1 00:00:10,622 --> 00:00:13,342 Speaker 1: You're listening to Amma Mia podcast. 2 00:00:13,822 --> 00:00:17,182 Speaker 2: Muma Mia acknowledges the traditional owners of land and waters 3 00:00:17,222 --> 00:00:18,822 Speaker 2: that this podcast is recorded on. 4 00:00:20,902 --> 00:00:24,422 Speaker 3: Welcome to mummya out loud where women come to debrief. 5 00:00:24,542 --> 00:00:27,382 Speaker 3: I am Jessie Stevens, I'm mea Friedman, and I'm m 6 00:00:27,502 --> 00:00:30,422 Speaker 3: van Em And here's what's on our agenda for today, Friday, 7 00:00:30,462 --> 00:00:34,342 Speaker 3: the eighteenth of July. We couldn't wait until hollywoods back. 8 00:00:34,342 --> 00:00:37,302 Speaker 3: We tried, We really tried, but we desperately need to 9 00:00:37,382 --> 00:00:41,622 Speaker 3: unpack the Salt Path memoir controversy. I have gone so deep, 10 00:00:41,742 --> 00:00:42,302 Speaker 3: my friends. 11 00:00:42,662 --> 00:00:45,822 Speaker 1: I have spent I reckon around twenty hours watching two 12 00:00:45,822 --> 00:00:48,982 Speaker 1: shows last weekend. I was in binge mode and they 13 00:00:48,982 --> 00:00:52,742 Speaker 1: are my recommendations. Plus we have two bits of podcast news. 14 00:00:52,422 --> 00:00:57,022 Speaker 2: And therapy speak, mental health challenges and identity. Does anyone 15 00:00:57,102 --> 00:00:59,102 Speaker 2: simply have a personality anymore? 16 00:00:59,702 --> 00:01:02,182 Speaker 1: But first, in case you missed it, a couple in 17 00:01:02,262 --> 00:01:05,822 Speaker 1: Taiwan have caused a bit of a stir by hiring 18 00:01:05,902 --> 00:01:10,862 Speaker 1: pole dancers to perform outside their son's high school graduation 19 00:01:11,062 --> 00:01:15,222 Speaker 1: ceremony last month. The event took place in mid June, 20 00:01:15,342 --> 00:01:19,062 Speaker 1: just as students were emerging from the junior high school. 21 00:01:19,422 --> 00:01:23,142 Speaker 1: Two female dancers began their routine on the street, and 22 00:01:23,182 --> 00:01:27,742 Speaker 1: then this is very impressive. They moved onto the roofs 23 00:01:27,782 --> 00:01:30,382 Speaker 1: of some SUVs that were rigged with poles for a 24 00:01:30,422 --> 00:01:36,182 Speaker 1: full whole performance. The crowd was full of fairly shocked students, 25 00:01:36,262 --> 00:01:40,742 Speaker 1: confused parents, and many many phones that were filming. The 26 00:01:40,782 --> 00:01:43,702 Speaker 1: star of the show was the graduating student himself, who 27 00:01:43,702 --> 00:01:46,622 Speaker 1: looked suitably mortified. I reckon he would have been about 28 00:01:46,982 --> 00:01:49,222 Speaker 1: hard to say, maybe fourteen or so. 29 00:01:49,742 --> 00:01:52,262 Speaker 2: I heard that he was also pulled into it a 30 00:01:52,302 --> 00:01:53,382 Speaker 2: little bit between. 31 00:01:53,422 --> 00:01:57,062 Speaker 1: It gets better because the star of the show was 32 00:01:57,182 --> 00:02:01,462 Speaker 1: really his mum. She was not only unapologetic, but she 33 00:02:01,702 --> 00:02:06,022 Speaker 1: choreographed the routine, and she said she wanted an unforgettable 34 00:02:06,062 --> 00:02:09,262 Speaker 1: gift for her son, and she said a friend paid 35 00:02:09,262 --> 00:02:11,582 Speaker 1: for a and she wanted it to be a more 36 00:02:11,621 --> 00:02:16,142 Speaker 1: creative idea than some of the other parents' gifts for 37 00:02:16,222 --> 00:02:18,982 Speaker 1: their kids. And it was it certainly what the police 38 00:02:18,982 --> 00:02:22,342 Speaker 1: were called because the crowd gathered and if they're not 39 00:02:22,382 --> 00:02:26,262 Speaker 1: have a permit, there was backlash. She'll be shocked to 40 00:02:26,302 --> 00:02:29,422 Speaker 1: hear a school official said, we will be encouraging more 41 00:02:29,502 --> 00:02:31,422 Speaker 1: rational celebrations moving forward. 42 00:02:33,181 --> 00:02:36,702 Speaker 2: This is what happens when you give parents creative freedom 43 00:02:36,902 --> 00:02:39,542 Speaker 2: to impress the other parents, because that's literally what she 44 00:02:39,662 --> 00:02:41,782 Speaker 2: was doing, right. She was like, all these other parents 45 00:02:41,862 --> 00:02:43,702 Speaker 2: get to do something fun for their kid. What's something 46 00:02:43,822 --> 00:02:46,782 Speaker 2: I can do that shows my skills? And I did 47 00:02:46,822 --> 00:02:48,622 Speaker 2: see a video of the dance. I didn't see the 48 00:02:48,622 --> 00:02:51,742 Speaker 2: actual pole dancing, but I saw the dance. It's quite impressive, 49 00:02:51,982 --> 00:02:55,502 Speaker 2: was it. Yeah, this isn't actually the first pole dancing 50 00:02:55,662 --> 00:02:59,462 Speaker 2: incident in China. There was a kindergarten where a principal 51 00:02:59,502 --> 00:03:02,702 Speaker 2: invited dancers to perform at the opening ceremony. 52 00:03:02,942 --> 00:03:05,302 Speaker 3: Do you think she didn't know that they were sexy dancers? 53 00:03:05,302 --> 00:03:07,102 Speaker 3: And maybe he thought that it was kind of a 54 00:03:07,181 --> 00:03:08,101 Speaker 3: kind of legal. 55 00:03:09,022 --> 00:03:12,942 Speaker 1: Pulled out, aren't. I mean sometimes Stupa's pole dance, But 56 00:03:12,982 --> 00:03:15,262 Speaker 1: also there are people who pole dance for sport. I've 57 00:03:15,262 --> 00:03:17,901 Speaker 1: done pole dancing classes. It's really hard. I think it 58 00:03:17,942 --> 00:03:20,382 Speaker 1: was maybe not quite an Olympic sport, but I think 59 00:03:20,422 --> 00:03:22,781 Speaker 1: it was, you know, it's a competitive sport. 60 00:03:23,022 --> 00:03:25,022 Speaker 3: I think that we should all light a candle for 61 00:03:25,302 --> 00:03:27,782 Speaker 3: the pole dancer in this situation, or any kind of 62 00:03:28,222 --> 00:03:31,822 Speaker 3: exotic dancer who is hired to do a job by people, 63 00:03:32,542 --> 00:03:35,942 Speaker 3: but the person that it's four hasn't actually opted in. 64 00:03:36,302 --> 00:03:39,262 Speaker 3: Can you imagine sexily dancing to someone who's clearly deeply 65 00:03:39,342 --> 00:03:41,262 Speaker 3: uncomfortable and doesn't want to be there. I think that 66 00:03:41,382 --> 00:03:43,862 Speaker 3: often about Bucks parties. Yeah, when they go, oh, we're 67 00:03:43,862 --> 00:03:45,262 Speaker 3: going to send you, and then you turn up as 68 00:03:45,302 --> 00:03:48,422 Speaker 3: a worker who's like a really good dancer and he's 69 00:03:48,542 --> 00:03:50,702 Speaker 3: very good at what you do, and you're there and 70 00:03:50,702 --> 00:03:52,302 Speaker 3: you're like, I don't reckon, he's that into it. 71 00:03:52,382 --> 00:03:55,342 Speaker 2: You're there for that one best man you really really wanted. 72 00:03:55,142 --> 00:03:56,702 Speaker 3: It who wanted it a little too much. 73 00:03:56,942 --> 00:03:59,222 Speaker 1: In the eighties, people used to send each other gorilla 74 00:03:59,302 --> 00:04:02,382 Speaker 1: grams as a prank. What's that like? It was someone 75 00:04:02,502 --> 00:04:04,902 Speaker 1: would turn up in a gorilla suit, usually to your 76 00:04:04,942 --> 00:04:08,022 Speaker 1: place of business and do I don't know what they 77 00:04:08,022 --> 00:04:09,022 Speaker 1: would actually do. 78 00:04:09,542 --> 00:04:10,302 Speaker 2: This is an actual thing. 79 00:04:10,422 --> 00:04:13,262 Speaker 1: Yeah, gorilla grams. They were really big in the eighties, 80 00:04:13,502 --> 00:04:16,621 Speaker 1: and they would I guess dance. I suppose that it 81 00:04:16,622 --> 00:04:19,301 Speaker 1: wouldn't wasn't sexual, but it was just kind of what 82 00:04:19,342 --> 00:04:23,662 Speaker 1: was that person signed were designed to. It's like hiring 83 00:04:23,702 --> 00:04:27,421 Speaker 1: someone a surprise strooper, but without taking their clothes off there, 84 00:04:27,421 --> 00:04:29,022 Speaker 1: which is just fur I. 85 00:04:28,981 --> 00:04:31,742 Speaker 3: Want to hire you a gorilla for your birthday? Who 86 00:04:31,821 --> 00:04:32,901 Speaker 3: sings you Happy birthday and. 87 00:04:34,262 --> 00:04:36,181 Speaker 2: I want the gorilla to also pole dance. 88 00:04:36,541 --> 00:04:38,981 Speaker 3: Oh yes, no, Maya would love that to. 89 00:04:39,262 --> 00:04:39,861 Speaker 1: Actually like that? 90 00:04:41,101 --> 00:04:45,301 Speaker 2: Is it true that nobody has a personality anymore? This week, 91 00:04:45,501 --> 00:04:49,662 Speaker 2: freelance writer and author of Girls Newsletter Freyer India published 92 00:04:49,662 --> 00:04:53,581 Speaker 2: a subtec post titled Nobody has a personality Anymore. In 93 00:04:53,621 --> 00:04:56,742 Speaker 2: the piece, she explains how therapy speak and self diagnosis 94 00:04:56,821 --> 00:05:00,181 Speaker 2: have taken over how we talk about ourselves and our relationships, 95 00:05:00,462 --> 00:05:03,461 Speaker 2: turning every quirk, feeling, or decision into a symptom to 96 00:05:03,462 --> 00:05:06,662 Speaker 2: be analyzed, and in trying to explain everything through a 97 00:05:06,702 --> 00:05:12,301 Speaker 2: psychological framework, we've lost language, personality, mystery, and soul In it, 98 00:05:12,421 --> 00:05:15,702 Speaker 2: she says, we have lost the sentimental ways we use 99 00:05:15,782 --> 00:05:19,581 Speaker 2: to describe people. Not because you are lovably forgetful, not 100 00:05:19,662 --> 00:05:22,782 Speaker 2: because you are scattered and interesting and secretly loved for 101 00:05:22,821 --> 00:05:25,461 Speaker 2: never arriving on time, but because of ADHD. 102 00:05:26,022 --> 00:05:30,222 Speaker 1: But maybe you're also late, just because you're useless or selfie, sure, 103 00:05:30,702 --> 00:05:31,981 Speaker 1: all of those kinds of things. 104 00:05:31,981 --> 00:05:35,261 Speaker 2: Maybe maybe, But also you are shy and stare at 105 00:05:35,301 --> 00:05:37,421 Speaker 2: your feet when people talk to you, not because you 106 00:05:37,462 --> 00:05:40,382 Speaker 2: are your mother's child, not because you are gentle and sweet, 107 00:05:40,421 --> 00:05:43,782 Speaker 2: and blush the same way she does. But autism you 108 00:05:43,861 --> 00:05:45,981 Speaker 2: are the way you are, not because you have a soul, 109 00:05:46,101 --> 00:05:50,381 Speaker 2: but because of your symptoms and diagnosis. Every heartfelt, annoying, 110 00:05:50,501 --> 00:05:53,902 Speaker 2: interesting piece of you categorized the fond way your family 111 00:05:53,941 --> 00:05:57,902 Speaker 2: describe you medicalized. The pieces of us once written into 112 00:05:57,902 --> 00:06:00,902 Speaker 2: wedding vows read out and eulogies remembered with the smile, 113 00:06:01,301 --> 00:06:04,141 Speaker 2: now live on doctor's notes and mental health assessments and 114 00:06:04,222 --> 00:06:07,901 Speaker 2: better help applications. We are not people anymore. We have 115 00:06:07,981 --> 00:06:10,981 Speaker 2: been products for a long time, and these are our labels. 116 00:06:11,421 --> 00:06:15,141 Speaker 3: I think this is hyperbolic. You can be someone with 117 00:06:15,662 --> 00:06:19,222 Speaker 3: quirks and very specific characteristics, and you can also have 118 00:06:19,262 --> 00:06:22,382 Speaker 3: an autism diagnosis like both of those things can be true. 119 00:06:22,582 --> 00:06:25,462 Speaker 3: And if you do go to a wedding or a funeral, 120 00:06:25,662 --> 00:06:27,901 Speaker 3: you'll notice that it is not a list of labels. 121 00:06:28,222 --> 00:06:31,342 Speaker 3: The way that we remember people or characterize people are 122 00:06:31,462 --> 00:06:35,142 Speaker 3: by their contradictions. That is how it happens. But as 123 00:06:35,222 --> 00:06:37,262 Speaker 3: with a lot of writing, I think that this writer 124 00:06:37,421 --> 00:06:39,861 Speaker 3: is reflecting to a phenomenon that's occurring on the Internet. 125 00:06:40,181 --> 00:06:43,381 Speaker 3: And there is such a difference between therapy speak and 126 00:06:43,421 --> 00:06:46,541 Speaker 3: therapy culture and sitting down with a psychologist. They're actually 127 00:06:46,541 --> 00:06:49,782 Speaker 3: two completely different things. And if you sit down with 128 00:06:49,821 --> 00:06:53,381 Speaker 3: a psychologist, they actually aren't trying to label you, and 129 00:06:53,421 --> 00:06:57,902 Speaker 3: they're not trying to position every relationship you have as 130 00:06:58,222 --> 00:07:01,782 Speaker 3: codependent or an attachment disorder or blah blah blah. They're 131 00:07:01,821 --> 00:07:05,781 Speaker 3: trying to see your personality as this complex and always 132 00:07:05,821 --> 00:07:12,222 Speaker 3: evolving thing. And what psychologists also will focus on and 133 00:07:12,222 --> 00:07:15,261 Speaker 3: have you be more open to, is that personality is 134 00:07:15,262 --> 00:07:18,302 Speaker 3: ever changing. Like that's maybe something that I have felt 135 00:07:18,342 --> 00:07:20,022 Speaker 3: a little bit shift, is that the way that we're 136 00:07:20,022 --> 00:07:22,422 Speaker 3: starting to talk about personality is as though it is 137 00:07:22,462 --> 00:07:27,862 Speaker 3: set in stone and it doesn't evolve, but it's always changing. 138 00:07:27,941 --> 00:07:30,062 Speaker 3: Of course it is. And that's why I realized reading 139 00:07:30,102 --> 00:07:33,622 Speaker 3: this article that she put words around why I love 140 00:07:33,702 --> 00:07:35,901 Speaker 3: fiction so much, and the reason I love reading fiction 141 00:07:36,182 --> 00:07:39,902 Speaker 3: is because there is no character that has ADHD full stop. 142 00:07:39,982 --> 00:07:43,742 Speaker 3: That's the end of their story. It is the contradictions 143 00:07:43,782 --> 00:07:46,422 Speaker 3: and the mess and the complications of that person and 144 00:07:46,462 --> 00:07:50,342 Speaker 3: then how their traits intersect with plot and have them grow. 145 00:07:50,622 --> 00:07:53,142 Speaker 3: By the end of a book, someone's always a different person, Like, 146 00:07:53,182 --> 00:07:56,822 Speaker 3: that's what we're watching, and it's that evolution that I'm 147 00:07:56,941 --> 00:07:57,582 Speaker 3: invested in. 148 00:07:57,821 --> 00:08:01,542 Speaker 1: How much do you think this is about categorizing other 149 00:08:01,622 --> 00:08:04,742 Speaker 1: people as a way to understand them, and how much 150 00:08:04,782 --> 00:08:09,102 Speaker 1: she is categorizing ourselves, Like, for example, this idea of narcissist. 151 00:08:09,582 --> 00:08:11,862 Speaker 1: That's a word. People don't throw it around about themselves, 152 00:08:11,902 --> 00:08:14,782 Speaker 1: but they certainly throw it around about other people. So 153 00:08:14,821 --> 00:08:18,302 Speaker 1: you're not just selfish or self absorbed or going through 154 00:08:18,342 --> 00:08:23,382 Speaker 1: a time of main character energy, You're a narcissist. And 155 00:08:23,462 --> 00:08:27,261 Speaker 1: in the same way people don't feel anxious, they have anxiety. 156 00:08:27,422 --> 00:08:30,622 Speaker 1: Now I have a couple of these diagnoses, and I've 157 00:08:30,622 --> 00:08:35,622 Speaker 1: found it actually really helpful for understanding my own behavior 158 00:08:35,662 --> 00:08:38,902 Speaker 1: and responses to things, like a lens through which I 159 00:08:38,902 --> 00:08:44,342 Speaker 1: can see them, but I also can see how very 160 00:08:44,462 --> 00:08:48,822 Speaker 1: quickly it becomes boring and a default to just flatten 161 00:08:48,862 --> 00:08:50,222 Speaker 1: everything through that lens. 162 00:08:50,502 --> 00:08:53,822 Speaker 3: Yeah, And there was actually a really interesting data point 163 00:08:53,822 --> 00:08:56,381 Speaker 3: in that article, which was according to a twenty twenty 164 00:08:56,382 --> 00:08:59,622 Speaker 3: four survey, seventy two percent of gen Z girls said 165 00:08:59,662 --> 00:09:02,782 Speaker 3: that mental health challenges are an important part of my identity. 166 00:09:03,182 --> 00:09:06,222 Speaker 3: And that worried me because I thought, well, it's the 167 00:09:06,262 --> 00:09:08,702 Speaker 3: only way to have their pain validated. That's what it says, 168 00:09:08,862 --> 00:09:12,622 Speaker 3: is like I'm pain or I'm feeling distress, and when 169 00:09:12,702 --> 00:09:15,862 Speaker 3: I have a label, I remember feeling people will take. 170 00:09:15,702 --> 00:09:16,182 Speaker 1: Me more stage. 171 00:09:16,262 --> 00:09:18,542 Speaker 3: Yeah, people will actually listen to me. And we've always 172 00:09:18,582 --> 00:09:22,462 Speaker 3: minimized the pain of young girls, so I can understand 173 00:09:22,702 --> 00:09:26,382 Speaker 3: why that's happening. But that's not a recipe for happiness, 174 00:09:26,382 --> 00:09:26,862 Speaker 3: I suppose. 175 00:09:26,942 --> 00:09:30,902 Speaker 2: But I also feel like when it comes to diagnosis, 176 00:09:31,102 --> 00:09:34,102 Speaker 2: and I was talking to a friend who works in 177 00:09:34,102 --> 00:09:37,622 Speaker 2: that social policy space, but I think also when it 178 00:09:37,622 --> 00:09:40,942 Speaker 2: comes to understanding why a person is as they are, 179 00:09:41,142 --> 00:09:44,022 Speaker 2: For example, if I had a friend who was diagnosed 180 00:09:44,142 --> 00:09:47,902 Speaker 2: with depression, Yeah, I think it also allows you, as 181 00:09:47,902 --> 00:09:51,022 Speaker 2: a friend or as a family member to kind of 182 00:09:51,062 --> 00:09:53,742 Speaker 2: form some sort of empathy around that rather than just 183 00:09:53,782 --> 00:09:55,822 Speaker 2: thinking that they are just the way they are, or 184 00:09:55,822 --> 00:09:57,462 Speaker 2: like putting a label on it, saying that they are 185 00:09:57,502 --> 00:10:00,222 Speaker 2: a narcissist. I was reading a blog post by a 186 00:10:00,222 --> 00:10:05,742 Speaker 2: psychotherapist named Musumi Saha, and she said being nervous before 187 00:10:05,742 --> 00:10:08,462 Speaker 2: a big event is labeled as anxiety. A disagreement with 188 00:10:08,582 --> 00:10:12,422 Speaker 2: someone might be called toxic. Using labels too loosely can 189 00:10:12,462 --> 00:10:15,342 Speaker 2: make us see normal emotions as problems. It can make 190 00:10:15,462 --> 00:10:18,102 Speaker 2: us feel like we're broken when really we're just human. 191 00:10:18,622 --> 00:10:21,302 Speaker 2: And it just made me realize that I have done 192 00:10:21,382 --> 00:10:23,702 Speaker 2: this so much where I use therapy speak in my 193 00:10:23,782 --> 00:10:27,062 Speaker 2: everyday language to kind of make excuses for things, Like 194 00:10:27,102 --> 00:10:29,782 Speaker 2: there's been times I've told friends like, hey, I can't 195 00:10:29,822 --> 00:10:31,742 Speaker 2: come out to dinner. I need my depression nap. And 196 00:10:31,782 --> 00:10:33,502 Speaker 2: I'm like, I just needed a nap, and I just 197 00:10:33,542 --> 00:10:35,822 Speaker 2: happen to have depression. Like, and I think putting that 198 00:10:35,902 --> 00:10:40,502 Speaker 2: word depression with everything I say about myself gives me 199 00:10:40,582 --> 00:10:44,582 Speaker 2: the excuse to use it in a serious matter without 200 00:10:44,662 --> 00:10:46,822 Speaker 2: being serious. And I also use it as a blocker 201 00:10:46,902 --> 00:10:49,102 Speaker 2: to stop people from questioning it, Like my friends have 202 00:10:49,182 --> 00:10:51,582 Speaker 2: every right to call me out and be like, just 203 00:10:51,582 --> 00:10:52,142 Speaker 2: come to dinner. 204 00:10:52,262 --> 00:10:56,342 Speaker 1: Yeah, they're not going to nap. Yeah. 205 00:10:56,342 --> 00:10:58,742 Speaker 3: And what what I've found through, you know, having the 206 00:10:58,742 --> 00:11:01,262 Speaker 3: absolute privilege of at points in my life sitting down 207 00:11:01,302 --> 00:11:04,342 Speaker 3: across from a psychologist is is how often they say 208 00:11:04,342 --> 00:11:08,381 Speaker 3: to me, not that's normal, but they help explain why 209 00:11:08,462 --> 00:11:11,022 Speaker 3: I might need that nap whatever. What they don't do 210 00:11:11,182 --> 00:11:14,142 Speaker 3: is tell me I'm abnormal, put a label on it, 211 00:11:14,542 --> 00:11:17,422 Speaker 3: and kind of go, that's the way you were built. 212 00:11:17,622 --> 00:11:21,622 Speaker 3: Whereas the thing of like the classic TikTok, which is 213 00:11:21,862 --> 00:11:24,102 Speaker 3: five things I thought were part of my personality, but 214 00:11:24,142 --> 00:11:27,462 Speaker 3: are actually just my ADHD. I don't think that that's 215 00:11:27,902 --> 00:11:30,862 Speaker 3: often that helpful. I think probably it's kind of both. 216 00:11:31,542 --> 00:11:33,782 Speaker 1: It is both. I think that's exactly right. Having had 217 00:11:33,822 --> 00:11:38,382 Speaker 1: that exact experience. My first reaction when I was diagnosed 218 00:11:38,542 --> 00:11:42,222 Speaker 1: and had this label was I mean a million but 219 00:11:42,262 --> 00:11:45,022 Speaker 1: there was some relief, going, oh, there's a reason for 220 00:11:45,142 --> 00:11:47,902 Speaker 1: all of these things. But then there's also a sense 221 00:11:47,942 --> 00:11:51,822 Speaker 1: of oh, I thought I had this unique, quirky personality, 222 00:11:52,182 --> 00:11:55,942 Speaker 1: but I've just got all these textbook list of symptoms 223 00:11:56,502 --> 00:12:01,742 Speaker 1: of this really common neurological condition, on neurodivergent condition. 224 00:12:01,982 --> 00:12:04,462 Speaker 2: So there was actually a US government study done in 225 00:12:04,502 --> 00:12:07,702 Speaker 2: twenty twenty one where researchers wanted to figure out what 226 00:12:07,782 --> 00:12:11,302 Speaker 2: happens to people when they're given a diagnosis, not just medically, 227 00:12:11,342 --> 00:12:15,102 Speaker 2: but also emotionally, socially, and practically, and they said there 228 00:12:15,142 --> 00:12:18,302 Speaker 2: were those positive emotions like validation, as in like someone 229 00:12:18,382 --> 00:12:22,182 Speaker 2: finally believes me, but it also changed people's self identity 230 00:12:22,262 --> 00:12:25,062 Speaker 2: where they started seeing themselves as their condition. 231 00:12:26,182 --> 00:12:29,622 Speaker 1: Yeah. I definitely found that that was something I had 232 00:12:29,662 --> 00:12:33,982 Speaker 1: to become aware of and then avoid. It's almost like 233 00:12:34,062 --> 00:12:35,381 Speaker 1: falling in love and you just want to say that 234 00:12:35,422 --> 00:12:37,102 Speaker 1: person's name all the time, and you feel like you've 235 00:12:37,102 --> 00:12:41,302 Speaker 1: been giving this roadmap to understanding yourself. But then does 236 00:12:41,382 --> 00:12:43,582 Speaker 1: start to sound boring when you just keep going, Oh, 237 00:12:43,582 --> 00:12:46,542 Speaker 1: that's my adhd oh, that's medhd, oh, that's my anxiety. 238 00:12:46,822 --> 00:12:49,742 Speaker 3: I think it's an attempt to project order onto chaos 239 00:12:49,822 --> 00:12:52,502 Speaker 3: as well, right, like, and have a roadmap, and have 240 00:12:52,542 --> 00:12:57,102 Speaker 3: a roadmap and something as complex as personality and human relationships, 241 00:12:57,142 --> 00:13:01,062 Speaker 3: like when I met my half brother and he was 242 00:13:01,182 --> 00:13:03,222 Speaker 3: my mum had him when she was very young, and 243 00:13:03,262 --> 00:13:05,022 Speaker 3: he was then adopted and he went and moved overseas 244 00:13:05,022 --> 00:13:07,182 Speaker 3: and I met him when he was in his mid thirties, 245 00:13:08,062 --> 00:13:12,102 Speaker 3: and having that expl experience exploded my view of what 246 00:13:12,262 --> 00:13:16,102 Speaker 3: made personality. That's why there were brilliant moments in this essay. Wait, 247 00:13:17,622 --> 00:13:19,982 Speaker 3: I mean it's not as simple as we are a 248 00:13:20,022 --> 00:13:22,342 Speaker 3: product of our childhood. It's not as simple as we're 249 00:13:22,382 --> 00:13:23,462 Speaker 3: a product of our genes. 250 00:13:23,702 --> 00:13:25,302 Speaker 2: We are large behavior. 251 00:13:25,382 --> 00:13:28,582 Speaker 3: And yes, it's this unexplained and the beauty is in 252 00:13:28,622 --> 00:13:29,502 Speaker 3: the unexplained. 253 00:13:29,742 --> 00:13:32,222 Speaker 1: So do you mean that there were aspects of him 254 00:13:32,382 --> 00:13:34,662 Speaker 1: that were really similar to you, even though you were 255 00:13:34,662 --> 00:13:35,542 Speaker 1: not raised together. 256 00:13:35,742 --> 00:13:38,582 Speaker 3: Yes, and aspects that weren't exactly so sitting there, he 257 00:13:38,662 --> 00:13:42,542 Speaker 3: had these certain gestures that he made that my mum said, oh, 258 00:13:42,582 --> 00:13:44,142 Speaker 3: that was my father. It was like sitting there with 259 00:13:44,142 --> 00:13:46,742 Speaker 3: my father, right. And then there were experiences he had 260 00:13:46,782 --> 00:13:49,342 Speaker 3: in his twenties, thoughts or crisis he had that were 261 00:13:49,382 --> 00:13:52,342 Speaker 3: nearly identical to things that I had gone through. And 262 00:13:52,422 --> 00:13:55,942 Speaker 3: so as much as we like to think that we 263 00:13:55,982 --> 00:13:58,862 Speaker 3: are the product of how we were parented, or we 264 00:13:58,902 --> 00:14:02,942 Speaker 3: are exactly the product of you know, the low dopamine 265 00:14:02,982 --> 00:14:07,022 Speaker 3: or serotonin in oup, like, it is this incredibly chaotic, 266 00:14:07,302 --> 00:14:10,062 Speaker 3: beautiful mix. And that's why getting to know peace is 267 00:14:10,182 --> 00:14:10,982 Speaker 3: so interesting. 268 00:14:10,982 --> 00:14:12,902 Speaker 2: It's the getting to know people because I think this 269 00:14:13,022 --> 00:14:17,502 Speaker 2: also comes up a lot in dating because I feel 270 00:14:17,502 --> 00:14:20,902 Speaker 2: like when we have all these terms like gas lighting, toxic, 271 00:14:21,062 --> 00:14:24,622 Speaker 2: it's so easy to chuck that label onto someone because 272 00:14:24,662 --> 00:14:27,102 Speaker 2: it's much easier to say that instead of saying, oh, 273 00:14:27,102 --> 00:14:29,582 Speaker 2: they just didn't like me. They were doing like all 274 00:14:29,622 --> 00:14:32,342 Speaker 2: of these things. And it's even like attachment styles, right, 275 00:14:32,382 --> 00:14:35,142 Speaker 2: like oh he was just avoidant and I'm anxious, so 276 00:14:35,142 --> 00:14:37,262 Speaker 2: that's why we don't work out. I think it's like 277 00:14:37,342 --> 00:14:40,662 Speaker 2: filtering down into the thing. Where as you said, me 278 00:14:40,862 --> 00:14:42,662 Speaker 2: like it's a bit of both, and I think what 279 00:14:42,702 --> 00:14:45,382 Speaker 2: you said about how you got that sense of relief, 280 00:14:45,822 --> 00:14:48,422 Speaker 2: but also it's so hard to not kind of skew 281 00:14:48,462 --> 00:14:51,422 Speaker 2: your identity to being that one thing where every single 282 00:14:51,462 --> 00:14:54,022 Speaker 2: thing you do you're like, oh, was that because my ADHD. 283 00:14:54,142 --> 00:14:55,902 Speaker 1: That's limiting, don't you. Yeah. So I think when it 284 00:14:55,942 --> 00:14:58,022 Speaker 1: can become a bit of a prison or a cage 285 00:14:58,062 --> 00:15:01,462 Speaker 1: is when you just think, oh, well, I'll never be 286 00:15:01,502 --> 00:15:04,102 Speaker 1: able to be on time because I have ADHD, or 287 00:15:04,302 --> 00:15:07,742 Speaker 1: I'll always interrupt because I have ADHD, and it can 288 00:15:07,782 --> 00:15:10,062 Speaker 1: become cop out's the wrong word, bet limitation. 289 00:15:10,782 --> 00:15:11,102 Speaker 2: Yeah. 290 00:15:11,382 --> 00:15:13,862 Speaker 3: The dating example is such a good one because it 291 00:15:13,942 --> 00:15:19,062 Speaker 3: is such a time, like the creation of a dating profile, 292 00:15:19,382 --> 00:15:22,742 Speaker 3: where we are forced to use labels. It's like, how 293 00:15:22,742 --> 00:15:26,262 Speaker 3: do I present myself as a product to be consumed 294 00:15:26,542 --> 00:15:28,742 Speaker 3: and liked? And you've kind of got to go, well, 295 00:15:28,782 --> 00:15:31,662 Speaker 3: what are my hobbies? What do I do for a living? 296 00:15:31,822 --> 00:15:31,902 Speaker 1: Like? 297 00:15:31,942 --> 00:15:36,022 Speaker 3: What are my personality traits? And there was this quote 298 00:15:36,022 --> 00:15:38,982 Speaker 3: in the essay that said that happiness is about almost 299 00:15:39,022 --> 00:15:42,582 Speaker 3: actually being able to forget yourself. And in a culture 300 00:15:42,622 --> 00:15:46,182 Speaker 3: where we're constantly producing. 301 00:15:45,982 --> 00:15:48,462 Speaker 1: And being perceived express. 302 00:15:49,262 --> 00:15:54,382 Speaker 3: Identity, then we're not able to forget ourselves. We're always 303 00:15:54,382 --> 00:15:55,902 Speaker 3: in the process of kind of labeling. 304 00:15:56,302 --> 00:15:58,582 Speaker 1: It reminded me a little bit about you know how, 305 00:15:58,582 --> 00:16:02,622 Speaker 1: in the last probably decade maybe less, there've been a 306 00:16:02,662 --> 00:16:05,702 Speaker 1: whole lot of new names for different types of sexuality, 307 00:16:06,342 --> 00:16:11,862 Speaker 1: so pan sexual, polysexual, and be sexual, and they all 308 00:16:11,942 --> 00:16:17,502 Speaker 1: mean slightly different things. Instead of just being able to say, oh, 309 00:16:17,502 --> 00:16:20,982 Speaker 1: I'm attracted to this person, so it's aboud identity. Like 310 00:16:21,222 --> 00:16:24,742 Speaker 1: we're all retreating further and further and wanting to categorize 311 00:16:24,782 --> 00:16:27,502 Speaker 1: ourselves more and more, and I need to want to 312 00:16:27,582 --> 00:16:30,822 Speaker 1: understand and also belong to a community and which has 313 00:16:30,862 --> 00:16:33,702 Speaker 1: been so important for it and not be ordinary. You know, 314 00:16:33,782 --> 00:16:35,702 Speaker 1: I think that being able to say I'm this or 315 00:16:35,742 --> 00:16:38,542 Speaker 1: I'm that, or I have it. But at a certain point, 316 00:16:38,582 --> 00:16:40,262 Speaker 1: when are you just I guess that's the whole point 317 00:16:40,262 --> 00:16:42,102 Speaker 1: of this story. When are you just you? When are 318 00:16:42,102 --> 00:16:46,502 Speaker 1: you just the sum total of your experiences, your conditions, 319 00:16:46,622 --> 00:16:51,782 Speaker 1: your mental health, your opinions, your upbringing, you know, your emotions. 320 00:16:52,382 --> 00:16:54,022 Speaker 3: Yeah, something that can't be like, yeah. 321 00:16:53,862 --> 00:16:55,542 Speaker 1: We sort of needing to put all these post it 322 00:16:55,622 --> 00:16:57,382 Speaker 1: notes on everything and say, oh, it's my this and 323 00:16:57,422 --> 00:16:57,782 Speaker 1: it's my that. 324 00:16:58,342 --> 00:17:01,302 Speaker 2: After reading the sub sac were you able to identify 325 00:17:02,062 --> 00:17:04,742 Speaker 2: qualities of your personality that you feel like are just 326 00:17:04,821 --> 00:17:05,702 Speaker 2: your personality? 327 00:17:06,262 --> 00:17:07,821 Speaker 1: Oh that's such a good question. 328 00:17:08,302 --> 00:17:10,821 Speaker 3: I went really deep on the deaf personality after that 329 00:17:10,862 --> 00:17:12,742 Speaker 3: because I was like, hang on, what even is personality? 330 00:17:12,742 --> 00:17:14,861 Speaker 3: And of course it's the five traits that they talk about, 331 00:17:14,861 --> 00:17:17,542 Speaker 3: and some are more stable than others. But we were 332 00:17:17,581 --> 00:17:20,462 Speaker 3: talking about this on Parenting Out Loud the other week 333 00:17:20,542 --> 00:17:23,262 Speaker 3: and I was saying, we're talking about deeply feeling kids. 334 00:17:23,302 --> 00:17:25,502 Speaker 3: This is the term going around, and I was saying, 335 00:17:26,381 --> 00:17:30,262 Speaker 3: I worry about labels like that because, particularly in childhood, 336 00:17:30,262 --> 00:17:33,742 Speaker 3: personality is changing and you might look at your kid 337 00:17:33,901 --> 00:17:37,421 Speaker 3: and go, you're shy and you're timid, and your risk averse. 338 00:17:37,621 --> 00:17:39,422 Speaker 3: I have totally done this, and then the next day 339 00:17:39,422 --> 00:17:42,021 Speaker 3: they surprise you. And that's how humans are. Yeah, Like, 340 00:17:42,581 --> 00:17:45,182 Speaker 3: that's the beauty of a relationship with anyone is that 341 00:17:45,262 --> 00:17:48,101 Speaker 3: they will change. And there are some traits like extra version, 342 00:17:48,141 --> 00:17:53,101 Speaker 3: introversion apparently stays pretty stable. Others a life event will 343 00:17:53,462 --> 00:17:56,821 Speaker 3: absolutely transform you. I feel as though I have a 344 00:17:56,861 --> 00:18:00,061 Speaker 3: different personality, probably since having a baby, for a variety 345 00:18:00,061 --> 00:18:03,341 Speaker 3: of reasons. And I know people have to profound grief 346 00:18:03,621 --> 00:18:06,502 Speaker 3: or you know, experiencing a particular trauma or whatever, the 347 00:18:06,581 --> 00:18:07,942 Speaker 3: personality changes. 348 00:18:07,861 --> 00:18:10,462 Speaker 2: Because I am the type of person who like constantly 349 00:18:10,542 --> 00:18:15,022 Speaker 2: uses therapy language in my every day. There's like a 350 00:18:15,061 --> 00:18:18,461 Speaker 2: celebrity who I find myself quoting every single week. It's 351 00:18:18,542 --> 00:18:21,181 Speaker 2: Jami mccirk. Yeah, you know, she played Jessa and Girls. 352 00:18:21,182 --> 00:18:22,262 Speaker 3: I think I know this quo. 353 00:18:22,341 --> 00:18:25,462 Speaker 2: Oh it's so good. So she does like I think 354 00:18:25,661 --> 00:18:27,622 Speaker 2: once a year she does his big ask Me any 355 00:18:27,621 --> 00:18:29,702 Speaker 2: Things on Instagram where she puts a question box up 356 00:18:29,901 --> 00:18:31,582 Speaker 2: and the audience asked her question. 357 00:18:31,422 --> 00:18:32,462 Speaker 3: And she's quite candid. 358 00:18:32,621 --> 00:18:35,341 Speaker 2: She's so so candid. And one of the questions he 359 00:18:35,502 --> 00:18:38,782 Speaker 2: got years ago someone wrote in and said any advice 360 00:18:38,821 --> 00:18:41,982 Speaker 2: for unconfident young girls? And she just replied, I think 361 00:18:41,982 --> 00:18:45,542 Speaker 2: you guys might be thinking about yourselves too much. And 362 00:18:45,581 --> 00:18:47,821 Speaker 2: I say that to myself all the time. 363 00:18:49,742 --> 00:18:53,302 Speaker 3: Out louders up. Next, does a memoir need to be 364 00:18:53,542 --> 00:18:57,422 Speaker 3: vigorously fact checked? And whose job is that we discuss 365 00:18:57,581 --> 00:19:03,581 Speaker 3: the Salt Path controversy. We have been desperate to talk 366 00:19:03,581 --> 00:19:06,302 Speaker 3: about the Salt Path controversy, and we're gonna wait until 367 00:19:06,341 --> 00:19:08,661 Speaker 3: Hollywood's back because we would like to put it on 368 00:19:08,702 --> 00:19:12,181 Speaker 3: the record in this moment that one miss Hollywayn Wright 369 00:19:12,422 --> 00:19:13,422 Speaker 3: recommended the Salt Path. 370 00:19:14,141 --> 00:19:15,502 Speaker 1: Member what Holly recommended? 371 00:19:15,661 --> 00:19:18,181 Speaker 3: I listened, Mia Friedman, I listened, and I wrote in 372 00:19:18,222 --> 00:19:21,341 Speaker 3: my journal Hollywayin Wright just recommended the Salt Path so 373 00:19:21,381 --> 00:19:24,101 Speaker 3: that I could bring it up today and say, haha, 374 00:19:24,222 --> 00:19:27,341 Speaker 3: history will not be kind to hollid On No, because yes, 375 00:19:27,422 --> 00:19:30,781 Speaker 3: this is very controversial. We got too impatient, though, and 376 00:19:30,861 --> 00:19:33,302 Speaker 3: so today we want to start from the beginning. And 377 00:19:33,341 --> 00:19:34,901 Speaker 3: I like that Holly has no right of reply. 378 00:19:36,182 --> 00:19:37,742 Speaker 2: She's going to reply the match she gets back. 379 00:19:37,782 --> 00:19:39,141 Speaker 1: I just know it. So. 380 00:19:39,621 --> 00:19:41,941 Speaker 3: The soult Path is a memoir that was published in 381 00:19:41,982 --> 00:19:45,021 Speaker 3: twenty eighteen and it was written by Rayner Wynn and 382 00:19:45,061 --> 00:19:47,782 Speaker 3: it has since sold more than two million copies. That 383 00:19:47,942 --> 00:19:50,341 Speaker 3: is a lot of copies. In twenty twenty four, was 384 00:19:50,341 --> 00:19:52,862 Speaker 3: turned into a film. The main characters were Gillian Anderson 385 00:19:52,901 --> 00:19:53,902 Speaker 3: and Jason Isaacs. 386 00:19:54,341 --> 00:19:55,782 Speaker 1: It was white Lotus. 387 00:19:55,901 --> 00:19:59,461 Speaker 3: Yeah. It was marketed as unflinchingly true. It tells a 388 00:19:59,502 --> 00:20:02,782 Speaker 3: story of how Rayner, who was fifty five at the time, 389 00:20:02,821 --> 00:20:06,861 Speaker 3: and her husband moth Win, lost their home after investing 390 00:20:06,942 --> 00:20:09,821 Speaker 3: a substantial sum of money in a company owned by 391 00:20:09,821 --> 00:20:13,022 Speaker 3: a friend that ultimately failed. It was kind of the 392 00:20:13,061 --> 00:20:16,742 Speaker 3: gray nomad thing right, But it was also playing into 393 00:20:17,262 --> 00:20:19,341 Speaker 3: something that impacts a lot of people in their fifties 394 00:20:19,381 --> 00:20:23,061 Speaker 3: sixty seventies, particularly women of homelessness. Where you go, I've 395 00:20:23,101 --> 00:20:25,421 Speaker 3: worked my whole life and I've ended up at this 396 00:20:25,422 --> 00:20:27,821 Speaker 3: point where i have nothing but the things of my 397 00:20:27,861 --> 00:20:28,262 Speaker 3: back pap. 398 00:20:28,302 --> 00:20:30,221 Speaker 1: I've never heard of this book, so I've come to 399 00:20:30,262 --> 00:20:32,902 Speaker 1: this like a lot of people reading about the controversy 400 00:20:32,942 --> 00:20:36,502 Speaker 1: without any knowledge of the source text. It sounds like 401 00:20:36,742 --> 00:20:39,341 Speaker 1: the Salt Path. The book was a little bit like 402 00:20:39,422 --> 00:20:42,622 Speaker 1: Cheryl Strade's Wild Wild, Yes, someone going on is why 403 00:20:42,661 --> 00:20:44,222 Speaker 1: I didn't hear of it? Someone going on a long 404 00:20:44,262 --> 00:20:47,061 Speaker 1: walk in nature? Yeap, not by kind of book exactly. 405 00:20:47,702 --> 00:20:50,821 Speaker 3: And on top of this, the reason why this book 406 00:20:50,901 --> 00:20:53,741 Speaker 3: was so impactful is that Moth had been diagnosed with 407 00:20:53,821 --> 00:20:57,741 Speaker 3: a rare neuro degenerative disease and they decide to then 408 00:20:57,782 --> 00:20:59,622 Speaker 3: embark on this kind of a name is moth, Well, 409 00:20:59,661 --> 00:21:01,542 Speaker 3: I think it comes from because his name is Tim, 410 00:21:01,661 --> 00:21:06,181 Speaker 3: So Tim Moth. I've never heard moth. Yeah, as a 411 00:21:06,222 --> 00:21:06,902 Speaker 3: little so. 412 00:21:06,861 --> 00:21:09,661 Speaker 2: Instead of the nickname being Tim, it's moth like moth, shallow. 413 00:21:09,381 --> 00:21:15,821 Speaker 3: Man, endearing pet name. They both decided they were going 414 00:21:15,861 --> 00:21:19,061 Speaker 3: to walk along the Southwest Coast Path in southwest England. 415 00:21:19,861 --> 00:21:22,302 Speaker 3: And look, that. 416 00:21:22,222 --> 00:21:25,141 Speaker 1: Book's so horrendous. People love. 417 00:21:26,302 --> 00:21:28,262 Speaker 2: It's like a self help kind of situation. 418 00:21:29,742 --> 00:21:31,422 Speaker 1: I mean, I love to eat pray loves. 419 00:21:31,101 --> 00:21:34,262 Speaker 2: So it's like eat pray love except a couple yeah. 420 00:21:34,061 --> 00:21:36,421 Speaker 3: Yeah, yeah, on a long walk and this illness and 421 00:21:36,462 --> 00:21:38,702 Speaker 3: the idea is as well that you know, he's been 422 00:21:38,901 --> 00:21:41,381 Speaker 3: given certain things to expect from this illness, and the 423 00:21:41,462 --> 00:21:43,421 Speaker 3: walking really helped and that was part of the story. 424 00:21:43,581 --> 00:21:47,502 Speaker 1: My understanding is that the illness, the diagnosis is usually 425 00:21:47,821 --> 00:21:51,982 Speaker 1: pretty terminal and not something that you can walk off. 426 00:21:52,101 --> 00:21:54,742 Speaker 3: No, so you often have a life expectancy of about 427 00:21:54,742 --> 00:21:57,821 Speaker 3: six to eight years. Okay, now, this is all well 428 00:21:57,821 --> 00:21:59,982 Speaker 3: and good, except according to an article in The Observer 429 00:22:00,101 --> 00:22:03,302 Speaker 3: which was published earlier this month, they were never homeless. 430 00:22:03,542 --> 00:22:05,941 Speaker 3: They did lose one home, but that was a result 431 00:22:05,982 --> 00:22:09,381 Speaker 3: of embezzling the equivalent of about eighty five thousand Australian dollars. 432 00:22:09,661 --> 00:22:13,302 Speaker 3: There are also questions about Moth's illness. And that's not 433 00:22:13,341 --> 00:22:15,901 Speaker 3: even his real name, and Rayner is not her real name. 434 00:22:15,942 --> 00:22:17,542 Speaker 2: Wait, so he chose the name Moth. 435 00:22:17,942 --> 00:22:20,661 Speaker 3: Well, They're real names are Sally and Tim. Sally and 436 00:22:20,702 --> 00:22:21,262 Speaker 3: Tim Walker. 437 00:22:21,302 --> 00:22:22,902 Speaker 2: That doesn't have the same ren it does it. 438 00:22:23,101 --> 00:22:26,061 Speaker 3: I liked the Rainer and the moth that I can 439 00:22:26,141 --> 00:22:27,782 Speaker 3: kind of forgive in a memoir if you want to 440 00:22:27,782 --> 00:22:30,622 Speaker 3: have a kind of pen name situation. Yeah, fine, it's 441 00:22:30,621 --> 00:22:34,381 Speaker 3: probably the other stuff that isn't so forgivable. Look Sally 442 00:22:34,581 --> 00:22:38,341 Speaker 3: stole that substantial sum of money while working as a 443 00:22:38,341 --> 00:22:41,341 Speaker 3: bookkeeper in the mid two thousands, but they settled the 444 00:22:41,381 --> 00:22:44,942 Speaker 3: dispute privately. The details get really weedy here, but long 445 00:22:45,022 --> 00:22:49,141 Speaker 3: story short, debt collectors took their home and Sally Walker 446 00:22:49,182 --> 00:22:52,061 Speaker 3: has written a very long blog post where she's confirmed this. 447 00:22:52,462 --> 00:22:56,542 Speaker 1: So interestingly, one reason for changing your name is that 448 00:22:56,581 --> 00:22:58,821 Speaker 1: people can't then google you and find things out about you. 449 00:22:58,942 --> 00:22:59,222 Speaker 3: Yeah. 450 00:22:59,302 --> 00:22:59,661 Speaker 1: Yeah. 451 00:23:00,141 --> 00:23:02,621 Speaker 3: Also, the reason they were ever really homeless is because 452 00:23:02,621 --> 00:23:04,861 Speaker 3: they did have a property technically in France that they 453 00:23:04,942 --> 00:23:08,141 Speaker 3: still owned throughout all of this. The Observer then cast 454 00:23:08,182 --> 00:23:12,622 Speaker 3: outs on Walker's illness. They interviewed multiple medical experts who 455 00:23:12,621 --> 00:23:15,982 Speaker 3: said that, you know, the average life expectancy is six 456 00:23:16,022 --> 00:23:19,381 Speaker 3: to eight years, and I think it's now eighteen years later, 457 00:23:19,502 --> 00:23:22,622 Speaker 3: Tim Walker is still alive. What has Raina Win said? 458 00:23:22,702 --> 00:23:24,901 Speaker 3: So she's written this big blog post and she says 459 00:23:25,141 --> 00:23:28,022 Speaker 3: that the house in France was uninhabitable. It was just 460 00:23:28,101 --> 00:23:30,221 Speaker 3: like basically stones like you couldn't live there and they 461 00:23:30,262 --> 00:23:33,022 Speaker 3: couldn't sell it. Actually looks like she might be telling 462 00:23:33,022 --> 00:23:35,902 Speaker 3: the truth about that, right. She has also shared documents 463 00:23:35,942 --> 00:23:40,581 Speaker 3: that seem to confirm her husband's diagnosis, although some say 464 00:23:41,141 --> 00:23:43,141 Speaker 3: you're a little bit vague on the details, and a 465 00:23:43,141 --> 00:23:45,341 Speaker 3: lot of people with this specific illness. This is the 466 00:23:45,341 --> 00:23:48,022 Speaker 3: issue with writing about health is that it became sort 467 00:23:48,022 --> 00:23:50,421 Speaker 3: of prescriptive to them, and they had this hope that 468 00:23:50,782 --> 00:23:53,262 Speaker 3: maybe if I just did a long walk, then I 469 00:23:53,381 --> 00:23:57,382 Speaker 3: too could improve a lot of mon Yes, so there's 470 00:23:57,422 --> 00:24:01,821 Speaker 3: a lot to unpack here. Mea what kind of responsibility 471 00:24:01,861 --> 00:24:05,502 Speaker 3: do you think the publisher has here to fact check? 472 00:24:06,861 --> 00:24:09,262 Speaker 1: I want to jump past the publisher and talk about 473 00:24:09,262 --> 00:24:13,782 Speaker 1: the first right, because a lot of people who read 474 00:24:13,782 --> 00:24:16,502 Speaker 1: this book, who loved this book, have said, I'm really 475 00:24:16,581 --> 00:24:19,262 Speaker 1: really upset. We have a similar thing happened many years 476 00:24:19,262 --> 00:24:21,101 Speaker 1: ago with an author called James Frey who wrote a 477 00:24:21,222 --> 00:24:23,941 Speaker 1: memoir called A Million Little Pieces. He was not an 478 00:24:23,942 --> 00:24:26,942 Speaker 1: Oprah's Book Club. It then turned out that his memoir 479 00:24:27,141 --> 00:24:29,101 Speaker 1: most of it all, I think all of it wasn't true. 480 00:24:29,782 --> 00:24:34,581 Speaker 1: That was a huge controversy. We've had these before. Helen 481 00:24:34,621 --> 00:24:37,222 Speaker 1: de Medenko a long time ago. I think she said 482 00:24:37,222 --> 00:24:40,462 Speaker 1: she was Yugoslavian, but she was just an Australian who 483 00:24:40,581 --> 00:24:43,341 Speaker 1: was not Yugoslavian, and that was not her name. Her 484 00:24:43,422 --> 00:24:47,341 Speaker 1: name is Helen Darvil. So my question about when you 485 00:24:47,422 --> 00:24:49,861 Speaker 1: read something that you think is memoir, because I read 486 00:24:49,861 --> 00:24:52,542 Speaker 1: a million little pieces I thought it was great. When 487 00:24:52,542 --> 00:24:54,502 Speaker 1: I found out that a lot of it wasn't true, 488 00:24:54,861 --> 00:24:59,661 Speaker 1: did I care or no? Because we have something called fiction, 489 00:24:59,782 --> 00:25:04,061 Speaker 1: and I mean, I understand that it's storytelling. Is it 490 00:25:04,141 --> 00:25:05,662 Speaker 1: not just as good? 491 00:25:05,901 --> 00:25:09,701 Speaker 3: Oh, it's totally different. It's totally it's an element of 492 00:25:09,742 --> 00:25:13,381 Speaker 3: absolute manipulation. And I think that what's an important point 493 00:25:13,381 --> 00:25:16,142 Speaker 3: to make is that nonfiction is easier to sell. It's 494 00:25:16,182 --> 00:25:18,581 Speaker 3: easy to market. The reason it's easy to market I 495 00:25:18,702 --> 00:25:20,262 Speaker 3: was told this. I've written a nonfiction book and a 496 00:25:20,262 --> 00:25:25,061 Speaker 3: fiction book. Nonfiction people want to interview because story. How 497 00:25:25,101 --> 00:25:28,821 Speaker 3: many fiction writers, unless they're Leanne Moriarty, do you actually hear? 498 00:25:29,141 --> 00:25:32,222 Speaker 3: It's really hard to get your fiction book in front 499 00:25:32,222 --> 00:25:33,142 Speaker 3: of people's eyes. 500 00:25:33,262 --> 00:25:35,141 Speaker 1: Because it's like, tell me about this made up story. 501 00:25:35,141 --> 00:25:38,302 Speaker 3: It's like yeah, yeah, So if you say this is 502 00:25:38,341 --> 00:25:42,101 Speaker 3: nonfiction this is a true story, the investment of a reader, 503 00:25:42,141 --> 00:25:44,061 Speaker 3: and I think that a book is very different to 504 00:25:44,061 --> 00:25:46,262 Speaker 3: any other type of media because of how long you 505 00:25:46,302 --> 00:25:49,901 Speaker 3: spend with those people, the details that you absorb, the hope, 506 00:25:49,982 --> 00:25:52,061 Speaker 3: the connections that you make, and then to find out 507 00:25:52,061 --> 00:25:56,581 Speaker 3: that isn't true feels like such an enormous betrayal and 508 00:25:56,621 --> 00:26:00,341 Speaker 3: I'm so surprised. I was listening to a podcast about 509 00:26:00,341 --> 00:26:02,661 Speaker 3: this where they were saying that the way the contract 510 00:26:02,702 --> 00:26:07,622 Speaker 3: works is that the publisher has Rayner signed something, where 511 00:26:07,661 --> 00:26:10,462 Speaker 3: Rayner says this is all true. Basically, the onness is 512 00:26:10,502 --> 00:26:13,542 Speaker 3: on the author, and Rayner got a very small book 513 00:26:13,581 --> 00:26:16,782 Speaker 3: advance for this. I think it was maybe like ten 514 00:26:17,341 --> 00:26:21,422 Speaker 3: pounds twenty thousand pounds. Since she's made millions and millions 515 00:26:21,742 --> 00:26:27,182 Speaker 3: of dollars off royalties, but this keeps happening, it seems 516 00:26:27,302 --> 00:26:30,222 Speaker 3: because legally, I don't think that the onus is on 517 00:26:30,262 --> 00:26:31,581 Speaker 3: the publisher. I think it's on the writer. 518 00:26:31,742 --> 00:26:35,462 Speaker 1: Well, I've written a couple of memoirs. I can't remember 519 00:26:35,502 --> 00:26:38,142 Speaker 1: if I signed anything. I mean, they're always worried about 520 00:26:38,182 --> 00:26:42,381 Speaker 1: anything legal, so anything where you talk about other people 521 00:26:42,661 --> 00:26:44,342 Speaker 1: or make claims about other people. 522 00:26:44,702 --> 00:26:46,181 Speaker 3: But it's not like they would have sat down with 523 00:26:46,222 --> 00:26:48,181 Speaker 3: your mum and dad and gone, hey, this story that 524 00:26:48,222 --> 00:26:50,302 Speaker 3: may have told about being four, was that true? 525 00:26:50,381 --> 00:26:53,101 Speaker 1: No, And they don't ask for medical records. No, no, no, 526 00:26:53,542 --> 00:26:56,821 Speaker 1: because that would be intrusive. Although in the case of 527 00:26:56,821 --> 00:26:58,782 Speaker 1: something like Bell Gibson, there was a huge amount of 528 00:26:58,821 --> 00:27:02,022 Speaker 1: backlash and criticism of the publisher, which I think was 529 00:27:02,101 --> 00:27:05,141 Speaker 1: valid because if you know, in my memoir, I wrote 530 00:27:05,141 --> 00:27:07,861 Speaker 1: about having a miscarriage, I wrote about anxiety, I wrote 531 00:27:07,901 --> 00:27:13,022 Speaker 1: about various things, but I didn't write about curing myself 532 00:27:13,061 --> 00:27:14,341 Speaker 1: of a particular. 533 00:27:14,061 --> 00:27:17,262 Speaker 2: I think that's where the difference comes in because this book, 534 00:27:17,341 --> 00:27:20,022 Speaker 2: although it's a memoir, like labeled as a memoir, it's 535 00:27:20,061 --> 00:27:22,621 Speaker 2: more like a self help kind of book. Like that 536 00:27:22,661 --> 00:27:24,542 Speaker 2: book would have had exactly what you said, so many 537 00:27:25,262 --> 00:27:27,661 Speaker 2: people readers in like a chokehold of going this is 538 00:27:27,702 --> 00:27:29,542 Speaker 2: the book that is going to help me through like 539 00:27:29,581 --> 00:27:33,341 Speaker 2: my next stage. And I remember something so different, but 540 00:27:33,581 --> 00:27:36,902 Speaker 2: I know the exact sense of betrayal because my favorite 541 00:27:36,982 --> 00:27:42,022 Speaker 2: movie for the longest, longest time was The blind Side. Yeah, 542 00:27:42,061 --> 00:27:44,461 Speaker 2: and that was based on a true story. Sandra Bullock 543 00:27:44,462 --> 00:27:46,941 Speaker 2: wan Academy Awards for it. It was a massive movie. 544 00:27:47,101 --> 00:27:47,742 Speaker 1: What was it about? 545 00:27:47,782 --> 00:27:51,581 Speaker 2: Again, it was about this family, this really successful, rich 546 00:27:51,661 --> 00:27:56,622 Speaker 2: family in Memphis who adopted a black kid and took 547 00:27:56,661 --> 00:27:59,382 Speaker 2: them into his family and he became this massive football star. 548 00:27:59,861 --> 00:28:02,101 Speaker 2: And the blindside was about how he became huge. He 549 00:28:02,182 --> 00:28:04,502 Speaker 2: went into college and they funded all of that and 550 00:28:04,542 --> 00:28:06,141 Speaker 2: he was just making a lot of money. 551 00:28:06,022 --> 00:28:09,222 Speaker 3: And beautiful success story, beautiful but. 552 00:28:11,222 --> 00:28:12,782 Speaker 1: True and how did it come out? 553 00:28:13,022 --> 00:28:16,101 Speaker 2: So then after that we found out that the child 554 00:28:16,141 --> 00:28:19,901 Speaker 2: that the movie was about, Michael Orr, was suing the 555 00:28:19,982 --> 00:28:24,302 Speaker 2: Touwy family that was Sandra Bullock was suing that family 556 00:28:24,661 --> 00:28:27,341 Speaker 2: saying that he actually wasn't adopted, he was under a 557 00:28:27,341 --> 00:28:30,941 Speaker 2: conservatorship and the family was taking all the money that 558 00:28:30,982 --> 00:28:33,022 Speaker 2: he was making and taking all the money that the 559 00:28:33,061 --> 00:28:35,821 Speaker 2: movie was made from Hollywood. And it was one of 560 00:28:35,821 --> 00:28:38,862 Speaker 2: those situations that was so so horrible. And then he 561 00:28:38,862 --> 00:28:40,542 Speaker 2: said a lot of the stuff that happened in the 562 00:28:40,582 --> 00:28:43,302 Speaker 2: movie was not true, Like he could actually read and 563 00:28:43,342 --> 00:28:48,582 Speaker 2: write and he was well educated. The huge racial stereotypes 564 00:28:48,622 --> 00:28:51,222 Speaker 2: are happening, and it just was one of those things 565 00:28:51,222 --> 00:28:54,102 Speaker 2: whereas as someone who was so invested in that film, 566 00:28:54,422 --> 00:28:57,382 Speaker 2: I was just digging and digging and digging to see 567 00:28:57,462 --> 00:29:00,062 Speaker 2: if this could be unproven because there was just something 568 00:29:00,102 --> 00:29:02,262 Speaker 2: that really watched when I was really young, and I 569 00:29:02,342 --> 00:29:04,902 Speaker 2: just wanted it to be true so badly. 570 00:29:05,302 --> 00:29:07,622 Speaker 3: I read a book when I was a teenager called 571 00:29:07,782 --> 00:29:11,942 Speaker 3: Forbidden Love, and it was Alakuri a Norma Kouri, and 572 00:29:12,022 --> 00:29:15,021 Speaker 3: it was about her growing up in Jordan and her 573 00:29:15,062 --> 00:29:18,502 Speaker 3: best friend Dahlia, who fell in love with like a 574 00:29:18,661 --> 00:29:23,382 Speaker 3: Christian soldier and ultimately died by an honor killing that 575 00:29:23,622 --> 00:29:24,902 Speaker 3: her father was responsible for. 576 00:29:25,142 --> 00:29:27,221 Speaker 1: She wrote, she told the story of her best friend, yes, 577 00:29:27,262 --> 00:29:28,302 Speaker 1: he was killed, yes. 578 00:29:28,102 --> 00:29:30,461 Speaker 3: And then she moved to the US and it was 579 00:29:30,502 --> 00:29:34,342 Speaker 3: this phenomenon, this book, right, And then it was actually 580 00:29:34,422 --> 00:29:37,822 Speaker 3: Australian journalists Malcolm Knox and I think Caroline Overington was 581 00:29:37,862 --> 00:29:40,742 Speaker 3: really involved in the reporting. Where they went there was 582 00:29:40,782 --> 00:29:44,221 Speaker 3: something like seventy two factual inaccuracies, really basic stuff like 583 00:29:44,502 --> 00:29:47,862 Speaker 3: the border of Jordan was wrong, the banknotes were wrong, 584 00:29:48,022 --> 00:29:49,622 Speaker 3: like all of these kind of and they were like, 585 00:29:49,661 --> 00:29:52,582 Speaker 3: this is really really strange. And then people within Jordan 586 00:29:52,661 --> 00:29:54,942 Speaker 3: started saying, this is not a big country. We would 587 00:29:54,982 --> 00:29:57,822 Speaker 3: have heard. This is like a horrific thing to happen. 588 00:29:57,822 --> 00:30:01,181 Speaker 3: We would have heard. And so they dig and they 589 00:30:01,222 --> 00:30:04,302 Speaker 3: dig and they dig. Turns out this woman never existed, 590 00:30:04,782 --> 00:30:08,302 Speaker 3: like Norma Kuri hadn't even been in Jordan at that time. 591 00:30:08,342 --> 00:30:11,982 Speaker 3: There's a brilliant document called Forbidden Lies that Caroline Overington 592 00:30:12,062 --> 00:30:13,822 Speaker 3: is in. It had to be pulled from shelves, like 593 00:30:13,862 --> 00:30:18,742 Speaker 3: the book was totally fictional. And the reason why that 594 00:30:18,982 --> 00:30:21,182 Speaker 3: was so bad was because it came out in two 595 00:30:21,222 --> 00:30:24,741 Speaker 3: thousand and three, that is two years after September eleventh. 596 00:30:25,222 --> 00:30:31,182 Speaker 3: The anti Muslim sentiment, the Islamophobia that was so prevalent 597 00:30:31,222 --> 00:30:34,062 Speaker 3: at the time. People were so invested in having this 598 00:30:34,222 --> 00:30:38,741 Speaker 3: vision of kind of the oppressed Muslim woman. And to 599 00:30:38,822 --> 00:30:42,302 Speaker 3: write this, to have me so emotionally invested in that 600 00:30:42,382 --> 00:30:44,181 Speaker 3: book and go, this is such a tragedy, look at 601 00:30:44,222 --> 00:30:48,502 Speaker 3: how these cultures work. It just was a totally fictional story. 602 00:30:48,622 --> 00:30:52,462 Speaker 1: I know it's hard to unscramble how you feel about something. 603 00:30:52,542 --> 00:30:56,142 Speaker 1: But had that been categorized as fiction, you're saying it 604 00:30:56,142 --> 00:30:58,902 Speaker 1: wouldn't have sold as well. No, but would you have 605 00:30:59,062 --> 00:31:02,102 Speaker 1: enjoyed reading it as much? Or there's something and new 606 00:31:02,142 --> 00:31:04,382 Speaker 1: for the blind side? Is there something about knowing that 607 00:31:04,422 --> 00:31:08,181 Speaker 1: it's true that enhances your enjoyment of a sect? 608 00:31:08,582 --> 00:31:11,062 Speaker 3: It totally changed a conversation when you're told it's true 609 00:31:11,062 --> 00:31:13,742 Speaker 3: one hundred percent, And even with that book, it's also 610 00:31:13,902 --> 00:31:15,782 Speaker 3: because those code be true. 611 00:31:15,822 --> 00:31:18,822 Speaker 2: Stories like honor killings do happen. So I feel like 612 00:31:19,222 --> 00:31:21,462 Speaker 2: making up a fake story about that and then making 613 00:31:21,502 --> 00:31:23,701 Speaker 2: so much money and moving to the US when it 614 00:31:23,862 --> 00:31:26,582 Speaker 2: actually is happening in the world is just another step 615 00:31:26,702 --> 00:31:27,342 Speaker 2: way too fun. 616 00:31:27,502 --> 00:31:30,662 Speaker 3: It's exploiting. It's totally exploiting a culture that you actually 617 00:31:30,702 --> 00:31:33,702 Speaker 3: have no right to write about. And what's interesting too 618 00:31:33,822 --> 00:31:36,421 Speaker 3: is a James Fray example. And I believe in this 619 00:31:36,502 --> 00:31:39,342 Speaker 3: example there's a big question mark about what happens to 620 00:31:39,382 --> 00:31:42,582 Speaker 3: the money. Yes, because James Frey, I'm pretty sure he's 621 00:31:42,622 --> 00:31:45,622 Speaker 3: still a pretty rich dude, and a lot of the readers, 622 00:31:45,661 --> 00:31:49,262 Speaker 3: because this is in the US, readers suit him like 623 00:31:49,342 --> 00:31:52,742 Speaker 3: individual ratings for life. I want to be compensated. 624 00:31:53,582 --> 00:31:58,102 Speaker 1: I think their publishers often allow people to refunds, get refunds, 625 00:31:58,742 --> 00:31:59,902 Speaker 1: but did you get a refund? 626 00:31:59,982 --> 00:32:01,982 Speaker 3: Well, what's funny is you might have a few refunds. 627 00:32:02,062 --> 00:32:03,422 Speaker 3: Do you know how many people have bought The Salt 628 00:32:03,462 --> 00:32:05,502 Speaker 3: Path in the last few weeks? Like the book, scan 629 00:32:05,661 --> 00:32:07,182 Speaker 3: numbers would have just skyrocket and. 630 00:32:07,062 --> 00:32:07,742 Speaker 1: Watched the movie. 631 00:32:08,102 --> 00:32:11,502 Speaker 3: Yeah, So in terms of the money. 632 00:32:11,622 --> 00:32:14,181 Speaker 1: There was an interview with Jillian Anderson. This is before 633 00:32:14,222 --> 00:32:16,822 Speaker 1: all this came out and people are now going back 634 00:32:16,822 --> 00:32:18,902 Speaker 1: and looking. When she was promoting the movie, someone said, oh, 635 00:32:18,902 --> 00:32:21,502 Speaker 1: did you meet Rayner? How did you find her? And 636 00:32:21,902 --> 00:32:27,422 Speaker 1: Jillian Anderson said, I found her guarded Jerry, Yeah, which 637 00:32:27,502 --> 00:32:28,502 Speaker 1: was kind of cryptic. 638 00:32:29,262 --> 00:32:31,822 Speaker 2: You know who I want to hear from Jason Isaacs 639 00:32:32,661 --> 00:32:36,702 Speaker 2: because from White Loaders, we all know he's a messy bitch. Yeahs. 640 00:32:36,862 --> 00:32:38,542 Speaker 2: Friendships are made, friendships are lost. 641 00:32:38,661 --> 00:32:43,502 Speaker 1: The dad on White Lotus with his prosthetic penis co moth. 642 00:32:43,661 --> 00:32:44,302 Speaker 2: What do you think? 643 00:32:44,742 --> 00:32:48,622 Speaker 3: Tell us your opinion before we go into eCos. I 644 00:32:48,661 --> 00:32:52,142 Speaker 3: wanted to share a low from the week that just passed. 645 00:32:53,102 --> 00:32:55,622 Speaker 3: We talk a bit about sharing from a scar, not 646 00:32:55,742 --> 00:32:59,062 Speaker 3: a wound, but I think sometimes there's a bit of 647 00:32:59,182 --> 00:33:03,502 Speaker 3: utility in examining the wound while it's fresh. And while 648 00:33:03,502 --> 00:33:05,982 Speaker 3: we were recording Wednesday Show last week, I was going 649 00:33:06,022 --> 00:33:10,142 Speaker 3: through something privately, and that night I tried to put 650 00:33:10,142 --> 00:33:13,702 Speaker 3: words around it. So here's what I wrote. I'm sitting 651 00:33:13,702 --> 00:33:15,742 Speaker 3: in the hospital where I gave birth to my daughter 652 00:33:15,782 --> 00:33:18,701 Speaker 3: almost exactly two years ago, but this time I'm not 653 00:33:18,742 --> 00:33:21,142 Speaker 3: in a bed with a bassinette tucked in close beside it. 654 00:33:21,462 --> 00:33:24,862 Speaker 3: I'm in emergency, handing over yarine samples with specks of blood, 655 00:33:25,142 --> 00:33:27,382 Speaker 3: knowing in some part of me that I've just had 656 00:33:27,742 --> 00:33:31,582 Speaker 3: or I'm having a miscarriage. It's so silly. I tested 657 00:33:31,582 --> 00:33:34,981 Speaker 3: so ridiculously early. At first, I didn't even think I 658 00:33:34,982 --> 00:33:37,782 Speaker 3: saw a line that. Then I looked closer. You know 659 00:33:37,822 --> 00:33:40,222 Speaker 3: you're desperate when you take a photo and start adjusting 660 00:33:40,222 --> 00:33:43,741 Speaker 3: the contrast. There was the faintest line, a whisper of 661 00:33:43,782 --> 00:33:46,941 Speaker 3: a promise your life could be about to radically change, or, 662 00:33:46,982 --> 00:33:49,502 Speaker 3: as the case may be, not at all. The next 663 00:33:49,582 --> 00:33:51,382 Speaker 3: day the line was a bit darker than a bit 664 00:33:51,462 --> 00:33:54,462 Speaker 3: darker visible to the naked eye. At least I told 665 00:33:54,542 --> 00:33:57,462 Speaker 3: Luca and my sister. I was so excited. I worked 666 00:33:57,462 --> 00:34:00,421 Speaker 3: out the jew date, the gap between my babies. I 667 00:34:00,462 --> 00:34:02,822 Speaker 3: was asked about a work commitment slaid in for early 668 00:34:02,862 --> 00:34:05,342 Speaker 3: next year, and meekly tried to pry my way out 669 00:34:05,382 --> 00:34:08,661 Speaker 3: of it. They'd know soon enough. I thought about it 670 00:34:08,742 --> 00:34:12,102 Speaker 3: every second of every day. It's like the knowledge existed 671 00:34:12,142 --> 00:34:16,181 Speaker 3: in my pulse, and I suppose it literally did. I'd 672 00:34:16,222 --> 00:34:18,742 Speaker 3: been afraid of how much I wanted this. It feels 673 00:34:18,781 --> 00:34:23,302 Speaker 3: dangerous to want anything this much. Months have passed negative tests. 674 00:34:23,741 --> 00:34:26,221 Speaker 3: I didn't know I could feel so much disdain for 675 00:34:26,261 --> 00:34:31,022 Speaker 3: a pad, but then a positive test. No alcohol, no 676 00:34:31,181 --> 00:34:35,301 Speaker 3: Quadrill pregnancy vitamins. The sore boobs were a giveaway. I 677 00:34:35,342 --> 00:34:38,622 Speaker 3: remembered them from last time, but they're not sore anymore. 678 00:34:39,422 --> 00:34:41,942 Speaker 3: I was at the doctor when it happened. Luna had 679 00:34:41,982 --> 00:34:44,701 Speaker 3: a cold, and I darted to the bathroom as we 680 00:34:44,781 --> 00:34:47,582 Speaker 3: finished up. I'd been spotting, but when I wiped there 681 00:34:47,622 --> 00:34:50,741 Speaker 3: was blood, too much blood, and there were cramps like 682 00:34:50,781 --> 00:34:53,222 Speaker 3: an ache in my lower stomach and back. 683 00:34:53,822 --> 00:34:54,422 Speaker 1: It hurt. 684 00:34:54,741 --> 00:34:57,261 Speaker 3: But where did the knowing come from? That night, as 685 00:34:57,261 --> 00:34:59,902 Speaker 3: I laid in bed having taken panadole, which felt like 686 00:34:59,942 --> 00:35:02,902 Speaker 3: a betrayal of some kind, like I was muting an alarm, 687 00:35:03,422 --> 00:35:08,022 Speaker 3: I felt lonely. They were gone, disappeared. I'd liked so 688 00:35:08,181 --> 00:35:11,382 Speaker 3: much knowing that they were there, and I wasn't grieving 689 00:35:11,661 --> 00:35:14,622 Speaker 3: a baby. I can't imagine losing a baby further along, 690 00:35:14,781 --> 00:35:16,861 Speaker 3: when they're a tiny thing your body has got to know, 691 00:35:17,181 --> 00:35:20,302 Speaker 3: as familiar as your own shadow, a companion through everything. 692 00:35:21,261 --> 00:35:24,221 Speaker 3: I was grieving hope, the future that i'd let unfold, 693 00:35:24,502 --> 00:35:28,781 Speaker 3: the excitement, and for a moment other people's joy is 694 00:35:28,822 --> 00:35:32,301 Speaker 3: all I see. She is pregnant, she has just had 695 00:35:32,302 --> 00:35:34,942 Speaker 3: her third She's walking down the street with two little ones, 696 00:35:34,982 --> 00:35:37,622 Speaker 3: so close in age, with no idea how lucky she is. 697 00:35:38,542 --> 00:35:41,741 Speaker 3: I'm being assaulted by pregnant bellies and ultrasound pictures and 698 00:35:41,781 --> 00:35:45,261 Speaker 3: family photos. And they're beautiful, but they're also brutal to 699 00:35:45,302 --> 00:35:48,142 Speaker 3: the people I empathized with before this. I'm sorry that 700 00:35:48,221 --> 00:35:52,301 Speaker 3: I didn't understand. I didn't understand the impatience, the frustration, 701 00:35:52,781 --> 00:35:56,301 Speaker 3: the grief, the anger, the isolation that it can feel 702 00:35:56,342 --> 00:36:00,181 Speaker 3: like you lost something you only ever really saw. I 703 00:36:00,261 --> 00:36:03,501 Speaker 3: experienced early what so many women go through much later, 704 00:36:03,582 --> 00:36:06,942 Speaker 3: and it is awful to experience a pregnancy you wanted 705 00:36:06,942 --> 00:36:10,502 Speaker 3: more than anything leave your body. However more however, early 706 00:36:11,022 --> 00:36:14,462 Speaker 3: leaves you with an emptiness, a silence, something that is 707 00:36:14,502 --> 00:36:17,741 Speaker 3: over before it ever properly began. And I didn't want 708 00:36:17,741 --> 00:36:20,062 Speaker 3: this story to be a footnote to a pregnancy announcement, 709 00:36:20,221 --> 00:36:23,261 Speaker 3: hopefully someday down the track, a story of victory over 710 00:36:23,302 --> 00:36:25,861 Speaker 3: struggle where it didn't matter so much because we got 711 00:36:25,862 --> 00:36:28,582 Speaker 3: our healthy baby in the end. Because right now that's 712 00:36:28,582 --> 00:36:30,701 Speaker 3: not where I am, or where so many people are. 713 00:36:31,661 --> 00:36:34,941 Speaker 3: I'm sitting in the silence, the emptiness, and I hate 714 00:36:34,982 --> 00:36:37,901 Speaker 3: it here. So I want to say it in case 715 00:36:37,942 --> 00:36:40,502 Speaker 3: you've ever been here, or you're here now, or you 716 00:36:40,582 --> 00:36:43,862 Speaker 3: find yourself here one day stunned by how much it hurts. 717 00:36:44,542 --> 00:36:48,341 Speaker 1: Sweetheart, I'm so sorry that that happened to you, and 718 00:36:48,382 --> 00:36:51,062 Speaker 1: I'm so glad that you wrote that, because that's beautiful. 719 00:36:51,261 --> 00:36:54,181 Speaker 1: You've put words around something that so many women have 720 00:36:54,221 --> 00:36:56,261 Speaker 1: gone through, and so many women will go through, and 721 00:36:56,302 --> 00:37:00,501 Speaker 1: it's really hard thing to explain, even to partner, even 722 00:37:00,582 --> 00:37:04,862 Speaker 1: to your closest friends. It's very unique. It's a weird 723 00:37:05,062 --> 00:37:05,862 Speaker 1: type of grief. 724 00:37:06,102 --> 00:37:08,342 Speaker 3: I've spoken to so many women working in this office, 725 00:37:08,502 --> 00:37:11,821 Speaker 3: like who I've spoken about it, have been at work, 726 00:37:11,902 --> 00:37:14,941 Speaker 3: been in a meeting, gone to the bathroom, and this 727 00:37:16,062 --> 00:37:19,221 Speaker 3: kind of private tragedy has occurred, and I thought I 728 00:37:19,582 --> 00:37:24,022 Speaker 3: knew it was bad. I don't think I ever understood 729 00:37:24,862 --> 00:37:28,942 Speaker 3: the complicated and like embodied emotion of it. I was, 730 00:37:29,022 --> 00:37:31,502 Speaker 3: of course, you just frantically google and one of the 731 00:37:31,582 --> 00:37:34,821 Speaker 3: symptoms that you're losing a pregnancy is grief, like you 732 00:37:34,902 --> 00:37:37,742 Speaker 3: actually do. It's like your body, like your cells feel 733 00:37:38,582 --> 00:37:42,741 Speaker 3: like a changing. Oh, your hormones are changing and yeah, yeah, 734 00:37:42,781 --> 00:37:47,942 Speaker 3: and the palpable grief. I've never been so sure of anything. 735 00:37:47,942 --> 00:37:49,702 Speaker 3: And I think when you go with symptoms like obviously 736 00:37:49,701 --> 00:37:54,182 Speaker 3: bleeding is quite normal in early pregnancy, and so people 737 00:37:54,422 --> 00:37:57,062 Speaker 3: are reassuring or trying to be reassuring. 738 00:37:56,582 --> 00:37:58,301 Speaker 1: But it was you knew. 739 00:37:58,462 --> 00:38:01,301 Speaker 3: I just absolutely absolutely. 740 00:38:00,862 --> 00:38:03,622 Speaker 1: Knew, no matter how early it is. And like I 741 00:38:03,701 --> 00:38:06,022 Speaker 1: so many women get conscious of like throat clearing going 742 00:38:06,062 --> 00:38:07,942 Speaker 1: and it was early, and I just I can't imagine 743 00:38:07,942 --> 00:38:11,941 Speaker 1: what it's like. There's no there's no leaderboard of who 744 00:38:11,942 --> 00:38:14,542 Speaker 1: gets to be the most sad. It's a type of 745 00:38:14,622 --> 00:38:17,822 Speaker 1: grief that transcends how many weeks. 746 00:38:17,862 --> 00:38:23,022 Speaker 3: And I completely understand why people and I so appreciate 747 00:38:23,781 --> 00:38:26,542 Speaker 3: people before me having talked about it. And even as 748 00:38:26,542 --> 00:38:30,022 Speaker 3: it was happening, I kind of had a prism through 749 00:38:30,022 --> 00:38:32,261 Speaker 3: which to understand what was happening because I'd heard other 750 00:38:32,302 --> 00:38:35,382 Speaker 3: women talk about it, and I understand the vulnerability of 751 00:38:35,422 --> 00:38:37,502 Speaker 3: being in the moment. Even saying like I'm trying really 752 00:38:37,502 --> 00:38:38,862 Speaker 3: hard at this thing and it's not working. 753 00:38:39,221 --> 00:38:41,261 Speaker 1: Is like do you feel like a failure? Yeah? 754 00:38:41,422 --> 00:38:43,861 Speaker 3: Quite shameful, like that I. 755 00:38:43,822 --> 00:38:46,062 Speaker 1: Had one job, my body had one job. Yeah. 756 00:38:46,062 --> 00:38:49,022 Speaker 3: But then there's this awareness of like the privilege of 757 00:38:49,062 --> 00:38:54,622 Speaker 3: having fallen pregnant accidentally and having a healthy pregnancy and 758 00:38:54,661 --> 00:38:55,781 Speaker 3: a healthy baby. 759 00:38:55,542 --> 00:38:58,102 Speaker 2: But also knowing that when you talked about your boobs 760 00:38:58,102 --> 00:39:00,781 Speaker 2: and like you knew. Yeah, Like I think that would 761 00:39:00,982 --> 00:39:02,982 Speaker 2: just feel like your betrayal. 762 00:39:03,382 --> 00:39:06,422 Speaker 3: Yeah, it's like an embodied Like it's such an embodied experience. 763 00:39:06,422 --> 00:39:09,502 Speaker 3: I suppose to be pregnant and you feel I've heard 764 00:39:09,542 --> 00:39:10,461 Speaker 3: women talk about body. 765 00:39:12,022 --> 00:39:14,422 Speaker 1: Yeah, embodied. It's so visceral, isn't it. 766 00:39:14,542 --> 00:39:17,022 Speaker 3: Yeah, And that's why it feels like a loss only 767 00:39:17,102 --> 00:39:19,382 Speaker 3: you can see because no one else can feel it, 768 00:39:19,422 --> 00:39:22,542 Speaker 3: and your partner can be. So it's a grief for 769 00:39:22,542 --> 00:39:26,062 Speaker 3: the partner too, because you're so excited but they didn't 770 00:39:26,102 --> 00:39:26,542 Speaker 3: know them. 771 00:39:27,062 --> 00:39:30,221 Speaker 1: And it's also there's no proof that this person existed, Like, now, 772 00:39:30,221 --> 00:39:32,701 Speaker 1: how do I honor this person? There's no I haven't 773 00:39:32,741 --> 00:39:37,942 Speaker 1: even told people that I was pregnant, so how can I. 774 00:39:37,942 --> 00:39:42,062 Speaker 3: I kept taking pregnancy tests and there's the saddest image. 775 00:39:42,062 --> 00:39:43,942 Speaker 3: I said, I said to Luca, this is the saddest 776 00:39:43,942 --> 00:39:45,902 Speaker 3: image I've ever seen. But it's a pregnancy test. It 777 00:39:45,942 --> 00:39:48,542 Speaker 3: still so's positive, but on the urine stick there's blood 778 00:39:48,942 --> 00:39:51,142 Speaker 3: because I knew that it was and I just had 779 00:39:51,181 --> 00:39:53,741 Speaker 3: to keep checking and checking and checking, and then I 780 00:39:53,781 --> 00:39:55,502 Speaker 3: had to keep that because I was like, it's the 781 00:39:55,542 --> 00:39:59,582 Speaker 3: only evidence that this thing actually happened, because I feel 782 00:39:59,622 --> 00:40:03,462 Speaker 3: a bit insane right now, Like I feel as though, oh, okay, 783 00:40:03,502 --> 00:40:05,142 Speaker 3: I just had this health thing happened, and then I 784 00:40:05,181 --> 00:40:06,942 Speaker 3: go home and we get on with things. 785 00:40:07,142 --> 00:40:09,462 Speaker 1: And no one even knows this profound Like I saw 786 00:40:09,661 --> 00:40:11,821 Speaker 1: you last week and yeah, I didn't know, like this 787 00:40:11,942 --> 00:40:15,661 Speaker 1: profound thing was happening inside your body and women are 788 00:40:15,701 --> 00:40:19,982 Speaker 1: extraordinary carry with it and get on with it, because 789 00:40:19,982 --> 00:40:21,741 Speaker 1: what are the rituals as well? Like what are the 790 00:40:21,822 --> 00:40:23,221 Speaker 1: rituals for miscarriage? Yeah? 791 00:40:23,261 --> 00:40:25,422 Speaker 3: What are you meant to do? Other than go? And 792 00:40:25,462 --> 00:40:28,341 Speaker 3: I'm sure that they, you know, must get asked this 793 00:40:28,422 --> 00:40:30,462 Speaker 3: question all the time. But it's like, well, when can 794 00:40:30,502 --> 00:40:32,781 Speaker 3: I try again? Can I? Yeah? When's it going to happen? 795 00:40:32,822 --> 00:40:36,861 Speaker 3: Like they I've never felt impatience like this ever, Like 796 00:40:36,942 --> 00:40:42,901 Speaker 3: it's yeah, it's such a bizarre mix of emotions. And 797 00:40:42,942 --> 00:40:46,342 Speaker 3: I know that the stats that it's so so common, 798 00:40:46,342 --> 00:40:48,221 Speaker 3: and there is something comforting in that knowing that it's 799 00:40:48,221 --> 00:40:50,861 Speaker 3: not that you're defective. It's like it does happen a lot, 800 00:40:51,382 --> 00:40:56,982 Speaker 3: but yeah, something only only women can understand and out Louders. 801 00:40:56,982 --> 00:41:00,022 Speaker 3: If this brings things up for you, then there are 802 00:41:00,302 --> 00:41:03,341 Speaker 3: resources in the show notes. We're thinking of you because 803 00:41:03,382 --> 00:41:06,142 Speaker 3: we know how many of you will have been impacted by. 804 00:41:05,942 --> 00:41:07,821 Speaker 1: This sort of thing. So many outlouders we'll want to 805 00:41:07,822 --> 00:41:10,062 Speaker 1: reach out to you by DM are in the out 806 00:41:10,102 --> 00:41:12,462 Speaker 1: Louders group or comments or whatever, and so many people 807 00:41:12,502 --> 00:41:16,341 Speaker 1: will be moved and grateful and have big feelings. But 808 00:41:17,302 --> 00:41:19,661 Speaker 1: you'll read what you can. You but you know you 809 00:41:19,822 --> 00:41:22,982 Speaker 1: just need time to process it all. So in advance, 810 00:41:23,062 --> 00:41:26,142 Speaker 1: thanks out louders for on Jesse's behalf or your love 811 00:41:26,181 --> 00:41:30,582 Speaker 1: that we know that you'll have. After the break, We've 812 00:41:30,582 --> 00:41:34,262 Speaker 1: got some recommendations for you, including the show Everyone's Talking About, 813 00:41:34,302 --> 00:41:37,022 Speaker 1: a grouping World War two era novel, and a comedy 814 00:41:37,102 --> 00:41:41,221 Speaker 1: gem starring Idris Elba and John Cena. Oh you about that? 815 00:41:42,622 --> 00:41:45,181 Speaker 1: Do you want daily out loud access? Why wouldn't you? 816 00:41:45,302 --> 00:41:49,502 Speaker 1: We drop episodes every Tuesday and Thursday exclusively for Mum 817 00:41:49,502 --> 00:41:51,781 Speaker 1: and me. A subscribers follow the link in the show 818 00:41:51,822 --> 00:41:54,182 Speaker 1: notes to get us in your ears five days a week, 819 00:41:54,542 --> 00:41:57,142 Speaker 1: and a huge thank you if you're already a subscriber. 820 00:42:03,661 --> 00:42:07,582 Speaker 2: Vibes ideas atmosphere, something casual, something fun. 821 00:42:08,102 --> 00:42:12,341 Speaker 1: This is my best recommendation. It is Friday, so the 822 00:42:12,382 --> 00:42:14,661 Speaker 1: show's not over. We want to help set your weekend 823 00:42:14,942 --> 00:42:18,982 Speaker 1: up with some recommendations. And if you've got to spare 824 00:42:19,022 --> 00:42:22,062 Speaker 1: ten hours, you don't have to watch all ten hours 825 00:42:22,062 --> 00:42:26,021 Speaker 1: at once. I did so too much. We spoke about 826 00:42:26,062 --> 00:42:28,742 Speaker 1: it on Monday's show. Well, we spoke about Lina Dunham, 827 00:42:28,781 --> 00:42:32,942 Speaker 1: who is the writer, creator and director of this show. 828 00:42:33,462 --> 00:42:37,062 Speaker 1: It's on Netflix, and Netflix don't space things out, they 829 00:42:37,102 --> 00:42:40,741 Speaker 1: do let you binge. It's about ten hours worth. Yeah, 830 00:42:40,781 --> 00:42:41,861 Speaker 1: I would say a little London. 831 00:42:41,902 --> 00:42:46,221 Speaker 3: So I'm god actually about because I one hundred percent 832 00:42:46,261 --> 00:42:46,622 Speaker 3: going to watch. 833 00:42:46,661 --> 00:42:50,022 Speaker 1: It's her story. We're talking about memoir, but it's fictionalized memoir, 834 00:42:50,741 --> 00:42:54,781 Speaker 1: so similar to parts of your book about depression, it 835 00:42:54,822 --> 00:42:58,302 Speaker 1: can be a way for people to tell an aspect 836 00:42:58,342 --> 00:43:00,661 Speaker 1: of their story without having to be faithful to every 837 00:43:00,661 --> 00:43:04,422 Speaker 1: single detail, or like Strife with My story, where it 838 00:43:04,542 --> 00:43:07,382 Speaker 1: actually gives you a lot more creative license. But anyway, 839 00:43:07,422 --> 00:43:10,662 Speaker 1: so Lena Dunham, after the success of Girls and everything 840 00:43:10,701 --> 00:43:13,902 Speaker 1: that happened in America, as we spoke about on Monday 841 00:43:13,942 --> 00:43:15,782 Speaker 1: and go Back, We've had so many comments of people 842 00:43:15,862 --> 00:43:18,461 Speaker 1: just loving that episode. It was such a great week. 843 00:43:18,622 --> 00:43:20,341 Speaker 1: I'm glad you loved it because we love doing it. 844 00:43:20,342 --> 00:43:22,301 Speaker 1: It was like a big, chunky, deep dive into Lena 845 00:43:22,382 --> 00:43:26,381 Speaker 1: and the Girls phenomenon. But she ended up leaving America 846 00:43:26,462 --> 00:43:30,341 Speaker 1: and going to the UK to direct. She had a 847 00:43:30,342 --> 00:43:32,422 Speaker 1: couple of opportunities over there, and she decided that she 848 00:43:32,502 --> 00:43:33,941 Speaker 1: just needed to get away. She had a bad break 849 00:43:33,982 --> 00:43:37,421 Speaker 1: up after a long term relationship, and pretty early on 850 00:43:37,661 --> 00:43:39,982 Speaker 1: after she arrived in the UK, she met this musician 851 00:43:40,781 --> 00:43:43,981 Speaker 1: kind of unlikely match in a way, but they fell 852 00:43:44,022 --> 00:43:47,542 Speaker 1: in love and she and he got married. It's not 853 00:43:47,582 --> 00:43:50,022 Speaker 1: really a spoiler because this is well known. They got 854 00:43:50,022 --> 00:43:52,181 Speaker 1: married I think a year after meeting each other, maybe 855 00:43:52,261 --> 00:43:56,462 Speaker 1: seven months, And this just tells the story of you know, 856 00:43:56,502 --> 00:43:59,582 Speaker 1: this Lena type character played by Megan Stalter. You might 857 00:43:59,622 --> 00:44:02,982 Speaker 1: remember her from Hacks, and she's sort of like our 858 00:44:03,062 --> 00:44:07,022 Speaker 1: unlikely protagonist in that she doesn't look the way a 859 00:44:07,062 --> 00:44:12,302 Speaker 1: Hollywood protagonist looks into a twenty five or has really 860 00:44:12,382 --> 00:44:16,301 Speaker 1: ever looked outside of Lena Dunham production. And that's not 861 00:44:16,342 --> 00:44:20,982 Speaker 1: even the story that just you know is incidental, yeah, incidental, Jess. 862 00:44:21,022 --> 00:44:26,662 Speaker 2: Something has shifted with you, Josh Hi, how are you girl? 863 00:44:26,661 --> 00:44:30,862 Speaker 1: Are you good? You're unhappy living me. It's the worst 864 00:44:30,902 --> 00:44:36,062 Speaker 1: thing that everyone's ever done. Change your life. Go to London, seriously, 865 00:44:36,342 --> 00:44:37,262 Speaker 1: you love London. 866 00:44:37,781 --> 00:44:40,422 Speaker 2: You saw a Spice World nine times in the theater. 867 00:44:41,462 --> 00:44:43,701 Speaker 1: I could do it. I could go and find my 868 00:44:43,822 --> 00:44:47,941 Speaker 1: English dream. You know, a state ground starting gardens, good luck, 869 00:44:47,942 --> 00:44:58,142 Speaker 1: We don't love. I'm talking to a girlfriend about it 870 00:44:58,181 --> 00:45:00,542 Speaker 1: who said it certainly wouldn't pass the Is it called the. 871 00:45:00,542 --> 00:45:02,862 Speaker 3: Bechdel test, I'd say, bechetel. 872 00:45:04,661 --> 00:45:07,781 Speaker 1: H d e L. It's a test by a cartoonist 873 00:45:07,781 --> 00:45:11,181 Speaker 1: called Allison Bechell Look Bechdel. It looks at movies and 874 00:45:11,221 --> 00:45:14,741 Speaker 1: TV shows and basically says, if the women in every 875 00:45:14,982 --> 00:45:17,941 Speaker 1: sort of scene are talking about men more their relationships, 876 00:45:19,302 --> 00:45:22,422 Speaker 1: that just sort of signifies that it's not really about 877 00:45:22,701 --> 00:45:26,222 Speaker 1: female characters, and this would not pass that because it's 878 00:45:26,342 --> 00:45:28,742 Speaker 1: very much a rom com. It's about the love story. 879 00:45:28,942 --> 00:45:32,542 Speaker 1: And it also goes back and through a series of flashbacks, 880 00:45:32,741 --> 00:45:36,542 Speaker 1: looks at these two sort of flawed characters who interrogate 881 00:45:36,622 --> 00:45:39,022 Speaker 1: their past and how did they become sort of traumatized 882 00:45:39,022 --> 00:45:42,062 Speaker 1: in different ways. It's bloody funny. It's written in just 883 00:45:42,142 --> 00:45:44,542 Speaker 1: the most glorious way by Lena. It's got that great 884 00:45:45,181 --> 00:45:50,542 Speaker 1: dialogue that's clever, but not like punishingly clever, you know, 885 00:45:50,622 --> 00:45:52,781 Speaker 1: where it's just like, well, no one actually talks like that. 886 00:45:53,181 --> 00:45:54,062 Speaker 2: It's really funny. 887 00:45:54,102 --> 00:45:54,862 Speaker 3: What did you love about it? 888 00:45:54,982 --> 00:45:57,462 Speaker 2: I love Okay. Firstly, I loved Will Sharp, who plays 889 00:45:57,661 --> 00:46:00,821 Speaker 2: the romantic interest. He was in White Loadus season two. Yes, 890 00:46:01,261 --> 00:46:03,142 Speaker 2: so good looking, he's really really good. 891 00:46:03,142 --> 00:46:05,262 Speaker 1: He was married to Aubrey Plaza, Yes. 892 00:46:05,142 --> 00:46:07,582 Speaker 2: And White Loats. What I loved about The Human is 893 00:46:07,622 --> 00:46:09,542 Speaker 2: that it's very summer to Girls. It took me a while, 894 00:46:09,781 --> 00:46:12,542 Speaker 2: if you're a big Girls fan, to not see this 895 00:46:12,781 --> 00:46:14,422 Speaker 2: character as Hannah from Girls. 896 00:46:14,902 --> 00:46:15,182 Speaker 3: Okay. 897 00:46:15,342 --> 00:46:17,021 Speaker 2: I kept thinking they were meant to be the same 898 00:46:17,142 --> 00:46:20,102 Speaker 2: person and then not. It's like two completely different characters. 899 00:46:20,181 --> 00:46:23,062 Speaker 2: But it's like Lena Dunham's humor, which is very fast paced, 900 00:46:23,181 --> 00:46:25,901 Speaker 2: very funny, that you have to constantly play catch up 901 00:46:25,982 --> 00:46:27,582 Speaker 2: where you're like, oh my god, that was so funny, 902 00:46:27,582 --> 00:46:30,502 Speaker 2: And then I found myself rewinding things to like rehear them. 903 00:46:30,622 --> 00:46:32,701 Speaker 1: I wanted to go back and watch the whole season again, 904 00:46:32,741 --> 00:46:36,102 Speaker 1: which I never do. Some of the most glorious cameos 905 00:46:36,261 --> 00:46:39,781 Speaker 1: Naomi Watts. Yes, oh my god, she's In a few episodes, 906 00:46:40,142 --> 00:46:44,181 Speaker 1: she plays just the most phenomenal character. Jennifer Saunders makes 907 00:46:44,221 --> 00:46:47,862 Speaker 1: an appearance and Scott the hot priest from Fleabag. 908 00:46:47,942 --> 00:46:49,301 Speaker 2: Jessica alba Ura. 909 00:46:49,542 --> 00:46:54,502 Speaker 1: Yeah, it's it's amazing. Oh yeah, it made me like him. Rada, 910 00:46:54,781 --> 00:46:57,701 Speaker 1: I buried the lead. This actually made me like em. 911 00:46:57,822 --> 00:47:02,062 Speaker 1: Rada plays a knitting influencer model that her ex boyfriend 912 00:47:02,102 --> 00:47:05,221 Speaker 1: then gets together with, and she was really good. 913 00:47:05,582 --> 00:47:08,422 Speaker 3: She was to watch this. That's gonna be my weekend one. 914 00:47:08,422 --> 00:47:10,302 Speaker 1: I can't recommend it enough. The other show I watched, 915 00:47:10,462 --> 00:47:12,582 Speaker 1: which I know I'm not allowed to recommend, well, it's 916 00:47:12,622 --> 00:47:14,821 Speaker 1: against the rules because it's already been recommended. But I've 917 00:47:14,942 --> 00:47:16,622 Speaker 1: just discovered Drive to Survive. 918 00:47:16,701 --> 00:47:21,542 Speaker 3: Stop is ahead of us on this. She's the person 919 00:47:21,622 --> 00:47:22,181 Speaker 3: I can talk to. 920 00:47:22,382 --> 00:47:24,062 Speaker 1: Well. The good news about that is that if you 921 00:47:24,142 --> 00:47:26,062 Speaker 1: go back to the beginning like I did, I've just 922 00:47:26,181 --> 00:47:27,661 Speaker 1: got hours and hours an hour. 923 00:47:27,781 --> 00:47:30,222 Speaker 2: You're talking to people who don't even exist. 924 00:47:30,342 --> 00:47:32,862 Speaker 1: I know. I'm on out of season three. This is 925 00:47:32,902 --> 00:47:35,102 Speaker 1: the behind the sense of Formula one. It's become a 926 00:47:35,181 --> 00:47:39,261 Speaker 1: massive hit with women. Very clever marketing move by f one. Jesse, 927 00:47:39,502 --> 00:47:40,382 Speaker 1: what are you recommending? 928 00:47:40,582 --> 00:47:42,582 Speaker 3: I'm going to recommend a book. It is called The 929 00:47:42,701 --> 00:47:46,862 Speaker 3: Nightingale by Kristen Hannah. It is not brand new, but 930 00:47:47,502 --> 00:47:51,781 Speaker 3: I have been for the last few months struggling to 931 00:47:51,942 --> 00:47:55,102 Speaker 3: get through anything same. I am picking up books that 932 00:47:55,221 --> 00:47:58,301 Speaker 3: everyone says are amazing, like hits that everyone's talking about, 933 00:47:58,342 --> 00:47:59,902 Speaker 3: and I'm like, I can't finish this. 934 00:48:00,142 --> 00:48:02,181 Speaker 1: I've got a question, when do you make the call 935 00:48:02,701 --> 00:48:05,461 Speaker 1: to keep pushing through or not? Are you a pusher througher? 936 00:48:05,701 --> 00:48:07,982 Speaker 3: I'm a I'll read a chapter and go not for 937 00:48:08,102 --> 00:48:10,781 Speaker 3: me one chapter, Yeah, but the last few I've read, 938 00:48:10,781 --> 00:48:13,142 Speaker 3: I've gotten three quarters away through and I'm not actually 939 00:48:13,142 --> 00:48:13,701 Speaker 3: invested in how. 940 00:48:13,661 --> 00:48:14,062 Speaker 1: This finished it. 941 00:48:14,062 --> 00:48:15,542 Speaker 2: I'm gonna push it through it even if I hate it. 942 00:48:15,622 --> 00:48:16,342 Speaker 2: I have to finish it. 943 00:48:17,022 --> 00:48:19,821 Speaker 3: Chapter is sure Jesse, Wow, I can tell by the 944 00:48:19,902 --> 00:48:23,301 Speaker 3: writing and also like how much stock I've got the writer? Yeah, 945 00:48:23,382 --> 00:48:25,661 Speaker 3: but this a few friends said to me. This is 946 00:48:25,781 --> 00:48:27,701 Speaker 3: just super super readable, but also top of the New 947 00:48:27,781 --> 00:48:30,341 Speaker 3: York Times bestseller list. This author has written a few 948 00:48:30,422 --> 00:48:31,302 Speaker 3: really really good books. 949 00:48:31,342 --> 00:48:33,261 Speaker 1: I've heard about it. What's it about? Because I also 950 00:48:33,342 --> 00:48:35,142 Speaker 1: need a book that's going to push me out of 951 00:48:35,181 --> 00:48:35,902 Speaker 1: my rut, so. 952 00:48:36,342 --> 00:48:38,941 Speaker 3: This will one hundred percent do that. It is set 953 00:48:39,062 --> 00:48:42,261 Speaker 3: in World War two France, and it follows two sisters 954 00:48:42,422 --> 00:48:46,542 Speaker 3: and their resistance to the Nazis. That sounds like really heavy, 955 00:48:46,661 --> 00:48:49,502 Speaker 3: but it's not like I'm just really invested in the 956 00:48:49,661 --> 00:48:52,781 Speaker 3: day to day lives of these two women. And it's 957 00:48:52,862 --> 00:48:56,982 Speaker 3: not like hectic historical fiction where it feels dense like it. 958 00:48:57,422 --> 00:48:58,782 Speaker 3: It's very very readable. 959 00:48:58,862 --> 00:49:00,582 Speaker 1: How does it compare to The Safe Keep, because that 960 00:49:00,701 --> 00:49:03,022 Speaker 1: was the last historical fiction that you I couldn't get 961 00:49:03,022 --> 00:49:05,942 Speaker 1: through it. You couldn't get through every week raving about. 962 00:49:05,701 --> 00:49:08,221 Speaker 3: The Safety Oh I loved the Safe couldn't get through it. 963 00:49:08,342 --> 00:49:09,301 Speaker 1: So how does it compare to that? 964 00:49:09,542 --> 00:49:11,142 Speaker 3: I would say similar, And I would also put that 965 00:49:11,261 --> 00:49:13,542 Speaker 3: in the same realm as The Bronze Horseman, which is. 966 00:49:13,542 --> 00:49:15,341 Speaker 1: All I loved the Bronze Horsemen. Yeah. 967 00:49:15,582 --> 00:49:19,822 Speaker 3: So it's about female war heroes broadly and the stories 968 00:49:19,862 --> 00:49:23,702 Speaker 3: that we don't hear, and also how everyone's resistance looks different. 969 00:49:24,142 --> 00:49:27,862 Speaker 3: So these two sisters resist the Nazis in very specific 970 00:49:27,942 --> 00:49:30,902 Speaker 3: ways that might at point seem small, but are also 971 00:49:30,982 --> 00:49:33,542 Speaker 3: grounded in like historical accuracy, Like what one of the 972 00:49:33,622 --> 00:49:36,102 Speaker 3: sisters did is something that was done during the war 973 00:49:36,261 --> 00:49:38,862 Speaker 3: and made me think about how you know the marches 974 00:49:38,902 --> 00:49:41,422 Speaker 3: are for the men, the Anzac Day March, but broadly 975 00:49:41,542 --> 00:49:44,342 Speaker 3: it's been mostly for the men who come back. But 976 00:49:44,422 --> 00:49:47,341 Speaker 3: what happened in the four or five years when they 977 00:49:47,382 --> 00:49:49,462 Speaker 3: were gone? What did these women do and what did 978 00:49:49,502 --> 00:49:52,102 Speaker 3: they experience? And I didn't know that some of the 979 00:49:52,221 --> 00:49:54,741 Speaker 3: Nazis in this French town were billeted to homes. And 980 00:49:54,822 --> 00:49:57,542 Speaker 3: what that means is that, my god, I didn't know that. Yeah, 981 00:49:57,622 --> 00:50:00,741 Speaker 3: so you would be living in a house and a 982 00:50:00,822 --> 00:50:02,781 Speaker 3: Nazi would knock on the door and go, hey, I'm 983 00:50:02,781 --> 00:50:05,022 Speaker 3: gonna need that room and just live in your house. 984 00:50:05,462 --> 00:50:10,102 Speaker 3: You're a vulnerable woman, often with children like alone. And 985 00:50:10,221 --> 00:50:13,782 Speaker 3: also I always find really interesting the details about rations 986 00:50:13,822 --> 00:50:16,862 Speaker 3: and food and the cold and just the horrendous conditions 987 00:50:16,942 --> 00:50:19,502 Speaker 3: that people lived through. I was deeply, deeply moved by it. 988 00:50:19,822 --> 00:50:21,861 Speaker 3: So it's called The Nightingale. I'm going to go back 989 00:50:21,902 --> 00:50:24,262 Speaker 3: and read read her others, but it's brilliant. 990 00:50:24,741 --> 00:50:27,741 Speaker 2: Okay, I have a movie I want to recommend that 991 00:50:28,902 --> 00:50:31,062 Speaker 2: I feel like I'll have to really convince you guys 992 00:50:31,142 --> 00:50:33,062 Speaker 2: to watch. But if Holly was here, should be all around. 993 00:50:33,062 --> 00:50:34,742 Speaker 3: Okay, all right, she's probably already saying. 994 00:50:34,542 --> 00:50:37,341 Speaker 2: That it's called Heads of State, and it's on Prime 995 00:50:37,462 --> 00:50:41,701 Speaker 2: Video and it stars Idris Elba, John Cena, yeah, and 996 00:50:41,822 --> 00:50:44,301 Speaker 2: Preaka Chopra. But oh, I love all of them, all 997 00:50:44,382 --> 00:50:48,981 Speaker 2: of them. So John Cena plays a Hollywood A list 998 00:50:49,462 --> 00:50:51,821 Speaker 2: turned US President of the United States. 999 00:50:52,142 --> 00:50:54,301 Speaker 1: Oh sounds for me. I love him so much. 1000 00:50:54,342 --> 00:50:56,982 Speaker 2: He's funny, he's really funny. And Idris Elba plays like 1001 00:50:57,382 --> 00:51:02,301 Speaker 2: a really tough, quiet military guy who's now the Prime 1002 00:51:02,382 --> 00:51:03,221 Speaker 2: Minister of the UK. 1003 00:51:05,022 --> 00:51:07,102 Speaker 1: It's the Prime Minister, it's the president. 1004 00:51:07,781 --> 00:51:11,741 Speaker 2: Debute duet do it? Yeah, it's like doctor Dre and 1005 00:51:11,781 --> 00:51:13,502 Speaker 2: your Eminem and we're taking that stage for the first 1006 00:51:13,502 --> 00:51:13,941 Speaker 2: time again. 1007 00:51:15,022 --> 00:51:21,342 Speaker 1: I'm Eminem. What is it you're walking around thinking you 1008 00:51:21,422 --> 00:51:25,901 Speaker 1: better than nobody else? You are the commander in chief? 1009 00:51:25,902 --> 00:51:27,462 Speaker 2: You know some DJ in Vegas. 1010 00:51:29,422 --> 00:51:30,782 Speaker 1: All right, I get it. You don't like my movies. 1011 00:51:30,822 --> 00:51:33,861 Speaker 1: I've never seen your movies. But the universe keeps telling 1012 00:51:33,902 --> 00:51:35,221 Speaker 1: me I look cool with a gun in my head. 1013 00:51:38,661 --> 00:51:39,142 Speaker 1: That's how I go. 1014 00:51:39,622 --> 00:51:42,741 Speaker 2: They both also start in did you have watch Suicide Squad? No, 1015 00:51:44,342 --> 00:51:46,502 Speaker 2: it's not like a massive, massive movie, but it's like 1016 00:51:46,622 --> 00:51:50,102 Speaker 2: Suicide Squad is like the Nuggo Robbie in that yes, yeah, yeah, 1017 00:51:50,382 --> 00:51:53,022 Speaker 2: So they would start in that together. Everyone really liked 1018 00:51:53,062 --> 00:51:54,862 Speaker 2: them together, so now they're doing this movie together. And 1019 00:51:54,902 --> 00:51:57,981 Speaker 2: it's actually a buddy comedy, so it's like comedy action pace, 1020 00:51:58,382 --> 00:52:01,261 Speaker 2: but it's about these two massive political figures who are 1021 00:52:01,302 --> 00:52:04,461 Speaker 2: getting hunted by these assassins, and the assassins are trying 1022 00:52:04,542 --> 00:52:07,261 Speaker 2: to destroy all these peace treaties that around the world 1023 00:52:07,302 --> 00:52:09,182 Speaker 2: and they're just chasing them around the world. And Pianka 1024 00:52:09,221 --> 00:52:11,261 Speaker 2: Chopa plays a CIA agent who's the only one who 1025 00:52:11,261 --> 00:52:14,782 Speaker 2: actually knows what's going on. It is really really funny. 1026 00:52:15,342 --> 00:52:17,261 Speaker 2: Your boomer dad or your twein son will love it. 1027 00:52:17,822 --> 00:52:19,661 Speaker 2: There's a big family exactly. 1028 00:52:19,862 --> 00:52:21,662 Speaker 3: Catch my dad watching at one pm on a Saturday. 1029 00:52:21,701 --> 00:52:23,502 Speaker 2: Yeah, oh my god, me and your dad. 1030 00:52:23,661 --> 00:52:26,662 Speaker 1: That's on. My criteria for that is no sex scenes. 1031 00:52:26,902 --> 00:52:27,822 Speaker 2: There's no sex scenes. 1032 00:52:28,261 --> 00:52:29,062 Speaker 1: Tick done. 1033 00:52:29,502 --> 00:52:31,821 Speaker 2: I think there might be one kissing scene. That's all right, 1034 00:52:32,102 --> 00:52:34,421 Speaker 2: that's fine, Okay. I'm also going to break the rules 1035 00:52:34,422 --> 00:52:36,901 Speaker 2: and do one more recommendation. And so you know how, 1036 00:52:36,982 --> 00:52:40,261 Speaker 2: I host The Spill, our daily entertainment podcast. Our little 1037 00:52:40,261 --> 00:52:43,062 Speaker 2: Spill family is growing. We have a new offering called 1038 00:52:43,302 --> 00:52:46,262 Speaker 2: Morning Tea. So you are now going to be getting 1039 00:52:46,622 --> 00:52:49,901 Speaker 2: two episodes of the Spill every day. So Morning Tea 1040 00:52:49,942 --> 00:52:52,262 Speaker 2: gets released at eight am. It's a five minute episode. 1041 00:52:52,302 --> 00:52:55,382 Speaker 2: It's hosted by Ash London, who's absolutely brilliant, and she 1042 00:52:55,542 --> 00:52:59,102 Speaker 2: gives you your entertainment, pop culture, celebrity news headlines of 1043 00:52:59,181 --> 00:52:59,502 Speaker 2: the day. 1044 00:52:59,701 --> 00:53:01,942 Speaker 1: I love this wiki. 1045 00:53:02,022 --> 00:53:04,701 Speaker 3: It's kind of like the quickie bit first entertainment. 1046 00:53:04,302 --> 00:53:08,062 Speaker 1: But for fluffy things. So I love this because it's 1047 00:53:08,102 --> 00:53:11,781 Speaker 1: interesting that research continues to show that women are increasingly 1048 00:53:12,181 --> 00:53:15,982 Speaker 1: experiencing news a version that they are wanting to turn 1049 00:53:16,022 --> 00:53:19,221 Speaker 1: away from the news. The quickie is a fantastic option 1050 00:53:19,382 --> 00:53:21,142 Speaker 1: for those people who want to get across the news 1051 00:53:21,181 --> 00:53:26,661 Speaker 1: in a non anxious, sensationalist way. But sometimes you just 1052 00:53:26,902 --> 00:53:28,902 Speaker 1: don't want that, or you want that and then you 1053 00:53:28,982 --> 00:53:31,901 Speaker 1: want you want to stuff. So this is always used 1054 00:53:31,902 --> 00:53:33,941 Speaker 1: to be my favorite part of the news or when 1055 00:53:34,102 --> 00:53:37,022 Speaker 1: in the old days of breakfast television, the bits that 1056 00:53:37,142 --> 00:53:39,902 Speaker 1: Richard Wilkins used to do, or whoever it was, and 1057 00:53:40,342 --> 00:53:42,301 Speaker 1: this is just all the celebrity news. So it's just 1058 00:53:42,382 --> 00:53:44,701 Speaker 1: like a catch up in the morning and then in 1059 00:53:44,741 --> 00:53:48,821 Speaker 1: the afternoon you and you're still a Rodney Spell episode. Yes, 1060 00:53:48,982 --> 00:53:52,062 Speaker 1: do a bit more of a deep dive on particular stories, 1061 00:53:52,302 --> 00:53:54,342 Speaker 1: but this just like covers you off with the headlines. 1062 00:53:54,342 --> 00:53:56,421 Speaker 2: It's all wonderful And this is all in the spill Feed, 1063 00:53:56,582 --> 00:53:59,782 Speaker 2: All in the spell Feed, host by Ashlandon, who's so brilliant. 1064 00:53:59,862 --> 00:54:02,382 Speaker 2: She knows so much about celebrity and pop culture. 1065 00:54:02,422 --> 00:54:04,622 Speaker 1: I love her. And the other bit of pod news 1066 00:54:04,701 --> 00:54:06,502 Speaker 1: we had for you is that I know a lot 1067 00:54:06,542 --> 00:54:11,222 Speaker 1: about ladders. Have really loved the six weeks of Parenting 1068 00:54:11,261 --> 00:54:13,702 Speaker 1: out Loud that we've done, Jesse you hosting with Emilia 1069 00:54:13,822 --> 00:54:18,741 Speaker 1: lest Andy Stacy Hicks. We sort of did that as 1070 00:54:18,781 --> 00:54:22,821 Speaker 1: a bit of an experiment and everyone has loved it. Yeah, 1071 00:54:23,261 --> 00:54:25,301 Speaker 1: I love it. It's one of my favorite shows because 1072 00:54:25,302 --> 00:54:26,861 Speaker 1: I'm not on it so I can just listen as 1073 00:54:26,902 --> 00:54:29,781 Speaker 1: a listener. We weren't expecting to carry this show on, 1074 00:54:30,022 --> 00:54:33,341 Speaker 1: so it's taking a little bit of parental leave while 1075 00:54:33,422 --> 00:54:36,661 Speaker 1: we think about what's going to happen next. But if 1076 00:54:36,741 --> 00:54:40,821 Speaker 1: you are interested in being the first to know when 1077 00:54:41,142 --> 00:54:44,102 Speaker 1: Parenting out Loud and if it comes back, we will 1078 00:54:44,142 --> 00:54:45,902 Speaker 1: put a link in the show notes so that you 1079 00:54:46,022 --> 00:54:48,701 Speaker 1: can follow along in that feed and maybe go and 1080 00:54:48,822 --> 00:54:52,422 Speaker 1: have a listen to the six episodes that we've already done. Congratulations. 1081 00:54:52,502 --> 00:54:55,382 Speaker 3: That was such It was so so much fun and 1082 00:54:55,502 --> 00:54:57,661 Speaker 3: it was a lot of parenting podcasts, you know. 1083 00:54:58,261 --> 00:54:58,501 Speaker 1: Yeah. 1084 00:54:59,181 --> 00:55:00,982 Speaker 3: I think that our resistance as well was like, we 1085 00:55:01,022 --> 00:55:02,422 Speaker 3: don't want to get on and just talk about our 1086 00:55:02,542 --> 00:55:02,942 Speaker 3: kids and. 1087 00:55:03,982 --> 00:55:08,062 Speaker 2: Chiefs first, sleeping, life, stage, lifestyle. 1088 00:55:08,261 --> 00:55:11,221 Speaker 3: Yeah, it's more the conversation that you have, all the 1089 00:55:11,302 --> 00:55:13,542 Speaker 3: things that you read or gravitate to. We wanted it 1090 00:55:13,622 --> 00:55:18,462 Speaker 3: to be thinkier, treat parents like adults instead of like, yeah. 1091 00:55:18,582 --> 00:55:22,461 Speaker 1: It's not actually about kids, it's about sort of heads out. Yeah, 1092 00:55:22,661 --> 00:55:24,862 Speaker 1: so it's kind of zeitguys, similar to out Loud, but 1093 00:55:24,982 --> 00:55:27,582 Speaker 1: through a parenting lens. It's just so great, and lots 1094 00:55:27,622 --> 00:55:29,701 Speaker 1: of people who aren't parents have said that they really 1095 00:55:29,741 --> 00:55:31,181 Speaker 1: really love it. Anyway, we'll put a link in the 1096 00:55:31,221 --> 00:55:33,462 Speaker 1: show notes if you want to follow that feed and 1097 00:55:33,582 --> 00:55:34,221 Speaker 1: catch up with it. 1098 00:55:34,701 --> 00:55:36,982 Speaker 3: That's all we have time for today. A big thank 1099 00:55:37,062 --> 00:55:39,142 Speaker 3: you to all of you the out louders for listening 1100 00:55:39,221 --> 00:55:41,902 Speaker 3: to today's show. We will be back in your ears 1101 00:55:42,022 --> 00:55:44,821 Speaker 3: on Monday, and we've got a little present for you 1102 00:55:45,102 --> 00:55:48,661 Speaker 3: because Hollywayne right been on her euro trip, which has 1103 00:55:48,701 --> 00:55:50,942 Speaker 3: been posting a lot about, which has been pissing me 1104 00:55:51,062 --> 00:55:53,261 Speaker 3: off because it looks very warm. Lots of app roles 1105 00:55:53,302 --> 00:55:55,982 Speaker 3: shall be back joining us behind the mic, so meet 1106 00:55:56,062 --> 00:55:56,742 Speaker 3: us there on Monday. 1107 00:55:57,181 --> 00:56:00,022 Speaker 1: Thank you to our team group executive producer Ruth Divine, 1108 00:56:00,102 --> 00:56:03,542 Speaker 1: our audio producer Leah Porges, video producer Josh Green, and 1109 00:56:03,622 --> 00:56:06,701 Speaker 1: our junior content producers co Co and Tessa. We will 1110 00:56:06,781 --> 00:56:08,582 Speaker 1: be back in your ears on Monday. 1111 00:56:08,781 --> 00:56:10,982 Speaker 3: And if you want something else to listen to, yesterday's 1112 00:56:11,022 --> 00:56:14,942 Speaker 3: subscriber episode, we tackled a bunch of very juicy dilemmas, 1113 00:56:15,422 --> 00:56:18,622 Speaker 3: from how to deal with a colleague's questionable cooking to 1114 00:56:18,741 --> 00:56:21,741 Speaker 3: a tricky parenting moral dilemma. A link will be in 1115 00:56:21,862 --> 00:56:22,462 Speaker 3: the show notes. 1116 00:56:22,862 --> 00:56:23,102 Speaker 1: Bye. 1117 00:56:23,982 --> 00:56:26,901 Speaker 3: Shout out to any Mom and Mia subscribers listening. If 1118 00:56:26,942 --> 00:56:28,861 Speaker 3: you love the show and you want to support us, 1119 00:56:29,142 --> 00:56:31,861 Speaker 3: subscribing to mom and Mia is the very best way 1120 00:56:31,982 --> 00:56:34,542 Speaker 3: to do so. There's a link in the episode description.