he'll like to apologize. I really don't know

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<v Speaker 1>an ambassador to say something bad about it. Don't tell

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<v Speaker 1>me where is he?

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<v Speaker 6>Is he still working for me?

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<v Speaker 2>Yeah, you said bad.

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<v Speaker 5>Before I took dispositions to prison.

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<v Speaker 1>But I don't like you either, and probably never will.

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<v Speaker 1>So what you can't see that is Trump turns to Alberanezer,

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<v Speaker 1>who's sitting next to him, and says, do you know

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<v Speaker 1>about this guy's he's still working for you? And Albo

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<v Speaker 1>clearly had to make a decision in that second as

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<v Speaker 1>to what to do.

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<v Speaker 2>No, my decision would have been sliding under them, literally

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<v Speaker 2>out under the jamas.

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<v Speaker 1>Simpson retreating into the hedge, and he just has this

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<v Speaker 1>enormous smile on his face, which may be him on

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<v Speaker 1>the verge of tears and has to admit that the

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<v Speaker 1>person who called Trump a village idiot and the most

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<v Speaker 1>destructive president in history is in fact sitting on the

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<v Speaker 1>other side.

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<v Speaker 2>Of the table.

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<v Speaker 1>Claire, you are a news hound. Is this the most

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<v Speaker 1>awkward moment in diplomacy you've ever seen? I?

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<v Speaker 3>Mean, we've had worse.

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<v Speaker 4>There's been hot Mike moments which you know, have landed

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<v Speaker 4>our leadership team in trouble in the past, which I

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<v Speaker 4>think is potentially worse. But this was so beautiful. I

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<v Speaker 4>just I could not love this moment more. For the

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<v Speaker 4>starter is I don't know if it's a prerequisite if

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<v Speaker 4>you are an Australian reporter working at the White House

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<v Speaker 4>you have to sound as quintessentially Australian as humanly possible,

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<v Speaker 4>because that question could not have sounded more broadly aussy.

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<v Speaker 4>Then just that beautiful setup of knowing that Kevin Rudder

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<v Speaker 4>is sitting at that table, and Elbow knows that Kevin

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<v Speaker 4>Rudder is sitting at that table, and then for Trump

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<v Speaker 4>to drop it right in his lap and then he

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<v Speaker 4>has to deal with it, and I think he dealt

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<v Speaker 4>with it just beautifully in the fact that he just

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<v Speaker 4>literally pointed across the table at Kevin, like, oh yeah,

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<v Speaker 4>it's that guy.

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<v Speaker 3>It just felt like.

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<v Speaker 4>This moment of it could have been the undoing of

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<v Speaker 4>all of this, but I feel like it's almost made

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<v Speaker 4>it the ceiling of the deal, Like it made it

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<v Speaker 4>feel like, oh my god, they've had a bit of

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<v Speaker 4>a lull and I did hear that afterwards, Trump did

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<v Speaker 4>give Kevin Rut a full pardon for his past comments.

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<v Speaker 4>But it could have potentially been so much worse, but

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<v Speaker 4>it felt so very Australian. I think it just played

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<v Speaker 4>into every American person's vision of what Alarican ossie kind

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<v Speaker 4>of is in that moment, and I think it just

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<v Speaker 4>played out beautifully. I think it couldn't have gone better.

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<v Speaker 2>How is it a defense, like so he called Trump

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<v Speaker 2>village idiot? Let's be honest, there are many of us

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<v Speaker 2>who think good on you, Kevin. You said what everybody thought.

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<v Speaker 2>How is it a defense to be like, oh, yes,

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<v Speaker 2>mister president. But before I had this, if you're like,

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<v Speaker 2>I totally think you're a village idiot, but I'm not

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<v Speaker 2>allowed to say it now, It's basically what he was saying.

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<v Speaker 1>Holly, you had a really interesting comment when we were

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<v Speaker 1>chatting about it, which is that Albo and Trump represent

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<v Speaker 1>two very different ideas of masculinity. Definitely, And do you

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<v Speaker 1>feel like those two ideas ended up being complimentary rather

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<v Speaker 1>than clashing in this moment?

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<v Speaker 2>Look, it actually looked that way. I know there are

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<v Speaker 2>people who like to paint Albow as weak because he

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<v Speaker 2>is not the alpha male guy, or at least outwardly

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<v Speaker 2>he isn't. I mean, one assumes that he has to

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<v Speaker 2>have a pretty steel spine to get to where he is.

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<v Speaker 2>He doesn't perform a kind of alpha male energy. And

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<v Speaker 2>there are people who like you to believe he was weak.

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<v Speaker 2>But I think that the fact that he didn't hide

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<v Speaker 2>under the table, which is what I would have done,

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<v Speaker 2>or been like, no, I've never heard of him. I

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<v Speaker 2>don't know what you're talking about.

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<v Speaker 3>He also didn't stop or starter either.

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<v Speaker 4>He didn't do like an uh uh uh like there

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<v Speaker 4>was none of that moment either, Like he just went

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<v Speaker 4>with it.

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<v Speaker 2>It suggests a bit of mutual respect to be fair,

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<v Speaker 2>which is, you know, not that everybody wants to suck

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<v Speaker 2>up to Trump, but he is kind of important in

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<v Speaker 2>the scheme of things at the moment, as even Kevin

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<v Speaker 2>Rudd has to acknowledge.

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<v Speaker 6>Friends.

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<v Speaker 2>Last night, I watched The Golden Bachelor. I'm hoping it

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<v Speaker 2>will contribute to my eventual Walkley nomination. In case you

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<v Speaker 2>missed it, here's what you need to know about the

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<v Speaker 2>show that started on Monday night. It's a new version

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<v Speaker 2>of The Bachelor, right that show the normal Bachelor after

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<v Speaker 2>domination for several years in the early teens, and then

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<v Speaker 2>the Bachelorette spin off and that's success. It got canceled

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<v Speaker 2>in May last year, and the broad consensus is that

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<v Speaker 2>people really aren't into that kind of more innocent dating

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<v Speaker 2>show anymore. We like our maths, we like our fisty cuffs,

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<v Speaker 2>all that kind of thing. So nine have rolled the

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<v Speaker 2>dice on the idea that the people who are still

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<v Speaker 2>watching this kind of TV are actually Generation X and

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<v Speaker 2>they've given us our own version of grown up women

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<v Speaker 2>wearing lovely frocks and behaving in really inappropriate fashion.

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<v Speaker 1>So what ages are we talking?

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<v Speaker 2>Bear who's the Bachelor, And yes he is called Beer

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<v Speaker 2>and he's originally from Canada, but he's lived in Australia

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<v Speaker 2>a really long time, but he hasn't lost his accent.

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<v Speaker 3>Can't relate.

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<v Speaker 2>Bear is sixty one, he's a widower, his wife died

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<v Speaker 2>thirteen years ago, and he is choosing from twenty women

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<v Speaker 2>aged between fifty one and sixty six.

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<v Speaker 1>I wonder how they came up with that age group.

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<v Speaker 2>I know, right well, maybe it was his settings on Tinder.

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<v Speaker 7>Yet.

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<v Speaker 2>You know how you can pick. I think maybe that

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<v Speaker 2>was where he was already picking, right, so he seems

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<v Speaker 2>nice and everything bear like, kind of boring, kind of nondescript.

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<v Speaker 2>But who's not boring? Of the women and they steal

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<v Speaker 2>all the airtime, as they always do in these kind

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<v Speaker 2>of shows. But seeing this big group of grown up

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<v Speaker 2>women kind of entering the house, wearing their frocks, doing

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<v Speaker 2>all those things, the silly stunts they do. Somebody comes

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<v Speaker 2>on a horse, somebody comes in a wedding dress, blah

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<v Speaker 2>blah blah blah blah. It kind of feels novel to

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<v Speaker 2>see women of that generation doing that. And I'm on

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<v Speaker 2>picking how I feel about it. But one of the

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<v Speaker 2>more complicated feelings watching this show brought up for me

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<v Speaker 2>is what I need to unpack today. There's a story

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<v Speaker 2>on Mamma Mia called Opinion because it was an opinion piece.

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<v Speaker 2>The Golden Bachelor highlights a new class divide. Now, it's

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<v Speaker 2>important to note that this particular story, as I'm talking now,

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<v Speaker 2>has been read by thousands and thousands of women and

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<v Speaker 2>is going very well on Mamma Mia, So plenty of

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<v Speaker 2>people are clicking on this story, and in it, the

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<v Speaker 2>writer Rachel Wells argues that what's most apparent when you

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<v Speaker 2>get twenty over fifty women in one room, is who

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<v Speaker 2>has had work and who has not. And she argues

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<v Speaker 2>that that distinction is all about who can afford it

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<v Speaker 2>and who can't, and that is like becoming a new

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<v Speaker 2>class divide.

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<v Speaker 1>Interesting because before it would have just been probably the

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<v Speaker 1>clothes or maybe the accent, but now it's written on

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<v Speaker 1>their faces.

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<v Speaker 2>Yeah, right, And so I think that's true. But I

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<v Speaker 2>also think it's deeper than that, because I think that

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<v Speaker 2>the cold heart truth is that as a culture, and

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<v Speaker 2>possibly as a generation, I'm perfectly willing to be taken

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<v Speaker 2>to task by my younger co hosts today that we

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<v Speaker 2>are so obsessed with women's aging faces and the vast

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<v Speaker 2>array of decisions that are out there now, obviously informed

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<v Speaker 2>by things like access and money and desire, the vast

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<v Speaker 2>array of choices is that it's impossible to watch this

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<v Speaker 2>show and not be thinking. And this is what my

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<v Speaker 2>inner monologue was doing. And I'm always very staunch about

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<v Speaker 2>you do you when it comes to aging, it's impossible

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<v Speaker 2>not to be thinking, oh she's aging, well, oh she's

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<v Speaker 2>done a bit too much. Oh subtle talks, a little

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<v Speaker 2>bit of wrinkles.

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<v Speaker 7>We like.

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<v Speaker 2>That is basically it's impossible to not be reading their

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<v Speaker 2>faces like a rich text on aging. And I kind

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<v Speaker 2>of hate myself for that because that's just inside my

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<v Speaker 2>own head. It's like a smorgas board of beauty and

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<v Speaker 2>body choices. And I barely even looked at Bear like

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<v Speaker 2>he might as well have not been on screen. I'm

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<v Speaker 2>aware that that's the problem position in my own mind,

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<v Speaker 2>and it used to be on MoMA Mia for example,

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<v Speaker 2>that when we RecA and it still is to be honest,

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<v Speaker 2>when we recap reality shows and things, we've always stayed

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<v Speaker 2>away from commenting on women's individual appearances. And one of

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<v Speaker 2>the main reasons for that is because there's plenty of

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<v Speaker 2>that all over the internet, and almost always that gets

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<v Speaker 2>turned into the stick that she used to beat those

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<v Speaker 2>women with. It'll just be like, Wow, she's done as

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<v Speaker 2>pretty as she thinks she is, and she looks a

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<v Speaker 2>bit older, she needs to get to the gym, and

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<v Speaker 2>just all this awful, toxic dialogue about what women look like.

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<v Speaker 2>So broadly we've left all that alone because we don't

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<v Speaker 2>want to add to the pylon. But I feel like

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<v Speaker 2>when it comes to aging, women's faces and aging, we're like,

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<v Speaker 2>in a bit of a new era of disclosure. We've

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<v Speaker 2>talked about it on the show, a little bit of

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<v Speaker 2>disclosure and interest and sharing information, Amelia. Is that true?

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<v Speaker 2>Are we in this new age of disclosure? Or am

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<v Speaker 2>I just trying to justify what's going on inside my head?

0:11:04.902 --> 0:11:06.822
<v Speaker 1>I think that's really interesting what you said that MoMA

0:11:06.902 --> 0:11:09.502
<v Speaker 1>Mia used to have this policy, but that you feel

0:11:09.622 --> 0:11:12.142
<v Speaker 1>like it's changing a little bit. And I think the

0:11:12.262 --> 0:11:16.542
<v Speaker 1>reason why that might be is because, even from a

0:11:16.582 --> 0:11:20.062
<v Speaker 1>feminist perspective, which is where this conversation and where Mumma

0:11:20.142 --> 0:11:23.542
<v Speaker 1>Mira is coming from on this, you have to acknowledge

0:11:23.662 --> 0:11:26.742
<v Speaker 1>that the connection between how you look and your age,

0:11:27.222 --> 0:11:31.342
<v Speaker 1>that link is now being weakened. We can no longer

0:11:31.982 --> 0:11:35.342
<v Speaker 1>safely assume what age someone is by how they look,

0:11:35.542 --> 0:11:38.102
<v Speaker 1>because now we have all sorts of options available that

0:11:38.182 --> 0:11:40.862
<v Speaker 1>we didn't have before. It reminded me of another big

0:11:40.902 --> 0:11:43.782
<v Speaker 1>debate that's happening in media at the moment, which is

0:11:43.822 --> 0:11:48.662
<v Speaker 1>about whether we should automatically put someone's age after their name. Yeah,

0:11:48.742 --> 0:11:52.302
<v Speaker 1>because that's been practiced in newspapers and in written publications forever.

0:11:52.462 --> 0:11:56.262
<v Speaker 2>Yeah, for everybody, and it is standard training as a reporter, right.

0:11:56.102 --> 0:11:58.102
<v Speaker 1>You have to admit or or I will admit to

0:11:58.142 --> 0:12:00.422
<v Speaker 1>you that it's an instinct for me when I'm reading

0:12:00.422 --> 0:12:03.142
<v Speaker 1>a story to sort of scan for how old someone is.

0:12:03.182 --> 0:12:05.462
<v Speaker 1>I don't know why. I think it's because it helps

0:12:05.502 --> 0:12:08.142
<v Speaker 1>situate them for me. But now there's this debate that

0:12:08.142 --> 0:12:10.702
<v Speaker 1>says that's agist. Why is it that we have to

0:12:10.742 --> 0:12:13.622
<v Speaker 1>put someone's name and then immediately put their age after

0:12:13.662 --> 0:12:17.022
<v Speaker 1>their name, because we're trying to redefine what it means

0:12:17.062 --> 0:12:19.502
<v Speaker 1>to be a certain age, so that if it says

0:12:19.582 --> 0:12:23.502
<v Speaker 1>Amelia Luster of forty two, forty two today could mean

0:12:23.582 --> 0:12:26.222
<v Speaker 1>all sorts of different things that it didn't mean twenty

0:12:26.302 --> 0:12:28.462
<v Speaker 1>years ago. Claire, what do you think about that?

0:12:28.502 --> 0:12:31.262
<v Speaker 4>It's so interesting because I've spoken to a few psychologists

0:12:31.342 --> 0:12:34.022
<v Speaker 4>over the years about this very thing, and the thing

0:12:34.142 --> 0:12:37.742
<v Speaker 4>that they all say, us humans are really good at

0:12:38.222 --> 0:12:41.622
<v Speaker 4>is putting people in a framework that helps us understand

0:12:41.662 --> 0:12:44.102
<v Speaker 4>them better, whether that's putting them in a box, whether

0:12:44.142 --> 0:12:49.142
<v Speaker 4>that's finding patterns. Our brain really likes to contextualize things,

0:12:49.622 --> 0:12:54.622
<v Speaker 4>and part of that will be someone's age, their ethnicity,

0:12:54.902 --> 0:12:56.022
<v Speaker 4>it'll be what.

0:12:56.062 --> 0:12:56.862
<v Speaker 3>Country they're from.

0:12:56.902 --> 0:12:59.422
<v Speaker 4>Like, we've got all these ways of identifying ourselves so

0:12:59.462 --> 0:13:01.342
<v Speaker 4>that we can create a vision of who we think

0:13:01.382 --> 0:13:03.342
<v Speaker 4>this person is. And I had a discussion with my

0:13:03.422 --> 0:13:05.782
<v Speaker 4>husband about this is not about age, but about sexuality

0:13:05.822 --> 0:13:08.302
<v Speaker 4>and gender very recently, and there's a character on a

0:13:08.342 --> 0:13:10.702
<v Speaker 4>TV show and he was saying, Oh, is that a

0:13:10.702 --> 0:13:12.742
<v Speaker 4>man or is that a woman? And I said, look,

0:13:12.742 --> 0:13:15.901
<v Speaker 4>I don't know. They seem to be, you know, gender nonconforming.

0:13:16.102 --> 0:13:17.982
<v Speaker 4>I'm not sure either way. And he said, oh, but

0:13:18.182 --> 0:13:20.702
<v Speaker 4>like do we know, like biologically? And I said to him,

0:13:21.582 --> 0:13:23.742
<v Speaker 4>why do you need to know, Like why do you

0:13:23.822 --> 0:13:26.141
<v Speaker 4>need to know whether that is a biological man or

0:13:26.182 --> 0:13:26.462
<v Speaker 4>a woman?

0:13:26.502 --> 0:13:29.702
<v Speaker 3>And he said, I don't know. My brain just is

0:13:29.742 --> 0:13:30.942
<v Speaker 3>telling me I need to know.

0:13:32.102 --> 0:13:33.902
<v Speaker 4>And I think it's the same with age, where we

0:13:34.102 --> 0:13:37.102
<v Speaker 4>find these people are appearing on our screens now they

0:13:37.222 --> 0:13:40.342
<v Speaker 4>seem fairly ageless, or we saw them when they were

0:13:40.382 --> 0:13:42.662
<v Speaker 4>young and now they still seem to be young, or

0:13:42.662 --> 0:13:44.862
<v Speaker 4>we see younger women now there's quite a big TikTok

0:13:44.942 --> 0:13:48.422
<v Speaker 4>movement of like younger women saying how old do you

0:13:48.422 --> 0:13:50.102
<v Speaker 4>think I am? And the person will go, I don't know,

0:13:50.142 --> 0:13:52.222
<v Speaker 4>like thirty five, and they're like, I'm twenty four because

0:13:52.222 --> 0:13:54.542
<v Speaker 4>they look so much older than what they would have done.

0:13:54.662 --> 0:13:57.302
<v Speaker 4>A few decades ago, so our brains really want to

0:13:57.702 --> 0:14:00.422
<v Speaker 4>hitch onto something to make us better understand who that

0:14:00.462 --> 0:14:03.622
<v Speaker 4>person is and if that person's faces had work done.

0:14:04.142 --> 0:14:06.942
<v Speaker 4>I think for us, we look at what age they are,

0:14:06.982 --> 0:14:09.262
<v Speaker 4>and then we go, oh, they've got a great plastic surgeon,

0:14:09.302 --> 0:14:12.222
<v Speaker 4>because they might be sixty three but they look forty two,

0:14:12.502 --> 0:14:15.102
<v Speaker 4>or you know, vice versa, if they've had bad work done.

0:14:15.262 --> 0:14:17.902
<v Speaker 4>I think our brains go, Okay, they've got a bad

0:14:17.902 --> 0:14:20.782
<v Speaker 4>plastic surgeon. But I think this whole idea of trying

0:14:20.862 --> 0:14:23.822
<v Speaker 4>to become an ageless society where we don't care about

0:14:23.822 --> 0:14:26.342
<v Speaker 4>how old someone is, I just don't think human brains

0:14:26.382 --> 0:14:28.582
<v Speaker 4>are wide in a way that allows us to completely

0:14:28.702 --> 0:14:32.102
<v Speaker 4>let that go. And we'll always be looking for patterns

0:14:32.142 --> 0:14:35.062
<v Speaker 4>or boxes to put people into try and contextualize them.

0:14:35.302 --> 0:14:37.782
<v Speaker 2>We're thin slicing people, right, We're going what I need

0:14:37.822 --> 0:14:40.102
<v Speaker 2>to know about you is broadly like how old you are,

0:14:40.222 --> 0:14:42.022
<v Speaker 2>what you do for a livah blah blah blah, so

0:14:42.102 --> 0:14:44.262
<v Speaker 2>that we can work out where to put them. But

0:14:44.382 --> 0:14:48.582
<v Speaker 2>I would argue that it's not necessarily about how old

0:14:48.702 --> 0:14:51.742
<v Speaker 2>you look, because I don't think that everybody who has

0:14:51.782 --> 0:14:54.422
<v Speaker 2>a lot of procedures necessarily look younger, but what they

0:14:54.462 --> 0:14:59.062
<v Speaker 2>look like is like they are. I think it's becoming

0:14:59.142 --> 0:15:01.702
<v Speaker 2>code for I am well groomed. I think that when

0:15:01.702 --> 0:15:06.062
<v Speaker 2>you move over fifty women sort of fall into camps

0:15:06.102 --> 0:15:10.222
<v Speaker 2>that somehow tell you, in thin slicing how how important

0:15:10.262 --> 0:15:12.662
<v Speaker 2>it is to them like what they look like, because

0:15:13.542 --> 0:15:16.862
<v Speaker 2>work can mean everything from can afford to see a

0:15:16.902 --> 0:15:19.782
<v Speaker 2>facialist and get really good facials once a month too,

0:15:20.342 --> 0:15:22.062
<v Speaker 2>I had a deep plane face lift, you know what

0:15:22.102 --> 0:15:24.782
<v Speaker 2>I mean. And that spectrum is enormous. And one of

0:15:24.782 --> 0:15:27.902
<v Speaker 2>the things about this show is you're kind of seeing

0:15:27.942 --> 0:15:30.822
<v Speaker 2>a spectrum there on the TV of all the different

0:15:30.822 --> 0:15:32.782
<v Speaker 2>ways that women who are in a similar ten year

0:15:33.062 --> 0:15:37.262
<v Speaker 2>age bracket look. And the argument in Rachel Wells's Peace was, well,

0:15:37.302 --> 0:15:38.942
<v Speaker 2>that tells you whether or not they could afford it.

0:15:38.982 --> 0:15:41.142
<v Speaker 2>But the problem with that argument is it suggests that

0:15:41.222 --> 0:15:45.142
<v Speaker 2>every single woman who can afford to do things to

0:15:45.222 --> 0:15:47.302
<v Speaker 2>her face to make her a lot younger will do it.

0:15:47.742 --> 0:15:51.782
<v Speaker 2>And I'm not convinced that that's true, are you No?

0:15:52.302 --> 0:15:55.742
<v Speaker 1>And I also think that another dynamic is changing too.

0:15:56.382 --> 0:15:59.022
<v Speaker 1>You said that it doesn't necessarily make them look younger,

0:15:59.062 --> 0:16:01.302
<v Speaker 1>and that was the line on plastic surgery for a

0:16:01.342 --> 0:16:03.862
<v Speaker 1>long time, it doesn't make women look younger, it makes

0:16:03.902 --> 0:16:08.902
<v Speaker 1>them look different. I think because of advances in plastic surgery,

0:16:09.262 --> 0:16:12.022
<v Speaker 1>that is changing. And my evidence for that I've got

0:16:12.022 --> 0:16:15.542
<v Speaker 1>two celebrities. I want to posit to you that Anne

0:16:15.542 --> 0:16:20.542
<v Speaker 1>Hathaway looks younger than she looks younger than she used to.

0:16:21.222 --> 0:16:24.822
<v Speaker 1>And the other example is Chris Jenna, who's one hundred

0:16:24.862 --> 0:16:29.382
<v Speaker 1>thousand dollars facelift. To my eye, she now looks like

0:16:29.502 --> 0:16:33.502
<v Speaker 1>she has in her forties. She doesn't, she does, Holly.

0:16:33.662 --> 0:16:35.302
<v Speaker 1>Chris Jenna wants you to talk about it. And I

0:16:35.382 --> 0:16:38.662
<v Speaker 1>think that's in part because in this new era of surgery,

0:16:39.142 --> 0:16:42.142
<v Speaker 1>it's not just about radical transparency for the sake of it.

0:16:42.142 --> 0:16:45.382
<v Speaker 1>It's about wanting people to recognize the effort you put

0:16:45.422 --> 0:16:47.982
<v Speaker 1>in and the skill that has been applied to your work.

0:16:48.022 --> 0:16:51.182
<v Speaker 1>I think that that's why people want us to talk

0:16:51.182 --> 0:16:53.982
<v Speaker 1>about their surgery. Now. I want to be clear here,

0:16:54.382 --> 0:16:58.302
<v Speaker 1>I'm not advertising or for surgery, but I am saying

0:16:58.302 --> 0:17:01.942
<v Speaker 1>that the work is getting better. To my untrained eye,

0:17:02.182 --> 0:17:05.222
<v Speaker 1>I am now finding it more confusing to figure out

0:17:05.222 --> 0:17:05.861
<v Speaker 1>someone's age.

0:17:05.942 --> 0:17:09.502
<v Speaker 2>But don't you think that deep plane facelifts from Hollywood

0:17:09.581 --> 0:17:13.701
<v Speaker 2>plastic surgeons who can make magic aside like it or not.

0:17:13.782 --> 0:17:16.821
<v Speaker 2>And I, again, it's my conditioning, and I'm aware it's

0:17:16.821 --> 0:17:19.502
<v Speaker 2>my gen x conditioning, and I often try and program

0:17:19.502 --> 0:17:22.022
<v Speaker 2>against it. Right, what I see when I meet someone

0:17:22.022 --> 0:17:24.302
<v Speaker 2>who's my age, I'm fifty three. When I meet someone

0:17:24.341 --> 0:17:27.142
<v Speaker 2>who's my age, whether or not, she's had a lot

0:17:27.141 --> 0:17:28.542
<v Speaker 2>of things done to her face. And I'm not talking

0:17:28.581 --> 0:17:31.181
<v Speaker 2>about deep planing facelifts because in my ordinary world, I

0:17:31.222 --> 0:17:33.821
<v Speaker 2>don't do my knowledge know anyone who's done that. But

0:17:33.901 --> 0:17:37.581
<v Speaker 2>a great deal of my friends will do injectables, fillers,

0:17:37.661 --> 0:17:41.421
<v Speaker 2>resurfacing teeth, stuff that is very common. And they're not

0:17:41.462 --> 0:17:43.622
<v Speaker 2>people who are in the public eye. They're people who

0:17:43.621 --> 0:17:46.462
<v Speaker 2>are teachers and marketing executives, whatever, like, lots of people

0:17:46.462 --> 0:17:49.022
<v Speaker 2>do that stuff. What it tells me about you is

0:17:49.022 --> 0:17:51.221
<v Speaker 2>it tells me about your priorities. In out loud as

0:17:51.222 --> 0:17:54.061
<v Speaker 2>a while ago, a woman posted a question that said,

0:17:54.621 --> 0:17:57.821
<v Speaker 2>if you could afford work, would you get it done?

0:17:58.101 --> 0:17:59.341
<v Speaker 2>And there were a lot of answers. There were like

0:17:59.341 --> 0:18:01.542
<v Speaker 2>two hundred answers to this question, and I think it

0:18:01.621 --> 0:18:04.902
<v Speaker 2>was about seventy thirty to the yes. Wow, that's much

0:18:04.982 --> 0:18:07.581
<v Speaker 2>higher than maybe sixty forty. I didn't do a full

0:18:07.901 --> 0:18:12.101
<v Speaker 2>I didn't feed it into the robot. Majority said yes.

0:18:12.861 --> 0:18:15.781
<v Speaker 2>But also to be clear, at work again was that

0:18:15.821 --> 0:18:19.302
<v Speaker 2>spectrum I was talking about from injectables to facelifts. But

0:18:19.422 --> 0:18:22.422
<v Speaker 2>a lot of people said, I'd rather spend the money

0:18:22.502 --> 0:18:24.621
<v Speaker 2>on travel if I had if I had disposable income,

0:18:24.661 --> 0:18:27.022
<v Speaker 2>I'd rather spend it on travel. Or some people said,

0:18:27.381 --> 0:18:29.502
<v Speaker 2>if I had the disposable income, I'd get facials and

0:18:29.542 --> 0:18:32.221
<v Speaker 2>expensive serums and rich lady treatments. But I wouldn't go

0:18:32.262 --> 0:18:35.141
<v Speaker 2>under the knife. So it tells you a lot about

0:18:35.422 --> 0:18:38.101
<v Speaker 2>I kind of sometimes read people's faces, rightly or wrongly,

0:18:38.141 --> 0:18:40.862
<v Speaker 2>about these are the decisions you've made, Like you've decided,

0:18:41.262 --> 0:18:43.422
<v Speaker 2>you know that three hundred dollars that it might cost

0:18:43.462 --> 0:18:47.621
<v Speaker 2>me four injectables is worth putting there. And it's becoming

0:18:47.782 --> 0:18:50.861
<v Speaker 2>almost code for we used to say well kept or

0:18:50.982 --> 0:18:56.382
<v Speaker 2>well preserved, well maintained maintenance. It's it's about maintenance. It's

0:18:56.462 --> 0:18:59.022
<v Speaker 2>kind of become codified for all kinds of things. It's

0:18:59.061 --> 0:19:01.861
<v Speaker 2>really interesting because back to whether or not you can

0:19:01.942 --> 0:19:04.341
<v Speaker 2>discuss it. Of course she can discuss.

0:19:03.982 --> 0:19:05.461
<v Speaker 1>Chris Jenna wants you to discuss.

0:19:05.542 --> 0:19:06.902
<v Speaker 2>Yeah, that's that's what I was going to say, she's

0:19:06.942 --> 0:19:09.901
<v Speaker 2>a really interesting example because she's in this era of

0:19:09.942 --> 0:19:12.661
<v Speaker 2>new disclosure very much where she's like, here's the number

0:19:12.661 --> 0:19:14.982
<v Speaker 2>for my surgeon, good luck, you know, trying to get

0:19:14.982 --> 0:19:17.701
<v Speaker 2>in the Kardashians in general, who are very influential in

0:19:17.742 --> 0:19:21.381
<v Speaker 2>beauty standards, as we know, have become after being you know,

0:19:21.422 --> 0:19:24.622
<v Speaker 2>a long time of Saya Kylie being oh, no, I've

0:19:24.661 --> 0:19:26.181
<v Speaker 2>done nothing. I don't know what you mean. I just

0:19:26.222 --> 0:19:29.542
<v Speaker 2>got good at contouring. In twenty twenty five is really

0:19:29.861 --> 0:19:32.302
<v Speaker 2>open about saying no, I did this and this, and

0:19:32.341 --> 0:19:34.022
<v Speaker 2>I had this many meals in my lips, and I

0:19:34.061 --> 0:19:36.581
<v Speaker 2>did this and blah blah blah. So the age of

0:19:36.621 --> 0:19:41.581
<v Speaker 2>disclosure is real. But the question of whether it's okay

0:19:41.702 --> 0:19:44.702
<v Speaker 2>that I'm sitting there looking at these all these interesting

0:19:44.742 --> 0:19:47.421
<v Speaker 2>women of different ages and demographics and ethnicities on this

0:19:47.502 --> 0:19:51.182
<v Speaker 2>show and I'm thinking about how much effort they've put

0:19:51.182 --> 0:19:54.782
<v Speaker 2>into aging. If that's okay or not, I think still

0:19:54.782 --> 0:19:57.061
<v Speaker 2>depends on whether or not you're critiquing the actual woman.

0:19:57.101 --> 0:20:00.502
<v Speaker 2>Like I wouldn't feel comfortable sitting here or on social

0:20:00.502 --> 0:20:04.302
<v Speaker 2>media or anywhere going Betty looks like she's gone too far.

0:20:04.901 --> 0:20:07.221
<v Speaker 2>Sally looks like she doesn't give a shit, you know,

0:20:07.302 --> 0:20:10.021
<v Speaker 2>like it's still I think to the individual, woman feels

0:20:10.061 --> 0:20:11.462
<v Speaker 2>like about a cudgel.

0:20:11.782 --> 0:20:14.462
<v Speaker 1>You can critique my deep plant facelift all you want.

0:20:14.621 --> 0:20:17.702
<v Speaker 1>I think the surgeon did remarkable work. So holy.

0:20:17.782 --> 0:20:19.782
<v Speaker 4>The beauty of working at Mamma Mia is that we

0:20:19.821 --> 0:20:23.661
<v Speaker 4>are surrounded by generations, different generations of women, and so

0:20:23.702 --> 0:20:27.262
<v Speaker 4>we're sitting here talking about the Golden Bachelor through a

0:20:27.341 --> 0:20:29.861
<v Speaker 4>lens of us growing up in a time where we

0:20:29.861 --> 0:20:32.662
<v Speaker 4>were taught to judge women very harshly on a range

0:20:32.661 --> 0:20:34.901
<v Speaker 4>of things, aging being one of them. So we thought

0:20:35.182 --> 0:20:37.701
<v Speaker 4>we'd ask the women at Mamma Mia how they're feeling

0:20:37.702 --> 0:20:40.462
<v Speaker 4>about watching the Golden Bachelor and about seeing this group

0:20:40.502 --> 0:20:42.782
<v Speaker 4>of older women put themselves forward like this.

0:20:42.861 --> 0:20:43.901
<v Speaker 3>And this is what they had to say.

0:20:45.022 --> 0:20:48.382
<v Speaker 6>I mean, firstly, he's pretty good looking, but I think

0:20:48.422 --> 0:20:49.821
<v Speaker 6>it just gives us like a little bit of hope.

0:20:49.861 --> 0:20:51.982
<v Speaker 1>I don't know, I seem in future and it's bright

0:20:52.022 --> 0:20:52.701
<v Speaker 1>at this point.

0:20:52.821 --> 0:20:55.341
<v Speaker 6>I just think it's like wholesome and yeah, I just

0:20:55.381 --> 0:20:56.941
<v Speaker 6>want to say if men ever changed.

0:20:57.061 --> 0:21:01.022
<v Speaker 8>Okay, So my mum is divorced now and she's the

0:21:01.061 --> 0:21:03.622
<v Speaker 8>most beautiful person in the whole world. And so watching

0:21:03.661 --> 0:21:07.941
<v Speaker 8>women of her age demographic fine love is just so

0:21:08.022 --> 0:21:09.942
<v Speaker 8>beautiful and wholesome, and it gives me home for her.

0:21:10.381 --> 0:21:12.862
<v Speaker 7>It feels a lot more genuine For some reason, when

0:21:12.861 --> 0:21:14.941
<v Speaker 7>the person is over sixty, I just instantly believe that

0:21:14.982 --> 0:21:17.061
<v Speaker 7>they are actually in it for love and not fame

0:21:17.141 --> 0:21:19.662
<v Speaker 7>or Instagram followers. I think that makes for a much

0:21:19.661 --> 0:21:21.542
<v Speaker 7>more heartfelt, engaging show.

0:21:21.742 --> 0:21:26.421
<v Speaker 4>I just think there personifies that manly, gentlemanly energy that

0:21:26.502 --> 0:21:28.581
<v Speaker 4>we don't see as much from men our age, So

0:21:28.621 --> 0:21:30.101
<v Speaker 4>it's quite refreshing to watch.

0:21:30.782 --> 0:21:30.982
<v Speaker 1>Now.

0:21:31.022 --> 0:21:33.662
<v Speaker 2>I feel like a terrible human because not even one

0:21:33.702 --> 0:21:36.461
<v Speaker 2>of those women mentioned what those women look like.

0:21:36.581 --> 0:21:39.502
<v Speaker 1>But isn't it interesting that the words like wholesome come

0:21:39.581 --> 0:21:40.101
<v Speaker 1>up a lot?

0:21:40.821 --> 0:21:42.901
<v Speaker 2>I asked am Vernam Amelia, and I said, what do

0:21:42.942 --> 0:21:44.941
<v Speaker 2>you think about the Golden Bachelor? And she said, all

0:21:44.942 --> 0:21:47.941
<v Speaker 2>those women look cute, which is the word I hate

0:21:47.942 --> 0:21:51.461
<v Speaker 2>the most for describing grown up, wise people have lived alife.

0:21:51.742 --> 0:21:53.542
<v Speaker 2>They look cute, and I want to have a cup

0:21:53.581 --> 0:21:55.982
<v Speaker 2>of tea with them. And I'm like, oh, I am

0:21:56.141 --> 0:22:00.462
<v Speaker 2>entirely looking at this through my own insecurities.

0:22:00.742 --> 0:22:02.701
<v Speaker 1>Well we all are. I mean, I think another thing

0:22:02.742 --> 0:22:05.542
<v Speaker 1>that comes up through those vox pops is the idea

0:22:05.581 --> 0:22:09.502
<v Speaker 1>that young people are looking for love, perhaps often more

0:22:09.621 --> 0:22:12.421
<v Speaker 1>than older people, and they're looking at it through the

0:22:12.502 --> 0:22:15.022
<v Speaker 1>lens of will I find love? How do I find love?

0:22:15.101 --> 0:22:16.941
<v Speaker 1>You're looking at it through the lens of what should

0:22:16.942 --> 0:22:20.462
<v Speaker 1>my face look like? We're all bringing our own insecurities

0:22:20.462 --> 0:22:21.022
<v Speaker 1>to the table.

0:22:21.262 --> 0:22:24.022
<v Speaker 2>Terrible, But I want to be clear that having watched

0:22:24.022 --> 0:22:26.101
<v Speaker 2>the show, like as well as those women all looking

0:22:26.222 --> 0:22:28.702
<v Speaker 2>very different, as I've said many times, they're every bit

0:22:28.782 --> 0:22:30.941
<v Speaker 2>is varied, as the women on dating shows always are.

0:22:30.942 --> 0:22:33.581
<v Speaker 2>There's like a villain, you can see her already. There's

0:22:33.621 --> 0:22:36.101
<v Speaker 2>somebody who never gets picked and wants to get picked,

0:22:36.182 --> 0:22:39.621
<v Speaker 2>like all of the usual suspects are there, just in

0:22:39.661 --> 0:22:41.901
<v Speaker 2>a grown up form, which is great because that's one

0:22:41.942 --> 0:22:44.262
<v Speaker 2>of the things I always want to shove home, is

0:22:44.302 --> 0:22:48.261
<v Speaker 2>that not every woman who has reached a grown up

0:22:48.302 --> 0:22:51.181
<v Speaker 2>ages I like to call it, is completely sane and

0:22:51.222 --> 0:22:53.621
<v Speaker 2>wise and lovely and never has too many champagnes and

0:22:53.661 --> 0:22:56.621
<v Speaker 2>never says the wrong thing, Like where every bit is messy,

0:22:56.702 --> 0:22:57.861
<v Speaker 2>really is the younger ones.

0:22:57.982 --> 0:22:59.502
<v Speaker 4>To be fair, I was just looking at I'm thinking,

0:22:59.542 --> 0:23:01.782
<v Speaker 4>how can they still get around in heels at that age?

0:23:01.821 --> 0:23:03.942
<v Speaker 4>Like I haven't worn a heel in like ten years now.

0:23:04.022 --> 0:23:05.742
<v Speaker 4>I don't understand. It's so good on you for having

0:23:05.782 --> 0:23:13.262
<v Speaker 4>like good Achilles, well done. Are you experiencing an October slump? Well,

0:23:13.302 --> 0:23:20.421
<v Speaker 4>we'll find out what you can do about it. So friends,

0:23:20.422 --> 0:23:22.941
<v Speaker 4>despite the warmer weather approaching and the promise of some

0:23:23.061 --> 0:23:25.542
<v Speaker 4>long summer days and end of year festivities ahead, we

0:23:25.621 --> 0:23:29.061
<v Speaker 4>here in Australia are currently experiencing a phenomenon known as

0:23:29.061 --> 0:23:30.101
<v Speaker 4>the October slump.

0:23:30.182 --> 0:23:31.502
<v Speaker 3>Now the TLDR on.

0:23:31.502 --> 0:23:35.142
<v Speaker 4>The October slump, also sometimes referred to as the October slide,

0:23:35.422 --> 0:23:37.461
<v Speaker 4>is that we're in a position on the calendar with

0:23:37.502 --> 0:23:40.022
<v Speaker 4>the end of year looking very much inside, but like

0:23:40.262 --> 0:23:43.101
<v Speaker 4>the crush of work and tasks and home related things

0:23:43.101 --> 0:23:46.262
<v Speaker 4>that need to be completed by December, and the ramping

0:23:46.302 --> 0:23:50.982
<v Speaker 4>up of activities, maybe like your work functions, kids things,

0:23:51.101 --> 0:23:54.462
<v Speaker 4>partners functions, it can sometimes feel like you're clawing your

0:23:54.502 --> 0:23:56.662
<v Speaker 4>way to the finish line, you know, like your all

0:23:56.742 --> 0:23:58.902
<v Speaker 4>raggedy fingernails hanging on to the edge of your sanity.

0:23:59.222 --> 0:24:00.901
<v Speaker 4>And if you do want to delve into this little

0:24:00.901 --> 0:24:03.701
<v Speaker 4>bit more, the Quickies Done excellent episode about this is

0:24:03.742 --> 0:24:05.581
<v Speaker 4>also an article that we can link in our show

0:24:05.581 --> 0:24:08.542
<v Speaker 4>notes that our mate Analyst Todd wrote about it as well,

0:24:08.742 --> 0:24:10.942
<v Speaker 4>and so that's where we've find ourselves in October, although

0:24:10.982 --> 0:24:13.581
<v Speaker 4>for me it is slightly different because it's my birthday month,

0:24:13.702 --> 0:24:17.821
<v Speaker 4>so it is a month of celebration. However, I am

0:24:17.861 --> 0:24:19.941
<v Speaker 4>maybe pretty sure that this might be where I am

0:24:19.942 --> 0:24:23.941
<v Speaker 4>at despite my birthday celebrations coming, because I have also,

0:24:24.101 --> 0:24:25.702
<v Speaker 4>on top of all of this, added a house move

0:24:25.702 --> 0:24:27.581
<v Speaker 4>into the mix, that we all know is one of

0:24:27.621 --> 0:24:29.341
<v Speaker 4>the most stressful things you can do in your life.

0:24:29.821 --> 0:24:32.302
<v Speaker 4>And so I just want to know from you too quickly,

0:24:32.542 --> 0:24:35.941
<v Speaker 4>because I do have some solutions or potential solutions to

0:24:35.982 --> 0:24:38.462
<v Speaker 4>this October slump experience, but I want to know how

0:24:38.462 --> 0:24:40.502
<v Speaker 4>the both of you are feeling at this point in

0:24:40.581 --> 0:24:43.861
<v Speaker 4>the year. Amelia, are you experiencing an the October slump

0:24:43.901 --> 0:24:44.581
<v Speaker 4>that you're aware of.

0:24:44.901 --> 0:24:47.982
<v Speaker 1>I've been feeling a lot of ambient anxiety, not least

0:24:47.982 --> 0:24:50.542
<v Speaker 1>because socially, I feel like we've already gotten to the

0:24:50.542 --> 0:24:52.742
<v Speaker 1>point where it's like, are we going to see each

0:24:52.821 --> 0:24:54.061
<v Speaker 1>other before Christmas?

0:24:54.022 --> 0:24:56.742
<v Speaker 2>And I guess earlier all the time.

0:24:57.101 --> 0:24:59.141
<v Speaker 1>And it's kind of like a friendship test. I just

0:24:59.182 --> 0:25:03.061
<v Speaker 1>want to say, though, why is moving house truly stressful

0:25:03.101 --> 0:25:06.022
<v Speaker 1>because I remember when I was just starting out in

0:25:06.061 --> 0:25:08.821
<v Speaker 1>the world as a young adult and I needed to

0:25:08.821 --> 0:25:11.222
<v Speaker 1>pack up my belonging move and people told me that

0:25:11.341 --> 0:25:13.502
<v Speaker 1>old adage that moving house is one of the three

0:25:13.542 --> 0:25:16.502
<v Speaker 1>most stressful things that can happen to you. The other

0:25:16.581 --> 0:25:20.422
<v Speaker 1>two are death and divorce. I think I get death

0:25:20.462 --> 0:25:23.421
<v Speaker 1>and divorce, But like every time I move house, I

0:25:23.462 --> 0:25:27.142
<v Speaker 1>am surprised by how gobsmackingly awful it is, and it's

0:25:27.182 --> 0:25:28.581
<v Speaker 1>like I never learn the lesson.

0:25:28.861 --> 0:25:31.862
<v Speaker 4>Yeah, there is something truly heinous about leaving a property

0:25:31.901 --> 0:25:34.141
<v Speaker 4>and having to take every single item that you own

0:25:34.742 --> 0:25:36.821
<v Speaker 4>put it into a box, only to take it out

0:25:36.821 --> 0:25:38.782
<v Speaker 4>of the same box at the other end and put

0:25:38.782 --> 0:25:39.742
<v Speaker 4>it in a new location.

0:25:40.262 --> 0:25:41.902
<v Speaker 3>It's so dumb, Like I.

0:25:41.861 --> 0:25:44.061
<v Speaker 4>Wish I could just like light a match and walk

0:25:44.101 --> 0:25:46.421
<v Speaker 4>away and start over because it's so much hassle.

0:25:46.581 --> 0:25:48.341
<v Speaker 3>But yeah, god, it is truly the worst.

0:25:48.661 --> 0:25:50.782
<v Speaker 2>I want to move house three times in one year,

0:25:51.581 --> 0:25:54.461
<v Speaker 2>and every time. This is where having a bit of

0:25:54.462 --> 0:25:57.581
<v Speaker 2>a goldfish memory helps, right, is that every time I'd

0:25:57.621 --> 0:26:00.581
<v Speaker 2>be like, no big deal, no big deal, no big deal.

0:26:00.901 --> 0:26:02.061
<v Speaker 2>Every time it was a big deal.

0:26:02.182 --> 0:26:04.462
<v Speaker 1>I think our brains tell us that to protect us,

0:26:04.542 --> 0:26:07.662
<v Speaker 1>because if we remembered how bad it was. We wouldn't

0:26:07.661 --> 0:26:10.341
<v Speaker 1>have a property market. Everyone would just be living in

0:26:10.422 --> 0:26:12.222
<v Speaker 1>the same place that they grew.

0:26:12.061 --> 0:26:15.501
<v Speaker 2>Up in whatever anyway, but I derailed us.

0:26:15.581 --> 0:26:17.901
<v Speaker 1>Yes, I am feeling it, and I thought it was

0:26:17.982 --> 0:26:21.861
<v Speaker 1>mostly because of this social anxiety about making sure that

0:26:21.942 --> 0:26:24.661
<v Speaker 1>I somehow see everyone like I'm the pope or something.

0:26:26.061 --> 0:26:28.741
<v Speaker 1>I don't know, But Holly, do you feel that I do?

0:26:28.821 --> 0:26:31.222
<v Speaker 2>But I'm fighting it. So one of my least favorite

0:26:31.222 --> 0:26:33.782
<v Speaker 2>things in the world. And this irritates some of my friends.

0:26:34.661 --> 0:26:37.421
<v Speaker 2>I hate feeling like time is rushing past me, so

0:26:37.502 --> 0:26:39.661
<v Speaker 2>I will often refuse to make plans too far in

0:26:39.702 --> 0:26:40.821
<v Speaker 2>advance because.

0:26:40.581 --> 0:26:41.782
<v Speaker 1>You're so enigmatic.

0:26:42.022 --> 0:26:45.022
<v Speaker 2>I'm not. It's just that my nicole friends. So my

0:26:45.061 --> 0:26:47.821
<v Speaker 2>friend Penny, for example, who's the chief Nicole in my life,

0:26:48.061 --> 0:26:51.581
<v Speaker 2>she is already saying to me, next year, are we

0:26:51.661 --> 0:26:54.101
<v Speaker 2>going away in April? Can I book this day in

0:26:54.262 --> 0:26:56.502
<v Speaker 2>what about we're doing in the Winter's possible?

0:26:56.661 --> 0:26:58.142
<v Speaker 1>And fanning ahead?

0:26:58.302 --> 0:27:01.422
<v Speaker 2>And I'm like, do not live my life like will

0:27:01.502 --> 0:27:02.422
<v Speaker 2>leaving her on red?

0:27:02.621 --> 0:27:04.542
<v Speaker 1>Is that what you're doing? Like you're just like not

0:27:04.702 --> 0:27:06.262
<v Speaker 1>responding leave her on red?

0:27:06.262 --> 0:27:09.901
<v Speaker 2>But I literally say to her, I'm like, I don't

0:27:09.901 --> 0:27:11.941
<v Speaker 2>want to wish my life away, like if I'm thinking

0:27:11.982 --> 0:27:13.101
<v Speaker 2>about next so I.

0:27:12.982 --> 0:27:16.061
<v Speaker 4>Hate Oh my god, Holy stop disrespecting the fact that

0:27:16.101 --> 0:27:17.381
<v Speaker 4>you have a Nicole.

0:27:17.502 --> 0:27:20.742
<v Speaker 3>Not everyone has one. They are like gold my friend.

0:27:20.901 --> 0:27:23.741
<v Speaker 2>I love my Nicole and she is amazing, but it

0:27:23.942 --> 0:27:27.981
<v Speaker 2>makes me deeply stressy to be planning Christmas in September.

0:27:28.101 --> 0:27:30.302
<v Speaker 1>Clai, You're a Nicole, right, I'm getting that vibe.

0:27:30.302 --> 0:27:33.421
<v Speaker 3>I am not in Nicole, I am not even close.

0:27:33.502 --> 0:27:36.222
<v Speaker 4>But I have some of the best Nicoles in my

0:27:36.422 --> 0:27:38.542
<v Speaker 4>I am going away next week to the Gold Coast

0:27:38.982 --> 0:27:42.582
<v Speaker 4>with my very favoritist Nicole, who's organized every damn thing

0:27:42.621 --> 0:27:44.661
<v Speaker 4>for me, given me the dates, and even organized my

0:27:44.661 --> 0:27:47.142
<v Speaker 4>birthday dinner for me on Friday night, like amazing.

0:27:47.341 --> 0:27:50.542
<v Speaker 2>But my point about this is that you don't have

0:27:50.621 --> 0:27:52.861
<v Speaker 2>to buy into the panic that it's nearly the end

0:27:52.861 --> 0:27:55.181
<v Speaker 2>of the year, because it actually isn't nearly the end

0:27:55.222 --> 0:27:57.742
<v Speaker 2>of the year. There are still two I can't count.

0:27:58.022 --> 0:27:59.982
<v Speaker 2>There are still two months and two weeks or something

0:27:59.982 --> 0:28:01.422
<v Speaker 2>to go to the end of the year. That's ages.

0:28:01.581 --> 0:28:03.542
<v Speaker 2>Like if you thought about two months in another.

0:28:03.302 --> 0:28:07.142
<v Speaker 1>Cama formadical skills in the context of twelve months, it's

0:28:07.222 --> 0:28:08.221
<v Speaker 1>nothing and I'm not.

0:28:08.302 --> 0:28:10.701
<v Speaker 2>But like if you if you would go now, I

0:28:10.702 --> 0:28:12.742
<v Speaker 2>mean that said she's fancy, she can do math. It's

0:28:12.742 --> 0:28:16.262
<v Speaker 2>all I mean, Amelia. Is that? All I mean is

0:28:16.262 --> 0:28:18.142
<v Speaker 2>that if you thought about two months in another way,

0:28:18.262 --> 0:28:20.982
<v Speaker 2>like if you were going on holiday for two months,

0:28:21.022 --> 0:28:23.302
<v Speaker 2>that would seem like a really long time. Do you

0:28:23.381 --> 0:28:25.502
<v Speaker 2>know what I mean? You can play mind games on

0:28:25.542 --> 0:28:27.702
<v Speaker 2>yourself for instead of going, oh my god, it's only

0:28:27.702 --> 0:28:30.101
<v Speaker 2>two months till Christmas, you could be like, imagine if

0:28:30.141 --> 0:28:31.741
<v Speaker 2>I was going to Europe for two months, I'd be like,

0:28:31.782 --> 0:28:34.141
<v Speaker 2>that is the longest holiday of all time. So what

0:28:34.182 --> 0:28:37.502
<v Speaker 2>I'm saying is don't let yourself slide. That is true.

0:28:37.821 --> 0:28:39.942
<v Speaker 4>But what if you have a conversation with a friend

0:28:40.182 --> 0:28:41.941
<v Speaker 4>who says, like I caught up with a friend not

0:28:41.982 --> 0:28:43.542
<v Speaker 4>long ago and I said, I was just on the

0:28:43.542 --> 0:28:45.262
<v Speaker 4>phone and I said, should we catch up? And she goes,

0:28:45.582 --> 0:28:48.542
<v Speaker 4>I don't have a free weekend now until December something

0:28:48.661 --> 0:28:49.742
<v Speaker 4>or other, And.

0:28:49.702 --> 0:28:50.942
<v Speaker 3>I was like, oh, okay.

0:28:51.302 --> 0:28:52.661
<v Speaker 4>And the same has happened to a lot of my

0:28:52.661 --> 0:28:56.182
<v Speaker 4>other friends, Like they are fully solidly booked every weekend

0:28:56.262 --> 0:28:58.941
<v Speaker 4>until the end of the year, Like it's done, the

0:28:58.982 --> 0:29:02.302
<v Speaker 4>calendar is full, the appointments are set like there is

0:29:02.422 --> 0:29:04.262
<v Speaker 4>not a lot of wiggle room towards this part of

0:29:04.262 --> 0:29:04.582
<v Speaker 4>the year.

0:29:04.702 --> 0:29:06.902
<v Speaker 2>But my point is is that, and this is something

0:29:06.942 --> 0:29:09.782
<v Speaker 2>I'm working on right. I don't believe you have to

0:29:09.862 --> 0:29:13.302
<v Speaker 2>always buy into everybody else's panic. So if it's really

0:29:13.342 --> 0:29:15.902
<v Speaker 2>stressing you out to think it's ten weeks till Christmas

0:29:16.062 --> 0:29:17.902
<v Speaker 2>and oh my god, the year is almost over. And

0:29:17.942 --> 0:29:20.222
<v Speaker 2>I said that this year I was gonna X y

0:29:20.382 --> 0:29:22.262
<v Speaker 2>Z and I haven't done it, so I'm a failure

0:29:22.302 --> 0:29:24.982
<v Speaker 2>and oh my god, it's like, actually no, there's still

0:29:25.661 --> 0:29:28.701
<v Speaker 2>however many weeks left and we've established I don't know,

0:29:30.142 --> 0:29:32.902
<v Speaker 2>and I feel like sometimes we just need to like

0:29:32.982 --> 0:29:34.782
<v Speaker 2>breathe in and go all right. It's not like I

0:29:34.822 --> 0:29:35.982
<v Speaker 2>have to throw the baby out with the by thought

0:29:36.102 --> 0:29:39.661
<v Speaker 2>which brings me to a substack that we were talking

0:29:39.702 --> 0:29:42.382
<v Speaker 2>about today. That's like what to do if you feel

0:29:42.382 --> 0:29:44.342
<v Speaker 2>like life is passing you by, because I feel like

0:29:44.422 --> 0:29:46.342
<v Speaker 2>that is kind of what this end of your panic

0:29:46.382 --> 0:29:48.142
<v Speaker 2>is about. It's like, oh my god, it's all just

0:29:48.182 --> 0:29:50.862
<v Speaker 2>happening again, and I reckon, you can grab onto the reins.

0:29:50.942 --> 0:29:53.142
<v Speaker 2>Was there anything in that that spoke to you?

0:29:53.422 --> 0:29:56.181
<v Speaker 4>There is so this substack was written by Alex Mothers.

0:29:56.182 --> 0:29:58.582
<v Speaker 4>He's a productivity expert, and you're right. The title is

0:29:58.582 --> 0:30:00.582
<v Speaker 4>ten things to do Today If you feel life is

0:30:00.661 --> 0:30:01.662
<v Speaker 4>passing you by.

0:30:01.782 --> 0:30:04.981
<v Speaker 1>Can you imagine having a productivity expert in your life?

0:30:05.022 --> 0:30:10.382
<v Speaker 2>Side note Nicole le Yes, Oh my god, they should

0:30:10.382 --> 0:30:11.461
<v Speaker 2>have Nicole in their job time.

0:30:11.502 --> 0:30:12.862
<v Speaker 4>All right, I'm not going to go through the whole ten,

0:30:12.902 --> 0:30:14.382
<v Speaker 4>but here are some highlights if you want to pull

0:30:14.422 --> 0:30:17.421
<v Speaker 4>your brain out of October slump mode and stop getting

0:30:17.422 --> 0:30:19.782
<v Speaker 4>caught up in the panic. As Holly says, so first

0:30:19.822 --> 0:30:22.102
<v Speaker 4>of all, we're going to start small. Make a commitment

0:30:22.142 --> 0:30:25.462
<v Speaker 4>to creating one new habit in a key life area.

0:30:25.542 --> 0:30:25.982
<v Speaker 3>Pick one.

0:30:26.062 --> 0:30:29.221
<v Speaker 4>It can be anything, health, money, relationships, adventure, whatever you like.

0:30:29.582 --> 0:30:31.342
<v Speaker 4>Focus in on one thing you can change or give

0:30:31.342 --> 0:30:34.181
<v Speaker 4>you an example. This time last year, when I was

0:30:34.222 --> 0:30:37.782
<v Speaker 4>experiencing the October slump, I decided to do fifty squats

0:30:37.822 --> 0:30:39.422
<v Speaker 4>every day while I brush my teeth.

0:30:39.182 --> 0:30:41.342
<v Speaker 2>In the morning. Oh my good, well done.

0:30:41.862 --> 0:30:42.022
<v Speaker 1>Now.

0:30:42.022 --> 0:30:44.902
<v Speaker 4>I made that decision because I was very aware by

0:30:44.942 --> 0:30:47.302
<v Speaker 4>them that I'm in perimenopause and I'm worried my bones

0:30:47.342 --> 0:30:49.102
<v Speaker 4>they are about to turn to dust and my muscles

0:30:49.102 --> 0:30:50.462
<v Speaker 4>are going to waste away until I'll be one of

0:30:50.462 --> 0:30:52.421
<v Speaker 4>those elderly ladies who get stuck on the toilet and

0:30:52.462 --> 0:30:53.982
<v Speaker 4>has to call someone to come and get them up.

0:30:54.462 --> 0:30:57.421
<v Speaker 2>So you're going to say, I'm well aware that I'm

0:30:57.542 --> 0:30:59.902
<v Speaker 2>chasing a fat ass.

0:31:01.022 --> 0:31:01.902
<v Speaker 1>Row but.

0:31:04.022 --> 0:31:07.182
<v Speaker 2>Because that's why the Kardashians talk about squats a lot, web.

0:31:06.982 --> 0:31:11.382
<v Speaker 4>Sorry, I mean, I am also trying to my Kardashian curves.

0:31:11.022 --> 0:31:14.221
<v Speaker 3>But unfortunately I don't feel like at this stage that

0:31:14.342 --> 0:31:15.662
<v Speaker 3>is possible without a BBL.

0:31:16.102 --> 0:31:18.702
<v Speaker 4>But I twelve months on from that point, I am

0:31:18.782 --> 0:31:22.221
<v Speaker 4>still doing my fifty squats, and they get easier and easier,

0:31:22.222 --> 0:31:24.062
<v Speaker 4>and now it's become a habit that I've come to

0:31:24.622 --> 0:31:27.461
<v Speaker 4>almost weirdly enjoy. I do not enjoy exercise, not in

0:31:27.462 --> 0:31:29.142
<v Speaker 4>any way, shape or form. I have to sneak it

0:31:29.142 --> 0:31:31.622
<v Speaker 4>in where I can, but this has become habit now.

0:31:31.622 --> 0:31:33.982
<v Speaker 4>So as soon as I've put the toothpaste on the toothbrush,

0:31:34.022 --> 0:31:36.461
<v Speaker 4>my brain's all right, squat time and I'm doing it.

0:31:36.462 --> 0:31:36.902
<v Speaker 1>I love that.

0:31:37.222 --> 0:31:37.702
<v Speaker 3>Number Two.

0:31:38.222 --> 0:31:40.982
<v Speaker 4>You can connect with someone you've been avoiding. I mean,

0:31:41.062 --> 0:31:43.981
<v Speaker 4>like a friend, family member, colleague. You're not avoiding them

0:31:43.982 --> 0:31:47.542
<v Speaker 4>because you don't like them, it's just because you haven't right,

0:31:47.622 --> 0:31:49.582
<v Speaker 4>So you haven't made the time, and then all of

0:31:49.582 --> 0:31:51.941
<v Speaker 4>a sudden time has passed, and now you're wondering if

0:31:51.982 --> 0:31:54.221
<v Speaker 4>you should or shouldn't reach out because you don't know

0:31:54.502 --> 0:31:55.181
<v Speaker 4>how they'll feel.

0:31:55.302 --> 0:31:58.102
<v Speaker 1>This was my favorite of the tips. It really spoke

0:31:58.182 --> 0:32:00.742
<v Speaker 1>to me, and it reminded me of some excellent advice

0:32:00.822 --> 0:32:03.862
<v Speaker 1>I got recently. I have a friend who let's say,

0:32:04.062 --> 0:32:07.062
<v Speaker 1>my friend is in politics. My friend is not Kevin.

0:32:06.902 --> 0:32:10.622
<v Speaker 3>Right, it's Alboux right, it's out.

0:32:11.022 --> 0:32:14.542
<v Speaker 1>Yeah, friend is in American politics, and he gave me

0:32:14.582 --> 0:32:17.222
<v Speaker 1>some advice. He's really good because he's in politics at

0:32:17.262 --> 0:32:20.221
<v Speaker 1>making sure everyone in his life feels like they are

0:32:20.262 --> 0:32:23.181
<v Speaker 1>seen by him and like he's caring about them. And

0:32:23.222 --> 0:32:25.342
<v Speaker 1>he told me that his advice is when you are

0:32:25.382 --> 0:32:27.221
<v Speaker 1>reaching out to someone that you haven't spoken to in

0:32:27.262 --> 0:32:29.421
<v Speaker 1>a while, it can be really scary for you, and

0:32:29.462 --> 0:32:31.622
<v Speaker 1>it can also be quite intimidating for the person you're

0:32:31.661 --> 0:32:34.342
<v Speaker 1>reaching out to because they start getting worried. If you

0:32:34.502 --> 0:32:36.461
<v Speaker 1>send them a text and say can we talk tomorrow,

0:32:36.542 --> 0:32:39.221
<v Speaker 1>They're like, oh my god, what's happened? Is there something wrong?

0:32:39.742 --> 0:32:41.582
<v Speaker 1>So he said to kind of just break the ice

0:32:41.622 --> 0:32:44.222
<v Speaker 1>between the two of you, you should just text someone

0:32:44.262 --> 0:32:46.822
<v Speaker 1>and say hey, can I get your advice on something tomorrow?

0:32:46.862 --> 0:32:47.902
<v Speaker 1>Can I call you at ten?

0:32:48.222 --> 0:32:49.222
<v Speaker 3>That's coolness?

0:32:49.582 --> 0:32:51.941
<v Speaker 1>And he says it doesn't matter. You don't actually need

0:32:51.982 --> 0:32:54.142
<v Speaker 1>advice on anything. And so I tried this out. I

0:32:54.182 --> 0:32:56.221
<v Speaker 1>texted someone who I've been meaning to text for a

0:32:56.222 --> 0:32:58.021
<v Speaker 1>long time, and I said, can I get your advice

0:32:58.062 --> 0:33:01.302
<v Speaker 1>on something? They write back immediately because they feel flattered

0:33:01.422 --> 0:33:04.142
<v Speaker 1>that they're not worried. They're like, yeah, they feeling important too,

0:33:04.382 --> 0:33:07.701
<v Speaker 1>really important and valued. And I called my friend who

0:33:07.742 --> 0:33:09.462
<v Speaker 1>I hadn't spoken to in a while. I just made

0:33:09.422 --> 0:33:11.582
<v Speaker 1>it up something that I needed advice on. Guess what

0:33:11.902 --> 0:33:14.622
<v Speaker 1>she gave me great advice. So I also got some

0:33:14.702 --> 0:33:17.022
<v Speaker 1>advice there I didn't even know I needed, and I've

0:33:17.062 --> 0:33:18.782
<v Speaker 1>just found it really helpful, amazing.

0:33:18.782 --> 0:33:20.502
<v Speaker 3>All right, well here's the message to you right now.

0:33:20.502 --> 0:33:23.261
<v Speaker 4>If you are listening to this and you're feeling October slumpy,

0:33:23.342 --> 0:33:25.582
<v Speaker 4>just hit pause on this. Don't leave us. You'll come

0:33:25.582 --> 0:33:28.462
<v Speaker 4>back to this podcast in a second. But hit pause, immediately,

0:33:28.502 --> 0:33:32.382
<v Speaker 4>get your phone. Text that person right now, Okay, right

0:33:32.462 --> 0:33:34.782
<v Speaker 4>this very second, exactly what Amelia told you.

0:33:34.862 --> 0:33:36.422
<v Speaker 3>Can I get some advice from you tomorrow?

0:33:36.742 --> 0:33:38.661
<v Speaker 4>It's a weight off, and you aren't thinking about that person,

0:33:38.702 --> 0:33:40.062
<v Speaker 4>whether they're mad at you or not, and you have

0:33:40.102 --> 0:33:41.022
<v Speaker 4>a clear conscience.

0:33:41.342 --> 0:33:43.142
<v Speaker 2>This is all very good advice, but you're just giving

0:33:43.182 --> 0:33:44.502
<v Speaker 2>me a lot more things to do. And there's a

0:33:44.502 --> 0:33:46.822
<v Speaker 2>different energy that needs to be embraced here. Friends, it's

0:33:46.822 --> 0:33:49.701
<v Speaker 2>the energy of nap. It is okay to do things

0:33:49.742 --> 0:33:53.502
<v Speaker 2>differently this year. Start now. You can't do it in December.

0:33:53.822 --> 0:33:56.582
<v Speaker 2>Is that when people start asking you everything. Just channel me,

0:33:56.982 --> 0:33:57.661
<v Speaker 2>Just channel.

0:33:57.462 --> 0:33:59.062
<v Speaker 1>Me the final quarter up.

0:33:59.142 --> 0:34:03.342
<v Speaker 2>I love it enough this year. I'm not going to xyz.

0:34:03.862 --> 0:34:05.702
<v Speaker 2>Turn to your partner if you have one. Why don't

0:34:05.702 --> 0:34:08.102
<v Speaker 2>you organize the presence for the teachers, give them lots

0:34:08.102 --> 0:34:08.662
<v Speaker 2>of warning.

0:34:08.982 --> 0:34:11.142
<v Speaker 3>Oh well that's a tough one to hand over.

0:34:11.222 --> 0:34:13.622
<v Speaker 2>But okay, whatever it is that always stresses you out

0:34:13.622 --> 0:34:16.462
<v Speaker 2>at this timeom ticklick. As we go into this massive rush,

0:34:16.502 --> 0:34:20.102
<v Speaker 2>it gets too late. Final quarter up energy, friends, don't

0:34:20.142 --> 0:34:23.982
<v Speaker 2>let yourself be overwhelmed. Hold onto the reins, be strong. No,

0:34:24.302 --> 0:34:26.062
<v Speaker 2>not going to do that. Maybe you could do that.

0:34:26.382 --> 0:34:28.181
<v Speaker 2>It's not too late, friends.

0:34:28.022 --> 0:34:31.102
<v Speaker 4>It's not too late, So go and just shake off

0:34:31.102 --> 0:34:34.582
<v Speaker 4>the slump. Have a bit of a less panicked October.

0:34:35.422 --> 0:34:38.542
<v Speaker 1>After the break, the topic that Holly and I begged,

0:34:38.902 --> 0:34:40.862
<v Speaker 1>begged our producers to talk about today.

0:34:42.022 --> 0:34:45.782
<v Speaker 2>Want unlimited out loud access. We drop episodes every Tuesday

0:34:45.822 --> 0:34:49.901
<v Speaker 2>and Thursday exclusively for Mamma Mia subscribers. Follow the link

0:34:49.902 --> 0:34:51.661
<v Speaker 2>of the show notes to get us in your ears

0:34:51.902 --> 0:34:54.661
<v Speaker 2>five days a week, and a huge thank you to

0:34:54.822 --> 0:34:56.461
<v Speaker 2>all our current subscribers.

0:35:03.862 --> 0:35:09.861
<v Speaker 1>Some people enjoy bird watching, some people like Trainspotting, Hollywayne right,

0:35:09.902 --> 0:35:14.701
<v Speaker 1>and I like tracking Gwyneth Paltrow and Chris Martin's child Apple. Oh.

0:35:14.741 --> 0:35:18.102
<v Speaker 4>I'm shocked that Holly Wainwright is doing something connected with

0:35:18.142 --> 0:35:18.982
<v Speaker 4>Gwyneth Paltrow.

0:35:19.022 --> 0:35:21.182
<v Speaker 1>This must be something new for her. But the thing

0:35:21.462 --> 0:35:26.221
<v Speaker 1>is that their daughter Apple is suddenly everywhere. It's uncanny.

0:35:26.422 --> 0:35:29.381
<v Speaker 1>So let me explain that the various places she's been

0:35:29.382 --> 0:35:33.582
<v Speaker 1>popping out recently. First of all, a band named Jade Street,

0:35:33.661 --> 0:35:36.221
<v Speaker 1>which is an la indie rock duo, is releasing its

0:35:36.261 --> 0:35:38.701
<v Speaker 1>third single next week. Now that wouldn't otherwise be something

0:35:39.661 --> 0:35:43.582
<v Speaker 1>this show, but Apple Martin is singing on the song,

0:35:44.062 --> 0:35:46.381
<v Speaker 1>and the consensus in the office is that we kind

0:35:46.382 --> 0:35:50.222
<v Speaker 1>of like the song. It's called Satellites.

0:35:48.261 --> 0:35:57.062
<v Speaker 2>We Ussie. Oh, it's beautiful.

0:35:57.102 --> 0:36:02.102
<v Speaker 1>It's very cold play, very Chris, did you catch that

0:36:02.221 --> 0:36:04.661
<v Speaker 1>guide you home there, I've gone deep on that. That

0:36:04.862 --> 0:36:07.821
<v Speaker 1>has to be an allusion to this iconic line from

0:36:07.822 --> 0:36:17.982
<v Speaker 1>Coldplays Fix You. I can't listen to this song without crying,

0:36:18.221 --> 0:36:20.341
<v Speaker 1>so we have to end it, and I have to

0:36:20.462 --> 0:36:23.582
<v Speaker 1>stop the song. So the twenty one year old Apple

0:36:23.781 --> 0:36:26.341
<v Speaker 1>made her debut as a model as well. She does

0:36:26.382 --> 0:36:28.861
<v Speaker 1>a lot of different things at Chanell's Paris Fashion Week

0:36:28.942 --> 0:36:32.341
<v Speaker 1>show in twenty twenty three, me too, And she has

0:36:32.781 --> 0:36:35.421
<v Speaker 1>just posed for Gaps Fall Down and campaign with her mother.

0:36:35.502 --> 0:36:37.742
<v Speaker 1>And she is also the face of the British brand

0:36:37.862 --> 0:36:38.701
<v Speaker 1>self Portrait.

0:36:38.902 --> 0:36:40.781
<v Speaker 2>Have you seen those cute little Q and A she's

0:36:40.822 --> 0:36:43.542
<v Speaker 2>been doing in therese Yes, she is very busy.

0:36:43.661 --> 0:36:46.062
<v Speaker 1>All of us are very busy. And what fascinates me

0:36:46.181 --> 0:36:49.181
<v Speaker 1>about this is this strategy of building a star that

0:36:49.221 --> 0:36:51.822
<v Speaker 1>we are seeing here in real time. Why is Apple

0:36:51.862 --> 0:36:54.502
<v Speaker 1>Martin suddenly everywhere? I assume this is some kind of

0:36:54.542 --> 0:36:55.261
<v Speaker 1>concerted plan.

0:36:55.382 --> 0:36:57.142
<v Speaker 4>Can I interrupt us for one second when you say

0:36:57.181 --> 0:37:00.502
<v Speaker 4>Apple Martin is everywhere? I feel like your algorithms are

0:37:00.502 --> 0:37:02.941
<v Speaker 4>slightly different to mine, because today was the first time

0:37:02.982 --> 0:37:05.741
<v Speaker 4>I'd realized Apple Martin was doing anything. I knew that

0:37:05.781 --> 0:37:07.982
<v Speaker 4>she was a child of theirs, but I did not

0:37:08.102 --> 0:37:09.102
<v Speaker 4>know what she was doing or doing.

0:37:09.142 --> 0:37:11.462
<v Speaker 1>Now you know how you said you do fifty squats

0:37:11.502 --> 0:37:14.221
<v Speaker 1>while brushing your teeth. Collie and I exchanged text about

0:37:14.261 --> 0:37:16.941
<v Speaker 1>abrama rushing our teeth. Who's to say which one is better?

0:37:17.062 --> 0:37:17.782
<v Speaker 1>It's true.

0:37:18.102 --> 0:37:21.182
<v Speaker 2>There is no question that the culture, and not only

0:37:21.261 --> 0:37:24.942
<v Speaker 2>our obsession, is suddenly trying to thrust her upon us. Now.

0:37:25.062 --> 0:37:28.022
<v Speaker 2>I think it's all about the magic number twenty one.

0:37:28.302 --> 0:37:31.502
<v Speaker 2>That's what I think, right, Because if you have read,

0:37:32.022 --> 0:37:35.582
<v Speaker 2>as Amelia and I have the Gwyneth Pultrow biography by

0:37:35.622 --> 0:37:38.821
<v Speaker 2>Amy Odell, which last week Gwyneth referred to as a

0:37:38.862 --> 0:37:41.221
<v Speaker 2>hack job, which is a whole other conversation that we

0:37:41.302 --> 0:37:44.062
<v Speaker 2>will have off Mike, you would know that Gwyneth from

0:37:44.102 --> 0:37:45.942
<v Speaker 2>a very young age at school, wanted to be famous.

0:37:46.181 --> 0:37:48.781
<v Speaker 2>She wanted to be in movies. She wanted to act.

0:37:48.822 --> 0:37:51.222
<v Speaker 2>Her mum was an actress, her dad was a director.

0:37:51.261 --> 0:37:53.102
<v Speaker 2>So she was at what we would term a Neppo

0:37:53.181 --> 0:37:56.102
<v Speaker 2>Baby two and show. She was appearing. She was turning

0:37:56.181 --> 0:37:59.102
<v Speaker 2>up at her mom's theater, you know, summer theater, Stock place,

0:37:59.181 --> 0:38:01.582
<v Speaker 2>and appearing in the plays, and she was trying to

0:38:01.582 --> 0:38:04.062
<v Speaker 2>get parts in movies. When she was at UNI in

0:38:04.102 --> 0:38:06.701
<v Speaker 2>California when she was supposed to be studying, and her

0:38:06.741 --> 0:38:09.821
<v Speaker 2>parents tried to hold her back to a point until

0:38:09.822 --> 0:38:11.741
<v Speaker 2>she was an adult to enter the game, but she

0:38:11.902 --> 0:38:14.422
<v Speaker 2>jumped in a bit early, didn't she. I have a

0:38:14.462 --> 0:38:17.382
<v Speaker 2>theory that Gwinny and Chris, and Chris is a sensible

0:38:17.382 --> 0:38:21.301
<v Speaker 2>Englishman could clearly see Apple's stop tentral from a very

0:38:21.342 --> 0:38:24.942
<v Speaker 2>young age. Let's face it, she looks like a famous person.

0:38:25.261 --> 0:38:25.941
<v Speaker 2>I've only been.

0:38:26.142 --> 0:38:28.382
<v Speaker 1>Sounds like a famous person. She hands so much like Chris.

0:38:28.422 --> 0:38:31.902
<v Speaker 2>She suddenly looks ubiquitously familiar. And even those of us

0:38:31.942 --> 0:38:33.982
<v Speaker 2>who keep tabs on her Claire, I'm like you, I

0:38:34.022 --> 0:38:36.542
<v Speaker 2>haven't really been seeing her around that much until now.

0:38:36.741 --> 0:38:38.782
<v Speaker 2>She suddenly looks like I've been seeing her for ages.

0:38:39.022 --> 0:38:40.741
<v Speaker 2>I think they told her you have to wait to

0:38:40.822 --> 0:38:41.381
<v Speaker 2>her twenty one.

0:38:41.502 --> 0:38:43.421
<v Speaker 1>That makes sense because she turned twenty one in May,

0:38:43.741 --> 0:38:45.901
<v Speaker 1>and that's the age in the US where you can drink,

0:38:45.982 --> 0:38:48.861
<v Speaker 1>so it's very much like the mark of adulthood. And

0:38:49.221 --> 0:38:52.781
<v Speaker 1>she has been studying. She's at university, studying pre law

0:38:52.822 --> 0:38:55.462
<v Speaker 1>at Vanderbilt, which is a quite prestigious university in the

0:38:55.502 --> 0:38:58.381
<v Speaker 1>American South. She has said, my parents did a really

0:38:58.502 --> 0:39:00.781
<v Speaker 1>good job of telling me that I'm not entitled to

0:39:00.822 --> 0:39:02.781
<v Speaker 1>things that I need to work. I think that's a

0:39:02.902 --> 0:39:06.582
<v Speaker 1>very feasible theory. I want to complicate things, though, because

0:39:06.942 --> 0:39:10.102
<v Speaker 1>we can agree that her singing is really hauntingly familiar

0:39:10.142 --> 0:39:12.861
<v Speaker 1>to Chris's and is quite catchy and gordon, and she

0:39:12.982 --> 0:39:15.701
<v Speaker 1>certainly looks great in the bias cut dresses that she's

0:39:15.741 --> 0:39:19.502
<v Speaker 1>been modeling for self portrait. But she is modeling a

0:39:19.622 --> 0:39:22.902
<v Speaker 1>very different type of NEPO baby to others. She is

0:39:22.942 --> 0:39:25.582
<v Speaker 1>trying to show that she works very hard, that she

0:39:25.822 --> 0:39:29.062
<v Speaker 1>is getting there through discipline and through a concerted strategy.

0:39:29.181 --> 0:39:31.502
<v Speaker 1>There's another NEPO baby coming up through the ranks. Her

0:39:31.582 --> 0:39:34.222
<v Speaker 1>name is romy Mars. She is the daughter of Sophia

0:39:34.261 --> 0:39:37.702
<v Speaker 1>Coppola and the Phoenix singer Thomas Mars. She is eighteen,

0:39:37.781 --> 0:39:40.381
<v Speaker 1>so interesting age difference. There's still very much a child

0:39:40.462 --> 0:39:43.582
<v Speaker 1>in terms of the American markers of adulthood, and she

0:39:43.741 --> 0:39:47.542
<v Speaker 1>is completely unabashed about how her life is better than yours.

0:39:47.862 --> 0:39:50.902
<v Speaker 1>She's released this very super catchy single, it's called a Lister.

0:39:51.142 --> 0:39:53.942
<v Speaker 1>It's about flying in private jets, swimming in gorgeous pools.

0:39:53.942 --> 0:39:55.301
<v Speaker 1>I'm just going to play a little bit of it

0:39:55.342 --> 0:39:55.582
<v Speaker 1>for you.

0:39:55.622 --> 0:39:58.821
<v Speaker 6>Now, I'll say I'll be bored with everything that I've got,

0:39:58.982 --> 0:40:01.781
<v Speaker 6>get out of fancy clothes right after they get the

0:40:01.822 --> 0:40:05.262
<v Speaker 6>show and we create things from Masanna Kna flying REGI

0:40:05.902 --> 0:40:06.742
<v Speaker 6>just to feel something.

0:40:07.062 --> 0:40:09.222
<v Speaker 2>This song's going to make me cry for very different reason.

0:40:09.582 --> 0:40:11.182
<v Speaker 3>Fixed it's throwing shades.

0:40:11.422 --> 0:40:14.181
<v Speaker 4>Remember when her did Baby came out and said like

0:40:14.302 --> 0:40:16.781
<v Speaker 4>her mum never gave her anything designer when she was

0:40:16.781 --> 0:40:19.302
<v Speaker 4>growing up, and how hard life was for her.

0:40:19.741 --> 0:40:20.661
<v Speaker 3>That's what that feels like.

0:40:21.062 --> 0:40:22.942
<v Speaker 2>That was very catchy, though I enjoyed it.

0:40:22.982 --> 0:40:25.462
<v Speaker 1>Different great song, and she's just got a completely different

0:40:25.542 --> 0:40:28.942
<v Speaker 1>vibe to Apple. She originally became famous for a TikTok

0:40:29.022 --> 0:40:32.102
<v Speaker 1>in which she talked about being grounded because she attempted

0:40:32.102 --> 0:40:35.302
<v Speaker 1>to charter a helicopter to go and visit her friend,

0:40:35.982 --> 0:40:38.382
<v Speaker 1>which is relatable. And now she's very famous for a

0:40:38.382 --> 0:40:40.701
<v Speaker 1>TikTok dance that she filmed with Jacob A. Laudie where

0:40:40.701 --> 0:40:42.301
<v Speaker 1>they seem to be on the top of some kind

0:40:42.342 --> 0:40:46.942
<v Speaker 1>of Parisian skyscraper they're dancing, has more than thirty million views.

0:40:47.302 --> 0:40:49.741
<v Speaker 1>Be right back goodly, she makes me feel bad. The

0:40:49.781 --> 0:40:52.982
<v Speaker 1>thing about Apple is I think Apple's trying to position

0:40:53.062 --> 0:40:56.542
<v Speaker 1>herself as a different kind of nepo baby to that

0:40:56.741 --> 0:40:59.181
<v Speaker 1>Romy Mars model of Yeah, my life is great and

0:40:59.261 --> 0:41:00.381
<v Speaker 1>I'm going to tell you about it.

0:41:01.542 --> 0:41:05.502
<v Speaker 2>Yeah, but there's nothing new about daughters of actresses being actresses.

0:41:05.661 --> 0:41:07.821
<v Speaker 2>I think you're right, Like Romi is playing into a

0:41:07.862 --> 0:41:10.901
<v Speaker 2>bit more of that, like billionaire TikTok vibe, isn't she

0:41:11.261 --> 0:41:13.181
<v Speaker 2>We talked about Becka Bloom and that kind of look

0:41:13.221 --> 0:41:15.062
<v Speaker 2>at all my amazing stuff, And it's clear that Apple

0:41:15.102 --> 0:41:18.062
<v Speaker 2>wants to be. Well, what's interesting about that is, as

0:41:18.062 --> 0:41:20.701
<v Speaker 2>I said to Amelia when we're coming in, the gen

0:41:20.902 --> 0:41:22.301
<v Speaker 2>X in me is like, so does she want to

0:41:22.342 --> 0:41:23.781
<v Speaker 2>be an actress or does she want to be a

0:41:23.822 --> 0:41:25.662
<v Speaker 2>singer or does she want to be a model, Because

0:41:26.102 --> 0:41:28.622
<v Speaker 2>you used to have to pick one, right, But that's

0:41:28.661 --> 0:41:31.062
<v Speaker 2>not the way it works anymore. Clearly, Apple wants to

0:41:31.102 --> 0:41:34.701
<v Speaker 2>be all those things. The thing I find fascinating is

0:41:34.741 --> 0:41:38.222
<v Speaker 2>that Apple Martin would have grown up seeing her mom,

0:41:38.822 --> 0:41:41.942
<v Speaker 2>in particular her dad, everybody's kind of nice about generally,

0:41:42.221 --> 0:41:47.502
<v Speaker 2>but seeing her mom being slammed, mocked, derided for being

0:41:47.661 --> 0:41:50.902
<v Speaker 2>all the things that now Apple seems to be portraying

0:41:50.942 --> 0:41:53.062
<v Speaker 2>being a skinny blonde privilege.

0:41:53.622 --> 0:41:54.022
<v Speaker 1>It girl.

0:41:54.142 --> 0:41:56.781
<v Speaker 2>Essentially, yeah, being an it girl, a beautiful woman who

0:41:56.781 --> 0:42:00.902
<v Speaker 2>comes from privilege and then strategically used those advantages to

0:42:00.942 --> 0:42:02.782
<v Speaker 2>build a career. That's what a lot of people slag

0:42:02.862 --> 0:42:06.502
<v Speaker 2>Gwyneth Paltrow of for all the time. You might imagine

0:42:06.542 --> 0:42:08.582
<v Speaker 2>that if you grow up seeing that, you might think,

0:42:08.622 --> 0:42:10.821
<v Speaker 2>I don't want any part in that. I don't need

0:42:10.862 --> 0:42:12.661
<v Speaker 2>to do it for the money. I don't need to

0:42:12.701 --> 0:42:15.381
<v Speaker 2>have people writing about me, talking about me, slagging me off.

0:42:15.701 --> 0:42:18.062
<v Speaker 2>I could just live a nice, quiet life, but so

0:42:18.342 --> 0:42:22.462
<v Speaker 2>few do. It's really interesting to me that you would

0:42:22.622 --> 0:42:27.821
<v Speaker 2>be people are going to mock Apple Martin mercilessly. We

0:42:27.902 --> 0:42:31.181
<v Speaker 2>saw that because that beautiful song you played. She performed

0:42:31.181 --> 0:42:34.502
<v Speaker 2>it live at a gig in Nashville, and the video

0:42:34.542 --> 0:42:37.382
<v Speaker 2>of that has gone all over social media, and her

0:42:37.462 --> 0:42:39.622
<v Speaker 2>vocals don't sound as great as they do on that song.

0:42:39.862 --> 0:42:40.062
<v Speaker 1>You know.

0:42:40.181 --> 0:42:43.102
<v Speaker 2>I mean, it depends on your viewpoint, but she is

0:42:43.181 --> 0:42:47.301
<v Speaker 2>already being roundly mocked for being talentless and for being privileged,

0:42:47.302 --> 0:42:50.781
<v Speaker 2>and she will copy it. And I'm interested in this

0:42:50.942 --> 0:42:53.742
<v Speaker 2>sort of decision to do that when you're aware, whereas

0:42:53.741 --> 0:42:57.062
<v Speaker 2>a lot of famous people who become famous from nowhere,

0:42:57.102 --> 0:42:58.622
<v Speaker 2>so that you know their dad was a carpenter and

0:42:58.661 --> 0:43:00.062
<v Speaker 2>their mom was a teacher, but they wanted to be

0:43:00.142 --> 0:43:02.181
<v Speaker 2>an actor or a pop star. They'll say, nothing can

0:43:02.221 --> 0:43:05.462
<v Speaker 2>prepare you for fame, Nothing can prepare you for that spotlight.

0:43:05.542 --> 0:43:09.301
<v Speaker 2>It is a shock when it happens to you, exactly,

0:43:10.502 --> 0:43:13.462
<v Speaker 2>Oh my goodness, we can barely walk outside. But like

0:43:13.582 --> 0:43:16.982
<v Speaker 2>these kids do know, they know exactly what's going to happen,

0:43:17.102 --> 0:43:19.342
<v Speaker 2>and yet they want to do it. So that's interesting

0:43:19.342 --> 0:43:19.862
<v Speaker 2>in itself.

0:43:19.942 --> 0:43:21.542
<v Speaker 4>Can I just say, what a time to be alive

0:43:21.582 --> 0:43:25.782
<v Speaker 4>that I've experienced second generation NEPO babies, Like this is fine,

0:43:25.982 --> 0:43:30.102
<v Speaker 4>that's such a good point. I do love a NEPO baby.

0:43:30.542 --> 0:43:33.301
<v Speaker 4>I mean, let's face it, though, these kids aren't the

0:43:33.342 --> 0:43:36.142
<v Speaker 4>first to step into the family business, Like you know,

0:43:36.261 --> 0:43:40.661
<v Speaker 4>if your family runs any kind of trade or store,

0:43:40.862 --> 0:43:45.142
<v Speaker 4>even like people step into their parents' shoes all the time,

0:43:45.302 --> 0:43:46.942
<v Speaker 4>Like you know, if your dad's a plumber, you end

0:43:46.982 --> 0:43:47.662
<v Speaker 4>up being a plumber.

0:43:47.741 --> 0:43:49.062
<v Speaker 3>Like no one kind of blinks an eye.

0:43:49.062 --> 0:43:52.382
<v Speaker 4>But when a kid of an entertainer also becomes an entertainer,

0:43:52.422 --> 0:43:55.262
<v Speaker 4>it's almost like we're going like, how dare they step

0:43:55.302 --> 0:43:57.661
<v Speaker 4>into that space? Like they're already ready for it.

0:43:57.701 --> 0:44:00.381
<v Speaker 2>I'm not shocked. I'm just amazed that they want that

0:44:00.502 --> 0:44:01.302
<v Speaker 2>level of attention.

0:44:01.542 --> 0:44:03.942
<v Speaker 4>They're used to it, right, There've been NEPO babies from

0:44:03.982 --> 0:44:06.501
<v Speaker 4>the moment they were in the world, and the fact

0:44:06.502 --> 0:44:09.221
<v Speaker 4>that they called her Apple was spread on headlines from

0:44:09.542 --> 0:44:11.181
<v Speaker 4>one end of the world to the other. Like, they

0:44:11.181 --> 0:44:14.221
<v Speaker 4>are so used to this attention already, I would be

0:44:14.261 --> 0:44:17.702
<v Speaker 4>surprised if they have not had many conversations Gwyneth, Chris

0:44:17.741 --> 0:44:20.221
<v Speaker 4>and Apple and the other one. There's a fourth one

0:44:20.221 --> 0:44:22.262
<v Speaker 4>of them, right, there's another child, Moses.

0:44:22.542 --> 0:44:24.181
<v Speaker 2>He's still at UNI. He has to wait till he

0:44:24.221 --> 0:44:24.941
<v Speaker 2>turns twenty one.

0:44:25.142 --> 0:44:27.502
<v Speaker 4>Like, I'm sure that they've had many conversations about the

0:44:27.582 --> 0:44:29.262
<v Speaker 4>choices that they're going to make if they do step

0:44:29.261 --> 0:44:31.301
<v Speaker 4>into the same limelight as their parents do. And I'm

0:44:31.302 --> 0:44:33.741
<v Speaker 4>sure that they are well armed to handle it, and

0:44:33.982 --> 0:44:36.301
<v Speaker 4>arguably are better armed to handle it than someone who

0:44:36.342 --> 0:44:38.741
<v Speaker 4>does come out of obscurity into the spotlight all of

0:44:38.741 --> 0:44:41.102
<v Speaker 4>a sudden, because they've grown up with it and understand

0:44:41.102 --> 0:44:41.901
<v Speaker 4>it so.

0:44:41.982 --> 0:44:42.741
<v Speaker 1>Like I get it.

0:44:42.902 --> 0:44:45.462
<v Speaker 4>Sure, they don't want to cop the shit, no one does,

0:44:45.542 --> 0:44:47.861
<v Speaker 4>but they're used to it in a way, and I

0:44:47.902 --> 0:44:50.902
<v Speaker 4>think they're fore armed and forewarned well, they definitely have

0:44:50.942 --> 0:44:53.421
<v Speaker 4>a role model for it. So Gwyneth Paltrow is well

0:44:53.462 --> 0:44:56.542
<v Speaker 4>known for being massively criticized, of course, and for she

0:44:56.661 --> 0:44:59.102
<v Speaker 4>has this I don't care energy about it, and some

0:44:59.142 --> 0:45:02.062
<v Speaker 4>people like that and some people don't. The crucial distinction

0:45:02.181 --> 0:45:04.301
<v Speaker 4>that needs to be made between your parent being a

0:45:04.342 --> 0:45:06.701
<v Speaker 4>plumber and your parent being a movie start, though, is there.

0:45:06.822 --> 0:45:09.542
<v Speaker 4>You don't hear a great deal plumbing. It's so high

0:45:09.701 --> 0:45:11.861
<v Speaker 4>to break into, Like you can go and do an

0:45:11.862 --> 0:45:15.901
<v Speaker 4>apprenticeship and become a plumber, like, whereas this world is

0:45:15.982 --> 0:45:18.862
<v Speaker 4>so rarefied, it's so hard people like to get into.

0:45:18.902 --> 0:45:21.462
<v Speaker 4>It's had anyway. The last point I want to make

0:45:21.741 --> 0:45:24.782
<v Speaker 4>is there are some only a few children of famous

0:45:24.822 --> 0:45:28.502
<v Speaker 4>people who do not step into their shoes. Bruce Springsteen

0:45:28.502 --> 0:45:30.502
<v Speaker 4>has a son who's a firefighter. One of Anna Wintour's

0:45:30.582 --> 0:45:33.742
<v Speaker 4>kids is a psychiatrist. Gordon Ramsey's daughter is a police officer.

0:45:33.902 --> 0:45:36.181
<v Speaker 1>Okay, problem with the Anna Winter one is that Anna

0:45:36.221 --> 0:45:38.981
<v Speaker 1>Wintre's ex husband, who is the father of the psychiatrist,

0:45:39.022 --> 0:45:44.542
<v Speaker 1>is a psychiatrist, so he's actually absent. Howard Stern's another

0:45:44.542 --> 0:45:47.421
<v Speaker 1>good example. He has two daughters, one is a rabbi

0:45:47.462 --> 0:45:48.861
<v Speaker 1>and one is a social worker.

0:45:48.781 --> 0:45:50.582
<v Speaker 2>So some of them do go no, I don't want

0:45:50.582 --> 0:45:53.661
<v Speaker 2>to do that out loud as a massive thank you

0:45:53.701 --> 0:45:55.862
<v Speaker 2>to all of you for being here with us today.

0:45:55.902 --> 0:45:59.022
<v Speaker 2>As always, remember you can watch this on YouTube if

0:45:59.062 --> 0:46:01.942
<v Speaker 2>you would like to see us responding to the fabulous

0:46:01.942 --> 0:46:03.661
<v Speaker 2>sulcit tones of Apple Martin.

0:46:03.542 --> 0:46:04.982
<v Speaker 1>Or my deep plame facelift.

0:46:05.022 --> 0:46:07.181
<v Speaker 2>Oh yeah, if you want to see a steep flame

0:46:07.302 --> 0:46:10.102
<v Speaker 2>facelift and assess whether or not I could be on

0:46:10.181 --> 0:46:12.942
<v Speaker 2>the Golden batchel if you're looking for something else to

0:46:12.982 --> 0:46:17.102
<v Speaker 2>listen to. On yesterday's Subscribe episode, we tackled some listener

0:46:17.102 --> 0:46:21.301
<v Speaker 2>dilemmas including is Laser out now that Kim k is

0:46:21.302 --> 0:46:24.662
<v Speaker 2>bringing the bush back? And what are the rules around

0:46:24.661 --> 0:46:28.062
<v Speaker 2>group office gifts? And can you ask for a refund?

0:46:28.342 --> 0:46:30.941
<v Speaker 1>And don't forget to listen to Parenting out Loud, which

0:46:31.022 --> 0:46:34.022
<v Speaker 1>drops every week on a Saturday. In our last episode,

0:46:34.102 --> 0:46:37.582
<v Speaker 1>we talked about the very Australian problem with Halloween and

0:46:37.701 --> 0:46:40.622
<v Speaker 1>whether we're actually all missing the point with it, and

0:46:40.661 --> 0:46:45.262
<v Speaker 1>plus somehow Henley Bieber has become our accidental parenting guru.

0:46:45.422 --> 0:46:47.702
<v Speaker 1>You need to listen to find out why, so find

0:46:47.701 --> 0:46:50.182
<v Speaker 1>it in its own feed by searching parenting out loud

0:46:50.221 --> 0:46:52.661
<v Speaker 1>and tap follow so you don't miss an episode.

0:46:52.862 --> 0:46:55.182
<v Speaker 2>We're going to be back in your ears tomorrow. Friends.

0:46:55.462 --> 0:46:57.301
<v Speaker 2>A massive thank you to our team who help us

0:46:57.302 --> 0:46:59.062
<v Speaker 2>put this show together every single day.

0:46:59.542 --> 0:47:01.142
<v Speaker 3>Goodbye, bye bye.

0:47:02.102 --> 0:47:04.982
<v Speaker 2>Shout out to any Mamma Mia subscribers listening. If you

0:47:05.142 --> 0:47:08.022
<v Speaker 2>love the show and you want to support us, subscribing

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