WEBVTT - The Salt Path Scandal That Blew Up

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<v Speaker 1>You're listening to Amma Mia podcast.

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<v Speaker 2>Muma Mia acknowledges the traditional owners of land and waters

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<v Speaker 2>that this podcast is recorded on.

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<v Speaker 3>Welcome to mummya out loud where women come to debrief.

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<v Speaker 3>I am Jessie Stevens, I'm mea Friedman, and I'm m

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<v Speaker 3>van Em And here's what's on our agenda for today, Friday,

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<v Speaker 3>the eighteenth of July. We couldn't wait until hollywoods back.

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<v Speaker 3>We tried, We really tried, but we desperately need to

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<v Speaker 3>unpack the Salt Path memoir controversy. I have gone so deep,

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<v Speaker 3>my friends.

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<v Speaker 1>I have spent I reckon around twenty hours watching two

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<v Speaker 1>shows last weekend. I was in binge mode and they

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<v Speaker 1>are my recommendations. Plus we have two bits of podcast news.

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<v Speaker 2>And therapy speak, mental health challenges and identity. Does anyone

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<v Speaker 2>simply have a personality anymore?

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<v Speaker 1>But first, in case you missed it, a couple in

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<v Speaker 1>Taiwan have caused a bit of a stir by hiring

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<v Speaker 1>pole dancers to perform outside their son's high school graduation

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<v Speaker 1>ceremony last month. The event took place in mid June,

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<v Speaker 1>just as students were emerging from the junior high school.

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<v Speaker 1>Two female dancers began their routine on the street, and

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<v Speaker 1>then this is very impressive. They moved onto the roofs

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<v Speaker 1>of some SUVs that were rigged with poles for a

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<v Speaker 1>full whole performance. The crowd was full of fairly shocked students,

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<v Speaker 1>confused parents, and many many phones that were filming. The

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<v Speaker 1>star of the show was the graduating student himself, who

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<v Speaker 1>looked suitably mortified. I reckon he would have been about

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<v Speaker 1>hard to say, maybe fourteen or so.

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<v Speaker 2>I heard that he was also pulled into it a

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<v Speaker 2>little bit between.

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<v Speaker 1>It gets better because the star of the show was

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<v Speaker 1>really his mum. She was not only unapologetic, but she

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<v Speaker 1>choreographed the routine, and she said she wanted an unforgettable

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<v Speaker 1>gift for her son, and she said a friend paid

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<v Speaker 1>for a and she wanted it to be a more

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<v Speaker 1>creative idea than some of the other parents' gifts for

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<v Speaker 1>their kids. And it was it certainly what the police

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<v Speaker 1>were called because the crowd gathered and if they're not

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<v Speaker 1>have a permit, there was backlash. She'll be shocked to

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<v Speaker 1>hear a school official said, we will be encouraging more

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<v Speaker 1>rational celebrations moving forward.

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<v Speaker 2>This is what happens when you give parents creative freedom

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<v Speaker 2>to impress the other parents, because that's literally what she

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<v Speaker 2>was doing, right. She was like, all these other parents

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<v Speaker 2>get to do something fun for their kid. What's something

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<v Speaker 2>I can do that shows my skills? And I did

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<v Speaker 2>see a video of the dance. I didn't see the

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<v Speaker 2>actual pole dancing, but I saw the dance. It's quite impressive,

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<v Speaker 2>was it. Yeah, this isn't actually the first pole dancing

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<v Speaker 2>incident in China. There was a kindergarten where a principal

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<v Speaker 2>invited dancers to perform at the opening ceremony.

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<v Speaker 3>Do you think she didn't know that they were sexy dancers?

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<v Speaker 3>And maybe he thought that it was kind of a

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<v Speaker 3>kind of legal.

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<v Speaker 1>Pulled out, aren't. I mean sometimes Stupa's pole dance, But

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<v Speaker 1>also there are people who pole dance for sport. I've

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<v Speaker 1>done pole dancing classes. It's really hard. I think it

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<v Speaker 1>was maybe not quite an Olympic sport, but I think

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<v Speaker 1>it was, you know, it's a competitive sport.

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<v Speaker 3>I think that we should all light a candle for

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<v Speaker 3>the pole dancer in this situation, or any kind of

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<v Speaker 3>exotic dancer who is hired to do a job by people,

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<v Speaker 3>but the person that it's four hasn't actually opted in.

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<v Speaker 3>Can you imagine sexily dancing to someone who's clearly deeply

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<v Speaker 3>uncomfortable and doesn't want to be there. I think that

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<v Speaker 3>often about Bucks parties. Yeah, when they go, oh, we're

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<v Speaker 3>going to send you, and then you turn up as

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<v Speaker 3>a worker who's like a really good dancer and he's

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<v Speaker 3>very good at what you do, and you're there and

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<v Speaker 3>you're like, I don't reckon, he's that into it.

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<v Speaker 2>You're there for that one best man you really really wanted.

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<v Speaker 3>It who wanted it a little too much.

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<v Speaker 1>In the eighties, people used to send each other gorilla

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<v Speaker 1>grams as a prank. What's that like? It was someone

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<v Speaker 1>would turn up in a gorilla suit, usually to your

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<v Speaker 1>place of business and do I don't know what they

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<v Speaker 1>would actually do.

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<v Speaker 2>This is an actual thing.

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<v Speaker 1>Yeah, gorilla grams. They were really big in the eighties,

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<v Speaker 1>and they would I guess dance. I suppose that it

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<v Speaker 1>wouldn't wasn't sexual, but it was just kind of what

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<v Speaker 1>was that person signed were designed to. It's like hiring

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<v Speaker 1>someone a surprise strooper, but without taking their clothes off there,

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<v Speaker 1>which is just fur I.

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<v Speaker 3>Want to hire you a gorilla for your birthday? Who

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<v Speaker 3>sings you Happy birthday and.

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<v Speaker 2>I want the gorilla to also pole dance.

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<v Speaker 3>Oh yes, no, Maya would love that to.

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<v Speaker 1>Actually like that?

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<v Speaker 2>Is it true that nobody has a personality anymore? This week,

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<v Speaker 2>freelance writer and author of Girls Newsletter Freyer India published

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<v Speaker 2>a subtec post titled Nobody has a personality Anymore. In

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<v Speaker 2>the piece, she explains how therapy speak and self diagnosis

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<v Speaker 2>have taken over how we talk about ourselves and our relationships,

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<v Speaker 2>turning every quirk, feeling, or decision into a symptom to

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<v Speaker 2>be analyzed, and in trying to explain everything through a

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<v Speaker 2>psychological framework, we've lost language, personality, mystery, and soul In it,

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<v Speaker 2>she says, we have lost the sentimental ways we use

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<v Speaker 2>to describe people. Not because you are lovably forgetful, not

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<v Speaker 2>because you are scattered and interesting and secretly loved for

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<v Speaker 2>never arriving on time, but because of ADHD.

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<v Speaker 1>But maybe you're also late, just because you're useless or selfie, sure,

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<v Speaker 1>all of those kinds of things.

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<v Speaker 2>Maybe maybe, But also you are shy and stare at

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<v Speaker 2>your feet when people talk to you, not because you

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<v Speaker 2>are your mother's child, not because you are gentle and sweet,

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<v Speaker 2>and blush the same way she does. But autism you

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<v Speaker 2>are the way you are, not because you have a soul,

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<v Speaker 2>but because of your symptoms and diagnosis. Every heartfelt, annoying,

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<v Speaker 2>interesting piece of you categorized the fond way your family

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<v Speaker 2>describe you medicalized. The pieces of us once written into

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<v Speaker 2>wedding vows read out and eulogies remembered with the smile,

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<v Speaker 2>now live on doctor's notes and mental health assessments and

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<v Speaker 2>better help applications. We are not people anymore. We have

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<v Speaker 2>been products for a long time, and these are our labels.

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<v Speaker 3>I think this is hyperbolic. You can be someone with

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<v Speaker 3>quirks and very specific characteristics, and you can also have

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<v Speaker 3>an autism diagnosis like both of those things can be true.

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<v Speaker 3>And if you do go to a wedding or a funeral,

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<v Speaker 3>you'll notice that it is not a list of labels.

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<v Speaker 3>The way that we remember people or characterize people are

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<v Speaker 3>by their contradictions. That is how it happens. But as

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<v Speaker 3>with a lot of writing, I think that this writer

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<v Speaker 3>is reflecting to a phenomenon that's occurring on the Internet.

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<v Speaker 3>And there is such a difference between therapy speak and

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<v Speaker 3>therapy culture and sitting down with a psychologist. They're actually

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<v Speaker 3>two completely different things. And if you sit down with

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<v Speaker 3>a psychologist, they actually aren't trying to label you, and

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<v Speaker 3>they're not trying to position every relationship you have as

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<v Speaker 3>codependent or an attachment disorder or blah blah blah. They're

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<v Speaker 3>trying to see your personality as this complex and always

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<v Speaker 3>evolving thing. And what psychologists also will focus on and

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<v Speaker 3>have you be more open to, is that personality is

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<v Speaker 3>ever changing. Like that's maybe something that I have felt

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<v Speaker 3>a little bit shift, is that the way that we're

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<v Speaker 3>starting to talk about personality is as though it is

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<v Speaker 3>set in stone and it doesn't evolve, but it's always changing.

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<v Speaker 3>Of course it is. And that's why I realized reading

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<v Speaker 3>this article that she put words around why I love

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<v Speaker 3>fiction so much, and the reason I love reading fiction

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<v Speaker 3>is because there is no character that has ADHD full stop.

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<v Speaker 3>That's the end of their story. It is the contradictions

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<v Speaker 3>and the mess and the complications of that person and

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<v Speaker 3>then how their traits intersect with plot and have them grow.

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<v Speaker 3>By the end of a book, someone's always a different person, Like,

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<v Speaker 3>that's what we're watching, and it's that evolution that I'm

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<v Speaker 3>invested in.

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<v Speaker 1>How much do you think this is about categorizing other

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<v Speaker 1>people as a way to understand them, and how much

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<v Speaker 1>she is categorizing ourselves, Like, for example, this idea of narcissist.

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<v Speaker 1>That's a word. People don't throw it around about themselves,

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<v Speaker 1>but they certainly throw it around about other people. So

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<v Speaker 1>you're not just selfish or self absorbed or going through

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<v Speaker 1>a time of main character energy, You're a narcissist. And

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<v Speaker 1>in the same way people don't feel anxious, they have anxiety.

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<v Speaker 1>Now I have a couple of these diagnoses, and I've

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<v Speaker 1>found it actually really helpful for understanding my own behavior

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<v Speaker 1>and responses to things, like a lens through which I

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<v Speaker 1>can see them, but I also can see how very

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<v Speaker 1>quickly it becomes boring and a default to just flatten

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<v Speaker 1>everything through that lens.

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<v Speaker 3>Yeah, And there was actually a really interesting data point

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<v Speaker 3>in that article, which was according to a twenty twenty

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<v Speaker 3>four survey, seventy two percent of gen Z girls said

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<v Speaker 3>that mental health challenges are an important part of my identity.

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<v Speaker 3>And that worried me because I thought, well, it's the

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<v Speaker 3>only way to have their pain validated. That's what it says,

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<v Speaker 3>is like I'm pain or I'm feeling distress, and when

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<v Speaker 3>I have a label, I remember feeling people will take.

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<v Speaker 1>Me more stage.

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<v Speaker 3>Yeah, people will actually listen to me. And we've always

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<v Speaker 3>minimized the pain of young girls, so I can understand

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<v Speaker 3>why that's happening. But that's not a recipe for happiness,

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<v Speaker 3>I suppose.

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<v Speaker 2>But I also feel like when it comes to diagnosis,

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<v Speaker 2>and I was talking to a friend who works in

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<v Speaker 2>that social policy space, but I think also when it

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<v Speaker 2>comes to understanding why a person is as they are,

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<v Speaker 2>For example, if I had a friend who was diagnosed

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<v Speaker 2>with depression, Yeah, I think it also allows you, as

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<v Speaker 2>a friend or as a family member to kind of

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<v Speaker 2>form some sort of empathy around that rather than just

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<v Speaker 2>thinking that they are just the way they are, or

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<v Speaker 2>like putting a label on it, saying that they are

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<v Speaker 2>a narcissist. I was reading a blog post by a

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<v Speaker 2>psychotherapist named Musumi Saha, and she said being nervous before

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<v Speaker 2>a big event is labeled as anxiety. A disagreement with

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<v Speaker 2>someone might be called toxic. Using labels too loosely can

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<v Speaker 2>make us see normal emotions as problems. It can make

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<v Speaker 2>us feel like we're broken when really we're just human.

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<v Speaker 2>And it just made me realize that I have done

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<v Speaker 2>this so much where I use therapy speak in my

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<v Speaker 2>everyday language to kind of make excuses for things, Like

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<v Speaker 2>there's been times I've told friends like, hey, I can't

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<v Speaker 2>come out to dinner. I need my depression nap. And

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<v Speaker 2>I'm like, I just needed a nap, and I just

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<v Speaker 2>happen to have depression. Like, and I think putting that

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<v Speaker 2>word depression with everything I say about myself gives me

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<v Speaker 2>the excuse to use it in a serious matter without

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<v Speaker 2>being serious. And I also use it as a blocker

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<v Speaker 2>to stop people from questioning it, Like my friends have

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<v Speaker 2>every right to call me out and be like, just

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<v Speaker 2>come to dinner.

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<v Speaker 1>Yeah, they're not going to nap. Yeah.

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<v Speaker 3>And what what I've found through, you know, having the

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<v Speaker 3>absolute privilege of at points in my life sitting down

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<v Speaker 3>across from a psychologist is is how often they say

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<v Speaker 3>to me, not that's normal, but they help explain why

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<v Speaker 3>I might need that nap whatever. What they don't do

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<v Speaker 3>is tell me I'm abnormal, put a label on it,

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<v Speaker 3>and kind of go, that's the way you were built.

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<v Speaker 3>Whereas the thing of like the classic TikTok, which is

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<v Speaker 3>five things I thought were part of my personality, but

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<v Speaker 3>are actually just my ADHD. I don't think that that's

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<v Speaker 3>often that helpful. I think probably it's kind of both.

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<v Speaker 1>It is both. I think that's exactly right. Having had

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<v Speaker 1>that exact experience. My first reaction when I was diagnosed

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<v Speaker 1>and had this label was I mean a million but

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<v Speaker 1>there was some relief, going, oh, there's a reason for

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<v Speaker 1>all of these things. But then there's also a sense

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<v Speaker 1>of oh, I thought I had this unique, quirky personality,

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<v Speaker 1>but I've just got all these textbook list of symptoms

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<v Speaker 1>of this really common neurological condition, on neurodivergent condition.

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<v Speaker 2>So there was actually a US government study done in

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<v Speaker 2>twenty twenty one where researchers wanted to figure out what

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<v Speaker 2>happens to people when they're given a diagnosis, not just medically,

0:12:11.342 --> 0:12:15.102
<v Speaker 2>but also emotionally, socially, and practically, and they said there

0:12:15.142 --> 0:12:18.302
<v Speaker 2>were those positive emotions like validation, as in like someone

0:12:18.382 --> 0:12:22.182
<v Speaker 2>finally believes me, but it also changed people's self identity

0:12:22.262 --> 0:12:25.062
<v Speaker 2>where they started seeing themselves as their condition.

0:12:26.182 --> 0:12:29.622
<v Speaker 1>Yeah. I definitely found that that was something I had

0:12:29.662 --> 0:12:33.982
<v Speaker 1>to become aware of and then avoid. It's almost like

0:12:34.062 --> 0:12:35.381
<v Speaker 1>falling in love and you just want to say that

0:12:35.422 --> 0:12:37.102
<v Speaker 1>person's name all the time, and you feel like you've

0:12:37.102 --> 0:12:41.302
<v Speaker 1>been giving this roadmap to understanding yourself. But then does

0:12:41.382 --> 0:12:43.582
<v Speaker 1>start to sound boring when you just keep going, Oh,

0:12:43.582 --> 0:12:46.542
<v Speaker 1>that's my adhd oh, that's medhd, oh, that's my anxiety.

0:12:46.822 --> 0:12:49.742
<v Speaker 3>I think it's an attempt to project order onto chaos

0:12:49.822 --> 0:12:52.502
<v Speaker 3>as well, right, like, and have a roadmap, and have

0:12:52.542 --> 0:12:57.102
<v Speaker 3>a roadmap and something as complex as personality and human relationships,

0:12:57.142 --> 0:13:01.062
<v Speaker 3>like when I met my half brother and he was

0:13:01.182 --> 0:13:03.222
<v Speaker 3>my mum had him when she was very young, and

0:13:03.262 --> 0:13:05.022
<v Speaker 3>he was then adopted and he went and moved overseas

0:13:05.022 --> 0:13:07.182
<v Speaker 3>and I met him when he was in his mid thirties,

0:13:08.062 --> 0:13:12.102
<v Speaker 3>and having that expl experience exploded my view of what

0:13:12.262 --> 0:13:16.102
<v Speaker 3>made personality. That's why there were brilliant moments in this essay. Wait,

0:13:17.622 --> 0:13:19.982
<v Speaker 3>I mean it's not as simple as we are a

0:13:20.022 --> 0:13:22.342
<v Speaker 3>product of our childhood. It's not as simple as we're

0:13:22.382 --> 0:13:23.462
<v Speaker 3>a product of our genes.

0:13:23.702 --> 0:13:25.302
<v Speaker 2>We are large behavior.

0:13:25.382 --> 0:13:28.582
<v Speaker 3>And yes, it's this unexplained and the beauty is in

0:13:28.622 --> 0:13:29.502
<v Speaker 3>the unexplained.

0:13:29.742 --> 0:13:32.222
<v Speaker 1>So do you mean that there were aspects of him

0:13:32.382 --> 0:13:34.662
<v Speaker 1>that were really similar to you, even though you were

0:13:34.662 --> 0:13:35.542
<v Speaker 1>not raised together.

0:13:35.742 --> 0:13:38.582
<v Speaker 3>Yes, and aspects that weren't exactly so sitting there, he

0:13:38.662 --> 0:13:42.542
<v Speaker 3>had these certain gestures that he made that my mum said, oh,

0:13:42.582 --> 0:13:44.142
<v Speaker 3>that was my father. It was like sitting there with

0:13:44.142 --> 0:13:46.742
<v Speaker 3>my father, right. And then there were experiences he had

0:13:46.782 --> 0:13:49.342
<v Speaker 3>in his twenties, thoughts or crisis he had that were

0:13:49.382 --> 0:13:52.342
<v Speaker 3>nearly identical to things that I had gone through. And

0:13:52.422 --> 0:13:55.942
<v Speaker 3>so as much as we like to think that we

0:13:55.982 --> 0:13:58.862
<v Speaker 3>are the product of how we were parented, or we

0:13:58.902 --> 0:14:02.942
<v Speaker 3>are exactly the product of you know, the low dopamine

0:14:02.982 --> 0:14:07.022
<v Speaker 3>or serotonin in oup, like, it is this incredibly chaotic,

0:14:07.302 --> 0:14:10.062
<v Speaker 3>beautiful mix. And that's why getting to know peace is

0:14:10.182 --> 0:14:10.982
<v Speaker 3>so interesting.

0:14:10.982 --> 0:14:12.902
<v Speaker 2>It's the getting to know people because I think this

0:14:13.022 --> 0:14:17.502
<v Speaker 2>also comes up a lot in dating because I feel

0:14:17.502 --> 0:14:20.902
<v Speaker 2>like when we have all these terms like gas lighting, toxic,

0:14:21.062 --> 0:14:24.622
<v Speaker 2>it's so easy to chuck that label onto someone because

0:14:24.662 --> 0:14:27.102
<v Speaker 2>it's much easier to say that instead of saying, oh,

0:14:27.102 --> 0:14:29.582
<v Speaker 2>they just didn't like me. They were doing like all

0:14:29.622 --> 0:14:32.342
<v Speaker 2>of these things. And it's even like attachment styles, right,

0:14:32.382 --> 0:14:35.142
<v Speaker 2>like oh he was just avoidant and I'm anxious, so

0:14:35.142 --> 0:14:37.262
<v Speaker 2>that's why we don't work out. I think it's like

0:14:37.342 --> 0:14:40.662
<v Speaker 2>filtering down into the thing. Where as you said, me

0:14:40.862 --> 0:14:42.662
<v Speaker 2>like it's a bit of both, and I think what

0:14:42.702 --> 0:14:45.382
<v Speaker 2>you said about how you got that sense of relief,

0:14:45.822 --> 0:14:48.422
<v Speaker 2>but also it's so hard to not kind of skew

0:14:48.462 --> 0:14:51.422
<v Speaker 2>your identity to being that one thing where every single

0:14:51.462 --> 0:14:54.022
<v Speaker 2>thing you do you're like, oh, was that because my ADHD.

0:14:54.142 --> 0:14:55.902
<v Speaker 1>That's limiting, don't you. Yeah. So I think when it

0:14:55.942 --> 0:14:58.022
<v Speaker 1>can become a bit of a prison or a cage

0:14:58.062 --> 0:15:01.462
<v Speaker 1>is when you just think, oh, well, I'll never be

0:15:01.502 --> 0:15:04.102
<v Speaker 1>able to be on time because I have ADHD, or

0:15:04.302 --> 0:15:07.742
<v Speaker 1>I'll always interrupt because I have ADHD, and it can

0:15:07.782 --> 0:15:10.062
<v Speaker 1>become cop out's the wrong word, bet limitation.

0:15:10.782 --> 0:15:11.102
<v Speaker 2>Yeah.

0:15:11.382 --> 0:15:13.862
<v Speaker 3>The dating example is such a good one because it

0:15:13.942 --> 0:15:19.062
<v Speaker 3>is such a time, like the creation of a dating profile,

0:15:19.382 --> 0:15:22.742
<v Speaker 3>where we are forced to use labels. It's like, how

0:15:22.742 --> 0:15:26.262
<v Speaker 3>do I present myself as a product to be consumed

0:15:26.542 --> 0:15:28.742
<v Speaker 3>and liked? And you've kind of got to go, well,

0:15:28.782 --> 0:15:31.662
<v Speaker 3>what are my hobbies? What do I do for a living?

0:15:31.822 --> 0:15:31.902
<v Speaker 1>Like?

0:15:31.942 --> 0:15:36.022
<v Speaker 3>What are my personality traits? And there was this quote

0:15:36.022 --> 0:15:38.982
<v Speaker 3>in the essay that said that happiness is about almost

0:15:39.022 --> 0:15:42.582
<v Speaker 3>actually being able to forget yourself. And in a culture

0:15:42.622 --> 0:15:46.182
<v Speaker 3>where we're constantly producing.

0:15:45.982 --> 0:15:48.462
<v Speaker 1>And being perceived express.

0:15:49.262 --> 0:15:54.382
<v Speaker 3>Identity, then we're not able to forget ourselves. We're always

0:15:54.382 --> 0:15:55.902
<v Speaker 3>in the process of kind of labeling.

0:15:56.302 --> 0:15:58.582
<v Speaker 1>It reminded me a little bit about you know how,

0:15:58.582 --> 0:16:02.622
<v Speaker 1>in the last probably decade maybe less, there've been a

0:16:02.662 --> 0:16:05.702
<v Speaker 1>whole lot of new names for different types of sexuality,

0:16:06.342 --> 0:16:11.862
<v Speaker 1>so pan sexual, polysexual, and be sexual, and they all

0:16:11.942 --> 0:16:17.502
<v Speaker 1>mean slightly different things. Instead of just being able to say, oh,

0:16:17.502 --> 0:16:20.982
<v Speaker 1>I'm attracted to this person, so it's aboud identity. Like

0:16:21.222 --> 0:16:24.742
<v Speaker 1>we're all retreating further and further and wanting to categorize

0:16:24.782 --> 0:16:27.502
<v Speaker 1>ourselves more and more, and I need to want to

0:16:27.582 --> 0:16:30.822
<v Speaker 1>understand and also belong to a community and which has

0:16:30.862 --> 0:16:33.702
<v Speaker 1>been so important for it and not be ordinary. You know,

0:16:33.782 --> 0:16:35.702
<v Speaker 1>I think that being able to say I'm this or

0:16:35.742 --> 0:16:38.542
<v Speaker 1>I'm that, or I have it. But at a certain point,

0:16:38.582 --> 0:16:40.262
<v Speaker 1>when are you just I guess that's the whole point

0:16:40.262 --> 0:16:42.102
<v Speaker 1>of this story. When are you just you? When are

0:16:42.102 --> 0:16:46.502
<v Speaker 1>you just the sum total of your experiences, your conditions,

0:16:46.622 --> 0:16:51.782
<v Speaker 1>your mental health, your opinions, your upbringing, you know, your emotions.

0:16:52.382 --> 0:16:54.022
<v Speaker 3>Yeah, something that can't be like, yeah.

0:16:53.862 --> 0:16:55.542
<v Speaker 1>We sort of needing to put all these post it

0:16:55.622 --> 0:16:57.382
<v Speaker 1>notes on everything and say, oh, it's my this and

0:16:57.422 --> 0:16:57.782
<v Speaker 1>it's my that.

0:16:58.342 --> 0:17:01.302
<v Speaker 2>After reading the sub sac were you able to identify

0:17:02.062 --> 0:17:04.742
<v Speaker 2>qualities of your personality that you feel like are just

0:17:04.821 --> 0:17:05.702
<v Speaker 2>your personality?

0:17:06.262 --> 0:17:07.821
<v Speaker 1>Oh that's such a good question.

0:17:08.302 --> 0:17:10.821
<v Speaker 3>I went really deep on the deaf personality after that

0:17:10.862 --> 0:17:12.742
<v Speaker 3>because I was like, hang on, what even is personality?

0:17:12.742 --> 0:17:14.861
<v Speaker 3>And of course it's the five traits that they talk about,

0:17:14.861 --> 0:17:17.542
<v Speaker 3>and some are more stable than others. But we were

0:17:17.581 --> 0:17:20.462
<v Speaker 3>talking about this on Parenting Out Loud the other week

0:17:20.542 --> 0:17:23.262
<v Speaker 3>and I was saying, we're talking about deeply feeling kids.

0:17:23.302 --> 0:17:25.502
<v Speaker 3>This is the term going around, and I was saying,

0:17:26.381 --> 0:17:30.262
<v Speaker 3>I worry about labels like that because, particularly in childhood,

0:17:30.262 --> 0:17:33.742
<v Speaker 3>personality is changing and you might look at your kid

0:17:33.901 --> 0:17:37.421
<v Speaker 3>and go, you're shy and you're timid, and your risk averse.

0:17:37.621 --> 0:17:39.422
<v Speaker 3>I have totally done this, and then the next day

0:17:39.422 --> 0:17:42.021
<v Speaker 3>they surprise you. And that's how humans are. Yeah, Like,

0:17:42.581 --> 0:17:45.182
<v Speaker 3>that's the beauty of a relationship with anyone is that

0:17:45.262 --> 0:17:48.101
<v Speaker 3>they will change. And there are some traits like extra version,

0:17:48.141 --> 0:17:53.101
<v Speaker 3>introversion apparently stays pretty stable. Others a life event will

0:17:53.462 --> 0:17:56.821
<v Speaker 3>absolutely transform you. I feel as though I have a

0:17:56.861 --> 0:18:00.061
<v Speaker 3>different personality, probably since having a baby, for a variety

0:18:00.061 --> 0:18:03.341
<v Speaker 3>of reasons. And I know people have to profound grief

0:18:03.621 --> 0:18:06.502
<v Speaker 3>or you know, experiencing a particular trauma or whatever, the

0:18:06.581 --> 0:18:07.942
<v Speaker 3>personality changes.

0:18:07.861 --> 0:18:10.462
<v Speaker 2>Because I am the type of person who like constantly

0:18:10.542 --> 0:18:15.022
<v Speaker 2>uses therapy language in my every day. There's like a

0:18:15.061 --> 0:18:18.461
<v Speaker 2>celebrity who I find myself quoting every single week. It's

0:18:18.542 --> 0:18:21.181
<v Speaker 2>Jami mccirk. Yeah, you know, she played Jessa and Girls.

0:18:21.182 --> 0:18:22.262
<v Speaker 3>I think I know this quo.

0:18:22.341 --> 0:18:25.462
<v Speaker 2>Oh it's so good. So she does like I think

0:18:25.661 --> 0:18:27.622
<v Speaker 2>once a year she does his big ask Me any

0:18:27.621 --> 0:18:29.702
<v Speaker 2>Things on Instagram where she puts a question box up

0:18:29.901 --> 0:18:31.582
<v Speaker 2>and the audience asked her question.

0:18:31.422 --> 0:18:32.462
<v Speaker 3>And she's quite candid.

0:18:32.621 --> 0:18:35.341
<v Speaker 2>She's so so candid. And one of the questions he

0:18:35.502 --> 0:18:38.782
<v Speaker 2>got years ago someone wrote in and said any advice

0:18:38.821 --> 0:18:41.982
<v Speaker 2>for unconfident young girls? And she just replied, I think

0:18:41.982 --> 0:18:45.542
<v Speaker 2>you guys might be thinking about yourselves too much. And

0:18:45.581 --> 0:18:47.821
<v Speaker 2>I say that to myself all the time.

0:18:49.742 --> 0:18:53.302
<v Speaker 3>Out louders up. Next, does a memoir need to be

0:18:53.542 --> 0:18:57.422
<v Speaker 3>vigorously fact checked? And whose job is that we discuss

0:18:57.581 --> 0:19:03.581
<v Speaker 3>the Salt Path controversy. We have been desperate to talk

0:19:03.581 --> 0:19:06.302
<v Speaker 3>about the Salt Path controversy, and we're gonna wait until

0:19:06.341 --> 0:19:08.661
<v Speaker 3>Hollywood's back because we would like to put it on

0:19:08.702 --> 0:19:12.181
<v Speaker 3>the record in this moment that one miss Hollywayn Wright

0:19:12.422 --> 0:19:13.422
<v Speaker 3>recommended the Salt Path.

0:19:14.141 --> 0:19:15.502
<v Speaker 1>Member what Holly recommended?

0:19:15.661 --> 0:19:18.181
<v Speaker 3>I listened, Mia Friedman, I listened, and I wrote in

0:19:18.222 --> 0:19:21.341
<v Speaker 3>my journal Hollywayin Wright just recommended the Salt Path so

0:19:21.381 --> 0:19:24.101
<v Speaker 3>that I could bring it up today and say, haha,

0:19:24.222 --> 0:19:27.341
<v Speaker 3>history will not be kind to hollid On No, because yes,

0:19:27.422 --> 0:19:30.781
<v Speaker 3>this is very controversial. We got too impatient, though, and

0:19:30.861 --> 0:19:33.302
<v Speaker 3>so today we want to start from the beginning. And

0:19:33.341 --> 0:19:34.901
<v Speaker 3>I like that Holly has no right of reply.

0:19:36.182 --> 0:19:37.742
<v Speaker 2>She's going to reply the match she gets back.

0:19:37.782 --> 0:19:39.141
<v Speaker 1>I just know it. So.

0:19:39.621 --> 0:19:41.941
<v Speaker 3>The soult Path is a memoir that was published in

0:19:41.982 --> 0:19:45.021
<v Speaker 3>twenty eighteen and it was written by Rayner Wynn and

0:19:45.061 --> 0:19:47.782
<v Speaker 3>it has since sold more than two million copies. That

0:19:47.942 --> 0:19:50.341
<v Speaker 3>is a lot of copies. In twenty twenty four, was

0:19:50.341 --> 0:19:52.862
<v Speaker 3>turned into a film. The main characters were Gillian Anderson

0:19:52.901 --> 0:19:53.902
<v Speaker 3>and Jason Isaacs.

0:19:54.341 --> 0:19:55.782
<v Speaker 1>It was white Lotus.

0:19:55.901 --> 0:19:59.461
<v Speaker 3>Yeah. It was marketed as unflinchingly true. It tells a

0:19:59.502 --> 0:20:02.782
<v Speaker 3>story of how Rayner, who was fifty five at the time,

0:20:02.821 --> 0:20:06.861
<v Speaker 3>and her husband moth Win, lost their home after investing

0:20:06.942 --> 0:20:09.821
<v Speaker 3>a substantial sum of money in a company owned by

0:20:09.821 --> 0:20:13.022
<v Speaker 3>a friend that ultimately failed. It was kind of the

0:20:13.061 --> 0:20:16.742
<v Speaker 3>gray nomad thing right, But it was also playing into

0:20:17.262 --> 0:20:19.341
<v Speaker 3>something that impacts a lot of people in their fifties

0:20:19.381 --> 0:20:23.061
<v Speaker 3>sixty seventies, particularly women of homelessness. Where you go, I've

0:20:23.101 --> 0:20:25.421
<v Speaker 3>worked my whole life and I've ended up at this

0:20:25.422 --> 0:20:27.821
<v Speaker 3>point where i have nothing but the things of my

0:20:27.861 --> 0:20:28.262
<v Speaker 3>back pap.

0:20:28.302 --> 0:20:30.221
<v Speaker 1>I've never heard of this book, so I've come to

0:20:30.262 --> 0:20:32.902
<v Speaker 1>this like a lot of people reading about the controversy

0:20:32.942 --> 0:20:36.502
<v Speaker 1>without any knowledge of the source text. It sounds like

0:20:36.742 --> 0:20:39.341
<v Speaker 1>the Salt Path. The book was a little bit like

0:20:39.422 --> 0:20:42.622
<v Speaker 1>Cheryl Strade's Wild Wild, Yes, someone going on is why

0:20:42.661 --> 0:20:44.222
<v Speaker 1>I didn't hear of it? Someone going on a long

0:20:44.262 --> 0:20:47.061
<v Speaker 1>walk in nature? Yeap, not by kind of book exactly.

0:20:47.702 --> 0:20:50.821
<v Speaker 3>And on top of this, the reason why this book

0:20:50.901 --> 0:20:53.741
<v Speaker 3>was so impactful is that Moth had been diagnosed with

0:20:53.821 --> 0:20:57.741
<v Speaker 3>a rare neuro degenerative disease and they decide to then

0:20:57.782 --> 0:20:59.622
<v Speaker 3>embark on this kind of a name is moth, Well,

0:20:59.661 --> 0:21:01.542
<v Speaker 3>I think it comes from because his name is Tim,

0:21:01.661 --> 0:21:06.181
<v Speaker 3>So Tim Moth. I've never heard moth. Yeah, as a

0:21:06.222 --> 0:21:06.902
<v Speaker 3>little so.

0:21:06.861 --> 0:21:09.661
<v Speaker 2>Instead of the nickname being Tim, it's moth like moth, shallow.

0:21:09.381 --> 0:21:15.821
<v Speaker 3>Man, endearing pet name. They both decided they were going

0:21:15.861 --> 0:21:19.061
<v Speaker 3>to walk along the Southwest Coast Path in southwest England.

0:21:19.861 --> 0:21:22.302
<v Speaker 3>And look, that.

0:21:22.222 --> 0:21:25.141
<v Speaker 1>Book's so horrendous. People love.

0:21:26.302 --> 0:21:28.262
<v Speaker 2>It's like a self help kind of situation.

0:21:29.742 --> 0:21:31.422
<v Speaker 1>I mean, I love to eat pray loves.

0:21:31.101 --> 0:21:34.262
<v Speaker 2>So it's like eat pray love except a couple yeah.

0:21:34.061 --> 0:21:36.421
<v Speaker 3>Yeah, yeah, on a long walk and this illness and

0:21:36.462 --> 0:21:38.702
<v Speaker 3>the idea is as well that you know, he's been

0:21:38.901 --> 0:21:41.381
<v Speaker 3>given certain things to expect from this illness, and the

0:21:41.462 --> 0:21:43.421
<v Speaker 3>walking really helped and that was part of the story.

0:21:43.581 --> 0:21:47.502
<v Speaker 1>My understanding is that the illness, the diagnosis is usually

0:21:47.821 --> 0:21:51.982
<v Speaker 1>pretty terminal and not something that you can walk off.

0:21:52.101 --> 0:21:54.742
<v Speaker 3>No, so you often have a life expectancy of about

0:21:54.742 --> 0:21:57.821
<v Speaker 3>six to eight years. Okay, now, this is all well

0:21:57.821 --> 0:21:59.982
<v Speaker 3>and good, except according to an article in The Observer

0:22:00.101 --> 0:22:03.302
<v Speaker 3>which was published earlier this month, they were never homeless.

0:22:03.542 --> 0:22:05.941
<v Speaker 3>They did lose one home, but that was a result

0:22:05.982 --> 0:22:09.381
<v Speaker 3>of embezzling the equivalent of about eighty five thousand Australian dollars.

0:22:09.661 --> 0:22:13.302
<v Speaker 3>There are also questions about Moth's illness. And that's not

0:22:13.341 --> 0:22:15.901
<v Speaker 3>even his real name, and Rayner is not her real name.

0:22:15.942 --> 0:22:17.542
<v Speaker 2>Wait, so he chose the name Moth.

0:22:17.942 --> 0:22:20.661
<v Speaker 3>Well, They're real names are Sally and Tim. Sally and

0:22:20.702 --> 0:22:21.262
<v Speaker 3>Tim Walker.

0:22:21.302 --> 0:22:22.902
<v Speaker 2>That doesn't have the same ren it does it.

0:22:23.101 --> 0:22:26.061
<v Speaker 3>I liked the Rainer and the moth that I can

0:22:26.141 --> 0:22:27.782
<v Speaker 3>kind of forgive in a memoir if you want to

0:22:27.782 --> 0:22:30.622
<v Speaker 3>have a kind of pen name situation. Yeah, fine, it's

0:22:30.621 --> 0:22:34.381
<v Speaker 3>probably the other stuff that isn't so forgivable. Look Sally

0:22:34.581 --> 0:22:38.341
<v Speaker 3>stole that substantial sum of money while working as a

0:22:38.341 --> 0:22:41.341
<v Speaker 3>bookkeeper in the mid two thousands, but they settled the

0:22:41.381 --> 0:22:44.942
<v Speaker 3>dispute privately. The details get really weedy here, but long

0:22:45.022 --> 0:22:49.141
<v Speaker 3>story short, debt collectors took their home and Sally Walker

0:22:49.182 --> 0:22:52.061
<v Speaker 3>has written a very long blog post where she's confirmed this.

0:22:52.462 --> 0:22:56.542
<v Speaker 1>So interestingly, one reason for changing your name is that

0:22:56.581 --> 0:22:58.821
<v Speaker 1>people can't then google you and find things out about you.

0:22:58.942 --> 0:22:59.222
<v Speaker 3>Yeah.

0:22:59.302 --> 0:22:59.661
<v Speaker 1>Yeah.

0:23:00.141 --> 0:23:02.621
<v Speaker 3>Also, the reason they were ever really homeless is because

0:23:02.621 --> 0:23:04.861
<v Speaker 3>they did have a property technically in France that they

0:23:04.942 --> 0:23:08.141
<v Speaker 3>still owned throughout all of this. The Observer then cast

0:23:08.182 --> 0:23:12.622
<v Speaker 3>outs on Walker's illness. They interviewed multiple medical experts who

0:23:12.621 --> 0:23:15.982
<v Speaker 3>said that, you know, the average life expectancy is six

0:23:16.022 --> 0:23:19.381
<v Speaker 3>to eight years, and I think it's now eighteen years later,

0:23:19.502 --> 0:23:22.622
<v Speaker 3>Tim Walker is still alive. What has Raina Win said?

0:23:22.702 --> 0:23:24.901
<v Speaker 3>So she's written this big blog post and she says

0:23:25.141 --> 0:23:28.022
<v Speaker 3>that the house in France was uninhabitable. It was just

0:23:28.101 --> 0:23:30.221
<v Speaker 3>like basically stones like you couldn't live there and they

0:23:30.262 --> 0:23:33.022
<v Speaker 3>couldn't sell it. Actually looks like she might be telling

0:23:33.022 --> 0:23:35.902
<v Speaker 3>the truth about that, right. She has also shared documents

0:23:35.942 --> 0:23:40.581
<v Speaker 3>that seem to confirm her husband's diagnosis, although some say

0:23:41.141 --> 0:23:43.141
<v Speaker 3>you're a little bit vague on the details, and a

0:23:43.141 --> 0:23:45.341
<v Speaker 3>lot of people with this specific illness. This is the

0:23:45.341 --> 0:23:48.022
<v Speaker 3>issue with writing about health is that it became sort

0:23:48.022 --> 0:23:50.421
<v Speaker 3>of prescriptive to them, and they had this hope that

0:23:50.782 --> 0:23:53.262
<v Speaker 3>maybe if I just did a long walk, then I

0:23:53.381 --> 0:23:57.382
<v Speaker 3>too could improve a lot of mon Yes, so there's

0:23:57.422 --> 0:24:01.821
<v Speaker 3>a lot to unpack here. Mea what kind of responsibility

0:24:01.861 --> 0:24:05.502
<v Speaker 3>do you think the publisher has here to fact check?

0:24:06.861 --> 0:24:09.262
<v Speaker 1>I want to jump past the publisher and talk about

0:24:09.262 --> 0:24:13.782
<v Speaker 1>the first right, because a lot of people who read

0:24:13.782 --> 0:24:16.502
<v Speaker 1>this book, who loved this book, have said, I'm really

0:24:16.581 --> 0:24:19.262
<v Speaker 1>really upset. We have a similar thing happened many years

0:24:19.262 --> 0:24:21.101
<v Speaker 1>ago with an author called James Frey who wrote a

0:24:21.222 --> 0:24:23.941
<v Speaker 1>memoir called A Million Little Pieces. He was not an

0:24:23.942 --> 0:24:26.942
<v Speaker 1>Oprah's Book Club. It then turned out that his memoir

0:24:27.141 --> 0:24:29.101
<v Speaker 1>most of it all, I think all of it wasn't true.

0:24:29.782 --> 0:24:34.581
<v Speaker 1>That was a huge controversy. We've had these before. Helen

0:24:34.621 --> 0:24:37.222
<v Speaker 1>de Medenko a long time ago. I think she said

0:24:37.222 --> 0:24:40.462
<v Speaker 1>she was Yugoslavian, but she was just an Australian who

0:24:40.581 --> 0:24:43.341
<v Speaker 1>was not Yugoslavian, and that was not her name. Her

0:24:43.422 --> 0:24:47.341
<v Speaker 1>name is Helen Darvil. So my question about when you

0:24:47.422 --> 0:24:49.861
<v Speaker 1>read something that you think is memoir, because I read

0:24:49.861 --> 0:24:52.542
<v Speaker 1>a million little pieces I thought it was great. When

0:24:52.542 --> 0:24:54.502
<v Speaker 1>I found out that a lot of it wasn't true,

0:24:54.861 --> 0:24:59.661
<v Speaker 1>did I care or no? Because we have something called fiction,

0:24:59.782 --> 0:25:04.061
<v Speaker 1>and I mean, I understand that it's storytelling. Is it

0:25:04.141 --> 0:25:05.662
<v Speaker 1>not just as good?

0:25:05.901 --> 0:25:09.701
<v Speaker 3>Oh, it's totally different. It's totally it's an element of

0:25:09.742 --> 0:25:13.381
<v Speaker 3>absolute manipulation. And I think that what's an important point

0:25:13.381 --> 0:25:16.142
<v Speaker 3>to make is that nonfiction is easier to sell. It's

0:25:16.182 --> 0:25:18.581
<v Speaker 3>easy to market. The reason it's easy to market I

0:25:18.702 --> 0:25:20.262
<v Speaker 3>was told this. I've written a nonfiction book and a

0:25:20.262 --> 0:25:25.061
<v Speaker 3>fiction book. Nonfiction people want to interview because story. How

0:25:25.101 --> 0:25:28.821
<v Speaker 3>many fiction writers, unless they're Leanne Moriarty, do you actually hear?

0:25:29.141 --> 0:25:32.222
<v Speaker 3>It's really hard to get your fiction book in front

0:25:32.222 --> 0:25:33.142
<v Speaker 3>of people's eyes.

0:25:33.262 --> 0:25:35.141
<v Speaker 1>Because it's like, tell me about this made up story.

0:25:35.141 --> 0:25:38.302
<v Speaker 3>It's like yeah, yeah, So if you say this is

0:25:38.341 --> 0:25:42.101
<v Speaker 3>nonfiction this is a true story, the investment of a reader,

0:25:42.141 --> 0:25:44.061
<v Speaker 3>and I think that a book is very different to

0:25:44.061 --> 0:25:46.262
<v Speaker 3>any other type of media because of how long you

0:25:46.302 --> 0:25:49.901
<v Speaker 3>spend with those people, the details that you absorb, the hope,

0:25:49.982 --> 0:25:52.061
<v Speaker 3>the connections that you make, and then to find out

0:25:52.061 --> 0:25:56.581
<v Speaker 3>that isn't true feels like such an enormous betrayal and

0:25:56.621 --> 0:26:00.341
<v Speaker 3>I'm so surprised. I was listening to a podcast about

0:26:00.341 --> 0:26:02.661
<v Speaker 3>this where they were saying that the way the contract

0:26:02.702 --> 0:26:07.622
<v Speaker 3>works is that the publisher has Rayner signed something, where

0:26:07.661 --> 0:26:10.462
<v Speaker 3>Rayner says this is all true. Basically, the onness is

0:26:10.502 --> 0:26:13.542
<v Speaker 3>on the author, and Rayner got a very small book

0:26:13.581 --> 0:26:16.782
<v Speaker 3>advance for this. I think it was maybe like ten

0:26:17.341 --> 0:26:21.422
<v Speaker 3>pounds twenty thousand pounds. Since she's made millions and millions

0:26:21.742 --> 0:26:27.182
<v Speaker 3>of dollars off royalties, but this keeps happening, it seems

0:26:27.302 --> 0:26:30.222
<v Speaker 3>because legally, I don't think that the onus is on

0:26:30.262 --> 0:26:31.581
<v Speaker 3>the publisher. I think it's on the writer.

0:26:31.742 --> 0:26:35.462
<v Speaker 1>Well, I've written a couple of memoirs. I can't remember

0:26:35.502 --> 0:26:38.142
<v Speaker 1>if I signed anything. I mean, they're always worried about

0:26:38.182 --> 0:26:42.381
<v Speaker 1>anything legal, so anything where you talk about other people

0:26:42.661 --> 0:26:44.342
<v Speaker 1>or make claims about other people.

0:26:44.702 --> 0:26:46.181
<v Speaker 3>But it's not like they would have sat down with

0:26:46.222 --> 0:26:48.181
<v Speaker 3>your mum and dad and gone, hey, this story that

0:26:48.222 --> 0:26:50.302
<v Speaker 3>may have told about being four, was that true?

0:26:50.381 --> 0:26:53.101
<v Speaker 1>No, And they don't ask for medical records. No, no, no,

0:26:53.542 --> 0:26:56.821
<v Speaker 1>because that would be intrusive. Although in the case of

0:26:56.821 --> 0:26:58.782
<v Speaker 1>something like Bell Gibson, there was a huge amount of

0:26:58.821 --> 0:27:02.022
<v Speaker 1>backlash and criticism of the publisher, which I think was

0:27:02.101 --> 0:27:05.141
<v Speaker 1>valid because if you know, in my memoir, I wrote

0:27:05.141 --> 0:27:07.861
<v Speaker 1>about having a miscarriage, I wrote about anxiety, I wrote

0:27:07.901 --> 0:27:13.022
<v Speaker 1>about various things, but I didn't write about curing myself

0:27:13.061 --> 0:27:14.341
<v Speaker 1>of a particular.

0:27:14.061 --> 0:27:17.262
<v Speaker 2>I think that's where the difference comes in because this book,

0:27:17.341 --> 0:27:20.022
<v Speaker 2>although it's a memoir, like labeled as a memoir, it's

0:27:20.061 --> 0:27:22.621
<v Speaker 2>more like a self help kind of book. Like that

0:27:22.661 --> 0:27:24.542
<v Speaker 2>book would have had exactly what you said, so many

0:27:25.262 --> 0:27:27.661
<v Speaker 2>people readers in like a chokehold of going this is

0:27:27.702 --> 0:27:29.542
<v Speaker 2>the book that is going to help me through like

0:27:29.581 --> 0:27:33.341
<v Speaker 2>my next stage. And I remember something so different, but

0:27:33.581 --> 0:27:36.902
<v Speaker 2>I know the exact sense of betrayal because my favorite

0:27:36.982 --> 0:27:42.022
<v Speaker 2>movie for the longest, longest time was The blind Side. Yeah,

0:27:42.061 --> 0:27:44.461
<v Speaker 2>and that was based on a true story. Sandra Bullock

0:27:44.462 --> 0:27:46.941
<v Speaker 2>wan Academy Awards for it. It was a massive movie.

0:27:47.101 --> 0:27:47.742
<v Speaker 1>What was it about?

0:27:47.782 --> 0:27:51.581
<v Speaker 2>Again, it was about this family, this really successful, rich

0:27:51.661 --> 0:27:56.622
<v Speaker 2>family in Memphis who adopted a black kid and took

0:27:56.661 --> 0:27:59.382
<v Speaker 2>them into his family and he became this massive football star.

0:27:59.861 --> 0:28:02.101
<v Speaker 2>And the blindside was about how he became huge. He

0:28:02.182 --> 0:28:04.502
<v Speaker 2>went into college and they funded all of that and

0:28:04.542 --> 0:28:06.141
<v Speaker 2>he was just making a lot of money.

0:28:06.022 --> 0:28:09.222
<v Speaker 3>And beautiful success story, beautiful but.

0:28:11.222 --> 0:28:12.782
<v Speaker 1>True and how did it come out?

0:28:13.022 --> 0:28:16.101
<v Speaker 2>So then after that we found out that the child

0:28:16.141 --> 0:28:19.901
<v Speaker 2>that the movie was about, Michael Orr, was suing the

0:28:19.982 --> 0:28:24.302
<v Speaker 2>Touwy family that was Sandra Bullock was suing that family

0:28:24.661 --> 0:28:27.341
<v Speaker 2>saying that he actually wasn't adopted, he was under a

0:28:27.341 --> 0:28:30.941
<v Speaker 2>conservatorship and the family was taking all the money that

0:28:30.982 --> 0:28:33.022
<v Speaker 2>he was making and taking all the money that the

0:28:33.061 --> 0:28:35.821
<v Speaker 2>movie was made from Hollywood. And it was one of

0:28:35.821 --> 0:28:38.862
<v Speaker 2>those situations that was so so horrible. And then he

0:28:38.862 --> 0:28:40.542
<v Speaker 2>said a lot of the stuff that happened in the

0:28:40.582 --> 0:28:43.302
<v Speaker 2>movie was not true, Like he could actually read and

0:28:43.342 --> 0:28:48.582
<v Speaker 2>write and he was well educated. The huge racial stereotypes

0:28:48.622 --> 0:28:51.222
<v Speaker 2>are happening, and it just was one of those things

0:28:51.222 --> 0:28:54.102
<v Speaker 2>whereas as someone who was so invested in that film,

0:28:54.422 --> 0:28:57.382
<v Speaker 2>I was just digging and digging and digging to see

0:28:57.462 --> 0:29:00.062
<v Speaker 2>if this could be unproven because there was just something

0:29:00.102 --> 0:29:02.262
<v Speaker 2>that really watched when I was really young, and I

0:29:02.342 --> 0:29:04.902
<v Speaker 2>just wanted it to be true so badly.

0:29:05.302 --> 0:29:07.622
<v Speaker 3>I read a book when I was a teenager called

0:29:07.782 --> 0:29:11.942
<v Speaker 3>Forbidden Love, and it was Alakuri a Norma Kouri, and

0:29:12.022 --> 0:29:15.021
<v Speaker 3>it was about her growing up in Jordan and her

0:29:15.062 --> 0:29:18.502
<v Speaker 3>best friend Dahlia, who fell in love with like a

0:29:18.661 --> 0:29:23.382
<v Speaker 3>Christian soldier and ultimately died by an honor killing that

0:29:23.622 --> 0:29:24.902
<v Speaker 3>her father was responsible for.

0:29:25.142 --> 0:29:27.221
<v Speaker 1>She wrote, she told the story of her best friend, yes,

0:29:27.262 --> 0:29:28.302
<v Speaker 1>he was killed, yes.

0:29:28.102 --> 0:29:30.461
<v Speaker 3>And then she moved to the US and it was

0:29:30.502 --> 0:29:34.342
<v Speaker 3>this phenomenon, this book, right, And then it was actually

0:29:34.422 --> 0:29:37.822
<v Speaker 3>Australian journalists Malcolm Knox and I think Caroline Overington was

0:29:37.862 --> 0:29:40.742
<v Speaker 3>really involved in the reporting. Where they went there was

0:29:40.782 --> 0:29:44.221
<v Speaker 3>something like seventy two factual inaccuracies, really basic stuff like

0:29:44.502 --> 0:29:47.862
<v Speaker 3>the border of Jordan was wrong, the banknotes were wrong,

0:29:48.022 --> 0:29:49.622
<v Speaker 3>like all of these kind of and they were like,

0:29:49.661 --> 0:29:52.582
<v Speaker 3>this is really really strange. And then people within Jordan

0:29:52.661 --> 0:29:54.942
<v Speaker 3>started saying, this is not a big country. We would

0:29:54.982 --> 0:29:57.822
<v Speaker 3>have heard. This is like a horrific thing to happen.

0:29:57.822 --> 0:30:01.181
<v Speaker 3>We would have heard. And so they dig and they

0:30:01.222 --> 0:30:04.302
<v Speaker 3>dig and they dig. Turns out this woman never existed,

0:30:04.782 --> 0:30:08.302
<v Speaker 3>like Norma Kuri hadn't even been in Jordan at that time.

0:30:08.342 --> 0:30:11.982
<v Speaker 3>There's a brilliant document called Forbidden Lies that Caroline Overington

0:30:12.062 --> 0:30:13.822
<v Speaker 3>is in. It had to be pulled from shelves, like

0:30:13.862 --> 0:30:18.742
<v Speaker 3>the book was totally fictional. And the reason why that

0:30:18.982 --> 0:30:21.182
<v Speaker 3>was so bad was because it came out in two

0:30:21.222 --> 0:30:24.741
<v Speaker 3>thousand and three, that is two years after September eleventh.

0:30:25.222 --> 0:30:31.182
<v Speaker 3>The anti Muslim sentiment, the Islamophobia that was so prevalent

0:30:31.222 --> 0:30:34.062
<v Speaker 3>at the time. People were so invested in having this

0:30:34.222 --> 0:30:38.741
<v Speaker 3>vision of kind of the oppressed Muslim woman. And to

0:30:38.822 --> 0:30:42.302
<v Speaker 3>write this, to have me so emotionally invested in that

0:30:42.382 --> 0:30:44.181
<v Speaker 3>book and go, this is such a tragedy, look at

0:30:44.222 --> 0:30:48.502
<v Speaker 3>how these cultures work. It just was a totally fictional story.

0:30:48.622 --> 0:30:52.462
<v Speaker 1>I know it's hard to unscramble how you feel about something.

0:30:52.542 --> 0:30:56.142
<v Speaker 1>But had that been categorized as fiction, you're saying it

0:30:56.142 --> 0:30:58.902
<v Speaker 1>wouldn't have sold as well. No, but would you have

0:30:59.062 --> 0:31:02.102
<v Speaker 1>enjoyed reading it as much? Or there's something and new

0:31:02.142 --> 0:31:04.382
<v Speaker 1>for the blind side? Is there something about knowing that

0:31:04.422 --> 0:31:08.181
<v Speaker 1>it's true that enhances your enjoyment of a sect?

0:31:08.582 --> 0:31:11.062
<v Speaker 3>It totally changed a conversation when you're told it's true

0:31:11.062 --> 0:31:13.742
<v Speaker 3>one hundred percent, And even with that book, it's also

0:31:13.902 --> 0:31:15.782
<v Speaker 3>because those code be true.

0:31:15.822 --> 0:31:18.822
<v Speaker 2>Stories like honor killings do happen. So I feel like

0:31:19.222 --> 0:31:21.462
<v Speaker 2>making up a fake story about that and then making

0:31:21.502 --> 0:31:23.701
<v Speaker 2>so much money and moving to the US when it

0:31:23.862 --> 0:31:26.582
<v Speaker 2>actually is happening in the world is just another step

0:31:26.702 --> 0:31:27.342
<v Speaker 2>way too fun.

0:31:27.502 --> 0:31:30.662
<v Speaker 3>It's exploiting. It's totally exploiting a culture that you actually

0:31:30.702 --> 0:31:33.702
<v Speaker 3>have no right to write about. And what's interesting too

0:31:33.822 --> 0:31:36.421
<v Speaker 3>is a James Fray example. And I believe in this

0:31:36.502 --> 0:31:39.342
<v Speaker 3>example there's a big question mark about what happens to

0:31:39.382 --> 0:31:42.582
<v Speaker 3>the money. Yes, because James Frey, I'm pretty sure he's

0:31:42.622 --> 0:31:45.622
<v Speaker 3>still a pretty rich dude, and a lot of the readers,

0:31:45.661 --> 0:31:49.262
<v Speaker 3>because this is in the US, readers suit him like

0:31:49.342 --> 0:31:52.742
<v Speaker 3>individual ratings for life. I want to be compensated.

0:31:53.582 --> 0:31:58.102
<v Speaker 1>I think their publishers often allow people to refunds, get refunds,

0:31:58.742 --> 0:31:59.902
<v Speaker 1>but did you get a refund?

0:31:59.982 --> 0:32:01.982
<v Speaker 3>Well, what's funny is you might have a few refunds.

0:32:02.062 --> 0:32:03.422
<v Speaker 3>Do you know how many people have bought The Salt

0:32:03.462 --> 0:32:05.502
<v Speaker 3>Path in the last few weeks? Like the book, scan

0:32:05.661 --> 0:32:07.182
<v Speaker 3>numbers would have just skyrocket and.

0:32:07.062 --> 0:32:07.742
<v Speaker 1>Watched the movie.

0:32:08.102 --> 0:32:11.502
<v Speaker 3>Yeah, So in terms of the money.

0:32:11.622 --> 0:32:14.181
<v Speaker 1>There was an interview with Jillian Anderson. This is before

0:32:14.222 --> 0:32:16.822
<v Speaker 1>all this came out and people are now going back

0:32:16.822 --> 0:32:18.902
<v Speaker 1>and looking. When she was promoting the movie, someone said, oh,

0:32:18.902 --> 0:32:21.502
<v Speaker 1>did you meet Rayner? How did you find her? And

0:32:21.902 --> 0:32:27.422
<v Speaker 1>Jillian Anderson said, I found her guarded Jerry, Yeah, which

0:32:27.502 --> 0:32:28.502
<v Speaker 1>was kind of cryptic.

0:32:29.262 --> 0:32:31.822
<v Speaker 2>You know who I want to hear from Jason Isaacs

0:32:32.661 --> 0:32:36.702
<v Speaker 2>because from White Loaders, we all know he's a messy bitch. Yeahs.

0:32:36.862 --> 0:32:38.542
<v Speaker 2>Friendships are made, friendships are lost.

0:32:38.661 --> 0:32:43.502
<v Speaker 1>The dad on White Lotus with his prosthetic penis co moth.

0:32:43.661 --> 0:32:44.302
<v Speaker 2>What do you think?

0:32:44.742 --> 0:32:48.622
<v Speaker 3>Tell us your opinion before we go into eCos. I

0:32:48.661 --> 0:32:52.142
<v Speaker 3>wanted to share a low from the week that just passed.

0:32:53.102 --> 0:32:55.622
<v Speaker 3>We talk a bit about sharing from a scar, not

0:32:55.742 --> 0:32:59.062
<v Speaker 3>a wound, but I think sometimes there's a bit of

0:32:59.182 --> 0:33:03.502
<v Speaker 3>utility in examining the wound while it's fresh. And while

0:33:03.502 --> 0:33:05.982
<v Speaker 3>we were recording Wednesday Show last week, I was going

0:33:06.022 --> 0:33:10.142
<v Speaker 3>through something privately, and that night I tried to put

0:33:10.142 --> 0:33:13.702
<v Speaker 3>words around it. So here's what I wrote. I'm sitting

0:33:13.702 --> 0:33:15.742
<v Speaker 3>in the hospital where I gave birth to my daughter

0:33:15.782 --> 0:33:18.701
<v Speaker 3>almost exactly two years ago, but this time I'm not

0:33:18.742 --> 0:33:21.142
<v Speaker 3>in a bed with a bassinette tucked in close beside it.

0:33:21.462 --> 0:33:24.862
<v Speaker 3>I'm in emergency, handing over yarine samples with specks of blood,

0:33:25.142 --> 0:33:27.382
<v Speaker 3>knowing in some part of me that I've just had

0:33:27.742 --> 0:33:31.582
<v Speaker 3>or I'm having a miscarriage. It's so silly. I tested

0:33:31.582 --> 0:33:34.981
<v Speaker 3>so ridiculously early. At first, I didn't even think I

0:33:34.982 --> 0:33:37.782
<v Speaker 3>saw a line that. Then I looked closer. You know

0:33:37.822 --> 0:33:40.222
<v Speaker 3>you're desperate when you take a photo and start adjusting

0:33:40.222 --> 0:33:43.741
<v Speaker 3>the contrast. There was the faintest line, a whisper of

0:33:43.782 --> 0:33:46.941
<v Speaker 3>a promise your life could be about to radically change, or,

0:33:46.982 --> 0:33:49.502
<v Speaker 3>as the case may be, not at all. The next

0:33:49.582 --> 0:33:51.382
<v Speaker 3>day the line was a bit darker than a bit

0:33:51.462 --> 0:33:54.462
<v Speaker 3>darker visible to the naked eye. At least I told

0:33:54.542 --> 0:33:57.462
<v Speaker 3>Luca and my sister. I was so excited. I worked

0:33:57.462 --> 0:34:00.421
<v Speaker 3>out the jew date, the gap between my babies. I

0:34:00.462 --> 0:34:02.822
<v Speaker 3>was asked about a work commitment slaid in for early

0:34:02.862 --> 0:34:05.342
<v Speaker 3>next year, and meekly tried to pry my way out

0:34:05.382 --> 0:34:08.661
<v Speaker 3>of it. They'd know soon enough. I thought about it

0:34:08.742 --> 0:34:12.102
<v Speaker 3>every second of every day. It's like the knowledge existed

0:34:12.142 --> 0:34:16.181
<v Speaker 3>in my pulse, and I suppose it literally did. I'd

0:34:16.222 --> 0:34:18.742
<v Speaker 3>been afraid of how much I wanted this. It feels

0:34:18.781 --> 0:34:23.302
<v Speaker 3>dangerous to want anything this much. Months have passed negative tests.

0:34:23.741 --> 0:34:26.221
<v Speaker 3>I didn't know I could feel so much disdain for

0:34:26.261 --> 0:34:31.022
<v Speaker 3>a pad, but then a positive test. No alcohol, no

0:34:31.181 --> 0:34:35.301
<v Speaker 3>Quadrill pregnancy vitamins. The sore boobs were a giveaway. I

0:34:35.342 --> 0:34:38.622
<v Speaker 3>remembered them from last time, but they're not sore anymore.

0:34:39.422 --> 0:34:41.942
<v Speaker 3>I was at the doctor when it happened. Luna had

0:34:41.982 --> 0:34:44.701
<v Speaker 3>a cold, and I darted to the bathroom as we

0:34:44.781 --> 0:34:47.582
<v Speaker 3>finished up. I'd been spotting, but when I wiped there

0:34:47.622 --> 0:34:50.741
<v Speaker 3>was blood, too much blood, and there were cramps like

0:34:50.781 --> 0:34:53.222
<v Speaker 3>an ache in my lower stomach and back.

0:34:53.822 --> 0:34:54.422
<v Speaker 1>It hurt.

0:34:54.741 --> 0:34:57.261
<v Speaker 3>But where did the knowing come from? That night, as

0:34:57.261 --> 0:34:59.902
<v Speaker 3>I laid in bed having taken panadole, which felt like

0:34:59.942 --> 0:35:02.902
<v Speaker 3>a betrayal of some kind, like I was muting an alarm,

0:35:03.422 --> 0:35:08.022
<v Speaker 3>I felt lonely. They were gone, disappeared. I'd liked so

0:35:08.181 --> 0:35:11.382
<v Speaker 3>much knowing that they were there, and I wasn't grieving

0:35:11.661 --> 0:35:14.622
<v Speaker 3>a baby. I can't imagine losing a baby further along,

0:35:14.781 --> 0:35:16.861
<v Speaker 3>when they're a tiny thing your body has got to know,

0:35:17.181 --> 0:35:20.302
<v Speaker 3>as familiar as your own shadow, a companion through everything.

0:35:21.261 --> 0:35:24.221
<v Speaker 3>I was grieving hope, the future that i'd let unfold,

0:35:24.502 --> 0:35:28.781
<v Speaker 3>the excitement, and for a moment other people's joy is

0:35:28.822 --> 0:35:32.301
<v Speaker 3>all I see. She is pregnant, she has just had

0:35:32.302 --> 0:35:34.942
<v Speaker 3>her third She's walking down the street with two little ones,

0:35:34.982 --> 0:35:37.622
<v Speaker 3>so close in age, with no idea how lucky she is.

0:35:38.542 --> 0:35:41.741
<v Speaker 3>I'm being assaulted by pregnant bellies and ultrasound pictures and

0:35:41.781 --> 0:35:45.261
<v Speaker 3>family photos. And they're beautiful, but they're also brutal to

0:35:45.302 --> 0:35:48.142
<v Speaker 3>the people I empathized with before this. I'm sorry that

0:35:48.221 --> 0:35:52.301
<v Speaker 3>I didn't understand. I didn't understand the impatience, the frustration,

0:35:52.781 --> 0:35:56.301
<v Speaker 3>the grief, the anger, the isolation that it can feel

0:35:56.342 --> 0:36:00.181
<v Speaker 3>like you lost something you only ever really saw. I

0:36:00.261 --> 0:36:03.501
<v Speaker 3>experienced early what so many women go through much later,

0:36:03.582 --> 0:36:06.942
<v Speaker 3>and it is awful to experience a pregnancy you wanted

0:36:06.942 --> 0:36:10.502
<v Speaker 3>more than anything leave your body. However more however, early

0:36:11.022 --> 0:36:14.462
<v Speaker 3>leaves you with an emptiness, a silence, something that is

0:36:14.502 --> 0:36:17.741
<v Speaker 3>over before it ever properly began. And I didn't want

0:36:17.741 --> 0:36:20.062
<v Speaker 3>this story to be a footnote to a pregnancy announcement,

0:36:20.221 --> 0:36:23.261
<v Speaker 3>hopefully someday down the track, a story of victory over

0:36:23.302 --> 0:36:25.861
<v Speaker 3>struggle where it didn't matter so much because we got

0:36:25.862 --> 0:36:28.582
<v Speaker 3>our healthy baby in the end. Because right now that's

0:36:28.582 --> 0:36:30.701
<v Speaker 3>not where I am, or where so many people are.

0:36:31.661 --> 0:36:34.941
<v Speaker 3>I'm sitting in the silence, the emptiness, and I hate

0:36:34.982 --> 0:36:37.901
<v Speaker 3>it here. So I want to say it in case

0:36:37.942 --> 0:36:40.502
<v Speaker 3>you've ever been here, or you're here now, or you

0:36:40.582 --> 0:36:43.862
<v Speaker 3>find yourself here one day stunned by how much it hurts.

0:36:44.542 --> 0:36:48.341
<v Speaker 1>Sweetheart, I'm so sorry that that happened to you, and

0:36:48.382 --> 0:36:51.062
<v Speaker 1>I'm so glad that you wrote that, because that's beautiful.

0:36:51.261 --> 0:36:54.181
<v Speaker 1>You've put words around something that so many women have

0:36:54.221 --> 0:36:56.261
<v Speaker 1>gone through, and so many women will go through, and

0:36:56.302 --> 0:37:00.501
<v Speaker 1>it's really hard thing to explain, even to partner, even

0:37:00.582 --> 0:37:04.862
<v Speaker 1>to your closest friends. It's very unique. It's a weird

0:37:05.062 --> 0:37:05.862
<v Speaker 1>type of grief.

0:37:06.102 --> 0:37:08.342
<v Speaker 3>I've spoken to so many women working in this office,

0:37:08.502 --> 0:37:11.821
<v Speaker 3>like who I've spoken about it, have been at work,

0:37:11.902 --> 0:37:14.941
<v Speaker 3>been in a meeting, gone to the bathroom, and this

0:37:16.062 --> 0:37:19.221
<v Speaker 3>kind of private tragedy has occurred, and I thought I

0:37:19.582 --> 0:37:24.022
<v Speaker 3>knew it was bad. I don't think I ever understood

0:37:24.862 --> 0:37:28.942
<v Speaker 3>the complicated and like embodied emotion of it. I was,

0:37:29.022 --> 0:37:31.502
<v Speaker 3>of course, you just frantically google and one of the

0:37:31.582 --> 0:37:34.821
<v Speaker 3>symptoms that you're losing a pregnancy is grief, like you

0:37:34.902 --> 0:37:37.742
<v Speaker 3>actually do. It's like your body, like your cells feel

0:37:38.582 --> 0:37:42.741
<v Speaker 3>like a changing. Oh, your hormones are changing and yeah, yeah,

0:37:42.781 --> 0:37:47.942
<v Speaker 3>and the palpable grief. I've never been so sure of anything.

0:37:47.942 --> 0:37:49.702
<v Speaker 3>And I think when you go with symptoms like obviously

0:37:49.701 --> 0:37:54.182
<v Speaker 3>bleeding is quite normal in early pregnancy, and so people

0:37:54.422 --> 0:37:57.062
<v Speaker 3>are reassuring or trying to be reassuring.

0:37:56.582 --> 0:37:58.301
<v Speaker 1>But it was you knew.

0:37:58.462 --> 0:38:01.301
<v Speaker 3>I just absolutely absolutely.

0:38:00.862 --> 0:38:03.622
<v Speaker 1>Knew, no matter how early it is. And like I

0:38:03.701 --> 0:38:06.022
<v Speaker 1>so many women get conscious of like throat clearing going

0:38:06.062 --> 0:38:07.942
<v Speaker 1>and it was early, and I just I can't imagine

0:38:07.942 --> 0:38:11.941
<v Speaker 1>what it's like. There's no there's no leaderboard of who

0:38:11.942 --> 0:38:14.542
<v Speaker 1>gets to be the most sad. It's a type of

0:38:14.622 --> 0:38:17.822
<v Speaker 1>grief that transcends how many weeks.

0:38:17.862 --> 0:38:23.022
<v Speaker 3>And I completely understand why people and I so appreciate

0:38:23.781 --> 0:38:26.542
<v Speaker 3>people before me having talked about it. And even as

0:38:26.542 --> 0:38:30.022
<v Speaker 3>it was happening, I kind of had a prism through

0:38:30.022 --> 0:38:32.261
<v Speaker 3>which to understand what was happening because I'd heard other

0:38:32.302 --> 0:38:35.382
<v Speaker 3>women talk about it, and I understand the vulnerability of

0:38:35.422 --> 0:38:37.502
<v Speaker 3>being in the moment. Even saying like I'm trying really

0:38:37.502 --> 0:38:38.862
<v Speaker 3>hard at this thing and it's not working.

0:38:39.221 --> 0:38:41.261
<v Speaker 1>Is like do you feel like a failure? Yeah?

0:38:41.422 --> 0:38:43.861
<v Speaker 3>Quite shameful, like that I.

0:38:43.822 --> 0:38:46.062
<v Speaker 1>Had one job, my body had one job. Yeah.

0:38:46.062 --> 0:38:49.022
<v Speaker 3>But then there's this awareness of like the privilege of

0:38:49.062 --> 0:38:54.622
<v Speaker 3>having fallen pregnant accidentally and having a healthy pregnancy and

0:38:54.661 --> 0:38:55.781
<v Speaker 3>a healthy baby.

0:38:55.542 --> 0:38:58.102
<v Speaker 2>But also knowing that when you talked about your boobs

0:38:58.102 --> 0:39:00.781
<v Speaker 2>and like you knew. Yeah, Like I think that would

0:39:00.982 --> 0:39:02.982
<v Speaker 2>just feel like your betrayal.

0:39:03.382 --> 0:39:06.422
<v Speaker 3>Yeah, it's like an embodied Like it's such an embodied experience.

0:39:06.422 --> 0:39:09.502
<v Speaker 3>I suppose to be pregnant and you feel I've heard

0:39:09.542 --> 0:39:10.461
<v Speaker 3>women talk about body.

0:39:12.022 --> 0:39:14.422
<v Speaker 1>Yeah, embodied. It's so visceral, isn't it.

0:39:14.542 --> 0:39:17.022
<v Speaker 3>Yeah, And that's why it feels like a loss only

0:39:17.102 --> 0:39:19.382
<v Speaker 3>you can see because no one else can feel it,

0:39:19.422 --> 0:39:22.542
<v Speaker 3>and your partner can be. So it's a grief for

0:39:22.542 --> 0:39:26.062
<v Speaker 3>the partner too, because you're so excited but they didn't

0:39:26.102 --> 0:39:26.542
<v Speaker 3>know them.

0:39:27.062 --> 0:39:30.221
<v Speaker 1>And it's also there's no proof that this person existed, Like, now,

0:39:30.221 --> 0:39:32.701
<v Speaker 1>how do I honor this person? There's no I haven't

0:39:32.741 --> 0:39:37.942
<v Speaker 1>even told people that I was pregnant, so how can I.

0:39:37.942 --> 0:39:42.062
<v Speaker 3>I kept taking pregnancy tests and there's the saddest image.

0:39:42.062 --> 0:39:43.942
<v Speaker 3>I said, I said to Luca, this is the saddest

0:39:43.942 --> 0:39:45.902
<v Speaker 3>image I've ever seen. But it's a pregnancy test. It

0:39:45.942 --> 0:39:48.542
<v Speaker 3>still so's positive, but on the urine stick there's blood

0:39:48.942 --> 0:39:51.142
<v Speaker 3>because I knew that it was and I just had

0:39:51.181 --> 0:39:53.741
<v Speaker 3>to keep checking and checking and checking, and then I

0:39:53.781 --> 0:39:55.502
<v Speaker 3>had to keep that because I was like, it's the

0:39:55.542 --> 0:39:59.582
<v Speaker 3>only evidence that this thing actually happened, because I feel

0:39:59.622 --> 0:40:03.462
<v Speaker 3>a bit insane right now, Like I feel as though, oh, okay,

0:40:03.502 --> 0:40:05.142
<v Speaker 3>I just had this health thing happened, and then I

0:40:05.181 --> 0:40:06.942
<v Speaker 3>go home and we get on with things.

0:40:07.142 --> 0:40:09.462
<v Speaker 1>And no one even knows this profound Like I saw

0:40:09.661 --> 0:40:11.821
<v Speaker 1>you last week and yeah, I didn't know, like this

0:40:11.942 --> 0:40:15.661
<v Speaker 1>profound thing was happening inside your body and women are

0:40:15.701 --> 0:40:19.982
<v Speaker 1>extraordinary carry with it and get on with it, because

0:40:19.982 --> 0:40:21.741
<v Speaker 1>what are the rituals as well? Like what are the

0:40:21.822 --> 0:40:23.221
<v Speaker 1>rituals for miscarriage? Yeah?

0:40:23.261 --> 0:40:25.422
<v Speaker 3>What are you meant to do? Other than go? And

0:40:25.462 --> 0:40:28.341
<v Speaker 3>I'm sure that they, you know, must get asked this

0:40:28.422 --> 0:40:30.462
<v Speaker 3>question all the time. But it's like, well, when can

0:40:30.502 --> 0:40:32.781
<v Speaker 3>I try again? Can I? Yeah? When's it going to happen?

0:40:32.822 --> 0:40:36.861
<v Speaker 3>Like they I've never felt impatience like this ever, Like

0:40:36.942 --> 0:40:42.901
<v Speaker 3>it's yeah, it's such a bizarre mix of emotions. And

0:40:42.942 --> 0:40:46.342
<v Speaker 3>I know that the stats that it's so so common,

0:40:46.342 --> 0:40:48.221
<v Speaker 3>and there is something comforting in that knowing that it's

0:40:48.221 --> 0:40:50.861
<v Speaker 3>not that you're defective. It's like it does happen a lot,

0:40:51.382 --> 0:40:56.982
<v Speaker 3>but yeah, something only only women can understand and out Louders.

0:40:56.982 --> 0:41:00.022
<v Speaker 3>If this brings things up for you, then there are

0:41:00.302 --> 0:41:03.341
<v Speaker 3>resources in the show notes. We're thinking of you because

0:41:03.382 --> 0:41:06.142
<v Speaker 3>we know how many of you will have been impacted by.

0:41:05.942 --> 0:41:07.821
<v Speaker 1>This sort of thing. So many outlouders we'll want to

0:41:07.822 --> 0:41:10.062
<v Speaker 1>reach out to you by DM are in the out

0:41:10.102 --> 0:41:12.462
<v Speaker 1>Louders group or comments or whatever, and so many people

0:41:12.502 --> 0:41:16.341
<v Speaker 1>will be moved and grateful and have big feelings. But

0:41:17.302 --> 0:41:19.661
<v Speaker 1>you'll read what you can. You but you know you

0:41:19.822 --> 0:41:22.982
<v Speaker 1>just need time to process it all. So in advance,

0:41:23.062 --> 0:41:26.142
<v Speaker 1>thanks out louders for on Jesse's behalf or your love

0:41:26.181 --> 0:41:30.582
<v Speaker 1>that we know that you'll have. After the break, We've

0:41:30.582 --> 0:41:34.262
<v Speaker 1>got some recommendations for you, including the show Everyone's Talking About,

0:41:34.302 --> 0:41:37.022
<v Speaker 1>a grouping World War two era novel, and a comedy

0:41:37.102 --> 0:41:41.221
<v Speaker 1>gem starring Idris Elba and John Cena. Oh you about that?

0:41:42.622 --> 0:41:45.181
<v Speaker 1>Do you want daily out loud access? Why wouldn't you?

0:41:45.302 --> 0:41:49.502
<v Speaker 1>We drop episodes every Tuesday and Thursday exclusively for Mum

0:41:49.502 --> 0:41:51.781
<v Speaker 1>and me. A subscribers follow the link in the show

0:41:51.822 --> 0:41:54.182
<v Speaker 1>notes to get us in your ears five days a week,

0:41:54.542 --> 0:41:57.142
<v Speaker 1>and a huge thank you if you're already a subscriber.

0:42:03.661 --> 0:42:07.582
<v Speaker 2>Vibes ideas atmosphere, something casual, something fun.

0:42:08.102 --> 0:42:12.341
<v Speaker 1>This is my best recommendation. It is Friday, so the

0:42:12.382 --> 0:42:14.661
<v Speaker 1>show's not over. We want to help set your weekend

0:42:14.942 --> 0:42:18.982
<v Speaker 1>up with some recommendations. And if you've got to spare

0:42:19.022 --> 0:42:22.062
<v Speaker 1>ten hours, you don't have to watch all ten hours

0:42:22.062 --> 0:42:26.021
<v Speaker 1>at once. I did so too much. We spoke about

0:42:26.062 --> 0:42:28.742
<v Speaker 1>it on Monday's show. Well, we spoke about Lina Dunham,

0:42:28.781 --> 0:42:32.942
<v Speaker 1>who is the writer, creator and director of this show.

0:42:33.462 --> 0:42:37.062
<v Speaker 1>It's on Netflix, and Netflix don't space things out, they

0:42:37.102 --> 0:42:40.741
<v Speaker 1>do let you binge. It's about ten hours worth. Yeah,

0:42:40.781 --> 0:42:41.861
<v Speaker 1>I would say a little London.

0:42:41.902 --> 0:42:46.221
<v Speaker 3>So I'm god actually about because I one hundred percent

0:42:46.261 --> 0:42:46.622
<v Speaker 3>going to watch.

0:42:46.661 --> 0:42:50.022
<v Speaker 1>It's her story. We're talking about memoir, but it's fictionalized memoir,

0:42:50.741 --> 0:42:54.781
<v Speaker 1>so similar to parts of your book about depression, it

0:42:54.822 --> 0:42:58.302
<v Speaker 1>can be a way for people to tell an aspect

0:42:58.342 --> 0:43:00.661
<v Speaker 1>of their story without having to be faithful to every

0:43:00.661 --> 0:43:04.422
<v Speaker 1>single detail, or like Strife with My story, where it

0:43:04.542 --> 0:43:07.382
<v Speaker 1>actually gives you a lot more creative license. But anyway,

0:43:07.422 --> 0:43:10.662
<v Speaker 1>so Lena Dunham, after the success of Girls and everything

0:43:10.701 --> 0:43:13.902
<v Speaker 1>that happened in America, as we spoke about on Monday

0:43:13.942 --> 0:43:15.782
<v Speaker 1>and go Back, We've had so many comments of people

0:43:15.862 --> 0:43:18.461
<v Speaker 1>just loving that episode. It was such a great week.

0:43:18.622 --> 0:43:20.341
<v Speaker 1>I'm glad you loved it because we love doing it.

0:43:20.342 --> 0:43:22.301
<v Speaker 1>It was like a big, chunky, deep dive into Lena

0:43:22.382 --> 0:43:26.381
<v Speaker 1>and the Girls phenomenon. But she ended up leaving America

0:43:26.462 --> 0:43:30.341
<v Speaker 1>and going to the UK to direct. She had a

0:43:30.342 --> 0:43:32.422
<v Speaker 1>couple of opportunities over there, and she decided that she

0:43:32.502 --> 0:43:33.941
<v Speaker 1>just needed to get away. She had a bad break

0:43:33.982 --> 0:43:37.421
<v Speaker 1>up after a long term relationship, and pretty early on

0:43:37.661 --> 0:43:39.982
<v Speaker 1>after she arrived in the UK, she met this musician

0:43:40.781 --> 0:43:43.981
<v Speaker 1>kind of unlikely match in a way, but they fell

0:43:44.022 --> 0:43:47.542
<v Speaker 1>in love and she and he got married. It's not

0:43:47.582 --> 0:43:50.022
<v Speaker 1>really a spoiler because this is well known. They got

0:43:50.022 --> 0:43:52.181
<v Speaker 1>married I think a year after meeting each other, maybe

0:43:52.261 --> 0:43:56.462
<v Speaker 1>seven months, And this just tells the story of you know,

0:43:56.502 --> 0:43:59.582
<v Speaker 1>this Lena type character played by Megan Stalter. You might

0:43:59.622 --> 0:44:02.982
<v Speaker 1>remember her from Hacks, and she's sort of like our

0:44:03.062 --> 0:44:07.022
<v Speaker 1>unlikely protagonist in that she doesn't look the way a

0:44:07.062 --> 0:44:12.302
<v Speaker 1>Hollywood protagonist looks into a twenty five or has really

0:44:12.382 --> 0:44:16.301
<v Speaker 1>ever looked outside of Lena Dunham production. And that's not

0:44:16.342 --> 0:44:20.982
<v Speaker 1>even the story that just you know is incidental, yeah, incidental, Jess.

0:44:21.022 --> 0:44:26.662
<v Speaker 2>Something has shifted with you, Josh Hi, how are you girl?

0:44:26.661 --> 0:44:30.862
<v Speaker 1>Are you good? You're unhappy living me. It's the worst

0:44:30.902 --> 0:44:36.062
<v Speaker 1>thing that everyone's ever done. Change your life. Go to London, seriously,

0:44:36.342 --> 0:44:37.262
<v Speaker 1>you love London.

0:44:37.781 --> 0:44:40.422
<v Speaker 2>You saw a Spice World nine times in the theater.

0:44:41.462 --> 0:44:43.701
<v Speaker 1>I could do it. I could go and find my

0:44:43.822 --> 0:44:47.941
<v Speaker 1>English dream. You know, a state ground starting gardens, good luck,

0:44:47.942 --> 0:44:58.142
<v Speaker 1>We don't love. I'm talking to a girlfriend about it

0:44:58.181 --> 0:45:00.542
<v Speaker 1>who said it certainly wouldn't pass the Is it called the.

0:45:00.542 --> 0:45:02.862
<v Speaker 3>Bechdel test, I'd say, bechetel.

0:45:04.661 --> 0:45:07.781
<v Speaker 1>H d e L. It's a test by a cartoonist

0:45:07.781 --> 0:45:11.181
<v Speaker 1>called Allison Bechell Look Bechdel. It looks at movies and

0:45:11.221 --> 0:45:14.741
<v Speaker 1>TV shows and basically says, if the women in every

0:45:14.982 --> 0:45:17.941
<v Speaker 1>sort of scene are talking about men more their relationships,

0:45:19.302 --> 0:45:22.422
<v Speaker 1>that just sort of signifies that it's not really about

0:45:22.701 --> 0:45:26.222
<v Speaker 1>female characters, and this would not pass that because it's

0:45:26.342 --> 0:45:28.742
<v Speaker 1>very much a rom com. It's about the love story.

0:45:28.942 --> 0:45:32.542
<v Speaker 1>And it also goes back and through a series of flashbacks,

0:45:32.741 --> 0:45:36.542
<v Speaker 1>looks at these two sort of flawed characters who interrogate

0:45:36.622 --> 0:45:39.022
<v Speaker 1>their past and how did they become sort of traumatized

0:45:39.022 --> 0:45:42.062
<v Speaker 1>in different ways. It's bloody funny. It's written in just

0:45:42.142 --> 0:45:44.542
<v Speaker 1>the most glorious way by Lena. It's got that great

0:45:45.181 --> 0:45:50.542
<v Speaker 1>dialogue that's clever, but not like punishingly clever, you know,

0:45:50.622 --> 0:45:52.781
<v Speaker 1>where it's just like, well, no one actually talks like that.

0:45:53.181 --> 0:45:54.062
<v Speaker 2>It's really funny.

0:45:54.102 --> 0:45:54.862
<v Speaker 3>What did you love about it?

0:45:54.982 --> 0:45:57.462
<v Speaker 2>I love Okay. Firstly, I loved Will Sharp, who plays

0:45:57.661 --> 0:46:00.821
<v Speaker 2>the romantic interest. He was in White Loadus season two. Yes,

0:46:01.261 --> 0:46:03.142
<v Speaker 2>so good looking, he's really really good.

0:46:03.142 --> 0:46:05.262
<v Speaker 1>He was married to Aubrey Plaza, Yes.

0:46:05.142 --> 0:46:07.582
<v Speaker 2>And White Loats. What I loved about The Human is

0:46:07.622 --> 0:46:09.542
<v Speaker 2>that it's very summer to Girls. It took me a while,

0:46:09.781 --> 0:46:12.542
<v Speaker 2>if you're a big Girls fan, to not see this

0:46:12.781 --> 0:46:14.422
<v Speaker 2>character as Hannah from Girls.

0:46:14.902 --> 0:46:15.182
<v Speaker 3>Okay.

0:46:15.342 --> 0:46:17.021
<v Speaker 2>I kept thinking they were meant to be the same

0:46:17.142 --> 0:46:20.102
<v Speaker 2>person and then not. It's like two completely different characters.

0:46:20.181 --> 0:46:23.062
<v Speaker 2>But it's like Lena Dunham's humor, which is very fast paced,

0:46:23.181 --> 0:46:25.901
<v Speaker 2>very funny, that you have to constantly play catch up

0:46:25.982 --> 0:46:27.582
<v Speaker 2>where you're like, oh my god, that was so funny,

0:46:27.582 --> 0:46:30.502
<v Speaker 2>And then I found myself rewinding things to like rehear them.

0:46:30.622 --> 0:46:32.701
<v Speaker 1>I wanted to go back and watch the whole season again,

0:46:32.741 --> 0:46:36.102
<v Speaker 1>which I never do. Some of the most glorious cameos

0:46:36.261 --> 0:46:39.781
<v Speaker 1>Naomi Watts. Yes, oh my god, she's In a few episodes,

0:46:40.142 --> 0:46:44.181
<v Speaker 1>she plays just the most phenomenal character. Jennifer Saunders makes

0:46:44.221 --> 0:46:47.862
<v Speaker 1>an appearance and Scott the hot priest from Fleabag.

0:46:47.942 --> 0:46:49.301
<v Speaker 2>Jessica alba Ura.

0:46:49.542 --> 0:46:54.502
<v Speaker 1>Yeah, it's it's amazing. Oh yeah, it made me like him. Rada,

0:46:54.781 --> 0:46:57.701
<v Speaker 1>I buried the lead. This actually made me like em.

0:46:57.822 --> 0:47:02.062
<v Speaker 1>Rada plays a knitting influencer model that her ex boyfriend

0:47:02.102 --> 0:47:05.221
<v Speaker 1>then gets together with, and she was really good.

0:47:05.582 --> 0:47:08.422
<v Speaker 3>She was to watch this. That's gonna be my weekend one.

0:47:08.422 --> 0:47:10.302
<v Speaker 1>I can't recommend it enough. The other show I watched,

0:47:10.462 --> 0:47:12.582
<v Speaker 1>which I know I'm not allowed to recommend, well, it's

0:47:12.622 --> 0:47:14.821
<v Speaker 1>against the rules because it's already been recommended. But I've

0:47:14.942 --> 0:47:16.622
<v Speaker 1>just discovered Drive to Survive.

0:47:16.701 --> 0:47:21.542
<v Speaker 3>Stop is ahead of us on this. She's the person

0:47:21.622 --> 0:47:22.181
<v Speaker 3>I can talk to.

0:47:22.382 --> 0:47:24.062
<v Speaker 1>Well. The good news about that is that if you

0:47:24.142 --> 0:47:26.062
<v Speaker 1>go back to the beginning like I did, I've just

0:47:26.181 --> 0:47:27.661
<v Speaker 1>got hours and hours an hour.

0:47:27.781 --> 0:47:30.222
<v Speaker 2>You're talking to people who don't even exist.

0:47:30.342 --> 0:47:32.862
<v Speaker 1>I know. I'm on out of season three. This is

0:47:32.902 --> 0:47:35.102
<v Speaker 1>the behind the sense of Formula one. It's become a

0:47:35.181 --> 0:47:39.261
<v Speaker 1>massive hit with women. Very clever marketing move by f one. Jesse,

0:47:39.502 --> 0:47:40.382
<v Speaker 1>what are you recommending?

0:47:40.582 --> 0:47:42.582
<v Speaker 3>I'm going to recommend a book. It is called The

0:47:42.701 --> 0:47:46.862
<v Speaker 3>Nightingale by Kristen Hannah. It is not brand new, but

0:47:47.502 --> 0:47:51.781
<v Speaker 3>I have been for the last few months struggling to

0:47:51.942 --> 0:47:55.102
<v Speaker 3>get through anything same. I am picking up books that

0:47:55.221 --> 0:47:58.301
<v Speaker 3>everyone says are amazing, like hits that everyone's talking about,

0:47:58.342 --> 0:47:59.902
<v Speaker 3>and I'm like, I can't finish this.

0:48:00.142 --> 0:48:02.181
<v Speaker 1>I've got a question, when do you make the call

0:48:02.701 --> 0:48:05.461
<v Speaker 1>to keep pushing through or not? Are you a pusher througher?

0:48:05.701 --> 0:48:07.982
<v Speaker 3>I'm a I'll read a chapter and go not for

0:48:08.102 --> 0:48:10.781
<v Speaker 3>me one chapter, Yeah, but the last few I've read,

0:48:10.781 --> 0:48:13.142
<v Speaker 3>I've gotten three quarters away through and I'm not actually

0:48:13.142 --> 0:48:13.701
<v Speaker 3>invested in how.

0:48:13.661 --> 0:48:14.062
<v Speaker 1>This finished it.

0:48:14.062 --> 0:48:15.542
<v Speaker 2>I'm gonna push it through it even if I hate it.

0:48:15.622 --> 0:48:16.342
<v Speaker 2>I have to finish it.

0:48:17.022 --> 0:48:19.821
<v Speaker 3>Chapter is sure Jesse, Wow, I can tell by the

0:48:19.902 --> 0:48:23.301
<v Speaker 3>writing and also like how much stock I've got the writer? Yeah,

0:48:23.382 --> 0:48:25.661
<v Speaker 3>but this a few friends said to me. This is

0:48:25.781 --> 0:48:27.701
<v Speaker 3>just super super readable, but also top of the New

0:48:27.781 --> 0:48:30.341
<v Speaker 3>York Times bestseller list. This author has written a few

0:48:30.422 --> 0:48:31.302
<v Speaker 3>really really good books.

0:48:31.342 --> 0:48:33.261
<v Speaker 1>I've heard about it. What's it about? Because I also

0:48:33.342 --> 0:48:35.142
<v Speaker 1>need a book that's going to push me out of

0:48:35.181 --> 0:48:35.902
<v Speaker 1>my rut, so.

0:48:36.342 --> 0:48:38.941
<v Speaker 3>This will one hundred percent do that. It is set

0:48:39.062 --> 0:48:42.261
<v Speaker 3>in World War two France, and it follows two sisters

0:48:42.422 --> 0:48:46.542
<v Speaker 3>and their resistance to the Nazis. That sounds like really heavy,

0:48:46.661 --> 0:48:49.502
<v Speaker 3>but it's not like I'm just really invested in the

0:48:49.661 --> 0:48:52.781
<v Speaker 3>day to day lives of these two women. And it's

0:48:52.862 --> 0:48:56.982
<v Speaker 3>not like hectic historical fiction where it feels dense like it.

0:48:57.422 --> 0:48:58.782
<v Speaker 3>It's very very readable.

0:48:58.862 --> 0:49:00.582
<v Speaker 1>How does it compare to The Safe Keep, because that

0:49:00.701 --> 0:49:03.022
<v Speaker 1>was the last historical fiction that you I couldn't get

0:49:03.022 --> 0:49:05.942
<v Speaker 1>through it. You couldn't get through every week raving about.

0:49:05.701 --> 0:49:08.221
<v Speaker 3>The Safety Oh I loved the Safe couldn't get through it.

0:49:08.342 --> 0:49:09.301
<v Speaker 1>So how does it compare to that?

0:49:09.542 --> 0:49:11.142
<v Speaker 3>I would say similar, And I would also put that

0:49:11.261 --> 0:49:13.542
<v Speaker 3>in the same realm as The Bronze Horseman, which is.

0:49:13.542 --> 0:49:15.341
<v Speaker 1>All I loved the Bronze Horsemen. Yeah.

0:49:15.582 --> 0:49:19.822
<v Speaker 3>So it's about female war heroes broadly and the stories

0:49:19.862 --> 0:49:23.702
<v Speaker 3>that we don't hear, and also how everyone's resistance looks different.

0:49:24.142 --> 0:49:27.862
<v Speaker 3>So these two sisters resist the Nazis in very specific

0:49:27.942 --> 0:49:30.902
<v Speaker 3>ways that might at point seem small, but are also

0:49:30.982 --> 0:49:33.542
<v Speaker 3>grounded in like historical accuracy, Like what one of the

0:49:33.622 --> 0:49:36.102
<v Speaker 3>sisters did is something that was done during the war

0:49:36.261 --> 0:49:38.862
<v Speaker 3>and made me think about how you know the marches

0:49:38.902 --> 0:49:41.422
<v Speaker 3>are for the men, the Anzac Day March, but broadly

0:49:41.542 --> 0:49:44.342
<v Speaker 3>it's been mostly for the men who come back. But

0:49:44.422 --> 0:49:47.341
<v Speaker 3>what happened in the four or five years when they

0:49:47.382 --> 0:49:49.462
<v Speaker 3>were gone? What did these women do and what did

0:49:49.502 --> 0:49:52.102
<v Speaker 3>they experience? And I didn't know that some of the

0:49:52.221 --> 0:49:54.741
<v Speaker 3>Nazis in this French town were billeted to homes. And

0:49:54.822 --> 0:49:57.542
<v Speaker 3>what that means is that, my god, I didn't know that. Yeah,

0:49:57.622 --> 0:50:00.741
<v Speaker 3>so you would be living in a house and a

0:50:00.822 --> 0:50:02.781
<v Speaker 3>Nazi would knock on the door and go, hey, I'm

0:50:02.781 --> 0:50:05.022
<v Speaker 3>gonna need that room and just live in your house.

0:50:05.462 --> 0:50:10.102
<v Speaker 3>You're a vulnerable woman, often with children like alone. And

0:50:10.221 --> 0:50:13.782
<v Speaker 3>also I always find really interesting the details about rations

0:50:13.822 --> 0:50:16.862
<v Speaker 3>and food and the cold and just the horrendous conditions

0:50:16.942 --> 0:50:19.502
<v Speaker 3>that people lived through. I was deeply, deeply moved by it.

0:50:19.822 --> 0:50:21.861
<v Speaker 3>So it's called The Nightingale. I'm going to go back

0:50:21.902 --> 0:50:24.262
<v Speaker 3>and read read her others, but it's brilliant.

0:50:24.741 --> 0:50:27.741
<v Speaker 2>Okay, I have a movie I want to recommend that

0:50:28.902 --> 0:50:31.062
<v Speaker 2>I feel like I'll have to really convince you guys

0:50:31.142 --> 0:50:33.062
<v Speaker 2>to watch. But if Holly was here, should be all around.

0:50:33.062 --> 0:50:34.742
<v Speaker 3>Okay, all right, she's probably already saying.

0:50:34.542 --> 0:50:37.341
<v Speaker 2>That it's called Heads of State, and it's on Prime

0:50:37.462 --> 0:50:41.701
<v Speaker 2>Video and it stars Idris Elba, John Cena, yeah, and

0:50:41.822 --> 0:50:44.301
<v Speaker 2>Preaka Chopra. But oh, I love all of them, all

0:50:44.382 --> 0:50:48.981
<v Speaker 2>of them. So John Cena plays a Hollywood A list

0:50:49.462 --> 0:50:51.821
<v Speaker 2>turned US President of the United States.

0:50:52.142 --> 0:50:54.301
<v Speaker 1>Oh sounds for me. I love him so much.

0:50:54.342 --> 0:50:56.982
<v Speaker 2>He's funny, he's really funny. And Idris Elba plays like

0:50:57.382 --> 0:51:02.301
<v Speaker 2>a really tough, quiet military guy who's now the Prime

0:51:02.382 --> 0:51:03.221
<v Speaker 2>Minister of the UK.

0:51:05.022 --> 0:51:07.102
<v Speaker 1>It's the Prime Minister, it's the president.

0:51:07.781 --> 0:51:11.741
<v Speaker 2>Debute duet do it? Yeah, it's like doctor Dre and

0:51:11.781 --> 0:51:13.502
<v Speaker 2>your Eminem and we're taking that stage for the first

0:51:13.502 --> 0:51:13.941
<v Speaker 2>time again.

0:51:15.022 --> 0:51:21.342
<v Speaker 1>I'm Eminem. What is it you're walking around thinking you

0:51:21.422 --> 0:51:25.901
<v Speaker 1>better than nobody else? You are the commander in chief?

0:51:25.902 --> 0:51:27.462
<v Speaker 2>You know some DJ in Vegas.

0:51:29.422 --> 0:51:30.782
<v Speaker 1>All right, I get it. You don't like my movies.

0:51:30.822 --> 0:51:33.861
<v Speaker 1>I've never seen your movies. But the universe keeps telling

0:51:33.902 --> 0:51:35.221
<v Speaker 1>me I look cool with a gun in my head.

0:51:38.661 --> 0:51:39.142
<v Speaker 1>That's how I go.

0:51:39.622 --> 0:51:42.741
<v Speaker 2>They both also start in did you have watch Suicide Squad? No,

0:51:44.342 --> 0:51:46.502
<v Speaker 2>it's not like a massive, massive movie, but it's like

0:51:46.622 --> 0:51:50.102
<v Speaker 2>Suicide Squad is like the Nuggo Robbie in that yes, yeah, yeah,

0:51:50.382 --> 0:51:53.022
<v Speaker 2>So they would start in that together. Everyone really liked

0:51:53.062 --> 0:51:54.862
<v Speaker 2>them together, so now they're doing this movie together. And

0:51:54.902 --> 0:51:57.981
<v Speaker 2>it's actually a buddy comedy, so it's like comedy action pace,

0:51:58.382 --> 0:52:01.261
<v Speaker 2>but it's about these two massive political figures who are

0:52:01.302 --> 0:52:04.461
<v Speaker 2>getting hunted by these assassins, and the assassins are trying

0:52:04.542 --> 0:52:07.261
<v Speaker 2>to destroy all these peace treaties that around the world

0:52:07.302 --> 0:52:09.182
<v Speaker 2>and they're just chasing them around the world. And Pianka

0:52:09.221 --> 0:52:11.261
<v Speaker 2>Chopa plays a CIA agent who's the only one who

0:52:11.261 --> 0:52:14.782
<v Speaker 2>actually knows what's going on. It is really really funny.

0:52:15.342 --> 0:52:17.261
<v Speaker 2>Your boomer dad or your twein son will love it.

0:52:17.822 --> 0:52:19.661
<v Speaker 2>There's a big family exactly.

0:52:19.862 --> 0:52:21.662
<v Speaker 3>Catch my dad watching at one pm on a Saturday.

0:52:21.701 --> 0:52:23.502
<v Speaker 2>Yeah, oh my god, me and your dad.

0:52:23.661 --> 0:52:26.662
<v Speaker 1>That's on. My criteria for that is no sex scenes.

0:52:26.902 --> 0:52:27.822
<v Speaker 2>There's no sex scenes.

0:52:28.261 --> 0:52:29.062
<v Speaker 1>Tick done.

0:52:29.502 --> 0:52:31.821
<v Speaker 2>I think there might be one kissing scene. That's all right,

0:52:32.102 --> 0:52:34.421
<v Speaker 2>that's fine, Okay. I'm also going to break the rules

0:52:34.422 --> 0:52:36.901
<v Speaker 2>and do one more recommendation. And so you know how,

0:52:36.982 --> 0:52:40.261
<v Speaker 2>I host The Spill, our daily entertainment podcast. Our little

0:52:40.261 --> 0:52:43.062
<v Speaker 2>Spill family is growing. We have a new offering called

0:52:43.302 --> 0:52:46.262
<v Speaker 2>Morning Tea. So you are now going to be getting

0:52:46.622 --> 0:52:49.901
<v Speaker 2>two episodes of the Spill every day. So Morning Tea

0:52:49.942 --> 0:52:52.262
<v Speaker 2>gets released at eight am. It's a five minute episode.

0:52:52.302 --> 0:52:55.382
<v Speaker 2>It's hosted by Ash London, who's absolutely brilliant, and she

0:52:55.542 --> 0:52:59.102
<v Speaker 2>gives you your entertainment, pop culture, celebrity news headlines of

0:52:59.181 --> 0:52:59.502
<v Speaker 2>the day.

0:52:59.701 --> 0:53:01.942
<v Speaker 1>I love this wiki.

0:53:02.022 --> 0:53:04.701
<v Speaker 3>It's kind of like the quickie bit first entertainment.

0:53:04.302 --> 0:53:08.062
<v Speaker 1>But for fluffy things. So I love this because it's

0:53:08.102 --> 0:53:11.781
<v Speaker 1>interesting that research continues to show that women are increasingly

0:53:12.181 --> 0:53:15.982
<v Speaker 1>experiencing news a version that they are wanting to turn

0:53:16.022 --> 0:53:19.221
<v Speaker 1>away from the news. The quickie is a fantastic option

0:53:19.382 --> 0:53:21.142
<v Speaker 1>for those people who want to get across the news

0:53:21.181 --> 0:53:26.661
<v Speaker 1>in a non anxious, sensationalist way. But sometimes you just

0:53:26.902 --> 0:53:28.902
<v Speaker 1>don't want that, or you want that and then you

0:53:28.982 --> 0:53:31.901
<v Speaker 1>want you want to stuff. So this is always used

0:53:31.902 --> 0:53:33.941
<v Speaker 1>to be my favorite part of the news or when

0:53:34.102 --> 0:53:37.022
<v Speaker 1>in the old days of breakfast television, the bits that

0:53:37.142 --> 0:53:39.902
<v Speaker 1>Richard Wilkins used to do, or whoever it was, and

0:53:40.342 --> 0:53:42.301
<v Speaker 1>this is just all the celebrity news. So it's just

0:53:42.382 --> 0:53:44.701
<v Speaker 1>like a catch up in the morning and then in

0:53:44.741 --> 0:53:48.821
<v Speaker 1>the afternoon you and you're still a Rodney Spell episode. Yes,

0:53:48.982 --> 0:53:52.062
<v Speaker 1>do a bit more of a deep dive on particular stories,

0:53:52.302 --> 0:53:54.342
<v Speaker 1>but this just like covers you off with the headlines.

0:53:54.342 --> 0:53:56.421
<v Speaker 2>It's all wonderful And this is all in the spill Feed,

0:53:56.582 --> 0:53:59.782
<v Speaker 2>All in the spell Feed, host by Ashlandon, who's so brilliant.

0:53:59.862 --> 0:54:02.382
<v Speaker 2>She knows so much about celebrity and pop culture.

0:54:02.422 --> 0:54:04.622
<v Speaker 1>I love her. And the other bit of pod news

0:54:04.701 --> 0:54:06.502
<v Speaker 1>we had for you is that I know a lot

0:54:06.542 --> 0:54:11.222
<v Speaker 1>about ladders. Have really loved the six weeks of Parenting

0:54:11.261 --> 0:54:13.702
<v Speaker 1>out Loud that we've done, Jesse you hosting with Emilia

0:54:13.822 --> 0:54:18.741
<v Speaker 1>lest Andy Stacy Hicks. We sort of did that as

0:54:18.781 --> 0:54:22.821
<v Speaker 1>a bit of an experiment and everyone has loved it. Yeah,

0:54:23.261 --> 0:54:25.301
<v Speaker 1>I love it. It's one of my favorite shows because

0:54:25.302 --> 0:54:26.861
<v Speaker 1>I'm not on it so I can just listen as

0:54:26.902 --> 0:54:29.781
<v Speaker 1>a listener. We weren't expecting to carry this show on,

0:54:30.022 --> 0:54:33.341
<v Speaker 1>so it's taking a little bit of parental leave while

0:54:33.422 --> 0:54:36.661
<v Speaker 1>we think about what's going to happen next. But if

0:54:36.741 --> 0:54:40.821
<v Speaker 1>you are interested in being the first to know when

0:54:41.142 --> 0:54:44.102
<v Speaker 1>Parenting out Loud and if it comes back, we will

0:54:44.142 --> 0:54:45.902
<v Speaker 1>put a link in the show notes so that you

0:54:46.022 --> 0:54:48.701
<v Speaker 1>can follow along in that feed and maybe go and

0:54:48.822 --> 0:54:52.422
<v Speaker 1>have a listen to the six episodes that we've already done. Congratulations.

0:54:52.502 --> 0:54:55.382
<v Speaker 3>That was such It was so so much fun and

0:54:55.502 --> 0:54:57.661
<v Speaker 3>it was a lot of parenting podcasts, you know.

0:54:58.261 --> 0:54:58.501
<v Speaker 1>Yeah.

0:54:59.181 --> 0:55:00.982
<v Speaker 3>I think that our resistance as well was like, we

0:55:01.022 --> 0:55:02.422
<v Speaker 3>don't want to get on and just talk about our

0:55:02.542 --> 0:55:02.942
<v Speaker 3>kids and.

0:55:03.982 --> 0:55:08.062
<v Speaker 2>Chiefs first, sleeping, life, stage, lifestyle.

0:55:08.261 --> 0:55:11.221
<v Speaker 3>Yeah, it's more the conversation that you have, all the

0:55:11.302 --> 0:55:13.542
<v Speaker 3>things that you read or gravitate to. We wanted it

0:55:13.622 --> 0:55:18.462
<v Speaker 3>to be thinkier, treat parents like adults instead of like, yeah.

0:55:18.582 --> 0:55:22.461
<v Speaker 1>It's not actually about kids, it's about sort of heads out. Yeah,

0:55:22.661 --> 0:55:24.862
<v Speaker 1>so it's kind of zeitguys, similar to out Loud, but

0:55:24.982 --> 0:55:27.582
<v Speaker 1>through a parenting lens. It's just so great, and lots

0:55:27.622 --> 0:55:29.701
<v Speaker 1>of people who aren't parents have said that they really

0:55:29.741 --> 0:55:31.181
<v Speaker 1>really love it. Anyway, we'll put a link in the

0:55:31.221 --> 0:55:33.462
<v Speaker 1>show notes if you want to follow that feed and

0:55:33.582 --> 0:55:34.221
<v Speaker 1>catch up with it.

0:55:34.701 --> 0:55:36.982
<v Speaker 3>That's all we have time for today. A big thank

0:55:37.062 --> 0:55:39.142
<v Speaker 3>you to all of you the out louders for listening

0:55:39.221 --> 0:55:41.902
<v Speaker 3>to today's show. We will be back in your ears

0:55:42.022 --> 0:55:44.821
<v Speaker 3>on Monday, and we've got a little present for you

0:55:45.102 --> 0:55:48.661
<v Speaker 3>because Hollywayne right been on her euro trip, which has

0:55:48.701 --> 0:55:50.942
<v Speaker 3>been posting a lot about, which has been pissing me

0:55:51.062 --> 0:55:53.261
<v Speaker 3>off because it looks very warm. Lots of app roles

0:55:53.302 --> 0:55:55.982
<v Speaker 3>shall be back joining us behind the mic, so meet

0:55:56.062 --> 0:55:56.742
<v Speaker 3>us there on Monday.

0:55:57.181 --> 0:56:00.022
<v Speaker 1>Thank you to our team group executive producer Ruth Divine,

0:56:00.102 --> 0:56:03.542
<v Speaker 1>our audio producer Leah Porges, video producer Josh Green, and

0:56:03.622 --> 0:56:06.701
<v Speaker 1>our junior content producers co Co and Tessa. We will

0:56:06.781 --> 0:56:08.582
<v Speaker 1>be back in your ears on Monday.

0:56:08.781 --> 0:56:10.982
<v Speaker 3>And if you want something else to listen to, yesterday's

0:56:11.022 --> 0:56:14.942
<v Speaker 3>subscriber episode, we tackled a bunch of very juicy dilemmas,

0:56:15.422 --> 0:56:18.622
<v Speaker 3>from how to deal with a colleague's questionable cooking to

0:56:18.741 --> 0:56:21.741
<v Speaker 3>a tricky parenting moral dilemma. A link will be in

0:56:21.862 --> 0:56:22.462
<v Speaker 3>the show notes.

0:56:22.862 --> 0:56:23.102
<v Speaker 1>Bye.

0:56:23.982 --> 0:56:26.901
<v Speaker 3>Shout out to any Mom and Mia subscribers listening. If

0:56:26.942 --> 0:56:28.861
<v Speaker 3>you love the show and you want to support us,

0:56:29.142 --> 0:56:31.861
<v Speaker 3>subscribing to mom and Mia is the very best way

0:56:31.982 --> 0:56:34.542
<v Speaker 3>to do so. There's a link in the episode description.