1 00:00:11,064 --> 00:00:11,384 Speaker 1: So much. 2 00:00:11,424 --> 00:00:16,024 Speaker 2: You're listening to a Muma Mia podcast. Mamma Mia acknowledges 3 00:00:16,104 --> 00:00:19,584 Speaker 2: the traditional owners of land and waters that this podcast 4 00:00:19,704 --> 00:00:22,784 Speaker 2: is recorded on. Hello spillers, this is Laura dropping in 5 00:00:22,824 --> 00:00:24,904 Speaker 2: your feed to say that it's a public holiday in 6 00:00:24,944 --> 00:00:27,584 Speaker 2: Australia today, so we are not releasing a new episode, 7 00:00:27,784 --> 00:00:29,544 Speaker 2: but we did not want to leave you hanging and 8 00:00:29,624 --> 00:00:31,224 Speaker 2: let you miss out on a day of the spill 9 00:00:31,544 --> 00:00:34,504 Speaker 2: so instead we are re sharing one of our favorite 10 00:00:34,544 --> 00:00:38,144 Speaker 2: episodes from the last year. So this episode is the 11 00:00:38,144 --> 00:00:42,184 Speaker 2: Movies you Have to Watch Twice, a very fun, interesting, shocking, 12 00:00:42,224 --> 00:00:45,184 Speaker 2: deep dive into the movies that have shocked us to 13 00:00:45,264 --> 00:00:47,944 Speaker 2: our core all because their plot twists and like the 14 00:00:47,984 --> 00:00:51,544 Speaker 2: big reveals at the end were so unexpected. And as 15 00:00:51,584 --> 00:00:54,224 Speaker 2: you watch these movies, you can see them building to 16 00:00:54,344 --> 00:00:56,544 Speaker 2: the plot twist. You can see the clues that have 17 00:00:56,584 --> 00:00:59,184 Speaker 2: been smattered through, you can see the little Easter eggs 18 00:00:59,184 --> 00:01:01,904 Speaker 2: and secret messages that have been hidden. So you really 19 00:01:01,904 --> 00:01:04,744 Speaker 2: do have to watch these movies twice in order to 20 00:01:05,304 --> 00:01:07,344 Speaker 2: see the full reveal. So we do get into quite 21 00:01:07,344 --> 00:01:09,744 Speaker 2: a few spoilery pot twists in here, but they're all 22 00:01:09,864 --> 00:01:12,264 Speaker 2: very kind of movies that I'm sure you've seen, and 23 00:01:12,344 --> 00:01:14,904 Speaker 2: their movies so cleverly core after that, you'll just want 24 00:01:14,944 --> 00:01:17,144 Speaker 2: to hit the rewine button every time you watch them. 25 00:01:17,424 --> 00:01:24,304 Speaker 2: So please enjoy the movies you have to watch twice 26 00:01:25,064 --> 00:01:27,144 Speaker 2: from mom and me O. Welcome to the spill your 27 00:01:27,224 --> 00:01:30,504 Speaker 2: daily pop culture fix. I'm Laura Brodney and I'm m Burnham. 28 00:01:30,544 --> 00:01:34,024 Speaker 2: Happy Friday. I was busy forming on the ship. How 29 00:01:34,024 --> 00:01:36,104 Speaker 2: long are we going to talk about that? You are 30 00:01:36,144 --> 00:01:38,304 Speaker 2: mopping the decks. I would not know how to do that. 31 00:01:38,424 --> 00:01:40,664 Speaker 2: I have no kind of seafaring skills except I'm a 32 00:01:40,664 --> 00:01:43,024 Speaker 2: really strong swimmer. I'm a slow but strong swimmer. I'm like, oh, 33 00:01:43,064 --> 00:01:47,104 Speaker 2: I'm like a porpoise breaststroke only I've had so many 34 00:01:47,144 --> 00:01:50,104 Speaker 2: messages from spillers wanting to know our thoughts, and Emily 35 00:01:50,144 --> 00:01:52,784 Speaker 2: in Paris, because obviously I made such a big deal 36 00:01:53,104 --> 00:01:56,864 Speaker 2: about flying to Queensland to watch the screeners with my sister. 37 00:01:57,144 --> 00:01:59,024 Speaker 2: Then they gave us the first three and I really 38 00:01:59,104 --> 00:02:01,744 Speaker 2: hyped up our response. But then I was away for 39 00:02:01,824 --> 00:02:04,584 Speaker 2: when part one of season four came out. 40 00:02:04,944 --> 00:02:06,224 Speaker 3: I have a confession. 41 00:02:06,384 --> 00:02:08,024 Speaker 2: You haven't watched it, Well, you're gonna have to watch 42 00:02:08,024 --> 00:02:11,144 Speaker 2: it because the second part's coming out soon. And I 43 00:02:11,184 --> 00:02:13,784 Speaker 2: want us to do a whole, broodly, honest review. Kas 44 00:02:13,824 --> 00:02:14,664 Speaker 2: and I have so much. 45 00:02:14,744 --> 00:02:16,704 Speaker 3: I feel like the reason why I haven't watched it, 46 00:02:16,744 --> 00:02:18,664 Speaker 3: and I think you will respect that, is because I 47 00:02:18,704 --> 00:02:21,944 Speaker 3: haven't been in the right headspace. Und I've been craving 48 00:02:22,064 --> 00:02:24,584 Speaker 3: very deep, serious stuff right now, and I feel like 49 00:02:24,584 --> 00:02:26,624 Speaker 3: when you're craving one type of genre, you can't just 50 00:02:26,664 --> 00:02:27,984 Speaker 3: like switch your mind to watch the other. 51 00:02:28,104 --> 00:02:29,304 Speaker 2: You need to make a bit of an event of 52 00:02:29,304 --> 00:02:31,784 Speaker 2: Emily in Paris, and then when part two of season 53 00:02:31,824 --> 00:02:34,184 Speaker 2: four comes out, you need to watch the whole thing 54 00:02:34,264 --> 00:02:35,424 Speaker 2: so we can do an episode on it. 55 00:02:35,544 --> 00:02:37,504 Speaker 3: I am telling you right now, I am going to 56 00:02:37,544 --> 00:02:39,344 Speaker 3: be watching it on my phone on my walk home. 57 00:02:39,624 --> 00:02:42,784 Speaker 2: Okay, but a few issues. One you're definitely gonna get 58 00:02:42,824 --> 00:02:45,904 Speaker 2: hit by car, and two that is not the way 59 00:02:45,944 --> 00:02:49,384 Speaker 2: you experience a masterpiece like Emily in Paris. Anyway, on 60 00:02:49,424 --> 00:02:52,904 Speaker 2: today's show, we've already talked about the movie Blink twice 61 00:02:53,224 --> 00:02:55,024 Speaker 2: once this week. If you haven't listened to an episode, 62 00:02:55,144 --> 00:02:56,904 Speaker 2: we will link in the show notes. That is a 63 00:02:56,944 --> 00:02:59,784 Speaker 2: new movie co written and directed by Zoe Kravatz, starring 64 00:02:59,864 --> 00:03:02,984 Speaker 2: Channing Tatum. Everyone in you found him Hot at It 65 00:03:02,944 --> 00:03:05,064 Speaker 2: it's interesting. I don't think that's what. I don't think 66 00:03:05,064 --> 00:03:06,024 Speaker 2: that was meant to be the takeaway. 67 00:03:06,184 --> 00:03:08,424 Speaker 3: I found him hard until I did it, and I think, 68 00:03:08,464 --> 00:03:08,704 Speaker 3: you know. 69 00:03:08,824 --> 00:03:11,664 Speaker 2: I Volta wrote a very scape saying that the movie 70 00:03:11,704 --> 00:03:13,224 Speaker 2: is too obsessed with Channing Tatum. 71 00:03:13,304 --> 00:03:15,184 Speaker 3: I did read that, and I don't agree. 72 00:03:15,224 --> 00:03:17,864 Speaker 2: Now, I don't think that was the semicry anyway. So 73 00:03:18,024 --> 00:03:20,104 Speaker 2: we're not going to get into spoilers of the movie, 74 00:03:20,144 --> 00:03:21,944 Speaker 2: but you know, they have been very open about the 75 00:03:21,944 --> 00:03:25,704 Speaker 2: fact that there is a big plot twist towards the end, 76 00:03:26,144 --> 00:03:28,304 Speaker 2: and it is the kind of movie that as soon 77 00:03:28,344 --> 00:03:30,744 Speaker 2: as this plot twist comes out, you're like, oh my god, 78 00:03:31,064 --> 00:03:33,024 Speaker 2: now I can see it. But I didn't know before. 79 00:03:33,064 --> 00:03:35,184 Speaker 2: And as soon as we left the theater, we literally 80 00:03:35,224 --> 00:03:37,624 Speaker 2: just watched it and we were processing the plot twist, 81 00:03:37,624 --> 00:03:38,424 Speaker 2: and you said. 82 00:03:38,384 --> 00:03:40,624 Speaker 3: I cannot wait to watch it again. 83 00:03:40,344 --> 00:03:41,944 Speaker 2: Which was so weird because I was like, I'm going 84 00:03:41,984 --> 00:03:46,104 Speaker 2: to need a moment to not live through the intensity 85 00:03:46,144 --> 00:03:48,104 Speaker 2: and the graphic nature of this movie again. But you 86 00:03:48,304 --> 00:03:50,384 Speaker 2: immediately wanted to watch it again because you wanted to 87 00:03:50,424 --> 00:03:53,464 Speaker 2: watch it knowing the twist and seeing all of the little. 88 00:03:53,544 --> 00:03:56,064 Speaker 3: One of those movies that like when you watch it 89 00:03:56,104 --> 00:03:59,544 Speaker 3: the second time, you're like, oh, that makes sense now, 90 00:03:59,864 --> 00:04:02,984 Speaker 3: Oh that's why that happened. I love that second time watch. 91 00:04:03,024 --> 00:04:04,904 Speaker 3: I feel like the second time watch sometimes is a 92 00:04:04,944 --> 00:04:05,784 Speaker 3: bit better than the first time. 93 00:04:05,864 --> 00:04:08,904 Speaker 2: Well, sometimes it's a whole different movie. So in this episode, 94 00:04:08,904 --> 00:04:11,584 Speaker 2: we're gonna get into the movies with the biggest plot 95 00:04:11,624 --> 00:04:14,144 Speaker 2: twist that made us want to immediately watch the movie 96 00:04:14,144 --> 00:04:16,984 Speaker 2: again because it was a completely different story. And no, 97 00:04:17,064 --> 00:04:19,544 Speaker 2: we're not doing the sixth sense? What A doing? My secret? 98 00:04:19,624 --> 00:04:21,224 Speaker 1: Now I see dead. 99 00:04:21,104 --> 00:04:24,184 Speaker 2: People because I feel like that's the golden standard. You 100 00:04:24,224 --> 00:04:26,064 Speaker 2: watch that back again, you're like, oh, of course he's 101 00:04:26,064 --> 00:04:28,504 Speaker 2: not talking to anyone because he's dead. Spoiler alert from 102 00:04:28,504 --> 00:04:29,824 Speaker 2: a movie that came out twenty years ago. 103 00:04:31,704 --> 00:04:33,784 Speaker 3: Okay, I want to go first. It's one of those 104 00:04:33,784 --> 00:04:35,344 Speaker 3: movies that I'm not obsessed with, but I feel like 105 00:04:35,384 --> 00:04:37,464 Speaker 3: I had to include it because I actually did watch 106 00:04:37,504 --> 00:04:39,984 Speaker 3: it twice. I went into cinema watched it, and then 107 00:04:40,064 --> 00:04:42,344 Speaker 3: the week a week later, I went back into cinema 108 00:04:42,424 --> 00:04:47,784 Speaker 3: and watched it again. It was don't worry, darling, all 109 00:04:47,824 --> 00:04:53,264 Speaker 3: of you wivees. We men. We ask a lot, and 110 00:04:53,624 --> 00:05:00,064 Speaker 3: you see, we asked for strength food at home, A house, clean, 111 00:05:02,864 --> 00:05:06,984 Speaker 3: and discretion above all else. Boys and their toys unless 112 00:05:07,024 --> 00:05:08,104 Speaker 3: we know they're getting work done. 113 00:05:09,824 --> 00:05:13,304 Speaker 2: Welcome the Victory Project. We're all here because we believe 114 00:05:13,464 --> 00:05:16,544 Speaker 2: in the mission. What are we doing changing the world? 115 00:05:16,664 --> 00:05:18,624 Speaker 2: What are we doing changing the over? 116 00:05:19,064 --> 00:05:19,584 Speaker 1: That's right. 117 00:05:20,024 --> 00:05:22,344 Speaker 2: The one thing they ask of us is to stay here. 118 00:05:23,344 --> 00:05:25,304 Speaker 2: Do you even know what the Vituy project actually is? 119 00:05:25,344 --> 00:05:30,664 Speaker 2: Have you ever asked you please, what's actually happening stocking Dallas? 120 00:05:32,264 --> 00:05:33,504 Speaker 2: What if this place is dangerous? 121 00:05:33,544 --> 00:05:33,824 Speaker 1: What is it? 122 00:05:34,624 --> 00:05:37,184 Speaker 2: Wow? I love that in all of the craziness of 123 00:05:37,224 --> 00:05:39,144 Speaker 2: the press tour for that movie, that that that you 124 00:05:39,224 --> 00:05:40,864 Speaker 2: went back and watched it again for the art. 125 00:05:41,064 --> 00:05:43,944 Speaker 3: I hated the press to don't worry Darling, because I 126 00:05:43,984 --> 00:05:46,424 Speaker 3: think it made people like not go see the movie 127 00:05:46,624 --> 00:05:47,384 Speaker 3: or hate the movie. 128 00:05:47,544 --> 00:05:50,344 Speaker 2: Made people go see the movie, maybe not appreciate it, 129 00:05:50,384 --> 00:05:52,264 Speaker 2: like everyone was just looking for drama, But I think 130 00:05:52,264 --> 00:05:55,464 Speaker 2: it made people go because they were invested in like 131 00:05:55,544 --> 00:05:57,264 Speaker 2: the hype that this drama had caused. 132 00:05:57,384 --> 00:05:59,584 Speaker 3: Yes, so okay, are we allowed to talk about spoilers 133 00:05:59,584 --> 00:06:00,024 Speaker 3: in the segment? 134 00:06:00,064 --> 00:06:01,824 Speaker 2: Yeah, guys, We're gonna go in on spoilers for some 135 00:06:01,864 --> 00:06:05,864 Speaker 2: of these movies. So I think it might have been 136 00:06:05,864 --> 00:06:08,064 Speaker 2: out for a long time. Both of mine yours has 137 00:06:08,064 --> 00:06:11,024 Speaker 2: been out like a fairly recent come if you haven't 138 00:06:11,024 --> 00:06:13,984 Speaker 2: seen it, come on, So don't worry, darling. 139 00:06:14,264 --> 00:06:17,504 Speaker 3: It's a movie. It has like massive, massive cast. It 140 00:06:17,584 --> 00:06:21,864 Speaker 3: has Olivia Wilde who also directed Florence Pugh, Harry Styles. 141 00:06:22,104 --> 00:06:24,904 Speaker 3: Haven't seen him since I gonna lie, not gonna lie. 142 00:06:25,024 --> 00:06:26,424 Speaker 2: He just went back to singing, which is what he 143 00:06:26,424 --> 00:06:26,824 Speaker 2: does best. 144 00:06:26,824 --> 00:06:29,864 Speaker 3: Is what he does best. So the movie is about 145 00:06:30,104 --> 00:06:31,704 Speaker 3: kind of like it's set in the I want to 146 00:06:31,704 --> 00:06:35,024 Speaker 3: say sixties, and it's about very like traditional roles like 147 00:06:35,344 --> 00:06:38,704 Speaker 3: gorgeous husbands, gorgeous wives. The husband's leave for work, the 148 00:06:38,744 --> 00:06:41,384 Speaker 3: wives clean the house, the husband's come back, they have 149 00:06:41,464 --> 00:06:43,864 Speaker 3: amazing sex, and they do it all again the next day. 150 00:06:43,984 --> 00:06:47,304 Speaker 3: The viewer finds out halfway through the film that it's 151 00:06:47,384 --> 00:06:51,584 Speaker 3: all a ruse. It's actually a simulation that the wives undergo. 152 00:06:51,824 --> 00:06:55,264 Speaker 3: They're put into the simulation that the men have kind 153 00:06:55,264 --> 00:06:57,704 Speaker 3: of ticked a box to agree that they want to 154 00:06:57,744 --> 00:07:00,104 Speaker 3: go into the simulation, so the men know what's happening. 155 00:07:00,224 --> 00:07:03,144 Speaker 3: So that's like the biggest twist of the movie. So 156 00:07:03,184 --> 00:07:05,824 Speaker 3: I watched that and I was like, decent twist. I 157 00:07:05,864 --> 00:07:08,304 Speaker 3: love a decent twist. It made me want to watch 158 00:07:08,344 --> 00:07:11,064 Speaker 3: it again. And when I watched it again, I was 159 00:07:11,144 --> 00:07:14,144 Speaker 3: kind of looking for signs of how the audience was 160 00:07:14,224 --> 00:07:17,104 Speaker 3: kind of like shown that they were in a simulation 161 00:07:17,464 --> 00:07:20,424 Speaker 3: before they actually did the big reveal. And some of 162 00:07:20,504 --> 00:07:22,504 Speaker 3: the things I found out when I was watching it 163 00:07:22,544 --> 00:07:24,584 Speaker 3: the first time was like Florence p would like rub 164 00:07:24,624 --> 00:07:25,624 Speaker 3: her eyes a lot. 165 00:07:25,744 --> 00:07:27,504 Speaker 2: Yes, because her eyes are being held open. 166 00:07:27,544 --> 00:07:30,704 Speaker 3: Her eyes are being held open. Oh, it's very creepy 167 00:07:30,744 --> 00:07:33,104 Speaker 3: if you don't like eye stuff. I don't like avoid 168 00:07:33,144 --> 00:07:35,544 Speaker 3: that their eyes are being open and they're forced to 169 00:07:35,624 --> 00:07:38,264 Speaker 3: watch kind of like a hypnotism film that's on repeat. 170 00:07:38,544 --> 00:07:41,384 Speaker 3: And you also see clips of the film being played 171 00:07:41,544 --> 00:07:43,944 Speaker 3: during them being in the simulation, which is also like 172 00:07:43,984 --> 00:07:46,544 Speaker 3: a key. Also, there's this part where she's looking at 173 00:07:46,544 --> 00:07:49,624 Speaker 3: an aeroplane flying across the sky and the airplane kind 174 00:07:49,624 --> 00:07:52,224 Speaker 3: of goes wobbly, which I think was like a glitch. 175 00:07:52,464 --> 00:07:53,944 Speaker 3: Like there's a few glitchy. 176 00:07:53,584 --> 00:07:55,624 Speaker 2: Moments pitching in the background the Yeah, and. 177 00:07:55,584 --> 00:07:57,824 Speaker 3: There's a time where like she's breaking eggs and there's 178 00:07:57,864 --> 00:08:00,344 Speaker 3: nothing in the shell, like it's empty shell. So it's 179 00:08:00,384 --> 00:08:03,504 Speaker 3: like the simulation they forgot to like make that part 180 00:08:03,544 --> 00:08:05,504 Speaker 3: real or they didn't expect her to break eggs and 181 00:08:05,504 --> 00:08:08,024 Speaker 3: then suddenly she's like, go on this rampage of breaking eggs. 182 00:08:08,224 --> 00:08:11,704 Speaker 3: There's also this character who's played by Land named Deb 183 00:08:11,784 --> 00:08:14,824 Speaker 3: and she's always pregnant. Yeah, but she's pregnant throughout the 184 00:08:14,824 --> 00:08:17,184 Speaker 3: whole movie, to the point where like Olivia Wild's character 185 00:08:17,624 --> 00:08:19,824 Speaker 3: tells Florence pe like, oh, if you don't remember her, 186 00:08:19,864 --> 00:08:22,264 Speaker 3: that's Deb. She's always pregnant one And I'm like, oh, 187 00:08:22,624 --> 00:08:24,824 Speaker 3: they tell us, they tell us that there's. 188 00:08:24,664 --> 00:08:26,544 Speaker 2: Something wrong in it, and I just did you actually 189 00:08:26,584 --> 00:08:29,264 Speaker 2: think it was a better movie the second time around? 190 00:08:29,344 --> 00:08:29,584 Speaker 1: Yeah? 191 00:08:29,624 --> 00:08:31,624 Speaker 3: I appreciated it more the second time around. 192 00:08:31,704 --> 00:08:34,424 Speaker 2: It's interesting because the reason that some of these movies 193 00:08:34,464 --> 00:08:36,584 Speaker 2: work and some don't for TV shows as well, is 194 00:08:36,584 --> 00:08:39,144 Speaker 2: that to have a twist, you can't just be like ha, 195 00:08:39,464 --> 00:08:41,624 Speaker 2: you never knew who it was and it's this person, Like, 196 00:08:41,664 --> 00:08:44,144 Speaker 2: that's not a twist, that's just you plucking something out 197 00:08:44,824 --> 00:08:47,864 Speaker 2: do crap exactly, just plucking at some Gossip Girl crap 198 00:08:47,904 --> 00:08:50,144 Speaker 2: of just saying, I guess dance gossip Girl and everyone 199 00:08:50,184 --> 00:08:52,984 Speaker 2: being like that's factually impossible. Like my twist is when 200 00:08:53,024 --> 00:08:54,784 Speaker 2: you look back and you go Oh my god, it 201 00:08:54,824 --> 00:08:57,104 Speaker 2: was in front. They were telling me the time. They're 202 00:08:57,104 --> 00:08:59,464 Speaker 2: like slapping me across the face with it, but I 203 00:08:59,504 --> 00:09:00,184 Speaker 2: didn't pick it up. 204 00:09:00,224 --> 00:09:02,424 Speaker 3: Gossip Girl is such a good example of it going 205 00:09:02,464 --> 00:09:05,184 Speaker 3: wrong because the writers didn't know who they wanted gossip 206 00:09:05,224 --> 00:09:05,584 Speaker 3: Girl to be. 207 00:09:05,744 --> 00:09:07,344 Speaker 2: Yeah, that's the thing. You've got to set it up 208 00:09:07,344 --> 00:09:10,704 Speaker 2: from like real lies as well. Well my pick for that. 209 00:09:10,744 --> 00:09:12,024 Speaker 2: I immediately, Oh, you. 210 00:09:12,064 --> 00:09:13,784 Speaker 3: Mean this isn't just my podcast. 211 00:09:13,344 --> 00:09:15,944 Speaker 2: I mean this is old school because when I was 212 00:09:15,984 --> 00:09:18,184 Speaker 2: a teenager, I became obsessed with making sure that I 213 00:09:18,184 --> 00:09:20,224 Speaker 2: had watched all of the classic movies that I either 214 00:09:20,264 --> 00:09:21,904 Speaker 2: hadn't been alive or it was too young to go 215 00:09:21,904 --> 00:09:25,624 Speaker 2: to the cinema when they came out very different, I 216 00:09:25,784 --> 00:09:29,384 Speaker 2: was really cool. So I probably went to Blockbuster and 217 00:09:29,384 --> 00:09:31,464 Speaker 2: picked up this DVD, and when it finished, I had to, 218 00:09:31,544 --> 00:09:33,544 Speaker 2: you know, set it back to the beginning. And that 219 00:09:33,584 --> 00:09:36,504 Speaker 2: movie is fight Club. I want you to hit me 220 00:09:37,024 --> 00:09:40,224 Speaker 2: as hard as you can. Why how much can you 221 00:09:40,264 --> 00:09:41,544 Speaker 2: know about yourself? You've never been in a fight. 222 00:09:42,304 --> 00:09:44,704 Speaker 3: This is your life and it's ending one minute at 223 00:09:44,704 --> 00:09:48,424 Speaker 3: a time. I prayed for a different life, and this 224 00:09:48,464 --> 00:09:49,584 Speaker 3: is how I met Tyler. 225 00:09:49,704 --> 00:09:52,424 Speaker 2: Dirty gentlemen welcome to fight Club. 226 00:09:52,984 --> 00:09:56,704 Speaker 3: The first rule of fight Club is wow night, you 227 00:09:56,784 --> 00:09:59,184 Speaker 3: do not talk about fight Club. 228 00:10:00,344 --> 00:10:03,024 Speaker 1: Fight Club is such a good pick, but you know 229 00:10:03,024 --> 00:10:05,384 Speaker 1: what it's stressed about spoiling it for everyone, like our 230 00:10:05,464 --> 00:10:07,304 Speaker 1: produce it to listen just Tommy, she hasn't seen it 231 00:10:07,304 --> 00:10:10,144 Speaker 1: and today right rather this podcast did not come out, 232 00:10:10,544 --> 00:10:13,144 Speaker 1: then spoil fight Club for you or the audience. 233 00:10:13,184 --> 00:10:15,784 Speaker 3: If you haven't watched Fight Club by now, you haven't 234 00:10:15,784 --> 00:10:17,944 Speaker 3: got it together, and I think you'll never will. So 235 00:10:18,024 --> 00:10:19,704 Speaker 3: I think we have the right to spoilt. 236 00:10:19,984 --> 00:10:22,304 Speaker 2: So fight Club when it came out in the nineties 237 00:10:22,464 --> 00:10:24,824 Speaker 2: was such a huge deal, not just because it was 238 00:10:24,904 --> 00:10:27,824 Speaker 2: just a critically acclaimed movie and Brad Pitt was super 239 00:10:27,864 --> 00:10:30,744 Speaker 2: hot in it, is that it had a really incredible twist. 240 00:10:30,984 --> 00:10:34,584 Speaker 2: So Edward NORTONIZII character, he's a nameless character, the narrator 241 00:10:34,624 --> 00:10:37,304 Speaker 2: of the movie, and he his life is like off 242 00:10:37,304 --> 00:10:40,184 Speaker 2: the rails and really pathetic and awful, and he meets 243 00:10:40,224 --> 00:10:45,624 Speaker 2: this really cool, amazing, charismatic, wildly violent guy called Tyler 244 00:10:45,784 --> 00:10:46,904 Speaker 2: played by Brad Pitt. 245 00:10:47,064 --> 00:10:49,264 Speaker 3: Tyler is like what Brad Pitt should be in. 246 00:10:52,384 --> 00:10:56,224 Speaker 2: And they connect, they move in together, they form this 247 00:10:56,384 --> 00:10:59,784 Speaker 2: fight Club and you know all this other crazy stuff happens. 248 00:10:59,824 --> 00:11:02,984 Speaker 3: It's basically like they express that men need to get 249 00:11:02,984 --> 00:11:05,864 Speaker 3: their like rage out in some way, so they gather 250 00:11:05,944 --> 00:11:08,664 Speaker 3: all these like random men and they just end up 251 00:11:08,704 --> 00:11:10,544 Speaker 3: fighting each other, and the men love it, like it's 252 00:11:10,584 --> 00:11:11,224 Speaker 3: not like they're. 253 00:11:10,984 --> 00:11:13,024 Speaker 2: Forcing them to beat this shit each other, and they 254 00:11:13,104 --> 00:11:14,744 Speaker 2: love it. And then they sort of build up this 255 00:11:14,824 --> 00:11:17,224 Speaker 2: kind of secret society that does other things besides by 256 00:11:17,224 --> 00:11:17,464 Speaker 2: each other. 257 00:11:17,464 --> 00:11:18,424 Speaker 3: And that's why the quote comes. 258 00:11:18,464 --> 00:11:20,824 Speaker 2: The first rule of fight club is you do not 259 00:11:20,944 --> 00:11:24,104 Speaker 2: talk about fight club. Second rule of fight club is 260 00:11:24,824 --> 00:11:28,744 Speaker 2: you do not talk about fight club. So as it 261 00:11:28,784 --> 00:11:32,144 Speaker 2: goes on, things escalate to a very extreme level, and 262 00:11:32,504 --> 00:11:34,904 Speaker 2: you think that Tyler has kind of settled this stuff 263 00:11:34,984 --> 00:11:38,104 Speaker 2: up for Edward Norton's character, and Tila is revealed in 264 00:11:38,104 --> 00:11:41,264 Speaker 2: the very final moments that Tyler never exists. 265 00:11:41,304 --> 00:11:43,744 Speaker 3: Sad Pitt has never been in this movie. 266 00:11:43,784 --> 00:11:47,064 Speaker 2: He is a figment of the narrator's imagination and he 267 00:11:47,104 --> 00:11:49,504 Speaker 2: has manifested him after he had a mental break and 268 00:11:49,544 --> 00:11:53,024 Speaker 2: he created Tyler as the perfect idea of himself. And 269 00:11:53,064 --> 00:11:55,304 Speaker 2: as you go back through the movie, you're like, no 270 00:11:55,304 --> 00:11:58,544 Speaker 2: one else in the movie sees Tyler. They're all treating 271 00:11:58,624 --> 00:12:00,784 Speaker 2: Edward Norton, like he's the head of this organization. He 272 00:12:00,784 --> 00:12:03,424 Speaker 2: can't understand why because he is, but he thinks it's Tyler. 273 00:12:03,824 --> 00:12:06,944 Speaker 2: He thinks that Tyler's having sex with Helena Bononcartan's character, 274 00:12:07,184 --> 00:12:09,064 Speaker 2: and it turns out to be him, and it's all 275 00:12:09,104 --> 00:12:11,384 Speaker 2: of a sudden, all the pieces come together and you're like, yeah, 276 00:12:11,424 --> 00:12:13,664 Speaker 2: no one talks to Tyler, no one looks at Tyler. 277 00:12:13,904 --> 00:12:15,864 Speaker 2: They're all looking at him throughout the movie. 278 00:12:16,104 --> 00:12:17,984 Speaker 3: After that, there have been heaps of movies that had 279 00:12:18,024 --> 00:12:20,384 Speaker 3: done the like fake imaginary person or death. So I've 280 00:12:20,424 --> 00:12:22,424 Speaker 3: seen all of those. Yeah, but even when I watch 281 00:12:22,504 --> 00:12:24,744 Speaker 3: fire Club, I didn't catch on and I gasped the 282 00:12:24,824 --> 00:12:26,904 Speaker 3: minute like it was real that he was really. 283 00:12:26,664 --> 00:12:28,264 Speaker 2: And even though like if you haven't seen it, and 284 00:12:28,304 --> 00:12:29,864 Speaker 2: maybe we have just spoiled a little bit of it 285 00:12:29,904 --> 00:12:31,384 Speaker 2: for you, but it's been around for a long time, 286 00:12:31,624 --> 00:12:34,264 Speaker 2: it's still go and watch it because it holds up 287 00:12:34,304 --> 00:12:35,904 Speaker 2: even knowing the twists. But this is why I always 288 00:12:35,944 --> 00:12:37,264 Speaker 2: say to people and they're like, I haven't seen those 289 00:12:37,264 --> 00:12:38,624 Speaker 2: movies and it's too late. I'm like, it's you know, 290 00:12:38,704 --> 00:12:40,984 Speaker 2: it's not too late. It's readily available for you to 291 00:12:40,984 --> 00:12:44,024 Speaker 2: watch and these classic movies make up the foundation of 292 00:12:44,064 --> 00:12:47,064 Speaker 2: all the other movies and TV shows and now tiktoks 293 00:12:47,064 --> 00:12:48,864 Speaker 2: that you watch. So if you watch the original, then 294 00:12:48,904 --> 00:12:51,824 Speaker 2: you have the building blocks and also Brad Pitt's abs 295 00:12:51,944 --> 00:12:53,944 Speaker 2: And this is Brad Pitt was problematic. 296 00:12:53,984 --> 00:12:55,864 Speaker 3: He was just hot. 297 00:12:56,344 --> 00:12:56,664 Speaker 1: Yeah. 298 00:12:56,744 --> 00:12:59,624 Speaker 3: Yeah. The movie I want to talk about is Everything 299 00:12:59,744 --> 00:13:01,104 Speaker 3: Everywhere All at once. 300 00:13:01,184 --> 00:13:05,224 Speaker 2: Yes, a classic classic which we love. This is Wang. 301 00:13:05,224 --> 00:13:05,984 Speaker 2: Are you with us? 302 00:13:06,664 --> 00:13:08,184 Speaker 3: I am paying attention. 303 00:13:10,584 --> 00:13:13,184 Speaker 2: Now. You may only see a pile ver seas, but 304 00:13:13,264 --> 00:13:14,144 Speaker 2: I see a story. 305 00:13:16,704 --> 00:13:18,664 Speaker 3: I can see where this story is going. 306 00:13:22,344 --> 00:13:25,504 Speaker 2: It does not look good. 307 00:13:31,064 --> 00:13:34,584 Speaker 1: What's severely I'm not. 308 00:13:34,584 --> 00:13:37,424 Speaker 2: Your husband, I'm another vusion. If I'm from another universe, 309 00:13:37,544 --> 00:13:41,864 Speaker 2: I'm here because we need your help. Very busy today. 310 00:13:41,864 --> 00:13:47,624 Speaker 2: I'll try to help you. Across the multiverse. I've seen 311 00:13:47,744 --> 00:13:51,504 Speaker 2: thousands of evolence. You can access a lot of the 312 00:13:51,584 --> 00:13:58,264 Speaker 2: memories of their emotions. Even if this girls, God, there's. 313 00:13:58,104 --> 00:14:01,144 Speaker 3: A great evil to the many verses. 314 00:14:02,664 --> 00:14:03,784 Speaker 2: And you. 315 00:14:06,344 --> 00:14:07,984 Speaker 1: Maybe your only chance. 316 00:14:07,744 --> 00:14:08,704 Speaker 2: Of stopping it. 317 00:14:08,904 --> 00:14:10,144 Speaker 3: Very hard to explain. 318 00:14:10,464 --> 00:14:10,864 Speaker 2: Go go on. 319 00:14:10,944 --> 00:14:13,544 Speaker 3: Okay, So this one's a bit different where there isn't 320 00:14:13,584 --> 00:14:15,584 Speaker 3: a twist, and it's not one of those movies where 321 00:14:15,904 --> 00:14:19,064 Speaker 3: when you watch again, you kind of find out more details, 322 00:14:19,064 --> 00:14:20,864 Speaker 3: like there are like hidden messages. They do a lot 323 00:14:20,904 --> 00:14:24,384 Speaker 3: of odes to different movies across like Timeline. There's a 324 00:14:24,464 --> 00:14:26,704 Speaker 3: lot of timelines in this as well. I'm explaining it 325 00:14:26,704 --> 00:14:29,064 Speaker 3: really great so far, so Everything Everywhere, All at One 326 00:14:29,144 --> 00:14:32,584 Speaker 3: stars Michelle Who. It is a movie where the reason 327 00:14:32,664 --> 00:14:34,904 Speaker 3: I wanted to watch it over and over again was 328 00:14:34,944 --> 00:14:37,984 Speaker 3: because I took a different life lesson out of it 329 00:14:38,024 --> 00:14:38,544 Speaker 3: every time. 330 00:14:38,744 --> 00:14:39,184 Speaker 2: Yeah. 331 00:14:39,224 --> 00:14:41,944 Speaker 3: Like, so I watched it the first time and I 332 00:14:42,064 --> 00:14:44,824 Speaker 3: kind of had a bit of an emotional breakdown, Like 333 00:14:44,864 --> 00:14:47,584 Speaker 3: I started crying a lot. And it was only at 334 00:14:47,584 --> 00:14:49,224 Speaker 3: the end, like when the credits started rolling, I just 335 00:14:49,264 --> 00:14:50,024 Speaker 3: started sobbing. 336 00:14:50,104 --> 00:14:51,904 Speaker 2: I mean, that's what a good movie will do to you. 337 00:14:52,024 --> 00:14:54,344 Speaker 3: Yeah, it was nine PM and I was sobbing and 338 00:14:54,424 --> 00:14:57,304 Speaker 3: I just tied. Probably a lot was going on, and 339 00:14:57,344 --> 00:14:59,664 Speaker 3: I had to take myself for a walk, which I'm 340 00:14:59,744 --> 00:15:01,544 Speaker 3: lucky we live in the city because I just had 341 00:15:01,544 --> 00:15:03,584 Speaker 3: to walk around Darling Harbor because there was like lights 342 00:15:03,584 --> 00:15:05,504 Speaker 3: and stuff, so it was fine, it was a safe walk. 343 00:15:05,744 --> 00:15:07,224 Speaker 3: It like really took it out of me. It made 344 00:15:07,304 --> 00:15:09,544 Speaker 3: me feel like a sort of emotion that I've never 345 00:15:09,624 --> 00:15:12,544 Speaker 3: felt from a movie before. And then I watched it 346 00:15:12,624 --> 00:15:17,744 Speaker 3: the second time, and it made me really show appreciation 347 00:15:17,944 --> 00:15:20,424 Speaker 3: and love for my mom. And if you haven't watched it, 348 00:15:20,504 --> 00:15:22,264 Speaker 3: maybe I guess I can't spoil it because I haven't 349 00:15:22,264 --> 00:15:23,864 Speaker 3: really said anything because I don't know how to say it. 350 00:15:23,904 --> 00:15:27,864 Speaker 2: She couldn't spoil it. 351 00:15:24,664 --> 00:15:31,224 Speaker 3: And I think they do the mom daughter dynamic relationship 352 00:15:31,344 --> 00:15:34,744 Speaker 3: so well in that film that I only experienced it 353 00:15:34,864 --> 00:15:37,384 Speaker 3: the second time watching it, And the third time I 354 00:15:37,424 --> 00:15:40,504 Speaker 3: watched it was after I've gone through a breakup and 355 00:15:40,584 --> 00:15:43,064 Speaker 3: like that just like healed me from a breakup, and 356 00:15:43,064 --> 00:15:44,984 Speaker 3: I'm like, it's so weird. Like every time I watched 357 00:15:45,024 --> 00:15:47,624 Speaker 3: this film. It's a long film, a lot goes on, 358 00:15:47,704 --> 00:15:51,584 Speaker 3: it's quite tragic, it's super funny, but it's done brilliantly. 359 00:15:52,024 --> 00:15:56,024 Speaker 3: It won Oscars, and every time I watch it, depending 360 00:15:56,024 --> 00:15:58,104 Speaker 3: on what phase of life I'm in, it teaches me 361 00:15:58,144 --> 00:16:00,744 Speaker 3: a new lesson. Coming up next, we have one more 362 00:16:00,784 --> 00:16:03,504 Speaker 3: brilliant recommendation for a movie that you have to watch 363 00:16:03,544 --> 00:16:04,224 Speaker 3: the second time. 364 00:16:06,264 --> 00:16:08,144 Speaker 2: I went through a lot trying to pick the second one, 365 00:16:08,184 --> 00:16:10,264 Speaker 2: because I do love one of my favorite genres is 366 00:16:10,424 --> 00:16:12,744 Speaker 2: movies that have a big surprise reveal at the end. 367 00:16:13,064 --> 00:16:14,584 Speaker 2: But I had to go into this one just because 368 00:16:14,584 --> 00:16:16,224 Speaker 2: of how cleverly it was done, how much of an 369 00:16:16,224 --> 00:16:19,584 Speaker 2: impact it has. And that is Jordan Peel's twenty seventeen 370 00:16:19,824 --> 00:16:20,984 Speaker 2: horror movie get Out. 371 00:16:22,344 --> 00:16:25,944 Speaker 3: You got your two rush ship? Do you have your theater? 372 00:16:26,744 --> 00:16:31,744 Speaker 2: Do you have your cozy clothes? God? What did they know? 373 00:16:31,784 --> 00:16:32,304 Speaker 1: I'm black? 374 00:16:32,784 --> 00:16:35,904 Speaker 2: Should they? You might wanna? You know, mom and dad, 375 00:16:35,944 --> 00:16:38,384 Speaker 2: my black boyfriend will be coming up this weekend. I 376 00:16:38,424 --> 00:16:40,584 Speaker 2: just don't want you to be shocked. But he's a 377 00:16:40,664 --> 00:16:41,104 Speaker 2: black man. 378 00:16:42,064 --> 00:16:44,104 Speaker 3: I ain't never seen you like this before. Bru meet 379 00:16:44,264 --> 00:16:47,944 Speaker 3: badly taking road. Don't go back on, Boosie, come back 380 00:16:47,984 --> 00:16:49,984 Speaker 3: and get your damn pants up to your damn stomach. 381 00:16:55,424 --> 00:16:57,024 Speaker 3: So how long has this been going on? 382 00:16:57,184 --> 00:16:58,544 Speaker 2: This thing? 383 00:17:02,024 --> 00:17:04,504 Speaker 3: We hired Georgina and Walter to help care for my 384 00:17:04,624 --> 00:17:10,224 Speaker 3: parents and they died. I couldn't bear to let them go. Ah, 385 00:17:10,464 --> 00:17:12,384 Speaker 3: great one. When you said Jordan Peel, I was like, 386 00:17:12,384 --> 00:17:13,824 Speaker 3: she could literally mention any. 387 00:17:13,704 --> 00:17:15,744 Speaker 2: Of this movie. Yeah, and these obviously got a lot 388 00:17:15,784 --> 00:17:18,064 Speaker 2: of movies that have this whole idea of her. And also, 389 00:17:18,104 --> 00:17:20,344 Speaker 2: like we mentioned the sixth sense of the top, but 390 00:17:20,344 --> 00:17:23,304 Speaker 2: obviously that's what Emma Charmalan has become famous for, is 391 00:17:23,304 --> 00:17:26,144 Speaker 2: those twist endings some of the lands, some of them don't. 392 00:17:26,464 --> 00:17:28,744 Speaker 2: But I think in particular with like Get Out, it 393 00:17:28,944 --> 00:17:31,744 Speaker 2: just was the way it was done was so clever 394 00:17:31,944 --> 00:17:34,504 Speaker 2: because with his movies, like you know there's a twist coming, 395 00:17:34,824 --> 00:17:38,104 Speaker 2: So to still have the audience be so invested in 396 00:17:38,144 --> 00:17:40,304 Speaker 2: the movie even though you know you're being set up 397 00:17:40,304 --> 00:17:42,584 Speaker 2: for it already, I think is really interesting. And again 398 00:17:42,864 --> 00:17:46,304 Speaker 2: some spoilers coming. Is about Rose played by Alison Williams, 399 00:17:46,504 --> 00:17:49,464 Speaker 2: who is a white woman and she's taking her black boyfriend, 400 00:17:49,544 --> 00:17:51,024 Speaker 2: Chris played by Daniel Kluha. 401 00:17:51,424 --> 00:17:55,464 Speaker 3: Daniel klewis brilliant, so brilliant. Williams like, I loved her 402 00:17:55,504 --> 00:17:56,504 Speaker 3: and girl, she's my fair crash. 403 00:17:56,584 --> 00:17:58,144 Speaker 2: Oh yeah. And also when you kind of know the 404 00:17:58,184 --> 00:18:00,424 Speaker 2: plot twisted this, people like was she just on girls 405 00:18:00,424 --> 00:18:02,264 Speaker 2: to set her up for this movie? So that you really, 406 00:18:02,304 --> 00:18:04,264 Speaker 2: oh my god, that's so true that just the long 407 00:18:04,304 --> 00:18:06,264 Speaker 2: con of everyone kind of getting her to know is 408 00:18:06,304 --> 00:18:08,264 Speaker 2: the neurotic Marni, But she's like a really good girl, 409 00:18:08,264 --> 00:18:10,264 Speaker 2: and she's so type A and she's like believes in 410 00:18:10,504 --> 00:18:12,864 Speaker 2: love and la la la. So when she comes on to. 411 00:18:13,144 --> 00:18:15,024 Speaker 3: This is what happened to Marni after Hannah didn't want 412 00:18:15,024 --> 00:18:15,744 Speaker 3: her to raise a baby. 413 00:18:15,824 --> 00:18:18,704 Speaker 2: Yeah, one d P. There's a continuality line here that 414 00:18:18,824 --> 00:18:21,624 Speaker 2: no one has disproven yet. So Rose, you know, it 415 00:18:21,624 --> 00:18:23,864 Speaker 2: comes across really lovely and sweet. And she's taking a 416 00:18:23,864 --> 00:18:25,904 Speaker 2: boyfriend to meet her parents and he's like, have you 417 00:18:25,984 --> 00:18:27,904 Speaker 2: told them that I'm black? And she's like, no one care. 418 00:18:27,944 --> 00:18:30,384 Speaker 2: No one's going to care. And what's interesting, as they're 419 00:18:30,424 --> 00:18:32,664 Speaker 2: driving to the house, they get pulled over by the police, 420 00:18:33,064 --> 00:18:36,104 Speaker 2: and you know, he's asking Chris for his license, and 421 00:18:36,184 --> 00:18:37,904 Speaker 2: Rose gets really defensive and she's like, we're not doing 422 00:18:37,904 --> 00:18:39,664 Speaker 2: anything wrong. He doesn't need a license, he doesn't need this, 423 00:18:39,704 --> 00:18:42,384 Speaker 2: he doesn't need that. And at the time, when before 424 00:18:42,424 --> 00:18:44,104 Speaker 2: you know what's happening, you're thinking, like, this is a 425 00:18:44,104 --> 00:18:47,544 Speaker 2: white woman who was so aware of police brutality against 426 00:18:47,584 --> 00:18:49,584 Speaker 2: people of color, and she's standing up for a boyfriend 427 00:18:49,584 --> 00:18:50,744 Speaker 2: and she was like, you don't have to give me 428 00:18:50,744 --> 00:18:53,064 Speaker 2: a license, And she has the privilege of being a 429 00:18:53,064 --> 00:18:55,184 Speaker 2: white woman to be able to say that with safety 430 00:18:55,224 --> 00:18:57,424 Speaker 2: to a police officer, and you're like, that's really interesting. 431 00:18:57,424 --> 00:18:59,224 Speaker 2: And then afterwards, when you find out what happened, you're like, 432 00:18:59,384 --> 00:19:01,184 Speaker 2: she's not protecting him at all. She just didn't want 433 00:19:01,184 --> 00:19:03,664 Speaker 2: to pay a trail of anyone knowing that his license 434 00:19:03,704 --> 00:19:06,224 Speaker 2: and his car had been on that road before. Because 435 00:19:06,264 --> 00:19:08,024 Speaker 2: what happens is they get to the house. Things are 436 00:19:08,064 --> 00:19:09,664 Speaker 2: a bit weird. It's a bit weird, especially because they 437 00:19:09,664 --> 00:19:11,464 Speaker 2: still have like just it's all white people with like 438 00:19:11,584 --> 00:19:13,744 Speaker 2: black staff. I remember working at the house. 439 00:19:14,024 --> 00:19:17,024 Speaker 3: It's weird because it like literally was so messed up 440 00:19:17,064 --> 00:19:19,704 Speaker 3: that they just had black stuff. Yes, but like on 441 00:19:19,784 --> 00:19:22,184 Speaker 3: top of that, you just had watching that scene, you 442 00:19:22,304 --> 00:19:26,384 Speaker 3: just felt very uneasy, and you don't know why you're 443 00:19:26,384 --> 00:19:29,344 Speaker 3: feeling uneasy. It's like the conversations he's having with her 444 00:19:29,384 --> 00:19:31,104 Speaker 3: family members and stuff. 445 00:19:30,904 --> 00:19:32,904 Speaker 2: And it's that moment of just like Chris is starting 446 00:19:32,904 --> 00:19:34,624 Speaker 2: to realize something is really wrong. He doesn't know what. 447 00:19:34,664 --> 00:19:36,464 Speaker 2: And then he gets to the point in this kind 448 00:19:36,464 --> 00:19:38,624 Speaker 2: of like beautiful house and family in this like a 449 00:19:38,704 --> 00:19:40,944 Speaker 2: supposedly very loving girlfriend, he gets some one he's like, 450 00:19:40,944 --> 00:19:41,984 Speaker 2: I just want to go, I just want to go. 451 00:19:42,024 --> 00:19:43,864 Speaker 2: We're going, And then he's like she's trying to get 452 00:19:43,864 --> 00:19:46,184 Speaker 2: the keys. This scene plays in my head all the time, 453 00:19:46,384 --> 00:19:48,024 Speaker 2: that moment where she's like I'm trying can't find my 454 00:19:48,064 --> 00:19:49,264 Speaker 2: count find He's like, give me the keys, give me 455 00:19:49,304 --> 00:19:50,944 Speaker 2: the keys, give me the keys, and all of a sudden, 456 00:19:51,184 --> 00:19:54,984 Speaker 2: Alison Williams's face just completely changes and you realize that 457 00:19:55,064 --> 00:19:57,384 Speaker 2: she's in on it, and she has been luring black 458 00:19:57,424 --> 00:20:00,144 Speaker 2: men home to her family's house for years, and they're 459 00:20:00,184 --> 00:20:03,864 Speaker 2: taking their bodies and putting old white people's minds in 460 00:20:03,864 --> 00:20:06,144 Speaker 2: them so they can have a new lease on life. 461 00:20:06,184 --> 00:20:10,024 Speaker 3: It's so creepy. It's so freaking creepy. It's so scary. 462 00:20:10,104 --> 00:20:13,184 Speaker 3: And Jordan Peel is like brilliant at these kind of movies. 463 00:20:13,304 --> 00:20:16,424 Speaker 3: I had his movie Nope that also starts technically, I 464 00:20:16,424 --> 00:20:18,824 Speaker 3: did the same thing. I watched it immediately straight after. 465 00:20:18,904 --> 00:20:20,704 Speaker 2: Yeah, you have to. It's because it's a completely different 466 00:20:20,744 --> 00:20:22,784 Speaker 2: movie like get Out, all of a sudden, even though 467 00:20:22,824 --> 00:20:25,104 Speaker 2: you know there's a twist coming. I went so the movies. 468 00:20:25,144 --> 00:20:26,664 Speaker 2: I went to the premiere, and then a week later 469 00:20:26,704 --> 00:20:28,344 Speaker 2: I went with friends to see in the cinema again 470 00:20:28,384 --> 00:20:30,224 Speaker 2: and paid for another ticket because I was like, to 471 00:20:30,264 --> 00:20:30,784 Speaker 2: my friends, you. 472 00:20:30,904 --> 00:20:32,904 Speaker 3: Couldn't do it, get it out because it was too scary. 473 00:20:33,304 --> 00:20:34,664 Speaker 2: Of course, but I was like, you have to see 474 00:20:34,664 --> 00:20:36,384 Speaker 2: this movie, so I'm going to get us tickets. But 475 00:20:36,424 --> 00:20:38,304 Speaker 2: also I want to see it to get in the 476 00:20:38,344 --> 00:20:40,664 Speaker 2: cinema and like watch it with the knowledge and see 477 00:20:40,664 --> 00:20:42,704 Speaker 2: the different version of this movie, which you do, because 478 00:20:42,704 --> 00:20:44,904 Speaker 2: it's the way Rose talks at the beginning that you 479 00:20:44,904 --> 00:20:47,224 Speaker 2: can see she's setting it up. It's the way the 480 00:20:47,304 --> 00:20:49,424 Speaker 2: police scene where you realize what she's doing. It's the 481 00:20:49,424 --> 00:20:51,424 Speaker 2: different way people are looking at each other in the houses, 482 00:20:51,464 --> 00:20:53,504 Speaker 2: and the different clues. There's so many clues, so I 483 00:20:53,504 --> 00:20:55,144 Speaker 2: feel like that's a movie too. When you watch her 484 00:20:55,184 --> 00:20:58,744 Speaker 2: back with a different lens, it still has the horror element, 485 00:20:58,784 --> 00:21:01,784 Speaker 2: it still has those racial undertones, but you can just 486 00:21:01,824 --> 00:21:04,264 Speaker 2: see how, all of a sudden, instead of everyone just 487 00:21:04,304 --> 00:21:07,784 Speaker 2: being suspicious, everyone looks like a full blown villain. 488 00:21:08,064 --> 00:21:10,504 Speaker 3: Thank you so much for listening to The Spill today. 489 00:21:10,584 --> 00:21:13,344 Speaker 3: If you love the weekend watch section of The Spill 490 00:21:13,464 --> 00:21:16,624 Speaker 3: and you've missed out on any obviously, go back and listen. 491 00:21:16,664 --> 00:21:18,704 Speaker 3: But we also have been recording it on site at 492 00:21:18,744 --> 00:21:20,704 Speaker 3: mom and Mia. We will link that piece in our 493 00:21:20,704 --> 00:21:23,384 Speaker 3: show notes for you to take a little wonder. Otherwise 494 00:21:23,424 --> 00:21:25,264 Speaker 3: we will see you back here in your podcast speed 495 00:21:25,264 --> 00:21:26,744 Speaker 3: at three pm on Monday. 496 00:21:26,944 --> 00:21:33,464 Speaker 2: Bye bye.