WEBVTT - Natalie Bassingthwaighte: “The Night That Ended My Marriage”

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<v Speaker 1>Even after that night, I couldn't let my husband touch me,

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<v Speaker 1>and he never touched me after that night ever again.

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<v Speaker 1>We never kissed, ever again.

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<v Speaker 2>Natalie Bassingthwaite has spent more than two decades moving between music,

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<v Speaker 2>television and theater, building a career that's made her one

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<v Speaker 2>of Australia's most recognizable performers. She began in musical theater,

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<v Speaker 2>performing in the original Australian production of Rent before becoming

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<v Speaker 2>the front woman of Rogue Traders, and became a household

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<v Speaker 2>name when she stepped into Ramsey Street as easy On Neighbors,

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<v Speaker 2>a character who quickly became one of the show's most

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<v Speaker 2>iconic and unforgettable villains. Since then, Nat has worn a

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<v Speaker 2>lot of hats, singer, actor, television host, coach on The

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<v Speaker 2>X Factor, and now once again a musical theater lead

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<v Speaker 2>as she prepares to step into the beloved role of

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<v Speaker 2>Jenna in the Australian production of Waitress. But in recent years,

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<v Speaker 2>Natalie's life has taken a turn she never expected. After

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<v Speaker 2>years in a long term relationship and raising two children,

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<v Speaker 2>Natalie has spoken publicly about the profound personal shift that

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<v Speaker 2>came with falling in love with her now fiance Pip Loth.

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<v Speaker 2>It's a relationship that's opened up an entirely new chapter

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<v Speaker 2>in her life, one she writes about with striking honesty

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<v Speaker 2>in her upcoming autobiography Love Like This. Today, she joins

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<v Speaker 2>me to talk about that new chapter about love, identity, family,

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<v Speaker 2>what it feels like to rebuild a life in full

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<v Speaker 2>view of the public. We also talk about returning to

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<v Speaker 2>musical theater, the place where her career first began, and

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<v Speaker 2>why this moment in her life feels like a kind

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<v Speaker 2>of second beginning. Nat Bass Natalie bassing Thweite, I don't

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<v Speaker 2>think we've ever had on no filter, which is where

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<v Speaker 2>you are anyone who's had such a breadth of how

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<v Speaker 2>they are known to the Australian public as an actor,

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<v Speaker 2>as a host, as a mother, as a lead singer,

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<v Speaker 2>as a wife, as a woman in a committed heterosexual relationship,

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<v Speaker 2>as a woman who's now with a non binary partner,

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<v Speaker 2>as someone who is an author. And it seems like

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<v Speaker 2>there might be a difference between Natalie Bassingthweite, the little

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<v Speaker 2>girl that sprang up in Woollongong and that baths.

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<v Speaker 1>Is there, who is that?

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<v Speaker 2>Who is with that?

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<v Speaker 1>And that is and where did that come from? Who

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<v Speaker 1>came up with that? I don't know's been so long

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<v Speaker 1>now that it was like when did that happen to be.

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<v Speaker 2>In that bass?

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<v Speaker 1>Yeah? I have read your body?

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<v Speaker 2>What a read? What a life?

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<v Speaker 1>Yeah, it's actually kind of strange to talk about it,

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<v Speaker 1>to be honest, because it's been so long, obviously in

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<v Speaker 1>life in the making, but also in the actual pen

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<v Speaker 1>to paper and to keyboard type process, and now talking

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<v Speaker 1>about it is strange. What means to cut in the end,

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<v Speaker 1>Like my head is so full, I'm like, where did

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<v Speaker 1>we know?

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<v Speaker 2>Well? Also, sometimes I think when you've written things, it's

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<v Speaker 2>very different from saying them out loud.

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<v Speaker 1>So different, Yeah, very much so, Like it's a lot

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<v Speaker 1>more healing as well. You know, it's at times torturous,

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<v Speaker 1>I think digging up stuff that you don't want to

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<v Speaker 1>face or that you've forgotten about, or that you know,

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<v Speaker 1>starts another little trigger spiral or like another little trauma spiral.

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<v Speaker 1>But ultimately it was just so cathartic in the end.

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<v Speaker 1>Took a while to feel that, but it feels like

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<v Speaker 1>a release. It feels like a big sigh, a big

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<v Speaker 1>breath out, you know, of like holding on for so

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<v Speaker 1>long and then just being able to go.

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<v Speaker 2>And there's also a part of you, I think from

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<v Speaker 2>my own experience, when you tell the truth about things,

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<v Speaker 2>that becomes its own reward and then it yates its

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<v Speaker 2>own momentum. So it's almost like casting off things that

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<v Speaker 2>you thought that you couldn't or aspects of yourself that

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<v Speaker 2>you couldn't show. Yeah, and then when you start to

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<v Speaker 2>reveal them, how does that feel?

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<v Speaker 1>I Mean there's times when like telling your story feels

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<v Speaker 1>too much. It's like I don't know if I want

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<v Speaker 1>this out there, And I think that's honestly why I've

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<v Speaker 1>avoided it so much. Like I was asked to write

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<v Speaker 1>a book I don't know when five years ago, and

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<v Speaker 1>I was like, hello, I don't want anyone knowing my deepest,

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<v Speaker 1>dark as secret, and I'm not one to kind of hide.

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<v Speaker 1>I'm definitely one to protect myself, but I'm not one

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<v Speaker 1>to yeah too high. So it was look, it was

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<v Speaker 1>an exploration in itself, but it was it's just really confronting.

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<v Speaker 2>Where did the impetus come from to write the book? Now?

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<v Speaker 1>Well, clearly the last few years have been crazy for me,

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<v Speaker 1>like personally career wise as well, but more so personally

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<v Speaker 1>and I felt like I had broken down so many

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<v Speaker 1>barriers that I had held really close, like they were

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<v Speaker 1>not coming. It was not coming apart at all. It

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<v Speaker 1>was just going to be like protect, protect protected, or costs,

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<v Speaker 1>cover up, cover up, cover up. And it just when

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<v Speaker 1>I was doing jagged Little peel and I met peep,

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<v Speaker 1>I started writing again, like poetry. And I remember saying

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<v Speaker 1>to me, what music do you listen to? And I

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<v Speaker 1>was like, I don't know. I mean, it was the

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<v Speaker 1>weirdest question or ridest answer, and They're like, what do

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<v Speaker 1>you mean? And I was like, I don't know. I

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<v Speaker 1>don't I haven't listened, like really listened to music for

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<v Speaker 1>so long. I've just been on this roller coaster of

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<v Speaker 1>life and surviving and thriving. You know, life. Life's been

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<v Speaker 1>pretty great, you know. But I mean, obviously I'm so

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<v Speaker 1>menopausal like all of us ladies at this age, so

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<v Speaker 1>my brain is just like, also, I've just done like

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<v Speaker 1>seventy hour weeks where I'm like, I finished really late

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<v Speaker 1>last night and another on a suit. So I'm like,

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<v Speaker 1>did you ask me?

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<v Speaker 2>So you were talking about the music and this you

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<v Speaker 2>write about this here in love like this, and it's

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<v Speaker 2>a very interesting thing. Because music has always been such

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<v Speaker 2>a huge part of who you are, so that when

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<v Speaker 2>someone says to you, what music do you like and

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<v Speaker 2>you can't answer that, do you think that was almost

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<v Speaker 2>a metaphor for where you were in your life at

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<v Speaker 2>that time, in other words, that you were not connected

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<v Speaker 2>with your inner.

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<v Speaker 1>C Yeah, well I just thought major Cousto. Yeah, one

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<v Speaker 1>hundred percent. I think I had learnt very early on

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<v Speaker 1>to survive emotionally is just put a little bit of

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<v Speaker 1>armor on and then put another bit, and then put

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<v Speaker 1>another bit and another bit and another bit, and then

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<v Speaker 1>you're not feeling anymore. Yeah, there's no like, there's like

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<v Speaker 1>feeling at a surface level, which was really quite odd

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<v Speaker 1>for me too, because I'm such an emotional human. But

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<v Speaker 1>I still feel like there was this big protection up

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<v Speaker 1>that to not really listen to music the way I

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<v Speaker 1>listened to it, or then to write the way I wrote,

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<v Speaker 1>or to lie really I honestly fell in my heart

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<v Speaker 1>and I know I've written this in the book. My

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<v Speaker 1>heart was just like had a little all around it,

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<v Speaker 1>just protecting it so it wouldn't fully expose or be raw.

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<v Speaker 1>And after doing that show and it was raw.

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<v Speaker 2>Well, I have to tell you something, because Jagged Little

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<v Speaker 2>Pill was such a if you look at your life

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<v Speaker 2>at where there are critical defining moments, Jagged Little Pill

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<v Speaker 2>the stage production seems to be one of those moments

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<v Speaker 2>for you in which in which everything changed. But I

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<v Speaker 2>actually saw you in that production in Melbourne. It was

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<v Speaker 2>after lockdown, and I went with a girlfriend and I

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<v Speaker 2>didn't know much about it at all at the time.

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<v Speaker 2>I mean, I knew it was the music of Alanis

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<v Speaker 2>Morrissett blah blah blah, yeah, and that the story had

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<v Speaker 2>been kind of retro fitted to it. Anyway, I think

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<v Speaker 2>an interval and the whole thing was significant because it

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<v Speaker 2>was post lockdown, so it was the first time a

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<v Speaker 2>lot of people had been in a theater with other

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<v Speaker 2>people around, and just to be out was significant. But

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<v Speaker 2>at interval, at interval, my girlfriend said Genatt bass is

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<v Speaker 2>amazing and oh waiting, no, well, hang on, I said,

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<v Speaker 2>which one's that bass? And I did not realize. I

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<v Speaker 2>did not realize that you were MJ. I did not

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<v Speaker 2>know that that was you, that I had been watching

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<v Speaker 2>you and in fact, I'm so happy to say to you,

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<v Speaker 2>not only watching you, but marveling, going gosh. She think

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<v Speaker 2>this perform is incredible.

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<v Speaker 1>And it was so wild. That's so wild and such

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<v Speaker 1>a huge compliment, Thank you.

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<v Speaker 2>A massive compliment. There was something very significant about that

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<v Speaker 2>stage show also for me in the audience.

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<v Speaker 1>And everyone felt like that, you know, at different times.

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<v Speaker 1>It was such a beautiful, vote heavy show because people

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<v Speaker 1>did feel stuff themselves that they'd probably forgotten to like.

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<v Speaker 1>It was such a connective piece of theater. You know,

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<v Speaker 1>you selt what they selt. They saw what you saw.

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<v Speaker 2>It was, Yeah, would you never know in the audience

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<v Speaker 2>if it's just a really a remarkable cast doing remarkable things.

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<v Speaker 2>But reading your book, it becomes apparent that there was

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<v Speaker 2>a lot of stuff going on with the performers as well.

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<v Speaker 1>Oh yeah, yeah, and with you.

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<v Speaker 2>So you came to that production and this is what

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<v Speaker 2>we all know of your life that you were with

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<v Speaker 2>Cam who was in Rogue Traders with you. He was

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<v Speaker 2>your husband, You had two beautiful kids. Oh you're still

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<v Speaker 2>you're not. You've consciously uncoupled, but not legally.

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<v Speaker 1>We still do gigs yeah all the time. Right yeah, yeah,

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<v Speaker 1>so not still his husband, but still right.

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<v Speaker 2>I was like, wait, what not his wife? You never

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<v Speaker 2>were as.

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<v Speaker 1>Shit? Someone put me to bed and so in.

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<v Speaker 2>The process of that, and you had moved to the

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<v Speaker 2>most significant thing that we're aware of in the you know,

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<v Speaker 2>in that blur of what we know about celebrities, you know,

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<v Speaker 2>through news or whatever. You had moved to Byron Bay

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<v Speaker 2>a few years earlier.

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<v Speaker 1>Which I loved. It was such an obviously significant move

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<v Speaker 1>for all of us, but it was what we needed.

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<v Speaker 2>And when you say it was what you needed as

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<v Speaker 2>a family, what was.

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<v Speaker 1>That, you know, it was just a sense. I mean personally,

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<v Speaker 1>I really needed to ground myself. I feel like the

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<v Speaker 1>life that we live is so flast case and you're here,

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<v Speaker 1>there and everywhere. It's really hard to just stop and

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<v Speaker 1>take stock of what is and isn't happening in your

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<v Speaker 1>life and be together as a unit. Like Cam and

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<v Speaker 1>I a couple of years before that were like where

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<v Speaker 1>do we like, what are we doing? Like where do

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<v Speaker 1>we want to be? And what do we want for

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<v Speaker 1>our kids? Put like more importantly, you know, like what

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<v Speaker 1>do we want for them? And we were looking at

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<v Speaker 1>you know, it's that stage where you're looking at high

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<v Speaker 1>schools and like what are they going to? What's the

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<v Speaker 1>next part of the life for them? And it just

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<v Speaker 1>didn't feel like it fits for either of us, even

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<v Speaker 1>though I was the one that was like, oh my gosh,

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<v Speaker 1>I think we should go do this, and but ultimately

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<v Speaker 1>it was Cam that made the decision. It went all right,

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<v Speaker 1>let's go, let's sell the house, and I'm like, what

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<v Speaker 1>we're doing this? And yeah, it was just a really

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<v Speaker 1>nice shift in We were just so much more connected

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<v Speaker 1>when we came up to Byron, you know you have

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<v Speaker 1>more and thank goodness because it was we moved two

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<v Speaker 1>months before COVID from Melbourne, so we missed that whole, like,

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<v Speaker 1>you know, such gratitude because I, you know, my mental

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<v Speaker 1>health hasn't been great on and off, like it's been

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<v Speaker 1>amazing and it's been terrible. But I don't know if

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<v Speaker 1>I would have handled that very well. It's not being

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<v Speaker 1>outside or you know, being that contained. I think that

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<v Speaker 1>might have sent me off with Yeah.

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<v Speaker 2>Well there was there is a sense of people who

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<v Speaker 2>injured those lockdowns in Melbourne being like crushed flowers.

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<v Speaker 1>Yeah. I had two weeks in lockdown when I came

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<v Speaker 1>back from New York, and yes, snowhere near as bad

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<v Speaker 1>as so many people had it. But I need fresh air,

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<v Speaker 1>like I feel very caged in, and so I got

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<v Speaker 1>you know, we got thrown on this bus. I'm not thrown,

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<v Speaker 1>but it felt like that there were, you know, soldiers

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<v Speaker 1>and everything. It felt like I was a criminal and

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<v Speaker 1>they put you on in the bus and they've got

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<v Speaker 1>guns and they're like take you to this hotel. And

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<v Speaker 1>it was the strangest thing, like I haven't done anything wrong.

0:14:47.800 --> 0:14:51.360
<v Speaker 1>Why am I here? And then you're in this hotel

0:14:51.400 --> 0:14:55.000
<v Speaker 1>and yeah, it's not a horrible hotel, but you're trying

0:14:55.040 --> 0:14:59.960
<v Speaker 1>to a window for two weeks. I remember ringing or

0:15:00.040 --> 0:15:01.800
<v Speaker 1>they would ring every day to ask if you had

0:15:01.840 --> 0:15:04.680
<v Speaker 1>any symptoms, and then they'd be like, I said, I'm

0:15:04.720 --> 0:15:07.920
<v Speaker 1>not doing so well. Okay, I'm really kind of freaking out,

0:15:08.000 --> 0:15:10.600
<v Speaker 1>Like I'm feeling like I just need to get outside.

0:15:10.720 --> 0:15:13.600
<v Speaker 1>Is there any way that I can just go take

0:15:13.640 --> 0:15:15.800
<v Speaker 1>a big deep breath? And they're like no, unless you

0:15:15.840 --> 0:15:18.640
<v Speaker 1>need an ambulance, you can't do that. It was really

0:15:19.520 --> 0:15:23.320
<v Speaker 1>a very unraveling time, even just in that hotel room

0:15:23.320 --> 0:15:24.040
<v Speaker 1>for two weeks.

0:15:24.160 --> 0:15:25.640
<v Speaker 2>And who were you in lockdown?

0:15:25.680 --> 0:15:28.960
<v Speaker 1>With other cast members like Leah Howard who was our

0:15:29.080 --> 0:15:33.680
<v Speaker 1>associate director. I'm jagged, and also Peter Rutherford who's my

0:15:33.760 --> 0:15:36.480
<v Speaker 1>musical director. So we all went over to America to

0:15:36.600 --> 0:15:41.240
<v Speaker 1>learn the show. Because of COVID, they couldn't all come

0:15:41.280 --> 0:15:43.200
<v Speaker 1>to Australia like they normally would, so it was a

0:15:43.200 --> 0:15:46.400
<v Speaker 1>bit all over the place. But he was really confronting.

0:15:47.160 --> 0:15:50.120
<v Speaker 1>And I never video really. I don't know people, you know,

0:15:50.120 --> 0:15:52.560
<v Speaker 1>we all video ourselves, won't the Lafe's amazing, but like,

0:15:53.200 --> 0:15:56.040
<v Speaker 1>never really video myself when I'm unraveling, and they're like,

0:15:56.080 --> 0:15:58.720
<v Speaker 1>have this video of myself? Just kind of I watched

0:15:58.760 --> 0:16:00.560
<v Speaker 1>it not that long ago, so I, oh, my god,

0:16:01.440 --> 0:16:03.360
<v Speaker 1>that was at my headspace, Like I kind of looked

0:16:03.440 --> 0:16:06.120
<v Speaker 1>really vacant, like it wasn't me. I wasn't there, So

0:16:06.120 --> 0:16:08.160
<v Speaker 1>it was awful to watch.

0:16:08.360 --> 0:16:12.840
<v Speaker 2>And do you think at the time that the unraveling, obviously,

0:16:12.880 --> 0:16:16.239
<v Speaker 2>which was exacerbated by the lack of air and the

0:16:16.280 --> 0:16:19.320
<v Speaker 2>confinement and the very strange times that we lived in,

0:16:20.160 --> 0:16:25.760
<v Speaker 2>was there a sense that in your life there was

0:16:25.800 --> 0:16:29.280
<v Speaker 2>an unraveling or a picking a part of the threads

0:16:29.360 --> 0:16:31.360
<v Speaker 2>or things fraying? Then do you.

0:16:31.400 --> 0:16:34.800
<v Speaker 1>Think, Yeah, I think in homesight, absolutely, but I don't

0:16:34.800 --> 0:16:36.480
<v Speaker 1>think I realized it at the time.

0:16:37.320 --> 0:16:41.040
<v Speaker 2>Because you talk about in your book, you talk about

0:16:41.080 --> 0:16:46.840
<v Speaker 2>this euphoric I think it was at your your wrap drinks.

0:16:47.720 --> 0:16:49.640
<v Speaker 1>Oh yeah, where.

0:16:49.480 --> 0:16:51.280
<v Speaker 2>You ended up dancing on a table.

0:16:51.840 --> 0:16:55.320
<v Speaker 1>I always dance and you said, I mean it's been

0:16:55.360 --> 0:16:57.600
<v Speaker 1>a while. I went, lie, you know that was my

0:16:57.760 --> 0:16:58.840
<v Speaker 1>signature moves.

0:16:58.920 --> 0:17:03.760
<v Speaker 2>Well, as long as as long as there were tables.

0:17:04.119 --> 0:17:08.840
<v Speaker 2>But Peepe, who had worked on Jagged Little Pill, you

0:17:09.280 --> 0:17:13.680
<v Speaker 2>said to them in the midst of this euphoria, tell

0:17:13.720 --> 0:17:14.520
<v Speaker 2>me what you said.

0:17:15.280 --> 0:17:17.679
<v Speaker 1>I said, if I wasn't married, i'd turned for you.

0:17:18.800 --> 0:17:22.080
<v Speaker 1>Now this was about five or six years before Jagged

0:17:22.080 --> 0:17:24.320
<v Speaker 1>Little Pill. And then I hardly saw that.

0:17:24.480 --> 0:17:27.680
<v Speaker 2>Well, oh that's right, Yes it was Chicago.

0:17:28.280 --> 0:17:29.320
<v Speaker 1>Was it not Chicago?

0:17:29.840 --> 0:17:30.080
<v Speaker 2>Right?

0:17:30.200 --> 0:17:32.560
<v Speaker 1>And I only did like a month or something in

0:17:32.640 --> 0:17:36.159
<v Speaker 1>the Brisbane season, and we hardly even spoke. It was

0:17:36.200 --> 0:17:39.440
<v Speaker 1>the strangest thing. They were just very sweet. I remember

0:17:39.480 --> 0:17:42.639
<v Speaker 1>that my grandma had passed away at the time, and

0:17:42.680 --> 0:17:44.600
<v Speaker 1>it was I was really emotional because you know, the

0:17:44.600 --> 0:17:47.320
<v Speaker 1>show must go on, but then life still goes on too,

0:17:47.400 --> 0:17:49.479
<v Speaker 1>and death still goes on, so you have to manage

0:17:49.520 --> 0:17:54.520
<v Speaker 1>those emotions. And pipp had bought me a little vegan chocolate,

0:17:54.640 --> 0:17:58.760
<v Speaker 1>so I was veeking at time and just said, you know,

0:18:00.119 --> 0:18:03.960
<v Speaker 1>times chocolates, see anything that can help in these moments.

0:18:03.960 --> 0:18:06.959
<v Speaker 1>And I just thought, wow, that's so sweet. Times it like,

0:18:07.000 --> 0:18:10.520
<v Speaker 1>we didn't hang out, we didn't have coffee, I did

0:18:10.640 --> 0:18:13.760
<v Speaker 1>like nothing. It was the strangest thing. I think Casey

0:18:14.400 --> 0:18:16.840
<v Speaker 1>Donovan and I were on a mission to like, I

0:18:16.840 --> 0:18:19.399
<v Speaker 1>don't know, we were just being a little bit tissy

0:18:19.400 --> 0:18:22.239
<v Speaker 1>at the time, because you hold yourself together doing these shows, right,

0:18:22.280 --> 0:18:25.720
<v Speaker 1>and you have to I've got to be so you know, good,

0:18:25.840 --> 0:18:27.600
<v Speaker 1>I don't drink, you've got a better you know all

0:18:27.600 --> 0:18:30.040
<v Speaker 1>of that. But then at the end you're like, all right,

0:18:30.280 --> 0:18:34.520
<v Speaker 1>give me a table. I don't ready to like let

0:18:34.560 --> 0:18:38.320
<v Speaker 1>it all lose. So it was the It was the

0:18:38.359 --> 0:18:42.000
<v Speaker 1>stranger at the time, but clearly now in hindsight even stranger.

0:18:42.600 --> 0:18:45.320
<v Speaker 2>Well, because sometimes I think you have those connections with

0:18:45.440 --> 0:18:50.320
<v Speaker 2>people and they don't necessarily evolve into something else, and

0:18:50.359 --> 0:18:52.800
<v Speaker 2>often they're more reflective of what's going on with you.

0:18:52.960 --> 0:18:54.560
<v Speaker 2>Do you know what I mean? You see something in

0:18:54.600 --> 0:18:56.720
<v Speaker 2>that person and it's about you.

0:18:56.840 --> 0:18:57.280
<v Speaker 1>Yeah.

0:18:58.400 --> 0:19:03.200
<v Speaker 2>You and Pip. Yeah, cross paths again, Dean, As you

0:19:03.240 --> 0:19:06.440
<v Speaker 2>said four or five years later on Jag a Little Pill. Yeah,

0:19:06.480 --> 0:19:08.360
<v Speaker 2>well they were the stage manager.

0:19:08.760 --> 0:19:11.840
<v Speaker 1>Yeah, they only did the second again. It was a

0:19:11.840 --> 0:19:14.080
<v Speaker 1>bit like Chicago, you know, we'd done like the whole

0:19:15.240 --> 0:19:18.399
<v Speaker 1>country or whatever wherever we went, and then Brisbane was

0:19:18.440 --> 0:19:20.359
<v Speaker 1>the last bit, and same with Jagged. I think we

0:19:20.400 --> 0:19:22.200
<v Speaker 1>did Sydney, then we went to Melbourne and went back

0:19:22.240 --> 0:19:25.920
<v Speaker 1>to Sydney. So before the full unraveling, I think I

0:19:26.000 --> 0:19:29.240
<v Speaker 1>knew them for three weeks, which flows my mind even

0:19:29.280 --> 0:19:32.680
<v Speaker 1>to this day. I'm like, that's so strange.

0:19:32.560 --> 0:19:35.960
<v Speaker 2>When you say the full unraveling. What did the full

0:19:36.040 --> 0:19:37.040
<v Speaker 2>unraveling look like?

0:19:37.760 --> 0:19:42.719
<v Speaker 1>Well, honestly, it's so I feel like it sounds so strange.

0:19:42.960 --> 0:19:49.000
<v Speaker 1>But that night on stage when I sang Forgiven, I'm

0:19:49.080 --> 0:19:52.040
<v Speaker 1>standing there and like every night I would, I mean,

0:19:52.040 --> 0:19:53.600
<v Speaker 1>you saw it, you know, like I don't know what

0:19:53.680 --> 0:19:57.280
<v Speaker 1>night you saw, but this show really like I really

0:19:57.320 --> 0:20:01.560
<v Speaker 1>immersed myself into this role and it was weird because

0:20:02.200 --> 0:20:04.919
<v Speaker 1>you're not that role. But then things start overlapping and

0:20:04.960 --> 0:20:07.520
<v Speaker 1>things start going, oh that's me. Oh wow. I didn't

0:20:07.520 --> 0:20:10.000
<v Speaker 1>think I even I didn't even think I even took

0:20:10.040 --> 0:20:13.720
<v Speaker 1>the role for me. I thought I took it for

0:20:14.400 --> 0:20:16.600
<v Speaker 1>my manager who had passedway, which the whole other story,

0:20:16.640 --> 0:20:18.040
<v Speaker 1>but I was like, oh, I think I need to

0:20:18.040 --> 0:20:22.960
<v Speaker 1>do this for him. You know, the unraveling to me

0:20:23.760 --> 0:20:30.359
<v Speaker 1>was standing there singing Forgiven. I felt you for it

0:20:30.560 --> 0:20:33.919
<v Speaker 1>on that stage, on that Second Life opening night, I

0:20:34.080 --> 0:20:38.600
<v Speaker 1>felt free, I felt seen that, I felt exposed, and

0:20:38.680 --> 0:20:41.280
<v Speaker 1>I felt wow. But I felt like it was such

0:20:41.320 --> 0:20:45.520
<v Speaker 1>a contradiction of life, like everything that was going on

0:20:45.560 --> 0:20:47.679
<v Speaker 1>for me. I think I fell to the ground, tears

0:20:47.720 --> 0:20:51.440
<v Speaker 1>fell down my face. I mean that was pretty standard.

0:20:51.440 --> 0:20:53.640
<v Speaker 1>I did that most nights, and I think I'm sure

0:20:53.680 --> 0:20:56.760
<v Speaker 1>I wrote that in the book where you know you

0:20:56.880 --> 0:20:59.280
<v Speaker 1>just immerse yourself. But I just walked off stage and

0:20:59.359 --> 0:21:04.960
<v Speaker 1>I it was like there was no one else so strange.

0:21:04.960 --> 0:21:06.320
<v Speaker 1>It was like there was no one else around, but

0:21:06.400 --> 0:21:10.160
<v Speaker 1>yet everyone was there. It was just like this feeling

0:21:10.400 --> 0:21:14.199
<v Speaker 1>of there's no going back, and I still didn't even

0:21:14.240 --> 0:21:16.560
<v Speaker 1>know what that meant. It was just like this right.

0:21:16.800 --> 0:21:19.199
<v Speaker 1>I felt like my manager whod passed away, was like

0:21:19.600 --> 0:21:23.920
<v Speaker 1>in me or around me, or supporting me, but yet

0:21:24.359 --> 0:21:27.439
<v Speaker 1>everyone was watching that unraveling, Like I felt like the

0:21:27.520 --> 0:21:32.639
<v Speaker 1>audience were there witnessing me just being raw and exposed

0:21:32.640 --> 0:21:35.199
<v Speaker 1>for the first time in such a long time. You know,

0:21:35.359 --> 0:21:38.119
<v Speaker 1>I turned fifty last year, so it was close to

0:21:38.160 --> 0:21:40.600
<v Speaker 1>my fiftieth birthday a couple of years before. You know,

0:21:41.480 --> 0:21:46.119
<v Speaker 1>I don't feel like I've ever really immersed myself into

0:21:46.160 --> 0:21:50.320
<v Speaker 1>something creatively as much as that show, and I do

0:21:50.480 --> 0:21:54.639
<v Speaker 1>believe in it was the right time. Maybe it was.

0:21:55.359 --> 0:21:59.080
<v Speaker 1>It was the constant reliving and telling of this story

0:21:59.200 --> 0:22:04.679
<v Speaker 1>of abuse and gender identity and sexuality and whatever that

0:22:04.720 --> 0:22:08.000
<v Speaker 1>we all in the cast were like feeling and thinking

0:22:08.640 --> 0:22:11.480
<v Speaker 1>night after night that that was the moment that I

0:22:11.520 --> 0:22:14.520
<v Speaker 1>was like, whoa, I just felt changed and it was

0:22:14.560 --> 0:22:17.760
<v Speaker 1>really hard to understand what. And then obviously later on

0:22:17.800 --> 0:22:21.840
<v Speaker 1>in that night when I had this like it was

0:22:21.920 --> 0:22:24.600
<v Speaker 1>like I was so high and I wasn't high, but

0:22:24.720 --> 0:22:28.840
<v Speaker 1>I had this like high and it was very weird.

0:22:29.800 --> 0:22:34.040
<v Speaker 1>It was very unusual, and I just yeah, I had

0:22:34.040 --> 0:22:37.479
<v Speaker 1>this electricity. It was like electricity through my body and

0:22:37.520 --> 0:22:40.280
<v Speaker 1>we weren't touching. It was like a magnet, you know

0:22:40.280 --> 0:22:42.680
<v Speaker 1>where there's this like oh like it was like that.

0:22:43.760 --> 0:22:46.119
<v Speaker 1>And I remember turning to fifth and I think you

0:22:46.200 --> 0:22:50.000
<v Speaker 1>need to go, and they went, yeah, it was so weird.

0:22:50.680 --> 0:22:56.840
<v Speaker 2>They felt it also, Yeah, yeah weird. After a short break,

0:22:56.880 --> 0:22:59.480
<v Speaker 2>we'll be back with more of my conversation with Natalie

0:22:59.520 --> 0:23:06.600
<v Speaker 2>bassing Through. You were so consumed, at once consumed and

0:23:06.640 --> 0:23:12.000
<v Speaker 2>at once projecting this extraordinary energy field that was happening

0:23:12.040 --> 0:23:19.560
<v Speaker 2>to you. How did you look to Pip who was

0:23:19.600 --> 0:23:24.520
<v Speaker 2>watching you night after night on stage but also seeing

0:23:24.560 --> 0:23:27.040
<v Speaker 2>you seeing you backstage.

0:23:27.600 --> 0:23:31.160
<v Speaker 1>I don't know, that's probably a question. I don't know.

0:23:32.119 --> 0:23:34.040
<v Speaker 2>Have you ever discussed.

0:23:34.000 --> 0:23:37.639
<v Speaker 1>I told them, like, after that night happened. The next morning,

0:23:37.680 --> 0:23:39.440
<v Speaker 1>I rang my friend and went, I need a therapist.

0:23:39.520 --> 0:23:42.720
<v Speaker 1>I don't know what happened last night. Like between you

0:23:42.720 --> 0:23:45.720
<v Speaker 1>would think that it was like a big weekend bender

0:23:45.800 --> 0:23:49.159
<v Speaker 1>on drugs or something like. It was like that. It

0:23:49.240 --> 0:23:52.840
<v Speaker 1>was like a out of body something that I went with,

0:23:53.040 --> 0:23:56.160
<v Speaker 1>you know, it wasn't even Yeah, So I did their

0:23:56.200 --> 0:24:00.000
<v Speaker 1>therapy first, and then I think I was at home

0:24:00.080 --> 0:24:01.399
<v Speaker 1>for a few days, and then I came back to

0:24:01.440 --> 0:24:03.119
<v Speaker 1>the show and that's right, and we went out on

0:24:03.119 --> 0:24:06.840
<v Speaker 1>the Thursday night and I was telling him about how

0:24:06.920 --> 0:24:09.280
<v Speaker 1>I was feeling, just going, I don't know what happened.

0:24:09.320 --> 0:24:11.959
<v Speaker 1>So yes, we have discussed what I felt happened on

0:24:12.000 --> 0:24:17.280
<v Speaker 1>the stage. And I'm quite a spiritual. My kids folk

0:24:17.320 --> 0:24:21.080
<v Speaker 1>on me woo person. Kip's not like that. So they're like, well,

0:24:22.760 --> 0:24:25.080
<v Speaker 1>this is strange, and I'm like, I know, but they

0:24:25.200 --> 0:24:29.840
<v Speaker 1>also very beautiful and supportive and open that they just

0:24:30.040 --> 0:24:34.840
<v Speaker 1>listened to me going, I mean I even after that night,

0:24:35.880 --> 0:24:40.560
<v Speaker 1>I couldn't let my husband touch me. And he never

0:24:40.640 --> 0:24:44.440
<v Speaker 1>touched me after that night ever again. We never kissed

0:24:44.480 --> 0:24:47.199
<v Speaker 1>ever again. It was so bizarre for him and me.

0:24:47.560 --> 0:24:53.760
<v Speaker 2>And yes, because you wrote in the book you said,

0:24:53.840 --> 0:24:58.320
<v Speaker 2>why can't I be around masculine energy anymore? And this

0:24:59.200 --> 0:25:03.320
<v Speaker 2>returned to Byron with your husband, the father of your children,

0:25:03.359 --> 0:25:05.959
<v Speaker 2>with whom you'd built this beautiful, loving life.

0:25:06.600 --> 0:25:11.240
<v Speaker 1>Yeah, nothing like I couldn't you know, he would try

0:25:11.240 --> 0:25:16.400
<v Speaker 1>and reach out or everything in my body said no,

0:25:16.680 --> 0:25:20.080
<v Speaker 1>don't touch me everything. And so then it became the

0:25:20.160 --> 0:25:24.959
<v Speaker 1>unraveling of what has just happened to me? What has

0:25:25.080 --> 0:25:28.640
<v Speaker 1>just gone on? And I had like, you know, therapy

0:25:29.160 --> 0:25:31.119
<v Speaker 1>on my own, and then Cam and I were like,

0:25:31.160 --> 0:25:35.120
<v Speaker 1>we need therapy together because why all the feelings? Why

0:25:35.280 --> 0:25:37.119
<v Speaker 1>don't know? Don't I want you to be near me?

0:25:37.480 --> 0:25:40.399
<v Speaker 1>Like yeah, So it was a massive process of trying

0:25:40.440 --> 0:25:41.720
<v Speaker 1>to understand all of that.

0:25:42.240 --> 0:25:47.080
<v Speaker 2>And also for him so hurtful.

0:25:47.080 --> 0:25:51.000
<v Speaker 1>Absolutely like he's like, where's my wife gone? And every

0:25:51.000 --> 0:25:54.920
<v Speaker 1>time he said that, it was like my body froze

0:25:55.119 --> 0:25:59.600
<v Speaker 1>and went even the word wife was I didn't like it.

0:26:00.000 --> 0:26:01.879
<v Speaker 1>My body was like, don't call me that and I

0:26:01.880 --> 0:26:04.239
<v Speaker 1>didn't say that, but everything in my body was like,

0:26:04.280 --> 0:26:06.600
<v Speaker 1>I don't. I didn't like the ownership. I didn't like

0:26:06.720 --> 0:26:11.719
<v Speaker 1>the the size of him, Like he felt very big

0:26:12.040 --> 0:26:15.080
<v Speaker 1>and scary. And one night I think I told him

0:26:15.080 --> 0:26:19.200
<v Speaker 1>that he was terrifying and he's like, me terrifying, that's crazy,

0:26:19.240 --> 0:26:20.560
<v Speaker 1>and I'm like, that's how I felt.

0:26:23.040 --> 0:26:26.919
<v Speaker 2>And then he said to you, are you a lesbian?

0:26:28.080 --> 0:26:33.320
<v Speaker 1>Yeah? And you said I couldn't say anything. Nothing came

0:26:33.359 --> 0:26:36.560
<v Speaker 1>out of my mouth because I was like, I don't know,

0:26:36.920 --> 0:26:39.959
<v Speaker 1>am I like, how can I had like a chemical

0:26:40.280 --> 0:26:44.560
<v Speaker 1>reaction to somebody and not like I just didn't know

0:26:44.600 --> 0:26:47.280
<v Speaker 1>how to answer it. And also to hear that come

0:26:47.320 --> 0:26:52.000
<v Speaker 1>out of his mouth out of nowhere was not so bizarre,

0:26:52.440 --> 0:26:54.919
<v Speaker 1>you know. I don't think a single word came out

0:26:54.960 --> 0:27:00.720
<v Speaker 1>of my mouth. I was just sitting in the corner like, yeah.

0:27:00.760 --> 0:27:04.280
<v Speaker 2>And you speak very beautifully about him in the book,

0:27:06.040 --> 0:27:12.480
<v Speaker 2>and what strikes me having read it is that he

0:27:12.600 --> 0:27:14.560
<v Speaker 2>had to both of you had to do this, really,

0:27:14.920 --> 0:27:18.160
<v Speaker 2>I guess, find the way in which you loved each

0:27:18.200 --> 0:27:23.520
<v Speaker 2>other outside of that relationship that you had had as

0:27:23.640 --> 0:27:24.479
<v Speaker 2>husband and wife.

0:27:25.200 --> 0:27:29.120
<v Speaker 1>Yeah, and it's still a daily thing, you know, it's

0:27:29.160 --> 0:27:32.719
<v Speaker 1>not like. The thing is I never fell out of

0:27:32.760 --> 0:27:37.719
<v Speaker 1>love with Cam. That's the weird thing because that's not

0:27:37.760 --> 0:27:39.960
<v Speaker 1>what happened. You know, Like you hear these stories, they're

0:27:40.000 --> 0:27:42.879
<v Speaker 1>like I'm over them or him or her or whatever,

0:27:42.920 --> 0:27:46.520
<v Speaker 1>and then I'm looking or I'm like that wasn't that

0:27:46.600 --> 0:27:50.439
<v Speaker 1>wasn't our story. None of that happened. It was just

0:27:50.520 --> 0:27:53.560
<v Speaker 1>this night on stage, this thing afterwards, and then like

0:27:53.720 --> 0:27:56.359
<v Speaker 1>what and then the not being able to be held,

0:27:56.440 --> 0:28:03.359
<v Speaker 1>touch nurtured by him, men masculine. That was the That

0:28:03.520 --> 0:28:07.680
<v Speaker 1>was the unraveling of like why, And I have more

0:28:07.720 --> 0:28:12.240
<v Speaker 1>of an understanding of it now, but it's still bizarre.

0:28:14.000 --> 0:28:18.040
<v Speaker 2>Yeah, of course because before that, and also before Cam,

0:28:18.119 --> 0:28:23.640
<v Speaker 2>you'd been you'd been married already to a guy. You'd

0:28:23.680 --> 0:28:27.400
<v Speaker 2>had him, an affair that you speak about very honestly

0:28:27.440 --> 0:28:32.919
<v Speaker 2>when you were nineteen. He was in his fifties. Yeah,

0:28:33.480 --> 0:28:38.800
<v Speaker 2>you had been an unquestioning I guess, an unquestioning woman

0:28:39.560 --> 0:28:42.360
<v Speaker 2>who went out with and fell in love.

0:28:42.200 --> 0:28:49.520
<v Speaker 1>With me totally. It wasn't even an until I mean,

0:28:49.600 --> 0:28:54.480
<v Speaker 1>like kids, the thing, I've always thought women are beautiful, Yes,

0:28:55.080 --> 0:28:56.240
<v Speaker 1>doesn't everyone like.

0:28:56.360 --> 0:28:59.440
<v Speaker 2>You know, well, we are everyone we are We were not.

0:28:59.680 --> 0:29:05.440
<v Speaker 1>Kid but I've had amazing relationships with men. I've been

0:29:05.480 --> 0:29:09.040
<v Speaker 1>in love with men, so that's not a question either.

0:29:10.400 --> 0:29:14.920
<v Speaker 1>But it was very suddenly, I can't have you touch

0:29:15.000 --> 0:29:19.880
<v Speaker 1>me anymore, or I can't It's like not even a kiss, nothing,

0:29:20.880 --> 0:29:24.440
<v Speaker 1>couldn't do it. And the whole body said, no.

0:29:24.640 --> 0:29:30.800
<v Speaker 2>What did he do during that process? Like you were

0:29:30.800 --> 0:29:33.560
<v Speaker 2>trying to sort stuff out? Obviously he was trying to

0:29:33.560 --> 0:29:36.960
<v Speaker 2>store sort stuff out, and you've got two dearly loved children.

0:29:37.680 --> 0:29:40.760
<v Speaker 1>I mean he was unraveling the poor man's like where

0:29:40.960 --> 0:29:43.360
<v Speaker 1>like you know, like you said, where's my wife? And

0:29:43.400 --> 0:29:47.040
<v Speaker 1>I'm like, I don't know, I don't know. And I'm

0:29:47.080 --> 0:29:50.200
<v Speaker 1>not the same person. I see, I'm the same person,

0:29:50.200 --> 0:29:54.440
<v Speaker 1>but I'm so the way that I speak, the way

0:29:54.480 --> 0:29:58.080
<v Speaker 1>that I speak up, the way that i've I'm different.

0:29:58.360 --> 0:30:01.240
<v Speaker 1>I never did that. I kind of not that. I

0:30:01.240 --> 0:30:02.720
<v Speaker 1>it was quiet. I'm allowed human.

0:30:02.840 --> 0:30:07.920
<v Speaker 2>But you're also very good at playing roles.

0:30:08.440 --> 0:30:14.560
<v Speaker 1>Yeah, I hope so like in real life. Yeah, I

0:30:14.600 --> 0:30:16.560
<v Speaker 1>mean I've done it a long time, right, and I

0:30:16.600 --> 0:30:22.240
<v Speaker 1>think it's hard to make sense of that part of it, honestly. Yeah.

0:30:22.320 --> 0:30:26.320
<v Speaker 1>I get to in my creative world deep dive into

0:30:26.400 --> 0:30:30.080
<v Speaker 1>other people's lives that may be some somehow that is

0:30:30.440 --> 0:30:32.000
<v Speaker 1>avoidant of self.

0:30:32.320 --> 0:30:36.720
<v Speaker 2>But at some stage also because your life is and

0:30:36.800 --> 0:30:41.080
<v Speaker 2>your work is for the public, the public have an

0:30:41.160 --> 0:30:45.280
<v Speaker 2>appetite to know about people that they are interested in.

0:30:46.400 --> 0:30:50.360
<v Speaker 2>So then you had to bring this to the public

0:30:50.520 --> 0:30:52.200
<v Speaker 2>or it was voisted upon you.

0:30:52.800 --> 0:30:58.800
<v Speaker 1>Yeah, that was so incredibly emotional on so many levels

0:30:58.840 --> 0:31:02.640
<v Speaker 1>because I think I was still figuring out, like what

0:31:02.720 --> 0:31:05.040
<v Speaker 1>the hell was going on? You know, I was still

0:31:05.120 --> 0:31:11.320
<v Speaker 1>unraveling in my own time with my family unit trying

0:31:11.360 --> 0:31:14.000
<v Speaker 1>to make sense of that. You know, to feel like

0:31:14.200 --> 0:31:19.520
<v Speaker 1>that it could be public knowledge or scrutinized or degraded

0:31:20.040 --> 0:31:25.240
<v Speaker 1>or anything felt debilitating and solacious.

0:31:25.360 --> 0:31:26.720
<v Speaker 2>It's very salacious.

0:31:27.360 --> 0:31:32.200
<v Speaker 1>Yeah, it felt silatious and it felt I think one

0:31:32.200 --> 0:31:36.280
<v Speaker 1>thing that's triggered me a lot is having people do

0:31:36.520 --> 0:31:40.320
<v Speaker 1>things for those reasons, and I'm not that person, Like

0:31:40.400 --> 0:31:44.360
<v Speaker 1>I'm like, treat people with love and kindness. Like we

0:31:44.480 --> 0:31:47.760
<v Speaker 1>all have stuff, we all have baggage, we're all not

0:31:48.800 --> 0:31:52.080
<v Speaker 1>you know, we all make mistakes, and do you know what.

0:31:52.160 --> 0:31:54.840
<v Speaker 1>I think that is one of the reasons why in

0:31:54.880 --> 0:31:56.800
<v Speaker 1>the end, I was like, I'm ready to tell my

0:31:56.880 --> 0:32:00.840
<v Speaker 1>story and I'm not embarrassed about the really things that

0:32:00.960 --> 0:32:03.480
<v Speaker 1>once upon a time I was so ashamed of or

0:32:04.200 --> 0:32:07.000
<v Speaker 1>it started to make sense to me after this period

0:32:07.000 --> 0:32:11.360
<v Speaker 1>in my life where I'm like, oh my god, this

0:32:11.400 --> 0:32:14.719
<v Speaker 1>is where I'm at and it's okay. You know, social

0:32:14.760 --> 0:32:17.720
<v Speaker 1>media is so like I'm perfect, everything's perfect, Like, actually,

0:32:18.000 --> 0:32:22.160
<v Speaker 1>no one's life is perfect, and I think it does

0:32:22.360 --> 0:32:27.719
<v Speaker 1>help people when you share that. It's scary, it's really scary,

0:32:28.240 --> 0:32:31.840
<v Speaker 1>but it's also I mean, look, who knows books about

0:32:31.880 --> 0:32:35.840
<v Speaker 1>to come out. Probably yeah, people like you know, but

0:32:36.400 --> 0:32:38.880
<v Speaker 1>it felt for the first time in my life. I'm

0:32:38.920 --> 0:32:43.640
<v Speaker 1>okay to say it because after doing so much therapy,

0:32:43.720 --> 0:32:46.960
<v Speaker 1>all of those things that happened have led me to

0:32:47.040 --> 0:32:53.200
<v Speaker 1>this space and I feel like I am personally so happy,

0:32:53.360 --> 0:32:56.200
<v Speaker 1>like full of joy. I'm completely tired and do weary,

0:32:56.240 --> 0:32:58.479
<v Speaker 1>its because it happens to stop working a million hours.

0:32:58.520 --> 0:33:02.080
<v Speaker 1>But my kids are a man amazing, My relationship is amazing.

0:33:02.200 --> 0:33:06.360
<v Speaker 1>My work stuff is just so great. You know. My

0:33:06.480 --> 0:33:10.200
<v Speaker 1>relationship with my ex is pretty darn good considering all

0:33:10.280 --> 0:33:14.200
<v Speaker 1>that's happened. And that's that's a privilege.

0:33:14.440 --> 0:33:18.560
<v Speaker 2>Well, like you said, you're touring together too, Yeah, yeah,

0:33:18.600 --> 0:33:23.800
<v Speaker 2>which is I can't even imagine how how that is.

0:33:24.480 --> 0:33:29.160
<v Speaker 1>Yeah, I mean, you know, touring with someone that you're

0:33:29.200 --> 0:33:31.960
<v Speaker 1>together with or not can be challenging at the best

0:33:32.000 --> 0:33:39.880
<v Speaker 1>of time. But we spend a lot of time working

0:33:39.920 --> 0:33:43.360
<v Speaker 1>out how to be in this next phase, you know,

0:33:43.720 --> 0:33:49.440
<v Speaker 1>and we had great mediator sessions with this incredible woman

0:33:49.840 --> 0:33:53.960
<v Speaker 1>who it wasn't really about money or assets or anything

0:33:54.000 --> 0:33:55.520
<v Speaker 1>like that at this point. It was like, how do

0:33:55.600 --> 0:33:59.440
<v Speaker 1>we be how do we do this next bit? And

0:33:59.480 --> 0:34:02.120
<v Speaker 1>for the cure to be okay that was the biggest

0:34:02.120 --> 0:34:05.880
<v Speaker 1>priority for us. And she got the white bought out.

0:34:06.640 --> 0:34:09.000
<v Speaker 1>She's like, where do you what are your kids like?

0:34:09.200 --> 0:34:11.480
<v Speaker 1>And what do you want for them? Do you want

0:34:11.480 --> 0:34:13.200
<v Speaker 1>them to go to UNI or do you want them?

0:34:13.239 --> 0:34:14.600
<v Speaker 1>And we both will look at each other and we

0:34:14.640 --> 0:34:18.279
<v Speaker 1>want we just want them to be happy. And they said, well,

0:34:18.400 --> 0:34:20.680
<v Speaker 1>she said, well what does that look like? And we said, well,

0:34:20.719 --> 0:34:25.239
<v Speaker 1>I guess you know, if we're happy, they're happy. And

0:34:25.280 --> 0:34:28.719
<v Speaker 1>that is the truth with kids, you know, we if

0:34:28.800 --> 0:34:32.239
<v Speaker 1>we can be okay with each other, then they're going

0:34:32.320 --> 0:34:35.479
<v Speaker 1>to be great. The definitely the family unit. I think

0:34:35.520 --> 0:34:38.400
<v Speaker 1>that was the hardest thing for all of us, and

0:34:38.440 --> 0:34:41.719
<v Speaker 1>the thing that I just kept fighting against being in

0:34:41.760 --> 0:34:48.640
<v Speaker 1>this space of true self love to sacrifice that for

0:34:48.719 --> 0:34:51.080
<v Speaker 1>everyone else. Like that was the fight of like, I

0:34:51.120 --> 0:34:53.719
<v Speaker 1>can't do this, but everything in my body and mind

0:34:53.840 --> 0:34:57.040
<v Speaker 1>was saying, you have no choice. This is this. You

0:34:57.080 --> 0:35:01.719
<v Speaker 1>can't not be yourself and teach your children like your

0:35:01.760 --> 0:35:04.839
<v Speaker 1>children need to know that you have to take care

0:35:04.840 --> 0:35:09.160
<v Speaker 1>of yourself in every way I think, and yes, we

0:35:09.239 --> 0:35:13.640
<v Speaker 1>all make sacrifices, but for your kids to see you

0:35:13.719 --> 0:35:16.760
<v Speaker 1>truly happy is pretty important. I think.

0:35:18.040 --> 0:35:21.279
<v Speaker 2>We'll take a quick break now, but do not go anywhere,

0:35:21.440 --> 0:35:28.200
<v Speaker 2>because there's much more from Natalie Bassingthwaite coming up. When

0:35:28.239 --> 0:35:33.840
<v Speaker 2>you were having those conversations with the kids, which I

0:35:34.000 --> 0:35:37.800
<v Speaker 2>gather you and Cam had tried to insulate yourself a

0:35:37.840 --> 0:35:40.240
<v Speaker 2>little bit to you to get a sense of even

0:35:40.360 --> 0:35:43.160
<v Speaker 2>for each other, what was going on. Yeah, but when

0:35:43.200 --> 0:35:48.080
<v Speaker 2>you had to bring the children in to the conversation, Yeah,

0:35:48.120 --> 0:35:50.680
<v Speaker 2>how was that and how did you approach that?

0:35:51.120 --> 0:35:54.080
<v Speaker 1>It was really hard? But Harper had heard a lot

0:35:54.120 --> 0:35:58.120
<v Speaker 1>of stuff, because you know, when you're going through some

0:35:58.120 --> 0:36:00.440
<v Speaker 1>pretty heavy stuff, you overhear things.

0:36:00.560 --> 0:36:01.640
<v Speaker 2>How old was she then?

0:36:03.239 --> 0:36:05.200
<v Speaker 1>What was it four years ago? Did'tven what you are?

0:36:07.000 --> 0:36:11.720
<v Speaker 1>What's regular? Yeah? Twenty twenty two, so she was twelve

0:36:14.480 --> 0:36:19.920
<v Speaker 1>and she was just insanely incredible. You know. She asked me,

0:36:20.160 --> 0:36:24.080
<v Speaker 1>are you a lesbian? And I was like, whoa that

0:36:24.160 --> 0:36:27.160
<v Speaker 1>question again? Yeah, and again I didn't even know how

0:36:27.200 --> 0:36:29.680
<v Speaker 1>to answer. I was like, I don't even know, Like

0:36:29.760 --> 0:36:33.160
<v Speaker 1>I don't know, you know, at that stage, I just

0:36:33.360 --> 0:36:39.200
<v Speaker 1>had the moment on stage, that feeling after of that electricity,

0:36:40.280 --> 0:36:43.760
<v Speaker 1>and then the what is going on with my life?

0:36:44.080 --> 0:36:50.520
<v Speaker 1>Like what are these feelings? And also the separation from

0:36:50.600 --> 0:36:52.880
<v Speaker 1>him as well, like it was just the full like

0:36:53.440 --> 0:36:55.239
<v Speaker 1>all of that was going on. So when she said that,

0:36:55.280 --> 0:36:57.799
<v Speaker 1>I was like, I have no clue what's going on.

0:36:57.880 --> 0:37:00.799
<v Speaker 1>So I had to just be honest and say I

0:37:00.840 --> 0:37:04.200
<v Speaker 1>don't know, and then I think. And it was another

0:37:04.280 --> 0:37:06.640
<v Speaker 1>time when she was talking about something else with it,

0:37:06.760 --> 0:37:08.799
<v Speaker 1>and I just said, I just don't want you to

0:37:08.840 --> 0:37:12.680
<v Speaker 1>be embarrassed or ashamed of me, and she just looked

0:37:12.719 --> 0:37:14.279
<v Speaker 1>at me and helped me, and she said, I'd never

0:37:14.320 --> 0:37:20.000
<v Speaker 1>be embarrassed or ashamed of you as fike. M yeah,

0:37:21.239 --> 0:37:23.280
<v Speaker 1>m hmm, pretty amazing.

0:37:23.560 --> 0:37:24.960
<v Speaker 2>Mmm, that's beautiful.

0:37:26.000 --> 0:37:29.240
<v Speaker 1>Yeah, And that's that's the fear, you know, in life

0:37:29.280 --> 0:37:32.160
<v Speaker 1>as well, like in the media of like mm hmm,

0:37:35.200 --> 0:37:40.879
<v Speaker 1>I thought I'd lose all my jobs, my endorsements, my hmm.

0:37:41.640 --> 0:37:47.080
<v Speaker 2>Yeah, but it is the nature of the work that

0:37:47.120 --> 0:37:51.560
<v Speaker 2>you do is that it's at once professional but also

0:37:51.680 --> 0:37:59.600
<v Speaker 2>deeply personal. Yeah, so to to reveal the most personal.

0:37:59.239 --> 0:38:02.520
<v Speaker 1>Aspects of your it's really scary.

0:38:02.760 --> 0:38:07.520
<v Speaker 2>Yeah, it's scary. It's very a word that's overused, but

0:38:07.600 --> 0:38:11.759
<v Speaker 2>it is brave, it's courageous because.

0:38:11.480 --> 0:38:12.799
<v Speaker 1>We know we didn't feel like that.

0:38:13.719 --> 0:38:18.080
<v Speaker 2>No, Well, you had this compulsion that you couldn't you know,

0:38:18.200 --> 0:38:21.040
<v Speaker 2>you the wind was at your back, You couldn't turn

0:38:21.080 --> 0:38:24.320
<v Speaker 2>around and walk back into that wind. You were really

0:38:24.360 --> 0:38:26.560
<v Speaker 2>being blown into uncharted waters.

0:38:27.400 --> 0:38:30.040
<v Speaker 1>Yeah, that's totally what it felt like. I'm like, what

0:38:31.000 --> 0:38:33.480
<v Speaker 1>it was? The full unraveling of everything that I've known

0:38:33.600 --> 0:38:34.680
<v Speaker 1>so far in my life?

0:38:34.920 --> 0:38:38.359
<v Speaker 2>And then how was pit while this process was going on?

0:38:38.840 --> 0:38:43.520
<v Speaker 2>They sound like they're a very patient person, whereas you

0:38:43.600 --> 0:38:51.160
<v Speaker 2>don't strike me as particularly patient, do you know what

0:38:51.440 --> 0:38:51.960
<v Speaker 2>they just?

0:38:52.160 --> 0:38:54.279
<v Speaker 1>I mean, I don't think either of us knew what

0:38:54.600 --> 0:38:59.120
<v Speaker 1>it was. So it wasn't like we weren't in relationship.

0:38:59.440 --> 0:39:04.120
<v Speaker 1>We were just like what was that? What was that electricity?

0:39:04.320 --> 0:39:08.840
<v Speaker 1>It was so them, you know, doing JAG A little

0:39:08.880 --> 0:39:14.400
<v Speaker 1>pill two was an opening for themselves to understand themselves

0:39:14.480 --> 0:39:17.560
<v Speaker 1>as well. Like before that they identified as she her,

0:39:17.719 --> 0:39:20.759
<v Speaker 1>and then that show they were like, Oh, I think

0:39:20.800 --> 0:39:23.040
<v Speaker 1>this is me. I think I'm non binary. How do

0:39:23.080 --> 0:39:25.680
<v Speaker 1>you feel about that? And I was like, you have

0:39:25.800 --> 0:39:29.520
<v Speaker 1>to be you whatever that is, no matter what you know.

0:39:29.600 --> 0:39:32.040
<v Speaker 1>And that was not us in relationship. That was us

0:39:33.040 --> 0:39:36.400
<v Speaker 1>friendship and just trying to both I think both things

0:39:36.400 --> 0:39:41.440
<v Speaker 1>were happening for us individually also collectively at the same time.

0:39:41.960 --> 0:39:44.000
<v Speaker 1>You know, I was like, who am I and what

0:39:44.080 --> 0:39:45.600
<v Speaker 1>is all this about? And they're like, who am I?

0:39:45.680 --> 0:39:47.920
<v Speaker 1>And what is all this about? That they you know,

0:39:48.200 --> 0:39:52.759
<v Speaker 1>we didn't speak for weeks because yeah, he said, you know,

0:39:52.800 --> 0:39:55.920
<v Speaker 1>do I feelings to someone? And I said yeah, and

0:39:55.960 --> 0:39:59.520
<v Speaker 1>he said is it a woman? And I said yes,

0:39:59.640 --> 0:40:02.719
<v Speaker 1>and he I think we were. I think it's the

0:40:02.760 --> 0:40:05.520
<v Speaker 1>first time I said it, and it was freaky to

0:40:05.600 --> 0:40:08.080
<v Speaker 1>say it, and then once it's out of your mouth,

0:40:08.200 --> 0:40:11.319
<v Speaker 1>you can't take it back. But I still didn't understand

0:40:11.840 --> 0:40:15.520
<v Speaker 1>what it meant at that time, but I went yeah,

0:40:15.560 --> 0:40:21.920
<v Speaker 1>and of course, you know, he was horrified and angry

0:40:22.000 --> 0:40:25.520
<v Speaker 1>and scared. I'm sure, and yeah, then it was the

0:40:25.800 --> 0:40:29.080
<v Speaker 1>trying to nut out what to do about it.

0:40:29.800 --> 0:40:33.680
<v Speaker 2>You also say something that will resonate with so many

0:40:33.719 --> 0:40:39.640
<v Speaker 2>people who have seen the end, the collapse of what

0:40:39.920 --> 0:40:44.960
<v Speaker 2>was their unit, their family unit. You said, I'd never

0:40:45.040 --> 0:40:50.640
<v Speaker 2>realized how much identity hides in routine until it was gone.

0:40:51.920 --> 0:40:52.480
<v Speaker 1>Yeah.

0:40:52.640 --> 0:40:56.480
<v Speaker 2>That gives me goosebumps actually, because there's so much about

0:40:56.520 --> 0:41:01.400
<v Speaker 2>the you know, chop would carry water, normal thing.

0:41:01.680 --> 0:41:04.120
<v Speaker 1>The day to day, Yes, the day to day. It's

0:41:04.160 --> 0:41:06.800
<v Speaker 1>getting up. Who does the right first? Who does the theirs?

0:41:06.880 --> 0:41:10.799
<v Speaker 1>Were used to drive, that's it. You used to drive

0:41:10.920 --> 0:41:13.480
<v Speaker 1>to you know, school, pie c up and drop off.

0:41:13.560 --> 0:41:18.680
<v Speaker 1>And yeah, that stuff is hard to not have anymore,

0:41:19.239 --> 0:41:26.880
<v Speaker 1>that family unit, Christmases, birthdays, you know, mm hmm. It's sacrifice,

0:41:28.440 --> 0:41:32.399
<v Speaker 1>h it's yeah. I mean, I think the scary thing

0:41:32.480 --> 0:41:37.840
<v Speaker 1>is to not feel selfish by being who you know

0:41:38.000 --> 0:41:40.520
<v Speaker 1>is the right thing, the right youth.

0:41:41.120 --> 0:41:49.120
<v Speaker 2>That's a very interesting situation because and a conundrum because

0:41:49.480 --> 0:41:54.240
<v Speaker 2>it is selfish. Yeah, it's purely selfish in the sense

0:41:54.239 --> 0:41:59.759
<v Speaker 2>that it's about yourself. Yeah, and yet you have to

0:41:59.800 --> 0:42:04.440
<v Speaker 2>mess to gate that against love and duty and honor

0:42:04.719 --> 0:42:10.520
<v Speaker 2>and commitment and promises made, yes, but mostly to yourself.

0:42:11.080 --> 0:42:16.760
<v Speaker 1>Yeah. I think that's the hardest thing, is to blame yourself.

0:42:17.440 --> 0:42:18.440
<v Speaker 2>And did you do that?

0:42:19.360 --> 0:42:22.799
<v Speaker 1>Oh? Yeah, a lot. But I still didn't really understand

0:42:23.600 --> 0:42:27.600
<v Speaker 1>why how when, like I said, I didn't go out searching.

0:42:29.400 --> 0:42:31.920
<v Speaker 1>It wasn't like everything was so shit that I was like,

0:42:31.920 --> 0:42:35.000
<v Speaker 1>all right about none of that happened. It wasn't that story,

0:42:36.760 --> 0:42:38.440
<v Speaker 1>So it didn't really make sense.

0:42:39.200 --> 0:42:45.520
<v Speaker 2>So now with the clarity and wisdom of hindsight, in

0:42:45.560 --> 0:42:50.520
<v Speaker 2>that moment where you were bridling against Cam using the

0:42:50.560 --> 0:42:56.040
<v Speaker 2>word wife, that was almost it sounds like almost an instinct.

0:42:57.080 --> 0:43:01.440
<v Speaker 2>Did you know did you know in those moments that

0:43:01.480 --> 0:43:04.680
<v Speaker 2>there was a finality to it or did you still

0:43:04.719 --> 0:43:09.719
<v Speaker 2>think that you would be able to therapy or navigate

0:43:09.719 --> 0:43:11.920
<v Speaker 2>your way out of it and back into what had

0:43:11.960 --> 0:43:12.600
<v Speaker 2>been normal.

0:43:13.560 --> 0:43:15.600
<v Speaker 1>I didn't know there was a finality to it at all.

0:43:15.640 --> 0:43:17.640
<v Speaker 1>I didn't have a clue what was going on at

0:43:17.680 --> 0:43:22.480
<v Speaker 1>that time. I just knew that I couldn't let him

0:43:22.840 --> 0:43:28.040
<v Speaker 1>physically be near me. And the hindsight stuff came with

0:43:28.120 --> 0:43:36.359
<v Speaker 1>lots of therapy, lots of unraveling of masculine I feel

0:43:36.360 --> 0:43:38.239
<v Speaker 1>like there's been a lot of stuff that's happened to

0:43:38.280 --> 0:43:41.959
<v Speaker 1>me over my life with different men that have felt

0:43:42.040 --> 0:43:47.359
<v Speaker 1>really controlling and manipulatives, and I've never felt that with Can.

0:43:47.560 --> 0:43:49.759
<v Speaker 1>That was the weirdest thing, but it's almost like he

0:43:49.840 --> 0:43:52.520
<v Speaker 1>had to bear the brunt of everyone else in that moment,

0:43:54.760 --> 0:43:58.279
<v Speaker 1>and like he would say to me, it feels like

0:43:59.000 --> 0:44:02.000
<v Speaker 1>you're treating me like I've over abused you. That's what

0:44:02.080 --> 0:44:04.880
<v Speaker 1>he would say to me, and I'm like, I know

0:44:04.960 --> 0:44:08.600
<v Speaker 1>you haven't, but when everything in my body feels the same,

0:44:09.920 --> 0:44:10.719
<v Speaker 1>it's very.

0:44:11.960 --> 0:44:18.240
<v Speaker 2>Odd in that moment when someone that you love is

0:44:18.440 --> 0:44:19.920
<v Speaker 2>hurting so much.

0:44:21.000 --> 0:44:24.080
<v Speaker 1>Yes, but you don't.

0:44:23.880 --> 0:44:29.120
<v Speaker 2>Have the vocabulary or the understanding to even know what's

0:44:29.160 --> 0:44:33.719
<v Speaker 2>going on with yourself. Yeah, could you comfort him?

0:44:34.000 --> 0:44:38.960
<v Speaker 1>Or oh yeah, I think I think we both through

0:44:39.920 --> 0:44:42.759
<v Speaker 1>it all. We're trying so hard to comfort each other,

0:44:44.440 --> 0:44:49.080
<v Speaker 1>but it would be oscillate between that and anger clearly

0:44:49.800 --> 0:44:52.640
<v Speaker 1>fair enough. Yeah, I asked me if you'd be in

0:44:52.680 --> 0:44:56.200
<v Speaker 1>a polyamorous relationship and I was like, even, na, Like

0:44:57.160 --> 0:44:58.680
<v Speaker 1>I don't even know if I could do that, but

0:44:58.760 --> 0:45:03.840
<v Speaker 1>it just made no sense of how to make it

0:45:03.920 --> 0:45:08.320
<v Speaker 1>just didn't make sense sense. He's like, oh my god,

0:45:08.360 --> 0:45:10.879
<v Speaker 1>I see so much with you, with the world I'm

0:45:10.880 --> 0:45:12.680
<v Speaker 1>not going to share. And I was like, yeah, fair enough,

0:45:12.760 --> 0:45:15.279
<v Speaker 1>Like saying probably wouldn't work for me either, but it

0:45:15.440 --> 0:45:18.239
<v Speaker 1>just just trying to make sense of it. We were

0:45:19.680 --> 0:45:22.640
<v Speaker 1>we tried to do all the things the therapist eventually said,

0:45:22.640 --> 0:45:25.359
<v Speaker 1>because I didn't speak to Pit for a while, and

0:45:25.400 --> 0:45:29.080
<v Speaker 1>then the therapist said, maybe you need maybe Natalie needs

0:45:29.120 --> 0:45:32.400
<v Speaker 1>to see it. And Cam's like, oh bloody, you know,

0:45:32.719 --> 0:45:38.120
<v Speaker 1>like really and yeah. I ultimately after liked I think

0:45:38.120 --> 0:45:40.279
<v Speaker 1>a week or whatever, I just it just didn't sit

0:45:40.360 --> 0:45:42.840
<v Speaker 1>well with me. I'm like, I don't no, That's not

0:45:42.920 --> 0:45:45.360
<v Speaker 1>what I'm trying to do here. That's I'm just going,

0:45:45.400 --> 0:45:54.120
<v Speaker 1>how can I have such a physical spiritual electrical reaction

0:45:55.360 --> 0:45:58.040
<v Speaker 1>and go, oh, well, I don't know what that was,

0:45:58.440 --> 0:46:01.719
<v Speaker 1>like what is that? And or so side by side,

0:46:01.880 --> 0:46:06.200
<v Speaker 1>not wanting any physical or anything with that, Like, I

0:46:06.320 --> 0:46:08.440
<v Speaker 1>just none of it made sense to me. I didn't

0:46:08.440 --> 0:46:10.319
<v Speaker 1>need to see them again to know that I'd had

0:46:10.360 --> 0:46:15.200
<v Speaker 1>that feeling. We did have stuff that wasn't perfect, like

0:46:15.280 --> 0:46:20.360
<v Speaker 1>any relations HyET, but I think I was so guarded

0:46:20.560 --> 0:46:22.480
<v Speaker 1>that I kind of didn't see a lot of stuff.

0:46:22.520 --> 0:46:28.279
<v Speaker 1>I didn't really I wasn't really fully allowing all of

0:46:28.320 --> 0:46:30.760
<v Speaker 1>it in because I was so shut down, I think.

0:46:30.920 --> 0:46:34.759
<v Speaker 2>And exactly that point that you make about you know, identity,

0:46:37.000 --> 0:46:38.520
<v Speaker 2>hiding in routine.

0:46:39.040 --> 0:46:43.120
<v Speaker 1>In routine and just and keeping quiet, I think I

0:46:43.239 --> 0:46:45.840
<v Speaker 1>learned for a long time to keep quiet or be small,

0:46:46.680 --> 0:46:51.000
<v Speaker 1>because that would be better off for everyone.

0:46:51.360 --> 0:46:55.120
<v Speaker 2>And you are small but mighty correct.

0:46:56.800 --> 0:47:00.880
<v Speaker 1>Yeah yeah, mm.

0:47:00.800 --> 0:47:09.120
<v Speaker 2>Hmmm, Oh Jesus, it's amazing, it's really amazing.

0:47:10.840 --> 0:47:11.200
<v Speaker 1>Thank you.

0:47:11.680 --> 0:47:13.319
<v Speaker 2>I don't want to be one of the people that's

0:47:13.440 --> 0:47:21.440
<v Speaker 2>underestimated you. But I think I've underestimated you. Oh not not,

0:47:21.880 --> 0:47:27.960
<v Speaker 2>you know, just because there's so much to you. Yeah,

0:47:28.000 --> 0:47:31.440
<v Speaker 2>And of course we couldn't know that. We couldn't know.

0:47:32.200 --> 0:47:35.000
<v Speaker 1>You couldn't know because I kept the facade so great.

0:47:35.320 --> 0:47:37.880
<v Speaker 1>It was like, but I think we all do that.

0:47:37.960 --> 0:47:40.200
<v Speaker 1>I don't think I'm special in that regard.

0:47:40.320 --> 0:47:43.080
<v Speaker 2>No, but you forget you're a good actor. You're a

0:47:43.160 --> 0:47:43.920
<v Speaker 2>very good actor.

0:47:44.360 --> 0:47:46.480
<v Speaker 1>Yeah, but you know what, I'm a terrible liar. This

0:47:46.600 --> 0:47:49.400
<v Speaker 1>is the funny. Yeah, me too, Like I am the

0:47:49.440 --> 0:47:54.839
<v Speaker 1>worst liar, Like like my kids go, you can't lie.

0:47:54.880 --> 0:47:59.040
<v Speaker 1>I'm like own, like I feel like I can once

0:47:59.080 --> 0:48:01.480
<v Speaker 1>I'm in a character here I can deep dive, but

0:48:01.600 --> 0:48:05.560
<v Speaker 1>in real life, like yes, here it is you know

0:48:05.680 --> 0:48:08.640
<v Speaker 1>especially now, like I can't. You can't hide once once

0:48:08.719 --> 0:48:12.440
<v Speaker 1>that's the walls are broken down. It's it's real or

0:48:12.600 --> 0:48:13.240
<v Speaker 1>real or nothing.

0:48:15.040 --> 0:48:18.560
<v Speaker 2>You know, you know how you said that you're worried

0:48:18.560 --> 0:48:22.920
<v Speaker 2>about your work and your endorsements or whatever. That didn't happen.

0:48:23.719 --> 0:48:28.920
<v Speaker 2>In fact, no, in fact, you've never been more in demand,

0:48:29.000 --> 0:48:29.640
<v Speaker 2>it would say.

0:48:30.520 --> 0:48:33.920
<v Speaker 1>I feel. You know, what I feel is that I

0:48:34.040 --> 0:48:38.719
<v Speaker 1>feel because I'm so connected to myself, I'm not afraid

0:48:38.880 --> 0:48:42.200
<v Speaker 1>to be so open or raw or real or I

0:48:42.239 --> 0:48:44.640
<v Speaker 1>don't think I had a choice on stage that night.

0:48:44.680 --> 0:48:49.040
<v Speaker 1>It just was. It just happened. It was the culmination

0:48:49.239 --> 0:48:52.880
<v Speaker 1>of the show, but also my life lived to that point.

0:48:53.800 --> 0:48:57.239
<v Speaker 1>I don't think that I had a choice, but ultimately

0:48:57.239 --> 0:49:00.400
<v Speaker 1>I did have to choose, didn't I.

0:48:59.560 --> 0:49:03.279
<v Speaker 2>And your work has continued to flourish.

0:49:03.960 --> 0:49:07.160
<v Speaker 1>Yeah, but I think because I'm like, I've just been

0:49:07.239 --> 0:49:09.480
<v Speaker 1>doing this film and I like it's my first like

0:49:09.560 --> 0:49:12.919
<v Speaker 1>big lead role in a film, and I feel I'm

0:49:13.040 --> 0:49:16.480
<v Speaker 1>really proud of myself. Like years ago, I film it's

0:49:16.480 --> 0:49:21.680
<v Speaker 1>called Love, Wine and Valentine, and I just did the

0:49:21.719 --> 0:49:25.200
<v Speaker 1>play Shirly Valentine at one mom play and I'm like, oh,

0:49:25.280 --> 0:49:27.400
<v Speaker 1>you know, all this like synergy and like I'm like,

0:49:27.560 --> 0:49:31.480
<v Speaker 1>how strange that, you know? And initially the director wanted

0:49:31.520 --> 0:49:34.160
<v Speaker 1>me to play the role of Valentine, and I'm like hilarious,

0:49:34.200 --> 0:49:37.279
<v Speaker 1>that's funny. And then she came to see me in

0:49:37.320 --> 0:49:39.399
<v Speaker 1>the play and went, oh my god, I think you're

0:49:39.640 --> 0:49:41.640
<v Speaker 1>the lead role. I think you're Sophie. And I'm like,

0:49:41.800 --> 0:49:45.640
<v Speaker 1>what I think it's because I'm so connected to myself

0:49:45.719 --> 0:49:49.120
<v Speaker 1>that I'm just so open now and I and I

0:49:49.200 --> 0:49:53.400
<v Speaker 1>don't I don't hate myself, you know, I look at

0:49:53.440 --> 0:49:58.080
<v Speaker 1>myself now and go, go you. You are talented, and

0:49:58.719 --> 0:50:01.759
<v Speaker 1>there's been times where I've not felt.

0:50:01.480 --> 0:50:07.280
<v Speaker 2>That, which I find amazing. I find that extraordinary having.

0:50:07.560 --> 0:50:11.319
<v Speaker 2>But I do think there's a tendency sometimes to take

0:50:11.360 --> 0:50:15.400
<v Speaker 2>people for granted, and particularly you know, you came to

0:50:16.400 --> 0:50:20.759
<v Speaker 2>public attention in neighbors. I think there's a real tendency

0:50:20.840 --> 0:50:23.799
<v Speaker 2>in this country, not overseas so much, I don't think,

0:50:23.840 --> 0:50:26.239
<v Speaker 2>but to go, oh, well, they're just from neighbors. On

0:50:26.360 --> 0:50:29.040
<v Speaker 2>now she wants to be a singer. Ah, Now she's

0:50:29.080 --> 0:50:35.640
<v Speaker 2>been cast in his without recognizing what your origin story

0:50:35.680 --> 0:50:37.840
<v Speaker 2>as an artist was. That from when you were a

0:50:37.840 --> 0:50:41.719
<v Speaker 2>little girl in Woollongong, you've been singing and dancing and

0:50:42.000 --> 0:50:46.640
<v Speaker 2>you're a proper triple threat. So now you've been cast

0:50:47.120 --> 0:50:48.759
<v Speaker 2>this year is a great year for you.

0:50:49.080 --> 0:50:53.319
<v Speaker 1>It's so strange, like lead role in a movie, lead

0:50:53.400 --> 0:50:56.040
<v Speaker 1>role in a musical. I'm about to do Waitress a musical,

0:50:56.080 --> 0:51:00.520
<v Speaker 1>which is just so exciting. I love the show so much. Yes,

0:51:00.760 --> 0:51:02.360
<v Speaker 1>and got to see it in New York when I

0:51:02.400 --> 0:51:05.480
<v Speaker 1>was doing Jagged, So there's all this like as well.

0:51:06.000 --> 0:51:08.239
<v Speaker 2>When you were watching it, did you ever think I

0:51:08.320 --> 0:51:09.400
<v Speaker 2>will play that role?

0:51:10.360 --> 0:51:12.520
<v Speaker 1>When I watched it, I was in the audience with

0:51:12.680 --> 0:51:17.239
<v Speaker 1>Leah again, Leah the associate director, and Ruby Rose, and

0:51:17.280 --> 0:51:20.200
<v Speaker 1>the three of us were all very well. Ruby and

0:51:20.200 --> 0:51:23.040
<v Speaker 1>I were clients of Mark, my manager who passed away,

0:51:23.280 --> 0:51:26.200
<v Speaker 1>and Leah was a very good friend. Slash worked with

0:51:26.239 --> 0:51:29.200
<v Speaker 1>Mark a lot. We all watched it and we left

0:51:29.280 --> 0:51:31.760
<v Speaker 1>the theater. I think my jaws on the ground going.

0:51:33.160 --> 0:51:34.640
<v Speaker 1>I said, I think that's one of the best shows

0:51:34.680 --> 0:51:37.520
<v Speaker 1>I've ever seen. That's a big statement because I've seen

0:51:37.560 --> 0:51:40.839
<v Speaker 1>a lot of great shows. But it was just it

0:51:40.880 --> 0:51:47.440
<v Speaker 1>was a human story. It was so real. The music's incredible,

0:51:47.520 --> 0:51:51.239
<v Speaker 1>like Sarah Brarellis's music is just like oh, and it

0:51:51.400 --> 0:51:53.200
<v Speaker 1>just spoke to me and I was just like, gosh,

0:51:53.200 --> 0:51:55.279
<v Speaker 1>if that show ever comes to Australia, I need to

0:51:55.280 --> 0:51:59.359
<v Speaker 1>play Jenner. And yeah, I auditioned for it and three

0:51:59.400 --> 0:52:00.480
<v Speaker 1>months later got the role.

0:52:00.600 --> 0:52:03.760
<v Speaker 2>So it was a lot right and now, of course,

0:52:04.200 --> 0:52:09.480
<v Speaker 2>because Jenna in the in the story is late twenties,

0:52:10.040 --> 0:52:13.120
<v Speaker 2>I know, right, okay.

0:52:13.160 --> 0:52:18.160
<v Speaker 1>Hight, okay, I'm late twenties right. Well, I know there

0:52:18.200 --> 0:52:20.279
<v Speaker 1>was a bit of backlash about that apparently, Yes, I

0:52:20.320 --> 0:52:20.960
<v Speaker 1>was too old.

0:52:21.160 --> 0:52:26.560
<v Speaker 2>Yes, when you got cast. Yeah, And I'm not suggesting

0:52:26.600 --> 0:52:29.280
<v Speaker 2>that the onus is on the person that gets cast.

0:52:29.320 --> 0:52:32.920
<v Speaker 2>To go, hang on a minute, you know, shouldn't you

0:52:32.960 --> 0:52:35.799
<v Speaker 2>be looking at twenty year olds for this? But did

0:52:35.800 --> 0:52:38.160
<v Speaker 2>it occur to you at any point as you're going

0:52:38.200 --> 0:52:41.880
<v Speaker 2>through the audition process and these are rigorous processes.

0:52:41.600 --> 0:52:42.359
<v Speaker 1>Yeah, very much.

0:52:42.400 --> 0:52:46.080
<v Speaker 2>So did you at any point think did you litigate

0:52:46.120 --> 0:52:48.319
<v Speaker 2>against yourself? In other words, did you think I'm not

0:52:48.360 --> 0:52:51.640
<v Speaker 2>I can't get this role because of age.

0:52:51.760 --> 0:52:56.360
<v Speaker 1>When I first was thinking about going for it. Definitely

0:52:56.400 --> 0:52:59.640
<v Speaker 1>that enters your mind, Like I was like, if they

0:52:59.680 --> 0:53:04.839
<v Speaker 1>even would consider me, you know, But it's just so fascinating.

0:53:04.880 --> 0:53:08.880
<v Speaker 1>I feel like the ageism thing happens with other women.

0:53:09.640 --> 0:53:12.160
<v Speaker 1>I think that's what was the strangest thing with this show.

0:53:12.280 --> 0:53:14.680
<v Speaker 1>When I finally got it, She's too old, like da

0:53:14.760 --> 0:53:18.759
<v Speaker 1>da da, And I'm like, actually, escap can you need

0:53:18.800 --> 0:53:23.640
<v Speaker 1>to have experience to put these roles life experience, and

0:53:24.880 --> 0:53:28.840
<v Speaker 1>I have that. I know these stories. I feel like

0:53:28.960 --> 0:53:33.399
<v Speaker 1>I can dive into that, and I think it says

0:53:33.440 --> 0:53:36.560
<v Speaker 1>a lot about I mean, when people are negative about

0:53:36.600 --> 0:53:40.439
<v Speaker 1>these things, I think, you know, it did hurt as well,

0:53:40.640 --> 0:53:44.600
<v Speaker 1>like oh wow, okay, yeah, okay, I am old and

0:53:44.640 --> 0:53:49.719
<v Speaker 1>I'm also young. You know, somehow it says a lot

0:53:49.719 --> 0:53:52.600
<v Speaker 1>about other people. I think in the end, I have

0:53:52.760 --> 0:53:55.400
<v Speaker 1>to look at it like that. I think that we

0:53:55.480 --> 0:53:59.440
<v Speaker 1>should all be able to immerse ourselves into whatever you're

0:53:59.440 --> 0:54:00.840
<v Speaker 1>not going to get. Put it this way, They're not

0:54:00.880 --> 0:54:03.359
<v Speaker 1>going to give me the role for the sake of it.

0:54:03.440 --> 0:54:06.799
<v Speaker 1>Like the process that has to happen to get a

0:54:06.880 --> 0:54:10.719
<v Speaker 1>role like this is all the Australian producers and the

0:54:10.760 --> 0:54:13.719
<v Speaker 1>American producers. Sarah Burellis is an independent you know, her

0:54:13.760 --> 0:54:16.600
<v Speaker 1>own artist in her own right, and she's also done it,

0:54:16.640 --> 0:54:19.080
<v Speaker 1>so everyone has to say. Yeah. So when people are,

0:54:19.920 --> 0:54:22.399
<v Speaker 1>you know, bagging you or the choice, you're not only

0:54:22.440 --> 0:54:24.680
<v Speaker 1>bagging me, but you're bagging the creators who have made

0:54:24.719 --> 0:54:28.560
<v Speaker 1>the choice. And it's like, you know, they would never

0:54:29.760 --> 0:54:32.080
<v Speaker 1>just chuck someone in it. They need it to work

0:54:32.120 --> 0:54:33.799
<v Speaker 1>for themselves as well, so.

0:54:34.320 --> 0:54:38.080
<v Speaker 2>And on your behalf, I did bridle at the term

0:54:38.360 --> 0:54:43.879
<v Speaker 2>stunt casting, which implie, yeah, that's crazy because neither you

0:54:43.920 --> 0:54:46.640
<v Speaker 2>nor Rob Wills are stunt casting. What you are is.

0:54:48.200 --> 0:54:49.120
<v Speaker 1>Better in a long time.

0:54:49.400 --> 0:54:50.320
<v Speaker 2>Yeah, it's correct.

0:54:50.680 --> 0:54:51.040
<v Speaker 1>They didn't.

0:54:51.160 --> 0:54:54.719
<v Speaker 2>You just didn't just pop up on you know, instat.

0:54:54.680 --> 0:54:59.000
<v Speaker 1>And it's a big show, like like you have to vocally,

0:54:59.080 --> 0:55:02.719
<v Speaker 1>it's a really big but the acting in this show

0:55:02.800 --> 0:55:06.840
<v Speaker 1>is really important because it is a musical theater show,

0:55:07.040 --> 0:55:09.719
<v Speaker 1>so that makes you feel like everything's a bit over

0:55:09.719 --> 0:55:12.239
<v Speaker 1>the top, but this show is like really earnest and

0:55:12.320 --> 0:55:16.480
<v Speaker 1>really you can't not be real in this. So they

0:55:16.520 --> 0:55:19.680
<v Speaker 1>needed someone who I guess wasn't too musical theater, but

0:55:19.760 --> 0:55:22.319
<v Speaker 1>maybe he's done some musical theater. It's a bit far's like,

0:55:22.520 --> 0:55:25.080
<v Speaker 1>it was very specific, I think what they wanted, and

0:55:25.160 --> 0:55:27.320
<v Speaker 1>I didn't know whether I would be that right person,

0:55:28.239 --> 0:55:32.880
<v Speaker 1>But after about three months of you know, proving that

0:55:32.960 --> 0:55:34.600
<v Speaker 1>I was, it ended up happening.

0:55:34.680 --> 0:55:37.759
<v Speaker 2>So I don't know if you have an answer to this,

0:55:37.840 --> 0:55:41.560
<v Speaker 2>but I think for a lot of people it's the times,

0:55:41.600 --> 0:55:45.680
<v Speaker 2>as we know, are confusing, right, So we live in

0:55:45.719 --> 0:55:49.759
<v Speaker 2>an era in which non binary roles can only be

0:55:49.760 --> 0:55:52.960
<v Speaker 2>played by non binary people or people of color, you know,

0:55:53.000 --> 0:55:59.000
<v Speaker 2>not about us without us. So then in theater, if

0:55:59.040 --> 0:56:03.560
<v Speaker 2>there's a twenty nine year old role or however old,

0:56:03.560 --> 0:56:07.600
<v Speaker 2>the role is being played by a woman who's a

0:56:07.640 --> 0:56:09.160
<v Speaker 2>couple of decades older than that.

0:56:10.320 --> 0:56:12.439
<v Speaker 1>Yeah, that sounds very do you know what I mean?

0:56:12.600 --> 0:56:15.359
<v Speaker 2>Like how people are like, how does that work? Then?

0:56:16.280 --> 0:56:17.000
<v Speaker 1>Does it?

0:56:17.160 --> 0:56:19.600
<v Speaker 2>Does it not apply to age or does it only

0:56:19.640 --> 0:56:21.880
<v Speaker 2>apply to color and gender or whatever?

0:56:22.480 --> 0:56:24.759
<v Speaker 1>It is? Confusing? I agree with you, like, I don't

0:56:24.840 --> 0:56:27.200
<v Speaker 1>know what the right or wrongs thing is in that space.

0:56:27.480 --> 0:56:31.040
<v Speaker 1>Do we only do that or do we not? I

0:56:31.080 --> 0:56:34.600
<v Speaker 1>can only say, oh, this such and such excites me.

0:56:35.600 --> 0:56:38.760
<v Speaker 1>You know. I was asked if I was interested in

0:56:38.920 --> 0:56:41.680
<v Speaker 1>the role, and I was like, hell, yes. And I

0:56:41.920 --> 0:56:44.000
<v Speaker 1>don't want to do a lot of theater these days

0:56:44.000 --> 0:56:48.120
<v Speaker 1>because as a parent, it's really time consuming. It has

0:56:48.160 --> 0:56:51.040
<v Speaker 1>to be something that really speaks to me. And this

0:56:51.120 --> 0:56:54.360
<v Speaker 1>show really spoke to me. Yeah, I mean there was

0:56:54.400 --> 0:56:57.160
<v Speaker 1>an article written about me the other day. You'd find

0:56:57.160 --> 0:57:00.320
<v Speaker 1>this fascon eating too, and it was I don't know

0:57:00.360 --> 0:57:02.680
<v Speaker 1>how long ago, but it was like half the peede

0:57:02.680 --> 0:57:06.560
<v Speaker 1>into paper and all the things that I'm doing at

0:57:06.600 --> 0:57:09.680
<v Speaker 1>the moment, which was exciting, But the headline was NAT's

0:57:09.719 --> 0:57:14.200
<v Speaker 1>fifty did And I'm like, isn't that fascinating? Men never

0:57:14.280 --> 0:57:16.680
<v Speaker 1>get that? Blah blah blah.

0:57:16.760 --> 0:57:17.920
<v Speaker 2>No, that's true.

0:57:18.280 --> 0:57:22.440
<v Speaker 1>Yes, why is it? And I'm proud of being fifty.

0:57:22.520 --> 0:57:26.920
<v Speaker 1>I love it, like I'm in my element, I'm feeling joy.

0:57:27.120 --> 0:57:31.680
<v Speaker 1>I'm more content internally externally like all the things. But

0:57:31.760 --> 0:57:34.200
<v Speaker 1>I'm like, why does it need to be a headline

0:57:35.240 --> 0:57:39.800
<v Speaker 1>about my age or our age? As women then never

0:57:39.840 --> 0:57:40.120
<v Speaker 1>have that?

0:57:41.080 --> 0:57:47.720
<v Speaker 2>Well, there is a lot of curiosity. Is too mild

0:57:47.760 --> 0:57:53.000
<v Speaker 2>a word? There's an obsession with women and how we

0:57:53.080 --> 0:57:57.760
<v Speaker 2>age and how we look and how we navigate those things.

0:57:57.800 --> 0:58:05.880
<v Speaker 2>And yeah, and is I think almost an impatience for

0:58:06.000 --> 0:58:10.080
<v Speaker 2>people to embrace old age a certain way so then

0:58:10.120 --> 0:58:12.640
<v Speaker 2>you can be relegated.

0:58:14.000 --> 0:58:16.600
<v Speaker 1>Yeah. And also I guess there was a time where

0:58:16.640 --> 0:58:19.640
<v Speaker 1>women weren't doing all of these amazing things that we

0:58:19.720 --> 0:58:22.640
<v Speaker 1>have the opportunities for now. We just weren't and we

0:58:22.680 --> 0:58:28.160
<v Speaker 1>weren't seem to be as important, you know, And I

0:58:28.200 --> 0:58:30.320
<v Speaker 1>think that's changed.

0:58:30.200 --> 0:58:32.880
<v Speaker 2>Whereas now we live in the times and at bass

0:58:33.880 --> 0:58:36.600
<v Speaker 2>where a beautiful woman can get down on one knee

0:58:36.600 --> 0:58:41.680
<v Speaker 2>at Niagara Falls and propose to the person she loves. Correct.

0:58:41.720 --> 0:58:43.280
<v Speaker 1>I never thought that would I never thought that was

0:58:43.320 --> 0:58:44.880
<v Speaker 1>to be on my dingo card. There k.

0:58:46.600 --> 0:58:48.160
<v Speaker 2>So there will be another wedding.

0:58:49.400 --> 0:58:52.800
<v Speaker 1>Oh my god, I know. I was like, I don't

0:58:52.880 --> 0:58:56.080
<v Speaker 1>want to get you know, I mean, of course there will.

0:58:56.160 --> 0:59:01.120
<v Speaker 1>Like I've met this person who has not made me

0:59:01.240 --> 0:59:03.800
<v Speaker 1>not shape. Like what's the word I'm trying to find?

0:59:04.280 --> 0:59:10.840
<v Speaker 1>Just I feel like my most real self in every way,

0:59:10.960 --> 0:59:13.080
<v Speaker 1>like the good bits, the bad bits, Like I'm so

0:59:13.440 --> 0:59:16.320
<v Speaker 1>vulnerable with Pip and vice versa. You know, like we

0:59:17.400 --> 0:59:20.160
<v Speaker 1>allow each other the space I hate that word allowed

0:59:20.160 --> 0:59:22.439
<v Speaker 1>to Like we're giving commis, you know, we give each

0:59:22.480 --> 0:59:29.200
<v Speaker 1>other the space to navigate ourselves and we're just there

0:59:29.240 --> 0:59:30.920
<v Speaker 1>with each other, like what do you need? What do

0:59:30.920 --> 0:59:32.960
<v Speaker 1>you need? Like one thing that I love is like

0:59:33.360 --> 0:59:35.800
<v Speaker 1>it's because we've both got really busy work lives and stuff.

0:59:35.840 --> 0:59:38.160
<v Speaker 1>We go, hey, I really need you right now to

0:59:38.280 --> 0:59:41.200
<v Speaker 1>have capacity for this. And that's been our new little

0:59:41.880 --> 0:59:44.800
<v Speaker 1>because sometimes you're like, and I'm telling you to women,

0:59:46.920 --> 0:59:51.440
<v Speaker 1>there's a lot of conversations, there's a lot of emotions, a.

0:59:51.360 --> 0:59:53.800
<v Speaker 2>Lot of carps of tea, a lot of carts of tea.

0:59:54.800 --> 0:59:59.200
<v Speaker 1>Communication, which is beautiful. But I'm like, sometimes you have

0:59:59.280 --> 1:00:01.840
<v Speaker 1>to actually say do you have capacity for this today?

1:00:02.320 --> 1:00:05.040
<v Speaker 1>And I think any relationship, it's such a beautiful thing

1:00:05.120 --> 1:00:07.440
<v Speaker 1>to say when you have fuzzy lives instead of like

1:00:08.160 --> 1:00:09.920
<v Speaker 1>about all this on for you when you're in the

1:00:09.920 --> 1:00:13.000
<v Speaker 1>middle of something and you're like, oh, you know, it's

1:00:13.120 --> 1:00:16.080
<v Speaker 1>just it's just such a beautiful thing. And to be

1:00:16.160 --> 1:00:20.560
<v Speaker 1>supported in anything and everything that I do and vice versa.

1:00:20.720 --> 1:00:23.760
<v Speaker 1>We just we have each other's back in the most

1:00:24.080 --> 1:00:24.720
<v Speaker 1>beautiful way.

1:00:25.520 --> 1:00:28.520
<v Speaker 2>Does the wedding have a shape yet or not yet?

1:00:28.720 --> 1:00:32.200
<v Speaker 1>Gosh, not yet? No, Like I would be just as

1:00:32.200 --> 1:00:36.200
<v Speaker 1>happy with like a picnic or something, you know, but

1:00:36.280 --> 1:00:40.120
<v Speaker 1>I think you know, so if it's so, it's such

1:00:40.120 --> 1:00:45.760
<v Speaker 1>a special thing for them, and that has made it

1:00:45.800 --> 1:00:48.880
<v Speaker 1>really special for me. Whereas before I was like, no,

1:00:48.960 --> 1:00:52.200
<v Speaker 1>I'm clearly not good at this marriage thing, not for me,

1:00:52.680 --> 1:00:55.360
<v Speaker 1>never going to do it again.

1:00:57.320 --> 1:00:59.560
<v Speaker 2>Well, I actually think you. I think you were really

1:00:59.600 --> 1:01:01.919
<v Speaker 2>good at that marriage thing until you.

1:01:01.960 --> 1:01:05.800
<v Speaker 1>Yet until I will yeah maybe, yeah, I mean you

1:01:05.800 --> 1:01:08.520
<v Speaker 1>know what we we were together seventeen years will be bad.

1:01:08.520 --> 1:01:10.120
<v Speaker 1>And I think that is the mistake that a lot

1:01:10.160 --> 1:01:12.120
<v Speaker 1>of people do say as well as like it was

1:01:12.160 --> 1:01:15.680
<v Speaker 1>a failure it was this. It's like, actually I think

1:01:15.720 --> 1:01:20.160
<v Speaker 1>it was a success. We have two sabulous kids, Like

1:01:20.200 --> 1:01:24.040
<v Speaker 1>they're so amazing, and we we have a I think

1:01:24.080 --> 1:01:26.160
<v Speaker 1>if you evolve, you evolve, and we've been able to

1:01:26.200 --> 1:01:28.360
<v Speaker 1>evolve together even though we're not together.

1:01:28.960 --> 1:01:34.080
<v Speaker 2>And the measure of I think the measure of the

1:01:34.120 --> 1:01:38.800
<v Speaker 2>success of any relationship is how loved you are. And

1:01:39.280 --> 1:01:43.280
<v Speaker 2>this guy is still thumping the tubs for you on tour,

1:01:44.400 --> 1:01:47.560
<v Speaker 2>do you know what I mean, Like, that's quite extraordinary.

1:01:48.240 --> 1:01:50.920
<v Speaker 1>Well, you know, he's been relationships since as well, and

1:01:50.960 --> 1:01:53.040
<v Speaker 1>like we just have each other's back. I think that's

1:01:53.080 --> 1:01:56.440
<v Speaker 1>the most important thing. It doesn't you know. Don't get

1:01:56.480 --> 1:01:59.000
<v Speaker 1>me wrong. It's not all like you know, roses and whatever.

1:01:59.120 --> 1:02:00.680
<v Speaker 1>It's not perfect all the time.

1:02:00.840 --> 1:02:03.440
<v Speaker 2>No, no, I don't. I don't imagine it to be roses,

1:02:03.480 --> 1:02:08.520
<v Speaker 2>to be honest, I really don't. Round incredibly difficult.

1:02:08.680 --> 1:02:13.000
<v Speaker 1>But we've managed to. And it's not just Canon myself,

1:02:13.080 --> 1:02:15.440
<v Speaker 1>it's also Peep as well, and it's also the kids.

1:02:15.440 --> 1:02:18.480
<v Speaker 1>Like everyone's made sacrifices in this space.

1:02:19.680 --> 1:02:26.120
<v Speaker 2>If you project yourself into the future, even a couple

1:02:26.160 --> 1:02:29.880
<v Speaker 2>of years, what does it look like, What does bass

1:02:29.920 --> 1:02:32.800
<v Speaker 2>look like? Or Natalie bassing Thwaite or who are you?

1:02:33.400 --> 1:02:33.960
<v Speaker 1>Who am I?

1:02:34.960 --> 1:02:38.320
<v Speaker 2>What are you?

1:02:38.320 --> 1:02:42.680
<v Speaker 1>You know? I really feel like I've sound a nice place,

1:02:42.760 --> 1:02:46.320
<v Speaker 1>like creatively and work wise, I'm doing things that inspire.

1:02:46.600 --> 1:02:50.280
<v Speaker 1>I'm not afraid to take chances, like we've got a

1:02:50.360 --> 1:02:52.880
<v Speaker 1>Road Traders album coming up for the first time, you know,

1:02:52.960 --> 1:02:56.680
<v Speaker 1>like crazy stuff. We're going on tour again. Like work wise,

1:02:56.720 --> 1:03:04.040
<v Speaker 1>I'm really filled with joy. And my family life is beautiful,

1:03:04.160 --> 1:03:06.520
<v Speaker 1>like the relationship that my kids have with Pith and

1:03:06.600 --> 1:03:10.720
<v Speaker 1>vice versa, and that we all have as like different

1:03:10.840 --> 1:03:13.680
<v Speaker 1>kind of family units now whether it's the ogs or

1:03:13.680 --> 1:03:17.240
<v Speaker 1>the you know, the newbies or whatever, it's like we

1:03:17.240 --> 1:03:22.200
<v Speaker 1>we all the priority is always the kids. So hopefully

1:03:22.440 --> 1:03:26.040
<v Speaker 1>in five years time, we you know, and it's in

1:03:26.160 --> 1:03:28.640
<v Speaker 1>me I want to like I'm renting again, because you

1:03:28.680 --> 1:03:30.360
<v Speaker 1>separate and then you rent and then you're trying to

1:03:30.360 --> 1:03:33.040
<v Speaker 1>figure out where you are. Is like have that home base,

1:03:33.200 --> 1:03:34.479
<v Speaker 1>like Pip and I have just put it to pulse

1:03:34.560 --> 1:03:39.680
<v Speaker 1>on some land, So building that little slice of something

1:03:39.840 --> 1:03:43.120
<v Speaker 1>to you know, Pip's really keen to have vegetable gardens and.

1:03:43.040 --> 1:03:46.280
<v Speaker 2>Maybe maybe you'll get the lamers you've always been accused

1:03:46.320 --> 1:03:50.120
<v Speaker 2>of of farming, finally become a Larma farmer.

1:03:50.480 --> 1:03:53.280
<v Speaker 1>I know, socially a Lama farmer. That would be funny.

1:03:54.800 --> 1:03:57.040
<v Speaker 1>So I think that is a real priority for me.

1:03:57.080 --> 1:04:00.360
<v Speaker 1>It's just for the kids to feel secure in a

1:04:00.440 --> 1:04:05.880
<v Speaker 1>space and to travel with them and hear and see

1:04:06.400 --> 1:04:09.600
<v Speaker 1>parts of the world that we haven't experienced yet, and

1:04:10.560 --> 1:04:13.520
<v Speaker 1>just immerse ourselves in nature as much as possible, but

1:04:13.640 --> 1:04:17.760
<v Speaker 1>still do work that is creatively stimulating and challenging and

1:04:18.720 --> 1:04:20.320
<v Speaker 1>doesn't send me into an institution.

1:04:22.520 --> 1:04:28.040
<v Speaker 2>Yes, yes, the institution is a grand old theater.

1:04:28.680 --> 1:04:31.200
<v Speaker 1>That's correct. Yeah, and then I'll and then I'll be there.

1:04:31.320 --> 1:04:33.880
<v Speaker 1>So I think it's just really coming back to self

1:04:34.040 --> 1:04:36.800
<v Speaker 1>even more in the next five years and being there

1:04:36.840 --> 1:04:37.640
<v Speaker 1>for my kids.

1:04:37.960 --> 1:04:43.400
<v Speaker 2>That bass, I thank you so much for sharing yourself.

1:04:43.960 --> 1:04:46.120
<v Speaker 1>Thank you so much. That's the lot.

1:04:46.720 --> 1:04:50.720
<v Speaker 2>And I also can't wait to see you on stage

1:04:51.240 --> 1:04:54.919
<v Speaker 2>because it's always magnificent.

1:04:55.440 --> 1:05:00.600
<v Speaker 1>Thank you, k I finish that so much, And to.

1:05:00.600 --> 1:05:05.960
<v Speaker 2>Say I appreciate you, yeah, I don't. Well, you know,

1:05:06.000 --> 1:05:10.080
<v Speaker 2>there's a lot to be emotional about. I mean, I mean,

1:05:10.160 --> 1:05:17.920
<v Speaker 2>you started this, so that's really the well spring, isn't it.

1:05:18.520 --> 1:05:24.360
<v Speaker 1>Yeah, there's just a sense of lightness now that I

1:05:24.400 --> 1:05:27.000
<v Speaker 1>have that I just haven't had for such a long time.

1:05:28.840 --> 1:05:35.040
<v Speaker 2>There's something very moving, almost unbelievable about hearing someone talk

1:05:35.200 --> 1:05:40.040
<v Speaker 2>so openly about the way life can change course, sometimes quietly,

1:05:40.360 --> 1:05:45.600
<v Speaker 2>sometimes dramatically, often in ways we never imagined for ourselves.

1:05:46.880 --> 1:05:50.320
<v Speaker 2>For Nat, this chapter has been about finding the courage

1:05:50.360 --> 1:05:54.520
<v Speaker 2>to live more truthfully, to embrace love where she found it,

1:05:55.120 --> 1:05:58.000
<v Speaker 2>and to trust that it's never too late for life

1:05:58.040 --> 1:06:01.440
<v Speaker 2>to open up in a completely new direct. She writes

1:06:01.480 --> 1:06:05.480
<v Speaker 2>about that journey in her upcoming autobiography Love Like This,

1:06:06.240 --> 1:06:09.040
<v Speaker 2>which explores not just the career many of us have

1:06:09.120 --> 1:06:14.520
<v Speaker 2>watched unfold for years, but the very personal story behind

1:06:14.560 --> 1:06:18.440
<v Speaker 2>the woman at the center of it. Thank you so

1:06:18.560 --> 1:06:21.800
<v Speaker 2>much for listening to No Filter. The executive producer of

1:06:21.840 --> 1:06:25.640
<v Speaker 2>No Filter is Breed Player. The assistant producer is Coco Levine.

1:06:25.800 --> 1:06:29.680
<v Speaker 2>Audio production by Jacob Brown, Video editing by Josh Green.

1:06:30.320 --> 1:06:33.720
<v Speaker 2>I am Kate Langbrook, and I thank you for listening

1:06:33.760 --> 1:06:34.440
<v Speaker 2>to No Filter.