WEBVTT - The O.C: Seth’s Behind-The-Scenes Antics And The Issue With Marissa

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<v Speaker 1>You're listening to a MoMA Mia podcast. Mom and Maya

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<v Speaker 1>acknowledges the traditional owners of land and waters that this

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<v Speaker 1>podcast is recorded on Hello and welcome to cancel. The

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<v Speaker 1>podcast looks at seely celebrity crimes and as science charges

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<v Speaker 1>and sentences to them so we can all move on

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<v Speaker 1>with our lives. I'm Klas Stephens and I'm Jesse Stephens.

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<v Speaker 1>And Jesse today we're talking about the OC. Welcome to

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<v Speaker 1>the OC, bitch, Who are you?

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<v Speaker 2>Whoever you want me to be?

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<v Speaker 1>She Ill Ryan's gonna stream with us. Now do you

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<v Speaker 1>what from your current are you? This is one of

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<v Speaker 1>those episodes where you go, oh, this was twenty years ago.

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<v Speaker 1>Does it feel urgent? And the answer is yes, it does.

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<v Speaker 1>I feel urgent because I don't know if you're gonna

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<v Speaker 1>say this, but because of what I might describe as

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<v Speaker 1>the resurgence of one Seth Cohen. And I don't mean

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<v Speaker 1>Adam Brody, I mean Seth Cohen, because Seth Cohen is

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<v Speaker 1>Seth Cohen again in a Netflix series called Nobody Wants

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<v Speaker 1>This something like that. Yeah. Yeah, So I will tell

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<v Speaker 1>you before you begin. I will tell you my vibe

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<v Speaker 1>because you've watched some I haven't watched any You never

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<v Speaker 1>watched the OC. No, the OC obviously, this new show. No,

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<v Speaker 1>I don't want to talk about the new show. I

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<v Speaker 1>want to about the OC quickly. You've seen a few episodes.

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<v Speaker 1>If nobody wants this, no, Claire, I watched fifteen minutes

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<v Speaker 1>and vibe. I didn't love it. I didn't, and I'm

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<v Speaker 1>alone in that. I don't know. I don't know, and

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<v Speaker 1>everyone else likes it, but I just wasn't. In a

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<v Speaker 1>food or something, I'm gonna love it. I quite like

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<v Speaker 1>the Jewish storyline because she's a shitska, which is what

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<v Speaker 1>I am, which is when you are a woman who

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<v Speaker 1>is not Jewish with a man who is Jewish. I

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<v Speaker 1>think the Jewish stuff very fun. But anyway, it wasn't

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<v Speaker 1>for me. Now my vibes's on the OCA, okay, Ryan,

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<v Speaker 1>forty nine year old Mischa Barton did seem twenty. I

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<v Speaker 1>remember being very young and seeing Mischa Barton's face and body.

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<v Speaker 1>I remember seeing her described as a coat hanger, that

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<v Speaker 1>she could wear anything, and I remember thinking, I wonder

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<v Speaker 1>if I'm a coat Marrian, not a coat hanger. You're

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<v Speaker 1>more of a brick. Yeah, yeah, just because you're short

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<v Speaker 1>and you know, things go out and yeah, there's like shape,

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<v Speaker 1>I can't wear anything. My other recollections are Sandy Cohen's

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<v Speaker 1>eyebrows for play. Oh hereah, you know.

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<v Speaker 2>Massaging you No, no nibbling the that. Look, here's a point.

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<v Speaker 2>Just because you're ready to go, it doesn't mean she is.

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<v Speaker 2>I'm always ready to go.

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<v Speaker 3>Oh you my son.

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<v Speaker 2>We Cohens are very sexual beings. Viral get you just disgusting.

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<v Speaker 1>Seth kind of a lovely home and it was nice

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<v Speaker 1>to hear housed Ryan and Rachel Bilson. Okay, some I

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<v Speaker 1>wanted to go to Brown. I think that's all I've got. Okay,

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<v Speaker 1>Brown is a university. Yes, and she did go, did she?

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<v Speaker 1>And then she got Actually I didn't include this. She

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<v Speaker 1>actually got expelled. Can you get expelled from university? Kicked

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<v Speaker 1>out of university for freeing lab rabbits love with her

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<v Speaker 1>friend Chris Pratt, who was her college friend? Yes, now, yes,

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<v Speaker 1>we should probably add that when you're at university, you

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<v Speaker 1>had a labrat named Cruder. Yeah, crudis critis. Yeah, I

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<v Speaker 1>had a labrat, and you teach Crudis some things things, yep,

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<v Speaker 1>to turn around a circle, and creutis never learned to think,

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<v Speaker 1>and that was because the incentive was food and Curtis

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<v Speaker 1>what wasn't food motivated. Crudis was a big boy, and

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<v Speaker 1>Crudis was, as my lecturer said, say she ated. Ah,

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<v Speaker 1>I wasn't motivated. Okay, anyway, nobody wants this got me

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<v Speaker 1>thinking about the OC. Yeah. It aired from two thousand

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<v Speaker 1>and three until two thousand and seven, with four seasons

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<v Speaker 1>and ninety two episodes. Fantastic and that was the beginning

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<v Speaker 1>of an iconic era of teen show great music.

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<v Speaker 3>A long time girl.

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<v Speaker 2>We used to with friendsperd about.

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<v Speaker 3>Make a deal with God someday, Oh, dawning. I didn't

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<v Speaker 3>realize that.

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<v Speaker 1>Literally by the end of the OC, the creators slash

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<v Speaker 1>showrunners were already working on Gossip Girl. Like it's the

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<v Speaker 1>same creators. And I feel like the OC overlapped with

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<v Speaker 1>Laguna Beach, which was geographically Yes, it was the inspiration

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<v Speaker 1>the first season of that. They were like, we need

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<v Speaker 1>more set here, specifically with hot people. Yeah, and they

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<v Speaker 1>did that and it was excellent. Oh, we should do

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<v Speaker 1>an episode about Laguna Beach. Oh. The OC centered around

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<v Speaker 1>Ryan Atwood, who, as he mentioned, was meant to be

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<v Speaker 1>a teenager but was seventy five years old. No, he

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<v Speaker 1>was twenty three. He had ostereiporosis, so probably No, he

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<v Speaker 1>went straight from Seth Cohen's pool room to an old

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<v Speaker 1>age home. He did, No, he didn't. He was only twenty.

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<v Speaker 1>He is a troubled youth and his mother kicks him out,

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<v Speaker 1>and Sandy and Kirsten Cohen take him in. They're rich

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<v Speaker 1>and have a lone of sons, and Ryan has to

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<v Speaker 1>adapt from his life of violence and poverty to this

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<v Speaker 1>fancy one. But he learns even rich people have their problems,

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<v Speaker 1>which is a really important lesson. I remember reading that

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<v Speaker 1>their swimming pool was only ankle deep. Oh that's a

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<v Speaker 1>fun thing in real life, Like they couldn't actually swim

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<v Speaker 1>in it, which made me feel sad. I mean, wasn't

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<v Speaker 1>at order to set I guess, I know, not the pool.

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<v Speaker 1>Not the pool. Well, he falls in love with Marissa,

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<v Speaker 1>and he befriends Seth, and that first season was where

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<v Speaker 1>most of your memories of the OC come from.

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<v Speaker 2>Oh. Also, that wasn't exactly the way that I first

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<v Speaker 2>planned to talk to Summer, but I am now on

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<v Speaker 2>her radar. Do you think I should tell her about Tdahiti?

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<v Speaker 2>Do you that's I thought. Let's see, that's what I

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<v Speaker 2>was thinking. I wanted to make sure that we were

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<v Speaker 2>on the same page.

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<v Speaker 1>The love triangle between seth Anna and Summer.

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<v Speaker 2>Was itting, Okay, thanks fine, let meet you back upstairs.

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<v Speaker 1>Smoke alarm.

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<v Speaker 2>Summer Anna sat hotly awkward.

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<v Speaker 3>This is weird.

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<v Speaker 2>I want to explain everything to you. Guys. I kissed you.

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<v Speaker 2>I know, I kissed you so true. I always knew

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<v Speaker 2>you were late, bloom were sweety. We you not go?

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<v Speaker 3>Please?

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<v Speaker 1>Oh you don't want her to go?

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<v Speaker 3>No? No, I mean yes, I mean yes, nice. Okay,

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<v Speaker 3>that was awkward with her here.

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<v Speaker 2>Now finally she's gone. Let me tell you something.

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<v Speaker 1>The great music Anna, Yep, all of that. It's simply

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<v Speaker 1>was then in the Bad Day film clip. Forgot about that,

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<v Speaker 1>and she's good that day, And I was like, didn't

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<v Speaker 1>she's with seth I like her short hair. No, she

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<v Speaker 1>moved back to Pittsburgh anyway. It simply went downhill from there, Jesse.

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<v Speaker 1>Some fun facts quick cameos Chris Pratt. As aforementioned, he

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<v Speaker 1>was in season four as a college activist. Max Greenfield,

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<v Speaker 1>who went on to play Schmidt in New Girl, was

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<v Speaker 1>a young Sandy Cohen in a flashback o good casting

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<v Speaker 1>Shaylene Woodley. I was originally Marissa's younger sister in season one.

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<v Speaker 1>Then she went to boarding school and when she came

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<v Speaker 1>back she was a different actions. I love when they

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<v Speaker 1>think we won't notice. Olivia Wilde originally auditioned to Marissa,

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<v Speaker 1>but then she went on to play Alex, Marissa's love interest.

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<v Speaker 1>Paris Hilton had a cameo in season one and kissed Seth.

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<v Speaker 2>Relaxed his all checks are so late. We're not from

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<v Speaker 2>La Orange County, Orange County.

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<v Speaker 1>And but heard had a cameo in season two. There

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<v Speaker 1>are many more. I could go on forever, but none

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<v Speaker 1>of that matters. I want to I want like it. Yeah, yeah,

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<v Speaker 1>a reunion where they all hang out. It's like they

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<v Speaker 1>all say, I've seen some shit. Well you'll want to

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<v Speaker 1>reunion more after all. Right, what I'm about to tell

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<v Speaker 1>you My structure for today's follows. Inappropriate relationships, both on

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<v Speaker 1>and off screen. Poor behavior on set was Marissa The

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<v Speaker 1>worst and most bizarre storylines Inappropriate relationships on screen Julie Cooper,

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<v Speaker 1>Marissa's mother.

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<v Speaker 3>Wake Up Jimmy. The Sigbreeds donated a pool and a

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<v Speaker 3>field house their son only small part.

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<v Speaker 1>Marissa shot someone.

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<v Speaker 2>We've got to at least give them a.

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<v Speaker 1>Underground how she was annoying, she had like red hair,

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<v Speaker 1>and she she had a problem, She had all sorts

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<v Speaker 1>of problems. She has a relationship with the ex boyfriend

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<v Speaker 1>of her daughter. I'd forgotten. Now it's accepted Luke is

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<v Speaker 1>now big on TikTok. He's big on TikTok and he

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<v Speaker 1>was in Nashville. Yeah, he does funny, funny tiktoks about

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<v Speaker 1>having been on the OC. Anyway, it's accepted in the

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<v Speaker 1>OC that the kids are all sixteen or seventeen, and

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<v Speaker 1>Luke is in the same year as everyone else at school. Therefore,

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<v Speaker 1>Julie having sex with him, which she does, would technically

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<v Speaker 1>be stated true rape, but it was more like a

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<v Speaker 1>bit sexy yeah, and a bit naughty yeah. Instead it's

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<v Speaker 1>played off as drama and it's all like this will

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<v Speaker 1>destroy Marissa, and it's a bit like how about Luke,

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<v Speaker 1>how's Luke doing? Yeah? But the writers did add a

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<v Speaker 1>tiny detail to make the relationship technically legal. Melinda Clark,

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<v Speaker 1>who played Julie, told in Style the kids are technically sixteen,

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<v Speaker 1>but there's a scene where Luke and Julie are having

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<v Speaker 1>their rendezvous and in the morning he's like, I don't

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<v Speaker 1>want to be late for home room. That's when you

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<v Speaker 1>know things a fucked anyway, and Julie goes, you have homeroom, right,

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<v Speaker 1>because you're in high school and you're only eighteen. They

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<v Speaker 1>added that he was eighteen, so the insinuation is he

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<v Speaker 1>started school late or got held back, which is believable

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<v Speaker 1>when you knew his character. Yes, but is still not. Okay,

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<v Speaker 1>you can't but it's the law. No, but it's not right. No,

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<v Speaker 1>but they were hot together, okay, okay. Well, Also, when

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<v Speaker 1>Marissa discovers the relationship, she hits Luke and tells him

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<v Speaker 1>to stay away from her before wishing him dead. And

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<v Speaker 1>then he leaves town and it's like he goes child.

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<v Speaker 1>He was preyed upon, prayed upon by Massa's who just

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<v Speaker 1>goes along wreaking havoc. It's honestly chaos. Then there was

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<v Speaker 1>Marissa and Ryan's relationship. I liked that No, behind the scene,

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<v Speaker 1>oh because they were both playing teenagers. Yep. But Mischa

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<v Speaker 1>Barton was seventeen at the beginning of the show and

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<v Speaker 1>Ben McKenzie was forty five. No, he wasn't he was

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<v Speaker 1>twenty five. Okay, that's fine, it's not when again, the

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<v Speaker 1>age of consent in California is eighteen. Yeah, but they

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<v Speaker 1>weren't having real sex on screen. They probably were because

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<v Speaker 1>they were in a relationship, were they, Yeah, from the

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<v Speaker 1>beginning of filming. Well, I'm sure they weren't having sex

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<v Speaker 1>then because it was against the law. Well, Mischa Barton

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<v Speaker 1>has pretty much implied that they were. Okay, So earlier

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<v Speaker 1>this year she was a guest John call her daddy. Yeah. Yeah,

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<v Speaker 1>Now I saw the clips and she said that her

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<v Speaker 1>and Ben Mackenzie were in a relationship right from the

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<v Speaker 1>beginning of filming. She said, I mean it was kind

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<v Speaker 1>of complicated for me. I went into that a virgin,

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<v Speaker 1>like a kid, like really feeling like I needed to

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<v Speaker 1>grow up quickly. That was my first Okay, yep, it's

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<v Speaker 1>like relationship or so, what's the age of consent? Eighteen

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<v Speaker 1>eighteen and she was seventeen. She said, I had no

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<v Speaker 1>idea what I was doing. She said she ended the

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<v Speaker 1>relationship with him while the two were still acting together

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<v Speaker 1>on the show, and she said, we just had to

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<v Speaker 1>suck it up and get on with it. But there

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<v Speaker 1>was a lot of jabs behind the scenes and off camera.

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<v Speaker 1>I felt like that kind of ostracized me as well,

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<v Speaker 1>because there was a marked difference in maturity level there,

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<v Speaker 1>and she said she felt not mature enough to continue

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<v Speaker 1>the relationship and that it was overwhelming. I find that

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<v Speaker 1>a little bit problematic. It is seventeen and twenty five,

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<v Speaker 1>and I know she'd been in the industry and that

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<v Speaker 1>sort of thing, but I don't know, I feel a

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<v Speaker 1>bit funny about it. She was a ghost in the

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<v Speaker 1>sixth sense. She was a ghost where you know her from.

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<v Speaker 1>She came who under the bed. She was terrifying. She

0:12:54.669 --> 0:12:57.189
<v Speaker 1>was absolutely terrifying. And now I think we've talked about

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<v Speaker 1>it before, every time I get out of bed, I

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<v Speaker 1>imagine Micha Barton's there, she's gonna grabbed my Ankle's pale

0:13:02.589 --> 0:13:07.109
<v Speaker 1>because she's sick. Ghost. She's vomiting because her mother's poisoning her. Yeah,

0:13:07.669 --> 0:13:11.309
<v Speaker 1>poor behavior on that's sixth sense. Didn't make that clear enough.

0:13:12.029 --> 0:13:15.869
<v Speaker 1>Poor behavior on set. When you have four very young

0:13:15.909 --> 0:13:20.549
<v Speaker 1>stars become famous very quickly, people start being this to

0:13:20.629 --> 0:13:25.269
<v Speaker 1>each other. Yes, okay, Tate Donov not seth oh. Sorry,

0:13:25.589 --> 0:13:28.829
<v Speaker 1>you'll see. He was the most sticky no, he was, No,

0:13:28.909 --> 0:13:33.149
<v Speaker 1>he was. Tate Donovan played Marissa's deadbeat dad, Jimmy, and

0:13:33.189 --> 0:13:36.069
<v Speaker 1>he told Vulture he found it difficult working with those

0:13:36.109 --> 0:13:39.389
<v Speaker 1>stars while he was directing an episode. He said, by

0:13:39.429 --> 0:13:41.389
<v Speaker 1>the time I started to direct, the kids on the

0:13:41.429 --> 0:13:44.709
<v Speaker 1>show had developed a really bad attitude. They just didn't

0:13:44.709 --> 0:13:47.109
<v Speaker 1>want to be doing the show anymore. It was pretty tough.

0:13:47.269 --> 0:13:49.669
<v Speaker 1>They were very tough to work with. The adults were

0:13:49.709 --> 0:13:52.789
<v Speaker 1>all fantastic, but you know how it is with young actors.

0:13:52.829 --> 0:13:54.789
<v Speaker 1>When you achieve a certain amount of success, you want

0:13:54.789 --> 0:13:57.109
<v Speaker 1>to be doing something else. I mean, one of them

0:13:57.109 --> 0:13:59.189
<v Speaker 1>turned to me and said, this show is ruining my

0:13:59.229 --> 0:14:01.509
<v Speaker 1>film career, and he had never done a film before.

0:14:02.709 --> 0:14:04.949
<v Speaker 1>Side note. In a moment, I think it will become

0:14:04.989 --> 0:14:09.909
<v Speaker 1>clear who this was. The guy who played bad boy Volchok.

0:14:10.389 --> 0:14:14.069
<v Speaker 1>Do you remember Vold Top Yeah, yeah, vaguely, yeah, really hot?

0:14:14.869 --> 0:14:20.269
<v Speaker 1>Really yeah, no you should. His name's cam Gigandett, he

0:14:20.309 --> 0:14:23.029
<v Speaker 1>told Elle magazine. The things that I remember now, none

0:14:23.029 --> 0:14:24.989
<v Speaker 1>of them are good. It was only the third or

0:14:24.989 --> 0:14:28.549
<v Speaker 1>fourth season. Those kids I remember him. Oh he's been

0:14:28.589 --> 0:14:33.269
<v Speaker 1>in Twilight. So hot, he said. Those kids were fucking miserable.

0:14:33.349 --> 0:14:36.349
<v Speaker 1>They could not remember their lines. On purpose. They were young.

0:14:36.709 --> 0:14:38.829
<v Speaker 1>He said, Ben mackenzie was kind of mean to me.

0:14:39.109 --> 0:14:41.029
<v Speaker 1>I hadn't done anything at that point, and he was

0:14:41.029 --> 0:14:43.189
<v Speaker 1>a little bit of an ass. Then he was asked

0:14:43.189 --> 0:14:46.069
<v Speaker 1>about Mischa Barton, who played his on screen love interest,

0:14:46.229 --> 0:14:48.549
<v Speaker 1>and he said, was she there? I don't even have

0:14:48.669 --> 0:14:53.549
<v Speaker 1>memories of her now, But it would seem that the

0:14:53.589 --> 0:14:57.469
<v Speaker 1>person we really need to talk about attitude wise is

0:14:57.509 --> 0:14:59.469
<v Speaker 1>none other than Adam Brody.

0:15:00.229 --> 0:15:00.949
<v Speaker 3>Yeah, that's right.

0:15:01.749 --> 0:15:03.349
<v Speaker 2>I'm a big doork and I listen to EMO and

0:15:03.349 --> 0:15:08.869
<v Speaker 2>I'm dating her. I like you this much, and if

0:15:08.869 --> 0:15:12.629
<v Speaker 2>you don't feel the same way about me, someone's gonna

0:15:12.629 --> 0:15:14.309
<v Speaker 2>have to give me a handdown because it's really high

0:15:14.389 --> 0:15:16.509
<v Speaker 2>up here and I could fall and that would be embarrassing.

0:15:17.109 --> 0:15:20.149
<v Speaker 1>Just comes across as very likable. Do you think I've

0:15:20.269 --> 0:15:24.269
<v Speaker 1>been watching a few interviews and interviews. He's very he's giving,

0:15:24.949 --> 0:15:28.709
<v Speaker 1>he's giving. Blake Lively so different anyway.

0:15:29.149 --> 0:15:31.709
<v Speaker 2>I mean, I think just in terms of at least

0:15:32.589 --> 0:15:36.789
<v Speaker 2>I don't know the profession time. I guess I just

0:15:36.829 --> 0:15:38.429
<v Speaker 2>don't look at it through that lens.

0:15:39.029 --> 0:15:45.789
<v Speaker 1>So I watched one interview and he was fine, and

0:15:45.829 --> 0:15:49.989
<v Speaker 1>he is married to Blair Waldorf, which is what they

0:15:50.029 --> 0:15:55.269
<v Speaker 1>describe as a millennial wet drain. Very true. Well, at

0:15:55.269 --> 0:15:57.749
<v Speaker 1>the end of last year, the cast and crew opened

0:15:57.829 --> 0:16:00.389
<v Speaker 1>up about the reality of the OC in a book

0:16:00.509 --> 0:16:04.269
<v Speaker 1>called Welcome to the OC, The Oral History Serious creator

0:16:04.349 --> 0:16:07.469
<v Speaker 1>Josh Schwartz was the first to admit everyone was sick

0:16:07.509 --> 0:16:09.709
<v Speaker 1>of the series by the time they got into the

0:16:09.709 --> 0:16:12.669
<v Speaker 1>third or fourth seasons. I'm interested in them being sick

0:16:12.709 --> 0:16:16.069
<v Speaker 1>of it. This is the make like Ben mackenzie, Yeah,

0:16:16.469 --> 0:16:19.589
<v Speaker 1>where you've been, where you've been. This is the heart

0:16:19.669 --> 0:16:21.909
<v Speaker 1>of your career. This is something that actors wait their

0:16:21.949 --> 0:16:25.789
<v Speaker 1>whole lives for. Just put your head down, be like

0:16:25.909 --> 0:16:29.069
<v Speaker 1>the Friends cast, and just hold on for the ride.

0:16:29.189 --> 0:16:31.389
<v Speaker 1>I wouldn't be wanting to jump off for the film

0:16:31.429 --> 0:16:33.989
<v Speaker 1>that isn't there yet for you to be in, Josh

0:16:34.109 --> 0:16:36.029
<v Speaker 1>Wartz said, by the time we got to season three,

0:16:36.149 --> 0:16:39.029
<v Speaker 1>we were all burned out. We'd made so many episodes

0:16:39.069 --> 0:16:41.269
<v Speaker 1>so quickly, and I think it wasn't a happy set

0:16:41.309 --> 0:16:44.509
<v Speaker 1>for long stretches of it. Quite frankly, everybody was over

0:16:44.509 --> 0:16:46.629
<v Speaker 1>it by that point, and I was one of those

0:16:46.629 --> 0:16:49.509
<v Speaker 1>people who was over it. It had been a great ride,

0:16:49.589 --> 0:16:53.149
<v Speaker 1>but it had been a volatile ride. Executive producer Stephanie

0:16:53.189 --> 0:16:57.749
<v Speaker 1>Savage also noted the morale among the cast was very lackluster,

0:16:58.309 --> 0:17:00.309
<v Speaker 1>and said they had started to be a bit petulant,

0:17:00.389 --> 0:17:04.429
<v Speaker 1>with directors having an attitude reading a book during rehearsal

0:17:04.509 --> 0:17:08.669
<v Speaker 1>instead of paying attention, that kind of thing. Melinda Clark,

0:17:08.709 --> 0:17:12.549
<v Speaker 1>who played Julie, we were very aware in seasoning you

0:17:12.549 --> 0:17:18.629
<v Speaker 1>should imprison fictionally, fictionally fictionally. We were very aware in

0:17:18.669 --> 0:17:22.309
<v Speaker 1>season three of how disliked the scripts were, especially by

0:17:22.349 --> 0:17:24.669
<v Speaker 1>the kids. They're calling them kids. I mean, we've said

0:17:24.669 --> 0:17:31.629
<v Speaker 1>it once, we'll say it again. Is on a pension? Yeah,

0:17:31.829 --> 0:17:36.069
<v Speaker 1>he's not a child. Well, Adam and Ben were like,

0:17:36.349 --> 0:17:39.149
<v Speaker 1>we're grown men and we're playing in high school still.

0:17:39.389 --> 0:17:43.789
<v Speaker 1>Adam Brody has admitted that he stopped reading scripts after

0:17:43.829 --> 0:17:48.269
<v Speaker 1>a time. Will you could tell her well, with producers

0:17:48.309 --> 0:17:52.469
<v Speaker 1>saying that the scripts piled up outside his trailer. The

0:17:52.509 --> 0:17:55.069
<v Speaker 1>director had to have a conversation with him about being

0:17:55.109 --> 0:17:58.189
<v Speaker 1>more invested in the job that you're getting paid a

0:17:58.229 --> 0:18:01.709
<v Speaker 1>lot of money to do. He was so disinterested the

0:18:01.749 --> 0:18:04.909
<v Speaker 1>writers had to come up with a plot to explain

0:18:05.149 --> 0:18:10.349
<v Speaker 1>why his performance was so poor. Joshwartz said Brody just

0:18:10.469 --> 0:18:14.109
<v Speaker 1>changed his delivery, his investment in it hang on if

0:18:14.149 --> 0:18:17.989
<v Speaker 1>I'm remembering this correctly, Like he became so vague and

0:18:18.029 --> 0:18:20.749
<v Speaker 1>disinterested that someone was like, are you going to fight

0:18:20.829 --> 0:18:23.229
<v Speaker 1>for me? And he was like, am not really well?

0:18:24.149 --> 0:18:26.829
<v Speaker 1>His style shifted to such a degree that we felt

0:18:26.909 --> 0:18:30.229
<v Speaker 1>like we needed to account for it creatively. Josh Swartz said,

0:18:30.509 --> 0:18:35.629
<v Speaker 1>that's where Caitlin gets seth hooked on pot. We were like,

0:18:35.989 --> 0:18:40.029
<v Speaker 1>how do we explain his lethargy on lessergy? And at

0:18:40.109 --> 0:18:42.789
<v Speaker 1>least if we can write that he's stoned, then we're

0:18:42.789 --> 0:18:46.789
<v Speaker 1>not trying to write around it. They literally had to

0:18:46.909 --> 0:18:51.029
<v Speaker 1>make him have a weed problem to explain why he

0:18:51.189 --> 0:18:55.069
<v Speaker 1>no longer speaks in sentences. He has not read the

0:18:55.109 --> 0:18:59.589
<v Speaker 1>script no. Adam Brody has said I was polite to everyone.

0:19:00.269 --> 0:19:03.189
<v Speaker 1>I liked the directors, the crew, and I got on

0:19:03.229 --> 0:19:07.309
<v Speaker 1>really well. I didn't keep people waiting. Okay, I would

0:19:07.629 --> 0:19:10.029
<v Speaker 1>do you read the script's mate? I would never scream

0:19:10.229 --> 0:19:12.509
<v Speaker 1>or yell at anyone. No, no one's accusing you of

0:19:12.509 --> 0:19:16.269
<v Speaker 1>screaming or yelling say anything fucking mean. But I think

0:19:16.349 --> 0:19:19.629
<v Speaker 1>I very much let my distaste for the later episodes

0:19:19.669 --> 0:19:22.589
<v Speaker 1>be known. I didn't mask that at all, and I'm

0:19:22.589 --> 0:19:24.829
<v Speaker 1>sure I openly mocked it. A bit, so I'm not

0:19:24.949 --> 0:19:27.629
<v Speaker 1>proud of that. Okay, in his defense and actually the

0:19:27.629 --> 0:19:31.309
<v Speaker 1>defense of all of the cast, like at a young age,

0:19:31.709 --> 0:19:36.429
<v Speaker 1>he was seth fucking Cohen. Oh must have been awful. No,

0:19:37.309 --> 0:19:39.749
<v Speaker 1>I think that that just gives you an ego. Oh yeah,

0:19:39.789 --> 0:19:43.269
<v Speaker 1>like every girl was in love with him. He has

0:19:43.389 --> 0:19:46.749
<v Speaker 1>just skyrocketed to fame out of nowhere. This all sounds

0:19:46.789 --> 0:19:49.429
<v Speaker 1>like ego. Yes, well, he said, I started to be

0:19:49.469 --> 0:19:52.589
<v Speaker 1>creatively less interested. I blame myself for a lack of

0:19:52.629 --> 0:19:56.789
<v Speaker 1>professionalism and a disrespect to the work. In terms of

0:19:56.909 --> 0:20:00.069
<v Speaker 1>engagement as a whole, I'll just say that they are

0:20:00.149 --> 0:20:04.349
<v Speaker 1>different shows season one and the later seasons. Had the

0:20:04.469 --> 0:20:08.109
<v Speaker 1>quality been the quality of Season one, I'm sure I

0:20:08.149 --> 0:20:11.149
<v Speaker 1>would have been a lot more engaged. Chicken our egg, Adam,

0:20:11.469 --> 0:20:15.629
<v Speaker 1>chicken of it and my engagement went hand in hand.

0:20:16.109 --> 0:20:18.669
<v Speaker 1>Chicken or egg. They had to write you as a

0:20:18.709 --> 0:20:23.189
<v Speaker 1>stoner because you gave them nothing in his offense. That

0:20:23.469 --> 0:20:28.709
<v Speaker 1>is the general consensus that the first season was lightning

0:20:28.749 --> 0:20:31.989
<v Speaker 1>in a bottle and they simply could not recreate it.

0:20:32.069 --> 0:20:34.549
<v Speaker 1>Things got weirder and weirder. And this is the thing

0:20:34.589 --> 0:20:37.069
<v Speaker 1>about television, right We've been doing a bit of television writing,

0:20:37.109 --> 0:20:39.389
<v Speaker 1>and what they always say is you write the kind

0:20:39.429 --> 0:20:41.429
<v Speaker 1>of story arc for season one, and they always say,

0:20:41.429 --> 0:20:43.669
<v Speaker 1>all right, where do we go to season two? And

0:20:43.749 --> 0:20:45.709
<v Speaker 1>sometimes you want to say, I don't think this is

0:20:45.709 --> 0:20:49.509
<v Speaker 1>a multiple season. I think this is a single story.

0:20:49.549 --> 0:20:51.949
<v Speaker 1>It's like when you write a book, unless you're writing

0:20:51.989 --> 0:20:54.109
<v Speaker 1>a series, it's like I'm thinking I'll just wrap it

0:20:54.189 --> 0:20:56.709
<v Speaker 1>up at the end and have a holiday and have

0:20:56.789 --> 0:20:59.749
<v Speaker 1>a sleep. But with television, it's like, if it works,

0:20:59.749 --> 0:21:02.629
<v Speaker 1>if there's proof of concept. I think we ought they're

0:21:02.669 --> 0:21:04.989
<v Speaker 1>like but more, but more, and you're like, they're just

0:21:05.109 --> 0:21:08.549
<v Speaker 1>they're just the still at school, the OC and it's

0:21:08.589 --> 0:21:10.309
<v Speaker 1>like we feel like we kind of covered that in

0:21:10.349 --> 0:21:13.349
<v Speaker 1>the first Yeah, now, like will they won't they? That

0:21:13.509 --> 0:21:17.709
<v Speaker 1>was what season one? Season two, will they won't Well,

0:21:17.749 --> 0:21:24.989
<v Speaker 1>I'm less invested season two, Marissa. Guys, the guys, come on,

0:21:25.469 --> 0:21:28.229
<v Speaker 1>we got up the stakes too many people are getting

0:21:28.269 --> 0:21:31.669
<v Speaker 1>Seth is addicted to Pott. Yeah, okay, we can see that. Okay, Yeah.

0:21:32.109 --> 0:21:34.669
<v Speaker 1>Adam Brodie said it became a bit of a game

0:21:34.989 --> 0:21:37.789
<v Speaker 1>for him to figure out what the main storylines of

0:21:37.829 --> 0:21:43.149
<v Speaker 1>the show were by only reading his scenes, which he

0:21:43.229 --> 0:21:48.509
<v Speaker 1>was not proud of. That's actually hilarious. I turning up

0:21:48.589 --> 0:21:52.149
<v Speaker 1>to set only create your then, like you'd be really

0:21:52.189 --> 0:21:55.549
<v Speaker 1>in the moment. Yeah, you'd be like technically, like what's

0:21:55.549 --> 0:21:59.829
<v Speaker 1>happening with It's a surprise to Brian. It's quite meta

0:21:59.909 --> 0:22:01.749
<v Speaker 1>really because it's like, well, I don't know what's happening

0:22:01.789 --> 0:22:05.269
<v Speaker 1>in scenes that I'm not present in. Yeah, exactly, that's

0:22:05.349 --> 0:22:09.469
<v Speaker 1>the real Seth Cohen. I should only know what Seth knows. Yeah. Yeah,

0:22:09.509 --> 0:22:11.949
<v Speaker 1>And if this Sphel's tone death and this is why

0:22:11.989 --> 0:22:15.669
<v Speaker 1>he's had a long and fruitful career. Yeah maybe. Well

0:22:15.749 --> 0:22:18.309
<v Speaker 1>he told people at the time that he would only

0:22:18.389 --> 0:22:21.669
<v Speaker 1>read the pages he was shooting each day, Like that's

0:22:21.669 --> 0:22:24.589
<v Speaker 1>all he would read, So he didn't I love it. Yeah.

0:22:24.869 --> 0:22:29.549
<v Speaker 1>Adam Brody was famously dating Rachel Bilson at the time.

0:22:29.749 --> 0:22:33.229
<v Speaker 1>M okay, I remember that. And you might say, did

0:22:33.269 --> 0:22:36.549
<v Speaker 1>he date the same person twice? Rachel Bilson is the

0:22:36.589 --> 0:22:39.829
<v Speaker 1>same person as Leyden Meister. Yes, yeah, they are the

0:22:39.869 --> 0:22:43.669
<v Speaker 1>same in that they are brunette and dated Adam BROUDI anyway,

0:22:44.389 --> 0:22:47.549
<v Speaker 1>apparently his behavior put her in an awkward position.

0:22:48.029 --> 0:22:52.109
<v Speaker 2>Poem what palm, Hey wish I was a murder.

0:22:51.989 --> 0:22:56.109
<v Speaker 1>You remember that, I was like sixth grade haven't we

0:22:56.149 --> 0:23:00.829
<v Speaker 1>all been there? Yeah, when your bloody boyfriend is yeah,

0:23:01.709 --> 0:23:05.389
<v Speaker 1>won't do his work, smoker too much? Wait on set

0:23:05.749 --> 0:23:08.949
<v Speaker 1>and off set anyway, She said, you want to be

0:23:08.989 --> 0:23:11.629
<v Speaker 1>supportive of the person you with. But also I'm a

0:23:11.629 --> 0:23:15.549
<v Speaker 1>firm believer in always being grateful and gratitude comes first.

0:23:16.069 --> 0:23:19.389
<v Speaker 1>I think there were probably times where that went by

0:23:19.429 --> 0:23:21.789
<v Speaker 1>the wayside. You grow up, you look back and you

0:23:21.789 --> 0:23:24.749
<v Speaker 1>can realize when you're young you might behave in certain

0:23:24.789 --> 0:23:28.629
<v Speaker 1>ways you wish you hadn't. So clearly she was like, dude,

0:23:29.189 --> 0:23:32.629
<v Speaker 1>read this scene. Can you read that s grouped outside

0:23:32.629 --> 0:23:36.349
<v Speaker 1>your trailer instead of that strange book? Come on, it's

0:23:36.429 --> 0:23:41.789
<v Speaker 1>disrespectful to everyone. Josh Schwartz now says he wishes that

0:23:41.909 --> 0:23:45.429
<v Speaker 1>he had got everyone together and had a big like

0:23:45.549 --> 0:23:49.109
<v Speaker 1>come to Jesus meeting where he was like, guys, let's

0:23:49.149 --> 0:23:52.069
<v Speaker 1>talk about how the show has lost its way, all right? Yeah,

0:23:52.149 --> 0:23:55.789
<v Speaker 1>and he reckons it would have helped the cast feel heard,

0:23:56.309 --> 0:23:59.029
<v Speaker 1>and they also might have got some good ideas, yeah,

0:23:59.029 --> 0:24:01.869
<v Speaker 1>because they were stuck on ideas. Yeah, they were clearly stuck.

0:24:01.869 --> 0:24:04.269
<v Speaker 1>And I always wonder with this. We were saying, sometimes

0:24:04.309 --> 0:24:06.549
<v Speaker 1>you don't know if you've got enough steam for other series.

0:24:06.629 --> 0:24:09.829
<v Speaker 1>But you do wonder it's coc You'd think they had

0:24:09.829 --> 0:24:12.269
<v Speaker 1>some of the best writers. I know. There were really

0:24:12.469 --> 0:24:16.869
<v Speaker 1>arbitrary things, like they'd be told you need another adult,

0:24:17.549 --> 0:24:19.069
<v Speaker 1>like they call them kids and adults. I don't know

0:24:19.109 --> 0:24:22.269
<v Speaker 1>why you need another adult to have a prominent storyline

0:24:22.269 --> 0:24:24.989
<v Speaker 1>in this season. So there was season two or three

0:24:25.109 --> 0:24:30.589
<v Speaker 1>where I feel like Sandy hair about cheating on each other. Yeah,

0:24:30.749 --> 0:24:33.269
<v Speaker 1>I was invested in Sandy and it's like no one

0:24:33.309 --> 0:24:36.509
<v Speaker 1>cares about them. Mischa Button's face up close. Yeah, it's

0:24:36.549 --> 0:24:41.109
<v Speaker 1>not that complicated. Nice music, Yeah, near's Eve Ryan arrived,

0:24:41.309 --> 0:24:44.429
<v Speaker 1>b Roll b Roll of Orange County. Yeah, not that

0:24:44.469 --> 0:24:47.869
<v Speaker 1>hard and some fun music. In other gossips, Mischa Barton

0:24:48.229 --> 0:24:51.549
<v Speaker 1>and Rachel Bilson didn't really get along. In a two

0:24:51.589 --> 0:24:54.669
<v Speaker 1>thousand and four interview with Elle, Button made a very

0:24:54.669 --> 0:24:59.469
<v Speaker 1>odd comment about Bilson. She said she's way more overtly

0:24:59.549 --> 0:25:02.589
<v Speaker 1>sexual than I am. She is so botite, and I'm

0:25:02.629 --> 0:25:05.509
<v Speaker 1>so tall and lanky. I think I'd be scared of

0:25:05.589 --> 0:25:12.509
<v Speaker 1>having her voluptuousness. I like being understatedly sex. Oh okay,

0:25:12.669 --> 0:25:15.829
<v Speaker 1>so you're calling her a slut. But we've got we've

0:25:15.829 --> 0:25:18.589
<v Speaker 1>got the Madonna Hall. Yeah, complex and what you've done

0:25:18.629 --> 0:25:20.149
<v Speaker 1>if you've called Bilton a hall.

0:25:20.309 --> 0:25:20.509
<v Speaker 2>Yeah.

0:25:20.549 --> 0:25:25.869
<v Speaker 1>Yeah, She's like, I'm really thin, and therefore I'm sexy

0:25:25.909 --> 0:25:28.749
<v Speaker 1>in a better way. What you'll notice is I am

0:25:28.869 --> 0:25:32.909
<v Speaker 1>very thin, Rachel Bilson's a slut, and Scott a tits out,

0:25:32.909 --> 0:25:36.709
<v Speaker 1>which I think is unseemly and undignified. I personally cover

0:25:36.789 --> 0:25:40.509
<v Speaker 1>myself and you'll realize I'm sexy in a more demure way.

0:25:41.029 --> 0:25:43.669
<v Speaker 2>Very demure, very mindful.

0:25:43.189 --> 0:25:46.229
<v Speaker 1>Mischi of button. Then, in twenty twenty one, when asked

0:25:46.269 --> 0:25:48.869
<v Speaker 1>what prompted her decision to leave the series at the

0:25:48.949 --> 0:25:51.909
<v Speaker 1>end of season three, Barton gave an interview with E

0:25:52.229 --> 0:25:54.749
<v Speaker 1>did it keep going after Barton left? Wow, there's a

0:25:54.749 --> 0:25:57.709
<v Speaker 1>whole season? Okay, all right? That hinted that Bilson being

0:25:57.789 --> 0:26:01.789
<v Speaker 1>cast as a series regular played a part. It had

0:26:01.829 --> 0:26:04.669
<v Speaker 1>a lot to do with them adding Bilson in last

0:26:04.749 --> 0:26:08.349
<v Speaker 1>minute as after the first season a series regular and

0:26:08.429 --> 0:26:12.589
<v Speaker 1>evening out everybody's pay. So she's basically saying I was

0:26:12.629 --> 0:26:15.429
<v Speaker 1>meant to be the lead. Yeah, and then they got Summer,

0:26:15.869 --> 0:26:17.869
<v Speaker 1>like Summer had more of a role. I felt like

0:26:18.109 --> 0:26:20.469
<v Speaker 1>Rachel Bilson did go to Brown for a bit. I

0:26:20.549 --> 0:26:23.749
<v Speaker 1>was in season four, Yeah, but I think she like disappeared. Yeah,

0:26:23.789 --> 0:26:26.269
<v Speaker 1>well I don't feel like I followed, okay, but there

0:26:26.349 --> 0:26:28.909
<v Speaker 1>was a lot of following Seth Cohen around that house.

0:26:29.469 --> 0:26:33.269
<v Speaker 1>Didn't he get on a boat? Who got on a boat?

0:26:32.989 --> 0:26:37.029
<v Speaker 1>And that was the end of season one? That was

0:26:37.709 --> 0:26:40.589
<v Speaker 1>early right, Okay, maybe we didn't follow them on the boat. No.

0:26:41.149 --> 0:26:46.349
<v Speaker 1>Bilson responded on a podcast saying that's misinformation. Where is

0:26:46.389 --> 0:26:48.589
<v Speaker 1>she going with this and what is she trying to say?

0:26:48.789 --> 0:26:50.669
<v Speaker 1>I would actually like to talk to her and find

0:26:50.669 --> 0:26:53.669
<v Speaker 1>out what her experience was from her perspective, because I

0:26:53.709 --> 0:26:57.749
<v Speaker 1>saw things a little differently. So she's clearly like, why

0:26:57.789 --> 0:27:00.909
<v Speaker 1>does mister button hate me? We'll have him here if

0:27:00.989 --> 0:27:04.189
<v Speaker 1>they want to have a chat, I will get you

0:27:04.269 --> 0:27:07.349
<v Speaker 1>off the mic. Yeah, say, ladies, sit down. This is

0:27:07.469 --> 0:27:10.549
<v Speaker 1>not the format of this podcast, in fact, not even

0:27:10.589 --> 0:27:14.229
<v Speaker 1>recording it. This is just for me. Players, just don't

0:27:14.229 --> 0:27:17.309
<v Speaker 1>mind her. She's in the corner. Yeah, she's listening. I'm salivating.

0:27:17.429 --> 0:27:21.149
<v Speaker 1>She's salivating. And what we're gonna ask is who here

0:27:21.429 --> 0:27:25.669
<v Speaker 1>is the bitch bo that's fun on call? Her Daddy

0:27:25.989 --> 0:27:29.949
<v Speaker 1>Barton said it's typical that in these sets not everybody

0:27:29.989 --> 0:27:32.069
<v Speaker 1>is going to get along. There are going to be clashes.

0:27:32.269 --> 0:27:34.469
<v Speaker 1>There's going to be people who create rumors and make

0:27:34.509 --> 0:27:36.669
<v Speaker 1>stuff up. I think I was very sensitive to that

0:27:36.749 --> 0:27:39.469
<v Speaker 1>because I was so young. It felt like high school

0:27:39.469 --> 0:27:43.229
<v Speaker 1>but in the real world and very elevated and very magnified.

0:27:43.829 --> 0:27:45.909
<v Speaker 1>I was looking at some stuff recently about pretty little liars,

0:27:45.949 --> 0:27:48.269
<v Speaker 1>and they always say not everyone's gonna get along, and

0:27:48.349 --> 0:27:52.589
<v Speaker 1>I'm like, so there was fucking gossips. Okay, what I

0:27:53.069 --> 0:27:55.589
<v Speaker 1>hear is what I'm hearing. And when people say not

0:27:55.589 --> 0:27:59.229
<v Speaker 1>everyone's going to get along, it's like, who are you bullying? Who?

0:27:59.629 --> 0:28:02.589
<v Speaker 1>Who specifically bullying? I remember in year nine they do.

0:28:02.749 --> 0:28:07.749
<v Speaker 1>I think people mostly get along in a workplace. If

0:28:07.749 --> 0:28:10.189
<v Speaker 1>they don't, there are issues that should be addressed. But

0:28:10.229 --> 0:28:12.029
<v Speaker 1>I remember in year nine they did like a religion

0:28:12.109 --> 0:28:13.909
<v Speaker 1>Day or whatever, and they did a big thing on

0:28:13.989 --> 0:28:16.589
<v Speaker 1>rumors are damaging? Do you remember that? Yeah? Yeah, that

0:28:16.749 --> 0:28:19.549
<v Speaker 1>was very very vague, and I was a quick question,

0:28:20.469 --> 0:28:24.669
<v Speaker 1>what rumors? May you share them? Just so that I

0:28:24.749 --> 0:28:27.029
<v Speaker 1>don't understand that they're damaging? But I was thinking that

0:28:27.069 --> 0:28:29.269
<v Speaker 1>maybe if all of us could share one rumor and

0:28:29.309 --> 0:28:31.349
<v Speaker 1>we could kind of play with that and talk about

0:28:31.349 --> 0:28:34.349
<v Speaker 1>how they're damaging. Because I heard that she's given a

0:28:34.349 --> 0:28:38.749
<v Speaker 1>hand job. That's all I'm saying. It's very like actors

0:28:39.229 --> 0:28:43.029
<v Speaker 1>to say that not everyone gets along. You can't imagine

0:28:43.069 --> 0:28:44.909
<v Speaker 1>like a group of people in a writer's room and

0:28:44.949 --> 0:28:46.949
<v Speaker 1>then someone coming out of the writer's room and saying,

0:28:47.069 --> 0:28:52.069
<v Speaker 1>not everyone gets along, not everyone's gonna get home. I'm boring,

0:28:52.429 --> 0:28:55.589
<v Speaker 1>You're boring. There's less ego, like go into a staff room,

0:28:56.029 --> 0:28:59.509
<v Speaker 1>like there's eccentric. There's imagine a teacher, a teacher being like,

0:28:59.589 --> 0:29:04.189
<v Speaker 1>not everyone gets long, Like you're busy doing your job. Yeah,

0:29:04.309 --> 0:29:07.909
<v Speaker 1>everyone's too busy to be playing into this drama. But

0:29:08.029 --> 0:29:12.029
<v Speaker 1>then Barton appeared on Bill's podcast, which is like a

0:29:12.109 --> 0:29:18.229
<v Speaker 1>rewatch of the OC podcast. Yeah with Julie. Julie's has

0:29:18.269 --> 0:29:20.509
<v Speaker 1>a lot to say. I guess Julie has she done much,

0:29:21.389 --> 0:29:25.669
<v Speaker 1>she's done the podcast? Okay, I care anyway, Button appeared

0:29:25.709 --> 0:29:28.189
<v Speaker 1>on that it's called Welcome to the OC, and so

0:29:28.229 --> 0:29:30.669
<v Speaker 1>I reckon they've made up all right? Love that? Yeah,

0:29:30.669 --> 0:29:32.829
<v Speaker 1>so they already they stole our ideas. No more, no

0:29:32.909 --> 0:29:35.549
<v Speaker 1>more rumors, I guess, no more rumors. But we could

0:29:35.629 --> 0:29:46.949
<v Speaker 1>find out what the rumors were at the time. Yeah,

0:29:47.549 --> 0:29:50.149
<v Speaker 1>was Marissa the worst? I don't even know what to

0:29:50.189 --> 0:29:56.229
<v Speaker 1>say we did find this. Wow, I'll see if you're right.

0:29:56.269 --> 0:29:58.149
<v Speaker 1>On the first Wilm we could start smoking. We had

0:29:58.269 --> 0:30:03.509
<v Speaker 1>luck cool kidding kind of wait. Stop, I'm sorry, but

0:30:03.589 --> 0:30:07.029
<v Speaker 1>I can't do this. I have to go what You're

0:30:07.029 --> 0:30:12.189
<v Speaker 1>already even gonna try and start me? You are so

0:30:12.789 --> 0:30:17.149
<v Speaker 1>fight o'kay have money, Jesse online. There's a weird level

0:30:17.229 --> 0:30:21.269
<v Speaker 1>of animosity towards Marissa Cooper. That's the same with Carrie Bradshaw.

0:30:21.309 --> 0:30:24.389
<v Speaker 1>It's like, yeah, characters complicated at Fardy, that's why you

0:30:24.469 --> 0:30:28.789
<v Speaker 1>watched it. Yes, it is one of those times where

0:30:28.829 --> 0:30:31.629
<v Speaker 1>people have to remember it was just a TV show

0:30:31.709 --> 0:30:34.989
<v Speaker 1>and Marissa wasn't real. She was just a character. This

0:30:35.189 --> 0:30:38.269
<v Speaker 1>is from a Bustle article. You see Marissa Cooper, played

0:30:38.269 --> 0:30:40.989
<v Speaker 1>by the monotone voiced Barton, is one of the worst

0:30:41.069 --> 0:30:45.669
<v Speaker 1>TV characters to ever Grace the Medium. She's whiny and annoying, selfish,

0:30:45.669 --> 0:30:48.789
<v Speaker 1>and narcissistic from the moment she first appears on screen,

0:30:49.229 --> 0:30:53.189
<v Speaker 1>creepily oggling Ryan until he offers her a cigarette. Her

0:30:53.389 --> 0:30:55.869
<v Speaker 1>entire purpose is to make things more difficult for the

0:30:55.949 --> 0:30:59.509
<v Speaker 1>teens of Newport than they need to be. She starts fights,

0:30:59.749 --> 0:31:03.269
<v Speaker 1>breaks up relationships, forces her friends to literally save her

0:31:03.349 --> 0:31:07.589
<v Speaker 1>life several times, doing absolutely nothing in return, except in

0:31:07.669 --> 0:31:12.549
<v Speaker 1>capital letters, ruin their lives. The author rites got carried

0:31:12.589 --> 0:31:19.349
<v Speaker 1>away constant near death experiences. It's gold plot, she writes,

0:31:19.709 --> 0:31:23.909
<v Speaker 1>almost dying in Tijuana, almost dying with Oliver, almost dying

0:31:23.989 --> 0:31:27.789
<v Speaker 1>with Trey. All right, that one wasn't her fault. Okay,

0:31:28.029 --> 0:31:30.909
<v Speaker 1>what we need you to do? Almost to stop watching me?

0:31:30.989 --> 0:31:33.429
<v Speaker 1>Oh yeah, okay, put it down. Put it down. Fine,

0:31:33.749 --> 0:31:35.669
<v Speaker 1>that's actually it's not even being made anymore. So you

0:31:35.829 --> 0:31:38.149
<v Speaker 1>just got to move on. Marissa couldn't go a couple

0:31:38.229 --> 0:31:41.389
<v Speaker 1>of months without nearly getting killed, and every time she

0:31:41.469 --> 0:31:43.869
<v Speaker 1>came close to biting it, her friends had to be

0:31:43.949 --> 0:31:47.589
<v Speaker 1>the ones who saved alive. And when she actually died

0:31:47.749 --> 0:31:52.389
<v Speaker 1>in the third season spoiler, it was because bull Chuck,

0:31:52.869 --> 0:31:55.269
<v Speaker 1>the creepy guy she's been hanging out with, rammed into

0:31:55.349 --> 0:31:58.669
<v Speaker 1>Ryan's cart and ruined his life too. Even in death,

0:31:58.789 --> 0:32:02.869
<v Speaker 1>Marissa couldn't help but make things difficult for everyone around her. Okay,

0:32:03.029 --> 0:32:05.629
<v Speaker 1>you need to see a therapist, because you don't get

0:32:05.709 --> 0:32:08.749
<v Speaker 1>to be mad at someone when they've died. That way,

0:32:08.829 --> 0:32:13.429
<v Speaker 1>she's like dying freaking annoying and selfish, And there are

0:32:13.509 --> 0:32:15.869
<v Speaker 1>so many shows where like the main character is a

0:32:15.909 --> 0:32:18.509
<v Speaker 1>serial killer, and I would argue that they yus. For example,

0:32:20.469 --> 0:32:23.989
<v Speaker 1>she also talks about when Marissa made Ryan's life terrible

0:32:24.709 --> 0:32:27.669
<v Speaker 1>after moving to Newport. The only thing Ryan needed in

0:32:27.789 --> 0:32:36.149
<v Speaker 1>his life was stability and real baby Cooper, the crazy,

0:32:36.509 --> 0:32:41.429
<v Speaker 1>unlikable and totally unappreciative girl next door. Over the course

0:32:41.949 --> 0:32:46.429
<v Speaker 1>there again, off again relationship, Marissa did everything in her

0:32:46.549 --> 0:32:50.189
<v Speaker 1>power to make Ryan's life mising. No, you need to

0:32:50.269 --> 0:32:53.669
<v Speaker 1>speak to the site. Okay. When she died, she sent

0:32:53.789 --> 0:32:56.909
<v Speaker 1>him on a downward spiral that ended with cage fighting.

0:32:57.429 --> 0:33:04.629
<v Speaker 1>What dear Ryan of the OC pilot shut ah, see

0:33:04.669 --> 0:33:07.909
<v Speaker 1>that girl standing there weirdly staring at you. Don't talk

0:33:07.989 --> 0:33:10.509
<v Speaker 1>to her. In fact, get as far away from marrors

0:33:10.549 --> 0:33:18.229
<v Speaker 1>you can trust me? Could Okay? You need to chill.

0:33:18.709 --> 0:33:24.549
<v Speaker 1>You need to chill Marissa as she was needed. The

0:33:24.709 --> 0:33:28.789
<v Speaker 1>chaos is necessary to the story to move Ryan also

0:33:28.869 --> 0:33:34.509
<v Speaker 1>a character. Ryan didn't need stability all right, Ryan needed plot.

0:33:35.909 --> 0:33:39.269
<v Speaker 1>Ryan needed plot in order to sustain the series.

0:33:39.349 --> 0:33:44.269
<v Speaker 3>Okay, and Ryan doesn't need your protection because Ryan isn't real.

0:33:45.389 --> 0:33:50.189
<v Speaker 1>Okay. The most bizarre storylines Marissa and Alex don't let

0:33:50.229 --> 0:33:52.549
<v Speaker 1>her talk me to stay the name, you can't, you

0:33:52.669 --> 0:33:54.829
<v Speaker 1>have to take me home. In season two, we have

0:33:54.909 --> 0:33:58.989
<v Speaker 1>the same sex relationship which Perpetua, which was fun. Precisely

0:33:59.229 --> 0:34:04.789
<v Speaker 1>every stereotype damage about biosexuality. Alex is played by Livia Wilde,

0:34:04.869 --> 0:34:08.069
<v Speaker 1>and she dates both Seth Cohen and Marissa Cooper love

0:34:08.189 --> 0:34:12.469
<v Speaker 1>because by sexual people date everyone in discretion, duplicitous. Yes,

0:34:12.669 --> 0:34:15.469
<v Speaker 1>you can't trust him exactly. That was very much the

0:34:15.909 --> 0:34:18.309
<v Speaker 1>line that they were trying to push in sort of

0:34:18.429 --> 0:34:22.069
<v Speaker 1>the early two thousands was bisexual people. They were like,

0:34:22.509 --> 0:34:25.549
<v Speaker 1>because that bisexuality, it exists. We're not saying it doesn't exist.

0:34:25.709 --> 0:34:28.429
<v Speaker 1>We're saying saying, make up your mind, is what we're saying,

0:34:28.509 --> 0:34:30.789
<v Speaker 1>because otherwise they'll take the boys and the girls.

0:34:30.789 --> 0:34:31.149
<v Speaker 3>And then what.

0:34:33.789 --> 0:34:37.149
<v Speaker 1>They were saying, it's manipulative. It's manipulative, and yet you

0:34:37.269 --> 0:34:40.509
<v Speaker 1>can't trust him, and that's just not true. Alex was

0:34:40.549 --> 0:34:43.789
<v Speaker 1>a bad girl, and bisexuality obviously goes hand in hand

0:34:43.909 --> 0:34:47.229
<v Speaker 1>with being a bad rebelliousness. Yes, but there was a

0:34:47.389 --> 0:34:52.349
<v Speaker 1>lot of trivialization around same sex relationships. Kirsten literally says,

0:34:52.669 --> 0:34:55.709
<v Speaker 1>I'm sure it's just a phase about Marissa being with

0:34:55.789 --> 0:34:58.869
<v Speaker 1>Alex and when Seth finds out that Alex stated a

0:34:58.909 --> 0:35:02.109
<v Speaker 1>woman before him. He says she needs to be reminded

0:35:02.309 --> 0:35:06.829
<v Speaker 1>that testosterone was missing in her last relationship. Cool. I

0:35:06.949 --> 0:35:08.829
<v Speaker 1>think it is reflective of the world in which this

0:35:08.909 --> 0:35:11.269
<v Speaker 1>show was created, which was that those sorts of awful

0:35:11.309 --> 0:35:15.509
<v Speaker 1>things were being said behind closed doors within families all

0:35:15.549 --> 0:35:20.749
<v Speaker 1>the time. Yeah, Summer versus Anna. In season one, Seth

0:35:20.829 --> 0:35:23.949
<v Speaker 1>goes from having no friends to having two girls pining

0:35:23.989 --> 0:35:27.469
<v Speaker 1>after him, one who he likes for her personality, Anna,

0:35:27.829 --> 0:35:31.189
<v Speaker 1>and the other he likes because she's hot Summer. Who

0:35:31.229 --> 0:35:34.509
<v Speaker 1>does he choose the whole one Summer? Yeah? Cool, even

0:35:34.549 --> 0:35:37.509
<v Speaker 1>though she's there's a moral in that. I remember thinking

0:35:37.669 --> 0:35:41.749
<v Speaker 1>there was some strange morals. I didn't like it. I

0:35:41.789 --> 0:35:43.869
<v Speaker 1>thought it would be nice if he chose Anna, but

0:35:43.949 --> 0:35:46.229
<v Speaker 1>we all knew it was never going to Yeah. I

0:35:46.309 --> 0:35:48.069
<v Speaker 1>think that they dangled the two in front of him

0:35:48.069 --> 0:35:50.069
<v Speaker 1>to try and keep him interested because he wasn't reading

0:35:50.069 --> 0:35:52.029
<v Speaker 1>the scripts, so they were like, pretty thing, No, he

0:35:52.309 --> 0:35:54.989
<v Speaker 1>was pretty sick. Season one, Oh okay, and they're like,

0:35:55.149 --> 0:35:57.989
<v Speaker 1>every man must make a choice between a blonde and

0:35:58.069 --> 0:36:01.589
<v Speaker 1>a brunette. Not usually true, and if you have brown hair,

0:36:02.109 --> 0:36:04.789
<v Speaker 1>you will choose the brunette. If you are blonde, like

0:36:04.989 --> 0:36:07.869
<v Speaker 1>forty five year old right over here, you will choose

0:36:08.029 --> 0:36:10.109
<v Speaker 1>blonde blonde. The blonde is with the blonde. We don't

0:36:10.429 --> 0:36:15.069
<v Speaker 1>cross pollinate. Y yuck yu. And you also must choose

0:36:15.629 --> 0:36:20.589
<v Speaker 1>between hot, rebellious, kind of off the rails and like

0:36:20.869 --> 0:36:26.149
<v Speaker 1>mean and like mean and nice and nice is boring?

0:36:26.349 --> 0:36:31.949
<v Speaker 1>Yeah dark. For plot, Ryan punching people Jesse. Ryan often

0:36:31.989 --> 0:36:34.069
<v Speaker 1>beats someone up in the third act of the episode,

0:36:34.149 --> 0:36:37.709
<v Speaker 1>and it's a conflict, it's a complication, I understand. Yeah. Narratively,

0:36:37.829 --> 0:36:40.029
<v Speaker 1>the tension had to rise and then he'd often throw

0:36:40.069 --> 0:36:42.669
<v Speaker 1>a punch, just as Seth gave a quirky one liner.

0:36:43.109 --> 0:36:46.189
<v Speaker 1>But it went to a whole new level after Marissa died,

0:36:46.669 --> 0:36:51.229
<v Speaker 1>which we'll get to where Ryan decided to take up

0:36:51.349 --> 0:36:54.669
<v Speaker 1>a cage fighting career. There's a scene what is cage fighting? Oh,

0:36:54.709 --> 0:36:56.229
<v Speaker 1>you're in a cage and you're fighting. Yeah, it's like

0:36:56.349 --> 0:36:59.429
<v Speaker 1>professional fighting. But it's like he has tried to, like,

0:36:59.669 --> 0:37:02.789
<v Speaker 1>you know, take the bad boy out of himself. But

0:37:02.869 --> 0:37:05.469
<v Speaker 1>he's like, I guess I'll just get beaten up, and

0:37:05.549 --> 0:37:08.149
<v Speaker 1>so he does this cage fight where he just gets

0:37:08.349 --> 0:37:11.789
<v Speaker 1>beaten up and lets himself be beaten up. I guess

0:37:12.069 --> 0:37:15.469
<v Speaker 1>because he's grieving. Okay, but then men are weird, but

0:37:15.949 --> 0:37:18.709
<v Speaker 1>men are weird. But then he turns around and wins,

0:37:19.789 --> 0:37:23.069
<v Speaker 1>but doesn't collect his winnings, and it's like too many

0:37:23.109 --> 0:37:26.269
<v Speaker 1>plot points. This is a weird trajectory for Ryan. Yeah,

0:37:26.829 --> 0:37:29.749
<v Speaker 1>the man needs to get out of the cave, get

0:37:29.789 --> 0:37:31.989
<v Speaker 1>a job. He's actually quite clever in the show. I

0:37:32.069 --> 0:37:34.749
<v Speaker 1>forgot that he's quite good at school. He should focus

0:37:34.829 --> 0:37:37.029
<v Speaker 1>on that. Put your head down, yep, yep. Needs to

0:37:37.149 --> 0:37:40.989
<v Speaker 1>go to college. Yeah, stop throwing punches, yep. Marissa's death.

0:37:41.949 --> 0:37:44.749
<v Speaker 1>Unless you are Game of Thrones, you simply cannot kill

0:37:44.789 --> 0:37:47.389
<v Speaker 1>off a main character and expect the show to thrive

0:37:48.069 --> 0:37:52.989
<v Speaker 1>in season I think they expected. In season three, things

0:37:53.029 --> 0:37:55.749
<v Speaker 1>are finally looking better for her. They've all graduated. She's

0:37:55.749 --> 0:37:57.509
<v Speaker 1>about to go to Greece to work on a boat,

0:37:57.829 --> 0:38:00.549
<v Speaker 1>and Ryan is driving her to the airport. Then she's

0:38:00.669 --> 0:38:03.549
<v Speaker 1>killed in a car accident caused by vulture.

0:38:08.629 --> 0:38:27.429
<v Speaker 3>Of first, Ryan carries her out of the burning car

0:38:27.869 --> 0:38:31.109
<v Speaker 3>while Halloween play Jesse, did you rewatch this?

0:38:31.469 --> 0:38:37.589
<v Speaker 1>Yeah? I will always find that profoundly moving. It's the flashback,

0:38:38.149 --> 0:38:40.789
<v Speaker 1>so she's dying. She still looks so pretty lucky. She

0:38:40.869 --> 0:38:47.309
<v Speaker 1>has a tiny bit of body some would say pretty

0:38:47.349 --> 0:38:49.869
<v Speaker 1>ear because she's just so still and beautiful and you

0:38:49.909 --> 0:38:52.109
<v Speaker 1>can scare at her and she's not moving. Yeah, and

0:38:52.909 --> 0:38:56.829
<v Speaker 1>then there's a flashback to like Ryan driving away from

0:38:58.469 --> 0:39:01.069
<v Speaker 1>and she's standing on the street, and it's just it

0:39:01.189 --> 0:39:04.189
<v Speaker 1>honestly makes me feel quite sick with emotion. I think

0:39:04.269 --> 0:39:06.869
<v Speaker 1>they did something there. They did, Yeah, but I will

0:39:06.869 --> 0:39:09.629
<v Speaker 1>say it is bizarre for her to die and then

0:39:10.149 --> 0:39:11.869
<v Speaker 1>expect the story. Didn't she just want to get off

0:39:11.909 --> 0:39:14.109
<v Speaker 1>the show? Yeah? But then the story they should have

0:39:14.229 --> 0:39:15.829
<v Speaker 1>ended the series. Well, they should have ended the series

0:39:15.869 --> 0:39:20.509
<v Speaker 1>after season one. Yeah, and this is why the series

0:39:20.629 --> 0:39:23.949
<v Speaker 1>needed to end when Marissa died. Okay, because then in

0:39:24.069 --> 0:39:28.509
<v Speaker 1>season four we had an alternate universe plot. What, No,

0:39:28.629 --> 0:39:30.909
<v Speaker 1>we didn't, No, we didn't. So Ryan is in a

0:39:30.949 --> 0:39:33.669
<v Speaker 1>relationship joking about a cage fighting. No, well, I mean

0:39:33.709 --> 0:39:36.549
<v Speaker 1>the cage fighting isn't in the alternate universe. But where's

0:39:36.589 --> 0:39:39.509
<v Speaker 1>that that just happens in season four? Okay? Anyway, Ryan

0:39:39.629 --> 0:39:42.589
<v Speaker 1>is in a relationship with Taylor. Who's Taylor, you'd know

0:39:42.669 --> 0:39:45.589
<v Speaker 1>her face. She goes to the school, okay, but they

0:39:45.709 --> 0:39:48.069
<v Speaker 1>both fall off a ladder. How long are they at school,

0:39:48.309 --> 0:39:50.789
<v Speaker 1>like I feel like they were nearly done in season one.

0:39:51.069 --> 0:39:53.629
<v Speaker 1>In season four, like they knew each other from school Oka,

0:39:53.909 --> 0:39:56.709
<v Speaker 1>but like some of the others are at college. They

0:39:56.789 --> 0:40:01.309
<v Speaker 1>both fall off a ladder and into together. Yeah, they're

0:40:01.349 --> 0:40:05.109
<v Speaker 1>both on the ladder. Well, yeah, and they're going to

0:40:05.189 --> 0:40:08.669
<v Speaker 1>fall off in a coma, And in that coma they

0:40:08.909 --> 0:40:13.789
<v Speaker 1>enter at an alternate u universe where Ryan never moved

0:40:13.909 --> 0:40:18.189
<v Speaker 1>to Newport Beach for some reason. As I said, both

0:40:18.309 --> 0:40:21.389
<v Speaker 1>Ryan and Taylor are in the alternate universe together. Yeah,

0:40:21.749 --> 0:40:24.069
<v Speaker 1>that's what happens. Actually, I've heard with comas is that

0:40:24.549 --> 0:40:26.229
<v Speaker 1>if you have a comera in someone you know at

0:40:26.229 --> 0:40:29.589
<v Speaker 1>the coma, then it's like ash joined. It's like if

0:40:29.629 --> 0:40:32.189
<v Speaker 1>you're playing like a video game on Xbox and then

0:40:32.229 --> 0:40:35.109
<v Speaker 1>someone else lugs in, kind of like that. Taylor goes

0:40:35.189 --> 0:40:38.949
<v Speaker 1>to Marissa's bedroom in the alternate universe and the maid

0:40:39.149 --> 0:40:42.589
<v Speaker 1>says Miss Cooper's plane arrives at three o'clock from Berkeley,

0:40:42.909 --> 0:40:46.269
<v Speaker 1>which is where Marissa wanted to go. So Taylor believes

0:40:46.349 --> 0:40:49.669
<v Speaker 1>Marissa is still alive in this alternate universe, and she

0:40:49.869 --> 0:40:51.549
<v Speaker 1>tells Ryan, but she doesn't want him to go to

0:40:51.629 --> 0:40:54.469
<v Speaker 1>the airport because she's worried that he'll be like, oh

0:40:54.509 --> 0:40:56.309
<v Speaker 1>my god, Marissa's here, and then he won't ever want

0:40:56.309 --> 0:41:00.709
<v Speaker 1>to leave the alternate universe. At the air I'm moved.

0:41:00.869 --> 0:41:04.029
<v Speaker 1>I have a little bit more. At the airport, Ryan

0:41:04.309 --> 0:41:06.989
<v Speaker 1>grabs the shoulder of a girl he thinks is Marissa,

0:41:07.189 --> 0:41:09.989
<v Speaker 1>but Marissa said she wouldn't do season four. It's actually

0:41:10.229 --> 0:41:14.869
<v Speaker 1>Marissa's younger sister, Caitlin, otherwise known as Shalene, would lee.

0:41:15.229 --> 0:41:20.189
<v Speaker 1>Only at the beginning, she explains that her sister died

0:41:20.269 --> 0:41:23.909
<v Speaker 1>three years ago of an overdose in Tijuana, So basically

0:41:23.989 --> 0:41:27.829
<v Speaker 1>it's like she would have died. I gotsmumps. She would

0:41:27.829 --> 0:41:32.029
<v Speaker 1>have died in Tijuana, Yeah, which was like before a

0:41:32.149 --> 0:41:34.829
<v Speaker 1>lot of stuff happened. Oh, because I think Ryan rescued

0:41:34.829 --> 0:41:38.709
<v Speaker 1>it from Tijuana. Anyway, everyone else's lives are different. But

0:41:39.309 --> 0:41:44.229
<v Speaker 1>I guess what you learn is that you really need

0:41:44.349 --> 0:41:46.949
<v Speaker 1>to make up alternate universes when you kill off. When

0:41:46.989 --> 0:41:49.429
<v Speaker 1>you run out. Does he come out of the clima, Yeah,

0:41:49.509 --> 0:41:52.989
<v Speaker 1>together with Taylor. Yeah, and he's like ever talk about it. Yeah,

0:41:53.269 --> 0:41:55.949
<v Speaker 1>but it's like, I guess he's at peace knowing she

0:41:56.069 --> 0:41:59.629
<v Speaker 1>would have died anyway. Cool. I don't know. There's a

0:41:59.709 --> 0:42:01.429
<v Speaker 1>lot of stuff that like doesn't happen. Like there's some

0:42:01.589 --> 0:42:03.989
<v Speaker 1>sad stuff. There's a guy Johnny who falls off a cliff.

0:42:04.189 --> 0:42:08.269
<v Speaker 1>He doesn't fall off the cliff if Ryan doesn't come. Okay, Yeah, anyway,

0:42:08.829 --> 0:42:12.789
<v Speaker 1>when Marissa shot tries this is such a complicated storyline.

0:42:12.869 --> 0:42:15.589
<v Speaker 1>Whoo's Tray again? Who played him? He's Ryan's brother, you

0:42:15.709 --> 0:42:18.549
<v Speaker 1>know his face? Okay, But he gets out of jail

0:42:18.709 --> 0:42:20.829
<v Speaker 1>and he comes to the OC and he ends up

0:42:20.949 --> 0:42:24.909
<v Speaker 1>sexually assaulting Marissa. When Ryan finds out, he goes to

0:42:25.029 --> 0:42:28.989
<v Speaker 1>Trey's place to confront him and they're fighting. Trey is

0:42:29.069 --> 0:42:32.589
<v Speaker 1>about to he like grabs like a landline phone which

0:42:33.309 --> 0:42:37.789
<v Speaker 1>damn bad a brick and goes to hit him, but

0:42:37.989 --> 0:42:42.549
<v Speaker 1>Marissa grabs the gun and shoots him, and Jesse, can

0:42:42.629 --> 0:42:45.909
<v Speaker 1>you read this T shirt? I still think about when

0:42:45.989 --> 0:42:49.189
<v Speaker 1>Marissa shot Trey to save Ryan while Imagen heaps. Hide

0:42:49.189 --> 0:42:54.509
<v Speaker 1>and Seek played on the OC season two finale, Please

0:42:54.629 --> 0:43:06.229
<v Speaker 1>starve it. That's where it's like what you say, and

0:43:06.629 --> 0:43:09.349
<v Speaker 1>it's all of a sudden slow motion and Tray's the

0:43:09.469 --> 0:43:12.149
<v Speaker 1>bullet go from his back to his front and the

0:43:12.229 --> 0:43:16.549
<v Speaker 1>blood starts pouring out and you're like, as killed Tray yeah,

0:43:16.669 --> 0:43:19.549
<v Speaker 1>but it does say in small text, I downloaded an

0:43:19.629 --> 0:43:21.509
<v Speaker 1>MP three of the song the next day. Yeah, I

0:43:21.549 --> 0:43:23.589
<v Speaker 1>think we downloaded from Lime Wire.

0:43:23.749 --> 0:43:23.909
<v Speaker 3>Yes.

0:43:24.309 --> 0:43:27.429
<v Speaker 1>So that was the season two finale. Beginning of season three,

0:43:27.749 --> 0:43:31.469
<v Speaker 1>Tray's alive. He survived. He was in a goma obviously,

0:43:32.149 --> 0:43:36.309
<v Speaker 1>and Marissa is now like facing legal consequences, you know

0:43:36.349 --> 0:43:38.589
<v Speaker 1>what I mean, Like Trey just needed to die. Yeah,

0:43:38.629 --> 0:43:41.349
<v Speaker 1>he did need to die. But I guess contractually he

0:43:41.469 --> 0:43:53.229
<v Speaker 1>was meant to be another season. Yeah, I guess so, Jesse,

0:43:53.669 --> 0:44:00.829
<v Speaker 1>it's time for charges and sentences. My charge, my biggest

0:44:00.869 --> 0:44:05.389
<v Speaker 1>charge in all of this, is that these young stars

0:44:06.669 --> 0:44:09.749
<v Speaker 1>they thought, well when I say they are mostly mean,

0:44:09.789 --> 0:44:12.629
<v Speaker 1>Adam Brody, yeah, and the little bit Ben mackenzie. Yeah,

0:44:13.349 --> 0:44:16.029
<v Speaker 1>thought they could do better than the writers. And what

0:44:16.309 --> 0:44:22.069
<v Speaker 1>they weren't experiencing was say, pressure from the network, feed

0:44:22.269 --> 0:44:25.349
<v Speaker 1>back from producers, all sorts of things about what you

0:44:25.469 --> 0:44:28.389
<v Speaker 1>had to do, what you couldn't do, who needed more time?

0:44:29.469 --> 0:44:34.029
<v Speaker 1>And I just think the arrogance of being yes, forty

0:44:34.109 --> 0:44:37.509
<v Speaker 1>seven years old, No, no, he wasn't. Ben McKenzie was

0:44:37.509 --> 0:44:40.429
<v Speaker 1>not forty seven. Yeah he was by the end, he was, Yeah,

0:44:40.989 --> 0:44:45.389
<v Speaker 1>he wasn't thirty yet. But the arrogance of thinking, like

0:44:45.709 --> 0:44:49.709
<v Speaker 1>looking down on the writers and not reading the scripts. Honestly,

0:44:49.949 --> 0:44:51.869
<v Speaker 1>you have a go at and Brady and you're high,

0:44:52.549 --> 0:44:59.189
<v Speaker 1>yeah on screen, but looks like you also are in

0:44:59.309 --> 0:45:04.069
<v Speaker 1>your trailer my sentence. A reboot. You know we're rebooting everything,

0:45:04.109 --> 0:45:07.669
<v Speaker 1>aren't we? Yeah? Remember they bloody rebooted the four House.

0:45:07.869 --> 0:45:09.869
<v Speaker 1>They rebooted everything for a minute. None of them work

0:45:09.909 --> 0:45:11.429
<v Speaker 1>and they never did it again. But go on. And

0:45:11.469 --> 0:45:13.989
<v Speaker 1>I really hate the term reboot me too. I don't

0:45:14.149 --> 0:45:16.309
<v Speaker 1>like it. No, it doesn't work anyway. Yeah, So a

0:45:16.389 --> 0:45:23.349
<v Speaker 1>reboot written exclusively by Adam Brady? Has he written since?

0:45:23.509 --> 0:45:25.989
<v Speaker 1>I don't think so, but I want him it would

0:45:25.989 --> 0:45:30.629
<v Speaker 1>be very quippi. I think he's in his twe forties now, Yeah,

0:45:31.109 --> 0:45:34.349
<v Speaker 1>and I want him to sit down. And he's had

0:45:34.389 --> 0:45:37.189
<v Speaker 1>a lot of experience. He was in Jennifer's Body and

0:45:38.149 --> 0:45:40.309
<v Speaker 1>it's the one with Megan Fox. Never heard of it.

0:45:40.389 --> 0:45:42.149
<v Speaker 1>It's actually really good. I've seen a lot of clips

0:45:42.189 --> 0:45:45.069
<v Speaker 1>of it on TikTok. He was in Mister and Missus Smith,

0:45:45.149 --> 0:45:47.309
<v Speaker 1>he was in Promising Young Woman. He's had the most

0:45:47.309 --> 0:45:50.149
<v Speaker 1>successful career of any of them. Yeah, what's Sandy been in?

0:45:50.629 --> 0:45:50.789
<v Speaker 3>Oh?

0:45:51.589 --> 0:45:55.069
<v Speaker 1>I haven't seen him. Yeah, originally she's just on podcasts,

0:45:55.309 --> 0:45:58.069
<v Speaker 1>she is. Anyway, you want Adam to write a series,

0:45:58.869 --> 0:46:03.309
<v Speaker 1>it would be successful to write a season and just reboot.

0:46:03.389 --> 0:46:06.109
<v Speaker 1>I want to know where are we all? Now? Where

0:46:06.149 --> 0:46:08.949
<v Speaker 1>are we? Because none of us are together? Ross is dead?

0:46:10.469 --> 0:46:12.869
<v Speaker 1>Do you reckon? She comes back? Okay, this is what

0:46:12.949 --> 0:46:16.869
<v Speaker 1>he should do, a reboot. But what you do is

0:46:16.909 --> 0:46:21.029
<v Speaker 1>you were raise No, no, no, you were raise seasons two, three,

0:46:21.109 --> 0:46:26.029
<v Speaker 1>and four. Because this is a reboot, pregending that we

0:46:26.349 --> 0:46:28.069
<v Speaker 1>just have season one, which I think was like twenty

0:46:28.109 --> 0:46:30.269
<v Speaker 1>seven to twenty eight episodes. It's actually not about idea

0:46:30.389 --> 0:46:36.549
<v Speaker 1>season one yep, time jump twenty years and now where

0:46:36.589 --> 0:46:39.829
<v Speaker 1>are they? Marissa's still alive accident is sitting Ryan and

0:46:39.949 --> 0:46:42.069
<v Speaker 1>his care facility? Aren't we?

0:46:42.589 --> 0:46:42.909
<v Speaker 3>We are?

0:46:43.389 --> 0:46:44.229
<v Speaker 1>We are all right?

0:46:44.469 --> 0:46:45.029
<v Speaker 2>My charge.

0:46:45.549 --> 0:46:51.109
<v Speaker 1>I remember watching this and feeling so ugly. Oh gosh.

0:46:51.549 --> 0:46:54.669
<v Speaker 1>I remember studying mis she Button's face, the simplicity of it,

0:46:54.789 --> 0:46:58.469
<v Speaker 1>and being like, why is my face so complicated? It

0:46:58.629 --> 0:47:01.949
<v Speaker 1>has remembered many parts yeah face yeah, yeah, like there's

0:47:02.029 --> 0:47:04.069
<v Speaker 1>so much wrong with it. And I remember looking at

0:47:04.149 --> 0:47:07.469
<v Speaker 1>Marissa and there was one episode where she wore a

0:47:07.509 --> 0:47:10.989
<v Speaker 1>boob stoop. She look great and strapless, great bone shoulders

0:47:11.549 --> 0:47:15.349
<v Speaker 1>and pearls. And I found myself going to a beach party.

0:47:15.469 --> 0:47:17.629
<v Speaker 1>Oh no, And I did wear pearls to the beach

0:47:17.749 --> 0:47:19.709
<v Speaker 1>and I think back to that, and I think, no, no,

0:47:20.509 --> 0:47:23.669
<v Speaker 1>pearls should never be in a situation where they get sandy.

0:47:24.109 --> 0:47:26.029
<v Speaker 3>They were pearls, but you know when they were like

0:47:26.229 --> 0:47:30.109
<v Speaker 3>colored beads. Oh no, colored beads with a.

0:47:30.429 --> 0:47:34.189
<v Speaker 1>Lovely burnt orange boob tube. And I was like, I

0:47:34.789 --> 0:47:40.029
<v Speaker 1>am Mischa Barton, don't get me mixed up. No one,

0:47:40.509 --> 0:47:43.829
<v Speaker 1>No one did. She would have said, she would have said,

0:47:44.389 --> 0:47:49.589
<v Speaker 1>you're too voluptuous, and she's more understated sex. Unfortunately, you

0:47:49.709 --> 0:47:54.749
<v Speaker 1>are right. My sentence is that it was just never

0:47:54.869 --> 0:47:59.069
<v Speaker 1>made with the right people because seventeen year olds are disgusting.

0:47:59.629 --> 0:48:04.069
<v Speaker 1>Hear me out. Seventeen year olds are greasy. They all

0:48:04.309 --> 0:48:06.789
<v Speaker 1>have hormonal acne. Because I don't know what's going on yet,

0:48:07.709 --> 0:48:12.989
<v Speaker 1>you've probably not got your braces off making bad fashion decisions. Yep,

0:48:13.349 --> 0:48:16.749
<v Speaker 1>you're experimenting with fake tan. Yeah. And here's the other thing.

0:48:16.909 --> 0:48:19.429
<v Speaker 1>I've been spending a lot of time at my local library,

0:48:19.749 --> 0:48:22.269
<v Speaker 1>and that is where HS students hang out. Yeah, and

0:48:22.389 --> 0:48:26.949
<v Speaker 1>there is no one, no offense anything more insufferable, and

0:48:27.229 --> 0:48:31.029
<v Speaker 1>so it needs to be like these teenagers that oscillate

0:48:31.149 --> 0:48:33.469
<v Speaker 1>from like Oh, we're so cool, let's go to a party,

0:48:33.869 --> 0:48:36.869
<v Speaker 1>and then being I think that the maths teachers really

0:48:37.269 --> 0:48:41.669
<v Speaker 1>didn't mark that fair. We need more of a built

0:48:42.189 --> 0:48:45.109
<v Speaker 1>need more. I saw a thing this is totally unrelated.

0:48:45.149 --> 0:48:46.909
<v Speaker 1>I saw a thing at the library, a little poster.

0:48:46.989 --> 0:48:48.429
<v Speaker 1>I nearly took a photo for you because I thought

0:48:48.509 --> 0:48:51.149
<v Speaker 1>it would upset you that said we're having a night

0:48:51.269 --> 0:48:53.949
<v Speaker 1>for everyone doing the HC. Come, We're going to talk

0:48:53.949 --> 0:48:56.109
<v Speaker 1>about study skills. And I was like, study skills, great,

0:48:56.309 --> 0:48:58.509
<v Speaker 1>and then it said what food to pack? And I

0:48:58.629 --> 0:49:00.909
<v Speaker 1>was like, I hate you, I hate you. Why do

0:49:01.029 --> 0:49:06.349
<v Speaker 1>you need a session on snacking? That's what a plot

0:49:06.469 --> 0:49:08.629
<v Speaker 1>thing should be. They all go to a night where

0:49:08.709 --> 0:49:11.269
<v Speaker 1>someone says, you know, make sure that you have some fruit.

0:49:11.749 --> 0:49:14.589
<v Speaker 1>So wait, that was on the study skills. Having said

0:49:14.629 --> 0:49:17.629
<v Speaker 1>that was on the agenda of the night where they

0:49:17.709 --> 0:49:20.869
<v Speaker 1>tell you what to do. It was like nutrition and snap,

0:49:20.909 --> 0:49:24.429
<v Speaker 1>okay for your exams. Seventeen year olds take themselves far

0:49:24.549 --> 0:49:28.109
<v Speaker 1>too seriously. Yeah, for people whom you want to shake

0:49:28.269 --> 0:49:31.509
<v Speaker 1>and say doesn't mean anything. No, you can't you can't.

0:49:31.589 --> 0:49:34.069
<v Speaker 1>You can't and you've not shot Trey, so you don't

0:49:34.109 --> 0:49:36.589
<v Speaker 1>have real issues. No, you know what I mean, Like

0:49:36.629 --> 0:49:38.829
<v Speaker 1>at least they had. Marissa died in a car crash,

0:49:39.069 --> 0:49:45.229
<v Speaker 1>hectic issues just after she graduated, Seth adicted to wedicted.

0:49:45.869 --> 0:49:49.869
<v Speaker 1>You have little small scale issueses. Before we go, I

0:49:50.189 --> 0:49:53.789
<v Speaker 1>want to read you a laser girls story which you

0:49:53.869 --> 0:49:58.109
<v Speaker 1>know who would relate to lazy girl stories, Adam, lazy

0:49:58.149 --> 0:50:00.589
<v Speaker 1>girl story from Jamie. When I was a teenager, my

0:50:00.669 --> 0:50:02.709
<v Speaker 1>boyfriend and I would often use a lamb line to

0:50:02.749 --> 0:50:05.429
<v Speaker 1>call my sister in the next remover on her Nokia

0:50:05.549 --> 0:50:08.749
<v Speaker 1>three sixty and ask her to make his pancakes. We'd

0:50:08.789 --> 0:50:11.189
<v Speaker 1>bribe her and tell her we'd get give her pocket money.

0:50:12.149 --> 0:50:14.309
<v Speaker 1>Little did she know that while she was baking her

0:50:14.389 --> 0:50:16.429
<v Speaker 1>little heart out for us, I'd sneak into a room

0:50:16.549 --> 0:50:18.949
<v Speaker 1>and steal her own money and give it back to

0:50:19.029 --> 0:50:23.549
<v Speaker 1>her as payment. Lazy girls don't carry cash. I love it.

0:50:24.349 --> 0:50:27.229
<v Speaker 1>Lazy girls don't carry cash needs to be on a team,

0:50:27.309 --> 0:50:30.509
<v Speaker 1>it does, it does. If we have cash, we stole

0:50:30.589 --> 0:50:36.589
<v Speaker 1>it from mum'sdraw. Okay, there's also something in there about

0:50:37.669 --> 0:50:44.989
<v Speaker 1>I think pancakes. We're an oddly prominent feature of Lazy

0:50:45.109 --> 0:50:48.589
<v Speaker 1>Girl's adolescents. Yes, particularly the one where you just started water.

0:50:48.709 --> 0:50:49.909
<v Speaker 1>You just do a bit of a shake and you

0:50:50.029 --> 0:50:50.509
<v Speaker 1>for them out.

0:50:50.589 --> 0:50:50.749
<v Speaker 3>Yeah.

0:50:51.029 --> 0:50:54.669
<v Speaker 1>Yeah, gotta wait till it bubbles. We should make pancakes,

0:50:54.669 --> 0:50:57.829
<v Speaker 1>those girl pancakes. It's just a recipe. Yeah, I love it.

0:50:58.069 --> 0:51:00.149
<v Speaker 1>I did make pancakes from Utilda the other day and

0:51:00.229 --> 0:51:03.229
<v Speaker 1>I thought, oh, it takes me back, takes me back

0:51:03.269 --> 0:51:06.949
<v Speaker 1>to being a teenage lazy girl. That would be our os.

0:51:07.549 --> 0:51:10.429
<v Speaker 1>It's just making pancakes at six pm on a cheese today.

0:51:11.349 --> 0:51:13.429
<v Speaker 1>Thank you so much for joining us on this episode

0:51:13.469 --> 0:51:16.629
<v Speaker 1>of Canceled. Before you go, we thought we should let

0:51:16.709 --> 0:51:20.309
<v Speaker 1>you know that we make another podcast together. When we're

0:51:20.349 --> 0:51:24.309
<v Speaker 1>not canceling celebrities. We're trying to cancel parenting. If you

0:51:24.509 --> 0:51:26.749
<v Speaker 1>two want to laugh at the weird shit your baby

0:51:26.789 --> 0:51:30.109
<v Speaker 1>has done, or maybe more realistically, the weird shit you

0:51:30.269 --> 0:51:33.029
<v Speaker 1>have done as a parent, then might we suggest you

0:51:33.189 --> 0:51:36.269
<v Speaker 1>check out the Baby Bubble. One of our guests this

0:51:36.429 --> 0:51:40.589
<v Speaker 1>season who had me in absolute stitches was comedian Sammy

0:51:40.749 --> 0:51:43.949
<v Speaker 1>Shah and he who I still think about his stories.

0:51:43.989 --> 0:51:46.389
<v Speaker 1>He was so he was so funny. He has done

0:51:46.429 --> 0:51:49.949
<v Speaker 1>some questionable things to feel vindicated as a parent. He

0:51:49.989 --> 0:51:51.949
<v Speaker 1>has a very funny story about being on a plane

0:51:51.949 --> 0:51:53.669
<v Speaker 1>and looking at a twenty one year old and being like,

0:51:53.789 --> 0:51:57.189
<v Speaker 1>you're not bloody tired, mae. We'll put a link to

0:51:57.269 --> 0:51:59.989
<v Speaker 1>the baby bubble in our show notes. The producer of

0:52:00.069 --> 0:52:04.189
<v Speaker 1>Canceled is Kimberly Bradish and the audio producer of Canceled

0:52:04.309 --> 0:52:07.349
<v Speaker 1>he is Leah Porgies. For more from us, you can

0:52:07.389 --> 0:52:10.389
<v Speaker 1>follow us at the Twins Underscore thoughts on Instagra. We

0:52:10.389 --> 0:52:12.709
<v Speaker 1>would love to see you there and if you feel

0:52:12.789 --> 0:52:14.629
<v Speaker 1>like it, if you've got two minutes laser girls, don't

0:52:14.709 --> 0:52:16.989
<v Speaker 1>but screw it leave us five star review. We would

0:52:17.029 --> 0:52:18.549
<v Speaker 1>love that. We'll be back next week.

0:52:18.789 --> 0:52:19.109
<v Speaker 3>Bye.