WEBVTT - A Dire Warning From Rebel Wilson

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<v Speaker 1>You're listening to a Muma Mia podcast. Mamma Mia acknowledges

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<v Speaker 1>the traditional owners of land and borders that this podcast

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<v Speaker 1>is recorded on. From Mamma Mia. Welcome to the spill

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<v Speaker 1>your daily pop culture fixed. I'm Laura Brodnick and I'm

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<v Speaker 1>m Vernon And today we have a very serious warning

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<v Speaker 1>from Rebel Wilson. She posted overnight. They have been allegations,

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<v Speaker 1>there have been comebacks. We're going to get into that.

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<v Speaker 1>Plus we have some dire information about a movie that

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<v Speaker 1>I was desperately looking forward to. Not sure how I'm

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<v Speaker 1>going to make it through today, but first we'll get

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<v Speaker 1>through it.

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<v Speaker 2>But first, we finally have the official trailer to Ridley

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<v Speaker 2>Scott's Gladiator Too, starring Paul mescal.

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<v Speaker 1>I remember that day.

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<v Speaker 2>I never forgot it that a slave could take revenge

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<v Speaker 2>against an emperor.

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<v Speaker 1>Where were you born? I don't know.

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<v Speaker 3>I never knew a mother and law father.

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<v Speaker 1>You will be my instrument.

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<v Speaker 3>Who are you? Did you hear that crowd?

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<v Speaker 1>The greatest temple room.

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<v Speaker 2>Ever built, the Carlosseum, Because this is what they believe

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<v Speaker 2>in power. I've convinced everyone here in spill Land to

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<v Speaker 2>let me do a little recap of the trailer.

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<v Speaker 1>Pea, I'm quite nervous about this.

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<v Speaker 2>I think I've watched it around twenty three times really,

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<v Speaker 2>and it only came out like what last night.

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<v Speaker 1>Yeah, I've watched it a lot.

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<v Speaker 2>A little tip if you're going to watch the trailer,

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<v Speaker 2>watch you with subtitles on, because surprisingly it's really hard

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<v Speaker 2>to understand angry men yelling while they kill each other.

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<v Speaker 1>Oh, I just assume that there's a plot that'll come

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<v Speaker 1>to me later. I was just watching The Violins and

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<v Speaker 1>I was loving it.

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<v Speaker 2>So the start of the trailer, it flashes back to

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<v Speaker 2>Gladiator one, so you're like, oh, yep, this is definitely

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<v Speaker 2>a sequel. It shows Paul mescal as a young boy

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<v Speaker 2>who saw quote a slave take revenge on an emperor,

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<v Speaker 2>and then it jumps into the actual trailer of the movie.

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<v Speaker 2>So Paul his character. Okay, firstly, I'm not sure what

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<v Speaker 2>his name is because they don't say each other's names.

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<v Speaker 1>We're just calling the gladiator a very strong gladiator name, Paul.

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<v Speaker 2>He doesn't know much about his past. He doesn't know

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<v Speaker 2>who his mom or father is, and I think that's

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<v Speaker 2>going to be a common theme throughout the entire film.

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<v Speaker 2>You don't see Pedro Pascal, so straight away moves were

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<v Speaker 2>just calling him Pedro Theater. He's the leader of the

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<v Speaker 2>Roman army.

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<v Speaker 1>Oh sure.

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<v Speaker 2>You first see him on this carriage like being led

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<v Speaker 2>by horses, and he's like waving to the crowd, kind

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<v Speaker 2>of like that scene in Hunger Games where she's wearing

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<v Speaker 2>the dress and they're waving, and then there's a lot

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<v Speaker 2>of fighting and killing scenes. That's a like ongoing motive

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<v Speaker 2>throughout this entire trailer. There's a very sexy line from

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<v Speaker 2>Denzel Washington where he tells Paul, you have something in you.

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<v Speaker 1>Was he meant to be sexy? It was not meant

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<v Speaker 1>to be sexy?

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<v Speaker 2>A lot of subtext, I think whenever Denzel Washington says anything,

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<v Speaker 2>it's sexy.

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<v Speaker 1>Kind hell bit.

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<v Speaker 2>Paul is then seen crying, and then he is angry,

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<v Speaker 2>and then he's covered in blood. He is told that

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<v Speaker 2>his rage is a gift, which makes me worry that

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<v Speaker 2>they're promoting toxic masculinity.

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<v Speaker 1>But it's fine because.

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<v Speaker 2>Then there's a scene where he's running and he's running

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<v Speaker 2>really weirdly, which is confusing because you would think he

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<v Speaker 2>has experience in running, since he runs from all of

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<v Speaker 2>his girlfriends Paul Mescilline real life, not Paul the Gladiator.

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<v Speaker 2>I'm sorry, I'm jumping to real life. But in the

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<v Speaker 2>trailer he's running kind of like a Fortnight character.

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<v Speaker 1>His arms are very high, and they didn't teach her

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<v Speaker 1>in glady at a training school.

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<v Speaker 2>No, I don't think they should have included that either,

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<v Speaker 2>because immediately gave me the eck. There's a rhino, which

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<v Speaker 2>is fine because back then they weren't in danger, so

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<v Speaker 2>they're like, they are allowed to use of rhinos.

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<v Speaker 1>Everyone's like, hey, well, let it go for the point

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<v Speaker 1>of the movie, but don't kill actual rhinos.

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<v Speaker 2>Denzel comes back with more interesting questions. He asked Paul,

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<v Speaker 2>whose head should I give you to satisfy this fury.

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<v Speaker 2>Paul replies, the entire Roman Empire. Denzel giggled, but Paul

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<v Speaker 2>was not joking. Denzil'sn't a different movie. He's in a

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<v Speaker 2>bit of a rom com. He's in a classic Roman empire.

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<v Speaker 2>I'm laughing quite a bit through this entire trailer. I

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<v Speaker 2>think Denzel's character is the guy who kind of makes

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<v Speaker 2>all the gladiators happen.

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<v Speaker 1>Oh sure, because they're all slaves.

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<v Speaker 2>And then they make them into gladiators, and then once

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<v Speaker 2>they're gladiators, then they win, they become free men.

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<v Speaker 1>I think that's hard. That's a job that doesn't exist anymore.

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<v Speaker 1>That's sad. It is really sad.

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<v Speaker 2>But then they both settle that as long as Paul

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<v Speaker 2>ends up killing Pedro Pascal, that would be fine and enough.

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<v Speaker 2>So the end scene is him about to get into

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<v Speaker 2>the arena with Pedro Pascal.

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<v Speaker 1>It ends there, and then Pedro and Paul duke it out.

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<v Speaker 1>I don't want you to learn their names, by the way,

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<v Speaker 1>when we watch the movie, I want you just to

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<v Speaker 1>refer to them as their gladiat Yeah.

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<v Speaker 2>I thought there was a bit of a plothole in

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<v Speaker 2>the trailer that no names. There was absolutely no name said.

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<v Speaker 2>I did see though, that he gets Maximus's ring. Oh,

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<v Speaker 2>Russell Crowe's ring, So.

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<v Speaker 1>I think that's a nice quarterback the three line from

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<v Speaker 1>the first movie, because I don't think Russell Crowe is

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<v Speaker 1>going to be fighting anyone in this movie alone for

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<v Speaker 1>the first one fast, I think he's past a fighting

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<v Speaker 1>ghost isn't going to appear.

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<v Speaker 2>But yeah, that's Gladiator too. I feel like you don't

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<v Speaker 2>need to watch it that I think I've given you

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<v Speaker 2>the gist.

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<v Speaker 1>I mean, you're giving up your ticket to the premiere.

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<v Speaker 2>Don't even say that as if you'd actually say that

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<v Speaker 2>out loud. I cannot wait for the premier. Not sure

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<v Speaker 2>if I'll get a ticket, but if I do, it

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<v Speaker 2>will literally be the best thing that's ever happened to

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<v Speaker 2>me in my tie life. So Gladiator Too will be

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<v Speaker 2>out on November fourteen. You might remember it's also the

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<v Speaker 2>same date as Wicked. Yeah, so we're going to be

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<v Speaker 2>watching both one hundred percent both. They're both for women.

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<v Speaker 2>I'm so sick of just any like for the girls. Yeah,

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<v Speaker 2>exactly for people being like, oh, women go to Wicked,

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<v Speaker 2>women go to and boys will go to gladiat I

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<v Speaker 2>know we're going to both going to both see there.

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<v Speaker 2>In a feature interview with The New Yorker, Lena Dunham

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<v Speaker 2>announced that she is wait for it, no longer working

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<v Speaker 2>on the upcoming Pollpocket.

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<v Speaker 1>It's like a knife through my heart.

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<v Speaker 2>Oh. She said that she had been brought on as

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<v Speaker 2>a writer and director of the film and she spent

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<v Speaker 2>three years working on it, but this was the announcement

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<v Speaker 2>in which you'd said I'm no longer doing it. In

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<v Speaker 2>the interview, she said I'm going to tell you something

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<v Speaker 2>here that I haven't told anyone. I'm not going to

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<v Speaker 2>make the Pollypocket movie. I think Greta Goerwick managed this

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<v Speaker 2>incredible feat with Barbie, which was to make this thing

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<v Speaker 2>that was literally candy to so many different kinds of people.

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<v Speaker 2>Unless I can do it that way, I'm not going

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<v Speaker 2>to do it. I don't think I have it in me.

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<v Speaker 2>I feel like the next movie I make needs to

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<v Speaker 2>feel like a movie that I absolutely have to make.

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<v Speaker 2>No one but me could make it, and I think

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<v Speaker 2>other people could make Pollypocket. That hurts when I read that,

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<v Speaker 2>because I think I'm not done with the whole Barbie

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<v Speaker 2>Like I kind of miss everything that happened with Barbie,

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<v Speaker 2>like how every woman got dressed up to go watch it.

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<v Speaker 2>It became this big thing. I was going to parties

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<v Speaker 2>that were all Barbie themed, like it was just beautiful

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<v Speaker 2>seeing all the actresses together, like, get around it. Ryan

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<v Speaker 2>Goslin got around it. And I kind of missed that

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<v Speaker 2>girlhood moment in cinema, and that's what I was waiting

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<v Speaker 2>for for Polly Pocketing.

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<v Speaker 1>Yeah, and I definitely thought Polypocket was going to be

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<v Speaker 1>in that same realm as Barbie and the difference to

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<v Speaker 1>a lot of those movies that were all of a

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<v Speaker 1>sudden put into production, like the Uno movie or the

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<v Speaker 1>Betsy Wetsy movie. God give Me strength, all these movies

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<v Speaker 1>that will put into production as a result of Barbie,

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<v Speaker 1>with like a lot of studios just trying to cash

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<v Speaker 1>in on like, oh, people want to see movies about toys.

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<v Speaker 1>Polly Pocket movie wasn't that. It's been in development for

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<v Speaker 1>a really long time. Barbie was in development first before

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<v Speaker 1>the casting of Barbie, before Greta came on or anything

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<v Speaker 1>like that. It's been in production for such long time.

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<v Speaker 1>And people were so excited when Lena Dunham came on

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<v Speaker 1>to write and direct, because she's an amazing scriptwriter and

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<v Speaker 1>she has a really unique voice and point of view,

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<v Speaker 1>and everyone was like, this is so exciting to have

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<v Speaker 1>like a quintessential elder millennial. I say that as an

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<v Speaker 1>elder millennial myself, come on and take a toy that

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<v Speaker 1>was so important to us growing up and give it

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<v Speaker 1>this whole new life and make it really smart and

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<v Speaker 1>funny and also visually stunning, which I think. Just imagine

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<v Speaker 1>a live action Polypocket with practical effects of her like

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<v Speaker 1>living and she goes into little different Polypocket worlds the

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<v Speaker 1>dream and now I feel like the movie will still

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<v Speaker 1>get made, but it'll probably now just go back into

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<v Speaker 1>development hell where they try and find another writer, producer,

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<v Speaker 1>like it takes so long to make a movie. And

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<v Speaker 1>what's time sensitive about this is that Lily Collins, Emily

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<v Speaker 1>in Paris herself, was attached to play Polypocket and she great,

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<v Speaker 1>She would do great. She looks like Pollpocket, she's vibe

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<v Speaker 1>of Pollypocket, and she can do that ditzy, lovable thing

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<v Speaker 1>really well. But the thing is that she's already in

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<v Speaker 1>her kind of like early to mid thirties, which is

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<v Speaker 1>a perfectly fine time to play Pollypocket. But she needs

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<v Speaker 1>to play it now. But if we push this movie

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<v Speaker 1>out another ten years, then I just worry that Lily

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<v Speaker 1>Collins is gonna get pushed aside. No, And so I

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<v Speaker 1>just I'm just worried for the fate of movies. I'm

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<v Speaker 1>worried for us and like you said, like another girlhood

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<v Speaker 1>movie experience pushed aside.

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<v Speaker 2>It's so interesting because we were talking about this in

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<v Speaker 2>our meeting, and we don't have an example of any

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<v Speaker 2>male director who'd ever do the same thing like I

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<v Speaker 2>can't even imagine a male director going, oh, but Steven

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<v Speaker 2>Spielsberg did it so well, and I don't think I

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<v Speaker 2>could do it as well as that, So I'm just

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<v Speaker 2>not gonna do.

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<v Speaker 1>It, I know. I think it's because there's this backstory

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<v Speaker 1>attached to any woman who comes in and like writes

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<v Speaker 1>a big movie or directs it, and it's this idea

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<v Speaker 1>of like, well, if she doesn't do it well or

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<v Speaker 1>there's something and that is attached to this idea that

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<v Speaker 1>maybe women can't direct movies because you've got to think

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<v Speaker 1>that the people who are behind this is a very

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<v Speaker 1>old school, mostly older white men, And that was the

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<v Speaker 1>whole thing about even like don't worry Darling with Olivia

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<v Speaker 1>whe why so many people will like stop these headlines

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<v Speaker 1>because they were so worried that it would tarnish all

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<v Speaker 1>female directors, even though men are way more emotional most

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<v Speaker 1>of the time the stories that come out. But I

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<v Speaker 1>think it's something that we hear women say in public,

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<v Speaker 1>but men not as much. And like a prime example

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<v Speaker 1>I think is like Jennifer Lawrence was all set to

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<v Speaker 1>star as Elizabeth Holmes, know, the woman who did the

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<v Speaker 1>fraud theerrnose defraud to people all the money and stuff.

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<v Speaker 1>And then when she got asked about playing that role

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<v Speaker 1>that was such a big hype up around it, she

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<v Speaker 1>said that she had watched Amanda Seafreed in the Dropout

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<v Speaker 1>series that she won awards for, and she's like, I

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<v Speaker 1>watched that and was like, no, she did it, like

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<v Speaker 1>she did everything. She was amazing. There's I can't compare

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<v Speaker 1>to that. So I think that that's the thing of

0:09:48.664 --> 0:09:51.624
<v Speaker 1>women are like, oh, only one person gets a shot.

0:09:51.704 --> 0:09:56.304
<v Speaker 2>Which sucks because I'd love some competition with female directors.

0:09:56.304 --> 0:10:00.424
<v Speaker 2>But it's also so telling that women, especially women directors,

0:10:00.744 --> 0:10:03.184
<v Speaker 2>see someone like Greta and it's like that is a

0:10:03.264 --> 0:10:06.824
<v Speaker 2>standard for women directors. But with male directors it's like

0:10:06.864 --> 0:10:09.184
<v Speaker 2>they see like a Steven Spielberg and they're like, that's

0:10:09.184 --> 0:10:12.704
<v Speaker 2>the standard for all directs. Yeah, Like it's so frustrating

0:10:12.784 --> 0:10:15.504
<v Speaker 2>that Greta can't be seen as a standard for all directors.

0:10:15.504 --> 0:10:16.184
<v Speaker 2>It's only women.

0:10:16.424 --> 0:10:19.744
<v Speaker 1>Yeah, exactly. There's so many incredible scriptwriters and directors out

0:10:19.784 --> 0:10:21.784
<v Speaker 1>there that are women. I hope one of them comes

0:10:21.864 --> 0:10:23.824
<v Speaker 1>in and it has to be a woman, oh one

0:10:23.904 --> 0:10:25.904
<v Speaker 1>hundred percent. I mean never say never. They can get

0:10:25.944 --> 0:10:28.744
<v Speaker 1>a man to write Pollypocket, but I'm hoping another amazing

0:10:28.784 --> 0:10:30.704
<v Speaker 1>female director is going to come in and like make

0:10:30.784 --> 0:10:31.704
<v Speaker 1>this a big blockbuster.

0:10:32.064 --> 0:10:33.064
<v Speaker 2>Bit wow, let's go.

0:10:35.504 --> 0:10:38.624
<v Speaker 1>So last night about twelve thirty am Australian time, which

0:10:38.664 --> 0:10:41.384
<v Speaker 1>is the time I saw this video go up that time, Oh,

0:10:41.504 --> 0:10:43.304
<v Speaker 1>because I was prepping for the spill on something that

0:10:43.344 --> 0:10:47.304
<v Speaker 1>we'll talk about. On Friday, Rebel Wilson posted a very

0:10:47.344 --> 0:10:50.624
<v Speaker 1>serious video to her Instagram page where she gave a

0:10:50.624 --> 0:10:52.024
<v Speaker 1>bit of an update on the fate of her new

0:10:52.064 --> 0:10:54.864
<v Speaker 1>Australian movie. And to explain this, I'm just going to

0:10:55.024 --> 0:10:58.864
<v Speaker 1>use the headline that Deadline ran with because they kind

0:10:58.904 --> 0:11:02.584
<v Speaker 1>of really summed it up by saying, Rebel Wilson Warops

0:11:02.864 --> 0:11:05.944
<v Speaker 1>backs of her directing debut, the deb from nixing Pick

0:11:06.024 --> 0:11:08.944
<v Speaker 1>from Toronto. So basically, I just thought Warps was a

0:11:08.984 --> 0:11:11.184
<v Speaker 1>good who was a great one. It's actually what she

0:11:11.224 --> 0:11:14.184
<v Speaker 1>did and episode. So basically, she put out a video

0:11:14.304 --> 0:11:17.104
<v Speaker 1>explaining that this movie that she's been directing called The Dead,

0:11:17.144 --> 0:11:19.624
<v Speaker 1>which is kind of an astray musical, amazing cast, a

0:11:19.624 --> 0:11:21.744
<v Speaker 1>lot of people are very excited to see. It had

0:11:21.744 --> 0:11:24.224
<v Speaker 1>been selected as the closing night film at the Toronto

0:11:24.304 --> 0:11:27.304
<v Speaker 1>Film Festival. That's a bit. It's huge if you're making

0:11:27.304 --> 0:11:29.504
<v Speaker 1>a movie, especially like maybe a kind of small indie

0:11:29.504 --> 0:11:32.784
<v Speaker 1>movie like this, Having that kind of exposure is huge

0:11:32.784 --> 0:11:35.024
<v Speaker 1>for the movie, it's huge for the cast. Well, it

0:11:35.104 --> 0:11:37.824
<v Speaker 1>is a make or break situation people seeing this movie.

0:11:38.064 --> 0:11:39.944
<v Speaker 1>And then she put out a video saying that the

0:11:39.984 --> 0:11:43.144
<v Speaker 1>movie has now been blocked from appearing at the Film Festival.

0:11:43.304 --> 0:11:44.744
<v Speaker 1>But it's nothing to do with the people in the

0:11:44.744 --> 0:11:47.904
<v Speaker 1>film Festival. It's her business partners. It's the other producers

0:11:47.944 --> 0:11:50.664
<v Speaker 1>on the film that she says are trying to sabotage her.

0:11:51.064 --> 0:11:53.744
<v Speaker 3>Why are they saying this, Why are they stopping it

0:11:53.824 --> 0:11:58.984
<v Speaker 3>from premarying at Toronto? Well, this dates back to October

0:11:59.024 --> 0:12:04.184
<v Speaker 3>of last year, where I discovered bad behavior by these

0:12:04.224 --> 0:12:07.584
<v Speaker 3>business partners. And let me just you know, I just

0:12:07.624 --> 0:12:08.944
<v Speaker 3>tell it how it is. So I'm just going to

0:12:08.944 --> 0:12:13.144
<v Speaker 3>tell you who they are. They are so called producers

0:12:13.424 --> 0:12:16.224
<v Speaker 3>of the film. I use that phrase very lightly. Their

0:12:16.304 --> 0:12:21.184
<v Speaker 3>names are Amanda Ghost and Gregor Cameron, and an executive

0:12:21.184 --> 0:12:25.424
<v Speaker 3>producer who works with them called Vince Holden. So these

0:12:25.424 --> 0:12:33.544
<v Speaker 3>are the people involved. And so I said, reported, I

0:12:33.544 --> 0:12:36.744
<v Speaker 3>guess you would say they're bad behavior. When I found

0:12:36.784 --> 0:12:42.344
<v Speaker 3>out not minor things, big things, inappropriate behavior towards the

0:12:42.424 --> 0:12:46.744
<v Speaker 3>lead actress of the film, embezzling funds from the film's budget,

0:12:47.264 --> 0:12:49.424
<v Speaker 3>which we really needed because we were a small movie,

0:12:49.744 --> 0:12:55.104
<v Speaker 3>so kind of really important things. Since I reported that behavior,

0:12:56.064 --> 0:13:01.744
<v Speaker 3>I have been met with absolute viciousness and retaliatory behavior.

0:13:02.504 --> 0:13:05.584
<v Speaker 3>So I'm there on set, I'm trying to film my

0:13:05.704 --> 0:13:08.744
<v Speaker 3>movie with my gorgeous Australian cast and crew who are

0:13:08.744 --> 0:13:11.184
<v Speaker 3>so amazing, shout out to all of you guys. And

0:13:11.304 --> 0:13:14.744
<v Speaker 3>yet every step of the way, these people who I

0:13:14.784 --> 0:13:18.584
<v Speaker 3>complained about then tried to make my life hell. In

0:13:18.624 --> 0:13:21.544
<v Speaker 3>the meantime, though I still finished the movie. I made

0:13:21.544 --> 0:13:26.144
<v Speaker 3>this great movie, the deb and then now you know,

0:13:26.384 --> 0:13:29.704
<v Speaker 3>almost at the finish line, they're saying, you know, it

0:13:29.744 --> 0:13:32.264
<v Speaker 3>can't come out. They might not release it, they might

0:13:32.344 --> 0:13:35.664
<v Speaker 3>bury it. This is work of hundreds of people who

0:13:35.704 --> 0:13:39.144
<v Speaker 3>have put their heart and soul into this, and this

0:13:39.264 --> 0:13:42.744
<v Speaker 3>behavior is absolutely vile and disgusting.

0:13:43.064 --> 0:13:46.944
<v Speaker 2>Oh my god, that is insane. I can't believe she

0:13:46.984 --> 0:13:49.544
<v Speaker 2>did that. Like, I mean, good on her for doing that,

0:13:50.024 --> 0:13:53.264
<v Speaker 2>but I'm a bit confused. So before she did the

0:13:53.344 --> 0:13:56.904
<v Speaker 2>video her she was saying these producers that she reported

0:13:56.904 --> 0:14:00.864
<v Speaker 2>for bad behavior wanted to stop the movie from premiering

0:14:01.144 --> 0:14:04.224
<v Speaker 2>at the Toronto Festival. What would that have achieved.

0:14:04.504 --> 0:14:06.304
<v Speaker 1>It's hard to sort of say what's something behind the scenes.

0:14:06.344 --> 0:14:09.784
<v Speaker 1>Whether it was something to do with distribution, legal things, licensing,

0:14:09.824 --> 0:14:12.784
<v Speaker 1>I'm not quite sure because up until now, apart from

0:14:12.904 --> 0:14:14.864
<v Speaker 1>the fact of people knowing this movie was getting made

0:14:14.904 --> 0:14:16.624
<v Speaker 1>and knowing that it's got this greater straining cast and

0:14:16.664 --> 0:14:19.264
<v Speaker 1>that Rebel was directing, it's not one of those movies

0:14:19.264 --> 0:14:21.584
<v Speaker 1>where we were like following every update and waiting for

0:14:21.624 --> 0:14:23.424
<v Speaker 1>trailers and stuff. So this is really the first time

0:14:23.464 --> 0:14:25.464
<v Speaker 1>a lot of people are hearing about that movie. And

0:14:25.464 --> 0:14:27.544
<v Speaker 1>I should say the three people that she's named have

0:14:27.624 --> 0:14:31.024
<v Speaker 1>come back through a sportsperson with their own take on

0:14:31.064 --> 0:14:35.664
<v Speaker 1>the story. So they've said Rebel Wilson's allegations are false, defamatory,

0:14:35.704 --> 0:14:39.264
<v Speaker 1>and disappointing. So that's from Amanda Ghost and Gogory Cameron

0:14:39.304 --> 0:14:43.144
<v Speaker 1>and executive producer of the film Vince Holden or executive producers.

0:14:42.744 --> 0:14:44.464
<v Speaker 2>Executive Oh my gosh, I.

0:14:44.424 --> 0:14:46.784
<v Speaker 1>Don't say that lightly. I'm like, oh, yeah, yeah, she's

0:14:46.864 --> 0:14:50.384
<v Speaker 1>she's angry, they say her self. Promotional claims are clearly

0:14:50.424 --> 0:14:54.064
<v Speaker 1>intended to cause reputational harm to individuals who have supported

0:14:54.064 --> 0:14:57.144
<v Speaker 1>her directional debut film, The deb a joyous movie that

0:14:57.184 --> 0:14:59.304
<v Speaker 1>we're very proud of and are looking forward to sharing

0:14:59.304 --> 0:15:02.304
<v Speaker 1>with audiences. For her to promote a false narrative to

0:15:02.344 --> 0:15:05.384
<v Speaker 1>advance her own agenda undermines the film and all the

0:15:05.384 --> 0:15:07.264
<v Speaker 1>people who worked on this project, but.

0:15:07.264 --> 0:15:10.344
<v Speaker 2>They didn't admit to wanting to pause it for the film.

0:15:11.184 --> 0:15:12.024
<v Speaker 1>That's very true.

0:15:12.144 --> 0:15:14.024
<v Speaker 2>I feel like this is going to get so messy.

0:15:14.424 --> 0:15:17.384
<v Speaker 2>And I also think, just watching that video now, like

0:15:17.464 --> 0:15:19.544
<v Speaker 2>I didn't hear anything about this film. I had no

0:15:19.584 --> 0:15:21.064
<v Speaker 2>idea she was directing. I had no idea it was

0:15:21.064 --> 0:15:23.464
<v Speaker 2>an Australian film or a musical. I didn't even know

0:15:23.544 --> 0:15:25.784
<v Speaker 2>what was happening. And now all I can think about

0:15:25.864 --> 0:15:27.744
<v Speaker 2>is I cannot wait to watch this for a minute

0:15:27.784 --> 0:15:28.024
<v Speaker 2>it comes.

0:15:28.184 --> 0:15:30.664
<v Speaker 1>That's what all the comments under the Instagram post like, well,

0:15:30.704 --> 0:15:32.224
<v Speaker 1>I saw her post it last night, and then all

0:15:32.224 --> 0:15:34.104
<v Speaker 1>of a sudden, all these comments started flooding in, with

0:15:34.144 --> 0:15:36.744
<v Speaker 1>people saying like thanking her for speaking up and saying

0:15:36.744 --> 0:15:38.264
<v Speaker 1>that she was doing good things, and so many people

0:15:38.424 --> 0:15:40.344
<v Speaker 1>being like I can't wait to see this movie now.

0:15:40.544 --> 0:15:42.464
<v Speaker 1>So obviously we don't know what's happened behind the scenes.

0:15:42.464 --> 0:15:44.944
<v Speaker 1>But I think what's interesting here is that as much

0:15:44.944 --> 0:15:47.904
<v Speaker 1>as we see people on Rebel's own page, like her followers,

0:15:48.184 --> 0:15:50.304
<v Speaker 1>being really supportive and sending messages to out I'm going

0:15:50.344 --> 0:15:52.824
<v Speaker 1>to go see this film, there's another big chorus of

0:15:52.904 --> 0:15:55.184
<v Speaker 1>voices out there today because of this story's being picked

0:15:55.264 --> 0:15:57.584
<v Speaker 1>up worldwide. Every outlet's covering it. They're all posting about

0:15:57.584 --> 0:15:59.984
<v Speaker 1>it of people saying like, Oh, she's so difficult, she

0:16:00.024 --> 0:16:02.144
<v Speaker 1>has a problem with everyone she works with, she hates everyone.

0:16:02.184 --> 0:16:04.784
<v Speaker 1>She's all about public shaming, I mean, without being able

0:16:04.824 --> 0:16:06.064
<v Speaker 1>to get too the nuance of what happened in this

0:16:06.104 --> 0:16:08.624
<v Speaker 1>film because we weren't there. I do think that's quite true,

0:16:08.624 --> 0:16:11.824
<v Speaker 1>because they're obviously linking it to her memoir, Rebel Rising,

0:16:11.904 --> 0:16:14.464
<v Speaker 1>Coming Out and allegations that were in that book, but

0:16:14.504 --> 0:16:17.544
<v Speaker 1>particularly that whole Sasha Baron Cohen's story that blew up

0:16:17.624 --> 0:16:21.504
<v Speaker 1>so much, and her making allegations about him being inappropriate

0:16:21.504 --> 0:16:24.744
<v Speaker 1>on set and then him coming back with legal threats

0:16:24.744 --> 0:16:27.184
<v Speaker 1>against her, which ended up with the books and Australa.

0:16:27.224 --> 0:16:28.824
<v Speaker 1>Now if you open to the pages about him, it's

0:16:28.864 --> 0:16:31.704
<v Speaker 1>just black lines reducted. Even though we all read the

0:16:31.784 --> 0:16:33.984
<v Speaker 1>chapter in a different place, But I feel like that

0:16:34.104 --> 0:16:37.024
<v Speaker 1>shouldn't have any bearing on what's happened here, if anything.

0:16:37.064 --> 0:16:38.664
<v Speaker 1>Like she I think she acknowledges it in the back

0:16:38.704 --> 0:16:40.824
<v Speaker 1>of that video too, because she's like, you know me,

0:16:40.984 --> 0:16:42.864
<v Speaker 1>I will call this out. I won't stand for it.

0:16:43.144 --> 0:16:45.024
<v Speaker 1>And I was like, well, yeah, she said after the

0:16:45.064 --> 0:16:48.224
<v Speaker 1>Sasha Baron Cohen allegations, She's like, I will never put

0:16:48.264 --> 0:16:50.624
<v Speaker 1>myself in that situation again. I'll always call it out,

0:16:51.024 --> 0:16:52.784
<v Speaker 1>you know, I'll always call it as it's happening.

0:16:52.784 --> 0:16:54.384
<v Speaker 2>And she would always say like I never want to

0:16:54.424 --> 0:16:55.344
<v Speaker 2>work with ourselves again.

0:16:55.424 --> 0:16:57.424
<v Speaker 1>Yeah, exactly. So she kind of made a public promise

0:16:57.424 --> 0:16:59.624
<v Speaker 1>to always call out a bad behavior in the moment

0:16:59.704 --> 0:17:01.664
<v Speaker 1>from her point of view, and that's exactly what she's

0:17:01.664 --> 0:17:04.504
<v Speaker 1>done here. So I was like, it shouldn't be a surprise. Yeah.

0:17:04.584 --> 0:17:06.824
<v Speaker 2>I think what's also really interesting is that we all

0:17:06.824 --> 0:17:09.144
<v Speaker 2>know that she also was a lawyer, so she knows

0:17:09.184 --> 0:17:12.744
<v Speaker 2>so much so everything she say, she knows how careful

0:17:12.784 --> 0:17:15.344
<v Speaker 2>to be. But this sounds like she's not been careful,

0:17:15.344 --> 0:17:16.944
<v Speaker 2>which makes me think that I feel like if more

0:17:16.984 --> 0:17:20.784
<v Speaker 2>celebrities also had law experience, we would get so many

0:17:20.824 --> 0:17:21.624
<v Speaker 2>more of them, Like.

0:17:21.904 --> 0:17:24.024
<v Speaker 1>Every celebrity has a law degree, they'd be out there

0:17:24.024 --> 0:17:25.384
<v Speaker 1>putting up video. Yeah, I don't think.

0:17:25.424 --> 0:17:27.304
<v Speaker 2>I think it should be like, if you're going to

0:17:27.344 --> 0:17:29.104
<v Speaker 2>be celebrity, you need a law degree because I want

0:17:29.144 --> 0:17:29.824
<v Speaker 2>to see more of this.

0:17:29.944 --> 0:17:32.384
<v Speaker 1>Well exactly, but I think what's much more dangerous for

0:17:32.424 --> 0:17:34.224
<v Speaker 1>her to say, and she must have some sort of

0:17:34.224 --> 0:17:36.144
<v Speaker 1>proof to able to put this out there into the world,

0:17:36.424 --> 0:17:38.904
<v Speaker 1>is not the blocking from the film festival, because that's

0:17:38.904 --> 0:17:41.584
<v Speaker 1>obviously a bad thing, but there's nothing illegal about that,

0:17:41.664 --> 0:17:43.864
<v Speaker 1>Like that could just be a creative differences behind the scenes.

0:17:44.184 --> 0:17:47.264
<v Speaker 1>Calling out people from embezzling from your movie and making

0:17:47.264 --> 0:17:50.184
<v Speaker 1>that level of allegation is a huge deal. And unless

0:17:50.024 --> 0:17:51.904
<v Speaker 1>she has to be confident, well, she must have something

0:17:51.904 --> 0:17:54.064
<v Speaker 1>to back it up, because to say that publicly what

0:17:54.104 --> 0:17:56.224
<v Speaker 1>they're saying, their statement is true, like if you can't

0:17:56.264 --> 0:17:59.024
<v Speaker 1>prove that, it's defamation and that could be a huge

0:17:59.064 --> 0:18:01.664
<v Speaker 1>amount of money. And also you know, legal repercussions behind

0:18:01.664 --> 0:18:04.664
<v Speaker 1>the scenes. So she must feel pretty confident that she can,

0:18:04.824 --> 0:18:06.424
<v Speaker 1>you know, take this conversation further.

0:18:06.664 --> 0:18:08.464
<v Speaker 2>Oh my god, So do we think it's gonna be

0:18:08.624 --> 0:18:10.224
<v Speaker 2>a big court case?

0:18:10.664 --> 0:18:10.864
<v Speaker 3>Oh?

0:18:10.904 --> 0:18:12.384
<v Speaker 1>I mean, it's hard to sort of say what's going

0:18:12.464 --> 0:18:14.944
<v Speaker 1>to happen without knowing what's happened behind the scenes, But

0:18:15.024 --> 0:18:17.384
<v Speaker 1>I'd say that's probably going to be the messier side

0:18:17.384 --> 0:18:19.144
<v Speaker 1>of it. But the thing now is it's kind of

0:18:19.144 --> 0:18:21.464
<v Speaker 1>has set up the deb to have this story behind it.

0:18:21.544 --> 0:18:23.744
<v Speaker 1>So the hard thing now is that when she does

0:18:23.784 --> 0:18:25.904
<v Speaker 1>press for it, when she talks about it every premiere,

0:18:25.944 --> 0:18:28.304
<v Speaker 1>it's going to have this story attached to it. But

0:18:28.304 --> 0:18:30.504
<v Speaker 1>then people love to get behind an underdog film, especially

0:18:30.504 --> 0:18:33.464
<v Speaker 1>in Australian film, so she's really rally the troops in

0:18:33.464 --> 0:18:36.264
<v Speaker 1>that case, I mean, great promo, well exactly. So I

0:18:36.264 --> 0:18:38.144
<v Speaker 1>guess we'll just have to see if the deb premiere

0:18:38.224 --> 0:18:40.704
<v Speaker 1>is at the Toronto Film Festival or not. Will be there,

0:18:40.744 --> 0:18:43.104
<v Speaker 1>if it will, tickets pleased, We'll be at the Toronto

0:18:43.144 --> 0:18:45.104
<v Speaker 1>Film Festival front Road for the deb.

0:18:45.104 --> 0:18:47.184
<v Speaker 2>Thank you so much for listening to the Spill today.

0:18:47.224 --> 0:18:49.624
<v Speaker 2>If you're wondering why Laura Bronik was up at twelve

0:18:49.624 --> 0:18:52.064
<v Speaker 2>at am watching that Rebel Wilson video, it was for

0:18:52.184 --> 0:18:55.904
<v Speaker 2>work because tomorrow we are doing a brutally honest review

0:18:55.944 --> 0:18:58.864
<v Speaker 2>on the Dallas Cowboys cheerleaders. So I know it's a

0:18:58.904 --> 0:19:01.264
<v Speaker 2>short time, but we're giving you a few hours to

0:19:01.304 --> 0:19:03.904
<v Speaker 2>get around it. We are not holding back for this

0:19:03.944 --> 0:19:06.464
<v Speaker 2>one that will be in your podcast feed at three

0:19:06.504 --> 0:19:07.344
<v Speaker 2>pm tomorrow.

0:19:07.464 --> 0:19:13.704
<v Speaker 1>Bye bye Hella, Lolla, lollad