1
00:00:00,960 --> 00:00:03,720
Speaker 1: From Mamma Mia. Welcome to the Spill your daily pop

2
00:00:03,760 --> 00:00:06,760
Speaker 1: culture fix. I'm Laura Brodney and I've am Berner. And

3
00:00:06,880 --> 00:00:09,120
Speaker 1: because it's a Friday, we have a very special movie

4
00:00:09,240 --> 00:00:11,520
Speaker 1: round up for you. So if you listen to last

5
00:00:11,520 --> 00:00:14,800
Speaker 1: week's a WEE Can Watch, we talked about Zendeia and

6
00:00:14,880 --> 00:00:19,680
Speaker 1: Rob Pattinson's new movie, The Drama. The Drama, so hopefully

7
00:00:19,720 --> 00:00:21,040
Speaker 1: some of you have seen it now in that Week

8
00:00:21,040 --> 00:00:23,840
Speaker 1: can Watch. We didn't give any spoilers away because the

9
00:00:23,880 --> 00:00:27,520
Speaker 1: whole thing is hooked on a very intense plot twist

10
00:00:27,840 --> 00:00:30,720
Speaker 1: that happens early in the movie. And it's not unusual

11
00:00:30,760 --> 00:00:33,360
Speaker 1: for movies to have plot twists, ye, but it is

12
00:00:33,440 --> 00:00:36,800
Speaker 1: unusual for a movie to have such an kind of unexpected,

13
00:00:37,240 --> 00:00:43,680
Speaker 1: odd and also quite problematic plot twist in what some people,

14
00:00:43,760 --> 00:00:46,240
Speaker 1: even Zendeia herself, is like, it's a romantic comedy but

15
00:00:46,320 --> 00:00:47,560
Speaker 1: kind of a drama. And I'm like, no, girl, we

16
00:00:47,600 --> 00:00:50,520
Speaker 1: don't have we don't have plot twists like that. Yeah,

17
00:00:51,280 --> 00:00:54,560
Speaker 1: we don't have plot twists of that subject matter in

18
00:00:54,680 --> 00:00:58,000
Speaker 1: romantic comedy, so you can't say that. So everyone's been

19
00:00:58,080 --> 00:01:01,040
Speaker 1: like talking about the twist. People have seen it are like, really.

20
00:01:00,840 --> 00:01:02,840
Speaker 2: Shocked because the twist is also a big part of

21
00:01:02,880 --> 00:01:06,559
Speaker 2: the trailer that they released before everyone saw the movie,

22
00:01:06,560 --> 00:01:09,039
Speaker 2: Like we we went in knowing that there's going to

23
00:01:09,040 --> 00:01:09,640
Speaker 2: be something.

24
00:01:09,440 --> 00:01:11,920
Speaker 1: Big and it's not for those who haven't seen it yet.

25
00:01:11,959 --> 00:01:13,280
Speaker 1: I know a lot of people already have because it's

26
00:01:13,319 --> 00:01:14,840
Speaker 1: been out for a week now, But for those who

27
00:01:14,920 --> 00:01:16,800
Speaker 1: haven't seen it, like, it's not what you think it is.

28
00:01:17,920 --> 00:01:21,680
Speaker 1: So it got us talking what other movies exist out there,

29
00:01:21,800 --> 00:01:24,880
Speaker 1: And we're not talking like thrillers or mysteries where you

30
00:01:24,920 --> 00:01:26,800
Speaker 1: suspect there's a plot it could be this or it

31
00:01:26,800 --> 00:01:29,080
Speaker 1: could be that. Yes, and you go and being like, ooh,

32
00:01:29,200 --> 00:01:31,400
Speaker 1: this whole movie is senter on a plot twist. We're

33
00:01:31,440 --> 00:01:34,560
Speaker 1: talking about like romantic dramas or romantic comedies or like

34
00:01:34,560 --> 00:01:36,679
Speaker 1: funny movies that you think are going to be pretty

35
00:01:36,680 --> 00:01:39,440
Speaker 1: stock standard. Yeah, and all of a sudden they throw

36
00:01:40,319 --> 00:01:42,640
Speaker 1: a wild test in there, and you think, hmm, that

37
00:01:42,720 --> 00:01:44,160
Speaker 1: has no right to be there. That has no right

38
00:01:44,200 --> 00:01:45,880
Speaker 1: to be there, and you're like, is it okay to

39
00:01:45,920 --> 00:01:47,919
Speaker 1: do that? I don't know. I don't know, but sometimes

40
00:01:47,960 --> 00:01:49,440
Speaker 1: it makes the movie and it makes it stand out

41
00:01:49,480 --> 00:01:51,520
Speaker 1: from the genre. So we're going to go through plot

42
00:01:51,560 --> 00:01:54,600
Speaker 1: twists we didn't see coming. What's your first one? Okay?

43
00:01:54,880 --> 00:01:59,520
Speaker 2: My first one is it is classified as a rum com.

44
00:01:59,600 --> 00:02:01,840
Speaker 1: Okay, so we haven't told each other yet what we're doing. No,

45
00:02:01,920 --> 00:02:02,720
Speaker 1: it's all gonna be a surprise.

46
00:02:02,800 --> 00:02:04,800
Speaker 2: It's classified as a rom com. And it was the

47
00:02:04,800 --> 00:02:07,080
Speaker 2: first thing I thought of when we decided this was

48
00:02:07,120 --> 00:02:09,960
Speaker 2: the episode we were going to do, because it's a

49
00:02:09,960 --> 00:02:13,080
Speaker 2: movie that didn't need a plot twist at all, and

50
00:02:13,160 --> 00:02:16,679
Speaker 2: yet it has such a like amazing one in it.

51
00:02:16,680 --> 00:02:19,440
Speaker 1: It's crazy stupid love. You didn't think that needed the

52
00:02:19,480 --> 00:02:22,720
Speaker 1: plot twist? No, I mean it was shocking because at

53
00:02:22,720 --> 00:02:25,360
Speaker 1: that point you're not even thinking, like, there's no mystery

54
00:02:25,360 --> 00:02:28,799
Speaker 1: to one. Rather, yeah, so it's my mystery that hit people. See.

55
00:02:28,800 --> 00:02:31,560
Speaker 1: That wouldn't happen nowadays, No, because people would have filmed

56
00:02:31,560 --> 00:02:33,600
Speaker 1: that shit straight away and put it on TikTok and

57
00:02:33,639 --> 00:02:35,960
Speaker 1: everyone would have known. People in the cinema even weeks

58
00:02:36,040 --> 00:02:38,440
Speaker 1: later were gasping at that plot twist. Oh my god.

59
00:02:38,520 --> 00:02:40,800
Speaker 2: I remember the first time I watched it was actually

60
00:02:41,200 --> 00:02:44,320
Speaker 2: at home with friends, and I think what's interesting about

61
00:02:44,360 --> 00:02:46,560
Speaker 2: this is that it's a lot of people's favorite rom

62
00:02:46,600 --> 00:02:48,880
Speaker 2: com And then I feel like if your friends and

63
00:02:48,919 --> 00:02:50,839
Speaker 2: your girlfriends say this is my favorite rom com.

64
00:02:50,880 --> 00:02:52,280
Speaker 1: You feel safe in trusting them.

65
00:02:52,440 --> 00:02:55,400
Speaker 2: Yeah, and then you don't expect this plot twist anyway.

66
00:02:55,400 --> 00:02:59,040
Speaker 2: It has a beautiful cast, Emma Stone, Ryan Gosling, Steve Carrell,

67
00:02:59,240 --> 00:03:03,120
Speaker 2: Julianne Moore. It's about Steve Carrell's character, who plays Cal.

68
00:03:03,520 --> 00:03:07,080
Speaker 2: He's married to Julianne Moore's character and she asks for

69
00:03:07,120 --> 00:03:10,239
Speaker 2: a divorce. So then what he does, because he's going

70
00:03:10,240 --> 00:03:12,720
Speaker 2: through like a midlife crisis he's a middle aged man,

71
00:03:13,040 --> 00:03:15,400
Speaker 2: is that he goes out and sees how many women

72
00:03:15,440 --> 00:03:18,640
Speaker 2: he can start to hook up with with his newfound friend,

73
00:03:18,919 --> 00:03:21,760
Speaker 2: Jacob played by Ryan Gosling. So the first half of

74
00:03:21,760 --> 00:03:25,760
Speaker 2: the movie is about Cal and Jacob's friendship, like him

75
00:03:25,760 --> 00:03:28,760
Speaker 2: being like Jacob, Ryan Gosling being like a really unattractive

76
00:03:28,800 --> 00:03:31,160
Speaker 2: guy teaching this middle aged man how to hook up

77
00:03:31,160 --> 00:03:33,680
Speaker 2: with women and how to date women. And then you

78
00:03:33,760 --> 00:03:37,280
Speaker 2: see Jacob start to reevaluate his life choices and wants

79
00:03:37,320 --> 00:03:39,040
Speaker 2: to settle down, and that's when he meets like Emma

80
00:03:39,080 --> 00:03:42,600
Speaker 2: Stone's character, and you see these relationships develop and it's

81
00:03:42,680 --> 00:03:46,920
Speaker 2: so so funny. Every character on screen has amazing chemistry.

82
00:03:47,320 --> 00:03:49,080
Speaker 2: Adam nowhere plot twist.

83
00:03:49,200 --> 00:03:50,600
Speaker 1: I was about to say, guys, we are going to

84
00:03:50,640 --> 00:03:53,200
Speaker 1: spoil all these movies going forward, so just be aware.

85
00:03:53,200 --> 00:03:55,080
Speaker 1: I mean they've all come out, like a decade or

86
00:03:55,120 --> 00:03:56,400
Speaker 1: more ago they came out.

87
00:03:56,760 --> 00:03:59,240
Speaker 2: You're about to spoil crazy stupid life. I'm about to

88
00:03:59,360 --> 00:04:03,720
Speaker 2: spoil crazy stupid love. The best plot twist where we

89
00:04:03,880 --> 00:04:06,200
Speaker 2: find out should I say it.

90
00:04:06,320 --> 00:04:11,360
Speaker 1: Yeah, Okay, we're spoiling, spoiling, spoiling. Do not at me.

91
00:04:11,440 --> 00:04:12,440
Speaker 1: I'm saying it so many times.

92
00:04:12,480 --> 00:04:15,560
Speaker 2: I'm about to spoil it where we find out that

93
00:04:15,680 --> 00:04:20,080
Speaker 2: Emma Stone's character is actually Steve Carell's character's daughter.

94
00:04:20,360 --> 00:04:20,600
Speaker 1: Yeah.

95
00:04:21,000 --> 00:04:23,440
Speaker 2: And then I think one of the best scenes ever

96
00:04:23,920 --> 00:04:28,680
Speaker 2: you see Steve Carell and Ryan Gosling have a physical.

97
00:04:28,240 --> 00:04:32,880
Speaker 1: Fight at like a family coms is always just the

98
00:04:32,880 --> 00:04:34,840
Speaker 1: funniest thing. It's the funniest thing because they're so bad.

99
00:04:34,960 --> 00:04:36,880
Speaker 1: It's so bad, which is exactly what it would look like.

100
00:04:36,960 --> 00:04:38,760
Speaker 1: It's like Bridget Jones. It's like they would not be

101
00:04:38,760 --> 00:04:41,200
Speaker 1: able to land a punch. They don't land a punch.

102
00:04:41,320 --> 00:04:44,120
Speaker 2: So many people get involved, including the neighbor and the

103
00:04:44,120 --> 00:04:47,240
Speaker 2: neighbor's daughter, because there's so many mixed signals going on,

104
00:04:47,360 --> 00:04:50,960
Speaker 2: like people just interpreted things differently. I just implore you

105
00:04:51,040 --> 00:04:53,839
Speaker 2: to just look up crazy stupid love fight scene. Yeah,

106
00:04:53,920 --> 00:04:56,680
Speaker 2: without any context. It's the funniest thing you'll watch. And

107
00:04:56,720 --> 00:04:58,919
Speaker 2: then if you go back through the movie, you see

108
00:04:58,960 --> 00:05:00,599
Speaker 2: that the plot twist is actual in front of your

109
00:05:00,640 --> 00:05:01,200
Speaker 2: face the whole time.

110
00:05:01,279 --> 00:05:03,400
Speaker 1: Yeah, Because the thing is, you never see Emma Stone's

111
00:05:03,520 --> 00:05:08,120
Speaker 1: character interact with Julianne Moore and Steve Carell's character all

112
00:05:08,120 --> 00:05:10,359
Speaker 1: the way through, which is how they're able to preserve

113
00:05:10,440 --> 00:05:12,720
Speaker 1: the plot twist. Yeah, and they talk about their two

114
00:05:12,800 --> 00:05:14,880
Speaker 1: younger kids, but they never talk about their older daughter,

115
00:05:14,920 --> 00:05:16,640
Speaker 1: which is why they had to get married, or which

116
00:05:16,640 --> 00:05:18,280
Speaker 1: is why he's having a midlife crisis. So all of

117
00:05:18,279 --> 00:05:20,039
Speaker 1: a sudden, she's having a mid life crisis, which it

118
00:05:20,040 --> 00:05:22,240
Speaker 1: all kind of comes together. That moment is such a

119
00:05:22,240 --> 00:05:26,000
Speaker 1: perfectly crafted scene where he walks into the backyard and

120
00:05:26,120 --> 00:05:28,560
Speaker 1: they have that moment of back and forth and you see,

121
00:05:28,600 --> 00:05:32,119
Speaker 1: like julian Law's got the blindfold on and Emma Stone's character,

122
00:05:32,160 --> 00:05:34,279
Speaker 1: Hannah is like having a back and forth and it's

123
00:05:34,320 --> 00:05:38,280
Speaker 1: just like bang bang bang, Like the realization on everyone's face.

124
00:05:38,040 --> 00:05:41,920
Speaker 2: Is it's so so funny, and like the physical comedy

125
00:05:41,960 --> 00:05:44,800
Speaker 2: element of it kind of makes the movie for me,

126
00:05:45,000 --> 00:05:47,200
Speaker 2: like I didn't expect it at all, because it's also

127
00:05:47,200 --> 00:05:49,240
Speaker 2: one of those plot twists where like everyone's figuring it

128
00:05:49,240 --> 00:05:51,520
Speaker 2: out and you as an audience is also figuring that.

129
00:05:51,880 --> 00:05:54,520
Speaker 2: And then you start to thinking, like Julianne Moore's character

130
00:05:54,520 --> 00:05:58,400
Speaker 2: and Steve Carell's character like refer to like nana, yeah,

131
00:05:58,400 --> 00:06:01,920
Speaker 2: and you assume it's a grandmother, but actually their daughter Hannah,

132
00:06:02,040 --> 00:06:06,200
Speaker 2: which is Emma Stone's character, and like obviously julian Moore

133
00:06:06,279 --> 00:06:09,960
Speaker 2: is Emma Stone's mum because they look the exact shah.

134
00:06:09,560 --> 00:06:11,320
Speaker 1: And that actually that's and that's not asked as an

135
00:06:11,360 --> 00:06:14,279
Speaker 1: audience because when we saw their photos together on the

136
00:06:14,320 --> 00:06:16,120
Speaker 1: movie post, we should have been like, that's some mother

137
00:06:16,160 --> 00:06:18,159
Speaker 1: and daughter, and we did it because they're probably a

138
00:06:18,160 --> 00:06:19,400
Speaker 1: mother and daughter of in real life. I have my

139
00:06:19,400 --> 00:06:22,520
Speaker 1: suspicions that's so much along. Look, they're the same person.

140
00:06:22,600 --> 00:06:23,440
Speaker 1: They're the same person.

141
00:06:24,000 --> 00:06:27,679
Speaker 2: It's such a funny, funny film that I'm sure everyone's

142
00:06:27,680 --> 00:06:29,919
Speaker 2: already watched it by man, Yeah, but I feel like

143
00:06:29,960 --> 00:06:32,200
Speaker 2: it's one of those ones that I keep rewatching.

144
00:06:31,800 --> 00:06:34,000
Speaker 1: And why the plot chairs is unexpected is like it

145
00:06:34,120 --> 00:06:36,160
Speaker 1: obviously makes the movie better but it doesn't need it

146
00:06:36,200 --> 00:06:39,000
Speaker 1: because you're so invested in the Emma Stone and Ryan

147
00:06:39,040 --> 00:06:41,479
Speaker 1: Gosling love story, which is why they kept teaming up

148
00:06:41,520 --> 00:06:42,200
Speaker 1: for movies after that.

149
00:06:42,320 --> 00:06:44,400
Speaker 2: I honestly thought the whole movie would be about men

150
00:06:44,520 --> 00:06:47,320
Speaker 2: friendships and how they change, and how they change over

151
00:06:47,360 --> 00:06:48,560
Speaker 2: time as their lifestyles changed.

152
00:06:48,600 --> 00:06:50,640
Speaker 1: Oh, it's so good. You know that scene where they

153
00:06:50,640 --> 00:06:53,680
Speaker 1: do the dirty dancing lift in real When they were

154
00:06:53,680 --> 00:06:55,800
Speaker 1: filming that, like, she ran to do it and he

155
00:06:55,880 --> 00:06:58,080
Speaker 1: lifted her and so far up in the air. And

156
00:06:58,160 --> 00:07:00,880
Speaker 1: when she was a kid, she broke both her arms

157
00:07:00,920 --> 00:07:02,920
Speaker 1: falling off a polar gymnastics and she's got a fear

158
00:07:02,960 --> 00:07:05,120
Speaker 1: of heights, and she didn't think Ryan Gosling would be

159
00:07:05,200 --> 00:07:06,560
Speaker 1: that high when she was up there, so she had

160
00:07:06,560 --> 00:07:09,440
Speaker 1: a panic attack, like scratched his face off and ran

161
00:07:09,480 --> 00:07:12,000
Speaker 1: away crying and screaming, and they had to go leave

162
00:07:12,040 --> 00:07:14,800
Speaker 1: her in a room for like like the whole day,

163
00:07:14,880 --> 00:07:18,880
Speaker 1: and she just watched The Labyrinth, which is my comfort

164
00:07:18,880 --> 00:07:21,200
Speaker 1: movie too, And then so and yeah watched The Labyrinth

165
00:07:21,280 --> 00:07:22,960
Speaker 1: over and over again to like calm down so they

166
00:07:23,000 --> 00:07:25,360
Speaker 1: could do the scene. I think that every time I

167
00:07:25,360 --> 00:07:27,200
Speaker 1: watched that movie now and now you will too.

168
00:07:27,080 --> 00:07:29,920
Speaker 2: Oh my god, I need to watch this movie again. Yeah, immediately,

169
00:07:30,080 --> 00:07:32,560
Speaker 2: just with that thought in your mind exactly. Okay, what

170
00:07:33,440 --> 00:07:33,960
Speaker 2: is yours?

171
00:07:34,000 --> 00:07:36,720
Speaker 1: Okay? So when I sit down to watch this movie,

172
00:07:36,720 --> 00:07:38,160
Speaker 1: and it wasn't like it was a kind of a

173
00:07:38,200 --> 00:07:40,880
Speaker 1: biggish movie when it came out, but not like a

174
00:07:40,880 --> 00:07:43,520
Speaker 1: big blockbuster, so no one was really dropping spoilers online.

175
00:07:43,560 --> 00:07:47,000
Speaker 1: Have you seen Remember Me with Emily d Raven and

176
00:07:47,120 --> 00:07:52,520
Speaker 1: Robert Pattinson? I don't think I have. Yeah, it was

177
00:07:52,520 --> 00:07:55,320
Speaker 1: it a big movie, not really like it was the

178
00:07:55,320 --> 00:07:56,920
Speaker 1: movies and stuff, But I don't think it's one of

179
00:07:56,960 --> 00:07:58,680
Speaker 1: those ones that kind of took off as a blockbuster,

180
00:07:58,720 --> 00:07:59,920
Speaker 1: and it's not really meant to be It's meant to

181
00:07:59,920 --> 00:08:03,000
Speaker 1: be romantic drama. Is it like a Dear John? Well?

182
00:08:03,040 --> 00:08:04,040
Speaker 1: There is a plot twist.

183
00:08:03,880 --> 00:08:04,120
Speaker 2: Of the end.

184
00:08:04,160 --> 00:08:05,800
Speaker 1: People hate. This is out of all the ones I

185
00:08:05,880 --> 00:08:07,840
Speaker 1: have my list, this is the most hated plot twist.

186
00:08:08,200 --> 00:08:11,760
Speaker 1: And just try, if anyone ever says they've seen Remember Me,

187
00:08:12,400 --> 00:08:15,000
Speaker 1: like a darkness will come over their face. And if

188
00:08:15,040 --> 00:08:16,360
Speaker 1: you ever say what do you think of the plot twist?

189
00:08:16,360 --> 00:08:19,720
Speaker 1: They'll be like, oh that was That's ridiculous. It's just

190
00:08:19,800 --> 00:08:22,160
Speaker 1: so it's a romantic drama and so Emily de Raven

191
00:08:22,280 --> 00:08:25,640
Speaker 1: and Emily de Raven she was in Lost, Oh yeah,

192
00:08:25,800 --> 00:08:27,880
Speaker 1: she was in Roswell. She played Bell in Once Upon

193
00:08:27,920 --> 00:08:30,560
Speaker 1: a Time. Like, yeah, lots of amazing TV roles. Have

194
00:08:30,640 --> 00:08:32,559
Speaker 1: you heard of Robin Pattinson. He's been in stuff too.

195
00:08:32,679 --> 00:08:34,040
Speaker 1: I have heard of that die And this was a

196
00:08:34,040 --> 00:08:36,440
Speaker 1: big dramatic turn for him back when he was being like,

197
00:08:36,480 --> 00:08:38,920
Speaker 1: I'm not a team vampire, I'm a real actor. Yeah.

198
00:08:38,960 --> 00:08:42,120
Speaker 1: He loves a plot twist, loves the twist. And I

199
00:08:42,160 --> 00:08:44,080
Speaker 1: don't think he was doing those big viral press too

200
00:08:44,120 --> 00:08:45,400
Speaker 1: as at the time, because he would have just been

201
00:08:45,520 --> 00:08:47,560
Speaker 1: nuts talking about this movie. Yeah, because he loves to lie.

202
00:08:47,559 --> 00:08:49,880
Speaker 1: Because of that, Yeah, because of the subject matter. So

203
00:08:50,160 --> 00:08:52,800
Speaker 1: they they characters me, they've both been through a lot

204
00:08:52,800 --> 00:08:54,800
Speaker 1: of trauma. There's a lot of back and forth. To

205
00:08:54,840 --> 00:08:57,360
Speaker 1: be honest, it's just a fine movie. Like, it's nothing crazy,

206
00:08:57,400 --> 00:08:59,360
Speaker 1: And if it wasn't for the last scene, we wouldn't

207
00:08:59,360 --> 00:09:01,880
Speaker 1: be talking about this. And so they have this kind

208
00:09:01,880 --> 00:09:04,000
Speaker 1: of romantic back and forth and then in the very

209
00:09:04,080 --> 00:09:05,560
Speaker 1: and then like they're gonna end up together and they

210
00:09:05,640 --> 00:09:07,920
Speaker 1: both been through trauma. It's about healing and stuff. And

211
00:09:07,960 --> 00:09:10,080
Speaker 1: then the very end of the movie, he's gone into

212
00:09:10,160 --> 00:09:13,200
Speaker 1: his dad's office and at the last moment, the camera

213
00:09:13,320 --> 00:09:16,040
Speaker 1: pans away and he looks up and he sees a

214
00:09:16,080 --> 00:09:18,760
Speaker 1: plane coming towards the building, and then it shows you

215
00:09:18,800 --> 00:09:21,360
Speaker 1: the date nine to eleven and he dies in the

216
00:09:21,400 --> 00:09:23,400
Speaker 1: nine to eleven attacks, and that's the end of the movie.

217
00:09:23,840 --> 00:09:27,440
Speaker 1: You're like, so what yeah, not look on her face?

218
00:09:28,000 --> 00:09:30,559
Speaker 1: What do you mean that was the point of the movie,

219
00:09:30,640 --> 00:09:33,120
Speaker 1: that he died in nine to eleven, And I was like, sorry,

220
00:09:33,120 --> 00:09:36,240
Speaker 1: that has nothing to do with the rest of the movie.

221
00:09:36,360 --> 00:09:38,400
Speaker 1: And also people were like, did you know he worked

222
00:09:38,440 --> 00:09:43,079
Speaker 1: in the Twin? No, he was visiting someone. Yeah, so no, no,

223
00:09:43,200 --> 00:09:45,600
Speaker 1: I don't know about that. No, no, the look on

224
00:09:45,640 --> 00:09:47,480
Speaker 1: your face is the most correct look at it.

225
00:09:47,520 --> 00:09:48,760
Speaker 2: I'm like, I just wat that for me because I

226
00:09:48,800 --> 00:09:49,440
Speaker 2: don't want to watch it.

227
00:09:49,480 --> 00:09:51,120
Speaker 1: No, no, no, no. People will being like, oh, you should

228
00:09:51,120 --> 00:09:52,599
Speaker 1: watch her for the plot twists, and I always say, like,

229
00:09:52,640 --> 00:09:54,480
Speaker 1: to be on a story, I'll tell you it's also

230
00:09:54,679 --> 00:09:55,480
Speaker 1: not a plot twist.

231
00:09:55,480 --> 00:09:58,080
Speaker 2: It's something that just happened in real life that they well,

232
00:09:58,120 --> 00:09:58,480
Speaker 2: that's the thing.

233
00:09:58,520 --> 00:10:00,360
Speaker 1: There was a few things there. People like, oh, we

234
00:10:00,360 --> 00:10:02,200
Speaker 1: don't know if we should be using night. Obviously there's

235
00:10:02,240 --> 00:10:04,520
Speaker 1: movies about nine to eleven. It just is in culture

236
00:10:04,559 --> 00:10:07,520
Speaker 1: because it's an event that happened. But everyone's a bit

237
00:10:07,559 --> 00:10:09,760
Speaker 1: like should we be using this as like, oh, you

238
00:10:09,840 --> 00:10:12,240
Speaker 1: thought this movie was sad and these two people complicated

239
00:10:12,240 --> 00:10:16,160
Speaker 1: and they might just wait nine to eleven, Boom, he's

240
00:10:16,240 --> 00:10:19,200
Speaker 1: dead and he wasn't even meant to be there, And

241
00:10:19,200 --> 00:10:22,880
Speaker 1: then every movie just ends. Are you like, wait, Rob

242
00:10:22,920 --> 00:10:25,600
Speaker 1: Patson died in nine to eleven. I can't barely remember

243
00:10:25,640 --> 00:10:27,880
Speaker 1: his character name. It doesn't mean oh my god, that's

244
00:10:27,960 --> 00:10:30,120
Speaker 1: the plot twist, and the whole thing around the movie

245
00:10:30,160 --> 00:10:31,439
Speaker 1: was like, don't spoil it. And I was like, I

246
00:10:31,480 --> 00:10:35,240
Speaker 1: think we can spoil this one because that's nuts, and

247
00:10:35,320 --> 00:10:41,760
Speaker 1: it's such a different movie. You're like wheezing from it's

248
00:10:41,800 --> 00:10:45,000
Speaker 1: a sad movie, but you can't even like what happened

249
00:10:45,000 --> 00:10:47,160
Speaker 1: to her. She's just like, oh, he died, Like it

250
00:10:47,440 --> 00:10:51,760
Speaker 1: ends and they're all together. But and then, like I remember,

251
00:10:51,800 --> 00:10:54,120
Speaker 1: like reading interviews with the directors and writers a year later,

252
00:10:54,120 --> 00:10:56,120
Speaker 1: because they've had to justify a lot, they're like, you know,

253
00:10:56,240 --> 00:10:58,480
Speaker 1: sometimes we only have people for a moment. Sometimes you

254
00:10:58,480 --> 00:11:00,199
Speaker 1: have to deal with loss, And I was like, yeah,

255
00:11:00,240 --> 00:11:02,360
Speaker 1: all great themes. When did it come out? So it

256
00:11:02,360 --> 00:11:06,400
Speaker 1: came out in twenty ten? Too soon? Yeah, isn't Yeah,

257
00:11:06,760 --> 00:11:10,120
Speaker 1: I mean there's no good time even if it came

258
00:11:10,120 --> 00:11:11,920
Speaker 1: out today. I mean I wouldn't make it. Don't know.

259
00:11:12,000 --> 00:11:14,000
Speaker 2: They're like something happened to all the writers and they

260
00:11:14,040 --> 00:11:16,480
Speaker 2: just and they didn't I finished writing.

261
00:11:16,160 --> 00:11:20,160
Speaker 1: It, like it was a really intense cultural significance that

262
00:11:20,360 --> 00:11:23,160
Speaker 1: as soon as like you're just so unassuming because in

263
00:11:23,240 --> 00:11:25,599
Speaker 1: the rest of the movie they never say what the

264
00:11:25,679 --> 00:11:28,959
Speaker 1: year is, so there's no way to know what year

265
00:11:29,000 --> 00:11:31,880
Speaker 1: it is, Like, oh, we'll get them, yeah, And then

266
00:11:32,120 --> 00:11:33,680
Speaker 1: at the end, it's like, all of a sudden, he's

267
00:11:33,720 --> 00:11:36,360
Speaker 1: just in this office building because he's gone to visit someone.

268
00:11:36,400 --> 00:11:38,080
Speaker 1: So it doesn't even work there or anything like that.

269
00:11:38,320 --> 00:11:39,760
Speaker 1: It's just the idea of like, look at the bad

270
00:11:39,840 --> 00:11:42,760
Speaker 1: luck that happened to this man. And then I think,

271
00:11:42,760 --> 00:11:44,240
Speaker 1: I haven't seen this movie since he came out, but

272
00:11:44,280 --> 00:11:45,920
Speaker 1: I do think that, Like then they cut to like

273
00:11:46,080 --> 00:11:48,160
Speaker 1: a classroom and a teacher's running the date on the

274
00:11:48,160 --> 00:11:50,520
Speaker 1: board and it's like nine to eleven, and then you

275
00:11:50,600 --> 00:11:53,320
Speaker 1: see like the plane go towards it, and then that's

276
00:11:53,320 --> 00:11:56,360
Speaker 1: just it. That's scary so you don't see the aftermath

277
00:11:56,440 --> 00:11:57,959
Speaker 1: or anything of like her. I think that would have

278
00:11:57,960 --> 00:12:00,400
Speaker 1: been too intense. But everyone's like, oh, don't think you

279
00:12:00,400 --> 00:12:03,120
Speaker 1: should use nine to eleven as a romantic plot twist

280
00:12:03,200 --> 00:12:06,160
Speaker 1: for Rob Pattinson's movie. Yeah, that's a bit too much. Yeah,

281
00:12:06,800 --> 00:12:08,839
Speaker 1: so I think it's okay that I spoiled that. While

282
00:12:08,840 --> 00:12:11,520
Speaker 1: the look on your face was just like Jesus, no,

283
00:12:11,600 --> 00:12:13,240
Speaker 1: that's a look on everyone's face they see this movie

284
00:12:13,240 --> 00:12:16,040
Speaker 1: because nothing else in the movie. It's such a quiet

285
00:12:16,160 --> 00:12:18,880
Speaker 1: kind of to us, it's fairly subper, but it's also

286
00:12:19,040 --> 00:12:22,000
Speaker 1: kind of like just like a quiet romantic drama that

287
00:12:22,120 --> 00:12:23,760
Speaker 1: is about like grief and loss. It was it good

288
00:12:23,840 --> 00:12:27,160
Speaker 1: up until then. No, No, it's okay, it's okay. It

289
00:12:27,240 --> 00:12:31,160
Speaker 1: wasn't good enough to justify that like it's fine, you

290
00:12:31,200 --> 00:12:32,680
Speaker 1: know what I mean, Like it's yeah, it was fine.

291
00:12:33,040 --> 00:12:34,200
Speaker 1: It was not the kind of movie I was watching.

292
00:12:34,240 --> 00:12:35,680
Speaker 1: I would watch again, but I was like it was

293
00:12:35,679 --> 00:12:37,440
Speaker 1: fine when I was watching. When it happened, I was like,

294
00:12:37,520 --> 00:12:39,400
Speaker 1: what the hell, just.

295
00:12:40,640 --> 00:12:42,520
Speaker 2: That it can and you're just like you're just like

296
00:12:42,559 --> 00:12:44,839
Speaker 2: looking at your own reflection from the Black's career.

297
00:12:44,640 --> 00:12:46,600
Speaker 1: Yeah, and thinking about all the people that died nine

298
00:12:46,640 --> 00:12:49,000
Speaker 1: to eleven, and just thinking about I can't believe that

299
00:12:49,040 --> 00:12:50,599
Speaker 1: they thought they'd be like, yeah, we'll get them. What

300
00:12:50,920 --> 00:12:53,040
Speaker 1: you guys thought you were sad before? After all these

301
00:12:53,120 --> 00:12:54,920
Speaker 1: characters have been through, you're going to be really sad

302
00:12:55,000 --> 00:12:58,200
Speaker 1: right now. That's bizarre. So yeah, it's bizarre that they did.

303
00:12:58,320 --> 00:13:01,640
Speaker 1: Like and I feel like I need to watching Parity

304
00:13:01,640 --> 00:13:03,040
Speaker 1: when I tell you about it, Like it sounds like

305
00:13:03,040 --> 00:13:04,840
Speaker 1: the kind of thing that would be a parody in

306
00:13:04,920 --> 00:13:07,600
Speaker 1: like a tardy show, like another movie or something a

307
00:13:07,600 --> 00:13:11,400
Speaker 1: writer would pitch on like SNL and they'd be like no, no, like,

308
00:13:11,480 --> 00:13:13,640
Speaker 1: let's not do that in a skit. All right, what's

309
00:13:13,640 --> 00:13:15,200
Speaker 1: your next plot twist?

310
00:13:15,360 --> 00:13:21,559
Speaker 2: My next one is the critically acclaimed film Zootopia.

311
00:13:22,240 --> 00:13:25,240
Speaker 1: Okay, I need to tell you something. I know. I

312
00:13:25,360 --> 00:13:28,200
Speaker 1: knew this, I knew it. I haven't seen it. I

313
00:13:28,240 --> 00:13:31,720
Speaker 1: haven't seen Zuotopia, but I want to. No, no, no,

314
00:13:31,800 --> 00:13:33,360
Speaker 1: but I kind of no. No, I know some of

315
00:13:33,360 --> 00:13:35,320
Speaker 1: the plot twists. It's come out in the world. I

316
00:13:35,360 --> 00:13:38,080
Speaker 1: feel like I've seen it. I'm so sorry. When would

317
00:13:38,120 --> 00:13:41,079
Speaker 1: I sit down? I also just rewatched Zutopia too, because

318
00:13:41,080 --> 00:13:43,360
Speaker 1: I can I say when I thought I could have

319
00:13:43,400 --> 00:13:45,760
Speaker 1: gone to the Zoutopia to premiere with you. I was

320
00:13:45,760 --> 00:13:47,679
Speaker 1: going to watch Dutopia first, even though I kind of

321
00:13:47,760 --> 00:13:49,040
Speaker 1: knew about it, but then I went to the Stranger

322
00:13:49,040 --> 00:13:51,720
Speaker 1: Things event as well, and no regrets on that. But

323
00:13:51,960 --> 00:13:53,920
Speaker 1: I actually kind of do know what you're gonna say.

324
00:13:53,960 --> 00:13:56,360
Speaker 1: But I'm just saying there's any in jokes there is

325
00:13:56,360 --> 00:13:58,880
Speaker 1: to be honest with you anyway, when as a full

326
00:13:58,920 --> 00:14:02,680
Speaker 1: grown adult, am I sitting down to watch Dutopia by myself.

327
00:14:02,840 --> 00:14:04,079
Speaker 1: I mean you could.

328
00:14:04,320 --> 00:14:07,400
Speaker 2: Double down and watch both Zutopia one and Zutopia.

329
00:14:07,760 --> 00:14:08,920
Speaker 1: I'm going to need some wine.

330
00:14:10,480 --> 00:14:13,320
Speaker 2: Because I think it's like Zutopia two actually takes place

331
00:14:13,360 --> 00:14:14,520
Speaker 2: straight after Zotobia one.

332
00:14:14,640 --> 00:14:16,760
Speaker 1: No I know, I remember a WEE can watch recommendation

333
00:14:16,840 --> 00:14:20,600
Speaker 1: that you sent him rambling voice note I elbowed my

334
00:14:20,680 --> 00:14:22,200
Speaker 1: way in even though I wasn't on the A. I

335
00:14:22,240 --> 00:14:24,160
Speaker 1: have to watch it with me, I content myself. I'd

336
00:14:24,240 --> 00:14:24,840
Speaker 1: love the chat.

337
00:14:24,960 --> 00:14:27,040
Speaker 2: Honestly, I'd love to watch it with you. Okay, please,

338
00:14:27,080 --> 00:14:29,240
Speaker 2: let's just I'll just be watching you and then watching it.

339
00:14:31,280 --> 00:14:32,200
Speaker 1: We will live stream up.

340
00:14:32,680 --> 00:14:35,040
Speaker 2: Zutopia is traditionally meant to.

341
00:14:35,000 --> 00:14:38,480
Speaker 1: Be a kid's film, just traditionally is a kid at all.

342
00:14:38,840 --> 00:14:41,200
Speaker 2: I think every adult watch it because it's amazing because

343
00:14:41,240 --> 00:14:44,400
Speaker 2: you think the ely character, the Fox is hot, so hot. Yeah,

344
00:14:44,480 --> 00:14:46,280
Speaker 2: Nick Wilde played by Jason Bateman.

345
00:14:46,720 --> 00:14:49,280
Speaker 1: It's something about foxes and in animated shows too. You

346
00:14:49,320 --> 00:14:51,240
Speaker 1: know that we're going to make a live action robin Hood,

347
00:14:51,400 --> 00:14:53,480
Speaker 1: you know how like in the live action Disney he's

348
00:14:53,480 --> 00:14:55,360
Speaker 1: a Fox, and they we're going to do a live

349
00:14:55,400 --> 00:14:57,600
Speaker 1: action of that, and they've just canceled it. And I

350
00:14:57,640 --> 00:14:59,400
Speaker 1: do think it's because they couldn't figure out how to

351
00:14:59,480 --> 00:15:02,200
Speaker 1: make the live action fox sexy. Yeah that makes me

352
00:15:02,520 --> 00:15:05,000
Speaker 1: or was he too sexy? I know? And they were like,

353
00:15:05,120 --> 00:15:09,200
Speaker 1: we can't just have all these women watching robin at

354
00:15:09,240 --> 00:15:12,600
Speaker 1: women pushing past the kids to get into the live actually,

355
00:15:13,840 --> 00:15:16,440
Speaker 1: and also what would what would a live action wolf

356
00:15:16,520 --> 00:15:20,680
Speaker 1: walking upright in a Robinhood outfit? I don't know if

357
00:15:20,680 --> 00:15:23,320
Speaker 1: I'd like that. I want Disney to release the screen test.

358
00:15:25,400 --> 00:15:28,960
Speaker 2: So the sexy fox, sexy Fox Nick While played by

359
00:15:29,320 --> 00:15:31,080
Speaker 2: Jason Bateman, Nick wild.

360
00:15:30,800 --> 00:15:33,440
Speaker 1: Okay, shut up, that's too part.

361
00:15:33,400 --> 00:15:36,480
Speaker 2: Name and Jason Bateman's voice.

362
00:15:36,520 --> 00:15:38,120
Speaker 1: He's got our sexy voice so.

363
00:15:38,080 --> 00:15:41,160
Speaker 2: Hot anyway, So he plays Nick wild he's like a

364
00:15:41,320 --> 00:15:44,680
Speaker 2: sly fox. Okay, So he's into a lot of like

365
00:15:44,840 --> 00:15:46,720
Speaker 2: little schemes and a little scammed.

366
00:15:47,320 --> 00:15:48,760
Speaker 1: Jennifer Goodwin plays.

367
00:15:48,480 --> 00:15:51,200
Speaker 2: The main character, Judy Hops, which is a little bunny rabbit,

368
00:15:51,640 --> 00:15:53,800
Speaker 2: and she wants to make the world a better place,

369
00:15:53,920 --> 00:15:57,480
Speaker 2: kind of like what we do here at Yeah, we

370
00:15:57,560 --> 00:16:00,920
Speaker 2: have the same same fight. So Judy Hops is a

371
00:16:00,960 --> 00:16:04,760
Speaker 2: bunny and bunnies can never be policemen because only predators

372
00:16:04,760 --> 00:16:07,480
Speaker 2: are policeman because they're big and large and strong, and

373
00:16:07,520 --> 00:16:08,240
Speaker 2: she is a bunny.

374
00:16:08,400 --> 00:16:10,680
Speaker 1: Oh my god. Rabbits can be so aggressive though. Have

375
00:16:10,760 --> 00:16:14,040
Speaker 1: these seen the movie Watership Down? Don't show you kids that. No,

376
00:16:14,080 --> 00:16:15,880
Speaker 1: it doesn't have a plot twist. It's about one of

377
00:16:15,960 --> 00:16:17,720
Speaker 1: all the rabbits tear each other to death. It's a

378
00:16:17,760 --> 00:16:20,800
Speaker 1: kids movie. It's animated. Okay, I'm just saying I'll watch it.

379
00:16:21,800 --> 00:16:24,800
Speaker 2: Judy Hops try some might and she ends up acing

380
00:16:24,800 --> 00:16:28,000
Speaker 2: all the exams doing so well she becomes a policeman.

381
00:16:28,360 --> 00:16:31,880
Speaker 2: But then she gets delegated to parking fines. Oh so

382
00:16:31,920 --> 00:16:35,560
Speaker 2: her job is to put fines on like cars and whatever. Anyway,

383
00:16:35,720 --> 00:16:39,560
Speaker 2: she wants to prove Chief Bogo played by Interest Helper.

384
00:16:40,280 --> 00:16:43,720
Speaker 1: It's a great car was in it, but I didn't

385
00:16:43,760 --> 00:16:47,880
Speaker 1: know what he did talk about sexy voice? Oh no,

386
00:16:48,000 --> 00:16:48,640
Speaker 1: that's too much.

387
00:16:48,680 --> 00:16:51,080
Speaker 2: Akira plays Gazelle, who all she does is just sing?

388
00:16:51,320 --> 00:16:56,560
Speaker 1: Who let all these sexy people be? I can't believe

389
00:16:56,560 --> 00:16:58,040
Speaker 1: we should be checking ideas.

390
00:16:57,680 --> 00:17:01,400
Speaker 2: Like good and when you like see Chief, Oh I can't.

391
00:17:02,920 --> 00:17:05,720
Speaker 1: He just Elber's voice. You're like, he can tell me

392
00:17:05,760 --> 00:17:09,280
Speaker 1: what to do? No, I just I can't. I just

393
00:17:09,320 --> 00:17:11,560
Speaker 1: know that's going to be really confusing for me. So

394
00:17:11,600 --> 00:17:13,200
Speaker 1: maybe I can't watch this movie. Oh my god.

395
00:17:13,320 --> 00:17:17,080
Speaker 2: Anyway, So what happens is that some of the predators

396
00:17:17,520 --> 00:17:20,199
Speaker 2: in zootopas so everyone's living in harmony, right, like we

397
00:17:20,240 --> 00:17:21,800
Speaker 2: all have to go to work, we all have to

398
00:17:21,840 --> 00:17:23,920
Speaker 2: take care of our families. It's like a city, it's

399
00:17:23,960 --> 00:17:28,760
Speaker 2: a metropolis of animals. The predators start to act a

400
00:17:28,760 --> 00:17:32,560
Speaker 2: bit weird and they start attacking some of the other animals,

401
00:17:33,359 --> 00:17:34,240
Speaker 2: and then.

402
00:17:34,119 --> 00:17:36,200
Speaker 1: Judy is like, what's going on? What's going on?

403
00:17:36,520 --> 00:17:39,360
Speaker 2: And then there's like the scientific evidence saying that not

404
00:17:39,400 --> 00:17:42,400
Speaker 2: all animals can live in harmony because eventually your animal

405
00:17:42,480 --> 00:17:45,560
Speaker 2: instincts will kick in and the predators will want to

406
00:17:45,600 --> 00:17:47,879
Speaker 2: attack the other animals. So then what they start to

407
00:17:47,920 --> 00:17:52,600
Speaker 2: do is it creates this racial divide between No, it

408
00:17:52,640 --> 00:17:54,359
Speaker 2: has really strong I'm.

409
00:17:54,320 --> 00:17:56,760
Speaker 1: Sure it does. It's just a movie with like a

410
00:17:56,880 --> 00:18:00,840
Speaker 1: sexy indrist Elba and racial divides. Yeah, is quite just

411
00:18:01,040 --> 00:18:02,919
Speaker 1: quite a lot for me to deal with.

412
00:18:03,160 --> 00:18:05,480
Speaker 2: Yeah, because then all that what's the opposite of predator

413
00:18:06,160 --> 00:18:06,960
Speaker 2: the nice ones?

414
00:18:07,359 --> 00:18:10,000
Speaker 1: No, that's me, that's me. There's good and bad. I know,

415
00:18:10,080 --> 00:18:11,320
Speaker 1: I know the type of animal. And you know what.

416
00:18:11,760 --> 00:18:15,280
Speaker 2: Pray the pray, the pray, the pray. Oh my god,

417
00:18:16,240 --> 00:18:19,000
Speaker 2: spoke for Robert just getting on the phone. So then

418
00:18:19,040 --> 00:18:21,159
Speaker 2: the pray start to hate the predators. So then the

419
00:18:21,160 --> 00:18:23,600
Speaker 2: predators all start getting locked up every time they step

420
00:18:23,640 --> 00:18:25,560
Speaker 2: out of the line. So it becomes kind of like

421
00:18:26,720 --> 00:18:29,240
Speaker 2: in like Harry Potter when they start to split, like

422
00:18:29,280 --> 00:18:32,320
Speaker 2: the half Bloods, and like yeah, yeah, it becomes really scary.

423
00:18:32,400 --> 00:18:36,000
Speaker 2: It's not all actually anyway. So Judy Hops and Nick

424
00:18:36,000 --> 00:18:38,680
Speaker 2: Wilde pair up together to try to figure out what's.

425
00:18:38,480 --> 00:18:43,880
Speaker 1: Going on their predator and prey rights exactly exactly could

426
00:18:45,480 --> 00:18:46,400
Speaker 1: getting it now.

427
00:18:49,000 --> 00:18:50,800
Speaker 2: But to follow Oh my god, when I was watching it,

428
00:18:50,840 --> 00:18:53,440
Speaker 2: I was like, well, like, what's gonna happen? And they

429
00:18:53,520 --> 00:18:56,600
Speaker 2: find out that the predators have been injected by this

430
00:18:56,720 --> 00:18:59,919
Speaker 2: special serum that is making them like go crazy Jesus

431
00:19:00,040 --> 00:19:03,320
Speaker 2: and attack the prey and then they find out who

432
00:19:03,359 --> 00:19:03,920
Speaker 2: it is.

433
00:19:04,080 --> 00:19:08,560
Speaker 1: It's sexy, it's yourself. No, but that tist.

434
00:19:08,680 --> 00:19:11,080
Speaker 2: That would have been a great plot twist. It's not

435
00:19:11,200 --> 00:19:15,240
Speaker 2: the mayor who's a lion, it's the mayor's assistant who's

436
00:19:15,280 --> 00:19:16,040
Speaker 2: a little lamb.

437
00:19:16,359 --> 00:19:19,080
Speaker 1: Oh my gosh. I have seen pictures of her.

438
00:19:18,960 --> 00:19:22,680
Speaker 2: Being crazy because she wants all predators to be behind bars,

439
00:19:22,680 --> 00:19:25,080
Speaker 2: so then she and the prey can rules Utopia.

440
00:19:25,240 --> 00:19:27,719
Speaker 1: I mean it's not a bad plan. I mean, that'sually

441
00:19:27,760 --> 00:19:28,240
Speaker 1: quite a good plan.

442
00:19:28,280 --> 00:19:30,040
Speaker 2: Well, it didn't work out for her, did it well?

443
00:19:30,080 --> 00:19:31,600
Speaker 2: Because now she's in jail, which you.

444
00:19:31,600 --> 00:19:34,639
Speaker 1: Will see in Zutopia too, she's in jail.

445
00:19:35,000 --> 00:19:36,680
Speaker 2: It was just one of those like plot twist because

446
00:19:36,680 --> 00:19:39,399
Speaker 2: I'm like thinking, I'm watching a children's movie, kind of

447
00:19:39,440 --> 00:19:41,760
Speaker 2: like when you watch Frozen and you find out Hans

448
00:19:41,840 --> 00:19:44,920
Speaker 2: is bad. Yeah, oh, that's a good plot twist you

449
00:19:44,920 --> 00:19:46,560
Speaker 2: should have done, I know, but I didn't want to

450
00:19:46,560 --> 00:19:50,560
Speaker 2: do it because it's so obvious, which Utopia was not obvious.

451
00:19:50,920 --> 00:19:54,920
Speaker 1: I mean, I guess, yeah, Look, I'm not gonna write

452
00:19:54,920 --> 00:19:58,720
Speaker 1: on your oh hot twist. It was meant to be someone, right.

453
00:19:58,680 --> 00:20:00,199
Speaker 2: It was meant to be someone, but you would think

454
00:20:00,200 --> 00:20:02,639
Speaker 2: it was going to be like someone evil and bad

455
00:20:02,720 --> 00:20:05,879
Speaker 2: or like the mafia, because there is one course there is.

456
00:20:05,880 --> 00:20:08,320
Speaker 1: Why wouldn't they It was like this little innocent lamb.

457
00:20:08,560 --> 00:20:10,919
Speaker 1: Well you can't. Is that the whole thing? Like a

458
00:20:10,960 --> 00:20:14,320
Speaker 1: wolf in sheep's clothing? A wolf and lambs clothing so layered?

459
00:20:15,080 --> 00:20:19,720
Speaker 1: Are you just getting that now? So much symbol? I

460
00:20:19,760 --> 00:20:22,840
Speaker 1: didn't figure that out. It's okay, you would. You were

461
00:20:22,880 --> 00:20:25,680
Speaker 1: too distracted by the sexy fox and the sexy whatever.

462
00:20:25,720 --> 00:20:28,639
Speaker 1: Idris Alba is. He's like I can picture him, like

463
00:20:28,640 --> 00:20:30,399
Speaker 1: I've seen a picture. But what is it? Not a

464
00:20:30,440 --> 00:20:36,040
Speaker 1: buffalo but a buffalo? He's a Bullet's very good.

465
00:20:36,400 --> 00:20:39,720
Speaker 2: But Taurus is okay to wear like Idris Elbert.

466
00:20:39,920 --> 00:20:42,159
Speaker 1: Yeah, that's that's a line to draw anyway.

467
00:20:42,440 --> 00:20:44,480
Speaker 2: Sorry for spoiling that if you haven't seen, but it

468
00:20:44,560 --> 00:20:46,399
Speaker 2: is a great film, and you know what, I'm just

469
00:20:46,440 --> 00:20:49,359
Speaker 2: gonna say it. I'm just gonna say it. Utopia too,

470
00:20:49,800 --> 00:20:50,399
Speaker 2: even better.

471
00:20:50,800 --> 00:20:52,720
Speaker 1: Wow, I'm not gonna spoil that one though. I'm not

472
00:20:52,760 --> 00:20:56,440
Speaker 1: gonna spoil it. Okay, since you did a children's movie,

473
00:20:56,880 --> 00:21:01,800
Speaker 1: I'm gonna do a teen fantasy, which as my thirteen

474
00:21:02,000 --> 00:21:05,560
Speaker 1: fantasy the best genre and most widely read by adults.

475
00:21:06,040 --> 00:21:07,680
Speaker 1: So even though I read them as a teen, obviously,

476
00:21:07,720 --> 00:21:10,399
Speaker 1: I still very heavily involved in that genre. So a

477
00:21:10,440 --> 00:21:14,160
Speaker 1: teen fantasy, you obviously expect there to be some sort

478
00:21:14,200 --> 00:21:16,639
Speaker 1: of plot twist, but it's always interesting of like, especially

479
00:21:16,640 --> 00:21:20,479
Speaker 1: because the romance is so central to this storyline, of like,

480
00:21:20,520 --> 00:21:23,360
Speaker 1: how are they going to keep these characters apart? Sometimes

481
00:21:23,359 --> 00:21:26,240
Speaker 1: it's sti or curse. Sometimes it's by separating them through

482
00:21:26,240 --> 00:21:28,760
Speaker 1: distance and time. The plot twist of this movie. And

483
00:21:28,800 --> 00:21:31,440
Speaker 1: I had read the entire book series before I saw

484
00:21:31,480 --> 00:21:34,200
Speaker 1: the movie, and there's also a TV series. The movie

485
00:21:34,240 --> 00:21:36,600
Speaker 1: in the TV series both not great. The books are excellent,

486
00:21:36,840 --> 00:21:38,520
Speaker 1: but this movie was like quite a big deal when

487
00:21:38,520 --> 00:21:41,560
Speaker 1: it came out. So it's called The Mortal Instruments a

488
00:21:41,560 --> 00:21:44,160
Speaker 1: City of Bones, and it came out in twenty thirteen.

489
00:21:44,200 --> 00:21:46,440
Speaker 1: Have you seen this movie? No, I haven't. Oh, it

490
00:21:46,520 --> 00:21:49,520
Speaker 1: is a good like I thought you were going to say, twitches. No,

491
00:21:49,760 --> 00:21:52,720
Speaker 1: that's like a Disney Channel. We right, I've actually seen Yeah,

492
00:21:52,760 --> 00:21:54,760
Speaker 1: I know, I actually know mostly about them from you. Yeah,

493
00:21:54,760 --> 00:21:56,879
Speaker 1: but it has a great plot twist. No, this is so.

494
00:21:56,920 --> 00:21:58,800
Speaker 1: These are based on the books by Cassandra Claire, and

495
00:21:58,840 --> 00:22:01,120
Speaker 1: I want to say, in the series, there's maybe sixty

496
00:22:01,160 --> 00:22:05,359
Speaker 1: five books. I wish I was. I'm only exaggerating just slightly.

497
00:22:05,440 --> 00:22:06,960
Speaker 1: Oh my god, I have you read all the book

498
00:22:07,040 --> 00:22:09,040
Speaker 1: pretty much? Yeah? A new one came out the other

499
00:22:09,080 --> 00:22:10,560
Speaker 1: day and I was like, girl the other day. Yeah,

500
00:22:10,640 --> 00:22:12,520
Speaker 1: oh my god. And I started reading these when I

501
00:22:12,560 --> 00:22:14,840
Speaker 1: was a teen. I was like, Girl, settle down. But

502
00:22:14,880 --> 00:22:17,119
Speaker 1: there's different spin off series or something. But the Mortal

503
00:22:17,119 --> 00:22:19,880
Speaker 1: Instruments is the original series. Okay, so there's a whole

504
00:22:19,880 --> 00:22:23,520
Speaker 1: book series. But in the movie Lily Collins, who was

505
00:22:23,560 --> 00:22:25,600
Speaker 1: It's so interesting because she was such a big movie star.

506
00:22:25,960 --> 00:22:27,480
Speaker 1: She was a movie star and more like kind of

507
00:22:27,520 --> 00:22:31,480
Speaker 1: like teen remanche White. Yeah, she's like snow White and

508
00:22:31,520 --> 00:22:34,560
Speaker 1: with love Rosie and then Mortal Instruments and then she

509
00:22:34,560 --> 00:22:37,440
Speaker 1: started segueing into more of like a dramatic TV actress

510
00:22:37,440 --> 00:22:39,560
Speaker 1: and like the Ted Bundy Show were like to the bone,

511
00:22:39,680 --> 00:22:41,040
Speaker 1: and then all of a sudden, she was like, you know, what,

512
00:22:41,200 --> 00:22:44,000
Speaker 1: to hell with this career. My name's Emily. I'm going

513
00:22:44,040 --> 00:22:46,639
Speaker 1: to be Emily in Paris and that's all I mean.

514
00:22:46,680 --> 00:22:49,159
Speaker 1: She is making the Audrey Hepbird movie. Now. For a

515
00:22:49,160 --> 00:22:51,119
Speaker 1: while they're so exciting. A while there she was like,

516
00:22:51,240 --> 00:22:53,760
Speaker 1: there's no bigger stardom for me than Emily and Paris,

517
00:22:53,760 --> 00:22:55,760
Speaker 1: and I respect that. But before that she was trying

518
00:22:55,760 --> 00:22:57,879
Speaker 1: to be more of a dramatic actress. So she plays

519
00:22:57,920 --> 00:23:02,359
Speaker 1: Clary in the movie Who's just a teen? All that mean? Yeah, Claire,

520
00:23:02,400 --> 00:23:04,320
Speaker 1: I didn't like it at first, but it's growing on me.

521
00:23:04,960 --> 00:23:07,720
Speaker 1: And then all of a sudden, like her world gets

522
00:23:07,840 --> 00:23:10,960
Speaker 1: up turned upside down. Her mum gets kidnapped, and she

523
00:23:11,040 --> 00:23:12,760
Speaker 1: and her best friend Simon, they live in New York,

524
00:23:13,119 --> 00:23:19,919
Speaker 1: stumble upon this world that is like demons, witches, vampires, warlocks,

525
00:23:19,960 --> 00:23:22,920
Speaker 1: anything you can think of, and humans can't see them,

526
00:23:23,320 --> 00:23:27,320
Speaker 1: but Claire can, she realizes because she's actually like a

527
00:23:27,359 --> 00:23:30,439
Speaker 1: shadow hunter. And shadow hunters are these group of like

528
00:23:30,560 --> 00:23:34,560
Speaker 1: half human half angel who like protect the mortals from

529
00:23:34,640 --> 00:23:36,920
Speaker 1: all of these different creatures, and they have powers and

530
00:23:36,960 --> 00:23:38,639
Speaker 1: they have these magic They can like draw things on

531
00:23:38,680 --> 00:23:41,239
Speaker 1: them called ruins that give them magic powers, all these

532
00:23:41,320 --> 00:23:43,639
Speaker 1: sorts of things. And she meets one of these shadow

533
00:23:43,680 --> 00:23:48,000
Speaker 1: hunters called Chase played by Jamie Campbell Bauer. Ooh, and

534
00:23:48,040 --> 00:23:50,800
Speaker 1: they I think they did hook up behind the scenes

535
00:23:50,920 --> 00:23:53,359
Speaker 1: or behind these maybe they were looking up openly anyway,

536
00:23:53,359 --> 00:23:56,280
Speaker 1: they were romantically involved with how I see them together. Yeah,

537
00:23:56,560 --> 00:23:59,280
Speaker 1: so chasing Clary meat, he kind of like looks after

538
00:23:59,280 --> 00:24:01,240
Speaker 1: her and takes her into the secret world of shadow

539
00:24:01,280 --> 00:24:04,119
Speaker 1: Hunters and like they exist, and it's it's so interesting

540
00:24:04,119 --> 00:24:07,200
Speaker 1: Whenever I see a rundown building in the city, I'm

541
00:24:07,240 --> 00:24:09,720
Speaker 1: just like, that's a shadow Hunter institute because to the

542
00:24:09,800 --> 00:24:13,080
Speaker 1: human eye they look like abandoned buildings, but to the

543
00:24:13,240 --> 00:24:15,760
Speaker 1: shadow Hunters, like, once you've got the like site, it's

544
00:24:15,800 --> 00:24:18,000
Speaker 1: like a big building where they live and trade. So

545
00:24:18,200 --> 00:24:20,560
Speaker 1: like Harry Potter, actually there's a lot of crossover with

546
00:24:20,600 --> 00:24:23,160
Speaker 1: Harry Potter. And actually, I do think Cassandra Claire has

547
00:24:23,160 --> 00:24:26,479
Speaker 1: come clean that this started as Harry Potter fanfico, Like

548
00:24:26,560 --> 00:24:29,040
Speaker 1: what if Hermione the smart girl, which is kind of

549
00:24:29,080 --> 00:24:31,520
Speaker 1: Clary fell in love with the blonde bad boy which

550
00:24:31,560 --> 00:24:36,399
Speaker 1: is Chase. Its Draco Draco Yeah, yeah, yeah, yeah, it's

551
00:24:36,480 --> 00:24:38,480
Speaker 1: kind of Harry Potter fan fix that went too far,

552
00:24:38,600 --> 00:24:42,160
Speaker 1: And now it's a whole world with like sixty books, show,

553
00:24:42,320 --> 00:24:45,520
Speaker 1: a movie, all that sort of stuff. So as they're

554
00:24:45,560 --> 00:24:48,159
Speaker 1: like searching for Clary's mum and searching for answers and

555
00:24:48,200 --> 00:24:51,040
Speaker 1: fighting all these demons. Chase and Clary start to fall

556
00:24:51,080 --> 00:24:53,600
Speaker 1: in love and you're like, this is so great deserved.

557
00:24:53,880 --> 00:24:56,679
Speaker 1: Here is this handsome rogue shadow hunter who's kind of

558
00:24:56,720 --> 00:24:58,560
Speaker 1: just like, you know, like he's got and he's got

559
00:24:58,560 --> 00:25:01,920
Speaker 1: these like siblings that their siblings, but he's like they're

560
00:25:01,960 --> 00:25:03,680
Speaker 1: like the three of them have grown up together, and

561
00:25:03,720 --> 00:25:05,879
Speaker 1: like he apart from them, like he doesn't, you know,

562
00:25:06,160 --> 00:25:08,040
Speaker 1: open up to anyone. He's so closed off. And he

563
00:25:08,080 --> 00:25:09,680
Speaker 1: starts to fall in love with her, and it's so

564
00:25:09,800 --> 00:25:12,879
Speaker 1: romantic and sweet against this backdrop of them like going

565
00:25:12,880 --> 00:25:15,399
Speaker 1: on adventures and fighting demons. And I'm reading this as

566
00:25:15,400 --> 00:25:18,000
Speaker 1: a teenager and also watching the movie when it came

567
00:25:18,040 --> 00:25:19,560
Speaker 1: out as a young adult, and like, you know, your

568
00:25:19,600 --> 00:25:22,480
Speaker 1: heart's beating so fast. And then the plot twist comes

569
00:25:22,520 --> 00:25:28,960
Speaker 1: of why they can't be together and now, Cassandra, no, sorry,

570
00:25:29,080 --> 00:25:32,000
Speaker 1: that would have been better. That would have been way

571
00:25:32,119 --> 00:25:42,200
Speaker 1: less gross. Okay, I guess brother in Sister, except except

572
00:25:42,200 --> 00:25:44,560
Speaker 1: I don't know if I want to spoil it. Okay,

573
00:25:44,600 --> 00:25:46,160
Speaker 1: so I don't know. I was watching Game of Thrones,

574
00:25:47,400 --> 00:25:50,040
Speaker 1: but at my Game of Thrones, it's not like they're

575
00:25:50,040 --> 00:25:52,600
Speaker 1: not into it, so they find it. Okay, So here's

576
00:25:52,640 --> 00:25:54,480
Speaker 1: where I have to separate the books from the movie.

577
00:25:54,720 --> 00:25:57,919
Speaker 1: So in the books it becomes sorry, I think we

578
00:25:57,960 --> 00:26:02,640
Speaker 1: just skirted over the big plot brother and sister. They

579
00:26:02,680 --> 00:26:05,000
Speaker 1: share a dad who was this evil super villain and

580
00:26:05,080 --> 00:26:06,800
Speaker 1: has the one who was like taking her mum and

581
00:26:06,920 --> 00:26:09,840
Speaker 1: killing people, and so it's like, it's like if there's

582
00:26:09,880 --> 00:26:13,080
Speaker 1: so many twists, like if Hermione and Draco found out

583
00:26:13,160 --> 00:26:20,520
Speaker 1: the Voldemort was their join father. And in this movie,

584
00:26:21,320 --> 00:26:24,440
Speaker 1: Lily Collins face when she finds out, she just like

585
00:26:24,720 --> 00:26:27,679
Speaker 1: her whole face screws up. And then Jamie camil Bowers

586
00:26:27,720 --> 00:26:32,560
Speaker 1: all like, oh no, like they're upset because they really

587
00:26:32,600 --> 00:26:37,760
Speaker 1: want to have sex. Well what and then okay, so

588
00:26:37,920 --> 00:26:39,720
Speaker 1: here here's here's what I'm going to spoil a few

589
00:26:39,720 --> 00:26:42,280
Speaker 1: things these books came out. I want to say, please

590
00:26:42,320 --> 00:26:46,920
Speaker 1: don't spoil it. In the books, it's made clear much

591
00:26:47,000 --> 00:26:49,959
Speaker 1: later on that they are not brother and sister. In

592
00:26:50,040 --> 00:26:54,080
Speaker 1: the movie, it is not made clear at the end

593
00:26:54,440 --> 00:26:56,399
Speaker 1: of the movie. So they had this big plot twist,

594
00:26:56,600 --> 00:26:57,959
Speaker 1: and I just want to like, I know a lot

595
00:26:57,960 --> 00:26:59,479
Speaker 1: of people did read the books, that's why they made

596
00:26:59,520 --> 00:27:01,600
Speaker 1: the movie. But I know a lot of people just

597
00:27:01,640 --> 00:27:04,119
Speaker 1: went into the cinema and were like thinking they were

598
00:27:04,119 --> 00:27:06,240
Speaker 1: just watching because this is also like the real error

599
00:27:06,359 --> 00:27:10,080
Speaker 1: of these teen like fantasy romances being made into these

600
00:27:10,080 --> 00:27:12,359
Speaker 1: you know, it's like Hunger Games, Divergent series, all those

601
00:27:12,440 --> 00:27:13,879
Speaker 1: kind of movies. So you go in and you're like, I'm

602
00:27:13,880 --> 00:27:17,040
Speaker 1: going to see a love story, and then everyone in

603
00:27:17,040 --> 00:27:20,040
Speaker 1: the movie was like what again. It's like finding out

604
00:27:20,640 --> 00:27:22,840
Speaker 1: that Harry Potter and Ginny Weasley were related, do you

605
00:27:22,880 --> 00:27:24,480
Speaker 1: know what I mean? After they've pulled out, they're running

606
00:27:24,520 --> 00:27:26,439
Speaker 1: Hermione were like, it's that whole thing. So people were

607
00:27:26,440 --> 00:27:29,879
Speaker 1: going into theater being like, they're brother and sister. And

608
00:27:29,960 --> 00:27:33,639
Speaker 1: because they ended and investing all that time in the books. Yeah,

609
00:27:33,680 --> 00:27:36,320
Speaker 1: and also like because they only made the one movie,

610
00:27:36,359 --> 00:27:38,680
Speaker 1: they later on and made a TV show with different cast.

611
00:27:38,840 --> 00:27:40,880
Speaker 1: Because they only made the one movie, they never got

612
00:27:40,920 --> 00:27:43,080
Speaker 1: to the proper reveal that they're not brother and sisters.

613
00:27:43,080 --> 00:27:46,320
Speaker 1: So that movie just exists now, the Mortal Instruments movie.

614
00:27:46,359 --> 00:27:48,840
Speaker 1: And in the last scene, she gots on the back

615
00:27:48,880 --> 00:27:51,080
Speaker 1: of like his motorcycle and they're kind of cuddling, but

616
00:27:51,119 --> 00:27:53,320
Speaker 1: it's like a little bit awkward, and he's like, I

617
00:27:53,320 --> 00:27:55,120
Speaker 1: don't believe my brother and sister do you And she's

618
00:27:55,160 --> 00:27:57,919
Speaker 1: like no, and then they ride away and I was like,

619
00:27:57,920 --> 00:28:01,760
Speaker 1: but you guys don't know, this is great, and that's

620
00:28:01,760 --> 00:28:04,959
Speaker 1: the watch. This is like a teen movie. Teens probably

621
00:28:05,000 --> 00:28:08,720
Speaker 1: even tweens, like even younger than that. No, no, no,

622
00:28:08,840 --> 00:28:10,960
Speaker 1: and they'll probably like, you know what this movie's gonna do,

623
00:28:11,040 --> 00:28:13,160
Speaker 1: so well, it only did okay, maybe because people weren't

624
00:28:13,160 --> 00:28:15,399
Speaker 1: expecting that, so they probably like, they're probably like, in

625
00:28:15,440 --> 00:28:18,040
Speaker 1: the sixth movie, we're gonna reveal they're not brother and sister,

626
00:28:18,119 --> 00:28:19,439
Speaker 1: and then they ever to do it, so now they

627
00:28:19,520 --> 00:28:20,880
Speaker 1: just live in that way.

628
00:28:21,480 --> 00:28:23,480
Speaker 2: Maybe I'll watched the movie and just before it happens,

629
00:28:23,520 --> 00:28:25,040
Speaker 2: I just turn it off. Yeah, I love how it

630
00:28:25,160 --> 00:28:25,680
Speaker 2: ended that way.

631
00:28:25,680 --> 00:28:27,600
Speaker 1: And you'll be saying, like they're sexy, meet cute. When

632
00:28:27,600 --> 00:28:29,280
Speaker 1: he saves her and she like faints and he like

633
00:28:29,320 --> 00:28:31,119
Speaker 1: carries her to the institute and stuff, he'd be like,

634
00:28:31,280 --> 00:28:36,720
Speaker 1: that's your sister. I'm like this this is again. This

635
00:28:36,800 --> 00:28:39,040
Speaker 1: movie came out many years ago, and I remember like

636
00:28:39,120 --> 00:28:41,320
Speaker 1: watching it with a bunch of friends who didn't have

637
00:28:41,400 --> 00:28:42,760
Speaker 1: it read the books, and so the whole time I'm

638
00:28:42,760 --> 00:28:45,760
Speaker 1: watching him, I'm just going like, guys, guys, you don't

639
00:28:45,800 --> 00:28:47,800
Speaker 1: know and someone's like, oh my god, I love Jamie

640
00:28:47,800 --> 00:28:49,960
Speaker 1: camil Bauer. He's like my sexual fantasy. And I was like,

641
00:28:50,200 --> 00:28:53,160
Speaker 1: just wait, just wait, and then I literally said the

642
00:28:53,160 --> 00:28:56,840
Speaker 1: words I see them together. Yeah, well there's a certain resemblance.

643
00:28:57,640 --> 00:28:59,720
Speaker 1: That's because I mean, again, they're not brother and sister.

644
00:29:00,200 --> 00:29:02,280
Speaker 1: But I just remember thinking, like when we were watching

645
00:29:02,280 --> 00:29:04,120
Speaker 1: that movie, the Model Instruments movie, like, are we just

646
00:29:04,160 --> 00:29:06,680
Speaker 1: out of plot twists now? Yeah? And this is a

647
00:29:06,720 --> 00:29:09,160
Speaker 1: lot this is like many years ago, like well over

648
00:29:09,200 --> 00:29:12,120
Speaker 1: a decade now that at the point where you're just like,

649
00:29:12,240 --> 00:29:14,280
Speaker 1: is this where movies are now? That we're just hooking

650
00:29:14,360 --> 00:29:18,000
Speaker 1: up siblings? Ill? But then the revealers that they're not siblings.

651
00:29:18,160 --> 00:29:20,160
Speaker 1: You I don't know that the dam just watched the movie?

652
00:29:20,240 --> 00:29:22,880
Speaker 1: Yeah exactly. And the end they say they don't believe

653
00:29:22,920 --> 00:29:23,720
Speaker 1: their siblings.

654
00:29:24,160 --> 00:29:25,880
Speaker 2: But then everyone who's just watched me we'd be like,

655
00:29:25,920 --> 00:29:26,960
Speaker 2: but who are but.

656
00:29:27,000 --> 00:29:29,080
Speaker 1: You could be? And also how do you get rid

657
00:29:29,120 --> 00:29:31,240
Speaker 1: of that? Because they believe their siblings for such a

658
00:29:31,240 --> 00:29:33,800
Speaker 1: long time, and to be honest, they still do hook

659
00:29:33,880 --> 00:29:35,200
Speaker 1: up a little bit knowing that because they can't help

660
00:29:35,200 --> 00:29:36,920
Speaker 1: it because they're soll in love. And afterwards it's like

661
00:29:37,560 --> 00:29:39,440
Speaker 1: it's like, well, what they weren't, But I'm like, but

662
00:29:39,480 --> 00:29:44,120
Speaker 1: they thought they Yeah, anyway, it's a beautiful teen fantasy,

663
00:29:44,120 --> 00:29:47,160
Speaker 1: a beloved teen fantasy. Watch it with your family, Yeah,

664
00:29:47,240 --> 00:29:49,120
Speaker 1: watch it with It is a family movie. Share with

665
00:29:49,120 --> 00:29:52,719
Speaker 1: your brother. I think I probably didn't one stage my

666
00:29:52,720 --> 00:29:55,040
Speaker 1: brothers and sisters. I used to watch Stuck together, and

667
00:29:55,160 --> 00:29:58,320
Speaker 1: my sisters and I have all read these books, like yeah,

668
00:29:58,480 --> 00:30:02,280
Speaker 1: nice family fun for everyone. What's your next recommendation, okay

669
00:30:02,640 --> 00:30:05,400
Speaker 1: or anti recommendation, as both of mine have been so far.

670
00:30:05,960 --> 00:30:08,000
Speaker 2: This movie, it's a horror movie that came out in

671
00:30:08,000 --> 00:30:10,240
Speaker 2: two thousand and four. I watched it when I was

672
00:30:10,280 --> 00:30:13,360
Speaker 2: eleven years old, so years after it came out.

673
00:30:13,120 --> 00:30:15,440
Speaker 1: Eleven years old, you can barely watch a horror movie now.

674
00:30:15,920 --> 00:30:18,280
Speaker 2: This movie should not be watched by eleven years old. Also,

675
00:30:18,320 --> 00:30:20,800
Speaker 2: I haven't watched it since. Okay, so me retelling this.

676
00:30:20,840 --> 00:30:23,360
Speaker 1: Oh, this will be great because a movie that you

677
00:30:23,400 --> 00:30:24,240
Speaker 1: saw last week.

678
00:30:25,280 --> 00:30:27,280
Speaker 2: I don't know how I'm gonna actually explain this movie

679
00:30:27,280 --> 00:30:30,000
Speaker 2: because it actually like it was also probably the first

680
00:30:30,480 --> 00:30:34,000
Speaker 2: plot twist movie I've ever seen in my life. Oh

681
00:30:34,040 --> 00:30:36,280
Speaker 2: and I've just like internalized that because it was just

682
00:30:36,360 --> 00:30:37,480
Speaker 2: so shocking.

683
00:30:37,120 --> 00:30:38,080
Speaker 1: To my callow.

684
00:30:39,280 --> 00:30:42,640
Speaker 2: It's an am Night Chamalan movie. It's called The Village.

685
00:30:43,240 --> 00:30:45,800
Speaker 1: Oh yeah, have you seen it? Of course I've seen

686
00:30:45,840 --> 00:30:48,760
Speaker 1: The Village. Also, isn't that I'm sorry, I'm not called

687
00:30:48,760 --> 00:30:51,840
Speaker 1: I'm not calling out your choice. But isn't the whole

688
00:30:51,960 --> 00:30:55,280
Speaker 1: point of an Might Chamalan movie that it has a twist?

689
00:30:55,320 --> 00:30:57,960
Speaker 2: I didn't know this eleven years old. Okay, but you know,

690
00:31:00,000 --> 00:31:01,520
Speaker 2: I don't think I've seen any of his other movies.

691
00:31:01,560 --> 00:31:04,640
Speaker 1: Are you kidding? Yeah? This this whole man has built

692
00:31:04,640 --> 00:31:08,920
Speaker 1: his career on plot twists, has he? Yes? Okay, okay,

693
00:31:08,960 --> 00:31:10,760
Speaker 1: I'm just saying that this does not fit the genre

694
00:31:10,760 --> 00:31:13,400
Speaker 1: of this podcast. Let's it's my genre, because okay, this

695
00:31:13,440 --> 00:31:19,320
Speaker 1: is his first movie was called The Sixth Sense was yes, sorry,

696
00:31:20,320 --> 00:31:23,720
Speaker 1: and everyone's like great plot twists and history, so now

697
00:31:23,760 --> 00:31:28,040
Speaker 1: you're always watching for whatever his plot twist is. No,

698
00:31:28,160 --> 00:31:28,720
Speaker 1: but I.

699
00:31:28,560 --> 00:31:31,360
Speaker 2: Think this one counts because there's a big plot twist.

700
00:31:31,440 --> 00:31:33,360
Speaker 2: But then there's another plot twist at the end.

701
00:31:33,600 --> 00:31:36,040
Speaker 1: Yeah okay, I mean you can continue, But I'm just saying,

702
00:31:36,080 --> 00:31:38,960
Speaker 1: it's this movie that's like going into a Stephen King

703
00:31:39,160 --> 00:31:41,080
Speaker 1: movie and being like, just so you know, it's actually scary,

704
00:31:41,080 --> 00:31:42,560
Speaker 1: and I know that you wouldn't have no way to

705
00:31:42,600 --> 00:31:45,200
Speaker 1: know that. Like, his movies are full of twists.

706
00:31:45,880 --> 00:31:48,680
Speaker 2: Okay, I'm sorry, am Namal, you're listening.

707
00:31:49,360 --> 00:31:52,280
Speaker 1: And now his daughter makes plot twist movies to carry

708
00:31:52,280 --> 00:31:55,280
Speaker 1: on the family name. Well I'm happy for that. Okay.

709
00:31:55,320 --> 00:31:58,360
Speaker 2: But this movie like actually physically changed me as a child.

710
00:31:58,520 --> 00:32:01,200
Speaker 1: Yeah, eleven, It is scary. I feel that movie. It's

711
00:32:01,280 --> 00:32:02,160
Speaker 1: so scary.

712
00:32:02,760 --> 00:32:06,480
Speaker 2: So basically what happens is and you can correct me

713
00:32:06,520 --> 00:32:10,960
Speaker 2: if i'm I will so. It stars Bryce Dylis Howe yep,

714
00:32:11,240 --> 00:32:15,480
Speaker 2: and she plays a blind girl yea. It also has

715
00:32:15,560 --> 00:32:19,080
Speaker 2: like Joaquin Phoenix and Adrian Brod Yeah, and Judy Greer

716
00:32:19,160 --> 00:32:19,800
Speaker 2: and Judy.

717
00:32:19,600 --> 00:32:24,120
Speaker 1: Green the Gorney Weaver. Yeah, well done, well done. Okay,

718
00:32:24,240 --> 00:32:24,760
Speaker 1: here we go.

719
00:32:26,680 --> 00:32:30,560
Speaker 2: The movie is set in like this nineteenth century village,

720
00:32:31,080 --> 00:32:32,880
Speaker 2: so very very old times.

721
00:32:33,000 --> 00:32:38,360
Speaker 1: This is important old time. You telling this pot twist

722
00:32:38,640 --> 00:32:40,760
Speaker 1: like it's not one of the most famous pot twists

723
00:32:40,760 --> 00:32:43,040
Speaker 1: in the world. This is so funny me that this

724
00:32:43,120 --> 00:32:44,280
Speaker 1: is like me telling you. Let me tell you a

725
00:32:44,280 --> 00:32:46,400
Speaker 1: little tragedy that no one's ever talked about before. Have

726
00:32:46,480 --> 00:32:50,040
Speaker 1: you heard of Robia and Juliet? But please continue? Okay.

727
00:32:50,920 --> 00:32:54,320
Speaker 2: So it's a nineteenth century village. Yea, they live on

728
00:32:54,400 --> 00:32:56,680
Speaker 2: like this kind of commune. Yeah, and it's like all

729
00:32:56,720 --> 00:32:58,800
Speaker 2: these like rickety old.

730
00:32:58,880 --> 00:33:00,440
Speaker 1: It almost kind of looks like old school, And I

731
00:33:00,480 --> 00:33:02,480
Speaker 1: know I'm probably missing my American history because it's not

732
00:33:02,520 --> 00:33:04,440
Speaker 1: my like but old school like pilgrimish like.

733
00:33:04,440 --> 00:33:08,680
Speaker 2: Yeah, wooden cabin in this like big community where everyone

734
00:33:08,720 --> 00:33:11,800
Speaker 2: I guess knows each other, yeah and like marries each

735
00:33:11,840 --> 00:33:12,840
Speaker 2: other and stuff.

736
00:33:13,880 --> 00:33:16,920
Speaker 1: Anyway, there are points in the night where.

737
00:33:16,760 --> 00:33:21,160
Speaker 2: These big, dark, crazy scary creatures emerged.

738
00:33:21,280 --> 00:33:21,520
Speaker 1: Yeah.

739
00:33:21,680 --> 00:33:24,080
Speaker 2: They're like they call them like the unknown or like

740
00:33:24,120 --> 00:33:28,280
Speaker 2: they should not be named or something. And these creatures

741
00:33:28,400 --> 00:33:32,320
Speaker 2: come and like scare the village into like them hibernating

742
00:33:32,360 --> 00:33:34,280
Speaker 2: in their houses until the creatures leave.

743
00:33:34,480 --> 00:33:34,680
Speaker 1: Yeah.

744
00:33:34,800 --> 00:33:37,360
Speaker 2: And it's like these big tall creatures in like these

745
00:33:37,400 --> 00:33:41,000
Speaker 2: cloaks and they have like these pig like faces with

746
00:33:41,080 --> 00:33:41,360
Speaker 2: a spit.

747
00:33:41,440 --> 00:33:43,520
Speaker 1: Yeah. And the red Cloak. That's actually such a beautiful

748
00:33:43,600 --> 00:33:46,520
Speaker 1: visual moment of like those dark, gloomy beautifleges and like

749
00:33:46,600 --> 00:33:48,640
Speaker 1: the creature like coming out of the dark woods in

750
00:33:48,640 --> 00:33:50,720
Speaker 1: the red cloak. Yeah, it's like terrifying beautiful. Yeah. It

751
00:33:50,760 --> 00:33:54,280
Speaker 1: gets a bit us very yes, exactly, very visually study. Yes.

752
00:33:54,840 --> 00:33:57,280
Speaker 2: Anyway, Bryce Dallas Howard.

753
00:33:57,520 --> 00:33:59,360
Speaker 1: So she's blind. I love, you're not even pretending to

754
00:33:59,400 --> 00:34:01,120
Speaker 1: use anyone's name, and I don't.

755
00:34:01,000 --> 00:34:04,920
Speaker 2: Know the name, so I was eleven her the guy

756
00:34:04,960 --> 00:34:08,360
Speaker 2: that she likes, I don't know who he is, Joaquin Phoenix,

757
00:34:08,400 --> 00:34:11,640
Speaker 2: Jaquin Phoenix. He's like dying because he's got like this

758
00:34:11,880 --> 00:34:15,000
Speaker 2: crazy fever. But it's the nineteenth century, so remember, like

759
00:34:15,000 --> 00:34:17,399
Speaker 2: how do we treat fevers if we can't? So then

760
00:34:17,480 --> 00:34:21,160
Speaker 2: she goes on an expedition alone by herself. Remember she's blind,

761
00:34:21,520 --> 00:34:24,560
Speaker 2: to like try to find medicine to heal him. As

762
00:34:24,560 --> 00:34:27,359
Speaker 2: she's like walking out alone, she gets attacked by one

763
00:34:27,400 --> 00:34:30,760
Speaker 2: of those cloaked creatures and it's like really really scary

764
00:34:30,800 --> 00:34:32,839
Speaker 2: because like she's meant to be at home when they come.

765
00:34:33,480 --> 00:34:37,240
Speaker 2: You find out that the creature was actually the people

766
00:34:37,280 --> 00:34:40,200
Speaker 2: in the village dressing up the elders of the elders

767
00:34:40,200 --> 00:34:42,600
Speaker 2: of the village dressing up in these cloaks to scare

768
00:34:42,760 --> 00:34:44,520
Speaker 2: the rest of the village so they would never leave

769
00:34:44,560 --> 00:34:45,319
Speaker 2: the village.

770
00:34:46,440 --> 00:34:48,759
Speaker 1: You think it's done, You think the plot twist is over.

771
00:34:48,840 --> 00:34:50,840
Speaker 1: Oh I know, And that's such a good plot twist too,

772
00:34:50,840 --> 00:34:52,640
Speaker 1: because like you again, like that was back at the

773
00:34:52,680 --> 00:34:54,720
Speaker 1: time too, when everyone was like, don't spoil this and stuff,

774
00:34:54,719 --> 00:34:56,799
Speaker 1: so people watching it and there's so much like you're

775
00:34:56,840 --> 00:34:59,840
Speaker 1: so terrified of these creatures watching it because there are

776
00:35:00,040 --> 00:35:01,480
Speaker 1: act to red, you know how, Like they'd see the

777
00:35:01,520 --> 00:35:03,439
Speaker 1: red flower and they have to hide it. And then

778
00:35:03,520 --> 00:35:05,279
Speaker 1: they can't get everyone to the house that night, and

779
00:35:05,440 --> 00:35:07,480
Speaker 1: they have to go into the basement into the cellar

780
00:35:07,520 --> 00:35:10,520
Speaker 1: and shut the door, and Bryce Stella's Howard's character can't see.

781
00:35:10,560 --> 00:35:12,880
Speaker 1: And when she's like trying to find Joaquin Phoenix a night,

782
00:35:12,960 --> 00:35:14,600
Speaker 1: she holds her hand out the door. Do you remember

783
00:35:14,600 --> 00:35:17,640
Speaker 1: that scene? And the monster's coming up slowly next to her, Well,

784
00:35:17,680 --> 00:35:19,279
Speaker 1: you think it's a monster, and then he grabs her

785
00:35:19,280 --> 00:35:21,640
Speaker 1: hand and pulls her inside. That's how knew they're in love,

786
00:35:21,680 --> 00:35:23,920
Speaker 1: because she couldn't see, but she was going out to save.

787
00:35:23,840 --> 00:35:26,920
Speaker 2: Him exactly, and she do anything for love. Anyway, she

788
00:35:26,960 --> 00:35:30,160
Speaker 2: keeps trotting and trotting and trotting, and then she stumbles

789
00:35:30,200 --> 00:35:34,920
Speaker 2: across a road. It's the nineteenth century. What the hell

790
00:35:35,000 --> 00:35:37,560
Speaker 2: is a road doing now? And then she finds like

791
00:35:37,640 --> 00:35:41,160
Speaker 2: this guard guy who has medicine, and you're like, what's

792
00:35:41,200 --> 00:35:44,759
Speaker 2: that guard doing there? And then you realize it's not

793
00:35:44,880 --> 00:35:47,160
Speaker 2: the nineteenth century, it's modern.

794
00:35:46,840 --> 00:35:49,120
Speaker 1: Times, present days a day like the year it came

795
00:35:49,120 --> 00:35:51,759
Speaker 1: out was the year that they were literally present day.

796
00:35:51,960 --> 00:35:55,200
Speaker 2: And this village has just stayed in that olden times

797
00:35:55,480 --> 00:35:58,520
Speaker 2: by using these monsters to scare everyone by thinking it's

798
00:35:58,520 --> 00:36:00,000
Speaker 2: an olden time village.

799
00:36:00,080 --> 00:36:02,239
Speaker 1: Well, because they don't. They didn't want, like the next

800
00:36:02,239 --> 00:36:04,919
Speaker 1: few generations to be like corrupted by the modern world.

801
00:36:04,960 --> 00:36:07,080
Speaker 1: They didn't want them to have access to technology. They

802
00:36:07,120 --> 00:36:09,200
Speaker 1: wanted to live in a simpler world. And I think

803
00:36:09,200 --> 00:36:11,200
Speaker 1: a lot of parents today would watch that and be like,

804
00:36:11,320 --> 00:36:14,160
Speaker 1: so fair enough, good strategy. Thh. No, I've had time

805
00:36:14,200 --> 00:36:17,640
Speaker 1: in that village, a lot of early death from curable diseases.

806
00:36:17,760 --> 00:36:20,000
Speaker 2: But no, I pad exactly that's important. And she's so

807
00:36:20,160 --> 00:36:23,000
Speaker 2: conditioned by her world that all she does is want

808
00:36:23,040 --> 00:36:27,879
Speaker 2: her wacking Pheenix to survive. So she steals that God's

809
00:36:27,920 --> 00:36:30,120
Speaker 2: medicine and then trots all the way back to the

810
00:36:30,160 --> 00:36:32,799
Speaker 2: village and gives it to him without saying anything. Yeah,

811
00:36:32,880 --> 00:36:35,040
Speaker 2: and then the movie ends. You don't know whether she

812
00:36:35,200 --> 00:36:36,360
Speaker 2: like tells everyone.

813
00:36:36,560 --> 00:36:38,560
Speaker 1: Well, the elders do say to her like, we're we

814
00:36:38,640 --> 00:36:40,759
Speaker 1: are glad. I mean, I'm paraphrasing like, we're glad that

815
00:36:40,800 --> 00:36:44,480
Speaker 1: you've discovered this because someone like, we're gonna die eventually,

816
00:36:44,560 --> 00:36:49,359
Speaker 1: probably quite tradition, and someone probably didn't think that through,

817
00:36:49,520 --> 00:36:53,440
Speaker 1: probably very soon, given they have no medical care, and

818
00:36:53,560 --> 00:36:55,759
Speaker 1: someone needs to keep the tradition going. So you do

819
00:36:55,880 --> 00:36:58,200
Speaker 1: kind of get left in this thought of like does

820
00:36:58,239 --> 00:37:00,640
Speaker 1: she take everyone out into the modern world. She decides

821
00:37:00,760 --> 00:37:02,560
Speaker 1: that she's going to dress for someone's string and keep

822
00:37:02,680 --> 00:37:05,279
Speaker 1: them there, and we never make a sequel and not

823
00:37:05,360 --> 00:37:09,640
Speaker 1: Shaman make a sequel. Yes, same characters. Yeah, we bring

824
00:37:09,640 --> 00:37:13,080
Speaker 1: that back, so the village. So if you haven't seen that,

825
00:37:14,000 --> 00:37:15,600
Speaker 1: So I haven't seen any of these movies because we've

826
00:37:15,640 --> 00:37:16,960
Speaker 1: ruined all the We ruined them all.

827
00:37:17,040 --> 00:37:18,759
Speaker 2: But it is a really good thing, and you're right,

828
00:37:18,800 --> 00:37:21,120
Speaker 2: it is shot as an adult, I can appreciate it

829
00:37:21,200 --> 00:37:23,360
Speaker 2: is shot very beautiful.

830
00:37:22,800 --> 00:37:27,160
Speaker 1: Beautiful cinematography. Okay, my last one. I had to have

831
00:37:27,239 --> 00:37:28,879
Speaker 1: this on the list because I remember going to see

832
00:37:28,920 --> 00:37:31,520
Speaker 1: this well. I was interviewing the director, Paul fig who

833
00:37:31,560 --> 00:37:34,200
Speaker 1: is incredible director. He did Bridesmaids. He came to Australia

834
00:37:34,200 --> 00:37:36,200
Speaker 1: for the launch of this movie, and I did like it.

835
00:37:36,239 --> 00:37:38,719
Speaker 1: When I saw the plot twist, I thought, hmm, I

836
00:37:38,719 --> 00:37:43,279
Speaker 1: don't know about that. It's called Last Christmas. You haven't

837
00:37:43,280 --> 00:37:46,200
Speaker 1: seen Last Christmas, I don't think. Oh I hate actually

838
00:37:46,239 --> 00:37:48,279
Speaker 1: spoiling this few because I would love you to go

839
00:37:48,440 --> 00:37:51,799
Speaker 1: watch it. But oh well, so Last Christmas came out

840
00:37:51,840 --> 00:37:55,479
Speaker 1: in twenty nineteen, and this is a big Chris. Yeah,

841
00:37:55,480 --> 00:37:58,640
Speaker 1: that song does play a real one. That song does

842
00:37:58,719 --> 00:38:00,440
Speaker 1: play a really big part of this. It's a part

843
00:38:00,440 --> 00:38:02,719
Speaker 1: of the plus fist. Yeah, no it's not. But she

844
00:38:02,760 --> 00:38:06,080
Speaker 1: does sing it in the movie. Okay, So obviously, like

845
00:38:06,120 --> 00:38:09,600
Speaker 1: Paul does incredible comedies, like he also did like Simple

846
00:38:09,640 --> 00:38:12,080
Speaker 1: Favor and all these kind of movies. And the person

847
00:38:12,120 --> 00:38:15,359
Speaker 1: who wrote the movie is an incredible actress but also

848
00:38:15,440 --> 00:38:18,560
Speaker 1: a romcom like Royalty, Emma Thompson. She wrote that she

849
00:38:18,640 --> 00:38:21,480
Speaker 1: co wrote it and was like put it together. And

850
00:38:21,480 --> 00:38:24,120
Speaker 1: she's also in the movie and also in the movie.

851
00:38:24,239 --> 00:38:26,920
Speaker 1: So the two romantic leads and this, I mean it's

852
00:38:27,000 --> 00:38:31,320
Speaker 1: dreamcasting now, but especially in twenty nineteen dreamcasting Amelia Clark

853
00:38:31,719 --> 00:38:35,920
Speaker 1: Game of Thrones Royalty and Henry Golding. Oh I love

854
00:38:36,000 --> 00:38:40,480
Speaker 1: Henry crazy rich asans like again like hottest man, and

855
00:38:40,480 --> 00:38:43,120
Speaker 1: you know they paired together. Yeah, yeah, they're the romantic leads.

856
00:38:43,120 --> 00:38:46,160
Speaker 1: But don't get too excited. Michelle Yoe's in it as well. Stop.

857
00:38:46,280 --> 00:38:49,239
Speaker 1: So I know this is when I when I saw

858
00:38:49,280 --> 00:38:51,200
Speaker 1: the Portchost, I was like, I did not expect that,

859
00:38:51,280 --> 00:38:53,080
Speaker 1: and I think it maybe I just don't know if

860
00:38:53,080 --> 00:38:55,240
Speaker 1: we needed it. So, I mean, it is the premise

861
00:38:55,239 --> 00:38:59,359
Speaker 1: of the entire movie. Somber trailers for this movie. Yeah, yeah,

862
00:38:59,360 --> 00:39:00,960
Speaker 1: I can't believe you haven't had this spoiled for you.

863
00:39:01,280 --> 00:39:03,400
Speaker 1: I feel like everyone just maybe blocked it out. Maybe. So.

864
00:39:03,440 --> 00:39:06,680
Speaker 1: Amelia Clark plays a young woman called Kate and she's

865
00:39:06,840 --> 00:39:09,120
Speaker 1: working in a Christmas store and Michelleyeo was her boss,

866
00:39:09,160 --> 00:39:10,879
Speaker 1: and she dresses up in elf and she hates her life.

867
00:39:11,200 --> 00:39:12,680
Speaker 1: And to be fair, she works with the Christmas store

868
00:39:12,680 --> 00:39:14,240
Speaker 1: all year round, so it's not like it's a seasonal

869
00:39:14,320 --> 00:39:18,880
Speaker 1: gig like Zoey Deschanel in Elfie. Yes. And so it

870
00:39:18,920 --> 00:39:20,440
Speaker 1: comes out that she like wanted to be a singer,

871
00:39:20,440 --> 00:39:21,759
Speaker 1: but she gave all that up. And then it also

872
00:39:21,800 --> 00:39:25,120
Speaker 1: comes out that she had these terrible health complications all

873
00:39:25,160 --> 00:39:27,040
Speaker 1: of her life and so she's kind of just like

874
00:39:27,400 --> 00:39:30,040
Speaker 1: is like wandering like aimlessly through the world, can't get

875
00:39:30,040 --> 00:39:32,880
Speaker 1: her life together. And then she meets Henry Golding's character,

876
00:39:33,200 --> 00:39:35,120
Speaker 1: and they have some very sweet meet cutes and they

877
00:39:35,160 --> 00:39:38,759
Speaker 1: start to fall in love. Starts to well, that's kind

878
00:39:38,800 --> 00:39:42,560
Speaker 1: of unknown and not really part of it. He just

879
00:39:42,640 --> 00:39:45,600
Speaker 1: kind of just appears like he's just they meet and

880
00:39:45,640 --> 00:39:48,000
Speaker 1: then they you know, they go on these dates. They

881
00:39:48,080 --> 00:39:50,280
Speaker 1: like walk around sid in London. They walk around London,

882
00:39:50,600 --> 00:39:52,880
Speaker 1: they have these romantic moments. They go back to his

883
00:39:52,960 --> 00:39:55,480
Speaker 1: apartment and it's all very like and he sort of

884
00:39:55,520 --> 00:39:57,200
Speaker 1: teaches her to like, you know, you've got to like

885
00:39:57,280 --> 00:39:59,560
Speaker 1: live life to the fullest. You've got to follow your dreams.

886
00:40:00,000 --> 00:40:01,279
Speaker 1: You've got to look up. Looking up is a big

887
00:40:01,320 --> 00:40:02,799
Speaker 1: thing in this movie. If Henry being like, look at

888
00:40:02,840 --> 00:40:04,279
Speaker 1: all the things, if you actually just stop, you know

889
00:40:04,320 --> 00:40:05,920
Speaker 1: what else, looking up is a big thing. And what

890
00:40:06,000 --> 00:40:10,479
Speaker 1: the grudge? Well, I mean this this does have a

891
00:40:10,520 --> 00:40:14,080
Speaker 1: supernatural eland. And so he's also like pushing her to

892
00:40:14,080 --> 00:40:15,840
Speaker 1: follow her dream, which is to be a singer and

893
00:40:15,880 --> 00:40:20,800
Speaker 1: to perform on stage less correct And so as they're building,

894
00:40:20,840 --> 00:40:22,239
Speaker 1: you're like, oh my god, these guys are crazy in

895
00:40:22,280 --> 00:40:24,040
Speaker 1: love and everything's going to be okay and they're going

896
00:40:24,080 --> 00:40:26,319
Speaker 1: to get together. And then it turns out that those

897
00:40:26,360 --> 00:40:29,960
Speaker 1: medical complications were to do with her heart and that

898
00:40:30,000 --> 00:40:33,600
Speaker 1: she was nearly dying and so she needed a heart transplant.

899
00:40:34,800 --> 00:40:38,120
Speaker 1: It was Henry Golding's character who's dead. He's a ghost.

900
00:40:38,160 --> 00:40:40,720
Speaker 1: And not only is he a ghost, but his heart

901
00:40:40,840 --> 00:40:42,600
Speaker 1: is in her and that's why he's been drawn to

902
00:40:43,040 --> 00:40:46,960
Speaker 1: your face. So his heart is beating in her, which

903
00:40:47,400 --> 00:40:50,680
Speaker 1: the thing is you just imagined him. Yeah, well, his

904
00:40:50,800 --> 00:40:52,359
Speaker 1: ghost is she's the only want to can see him.

905
00:40:52,360 --> 00:40:55,080
Speaker 1: She realizes later that his apartment and stuff, like he

906
00:40:55,120 --> 00:40:56,839
Speaker 1: doesn't live there anymore. He did. He is coming back

907
00:40:56,880 --> 00:40:59,400
Speaker 1: as a ghost to visit her because he has drawn

908
00:40:59,440 --> 00:40:59,799
Speaker 1: to her.

909
00:40:59,719 --> 00:41:04,400
Speaker 2: Because very sixcent I guess, yeah, yeah, then like a cute.

910
00:41:04,440 --> 00:41:06,480
Speaker 1: And so then she discovers this hot man that I've

911
00:41:06,480 --> 00:41:08,319
Speaker 1: been falling in love with who's been helping me fix

912
00:41:08,400 --> 00:41:11,960
Speaker 1: my life is dead and a ghost. And not only

913
00:41:12,000 --> 00:41:14,320
Speaker 1: is he the ghost, but because he died on the

914
00:41:14,360 --> 00:41:16,279
Speaker 1: day she was getting a hard transplanted, she got like

915
00:41:16,320 --> 00:41:17,280
Speaker 1: physically ghosted.

916
00:41:17,480 --> 00:41:21,080
Speaker 2: Yeah wow, And now, I mean it happens to the

917
00:41:21,120 --> 00:41:21,480
Speaker 2: best of it.

918
00:41:21,400 --> 00:41:23,520
Speaker 1: It happens. It happens to everyone. This is the most

919
00:41:23,520 --> 00:41:26,640
Speaker 1: extreme case of ghosting. So the heart that she now

920
00:41:26,680 --> 00:41:29,080
Speaker 1: has that's keeping her alive is his heart. And then

921
00:41:29,120 --> 00:41:31,320
Speaker 1: what does she do with it? And she just keeps

922
00:41:31,320 --> 00:41:32,840
Speaker 1: on living and then he has to leave and she

923
00:41:32,880 --> 00:41:36,200
Speaker 1: sings Last Christmas on stage and he gave her the courage. Yeah,

924
00:41:36,200 --> 00:41:39,320
Speaker 1: well he has to go to heaven or that's like trapped.

925
00:41:40,000 --> 00:41:41,680
Speaker 1: He was kind of just there to help her through.

926
00:41:41,800 --> 00:41:44,680
Speaker 1: Oh my god, how did he know that was his task? Well?

927
00:41:44,840 --> 00:41:46,520
Speaker 2: He always think of this about ghosts, like how do

928
00:41:46,600 --> 00:41:48,319
Speaker 2: they instinctively know what they're meant to do?

929
00:41:48,400 --> 00:41:50,839
Speaker 1: Yeah, like does someone give you an instruction manual when

930
00:41:50,880 --> 00:41:54,839
Speaker 1: you get sent to like help someone leave? I think

931
00:41:54,880 --> 00:41:56,720
Speaker 1: he just got He just got drawn to the world.

932
00:41:56,760 --> 00:41:58,399
Speaker 1: And then he was just like, you know what, I'm

933
00:41:58,400 --> 00:42:01,720
Speaker 1: actually dead, but I'm going to help you with your problem,

934
00:42:01,719 --> 00:42:03,520
Speaker 1: which is that you feel like you can't see anymore.

935
00:42:03,840 --> 00:42:08,520
Speaker 1: They have there is some can you touch him? Yeah

936
00:42:08,600 --> 00:42:13,239
Speaker 1: to an extent? No, just yeah, that should have been

937
00:42:13,440 --> 00:42:15,800
Speaker 1: just number one. Well, they spend all their time like together,

938
00:42:16,040 --> 00:42:17,880
Speaker 1: and so it's a big reveal at the end that

939
00:42:17,920 --> 00:42:19,400
Speaker 1: he's dead. Huge reveal.

940
00:42:19,560 --> 00:42:24,319
Speaker 2: But then even when you date someone, your numbers is

941
00:42:24,320 --> 00:42:25,439
Speaker 2: what happens when you date someone?

942
00:42:25,480 --> 00:42:28,040
Speaker 1: How many times has happened to you? As happened to

943
00:42:28,040 --> 00:42:29,200
Speaker 1: me last week? I found out that.

944
00:42:31,040 --> 00:42:34,000
Speaker 2: Your number one priority should be to see if your.

945
00:42:33,880 --> 00:42:35,680
Speaker 1: Friends like him or not, god to see if they

946
00:42:35,719 --> 00:42:38,080
Speaker 1: can see him exactly. So if you introduce him to

947
00:42:38,080 --> 00:42:40,320
Speaker 1: your friend, you're like, this is Henry Golding and they're like,

948
00:42:40,360 --> 00:42:42,799
Speaker 1: who the hell are you talking about? And then you're like, oh,

949
00:42:42,840 --> 00:42:44,640
Speaker 1: it's a ghost. It's a ghost. I mean I should

950
00:42:44,680 --> 00:42:46,600
Speaker 1: have known. Again, I don't know how many people are

951
00:42:46,600 --> 00:42:48,160
Speaker 1: doing that in real life. We do know. Please call

952
00:42:48,200 --> 00:42:50,359
Speaker 1: in if that has happened to you. Actually, please run

953
00:42:50,400 --> 00:42:52,439
Speaker 1: directly to her office if that has happened to you.

954
00:42:52,680 --> 00:42:55,440
Speaker 1: Don't waste time with an email. So, yeah, that is

955
00:42:55,440 --> 00:42:58,120
Speaker 1: a big plot twist that he's dead and his heart

956
00:42:58,400 --> 00:43:00,799
Speaker 1: is in her and there's it's so funny. And Emma

957
00:43:00,800 --> 00:43:02,840
Speaker 1: Thompson wrote that, Yeah, like she came up with a

958
00:43:02,880 --> 00:43:06,400
Speaker 1: story and then she's like girls crazy. Emma Thompson's like

959
00:43:06,560 --> 00:43:10,160
Speaker 1: this romantic, most romantic story I could ever tell. And

960
00:43:10,280 --> 00:43:13,720
Speaker 1: some people find it wildly romantic, like our producer Minisha,

961
00:43:13,800 --> 00:43:15,360
Speaker 1: Like she said to me after she saw it, for

962
00:43:15,560 --> 00:43:17,719
Speaker 1: she'd find she thought she's like a couple. They didn't

963
00:43:17,719 --> 00:43:20,360
Speaker 1: get an oscar And I was like, oh oh, and

964
00:43:20,360 --> 00:43:22,200
Speaker 1: I was like the rest of the world saw that

965
00:43:22,200 --> 00:43:24,160
Speaker 1: movie a bit differently, people like what the hell?

966
00:43:24,280 --> 00:43:27,520
Speaker 2: And that time Anisha loves a movie. I'm like, I

967
00:43:27,560 --> 00:43:28,719
Speaker 2: don't think i'm gonna like it.

968
00:43:28,840 --> 00:43:32,600
Speaker 1: So that is Last Christmas. He's dead, but he's dead

969
00:43:32,600 --> 00:43:34,719
Speaker 1: like a lot of movies. I haven't heard a sing.

970
00:43:35,040 --> 00:43:36,800
Speaker 1: She's quite good in this. She gets up on stage

971
00:43:36,800 --> 00:43:39,480
Speaker 1: and sings because she has his heart in her forever,

972
00:43:39,560 --> 00:43:42,680
Speaker 1: so he's always with her. Which, again, don't think about

973
00:43:42,680 --> 00:43:45,640
Speaker 1: it too much. Don't think too hard about that plot twist,

974
00:43:46,040 --> 00:43:48,320
Speaker 1: because it's quite disturbing. That's quite scary.

975
00:43:48,360 --> 00:43:52,759
Speaker 2: Actually, Well, on that note, imagine, like the love of

976
00:43:52,760 --> 00:43:53,960
Speaker 2: your life.

977
00:43:54,040 --> 00:43:56,560
Speaker 1: You're start trying to wrap up and you're still sorry. Sorry.

978
00:43:56,760 --> 00:43:58,879
Speaker 1: I'd imagine what their heart was in you. I'm sure

979
00:43:58,920 --> 00:44:00,919
Speaker 1: some people would find that romance. I wouldn't. I would

980
00:44:00,960 --> 00:44:04,480
Speaker 1: find that just a bit weird. Yeah, I would freak out. Yeah,

981
00:44:04,520 --> 00:44:07,799
Speaker 1: but I like that. I like that unexpected plot twist. Yeah,

982
00:44:07,920 --> 00:44:09,920
Speaker 1: there you go, a plot twist that I thought that

983
00:44:09,960 --> 00:44:11,799
Speaker 1: they could have been held apart because of like she

984
00:44:11,840 --> 00:44:13,480
Speaker 1: didn't want to sing and then he came after her

985
00:44:13,520 --> 00:44:15,400
Speaker 1: and she sang on stage. It could have been together.

986
00:44:15,480 --> 00:44:17,200
Speaker 1: Like It's one of those ones where I don't know

987
00:44:17,239 --> 00:44:20,080
Speaker 1: if we needed a heart transplant as a thing to

988
00:44:20,120 --> 00:44:22,640
Speaker 1: keep them separate, but that's what we have. I like that.

989
00:44:22,800 --> 00:44:25,120
Speaker 1: Maybe I'm gonna watch that. Okay, next we please do

990
00:44:25,160 --> 00:44:26,239
Speaker 1: write a lot of your thoughts on that.

991
00:44:26,400 --> 00:44:28,480
Speaker 2: Well, that's all we have for this spill today. Thank

992
00:44:28,520 --> 00:44:31,279
Speaker 2: you so much for listening. If you love listening and

993
00:44:31,360 --> 00:44:34,200
Speaker 2: watching us, don't forget to leave us a five star review.

994
00:44:34,360 --> 00:44:36,160
Speaker 1: It goes a long long way.

995
00:44:36,440 --> 00:44:39,320
Speaker 2: The Spill is produced by Manitius Warren with video production

996
00:44:39,400 --> 00:44:40,200
Speaker 2: by Michael Keene.

997
00:44:40,200 --> 00:44:42,680
Speaker 1: And we will see you on Monday morning. Bye bye,

998
00:44:43,680 --> 00:44:43,960
Speaker 1: La