1 00:00:08,234 --> 00:00:14,114 Speaker 1: You're listening to Amma Mia podcast. 2 00:00:18,674 --> 00:00:21,473 Speaker 2: From Muma Mia. Welcome to the Spill, your daily pop 3 00:00:21,514 --> 00:00:24,634 Speaker 2: culture Fixed. I'm Laura Brodnick and I'm Cascenula Kitsch and 4 00:00:24,794 --> 00:00:27,354 Speaker 2: coming up on the show today, Rebel Wilson has given 5 00:00:27,434 --> 00:00:29,834 Speaker 2: a bit of a tell all interview to sixty Minutes 6 00:00:30,274 --> 00:00:32,594 Speaker 2: about the behind the scenes of her movie The deb 7 00:00:32,634 --> 00:00:35,394 Speaker 2: which has been embroiled in many legal cases over the 8 00:00:35,513 --> 00:00:38,153 Speaker 2: last year. We're going to get into the backstory of that, 9 00:00:38,354 --> 00:00:41,394 Speaker 2: what she has said, the allegations, what the producers and 10 00:00:41,394 --> 00:00:44,273 Speaker 2: the lead actress have alleged against her, and just go 11 00:00:44,354 --> 00:00:46,234 Speaker 2: through everything. We're not at this point in time because 12 00:00:46,273 --> 00:00:49,233 Speaker 2: a lot of new information has come out, but first 13 00:00:49,434 --> 00:00:53,233 Speaker 2: something that people will either be delighted by or horrified by. 14 00:00:53,553 --> 00:00:55,354 Speaker 3: Yeah, so it looks like the critics were wrong. 15 00:00:55,714 --> 00:01:00,034 Speaker 1: All's Fair has been renewed for season two on Hulu, 16 00:01:01,234 --> 00:01:02,633 Speaker 1: and I don't. 17 00:01:02,394 --> 00:01:04,673 Speaker 3: Really know how to feel about this. 18 00:01:05,154 --> 00:01:07,034 Speaker 2: I don't think the critics were wrong. I think everyone 19 00:01:07,234 --> 00:01:09,714 Speaker 2: is it cross what's happening? Like it's a terrible show 20 00:01:10,074 --> 00:01:13,394 Speaker 2: and everyone's watching it, So that's why they've renewed it, right. 21 00:01:13,354 --> 00:01:13,834 Speaker 3: That's right. 22 00:01:13,874 --> 00:01:16,234 Speaker 1: I mean, obviously it wouldn't get renewed if the numbers 23 00:01:16,354 --> 00:01:19,674 Speaker 1: weren't up there. What's interesting to me though, is a 24 00:01:19,674 --> 00:01:23,114 Speaker 1: lot of the criticism around it was that Kim's performance 25 00:01:23,194 --> 00:01:24,314 Speaker 1: was really really terrible. 26 00:01:24,434 --> 00:01:27,274 Speaker 2: Yeah, why I think that's in dispute too bad. I 27 00:01:27,314 --> 00:01:28,514 Speaker 2: love that woman pretty bad. 28 00:01:28,634 --> 00:01:31,994 Speaker 1: But it's amazing to me how the entire cast have 29 00:01:32,274 --> 00:01:35,474 Speaker 1: all come together to defend her, Like all these really 30 00:01:35,514 --> 00:01:38,954 Speaker 1: really high profile actors have come in and really like 31 00:01:39,154 --> 00:01:40,394 Speaker 1: out batting for her. 32 00:01:40,834 --> 00:01:42,754 Speaker 2: They came into this with a really clear goal that 33 00:01:42,754 --> 00:01:45,754 Speaker 2: they were going to make this kind of spectacle television 34 00:01:45,834 --> 00:01:48,194 Speaker 2: that was all about like the looks and the moments 35 00:01:48,234 --> 00:01:49,914 Speaker 2: and the one liners, like we were saying, like it's 36 00:01:49,914 --> 00:01:53,114 Speaker 2: almost been tailored for TikTok, which is like TikTok Instagram 37 00:01:53,154 --> 00:01:56,274 Speaker 2: is where this show is also really growing because everyone's 38 00:01:56,314 --> 00:01:58,434 Speaker 2: meming it, everyone's doing the sounds to it. So it 39 00:01:58,514 --> 00:02:00,554 Speaker 2: really has that viral life that I think they were 40 00:02:00,594 --> 00:02:03,434 Speaker 2: gunning for behind the scenes. And it also has that 41 00:02:03,474 --> 00:02:05,674 Speaker 2: thing like they're still doing interviews together at the Word 42 00:02:05,714 --> 00:02:08,034 Speaker 2: and the cast where see this whole thing of like 43 00:02:08,114 --> 00:02:10,513 Speaker 2: sisterhood and unity, which was this huge thing that all 44 00:02:10,514 --> 00:02:13,354 Speaker 2: these A list actresses had kind of pushed from the 45 00:02:13,394 --> 00:02:15,434 Speaker 2: get go that this was going to be the theme 46 00:02:15,514 --> 00:02:17,874 Speaker 2: of the movie that on screen their characters would say 47 00:02:17,954 --> 00:02:20,874 Speaker 2: the most vile, horrific things to each other, but behind 48 00:02:20,914 --> 00:02:23,154 Speaker 2: the scenes they would only ever say positive things about 49 00:02:23,154 --> 00:02:24,953 Speaker 2: each other. And it's a tactic that's really work. 50 00:02:25,114 --> 00:02:28,434 Speaker 1: It has, but they seem to really genuinely just be 51 00:02:28,554 --> 00:02:30,874 Speaker 1: very supportive of her. I was looking so Glen Collose. 52 00:02:30,954 --> 00:02:33,674 Speaker 1: One of these things that she said about Kim was like, 53 00:02:33,794 --> 00:02:36,513 Speaker 1: she had no pretensions that she was a great actress, 54 00:02:36,754 --> 00:02:39,074 Speaker 1: but she was smart enough to have people around her 55 00:02:39,314 --> 00:02:42,434 Speaker 1: who she could learn from. And then Naomi said, a 56 00:02:42,474 --> 00:02:45,554 Speaker 1: businesswoman taking a huge, great leap into acting a new arena, 57 00:02:45,634 --> 00:02:50,994 Speaker 1: and I'm apologetically So it's almost like a participation medal. Yes, 58 00:02:51,074 --> 00:02:54,034 Speaker 1: that's what it feels like. They're like, we really love her. 59 00:02:54,154 --> 00:02:56,114 Speaker 1: I mean, she may not have been great, but she's trying. 60 00:02:56,434 --> 00:02:58,194 Speaker 2: I don't think even they can come out and say 61 00:02:58,194 --> 00:03:00,754 Speaker 2: at this point in time that she is a great actress. 62 00:03:01,034 --> 00:03:02,834 Speaker 2: And I don't even thin. Kim Kardashin is saying that 63 00:03:03,234 --> 00:03:05,314 Speaker 2: her whole thing is like, look at the work I 64 00:03:05,394 --> 00:03:07,394 Speaker 2: put in, look at the time I put in, not 65 00:03:07,514 --> 00:03:09,514 Speaker 2: so much like look at how great my performance is. 66 00:03:09,554 --> 00:03:11,434 Speaker 2: But also the show kind of I don't know, Like 67 00:03:11,474 --> 00:03:14,073 Speaker 2: I'm watching the show each week and I'm quite liking it. 68 00:03:14,074 --> 00:03:14,954 Speaker 3: Has it gotten better? 69 00:03:15,114 --> 00:03:15,354 Speaker 4: No? 70 00:03:15,754 --> 00:03:16,434 Speaker 3: Episode three? 71 00:03:16,594 --> 00:03:16,714 Speaker 4: No? 72 00:03:16,874 --> 00:03:18,714 Speaker 3: Okay, Because this is one of the things that Glenn 73 00:03:18,754 --> 00:03:20,794 Speaker 3: Close also said. She was saying that she's like, it's 74 00:03:20,794 --> 00:03:21,354 Speaker 3: going to get better. 75 00:03:21,474 --> 00:03:23,794 Speaker 1: Yet she literally says that she's like, oh, the first 76 00:03:23,874 --> 00:03:27,474 Speaker 1: three episodes were not very good. They shouldn't have led 77 00:03:27,514 --> 00:03:29,874 Speaker 1: with that. But I've seen all nine and it does 78 00:03:29,914 --> 00:03:32,314 Speaker 1: get better. Then I was like, Okay, is this just 79 00:03:32,354 --> 00:03:34,474 Speaker 1: one of those teething issues? Think like, is it going 80 00:03:34,554 --> 00:03:36,994 Speaker 1: to get better in season two? And even the director 81 00:03:37,074 --> 00:03:38,994 Speaker 1: was like comparing it to the Wire. 82 00:03:39,554 --> 00:03:41,194 Speaker 2: I feel like people in the room would have just 83 00:03:41,194 --> 00:03:42,794 Speaker 2: been yelling at him at that point in time to 84 00:03:42,914 --> 00:03:45,154 Speaker 2: just be quiet. Don't compare it to the wire. That's 85 00:03:45,154 --> 00:03:46,514 Speaker 2: really the worst thing you could do. So The Why 86 00:03:46,594 --> 00:03:48,594 Speaker 2: is like one of the most celebrated TV shows of 87 00:03:48,594 --> 00:03:51,314 Speaker 2: all time, and no one said The Wire was bad 88 00:03:51,394 --> 00:03:54,914 Speaker 2: when it started. It was very intense storytelling. It was 89 00:03:54,994 --> 00:03:57,074 Speaker 2: very different to a lot of the TV shows at 90 00:03:57,114 --> 00:03:58,914 Speaker 2: the time. It asked a lot more of the audience, 91 00:03:59,154 --> 00:04:00,634 Speaker 2: and it just like you had to really put in 92 00:04:00,674 --> 00:04:02,794 Speaker 2: the work to really get something out of it as 93 00:04:02,794 --> 00:04:05,154 Speaker 2: a viewer, but that's not the same as all's fair 94 00:04:05,234 --> 00:04:06,994 Speaker 2: you put zero work in as a viewer. 95 00:04:07,114 --> 00:04:08,474 Speaker 3: No, I don't know how to. 96 00:04:08,394 --> 00:04:11,834 Speaker 1: Feel about it, because obviously it has its place on television. 97 00:04:11,834 --> 00:04:15,034 Speaker 3: People like it. Comments are like, yes, this is amazing, 98 00:04:15,074 --> 00:04:16,034 Speaker 3: this is like the best show. 99 00:04:16,634 --> 00:04:20,313 Speaker 1: But then I'm also like, these really lauded actors seem 100 00:04:20,354 --> 00:04:23,714 Speaker 1: to really love Kim and it's kind of sweet. I 101 00:04:23,993 --> 00:04:28,034 Speaker 1: kind of like seeing them all like at sleepovers in skims, yeah, pajamas. 102 00:04:28,154 --> 00:04:29,874 Speaker 3: I'm like, I kind of like that part of it. 103 00:04:30,234 --> 00:04:32,393 Speaker 2: Yeah. I think the real test for this show whether 104 00:04:32,594 --> 00:04:34,474 Speaker 2: like everyone tuned in for the premiere and it was 105 00:04:34,513 --> 00:04:37,273 Speaker 2: the biggest premiere that Hulu had ever had for a 106 00:04:37,313 --> 00:04:39,714 Speaker 2: show like that, and there was a lot of kind 107 00:04:39,714 --> 00:04:41,914 Speaker 2: of chat at the time whether those numbers would drop off. 108 00:04:41,993 --> 00:04:44,113 Speaker 2: I mean, they don't release like full figures every week, 109 00:04:44,113 --> 00:04:45,474 Speaker 2: so we don't know. But what we can see is 110 00:04:45,474 --> 00:04:48,474 Speaker 2: like they've remained kind of steady and people keep tuning 111 00:04:48,474 --> 00:04:50,714 Speaker 2: in for the spectacle, and that's why it's a really 112 00:04:50,794 --> 00:04:53,113 Speaker 2: safe bet for season two that people will come back 113 00:04:53,154 --> 00:04:55,993 Speaker 2: to see. I'm sure that the conversations they're having now 114 00:04:56,113 --> 00:04:58,593 Speaker 2: is like what other big pop culture moments can we 115 00:04:58,714 --> 00:05:02,394 Speaker 2: reference like the part where Kim's character references Beyonce's Lemonade video, 116 00:05:02,953 --> 00:05:05,834 Speaker 2: or which other like famous actresses or people from pop 117 00:05:05,834 --> 00:05:08,193 Speaker 2: culture can we come in to do these wild guest 118 00:05:08,193 --> 00:05:11,593 Speaker 2: appearances And what other crazy things can Kim wear like 119 00:05:11,633 --> 00:05:13,314 Speaker 2: the g string on show and all that sort of 120 00:05:13,313 --> 00:05:15,674 Speaker 2: stuff to get people in. So it's very kind of 121 00:05:15,714 --> 00:05:17,953 Speaker 2: that because there are some good performances in it. I 122 00:05:17,953 --> 00:05:20,474 Speaker 2: know Sarah Paulson's been ripped apart, but she's not good 123 00:05:20,474 --> 00:05:22,953 Speaker 2: in like the screechy scenes, But the quiet scenes with 124 00:05:22,993 --> 00:05:26,594 Speaker 2: her character Carrington, she's quite good. Naomi What's It's kind 125 00:05:26,594 --> 00:05:29,474 Speaker 2: of interesting that she's in so many solo scenes, And 126 00:05:29,553 --> 00:05:31,313 Speaker 2: I think one of the reasons for that might be 127 00:05:31,433 --> 00:05:33,033 Speaker 2: is that she is the only one who's giving like 128 00:05:33,073 --> 00:05:36,314 Speaker 2: a proper kind of acting performance, and she's better when 129 00:05:36,354 --> 00:05:38,153 Speaker 2: she's on her own, because when she's with the group, 130 00:05:38,513 --> 00:05:41,273 Speaker 2: she falls into the same kind of weird acting as 131 00:05:41,433 --> 00:05:43,553 Speaker 2: Kim and the others, and that's when her accent goes 132 00:05:43,553 --> 00:05:45,553 Speaker 2: in and out. So there's a lot of stuff kind 133 00:05:45,553 --> 00:05:47,874 Speaker 2: of working behind the scenes there. What I also think 134 00:05:47,953 --> 00:05:50,753 Speaker 2: is interesting is that a lot of these actresses are 135 00:05:50,834 --> 00:05:54,234 Speaker 2: either about to be in these kind of big, critically 136 00:05:54,274 --> 00:05:57,353 Speaker 2: acclaimed productions, Like it's kind of well known that Sarah 137 00:05:57,393 --> 00:05:59,914 Speaker 2: Paulson is about to sign on to be the lead 138 00:05:59,953 --> 00:06:03,674 Speaker 2: of the next American Monster Story series and that that 139 00:06:03,714 --> 00:06:06,313 Speaker 2: will be a huge critically acclaimed moment, and it's been 140 00:06:06,313 --> 00:06:07,993 Speaker 2: a while since she had like the lead in a 141 00:06:08,034 --> 00:06:12,234 Speaker 2: Ryan Murphy production. Tiana Taylor is most probably going to 142 00:06:12,234 --> 00:06:14,993 Speaker 2: get nominated for an Oscar for one Battle after another, 143 00:06:14,993 --> 00:06:17,234 Speaker 2: which's incredible in and so she's gonna be doing the 144 00:06:17,274 --> 00:06:20,113 Speaker 2: Oscar circuit going closes also in the mix Front Oscar 145 00:06:20,154 --> 00:06:22,354 Speaker 2: this year. So I kind of love this moment in 146 00:06:22,433 --> 00:06:26,194 Speaker 2: time where the most critically acclaimed actresses in Hollywood are 147 00:06:26,274 --> 00:06:30,073 Speaker 2: also in the worst rated show of all time. But 148 00:06:30,154 --> 00:06:33,073 Speaker 2: those two things are kind of lifting each other up. 149 00:06:33,274 --> 00:06:35,393 Speaker 3: Yeah, I was wondering that. I was like, is this 150 00:06:35,433 --> 00:06:39,313 Speaker 3: a reflection a poor reflection on them as performers, or 151 00:06:39,393 --> 00:06:41,753 Speaker 3: is it more of a things can be good and 152 00:06:41,794 --> 00:06:42,833 Speaker 3: bad at the same time. 153 00:06:43,034 --> 00:06:45,593 Speaker 1: You know, It's like they can be really terrible in 154 00:06:45,633 --> 00:06:48,393 Speaker 1: this but also be louded and get an Oscar. Who knows, 155 00:06:48,474 --> 00:06:51,474 Speaker 1: maybe next year we'll get Kim Kardashian winning an Oscar. 156 00:06:51,674 --> 00:06:54,753 Speaker 2: I mean, I can't even comment on that she really 157 00:06:54,794 --> 00:06:57,033 Speaker 2: wants a star on the Hollywood Walk of Fame. She 158 00:06:57,073 --> 00:06:58,513 Speaker 2: would get it in the sense that you have to 159 00:06:58,553 --> 00:07:01,193 Speaker 2: buy it for yourself, and usually the studios buy it 160 00:07:01,274 --> 00:07:04,313 Speaker 2: for their stars to promote their movies. So that's fine. 161 00:07:04,354 --> 00:07:06,354 Speaker 2: So she definitely has the money to buy it. But 162 00:07:06,474 --> 00:07:08,594 Speaker 2: there are a certain amount of things that you have 163 00:07:08,674 --> 00:07:11,274 Speaker 2: to fill in on the form, and some of them 164 00:07:11,314 --> 00:07:13,273 Speaker 2: are more to do with the traditional sides of like 165 00:07:13,314 --> 00:07:15,754 Speaker 2: acting in Hollywood, being nominated for an award, being on 166 00:07:15,794 --> 00:07:17,514 Speaker 2: a show that's nominated for awards. You have to sort 167 00:07:17,554 --> 00:07:21,354 Speaker 2: of prove that you are a part of that world. 168 00:07:21,674 --> 00:07:23,874 Speaker 2: I actually think, and I know this is a controversial take. 169 00:07:24,154 --> 00:07:26,194 Speaker 2: I always think that Kim didn't have to attach her 170 00:07:26,234 --> 00:07:27,594 Speaker 2: name to a show like this to get a star 171 00:07:27,674 --> 00:07:29,833 Speaker 2: on the Hollywood Walk of Fame, because she has changed 172 00:07:29,874 --> 00:07:32,114 Speaker 2: culture and she has been on a TV show for 173 00:07:32,154 --> 00:07:33,994 Speaker 2: twenty years. I actually thought that we should have just 174 00:07:34,034 --> 00:07:36,514 Speaker 2: given her the star before, because she said openly before 175 00:07:36,554 --> 00:07:39,194 Speaker 2: she wants one. Her thing is she's like Lassie, you know, 176 00:07:39,234 --> 00:07:41,234 Speaker 2: the dog. Yeah, and Lussi has a star on the 177 00:07:41,274 --> 00:07:43,314 Speaker 2: Hollywood Walk of Fame. I'm not allowed to have one. 178 00:07:43,393 --> 00:07:45,474 Speaker 3: There are some really weird ones on there. 179 00:07:45,914 --> 00:07:47,794 Speaker 2: Yeah, I feel like the rules were a lot looser 180 00:07:47,794 --> 00:07:49,874 Speaker 2: back in the day, and now they just use for 181 00:07:49,914 --> 00:07:51,954 Speaker 2: movie promo. So anytime someone has a movie coming out, 182 00:07:51,953 --> 00:07:54,074 Speaker 2: the studio will be like, we'll buy the star for you. 183 00:07:54,194 --> 00:07:55,074 Speaker 2: It'll always pay for it. 184 00:07:55,354 --> 00:07:56,953 Speaker 3: It always makes me laugh that they actually have to 185 00:07:56,953 --> 00:07:59,554 Speaker 3: pay for it themselves. A lot of people wouldn't. 186 00:07:59,194 --> 00:08:01,593 Speaker 2: Know that, Like, yeah, that you have to apply jump 187 00:08:01,674 --> 00:08:04,194 Speaker 2: through all these foods and then you pay for all 188 00:08:04,234 --> 00:08:07,074 Speaker 2: of the not just like the actual physical star, putting 189 00:08:07,194 --> 00:08:10,354 Speaker 2: in the ceremony, the security, the promo around it. But 190 00:08:10,434 --> 00:08:13,273 Speaker 2: then again it does give you this hit of promo. 191 00:08:13,434 --> 00:08:16,153 Speaker 2: That's why people don't just get a star willy nilly. 192 00:08:16,234 --> 00:08:18,593 Speaker 2: If you watch like kind of like the timeline, actors 193 00:08:18,594 --> 00:08:20,674 Speaker 2: and singers usually get a star when there's a really 194 00:08:20,714 --> 00:08:23,114 Speaker 2: big release about to come out. That's why the studio 195 00:08:23,154 --> 00:08:25,194 Speaker 2: pays for it for them because it's such good press 196 00:08:25,634 --> 00:08:28,674 Speaker 2: and it's a big thing during like the pre Oscar 197 00:08:28,714 --> 00:08:31,074 Speaker 2: season where they'll try and get their person up star 198 00:08:31,594 --> 00:08:33,514 Speaker 2: just before the Oscar campaign so it makes them look 199 00:08:33,554 --> 00:08:36,034 Speaker 2: more legit. So I actually think that Kim Kardashian will 200 00:08:36,034 --> 00:08:38,874 Speaker 2: be happy with a star than an Oscar, but we'll see. Anyway, 201 00:08:38,874 --> 00:08:41,914 Speaker 2: I'm excited All Fair is coming out for a season two. 202 00:08:42,154 --> 00:08:44,434 Speaker 2: I I'm so glad to shopping weekly as well. I 203 00:08:44,434 --> 00:08:47,314 Speaker 2: could only watch one episode it's so terrible. Yeah, one 204 00:08:47,314 --> 00:08:50,034 Speaker 2: of I dip into this crazy, weird world once a 205 00:08:50,074 --> 00:08:52,474 Speaker 2: week and I go, wow, that happened, and then I 206 00:08:52,474 --> 00:08:54,074 Speaker 2: give myself a week like Cresty, do you. 207 00:08:54,034 --> 00:08:56,154 Speaker 1: Do a rewatch of because I know you like to 208 00:08:56,234 --> 00:08:59,594 Speaker 1: watch certain episodes. Actually, everything you watch. 209 00:08:59,354 --> 00:09:01,634 Speaker 2: You always watch the multiple times. Yeah, yeah, just so 210 00:09:01,634 --> 00:09:04,434 Speaker 2: I can really well for work as well and sometimes 211 00:09:04,434 --> 00:09:05,114 Speaker 2: for comfort watching. 212 00:09:05,234 --> 00:09:07,434 Speaker 1: I think you need to stop using that excuse because 213 00:09:07,434 --> 00:09:08,914 Speaker 1: you deal with everything well. 214 00:09:08,954 --> 00:09:11,114 Speaker 2: I mean, as it's cut watching, I need to watch 215 00:09:11,114 --> 00:09:12,994 Speaker 2: it twice for my soul. If it's work, I need 216 00:09:13,034 --> 00:09:15,234 Speaker 2: to watch it twice for my brain. No, All's Fair, 217 00:09:15,314 --> 00:09:17,034 Speaker 2: I'm watching. I mean, look, we're definitely going to do 218 00:09:17,034 --> 00:09:18,434 Speaker 2: a briadlely honest review at the end of the year, 219 00:09:18,474 --> 00:09:20,914 Speaker 2: so I probably will start a double watch, But right 220 00:09:20,954 --> 00:09:24,834 Speaker 2: now I'm one op it out. Okay, that's actually very telling. 221 00:09:25,074 --> 00:09:31,154 Speaker 2: More yeah, okay, confession. So Rebel Wilson has appeared in 222 00:09:31,194 --> 00:09:34,714 Speaker 2: a sixty minute special this week chronicling the making of 223 00:09:34,754 --> 00:09:37,954 Speaker 2: her movie, The dev An Australian Movie Musical, but also 224 00:09:38,274 --> 00:09:40,314 Speaker 2: going a little bit deeper on the allegations that have 225 00:09:40,354 --> 00:09:44,034 Speaker 2: been made against her by the film's three producers and 226 00:09:44,114 --> 00:09:47,794 Speaker 2: by the lead actress, Charlotte McGinnis, while also giving a 227 00:09:47,794 --> 00:09:50,514 Speaker 2: bit more of context of her allegations and what she 228 00:09:50,634 --> 00:09:54,314 Speaker 2: has said about the issue. And it's quite interesting because 229 00:09:54,514 --> 00:09:57,554 Speaker 2: the sixty minute special was shot over two years ago. 230 00:09:57,554 --> 00:10:00,274 Speaker 2: We're at least the beginning of it, because originally it 231 00:10:00,434 --> 00:10:03,834 Speaker 2: was meant to be this sort of celebration piece of 232 00:10:03,874 --> 00:10:06,994 Speaker 2: this Australian movie musical that this big Hollywood star was making. 233 00:10:07,314 --> 00:10:09,794 Speaker 2: And so it's this thing that entertainment journalists do quite 234 00:10:09,834 --> 00:10:11,354 Speaker 2: a bit. It's my favorite part of the job. Actually. 235 00:10:11,474 --> 00:10:12,833 Speaker 2: It's where you get to do a set visit. You 236 00:10:12,834 --> 00:10:14,713 Speaker 2: get to go hang out on the set, watch a 237 00:10:14,754 --> 00:10:17,794 Speaker 2: lot of filming, interview the cars, into the producers, really 238 00:10:17,834 --> 00:10:20,394 Speaker 2: like am mesh yourself and the behind the scenes, and 239 00:10:20,434 --> 00:10:23,114 Speaker 2: then you hold that content often for years because that's 240 00:10:23,154 --> 00:10:25,154 Speaker 2: how long it takes some movies to come out, and 241 00:10:25,194 --> 00:10:27,234 Speaker 2: then roll it all out at the time when the 242 00:10:27,234 --> 00:10:30,074 Speaker 2: movie is released. So obviously sixty minutes did this set visit. 243 00:10:30,594 --> 00:10:32,953 Speaker 2: It starts off with the host, Tara Brown, sort of 244 00:10:33,034 --> 00:10:36,114 Speaker 2: getting in the mix of what is happening on set, 245 00:10:36,194 --> 00:10:37,394 Speaker 2: and you can sort of see that they had all 246 00:10:37,434 --> 00:10:40,234 Speaker 2: this footage they wanted to use of them being on 247 00:10:40,274 --> 00:10:42,394 Speaker 2: set and these like great behind the scene moments, and 248 00:10:42,434 --> 00:10:44,634 Speaker 2: so even though this has became like a huge more 249 00:10:44,634 --> 00:10:47,474 Speaker 2: of a legal expos than behind the scenes moment, you 250 00:10:47,514 --> 00:10:49,354 Speaker 2: can see that they had the footage and they wanted 251 00:10:49,394 --> 00:10:52,194 Speaker 2: to shoehorn it in relatable. And there's like a scene 252 00:10:52,234 --> 00:10:54,554 Speaker 2: with Rebel driving like the little cart around and then 253 00:10:54,594 --> 00:10:57,434 Speaker 2: she loses control and they have to like slam the 254 00:10:57,434 --> 00:10:59,194 Speaker 2: brakes on, and then Tara is like doing this thing 255 00:10:59,234 --> 00:11:02,834 Speaker 2: where she's nervous to get on the little quad bike 256 00:11:02,874 --> 00:11:04,994 Speaker 2: thing with her and drive around. So it's all cute, 257 00:11:05,274 --> 00:11:08,394 Speaker 2: and then Rebel gets more into what's happened behind the scenes. 258 00:11:08,434 --> 00:11:10,314 Speaker 2: But in that moment, we get a little taste of 259 00:11:10,354 --> 00:11:11,394 Speaker 2: what the movie is about. 260 00:11:11,594 --> 00:11:13,314 Speaker 3: I think one of the big reasons that they did 261 00:11:13,314 --> 00:11:15,833 Speaker 3: this set visit is they were really pegging it off 262 00:11:15,914 --> 00:11:19,034 Speaker 3: Rebel Wilson's directorial debut. Now. 263 00:11:19,154 --> 00:11:22,474 Speaker 1: The movie is based on a stage play called The 264 00:11:22,554 --> 00:11:26,554 Speaker 1: deb that was written by a writer called Hannah Riley, 265 00:11:26,594 --> 00:11:29,594 Speaker 1: who coincidentally I went to high school with love and 266 00:11:29,794 --> 00:11:32,194 Speaker 1: we were in drama club together, so I feel very 267 00:11:32,194 --> 00:11:35,274 Speaker 1: close to this particular story. It played at the Opera 268 00:11:35,314 --> 00:11:38,674 Speaker 1: House and Megan Washington did the music for it. It 269 00:11:38,794 --> 00:11:39,713 Speaker 1: was amazing. 270 00:11:39,794 --> 00:11:41,394 Speaker 3: I went and saw it with some of my girlfriends 271 00:11:41,434 --> 00:11:43,994 Speaker 3: who also did drum. It was incredible. 272 00:11:44,194 --> 00:11:45,833 Speaker 2: It was very buzzy at the time of people like this, 273 00:11:45,874 --> 00:11:48,194 Speaker 2: a new Australian musical is something. It was very much 274 00:11:48,314 --> 00:11:50,674 Speaker 2: was going to become a huge part of the Australian 275 00:11:50,714 --> 00:11:52,394 Speaker 2: theater scene for many years to come, and then the 276 00:11:52,394 --> 00:11:53,434 Speaker 2: Australian film industry. 277 00:11:53,514 --> 00:11:57,074 Speaker 1: Yeah, and it was really heavily lauded for being really excellent. 278 00:11:57,314 --> 00:12:00,194 Speaker 1: So the premise of the stage show is basically, these 279 00:12:00,234 --> 00:12:02,794 Speaker 1: two girls are in the outback and they're getting ready 280 00:12:02,834 --> 00:12:06,394 Speaker 1: for a debutante ball and it sounds bizarre, but it 281 00:12:06,514 --> 00:12:09,514 Speaker 1: is so funny and clever. So that was then picked 282 00:12:09,594 --> 00:12:14,034 Speaker 1: up by Rebel Wilson's mentorship program. Rebel Wilson was mentoring 283 00:12:14,074 --> 00:12:17,434 Speaker 1: a number of young Australian artists and she was mentoring 284 00:12:17,474 --> 00:12:20,914 Speaker 1: Hannah Riley to get this particular stage show made into 285 00:12:21,114 --> 00:12:24,874 Speaker 1: a movie, and then it was greenlit made into a 286 00:12:24,954 --> 00:12:28,914 Speaker 1: movie with Rebel Wilson attached to direct it, and that's 287 00:12:28,954 --> 00:12:30,874 Speaker 1: when we kind of start to run into a couple 288 00:12:30,874 --> 00:12:31,514 Speaker 1: of issues. 289 00:12:31,754 --> 00:12:34,314 Speaker 2: Yes, and that's very much where there's sixty minutes this 290 00:12:34,434 --> 00:12:36,714 Speaker 2: long form into they've done where we kind of start 291 00:12:36,754 --> 00:12:38,954 Speaker 2: that story because we see these shots of where the 292 00:12:38,994 --> 00:12:41,434 Speaker 2: movie has been filmed in this small Australian town. We 293 00:12:41,554 --> 00:12:44,074 Speaker 2: see the crew and the cast and production, and the 294 00:12:44,114 --> 00:12:46,594 Speaker 2: cast being a lot of very young women because you 295 00:12:46,594 --> 00:12:48,594 Speaker 2: know it's about it's about high schoolers, as you're saying, 296 00:12:48,634 --> 00:12:51,714 Speaker 2: and they're doing all these incredible dance moves, and as 297 00:12:51,794 --> 00:12:53,794 Speaker 2: Tara Brown notes in the piece, she's like, it all 298 00:12:53,794 --> 00:12:56,434 Speaker 2: looked so incredible, but we didn't know what was happening 299 00:12:56,474 --> 00:12:59,674 Speaker 2: behind the scenes. And that's when they threw to one 300 00:12:59,714 --> 00:13:02,954 Speaker 2: of the first allegations made by Rebel Wilson, just before 301 00:13:02,954 --> 00:13:04,754 Speaker 2: we go into this next part. I just wanted to 302 00:13:04,754 --> 00:13:08,234 Speaker 2: clarify that everything we're saying from the producers, from the 303 00:13:08,314 --> 00:13:11,274 Speaker 2: lead actress, and from Rebel Wilson herself at this stage 304 00:13:11,394 --> 00:13:14,354 Speaker 2: are all allegations. This is all still going through the 305 00:13:14,394 --> 00:13:18,554 Speaker 2: court system, and when something is still in the court system, 306 00:13:18,794 --> 00:13:21,114 Speaker 2: journalists and media can't comment on it at all. So 307 00:13:21,234 --> 00:13:24,674 Speaker 2: everything we're saying is just the allegations that have already 308 00:13:24,714 --> 00:13:27,234 Speaker 2: been put in these legal documents, just clarifying that for 309 00:13:27,274 --> 00:13:30,874 Speaker 2: anyone moving forward. Tara Wilson says to Rebel what went wrong? 310 00:13:31,314 --> 00:13:34,194 Speaker 2: And Rebel Wilson alleges in this part of the interview 311 00:13:34,514 --> 00:13:37,274 Speaker 2: that prior to the set visit, in fact, the day prior, 312 00:13:37,354 --> 00:13:40,994 Speaker 2: she says, she and the other local producers, and this 313 00:13:41,114 --> 00:13:43,514 Speaker 2: is the first allegation she makes, were locked in a 314 00:13:43,594 --> 00:13:47,794 Speaker 2: room and forced to sign documents, and she alleges that 315 00:13:47,834 --> 00:13:49,874 Speaker 2: they were told if they didn't sign these documents and 316 00:13:49,914 --> 00:13:52,554 Speaker 2: they didn't kind of toe the line of what these 317 00:13:52,714 --> 00:13:55,514 Speaker 2: other producers were saying, that the money could potentially be 318 00:13:55,514 --> 00:13:58,394 Speaker 2: taken away from the film. She said that it all 319 00:13:58,474 --> 00:14:01,314 Speaker 2: stemmed from the UK producers of the film and that 320 00:14:01,354 --> 00:14:04,554 Speaker 2: she was the target of incessant bulling and harassment because 321 00:14:04,594 --> 00:14:08,954 Speaker 2: she had spoken out about the behavior of these UK producers. 322 00:14:09,354 --> 00:14:11,914 Speaker 2: So at this point in time, Rebel Wilson is being 323 00:14:11,954 --> 00:14:15,354 Speaker 2: sued by three of the film producers after she posted 324 00:14:15,394 --> 00:14:19,594 Speaker 2: a video to her Instagram account alleging the producers of 325 00:14:19,794 --> 00:14:24,354 Speaker 2: theft bullying and sexual misconduct that was midway through last 326 00:14:24,434 --> 00:14:27,394 Speaker 2: year twenty twenty four. Then in July of twenty twenty four, 327 00:14:27,474 --> 00:14:29,954 Speaker 2: the producers in her video, she said, I'm going to 328 00:14:30,074 --> 00:14:32,154 Speaker 2: name the producers, and then she named the three of them, 329 00:14:32,194 --> 00:14:35,754 Speaker 2: So she named Amanda Ghost, Gregor Cameron, and Vince Holden. 330 00:14:36,234 --> 00:14:39,994 Speaker 2: They then filed a defamation lawsuit against Rebel Wilson in 331 00:14:40,034 --> 00:14:43,994 Speaker 2: the US, alleging in their court documents that were filed 332 00:14:44,034 --> 00:14:47,194 Speaker 2: in the Los Angeles Supreme Court that Rebel Wilson had 333 00:14:47,394 --> 00:14:52,154 Speaker 2: fabricated false and malicious lives on Instagram in retribution for 334 00:14:52,194 --> 00:14:56,394 Speaker 2: the producer's refusal to grant her writing and music credits 335 00:14:56,394 --> 00:14:59,474 Speaker 2: on the deb And then in October of last year, 336 00:14:59,594 --> 00:15:03,874 Speaker 2: Rebel Wilson launched a countersuit and here she repeated officially 337 00:15:03,914 --> 00:15:06,594 Speaker 2: the allegations that she had made on social media and 338 00:15:06,634 --> 00:15:09,434 Speaker 2: that she had made in this interview with sixty Minutes. 339 00:15:09,754 --> 00:15:14,034 Speaker 1: So this all started when Amanda Ghost was swimming in 340 00:15:14,074 --> 00:15:18,034 Speaker 1: the water at Bondi Beach and allegedly had a reaction 341 00:15:18,114 --> 00:15:21,954 Speaker 1: to the water. So she went back to this Bondai 342 00:15:21,994 --> 00:15:25,034 Speaker 1: Beach apartment with Charlotte McGinnis, who was the lead actor 343 00:15:25,114 --> 00:15:28,954 Speaker 1: in the movie. Rebel Wilson is alleging that Charlotte McGinnis 344 00:15:29,274 --> 00:15:31,874 Speaker 1: approached her after the incident and said that there was 345 00:15:31,914 --> 00:15:35,074 Speaker 1: something that made her uncomfortable during the incident and said 346 00:15:35,114 --> 00:15:39,394 Speaker 1: that Amanda Ghost had asked her to shower. 347 00:15:39,154 --> 00:15:41,714 Speaker 3: And bathe with her and that made Charlotte uncomfortable. 348 00:15:42,154 --> 00:15:44,794 Speaker 2: Yes, and this is something that Rebel really gets into 349 00:15:44,794 --> 00:15:46,514 Speaker 2: in this sixty Minutes special, but it's also in the 350 00:15:46,594 --> 00:15:49,314 Speaker 2: lingal documents where she said that Amanda Ghost said that 351 00:15:49,354 --> 00:15:51,874 Speaker 2: she was having a medical reaction to the water and 352 00:15:51,914 --> 00:15:53,274 Speaker 2: so it was rushed back to the pen house she 353 00:15:53,314 --> 00:15:57,074 Speaker 2: was staying in. And then afterwards, Rebel Wilson alleges that 354 00:15:57,234 --> 00:16:00,394 Speaker 2: Charlotte came to her and said that the incident had 355 00:16:00,394 --> 00:16:04,754 Speaker 2: made her feel uncomfortable, and in this interview with Sixty Minutes, 356 00:16:04,834 --> 00:16:06,794 Speaker 2: Rebel Wilson said, all I can say is that she 357 00:16:06,874 --> 00:16:09,514 Speaker 2: came to me, she made what I obviously inferred as 358 00:16:09,514 --> 00:16:12,074 Speaker 2: a sexual harassment complaint, and I had a duty to 359 00:16:12,114 --> 00:16:14,594 Speaker 2: act on it. It's important to note at this point 360 00:16:14,714 --> 00:16:18,274 Speaker 2: that Charlotte McGinness, the actress in the deb has denied 361 00:16:18,314 --> 00:16:21,474 Speaker 2: that this conversation has taken place, and she is also 362 00:16:21,594 --> 00:16:25,354 Speaker 2: suing Rebel Wilson for defamation about her claims. So in 363 00:16:25,474 --> 00:16:29,354 Speaker 2: a legal filing in the Los Angeles Supreme Court, Charlotte 364 00:16:29,394 --> 00:16:32,994 Speaker 2: McGinness said that she felt very bullied and harassed by Wilson, 365 00:16:33,274 --> 00:16:35,874 Speaker 2: who was the director of the film, and she said 366 00:16:35,914 --> 00:16:38,714 Speaker 2: she was in a position of authority over me. Charlotte 367 00:16:38,754 --> 00:16:41,514 Speaker 2: then went on to stay in these legal documents, nothing 368 00:16:41,514 --> 00:16:44,194 Speaker 2: that I told Wilson could reasonably have conveyed that I 369 00:16:44,274 --> 00:16:48,234 Speaker 2: was reporting any misconduct, because there was no misconduct. She 370 00:16:48,314 --> 00:16:50,514 Speaker 2: then wanted to say, I understand there were claims that 371 00:16:50,554 --> 00:16:54,394 Speaker 2: I was subjected to depraved sexual demands and that I 372 00:16:54,514 --> 00:16:57,434 Speaker 2: remained captive by Ghost and Cameron as I was shuttled 373 00:16:57,434 --> 00:17:00,834 Speaker 2: from one city to another. These statements are completely false 374 00:17:00,874 --> 00:17:03,874 Speaker 2: and absurd. I have no idea what could cause Wilson 375 00:17:03,914 --> 00:17:06,113 Speaker 2: and her attorney to make up such lies about me. 376 00:17:06,594 --> 00:17:10,274 Speaker 2: And this response from Charlotte is something that became quite 377 00:17:10,273 --> 00:17:12,434 Speaker 2: a huge talking point in the Sixty Minutes interview. 378 00:17:12,674 --> 00:17:15,714 Speaker 1: So there are some text messages between Amanda Ghost and 379 00:17:15,874 --> 00:17:20,834 Speaker 1: Rebel Wilson discussing this particular incident, and Tara Brown does 380 00:17:20,874 --> 00:17:23,394 Speaker 1: bring them to Rebel in the Sixty Minutes interview. 381 00:17:23,594 --> 00:17:27,474 Speaker 4: This is a text from you to Amanda Ghost. You 382 00:17:27,554 --> 00:17:30,354 Speaker 4: say Charlotte says, all good. She just meant it was 383 00:17:30,354 --> 00:17:34,594 Speaker 4: a bizarre situation, not that she personally felt uncomfortable, So 384 00:17:34,994 --> 00:17:38,634 Speaker 4: all good there. Ghost responds, Oh, thank f for that. 385 00:17:39,154 --> 00:17:42,634 Speaker 4: Oh my god, that's hilarious. I nearly died. You respond 386 00:17:42,954 --> 00:17:46,194 Speaker 4: She instantly was like, oh, no, zero issues at all, 387 00:17:46,554 --> 00:17:49,114 Speaker 4: but she said she was happy. I called to clarify. 388 00:17:49,754 --> 00:17:53,474 Speaker 5: How I would describe those texts is that I'm trying 389 00:17:53,474 --> 00:17:57,954 Speaker 5: to maintain professional communication with Amanda Ghost. She's the producer, 390 00:17:58,194 --> 00:18:01,114 Speaker 5: she is the access to the money for the film, 391 00:18:01,434 --> 00:18:03,794 Speaker 5: and I'm trying to keep it. This is weeks before 392 00:18:03,834 --> 00:18:06,394 Speaker 5: we start shooting the movie, and I'm trying to keep 393 00:18:06,434 --> 00:18:11,354 Speaker 5: it very professional communication. But at the same time, I'm 394 00:18:11,394 --> 00:18:12,914 Speaker 5: feeling very uneasy. 395 00:18:13,234 --> 00:18:15,914 Speaker 3: So after this incident is when things sort of started 396 00:18:15,914 --> 00:18:19,513 Speaker 3: to escalate a little bit further and the relationship between 397 00:18:19,554 --> 00:18:22,954 Speaker 3: the producers and Rebels started to deteriorated. 398 00:18:24,674 --> 00:18:27,474 Speaker 2: Another allegation that came up in this sixty minutes interview, 399 00:18:27,554 --> 00:18:30,394 Speaker 2: which again is in all the official legal filings, and 400 00:18:30,434 --> 00:18:33,394 Speaker 2: something that Rebel Wilson has spoken publicly about before in 401 00:18:33,474 --> 00:18:37,714 Speaker 2: her allegations, is that she alleges that these three producers 402 00:18:37,754 --> 00:18:40,754 Speaker 2: who were named in the court papers tried to siphon 403 00:18:40,954 --> 00:18:44,474 Speaker 2: nearly a million dollars from the deb's budget, and this 404 00:18:44,634 --> 00:18:46,954 Speaker 2: next bit was the catalyst for the first time I 405 00:18:46,954 --> 00:18:50,234 Speaker 2: think the general public heard about this when Rebel Wilson 406 00:18:50,274 --> 00:18:53,834 Speaker 2: posted these allegations to her Instagram account, saying that the 407 00:18:53,874 --> 00:18:57,554 Speaker 2: film had been selected to premiere at the Toronto Film Festival, 408 00:18:57,714 --> 00:19:00,634 Speaker 2: which is that's an extremely not just like in industry, 409 00:19:00,674 --> 00:19:04,194 Speaker 2: but it's extremely prestigious film festival. A lot of time, 410 00:19:04,274 --> 00:19:08,394 Speaker 2: these film festivals lead to films picking up huge distribution rights, 411 00:19:08,474 --> 00:19:10,194 Speaker 2: Like that's when people can go and see and be like, 412 00:19:10,234 --> 00:19:11,994 Speaker 2: I'm going to buy that for my studio Turlies and 413 00:19:12,074 --> 00:19:14,314 Speaker 2: theaters or Netflix will say like, I'm going to buy 414 00:19:14,314 --> 00:19:16,874 Speaker 2: that Turlie on our platform. So it is a huge moment, 415 00:19:16,914 --> 00:19:19,273 Speaker 2: and Rebel Wilson was alleging at the time that the 416 00:19:19,314 --> 00:19:23,754 Speaker 2: producers were blocking it. In this interview, Tara Brown says 417 00:19:23,834 --> 00:19:27,114 Speaker 2: that the information that she has is that the producers 418 00:19:27,114 --> 00:19:29,114 Speaker 2: have said in their law so in regards to the 419 00:19:29,154 --> 00:19:33,114 Speaker 2: money being siphoned, their counter allegation is that they're saying 420 00:19:33,154 --> 00:19:37,434 Speaker 2: Rebel Wilson doesn't understand how films and financing and budgets 421 00:19:37,514 --> 00:19:41,154 Speaker 2: work and so she was mistaken. And then Rebel's response 422 00:19:41,154 --> 00:19:44,834 Speaker 2: to that allegation was her saying that she has graduated 423 00:19:44,914 --> 00:19:48,114 Speaker 2: from law school, she's very educated in that area. And 424 00:19:48,154 --> 00:19:50,274 Speaker 2: she also goes on to say that she's produced many 425 00:19:50,274 --> 00:19:53,513 Speaker 2: Hollywood films over the years. So her counter argument to 426 00:19:53,554 --> 00:19:55,954 Speaker 2: that is that she is very across how budgets work. 427 00:19:56,434 --> 00:19:59,553 Speaker 2: And then Atara says to her, then why did they 428 00:19:59,594 --> 00:20:02,594 Speaker 2: block you from premier at the film festival, because surely 429 00:20:02,914 --> 00:20:06,394 Speaker 2: they would have wanted that as well. And Rebel's allegation 430 00:20:06,594 --> 00:20:09,994 Speaker 2: there is is that she believes and again all allegations 431 00:20:10,034 --> 00:20:13,354 Speaker 2: that's in the court documents that they're thinking was that 432 00:20:13,394 --> 00:20:15,594 Speaker 2: this would be such a kind of prestigious move for 433 00:20:15,634 --> 00:20:18,954 Speaker 2: her career, her directorial debut, that they were willing to 434 00:20:19,274 --> 00:20:22,434 Speaker 2: forego the money in order to not have the film released. 435 00:20:22,594 --> 00:20:24,994 Speaker 2: The film did end up premiere at the Toronto Film Festival, 436 00:20:25,034 --> 00:20:27,514 Speaker 2: so that was the outcome of that. And then the 437 00:20:27,594 --> 00:20:31,034 Speaker 2: next allegation that they move into in this interview, which 438 00:20:31,074 --> 00:20:34,474 Speaker 2: is quite a big one, are these websites that were 439 00:20:34,554 --> 00:20:37,714 Speaker 2: created about Amanda Ghost, who is one of the prominent 440 00:20:37,754 --> 00:20:39,354 Speaker 2: producers in this story. 441 00:20:39,834 --> 00:20:43,273 Speaker 1: Yes, so in August of twenty twenty four those websites 442 00:20:43,314 --> 00:20:48,954 Speaker 1: had popped up that were directly targeting Amanda Ghost and 443 00:20:49,034 --> 00:20:54,194 Speaker 1: comparing her to quote a Indian Gallaine Maxwell. There is 444 00:20:54,234 --> 00:20:57,033 Speaker 1: an allegation that has been made by the producers that 445 00:20:57,074 --> 00:21:00,554 Speaker 1: Rebel Wilson was behind creating these websites. 446 00:21:01,354 --> 00:21:02,594 Speaker 3: Rebel has denied that. 447 00:21:03,114 --> 00:21:06,634 Speaker 1: She does talk to Tara Brown in the interview about 448 00:21:06,674 --> 00:21:10,553 Speaker 1: this party allegation, and Tara kind of calls her out 449 00:21:10,594 --> 00:21:13,714 Speaker 1: a little bit and reads back some text messages between 450 00:21:13,914 --> 00:21:16,154 Speaker 1: her and her publicist. 451 00:21:15,874 --> 00:21:19,314 Speaker 2: And to the allegations, Wilson says that she has zero 452 00:21:19,434 --> 00:21:21,074 Speaker 2: to do with the websites. She said, I don't even 453 00:21:21,074 --> 00:21:22,834 Speaker 2: know how to create a website. I had nothing to 454 00:21:22,874 --> 00:21:25,474 Speaker 2: do with it. The allegation in here is that a 455 00:21:25,514 --> 00:21:29,394 Speaker 2: publicist said so basically Rebel wants one of those sites, 456 00:21:29,434 --> 00:21:32,874 Speaker 2: and it can be really harsh to that. In this interview, 457 00:21:33,074 --> 00:21:35,994 Speaker 2: Rebel Wilson says, on the record, it wasn't my publicist. 458 00:21:36,274 --> 00:21:38,194 Speaker 2: It was a woman who worked for my lawyer at 459 00:21:38,194 --> 00:21:41,114 Speaker 2: the time. And Tara asked her again, did you and 460 00:21:41,194 --> 00:21:44,634 Speaker 2: your lawyer do this? And Rebel says no, no, definitely not, 461 00:21:44,954 --> 00:21:47,474 Speaker 2: to which Tara Brown says, so why is your name 462 00:21:47,554 --> 00:21:50,033 Speaker 2: linked to it? And this is where Rebel says, I 463 00:21:50,074 --> 00:21:52,754 Speaker 2: have no idea. I don't know where those texts are real. 464 00:21:53,074 --> 00:21:55,434 Speaker 2: I don't know where they came from. I read the websites. 465 00:21:55,474 --> 00:21:57,474 Speaker 2: I think it was very interesting what was on there, 466 00:21:57,794 --> 00:22:00,234 Speaker 2: and I might have gossiped about it to a couple 467 00:22:00,234 --> 00:22:02,874 Speaker 2: of friends. And that's where that part of the conversation ends. 468 00:22:03,394 --> 00:22:05,874 Speaker 1: Things kind of settled down for a little bit towards 469 00:22:05,954 --> 00:22:08,474 Speaker 1: the end of twenty twenty four and picked back up 470 00:22:08,794 --> 00:22:13,034 Speaker 1: in twenty twenty five during Can. One of the things 471 00:22:13,034 --> 00:22:16,514 Speaker 1: that has really come out is Rebel Wilson is alleging 472 00:22:16,834 --> 00:22:21,954 Speaker 1: that Charlotte mckinner's is denying these sexual assault allegations because 473 00:22:21,994 --> 00:22:22,714 Speaker 1: she would like. 474 00:22:22,674 --> 00:22:23,914 Speaker 3: To further her career. 475 00:22:25,154 --> 00:22:28,874 Speaker 1: This first came out in May twenty twenty five during Can, 476 00:22:28,914 --> 00:22:33,474 Speaker 1: when Charlotte was on a yacht and Rebel Wilson found 477 00:22:33,474 --> 00:22:37,474 Speaker 1: out and replied on Instagram saying Charlotte mckinner's in a 478 00:22:37,634 --> 00:22:42,793 Speaker 1: culturally inappropriate Indian outfit on Len Blavatnik's luxury yacht in 479 00:22:42,914 --> 00:22:45,834 Speaker 1: Cans ironically singing a song from a movie that will 480 00:22:45,874 --> 00:22:49,074 Speaker 1: never get released because of her lies and support for 481 00:22:49,114 --> 00:22:54,273 Speaker 1: the people blocking the film's release. After this particular moment 482 00:22:54,594 --> 00:22:59,114 Speaker 1: is when Charlotte mckinner's files her defamation lawsuit against Rebel Wilson. 483 00:22:59,634 --> 00:23:02,793 Speaker 2: Yeah, and there's this important context again just for the 484 00:23:02,834 --> 00:23:05,194 Speaker 2: more information that we've been given in this sixty minutes 485 00:23:05,234 --> 00:23:08,674 Speaker 2: interview with Rebel Wilson, because in that Tara brings this 486 00:23:08,834 --> 00:23:12,034 Speaker 2: idea to her and brings up the allegations, which again 487 00:23:12,074 --> 00:23:15,313 Speaker 2: are already on the public record, and asks her about 488 00:23:15,514 --> 00:23:18,074 Speaker 2: the first complaint that Charlotte made to her, where Rebel 489 00:23:18,074 --> 00:23:21,274 Speaker 2: Wilson alleges that she made a complaint that she says 490 00:23:21,354 --> 00:23:24,634 Speaker 2: was sexual misconduct, and she says to her, like, are 491 00:23:24,634 --> 00:23:26,513 Speaker 2: you sure that's what happens. So it's this chance for 492 00:23:26,554 --> 00:23:30,033 Speaker 2: Rebel Wilson to reiterate what she said in the original lawsuits, 493 00:23:30,234 --> 00:23:32,394 Speaker 2: which she does go on the record once again and 494 00:23:32,434 --> 00:23:35,274 Speaker 2: say yes, like that is what happened, That's what I inferred. 495 00:23:35,594 --> 00:23:37,513 Speaker 2: I was in a position where I had to report 496 00:23:37,514 --> 00:23:40,234 Speaker 2: it and follow it through. And then they kind of 497 00:23:40,234 --> 00:23:42,513 Speaker 2: get into a bit more of a conversation about where 498 00:23:42,554 --> 00:23:46,354 Speaker 2: the relationship lies with Charlotte and the producers. Now now 499 00:23:46,394 --> 00:23:48,714 Speaker 2: that the deb is sort of like that movie has 500 00:23:48,754 --> 00:23:51,594 Speaker 2: been filmed and it's coming out in cinemas in January 501 00:23:51,634 --> 00:23:55,434 Speaker 2: and Australia, and Rebel Wilson basically says that it's quite 502 00:23:55,514 --> 00:23:58,513 Speaker 2: interesting that the only projects that Charlotte has worked on 503 00:23:58,554 --> 00:24:02,274 Speaker 2: since the deb wrapped are projects that have been overseen 504 00:24:02,314 --> 00:24:03,554 Speaker 2: by these producers. 505 00:24:04,034 --> 00:24:08,313 Speaker 4: But Rebel believes Charlotte mckinness has been convinced to change 506 00:24:08,314 --> 00:24:11,354 Speaker 4: her story and was happy to share with her eleven 507 00:24:11,434 --> 00:24:16,274 Speaker 4: million Instagram followers perview the young actor and singer lied 508 00:24:16,714 --> 00:24:21,033 Speaker 4: to further her career, an allegation for which Charlotte is 509 00:24:21,074 --> 00:24:21,754 Speaker 4: now suing. 510 00:24:21,834 --> 00:24:22,714 Speaker 3: Rebel. 511 00:24:23,114 --> 00:24:25,194 Speaker 4: You go a step further, though, don't you like you 512 00:24:25,274 --> 00:24:27,074 Speaker 4: believe she's paid off? 513 00:24:28,154 --> 00:24:28,994 Speaker 1: Ah the role? 514 00:24:29,234 --> 00:24:34,354 Speaker 5: I do think it's undeniable. I believe her only work 515 00:24:34,994 --> 00:24:39,834 Speaker 5: since filming The Dead was a role in a stage 516 00:24:39,834 --> 00:24:46,154 Speaker 5: show that Amanda Goes produced. Despite Oscar and Tony nominee 517 00:24:46,194 --> 00:24:49,834 Speaker 5: performers auditioning for the role, gets given to an unknown Australian. 518 00:24:50,154 --> 00:24:53,514 Speaker 4: You don't think she's talented. You don't think that, oh 519 00:24:53,634 --> 00:24:54,154 Speaker 4: it'll see. 520 00:24:54,234 --> 00:24:56,434 Speaker 5: Oh No, I think she's talented, which is why I 521 00:24:56,554 --> 00:25:01,474 Speaker 5: cast her in the movie. And you know and think 522 00:25:01,514 --> 00:25:04,354 Speaker 5: she did an amazing job in the movie. But I 523 00:25:04,354 --> 00:25:11,354 Speaker 5: guess it's undeniable. The benefits she has received since finishing 524 00:25:11,514 --> 00:25:13,874 Speaker 5: filming the film. I mean, I have a lot of 525 00:25:13,994 --> 00:25:17,274 Speaker 5: sympathy for her, and I want to make it very 526 00:25:17,274 --> 00:25:19,874 Speaker 5: clear that when I first spoke about this publicly, I 527 00:25:19,874 --> 00:25:24,553 Speaker 5: didn't identify her. She chose to make statements and identify 528 00:25:24,634 --> 00:25:29,394 Speaker 5: herself as the actress involved. And I've been very elegant 529 00:25:29,794 --> 00:25:32,074 Speaker 5: in being silent. And this is the first time I'm 530 00:25:32,714 --> 00:25:36,634 Speaker 5: speaking about it. It's over two years later. So sometimes, 531 00:25:36,634 --> 00:25:40,114 Speaker 5: of course, I guess I'm human and you get up 532 00:25:40,234 --> 00:25:41,434 Speaker 5: upset by the situation. 533 00:25:41,594 --> 00:25:44,874 Speaker 1: This is also kind of tied up with a writing 534 00:25:44,994 --> 00:25:49,194 Speaker 1: credit on the movie. Now, the producers are alleging that 535 00:25:49,754 --> 00:25:52,874 Speaker 1: the reason that Rebel Wilson is getting quite upset about 536 00:25:52,914 --> 00:25:56,554 Speaker 1: these things or doubling down, is because she was not 537 00:25:56,674 --> 00:26:01,553 Speaker 1: granted a sole writing credit for the movie. That credit 538 00:26:01,634 --> 00:26:05,114 Speaker 1: was awarded to Hannah Riley, who wrote this original stage 539 00:26:05,114 --> 00:26:08,874 Speaker 1: production and the screenplay for the movie. So Hannah spoke 540 00:26:08,954 --> 00:26:12,434 Speaker 1: with Variety earlier this year, and this is what she said. 541 00:26:12,874 --> 00:26:16,074 Speaker 1: What followed the Australian Writers Guild ruling has been a 542 00:26:16,114 --> 00:26:21,234 Speaker 1: series of personal tax and false accusations, most recently targeting Charlotte, 543 00:26:21,354 --> 00:26:24,634 Speaker 1: who I cast in the original stage production. She's a 544 00:26:24,674 --> 00:26:27,954 Speaker 1: phenomenal talent and a consummate professional who deserves to be 545 00:26:27,994 --> 00:26:31,514 Speaker 1: celebrated and not dragged into chaos. I've been very reluctant 546 00:26:31,554 --> 00:26:34,394 Speaker 1: to speak publicly, but I just want the hostility to 547 00:26:34,434 --> 00:26:35,354 Speaker 1: stop so we can. 548 00:26:35,234 --> 00:26:36,194 Speaker 3: All move forward. 549 00:26:36,474 --> 00:26:39,154 Speaker 2: Yeah, and I think in this context of us doing 550 00:26:39,154 --> 00:26:41,474 Speaker 2: like a bit of a fuller kind of episode, really 551 00:26:41,474 --> 00:26:43,794 Speaker 2: diving into this, it's really important to have Hannah's voice 552 00:26:43,794 --> 00:26:45,313 Speaker 2: in there and what she's said on the record. 553 00:26:45,674 --> 00:26:46,273 Speaker 3: We should say that. 554 00:26:46,314 --> 00:26:49,674 Speaker 2: The sixty minutes interview ends with the team saying that 555 00:26:49,954 --> 00:26:52,794 Speaker 2: they did approach the three producers named in the lawsuit 556 00:26:52,834 --> 00:26:55,434 Speaker 2: and Charlotte to comment and give their sart of the 557 00:26:55,474 --> 00:26:58,754 Speaker 2: story in this case to the allegations that Rebel Wilson 558 00:26:58,834 --> 00:27:01,593 Speaker 2: is making, but they all replied saying they didn't think 559 00:27:01,634 --> 00:27:04,674 Speaker 2: it was appropriate to comment given that it's an ongoing lawsuit. 560 00:27:04,954 --> 00:27:06,834 Speaker 2: And so that's the thing. I mean, this still has 561 00:27:06,874 --> 00:27:10,234 Speaker 2: to go through many different illegal proceedings until we hear 562 00:27:10,354 --> 00:27:13,273 Speaker 2: publicly any of the outcome, any of the decisions that 563 00:27:13,314 --> 00:27:15,954 Speaker 2: are made around it. At this stage, just to reiterate, 564 00:27:15,994 --> 00:27:18,834 Speaker 2: it is all allegations and we're not saying what's real 565 00:27:18,914 --> 00:27:20,434 Speaker 2: or what's not. We're just saying what is in the 566 00:27:20,434 --> 00:27:23,074 Speaker 2: public domain because I think it's important to talk about 567 00:27:23,074 --> 00:27:25,634 Speaker 2: this because this is a huge thing in the Australian 568 00:27:25,874 --> 00:27:28,954 Speaker 2: film industry. In the austrain film industry gives a huge 569 00:27:28,954 --> 00:27:31,073 Speaker 2: amount of jobs to people, It's a huge part of 570 00:27:31,274 --> 00:27:33,954 Speaker 2: revenue in Australia. A lot of people like their careers 571 00:27:33,994 --> 00:27:35,474 Speaker 2: are tied up in it. So I think when something 572 00:27:35,514 --> 00:27:37,594 Speaker 2: like this is happening, it's just really important for people 573 00:27:37,914 --> 00:27:40,073 Speaker 2: to be across it. And so that is the new 574 00:27:40,114 --> 00:27:42,754 Speaker 2: information that we have this week. We don't know when 575 00:27:42,794 --> 00:27:45,394 Speaker 2: there will be an outcome of the lawsuits around this, 576 00:27:45,514 --> 00:27:47,553 Speaker 2: but we do know that the deb is going to 577 00:27:47,554 --> 00:27:50,074 Speaker 2: be in cinemas in austral in January, so people will 578 00:27:50,154 --> 00:27:52,634 Speaker 2: be able to go see this movie. It's interesting that 579 00:27:52,674 --> 00:27:55,194 Speaker 2: they had a reporter from the Hollywood Reporter who's been 580 00:27:55,194 --> 00:27:57,874 Speaker 2: really following this case in this sixty minutes interview, who 581 00:27:57,874 --> 00:28:00,513 Speaker 2: said that there have been a few issues with distribution 582 00:28:00,634 --> 00:28:03,793 Speaker 2: in other countries in like the North American market because 583 00:28:03,834 --> 00:28:06,074 Speaker 2: of the ownership rights and lawsuit around that. So I 584 00:28:06,114 --> 00:28:08,954 Speaker 2: think that will also be a going conversation. But that's 585 00:28:08,954 --> 00:28:10,914 Speaker 2: where we stand now and we know that the movie 586 00:28:11,234 --> 00:28:13,394 Speaker 2: will be in cinemas in January for those who would 587 00:28:13,394 --> 00:28:13,914 Speaker 2: like to see it. 588 00:28:13,834 --> 00:28:16,634 Speaker 1: And all I will say is that it really is 589 00:28:16,674 --> 00:28:21,314 Speaker 1: a remarkable musical. So whatever you think about whatever has 590 00:28:21,394 --> 00:28:23,593 Speaker 1: happened with these different lawsuits and things like that, I 591 00:28:23,594 --> 00:28:26,793 Speaker 1: really would encourage you to go see it because Hannah 592 00:28:26,874 --> 00:28:29,554 Speaker 1: is incredibly talented. I might be a little bit biased, 593 00:28:29,554 --> 00:28:33,354 Speaker 1: but incredibly talented. The story is amazing, So get out 594 00:28:33,394 --> 00:28:35,434 Speaker 1: and see it when it hit cinemas in jam and 595 00:28:35,474 --> 00:28:38,354 Speaker 1: we'll keep you updated on any of the developments in 596 00:28:38,394 --> 00:28:38,914 Speaker 1: the cases. 597 00:28:39,154 --> 00:28:41,034 Speaker 3: Thanks so much for listening to The Spill today. Guys. 598 00:28:41,314 --> 00:28:43,994 Speaker 3: If you love our show, please reach out. The links 599 00:28:44,034 --> 00:28:45,834 Speaker 3: for all of ours socials are in the show notes. 600 00:28:46,074 --> 00:28:48,474 Speaker 1: We'll be back here in your feed tomorrow morning with 601 00:28:48,754 --> 00:28:52,514 Speaker 1: the wonderful Ash London for morning tea. The Spill is 602 00:28:52,514 --> 00:28:55,994 Speaker 1: produced by Minisha Is Warren, with sound production by Scott Stronach. 603 00:28:56,074 --> 00:29:08,554 Speaker 2: Bye Bye, Mumma me. I acknowledge the traditional owners of 604 00:29:08,594 --> 00:29:11,514 Speaker 2: the land. We have recorded this podcast on the Gadigal 605 00:29:11,594 --> 00:29:14,714 Speaker 2: people of the Oronation. We pay our respects to their 606 00:29:14,714 --> 00:29:17,634 Speaker 2: elders past and present, and extend that respect to all 607 00:29:17,714 --> 00:29:19,914 Speaker 2: Aboriginal and Torres Strait Islander cultures,