WEBVTT - Chappell Roan Can’t Come To Work Today

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<v Speaker 1>You're listening to a MoMA Mia podcast.

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<v Speaker 2>Mamma Mia acknowledges the traditional owners of land and waters

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<v Speaker 2>that this podcast is recorded on Hello and welcome to

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<v Speaker 2>MoMA Mia.

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<v Speaker 3>Out loud.

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<v Speaker 2>What women are actually talking about on Wednesday, the second

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<v Speaker 2>of October. I'm Holly wayIn Wright and Mea and I

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<v Speaker 2>have already been talking all morning today. We have because

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<v Speaker 2>we watched the vice presidential debate together. For those of

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<v Speaker 2>you who are obsessed with US politics as we are,

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<v Speaker 2>It's going to drop tomorrow. It's with Amelia Lester, of course, telling.

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<v Speaker 1>Us what's what?

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<v Speaker 2>Do JD bancewin? Tim waltzwind? Will it make any difference?

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<v Speaker 2>It drops tomorrow for our subscribers.

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<v Speaker 1>I'm Mea Friedman and I'm Jesse Stevens.

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<v Speaker 2>And on the show today, the biggest pop star in

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<v Speaker 2>the world right now needs a mental health day and

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<v Speaker 2>her fans are really not happy about it.

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<v Speaker 1>Kids get off screens.

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<v Speaker 2>And out into the world. But no, not like that.

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<v Speaker 2>The who ha around a TV anchor, her son and

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<v Speaker 2>a very long train ride. So do you want to

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<v Speaker 2>know what all the fuss is about? The movie Substance?

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<v Speaker 2>But you don't want to watch body parts exploding? We

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<v Speaker 2>have got your covet.

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<v Speaker 4>But first Israel's invasion of Lebanon. Iran's ballistic missiles shot

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<v Speaker 4>at Israel, more innocent lives lost in what is being

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<v Speaker 4>called the most dangerous moment in the history of the

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<v Speaker 4>modern Middle East. Israel has launched a ground invasion in

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<v Speaker 4>southern Lebanon, and the Israeli military has described this invasion

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<v Speaker 4>as limited, localized and targeted raids against Hesbela. Hesbla, however,

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<v Speaker 4>claimed that there are no troops in Lebanon, while Israeli

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<v Speaker 4>air strikes continue in Lebanon, officials say that more than

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<v Speaker 4>a thousand people have been killed in the past two weeks.

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<v Speaker 4>Iran has now launched a missile strike on Israel. Hesbelah,

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<v Speaker 4>recognized as a terrorist group, has been trained and armed

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<v Speaker 4>by Iran for four decades, and now Iran's direct involvement

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<v Speaker 4>is seen as a major escalation of a war now

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<v Speaker 4>being fought on multiple fronts. On Tuesday, Israeli Prime Minister

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<v Speaker 4>Benjamin Ettnyahu told his security cabinet Iran made a big

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<v Speaker 4>mistake this evening and it will pay for it. Whoever

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<v Speaker 4>attacks us, we will attack them. Look, what we know

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<v Speaker 4>is that this war has escalated, and every moment this

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<v Speaker 4>conflict goes on, we see more loss of innocent civilian life.

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<v Speaker 4>For more on this fast moving crisis, listen to The Quickie,

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<v Speaker 4>our daily news podcast. There's a link in our show notes.

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<v Speaker 1>Twenty six year old pop star Chapel Rone is having

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<v Speaker 1>the best and worst few months of her life, and

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<v Speaker 1>things seem to be picking up speed in both directions.

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<v Speaker 1>We spoke about her pushback video that went viral about

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<v Speaker 1>how her fans were too much and she was telling

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<v Speaker 1>them to back off when she's in public, and now

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<v Speaker 1>she has canceled three festival appearances. She shared a statement

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<v Speaker 1>on social media saying, I apologize to people who've been

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<v Speaker 1>waiting to see me in New York and DC this weekend.

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<v Speaker 1>At all things go, but I am unable to perform.

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<v Speaker 1>Things have gotten overwhelming over the past few weeks and

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<v Speaker 1>I'm really feeling it. I feel pressure to prioritize a

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<v Speaker 1>lot of things right now, and I need a few

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<v Speaker 1>days to prioritize my health. I want to be present

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<v Speaker 1>when I perform and give the best show possible. Thank

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<v Speaker 1>you for understanding, be back soon. In the last two years,

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<v Speaker 1>chapel Ron that's her stage name, her actual name is

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<v Speaker 1>Kaylie Rose Amstaltz. She's done one hundred and eighty seven concerts,

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<v Speaker 1>with one hundred and four this year alone. I went

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<v Speaker 1>back and looked, because you know how Taylor Swift is

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<v Speaker 1>doing a big eras tour, Chapel Rone is doing a

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<v Speaker 1>different thing where she performs at lots of different festivals.

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<v Speaker 1>She performs like her three songs. Sometimes she headlines, sometimes

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<v Speaker 1>she's just one of many acts, and so it's kind

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<v Speaker 1>of a way of reaching lots and lots of people,

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<v Speaker 1>and you know, often the video, the social from it

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<v Speaker 1>will go on YouTube and it'll go viral on social.

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<v Speaker 1>She's really blown up in these past few months. Her

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<v Speaker 1>album Midwestern Princess's top charts and singles like Hot to Go,

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<v Speaker 1>Good Luck Babe, and Pink Pony Club have come anthems

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<v Speaker 1>and won all these awards. She performed at the Grammys

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<v Speaker 1>a few weeks ago and won Best New Artist. And

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<v Speaker 1>also they've been in the last few weeks a bunch

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<v Speaker 1>of big cover stories that have dropped in interviews, like

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<v Speaker 1>a cub story of Rolling Stone where she's sort of

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<v Speaker 1>spoken in depth about how she's finding fame and even

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<v Speaker 1>though she's been a performer for a really long time.

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<v Speaker 1>This level of vile fame and how sudden it is

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<v Speaker 1>has been a bit of a shock to her system.

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<v Speaker 1>So what's changed over the last few weeks is that

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<v Speaker 1>she's also found herself because of these interviews in a

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<v Speaker 1>controversy when it comes to the US election, because in

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<v Speaker 1>one of the interviews, she made some remarks about refusing

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<v Speaker 1>to publicly endorse a candidate in the US election. Taylor

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<v Speaker 1>Swift recently came out and endorsed Kamala Harris, but she said,

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<v Speaker 1>I have so many issues with our government in every way,

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<v Speaker 1>and those remarks really blew up overnight, and a lot

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<v Speaker 1>of people were furious with her and accused her of

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<v Speaker 1>supporting Donald Trump because she said she wouldn't endorse Kamala

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<v Speaker 1>And so then she had to clarify, which she did

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<v Speaker 1>in a series of videos in her stories on Instagram

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<v Speaker 1>that she would be voting for Kamala, but that an

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<v Speaker 1>endorsement like Taylor made was different and she wasn't comfortable

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<v Speaker 1>with that level of alignment because there were democratic policies

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<v Speaker 1>that she didn't agree with. Here's a little bit of

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<v Speaker 1>one of those videos where she was sort of becoming

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<v Speaker 1>increasingly angry and upset with commenters who were criticizing her.

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<v Speaker 2>I just woke up and to like people just skewing

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<v Speaker 2>it even more. Doorsing and voting are completely different. I

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<v Speaker 2>don't agree with a lot of what is going on

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<v Speaker 2>with policies, like obviously fucked the policies of the right,

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<v Speaker 2>but also fuck some of the policies on the left.

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<v Speaker 1>That's why I can't endorse, That's why I can't like

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<v Speaker 1>put my entire name, in my entire project behind one.

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<v Speaker 1>So in these videos, she sort of would finish making

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<v Speaker 1>her point and then she'd come back to try and

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<v Speaker 1>clarify it again. And we've seen this before in the past,

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<v Speaker 1>maybe some of us have even tried it in video form,

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<v Speaker 1>where you start brawling with your commenters and you start,

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<v Speaker 1>you know, trying to explain yourself and explain yourself, and

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<v Speaker 1>then they come back and back and it's hiding to nowhere, really.

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<v Speaker 1>And it was a day or so after these videos

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<v Speaker 1>were posted that she canceled these concerts. But Jesse, the

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<v Speaker 1>response to the cancelation itself has been really interesting because

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<v Speaker 1>she's clearly someone who is struggling with fame. She wears

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<v Speaker 1>her heart on her sleeve. She is bipolar according to her,

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<v Speaker 1>and has struggles with mental health, so you would think

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<v Speaker 1>that people would be understanding when she canceled these concerts,

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<v Speaker 1>but that's not what.

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<v Speaker 4>Happened, especially a generation who is more literate and compassionate

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<v Speaker 4>about mental health than I would think any other generation,

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<v Speaker 4>until they lose their tickets, until the festival that they

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<v Speaker 4>wanted to go to on the weekend doesn't have chapel ron.

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<v Speaker 1>So people were then shouting at her, not just about

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<v Speaker 1>who she supported or didn't support her endorsement, but they

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<v Speaker 1>were shouting at her about canceling the concept.

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<v Speaker 4>So there are viral tiktoks that have millions and millions

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<v Speaker 4>of views that have been popping up on my feed

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<v Speaker 4>all week that say things like, ma'am, you canceled your

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<v Speaker 4>set at a festival because you are stressed. You have

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<v Speaker 4>been famous for maybe four months. Justin Bieber endured that

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<v Speaker 4>stress you're encountering for his whole life. I mean footnote

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<v Speaker 4>that Justin Bieber doesn't appear to really perform anymore, also

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<v Speaker 4>great himself. The other sentiments were sort of like, wish

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<v Speaker 4>I had the privilege to cancel on my job commitments

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<v Speaker 4>when I'm not feeling one hundred percent. Unfortunately, i'd be homeless.

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<v Speaker 4>No one else in the world can cancel work because

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<v Speaker 4>they're stressed.

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<v Speaker 1>That's not true.

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<v Speaker 3>That's absolutely not true.

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<v Speaker 4>And another comment that was getting a lot of traction

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<v Speaker 4>was therapy has just given everyone permission to prioritize their

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<v Speaker 4>mental health, to just be selfish and mean to everyone else.

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<v Speaker 4>So we think that we've made a lot of progress

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<v Speaker 4>when it comes to understanding the whole that fame takes

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<v Speaker 4>on people, and also that you might need a mental

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<v Speaker 4>health day, Like in everyday life, there are situations where

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<v Speaker 4>we would like to think that if someone put the

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<v Speaker 4>hand up and said, I actually can't come to work more,

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<v Speaker 4>I need a mental health day, then we'd be way

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<v Speaker 4>more understanding than we were a generation ago. But this

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<v Speaker 4>is symptomatic of how we see Roan as a product

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<v Speaker 4>and not a person, like I paid for you, and

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<v Speaker 4>now you're not going to be there, and how about

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<v Speaker 4>my hotel and how about my outfit? And in fact,

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<v Speaker 4>I think that frustration is probably valid, like I would

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<v Speaker 4>be really upset, but to direct it, I keep thinking

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<v Speaker 4>how she must be feeling right now, what it must

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<v Speaker 4>take for an artist with her team and with her fame,

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<v Speaker 4>to not turn up to a show is enormous And

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<v Speaker 4>in fact, this one, the festival that she's pulled out of,

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<v Speaker 4>was just a day before and a lot of people

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<v Speaker 4>are going, you should have given us more notice. To me,

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<v Speaker 4>that says she really wanted to do it, and she

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<v Speaker 4>realized that she couldn't, and that I feel an enormous

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<v Speaker 4>amount of compassion for that.

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<v Speaker 2>She's such an interesting study in overnight fame because it

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<v Speaker 2>is like literal overnight fame, as you say, She's been

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<v Speaker 2>doing it a long time, but her fame has accelerated

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<v Speaker 2>like a rocket, and probably a lot of these bookings

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<v Speaker 2>were in the diary before she was who she is

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<v Speaker 2>right now. Right because Chapel Rone could fill a stadium

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<v Speaker 2>on her own now, she doesn't really need to be

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<v Speaker 2>doing festival shows. But I'm sure that a lot of

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<v Speaker 2>these commitments were a long time ago, and she is

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<v Speaker 2>in literally a cyclone of attention and she's trying to

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<v Speaker 2>figure out how to deal with it. One of the

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<v Speaker 2>things that I think is really interesting is rock stars,

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<v Speaker 2>pop stars, musicians, whatever you want to call them, have

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<v Speaker 2>always flaked out of shows, right and usually they would

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<v Speaker 2>just tell you, oh, they've got a cold, they're dealing

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<v Speaker 2>with the chest infection at the moment, or whatever. When

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<v Speaker 2>it could have been mental health, it could have been addiction,

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<v Speaker 2>it could have been whatever. The thing with the Chapel

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<v Speaker 2>Roane is she is trying to be still the person

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<v Speaker 2>that she probably has always been, who is somebody very honest,

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<v Speaker 2>very authentic, very wearing my heart on my sleeve. So

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<v Speaker 2>the way, even the way she talks about politics in

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<v Speaker 2>that whole fuck the left, fuck the right, I'm trying

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<v Speaker 2>to explain to you, this nuanced critical thinking piece is

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<v Speaker 2>something that any really professional, high level artist with a

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<v Speaker 2>team around them would be told. Do not do that,

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<v Speaker 2>you know, either say nothing or say something definitive, but

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<v Speaker 2>don't start trying to actually talk like a real person

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<v Speaker 2>and start a real conversation with your nuance because that's

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<v Speaker 2>not gonna go anywhere good. And so it's almost like

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<v Speaker 2>you've given too much of yourself, You've handed over this

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<v Speaker 2>pound of flesh. So she's telling the truth about why

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<v Speaker 2>she's not turning up to these festivals, which is I

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<v Speaker 2>am so overwhelmed. I can't handle it. I don't think

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<v Speaker 2>I can do it. I feel so vulnerable out there

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<v Speaker 2>I've got to be happy, I've got to perform. I'm

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<v Speaker 2>an arms reach away from everybody, and she can't do it.

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<v Speaker 2>In the old world, her team would have just said,

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<v Speaker 2>Chapel's got flu.

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<v Speaker 1>You know what I mean.

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<v Speaker 4>She posted a story as well, not a post, which

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<v Speaker 4>means that people can't really respond, and she's close common

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<v Speaker 4>and she's close comments, which I think tells us something.

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<v Speaker 4>And I was also thinking to the people who were like,

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<v Speaker 4>turn up, you had a job to do, the rest

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<v Speaker 4>of us are doing our jobs. I mean, that is

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<v Speaker 4>just such an unempathetic way to live your life. But

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<v Speaker 4>I keep thinking about Avicy. So his real name was

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<v Speaker 4>Tim Bergling, and if you have seen the documentary of

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<v Speaker 4>Eachy True Stories, you'll see that he had a meteorite

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<v Speaker 4>rise to fame and he started doing maybe fifty shows

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<v Speaker 4>a year, and I think in the final year he

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<v Speaker 4>did about two hundred and fifty shows. And he has

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<v Speaker 4>infections and like his body is falling apart. And it's

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<v Speaker 4>not just the performing, it's the whole, like it's what.

0:11:47.967 --> 0:11:51.447
<v Speaker 2>Goes with it, it's what travel. And also festivals, you know,

0:11:51.607 --> 0:11:54.447
<v Speaker 2>there's an enormous amount of output there. You're backstage with

0:11:54.487 --> 0:11:57.327
<v Speaker 2>a whole lot of other people credibly and like it's

0:11:57.367 --> 0:12:01.767
<v Speaker 2>not Taylor Swift and a very well organized machine world.

0:12:01.967 --> 0:12:06.367
<v Speaker 4>Burgling in the end died by suicide and was such

0:12:06.447 --> 0:12:10.527
<v Speaker 4>an incredible artist. But we get these lessons. You watch

0:12:10.647 --> 0:12:13.367
<v Speaker 4>that and you see how me you started by saying,

0:12:13.407 --> 0:12:15.807
<v Speaker 4>it's the best time of Rome's life and the worst.

0:12:16.727 --> 0:12:18.727
<v Speaker 4>I don't think there is any best for Rone right now.

0:12:18.807 --> 0:12:20.807
<v Speaker 4>Maybe in the future she'll see it, but I think

0:12:20.847 --> 0:12:23.047
<v Speaker 4>she's living in hell. I think she is hating it.

0:12:23.247 --> 0:12:26.967
<v Speaker 1>I think it's it's objectively the best time in her

0:12:26.967 --> 0:12:30.327
<v Speaker 1>life because as a performer or an artist, this is

0:12:30.327 --> 0:12:33.367
<v Speaker 1>what you dream of. You dream of Elton John calling

0:12:33.407 --> 0:12:36.287
<v Speaker 1>you up, and every pop star shouting you.

0:12:36.247 --> 0:12:39.687
<v Speaker 2>Out and your songs mean to them.

0:12:39.567 --> 0:12:42.927
<v Speaker 1>And winning awards and going on stage to all these

0:12:42.927 --> 0:12:46.167
<v Speaker 1>people and everyone warning you and the cover of Rolling Stone,

0:12:46.247 --> 0:12:49.807
<v Speaker 1>like all of these things are these objective milestones in

0:12:49.887 --> 0:12:54.007
<v Speaker 1>what it means to be a successful artist in the

0:12:54.087 --> 0:12:57.687
<v Speaker 1>music industry. And I think that's probably what makes it harder,

0:12:57.927 --> 0:13:00.927
<v Speaker 1>because it's funny. Claire's got this podcast called but Are

0:13:00.967 --> 0:13:04.247
<v Speaker 1>You Happy? When often the objective measures of success don't

0:13:04.247 --> 0:13:07.087
<v Speaker 1>bring you the happiness, and they actually bring with them

0:13:07.087 --> 0:13:08.967
<v Speaker 1>a whole lot of shit that you never thought about.

0:13:09.527 --> 0:13:12.127
<v Speaker 1>And what's so clear to us sitting back, not saying

0:13:12.127 --> 0:13:16.487
<v Speaker 1>that we're famous, but we over a long period of time,

0:13:16.847 --> 0:13:20.927
<v Speaker 1>as our public profiles have grown, we have learned what

0:13:20.967 --> 0:13:23.927
<v Speaker 1>you can and can't do and what is a highway

0:13:24.127 --> 0:13:27.287
<v Speaker 1>to poor mental health. And it's really unfortunate because sometimes

0:13:27.367 --> 0:13:29.927
<v Speaker 1>you want to try and have a conversation and your

0:13:30.007 --> 0:13:33.327
<v Speaker 1>humanity is being questioned, or your decisions have been questioned,

0:13:33.527 --> 0:13:35.127
<v Speaker 1>or people are saying lies about you, and you want

0:13:35.127 --> 0:13:38.167
<v Speaker 1>to push back or explain yourself better, and you think

0:13:38.167 --> 0:13:40.487
<v Speaker 1>it's going to end well, and you have to do

0:13:40.527 --> 0:13:42.567
<v Speaker 1>it a lot of times before you realize it's actually

0:13:42.647 --> 0:13:44.007
<v Speaker 1>not going to end well. It's not going to end

0:13:44.047 --> 0:13:45.367
<v Speaker 1>well for you, and you're not going to change the

0:13:45.407 --> 0:13:48.287
<v Speaker 1>mind like she wasn't changing the mind of anyone who

0:13:48.367 --> 0:13:49.687
<v Speaker 1>was slagging her off.

0:13:49.847 --> 0:13:52.487
<v Speaker 3>So you think that those videos have contributed to the point.

0:13:52.487 --> 0:13:55.767
<v Speaker 1>One hundred percent and to play Devil's advocate, and this

0:13:55.887 --> 0:13:57.727
<v Speaker 1>sounds like I'm victim blaming and I'm not at all.

0:13:57.847 --> 0:14:01.727
<v Speaker 1>But the people who are like, here's our contract. I

0:14:01.967 --> 0:14:05.767
<v Speaker 1>pay for my ticket and I expect you to show

0:14:05.887 --> 0:14:08.727
<v Speaker 1>up and I expect you to do what's required so

0:14:08.727 --> 0:14:11.647
<v Speaker 1>that you can and show up, whether it's not staying

0:14:11.727 --> 0:14:14.767
<v Speaker 1>up all night and partying and that's clearly not what

0:14:14.767 --> 0:14:18.007
<v Speaker 1>she's doing, or not doing things that are going to

0:14:18.047 --> 0:14:21.687
<v Speaker 1>make you mentally unwell so that you have to then

0:14:21.927 --> 0:14:25.927
<v Speaker 1>take time off. So I guess I can understand because

0:14:25.927 --> 0:14:27.447
<v Speaker 1>we all look at it and go, oh, Chapa, what

0:14:27.527 --> 0:14:30.007
<v Speaker 1>are you doing? Like just stop, just stop, just step away,

0:14:30.087 --> 0:14:32.447
<v Speaker 1>just step away. And this idea of her team should

0:14:32.487 --> 0:14:36.447
<v Speaker 1>protect her when you become that famous that fast. Not

0:14:36.567 --> 0:14:40.327
<v Speaker 1>everybody has a tree pain. That's Taylor Swift's famous publicist

0:14:40.887 --> 0:14:44.487
<v Speaker 1>and the right people around them. I mean, interestingly, Travis

0:14:44.527 --> 0:14:47.247
<v Speaker 1>Kelcey even this week just sacked his whole publicity team.

0:14:47.807 --> 0:14:51.847
<v Speaker 1>So sometimes the people you have around you aren't equipped.

0:14:51.687 --> 0:14:54.567
<v Speaker 2>Well and they're probably scrambling like this has been so fast,

0:14:54.647 --> 0:14:56.487
<v Speaker 2>and she's no one's fault. The people that she has

0:14:56.527 --> 0:14:59.407
<v Speaker 2>around her are probably people she really trusts and knows. Right.

0:14:59.847 --> 0:15:02.127
<v Speaker 2>But the thing is is that the sad thing that

0:15:02.167 --> 0:15:04.647
<v Speaker 2>has to happen is that really for her to protect

0:15:04.687 --> 0:15:07.047
<v Speaker 2>her mental health, and not that we necessarily know this,

0:15:07.127 --> 0:15:09.527
<v Speaker 2>but is a wall needs to go up between her

0:15:09.527 --> 0:15:13.207
<v Speaker 2>and her fans, and she probably hates that idea everybody does,

0:15:13.247 --> 0:15:14.687
<v Speaker 2>you know, Like she wants to be able to jump

0:15:14.727 --> 0:15:16.487
<v Speaker 2>on live and say this is what I think about this,

0:15:16.607 --> 0:15:19.127
<v Speaker 2>and you guys know the real me and all those things.

0:15:19.167 --> 0:15:21.607
<v Speaker 2>I'm sure that's very important to her because she's an artist,

0:15:21.727 --> 0:15:24.887
<v Speaker 2>and she's a brilliant artist, and she's clearly sensitive, and

0:15:24.887 --> 0:15:27.487
<v Speaker 2>she's clearly got you know, she's been very open about

0:15:27.487 --> 0:15:30.727
<v Speaker 2>her mental health, and unfortunately, one of the things she's

0:15:30.727 --> 0:15:32.327
<v Speaker 2>going to need to do to protect herself if she

0:15:32.327 --> 0:15:34.607
<v Speaker 2>wants to keep on doing this is put walls up right,

0:15:34.607 --> 0:15:37.647
<v Speaker 2>like between her and her audience, her and her fans,

0:15:37.967 --> 0:15:40.487
<v Speaker 2>her and what events she will do, won't do, where

0:15:40.527 --> 0:15:42.807
<v Speaker 2>she can travel to, what the schedule's got to be, like,

0:15:42.887 --> 0:15:46.367
<v Speaker 2>what time she needs. Like anytime you talk to anyone

0:15:47.007 --> 0:15:49.367
<v Speaker 2>that level famous, whether you listen to interviews with them

0:15:49.407 --> 0:15:50.887
<v Speaker 2>or you hear them talking on but are You Happy

0:15:50.927 --> 0:15:53.287
<v Speaker 2>or shows like that, they'll say I had to learn

0:15:53.367 --> 0:15:56.247
<v Speaker 2>what I needed to do to protect my mental health

0:15:56.567 --> 0:15:58.167
<v Speaker 2>to be able to keep doing the thing I love.

0:15:58.207 --> 0:16:02.007
<v Speaker 2>And it's that unpopular word boundaries. Yes, and Roan, And

0:16:02.047 --> 0:16:03.727
<v Speaker 2>I'm not saying this in any way to blame her

0:16:03.727 --> 0:16:05.927
<v Speaker 2>but I think that what we're literally seeing in real

0:16:06.007 --> 0:16:09.927
<v Speaker 2>time with how she's grappling with fame and this believable

0:16:09.967 --> 0:16:13.567
<v Speaker 2>attention being the person she is, she's working that out

0:16:13.567 --> 0:16:15.127
<v Speaker 2>in real time, and it's really hard.

0:16:15.567 --> 0:16:18.767
<v Speaker 4>I agree with everything that you say, but I would

0:16:18.807 --> 0:16:22.007
<v Speaker 4>add that maybe what we're seeing with trying to convince

0:16:22.567 --> 0:16:24.647
<v Speaker 4>her fans and going back and whatever, which is a

0:16:24.647 --> 0:16:27.127
<v Speaker 4>strategy that we know doesn't necessarily work. But I can

0:16:27.167 --> 0:16:29.527
<v Speaker 4>see and feel her desperation and I have felt it

0:16:29.567 --> 0:16:32.567
<v Speaker 4>to just be understood. I think that's why people are artists,

0:16:32.567 --> 0:16:34.847
<v Speaker 4>to try and be understood. I wonder if this is

0:16:34.887 --> 0:16:38.447
<v Speaker 4>all symptomatic rather than a cause. If she is, and

0:16:38.487 --> 0:16:41.287
<v Speaker 4>she's said before that she suffers from severe depression and

0:16:41.367 --> 0:16:46.367
<v Speaker 4>bipolar two these preceded her face all of these stresses,

0:16:46.847 --> 0:16:49.207
<v Speaker 4>would you be really difficult?

0:16:49.727 --> 0:16:51.007
<v Speaker 3>But I worry.

0:16:50.807 --> 0:16:54.367
<v Speaker 4>About us saying, and not just about Rome, but about

0:16:54.367 --> 0:16:56.967
<v Speaker 4>people in our own lives when we go, you know,

0:16:57.007 --> 0:16:59.967
<v Speaker 4>they're really struggling. And I've seen it, and I've been

0:17:00.087 --> 0:17:02.487
<v Speaker 4>at the receiving end of it too, Like you know,

0:17:02.567 --> 0:17:05.247
<v Speaker 4>she's really depressed, but she's not exercising every day, and

0:17:05.407 --> 0:17:07.887
<v Speaker 4>she just ate a little bit better, and you know,

0:17:08.047 --> 0:17:11.087
<v Speaker 4>I don't think that she's seeing her psychologist enough, which yes,

0:17:11.207 --> 0:17:15.047
<v Speaker 4>But the nature of mental health is that, like the

0:17:15.127 --> 0:17:17.567
<v Speaker 4>spiral is part of it, If that makes sense.

0:17:17.607 --> 0:17:18.687
<v Speaker 3>I don't want mental health.

0:17:18.887 --> 0:17:21.807
<v Speaker 4>We talk about it as an illness, but there's also

0:17:21.887 --> 0:17:25.807
<v Speaker 4>an element of it being your responsibility, which we don't

0:17:25.807 --> 0:17:27.487
<v Speaker 4>do with other illness.

0:17:27.487 --> 0:17:29.367
<v Speaker 2>Had a broken leg? Yeah, So the thing is is

0:17:29.367 --> 0:17:31.127
<v Speaker 2>the people who are disappointed that she's not going to

0:17:31.127 --> 0:17:33.407
<v Speaker 2>be at the festival that they are going to, although

0:17:33.407 --> 0:17:35.327
<v Speaker 2>they're going to see lots of other people, they'll get

0:17:35.367 --> 0:17:37.407
<v Speaker 2>over it. And if she had broken a leg and

0:17:37.447 --> 0:17:39.527
<v Speaker 2>it was like Chapel Rone isn't performing today because she'd

0:17:39.527 --> 0:17:41.647
<v Speaker 2>broken her leg, they would also be disappointed, but they'd

0:17:41.647 --> 0:17:42.127
<v Speaker 2>get over it.

0:17:42.207 --> 0:17:42.527
<v Speaker 4>Yeah.

0:17:42.527 --> 0:17:44.647
<v Speaker 1>But what if she'd have broken a leg because she

0:17:44.847 --> 0:17:48.527
<v Speaker 1>was skydiving or skateboarding or skiing.

0:17:48.887 --> 0:17:50.887
<v Speaker 3>Is that what we're saying that she's doing no life?

0:17:50.927 --> 0:17:51.927
<v Speaker 1>I no, I'm just driving.

0:17:52.207 --> 0:17:54.367
<v Speaker 4>For example, I was at a rider's festival a little

0:17:54.367 --> 0:17:56.687
<v Speaker 4>while ago in quite a remote location. Took a really

0:17:56.767 --> 0:17:59.527
<v Speaker 4>long time to get there, and I went to do

0:17:59.647 --> 0:18:01.927
<v Speaker 4>this panel and before we started the panel, someone came

0:18:01.927 --> 0:18:03.567
<v Speaker 4>over and said, there was meant to be four of

0:18:03.567 --> 0:18:05.407
<v Speaker 4>you and now there's three of you. One of the

0:18:05.407 --> 0:18:08.727
<v Speaker 4>people on the panel can't do it. And I was like, yeah, yeah,

0:18:08.767 --> 0:18:11.447
<v Speaker 4>no worries. And in fact, to be completely honest, i'd

0:18:11.447 --> 0:18:13.647
<v Speaker 4>had food poisoning that night and I had a little

0:18:13.687 --> 0:18:16.487
<v Speaker 4>I just went, oh, they can't, like I've been throwing

0:18:16.607 --> 0:18:20.087
<v Speaker 4>up da da da, And they said this person had

0:18:20.087 --> 0:18:23.327
<v Speaker 4>a panic attack and hasn't had that before. And I

0:18:23.447 --> 0:18:27.327
<v Speaker 4>thought about it, and I went, imagine traveling all the

0:18:27.367 --> 0:18:29.767
<v Speaker 4>way to this remote location to speak on a panel.

0:18:30.207 --> 0:18:34.247
<v Speaker 4>Imagine the distress, how much pain you must be in.

0:18:34.247 --> 0:18:37.567
<v Speaker 4>And anyone who's experienced of your depression or panic attacks

0:18:37.607 --> 0:18:38.247
<v Speaker 4>knows that.

0:18:38.167 --> 0:18:40.407
<v Speaker 3>There is nothing more debilitating.

0:18:40.647 --> 0:18:42.607
<v Speaker 4>It's your head. And when your head's not working, you

0:18:42.647 --> 0:18:44.847
<v Speaker 4>feel like you can't do anything right. I think that

0:18:44.887 --> 0:18:52.167
<v Speaker 4>there's a lack of compassion in this story.

0:18:53.687 --> 0:18:55.967
<v Speaker 2>You know how we keep being told that kids need

0:18:56.007 --> 0:18:58.767
<v Speaker 2>to get off their phones and touch some grass. Well,

0:18:58.807 --> 0:19:01.287
<v Speaker 2>good luck with that, because depending on how far away

0:19:01.287 --> 0:19:04.007
<v Speaker 2>from your watchful eye that grass is, you might just

0:19:04.087 --> 0:19:06.807
<v Speaker 2>find yourself in a pile of pooh. That is the

0:19:06.887 --> 0:19:11.167
<v Speaker 2>experience of British TV presenter Allsop, who's at the center

0:19:11.207 --> 0:19:13.487
<v Speaker 2>of a big ding dong in the UK because she

0:19:13.687 --> 0:19:16.327
<v Speaker 2>thought that her fifteen year old son could do with

0:19:16.367 --> 0:19:19.407
<v Speaker 2>a bit more independence. Now you probably don't know who

0:19:19.487 --> 0:19:21.447
<v Speaker 2>Kirsty is, and for the purposes of this story, you

0:19:21.487 --> 0:19:24.447
<v Speaker 2>don't need to. She presents a lot of UK TV shows,

0:19:24.487 --> 0:19:28.287
<v Speaker 2>notably the ones about houses like Location, Location, Location, and Love.

0:19:28.167 --> 0:19:28.847
<v Speaker 1>It or List It.

0:19:29.287 --> 0:19:31.047
<v Speaker 2>She lives in a fancy bit of London and she

0:19:31.167 --> 0:19:35.087
<v Speaker 2>sent her son Oscar Hercules off traveling with a friend

0:19:35.167 --> 0:19:37.327
<v Speaker 2>on a train. Over the course of a few weeks

0:19:37.327 --> 0:19:42.967
<v Speaker 2>in the northern summer, he traveled to Paris, Brussels, Amsterdam, Berlin, Munich, Marseille, Toulouse,

0:19:43.007 --> 0:19:46.087
<v Speaker 2>Barcelona and Madrid with a sixteen year old friend. We

0:19:46.167 --> 0:19:49.607
<v Speaker 2>call this in Europe interrailing. You get a ticket, you

0:19:49.647 --> 0:19:51.847
<v Speaker 2>can jump on and off trains and you go around Europe.

0:19:51.847 --> 0:19:52.367
<v Speaker 3>Did you do that?

0:19:52.887 --> 0:19:53.007
<v Speaker 1>No?

0:19:53.207 --> 0:19:54.367
<v Speaker 2>Okay, I did not do that.

0:19:55.287 --> 0:19:57.047
<v Speaker 3>Is that because it was expensive?

0:19:57.527 --> 0:19:59.127
<v Speaker 2>Isn't it because it was expensive?

0:19:59.567 --> 0:20:01.407
<v Speaker 1>Is it a common thing that fifteen year old to do?

0:20:01.527 --> 0:20:04.567
<v Speaker 2>It's a common thing. It's like in English education you

0:20:04.607 --> 0:20:06.727
<v Speaker 2>have these two gaps. So when you're at the end

0:20:06.727 --> 0:20:09.167
<v Speaker 2>of what would be here year ten, so that could

0:20:09.167 --> 0:20:12.127
<v Speaker 2>be fifteen turning sixteen, is you do your GCSEs and

0:20:12.167 --> 0:20:14.047
<v Speaker 2>that's where he was right, So she said he was

0:20:14.087 --> 0:20:15.647
<v Speaker 2>just a bit young for his year. The friend he

0:20:15.687 --> 0:20:18.047
<v Speaker 2>went with was sixteen and then if you carry on

0:20:18.127 --> 0:20:20.607
<v Speaker 2>with school, then you do your A levels at eighteen,

0:20:20.647 --> 0:20:22.367
<v Speaker 2>so year twelve ish and then you may or may

0:20:22.367 --> 0:20:25.287
<v Speaker 2>not continue to UNI. Anyway, she spoke about this trip

0:20:25.327 --> 0:20:28.127
<v Speaker 2>on social media and shortly afterwards she got contacted by

0:20:28.167 --> 0:20:31.087
<v Speaker 2>the local social services saying that the matter had been

0:20:31.127 --> 0:20:35.487
<v Speaker 2>reported to them and they'd opened a child protection file. Alsop,

0:20:35.647 --> 0:20:38.447
<v Speaker 2>who's a pretty famous person in the UK, insisted that

0:20:38.487 --> 0:20:41.807
<v Speaker 2>she had decided to allow Oscar to go because society

0:20:41.887 --> 0:20:46.287
<v Speaker 2>has become increasingly risk averse and children need to develop

0:20:46.407 --> 0:20:49.167
<v Speaker 2>the confidence that only comes from trusting them, and we

0:20:49.247 --> 0:20:51.847
<v Speaker 2>do hear that a lot. She also said, of course,

0:20:51.927 --> 0:20:54.967
<v Speaker 2>because everybody says this, that she'd read all those Jonathan

0:20:55.047 --> 0:20:58.527
<v Speaker 2>Height reports from that book about the anxious generation, that

0:20:58.567 --> 0:21:01.647
<v Speaker 2>we protect too much offline and not enough online, and

0:21:01.687 --> 0:21:04.567
<v Speaker 2>decided to walk her walk. Confidence, she says, comes from

0:21:04.607 --> 0:21:07.487
<v Speaker 2>trust and independence from doing things by yourself. My son

0:21:07.567 --> 0:21:10.327
<v Speaker 2>is capable. It was his idea, his plan, his savings.

0:21:10.607 --> 0:21:12.287
<v Speaker 2>He came to me and said can I do this?

0:21:12.367 --> 0:21:14.927
<v Speaker 2>And I saw no reason for saying no. And when

0:21:15.007 --> 0:21:16.767
<v Speaker 2>I mentioned that he'd done it, I wanted it to

0:21:16.807 --> 0:21:20.287
<v Speaker 2>be inspiring. As you can imagine. Her critics have jumped

0:21:20.327 --> 0:21:23.847
<v Speaker 2>on it, went crazy. They were like, you're irresponsible, how terrible.

0:21:24.287 --> 0:21:26.567
<v Speaker 2>And she has written a lot about how she really

0:21:26.607 --> 0:21:29.207
<v Speaker 2>believed that it was a very important rite of passage

0:21:29.207 --> 0:21:31.167
<v Speaker 2>for him, and she makes the point she says, the

0:21:31.207 --> 0:21:34.327
<v Speaker 2>child services thing is just absurd and made me very angry.

0:21:34.527 --> 0:21:36.647
<v Speaker 2>If anything, it's a distillation of where we've got to.

0:21:36.767 --> 0:21:38.807
<v Speaker 2>But it isn't the main issue. The main issue is

0:21:38.847 --> 0:21:40.647
<v Speaker 2>that so many people seem to think the world is

0:21:40.647 --> 0:21:43.847
<v Speaker 2>a more dangerous place to travel in. Yet modern communications,

0:21:43.887 --> 0:21:46.727
<v Speaker 2>safer transport, and better emergency health means it's actually a

0:21:46.807 --> 0:21:50.087
<v Speaker 2>safer place to travel in than it's ever been. What

0:21:50.407 --> 0:21:52.367
<v Speaker 2>do we think, friends.

0:21:52.767 --> 0:21:55.287
<v Speaker 3>May or would you let fifteen year old travel to

0:21:55.327 --> 0:21:58.687
<v Speaker 3>another country? Well, actually interstate is probably a better Yeah.

0:21:58.727 --> 0:22:02.687
<v Speaker 2>She wants to make the point that in England and Europe,

0:22:02.847 --> 0:22:05.687
<v Speaker 2>she said, the actual distance covered it probably wouldn't have

0:22:05.727 --> 0:22:07.087
<v Speaker 2>got you out of New South Wales. Do you know

0:22:07.127 --> 0:22:09.967
<v Speaker 2>what I mean in terms of actual distance? She said,

0:22:09.967 --> 0:22:12.167
<v Speaker 2>if we're in Australia, probably I mean you probably wouldn't

0:22:12.167 --> 0:22:13.207
<v Speaker 2>be out of New South Wells. But you know what

0:22:13.207 --> 0:22:13.447
<v Speaker 2>I mean.

0:22:13.807 --> 0:22:16.487
<v Speaker 1>But it's going to different that's a lot of countries.

0:22:16.727 --> 0:22:19.967
<v Speaker 1>My no trip, massive envy, and he's fifteen year old.

0:22:20.007 --> 0:22:23.927
<v Speaker 1>I want his life. It's tricky, isn't it. I'm really

0:22:24.007 --> 0:22:26.607
<v Speaker 1>in agreement. I've read a lot and thought a lot

0:22:26.647 --> 0:22:30.967
<v Speaker 1>about the fact that if you don't let children take risks,

0:22:31.407 --> 0:22:34.567
<v Speaker 1>then they get to eighteen and it's suddenly like, Okay,

0:22:34.687 --> 0:22:37.047
<v Speaker 1>you can have alcohol, you can drive a car, all

0:22:37.047 --> 0:22:39.047
<v Speaker 1>bets are off, You're free. You can do whatever you

0:22:39.047 --> 0:22:42.927
<v Speaker 1>want now. And they've had no practice in navigating risk

0:22:43.127 --> 0:22:46.807
<v Speaker 1>and assessing risk because we've never given them a chance

0:22:46.847 --> 0:22:49.647
<v Speaker 1>to build that muscle through their life. And that's the

0:22:49.767 --> 0:22:52.687
<v Speaker 1>argument behind free range parenting, isn't it that? You know,

0:22:52.727 --> 0:22:54.967
<v Speaker 1>we mean well, but we think that it's our job

0:22:55.087 --> 0:22:59.607
<v Speaker 1>to protect our children from all the risks and walk

0:22:59.607 --> 0:23:01.607
<v Speaker 1>them around the fire and not hold their hand while

0:23:01.647 --> 0:23:04.727
<v Speaker 1>they walk through it. And so yeah, I mean, I've

0:23:04.727 --> 0:23:07.207
<v Speaker 1>got a sixteen year old. You know, we were overseas

0:23:07.487 --> 0:23:10.007
<v Speaker 1>a couple of years ago when my daughter was sixteen,

0:23:10.047 --> 0:23:12.927
<v Speaker 1>maybe seventeen. She really wanted to come home. She was

0:23:13.127 --> 0:23:16.047
<v Speaker 1>not feeling great and not enjoying this trip. So we

0:23:16.127 --> 0:23:20.687
<v Speaker 1>allowed her to fly home from Greece alone and then

0:23:20.927 --> 0:23:23.527
<v Speaker 1>just be at home for a week or so until

0:23:23.567 --> 0:23:26.447
<v Speaker 1>we got back. I mean, look, we could track her phone,

0:23:26.487 --> 0:23:28.327
<v Speaker 1>we could do all of those things, and when she

0:23:28.407 --> 0:23:30.807
<v Speaker 1>was eighteen, every night I was checking where she was

0:23:30.847 --> 0:23:33.607
<v Speaker 1>when she was just recently traveling for six weeks. It's

0:23:33.647 --> 0:23:37.247
<v Speaker 1>scary as a parent, but what a gift you give

0:23:37.847 --> 0:23:38.367
<v Speaker 1>your child?

0:23:38.567 --> 0:23:41.527
<v Speaker 4>Yeah, And what the criticism can never take into account,

0:23:41.727 --> 0:23:44.327
<v Speaker 4>which I think has just should be the mantra of

0:23:44.367 --> 0:23:47.287
<v Speaker 4>the internet, is that the mum or the dad or

0:23:47.287 --> 0:23:50.767
<v Speaker 4>the caregiver knows the kid better than you do. So

0:23:51.327 --> 0:23:54.447
<v Speaker 4>your fifteen year old might just in terms of maturity,

0:23:54.487 --> 0:23:56.847
<v Speaker 4>not be there. We don't know her fifteen year old.

0:23:56.887 --> 0:23:58.447
<v Speaker 4>I think she knows her kid, she knows what her

0:23:58.487 --> 0:24:01.567
<v Speaker 4>kid is capable of. But what this story speaks to

0:24:02.007 --> 0:24:06.247
<v Speaker 4>is the rub between the messaging we're getting in all

0:24:06.287 --> 0:24:09.887
<v Speaker 4>the books and I'm getting it very very low, which

0:24:09.927 --> 0:24:14.967
<v Speaker 4>is about independence, parents that are overfunctioning, and how there

0:24:15.007 --> 0:24:18.247
<v Speaker 4>is this link between less freedom and trust and more

0:24:18.287 --> 0:24:20.527
<v Speaker 4>mental health concerns. So we go, Okay, we've got to

0:24:20.567 --> 0:24:23.167
<v Speaker 4>give them freedom and independence and play and don't get

0:24:23.207 --> 0:24:25.727
<v Speaker 4>too involved in all of those things. But then the

0:24:25.807 --> 0:24:28.167
<v Speaker 4>second you enact any of that, child service is a

0:24:28.247 --> 0:24:28.927
<v Speaker 4>called or whatever.

0:24:29.087 --> 0:24:31.087
<v Speaker 2>And even if not child service is a called, the

0:24:31.207 --> 0:24:34.407
<v Speaker 2>judgment upon you from other people is enormous.

0:24:34.487 --> 0:24:35.087
<v Speaker 1>Is enormous.

0:24:35.247 --> 0:24:37.727
<v Speaker 2>Yeah, And that's one of the tricky things, exactly.

0:24:37.887 --> 0:24:40.247
<v Speaker 4>And the other thing I thought about this story was

0:24:40.407 --> 0:24:44.287
<v Speaker 4>this is why you should never say a parenting decision.

0:24:43.887 --> 0:24:45.927
<v Speaker 3>You make out loud of meaned so true.

0:24:46.007 --> 0:24:48.607
<v Speaker 4>It's like anything that I choose, whether it's like feeding

0:24:48.687 --> 0:24:50.247
<v Speaker 4>or what. And I know that sometimes it can be

0:24:50.247 --> 0:24:53.327
<v Speaker 4>really helpful, but I'm like, I personally can't handle nor

0:24:53.367 --> 0:24:55.887
<v Speaker 4>do I give a shit what anyone else thinks about it,

0:24:55.967 --> 0:24:56.647
<v Speaker 4>don't you think.

0:24:56.567 --> 0:24:59.927
<v Speaker 1>You often don't realize until you do say it, and

0:24:59.967 --> 0:25:02.327
<v Speaker 1>then there's pushback and you go, oh, I didn't. I

0:25:02.367 --> 0:25:06.247
<v Speaker 1>didn't realize this was a problem. Sometimes the Internet is

0:25:06.287 --> 0:25:08.807
<v Speaker 1>what tells you. I remember getting my son a smash

0:25:08.847 --> 0:25:11.487
<v Speaker 1>cake for his birthday when he was I don't know eight.

0:25:12.407 --> 0:25:14.607
<v Speaker 1>I posted a funny video about it, and it ended

0:25:14.687 --> 0:25:17.007
<v Speaker 1>up in the Daily Mail about people were upset about

0:25:17.007 --> 0:25:20.287
<v Speaker 1>the violence, and I was teaching my child violence because

0:25:20.287 --> 0:25:22.767
<v Speaker 1>all the kids like smashed it and then all ran

0:25:22.847 --> 0:25:24.247
<v Speaker 1>over the top of each other trying to get it,

0:25:24.287 --> 0:25:24.527
<v Speaker 1>and they.

0:25:24.527 --> 0:25:28.047
<v Speaker 4>Wonder why the well being of parents is really really low.

0:25:28.087 --> 0:25:30.207
<v Speaker 1>And other people were being critical that I bought the

0:25:30.207 --> 0:25:32.527
<v Speaker 1>cake in it we were also hundred dollars. Why didn't

0:25:32.567 --> 0:25:33.487
<v Speaker 1>I just make the cake.

0:25:33.847 --> 0:25:36.407
<v Speaker 2>It's interesting to me that the title of Heights book

0:25:36.447 --> 0:25:39.767
<v Speaker 2>about the kids is the anxious generation, But actually the

0:25:39.847 --> 0:25:42.647
<v Speaker 2>gen X parents who are making these decisions, we're fucking

0:25:42.727 --> 0:25:46.527
<v Speaker 2>anxious because like we live to our south of Sydney.

0:25:46.607 --> 0:25:48.767
<v Speaker 2>My daughters started making that train trip on her own

0:25:48.767 --> 0:25:50.887
<v Speaker 2>a bit in school holidays, come see her friend or whatever.

0:25:51.447 --> 0:25:53.847
<v Speaker 2>And when I put her on that train, of course

0:25:53.887 --> 0:25:56.287
<v Speaker 2>I say to her, like if a creepy guy sits

0:25:56.367 --> 0:25:59.247
<v Speaker 2>next to you, or if something happens or the train

0:25:59.327 --> 0:26:01.887
<v Speaker 2>breaks down, or da da da da da. But every

0:26:01.887 --> 0:26:05.047
<v Speaker 2>time she does it, she might face a situation where

0:26:05.047 --> 0:26:08.207
<v Speaker 2>she's going to like most likely and what's generally happened.

0:26:08.247 --> 0:26:09.767
<v Speaker 2>She gets on the train, she gets the other end,

0:26:09.807 --> 0:26:11.647
<v Speaker 2>she has a great time. But every time she does

0:26:11.727 --> 0:26:13.607
<v Speaker 2>get on the train, there is a chance that something

0:26:13.647 --> 0:26:16.007
<v Speaker 2>might happen. And I was thinking that. Actually, when I

0:26:16.047 --> 0:26:18.527
<v Speaker 2>was about the age of Oscar Hercules, I didn't go

0:26:18.567 --> 0:26:20.927
<v Speaker 2>off interrailing. But me and a friend did catch a

0:26:20.967 --> 0:26:24.167
<v Speaker 2>train from France to Italy where my parents were on holiday,

0:26:24.367 --> 0:26:26.207
<v Speaker 2>and it was an overnight train.

0:26:26.487 --> 0:26:27.167
<v Speaker 1>There was a.

0:26:27.087 --> 0:26:30.687
<v Speaker 2>Carriage down the train of football hooligans. This was an

0:26:30.727 --> 0:26:33.527
<v Speaker 2>era of football hooligans, the late eighties, and they were

0:26:33.567 --> 0:26:35.767
<v Speaker 2>scary guys and they were drunk and they gave us

0:26:35.807 --> 0:26:39.087
<v Speaker 2>loads of shit and we were scared. Right. Whatever we survived,

0:26:39.087 --> 0:26:41.207
<v Speaker 2>it wasn't particularly pleasant and we had a story to

0:26:41.247 --> 0:26:44.087
<v Speaker 2>tell everybody. But that could have gone bad, you know,

0:26:44.127 --> 0:26:46.047
<v Speaker 2>it definitely could have gone bad, and it could go

0:26:46.167 --> 0:26:48.087
<v Speaker 2>bad every time I put my daughter on a train,

0:26:48.607 --> 0:26:51.727
<v Speaker 2>and the fear of judgment is one of the things

0:26:51.767 --> 0:26:54.167
<v Speaker 2>that paralyzes parents. Is one of my mate says this

0:26:54.207 --> 0:26:56.087
<v Speaker 2>to me all the time. She's like, if something happens,

0:26:56.167 --> 0:26:59.247
<v Speaker 2>imagine what everyone will say, not because they're a public figure,

0:26:59.247 --> 0:27:01.807
<v Speaker 2>but just like people in your world is they'll say, well,

0:27:01.807 --> 0:27:03.727
<v Speaker 2>what did you think putting a fourteen year old girl

0:27:03.727 --> 0:27:06.287
<v Speaker 2>on a train when there might be drunk guys getting

0:27:06.327 --> 0:27:09.207
<v Speaker 2>on at that station and there might be boys doing this,

0:27:09.327 --> 0:27:11.847
<v Speaker 2>and her phone might run out of battery and the

0:27:11.967 --> 0:27:13.647
<v Speaker 2>train might break down and she won't know where to go,

0:27:13.647 --> 0:27:15.247
<v Speaker 2>and then she'd be wandering the streets and then someone

0:27:15.287 --> 0:27:17.807
<v Speaker 2>could come and like they're piling the anxiety and the

0:27:17.887 --> 0:27:21.527
<v Speaker 2>judgment onto you. So you have to actually be a

0:27:21.807 --> 0:27:26.527
<v Speaker 2>very confident, centered parent in this day and age to go.

0:27:26.927 --> 0:27:29.767
<v Speaker 2>And I'm not necessarily defending Kirsty Alsop because I think

0:27:29.767 --> 0:27:32.047
<v Speaker 2>she's probably a bit out there, but it's like, you

0:27:32.047 --> 0:27:32.967
<v Speaker 2>have to be a very.

0:27:32.927 --> 0:27:34.207
<v Speaker 1>What do you mean do you think she shouldn't have

0:27:34.247 --> 0:27:34.487
<v Speaker 1>done it?

0:27:34.407 --> 0:27:35.967
<v Speaker 2>It was too well, I don't think she shouldn't have

0:27:36.047 --> 0:27:38.287
<v Speaker 2>done it, but the way she defends it, of like, oh,

0:27:38.327 --> 0:27:39.967
<v Speaker 2>it's a rite of passage and all those things, I

0:27:40.047 --> 0:27:43.207
<v Speaker 2>just think that's not really true, you know. But I

0:27:43.247 --> 0:27:46.967
<v Speaker 2>think you have to be such a confident, grounded I

0:27:47.007 --> 0:27:50.367
<v Speaker 2>can handle it parent to go. No, I believe in

0:27:50.407 --> 0:27:52.407
<v Speaker 2>my choices and I believe in my kid, and that's

0:27:52.687 --> 0:27:55.367
<v Speaker 2>very hard to do, whether they're little and you're talking

0:27:55.407 --> 0:27:58.047
<v Speaker 2>about feeding, or whether they're fourteen and you're putting them

0:27:58.087 --> 0:27:58.567
<v Speaker 2>on a train.

0:27:58.807 --> 0:28:02.247
<v Speaker 4>Also did speak to something that's very true, though, which

0:28:02.327 --> 0:28:04.447
<v Speaker 4>is that the world is actually safer than it's ever been.

0:28:04.487 --> 0:28:07.647
<v Speaker 4>But because of our exposure, and I've found this with babies.

0:28:08.447 --> 0:28:12.447
<v Speaker 4>Everything that's gone wrong with a baby, I now read

0:28:12.767 --> 0:28:16.047
<v Speaker 4>because it's served me an algorithm, So you will see

0:28:16.087 --> 0:28:18.527
<v Speaker 4>every story about that fourteen year old girl, whether it

0:28:18.687 --> 0:28:20.447
<v Speaker 4>is near your house or whether it's on the other

0:28:20.487 --> 0:28:23.967
<v Speaker 4>side of the world, and so our sense of scale

0:28:24.087 --> 0:28:28.967
<v Speaker 4>or our sense of likelihood or probability is totally thrown out.

0:28:29.567 --> 0:28:32.407
<v Speaker 4>There was a great article though in The Atlantic about

0:28:32.567 --> 0:28:35.967
<v Speaker 4>lighthouse parents. I really liked that terminology, which was the

0:28:36.047 --> 0:28:39.327
<v Speaker 4>idea that similar to a lighthouse, you provide a bit

0:28:39.327 --> 0:28:41.567
<v Speaker 4>of light, a bit of stability, so that the ships

0:28:41.607 --> 0:28:44.487
<v Speaker 4>can see their way. This parent kept saying, and I

0:28:44.487 --> 0:28:47.647
<v Speaker 4>think she worked in education or something, and she said,

0:28:48.247 --> 0:28:51.167
<v Speaker 4>when her child comes home and says I'm being bullied

0:28:51.247 --> 0:28:53.167
<v Speaker 4>or whatever, rather than go here's what you should do

0:28:53.207 --> 0:28:54.887
<v Speaker 4>and I'm going to call the teacher, she'll say like,

0:28:55.047 --> 0:28:56.767
<v Speaker 4>how did you deal with that? And work through it

0:28:56.807 --> 0:28:59.087
<v Speaker 4>a little bit, which is idealistic, but I think it's

0:28:59.087 --> 0:29:02.807
<v Speaker 4>probably a good place to start. And she's all about

0:29:03.047 --> 0:29:05.967
<v Speaker 4>missteps before mastery. So there's got to be the.

0:29:06.327 --> 0:29:07.767
<v Speaker 3>Let them mobble, let them mobile.

0:29:08.207 --> 0:29:10.367
<v Speaker 1>Yeah, it can be hard though, be like when is

0:29:10.367 --> 0:29:12.647
<v Speaker 1>it irresponsible to let them wobble? And well, when is

0:29:12.687 --> 0:29:13.767
<v Speaker 1>it potentially dangerous?

0:29:13.807 --> 0:29:15.327
<v Speaker 3>And one of the stakes of the stakes.

0:29:15.367 --> 0:29:17.807
<v Speaker 1>Yeah, wobbling. What's interesting though, it's funny we're talking all

0:29:17.847 --> 0:29:19.967
<v Speaker 1>about this in parents and being judged, and none of

0:29:20.047 --> 0:29:22.807
<v Speaker 1>this is about the kid, because every kid time has

0:29:22.887 --> 0:29:25.247
<v Speaker 1>always taken risks like the shit I did when I

0:29:25.367 --> 0:29:27.647
<v Speaker 1>was fifteen, but my parents weren't judged for it because

0:29:27.647 --> 0:29:28.087
<v Speaker 1>they didn't know.

0:29:28.367 --> 0:29:30.447
<v Speaker 2>Exactly, So that's not new.

0:29:30.767 --> 0:29:34.447
<v Speaker 1>What's new is actually about the parents learning to let

0:29:34.567 --> 0:29:39.327
<v Speaker 1>go more than the kids taking the risk. And also

0:29:40.167 --> 0:29:43.247
<v Speaker 1>our definition of what a good parent is because it's

0:29:43.367 --> 0:29:46.607
<v Speaker 1>contextual too, isn't it Because if that mother had gone

0:29:47.487 --> 0:29:50.527
<v Speaker 1>off to Abetha and was taking drugs and partying and

0:29:50.647 --> 0:29:53.567
<v Speaker 1>left the fifteen year old kid at home, would child

0:29:53.647 --> 0:29:57.887
<v Speaker 1>services have been involved? It's interesting to know about how

0:29:57.967 --> 0:30:01.327
<v Speaker 1>much of this is a How very dare you? You know?

0:30:01.487 --> 0:30:03.567
<v Speaker 1>The privilege and all of those.

0:30:03.487 --> 0:30:05.927
<v Speaker 2>Things out loud us tell us what are the risks

0:30:05.967 --> 0:30:07.767
<v Speaker 2>you took as a teenager and do you regret them?

0:30:07.847 --> 0:30:09.607
<v Speaker 2>And what kind of risks would you like your kid

0:30:09.687 --> 0:30:14.207
<v Speaker 2>take at what age? Do you want daily outloud access?

0:30:14.327 --> 0:30:17.767
<v Speaker 1>Why wouldn't you? We drop episodes every Tuesday and Thursday

0:30:18.047 --> 0:30:21.407
<v Speaker 1>exclusively for Muma Mea subscribers. Follow the link in the

0:30:21.407 --> 0:30:23.607
<v Speaker 1>show notes to get us in your ears five days

0:30:23.607 --> 0:30:26.247
<v Speaker 1>a week, and a huge thank you if you're already

0:30:26.287 --> 0:30:26.927
<v Speaker 1>a subscriber.

0:30:36.007 --> 0:30:42.207
<v Speaker 5>Have you ever dreamt of a better version of yourself? Younger,

0:30:43.167 --> 0:30:49.647
<v Speaker 5>more beautiful, more perfect? One single injection unlocks your DNA

0:30:50.367 --> 0:30:52.687
<v Speaker 5>and will release another version of yourself.

0:30:54.527 --> 0:30:58.087
<v Speaker 4>For women, Aging is like a horror film. They are

0:30:58.167 --> 0:31:01.687
<v Speaker 4>the words of a reviewer named Paula Frolick, who, just

0:31:01.847 --> 0:31:04.327
<v Speaker 4>like the three of us, recently saw the award winning

0:31:04.407 --> 0:31:07.247
<v Speaker 4>film The Substance. We went out for a little date

0:31:07.327 --> 0:31:08.727
<v Speaker 4>night on Monday, which was lovely.

0:31:09.407 --> 0:31:11.647
<v Speaker 1>Just developed a Monday night movie date night.

0:31:13.247 --> 0:31:16.207
<v Speaker 4>And we're not going to give away spoilers here or

0:31:16.367 --> 0:31:18.607
<v Speaker 4>analyze a film in great details, so if you haven't

0:31:18.887 --> 0:31:21.327
<v Speaker 4>seen it, that doesn't matter. We just want to unpack

0:31:21.447 --> 0:31:24.127
<v Speaker 4>its premise and what it tells us about aging.

0:31:24.447 --> 0:31:25.567
<v Speaker 1>I think it was a masterpiece.

0:31:25.767 --> 0:31:26.567
<v Speaker 3>I bloody loved it.

0:31:26.727 --> 0:31:28.727
<v Speaker 4>It was quick summary of what the movie is about

0:31:28.807 --> 0:31:32.487
<v Speaker 4>for everybody, though Jesse, No, not for everybody. It stars

0:31:32.807 --> 0:31:36.047
<v Speaker 4>I say, Demi, Demi, what's this about Demi?

0:31:36.527 --> 0:31:37.767
<v Speaker 1>That's just how she says it.

0:31:38.047 --> 0:31:39.767
<v Speaker 3>Okay, I say okay.

0:31:39.887 --> 0:31:44.447
<v Speaker 4>Starring Demi Moore and Margaret Quayley, a fading celebrity on

0:31:44.527 --> 0:31:47.167
<v Speaker 4>her fiftieth birthday, decides to use a black market drug

0:31:47.247 --> 0:31:51.407
<v Speaker 4>that promises to temporarily create a younger, better version of herself.

0:31:52.047 --> 0:31:54.327
<v Speaker 4>It's about the deal one makes with the devil when

0:31:54.367 --> 0:31:57.207
<v Speaker 4>they attempt to turn the clock backwards, chasing youth and

0:31:57.327 --> 0:32:01.807
<v Speaker 4>beauty at all costs. Quayley, who plays Sue, is the

0:32:01.887 --> 0:32:06.007
<v Speaker 4>younger version of Elizabeth Sparkle played by Moore. Written and

0:32:06.047 --> 0:32:09.487
<v Speaker 4>directed by Coralie Fargit, The Substance is a satiric called

0:32:09.487 --> 0:32:13.687
<v Speaker 4>body horror film which explores themes of agism, beauty, obsession

0:32:13.727 --> 0:32:18.367
<v Speaker 4>with self image, capitalism, plastic surgery, and misogyny. Satirical body

0:32:18.407 --> 0:32:21.247
<v Speaker 4>horror is not a genre it's familiar with, but then

0:32:21.287 --> 0:32:22.967
<v Speaker 4>you watch it and you're like, yes, it is a

0:32:23.007 --> 0:32:25.527
<v Speaker 4>satirical horror body what's.

0:32:25.367 --> 0:32:27.527
<v Speaker 1>The satirical part? Because there's parts of it are funny.

0:32:28.007 --> 0:32:30.647
<v Speaker 2>Yeah, it's not realistic, like it's not meant to be right.

0:32:32.567 --> 0:32:34.807
<v Speaker 1>Are their body horror and horror film? Like I've never

0:32:34.927 --> 0:32:35.847
<v Speaker 1>been to a horror.

0:32:35.807 --> 0:32:37.847
<v Speaker 2>Body horror film. When they talk about body horror, they

0:32:37.887 --> 0:32:40.407
<v Speaker 2>mean like there will be blood and guts, it will

0:32:40.527 --> 0:32:41.007
<v Speaker 2>be gory.

0:32:41.127 --> 0:32:41.247
<v Speaker 5>You know.

0:32:41.247 --> 0:32:43.047
<v Speaker 2>There are lots of different horror films. There are serial

0:32:43.167 --> 0:32:45.407
<v Speaker 2>killer movies, and there are spooky things with ghosts and whatever.

0:32:45.847 --> 0:32:48.007
<v Speaker 2>Body horror is like, it's about the gore.

0:32:48.167 --> 0:32:49.607
<v Speaker 1>So, Jesse, this is your jam.

0:32:50.007 --> 0:32:51.007
<v Speaker 3>I've watched every minute of it.

0:32:51.127 --> 0:32:53.287
<v Speaker 1>And I know this because there were lots of times

0:32:53.407 --> 0:32:56.167
<v Speaker 1>where I had was trying to bury my face in

0:32:56.247 --> 0:32:59.087
<v Speaker 1>your shoulder, and Holly also was looking at you, and

0:32:59.207 --> 0:33:01.927
<v Speaker 1>you were just looking straight at the screen, not flinching,

0:33:02.447 --> 0:33:03.447
<v Speaker 1>smiling or laughing.

0:33:03.527 --> 0:33:05.367
<v Speaker 3>Don't mind a little bit because it was quite funny.

0:33:05.447 --> 0:33:06.887
<v Speaker 3>It was just a greater purpose.

0:33:06.927 --> 0:33:07.767
<v Speaker 2>Well, it's funny.

0:33:07.847 --> 0:33:09.047
<v Speaker 3>It's funny movie, Holly.

0:33:09.247 --> 0:33:11.487
<v Speaker 4>If your host a podcast called mid and it's about

0:33:11.527 --> 0:33:14.607
<v Speaker 4>midlife women and something we often hear is that they

0:33:14.687 --> 0:33:17.447
<v Speaker 4>feel invisible. And this is about, in many ways the

0:33:17.567 --> 0:33:20.647
<v Speaker 4>opposite of invisible. How the harder you try to chase youth,

0:33:21.087 --> 0:33:25.687
<v Speaker 4>the more monstrous you become. My question is can women win?

0:33:26.847 --> 0:33:30.447
<v Speaker 2>Well, the answer to that is no. End of segment. No,

0:33:30.687 --> 0:33:32.527
<v Speaker 2>of course, the answer to that is no. But that

0:33:32.727 --> 0:33:34.527
<v Speaker 2>is exactly what this movie is about.

0:33:34.767 --> 0:33:34.967
<v Speaker 1>Jesse.

0:33:35.127 --> 0:33:39.087
<v Speaker 2>You are so right. And it's interesting that as gen

0:33:39.327 --> 0:33:42.447
<v Speaker 2>x women are moving into this age fifties and in

0:33:42.567 --> 0:33:43.927
<v Speaker 2>Demi Moore's case, sixties and.

0:33:44.367 --> 0:33:46.247
<v Speaker 3>Is she a gen X or would she be a boom.

0:33:48.527 --> 0:33:48.927
<v Speaker 5>Gen X.

0:33:49.047 --> 0:33:51.407
<v Speaker 2>She's elder gen X. She's a gen x icon though

0:33:51.447 --> 0:33:54.487
<v Speaker 2>because of her you know, brat pack years. This is

0:33:54.687 --> 0:33:57.087
<v Speaker 2>a topic that's being explored more and more, right, and

0:33:57.247 --> 0:33:59.727
<v Speaker 2>this movie is an example of that that I think

0:33:59.887 --> 0:34:02.887
<v Speaker 2>is brilliant because it's not meant to be realistic.

0:34:03.007 --> 0:34:03.127
<v Speaker 3>Right.

0:34:03.167 --> 0:34:05.767
<v Speaker 2>The characters have no backstory, we know nothing about them.

0:34:05.807 --> 0:34:08.927
<v Speaker 2>We're just dropped into this world and it's highly stylized,

0:34:08.927 --> 0:34:11.727
<v Speaker 2>and the that it's shot is very ardy and it's

0:34:11.807 --> 0:34:14.167
<v Speaker 2>sort of broad strokes the way they set it up.

0:34:14.287 --> 0:34:19.727
<v Speaker 2>And what is incredibly true is the depiction of the

0:34:19.807 --> 0:34:23.327
<v Speaker 2>fact that this woman is suddenly being pushed out right,

0:34:23.487 --> 0:34:27.127
<v Speaker 2>So she is a TV person, she was an actress.

0:34:27.167 --> 0:34:29.367
<v Speaker 2>Then she's obviously had a second act as like a

0:34:29.847 --> 0:34:33.327
<v Speaker 2>Jane Fonder esque aerobics instructor on TV and on the

0:34:33.407 --> 0:34:35.567
<v Speaker 2>morning show every morning she leads then ext sise thing.

0:34:35.927 --> 0:34:39.047
<v Speaker 2>And she's too old in the eyes of the TV execs.

0:34:39.087 --> 0:34:41.407
<v Speaker 2>And that's despite the fact that she clearly has done

0:34:41.567 --> 0:34:43.767
<v Speaker 2>everything she was supposed to do to stay young. So

0:34:44.327 --> 0:34:47.447
<v Speaker 2>she has had work, she is thin, she has got

0:34:47.527 --> 0:34:50.807
<v Speaker 2>the long hair, augmented boom. She's got all that stuff,

0:34:50.847 --> 0:34:54.407
<v Speaker 2>but still she is objectively too old now to be

0:34:55.127 --> 0:34:58.887
<v Speaker 2>attractive and convincing to this audience who the male TV

0:34:59.167 --> 0:35:02.207
<v Speaker 2>execs think she should be. And I think that what

0:35:02.567 --> 0:35:05.087
<v Speaker 2>is brilliant about this movie because it is very over

0:35:05.167 --> 0:35:09.047
<v Speaker 2>the top and ridiculous, but it absolutely drills home the

0:35:09.327 --> 0:35:14.127
<v Speaker 2>horror and the very physical violence of the interventions we

0:35:14.207 --> 0:35:18.087
<v Speaker 2>are prepared to make with ourselves to try and hold

0:35:18.127 --> 0:35:20.967
<v Speaker 2>onto this bargain, this idea that we can be that.

0:35:21.567 --> 0:35:23.687
<v Speaker 2>And I think it's interesting because one of the reasons

0:35:23.727 --> 0:35:25.967
<v Speaker 2>why I'm very scared of surgeries of all kinds in fact,

0:35:26.007 --> 0:35:29.367
<v Speaker 2>but obviously cosmetic surgery, is because I've watched too many

0:35:29.847 --> 0:35:33.127
<v Speaker 2>of those shows that show you it happening, and when

0:35:33.167 --> 0:35:35.607
<v Speaker 2>they give you a face lift and they literally lift

0:35:35.727 --> 0:35:38.047
<v Speaker 2>your face up. When you see that, that is a

0:35:38.487 --> 0:35:44.207
<v Speaker 2>very confronting, violent image that makes you really understand what

0:35:44.327 --> 0:35:46.607
<v Speaker 2>you're doing to your physical self. And that's what this

0:35:46.767 --> 0:35:47.447
<v Speaker 2>movie explores.

0:35:47.567 --> 0:35:51.127
<v Speaker 4>And it's complicated because it's a violence perpetrated upon the self, yes,

0:35:51.247 --> 0:35:54.567
<v Speaker 4>which is what this is looking at, I think and

0:35:55.407 --> 0:36:00.007
<v Speaker 4>what I've realized watching it. There's a remarkable scene which

0:36:00.087 --> 0:36:03.127
<v Speaker 4>is not a horror scene, although perhaps it is the

0:36:03.247 --> 0:36:06.487
<v Speaker 4>most horror scene. It's when Demi Moore looks in the mirror.

0:36:06.967 --> 0:36:08.367
<v Speaker 4>She's got makeup on it, and she's meant to be

0:36:08.447 --> 0:36:11.247
<v Speaker 4>going to a day and she's kind of being haunted

0:36:11.407 --> 0:36:13.967
<v Speaker 4>by the image of her younger version of herself, and

0:36:14.047 --> 0:36:16.247
<v Speaker 4>every time she looks in the mirror, she looks great,

0:36:16.367 --> 0:36:18.527
<v Speaker 4>but to her she can only see the lines and

0:36:18.967 --> 0:36:21.647
<v Speaker 4>how the makeup isn't right, and it's almost like she

0:36:21.807 --> 0:36:25.647
<v Speaker 4>tries to scratch her face off, like she tries to

0:36:25.727 --> 0:36:27.487
<v Speaker 4>pull it off because she's so horrified.

0:36:27.687 --> 0:36:30.487
<v Speaker 1>First she tries putting on more makeup and then less makeup,

0:36:30.527 --> 0:36:33.207
<v Speaker 1>and then she changes the top, and then she kind

0:36:33.247 --> 0:36:36.207
<v Speaker 1>of tries to do something with her hair. And I

0:36:36.287 --> 0:36:38.527
<v Speaker 1>think we all know what that feels like when it's like,

0:36:39.087 --> 0:36:41.767
<v Speaker 1>what's looking back at me? It's not how I feel,

0:36:41.967 --> 0:36:44.647
<v Speaker 1>and it's not what I want to portray to the world.

0:36:45.207 --> 0:36:48.967
<v Speaker 1>And what can I do to change what I see,

0:36:49.287 --> 0:36:52.967
<v Speaker 1>which is my face and my body to conform to

0:36:53.127 --> 0:36:57.727
<v Speaker 1>what society wants me to look like or seizes desirable

0:36:57.767 --> 0:37:00.807
<v Speaker 1>and valuable and this beauty standard that I've internalized. So

0:37:00.927 --> 0:37:02.967
<v Speaker 1>it's not that any I mean, yes, She literally has

0:37:03.007 --> 0:37:06.047
<v Speaker 1>people saying you're too old, get off television. But she's

0:37:06.127 --> 0:37:08.727
<v Speaker 1>internalized it as well. So even when there's nobody around

0:37:09.247 --> 0:37:13.287
<v Speaker 1>and there's no stakes, she applies those same beauty standards

0:37:13.327 --> 0:37:15.127
<v Speaker 1>to herself. And I think that's what some people don't

0:37:15.167 --> 0:37:18.087
<v Speaker 1>understand when we talk about the male gaze. We've all

0:37:18.207 --> 0:37:22.207
<v Speaker 1>internalized the male gaze. It's not actually men saying go

0:37:22.367 --> 0:37:26.887
<v Speaker 1>get botox or be skinnier or whatever. We've internalized that,

0:37:26.967 --> 0:37:30.727
<v Speaker 1>and some people have internalized it more than others. And

0:37:30.887 --> 0:37:33.727
<v Speaker 1>that's why I always find it very trite just to say, oh,

0:37:33.887 --> 0:37:37.487
<v Speaker 1>you know, getting older is a luxury, and love yourself

0:37:37.567 --> 0:37:39.967
<v Speaker 1>and love your body. It's not as simple as that.

0:37:40.407 --> 0:37:44.207
<v Speaker 4>What that scene spoke to was how much one must

0:37:44.327 --> 0:37:46.887
<v Speaker 4>have to hate themselves in order to undergo some of

0:37:47.007 --> 0:37:47.687
<v Speaker 4>these surgeries.

0:37:47.807 --> 0:37:52.007
<v Speaker 1>So there's a real or house skin maybe hate, but

0:37:52.127 --> 0:37:53.487
<v Speaker 1>also fear fear.

0:37:53.607 --> 0:37:55.767
<v Speaker 4>But there's a mocking and there's a derision, and there's

0:37:55.767 --> 0:37:58.967
<v Speaker 4>almost like a point in laugh quite literally in parts

0:37:58.967 --> 0:38:02.567
<v Speaker 4>of this movie when it comes to women who try.

0:38:02.687 --> 0:38:05.287
<v Speaker 4>And there's a story just in the news today about

0:38:05.367 --> 0:38:08.607
<v Speaker 4>a woman in the UK who has died after a

0:38:08.647 --> 0:38:12.647
<v Speaker 4>liquid Brisillian butt lift. She was thirty three with five kids.

0:38:13.287 --> 0:38:16.927
<v Speaker 4>The tone of it all, it's it's more blaming, yeah,

0:38:17.007 --> 0:38:21.007
<v Speaker 4>and also like victim blaming to a degree, but it's.

0:38:20.967 --> 0:38:22.927
<v Speaker 1>Like serves you right for being so vain, yes, and

0:38:23.087 --> 0:38:24.487
<v Speaker 1>so superficial, and it's.

0:38:24.367 --> 0:38:27.607
<v Speaker 4>About so much more than it's like vanity in a

0:38:27.647 --> 0:38:30.167
<v Speaker 4>way is the symptom. But that surgery as well as

0:38:30.207 --> 0:38:32.767
<v Speaker 4>a facelift, as well as a breast augmentation, whatever your

0:38:32.847 --> 0:38:35.607
<v Speaker 4>choice is. I'm not judging them, but they are full

0:38:35.687 --> 0:38:37.967
<v Speaker 4>on like that takes a lot.

0:38:38.167 --> 0:38:40.327
<v Speaker 1>It's not like a bit of hair dyets and makeup. Yeah.

0:38:40.407 --> 0:38:43.247
<v Speaker 4>And then when you come out that way and you

0:38:43.407 --> 0:38:47.127
<v Speaker 4>inevitably do get older the way that you are then

0:38:47.287 --> 0:38:50.967
<v Speaker 4>mocked and you're conspicuous in a new way where everyone.

0:38:50.687 --> 0:38:51.807
<v Speaker 3>Goes, look at you.

0:38:51.967 --> 0:38:52.727
<v Speaker 1>You have stuff.

0:38:52.807 --> 0:38:54.727
<v Speaker 4>She's had work, which in that way I thought that

0:38:54.967 --> 0:38:57.127
<v Speaker 4>more like even her casting was.

0:38:57.207 --> 0:39:00.287
<v Speaker 2>Very brilliant, was very brilliant. I think it was brilliant casting.

0:39:00.367 --> 0:39:02.087
<v Speaker 2>And I've seen a lot of that oh she's so

0:39:02.247 --> 0:39:04.767
<v Speaker 2>brave commentary and rolled my eyes. But actually having seen

0:39:04.807 --> 0:39:07.727
<v Speaker 2>the movie, I think she is really brave. But there

0:39:07.807 --> 0:39:09.887
<v Speaker 2>are things in this movie that will push your buttons

0:39:09.967 --> 0:39:10.807
<v Speaker 2>if you go and see it.

0:39:10.927 --> 0:39:11.047
<v Speaker 1>Right.

0:39:11.207 --> 0:39:13.487
<v Speaker 2>Some of the criticism I've seen is that the movie

0:39:13.567 --> 0:39:16.527
<v Speaker 2>itself seems to fetishize the young body. But then I

0:39:16.687 --> 0:39:18.647
<v Speaker 2>understand what they're trying to do. What the director was

0:39:18.687 --> 0:39:21.487
<v Speaker 2>trying to do was to talk about how much we've

0:39:21.527 --> 0:39:24.127
<v Speaker 2>all been conditioned to desire that, as you say here,

0:39:24.167 --> 0:39:27.167
<v Speaker 2>but there are a lot of very lingering our shots,

0:39:27.247 --> 0:39:30.367
<v Speaker 2>for example. And then also the other part that pushed

0:39:30.367 --> 0:39:32.687
<v Speaker 2>my button. I started muttering to Jesse about it is

0:39:32.767 --> 0:39:36.807
<v Speaker 2>that when Elizabeth Sparkle is her normal old self, because

0:39:36.807 --> 0:39:38.807
<v Speaker 2>she can alternate between being the young self and the

0:39:38.847 --> 0:39:42.607
<v Speaker 2>old self, she is a sad old lady in Verticoma's

0:39:42.647 --> 0:39:44.607
<v Speaker 2>in her bathrobe who just sits in front of the

0:39:44.687 --> 0:39:48.767
<v Speaker 2>TV watching infomercials and feeling terrible about herself. And I

0:39:48.927 --> 0:39:51.527
<v Speaker 2>was like, oh my godness, that what we're supposed to

0:39:51.607 --> 0:39:53.807
<v Speaker 2>be like is that, well how everybody sees us like,

0:39:53.887 --> 0:39:55.767
<v Speaker 2>there are a lot of It pushes a lot of buttons,

0:39:55.767 --> 0:39:58.007
<v Speaker 2>which to me is the sign of a.

0:39:58.127 --> 0:40:00.807
<v Speaker 1>Really good, yeah movie. I can't stop thinking about it.

0:40:00.887 --> 0:40:03.767
<v Speaker 1>And my daughter Coco came with us as well, and

0:40:04.447 --> 0:40:06.447
<v Speaker 1>she didn't know anything about it, and I'm like, come

0:40:06.487 --> 0:40:08.487
<v Speaker 1>to the movie through us, so it'll be fun. She's like,

0:40:08.927 --> 0:40:13.287
<v Speaker 1>fun could be watching. I watched it the day before

0:40:13.327 --> 0:40:16.047
<v Speaker 1>I turned fifty three this week, and I woke up

0:40:16.127 --> 0:40:19.567
<v Speaker 1>on my fifty third birthday just really quite anxious. I'm

0:40:19.607 --> 0:40:22.727
<v Speaker 1>thinking about it a lot because it's all about at

0:40:22.847 --> 0:40:26.847
<v Speaker 1>what cost? At what cost? What price will you pay

0:40:27.527 --> 0:40:31.687
<v Speaker 1>to look a little bit younger? What financial prices, what

0:40:31.807 --> 0:40:34.727
<v Speaker 1>physical price? How much pain will you undergo, how much humiliation?

0:40:35.127 --> 0:40:37.487
<v Speaker 1>How much risk will you take? And is it worth it?

0:40:37.807 --> 0:40:39.767
<v Speaker 4>And sort of like, be honest, do you give a

0:40:39.807 --> 0:40:42.527
<v Speaker 4>shit what's in the substance because that's never really explored,

0:40:42.607 --> 0:40:43.127
<v Speaker 4>like what it is?

0:40:43.407 --> 0:40:47.407
<v Speaker 1>Well, that's the risk. She takes it without even knowing

0:40:47.447 --> 0:40:49.607
<v Speaker 1>it's an amazing film, Like I know what you're saying,

0:40:49.607 --> 0:40:52.207
<v Speaker 1>it's funny. Hole those things didn't push my buttons because

0:40:52.207 --> 0:40:55.447
<v Speaker 1>I mean, this movie's been described as a primal scream

0:40:55.487 --> 0:41:01.127
<v Speaker 1>of rage against beauty standards and society and a feminist masterpiece,

0:41:01.127 --> 0:41:04.007
<v Speaker 1>which I really really think it is, and I can't

0:41:04.047 --> 0:41:05.727
<v Speaker 1>stop thinking about it, And all I want to do

0:41:05.847 --> 0:41:06.567
<v Speaker 1>is talk about.

0:41:06.367 --> 0:41:09.727
<v Speaker 4>It when we know what the cost is. I think

0:41:09.767 --> 0:41:12.647
<v Speaker 4>it's industry specific as well. Lots of people listening were

0:41:12.727 --> 0:41:17.007
<v Speaker 4>like the industry that they work in doesn't necessarily punish

0:41:17.127 --> 0:41:20.687
<v Speaker 4>them for aging, and the Hollywood context is a very specific.

0:41:20.767 --> 0:41:22.487
<v Speaker 1>But I think everybody lives in the world, and I

0:41:22.607 --> 0:41:26.887
<v Speaker 1>just think some people are better at shrugging off those

0:41:26.927 --> 0:41:30.167
<v Speaker 1>beauty standards and saying I'm not internalizing them. I'm not

0:41:30.887 --> 0:41:32.207
<v Speaker 1>or else I'm going to look in the mirror and

0:41:32.327 --> 0:41:34.887
<v Speaker 1>just go, oh, well, aging my neck a bit wrinkly.

0:41:35.447 --> 0:41:36.847
<v Speaker 1>Age people are just better than others.

0:41:36.967 --> 0:41:38.207
<v Speaker 3>I think it's so much deeper.

0:41:38.447 --> 0:41:42.607
<v Speaker 4>The one thing is I have lines on my goodness, irrelevance, invisibility.

0:41:42.967 --> 0:41:44.847
<v Speaker 4>I'm doing an equation in my head that guess what

0:41:45.127 --> 0:41:49.287
<v Speaker 4>part of it is correct that my value to maybe

0:41:49.407 --> 0:41:51.807
<v Speaker 4>the opposite sex or whatever this is. Things that we've

0:41:51.887 --> 0:41:55.407
<v Speaker 4>internalized might go down. I might feel like people don't

0:41:55.607 --> 0:41:58.367
<v Speaker 4>listen to me in the same way. The other thing

0:41:58.607 --> 0:42:02.887
<v Speaker 4>I kept thinking was about how much of our lives

0:42:02.967 --> 0:42:06.567
<v Speaker 4>we've spent feeling old when we're not because we're aging.

0:42:06.727 --> 0:42:09.927
<v Speaker 4>Like I've felt I'm turning thirty four in December, and

0:42:10.647 --> 0:42:15.607
<v Speaker 4>I've noticed signs of aging because capitalism points them out.

0:42:16.047 --> 0:42:18.487
<v Speaker 3>I've started having that feeling now. I think that was

0:42:18.527 --> 0:42:20.727
<v Speaker 3>the point in the movie, was that when she felt, oh,

0:42:20.807 --> 0:42:21.367
<v Speaker 3>you're not old.

0:42:21.567 --> 0:42:23.927
<v Speaker 2>It was a literal manifestation of her being pushed out

0:42:23.967 --> 0:42:26.047
<v Speaker 2>because she's old. Yeah, and that is how old. And

0:42:26.127 --> 0:42:28.167
<v Speaker 2>it's true to a point. It's probably less true now

0:42:28.207 --> 0:42:30.727
<v Speaker 2>than it has been. Ironically, it's also how young people

0:42:30.767 --> 0:42:32.527
<v Speaker 2>feel about how they can't get in because they are

0:42:32.847 --> 0:42:34.287
<v Speaker 2>like women are always made to feel, there are only

0:42:34.327 --> 0:42:35.927
<v Speaker 2>so many spaces for us, and we can only have

0:42:36.007 --> 0:42:37.727
<v Speaker 2>these ones for the old ladies and these ones for

0:42:37.807 --> 0:42:38.927
<v Speaker 2>the young ladies, and these are.

0:42:38.927 --> 0:42:39.767
<v Speaker 3>But don't you reckon that?

0:42:40.087 --> 0:42:42.607
<v Speaker 4>The aging even more so, like whether it's lines or

0:42:42.647 --> 0:42:45.447
<v Speaker 4>sunspots or gray hair, the reason that shocks us, and

0:42:45.447 --> 0:42:47.847
<v Speaker 4>I've seen it shock men, like gray hair, for example,

0:42:48.647 --> 0:42:51.167
<v Speaker 4>is that we go time is passing. Yes, I am

0:42:51.207 --> 0:42:54.607
<v Speaker 4>getting older, I am closer to death. Aging is a

0:42:54.647 --> 0:42:57.007
<v Speaker 4>horror movie because it's like the big truth that we

0:42:57.087 --> 0:42:59.127
<v Speaker 4>all spend our entire lives trying not to think about

0:42:59.487 --> 0:43:01.527
<v Speaker 4>is imprinted on our faces, and one.

0:43:01.527 --> 0:43:04.607
<v Speaker 1>Hundred percent that's what that's my midlife crisis often look

0:43:04.647 --> 0:43:06.687
<v Speaker 1>different for men and women. Men might have affairs with

0:43:06.767 --> 0:43:10.247
<v Speaker 1>younger women or go and start bi or training for

0:43:10.287 --> 0:43:13.967
<v Speaker 1>a marathon, and women will look at surgery, you know,

0:43:14.207 --> 0:43:16.887
<v Speaker 1>And it's because it's like, well, what does it mean

0:43:17.047 --> 0:43:20.847
<v Speaker 1>to us to present as younger in the world. For men,

0:43:20.967 --> 0:43:24.407
<v Speaker 1>it's about virality and physical strength, and for women it's

0:43:24.407 --> 0:43:25.487
<v Speaker 1>about aesthetics.

0:43:25.767 --> 0:43:27.927
<v Speaker 2>We have to fight it, though maybe it can't be

0:43:28.047 --> 0:43:29.807
<v Speaker 2>in your place of like, well, that's how it is.

0:43:29.887 --> 0:43:33.047
<v Speaker 2>It's like the only answer is to care less. The

0:43:33.247 --> 0:43:33.967
<v Speaker 2>only answer.

0:43:34.407 --> 0:43:35.367
<v Speaker 1>I don't know how you can.

0:43:35.767 --> 0:43:37.807
<v Speaker 2>You have to teach yourself like you do about anything

0:43:37.927 --> 0:43:38.487
<v Speaker 2>like yes.

0:43:38.487 --> 0:43:40.727
<v Speaker 4>Like the smartphones does all the parents decide that they

0:43:40.767 --> 0:43:43.767
<v Speaker 4>don't give the smartphones anymore and we all have to

0:43:43.847 --> 0:43:45.847
<v Speaker 4>hold hands and so let's.

0:43:45.647 --> 0:43:45.967
<v Speaker 1>Just do it.

0:43:46.127 --> 0:43:47.527
<v Speaker 2>I don't mean to hold hands in allgo. We're not

0:43:47.567 --> 0:43:49.687
<v Speaker 2>doing anything to our faces, but you change it in

0:43:49.767 --> 0:43:52.287
<v Speaker 2>a monologue. You should listen to my episode about this

0:43:52.407 --> 0:43:55.127
<v Speaker 2>on mid because my manifesto with Ali Dado is all

0:43:55.167 --> 0:43:55.487
<v Speaker 2>about this.

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<v Speaker 1>Will you put a link in the show notes place because.

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<v Speaker 2>We we will A big thank you. I think that

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<v Speaker 2>was a marathon show out louder, so thank you for

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<v Speaker 2>being with us if you're still here, and thank you

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<v Speaker 2>to our fabulous team for putting this show together. We

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<v Speaker 2>are going to be back in your ears tomorrow.

0:44:09.327 --> 0:44:13.767
<v Speaker 4>Bye bye by shout out to any mother and MEA

0:44:13.847 --> 0:44:16.647
<v Speaker 4>subscribers listening. If you love the show and you want

0:44:16.687 --> 0:44:19.647
<v Speaker 4>to support us, subscribing to MoMA Mia is the very

0:44:19.767 --> 0:44:20.807
<v Speaker 4>best way to do so.

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<v Speaker 3>There's a link in the episode description