1 00:00:08,234 --> 00:00:19,593 Speaker 1: You're listening to Amma mea podcast from mom and Mia. 2 00:00:19,834 --> 00:00:22,714 Speaker 1: Welcome to this spill your daily pop culture fixed. I'm 3 00:00:22,794 --> 00:00:25,954 Speaker 1: Laura Bradnik and today I'm joined by I'm Tina Burke. 4 00:00:26,434 --> 00:00:27,754 Speaker 1: And do you have to say you are at the 5 00:00:27,754 --> 00:00:30,034 Speaker 1: stage of the game. I am Momome's pop culture and 6 00:00:30,074 --> 00:00:33,553 Speaker 1: social editor. Yes, across all the entertainment stories that are 7 00:00:33,554 --> 00:00:36,194 Speaker 1: in traditional media. But also you are the one person 8 00:00:36,234 --> 00:00:39,593 Speaker 1: I know who dives into the deepest, darkest depths and 9 00:00:39,634 --> 00:00:42,273 Speaker 1: corners of the Internet and bring us the news that 10 00:00:42,314 --> 00:00:44,634 Speaker 1: you see from there as well. You're like an explorer. Yes, 11 00:00:44,674 --> 00:00:47,074 Speaker 1: it's very important. I've started doing weekend lists so that 12 00:00:47,114 --> 00:00:49,193 Speaker 1: I don't bother Laura too much on the weekend, so 13 00:00:49,193 --> 00:00:51,034 Speaker 1: that she has time away from me, so we regroup 14 00:00:51,034 --> 00:00:53,074 Speaker 1: on Monday mornings of everything on the indie. And also, 15 00:00:53,153 --> 00:00:55,314 Speaker 1: just to be clear, your list isn't just work related. 16 00:00:55,394 --> 00:00:58,674 Speaker 1: It's just things in the entertainment, celebrity, film, TV world 17 00:00:58,714 --> 00:01:00,874 Speaker 1: that you've seen that you come across in your journeys 18 00:01:00,874 --> 00:01:02,474 Speaker 1: of the Internet over the weekend that you think I 19 00:01:02,554 --> 00:01:04,274 Speaker 1: need to know and things that like I think you 20 00:01:04,314 --> 00:01:06,114 Speaker 1: care about that I don't really care about it at all. Yeah, 21 00:01:06,234 --> 00:01:08,354 Speaker 1: So important. Yeah, it's very important for me to share 22 00:01:08,354 --> 00:01:10,234 Speaker 1: stuff with Well, a few items that have appeared on 23 00:01:10,274 --> 00:01:12,754 Speaker 1: your recent list of things to tell me are coming 24 00:01:12,794 --> 00:01:16,074 Speaker 1: up today. First of all, we are doing toxic fandoms 25 00:01:16,154 --> 00:01:18,514 Speaker 1: because a huge story has blown up with some of 26 00:01:18,514 --> 00:01:22,234 Speaker 1: the most famous men currently in the world and there's 27 00:01:22,234 --> 00:01:24,474 Speaker 1: been a whole situation of like two of them dating. 28 00:01:24,834 --> 00:01:27,594 Speaker 1: One of them has unfolllowed everyone fandoms are upset and 29 00:01:27,594 --> 00:01:29,754 Speaker 1: that has actually blown the litle off this whole story 30 00:01:29,754 --> 00:01:32,394 Speaker 1: that's happening at the moment across multiple fandoms. So we're 31 00:01:32,394 --> 00:01:33,834 Speaker 1: going to get into that, and I know that's your 32 00:01:33,874 --> 00:01:36,554 Speaker 1: special area of interests and there were slideshows involved, so 33 00:01:36,994 --> 00:01:40,474 Speaker 1: that's fun. Plus, Amanda Seafried, who is really on the 34 00:01:40,514 --> 00:01:42,834 Speaker 1: awards circuit right now because she's in the Oscars race 35 00:01:42,834 --> 00:01:45,834 Speaker 1: she's been nominated for Golden Globes, has given a really 36 00:01:45,874 --> 00:01:48,634 Speaker 1: interesting interview. It's almost like she said the quiet part 37 00:01:48,674 --> 00:01:51,394 Speaker 1: out loud of what celebrities don't say when they're in 38 00:01:51,434 --> 00:01:53,594 Speaker 1: the award mix when they're looking at their box office. 39 00:01:53,594 --> 00:01:55,394 Speaker 1: So we're going to get into that because it's very intriguing. 40 00:01:56,034 --> 00:01:58,674 Speaker 1: But first, something very exciting has happened, and that is 41 00:01:58,714 --> 00:02:00,914 Speaker 1: the fact that the Weathering Heights press to it has started. 42 00:02:01,354 --> 00:02:03,314 Speaker 1: We were counting down for this, like I was waiting 43 00:02:03,514 --> 00:02:05,754 Speaker 1: all year long last year, and now it's finally here 44 00:02:05,794 --> 00:02:08,674 Speaker 1: and the photos look insane. Yeah, I'm excited for the outfits. 45 00:02:08,714 --> 00:02:11,274 Speaker 1: I'm excited to we'll see the movie, which we haven't yet. 46 00:02:11,474 --> 00:02:13,874 Speaker 1: So Wathering Heights, of course, I love how every time 47 00:02:13,874 --> 00:02:16,073 Speaker 1: I like go to see anything on Wathering Heights it 48 00:02:16,074 --> 00:02:20,234 Speaker 1: says Wathering Heights and brackets after it stylized with quotation marks. 49 00:02:21,034 --> 00:02:25,154 Speaker 1: Who've seen that, No, because it's got Wathering Heights quotation marks, 50 00:02:25,354 --> 00:02:27,513 Speaker 1: And so people thought it was like Emerald Fanell, who 51 00:02:27,554 --> 00:02:31,554 Speaker 1: is the writer and director of this new romantic drama film, 52 00:02:31,594 --> 00:02:34,874 Speaker 1: which is they say, loosely inspired by Emily Brontes in 53 00:02:34,954 --> 00:02:37,994 Speaker 1: eighteen forty seven, very famous novel of the same name, 54 00:02:38,194 --> 00:02:40,434 Speaker 1: and I guess she is taking a few liberties with it. 55 00:02:40,914 --> 00:02:43,234 Speaker 1: And I think Emerald's response to that was like, no, no, 56 00:02:43,394 --> 00:02:45,353 Speaker 1: it's not saying it's my interpretation. She's like, when you 57 00:02:45,434 --> 00:02:47,474 Speaker 1: use a book title, shouldn't you just have the quotation 58 00:02:47,594 --> 00:02:49,994 Speaker 1: marks around it. I thought that was crazy the extreme 59 00:02:50,034 --> 00:02:52,274 Speaker 1: for the ages when I saw the quote marks I 60 00:02:52,274 --> 00:02:54,834 Speaker 1: did think, Okay, that means she's doing something subversive. Cool. 61 00:02:54,994 --> 00:02:56,914 Speaker 1: And then it's like, now, I don't know, after her 62 00:02:56,914 --> 00:02:58,394 Speaker 1: most recent comme yeah, and now she's like, it's just 63 00:02:58,434 --> 00:03:01,034 Speaker 1: a nod to literature. I don't know. The introguer in 64 00:03:01,074 --> 00:03:03,394 Speaker 1: this movie is huge. So first of all, there was 65 00:03:03,434 --> 00:03:06,354 Speaker 1: a lot of excitement and some people being, you know, 66 00:03:06,514 --> 00:03:09,234 Speaker 1: maybe a little bit upset when the casting was announced. 67 00:03:09,274 --> 00:03:13,034 Speaker 1: So we have Margo Robbie playing Kathy Catherine and Shaw 68 00:03:13,114 --> 00:03:17,633 Speaker 1: who is the lead female character, and Jacob Alrdie playing Heathcliff. 69 00:03:18,114 --> 00:03:20,754 Speaker 1: All the news around this movie has come in huge waves. 70 00:03:21,034 --> 00:03:23,154 Speaker 1: First of all, there was the idea that Emerald for now, 71 00:03:23,434 --> 00:03:26,834 Speaker 1: who is coming off Saltburn and promising young woman and 72 00:03:26,834 --> 00:03:29,714 Speaker 1: all these incredible movies, like she's such an incredible and 73 00:03:29,794 --> 00:03:32,474 Speaker 1: distinct filmmaker that the next thing she was going to 74 00:03:32,514 --> 00:03:35,114 Speaker 1: tackle was Wathering Heights. Do you know how old you 75 00:03:35,154 --> 00:03:38,314 Speaker 1: were when you first read that book? I was sixteen 76 00:03:38,394 --> 00:03:41,314 Speaker 1: because it was my twelve Yeah, I was twelve. I 77 00:03:41,354 --> 00:03:43,354 Speaker 1: just really wanted to read it. Oh my god, your love. 78 00:03:44,834 --> 00:03:47,394 Speaker 1: I just was kind, I say, reading a book at twelve. 79 00:03:47,434 --> 00:03:49,114 Speaker 1: Then I think I read it again when I was seventeen, 80 00:03:49,154 --> 00:03:50,714 Speaker 1: and then I read it again when I was in 81 00:03:50,714 --> 00:03:55,034 Speaker 1: my late twenties. Very different experience when you're an adult woman. 82 00:03:55,154 --> 00:03:57,914 Speaker 1: When you're like twelve, You're like, this is so beautiful. 83 00:03:57,994 --> 00:03:59,914 Speaker 1: They're so in love and I want to be Kathy, 84 00:03:59,994 --> 00:04:01,514 Speaker 1: And now I'm just like, I don't want to be Kathy. 85 00:04:01,874 --> 00:04:03,594 Speaker 1: If I was Kathy's friend, I'd be like, get her 86 00:04:03,634 --> 00:04:05,754 Speaker 1: out of here, dude, what are you doing. My first 87 00:04:05,754 --> 00:04:08,674 Speaker 1: introduction to Weathering Heights was in the TV show Friends 88 00:04:08,994 --> 00:04:12,914 Speaker 1: when really yeah, when Rachel and Phoebe go to the book, Yeah, 89 00:04:12,914 --> 00:04:14,674 Speaker 1: because me and my brother would like watch Friends all 90 00:04:14,674 --> 00:04:17,234 Speaker 1: the time, and obviously they like do the thing about 91 00:04:17,234 --> 00:04:19,234 Speaker 1: the moors, where like they're talking about the richness of 92 00:04:19,274 --> 00:04:22,594 Speaker 1: the moors being like the same as Heathcliff's Wild characters. 93 00:04:22,634 --> 00:04:24,753 Speaker 1: So then when we started studying it in English at school, 94 00:04:24,753 --> 00:04:28,274 Speaker 1: I was like, Okay, Moore's Wild, Yeah, that's all you 95 00:04:28,313 --> 00:04:29,834 Speaker 1: need to know. And did you raise your hand as 96 00:04:29,873 --> 00:04:31,753 Speaker 1: Rachel said and said, I think that they're I think 97 00:04:31,753 --> 00:04:35,314 Speaker 1: a representation of Heathcliff's feelings. Very good, Rachel, Phoebe, have 98 00:04:35,393 --> 00:04:37,234 Speaker 1: you read the book? And that was obviously Phoebe's idea 99 00:04:37,274 --> 00:04:39,154 Speaker 1: and Rachel had not read the book. I think everyone 100 00:04:39,193 --> 00:04:41,154 Speaker 1: in English wanted the chance to use that line because 101 00:04:41,193 --> 00:04:43,834 Speaker 1: the Moors were spoken about a lot from probably didn't 102 00:04:43,834 --> 00:04:45,594 Speaker 1: know what a Moore was. Well, I'm very excited for 103 00:04:45,633 --> 00:04:48,474 Speaker 1: everyone who only knows about whether I had through friends 104 00:04:48,474 --> 00:04:51,513 Speaker 1: to experience this story for the first time. Huge. So 105 00:04:52,113 --> 00:04:54,314 Speaker 1: then there was the whole thing about Margot Robbie and 106 00:04:54,393 --> 00:04:56,154 Speaker 1: Jacob A. Lordie being cast, because it was like, who 107 00:04:56,193 --> 00:04:58,714 Speaker 1: are going to be these lead characters. Margot Robbie made 108 00:04:58,794 --> 00:05:01,953 Speaker 1: sense because obviously she and Emerald Fanell have had a 109 00:05:02,073 --> 00:05:06,713 Speaker 1: very long standing professional relationship. Margot Robbie produced Promising a 110 00:05:06,753 --> 00:05:09,873 Speaker 1: Young Woman, and she also produced Saltburn through her production company, 111 00:05:09,953 --> 00:05:12,993 Speaker 1: so she they have a very close relationship together. Made 112 00:05:12,993 --> 00:05:15,553 Speaker 1: sense except for being a blonde, thirty six year old woman. 113 00:05:15,674 --> 00:05:19,513 Speaker 1: But anyway, I've moved on from my age. Yeah, exactly. 114 00:05:19,553 --> 00:05:21,474 Speaker 1: When I first saw the casting years I was like, oh, 115 00:05:21,553 --> 00:05:23,874 Speaker 1: that's not Kathy. But then I thought, well, that is 116 00:05:23,914 --> 00:05:27,873 Speaker 1: the point. Because there's so many film versions of Wuthering Heights, 117 00:05:27,914 --> 00:05:31,634 Speaker 1: We've already seen the traditional Kathy version. So I think 118 00:05:31,674 --> 00:05:33,273 Speaker 1: at this stage of the game, if you're going to 119 00:05:33,354 --> 00:05:36,313 Speaker 1: remake a classic, you have to remake it in a 120 00:05:36,354 --> 00:05:38,474 Speaker 1: new way. You have to be subversive, You have to 121 00:05:38,474 --> 00:05:40,073 Speaker 1: flip the story on its head. You have to make 122 00:05:40,113 --> 00:05:43,473 Speaker 1: it your own. Otherwise you're just recycling the same material 123 00:05:43,553 --> 00:05:45,474 Speaker 1: over and over and over again. So the fact that 124 00:05:45,553 --> 00:05:47,794 Speaker 1: Margot Robbie is yet much older than Kathy is in 125 00:05:47,834 --> 00:05:50,234 Speaker 1: the book and also still has her blonde hair in 126 00:05:50,274 --> 00:05:54,113 Speaker 1: the movie. It's also wearing not traditional period costumes. Oh yeah, No, 127 00:05:54,154 --> 00:05:57,674 Speaker 1: there's like latex involved. Yeah. Love. Yeah. I actually thought 128 00:05:57,714 --> 00:05:59,394 Speaker 1: the on set photos of like the costumes that were 129 00:05:59,433 --> 00:06:02,514 Speaker 1: released in Vogue were really beautiful. Oh me, I'm like, 130 00:06:02,553 --> 00:06:05,193 Speaker 1: this is exactly what I want this movie, very like 131 00:06:05,393 --> 00:06:11,034 Speaker 1: Alice in Wonderland, very just strange and unique costume. Yeah, exactly. Yeah. 132 00:06:11,113 --> 00:06:12,794 Speaker 1: And again I know people say, like, oh, that you 133 00:06:12,794 --> 00:06:14,993 Speaker 1: should be like kind of reverent to the text and 134 00:06:15,034 --> 00:06:17,034 Speaker 1: it should be picture perfect. And to those people, again 135 00:06:17,073 --> 00:06:18,834 Speaker 1: I say, there's so many versions of that out there 136 00:06:18,834 --> 00:06:20,834 Speaker 1: in the world you cann't watch. And then there was 137 00:06:20,873 --> 00:06:23,553 Speaker 1: also the Jacob Alaudie of it all. Because I feel 138 00:06:23,594 --> 00:06:25,634 Speaker 1: like everyone, Fanelle has said that she saw pictures of 139 00:06:25,714 --> 00:06:27,834 Speaker 1: him and thought of him as Heathcliffe, and that's what 140 00:06:27,914 --> 00:06:30,153 Speaker 1: made her want to make the movie and that's why 141 00:06:30,193 --> 00:06:32,874 Speaker 1: she's cast him. But people weren't super happy about that, no, 142 00:06:33,034 --> 00:06:35,753 Speaker 1: And it's like a casting thing that has, I guess, 143 00:06:35,794 --> 00:06:38,113 Speaker 1: always been a big problem in Hollywood with Wuthering Heights 144 00:06:38,274 --> 00:06:41,834 Speaker 1: with Heathcliff. Like the only time that a black actor 145 00:06:41,873 --> 00:06:44,633 Speaker 1: has played Heathcliff was in the twenty eleven film adaptation, 146 00:06:45,193 --> 00:06:47,993 Speaker 1: And that is a conversation that's been ongoing because like 147 00:06:48,034 --> 00:06:50,713 Speaker 1: there's only references throughout the book right to what Heathcliffe 148 00:06:50,753 --> 00:06:52,953 Speaker 1: might look like. But some of those references include saying 149 00:06:52,993 --> 00:06:56,274 Speaker 1: he is darker skin. At one point he's described as 150 00:06:56,313 --> 00:06:59,033 Speaker 1: like looking like he might be Lascar. So there's a 151 00:06:59,034 --> 00:07:01,354 Speaker 1: few different descriptions which, like if you look at the 152 00:07:01,354 --> 00:07:03,433 Speaker 1: time period in which the language was used, would indicate 153 00:07:03,433 --> 00:07:05,713 Speaker 1: that he was a man of color. So then casting 154 00:07:05,753 --> 00:07:08,914 Speaker 1: Jacob Bladie obviously had back, yes, exactly, and it just 155 00:07:08,953 --> 00:07:12,994 Speaker 1: phitsiness this whole idea of Hollywood just whitewashing all these roles, 156 00:07:13,074 --> 00:07:15,794 Speaker 1: especially anything from like a classic novel or anything like that. 157 00:07:16,034 --> 00:07:17,833 Speaker 1: But then, yeah, Emerald's take on that is that she 158 00:07:17,953 --> 00:07:20,273 Speaker 1: kind of imagined the whole thing around him. That's why 159 00:07:20,314 --> 00:07:22,514 Speaker 1: she's made it. So we had all those kind of moments. 160 00:07:22,554 --> 00:07:25,594 Speaker 1: But now they're kicking off on the press tour, and 161 00:07:25,953 --> 00:07:28,833 Speaker 1: I was interested before they started doing any red carpital 162 00:07:28,874 --> 00:07:31,393 Speaker 1: interviews of the tact they would take because whenever there's 163 00:07:31,393 --> 00:07:34,914 Speaker 1: a big movie release like this and it's two actors 164 00:07:34,994 --> 00:07:37,713 Speaker 1: who are like the centerpieces, like it's their story, it's 165 00:07:37,754 --> 00:07:40,713 Speaker 1: basically a two hander, and it's a love story and 166 00:07:40,754 --> 00:07:43,634 Speaker 1: a very kind of intense love story around it. If 167 00:07:43,634 --> 00:07:45,394 Speaker 1: you'll those celebrities, you always have to sort of have 168 00:07:45,474 --> 00:07:47,234 Speaker 1: an idea of how you kind of present yourself on 169 00:07:47,234 --> 00:07:49,274 Speaker 1: the red carpet because it can go very wrong if 170 00:07:49,274 --> 00:07:51,833 Speaker 1: you don't hit the exact right no, and it could 171 00:07:51,874 --> 00:07:54,314 Speaker 1: be remember on Reese with a Spoon, Ashton Kutcher did 172 00:07:54,314 --> 00:07:57,714 Speaker 1: that wrong coom together, and they were so worried on 173 00:07:57,754 --> 00:08:00,034 Speaker 1: their press tour that people would think they were involved, 174 00:08:00,434 --> 00:08:03,314 Speaker 1: that they stood separately. They looked so awkward, and then 175 00:08:03,554 --> 00:08:06,354 Speaker 1: all those stories started that they didn't like each other, 176 00:08:06,354 --> 00:08:08,234 Speaker 1: there was an issue but between them or everyone's like 177 00:08:08,314 --> 00:08:10,233 Speaker 1: maybe like they're trying to throw us off. The fact 178 00:08:10,234 --> 00:08:12,554 Speaker 1: that something did happen and Reese with us soon was 179 00:08:12,554 --> 00:08:14,114 Speaker 1: like addressed and was like, oh my god, like we 180 00:08:14,154 --> 00:08:16,194 Speaker 1: didn't stand next to each other because we knew that 181 00:08:16,234 --> 00:08:18,074 Speaker 1: if we stood too closed, you guys would think we 182 00:08:18,074 --> 00:08:21,434 Speaker 1: were getting together. And now it's backfired. And so you 183 00:08:21,514 --> 00:08:24,554 Speaker 1: have that route, or you throw yourself too far into 184 00:08:24,594 --> 00:08:27,994 Speaker 1: making people believe you're in love. Oh my god, yeah, 185 00:08:27,994 --> 00:08:30,474 Speaker 1: I was not gonna say that, yeah, Glenn p Sidney Sweeney, 186 00:08:30,634 --> 00:08:33,034 Speaker 1: or explain the rest of your life, like facing those 187 00:08:33,074 --> 00:08:37,474 Speaker 1: allegations exactly exactly, or your Bradley Cooper and Lady Gaga 188 00:08:37,594 --> 00:08:40,114 Speaker 1: and the Star is Born. And then you take it 189 00:08:40,154 --> 00:08:42,274 Speaker 1: a little bit too far and both your partners dump you, 190 00:08:42,314 --> 00:08:43,954 Speaker 1: including your girlfriend who was sitting in the front row 191 00:08:43,954 --> 00:08:45,674 Speaker 1: of the Oscars being like I'm not doing this anymore 192 00:08:45,954 --> 00:08:48,394 Speaker 1: and that was just on stage and like it worked 193 00:08:48,434 --> 00:08:50,514 Speaker 1: for the movie. But so it's a fine line to walk, 194 00:08:50,554 --> 00:08:53,234 Speaker 1: and I feel like Margot and Jacob are doing good 195 00:08:53,314 --> 00:08:55,394 Speaker 1: job of that because they have now they've done started 196 00:08:55,434 --> 00:08:57,674 Speaker 1: to do a few interviews. They have let us know 197 00:08:57,714 --> 00:09:00,194 Speaker 1: what their attact is going to be, and it's very 198 00:09:00,274 --> 00:09:03,234 Speaker 1: much like this is a direct quote from Jacob Alordie 199 00:09:03,994 --> 00:09:07,914 Speaker 1: that they have a mutual obsession with each other, but 200 00:09:08,354 --> 00:09:11,914 Speaker 1: it's all platonic obviously. I mean, she is married to 201 00:09:11,994 --> 00:09:15,034 Speaker 1: her longtime partner, father of a child, long you know, 202 00:09:15,194 --> 00:09:17,674 Speaker 1: desperately in love with each other, the sweetest couple of Yeah, 203 00:09:17,874 --> 00:09:20,314 Speaker 1: so cute, very very cute from me know, and I 204 00:09:20,394 --> 00:09:23,314 Speaker 1: one hundred percent like I bet my life on this. No, 205 00:09:23,394 --> 00:09:27,834 Speaker 1: it's asking, but I would bet my life the jacob A, Laudia, 206 00:09:27,874 --> 00:09:31,034 Speaker 1: Margo Robbie not romantically in Dwine but no. Yeah, this 207 00:09:31,154 --> 00:09:33,034 Speaker 1: is why they can walk this line, is that they 208 00:09:33,034 --> 00:09:34,554 Speaker 1: have to sort of almost be careful about how they 209 00:09:34,554 --> 00:09:37,634 Speaker 1: even speak in interviews. Yeah, so that that doesn't even 210 00:09:37,754 --> 00:09:40,874 Speaker 1: like become a story. So especially because this looks like 211 00:09:40,914 --> 00:09:44,274 Speaker 1: a very sexy movie. Oh my god. Yes, the early 212 00:09:44,314 --> 00:09:46,514 Speaker 1: reports from early like test screenings have said it's the 213 00:09:46,514 --> 00:09:49,274 Speaker 1: most sexually charged movie she's ever done. Yeah, I will 214 00:09:49,274 --> 00:09:51,754 Speaker 1: never forget the trailer itself. A man put his finger 215 00:09:51,754 --> 00:09:53,794 Speaker 1: inside of a fish. Oh that was crazy, I it. 216 00:09:53,954 --> 00:09:56,034 Speaker 1: Oh my god, the most sexually charged movie from a 217 00:09:56,074 --> 00:09:59,274 Speaker 1: woman who loves the sexually charged movie. Emerald Fanel, don't 218 00:09:59,314 --> 00:10:01,034 Speaker 1: you tease me with a good time? Yeah, Like that's 219 00:10:01,074 --> 00:10:03,314 Speaker 1: what I'm here for. It was like the Tina faith 220 00:10:03,314 --> 00:10:04,634 Speaker 1: thing when she is like, what are you going to do? 221 00:10:04,634 --> 00:10:06,754 Speaker 1: When you start an Emerald Fanel production? And she's not 222 00:10:06,754 --> 00:10:10,474 Speaker 1: gonna take sexually violent you know it's coming, and like 223 00:10:10,514 --> 00:10:13,514 Speaker 1: that's fine, exactly really why she had to remake this movie. 224 00:10:13,594 --> 00:10:15,634 Speaker 1: And then of course Jacob a LORDI as far as 225 00:10:15,674 --> 00:10:20,234 Speaker 1: we know, not currently seeing anyone. However, however, last week, 226 00:10:20,594 --> 00:10:23,594 Speaker 1: the man was pictured opening a car door and getting 227 00:10:23,634 --> 00:10:26,954 Speaker 1: inside of that car with his long term ex girlfriend's 228 00:10:26,954 --> 00:10:30,314 Speaker 1: situationship current girlfriend who could say Olivia Jade. Yes, they've 229 00:10:30,314 --> 00:10:32,794 Speaker 1: been on and off for many years, many years, and 230 00:10:32,874 --> 00:10:34,754 Speaker 1: on and off in like a very extreme way. As 231 00:10:34,754 --> 00:10:36,514 Speaker 1: far as we know, they're quite private about it. They 232 00:10:36,554 --> 00:10:38,714 Speaker 1: don't speak about it. Yeah. It's like to the extent 233 00:10:38,714 --> 00:10:40,874 Speaker 1: that he'll be in the reflection doing laundry in one 234 00:10:40,874 --> 00:10:44,194 Speaker 1: of her vlogs and everyone's like those and the comments 235 00:10:44,234 --> 00:10:47,194 Speaker 1: are all like show him, show him, show She's not 236 00:10:47,234 --> 00:10:49,154 Speaker 1: gonna show you when she's doing her make up. The 237 00:10:49,314 --> 00:10:52,474 Speaker 1: Jacob's there, but he's there. Great, Yeah, and they so yeah, 238 00:10:52,514 --> 00:10:55,034 Speaker 1: those photos which I know they're part photos I shouldn't 239 00:10:55,034 --> 00:10:56,754 Speaker 1: have looked at, BUTU I did, so I did. They 240 00:10:56,794 --> 00:11:00,194 Speaker 1: were at dinner with Jacob Lody's parents and then they 241 00:11:00,234 --> 00:11:02,714 Speaker 1: went to a Q and a screening for Frankenstein together. 242 00:11:03,234 --> 00:11:06,274 Speaker 1: They're back on. Also, she's had a rough time. Obviously, 243 00:11:06,394 --> 00:11:09,514 Speaker 1: she's the daughter of Laurie Lochlan from Full House. They 244 00:11:09,514 --> 00:11:12,554 Speaker 1: look exactly the same. Literally, sometimes I think Jacob Laudie 245 00:11:12,594 --> 00:11:14,833 Speaker 1: is kissing Laura Lochlan. Yeah, but then I like it's 246 00:11:14,834 --> 00:11:16,754 Speaker 1: her daughter. That's not that crazy to say. She also 247 00:11:16,754 --> 00:11:18,434 Speaker 1: looks the same as KaiA go By, his ex girlfriend. 248 00:11:18,474 --> 00:11:20,794 Speaker 1: Oh my god, is just a fun fact. Yeah, it's 249 00:11:20,794 --> 00:11:22,634 Speaker 1: okay to have a tie. He's got a tie. Beautiful 250 00:11:22,634 --> 00:11:27,114 Speaker 1: woman on a beautiful nepo baby, willowy women with large eyes. Hard. 251 00:11:27,234 --> 00:11:29,634 Speaker 1: We do all like that. That's fine. Yeah, And she's 252 00:11:29,634 --> 00:11:32,234 Speaker 1: obviously like she's an influencer, and I mean she was 253 00:11:32,274 --> 00:11:34,874 Speaker 1: famous before him, but really came into the spotlight with 254 00:11:34,954 --> 00:11:37,394 Speaker 1: the whole admission scandal and both her parents went to 255 00:11:37,474 --> 00:11:39,994 Speaker 1: jail for that, and then her parents have since separated 256 00:11:40,114 --> 00:11:41,953 Speaker 1: and it's been like quite a messy divorce. So the 257 00:11:41,954 --> 00:11:44,034 Speaker 1: girl's been through a lot. Maybe she just wanted to 258 00:11:44,034 --> 00:11:46,114 Speaker 1: get back with her boyfriend and when her life was 259 00:11:46,114 --> 00:11:48,114 Speaker 1: going upside down and go back to something she knew. 260 00:11:48,194 --> 00:11:51,114 Speaker 1: And honestly, she has handled Big Jacob a Lordie's girlfriend 261 00:11:51,194 --> 00:11:53,034 Speaker 1: very well because if that was me, I'd be getting 262 00:11:53,034 --> 00:11:56,914 Speaker 1: on TikTok, I got him and you didn't because people 263 00:11:56,994 --> 00:12:00,354 Speaker 1: are crazy, But I sometimes wish I would do. I 264 00:12:00,394 --> 00:12:02,874 Speaker 1: think about it sometimes when I daydream. But like she's 265 00:12:02,994 --> 00:12:04,953 Speaker 1: dealt with a lot being a girlfriend of one of 266 00:12:05,114 --> 00:12:06,954 Speaker 1: the most coveted men in the world, and she's just 267 00:12:06,954 --> 00:12:09,474 Speaker 1: always they're smiling and like having a good time. Exactly. 268 00:12:09,914 --> 00:12:12,074 Speaker 1: She just knows. I guess they're gonna end up back together, 269 00:12:12,114 --> 00:12:14,114 Speaker 1: and it seems like they may have. She's she can 270 00:12:14,154 --> 00:12:16,114 Speaker 1: then I would ever be tell you that. Yeah, like 271 00:12:16,114 --> 00:12:18,314 Speaker 1: the Frankenstein premiere and a few things, It'll be interesting 272 00:12:18,354 --> 00:12:20,634 Speaker 1: to see if she goes to support him or wathering. Yes, 273 00:12:20,674 --> 00:12:22,754 Speaker 1: because that also seems like a nice moment at a 274 00:12:22,754 --> 00:12:25,154 Speaker 1: time when there were reports that split that like even 275 00:12:25,194 --> 00:12:28,394 Speaker 1: if they had they were supporting each other. Yeah, exactly, Yeah, 276 00:12:28,394 --> 00:12:30,394 Speaker 1: that's actually I love them getting back together because I 277 00:12:30,434 --> 00:12:33,074 Speaker 1: love a tumultuous Hollywood tale, but also I love her 278 00:12:33,074 --> 00:12:34,794 Speaker 1: going to dinner with his parents and they're just friends 279 00:12:34,834 --> 00:12:36,953 Speaker 1: is also really cute. I love it all. So either way, 280 00:12:36,954 --> 00:12:41,194 Speaker 1: they're both taken in somewhere, so we're out with the chins, 281 00:12:41,274 --> 00:12:43,954 Speaker 1: but they yeah, they've had two so yes, Jacob Elodie 282 00:12:43,954 --> 00:12:46,114 Speaker 1: has said of Margot Robbie, we have a mutual obsession. 283 00:12:46,354 --> 00:12:49,154 Speaker 1: The thing is, regardless of plot or screenplay, if you 284 00:12:49,234 --> 00:12:51,674 Speaker 1: have the opportunity to share a film set with Margot Robbie, 285 00:12:51,754 --> 00:12:53,634 Speaker 1: you're going to make sure you within five to ten 286 00:12:53,674 --> 00:12:56,834 Speaker 1: meters of her at all times. Stalk of behavior unless 287 00:12:56,834 --> 00:13:00,114 Speaker 1: you're Jacob Lordi and that's hot watching how she drinks tea, 288 00:13:00,474 --> 00:13:03,474 Speaker 1: watching how she eats her food, how she does it. 289 00:13:03,794 --> 00:13:05,874 Speaker 1: When is it all going to slip? I was like, 290 00:13:05,914 --> 00:13:07,554 Speaker 1: I'm sorry, I am reading a rotica right now. This 291 00:13:07,634 --> 00:13:11,674 Speaker 1: is like as this is just him talking about the film, like, 292 00:13:11,714 --> 00:13:15,794 Speaker 1: when is what going to slip? Her amazing beauty? Oh no, 293 00:13:15,994 --> 00:13:17,834 Speaker 1: when is it going to slip? When is the thing 294 00:13:17,914 --> 00:13:20,554 Speaker 1: going to come undone? And it never comes undone? Right, 295 00:13:20,634 --> 00:13:23,954 Speaker 1: because she's so perfect, she's propos she is well obviously Yeah, yeah, 296 00:13:24,034 --> 00:13:26,594 Speaker 1: I actually think she is one of those rare Hollywood 297 00:13:26,594 --> 00:13:29,234 Speaker 1: people who is as perfect as you think they are. Yeah, 298 00:13:29,274 --> 00:13:30,994 Speaker 1: but also in the way that she's just like normal 299 00:13:31,034 --> 00:13:32,794 Speaker 1: as well and like fun and a good time. I have. Yeah, 300 00:13:32,794 --> 00:13:34,714 Speaker 1: I've yeah, interviewed, I've nenver't doen a lot of times 301 00:13:34,754 --> 00:13:36,234 Speaker 1: that I've interviewed her a few times over the years. 302 00:13:36,234 --> 00:13:38,074 Speaker 1: I've been in events where like she's been mingling and 303 00:13:38,074 --> 00:13:41,154 Speaker 1: we've chatted, and yeah, she is ten out of ten 304 00:13:41,474 --> 00:13:44,953 Speaker 1: lovely and clever. And I've also seen so many reporters, 305 00:13:44,954 --> 00:13:47,314 Speaker 1: like you know, men from radio stations. Ye ask her 306 00:13:47,354 --> 00:13:50,074 Speaker 1: like the most inappropriate rude questions on the red carpet, 307 00:13:50,354 --> 00:13:51,914 Speaker 1: and I'm like, if you're a man, you were to 308 00:13:51,954 --> 00:13:54,114 Speaker 1: punch that guy. But also you could just walk away. 309 00:13:54,114 --> 00:13:56,674 Speaker 1: That was rude. But she handles it so well because 310 00:13:56,674 --> 00:13:58,834 Speaker 1: I think she knows if she says anything, it's gonna 311 00:13:58,834 --> 00:14:00,994 Speaker 1: be like Margot Robbie was upset. Yes, So she's like 312 00:14:01,034 --> 00:14:03,714 Speaker 1: the consummate professional at all times. Yeah, she very much is. 313 00:14:03,794 --> 00:14:05,474 Speaker 1: And like a rogue note from me, but anyone who's 314 00:14:05,514 --> 00:14:07,994 Speaker 1: been on Neighbors or Home and Away still talks about 315 00:14:07,994 --> 00:14:11,754 Speaker 1: it fondly. That's a good Hollywood person. Yeah, because and 316 00:14:11,834 --> 00:14:14,714 Speaker 1: the finale and stuff, Ye, no, no, Thel, she knows 317 00:14:14,714 --> 00:14:16,474 Speaker 1: that's where she learned a lot. And those actors they're 318 00:14:16,514 --> 00:14:18,514 Speaker 1: on set like twenty four seven, so you do learn 319 00:14:18,554 --> 00:14:21,514 Speaker 1: a lot about being humble and like staying professional. And 320 00:14:21,514 --> 00:14:23,594 Speaker 1: I just think she's like a little Ossie Golden girl. 321 00:14:23,714 --> 00:14:26,794 Speaker 1: One hundred percent and he's a weird oussie golden boy. Yeah, 322 00:14:26,954 --> 00:14:29,954 Speaker 1: I like him too. Again that time I got stuck 323 00:14:29,994 --> 00:14:32,634 Speaker 1: behind him on the red carpet. Was I coming in 324 00:14:32,634 --> 00:14:38,154 Speaker 1: to meet you? Yeah? Yeah, Like can't get in stuck 325 00:14:38,194 --> 00:14:40,514 Speaker 1: behind So I walked shoulder to shoulder with that man 326 00:14:40,514 --> 00:14:41,994 Speaker 1: because they wouldn't let me pass him. And I'm like, 327 00:14:41,994 --> 00:14:45,634 Speaker 1: it's more awkward that I'm walking with him and Laura, 328 00:14:45,674 --> 00:14:47,874 Speaker 1: it's just a scorting checker belo time. I've never felt 329 00:14:47,914 --> 00:14:50,674 Speaker 1: short before. That's so nice. It was really you do 330 00:14:50,754 --> 00:14:52,554 Speaker 1: wonder because you see those high differences and you go, 331 00:14:53,154 --> 00:14:55,634 Speaker 1: is he that tall? Because I had sky high heels on. 332 00:14:55,674 --> 00:14:57,554 Speaker 1: I couldn't see that man's head so far up in 333 00:14:57,554 --> 00:14:59,634 Speaker 1: the clouds, was it? And he stopped and was like 334 00:14:59,674 --> 00:15:01,394 Speaker 1: so nice to every fan, and sometimes they were trying 335 00:15:01,394 --> 00:15:02,994 Speaker 1: to like rush him along and he was like no, no, no, no. 336 00:15:03,074 --> 00:15:05,394 Speaker 1: And every time someone handed him a pen for an autograph, 337 00:15:05,474 --> 00:15:07,634 Speaker 1: he'd take the lid off and like hold the lid 338 00:15:07,634 --> 00:15:09,994 Speaker 1: in his mouth while he signed it and then put 339 00:15:09,994 --> 00:15:14,714 Speaker 1: the lid back on. Anyone somebody who Jack O'Connell did 340 00:15:14,714 --> 00:15:16,154 Speaker 1: it on the weekend at the twenty eight days later 341 00:15:16,194 --> 00:15:18,314 Speaker 1: premiere and all the spill comments on the TikTok are 342 00:15:18,314 --> 00:15:20,074 Speaker 1: like what he did with the pen and I'm like, 343 00:15:20,274 --> 00:15:22,594 Speaker 1: I get it, so yeah, nothing hotter than a man 344 00:15:22,634 --> 00:15:26,234 Speaker 1: holding a pen lid in his mouth. Yes, back to 345 00:15:26,274 --> 00:15:29,154 Speaker 1: the point. Back to the point, Jacob, they're very cute 346 00:15:29,154 --> 00:15:31,274 Speaker 1: together and weirdly like, I mean, the trailer looks so 347 00:15:31,314 --> 00:15:33,514 Speaker 1: like sexually charged and speaking about that, but then like 348 00:15:33,554 --> 00:15:36,114 Speaker 1: they just look like two like besties, like they have 349 00:15:36,354 --> 00:15:38,434 Speaker 1: nailed that dynamic because like he looks like a cute 350 00:15:38,434 --> 00:15:40,194 Speaker 1: puppy dog following her around, being like, yeah, I love 351 00:15:40,234 --> 00:15:42,714 Speaker 1: her so much, I love him too, exactly. They keep 352 00:15:42,754 --> 00:15:44,674 Speaker 1: they keep alluding to the fact that they felt like 353 00:15:44,714 --> 00:15:46,594 Speaker 1: they were falling in love on set, but not the 354 00:15:46,634 --> 00:15:49,074 Speaker 1: actors falling in love, ye, the characters falling in love. 355 00:15:49,114 --> 00:15:51,914 Speaker 1: Because then Jacob Alardi said, there'd be moments I'm just 356 00:15:51,914 --> 00:15:54,594 Speaker 1: loving doing dramatic reading and Wily, there'd be moments where 357 00:15:54,634 --> 00:15:57,594 Speaker 1: we'd be running hand in hand through the moors, maybe 358 00:15:57,634 --> 00:16:00,834 Speaker 1: not even in the scene. Just setting it up to audio, 359 00:16:03,554 --> 00:16:05,914 Speaker 1: I listened to Jacob had just with oh that's off 360 00:16:05,914 --> 00:16:11,594 Speaker 1: a mixtape of him his interviews. That's really nice, Like 361 00:16:11,714 --> 00:16:13,154 Speaker 1: just setting it up where I look, I'm not even 362 00:16:13,194 --> 00:16:15,554 Speaker 1: finished yet. Oh sorry, where I look across at her 363 00:16:15,674 --> 00:16:18,194 Speaker 1: and she'd be looking at me, and you fully realize 364 00:16:18,194 --> 00:16:20,594 Speaker 1: you are looking at Catherine and she was looking at Heathcliff, 365 00:16:20,634 --> 00:16:22,314 Speaker 1: and in that moment we were really part of their 366 00:16:22,354 --> 00:16:25,594 Speaker 1: love for real. So Margot's really met him at this 367 00:16:25,674 --> 00:16:27,634 Speaker 1: like we were enamored. You know, He's talking that he 368 00:16:27,674 --> 00:16:29,754 Speaker 1: was like watching her and set like poor a cup 369 00:16:29,794 --> 00:16:33,194 Speaker 1: of tea, mesmerized, and then she's come back and like 370 00:16:33,314 --> 00:16:36,314 Speaker 1: matched his enthusiasm, which again makes me feel like they've 371 00:16:36,354 --> 00:16:38,154 Speaker 1: kind of got this on lock of how they're going 372 00:16:38,154 --> 00:16:40,794 Speaker 1: to present themselves on the press tour. She said, I 373 00:16:40,794 --> 00:16:43,074 Speaker 1: remember one dating on set being like, oh, he's right. 374 00:16:43,114 --> 00:16:46,434 Speaker 1: There were these guys like how do they get anything done? 375 00:16:47,194 --> 00:16:48,994 Speaker 1: Just the two hottest people do you want people in 376 00:16:49,034 --> 00:16:50,954 Speaker 1: the world? Like he's watching her drink tea and she's being, 377 00:16:50,994 --> 00:16:52,394 Speaker 1: oh my god, he's right there, and I was like, 378 00:16:52,554 --> 00:16:58,154 Speaker 1: Emerald's like, can we film She's got a sexually violent 379 00:16:58,194 --> 00:17:02,274 Speaker 1: film today, sexually violent to it, and Margaret also said, 380 00:17:02,314 --> 00:17:04,794 Speaker 1: I love this. Margot also said that Emerald Fanelle told 381 00:17:04,834 --> 00:17:06,954 Speaker 1: her that when people watch the movie, she wants them 382 00:17:06,954 --> 00:17:09,754 Speaker 1: to be so like kind of like enamored and so 383 00:17:09,914 --> 00:17:12,474 Speaker 1: in the story that they throw up afterwards, and Margot 384 00:17:12,554 --> 00:17:14,794 Speaker 1: was like, yeah, okay, note received let's make that movie. 385 00:17:14,954 --> 00:17:17,714 Speaker 1: I don't want to throw up. Well, I don't want 386 00:17:17,714 --> 00:17:21,394 Speaker 1: to do that. You might, you might not have a choice. 387 00:17:21,394 --> 00:17:23,394 Speaker 1: We'll see what happens. That's how the movie is gonna go. 388 00:17:23,434 --> 00:17:24,674 Speaker 1: I mean, you're gonna be sitting next to me, so 389 00:17:24,754 --> 00:17:29,794 Speaker 1: good luck. Yeah, well that's not gonna end on. But yeah, 390 00:17:29,914 --> 00:17:32,314 Speaker 1: Margo seems to be like obsessed with him. Well she's yeah. 391 00:17:32,354 --> 00:17:34,594 Speaker 1: She One day I'd be like, oh, he's over there, 392 00:17:34,714 --> 00:17:36,514 Speaker 1: and then an hour later I'd be like, oh, now 393 00:17:36,514 --> 00:17:38,994 Speaker 1: he's over there. And on the third day, I found 394 00:17:38,994 --> 00:17:41,994 Speaker 1: myself starting to look around wondering where is he? Where 395 00:17:42,074 --> 00:17:45,114 Speaker 1: is Jacob? He's going to be somewhere close by? Where 396 00:17:45,194 --> 00:17:47,194 Speaker 1: is he right now? Because he's not in the corner 397 00:17:47,194 --> 00:17:48,914 Speaker 1: of a room watching me right now? Or she knew 398 00:17:48,914 --> 00:17:51,273 Speaker 1: he was watching him, she knew he was watching her. 399 00:17:51,354 --> 00:17:53,474 Speaker 1: I know you're saying this is like a really good 400 00:17:53,674 --> 00:17:56,074 Speaker 1: mix of push on her romantic, but like because it 401 00:17:56,274 --> 00:17:59,314 Speaker 1: is when you see them, but hearing it back, I've 402 00:17:59,354 --> 00:18:00,954 Speaker 1: made this sound much weirder than it was. If you 403 00:18:00,994 --> 00:18:04,194 Speaker 1: watch the actual in it's very like, it's all lovely 404 00:18:04,234 --> 00:18:06,474 Speaker 1: and nice. It's just they love each other, so I 405 00:18:06,474 --> 00:18:09,033 Speaker 1: love each other very cute. And then he wasn't in 406 00:18:09,034 --> 00:18:10,994 Speaker 1: the corner, and I was really unnerved. I felt like 407 00:18:11,034 --> 00:18:13,714 Speaker 1: a lost kid without their blanket or something. That's Margo 408 00:18:13,834 --> 00:18:17,514 Speaker 1: Robbie on Jacob al Yeah, wow, that's work wives right there, 409 00:18:17,514 --> 00:18:21,274 Speaker 1: work wise, and when you to the kitchen, you follow 410 00:18:21,314 --> 00:18:23,634 Speaker 1: me around me asking me where I am. I mean, 411 00:18:23,714 --> 00:18:25,994 Speaker 1: it is less creepy because I do text my work 412 00:18:26,034 --> 00:18:27,994 Speaker 1: colleagues who I firsts with and be like, where are 413 00:18:27,994 --> 00:18:30,033 Speaker 1: you getting on? I don't fight kind Can we go 414 00:18:30,074 --> 00:18:32,313 Speaker 1: on record and say I find nothing about this creepy No, 415 00:18:32,434 --> 00:18:34,234 Speaker 1: just when you were doing it dramatically and telling me 416 00:18:34,274 --> 00:18:36,354 Speaker 1: the story not creepy but kind of hot, is where 417 00:18:36,394 --> 00:18:38,714 Speaker 1: I was like in my head, going, oh, making it 418 00:18:38,794 --> 00:18:40,754 Speaker 1: somewhech No, no, no, yeah. It just sounds like they 419 00:18:40,834 --> 00:18:43,033 Speaker 1: got into set, they had obviously met before they gone 420 00:18:43,074 --> 00:18:45,914 Speaker 1: to set, they started filming this vomit inducing movie apparently, 421 00:18:46,314 --> 00:18:50,033 Speaker 1: and just became like, yeah, completely codependent and obsessed with 422 00:18:50,114 --> 00:18:52,553 Speaker 1: each other. And I guess like, like, obviously there's other 423 00:18:52,634 --> 00:18:54,914 Speaker 1: characters and Wathering Heights who have big moments, but like 424 00:18:54,954 --> 00:18:57,754 Speaker 1: it really is between them, like that's their story and 425 00:18:57,794 --> 00:19:01,234 Speaker 1: there's so much writing on their performances and anyway, that's 426 00:19:01,274 --> 00:19:03,474 Speaker 1: where we are. We'll be able to see this relationship 427 00:19:03,554 --> 00:19:06,513 Speaker 1: up close firsthand because they're coming to Australia for the 428 00:19:06,554 --> 00:19:08,994 Speaker 1: premiere and we're going to the premiere and we're going 429 00:19:09,034 --> 00:19:10,594 Speaker 1: to be in the room and should we just like 430 00:19:10,714 --> 00:19:15,033 Speaker 1: live Tina. Tina gets angles of people when we're in 431 00:19:15,114 --> 00:19:17,154 Speaker 1: rooms with celebrity, So Tina's going to film. We'll do 432 00:19:17,194 --> 00:19:19,313 Speaker 1: a recap. It'll just be so exciting, so we all 433 00:19:19,354 --> 00:19:21,794 Speaker 1: to tell you how they actually interact in person. Yes, 434 00:19:22,114 --> 00:19:24,314 Speaker 1: and we'll actually once and for all what the hell 435 00:19:24,314 --> 00:19:27,194 Speaker 1: on this movie is going to be because it's certainly 436 00:19:27,234 --> 00:19:29,954 Speaker 1: not book So Weathering Heights is coming out in Australia 437 00:19:29,954 --> 00:19:33,794 Speaker 1: on Thursday, the twelfth of February. Marketing calendars. Yeah, get 438 00:19:33,834 --> 00:19:39,914 Speaker 1: ready to be sick apparently. Well, onto another important topic, 439 00:19:40,074 --> 00:19:41,794 Speaker 1: one of the most important topics of the year, i'd 440 00:19:41,834 --> 00:19:45,634 Speaker 1: say so heated rivalry, something we've never discussed on this 441 00:19:45,674 --> 00:19:48,434 Speaker 1: pot we've never discussed in real life. Oh, I don't 442 00:19:48,434 --> 00:19:51,553 Speaker 1: show you today, it's never happened. Just in case we 443 00:19:51,594 --> 00:19:53,514 Speaker 1: have any new listers in the mix. It's obviously all 444 00:19:53,514 --> 00:19:56,234 Speaker 1: we've been talking about since the end of last year 445 00:19:56,234 --> 00:19:58,434 Speaker 1: when it came out, so it has taken over our lives. 446 00:19:58,474 --> 00:20:00,314 Speaker 1: We're not getting into the plot or the shory thing. 447 00:20:00,554 --> 00:20:03,034 Speaker 1: We did an incredible, brudely honest review on the show 448 00:20:03,114 --> 00:20:05,114 Speaker 1: that takes you through the whole season. We'll link that, 449 00:20:05,234 --> 00:20:08,234 Speaker 1: But now we're talking about the cast. Yes, which is 450 00:20:08,274 --> 00:20:11,114 Speaker 1: something that you're very familiar with, because I do believe 451 00:20:11,114 --> 00:20:13,714 Speaker 1: you spend all your time tracking these hot men, which 452 00:20:13,754 --> 00:20:15,714 Speaker 1: is a great use of your timely but it's not 453 00:20:15,754 --> 00:20:17,514 Speaker 1: even up to me at this point, Like I woke 454 00:20:17,594 --> 00:20:19,674 Speaker 1: up this morning and the first thing I saw was 455 00:20:19,714 --> 00:20:22,154 Speaker 1: like fifty different angles of one of the stars, Hudson 456 00:20:22,154 --> 00:20:24,593 Speaker 1: Williams in Milan for fashion Week. What I mean, it's 457 00:20:24,714 --> 00:20:26,513 Speaker 1: up to you. That's your algorithm, because that's all you 458 00:20:26,554 --> 00:20:28,834 Speaker 1: look about or you post, like I would also choose 459 00:20:28,834 --> 00:20:31,394 Speaker 1: to see it, but I'm not getting anything else at 460 00:20:31,394 --> 00:20:33,114 Speaker 1: this point, Like there is no other content. I have 461 00:20:33,194 --> 00:20:35,594 Speaker 1: to actively in my day search for other things, Like 462 00:20:35,674 --> 00:20:37,994 Speaker 1: my phone is just like you, like heated rivalry, and 463 00:20:38,034 --> 00:20:40,354 Speaker 1: that is it. That's it. So again, if anyone here 464 00:20:40,474 --> 00:20:42,994 Speaker 1: is from another planet, first of all, Welcome. Everyone on 465 00:20:43,034 --> 00:20:45,234 Speaker 1: Earth is obsessed with the show Welcome to Earth. We're 466 00:20:45,234 --> 00:20:47,513 Speaker 1: all obsessed with a show called Heated Rivalry, which is 467 00:20:47,514 --> 00:20:50,794 Speaker 1: about two hockey players on different teams, two men who 468 00:20:50,794 --> 00:20:53,033 Speaker 1: are madly in love. Based on a book series, the 469 00:20:53,074 --> 00:20:54,954 Speaker 1: show is the buzziest thing in the world at the moment. 470 00:20:55,354 --> 00:20:59,234 Speaker 1: The stars of it have become international household names overnight. 471 00:20:59,274 --> 00:21:02,194 Speaker 1: Everyone's obsessed with them. Where I left yourself last time 472 00:21:02,514 --> 00:21:05,194 Speaker 1: is that everyone's obsessed with the stars of the show. 473 00:21:05,794 --> 00:21:08,754 Speaker 1: They're having a great time being famous. You know, there 474 00:21:08,754 --> 00:21:10,954 Speaker 1: were some questions around, like as anyone who gets famous, 475 00:21:10,994 --> 00:21:12,914 Speaker 1: like who are they dating, what's happening, all that sort 476 00:21:12,954 --> 00:21:14,554 Speaker 1: of stuff, And I thought we kind of just left 477 00:21:14,554 --> 00:21:17,114 Speaker 1: it there on the sambiguous note, And then you brought 478 00:21:17,154 --> 00:21:19,794 Speaker 1: my attention to the fact that we have a real 479 00:21:19,834 --> 00:21:24,754 Speaker 1: life love story unfolding from Heated Rivalry. Maybe potentially potentially 480 00:21:25,554 --> 00:21:28,553 Speaker 1: potentially Okay, so this is the biggest story of my 481 00:21:28,634 --> 00:21:32,553 Speaker 1: life currently. But one of the leading stars of the 482 00:21:32,594 --> 00:21:35,994 Speaker 1: series is Connor Story. He plays Ilia Rosenoff. He's just 483 00:21:36,274 --> 00:21:39,874 Speaker 1: the most bubbly, beautiful, lovely guy. He was working famously 484 00:21:39,874 --> 00:21:42,793 Speaker 1: not Russian, not Russian. Shocked from many of fans, so 485 00:21:42,834 --> 00:21:44,793 Speaker 1: many people that he was and in real life, like 486 00:21:44,794 --> 00:21:46,194 Speaker 1: he was a model, He was a waiter. He was 487 00:21:46,234 --> 00:21:47,714 Speaker 1: trying to get into acting for so long, so this 488 00:21:47,794 --> 00:21:50,073 Speaker 1: is his breakout rock. Yeah, he was literally waiting tables 489 00:21:50,114 --> 00:21:52,554 Speaker 1: when he got the tool that he'd be in the show. 490 00:21:52,634 --> 00:21:55,234 Speaker 1: He almost got fired, he revealed at the Golden Globes, 491 00:21:55,234 --> 00:21:57,274 Speaker 1: like he almost got fired that day, and he went 492 00:21:57,314 --> 00:21:58,914 Speaker 1: back to his locker to get his phone and they 493 00:21:58,914 --> 00:22:00,794 Speaker 1: were like you book heeated rivalry, and then he went 494 00:22:00,834 --> 00:22:02,793 Speaker 1: and quit. But he was also like so sweet that 495 00:22:02,834 --> 00:22:04,834 Speaker 1: he's like that whole manager. I was baud at my job. 496 00:22:04,874 --> 00:22:07,273 Speaker 1: They were right, Oh my god, I ended him. I 497 00:22:07,274 --> 00:22:09,394 Speaker 1: wanted him to like re enact Bridget Joones and like 498 00:22:09,434 --> 00:22:11,794 Speaker 1: walk out of there to like respect playing he works 499 00:22:11,834 --> 00:22:14,513 Speaker 1: for more time. He worked for another few weeks to 500 00:22:14,594 --> 00:22:17,954 Speaker 1: like wrap up Angel. So sweet boy Angel amongst us, 501 00:22:17,954 --> 00:22:20,074 Speaker 1: we love him dearly. And then on the other end, 502 00:22:20,354 --> 00:22:24,714 Speaker 1: we've also got Francois Arnot who's like a bit more established, 503 00:22:24,834 --> 00:22:26,554 Speaker 1: not a bit more quite established. He's been in a 504 00:22:26,554 --> 00:22:29,234 Speaker 1: lot of big shows and productions, so he has been 505 00:22:29,234 --> 00:22:31,194 Speaker 1: working for a long time, but is also yeah, blowing 506 00:22:31,274 --> 00:22:33,514 Speaker 1: up with this show. As they all are, and as 507 00:22:33,514 --> 00:22:35,634 Speaker 1: you said, there was a lot of prying into personal lives, 508 00:22:35,634 --> 00:22:38,474 Speaker 1: some of which definitely crossed boundaries. But one of the 509 00:22:38,514 --> 00:22:42,154 Speaker 1: things that has slowly started to make itself, I don't know, 510 00:22:42,194 --> 00:22:47,474 Speaker 1: apparent through little videos, little pictures, is that Connor and 511 00:22:47,554 --> 00:22:50,794 Speaker 1: Francois are rumored to be dating. Okay, I know that 512 00:22:50,834 --> 00:22:52,474 Speaker 1: we should let them have their privacy, and I'm all 513 00:22:52,514 --> 00:22:54,874 Speaker 1: for that. I again, I would not chase them through 514 00:22:54,914 --> 00:22:57,394 Speaker 1: an airsport or which people have been doing. Yeah, I 515 00:22:57,394 --> 00:22:59,634 Speaker 1: would not photograph them a restaurant people have been doing. 516 00:22:59,834 --> 00:23:02,234 Speaker 1: I would not post anything weird on the internet about them, 517 00:23:02,234 --> 00:23:04,114 Speaker 1: which people have been doing. But I'll just say here 518 00:23:04,154 --> 00:23:05,914 Speaker 1: in the private between you and me and the listeners 519 00:23:06,194 --> 00:23:08,994 Speaker 1: that I hope this is true. Oh yeah, oh my god, 520 00:23:09,034 --> 00:23:11,514 Speaker 1: I hope this is true. Huge and beautiful and wonderful. 521 00:23:12,274 --> 00:23:16,314 Speaker 1: Those two hot, sexy, famous, talented men are falling deeply 522 00:23:16,354 --> 00:23:18,754 Speaker 1: in love. That's all I want, exactly, and I think 523 00:23:18,794 --> 00:23:21,034 Speaker 1: you want them to be together truly. The knowledge that 524 00:23:21,074 --> 00:23:24,474 Speaker 1: they could could be a couple that got me through Christmas. 525 00:23:25,114 --> 00:23:27,354 Speaker 1: I was like, love is real on TV and maybe 526 00:23:27,354 --> 00:23:29,234 Speaker 1: the world you could say, that's going to tide me 527 00:23:29,274 --> 00:23:30,434 Speaker 1: over for the rest of my life. I don't care 528 00:23:30,474 --> 00:23:31,874 Speaker 1: if I never date again, as long as they find 529 00:23:31,914 --> 00:23:35,674 Speaker 1: life fine. And that's the correct reaction. Yeah, I just say, 530 00:23:35,754 --> 00:23:38,714 Speaker 1: that's the core reaction to see these photos of them together, 531 00:23:38,754 --> 00:23:40,474 Speaker 1: to see them posting each other on social and be 532 00:23:40,554 --> 00:23:43,594 Speaker 1: like that is so sweet. I hope they're happy. I 533 00:23:43,674 --> 00:23:45,594 Speaker 1: love their show and it is one of the all 534 00:23:45,674 --> 00:23:47,674 Speaker 1: things not reacted like that, right, Yeah, Like it's one 535 00:23:47,674 --> 00:23:49,754 Speaker 1: of those things as well, with like say like Spider 536 00:23:49,794 --> 00:23:51,994 Speaker 1: Man and Zendea and Tom Holland, or like Game of Thrones, 537 00:23:52,074 --> 00:23:54,834 Speaker 1: Kit Harrington and Rose Leslie, Like when you're in something 538 00:23:54,834 --> 00:23:56,874 Speaker 1: that is this big, yeah, and you end up together. 539 00:23:56,914 --> 00:23:59,954 Speaker 1: There is a natural curiosity for fans, right, Fans get excited. 540 00:23:59,954 --> 00:24:02,034 Speaker 1: They want to see it. Like there's a lot of 541 00:24:02,114 --> 00:24:04,554 Speaker 1: questioning over PAP moments and things that could be happening, 542 00:24:04,594 --> 00:24:06,994 Speaker 1: and sometimes fans are wrong sometimes, yeah, a lot of them. 543 00:24:07,314 --> 00:24:08,754 Speaker 1: A lot of the time they piece the clues together 544 00:24:08,754 --> 00:24:11,554 Speaker 1: and it's not real. But sometimes in those rare, beautiful moments, 545 00:24:11,554 --> 00:24:13,234 Speaker 1: it is. And the reaction is like, hey, I know, 546 00:24:13,274 --> 00:24:15,234 Speaker 1: we don't want to pry too much on your personal lives, 547 00:24:15,234 --> 00:24:18,114 Speaker 1: but this is the best thing that's ever hated us. However, 548 00:24:18,154 --> 00:24:20,033 Speaker 1: there's a section of the fandom that has not reacted 549 00:24:20,074 --> 00:24:22,954 Speaker 1: that way to this rumor, yeah, and have instead chosen 550 00:24:22,994 --> 00:24:25,554 Speaker 1: to go the route of like harassment and bullying and 551 00:24:25,634 --> 00:24:29,874 Speaker 1: sending death threats to Francois. So I hate that. I 552 00:24:29,874 --> 00:24:31,273 Speaker 1: know it's not a hot take, that's just thing, but 553 00:24:31,914 --> 00:24:35,394 Speaker 1: that's discussing. Imagine watching this incredible show that everyone loves 554 00:24:35,394 --> 00:24:37,914 Speaker 1: and reading the book that has a huge fandom, and 555 00:24:38,274 --> 00:24:42,194 Speaker 1: watching these performers be so well received by the fandom 556 00:24:42,234 --> 00:24:44,354 Speaker 1: and having the time in their lives. Imagine seeing all 557 00:24:44,434 --> 00:24:46,474 Speaker 1: that and being like, I'm going to get online and 558 00:24:46,514 --> 00:24:48,834 Speaker 1: post awful things about them, yeah, and then send them 559 00:24:48,914 --> 00:24:52,033 Speaker 1: death threats? In what world? Does that? Where your mind goes? 560 00:24:52,114 --> 00:24:54,874 Speaker 1: And the normal reaction again should be oh my god, 561 00:24:54,914 --> 00:24:56,914 Speaker 1: I saw this thing happen, telling my friends who also 562 00:24:56,914 --> 00:24:58,354 Speaker 1: watched Tea the library and going, you know what, that 563 00:24:58,394 --> 00:25:00,273 Speaker 1: would be so cute? End it there, yeah, end it 564 00:25:00,314 --> 00:25:01,794 Speaker 1: Like that's it. Keep it to the group that's always 565 00:25:01,834 --> 00:25:03,834 Speaker 1: say you can talk about stuff, obviously we do here. 566 00:25:04,154 --> 00:25:08,914 Speaker 1: Keep it to your podcast or platform and whatever your 567 00:25:08,914 --> 00:25:11,514 Speaker 1: platform may entail, and just keep it light, keep it breezy. 568 00:25:11,794 --> 00:25:14,313 Speaker 1: But obviously people haven't kept it breezy and have been 569 00:25:14,314 --> 00:25:16,914 Speaker 1: attacking him online to the point where they're aacking friends 570 00:25:16,914 --> 00:25:19,834 Speaker 1: wise attacking Francois. So it's mostly directed by Francois because 571 00:25:19,834 --> 00:25:21,994 Speaker 1: he's older. So, first of all, the tone is insane 572 00:25:22,034 --> 00:25:25,513 Speaker 1: to me because he's forty years old. Can can we 573 00:25:25,554 --> 00:25:28,074 Speaker 1: all calm down? That's not old? Because also the thing 574 00:25:28,114 --> 00:25:30,434 Speaker 1: with this is, like I see so many twenty year 575 00:25:30,434 --> 00:25:33,754 Speaker 1: olds fangirling over Sebastian Stan over Chris Evans, also in 576 00:25:33,754 --> 00:25:35,714 Speaker 1: their forties. We don't jump at the chance to date 577 00:25:35,794 --> 00:25:39,154 Speaker 1: them as I would chance to date Francois, And plenty 578 00:25:39,154 --> 00:25:41,034 Speaker 1: of men in their forties date women in their twenties 579 00:25:41,074 --> 00:25:44,034 Speaker 1: and exactly, and people get very excited about this. Yes, 580 00:25:44,114 --> 00:25:46,234 Speaker 1: people get through yeah, exactly. And so there was a 581 00:25:46,234 --> 00:25:48,914 Speaker 1: weird backlash to the element of his age, like people 582 00:25:48,914 --> 00:25:51,114 Speaker 1: suggesting that it could be his late twenties, right, he's 583 00:25:51,114 --> 00:25:54,514 Speaker 1: not the mid twenties, but he's an adult. Like say, 584 00:25:54,514 --> 00:25:57,194 Speaker 1: it's fine. I'm gonna say fine. I'm sure they're happy 585 00:25:57,234 --> 00:25:59,634 Speaker 1: with whatever their decision is, if that's their decision. Yeah. 586 00:25:59,674 --> 00:26:01,674 Speaker 1: But so obviously at first it was just a few pictures, 587 00:26:01,674 --> 00:26:03,434 Speaker 1: but then over the course of like the last week 588 00:26:03,474 --> 00:26:06,194 Speaker 1: because they were doing more interviews. Francois was in New 589 00:26:06,234 --> 00:26:07,994 Speaker 1: York with Connor, and yeah, they were getting chased down 590 00:26:08,034 --> 00:26:10,714 Speaker 1: the street, photograph going to the airport together, photographed in 591 00:26:10,714 --> 00:26:12,634 Speaker 1: restaurants and all that kind of stuff. And then that 592 00:26:12,634 --> 00:26:17,354 Speaker 1: culminated with Francois unfollowing the two heated rivalrymin stars Hudson 593 00:26:17,394 --> 00:26:21,273 Speaker 1: and Connor and the creator Jacob Tierney on Instagram, and 594 00:26:21,314 --> 00:26:23,754 Speaker 1: so then that blew it up obviously of people being like, 595 00:26:23,794 --> 00:26:27,194 Speaker 1: he's unfollowed everyone, and he's addressed that. Yeah, and it's 596 00:26:27,234 --> 00:26:29,593 Speaker 1: the funniest thing I've ever heard. I really love this man, 597 00:26:29,634 --> 00:26:31,394 Speaker 1: by the way, if you couldn't already tell, but like 598 00:26:31,394 --> 00:26:33,794 Speaker 1: his press interviews have just been top notch for every 599 00:26:33,874 --> 00:26:36,073 Speaker 1: element of everything, like the way he's addressed the scrutiny 600 00:26:36,074 --> 00:26:38,634 Speaker 1: and everything's great. But he was like, I'm actually trying 601 00:26:38,634 --> 00:26:41,074 Speaker 1: to unfollow everyone on my Instagram and I didn't know 602 00:26:41,114 --> 00:26:43,513 Speaker 1: there was a limit. Yeah. So he gave an interview 603 00:26:43,554 --> 00:26:45,674 Speaker 1: today about a wide ranging bunch of stuff, including this 604 00:26:45,714 --> 00:26:47,594 Speaker 1: fan harassment, but one of the things was where you 605 00:26:47,634 --> 00:26:50,033 Speaker 1: trying to make a statement by on following the cast 606 00:26:50,714 --> 00:26:52,594 Speaker 1: to like show everyone that they need to back off, 607 00:26:52,594 --> 00:26:54,394 Speaker 1: and he's like, no, I actually I want to unfollow 608 00:26:54,394 --> 00:26:58,994 Speaker 1: everyone on Instagram except Amnesty International. And I didn't realize 609 00:26:59,194 --> 00:27:01,273 Speaker 1: them for me, and I didn't realize that you couldn't 610 00:27:01,274 --> 00:27:03,594 Speaker 1: do that. I can't follow everyone. He had just done 611 00:27:03,594 --> 00:27:06,034 Speaker 1: followed his heated rivalry Coasters and now he's refollowed them, 612 00:27:06,034 --> 00:27:08,914 Speaker 1: but he did issue a warm everyone. He's gonna unfollow 613 00:27:08,954 --> 00:27:10,833 Speaker 1: them again at some stage when he figures out how 614 00:27:10,874 --> 00:27:13,074 Speaker 1: to do that. Sure, he needs to call tailorsis so 615 00:27:13,154 --> 00:27:15,073 Speaker 1: he does she follows because all the stars, yeah, they 616 00:27:15,074 --> 00:27:16,634 Speaker 1: do a little sweet. So he's got to get someone 617 00:27:16,714 --> 00:27:18,994 Speaker 1: from Meta involved if anyone at Meta is willing to 618 00:27:19,034 --> 00:27:21,514 Speaker 1: help him out. So he spoke to the Toronto Star 619 00:27:21,794 --> 00:27:24,313 Speaker 1: and that's where he made the big Instagram reveal. But 620 00:27:24,394 --> 00:27:26,114 Speaker 1: he also said that like he's having to move to 621 00:27:26,154 --> 00:27:28,513 Speaker 1: a secure building with a doorman as a result of 622 00:27:28,594 --> 00:27:30,754 Speaker 1: being followed around and things like that, And he did 623 00:27:30,754 --> 00:27:32,394 Speaker 1: say like the rise to fame has been incredible but 624 00:27:32,434 --> 00:27:35,634 Speaker 1: also scary. He said he's always valued normalcy, but there 625 00:27:35,714 --> 00:27:38,394 Speaker 1: is obviously an adjustment period here. And then when he 626 00:27:38,434 --> 00:27:40,114 Speaker 1: was asked about the fans, this is what he had 627 00:27:40,154 --> 00:27:43,634 Speaker 1: to say. In general, fans have been incredibly positive and respectful. 628 00:27:43,714 --> 00:27:45,273 Speaker 1: For the ones that aren't, I think it's a lot 629 00:27:45,314 --> 00:27:47,954 Speaker 1: of younger fans who don't understand the difference between reality 630 00:27:47,954 --> 00:27:50,594 Speaker 1: and fiction. I honestly wish they would just rewatch the 631 00:27:50,594 --> 00:27:52,914 Speaker 1: show because it doesn't seem like they got its message, 632 00:27:53,034 --> 00:27:55,674 Speaker 1: pay attention more closely. Did we watch the same show? 633 00:27:55,914 --> 00:27:57,874 Speaker 1: Oh my god, that's such a good point. The whole 634 00:27:57,914 --> 00:28:01,234 Speaker 1: point is about these men who are in love and 635 00:28:01,234 --> 00:28:04,194 Speaker 1: in his relationships trying not to get like decimated by 636 00:28:04,274 --> 00:28:07,834 Speaker 1: public opinion and having like this kind of yes scrutiny 637 00:28:07,874 --> 00:28:09,994 Speaker 1: on their relationships. Yeah, all theseople who say I love 638 00:28:10,074 --> 00:28:11,874 Speaker 1: this show and then attack them, it's like did you 639 00:28:11,914 --> 00:28:13,834 Speaker 1: watch it? It's like, did you actually see this show? 640 00:28:14,034 --> 00:28:17,114 Speaker 1: Did you resonate with its message whatsoever? Or like, what's 641 00:28:17,114 --> 00:28:19,954 Speaker 1: your problem? So I think it's really interesting that he 642 00:28:19,994 --> 00:28:21,834 Speaker 1: has addressed it, because he's been very like upfront and 643 00:28:21,834 --> 00:28:24,394 Speaker 1: honest about everything he's been asked so far. But he 644 00:28:24,514 --> 00:28:26,634 Speaker 1: has sort of, yeah, said he wants to pull back 645 00:28:26,674 --> 00:28:28,474 Speaker 1: a bit. So in an interview with like the Hollywood 646 00:28:28,474 --> 00:28:30,994 Speaker 1: Reporter before Christmas, he said he would temporarily delete his 647 00:28:31,074 --> 00:28:33,274 Speaker 1: Instagram and things like that, and he just said he's 648 00:28:33,314 --> 00:28:35,313 Speaker 1: looking forward to them getting back to the art. He 649 00:28:35,354 --> 00:28:37,794 Speaker 1: wants them to get back to their jobs and two 650 00:28:38,394 --> 00:28:40,474 Speaker 1: and all of that kind of content because it's just 651 00:28:40,514 --> 00:28:42,394 Speaker 1: a lot of pressure. And like, I know we're sitting here, 652 00:28:42,394 --> 00:28:44,154 Speaker 1: as we said, being like, I really love this if 653 00:28:44,194 --> 00:28:46,674 Speaker 1: it's true, Like I don't want to dig into someone's 654 00:28:46,714 --> 00:28:50,074 Speaker 1: personal life that doesn't want that. Also of two people 655 00:28:50,074 --> 00:28:52,874 Speaker 1: holding hands, lovely and sweet exactly, I don't eat more 656 00:28:52,874 --> 00:28:54,274 Speaker 1: than that. Yes, we're talking in a pod. But you 657 00:28:54,314 --> 00:28:55,914 Speaker 1: know what, I feel really safe in saying, I've never 658 00:28:55,954 --> 00:28:59,034 Speaker 1: chased anyone down the street. No, I don't taken photos 659 00:28:59,034 --> 00:29:02,674 Speaker 1: of celebrities in public private places. Could have have been 660 00:29:02,714 --> 00:29:04,434 Speaker 1: in many a private place where the slab could have 661 00:29:04,434 --> 00:29:07,074 Speaker 1: taken a very salicious photo, made myself some money. Never did, 662 00:29:07,714 --> 00:29:10,034 Speaker 1: have never written a death throat to anyone or a 663 00:29:10,154 --> 00:29:13,194 Speaker 1: nasty comment or anything. Yeah, it can be done. It 664 00:29:13,674 --> 00:29:15,394 Speaker 1: can be done to like a show and not and 665 00:29:15,434 --> 00:29:17,874 Speaker 1: like a character and like an actor and not wish 666 00:29:17,954 --> 00:29:20,594 Speaker 1: them dead. Yes, And I think the problem I mean, 667 00:29:20,634 --> 00:29:22,954 Speaker 1: obviously so many problems here, but one of the issues 668 00:29:22,994 --> 00:29:24,354 Speaker 1: as well is that this has come off the back 669 00:29:24,474 --> 00:29:27,354 Speaker 1: of when this show first started airing, people trying to 670 00:29:27,394 --> 00:29:29,954 Speaker 1: dig into the personal lives of Connor and of Hudson 671 00:29:30,274 --> 00:29:32,994 Speaker 1: to find out whether or not they were queer, and 672 00:29:33,474 --> 00:29:36,354 Speaker 1: to essentially force them into coming out if they were, 673 00:29:36,474 --> 00:29:38,674 Speaker 1: because there were some people watching the show who didn't 674 00:29:38,674 --> 00:29:40,714 Speaker 1: think it was okay for the actors to be playing 675 00:29:41,354 --> 00:29:43,874 Speaker 1: gay or bisexual roles if they weren't themselves. And this 676 00:29:43,954 --> 00:29:45,594 Speaker 1: is the thing we see quite a lot, and that's 677 00:29:45,634 --> 00:29:48,794 Speaker 1: where that ridiculous discussion of like actors queer baiting comes up, 678 00:29:48,834 --> 00:29:51,474 Speaker 1: which is not a thing people can do, and Jacob 679 00:29:51,514 --> 00:29:54,514 Speaker 1: Tierney kind of shut it down when the conversation first rose. 680 00:29:54,594 --> 00:29:56,154 Speaker 1: He was like, I don't want to get into that. 681 00:29:56,194 --> 00:29:57,754 Speaker 1: He's like, first of all, it's illegal to actually ask 682 00:29:57,754 --> 00:29:59,914 Speaker 1: someone their sexuality when they apply for a role. So no, 683 00:29:59,994 --> 00:30:01,794 Speaker 1: I didn't cast based on whether they were in real 684 00:30:01,834 --> 00:30:03,954 Speaker 1: life or not, because that's not my job. My job 685 00:30:04,034 --> 00:30:06,994 Speaker 1: was to tell this story, make it right, make it beautiful, 686 00:30:07,114 --> 00:30:09,234 Speaker 1: make sure it was like a lovely queer story. And 687 00:30:09,274 --> 00:30:10,994 Speaker 1: at the end of the day, I don't care about 688 00:30:11,034 --> 00:30:12,914 Speaker 1: the personal lives with the actors, And both of the 689 00:30:12,954 --> 00:30:15,514 Speaker 1: actors have said, hey, we're suddenly really famous and we 690 00:30:15,594 --> 00:30:18,714 Speaker 1: just want to let our personal lives be our personal lives, 691 00:30:19,074 --> 00:30:21,354 Speaker 1: and it's just, yeah, it's a thing we expected to see, 692 00:30:21,354 --> 00:30:24,634 Speaker 1: but it's really disappointing to keep seeing it. Because they 693 00:30:24,634 --> 00:30:26,954 Speaker 1: committed to these roles, they brought a great story to life. 694 00:30:26,994 --> 00:30:28,674 Speaker 1: We don't need to dig into their personal lives and 695 00:30:28,714 --> 00:30:30,514 Speaker 1: try to force people to come out if they're not 696 00:30:30,554 --> 00:30:34,354 Speaker 1: ready to as well, or if they're worried about Hollywood, 697 00:30:34,354 --> 00:30:37,514 Speaker 1: which is still not a place that's particularly accepting all 698 00:30:37,554 --> 00:30:39,874 Speaker 1: of the time of gay people. One that's the thing, 699 00:30:40,114 --> 00:30:42,074 Speaker 1: and we saw this with Kick Connor with Heart Stopper, 700 00:30:42,114 --> 00:30:44,674 Speaker 1: who was younger than they were. But also he says 701 00:30:44,714 --> 00:30:47,154 Speaker 1: he felt forced to come out as bisexual because when 702 00:30:47,154 --> 00:30:48,714 Speaker 1: he was in Heart Stopper, which if you don't know, 703 00:30:48,794 --> 00:30:51,274 Speaker 1: is like a Netflix show about these teen boys in 704 00:30:51,314 --> 00:30:54,714 Speaker 1: school figuring out their sexuality, and then he felt after 705 00:30:54,754 --> 00:30:56,314 Speaker 1: a couple of seasons that he was pressured to come 706 00:30:56,354 --> 00:30:58,074 Speaker 1: out because people were like, well, you can't play the 707 00:30:58,154 --> 00:31:00,994 Speaker 1: role if you get this is the hard thing, because like, 708 00:31:01,034 --> 00:31:03,754 Speaker 1: I love fandoms more than anything else. If I see 709 00:31:03,794 --> 00:31:06,234 Speaker 1: something has a fandom, I'm more likely to want to 710 00:31:06,234 --> 00:31:08,914 Speaker 1: go and consume that that I am if something is 711 00:31:08,954 --> 00:31:12,474 Speaker 1: critically acclaimed, because fandom is something like those people don't 712 00:31:12,514 --> 00:31:14,354 Speaker 1: make money from it. They don't like it's not part 713 00:31:14,394 --> 00:31:16,794 Speaker 1: of their job. It's just being like, we love this 714 00:31:16,874 --> 00:31:19,354 Speaker 1: thing so much, so I'm more drawn to fandoms than 715 00:31:19,394 --> 00:31:22,634 Speaker 1: anything else. But I also think it's become this thing 716 00:31:22,834 --> 00:31:27,394 Speaker 1: where once a show becomes really popular and establishes a fandom, 717 00:31:27,754 --> 00:31:31,074 Speaker 1: then it ultimately becomes really toxic. And it's not a 718 00:31:31,114 --> 00:31:34,394 Speaker 1: new thing. Like I remember stars from The Vampire Diaries, 719 00:31:34,434 --> 00:31:37,754 Speaker 1: from that universe that TV show saying years after, like 720 00:31:37,754 --> 00:31:39,994 Speaker 1: they still do fan appearances and stuff, but saying the 721 00:31:40,034 --> 00:31:43,594 Speaker 1: thing that really soured the show was that toxicity grew 722 00:31:43,634 --> 00:31:46,714 Speaker 1: and that fandom like a disease, yes, and that disease 723 00:31:46,834 --> 00:31:50,674 Speaker 1: just overtook everything eventually where it kind of has forced 724 00:31:50,674 --> 00:31:52,714 Speaker 1: some of them like out of acting or like they 725 00:31:52,714 --> 00:31:54,914 Speaker 1: would love to speak more about it, but like they 726 00:31:54,914 --> 00:31:58,234 Speaker 1: can't go near that because the fandom became so terrible, 727 00:31:58,434 --> 00:32:00,554 Speaker 1: and we're even seeing it now with stranger things like 728 00:32:00,594 --> 00:32:03,554 Speaker 1: obviously people A lot of people didn't like the finale 729 00:32:03,714 --> 00:32:06,194 Speaker 1: and were very upset when a secret episode didn't air, 730 00:32:06,714 --> 00:32:10,074 Speaker 1: And I was literally watching because Finn Wolfhart posted SNL 731 00:32:10,394 --> 00:32:12,714 Speaker 1: this last weekend, so a lot of the casts from 732 00:32:12,754 --> 00:32:14,674 Speaker 1: Stranger Things were on the show, and then a lot 733 00:32:14,714 --> 00:32:16,634 Speaker 1: of them went to the after party, and I was 734 00:32:16,634 --> 00:32:18,714 Speaker 1: just watching videos of like some of the cast walking 735 00:32:18,714 --> 00:32:21,714 Speaker 1: into the after party and the Duffer brothers, who created 736 00:32:21,714 --> 00:32:24,914 Speaker 1: the show, walking into the party, and people just screaming 737 00:32:24,954 --> 00:32:28,154 Speaker 1: abuse at them over the show and screaming at them 738 00:32:28,314 --> 00:32:32,474 Speaker 1: and in this intense anger that has replaced just loving 739 00:32:32,474 --> 00:32:35,034 Speaker 1: a show, yeah, which is quite intense. Yeah, And I 740 00:32:35,034 --> 00:32:37,554 Speaker 1: think it does come down to everyone feels like they're 741 00:32:37,554 --> 00:32:40,394 Speaker 1: owed exactly what they wanted from all pop culture and 742 00:32:40,434 --> 00:32:42,594 Speaker 1: all celebrities at all time, and that's not a possible 743 00:32:42,594 --> 00:32:45,114 Speaker 1: thing for people to do. So, you know, the Duffer 744 00:32:45,154 --> 00:32:47,474 Speaker 1: Brothers couldn't please everyone. And I mean I had my 745 00:32:47,514 --> 00:32:49,874 Speaker 1: own opinions on that. Oh yeah, Nali, And there were 746 00:32:49,874 --> 00:32:51,674 Speaker 1: elements I left and I still love that last season, 747 00:32:51,794 --> 00:32:53,314 Speaker 1: but I'm not going to go to the street and 748 00:32:53,354 --> 00:32:56,234 Speaker 1: scream at the Daffer Brothers about it. I understand being 749 00:32:56,274 --> 00:32:58,514 Speaker 1: a kay to have an opinion or to be upset 750 00:32:58,634 --> 00:33:00,594 Speaker 1: or to want to ask questions, but it's not okay 751 00:33:00,634 --> 00:33:03,354 Speaker 1: to treat people like either there to serve you exactly 752 00:33:03,354 --> 00:33:05,594 Speaker 1: what you want, or be if they don't like they 753 00:33:05,634 --> 00:33:08,714 Speaker 1: deserve your abuse for it. Yeah. Yeah, it's an interesting 754 00:33:08,754 --> 00:33:11,154 Speaker 1: line that's being crossed of people. Because again, I'm not 755 00:33:11,194 --> 00:33:13,274 Speaker 1: being holier than now that like my thoughts are perfect 756 00:33:13,314 --> 00:33:15,914 Speaker 1: all the time, because I have been angry at people 757 00:33:15,994 --> 00:33:18,194 Speaker 1: who I'm a fandom girl, like I'm in so many 758 00:33:18,194 --> 00:33:20,834 Speaker 1: fandoms of course are my life. It's way more important 759 00:33:20,834 --> 00:33:23,194 Speaker 1: than my job. As you know, someone I'm a fan 760 00:33:23,234 --> 00:33:24,554 Speaker 1: of will come up and I'm like, I'm not interviewing 761 00:33:24,554 --> 00:33:27,394 Speaker 1: that person just because I just because I can't do it. Yeah, 762 00:33:27,434 --> 00:33:30,834 Speaker 1: because my fandom demands that I don't share space with them, 763 00:33:31,154 --> 00:33:33,714 Speaker 1: even though technically that's my job. Well not even technically 764 00:33:34,434 --> 00:33:37,794 Speaker 1: it's your job, my actual job description. But that's how 765 00:33:37,834 --> 00:33:40,034 Speaker 1: much of a fandom girl I am fandoms forever more 766 00:33:40,074 --> 00:33:42,754 Speaker 1: than anything else. And also I have had rage in 767 00:33:42,754 --> 00:33:45,714 Speaker 1: my heart at show creators, at writers, at actors when 768 00:33:45,714 --> 00:33:48,554 Speaker 1: things haven't gone my way, when you know a storyline 769 00:33:48,554 --> 00:33:50,834 Speaker 1: hasn't even something they've said in public, Like I understand 770 00:33:50,874 --> 00:33:53,354 Speaker 1: the rage. It has kept me up at nights. Oh yeah, 771 00:33:53,594 --> 00:33:55,834 Speaker 1: but again it's just I gotta draw a line with 772 00:33:55,874 --> 00:33:59,274 Speaker 1: a death threat, It's yeah, And it's you can have 773 00:33:59,394 --> 00:34:01,754 Speaker 1: rage at content and like as well as the people 774 00:34:01,754 --> 00:34:04,274 Speaker 1: who made the content. It's about the delivery and about 775 00:34:04,554 --> 00:34:06,434 Speaker 1: where you're placing that and what you're doing with that. 776 00:34:06,514 --> 00:34:09,194 Speaker 1: Start a podcast, startup podcast. It's actually none of you 777 00:34:09,274 --> 00:34:11,234 Speaker 1: if you have those opinions to be stuck. Not the 778 00:34:11,274 --> 00:34:13,914 Speaker 1: people who were chasing the death threat. The Duffer brothers 779 00:34:13,913 --> 00:34:17,834 Speaker 1: looked quite scared. They probably they probably are very intent. 780 00:34:17,994 --> 00:34:20,914 Speaker 1: If they had been watching the Conformity Gate thing where 781 00:34:20,794 --> 00:34:24,514 Speaker 1: the whole fed from around people thinking that that secret 782 00:34:24,834 --> 00:34:27,194 Speaker 1: finale was going to drop, I would be fearing for 783 00:34:27,234 --> 00:34:29,873 Speaker 1: my life stepping into the streets. Yeah. And like again, 784 00:34:29,914 --> 00:34:33,433 Speaker 1: friends were having to move from your home because of 785 00:34:33,474 --> 00:34:36,234 Speaker 1: how wild everyone is behaving towards you. It's just a 786 00:34:36,394 --> 00:34:39,474 Speaker 1: fun man, so lovely and great. And I think the 787 00:34:39,554 --> 00:34:41,314 Speaker 1: one good thing I tried to take out of any 788 00:34:41,314 --> 00:34:43,994 Speaker 1: of this crazy behavior is I'm like most fans of normal. 789 00:34:44,314 --> 00:34:46,394 Speaker 1: That's so true. It's always just a small but loud 790 00:34:46,554 --> 00:34:49,674 Speaker 1: group and we need them to shah. And the second 791 00:34:49,674 --> 00:34:52,194 Speaker 1: thing we take away is that if truth, this is beautiful, 792 00:34:52,234 --> 00:34:54,034 Speaker 1: this is beautiful. I want those hot men to be 793 00:34:54,114 --> 00:34:57,114 Speaker 1: together so badly if that's their choice. If that's their choice, 794 00:34:57,194 --> 00:34:59,794 Speaker 1: I will look from afar and have zero things to say. 795 00:34:59,874 --> 00:35:01,754 Speaker 1: I will just look with love hearts in my eyes. 796 00:35:02,114 --> 00:35:06,594 Speaker 1: Also creepy. Well, I'm sorry to say there are no 797 00:35:06,674 --> 00:35:10,513 Speaker 1: hot men in this next segment, which obviously the two 798 00:35:10,554 --> 00:35:13,354 Speaker 1: previous segments have. There is a hot girl and some 799 00:35:13,474 --> 00:35:18,514 Speaker 1: lessons Prussol and that's equally as important. So Amanda Seyfried, 800 00:35:18,674 --> 00:35:21,234 Speaker 1: who is doing the Awards Circle round at the moment 801 00:35:21,314 --> 00:35:24,393 Speaker 1: for her performance in the Testament of Anne Lee. So 802 00:35:24,394 --> 00:35:26,354 Speaker 1: she's obviously at the well, she's a double nominee at 803 00:35:26,354 --> 00:35:28,834 Speaker 1: the Golden Globes lost both happens to a lot of people. 804 00:35:28,994 --> 00:35:30,993 Speaker 1: She took it well. She looks a great cha. That's 805 00:35:30,994 --> 00:35:34,073 Speaker 1: the most important thing. She's in the mix for potentially 806 00:35:34,194 --> 00:35:36,913 Speaker 1: being in the Oscars race this year, although with how 807 00:35:36,954 --> 00:35:39,914 Speaker 1: the ballots are going, with how like the different campaigns 808 00:35:39,914 --> 00:35:41,594 Speaker 1: are going, and who's one like she's one of the 809 00:35:41,594 --> 00:35:43,513 Speaker 1: people who's like on the edge of like she might 810 00:35:43,514 --> 00:35:46,274 Speaker 1: get in, she she might not. And Oscar voting is 811 00:35:46,314 --> 00:35:48,874 Speaker 1: still open. So I also thought this was an interesting 812 00:35:48,954 --> 00:35:54,154 Speaker 1: tax to take for someone who is essentially in the 813 00:35:54,194 --> 00:35:57,234 Speaker 1: midst of an Oscar campaign to do an interview like 814 00:35:57,274 --> 00:36:00,154 Speaker 1: this when people are voting, and one thing we kind 815 00:36:00,154 --> 00:36:01,794 Speaker 1: of know about the Academy is that they don't like 816 00:36:01,794 --> 00:36:04,314 Speaker 1: people being flippant about the Oscars. To then the oscars 817 00:36:04,354 --> 00:36:06,794 Speaker 1: are the most important thing in the world, and they 818 00:36:07,194 --> 00:36:09,674 Speaker 1: love people who kind of show that they really want 819 00:36:09,714 --> 00:36:11,873 Speaker 1: an Oscar and have a narrative, which she's kind of 820 00:36:11,874 --> 00:36:15,433 Speaker 1: dispelled with this interview that she's done with The New 821 00:36:15,514 --> 00:36:18,474 Speaker 1: Yorker where she was talking about being in the Oscar 822 00:36:18,554 --> 00:36:21,433 Speaker 1: Race and what the reality of that is. So in 823 00:36:21,474 --> 00:36:24,074 Speaker 1: this interview they were asking her if she wanted to 824 00:36:24,074 --> 00:36:25,873 Speaker 1: win an Oscar and if that was like her big goal. 825 00:36:26,194 --> 00:36:29,234 Speaker 1: And it's interesting. She has been nominated once before, in 826 00:36:29,314 --> 00:36:32,074 Speaker 1: twenty twenty one for her work in the movie MANC. 827 00:36:32,514 --> 00:36:35,714 Speaker 1: Do you remember MANK refreshment? No, I can't. I don't 828 00:36:35,714 --> 00:36:37,754 Speaker 1: remember anything about it because I got no no. But 829 00:36:37,834 --> 00:36:40,034 Speaker 1: I just this has proved the point that she says 830 00:36:40,114 --> 00:36:42,873 Speaker 1: right here, which is a lot of the time, the 831 00:36:42,914 --> 00:36:47,634 Speaker 1: Oscar movies are the movies that no one remembers afterwards. 832 00:36:47,634 --> 00:36:50,594 Speaker 1: Because I remember saying the word MANK about fifty thousand 833 00:36:50,674 --> 00:36:54,393 Speaker 1: times during twenty twenty one of that Oscar Race because 834 00:36:54,394 --> 00:36:56,674 Speaker 1: it was so in the mix. Haven't thought about it 835 00:36:56,714 --> 00:36:58,514 Speaker 1: since I think I definitely have seen it but I 836 00:36:58,514 --> 00:37:00,154 Speaker 1: don't know if I could get into the intricacies of 837 00:37:00,154 --> 00:37:03,234 Speaker 1: the plot, which is kind of what she's getting at 838 00:37:03,394 --> 00:37:07,114 Speaker 1: here when they're asking her if an Oscar Win an 839 00:37:07,154 --> 00:37:10,634 Speaker 1: nomination is kind of the pinnacle, and she very honestly 840 00:37:10,674 --> 00:37:13,513 Speaker 1: says it's not. So. What she said was that she's 841 00:37:13,554 --> 00:37:16,194 Speaker 1: gotten this far without an Academy award, So why would 842 00:37:16,194 --> 00:37:19,314 Speaker 1: I need one? Now? The woman's forty, She's got about 843 00:37:19,314 --> 00:37:21,714 Speaker 1: thirty years of her career. Yeah to go thirty forty 844 00:37:21,754 --> 00:37:24,754 Speaker 1: years left of her career to go? Yeah, so interesting. 845 00:37:24,794 --> 00:37:26,794 Speaker 1: She's like, I've gotten this far. I don't need it. 846 00:37:26,794 --> 00:37:29,154 Speaker 1: Cosman acting since she was a child, so fair enough. 847 00:37:29,714 --> 00:37:31,314 Speaker 1: And then she wanted to say, and I think this 848 00:37:31,354 --> 00:37:33,434 Speaker 1: is all a really fair call. She wanted to say, 849 00:37:33,754 --> 00:37:36,114 Speaker 1: do you remember who won in the past ten years. 850 00:37:36,354 --> 00:37:39,873 Speaker 1: It's not the win that's important, it's the nomination, which 851 00:37:39,874 --> 00:37:42,194 Speaker 1: again I think is very interesting. And then she said, 852 00:37:42,194 --> 00:37:45,314 Speaker 1: the nomination does thrust you forward, that's a fact. Now, 853 00:37:45,354 --> 00:37:47,674 Speaker 1: do I need one in a week or two whenever? No, 854 00:37:47,754 --> 00:37:49,834 Speaker 1: of course not, I don't. Would it be great, of 855 00:37:49,834 --> 00:37:52,674 Speaker 1: course it would for every reason, but it isn't necessary. 856 00:37:52,954 --> 00:37:56,634 Speaker 1: Longevity in an actor's career is designed longevity is about 857 00:37:56,634 --> 00:37:59,874 Speaker 1: deliberate choices to make art among the big commercial things 858 00:37:59,874 --> 00:38:02,114 Speaker 1: that are fun to play, which I also thought was interesting. 859 00:38:02,354 --> 00:38:04,474 Speaker 1: That's interesting one of those things that it's kind of 860 00:38:04,634 --> 00:38:07,594 Speaker 1: an accepted thing that a lot of actors do one 861 00:38:07,634 --> 00:38:09,194 Speaker 1: for me, one for you, so like the one for 862 00:38:09,274 --> 00:38:12,074 Speaker 1: me is like their artistic, smaller movie, and the one 863 00:38:12,114 --> 00:38:13,714 Speaker 1: for you is for the studio that makes some money 864 00:38:13,754 --> 00:38:15,234 Speaker 1: I mean, very on display at the end of the 865 00:38:15,274 --> 00:38:17,394 Speaker 1: year for her of like doing press for The Housemaid 866 00:38:17,434 --> 00:38:19,994 Speaker 1: and then doing press for The Testament of Family, very 867 00:38:20,034 --> 00:38:23,834 Speaker 1: different projects. Yeah, one hundred percent. And she was even 868 00:38:23,874 --> 00:38:26,034 Speaker 1: saying that even if she misses out on an Oscar 869 00:38:26,074 --> 00:38:29,834 Speaker 1: nomination this year, she feels she's already proven herself. And 870 00:38:30,314 --> 00:38:34,074 Speaker 1: she said she's making strides toward getting people to trust 871 00:38:34,074 --> 00:38:36,314 Speaker 1: me to do hard things, which I thought was interesting. 872 00:38:36,794 --> 00:38:38,714 Speaker 1: She also talked about the fact that and again I 873 00:38:38,754 --> 00:38:40,913 Speaker 1: love this kind of sense of honesty when she's getting 874 00:38:40,914 --> 00:38:43,354 Speaker 1: into box office because a lot of actors don't want 875 00:38:43,394 --> 00:38:45,114 Speaker 1: to discuss that, which I understand all of them are 876 00:38:45,154 --> 00:38:47,074 Speaker 1: like the business side of it is not for me, 877 00:38:47,154 --> 00:38:48,554 Speaker 1: Like they're like I get hired for a job, I 878 00:38:48,554 --> 00:38:50,954 Speaker 1: come to the job, I make art I make a project. 879 00:38:51,274 --> 00:38:53,554 Speaker 1: I'm not getting into the nitty gritty of box office. 880 00:38:53,754 --> 00:38:57,074 Speaker 1: But Amanda Seifried' said in this that I'm also sitting 881 00:38:57,114 --> 00:38:59,954 Speaker 1: pretty right now because The Housemaid made money, which is 882 00:38:59,954 --> 00:39:02,794 Speaker 1: her latest movie. She said that's not always the case. 883 00:39:03,074 --> 00:39:05,834 Speaker 1: Sometimes you're in Mamma Mia. Sometimes you do something like 884 00:39:05,914 --> 00:39:08,434 Speaker 1: Ted Too or A Million Ways to Die in the West. 885 00:39:08,754 --> 00:39:11,114 Speaker 1: She said, both of these movies were supposed to do 886 00:39:11,234 --> 00:39:15,234 Speaker 1: big box office and both underperformed. Crazy about Ted two 887 00:39:15,474 --> 00:39:18,953 Speaker 1: instead must have done I just assumed it did well. Well. 888 00:39:18,994 --> 00:39:20,554 Speaker 1: I was like, what other reason could there be for 889 00:39:20,594 --> 00:39:23,274 Speaker 1: Ted two? Well, the first movie did really well. Yeah, 890 00:39:23,274 --> 00:39:25,074 Speaker 1: so I just assumed, yes, icond did. Maybe we're just 891 00:39:25,074 --> 00:39:29,154 Speaker 1: like the jokes over okay, yeah, talking Well, they also 892 00:39:29,154 --> 00:39:31,834 Speaker 1: did a spin off series, yeah with the Kid from Parenthood, 893 00:39:31,834 --> 00:39:33,834 Speaker 1: which I will be honest, I have not watched because 894 00:39:33,834 --> 00:39:36,834 Speaker 1: I have I I don't need to see the shout 895 00:39:36,834 --> 00:39:39,393 Speaker 1: out to them, but yes, from Parenthood. Well, yeah, they 896 00:39:39,434 --> 00:39:42,314 Speaker 1: were trying to like start a franchise around Ted. And 897 00:39:42,354 --> 00:39:44,594 Speaker 1: I'm sure again, like the first movie made so much money, 898 00:39:44,594 --> 00:39:47,714 Speaker 1: you make a sequel. Obviously she replaced me Lacunas, But 899 00:39:48,034 --> 00:39:50,074 Speaker 1: you're kind of being like, yeah, I'll make this just 900 00:39:50,154 --> 00:39:52,994 Speaker 1: for box office, and then underperformed and then A Million 901 00:39:52,994 --> 00:39:57,114 Speaker 1: Ways to Die in the West, which what you think, 902 00:39:57,154 --> 00:40:00,754 Speaker 1: that's a great movie. So it's ridiculous, an absurd and 903 00:40:00,794 --> 00:40:02,314 Speaker 1: aw form, but like it just I think when it 904 00:40:02,354 --> 00:40:04,354 Speaker 1: came out it reminded me of those like Naked Gun 905 00:40:04,474 --> 00:40:07,314 Speaker 1: esque movies, which I know they've obviously recently rebooted. Those 906 00:40:07,314 --> 00:40:09,234 Speaker 1: were things that like I watched with my mum growing up, 907 00:40:10,194 --> 00:40:13,274 Speaker 1: like silly slapsticky things or like sarcastic bits, and like 908 00:40:13,354 --> 00:40:15,114 Speaker 1: I just didn't I thought Charlie's The Ron was really 909 00:40:15,114 --> 00:40:18,714 Speaker 1: fun in them, like, here's fun in that still winner 910 00:40:18,714 --> 00:40:20,914 Speaker 1: Schallie's They're on Oscar c I brought her back around 911 00:40:20,914 --> 00:40:23,794 Speaker 1: Oscar winner Shellie's They're on playing like a sassy old 912 00:40:23,834 --> 00:40:27,473 Speaker 1: timey woman. That's good fun. That is good that I 913 00:40:27,514 --> 00:40:30,034 Speaker 1: had good fun. I'll be honest, you bought the one 914 00:40:30,074 --> 00:40:32,874 Speaker 1: ticket for that movie. That was me. Yeah, it's interesting 915 00:40:32,914 --> 00:40:35,393 Speaker 1: what she's saying on a number of different levels. One is, 916 00:40:35,394 --> 00:40:37,794 Speaker 1: as I said, sort of having this conversation in the 917 00:40:37,874 --> 00:40:40,953 Speaker 1: midst whoever's running her Oscar campaign, because every studio would 918 00:40:40,954 --> 00:40:43,274 Speaker 1: have someone I know she's in sort of a smaller 919 00:40:43,274 --> 00:40:45,274 Speaker 1: movie this time around, but still it's probably like, oh 920 00:40:45,354 --> 00:40:47,714 Speaker 1: my god, don't say that right now. But also I 921 00:40:47,754 --> 00:40:50,074 Speaker 1: love the honesty of looking at it and just saying 922 00:40:50,114 --> 00:40:52,594 Speaker 1: like it's not the thing, like, because I think she 923 00:40:52,674 --> 00:40:55,154 Speaker 1: knows that, like the longevity in her career, people are 924 00:40:55,154 --> 00:40:58,194 Speaker 1: thinking of things like Mean Girls and Mama Mia and 925 00:40:58,234 --> 00:41:01,873 Speaker 1: now the housemade these like memorable roles that she's been 926 00:41:01,914 --> 00:41:04,754 Speaker 1: in and instead of like looking at like an actress 927 00:41:04,754 --> 00:41:06,714 Speaker 1: who could win an oscar and it's never heard from again, 928 00:41:06,754 --> 00:41:09,913 Speaker 1: which a lot happens all the time. And because I 929 00:41:09,954 --> 00:41:12,114 Speaker 1: saw the article on Twitter first and there were so 930 00:41:12,154 --> 00:41:14,114 Speaker 1: many like film rows in the comments being like ok 931 00:41:14,274 --> 00:41:16,354 Speaker 1: nom moll of the past actresses, and it's like, yeahs on, 932 00:41:16,434 --> 00:41:20,433 Speaker 1: so can I. But like, what's her job where people 933 00:41:20,434 --> 00:41:22,634 Speaker 1: who care about this stuff? She means the general public, 934 00:41:22,754 --> 00:41:25,834 Speaker 1: and she means the general audience of people out there 935 00:41:25,834 --> 00:41:28,234 Speaker 1: who pay to watch movies and consume content that not 936 00:41:28,394 --> 00:41:31,114 Speaker 1: everyone is concerned with whether or not you've won an oscar, 937 00:41:31,434 --> 00:41:33,474 Speaker 1: but everyone is concerned with whether or not they enjoyed 938 00:41:33,474 --> 00:41:35,554 Speaker 1: the thing you made. And like that's what she wants 939 00:41:35,594 --> 00:41:37,394 Speaker 1: to do. She wants to make content that people enjoy 940 00:41:37,434 --> 00:41:39,154 Speaker 1: and that she enjoys too, like you said, like one 941 00:41:39,154 --> 00:41:41,274 Speaker 1: for Hollywood, one for her. Yeah, I do think she 942 00:41:41,394 --> 00:41:43,034 Speaker 1: means it, or she wouldn't have said it. Now. I 943 00:41:43,074 --> 00:41:44,714 Speaker 1: know a lot of actors do get a bump off 944 00:41:44,714 --> 00:41:47,554 Speaker 1: footing an Oscar, but it's again, it's not always the case. 945 00:41:47,754 --> 00:41:50,393 Speaker 1: Melissa Leo recently said, who won a few years ago now, 946 00:41:50,594 --> 00:41:52,714 Speaker 1: that it was quite bad for her career because she 947 00:41:52,754 --> 00:41:54,914 Speaker 1: thinks it like kind of led to her not getting 948 00:41:54,994 --> 00:41:57,194 Speaker 1: some like more dramatic roles that she wanted to get. 949 00:41:57,514 --> 00:42:00,274 Speaker 1: Lapita Jongo thought that like her whole acting career was 950 00:42:00,314 --> 00:42:01,873 Speaker 1: going to open up in a new way after her 951 00:42:01,914 --> 00:42:04,554 Speaker 1: Oscar win, and then she just kept getting offered these 952 00:42:04,594 --> 00:42:06,913 Speaker 1: slave rolls over and over again, and that was one 953 00:42:07,274 --> 00:42:08,994 Speaker 1: I did. I can do more than that. Obviously she 954 00:42:09,034 --> 00:42:10,953 Speaker 1: has done all than that since. But I do think 955 00:42:10,994 --> 00:42:12,834 Speaker 1: that like a lot of people are just like your 956 00:42:12,874 --> 00:42:15,433 Speaker 1: career changes when you were in Oscar, And yeah, that's 957 00:42:15,474 --> 00:42:17,873 Speaker 1: not true. Some people we never hear from again. Some 958 00:42:17,914 --> 00:42:19,913 Speaker 1: people get like a bit part on TV like that was, 959 00:42:19,914 --> 00:42:22,714 Speaker 1: They get their moment and then that's it. Yeah, it's 960 00:42:22,754 --> 00:42:24,794 Speaker 1: interesting because like I don't know, I look at someone 961 00:42:24,834 --> 00:42:27,393 Speaker 1: say like Florence Pugh who got an Oscar nom for 962 00:42:27,474 --> 00:42:29,953 Speaker 1: like Little Women, which deserve she should have won, Yeah, 963 00:42:29,994 --> 00:42:32,714 Speaker 1: but like she shouldn't. But like Florence Pew at that 964 00:42:32,754 --> 00:42:34,994 Speaker 1: point in time was like a fan favorite. But I 965 00:42:35,034 --> 00:42:36,913 Speaker 1: remember when that happened, she had maybe like a million 966 00:42:36,994 --> 00:42:39,794 Speaker 1: Instagram followers orso, which is obviously huge, but she was 967 00:42:39,834 --> 00:42:42,354 Speaker 1: not at the level she is nowherego bankable Hollywood star. 968 00:42:42,674 --> 00:42:44,393 Speaker 1: You put her in something and most people should know 969 00:42:44,394 --> 00:42:47,034 Speaker 1: who she is, ye, But like the Oscar nom was 970 00:42:47,074 --> 00:42:49,074 Speaker 1: the thing that kept pushing her forward because that was 971 00:42:49,114 --> 00:42:51,314 Speaker 1: like twenty nineteen leading into twenty twenty, and then there 972 00:42:51,314 --> 00:42:53,194 Speaker 1: were all of her other projects that started coming out 973 00:42:53,194 --> 00:42:55,954 Speaker 1: and like, yeah, she's like I don't even audition, I'm amazing. Yeah, 974 00:42:55,994 --> 00:42:58,754 Speaker 1: as she should, but like it does lead to further opportunities. 975 00:42:58,834 --> 00:43:00,873 Speaker 1: Why wouldn't it an Oscar nom Whereas yeah, I guess 976 00:43:00,874 --> 00:43:02,834 Speaker 1: an Oscar win could be limiting. If the thing you're 977 00:43:02,834 --> 00:43:05,634 Speaker 1: seeing as winning for is now you're like one kind 978 00:43:05,674 --> 00:43:08,394 Speaker 1: of role you can play. It's just so interesting also 979 00:43:08,434 --> 00:43:10,954 Speaker 1: because it's so different to all of these stories that 980 00:43:11,034 --> 00:43:14,034 Speaker 1: surround all these very famous actors of them thinking that 981 00:43:14,114 --> 00:43:16,873 Speaker 1: the Oscar is the biggest pinnacle, Like this whole kind 982 00:43:16,874 --> 00:43:19,953 Speaker 1: of story around how desperate Leonardo DiCaprio was to win 983 00:43:19,994 --> 00:43:22,514 Speaker 1: and how he wanted it more than anything, how Matthew 984 00:43:22,594 --> 00:43:25,754 Speaker 1: McConaughey chased it, how Brad Pitt chased it, all these 985 00:43:25,834 --> 00:43:28,034 Speaker 1: kind of stories around that and now and just like 986 00:43:28,114 --> 00:43:31,674 Speaker 1: you can see Timothy Challomaye chasing it so hard as 987 00:43:31,914 --> 00:43:33,514 Speaker 1: I actually worry for that boy if he wins, what 988 00:43:33,554 --> 00:43:35,634 Speaker 1: will he do after that? Because what happens when you 989 00:43:35,634 --> 00:43:38,274 Speaker 1: get your ultimate dream at thirty, Like this is not 990 00:43:38,314 --> 00:43:41,114 Speaker 1: gonna be cool. You circle back around, just go again, 991 00:43:41,234 --> 00:43:42,953 Speaker 1: and he'll be fine. But yeah, I love my boy 992 00:43:42,994 --> 00:43:46,953 Speaker 1: Timmy so much. But yeah, it's such a different story. 993 00:43:46,954 --> 00:43:48,634 Speaker 1: I'm sure if you interviewed them, they just be like, 994 00:43:48,994 --> 00:43:51,194 Speaker 1: in an honest interview, be like it means the most 995 00:43:51,354 --> 00:43:52,714 Speaker 1: to me in the world, and I think it will 996 00:43:52,794 --> 00:43:56,554 Speaker 1: change my life. Whereas Amanda Seifert is like, it doesn't matter. 997 00:43:56,794 --> 00:43:59,114 Speaker 1: It matters how much my movie makes the box office 998 00:43:59,154 --> 00:44:00,993 Speaker 1: and whether I like my movie orline. And she's also 999 00:44:01,034 --> 00:44:03,433 Speaker 1: been around so long now, Like as she said that, 1000 00:44:04,154 --> 00:44:05,874 Speaker 1: I guess she's like, well, I made it here without 1001 00:44:05,954 --> 00:44:08,594 Speaker 1: hold on anyway, I've done it without one, so I'm 1002 00:44:08,634 --> 00:44:11,154 Speaker 1: fine without it, whereas obviously someone a bit younger like 1003 00:44:11,194 --> 00:44:13,994 Speaker 1: Timmy has been striving to this moment for the past decade. 1004 00:44:14,194 --> 00:44:16,354 Speaker 1: To him it is everything, yeah, like, whereas to her, 1005 00:44:16,354 --> 00:44:18,953 Speaker 1: she's like, I'm good, Like it's fine, it would be nice. 1006 00:44:18,994 --> 00:44:21,513 Speaker 1: That makes sense. But also imagine being so cool about 1007 00:44:21,554 --> 00:44:23,714 Speaker 1: an oscar. And the thing is, it's a privilege that 1008 00:44:23,834 --> 00:44:26,874 Speaker 1: also comes with being a star with like a long 1009 00:44:27,154 --> 00:44:30,393 Speaker 1: list of credits that you're not sort of like someone 1010 00:44:30,394 --> 00:44:32,154 Speaker 1: like a Mighty Madison last year who's like at the 1011 00:44:32,154 --> 00:44:34,554 Speaker 1: Oscars for the first time, can't say that. It's a 1012 00:44:34,594 --> 00:44:37,754 Speaker 1: privilege that comes with being someone who is so secure 1013 00:44:37,754 --> 00:44:39,994 Speaker 1: in their place in Hollywood and also being like a 1014 00:44:39,994 --> 00:44:43,433 Speaker 1: beautiful white blonde woman who everyone just loves and who 1015 00:44:43,434 --> 00:44:45,433 Speaker 1: can I mean not that I've heard any scandal around 1016 00:44:45,474 --> 00:44:47,954 Speaker 1: Amanda Seafree, Like she's scandal free as far as I know, 1017 00:44:48,034 --> 00:44:49,634 Speaker 1: and people love her and she lives on a farm 1018 00:44:49,634 --> 00:44:51,914 Speaker 1: with a peacock and a donkey and other animals and 1019 00:44:51,954 --> 00:44:54,473 Speaker 1: her kids and it's all very sweet. But also you know, 1020 00:44:54,554 --> 00:44:56,314 Speaker 1: being able to give an interview like this and anyone 1021 00:44:56,394 --> 00:44:58,873 Speaker 1: sort of not thinking badly of her, everyone just being like, oh, 1022 00:44:58,954 --> 00:45:02,074 Speaker 1: that's an interesting take, is yeah, interesting in itself. Yeah, 1023 00:45:02,114 --> 00:45:03,834 Speaker 1: and very different to like what you're saying the Peter 1024 00:45:03,914 --> 00:45:07,274 Speaker 1: said of her experience. Yeah, it's an obvious difference. She's 1025 00:45:07,314 --> 00:45:09,994 Speaker 1: coming from a place of privilege and saying this, Yes, exactly, 1026 00:45:10,034 --> 00:45:11,433 Speaker 1: so a link that fall into me the show notes 1027 00:45:11,514 --> 00:45:14,074 Speaker 1: is quite interesting and yeah, just another step in this 1028 00:45:14,674 --> 00:45:17,994 Speaker 1: Oscars moment we're in where everyone's voting, everyone has their ballots, 1029 00:45:18,034 --> 00:45:19,754 Speaker 1: and I'm sure a bunch of people are voting without 1030 00:45:19,794 --> 00:45:22,553 Speaker 1: even seeing the movies, as happens every year. But yeah, 1031 00:45:22,594 --> 00:45:25,393 Speaker 1: imagine it's only I mean, I'm sure they're busy, but like, 1032 00:45:25,474 --> 00:45:27,354 Speaker 1: imagine your only thing being I have to vote for 1033 00:45:27,354 --> 00:45:29,073 Speaker 1: the Oscars and then you're like, actually, I don't feel 1034 00:45:29,114 --> 00:45:31,473 Speaker 1: like watching these movies. Yeah. I wonder how they send 1035 00:45:31,474 --> 00:45:33,354 Speaker 1: the ballots now because I used to post them. And 1036 00:45:33,354 --> 00:45:35,314 Speaker 1: I remember Jennifer Laurence saying the first year she was 1037 00:45:35,354 --> 00:45:37,674 Speaker 1: in the Academy, she was so excited to vote, but 1038 00:45:37,714 --> 00:45:39,834 Speaker 1: they sent it to like her parents' address because that 1039 00:45:39,914 --> 00:45:43,834 Speaker 1: was her listed address, and her mom voted. What her 1040 00:45:43,914 --> 00:45:45,634 Speaker 1: mom was like, I voted for the Oscars, and she's like, 1041 00:45:45,634 --> 00:45:47,114 Speaker 1: what do you mean you vote for the Oscar she's like, well, 1042 00:45:47,114 --> 00:45:48,794 Speaker 1: they sent me and I voted, and she's like, mom, 1043 00:45:48,834 --> 00:45:53,593 Speaker 1: that's mine. You can't. He just like got a dale 1044 00:45:53,674 --> 00:45:56,634 Speaker 1: for that. Probably not great. Yeah, I'm sure. Now it's 1045 00:45:56,634 --> 00:46:00,194 Speaker 1: a different system, like let's do it's online now. Otherwise 1046 00:46:00,234 --> 00:46:02,474 Speaker 1: there's some very important envelopes making their way around the 1047 00:46:02,514 --> 00:46:04,834 Speaker 1: world right now. I would appreciate if they all started 1048 00:46:04,874 --> 00:46:06,954 Speaker 1: outing though, the people who don't watch things, because you 1049 00:46:06,954 --> 00:46:08,873 Speaker 1: know how it was actually Little Women, wasn't it where 1050 00:46:08,874 --> 00:46:10,554 Speaker 1: they were like, we can see who came to the 1051 00:46:10,554 --> 00:46:12,914 Speaker 1: screenings and we didn't send us for Amy Pascal, so 1052 00:46:12,994 --> 00:46:14,554 Speaker 1: that we didn't send out screeners. You came to this 1053 00:46:14,634 --> 00:46:16,714 Speaker 1: screen up or you didn't see it, and all the 1054 00:46:16,754 --> 00:46:18,754 Speaker 1: men who vote didn't see Little Women, which is why 1055 00:46:18,754 --> 00:46:21,274 Speaker 1: it wasn't nominated for a big awards. Keep having that's 1056 00:46:21,314 --> 00:46:24,473 Speaker 1: crazy exactly. Well, Tina, thank you so much for joining 1057 00:46:24,514 --> 00:46:26,234 Speaker 1: us for this journey today. I know that was a 1058 00:46:26,314 --> 00:46:29,754 Speaker 1: journey through many important topics a lot. And if you 1059 00:46:29,794 --> 00:46:32,034 Speaker 1: love today's journey, or just in fact, any of the 1060 00:46:32,034 --> 00:46:34,234 Speaker 1: content we put out, or there's something you're desperate for 1061 00:46:34,314 --> 00:46:37,154 Speaker 1: us to hear talk about on the spill, please drop 1062 00:46:37,234 --> 00:46:40,394 Speaker 1: us a review on Apple Podcasts We read all the reviews, 1063 00:46:40,634 --> 00:46:43,314 Speaker 1: rate and review. That's how more people find our show 1064 00:46:43,314 --> 00:46:46,433 Speaker 1: and we can keep having important conversations like this. The 1065 00:46:46,474 --> 00:46:49,354 Speaker 1: Spill is produced by minsha Islauren with sound production by 1066 00:46:49,354 --> 00:47:02,754 Speaker 1: Scott Stronnik. Bye Bye, Mamma Mia acknowledges the traditional owners 1067 00:47:02,754 --> 00:47:05,314 Speaker 1: of the land. We have recorded this podcast on the 1068 00:47:05,354 --> 00:47:08,794 Speaker 1: Gatigol people of the eorination. We pay our respects to 1069 00:47:08,834 --> 00:47:11,714 Speaker 1: their elders past and present, and extend that respect to 1070 00:47:11,754 --> 00:47:14,194 Speaker 1: all Aboriginal and Torres Strait Islander cultures.