WEBVTT - A Brutally Honest Review Of The Odyssey (Part 1)

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<v Speaker 1>Hello, spill Is. It's Laura brodney keire, host of the Spill.

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<v Speaker 1>Before we get into the episode, I do have a

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<v Speaker 1>confession to make and that is Emily Vernon and I

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<v Speaker 1>did something really, really bad and Emily, you're allowed to talk. Hey,

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<v Speaker 1>we're both complicit in this. So the Odyssey and this

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<v Speaker 1>this bit's not in us. The Odyssey is a famously

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<v Speaker 1>long story, one of the longest stories ever told. The

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<v Speaker 1>movie is over three hours. We tried to do this

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<v Speaker 1>Broodly Honors review in one episode. We failed miserably. We

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<v Speaker 1>talked for too long and as punishment for us, but

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<v Speaker 1>as a gift to you, guys, we've been told we

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<v Speaker 1>have to split the episode into two parts.

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<v Speaker 2>So this is a two part of Broodley Honest review.

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<v Speaker 1>And guys, it is so word do we want to

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<v Speaker 1>talk about the whole movie and we can't. Guys, we

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<v Speaker 1>can't condense this. We tried, We've recorded it. It's so

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<v Speaker 1>good and funny and just off the rails weird. We

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<v Speaker 1>can't cut it. So it's coming too in two parts.

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<v Speaker 1>So enjoy enjoying part one today and keep an eye

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<v Speaker 1>on your feed for part two of our Broodly review

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<v Speaker 1>of The Odyssey coming soon from Mama Mia. Welcome to

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<v Speaker 1>the spill your daily pop culture Fixed.

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<v Speaker 2>I'm Laura Broadneck and I'm Burnham.

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<v Speaker 1>And welcome to the long awaited two weeks brutally honest

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<v Speaker 1>review of The Odyssey.

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<v Speaker 2>Oh my god, I wanted to talk about this for so.

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<v Speaker 1>We have been desperate to talk about this. We have

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<v Speaker 1>tried in like in the office and things, not to

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<v Speaker 1>talk about this too much, or after we saw it

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<v Speaker 1>together in the IMAX, fighted our lives not to sit

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<v Speaker 1>near the front. And we usually do these reviews a

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<v Speaker 1>week after the movie comes out, but we thought because

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<v Speaker 1>there was such a wait list to get into cinemas,

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<v Speaker 1>we would give you guys, know, people.

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<v Speaker 2>Who are like on the wait list to see it

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<v Speaker 2>in November.

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<v Speaker 1>That's craziness. Well, I hope those people are still listening.

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<v Speaker 1>Spoiler alert for Look, I hate people saying like this

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<v Speaker 1>story came out like a thousand years ago, like you

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<v Speaker 1>obviously don't know what Christ.

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<v Speaker 2>It only works for us because we want to talk

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<v Speaker 2>about it.

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<v Speaker 1>We cannot wait any longer. So spoilers for the Odyssey.

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<v Speaker 1>But look, we obviously aren't going to cover everything years

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<v Speaker 1>three hours long. I'll also preface this by saying that

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<v Speaker 1>often with our brilliant reviews, I like to bring on

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<v Speaker 1>a few filmmaking facts, behind the scenes facts, facts about

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<v Speaker 1>the actors. That's going to be light today.

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<v Speaker 2>Yeah.

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<v Speaker 1>Yeah, even though, well, I think we touched on it

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<v Speaker 1>more and now we can watch review of like the

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<v Speaker 1>cinematography and the practical effects and the cyclops head soxit

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<v Speaker 1>talking about that. So this is gonna be a bit

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<v Speaker 1>more of a looser Yeah, run through. This is like

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<v Speaker 1>men and monsters, my two favorite things. I've actually watched

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<v Speaker 1>it twice. That's crazy. Who did you see it with

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<v Speaker 1>the second time?

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<v Speaker 2>I saw it with a friend, Okay, okay, okay, Because

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<v Speaker 2>when I.

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<v Speaker 1>Was my dad, God, my dad, I feel like he

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<v Speaker 1>would be interested in this movie.

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<v Speaker 2>I know he doesn't like fantasy, he doesn't like fantasy.

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<v Speaker 2>I think he'd be really into it because it's a

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<v Speaker 2>lot of action.

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<v Speaker 1>Yeah. I've heard so many people taking their dads to

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<v Speaker 1>see it. That's why I asked that, Because so many

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<v Speaker 1>dads to see it and they're like, love the war,

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<v Speaker 1>I'm sure of the monsters nure.

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<v Speaker 2>Yeah, that's good. I'm sure my dad's review.

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<v Speaker 1>I just know it.

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<v Speaker 2>But I wanted to watch it in another cinema. I

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<v Speaker 2>actually was the one who dragged my friend to watch

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<v Speaker 2>it because I really wanted to watch it for the

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<v Speaker 2>second time because I did feel like not everywhere has

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<v Speaker 2>an IMAX, Like we were lucky enough to go to

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<v Speaker 2>the premiere and watch it in the Sydney Imax. It

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<v Speaker 2>isn't even the imax as they filmed.

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<v Speaker 1>It for, No, it's even one of those like what

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<v Speaker 1>forty in the world.

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<v Speaker 2>Yeah, Melbourne the only one in the Southern Hemisphere to

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<v Speaker 2>have it, and I was like, look, I need to

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<v Speaker 2>see it in their different cinema to see if it's

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<v Speaker 2>still like as good, because I think there was a

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<v Speaker 2>lot of controversy of people saying, if you're going to

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<v Speaker 2>film it an IMAX, there's no point watching it on

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<v Speaker 2>this on the smallest screen because you're missing like good

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<v Speaker 2>chunks of the actual screen. I watched it in palace cinemas,

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<v Speaker 2>so I try to find like the.

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<v Speaker 1>Smallest cinema is a tiny cinema and it's like no

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<v Speaker 1>bigger than a normal like teasing screen. Some of the

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<v Speaker 1>cinemas in palacinema are like the size of my apartment.

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<v Speaker 2>It's so small. It was like very, very tiny. My

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<v Speaker 2>friend was like, is this how big it goes?

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<v Speaker 1>I'm so sorry I did I did this.

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<v Speaker 2>I was on the like ground boots on the ground journalism.

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<v Speaker 2>I wanted to see it is as good. I think

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<v Speaker 2>it's just the cinema experience, which we said in our

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<v Speaker 2>Weekend Watch. It's as good like. It's not like a

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<v Speaker 2>subplot's happening in the sky, in the sky that we're

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<v Speaker 2>not seeing. In fact, I will say that even though

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<v Speaker 2>I watch it for the second time in the smaller cinema,

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<v Speaker 2>I was actually jumping a bit more because it's such

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<v Speaker 2>a small room. I think the sand was rebounding and

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<v Speaker 2>much louder the cyclops scream in the like smallert cinema,

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<v Speaker 2>I was like out of my skin. It was so scary.

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<v Speaker 1>Yeah, I think for anyone if you're panting about not

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<v Speaker 1>getting IMAX tickets or you can't fly in Melbourne or

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<v Speaker 1>Singapore or one of the places the IMAX is we're

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<v Speaker 1>not asking you to do. Don't listen to those bros

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<v Speaker 1>on TikTok who are like, you won't see the movie.

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<v Speaker 1>It's that you won't see the top of Likeamemnon's helmets,

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<v Speaker 1>gotta frill You're fine, you see it from far the

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<v Speaker 1>minute he's close up, you don't. There's one shot you

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<v Speaker 1>don't see the top of Tom Holland's head. He's a brunette.

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<v Speaker 1>It's filled it.

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<v Speaker 2>Yeah, it's got like a tiny forehead.

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<v Speaker 1>Yeah, it's all ends. Okay, So here we go the

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<v Speaker 1>Odyssey gonna say the Odysseus, yeah, and has an issue

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<v Speaker 1>where she's you're calling Odysseus the Lee character, right, you're

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<v Speaker 1>calling him Damon. No, that's his that's his given name. Yes,

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<v Speaker 1>his government name's government name. Calling him the Odyssey, I.

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<v Speaker 2>Keep calling him, and I keep calling the movie these

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<v Speaker 2>why did they do that?

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<v Speaker 1>What do you mean?

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<v Speaker 2>Why do they get? Why are they so close together?

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<v Speaker 2>Like the Odyssey and Odysseus. I saw a meme saying

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<v Speaker 2>I know why it's called the Odyssey because odd things

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<v Speaker 2>happen at the sea, And he's like why.

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<v Speaker 1>I don't know if the original text by Homer says that,

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<v Speaker 1>or any of the interpretations of like ancient Greek mythology.

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<v Speaker 2>But you read that, Emily Wilson, I did. I've just

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<v Speaker 2>started that. I love it, and especially now that I

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<v Speaker 2>know her viewpoint on the movie, I'm loving it even more.

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<v Speaker 2>She does not like the film.

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<v Speaker 1>No, she does it for anyone who doesn't know. Emily

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<v Speaker 1>Wilson was actually the first woman and to write a

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<v Speaker 1>translation of the which just crazy because when she did hers,

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<v Speaker 1>it was like twenty seventeen and it was not long ago. Yeah,

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<v Speaker 1>and a lot of people like, that's their favorite version

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<v Speaker 1>to read. A few people like she watered it down. No,

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<v Speaker 1>she didn't, just because she made it fun. And when

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<v Speaker 1>Christopher Nolan was making The Odyssey, he used that as

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<v Speaker 1>one of his primary texts that he referenced. And everyone

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<v Speaker 1>must be like, oh god, she Emily must be thrilled. No,

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<v Speaker 1>she was not.

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<v Speaker 2>She was not. She specifically wanted to point out that

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<v Speaker 2>there was no sex scenes and the food looked horrible.

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<v Speaker 1>Yeah, the lack of sex was such a sexy, sexy story. Yeah,

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<v Speaker 1>it was actually quite crazy. Okay, so we start off.

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<v Speaker 1>We must start sorry for three hour movies, so this

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<v Speaker 1>will be a three our pod record. No, I wish

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<v Speaker 1>I would actually be love that. So we start off

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<v Speaker 1>with Ogysseus played by Matt Damon, the King of Ithaca.

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<v Speaker 2>Are we thinking Oscar numb for this? Absolutely?

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<v Speaker 1>Yeah, I think it's time for Matt Daimon just to

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<v Speaker 1>get a career Oscar because he's one one for writing,

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<v Speaker 1>for writing Goodwill hunting. He won one straight up the Teenager. Yeah,

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<v Speaker 1>but I think he's had so many since No, but

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<v Speaker 1>he's I think he's maybe been nominated, but he's definitely

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<v Speaker 1>never won it. He's never won an acting.

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<v Speaker 2>This is the first time he's been a main character

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<v Speaker 2>in a Christopher Nolan film. He's worked with Christopher Nolan

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<v Speaker 2>multiple times.

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<v Speaker 1>He pops up somewhere.

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<v Speaker 2>He's always popped up somewhere. He's always had like smaller roles, yes,

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<v Speaker 2>and this is his first like major, big role.

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<v Speaker 1>It's interesting because Christopher Nolan cast him, not because he

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<v Speaker 1>loves working with him, and Christopher Nolan likes he's very

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<v Speaker 1>Ryan Murphy in that way. He likes to get his

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<v Speaker 1>people and keeps them on every project. But he said,

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<v Speaker 1>Matt Damon is the right person to play Odysseus in

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<v Speaker 1>his opinion, because Odysseus is like this warrior king, but

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<v Speaker 1>he's also in every Man in that you see him

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<v Speaker 1>go through like these terrible situations where he is like

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<v Speaker 1>but a man, and he's like it's like that Damon.

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<v Speaker 1>In my head, I was like, say what now? But

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<v Speaker 1>then he said, Matt Damon is Jason Bourne, but he

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<v Speaker 1>also plays like in every Man, and he's like from

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<v Speaker 1>Boston and stuff.

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<v Speaker 2>And I was like, yeah, it is very Matt Damon character.

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<v Speaker 1>It's interesting because he is like one of the roles

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<v Speaker 1>of Matt Damon's career. And Christopher Nolan said when they

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<v Speaker 1>were like doing the fittings for the costumes and things,

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<v Speaker 1>he noticed he had a tattoo in his army. He

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<v Speaker 1>doesn't like when actors have tattoos because it takes so

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<v Speaker 1>long to cover them up. And he was like you too,

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<v Speaker 1>like why would you have that, You're an actor, And

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<v Speaker 1>Matt Damon said, I'm gonna be honest. I thought my

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<v Speaker 1>bicep days were over. He's showing a bicep. He's like,

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<v Speaker 1>now I can put my kids' names on there. Oh,

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<v Speaker 1>that's very not us. Feeling sorry for Matt Damon, that

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<v Speaker 1>rich white.

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<v Speaker 2>Man, A beautiful rich white man.

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<v Speaker 1>So yes, the King of Ithaca who sets off on

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<v Speaker 1>a wee journey to Troy, where he remains for ten

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<v Speaker 1>years fighting the war, leaving behind his wife, Penelope played

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<v Speaker 1>by Anne Hathaway.

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<v Speaker 2>I also think Oscar Win for this.

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<v Speaker 1>Yeah, potentially, I think definitely, no, definitely a nomination, whether

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<v Speaker 1>she'll win or not. I mean, can I just say

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<v Speaker 1>something controversial. I love Anne Hathaway to death. I love

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<v Speaker 1>her so much. She would much more deserving to win

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<v Speaker 1>an Oscar for this than lame Is. I don't think

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<v Speaker 1>that's the role. She should have won an Oscar for that.

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<v Speaker 1>Sometimes things work out like that.

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<v Speaker 2>I forgot you won for lame Is. But this role

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<v Speaker 2>was insane. Some of the monol and this were brilliant.

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<v Speaker 2>There's just one part towards the end of the film

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<v Speaker 2>where she just is so passionate and so emotional, and

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<v Speaker 2>everyone in the cinema jumped a little yeah, big bad scream.

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<v Speaker 1>Yeah yeah, I think I've heard the studio. We're just

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<v Speaker 1>like very conflict at the moment, whether in the awards race,

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<v Speaker 1>in the Oscars race to run her as lead or supporting,

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<v Speaker 1>because she's got more of a chance of winning supporting,

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<v Speaker 1>but also technically she is the female lead of the movie.

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<v Speaker 1>But then also if she's in supporting, she could not

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<v Speaker 1>she has There's a lot of women this movie who

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<v Speaker 1>could also be supporting, so they'll cancel each other.

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<v Speaker 2>I feel like that's always a case of scares. But

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<v Speaker 2>then sometimes like the supporting actor role can be massive,

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<v Speaker 2>like we're seeing it with the Emmy's right where everyone

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<v Speaker 2>is so deserving. But I feel like she could bat

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<v Speaker 2>lea it out as lead.

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<v Speaker 1>Yeah, something, something to look forward.

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<v Speaker 2>To, something to look forward.

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<v Speaker 1>To, come Oscar season. And then we also have Tom

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<v Speaker 1>Holland obviously plays their son. Later on, he's a baby

0:09:58.760 --> 0:10:02.880
<v Speaker 1>when Ojesse sets off on his fleet of ship to

0:10:03.559 --> 0:10:07.280
<v Speaker 1>I did know. I'm not giving that baby a second thought. Okay,

0:10:07.760 --> 0:10:08.760
<v Speaker 1>is your takeaway.

0:10:09.600 --> 0:10:11.280
<v Speaker 2>Breaking moment for that baby?

0:10:11.440 --> 0:10:14.079
<v Speaker 1>That baby had his chance to start them. Oh No,

0:10:14.200 --> 0:10:16.000
<v Speaker 1>I feel about what every other actor's name in the

0:10:16.000 --> 0:10:17.560
<v Speaker 1>whole movie bad.

0:10:17.520 --> 0:10:21.080
<v Speaker 2>Because we've talked in length about how annoying it is

0:10:21.080 --> 0:10:25.079
<v Speaker 2>when TV and movies use like fake like crazy baby,

0:10:25.240 --> 0:10:27.400
<v Speaker 2>and you finally get a real one you don't appreciate.

0:10:27.480 --> 0:10:29.680
<v Speaker 1>Don't appreciate him. Maybe they'll run him in supporting Actors

0:10:30.960 --> 0:10:34.040
<v Speaker 1>he crawls up on stage to get but anyway, fun

0:10:34.160 --> 0:10:38.760
<v Speaker 1>fun aside. Tom Holland plays their adult son, Telemachus.

0:10:39.240 --> 0:10:43.240
<v Speaker 2>Telemachusm Chus, Telemachus Telemachus.

0:10:43.440 --> 0:10:46.960
<v Speaker 1>A good memory trick is give me a kiss, Temelochus.

0:10:46.400 --> 0:10:47.920
<v Speaker 2>Give me a kiss Telemachus.

0:10:48.080 --> 0:10:51.640
<v Speaker 1>No, and You're gonna have to pull it together because

0:10:51.640 --> 0:10:53.400
<v Speaker 1>we have more, we have bigger names are coming.

0:10:53.440 --> 0:10:53.760
<v Speaker 2>Okay.

0:10:53.920 --> 0:10:56.360
<v Speaker 1>Also, our producer has just found the baby actor's name

0:10:56.360 --> 0:11:02.840
<v Speaker 1>for us. What is it, Mickey shallow Mickey shallow Wick.

0:11:03.080 --> 0:11:07.640
<v Speaker 2>Oh my god, remember that name? Well done, Mickey from me?

0:11:08.200 --> 0:11:09.960
<v Speaker 1>Is Mickey his full name? What do we think?

0:11:10.160 --> 0:11:14.560
<v Speaker 2>I think it's for Michelais Michelangelo.

0:11:16.200 --> 0:11:19.000
<v Speaker 1>Well Well done, Mickey, your m's favorite stand out of

0:11:19.040 --> 0:11:19.520
<v Speaker 1>the movie.

0:11:20.600 --> 0:11:24.200
<v Speaker 2>Okay, So Melchis yes, Okay, here we go.

0:11:24.280 --> 0:11:27.240
<v Speaker 1>Okay, So Odisseus has to go off and fight the war.

0:11:27.720 --> 0:11:29.920
<v Speaker 2>He doesn't even want to, but because like he's a bro,

0:11:30.160 --> 0:11:30.680
<v Speaker 2>he has to.

0:11:31.040 --> 0:11:34.080
<v Speaker 1>Yeah, well he knows that mum noon will because even

0:11:34.120 --> 0:11:37.280
<v Speaker 1>though Penelope says like we could run, yeah, we could

0:11:37.360 --> 0:11:39.520
<v Speaker 1>like sail away and just follow the sunset, and he

0:11:39.600 --> 0:11:41.280
<v Speaker 1>was like, absolutely not, because you know what, they're going

0:11:41.320 --> 0:11:42.319
<v Speaker 1>to kill every person in.

0:11:42.920 --> 0:11:44.680
<v Speaker 2>And I know that because he killed his own daughter.

0:11:44.760 --> 0:11:46.760
<v Speaker 2>Yeah yeah, just to get like a good wind.

0:11:46.640 --> 0:11:49.960
<v Speaker 1>Just to get some calms. But you know what, when

0:11:50.000 --> 0:11:52.240
<v Speaker 1>we see what happens to Odisseus, it actually was a

0:11:52.240 --> 0:11:57.360
<v Speaker 1>good call. Yeah. Maybe Osseus should have Melis slashed Mickey

0:11:57.640 --> 0:11:59.360
<v Speaker 1>and then he wouldn't have had all the issues he's

0:11:59.400 --> 0:12:02.320
<v Speaker 1>had he has upon return, and this could have been

0:12:02.360 --> 0:12:07.600
<v Speaker 1>a novella instead of like fifty pages go to Toy

0:12:07.640 --> 0:12:11.520
<v Speaker 1>comes back strong Wind. No, it was all fun, okay,

0:12:11.559 --> 0:12:14.240
<v Speaker 1>So we'll jump ahead to what's happening in Troy. Also, guys,

0:12:14.240 --> 0:12:17.240
<v Speaker 1>As you guys know, the original poem goes back and forth,

0:12:17.240 --> 0:12:20.040
<v Speaker 1>back and forth, back and forth in like different time

0:12:20.120 --> 0:12:23.000
<v Speaker 1>frames and narrators and all these different things, because.

0:12:22.800 --> 0:12:25.599
<v Speaker 2>It's all about like people like retelling their version of

0:12:25.640 --> 0:12:27.960
<v Speaker 2>the story of what happened at the Trojan War.

0:12:28.120 --> 0:12:30.680
<v Speaker 1>Yes, exactly, and the movie also jumps around quite a bit.

0:12:30.720 --> 0:12:32.080
<v Speaker 1>So we're going to try and follow this through as

0:12:32.160 --> 0:12:34.000
<v Speaker 1>much as we can, but just just bear with us.

0:12:35.080 --> 0:12:37.680
<v Speaker 1>So in Troy, they're on the beach for ten years.

0:12:37.800 --> 0:12:40.319
<v Speaker 2>Yeah, crazy but also fun holiday.

0:12:41.040 --> 0:12:43.000
<v Speaker 1>Yeah you said that a few times before. What about

0:12:43.040 --> 0:12:44.840
<v Speaker 1>that's not a beach day, Like you don't get sunscreened

0:12:44.840 --> 0:12:47.640
<v Speaker 1>and a drink. You're like knee deep in that armor

0:12:47.679 --> 0:12:48.160
<v Speaker 1>in the water.

0:12:48.360 --> 0:12:50.040
<v Speaker 2>They're working on a big project together.

0:12:50.160 --> 0:12:52.240
<v Speaker 1>One war was like that most of the half they had.

0:12:52.280 --> 0:12:53.839
<v Speaker 1>The reason they had to take such big armies is

0:12:53.880 --> 0:12:56.600
<v Speaker 1>that half of them would just pass away from dysentery

0:12:56.679 --> 0:12:58.920
<v Speaker 1>and sickness and like vomiting and diary before they even

0:12:58.960 --> 0:13:01.400
<v Speaker 1>got there. That's why I have to take a lot

0:13:01.440 --> 0:13:05.320
<v Speaker 1>of embarrassing what do you mean, Imagine going to war

0:13:05.400 --> 0:13:08.280
<v Speaker 1>and you die and then it's because of diarrhea. You

0:13:08.320 --> 0:13:11.720
<v Speaker 1>don't even get slain. No, Emily, that happens a lot.

0:13:11.480 --> 0:13:15.680
<v Speaker 2>In history that I would hate that to be me.

0:13:17.720 --> 0:13:19.120
<v Speaker 1>There's no good outcome in this.

0:13:20.360 --> 0:13:21.480
<v Speaker 2>Just leave you at the beach.

0:13:22.160 --> 0:13:23.480
<v Speaker 1>No, well, if you die in the way there, they

0:13:23.480 --> 0:13:25.520
<v Speaker 1>just tip your wody over the side. Jeez.

0:13:25.679 --> 0:13:27.360
<v Speaker 2>But yeah, and that's why he keeps getting in trouble

0:13:27.360 --> 0:13:28.880
<v Speaker 2>because he's never burying his men.

0:13:29.120 --> 0:13:32.120
<v Speaker 1>Yeah, and that's obviously like a huge thing in Greek topology.

0:13:32.440 --> 0:13:35.479
<v Speaker 1>So they get there, and you can see that Odysseus

0:13:35.559 --> 0:13:37.760
<v Speaker 1>is like part of this plan of like pretending that

0:13:37.960 --> 0:13:41.439
<v Speaker 1>the classic story, the classic switcheroo, pretending that they've left

0:13:41.480 --> 0:13:44.720
<v Speaker 1>but actually being inside the horse that is then taken

0:13:44.760 --> 0:13:47.600
<v Speaker 1>into Troy. And a kind of sad part of the

0:13:47.600 --> 0:13:50.160
<v Speaker 1>movie is that sign On played by Elliot Page.

0:13:50.160 --> 0:13:53.640
<v Speaker 2>Oh my god, also Oscar nomination. Yeah, oh my god.

0:13:53.760 --> 0:13:58.439
<v Speaker 1>He was so misinformation that he was playing Achilles, who

0:13:58.640 --> 0:14:03.080
<v Speaker 1>is in the Iliad not even in Yeah, in history,

0:14:03.120 --> 0:14:07.440
<v Speaker 1>that is right, but wow, I don't want your mind

0:14:07.480 --> 0:14:08.000
<v Speaker 1>is such a mess.

0:14:08.440 --> 0:14:09.920
<v Speaker 2>I know, it's really confusing.

0:14:10.280 --> 0:14:12.080
<v Speaker 1>And I thought it was out now that everyone knew

0:14:12.120 --> 0:14:14.360
<v Speaker 1>that he wasn't playing Achilles, that Achilles is.

0:14:14.320 --> 0:14:14.640
<v Speaker 2>Not in this.

0:14:14.840 --> 0:14:16.559
<v Speaker 1>No, no, no, Chill is not in this. It's not it's

0:14:16.559 --> 0:14:19.480
<v Speaker 1>not history, completely different. We know what happens arrow through

0:14:19.520 --> 0:14:21.640
<v Speaker 1>the arrow, through the heel, and then he's done. You

0:14:21.680 --> 0:14:25.280
<v Speaker 1>know when they were filming Troy brad Pitt bruised his

0:14:25.400 --> 0:14:27.400
<v Speaker 1>Achilles tendon. They had to shut the whole movie down.

0:14:28.040 --> 0:14:31.840
<v Speaker 2>Well, that is what happened. He's like he was acting, he.

0:14:31.840 --> 0:14:37.760
<v Speaker 1>Was all the way to He's like, my uncle hurts. Okay.

0:14:37.800 --> 0:14:40.760
<v Speaker 1>So then the sad thing is that Synon was obviously

0:14:40.840 --> 0:14:44.520
<v Speaker 1>tricked by Antinous played by Rob Pants. And who will get.

0:14:44.320 --> 0:14:46.680
<v Speaker 2>To okay, okay, I need you to get to this.

0:14:46.920 --> 0:14:49.800
<v Speaker 1>Okay, Well, confession, I have a confession. We had to

0:14:49.840 --> 0:14:51.400
<v Speaker 1>circle around diarrhea and a baby.

0:14:51.480 --> 0:14:54.000
<v Speaker 2>I still, after watching this movie twice, I still didn't

0:14:54.000 --> 0:14:56.200
<v Speaker 2>really understand and I tried to look it up and

0:14:56.200 --> 0:14:58.120
<v Speaker 2>I'm still very complicated. To hit me with it on

0:14:58.160 --> 0:15:03.320
<v Speaker 2>what happened with a tenuous? Yeah, a tenuous and sign

0:15:03.400 --> 0:15:07.720
<v Speaker 2>On because I isn't a tenuous. He has been telling

0:15:07.760 --> 0:15:10.160
<v Speaker 2>everyone that he wanted to go, but he wasn't accepted.

0:15:10.200 --> 0:15:13.040
<v Speaker 2>But he was actually quite he didn't want to go.

0:15:13.520 --> 0:15:17.920
<v Speaker 1>Yes, so aus Antinoous is what we call a war coward. Yes,

0:15:18.040 --> 0:15:19.760
<v Speaker 1>so he was too scared to go to war and

0:15:19.760 --> 0:15:22.480
<v Speaker 1>that's obviously really bad for your family. So he tricked

0:15:23.240 --> 0:15:26.000
<v Speaker 1>sign On, who was the son of a servant, into

0:15:26.040 --> 0:15:29.760
<v Speaker 1>going in his place, and that's what happened. And Onus

0:15:29.800 --> 0:15:31.640
<v Speaker 1>kind of sees it happened, and he kind of allows

0:15:31.680 --> 0:15:34.920
<v Speaker 1>it to happen, and that's also why he's very upset

0:15:34.960 --> 0:15:37.000
<v Speaker 1>later on when he learns out that sign On was

0:15:37.040 --> 0:15:40.800
<v Speaker 1>the one who volunteered to stay with the horse because

0:15:40.800 --> 0:15:44.040
<v Speaker 1>he because in his mind, Odesseus knew that person would

0:15:44.120 --> 0:15:45.040
<v Speaker 1>die and.

0:15:45.280 --> 0:15:47.720
<v Speaker 2>He couldn't tell sign So Sinon doesn't know that all

0:15:47.720 --> 0:15:51.200
<v Speaker 2>the men are in the horse and he's sacrificing his life.

0:15:51.280 --> 0:15:53.080
<v Speaker 1>Yeah, you've watched this movie twice. That's fine.

0:15:53.560 --> 0:15:57.040
<v Speaker 2>Wow, No, because that's actually real shit, I know.

0:15:57.200 --> 0:15:58.960
<v Speaker 1>But otherwise the war was never going to end emly.

0:15:59.200 --> 0:16:00.800
<v Speaker 1>He was just a young look I to die, I know.

0:16:00.920 --> 0:16:03.680
<v Speaker 1>But when odysse has made the plan. He knew whichever

0:16:03.760 --> 0:16:06.080
<v Speaker 1>soldiers stayed on the beach because that soldier, he knew

0:16:06.120 --> 0:16:09.520
<v Speaker 1>that soldier would die and in their last breath, dying

0:16:09.560 --> 0:16:11.800
<v Speaker 1>men just tell the truth was his thinking. This is

0:16:11.880 --> 0:16:14.080
<v Speaker 1>direct dialogue from the movie. This isn't like a hidden,

0:16:14.520 --> 0:16:17.480
<v Speaker 1>hidden secret, and so whoever was out there needed to

0:16:17.520 --> 0:16:21.280
<v Speaker 1>believe it. So they kill sign On and they take

0:16:21.320 --> 0:16:25.040
<v Speaker 1>the horse into Troy, into the big gates of Troy

0:16:25.080 --> 0:16:26.720
<v Speaker 1>that before that they had not been able to penetrate.

0:16:27.040 --> 0:16:29.480
<v Speaker 1>The Trojan horse. Is interesting because it's not how we've

0:16:29.520 --> 0:16:31.880
<v Speaker 1>seen the horse presented previously, where it's sort of been

0:16:31.920 --> 0:16:35.120
<v Speaker 1>like outside the gates, like on wheels or like slats

0:16:35.120 --> 0:16:37.800
<v Speaker 1>that you could pull. It's kind of like buried in

0:16:37.840 --> 0:16:40.280
<v Speaker 1>the sand. They have to pull it in. And that's

0:16:40.320 --> 0:16:43.160
<v Speaker 1>because for a moment there, Christopher Nolan was going to

0:16:43.200 --> 0:16:46.120
<v Speaker 1>direct Troy, the brad Pitt Troy that you Love, Yes,

0:16:46.360 --> 0:16:48.560
<v Speaker 1>And when he was sort of percolating in his head,

0:16:48.640 --> 0:16:51.240
<v Speaker 1>that's how he imagined the horse. Yeah, so he saved

0:16:51.240 --> 0:16:54.840
<v Speaker 1>it for the Odyssey. Interesting, and when they were filming it,

0:16:54.960 --> 0:16:57.000
<v Speaker 1>all the men were actually in that horse on the

0:16:57.000 --> 0:16:57.880
<v Speaker 1>beach because like it.

0:16:57.840 --> 0:17:02.440
<v Speaker 2>Was dying, they like we walked around the method.

0:17:02.720 --> 0:17:05.240
<v Speaker 1>Apparently it was super uncomfortable because there was water in there,

0:17:05.280 --> 0:17:07.119
<v Speaker 1>and Christopher Nolan got in with them and he was

0:17:07.160 --> 0:17:09.520
<v Speaker 1>shooting with his face came and they were in there

0:17:09.560 --> 0:17:12.359
<v Speaker 1>for hours, like all wet and soggy and starving and sick.

0:17:12.359 --> 0:17:15.200
<v Speaker 1>And that's just the actors. That's not even the soldiers

0:17:15.200 --> 0:17:15.920
<v Speaker 1>that you were worried about.

0:17:16.240 --> 0:17:20.480
<v Speaker 2>Wow, my god, imagine getting diarrhea in there. Oh please don't.

0:17:21.440 --> 0:17:23.600
<v Speaker 1>That's unlike, there's so many reasons i'd be about at war,

0:17:23.680 --> 0:17:27.040
<v Speaker 1>but like the germs, ger I could not. I could not.

0:17:27.160 --> 0:17:29.359
<v Speaker 2>It would smell so bad in that Trojan Oh my god.

0:17:29.440 --> 0:17:31.040
<v Speaker 1>Yeah, because they're in there for like twenty four hours.

0:17:31.040 --> 0:17:32.840
<v Speaker 2>That's why the people were so mad when it came

0:17:32.880 --> 0:17:35.320
<v Speaker 2>into Troy. They're like, this smells gross. Take it out,

0:17:35.720 --> 0:17:37.000
<v Speaker 2>take it out of our city.

0:17:36.840 --> 0:17:38.600
<v Speaker 1>And so they pulled the holes in there. We've got

0:17:38.640 --> 0:17:39.800
<v Speaker 1>to keep moving on because we're not.

0:17:40.000 --> 0:17:44.600
<v Speaker 2>Let It was like a gift to Athena, yes, because

0:17:44.600 --> 0:17:48.320
<v Speaker 2>as kind of like a peace treaty kind of symbolism, and.

0:17:48.359 --> 0:17:50.080
<v Speaker 1>Yeah, no, it was for the people of Troy.

0:17:50.440 --> 0:17:54.439
<v Speaker 2>But oh, okay, okay, I thought it was like a

0:17:54.480 --> 0:17:55.280
<v Speaker 2>symbol of peace.

0:17:55.880 --> 0:17:57.920
<v Speaker 1>Yeah, it was meant to be like, it's like, hey, guys,

0:17:58.000 --> 0:18:00.240
<v Speaker 1>like a gift. We're sorry that we've been trying to

0:18:00.280 --> 0:18:02.440
<v Speaker 1>break into your city and killing people for ten years.

0:18:02.440 --> 0:18:04.359
<v Speaker 1>That's how bad. We're going to get a nice ships

0:18:04.359 --> 0:18:06.080
<v Speaker 1>and sail away, and we're going to leave this horse

0:18:06.080 --> 0:18:07.720
<v Speaker 1>that you guys can take as like a symbol. And

0:18:07.760 --> 0:18:09.159
<v Speaker 1>I think that. Yeah, they are putting it into like

0:18:09.160 --> 0:18:10.600
<v Speaker 1>Athena's temple, and some.

0:18:10.720 --> 0:18:12.640
<v Speaker 2>Of the horse looked good. Yeah, the horse.

0:18:12.640 --> 0:18:13.960
<v Speaker 1>I can took it because.

0:18:13.760 --> 0:18:15.840
<v Speaker 2>Sometimes see the dark oak.

0:18:16.000 --> 0:18:18.240
<v Speaker 1>You see this like gross trojan horse, You're like, why are.

0:18:18.280 --> 0:18:20.320
<v Speaker 2>Ye Troy Troy Trojan horse?

0:18:20.520 --> 0:18:23.040
<v Speaker 1>Yuck? Yeah, don't bring that into myself. How would you

0:18:23.040 --> 0:18:26.200
<v Speaker 1>bring that weird pokey horse here? Yeah, it's all of

0:18:26.240 --> 0:18:27.600
<v Speaker 1>those things. You're like, well, someone's gonna have to take

0:18:27.600 --> 0:18:29.720
<v Speaker 1>that out to the rubbish, like exactly, so don't bring

0:18:29.720 --> 0:18:32.520
<v Speaker 1>it upstairs kind of thing. But this is no noble

0:18:32.560 --> 0:18:35.080
<v Speaker 1>stea Like yeah, yeah, I can understand riding up on

0:18:35.119 --> 0:18:37.360
<v Speaker 1>its own. I can understand why they pulled that, and

0:18:37.400 --> 0:18:39.760
<v Speaker 1>I'm sore. Several men died just getting that inside. Yeah,

0:18:39.840 --> 0:18:42.920
<v Speaker 1>so many people died dealing with this horse. So they

0:18:42.920 --> 0:18:44.679
<v Speaker 1>get the horse inside. A few men are killed in

0:18:44.680 --> 0:18:46.840
<v Speaker 1>the horse when they're stabbing the sword story because they're

0:18:46.920 --> 0:18:48.080
<v Speaker 1>checking that no one's in there.

0:18:48.160 --> 0:18:50.320
<v Speaker 2>Even though they did stab a man and drew blood,

0:18:50.359 --> 0:18:52.680
<v Speaker 2>he was probably just like, oh, there's some red painting here.

0:18:52.840 --> 0:18:55.520
<v Speaker 1>Yeah, I guess it's fun. And then at night time,

0:18:55.560 --> 0:18:58.439
<v Speaker 1>under cover of darkness, Odysseus and his men exit the

0:18:58.440 --> 0:19:00.200
<v Speaker 1>horse and slaughter everyone.

0:19:00.160 --> 0:19:02.800
<v Speaker 2>Site best scene in the movie. Really, yeah, I love

0:19:02.840 --> 0:19:05.960
<v Speaker 2>that scene. What the scene went, soldiers is killing each other.

0:19:06.320 --> 0:19:08.400
<v Speaker 2>That's the best scene in the Odyssey. The like quiet

0:19:08.480 --> 0:19:10.720
<v Speaker 2>creeping scene of like them creeping around.

0:19:10.840 --> 0:19:12.600
<v Speaker 1>Oh my god, you can see that in any No,

0:19:12.840 --> 0:19:14.840
<v Speaker 1>that was movie. Now, That's why I love The Expendables

0:19:14.840 --> 0:19:16.639
<v Speaker 1>so much. You know me, Oh my god, do not

0:19:17.680 --> 0:19:20.440
<v Speaker 1>like heart pumping. I'm like, these boys are winning.

0:19:20.640 --> 0:19:22.000
<v Speaker 2>I didn't even know if I should be on their

0:19:22.040 --> 0:19:25.640
<v Speaker 2>side historically speaking, but I was in the movie.

0:19:25.960 --> 0:19:28.959
<v Speaker 1>It's so important to point out that Troy is that

0:19:29.000 --> 0:19:30.880
<v Speaker 1>wasn't a real battle that happened. There was no real

0:19:30.920 --> 0:19:31.480
<v Speaker 1>Trojan Horse.

0:19:31.600 --> 0:19:33.800
<v Speaker 2>No, So Troy is real, but everything else is kind

0:19:33.800 --> 0:19:36.679
<v Speaker 2>of fake. Right yeah, okay, okay, do you think the

0:19:37.000 --> 0:19:38.840
<v Speaker 2>tourism for Troy is just going to skyrocket? Now?

0:19:39.880 --> 0:19:42.000
<v Speaker 1>I don't know. Probably we should.

0:19:41.720 --> 0:19:44.000
<v Speaker 2>Go, we should care, we should go a spill trip.

0:19:43.880 --> 0:19:45.960
<v Speaker 1>Transylvania, Troy.

0:19:46.440 --> 0:19:48.200
<v Speaker 2>We need all the made up places.

0:19:48.520 --> 0:19:51.800
<v Speaker 1>God don't get that stune. Okay, So then the battle

0:19:51.920 --> 0:19:54.439
<v Speaker 1>is done and obviously we're jumping run of it here,

0:19:54.480 --> 0:19:57.400
<v Speaker 1>and then Odysseus and his men they've got to sail home.

0:19:57.520 --> 0:19:59.920
<v Speaker 2>Yeah, this should be the easy part of the trip, right.

0:20:00.600 --> 0:20:02.480
<v Speaker 2>You would think they didn't know because they didn't sacrifice

0:20:02.480 --> 0:20:03.040
<v Speaker 2>a child.

0:20:03.359 --> 0:20:06.199
<v Speaker 1>Yeah, so they see Agamemnon just take off with the

0:20:06.200 --> 0:20:08.639
<v Speaker 1>blood of his child, just like pushing him along in

0:20:08.680 --> 0:20:13.040
<v Speaker 1>the wind, and Odysseus, adventure that he is, says, let's

0:20:13.040 --> 0:20:15.400
<v Speaker 1>not go that way. And the men on his ship

0:20:15.440 --> 0:20:16.560
<v Speaker 1>this is the first time they should have got an

0:20:16.560 --> 0:20:18.159
<v Speaker 1>inkling that this man was going to lead them astray.

0:20:18.400 --> 0:20:20.680
<v Speaker 1>They say, hey, man, we should have just sail into

0:20:20.680 --> 0:20:23.399
<v Speaker 1>the ocean without knowing. Because the other route was like

0:20:23.400 --> 0:20:25.359
<v Speaker 1>the plan route where they knew which islands to stop

0:20:25.400 --> 0:20:27.560
<v Speaker 1>at to get food. This one was just like, this

0:20:27.640 --> 0:20:28.919
<v Speaker 1>is like going on a road trip and just not

0:20:29.000 --> 0:20:30.720
<v Speaker 1>checking if there's like someone you can stop to get

0:20:30.720 --> 0:20:33.879
<v Speaker 1>petrol exactly along the way, which I have done before. Scary,

0:20:33.960 --> 0:20:36.520
<v Speaker 1>and let me tell you RACQRE and RMA do not

0:20:36.560 --> 0:20:38.400
<v Speaker 1>bring like petrol or ten hour drive.

0:20:38.720 --> 0:20:39.960
<v Speaker 2>You you were Odysseus.

0:20:40.200 --> 0:20:43.399
<v Speaker 1>I have been diseus, let me tell you that much.

0:20:44.840 --> 0:20:47.760
<v Speaker 1>But they take off that way and things start to

0:20:47.800 --> 0:20:51.000
<v Speaker 1>go right. Okay, We'll get into the rest of our

0:20:51.080 --> 0:20:53.200
<v Speaker 1>characters as we go through, as we meet them along

0:20:53.240 --> 0:20:56.600
<v Speaker 1>the way, because our first stop is they stop at

0:20:56.600 --> 0:21:00.560
<v Speaker 1>an island and they see sheep. They see one little shit. Now,

0:21:00.760 --> 0:21:02.840
<v Speaker 1>they could have just shot that one sheep and eaten him.

0:21:02.880 --> 0:21:04.760
<v Speaker 1>Although it is like five thousand men, so.

0:21:05.000 --> 0:21:07.840
<v Speaker 2>That's a lot of men. This whole movie is like

0:21:07.920 --> 0:21:13.000
<v Speaker 2>these men on a bode going land and then getting

0:21:13.000 --> 0:21:15.280
<v Speaker 2>online and then going back to the boat, and it

0:21:15.320 --> 0:21:18.320
<v Speaker 2>happens like eight times, and every time they see land,

0:21:18.320 --> 0:21:20.680
<v Speaker 2>they forget what happened in the last island and they're

0:21:20.680 --> 0:21:22.240
<v Speaker 2>just excited all over again.

0:21:22.280 --> 0:21:23.800
<v Speaker 1>I do because when I sat down to like plot

0:21:23.840 --> 0:21:25.760
<v Speaker 1>out my notes of how we would do this episode,

0:21:25.800 --> 0:21:28.080
<v Speaker 1>I was like, oh my god, how am I gonna

0:21:28.200 --> 0:21:30.359
<v Speaker 1>put like how am I going to structure this into

0:21:30.400 --> 0:21:32.520
<v Speaker 1>like plot points that we can follow? But my notes

0:21:32.520 --> 0:21:35.600
<v Speaker 1>are like, find this island, this creature attacks, find this island,

0:21:35.680 --> 0:21:38.000
<v Speaker 1>these creature attacks, find this island and the middle it

0:21:38.160 --> 0:21:40.359
<v Speaker 1>just crew dead dead dead dead.

0:21:40.040 --> 0:21:42.880
<v Speaker 2>Like people are dying left right. And yet every time

0:21:42.880 --> 0:21:43.760
<v Speaker 2>they see an island.

0:21:43.560 --> 0:21:46.600
<v Speaker 1>They're like another one. Yeah, like maybe this time things

0:21:46.640 --> 0:21:48.840
<v Speaker 1>will be different. So they get to an island, they

0:21:48.840 --> 0:21:51.520
<v Speaker 1>see the sheep, and then Odysseus because he's smart, he's

0:21:51.520 --> 0:21:54.320
<v Speaker 1>smart and wiley. In the original text, he's a lot

0:21:54.359 --> 0:21:58.360
<v Speaker 1>more of like a smart, wiley trickster in this. They

0:21:58.359 --> 0:22:00.439
<v Speaker 1>tried to make Matt Damon just sometimes a bit too

0:22:00.520 --> 0:22:01.840
<v Speaker 1>much of like an every man. Yeah.

0:22:01.880 --> 0:22:04.639
<v Speaker 2>They wanted him to be very likable in this, like

0:22:04.680 --> 0:22:08.520
<v Speaker 2>his character, whereas when I was reading like bits about

0:22:08.520 --> 0:22:11.720
<v Speaker 2>the poem Odysseus and that, it's not that likable.

0:22:11.760 --> 0:22:15.600
<v Speaker 1>Guy's mean half the time, people like he's mean. He's

0:22:15.720 --> 0:22:17.240
<v Speaker 1>arrogant every man.

0:22:17.800 --> 0:22:19.359
<v Speaker 2>He loves, he loves tricking people.

0:22:19.560 --> 0:22:23.320
<v Speaker 1>He lies, he sleeps around. In this he is like

0:22:23.320 --> 0:22:25.000
<v Speaker 1>he's not sleeping with anyone. Last time he was like,

0:22:25.080 --> 0:22:28.400
<v Speaker 1>monster sleep with a woman. Monsters sleep with a woman. Anyway,

0:22:28.720 --> 0:22:31.200
<v Speaker 1>this is whole The Odyssey is really just a cautionary

0:22:31.200 --> 0:22:35.199
<v Speaker 1>tale against men and fake horses and the sea. Yeah,

0:22:35.320 --> 0:22:36.000
<v Speaker 1>things to avoid.

0:22:36.119 --> 0:22:38.560
<v Speaker 2>And Christopher Nolan's version is like these men are great

0:22:39.600 --> 0:22:40.239
<v Speaker 2>look at them go.

0:22:40.680 --> 0:22:42.720
<v Speaker 1>So they follow one of the sheep into the cave

0:22:42.880 --> 0:22:45.840
<v Speaker 1>and they find it heard of sheep, so exciting. But

0:22:46.000 --> 0:22:48.359
<v Speaker 1>then and they found cheese as well. Yeah, but the

0:22:48.440 --> 0:22:51.040
<v Speaker 1>cheese was not belonging to the sheep. It was belonging

0:22:51.040 --> 0:22:55.359
<v Speaker 1>to their master, the Cyclops, polyphemous, polypemous. He has the

0:22:55.440 --> 0:22:57.600
<v Speaker 1>name Emily. God made me look up the name of

0:22:57.640 --> 0:22:59.440
<v Speaker 1>the baby actor. And you're not even going to give

0:22:59.480 --> 0:23:01.880
<v Speaker 1>the give the Cyclops.

0:23:02.000 --> 0:23:03.360
<v Speaker 2>I thought cyclopsis his name.

0:23:03.560 --> 0:23:05.640
<v Speaker 1>No, a Cyclops is what he is. That's like someone

0:23:05.720 --> 0:23:08.440
<v Speaker 1>pointing you going, I thought her name was human, could

0:23:08.440 --> 0:23:12.639
<v Speaker 1>be not saying like her name is Emily. Okay, so

0:23:12.760 --> 0:23:15.439
<v Speaker 1>disrespect son of Poseidon, yes, son of Poseidon, which we

0:23:15.440 --> 0:23:16.400
<v Speaker 1>don't find out till later.

0:23:16.880 --> 0:23:19.159
<v Speaker 2>So very loudly, yeah, yeah.

0:23:19.080 --> 0:23:23.880
<v Speaker 1>Yeah, he was angry, Dad, he was so sad. He's

0:23:23.880 --> 0:23:27.200
<v Speaker 1>one of my favorite. When I saw poly femous, And

0:23:27.520 --> 0:23:29.480
<v Speaker 1>if anyone who has studied Greek literature out there, it

0:23:29.520 --> 0:23:31.120
<v Speaker 1>is like, that's not exactly how you pronounce it. Guys,

0:23:31.119 --> 0:23:33.400
<v Speaker 1>I am doing my best, and all I can say

0:23:33.440 --> 0:23:35.520
<v Speaker 1>is I'm doing better than Emily. So let's just go

0:23:35.600 --> 0:23:37.879
<v Speaker 1>with it. You know who I'm talking about. Let's just

0:23:37.960 --> 0:23:42.199
<v Speaker 1>keep going. My favorite moment, one of my three favorite

0:23:42.240 --> 0:23:45.160
<v Speaker 1>moments of the movie is when Polypemous appears on screen

0:23:45.160 --> 0:23:47.520
<v Speaker 1>for the first time. I love that huge puppet so

0:23:47.720 --> 0:23:50.520
<v Speaker 1>much and the site that he is not cgi and

0:23:50.560 --> 0:23:54.199
<v Speaker 1>he was actually in a cave. Yeah, they should put

0:23:54.240 --> 0:23:54.960
<v Speaker 1>that in a museum.

0:23:55.080 --> 0:23:58.800
<v Speaker 2>That's a real big puppet ahead, they really should. When

0:23:58.840 --> 0:24:00.560
<v Speaker 2>I first watched it, I was like, oh my god,

0:24:00.560 --> 0:24:02.919
<v Speaker 2>the cyclops is so scary. And when I watched it

0:24:02.960 --> 0:24:05.399
<v Speaker 2>for the second time, I'm like, you know what. He

0:24:05.520 --> 0:24:08.000
<v Speaker 2>was just minding his own business, tending to his flock

0:24:08.040 --> 0:24:11.600
<v Speaker 2>of sheep, making cheese in his own little home, and

0:24:11.640 --> 0:24:15.520
<v Speaker 2>then these men like men do, barged in, made it

0:24:15.600 --> 0:24:19.240
<v Speaker 2>their home, started stealing his cheese and then started.

0:24:18.960 --> 0:24:21.440
<v Speaker 1>Attacking him, and then got angry when he shut the door.

0:24:21.560 --> 0:24:24.120
<v Speaker 1>And I was like, also, they're like ants to him.

0:24:24.160 --> 0:24:27.440
<v Speaker 1>He doesn't know they're humans with like places to be exactly.

0:24:27.480 --> 0:24:31.879
<v Speaker 1>He's just eating the little ant things crawling around his house.

0:24:32.200 --> 0:24:33.480
<v Speaker 2>They're eating his food.

0:24:33.600 --> 0:24:35.520
<v Speaker 1>Just going to eat it, and so they're stuck in

0:24:35.560 --> 0:24:37.720
<v Speaker 1>there for a couple of days, and that he keeps

0:24:37.960 --> 0:24:40.600
<v Speaker 1>just like picking them off one by one, eating them.

0:24:40.640 --> 0:24:42.520
<v Speaker 2>He eats like two at a time and then goes

0:24:42.560 --> 0:24:42.960
<v Speaker 2>to sleep.

0:24:43.200 --> 0:24:46.240
<v Speaker 1>Yeah, because he's he's got like a dice at a schedule. Yeah,

0:24:46.280 --> 0:24:48.200
<v Speaker 1>he's like only two I'll say the rest of later.

0:24:48.280 --> 0:24:52.960
<v Speaker 1>He's like, it's like he's got that life. He's he's

0:24:52.960 --> 0:24:56.840
<v Speaker 1>stretching out his human snacks. So Odsseuse of his men

0:24:57.080 --> 0:24:59.880
<v Speaker 1>make a plot that they'll sneak out dressed as sheep

0:25:00.040 --> 0:25:01.840
<v Speaker 1>in the original text that you have to like hang

0:25:01.960 --> 0:25:04.720
<v Speaker 1>underneath the sheep. Well, in the text they you're probably

0:25:04.720 --> 0:25:05.919
<v Speaker 1>not at this part of the book yet where they

0:25:06.400 --> 0:25:09.040
<v Speaker 1>kind of talk to him, Yeah, I have a dialog.

0:25:09.280 --> 0:25:13.840
<v Speaker 1>They become almost friendly with him, and Odysseus tells him

0:25:13.920 --> 0:25:16.160
<v Speaker 1>my name is nobody, which is a big plot point

0:25:16.200 --> 0:25:18.760
<v Speaker 1>that isn't carried over in the movie. So it's very

0:25:18.840 --> 0:25:21.320
<v Speaker 1>high stakes in the movie though, when the door opens

0:25:21.359 --> 0:25:23.359
<v Speaker 1>and they're under the sheep and there this is like

0:25:23.400 --> 0:25:26.119
<v Speaker 1>their one moment of escape, and before that they have

0:25:27.200 --> 0:25:30.040
<v Speaker 1>like shoved that poker into his life. Why does it

0:25:30.040 --> 0:25:32.119
<v Speaker 1>feel like it would hurt more having a poker in

0:25:32.200 --> 0:25:33.879
<v Speaker 1>one eye if you've only got one eye, that it

0:25:33.880 --> 0:25:35.560
<v Speaker 1>would hurt having a poker in one eye if you

0:25:35.560 --> 0:25:36.200
<v Speaker 1>have two eyes.

0:25:38.000 --> 0:25:41.040
<v Speaker 2>Well, because I feel like if if it went into

0:25:41.240 --> 0:25:42.880
<v Speaker 2>I'm thinking for us, it'll be like having a two

0:25:42.960 --> 0:25:46.159
<v Speaker 2>pick stabbed into our eyes. Yeah, well, at least we

0:25:46.240 --> 0:25:48.280
<v Speaker 2>have another eye to look out. And that's so true

0:25:48.359 --> 0:25:50.040
<v Speaker 2>because he doesn't even get to stabbed once, and then

0:25:50.040 --> 0:25:51.000
<v Speaker 2>they get to stabbed twice.

0:25:51.200 --> 0:25:53.920
<v Speaker 1>Yeah, justice for poly Femus. I hope he gets a

0:25:53.920 --> 0:25:54.560
<v Speaker 1>spin off.

0:25:54.440 --> 0:25:57.080
<v Speaker 2>And like they escaped and he realizes they escaped and

0:25:57.080 --> 0:25:58.800
<v Speaker 2>he's like, oh, well, I guess they're gone.

0:25:59.160 --> 0:26:02.119
<v Speaker 1>And then he's like yeah, and this is I guess

0:26:02.200 --> 0:26:03.000
<v Speaker 1>where and you.

0:26:02.960 --> 0:26:06.359
<v Speaker 2>Know what, And then after everything that happened, Matt Damon

0:26:06.400 --> 0:26:06.879
<v Speaker 2>deserved that.

0:26:07.200 --> 0:26:12.840
<v Speaker 1>Okay, OUs, Yes, you're right. Matt Damon shoots an arrow

0:26:12.880 --> 0:26:15.400
<v Speaker 1>through his eye because he's so angry that he's killed

0:26:15.400 --> 0:26:16.760
<v Speaker 1>some of his men and that they didn't get to

0:26:16.760 --> 0:26:19.960
<v Speaker 1>bury their bodies. And that's important because they needed a

0:26:20.040 --> 0:26:23.840
<v Speaker 1>reason for him to like look arrogant, so that he's

0:26:24.119 --> 0:26:27.800
<v Speaker 1>The punishment that happens afterwards fits because in the original text,

0:26:27.840 --> 0:26:29.760
<v Speaker 1>sorry spoilers for all the books you're gonna read about this.

0:26:30.600 --> 0:26:33.240
<v Speaker 1>In the original text, he always says, my name is nobody.

0:26:33.359 --> 0:26:36.520
<v Speaker 1>So when he stabs him, the cyclops Polyfemous calls out,

0:26:36.720 --> 0:26:38.719
<v Speaker 1>nobody is hurting me. Nobody is hurting me. And other

0:26:38.720 --> 0:26:40.159
<v Speaker 1>people hear it, they're like, well, no one's hurting him,

0:26:40.840 --> 0:26:46.000
<v Speaker 1>like pray just's like gotcha. But then as they're fleeing

0:26:46.160 --> 0:26:49.880
<v Speaker 1>in the in the original text, Odysseus yells back to him,

0:26:49.920 --> 0:26:53.320
<v Speaker 1>my name is Odysseus, classic man. And then that means

0:26:53.359 --> 0:26:56.080
<v Speaker 1>poly Femous has a name to tell his dad so

0:26:56.119 --> 0:26:57.400
<v Speaker 1>that his dad can curse him.

0:26:57.520 --> 0:26:59.520
<v Speaker 2>Well, just just wanted to put his name on his work.

0:26:59.720 --> 0:27:03.119
<v Speaker 1>Yeah. So in the movie, the other side of that

0:27:03.320 --> 0:27:06.000
<v Speaker 1>is that that's when poly Femous chases them down to

0:27:06.040 --> 0:27:10.680
<v Speaker 1>the beach. That scene kills two more men slices.

0:27:10.280 --> 0:27:12.320
<v Speaker 2>So that's pretty much a disease. If he didn't do that,

0:27:12.359 --> 0:27:13.280
<v Speaker 2>then you'd have two more.

0:27:13.359 --> 0:27:15.000
<v Speaker 1>And his men are yelling at him, why did you

0:27:15.040 --> 0:27:15.359
<v Speaker 1>do that?

0:27:15.680 --> 0:27:17.680
<v Speaker 2>And he's like, because they should.

0:27:17.440 --> 0:27:19.359
<v Speaker 1>Have known then he was a bad leader. And that

0:27:19.840 --> 0:27:22.199
<v Speaker 1>yelling that you hear, that's almost on descript is him

0:27:22.280 --> 0:27:25.600
<v Speaker 1>yelling to his father Poseidon to curse them, and he does.

0:27:25.560 --> 0:27:27.679
<v Speaker 2>He does, And Himesh Patel is just like, what the

0:27:27.680 --> 0:27:28.439
<v Speaker 2>hell's going on?

0:27:28.600 --> 0:27:32.639
<v Speaker 1>Oh my god, obsessed with him so good.

0:27:32.800 --> 0:27:34.440
<v Speaker 2>I didn't expect we've talked about this in a week

0:27:34.480 --> 0:27:37.040
<v Speaker 2>and watch. But he is in the movie so much

0:27:37.080 --> 0:27:39.479
<v Speaker 2>more than what I expected because I haven't seen him

0:27:39.480 --> 0:27:42.200
<v Speaker 2>in many of the press tours or the red carpets.

0:27:43.000 --> 0:27:46.960
<v Speaker 1>He's a big star. He's like another lead, way more

0:27:47.000 --> 0:27:49.399
<v Speaker 1>screen time than like and this is all fits in

0:27:49.400 --> 0:27:51.239
<v Speaker 1>the movie. But he has way more screen time than

0:27:51.240 --> 0:27:52.400
<v Speaker 1>like Zendeya exactly.

0:27:53.240 --> 0:27:53.480
<v Speaker 2>Yeah.

0:27:53.640 --> 0:27:58.280
<v Speaker 1>I think he should definitely get a supporting even if

0:27:58.280 --> 0:28:02.239
<v Speaker 1>he doesn't, because so much of his performance is just

0:28:02.240 --> 0:28:05.200
<v Speaker 1>his face acting. Yeah, and that's so hard because he's

0:28:05.320 --> 0:28:08.680
<v Speaker 1>just reacting to everything that Odysseus slash Matt Damon is doing,

0:28:08.720 --> 0:28:12.960
<v Speaker 1>and his face is getting more less trusting and more

0:28:13.000 --> 0:28:16.120
<v Speaker 1>traumatized with each island they approach.

0:28:15.960 --> 0:28:19.480
<v Speaker 2>And he is like his second in command, and he's

0:28:19.480 --> 0:28:21.280
<v Speaker 2>grown up with him and everything, so he's known him

0:28:21.320 --> 0:28:24.000
<v Speaker 2>for a very very long time. And you can slowly

0:28:24.040 --> 0:28:26.920
<v Speaker 2>see like the power shift from the men looking towards

0:28:27.000 --> 0:28:28.879
<v Speaker 2>him instead of Matt Damon.

0:28:29.080 --> 0:28:36.360
<v Speaker 1>Yep, his aus by the way, Eurylicus instead of Odysseus. Yeah,

0:28:36.520 --> 0:28:39.880
<v Speaker 1>oh thank god, right, good job. Okay, So then they

0:28:39.880 --> 0:28:41.520
<v Speaker 1>get to another island, they're like, oh my god, that

0:28:41.640 --> 0:28:47.360
<v Speaker 1>cyclop right, everything's gonna be fine. And then they're like,

0:28:47.360 --> 0:28:49.960
<v Speaker 1>oh man, that cyclops thing was crazy, but here we

0:28:50.040 --> 0:28:52.120
<v Speaker 1>will get food. And this time they do go in

0:28:52.160 --> 0:28:55.479
<v Speaker 1>a little bit more respectful. They are like they are larning.

0:28:55.960 --> 0:28:57.720
<v Speaker 1>They see a child in the woods and.

0:28:59.360 --> 0:29:01.000
<v Speaker 2>Second Island, Yeah, this is.

0:29:01.000 --> 0:29:05.840
<v Speaker 1>The Second Island. And then we they say the child like,

0:29:05.840 --> 0:29:08.760
<v Speaker 1>it's fine, don't scream. The child screams, and the next

0:29:08.760 --> 0:29:11.280
<v Speaker 1>week and then tells like, what is wrong with you?

0:29:12.120 --> 0:29:13.680
<v Speaker 1>Matt Damon's like, I think it's a child.

0:29:13.880 --> 0:29:16.880
<v Speaker 2>Yeah, so that's the child. Then who are his parents?

0:29:17.320 --> 0:29:20.000
<v Speaker 1>And then we see the parents coming through. Because this

0:29:20.120 --> 0:29:21.960
<v Speaker 1>is the Island of the Giants.

0:29:21.840 --> 0:29:23.800
<v Speaker 2>And this isn't This is what makes me go I

0:29:23.840 --> 0:29:26.920
<v Speaker 2>love practical effects. I'm CG. I could never do that.

0:29:27.240 --> 0:29:29.720
<v Speaker 1>It's so so they're in like suits of armor, which

0:29:29.760 --> 0:29:31.920
<v Speaker 1>again is an interpretation I've never seen them in before,

0:29:31.920 --> 0:29:34.160
<v Speaker 1>but it kind of works for the movie. They are

0:29:34.960 --> 0:29:38.360
<v Speaker 1>men eating flesh eating giants, and they see Odysseas in

0:29:38.400 --> 0:29:41.720
<v Speaker 1>his crew and they just viciously charge at them and

0:29:41.840 --> 0:29:44.320
<v Speaker 1>start ripping them apart. And there's that really iconic shot

0:29:44.360 --> 0:29:46.040
<v Speaker 1>that was used for a lot of the posters where

0:29:46.080 --> 0:29:48.360
<v Speaker 1>you see Odysseus like grab his sword and put his

0:29:48.480 --> 0:29:50.720
<v Speaker 1>arm up and one of the giants chases towards him,

0:29:50.920 --> 0:29:54.480
<v Speaker 1>and you're right, that's not cgi. That's Matt Damon's stunt

0:29:54.480 --> 0:29:56.600
<v Speaker 1>double in that shot with the big muscly arm, who's

0:29:56.640 --> 0:29:57.840
<v Speaker 1>like a five foot two woman.

0:29:58.040 --> 0:30:00.760
<v Speaker 2>Yeah, And like all of the soldier in that scene,

0:30:00.760 --> 0:30:03.760
<v Speaker 2>we're all stunt doubles who are mainly women. I've seen

0:30:03.760 --> 0:30:05.680
<v Speaker 2>a big group photo of like all the women because

0:30:05.720 --> 0:30:09.160
<v Speaker 2>they all have like beards and stuff, and all the

0:30:09.200 --> 0:30:11.400
<v Speaker 2>giants are played by like seven foot tall men.

0:30:11.360 --> 0:30:13.560
<v Speaker 1>Are all seven foot tall men. So that shot is

0:30:13.560 --> 0:30:16.240
<v Speaker 1>a five foot two woman playing Matt Damon and then

0:30:16.640 --> 0:30:19.520
<v Speaker 1>the yeah, the giant is a seven foot tall man

0:30:19.840 --> 0:30:20.960
<v Speaker 1>just in his normal.

0:30:22.120 --> 0:30:26.120
<v Speaker 2>Yeah, And watching it the second time after I knew

0:30:26.160 --> 0:30:29.000
<v Speaker 2>this fact was just so brilliant, Like the camera work

0:30:29.040 --> 0:30:31.720
<v Speaker 2>for that scene is brilliant because Matt Damon and the

0:30:31.800 --> 0:30:34.480
<v Speaker 2>men they're like are only in the close ups, and

0:30:34.520 --> 0:30:36.920
<v Speaker 2>then in the fire away shot you can, like, I

0:30:36.920 --> 0:30:39.120
<v Speaker 2>guess if you're really looking for it, obviously, when we're

0:30:39.120 --> 0:30:41.000
<v Speaker 2>able to tell right off the bat, but you can

0:30:41.080 --> 0:30:43.920
<v Speaker 2>see when the stunt doubles come in and they're like,

0:30:44.360 --> 0:30:47.000
<v Speaker 2>I think the artistry they do in the choreography of

0:30:47.120 --> 0:30:50.600
<v Speaker 2>the like killings and the fire is just brilliant in

0:30:50.600 --> 0:30:53.640
<v Speaker 2>that scene. And then the forest moves and the trees

0:30:53.720 --> 0:30:57.840
<v Speaker 2>trap them. Yeah, it's like crazy and it just shows

0:30:57.880 --> 0:31:00.360
<v Speaker 2>like there's no hope in that scene, Yeah, for any

0:31:00.400 --> 0:31:00.880
<v Speaker 2>of them to win.

0:31:01.200 --> 0:31:03.840
<v Speaker 1>And you see Odysseus and his men get back onto

0:31:03.880 --> 0:31:06.800
<v Speaker 1>their boat and only just barely make it away, and

0:31:06.840 --> 0:31:09.720
<v Speaker 1>then you see the giants complete, and then there's a

0:31:09.760 --> 0:31:12.320
<v Speaker 1>scene where you just see Odysseus's faces. He watches pretty

0:31:12.400 --> 0:31:16.160
<v Speaker 1>much his entire fleet of men, his army be just

0:31:16.200 --> 0:31:17.120
<v Speaker 1>like ripped apart.

0:31:17.200 --> 0:31:20.120
<v Speaker 2>All the other boats are shredded. Yeah, his boat is

0:31:20.160 --> 0:31:21.960
<v Speaker 2>the only one that comes out. So then now they

0:31:22.200 --> 0:31:24.920
<v Speaker 2>from like going into a giant fleet back to Ithaca.

0:31:24.960 --> 0:31:27.560
<v Speaker 2>It's now just him a few of his men on

0:31:27.560 --> 0:31:28.320
<v Speaker 2>one boat.

0:31:28.200 --> 0:31:32.120
<v Speaker 1>One boat, and they are now two islands down, zero food,

0:31:32.320 --> 0:31:35.200
<v Speaker 1>zero food things. Things are not looking good for our

0:31:35.200 --> 0:31:38.120
<v Speaker 1>heroes at this stage of the game. So that then,

0:31:38.240 --> 0:31:40.080
<v Speaker 1>of course, when they get to the next island, I

0:31:40.080 --> 0:31:43.640
<v Speaker 1>think they're looking a bit islandland this time, they're a

0:31:43.640 --> 0:31:46.040
<v Speaker 1>bit like at the time, they're a bit like m

0:31:46.440 --> 0:31:52.480
<v Speaker 1>this is but they're starving, which is why Euryliculus tells Odysseus.

0:31:52.800 --> 0:31:54.840
<v Speaker 1>He's like, man, you gotta stand on the boat. Yeah,

0:31:54.920 --> 0:31:55.720
<v Speaker 1>I know you're my boss.

0:31:55.760 --> 0:31:56.440
<v Speaker 2>We don't trust you.

0:31:56.640 --> 0:31:58.160
<v Speaker 1>He's like, I know you're my boss, and we've grown

0:31:58.240 --> 0:32:01.520
<v Speaker 1>up together and you're the King Vika, but you have

0:32:02.440 --> 0:32:05.600
<v Speaker 1>terrible plans. Mind the boat, you mind the boat. You

0:32:06.240 --> 0:32:07.480
<v Speaker 1>your job is to guard the boat.

0:32:07.560 --> 0:32:10.000
<v Speaker 2>Yeah. They've got a lot of inspiration from prior to

0:32:10.000 --> 0:32:10.520
<v Speaker 2>the Caribbean.

0:32:11.200 --> 0:32:14.920
<v Speaker 1>I think. Yeah, in some ways the Odyssey is.

0:32:15.640 --> 0:32:20.400
<v Speaker 2>Betel Is like Jack Sparrow. Yeah, and my damon is

0:32:20.760 --> 0:32:22.400
<v Speaker 2>Willy Land of Bloom.

0:32:22.560 --> 0:32:26.280
<v Speaker 1>Okay, I see it. So yeah, that Leva just hears

0:32:26.280 --> 0:32:27.920
<v Speaker 1>to guard the boat because he can't be trusted, literally

0:32:28.040 --> 0:32:30.719
<v Speaker 1>stays to do anything, and they're already just trusting him.

0:32:30.720 --> 0:32:32.239
<v Speaker 1>I'm like, guys, we have so much more movie to go.

0:32:32.400 --> 0:32:34.040
<v Speaker 1>Things are only going to get worse for you guys,

0:32:34.560 --> 0:32:38.400
<v Speaker 1>And they do. They do get worse. We're coming to

0:32:38.480 --> 0:32:40.480
<v Speaker 1>my second favorite scene of the movie. No, my second

0:32:40.480 --> 0:32:42.360
<v Speaker 1>favorite scene of all. Like, I have three favorite scenes,

0:32:42.360 --> 0:32:44.480
<v Speaker 1>and this is one of the three. The other one

0:32:44.520 --> 0:32:49.480
<v Speaker 1>was ply famous. My guy. They get to this island

0:32:49.520 --> 0:32:52.200
<v Speaker 1>and there's it's shot so differently from the other two.

0:32:52.720 --> 0:32:56.760
<v Speaker 1>There's an eeriness to it. It's it's hazy, like you

0:32:56.760 --> 0:32:58.760
<v Speaker 1>can't really get a lock on it. The camera's moving.

0:32:58.680 --> 0:33:01.560
<v Speaker 2>It very like just it's just stay safe.

0:33:01.440 --> 0:33:04.360
<v Speaker 1>Very safe. But also I know I felt claustrophobic in

0:33:04.360 --> 0:33:06.200
<v Speaker 1>that scene, like even though it's a big open island,

0:33:06.280 --> 0:33:09.200
<v Speaker 1>I was just like, this is something, something's wrong here.

0:33:09.640 --> 0:33:11.520
<v Speaker 1>That's when you know Witchcraft.

0:33:11.200 --> 0:33:14.080
<v Speaker 2>Exactly, because they're walking up to they see so the

0:33:14.200 --> 0:33:16.000
<v Speaker 2>reason they stop at the island is because they see

0:33:16.040 --> 0:33:18.760
<v Speaker 2>is like smoke coming out, so like, oh, there's civilization.

0:33:18.880 --> 0:33:19.560
<v Speaker 1>Someone's cooking.

0:33:19.640 --> 0:33:21.200
<v Speaker 2>And then they stop at the island, they see it's

0:33:21.240 --> 0:33:23.960
<v Speaker 2>just one house. It has smoke coming out. Someone's living there,

0:33:24.000 --> 0:33:28.640
<v Speaker 2>someone's cooking there. So the men walk up there. Ossy

0:33:28.760 --> 0:33:31.400
<v Speaker 2>is like, whatever, I'm going to find food for you guys,

0:33:31.440 --> 0:33:32.960
<v Speaker 2>because I know you guys won't find it, and he

0:33:33.040 --> 0:33:36.640
<v Speaker 2>goes hunting with his well, i'll show you. As they're

0:33:36.640 --> 0:33:40.720
<v Speaker 2>walking towards a house, they see some exotic wildlife.

0:33:40.040 --> 0:33:43.080
<v Speaker 1>And the wildlife is not acting like wildlife. There's humanity

0:33:43.120 --> 0:33:46.840
<v Speaker 1>behind their eyes, but very much like there's a warning

0:33:46.880 --> 0:33:49.680
<v Speaker 1>in their eyes, a mominous warning. They're watching the men

0:33:49.760 --> 0:33:52.040
<v Speaker 1>go past is like a full lion and a tiger

0:33:52.080 --> 0:33:54.160
<v Speaker 1>and things, and they just like, not like attacking the men,

0:33:54.200 --> 0:33:57.240
<v Speaker 1>they're just watching them go. And the men approach this

0:33:57.360 --> 0:34:00.800
<v Speaker 1>little hut on top of the mountain and they come

0:34:00.840 --> 0:34:03.760
<v Speaker 1>across a woman who was initially quite terrified of them

0:34:03.800 --> 0:34:06.800
<v Speaker 1>and begs them not to hurt her. Yeah, and also fair.

0:34:07.720 --> 0:34:10.200
<v Speaker 2>Fair. If I was a woman and there, I'd be like, yep,

0:34:10.320 --> 0:34:12.560
<v Speaker 2>this is my time. Yeah, I'm done, I'm done. I

0:34:12.560 --> 0:34:13.200
<v Speaker 2>guess I'll die.

0:34:13.280 --> 0:34:15.239
<v Speaker 1>A group of men approaching you, a group of men

0:34:15.320 --> 0:34:18.239
<v Speaker 1>in armor, yeah, but just a group of a group

0:34:18.280 --> 0:34:22.080
<v Speaker 1>of brewers together approaching you in ancient Greek times dangerous

0:34:22.360 --> 0:34:26.239
<v Speaker 1>and in prison times also dangerous public, private, It's a

0:34:26.239 --> 0:34:27.280
<v Speaker 1>bad sign, no matter.

0:34:27.120 --> 0:34:30.160
<v Speaker 2>What world you're living in. So she's obviously terrified.

0:34:30.320 --> 0:34:32.279
<v Speaker 1>And then you're really close to our guy, who's now

0:34:32.320 --> 0:34:33.960
<v Speaker 1>the leader, is like, we're not going to hurt you,

0:34:34.360 --> 0:34:35.360
<v Speaker 1>but we are quite hungry.

0:34:35.400 --> 0:34:37.160
<v Speaker 2>We just want to eat, and she's like, I have food,

0:34:38.080 --> 0:34:38.759
<v Speaker 2>and boy does she?

0:34:38.920 --> 0:34:41.440
<v Speaker 1>And does she? Because oh my god, I love this

0:34:41.600 --> 0:34:43.960
<v Speaker 1>scene so much, like it made my skin crawl.

0:34:44.160 --> 0:34:47.680
<v Speaker 2>So she serves them. There's like soup that didn't look great,

0:34:47.680 --> 0:34:51.319
<v Speaker 2>but I guess if you're starving, then they look very good.

0:34:51.400 --> 0:34:52.799
<v Speaker 1>We're like, do you have something else?

0:34:52.880 --> 0:34:55.560
<v Speaker 2>I'm an Emily Wilson. I agree with the food look terrrible.

0:34:56.480 --> 0:34:59.120
<v Speaker 1>I don't think it's meant to look like overly appetizing.

0:34:59.239 --> 0:35:01.120
<v Speaker 2>Yeah, live on the island by herself.

0:35:01.200 --> 0:35:03.239
<v Speaker 1>Yeah, it's like a fresh stew that she pulls into

0:35:03.280 --> 0:35:05.440
<v Speaker 1>the bowls. They sit on the table and they start eating,

0:35:05.520 --> 0:35:07.279
<v Speaker 1>and all of a sudden they become like in this

0:35:07.400 --> 0:35:09.000
<v Speaker 1>trance where they're like shoveling their fead.

0:35:09.040 --> 0:35:11.799
<v Speaker 2>They're like aggressively eating. They're choking on their food, but

0:35:11.800 --> 0:35:15.440
<v Speaker 2>they can't stop eating. And then she kind of starts

0:35:16.560 --> 0:35:22.960
<v Speaker 2>touching their faces, deforming them, making them turn into mythical

0:35:23.000 --> 0:35:24.960
<v Speaker 2>beings which end up being pigs.

0:35:25.719 --> 0:35:30.359
<v Speaker 1>It's such an incredible, unsettling scene of body horror, which

0:35:30.440 --> 0:35:31.319
<v Speaker 1>is so different to all.

0:35:31.320 --> 0:35:33.279
<v Speaker 2>Yeah, the camera did not pull away from.

0:35:32.880 --> 0:35:34.600
<v Speaker 1>Them, No, and so different to a lot of just

0:35:34.640 --> 0:35:38.160
<v Speaker 1>like the more kind of straightforward like violence deaths, stabbing,

0:35:38.239 --> 0:35:40.360
<v Speaker 1>being ripped apart that we've seen all the other scenes.

0:35:40.719 --> 0:35:45.200
<v Speaker 1>But this is such a kind of slow, grotesque, unsettling

0:35:45.239 --> 0:35:49.360
<v Speaker 1>moment that it feels more brutal than the battle scenes. Yeah,

0:35:49.400 --> 0:35:51.560
<v Speaker 1>when you're watching it, because you see her like pull

0:35:51.600 --> 0:35:54.200
<v Speaker 1>at their faces and push their jaws in and they're

0:35:54.239 --> 0:35:55.919
<v Speaker 1>feeling it, like they don't in a trance or anything.

0:35:55.960 --> 0:35:57.719
<v Speaker 1>They can they can't move, but they can feel the

0:35:57.760 --> 0:36:00.720
<v Speaker 1>pain of this. So this is Circey.

0:36:00.920 --> 0:36:01.880
<v Speaker 2>We find out.

0:36:02.280 --> 0:36:04.560
<v Speaker 1>A I mean, there's a lot of different interpretations of her,

0:36:04.640 --> 0:36:07.560
<v Speaker 1>but she's both a goddess and like a witch.

0:36:07.600 --> 0:36:09.840
<v Speaker 2>And yeah, they call her a witch because I am

0:36:09.920 --> 0:36:12.320
<v Speaker 2>scared of her, and they should be. But she is

0:36:12.360 --> 0:36:14.920
<v Speaker 2>a goddess, like she understands what's happening, Like she knows

0:36:14.960 --> 0:36:17.440
<v Speaker 2>who they are, she knows what's happened at the walls.

0:36:17.760 --> 0:36:20.480
<v Speaker 2>She knows like what their futures entail.

0:36:20.520 --> 0:36:22.920
<v Speaker 1>And so she turns them into pigs, which is a

0:36:23.000 --> 0:36:24.279
<v Speaker 1>childhood fear of mine.

0:36:24.239 --> 0:36:25.279
<v Speaker 2>Being turned into a pig.

0:36:25.400 --> 0:36:28.439
<v Speaker 1>Yeah, have you not seen the movie Willow? Oh my god,

0:36:28.440 --> 0:36:32.200
<v Speaker 1>It's one of my favorite favorite movies of all time.

0:36:32.719 --> 0:36:34.439
<v Speaker 1>It's kind of into your family movie, but I watched

0:36:34.440 --> 0:36:36.440
<v Speaker 1>as a kid. There's it's pretty traumatent, but I love

0:36:36.440 --> 0:36:38.840
<v Speaker 1>it so much. It's a it's a fantasy movie. Like

0:36:38.840 --> 0:36:41.200
<v Speaker 1>I've got a list of movies and I'm watching again

0:36:41.239 --> 0:36:43.680
<v Speaker 1>now after the I mean I've seen a million times,

0:36:43.719 --> 0:36:46.680
<v Speaker 1>but I watched the eighties Clash of the Titans the

0:36:46.719 --> 0:36:48.759
<v Speaker 1>other day, and that holds up so well. And I

0:36:48.800 --> 0:36:51.680
<v Speaker 1>watched Jason and the Argonauts. That holds up so well.

0:36:51.760 --> 0:36:54.720
<v Speaker 1>Oh my god, you would love it the like again,

0:36:54.880 --> 0:36:58.080
<v Speaker 1>all practical effects so incredible. And I've got to rewatch

0:36:58.120 --> 0:37:02.040
<v Speaker 1>Willow And there's a scene in that where an evil

0:37:02.040 --> 0:37:05.480
<v Speaker 1>witch turns an entire army into pigs and it's really

0:37:05.840 --> 0:37:11.719
<v Speaker 1>including val Kilma, who's like the hero. Yeah, and it's

0:37:11.880 --> 0:37:14.000
<v Speaker 1>really grotesque. And as a kid, I would always run

0:37:14.000 --> 0:37:16.080
<v Speaker 1>away and hide for that scene and like one of

0:37:16.080 --> 0:37:17.680
<v Speaker 1>my sisters or brother would call me back when it

0:37:17.719 --> 0:37:21.239
<v Speaker 1>was it still happen. So in the movie, when I

0:37:21.239 --> 0:37:22.880
<v Speaker 1>was seeing Next to You and Teena, I was like, no,

0:37:23.280 --> 0:37:25.360
<v Speaker 1>what's happening again? Like I knew this was going to

0:37:25.440 --> 0:37:27.400
<v Speaker 1>happen again to me at some stage in my life.

0:37:27.760 --> 0:37:29.600
<v Speaker 1>So she turns into pigs and then puts it out

0:37:29.640 --> 0:37:31.720
<v Speaker 1>the pig yard and that's where they'll stay, yeah, forever,

0:37:31.920 --> 0:37:35.520
<v Speaker 1>until Odysseus realizes that something is afoot and he tracks

0:37:35.600 --> 0:37:36.520
<v Speaker 1>up to the little cottage.

0:37:37.000 --> 0:37:40.560
<v Speaker 2>He comes to the cottage, and he's automatically suspicious because

0:37:40.560 --> 0:37:43.080
<v Speaker 2>he's kind of seeing all the and for some reasons.

0:37:43.160 --> 0:37:46.120
<v Speaker 1>Suspicious is like an eerie island. All these exotic animals

0:37:46.120 --> 0:37:47.680
<v Speaker 1>are walking past him, being like go away.

0:37:47.840 --> 0:37:51.560
<v Speaker 2>Oh, but he kind of knows because he killed a deer. Yeah,

0:37:51.600 --> 0:37:54.640
<v Speaker 2>and when he went to get the deer turned into

0:37:54.680 --> 0:37:55.120
<v Speaker 2>a man.

0:37:55.160 --> 0:37:56.360
<v Speaker 1>To a man who would also wrongs.

0:37:56.680 --> 0:37:58.640
<v Speaker 2>And then he was just like, oh, no, no, I

0:37:58.680 --> 0:37:59.839
<v Speaker 2>know what those boys are.

0:38:00.200 --> 0:38:01.919
<v Speaker 1>Like, those crazy kids. What have they done? Now?

0:38:01.960 --> 0:38:03.960
<v Speaker 2>So he as he's walking up and then they're like

0:38:04.040 --> 0:38:06.480
<v Speaker 2>exotic animals for some reason when they see him, they're

0:38:06.480 --> 0:38:08.239
<v Speaker 2>more vocal than we'll like, stay back.

0:38:08.400 --> 0:38:10.160
<v Speaker 1>I think they're trying to tell him, like she's already

0:38:10.160 --> 0:38:12.480
<v Speaker 1>turned your men into pigs, like running.

0:38:12.360 --> 0:38:15.359
<v Speaker 2>Run, bro, But he does it. He goes in, and

0:38:15.400 --> 0:38:18.040
<v Speaker 2>he also sees like all the armor laid out in

0:38:18.080 --> 0:38:21.600
<v Speaker 2>the back. He goes in, he sits down, She offers

0:38:21.680 --> 0:38:25.200
<v Speaker 2>him a meal. He looks suspiciously at the ball and

0:38:25.280 --> 0:38:28.000
<v Speaker 2>just starts talking to her, and by like she's got

0:38:28.040 --> 0:38:32.440
<v Speaker 2>the crow that's next to her that starts crowing crowing

0:38:32.480 --> 0:38:35.120
<v Speaker 2>at him. And then the pigs are like banging on

0:38:35.160 --> 0:38:38.440
<v Speaker 2>the doors. Are they're trying to say, cute brother, it

0:38:38.480 --> 0:38:42.920
<v Speaker 2>is brotherhood. And then he just immediately knows he knows

0:38:42.960 --> 0:38:45.320
<v Speaker 2>that they are pigs, and he grabs the crow.

0:38:46.920 --> 0:38:49.399
<v Speaker 1>And he's like, is this your sister? I mean sure,

0:38:49.800 --> 0:38:52.680
<v Speaker 1>she's yes, we get we get on better this way

0:38:52.840 --> 0:38:53.879
<v Speaker 1>everyone who's got a sister.

0:38:55.400 --> 0:38:56.799
<v Speaker 2>I think I'm pretty sure. I sent that to my

0:38:56.840 --> 0:38:57.480
<v Speaker 2>sister and I was.

0:38:57.440 --> 0:39:01.200
<v Speaker 1>Like, you you should be a crow. Oh and then

0:39:01.200 --> 0:39:03.200
<v Speaker 1>she's obvious and so the first time ever, she's like

0:39:03.280 --> 0:39:07.120
<v Speaker 1>quite distressed. Yeah, and he also starts to reason with her.

0:39:07.600 --> 0:39:09.880
<v Speaker 1>Here's my I have only a very few beefts with

0:39:09.960 --> 0:39:12.440
<v Speaker 1>Christopher Nolan this movie, because I do think it's incredible movie.

0:39:12.920 --> 0:39:15.560
<v Speaker 1>What has Christopher Nolan got against a little sexy time?

0:39:15.800 --> 0:39:18.279
<v Speaker 1>That's the whole reason we come to a book with her?

0:39:18.280 --> 0:39:23.840
<v Speaker 1>Oh yeah really? In the original story, he seduces Circe

0:39:24.680 --> 0:39:30.160
<v Speaker 1>and they have wild sex as a prank, no what no,

0:39:30.239 --> 0:39:32.600
<v Speaker 1>so that she'll release his bitch, but also because she's

0:39:32.600 --> 0:39:35.040
<v Speaker 1>beautiful and he wants to have sex with her, so

0:39:35.080 --> 0:39:37.839
<v Speaker 1>he seduces her, they have sex, she turns his men back.

0:39:38.239 --> 0:39:42.319
<v Speaker 1>He stays with her for a year Emily, and they

0:39:42.360 --> 0:39:46.279
<v Speaker 1>have a child together. Where was that in the book?

0:39:46.320 --> 0:39:47.719
<v Speaker 1>I mean, we can skip the child. We've already had

0:39:47.719 --> 0:39:51.320
<v Speaker 1>a little biki the start. We're fine where's the wild sex.

0:39:51.440 --> 0:39:52.200
<v Speaker 1>I wanted to see that.

0:39:52.480 --> 0:39:53.239
<v Speaker 2>Not in a weird way.

0:39:53.280 --> 0:39:55.520
<v Speaker 1>I'm just saying I've had to watch so many men

0:39:55.640 --> 0:39:58.120
<v Speaker 1>grunt and moan in this movie. What about a little

0:39:58.120 --> 0:39:58.680
<v Speaker 1>wild sex.

0:39:59.280 --> 0:40:00.000
<v Speaker 2>That's insane.

0:40:00.000 --> 0:40:03.000
<v Speaker 1>There's no sex in this movie and the story. And like,

0:40:03.080 --> 0:40:04.919
<v Speaker 1>I'm not one of those widows who was like put

0:40:04.920 --> 0:40:07.640
<v Speaker 1>sex in for no reason. But the original Texas women

0:40:07.719 --> 0:40:10.279
<v Speaker 1>in it, that's your processing, that, aren't you.

0:40:10.719 --> 0:40:14.440
<v Speaker 2>Yeah, because like they didn't even like elude journey sexy

0:40:14.480 --> 0:40:15.000
<v Speaker 2>time between.

0:40:15.080 --> 0:40:18.000
<v Speaker 1>No, well, they were completely I don't know, it's Nolan's interpretation.

0:40:18.040 --> 0:40:20.120
<v Speaker 1>They have completely changed the story, Like that's not the

0:40:20.200 --> 0:40:24.960
<v Speaker 1>story here was so mad. So I don't know why

0:40:25.120 --> 0:40:27.440
<v Speaker 1>Christopher Nolan seems to be like quite anti sex with

0:40:27.480 --> 0:40:30.400
<v Speaker 1>this particular movie. It's all in the original test. He

0:40:30.440 --> 0:40:32.279
<v Speaker 1>wouldn't have to like make things up.

0:40:32.360 --> 0:40:36.040
<v Speaker 2>Oh, he's got four kids, so he knows, he knows

0:40:36.080 --> 0:40:38.319
<v Speaker 2>how it happens. I think he was just very much

0:40:38.400 --> 0:40:42.080
<v Speaker 2>like this is action. This is about this man's story,

0:40:42.440 --> 0:40:45.360
<v Speaker 2>and these women are really like conflicting the story for me.

0:40:45.680 --> 0:40:46.759
<v Speaker 1>Yeah, maybe he was old.

0:40:46.800 --> 0:40:48.719
<v Speaker 2>That's probably why Emily Wilson was subset with it.

0:40:48.840 --> 0:40:50.160
<v Speaker 1>Well, yeah, because she was like, hey, I put the

0:40:50.200 --> 0:40:52.680
<v Speaker 1>sex in my book. Maybe also he was so obsessed

0:40:52.680 --> 0:40:55.360
<v Speaker 1>with Odysseus being like liked by the audience, and I'm like,

0:40:55.360 --> 0:40:56.920
<v Speaker 1>I would have like maybe liked him more if he'd

0:40:56.920 --> 0:40:58.720
<v Speaker 1>had a sexy year on the island with Sircy.

0:40:59.000 --> 0:41:01.480
<v Speaker 2>Yeah, but then it also would have felt like, does

0:41:01.480 --> 0:41:03.120
<v Speaker 2>he really want to get back because it's having a

0:41:03.200 --> 0:41:03.839
<v Speaker 2>really good time.

0:41:04.239 --> 0:41:05.680
<v Speaker 1>Well, I think so. They had to make him a

0:41:05.680 --> 0:41:07.680
<v Speaker 1>real wife guy in the movie. Like in the movie,

0:41:07.719 --> 0:41:10.120
<v Speaker 1>he's a real wife guy, but he's just been waiting

0:41:10.160 --> 0:41:12.480
<v Speaker 1>there by herself with a tapestry exactly. It's like they

0:41:12.480 --> 0:41:14.359
<v Speaker 1>think we're not adult enough to understand that he would

0:41:14.360 --> 0:41:16.120
<v Speaker 1>have a bit of sex along the way. Yeah, but

0:41:16.239 --> 0:41:18.479
<v Speaker 1>that is the original story. They hook up and he's

0:41:18.520 --> 0:41:20.719
<v Speaker 1>like so smitten with her. He's like, you turn my

0:41:20.719 --> 0:41:22.479
<v Speaker 1>man into pigs, but you know what, you're great in bed.

0:41:23.239 --> 0:41:24.640
<v Speaker 1>And then they have sex for like a year and

0:41:24.680 --> 0:41:26.719
<v Speaker 1>hangout and they have a baby together, and then he's like,

0:41:26.760 --> 0:41:27.480
<v Speaker 1>I do have to go home?

0:41:27.520 --> 0:41:29.359
<v Speaker 2>Wait and the men are still pigs this whole time.

0:41:29.520 --> 0:41:33.279
<v Speaker 1>No, I do from memory, they do change it back. No,

0:41:33.360 --> 0:41:35.080
<v Speaker 1>that would be the ultimate dec I.

0:41:35.000 --> 0:41:37.680
<v Speaker 2>Love it when she changes them back because she's just like,

0:41:37.719 --> 0:41:40.600
<v Speaker 2>back in your disguises. Yeah, like that is such a

0:41:40.600 --> 0:41:43.520
<v Speaker 2>good word. They already are pigs.

0:41:43.640 --> 0:41:45.000
<v Speaker 1>Yeah, something to think about.

0:41:45.160 --> 0:41:48.200
<v Speaker 2>But she changes them back and then she tells them

0:41:48.239 --> 0:41:51.560
<v Speaker 2>about like the future of his trip, and she tells

0:41:51.640 --> 0:41:53.759
<v Speaker 2>him none of your men are going to live. It's

0:41:53.800 --> 0:41:54.600
<v Speaker 2>just going to be you.

0:41:55.200 --> 0:41:55.439
<v Speaker 1>Yeah.

0:41:55.560 --> 0:41:56.520
<v Speaker 2>Poseidon's after you.

0:41:56.680 --> 0:41:58.879
<v Speaker 1>Yeah, because and she's like, you know what you did?

0:41:59.040 --> 0:42:01.560
<v Speaker 1>You get going and basically says he has to go

0:42:01.560 --> 0:42:04.040
<v Speaker 1>to Hades to find the way home. So then the

0:42:04.080 --> 0:42:06.320
<v Speaker 1>men hop back in the ship. Back in the ship,

0:42:06.960 --> 0:42:08.719
<v Speaker 1>they take off to Hades.

0:42:09.000 --> 0:42:12.359
<v Speaker 2>Yeah, where the ice water meets Bier. Yeah. I love

0:42:12.400 --> 0:42:14.640
<v Speaker 2>that Hades.

0:42:15.280 --> 0:42:21.080
<v Speaker 1>No, you don't. There's lots of different like stories of

0:42:21.120 --> 0:42:23.960
<v Speaker 1>like Greek mythology where people do go down into the underworld.

0:42:23.960 --> 0:42:25.840
<v Speaker 1>There's like ways to get down there without dying, but

0:42:25.880 --> 0:42:26.680
<v Speaker 1>you're gonna be careful.

0:42:27.160 --> 0:42:29.560
<v Speaker 2>Yeah. Yeah, they don't really go down there. They just

0:42:29.600 --> 0:42:30.360
<v Speaker 2>go to the side.

0:42:30.560 --> 0:42:34.840
<v Speaker 1>Yeah, they go. This is different, a different interpretation where

0:42:34.880 --> 0:42:37.560
<v Speaker 1>they meet Agamemnon, who they thought was at home in

0:42:37.600 --> 0:42:40.760
<v Speaker 1>his castle, chilling because he went the correct way where

0:42:40.920 --> 0:42:46.080
<v Speaker 1>he was actually killed by his wife Clytemestra. Yeah, played

0:42:46.120 --> 0:42:49.760
<v Speaker 1>by Leipita Nyongo, who is so brilliant this movie, plays

0:42:49.800 --> 0:42:51.000
<v Speaker 1>two different characters.

0:42:51.760 --> 0:42:53.160
<v Speaker 2>I wish she had more airtime.

0:42:53.320 --> 0:42:54.399
<v Speaker 1>I wish she did too.

0:42:54.719 --> 0:42:56.840
<v Speaker 2>She plays Helen La Troy so brilliantly.

0:42:57.080 --> 0:43:00.359
<v Speaker 1>Yeah, she plays sisters in this and they're both so

0:43:00.719 --> 0:43:02.640
<v Speaker 1>powerful and she's get a lot of screen time, but

0:43:02.640 --> 0:43:05.680
<v Speaker 1>she gets her point across cly Semesta is pretty upset

0:43:05.680 --> 0:43:08.760
<v Speaker 1>with Agamemnon because he sacrificed their child to the gods

0:43:08.800 --> 0:43:09.680
<v Speaker 1>to get some good wind.

0:43:09.760 --> 0:43:10.480
<v Speaker 2>Can you blame her?

0:43:10.840 --> 0:43:13.719
<v Speaker 1>Yeah? And she welcomes him home and that night in

0:43:13.760 --> 0:43:16.040
<v Speaker 1>bed she kills him dead. Girl bust moves yeah, one

0:43:16.080 --> 0:43:17.279
<v Speaker 1>hundred percent. And her sister's like.

0:43:18.440 --> 0:43:19.080
<v Speaker 2>This is like hell.

0:43:19.200 --> 0:43:22.759
<v Speaker 1>Yeah. So he meets the well, he meets a few

0:43:22.800 --> 0:43:25.000
<v Speaker 1>people dead in hades, and honestly, there should be more

0:43:25.040 --> 0:43:27.200
<v Speaker 1>because this man's got so many people killed.

0:43:27.280 --> 0:43:30.640
<v Speaker 2>So many people, like all like all the soldiers are

0:43:30.680 --> 0:43:31.799
<v Speaker 2>just there waiting for him.

0:43:32.160 --> 0:43:35.200
<v Speaker 1>Yeah, and literally every soldier he's gotten killed, which is

0:43:35.320 --> 0:43:37.040
<v Speaker 1>so many people. Haities just got all of a sudden

0:43:37.080 --> 0:43:37.920
<v Speaker 1>go just an influx.

0:43:38.320 --> 0:43:40.919
<v Speaker 2>And it's also like all the soldiers that he never buried, yeah,

0:43:41.080 --> 0:43:42.279
<v Speaker 2>never put their body to rest.

0:43:42.480 --> 0:43:43.000
<v Speaker 1>That's bad.

0:43:43.040 --> 0:43:44.520
<v Speaker 2>So they're all just like kind of like, come on, man,

0:43:44.680 --> 0:43:46.719
<v Speaker 2>we're waiting. We've been here for a really long time.

0:43:47.080 --> 0:43:49.840
<v Speaker 1>Yeah, solds are like in weird purgatory. Yeah. So he

0:43:49.880 --> 0:43:54.400
<v Speaker 1>meets Agamemnon, who tells him to be careful when he returns.

0:43:54.120 --> 0:43:57.480
<v Speaker 2>And also Agamemnon's wearing his whole like soldier getther. Yeah.

0:43:57.600 --> 0:44:00.560
<v Speaker 2>I'm like, you didn't even die in it? You die?

0:44:00.640 --> 0:44:02.400
<v Speaker 1>Maake it? Did you put that on the way to hates?

0:44:02.400 --> 0:44:04.520
<v Speaker 2>And I was like, we know you like it? You

0:44:05.040 --> 0:44:07.520
<v Speaker 2>say in it. He's like, if I'm gonna go, I'm

0:44:07.560 --> 0:44:09.920
<v Speaker 2>going with my helmet. The people who are on an

0:44:09.920 --> 0:44:10.960
<v Speaker 2>imax can't see.

0:44:12.280 --> 0:44:13.759
<v Speaker 1>When you go to the underwater. He's like, let me

0:44:13.840 --> 0:44:14.400
<v Speaker 1>change my outfit.

0:44:14.719 --> 0:44:16.680
<v Speaker 2>Yea, I need a mug, these fools.

0:44:16.719 --> 0:44:18.480
<v Speaker 1>Do you ever think about that? Like that's the whole

0:44:18.480 --> 0:44:20.319
<v Speaker 1>thing if you die and you become a ghost, Like

0:44:20.360 --> 0:44:22.400
<v Speaker 1>what you're in is what you wear forever. Yeah, do

0:44:22.440 --> 0:44:24.200
<v Speaker 1>you ever think about that? There's two things I think

0:44:24.239 --> 0:44:26.880
<v Speaker 1>about getting dressed. Is it okay to be my ghost outfit?

0:44:27.360 --> 0:44:29.640
<v Speaker 1>Something to think about? Am I okay? This is my

0:44:29.719 --> 0:44:32.960
<v Speaker 1>marine comfy outfit today because getting on a plane tonight,

0:44:33.400 --> 0:44:38.200
<v Speaker 1>my ghost outfit's got to be comfy. That's crazy. So

0:44:38.320 --> 0:44:39.840
<v Speaker 1>one you've got to think about is this my ghost

0:44:39.840 --> 0:44:42.680
<v Speaker 1>outfit too? If I get pulled into another dimension and

0:44:42.760 --> 0:44:45.120
<v Speaker 1>all world and I have to go on a quest,

0:44:45.320 --> 0:44:47.080
<v Speaker 1>will this be comfortable? Because you know, like in things

0:44:47.160 --> 0:44:49.000
<v Speaker 1>like like the Nannia books and stuff, you just get

0:44:49.080 --> 0:44:51.239
<v Speaker 1>ripped out of your world into another world and you've

0:44:51.239 --> 0:44:52.000
<v Speaker 1>got to go on a quest.

0:44:52.080 --> 0:44:52.480
<v Speaker 2>Yeah, that's it.

0:44:52.560 --> 0:44:53.439
<v Speaker 1>You don't get time to change.

0:44:53.440 --> 0:44:55.359
<v Speaker 2>That's so true. I would say no to the quest.

0:44:55.400 --> 0:44:56.680
<v Speaker 1>Can you ever say no to a No?

0:44:56.800 --> 0:44:57.640
<v Speaker 2>I would just sit down.

0:44:59.120 --> 0:45:02.080
<v Speaker 1>That's how you die. But I'm already dead. No, no

0:45:02.160 --> 0:45:03.959
<v Speaker 1>a quest and dying of two different things.

0:45:03.960 --> 0:45:05.319
<v Speaker 2>Okay, I'll die.

0:45:05.400 --> 0:45:06.440
<v Speaker 1>You need to read more fantasy.

0:45:06.480 --> 0:45:08.040
<v Speaker 2>I say, I say yes to death. Note of that.

0:45:08.239 --> 0:45:10.279
<v Speaker 1>But you're in a good if you got pulled into

0:45:10.320 --> 0:45:12.000
<v Speaker 1>another world right now? Yet to go on a question?

0:45:12.040 --> 0:45:14.879
<v Speaker 2>Yeah, sneak is. I'm not a quest girl. I don't

0:45:14.920 --> 0:45:15.320
<v Speaker 2>like walking.

0:45:16.000 --> 0:45:18.680
<v Speaker 1>Oh my god, quests famously have a water so much.

0:45:18.560 --> 0:45:20.759
<v Speaker 2>Walking, so much terran It's like not even like a

0:45:20.840 --> 0:45:23.040
<v Speaker 2>nice concrete road. It's always like rocky hills.

0:45:23.080 --> 0:45:24.840
<v Speaker 1>It's always upper hill through that.

0:45:25.120 --> 0:45:27.160
<v Speaker 2>I could never be those soldiers, even walking up to

0:45:27.160 --> 0:45:29.000
<v Speaker 2>Circey's house will be like, no, you guys go, I

0:45:29.040 --> 0:45:30.880
<v Speaker 2>can't do it. You guys take it. And that's how

0:45:30.880 --> 0:45:31.520
<v Speaker 2>I stay alive.

0:45:32.080 --> 0:45:34.120
<v Speaker 1>How funny for at the end they're like only Odysseus

0:45:34.200 --> 0:45:36.400
<v Speaker 1>lily like and me, I'm still on the boat. I

0:45:36.480 --> 0:45:37.319
<v Speaker 1>never leave that boat.

0:45:37.320 --> 0:45:39.120
<v Speaker 2>You'll never find catch me leaving that boat and.

0:45:39.640 --> 0:45:42.600
<v Speaker 1>Rare, like if I don't like to walk. So I

0:45:42.640 --> 0:45:45.000
<v Speaker 1>didn't see one island and I lived here. I lived.

0:45:45.719 --> 0:45:49.080
<v Speaker 2>Oh, let's be off with you. Yeah, I'd rock that

0:45:49.120 --> 0:45:54.759
<v Speaker 2>world at Troy, I'm like, I'll stay in the horse.

0:45:57.080 --> 0:45:59.800
<v Speaker 1>The boat, stay the horse, stay in the castle, nervally,

0:46:01.640 --> 0:46:04.759
<v Speaker 1>no question. Well, you would be the most boring hero.

0:46:06.600 --> 0:46:08.680
<v Speaker 1>Your story would be forgotten because the whole time it's

0:46:08.760 --> 0:46:11.280
<v Speaker 1>like it's okay if I die a terrible death, because

0:46:11.320 --> 0:46:14.560
<v Speaker 1>my name will be remembered. And like if we take

0:46:14.600 --> 0:46:17.160
<v Speaker 1>these stories as facts, which they're not, but like the

0:46:17.239 --> 0:46:19.720
<v Speaker 1>names of these men get remembered, no one's remembering your story.

0:46:20.200 --> 0:46:22.080
<v Speaker 1>Emily got on the boat, she never got the boat.

0:46:22.200 --> 0:46:24.239
<v Speaker 2>I'd be like one of those beggars who come to

0:46:24.280 --> 0:46:26.280
<v Speaker 2>Ithaca and just like stays on the steps.

0:46:26.360 --> 0:46:29.480
<v Speaker 1>Yeah, where the dog is outside. That would be just

0:46:29.520 --> 0:46:30.040
<v Speaker 1>stay there.

0:46:30.680 --> 0:46:32.400
<v Speaker 2>Well, guys, that's where we.

0:46:32.400 --> 0:46:33.319
<v Speaker 1>Have to end it.

0:46:33.520 --> 0:46:35.839
<v Speaker 2>I know, I know, I know you want to hear more,

0:46:35.840 --> 0:46:38.440
<v Speaker 2>but don't worry. We have our Part two coming. Don't forget.

0:46:38.800 --> 0:46:41.000
<v Speaker 2>It's so good, it's so funny. We just wanted to

0:46:41.000 --> 0:46:44.160
<v Speaker 2>do the whole movie, wanted to include everything, so we

0:46:44.200 --> 0:46:47.000
<v Speaker 2>will have part two with you shortly. Thank you so

0:46:47.120 --> 0:46:49.360
<v Speaker 2>much for listening. Do not forget. We'll be back in

0:46:49.440 --> 0:46:52.600
<v Speaker 2>your feed early Monday morning. We will see you next week.

0:46:52.800 --> 0:46:53.600
<v Speaker 2>Bye bye,