WEBVTT - Jennifer Garner: An Awkward Call Out & A Conversation About Suddenly 30  [throw back]

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<v Speaker 1>You're listening to a MoMA Mia podcast. Mom and Maya

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<v Speaker 1>acknowledges the traditional owners of land and waters that this

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<v Speaker 1>podcast is recorded on. Hello. Jennifer Ghana, you might have heard,

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<v Speaker 1>has been in the headlines quite a lot lately just

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<v Speaker 1>for living her life. The news stories have been quite silly,

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<v Speaker 1>which is our favorite type of news story. Yes, they're

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<v Speaker 1>things like Jennifer Ghana is glowing as she enjoys breakfast

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<v Speaker 1>with ex Ben Affleck, or Ben Affleck loves being looked

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<v Speaker 1>after by Jennifer Ghana a mid divorce with Jennifer Lopez.

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<v Speaker 1>I've seen something that's like Ben Affleck, where every look

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<v Speaker 1>says a Jennifer, you can't escape them. And another headline

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<v Speaker 1>I've seen is Ben Affleck and Jennifer Gana are seen

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<v Speaker 1>driving together in La after reuniting for Thanksgiving. It's like

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<v Speaker 1>they co parent. They do me they do. That's probably

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<v Speaker 1>so they are going to be entwined in each other's lives.

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<v Speaker 1>We thought we would reshare our deep dive on Jennifer

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<v Speaker 1>Ghana because there are some actual controversies and of course

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<v Speaker 1>some silly stuff like a fantastic award winning didn't win

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<v Speaker 1>any awards, Sir Lumma film called Suddenly thirty. Enjoy this

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<v Speaker 1>episode and we will be back in your feed on

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<v Speaker 1>Tuesday morning. Hello, and welcome to Cancel, the podcast that

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<v Speaker 1>looks at silly celebrity crimes and assigns charges and sentences

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<v Speaker 1>to them so we can all move on with our lives.

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<v Speaker 1>I'm Klaire Stevens and I'm joined by Jesse Stevens and

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<v Speaker 1>Jesse do you have a lazy girl story for us?

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<v Speaker 1>I do. I have one which I feel like is

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<v Speaker 1>going to be particularly relatable to both of us. It

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<v Speaker 1>is from Claire. Oh, but not you, it hasn't I.

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<v Speaker 1>My wedding dress was very fancy, with hand beating all

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<v Speaker 1>over in a big train. At the end of the reception,

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<v Speaker 1>I finally had time for something to eat, and I

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<v Speaker 1>scoffed a few chocolate tarts, inadvertently dripping quite a bit

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<v Speaker 1>of ganesh down the bodice of my dress. Because I'm

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<v Speaker 1>a messy girl as well as a lazy girl. Bad

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<v Speaker 1>Combo tried to wipe up the mess with an napkin.

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<v Speaker 1>Bad idea. Chocolate now spread over a large portion of

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<v Speaker 1>bodice and embedded in beadwork and lace. Very bad. When

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<v Speaker 1>I returned from my honeymoon. I thought about getting the

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<v Speaker 1>dress dry cleaned, quoted as three hundred and fifty dollars ridiculous.

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<v Speaker 1>I thought I would just wash it in my bath

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<v Speaker 1>tub with some sad wonder soap as a friend had done.

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<v Speaker 1>Has turned out okay. I never got around to it,

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<v Speaker 1>and the wedding dress is still hanging in its bag

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<v Speaker 1>in my wardrobe. This year is my twentieth wedding adiventsy.

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<v Speaker 1>I refuse to throw out the dress, as I might

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<v Speaker 1>still get around to it one day. She's a lazy girl.

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<v Speaker 1>Oh wow, how long did it take you to dry

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<v Speaker 1>clean your dress? Very long time? And my dress was

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<v Speaker 1>just in my boot. An amount of women with their

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<v Speaker 1>wedding dress and their boot still Oh you got married

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<v Speaker 1>five weeks ago. Oh your children have left home. Oh

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<v Speaker 1>I know where your wedding dress is crumpled in the boot.

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<v Speaker 1>If you are a robber listening, yes, rob cars, rob

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<v Speaker 1>cut no, because then a rubber would rob a car.

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<v Speaker 1>Take the dress and be like, get it dry clean

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<v Speaker 1>before I sell it. This might be a you know,

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<v Speaker 1>thousands of dollars this dress is worth. It's only going

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<v Speaker 1>to take a few hundred to dry clean it. You

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<v Speaker 1>do make a profit, but there's a job involved. There

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<v Speaker 1>is a job involved, and the job of smelling men

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<v Speaker 1>low because you know I sent my address to Norway.

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<v Speaker 1>You did you sold your dress? Okay, here's something we've

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<v Speaker 1>never talked about. I put mine up, being like anyone

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<v Speaker 1>want to buy no bites? Shit? Well mine only had

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<v Speaker 1>the one bite and she was in Norway? Okay? Was

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<v Speaker 1>I offended? Yeah? You think you're gonna put you wedding

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<v Speaker 1>dress up and everyone's going to go, this is the

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<v Speaker 1>most beautiful wedding dress ever. I want to look like

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<v Speaker 1>this on my day and everyone's everyone's like, oh nah,

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<v Speaker 1>I think it's daky cool. I'll have a sitting in

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<v Speaker 1>my wardrobe. I would really like the cash. The issue

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<v Speaker 1>with the job of dry cleaning it is an issue

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<v Speaker 1>of deadline because there's no deadline. There is no deadline.

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<v Speaker 1>It's just my to do list has about four or

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<v Speaker 1>five jobs of which they're just not to a clear deadline.

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<v Speaker 1>So it's like, why would I do that today when

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<v Speaker 1>I could do it tomorrow? Will you do it tomorrow? No?

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<v Speaker 1>Because why would I do that tomorrow when I could

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<v Speaker 1>do it later? And so life goes and then what

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<v Speaker 1>you've done is you die and you've left someone the

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<v Speaker 1>job of cleaning your wedding dress, and that person goes,

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<v Speaker 1>why did today when I could do it later? And

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<v Speaker 1>so no, no, what do we hand down through the

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<v Speaker 1>family at gin Nash covered wedding dress so lovely?

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<v Speaker 2>You are about to enter the canceled courtroom. The defendants

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<v Speaker 2>are celebrities, the chargers are petty, the rulings are final.

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<v Speaker 1>Jesse. Today we're talking about Jennifer Ghana. Hi, I'm jen

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<v Speaker 1>Jennifer Garner.

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<v Speaker 3>I just watched this down below kissing, and I just

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<v Speaker 3>floated home in a cloud.

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<v Speaker 1>Please welcome Jennifer Garner. Jennifer and Ghana is an American

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<v Speaker 1>actress who you probably know from her roles in TV

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<v Speaker 1>shows like A Liz and movies like Suddenly, Thirty Juno,

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<v Speaker 1>Ghosts of Girlfriend's Past, Valentine's Day, Daredevil, Dallas Fires Club

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<v Speaker 1>and so on. How many Jennifers have we done? Okay,

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<v Speaker 1>Jennifer Lopez, Jennifer Lawrence, Jennifer Anist, Jennifer Aniston. For all

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<v Speaker 1>the famous Jennifers, do you know many in your life? Nah?

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<v Speaker 1>I don't. I think it's a generational thing. I think

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<v Speaker 1>it's a disproportionate amount of Jennifers that's become famous. Mary

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<v Speaker 1>ben affleck care I said it great point, Jesse, what

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<v Speaker 1>is your favorite Jennifer Garner movie? And or role? Was

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<v Speaker 1>she in Pearl Harbor? We have discussed but minor role,

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<v Speaker 1>minor role, minor role, But I did like that. I'm

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<v Speaker 1>gonna say something unpopular. I didn't mind. Suddenly thirty, Jenna

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<v Speaker 1>Rink couldn't grow up fast enough, so on her thirteenth birthday,

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<v Speaker 1>Jeffers out the wishing dust. She only made one wish

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<v Speaker 1>eighteen thirteen. I just want to be But I struggle

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<v Speaker 1>with getting my head around magic in a film. Yeah,

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<v Speaker 1>because I'm trying to go in order to keep watching

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<v Speaker 1>this like Freaky Friday, in order to keep watching this,

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<v Speaker 1>I have to I have to suspend my belief of

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<v Speaker 1>how the world works, because this isn't possible what's happening.

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<v Speaker 1>But I've got to be invested in you, in your feelings.

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<v Speaker 1>It feels like a plot device. But you've either had

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<v Speaker 1>a psychotic break in which case that's a plot point,

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<v Speaker 1>or you're gonna wake up it with all the dream

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<v Speaker 1>which is deeply unsatisfying. Or I've just got to play

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<v Speaker 1>this game. I don't know if I can play this game.

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<v Speaker 1>It's not real. So I don't know about that film. Okay,

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<v Speaker 1>we'll talk more about that film. But my favorite Jennifer

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<v Speaker 1>Ghana role where I think she just really was herself,

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<v Speaker 1>like this is who I believe hard to beat. It

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<v Speaker 1>was her role in Juno.

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<v Speaker 2>Hi Brings You to them All Today.

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<v Speaker 1>I was just shocking, you know, it's my girlfriend. I

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<v Speaker 1>thought she played that so well. Is an excellent film.

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<v Speaker 1>It is that I want to watch again, and I think, yeah,

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<v Speaker 1>Jennifer Garner in it was just so believable. A note

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<v Speaker 1>on Valentine's Day, Yeah, she was in it, along with

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<v Speaker 1>literally everyone else Jesse simply everyone, simply everyone. There's also

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<v Speaker 1>a movie called Mother's Day, celebrate the one day no

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<v Speaker 1>matter what's happened between us here always my mother that

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<v Speaker 1>connects us off or not. Who the world thinks.

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<v Speaker 3>Wire Mother's Day?

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<v Speaker 1>Oh yeah, people in that Julia Roberts, Oh gee, lots

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<v Speaker 1>of people. Julia Roberts with a terrible haircut. Okay, because

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<v Speaker 1>the other film, just like Valentine's Day in terms of

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<v Speaker 1>everyone being in it was of course, he's just not

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<v Speaker 1>that into and new Year's Eve and news eve that

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<v Speaker 1>was we went through a stage where I was in

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<v Speaker 1>a film and you know what, it was based on

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<v Speaker 1>Love act Love actually Because on that, they were like,

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<v Speaker 1>imagine a film where you just have heaps of famous

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<v Speaker 1>actors on the poster. Yeah, that isn't what made Love

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<v Speaker 1>actually great. It was a great film, absolutely, And then

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<v Speaker 1>the Americans were like, we can do it. We've got

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<v Speaker 1>twelve actors. Well, why don't you sit and write a

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<v Speaker 1>script for a minute, Why don't you write a good

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<v Speaker 1>script because Valentine's Day, it doesn't work. They got a

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<v Speaker 1>bot to do it. They got a bot to do it,

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<v Speaker 1>and it showed tonight. The chef is featuring a dish

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<v Speaker 1>that he likes to call the lime Stinking Pig. Also

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<v Speaker 1>a note, Jennifer Ghana was married to Ben Affleck between

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<v Speaker 1>two thousand and five and twenty eighteen, long time and

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<v Speaker 1>they have three kids together. And there are currently rumors

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<v Speaker 1>you would know that Ben Affleck and j Lo are

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<v Speaker 1>on the rocks. Yeah, I believe it, And yeah, the

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<v Speaker 1>theory is that Jennifer Ghana has been speaking to Jennifer

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<v Speaker 1>Lopez and like helping her through this and is also

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<v Speaker 1>speaking to Ben and encouraging Ben to stay with Jen

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<v Speaker 1>because Jen, she's such a Marri counsel, is very good

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<v Speaker 1>for Ben. Jenny is good for Ben and she supported

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<v Speaker 1>him through addictions. Jen lo Pez is good for Oh.

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<v Speaker 1>I think Jen Garna good for Ben too. Yeah, she

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<v Speaker 1>says Ben, you need Jen, and he says, which Jen.

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<v Speaker 1>She says Jen you're currently married to? Just for logistical purposes,

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<v Speaker 1>the one you're that that gen also for context. She

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<v Speaker 1>does a lot of gardening on tiktop hell squash. There

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<v Speaker 1>is not your neck. I've been waiting for the sunflower

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<v Speaker 1>seeds to be ready. Cash. She's popping up very hash.

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<v Speaker 1>Couldn't be less like j Loo. And I don't mean

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<v Speaker 1>that as a slide, No, I just mean that as

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<v Speaker 1>she's in a different place, whereas j Loo's like, this

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<v Speaker 1>is me now on the met Gala carpet. Yeah, where's Ben, Jen,

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<v Speaker 1>where's my Ben? You're Ben? He was my Ben. I'm

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<v Speaker 1>a different gen bed go back to Jen, which gen

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<v Speaker 1>et cetera. Yeah, it is. My structure for today is

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<v Speaker 1>as follows, an awkward call out, a late night interview,

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<v Speaker 1>an uncomfortable question. I love the ambiguity of all somebody

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<v Speaker 1>two and suddenly thirty okay, good an awkward call out.

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<v Speaker 1>It's two thousand and three. Jennifer Ganna is starring in Alias,

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<v Speaker 1>and she's very, very famous. Jesse, could you ever watch Alias?

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<v Speaker 1>I didn't, but there were girls at school who really

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<v Speaker 1>liked it, and I kind of put it in the

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<v Speaker 1>Buffy camp. You were an Alias personal? You were an

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<v Speaker 1>Alias person? Was she a spy? Yes? It sounds like

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<v Speaker 1>I would have liked that. I know, I know, I

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<v Speaker 1>feel like do I feel like she was a magic spy?

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<v Speaker 1>I feel like there was something in it that I

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<v Speaker 1>just couldn't fully get around. Yeah, I watched it. No,

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<v Speaker 1>I never watched it, but I never watched Buffy either. No.

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<v Speaker 1>So she was doing the rounds because as well as

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<v Speaker 1>promoting Alias, she was promoting her new movie Daredevil, which

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<v Speaker 1>Ben Affleck was also in, and so she was on

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<v Speaker 1>Conan O'Brien. He her if during Alias she used any

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<v Speaker 1>spy skills she learnt from the show in real life,

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<v Speaker 1>and she tells a story about how they kept the

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<v Speaker 1>show's twists from her, like the scripts ahead of time.

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<v Speaker 1>They don't want you to know writer's room, and it's

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<v Speaker 1>completely closed off, particularly to actors, particularly to me. So

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<v Speaker 1>she went into the writer's room and read all the

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<v Speaker 1>notes about what was to come, and she used spy

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<v Speaker 1>skills to get into the writer's room. That was the great. Sorry,

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<v Speaker 1>But as she's telling the story, Conan O'Brien says, well,

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<v Speaker 1>there's a time when you snuck into the room. And

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<v Speaker 1>she says, snuck isn't a word. Conan and you and

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<v Speaker 1>to Harvard, and you should know that that's funny. The

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<v Speaker 1>audience cheers, collaps, she finishes the story. Then, after the

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<v Speaker 1>ad break, ConA O'Brien returns holding a dictionary. He points

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<v Speaker 1>out that snuck is a word. It is the past

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<v Speaker 1>tense of sneak. According to Miriam Webster, the original past

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<v Speaker 1>tense of sneak was sneaked, following the pattern of other

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<v Speaker 1>regular verbs. However, snuck began to be used as an

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<v Speaker 1>alternative past tense form in the eighteen hundreds and is

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<v Speaker 1>now very common. Would you say snuck or sneaked, I'd

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<v Speaker 1>say snuck. I'd say snuck, But I will say it's

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<v Speaker 1>very a white man, I think it's she corrected him

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<v Speaker 1>in the first place. Yeah, but where'd you get a dictionary? Like?

0:12:26.069 --> 0:12:28.069
<v Speaker 1>Apparently one of the writers run it down during the

0:12:28.069 --> 0:12:32.469
<v Speaker 1>ad break. He does it very well because he points

0:12:32.509 --> 0:12:35.349
<v Speaker 1>it out. She does a bit of like an awkward face,

0:12:35.429 --> 0:12:38.149
<v Speaker 1>and then he does like a cackle like villain laugh,

0:12:38.349 --> 0:12:46.989
<v Speaker 1>knuck past and pass part of sneak. It's not mean

0:12:47.029 --> 0:12:49.349
<v Speaker 1>to her the way he does it. It's like expert,

0:12:49.989 --> 0:12:52.149
<v Speaker 1>Oh how he does it? Okay, all right, all right,

0:12:52.469 --> 0:12:58.149
<v Speaker 1>So she looks awkward, like purposely performatively awkward. And this

0:12:58.269 --> 0:13:02.109
<v Speaker 1>clip has done the rounds on TikTok and YouTube and

0:13:02.309 --> 0:13:05.389
<v Speaker 1>a lot of people comment saying she didn't even apologize.

0:13:05.429 --> 0:13:08.109
<v Speaker 1>She didn't even admit she was wrong, and it's like,

0:13:08.229 --> 0:13:09.829
<v Speaker 1>I think it was meant to be funny. It's a

0:13:09.869 --> 0:13:14.709
<v Speaker 1>talk show. She's acting awkward. It's humor. I will say,

0:13:15.549 --> 0:13:18.429
<v Speaker 1>I don't enjoy being corrected on my past tense in

0:13:18.469 --> 0:13:21.549
<v Speaker 1>a social setting. I don't. And that's what people are saying.

0:13:21.549 --> 0:13:24.629
<v Speaker 1>They like, she tried to correct him and she was wrong.

0:13:24.949 --> 0:13:26.869
<v Speaker 1>I mean, it was obviously a public interview, and she

0:13:26.989 --> 0:13:28.949
<v Speaker 1>was quite funny bring up a Harvard thing. But like

0:13:28.989 --> 0:13:32.429
<v Speaker 1>I have been in conversations and people like it's Luca

0:13:32.589 --> 0:13:35.549
<v Speaker 1>and I oh, and I'm like, okay, me and Luke

0:13:35.669 --> 0:13:38.229
<v Speaker 1>went to the zoo yeah, yeah, yeah, you know what

0:13:38.269 --> 0:13:41.549
<v Speaker 1>I are you my English teacher. I don't like it exactly,

0:13:41.669 --> 0:13:44.309
<v Speaker 1>so yeah, people do get riled up about that, think

0:13:44.349 --> 0:13:47.909
<v Speaker 1>that she's a bit of a princess, But I say

0:13:48.109 --> 0:13:51.229
<v Speaker 1>it's an interesting little back and forth and just a

0:13:51.309 --> 0:13:56.589
<v Speaker 1>silly interview. Moving on a late night interview. During the

0:13:56.629 --> 0:14:01.989
<v Speaker 1>same interview, she told a story that has gone viral

0:14:02.029 --> 0:14:05.549
<v Speaker 1>for all the wrong reasons. Speaking about Daredevil, she shared

0:14:05.589 --> 0:14:09.189
<v Speaker 1>an anecdote about how her co star Colin Farrell got

0:14:09.269 --> 0:14:11.749
<v Speaker 1>a bit too aggressive in a scene where they were

0:14:11.749 --> 0:14:14.029
<v Speaker 1>supposed to be kissing and she ended up with a

0:14:14.069 --> 0:14:17.549
<v Speaker 1>swollen lip. The next day, he was biting her lip,

0:14:17.589 --> 0:14:19.189
<v Speaker 1>and she goes on to tell this old story. Was

0:14:19.189 --> 0:14:22.949
<v Speaker 1>she saying it lightheartedly? Yes, okay. She then joked that

0:14:23.229 --> 0:14:25.269
<v Speaker 1>by the end of shooting the scene, Parah was treating

0:14:25.269 --> 0:14:27.109
<v Speaker 1>her lip like a meal and pulling it out and

0:14:27.149 --> 0:14:29.229
<v Speaker 1>putting ketchup on it like a joke about how much

0:14:29.229 --> 0:14:32.229
<v Speaker 1>he was just eating her bottom lip. She says that

0:14:32.589 --> 0:14:34.509
<v Speaker 1>she woke up the next morning and she walks into

0:14:34.549 --> 0:14:37.589
<v Speaker 1>the living room and her husband at the time, Scott

0:14:37.989 --> 0:14:40.909
<v Speaker 1>who she left and ended up with Ben Afflick, was

0:14:40.949 --> 0:14:45.989
<v Speaker 1>sitting there in shock. And she says that her lip

0:14:46.189 --> 0:14:48.869
<v Speaker 1>looked like one of those African women with a plate

0:14:48.909 --> 0:14:52.829
<v Speaker 1>in their mouths. Oh no, okay. This was two thousand

0:14:52.909 --> 0:14:55.229
<v Speaker 1>and three, all right, all right, two thousand and three,

0:14:55.269 --> 0:14:58.429
<v Speaker 1>And what has happened is people have taken this interview,

0:14:59.029 --> 0:15:02.269
<v Speaker 1>resurfaced it, put it everywhere. You wouldn't say it now,

0:15:02.549 --> 0:15:05.149
<v Speaker 1>you wouldn't say it now. I understand why it's offensive,

0:15:05.189 --> 0:15:08.389
<v Speaker 1>because it's saying like, my injury and me when I've

0:15:08.869 --> 0:15:11.869
<v Speaker 1>hurt myself is the same with cultural practice. Yeah, yeah,

0:15:11.909 --> 0:15:14.749
<v Speaker 1>it's quite degrading to the cultural practice. I totally get that,

0:15:15.069 --> 0:15:18.709
<v Speaker 1>but I also see the context and also knowing how

0:15:18.709 --> 0:15:21.389
<v Speaker 1>those interviews are conducted, like that story would have been

0:15:21.429 --> 0:15:23.869
<v Speaker 1>designed by a PR team, and she's just kind of

0:15:24.269 --> 0:15:26.669
<v Speaker 1>delivering on it, and it looks a lot worse being

0:15:26.709 --> 0:15:29.069
<v Speaker 1>thrust into our context than it might have. Do you

0:15:29.109 --> 0:15:32.549
<v Speaker 1>know at the time, if it got any backlash? No, yeah, no, no,

0:15:32.549 --> 0:15:34.309
<v Speaker 1>no backlash in two thousand and three. And I think

0:15:34.309 --> 0:15:37.869
<v Speaker 1>that's also because people weren't online, people just watching things

0:15:37.869 --> 0:15:41.109
<v Speaker 1>on a late night show, seeing a comment, maybe thinking

0:15:41.629 --> 0:15:44.469
<v Speaker 1>and they're moving on. Yeah, So it kind of got

0:15:44.509 --> 0:15:51.669
<v Speaker 1>resurfaced and made into a very intentional significant thing, and

0:15:51.949 --> 0:15:55.509
<v Speaker 1>has then been combined with a few other things that

0:15:55.629 --> 0:15:59.549
<v Speaker 1>she said, Okay, moving on to an uncomfortable question. The

0:15:59.629 --> 0:16:03.709
<v Speaker 1>other problematic moment that has been resurfaced comes from a

0:16:03.949 --> 0:16:08.109
<v Speaker 1>twenty seventeen chat show. During an episode of comedian Chelsea

0:16:08.149 --> 0:16:12.309
<v Speaker 1>Handler's Netflix talk show, there are a bunch of celebrities

0:16:12.309 --> 0:16:15.749
<v Speaker 1>sitting around at a dinner party, and Handler says, let's

0:16:15.749 --> 0:16:18.909
<v Speaker 1>talk about our families first, where we came from, where

0:16:18.949 --> 0:16:22.389
<v Speaker 1>our parents came from. Actor Regina King, who is black,

0:16:22.789 --> 0:16:25.029
<v Speaker 1>tells a group that she's from LA, and she starts

0:16:25.029 --> 0:16:27.229
<v Speaker 1>talking about how so many people live there. Oh, I

0:16:27.229 --> 0:16:29.749
<v Speaker 1>think I've seen this, yes, but not that many people

0:16:29.989 --> 0:16:32.709
<v Speaker 1>actually grew up in LA. And she's saying, one of.

0:16:32.749 --> 0:16:35.189
<v Speaker 3>The few people that are born and bred in LA.

0:16:35.389 --> 0:16:37.549
<v Speaker 3>So that's I think, a very cool thing. And I

0:16:37.629 --> 0:16:39.909
<v Speaker 3>kind of wear it on my chest very proudly because

0:16:39.909 --> 0:16:42.989
<v Speaker 3>so many people say, oh, Las is in La?

0:16:43.109 --> 0:16:43.269
<v Speaker 2>Is it?

0:16:43.629 --> 0:16:46.509
<v Speaker 1>And she talks about how it's interesting being the only

0:16:46.549 --> 0:16:49.269
<v Speaker 1>person who's able to kind of truly say what is

0:16:49.309 --> 0:16:52.389
<v Speaker 1>and isn't La because she had her childhood there. Sitting

0:16:52.469 --> 0:16:55.149
<v Speaker 1>across the table from her, Ghana asks, but do you

0:16:55.229 --> 0:16:57.909
<v Speaker 1>know where your ancestors are from King says.

0:16:58.229 --> 0:17:01.949
<v Speaker 3>Well, yeah, we're part of the triangle slavery from sier

0:17:01.949 --> 0:17:06.309
<v Speaker 3>early on, Liberia and Sitegal but my pears are both

0:17:06.349 --> 0:17:08.109
<v Speaker 3>from the South met each other here.

0:17:08.469 --> 0:17:12.829
<v Speaker 1>People got really angry about this, and it was originally

0:17:12.829 --> 0:17:16.829
<v Speaker 1>tweeted with the caption, oh I see why Ben left

0:17:16.869 --> 0:17:21.829
<v Speaker 1>her ass about Jennifer Garner. Okay, as though Ben Affleck

0:17:21.869 --> 0:17:26.229
<v Speaker 1>who got married in a plantation, it was just so

0:17:26.389 --> 0:17:29.229
<v Speaker 1>much fun. It was the best life is the gold

0:17:29.309 --> 0:17:32.509
<v Speaker 1>standard when it comes to conversations about race. Yeah, there's

0:17:32.549 --> 0:17:36.069
<v Speaker 1>been lots of analysis about her facial expression and her

0:17:36.229 --> 0:17:41.389
<v Speaker 1>ignorance in this really really short clip. And I completely

0:17:41.469 --> 0:17:44.789
<v Speaker 1>appreciate that it may have been an insensitive or inappropriate question,

0:17:45.749 --> 0:17:49.029
<v Speaker 1>but we don't have all the context. It's edited. We're

0:17:49.069 --> 0:17:52.269
<v Speaker 1>not seeing a natural conversation. Something I want to point

0:17:52.269 --> 0:17:57.109
<v Speaker 1>out is that Regina King hasn't said anything. Regina King

0:17:57.149 --> 0:18:00.389
<v Speaker 1>hasn't come out. I said, sometimes you can use these clips, though,

0:18:00.429 --> 0:18:02.229
<v Speaker 1>if you're a person of color, you might be using

0:18:02.269 --> 0:18:08.149
<v Speaker 1>this clip to illustrate how uncomfortable that question is and

0:18:08.149 --> 0:18:10.709
<v Speaker 1>how it is asked more of some peace people than

0:18:10.869 --> 0:18:13.589
<v Speaker 1>of others. Because if Jennifer Ganna, for example, had said

0:18:13.669 --> 0:18:16.389
<v Speaker 1>I'm from New York, or I'm from New Jersey or whatever.

0:18:17.069 --> 0:18:19.989
<v Speaker 1>No one at the table would have said, yeah, but

0:18:20.029 --> 0:18:22.309
<v Speaker 1>where are your ancestors from? Why? Because she's white, and

0:18:22.349 --> 0:18:28.149
<v Speaker 1>because you associate whiteness with being American, which is inherently racist. Like,

0:18:28.189 --> 0:18:31.909
<v Speaker 1>I do understand the commentary, and I don't think that

0:18:31.989 --> 0:18:36.229
<v Speaker 1>Jennifer Gannah's subjectivity as a white woman in that context

0:18:36.509 --> 0:18:39.149
<v Speaker 1>makes it look good. I'm sure that she would regret

0:18:39.229 --> 0:18:41.029
<v Speaker 1>the way that came across. I think it's an interesting

0:18:41.029 --> 0:18:45.309
<v Speaker 1>example because it really may have been that it was inappropriate,

0:18:45.829 --> 0:18:49.389
<v Speaker 1>But the context is interesting because some people pointed out

0:18:49.389 --> 0:18:51.589
<v Speaker 1>that her question made a lot more sense in the

0:18:51.669 --> 0:18:56.109
<v Speaker 1>overall context of the show, which was titled My American Experience,

0:18:56.349 --> 0:19:00.589
<v Speaker 1>where the guests were encouraged to discuss their roots, patriotism, religion,

0:19:00.669 --> 0:19:03.709
<v Speaker 1>and modern America's complexities, and they were asked how their

0:19:03.749 --> 0:19:06.229
<v Speaker 1>parents got to America. So she felt like she had

0:19:06.229 --> 0:19:09.429
<v Speaker 1>a license yeah to ask that. YEA, Yeah, that's interesting

0:19:09.509 --> 0:19:12.509
<v Speaker 1>and it was a part of the broader conversation. Then again,

0:19:12.629 --> 0:19:15.509
<v Speaker 1>I do think sometimes it's okay to use an example

0:19:15.509 --> 0:19:19.469
<v Speaker 1>of something and analyze it to straight a point yeah, yeah,

0:19:19.509 --> 0:19:21.149
<v Speaker 1>And I think that's what a lot of people were doing,

0:19:21.269 --> 0:19:23.429
<v Speaker 1>saying this is my experience that people ask me this

0:19:23.509 --> 0:19:26.429
<v Speaker 1>question and it's frigging inappropriate, and you wouldn't ask it

0:19:26.829 --> 0:19:29.109
<v Speaker 1>the way around. So I think that's also fair. I

0:19:29.229 --> 0:19:32.429
<v Speaker 1>also think it's worth acknowledging that the question doesn't mean

0:19:32.429 --> 0:19:35.829
<v Speaker 1>the same thing to everyone. Yeah, so people asking me

0:19:36.589 --> 0:19:40.509
<v Speaker 1>where are your parents from? Where your ancestors from doesn't

0:19:40.549 --> 0:19:43.749
<v Speaker 1>have the kind of emotional salience that may for somebody else.

0:19:51.669 --> 0:19:54.469
<v Speaker 1>Jesse Suddenly thirty like your shoes?

0:19:55.109 --> 0:19:55.789
<v Speaker 3>Thanks?

0:19:56.189 --> 0:19:59.069
<v Speaker 1>I like your dress because they've got these incredible boobs

0:19:59.069 --> 0:20:02.709
<v Speaker 1>to fill it out. Suddenly thirty, for reasons unknown, is

0:20:02.749 --> 0:20:06.709
<v Speaker 1>called thirteen going on thirty in the US. Actually, it

0:20:06.829 --> 0:20:09.869
<v Speaker 1>made me slightly intrigued, so I googled it. The movie

0:20:10.309 --> 0:20:14.269
<v Speaker 1>is called thirteen going on thirty in almost every place.

0:20:14.309 --> 0:20:17.189
<v Speaker 1>Why did we call it suddenly thirty here? It makes

0:20:17.229 --> 0:20:20.989
<v Speaker 1>it difficult to have conversations with Americans. Yes, it's thirteen

0:20:21.069 --> 0:20:23.789
<v Speaker 1>going on thirty, I'm pretty sure everywhere except Australia. Why

0:20:24.189 --> 0:20:30.029
<v Speaker 1>because distributors thought Australians wouldn't understand Oh no, the concept

0:20:30.269 --> 0:20:33.909
<v Speaker 1>slash phrase of thirteen going on thirty. They thought we

0:20:33.909 --> 0:20:34.589
<v Speaker 1>wouldn't get that.

0:20:34.829 --> 0:20:38.989
<v Speaker 2>Australians have proven we can understand phrases.

0:20:38.749 --> 0:20:42.269
<v Speaker 1>So they were like, suddenly, thirty, I'm modified, Okay, that's

0:20:42.309 --> 0:20:45.229
<v Speaker 1>a phrase though, Yeah, thirteen going on? I mean, and

0:20:45.269 --> 0:20:47.829
<v Speaker 1>this is the thing. It's like, oh, don't get me wrong.

0:20:48.429 --> 0:20:51.509
<v Speaker 1>I still don't fully understand the premise. Maybe it's an

0:20:51.509 --> 0:20:54.189
<v Speaker 1>Australian thing. Maybe everyone else in the world is like, oh,

0:20:54.269 --> 0:20:58.669
<v Speaker 1>it totally makes sense. I think it's unrealistic. Yeah, yeah, yeah,

0:20:58.829 --> 0:21:01.509
<v Speaker 1>but it's not the title. No, it's like they think

0:21:01.549 --> 0:21:04.709
<v Speaker 1>we don't say going on, But like I listened to

0:21:04.709 --> 0:21:06.589
<v Speaker 1>the Sound of Music soundtrack a lot, and it's like,

0:21:06.749 --> 0:21:11.589
<v Speaker 1>I am sixteen going on seventeen. That's fine, I understand it.

0:21:11.909 --> 0:21:14.709
<v Speaker 1>I can read between the line. It means you're sixteen

0:21:14.789 --> 0:21:17.029
<v Speaker 1>and soon you will be seventeen, whereas the title of

0:21:17.069 --> 0:21:19.469
<v Speaker 1>this movie means you're thirteen and oh my gosh, soon

0:21:19.509 --> 0:21:23.589
<v Speaker 1>you will be thirty because of magic. Yes, now there

0:21:23.629 --> 0:21:26.109
<v Speaker 1>are other movies where this has happened as well. You

0:21:26.189 --> 0:21:29.549
<v Speaker 1>know one of our favorite films, Bad Neighbors. Yes, yes,

0:21:29.709 --> 0:21:30.309
<v Speaker 1>what are you doing?

0:21:30.629 --> 0:21:32.429
<v Speaker 2>We're throwing a Robert de Niro party.

0:21:33.029 --> 0:21:36.149
<v Speaker 1>Should be pretty fucking loud. It's probably gonna go pretty

0:21:36.189 --> 0:21:39.349
<v Speaker 1>fucking late too. It was just called neighbors. That is

0:21:39.509 --> 0:21:45.749
<v Speaker 1>American in America. She is confusing because I'm not going

0:21:45.749 --> 0:21:48.749
<v Speaker 1>to the movies to watch neighbors. Okay, that's on the TV.

0:21:49.189 --> 0:21:52.229
<v Speaker 1>It's like, was it bad neighbors here to avoid confusion

0:21:52.269 --> 0:21:55.709
<v Speaker 1>with neighbors? Or was it bad neighbors here because they're

0:21:55.749 --> 0:21:59.709
<v Speaker 1>like Australians won't understand they're bad. Yeah, yeah, I'll think

0:21:59.749 --> 0:22:03.589
<v Speaker 1>this is just normal neighbors. They've got to really really

0:22:03.669 --> 0:22:06.389
<v Speaker 1>make things clear for them. These neighbors are bad because

0:22:06.429 --> 0:22:09.309
<v Speaker 1>they're disruptive and they're partying or is in Australia that's

0:22:09.349 --> 0:22:12.549
<v Speaker 1>just a neighby. You don't know me, Yeah, you don't

0:22:12.589 --> 0:22:15.389
<v Speaker 1>know my neighbors. Anyway. It's very very odd and it's

0:22:15.429 --> 0:22:19.309
<v Speaker 1>quite embarrassing that Australia needed a different title. AnyWho, that's

0:22:19.349 --> 0:22:22.069
<v Speaker 1>not why we're here. We're here because Jennifer Gannah stars

0:22:22.109 --> 0:22:24.829
<v Speaker 1>in it. It's arguably her most famous role and there's

0:22:24.869 --> 0:22:26.229
<v Speaker 1>a lot of feelings for about I don't like that

0:22:26.229 --> 0:22:27.949
<v Speaker 1>scene where she did the dance. I didn't like it.

0:22:27.869 --> 0:22:30.789
<v Speaker 1>It made me uncomfortable. Well, I'll get to that. Mark

0:22:30.829 --> 0:22:33.469
<v Speaker 1>Ruffalo's in it. He's hot man Mark Ruffalo more like

0:22:33.589 --> 0:22:36.669
<v Speaker 1>Mark Buffalo. Sometimes you forget that Mark Ruffalo's in it,

0:22:36.909 --> 0:22:40.309
<v Speaker 1>and he's very sexy. For those who haven't seen it,

0:22:40.389 --> 0:22:44.269
<v Speaker 1>Suddenly thirty, it's a romantic comedy and Mark Ruffalo plays

0:22:44.309 --> 0:22:46.829
<v Speaker 1>love interest Matty. Wh's the thing is? Everyone's seen it?

0:22:47.269 --> 0:22:49.389
<v Speaker 1>Find me a person hasn't seen it. But some people

0:22:49.429 --> 0:22:52.669
<v Speaker 1>forget the details all right. A nerdy thirteen year old

0:22:52.869 --> 0:22:56.069
<v Speaker 1>named Jenna desperately wants to be popular, so she gets

0:22:56.109 --> 0:22:58.269
<v Speaker 1>the popular group to come to her thirteenth birthday by

0:22:58.309 --> 0:23:02.269
<v Speaker 1>doing their homework. Her best friend and extra neighbor, Matty,

0:23:02.869 --> 0:23:05.749
<v Speaker 1>has made a doll house for her with his bare hands,

0:23:06.029 --> 0:23:09.909
<v Speaker 1>and he sprinkles the roof with magic wishing dust. I

0:23:10.269 --> 0:23:12.269
<v Speaker 1>think you're a little bit old for a doll's house

0:23:12.269 --> 0:23:14.829
<v Speaker 1>at thirteen. I think you are two. And I think

0:23:14.829 --> 0:23:17.389
<v Speaker 1>that for the audience who was watching this, Like I

0:23:17.469 --> 0:23:19.589
<v Speaker 1>was a teenager when I watched it, and I was like, look,

0:23:19.629 --> 0:23:23.629
<v Speaker 1>two years ago, I believed in magic. Does third moved on?

0:23:24.069 --> 0:23:27.349
<v Speaker 1>I've moved on? I was, you know, still ten, believing

0:23:27.389 --> 0:23:28.869
<v Speaker 1>that my dolls talk to each other when I left

0:23:28.909 --> 0:23:32.389
<v Speaker 1>the room, like absolutely, I'll play that game. As an adolescent,

0:23:33.149 --> 0:23:36.109
<v Speaker 1>it's been quite beaten out of me. And it's like,

0:23:36.189 --> 0:23:38.869
<v Speaker 1>at thirteen, clearly this girl is feeling some things in

0:23:38.869 --> 0:23:40.509
<v Speaker 1>her pants because she wants to hook up with this

0:23:40.549 --> 0:23:43.389
<v Speaker 1>hot guy. And then you've got this boy next door

0:23:43.549 --> 0:23:45.429
<v Speaker 1>giving you a doll's house, and you're like, well, that's

0:23:45.469 --> 0:23:48.909
<v Speaker 1>a big social obligation to act really amazed by your

0:23:48.989 --> 0:23:51.309
<v Speaker 1>doll's house, when really, I think you spent a lot

0:23:51.349 --> 0:23:53.549
<v Speaker 1>of time on that. I actually think that's way too

0:23:53.589 --> 0:23:56.749
<v Speaker 1>full on. It's way too full on. It's I don't

0:23:56.789 --> 0:23:59.269
<v Speaker 1>care about dolls anymore. You don't know me. I didn't

0:23:59.309 --> 0:24:02.029
<v Speaker 1>want that gift. There's something very past aggressive about going

0:24:02.029 --> 0:24:04.709
<v Speaker 1>over the top with a gift. Yeah. The popular girls

0:24:04.829 --> 0:24:08.149
<v Speaker 1>arrive with a group of boys, including Jenna's crush Chris,

0:24:08.549 --> 0:24:11.229
<v Speaker 1>and trick Jenna into believing he's going to kiss her

0:24:11.389 --> 0:24:15.589
<v Speaker 1>in a closet while they leave with the complete homework.

0:24:16.349 --> 0:24:20.549
<v Speaker 1>That's right. When she discovers what's happened, she gets upset

0:24:21.029 --> 0:24:24.349
<v Speaker 1>and she says, I want to be thirty, thirty and

0:24:24.389 --> 0:24:28.309
<v Speaker 1>flirty and thriving. Would you ever have used those words

0:24:28.349 --> 0:24:31.429
<v Speaker 1>when you're thirteen. I just want to be thirty, flirty

0:24:31.469 --> 0:24:37.589
<v Speaker 1>and thriving. I thought many an instagram all thirtieth birthdays.

0:24:38.109 --> 0:24:42.709
<v Speaker 1>I think at thirteen, I thought thirty was geriatric. Oh yes,

0:24:42.829 --> 0:24:46.189
<v Speaker 1>thirty wasn't fun. Thirty No, no, no, no no. I won't

0:24:46.189 --> 0:24:49.109
<v Speaker 1>have two working days. I'll how to hit replacement. I'll

0:24:49.149 --> 0:24:53.229
<v Speaker 1>be boring, ugly, but I will have carcies and unlimited

0:24:53.269 --> 0:24:58.589
<v Speaker 1>access to McDonald's, which are true, like get McDonald's today.

0:24:58.749 --> 0:25:03.269
<v Speaker 1>I want to be personally. I never forget. I never

0:25:03.549 --> 0:25:05.309
<v Speaker 1>Sometimes I forget, and then I think, you're an adult.

0:25:05.349 --> 0:25:06.789
<v Speaker 1>You can get McDonald a few times a day. I

0:25:06.869 --> 0:25:08.709
<v Speaker 1>think I can go buy a packet of Lolly's, and

0:25:08.749 --> 0:25:11.869
<v Speaker 1>I do, and I I think too many. That's why

0:25:11.909 --> 0:25:15.189
<v Speaker 1>I feel sick. That's me, my mum. Yeah. Now the

0:25:15.229 --> 0:25:18.509
<v Speaker 1>magic wishing dust falls on her. The following morning, she

0:25:18.549 --> 0:25:22.269
<v Speaker 1>wakes up in an amazing New York apartment, and she's thirty,

0:25:22.629 --> 0:25:26.189
<v Speaker 1>thirty and thriving. She's dating a man she doesn't recognize

0:25:26.229 --> 0:25:29.269
<v Speaker 1>and has no memory of the last seventeen years. It

0:25:29.309 --> 0:25:31.829
<v Speaker 1>turns out she's now best friends with the popular girl

0:25:31.829 --> 0:25:34.189
<v Speaker 1>who is mean to her on her thirteenth birthday, and

0:25:34.229 --> 0:25:38.309
<v Speaker 1>they're both editors at Poise magazine. Oh Jesse here are

0:25:38.309 --> 0:25:42.109
<v Speaker 1>some of the ways people find suddenly thirty problematic. Now

0:25:42.469 --> 0:25:44.189
<v Speaker 1>I want to laugh about this, but I also want

0:25:44.229 --> 0:25:47.469
<v Speaker 1>to point out I have massively contributed to this culture

0:25:47.549 --> 0:25:52.789
<v Speaker 1>of overwifing things and tearing them apart. It's fun, it's fun,

0:25:53.429 --> 0:25:55.869
<v Speaker 1>but it is also silly. This is what the Internet

0:25:55.949 --> 0:26:00.149
<v Speaker 1>has said. Why didn't anyone express serious concern when Jenna

0:26:00.309 --> 0:26:03.549
<v Speaker 1>just woke up one day and didn't remember anything from

0:26:03.549 --> 0:26:06.109
<v Speaker 1>the age of thirteen? Should she have gone to hospital?

0:26:06.149 --> 0:26:09.069
<v Speaker 1>I would have taken you to hospital if I acted

0:26:09.109 --> 0:26:11.589
<v Speaker 1>like a thirteen year old didn't recognize we've both had

0:26:11.589 --> 0:26:16.389
<v Speaker 1>concussions relatively recently recently, and if those symptoms had started

0:26:16.389 --> 0:26:18.949
<v Speaker 1>bubbling to the surface, I'd say, yeah, it's time for

0:26:18.989 --> 0:26:23.789
<v Speaker 1>brain scain. Yeah. She wakes up the morning and she screams,

0:26:23.869 --> 0:26:31.629
<v Speaker 1>she shrieks at her partner. She generally like a bit

0:26:31.669 --> 0:26:33.749
<v Speaker 1>of an idiot. So her friends are like, Oh, this

0:26:33.829 --> 0:26:37.429
<v Speaker 1>is just Jenner, normal, normal Jenna bag. Yeah, she hangs

0:26:37.469 --> 0:26:40.229
<v Speaker 1>out with other thirteen year olds because she's a thirteen

0:26:40.309 --> 0:26:43.349
<v Speaker 1>year old in her soul. But do you think grown

0:26:43.429 --> 0:26:46.349
<v Speaker 1>ups would have thought that was weird? Imagine so I

0:26:46.389 --> 0:26:48.029
<v Speaker 1>turn up to work today and I'm like, Hey, I

0:26:48.069 --> 0:26:52.189
<v Speaker 1>don't remember anything post thirteen. Yeah. Also, here's my friend,

0:26:52.629 --> 0:26:55.069
<v Speaker 1>she's thirteen. Yeah, I want to play in a doll's house.

0:26:55.229 --> 0:26:58.189
<v Speaker 1>We're having a sleepover. Yeah, I don't want you sleeping

0:26:58.229 --> 0:27:01.309
<v Speaker 1>in the Yeah, my daughters. Yeah. Yeah. So she has

0:27:01.309 --> 0:27:03.469
<v Speaker 1>a sleepover with a thirteen year old who lives in

0:27:03.509 --> 0:27:06.229
<v Speaker 1>her building, and all her friends and people have said,

0:27:06.909 --> 0:27:11.229
<v Speaker 1>should we be normalized year old having a sleep over

0:27:11.269 --> 0:27:13.149
<v Speaker 1>with thirteen yeards? And to that I say, I don't

0:27:13.149 --> 0:27:15.509
<v Speaker 1>know if we are normalizing. If it's just a mover.

0:27:16.469 --> 0:27:19.269
<v Speaker 1>This is the point before I go any further that

0:27:19.389 --> 0:27:22.109
<v Speaker 1>I will point out it is simply just a move,

0:27:23.029 --> 0:27:25.989
<v Speaker 1>and it is made up for purposes of fun and

0:27:26.029 --> 0:27:30.429
<v Speaker 1>for laughing, because the other criticism is that it's creepy

0:27:30.949 --> 0:27:35.829
<v Speaker 1>that Mark Ruffalo's character kisses her when he knows she's

0:27:35.869 --> 0:27:40.109
<v Speaker 1>really thirteen in her mind. Yeah, you get own here.

0:27:42.709 --> 0:27:44.749
<v Speaker 3>It's never quite got that reaction before.

0:27:45.349 --> 0:27:49.189
<v Speaker 1>Ah, And it's like, hm, yes, predatory. But should we

0:27:49.189 --> 0:27:51.309
<v Speaker 1>get hung up on it being creepy in that it's

0:27:51.349 --> 0:27:55.589
<v Speaker 1>a scenario that doesn't really have any parallel to real life,

0:27:55.789 --> 0:28:00.189
<v Speaker 1>in that it involves magic. What do you think do

0:28:00.269 --> 0:28:02.789
<v Speaker 1>you think it's creepy. I hear what they're saying, because

0:28:03.189 --> 0:28:05.909
<v Speaker 1>you know, we are familiar with courtrooms. And if there's

0:28:05.949 --> 0:28:09.909
<v Speaker 1>a situation where someone says I'm a subject to magic dust,

0:28:10.949 --> 0:28:13.389
<v Speaker 1>I went from thirteen to thirty, but I wasn't mentally thirty.

0:28:13.429 --> 0:28:16.829
<v Speaker 1>I was mentally thirteen because of aforementioned math magic dust.

0:28:17.189 --> 0:28:18.869
<v Speaker 1>Then I think you've got to know how to prosecute it.

0:28:18.909 --> 0:28:21.749
<v Speaker 1>So we need to have these ethical conversations because where

0:28:21.789 --> 0:28:23.909
<v Speaker 1>do we land in her body? Yes, she is thirty,

0:28:24.349 --> 0:28:26.309
<v Speaker 1>but in her mind. I think it's a fun chat.

0:28:26.429 --> 0:28:29.989
<v Speaker 1>It's an ethical conundrum, Jesse. As you touched on before,

0:28:30.469 --> 0:28:34.709
<v Speaker 1>when you think about the dancers that everyone knows, do

0:28:34.909 --> 0:28:41.189
<v Speaker 1>Thriller just Thriller come to mine? Yeah? You know every

0:28:41.269 --> 0:28:45.429
<v Speaker 1>move to Thriller. Oh okay, if I was to think

0:28:45.469 --> 0:28:47.749
<v Speaker 1>I would at the Nutbush, You'll probably be mine. But

0:28:47.749 --> 0:28:49.949
<v Speaker 1>I think the nuppush is only an Australian thing. But

0:28:50.229 --> 0:28:52.829
<v Speaker 1>they should have adjusted it for Australian audiences and just

0:28:52.829 --> 0:29:01.309
<v Speaker 1>done the nutthood, nutfoot all the area. That's it, Jesse.

0:29:01.749 --> 0:29:04.589
<v Speaker 1>This is a work party where she's like, we're gonna dance.

0:29:04.629 --> 0:29:06.309
<v Speaker 1>It's really I don't know, No, I'm gonna argue with

0:29:06.309 --> 0:29:10.749
<v Speaker 1>you on this, idiot, you idiot. The whole thing is

0:29:10.749 --> 0:29:13.389
<v Speaker 1>that it was their childhood, you know how every Yeah,

0:29:13.549 --> 0:29:17.269
<v Speaker 1>but I know people of that generation and Thriller, they

0:29:17.269 --> 0:29:26.709
<v Speaker 1>still don't know what Soldier Boy Soldier Boy. Okay, we

0:29:26.749 --> 0:29:31.669
<v Speaker 1>need to redo it from memory? How we need to

0:29:31.749 --> 0:29:35.069
<v Speaker 1>make that song Soldier Boy. Speaking of problematic, there was

0:29:35.109 --> 0:29:39.229
<v Speaker 1>something about white women doing Soldier Boy on stage at

0:29:39.229 --> 0:29:43.469
<v Speaker 1>that high school that probably felt we felt that felt weird.

0:29:43.949 --> 0:29:51.069
<v Speaker 1>Then I think, I think is it that not everybody

0:29:51.429 --> 0:29:54.269
<v Speaker 1>knew Thriller? Or is it that I'm just not that

0:29:54.389 --> 0:29:57.989
<v Speaker 1>connected with the culture, because, for example, everyone in our

0:29:58.029 --> 0:30:00.989
<v Speaker 1>generation could do Soldier Boy. I can't do Soldier Boy.

0:30:01.109 --> 0:30:04.149
<v Speaker 1>I know the basic moves because my body is going

0:30:04.189 --> 0:30:07.909
<v Speaker 1>in the opposite direction. Plan. That's what I'll say about. Okay,

0:30:07.949 --> 0:30:10.829
<v Speaker 1>I'm doing a lit bit now, Okay, yeah, yes, Well,

0:30:10.909 --> 0:30:12.869
<v Speaker 1>if there was a remake, you just do sold boys.

0:30:12.869 --> 0:30:16.149
<v Speaker 1>I have a question anybody who is the exact same

0:30:16.229 --> 0:30:19.789
<v Speaker 1>age as Jenna in that pilema, which is very close

0:30:19.829 --> 0:30:24.549
<v Speaker 1>to Jennifer Garner's age, which is about fifty yep, do

0:30:24.589 --> 0:30:27.269
<v Speaker 1>you know all the moves to Thriller, not just the

0:30:27.309 --> 0:30:31.109
<v Speaker 1>general vibe. Do you know it in that you could

0:30:31.109 --> 0:30:35.749
<v Speaker 1>perform its semi professionally. Here's the other thing, though, the

0:30:35.789 --> 0:30:39.789
<v Speaker 1>person that you're asking has years in years of memories

0:30:39.829 --> 0:30:43.189
<v Speaker 1>in the way thriller. No, no, I know that, But

0:30:43.349 --> 0:30:46.989
<v Speaker 1>so do the people in the movie, because everyone in

0:30:46.989 --> 0:30:50.749
<v Speaker 1>the room can do I'm not questioning that, Jenna, No,

0:30:50.829 --> 0:30:55.549
<v Speaker 1>they're not. They all know it, and they're doing a thing. Okay.

0:30:55.629 --> 0:30:57.869
<v Speaker 1>I think what we should do is find a fifty

0:30:57.909 --> 0:31:00.349
<v Speaker 1>year year old like, go and speak to our boss

0:31:00.389 --> 0:31:02.429
<v Speaker 1>mayor yeah, Holly, and say, can you do the thriller

0:31:02.669 --> 0:31:07.949
<v Speaker 1>the whole thing, the whole thing immediately? Yeah, good point. Investigation. Now,

0:31:08.109 --> 0:31:10.229
<v Speaker 1>at the end of the movie, she comes up with

0:31:10.269 --> 0:31:14.309
<v Speaker 1>an innovative idea to save the magazine. This innovative idea

0:31:14.389 --> 0:31:18.189
<v Speaker 1>is as follows. She stages a high school yearbook photo

0:31:18.309 --> 0:31:22.349
<v Speaker 1>with non famous people like my best friend's sister and

0:31:22.829 --> 0:31:26.469
<v Speaker 1>your next door neighbor, and it's like, why would I

0:31:26.509 --> 0:31:28.789
<v Speaker 1>buy a magazine with no one I know? Want to'll

0:31:28.829 --> 0:31:31.229
<v Speaker 1>look at strangers pretending to be in high school that

0:31:31.309 --> 0:31:34.269
<v Speaker 1>are ordinary. That's not a thing. It's not a good pitch,

0:31:34.429 --> 0:31:37.669
<v Speaker 1>which brings us to the worst pitch that you and

0:31:37.709 --> 0:31:42.229
<v Speaker 1>I often talk about. So with work often, like you

0:31:42.309 --> 0:31:45.509
<v Speaker 1>need to come up with ideas for brands, and we

0:31:45.709 --> 0:31:50.149
<v Speaker 1>have a visceral distaste for one idea. You see it everywhere.

0:31:50.189 --> 0:31:52.309
<v Speaker 1>Every brand comes up with it, Every brand comes up

0:31:52.309 --> 0:31:55.629
<v Speaker 1>with it. Everything it's original. They think it's powerful, and

0:31:56.269 --> 0:31:58.949
<v Speaker 1>even though it's worthy, no one cares. No one. I'm

0:31:59.029 --> 0:32:02.309
<v Speaker 1>so sorry, No one cares? What is it? Every day here?

0:32:02.829 --> 0:32:08.789
<v Speaker 1>Everyday heroes? Local heroes, local hero You know what local

0:32:08.829 --> 0:32:12.189
<v Speaker 1>heroes make the world? What it is so important to

0:32:12.229 --> 0:32:18.669
<v Speaker 1>a community? Will they get people to click? Unfortunately, if

0:32:18.709 --> 0:32:20.829
<v Speaker 1>I said to you, I want to tell you about

0:32:20.829 --> 0:32:26.469
<v Speaker 1>a local hero, you tune out. So sounds great, tell Danny,

0:32:26.549 --> 0:32:29.989
<v Speaker 1>I say, well done. Yeah, but it's just not. If

0:32:29.989 --> 0:32:32.069
<v Speaker 1>the world cared more about local heroes, I have no

0:32:32.109 --> 0:32:34.109
<v Speaker 1>doubt we'd live in a better place, Like the world

0:32:34.149 --> 0:32:35.989
<v Speaker 1>would be a better place. They just don't. The thing

0:32:35.989 --> 0:32:37.709
<v Speaker 1>I'd like to point out, we have actually been in

0:32:37.749 --> 0:32:40.869
<v Speaker 1>a situation writing a TV show where part of the

0:32:40.909 --> 0:32:44.389
<v Speaker 1>plot is she has a big idea. I've never found

0:32:44.429 --> 0:32:47.029
<v Speaker 1>anything harder because it's got to be it's got to

0:32:47.069 --> 0:32:49.109
<v Speaker 1>be a good idea, it's got to make sense to everyone,

0:32:49.189 --> 0:32:51.589
<v Speaker 1>and it's going to work within the world. Yeah, and

0:32:51.629 --> 0:32:54.229
<v Speaker 1>it's really hard and you think, well, can it just

0:32:54.229 --> 0:32:56.389
<v Speaker 1>be a shit idea that we put nice music under?

0:32:56.509 --> 0:32:56.589
<v Speaker 2>No?

0:32:57.949 --> 0:33:01.389
<v Speaker 1>Can, no, No, It's got to be quite a good idea.

0:33:01.389 --> 0:33:03.509
<v Speaker 1>And it's like, well, if I had a million dollar idea,

0:33:03.749 --> 0:33:06.789
<v Speaker 1>would be giving it to you. I'd be selling it

0:33:06.829 --> 0:33:10.709
<v Speaker 1>for one million dollars. But in this film, they failed

0:33:10.749 --> 0:33:12.349
<v Speaker 1>to come up with a good idea. They came up

0:33:12.389 --> 0:33:15.829
<v Speaker 1>with a bad idea. Beautiful music, beautiful facial reacity. We're

0:33:15.829 --> 0:33:19.949
<v Speaker 1>not convinced. Who are these women? I want to see

0:33:20.949 --> 0:33:26.389
<v Speaker 1>my best friend's big sister and the girls from the

0:33:26.429 --> 0:33:29.869
<v Speaker 1>soccer team. Now. This is taken from an article online

0:33:29.869 --> 0:33:33.069
<v Speaker 1>that sums up the absurdity of looking at a fictional

0:33:33.149 --> 0:33:35.869
<v Speaker 1>movie and getting mad about the ply kat Okay. This

0:33:35.909 --> 0:33:39.309
<v Speaker 1>says At one point, Jennifer Ganna is told that a

0:33:39.349 --> 0:33:42.109
<v Speaker 1>man at a restaurant is checking her out. Rather than

0:33:42.109 --> 0:33:44.829
<v Speaker 1>going over to flirt with him, she asks out a

0:33:44.909 --> 0:33:47.909
<v Speaker 1>thirteen year old boy at the table, I actually came

0:33:47.949 --> 0:33:51.429
<v Speaker 1>over here because I think you're really cute. So do

0:33:51.469 --> 0:33:52.389
<v Speaker 1>you want to go out? Sometimes?

0:33:53.229 --> 0:33:53.429
<v Speaker 3>Yeah?

0:33:54.909 --> 0:33:57.149
<v Speaker 1>Now? Do you want a good at jail? It is

0:33:57.229 --> 0:34:00.669
<v Speaker 1>clearly supposed to be a joke, but also extremely disturbing,

0:34:01.149 --> 0:34:03.589
<v Speaker 1>But then it also would have been very disturbing if

0:34:03.589 --> 0:34:06.229
<v Speaker 1>this child mind in an adult body had hooked up

0:34:06.229 --> 0:34:08.509
<v Speaker 1>with an adult man. I guess they're supposed to be

0:34:08.549 --> 0:34:11.789
<v Speaker 1>a loophole because these children have adult bodies. But if

0:34:11.789 --> 0:34:14.309
<v Speaker 1>you meet someone who keeps insisting they are a child

0:34:14.349 --> 0:34:18.109
<v Speaker 1>and an adult body, maybe do not unhesitatingly have sex

0:34:18.149 --> 0:34:20.749
<v Speaker 1>with them. You need to touch grass, You need to go

0:34:21.589 --> 0:34:23.309
<v Speaker 1>touch grass. Take a deep breath and look at the

0:34:23.349 --> 0:34:28.669
<v Speaker 1>sun again. Again, there is magic involved. Again, it is

0:34:28.869 --> 0:34:32.349
<v Speaker 1>just a story. It is okay, it is just fine.

0:34:32.629 --> 0:34:35.549
<v Speaker 1>But I think that scene where she's in a restaurant

0:34:35.869 --> 0:34:38.109
<v Speaker 1>and they say someone's checking you out and she goes

0:34:38.189 --> 0:34:40.229
<v Speaker 1>up to the thirteen year old boy and flirt, that's

0:34:40.629 --> 0:34:42.949
<v Speaker 1>hilarious act. And I think it's actually clever because it's

0:34:42.949 --> 0:34:46.469
<v Speaker 1>a gender reversal, because it's a woman going up to

0:34:46.469 --> 0:34:47.789
<v Speaker 1>a thirteen year old boy. And you know why it's

0:34:47.789 --> 0:34:52.069
<v Speaker 1>funny because that would never happen. That's why it's funny. Yeah, exactly, Okay,

0:34:52.109 --> 0:34:55.709
<v Speaker 1>hold on, it has happened in very rare cases, yes,

0:34:56.029 --> 0:34:58.469
<v Speaker 1>very rare. But I just think that we should be

0:34:58.509 --> 0:35:00.909
<v Speaker 1>able to look at that and think it's funny. Because

0:35:00.949 --> 0:35:05.109
<v Speaker 1>it is fiction, because of magic very dust. Some other headlines,

0:35:06.469 --> 0:35:11.629
<v Speaker 1>why thirteen going on thirty is actually anti feminist? Thirteen

0:35:11.709 --> 0:35:14.589
<v Speaker 1>going on thirty maybe a rom com classic, but is

0:35:14.629 --> 0:35:19.469
<v Speaker 1>it the most feminist? I didn't want to be them. No,

0:35:19.989 --> 0:35:24.269
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0:37:18.669 --> 0:37:23.869
<v Speaker 1>my chart. I have a cup. Firstly comments aging badly,

0:37:24.149 --> 0:37:26.669
<v Speaker 1>and actually, when I say aging badly, the one on

0:37:26.709 --> 0:37:29.509
<v Speaker 1>the Chelsea Handler show was not that long ago, so

0:37:29.629 --> 0:37:34.269
<v Speaker 1>maybe does some bad comment? Yeah, they just want no

0:37:35.109 --> 0:37:37.789
<v Speaker 1>my sentence to that is. I think she needs to

0:37:37.869 --> 0:37:42.509
<v Speaker 1>redo that Conan interview. Yeah, you know when you've had

0:37:42.509 --> 0:37:45.069
<v Speaker 1>a shit day at work and you're like, I didn't

0:37:45.149 --> 0:37:48.629
<v Speaker 1>nail it, didn't nail it that day. No, I was

0:37:48.709 --> 0:37:51.229
<v Speaker 1>having a bad day. Yeah, I said things that I

0:37:51.269 --> 0:37:55.909
<v Speaker 1>now regret. Doesn't Conan do some kind of some kind

0:37:55.869 --> 0:37:59.429
<v Speaker 1>of riding a car? Yeah? Or is that Jerry Jerry

0:37:59.469 --> 0:38:02.709
<v Speaker 1>gets a coffee in a car with the Candian Yeah,

0:38:02.749 --> 0:38:06.749
<v Speaker 1>and Letterman sits on Netflix with them. So I feel

0:38:06.749 --> 0:38:09.629
<v Speaker 1>like Conan would maybe go for a walk, play around

0:38:09.669 --> 0:38:13.189
<v Speaker 1>golf with your Yeah. Yeah. I think she needs to

0:38:13.269 --> 0:38:16.269
<v Speaker 1>redo that interview with Conan, and she needs to say, hey, Conan,

0:38:16.549 --> 0:38:20.829
<v Speaker 1>I'm sorry for correcting you and using your education against you. Yeah,

0:38:20.869 --> 0:38:23.589
<v Speaker 1>because the correct word is snuck. And then maybe they

0:38:23.589 --> 0:38:27.429
<v Speaker 1>can have a whole conversation about correct past dance verbs. Yeah,

0:38:27.509 --> 0:38:29.429
<v Speaker 1>because that's important for people to know so they don't

0:38:29.429 --> 0:38:33.789
<v Speaker 1>have arguments in their own lives. And then she needs

0:38:33.829 --> 0:38:37.749
<v Speaker 1>to clear up just a few of those comments and

0:38:37.869 --> 0:38:40.869
<v Speaker 1>probably admit that she's got some blind spots when it

0:38:40.869 --> 0:38:43.989
<v Speaker 1>comes to you talking about race. Yeah, maybe that would

0:38:43.989 --> 0:38:49.829
<v Speaker 1>be handy. Now, she's also upset people with fiction, Yeah, Yeah,

0:38:49.869 --> 0:38:53.189
<v Speaker 1>with Suddenly thirty, and so I did think. I was like, well,

0:38:53.189 --> 0:38:55.589
<v Speaker 1>do we need to redo it and explore it more

0:38:55.589 --> 0:38:59.149
<v Speaker 1>in a serious way? And then I thought it's been done.

0:38:59.309 --> 0:39:02.669
<v Speaker 1>For anyone who has seen the movie Poor Things, it

0:39:02.789 --> 0:39:08.469
<v Speaker 1>is very much yeah thirteen going on thirty, fatus going

0:39:08.509 --> 0:39:13.789
<v Speaker 1>on thirty. Yes, yeah, right, but taken more seriously. And

0:39:13.829 --> 0:39:17.469
<v Speaker 1>Mark Ruffalo is and Mark Ruffalo plays a slightly different character,

0:39:18.229 --> 0:39:21.949
<v Speaker 1>but he's there. He's there, and it is about special

0:39:21.989 --> 0:39:24.749
<v Speaker 1>interest in women that appear thirty but are in fact

0:39:24.949 --> 0:39:28.509
<v Speaker 1>younger mentally. Mm hmmm. Actually, if you're upset about Suddenly thirty,

0:39:28.509 --> 0:39:31.869
<v Speaker 1>you'll probably also be infuriated by Poor Things. Yeah. Yeah,

0:39:31.989 --> 0:39:35.749
<v Speaker 1>So I suggest you watch it. Good idea, just to

0:39:35.909 --> 0:39:39.709
<v Speaker 1>get kind of annoyed. All right, Well, my charge is

0:39:39.749 --> 0:39:43.309
<v Speaker 1>to do with Suddenly thirty. It's broadly an issue with magic,

0:39:44.189 --> 0:39:47.709
<v Speaker 1>the movie What Women Want? Do you remember that with

0:39:47.749 --> 0:39:52.269
<v Speaker 1>Mel Gibson, the movie Freaky Friday. My issue, when I

0:39:52.309 --> 0:39:54.669
<v Speaker 1>really interrogate it and I sit with myself, is that

0:39:55.269 --> 0:39:58.469
<v Speaker 1>with films that involve magic, where does the magic begin

0:39:58.509 --> 0:40:02.389
<v Speaker 1>and end? Because every scene I'm going, well, is this magic? Yeah? Okay,

0:40:02.389 --> 0:40:03.549
<v Speaker 1>this magic? Do I believe?

0:40:03.549 --> 0:40:03.709
<v Speaker 2>Oh?

0:40:03.829 --> 0:40:07.149
<v Speaker 1>So this is real, but I meant to just accept

0:40:07.229 --> 0:40:09.549
<v Speaker 1>the magic that God is here. There's also a lot

0:40:09.549 --> 0:40:14.469
<v Speaker 1>of logic problems with magic. So in What Women Want,

0:40:15.069 --> 0:40:19.109
<v Speaker 1>he can read women's minds. But what I always thought

0:40:19.149 --> 0:40:22.429
<v Speaker 1>watching that movie, I'm like, hmm, minds aren't just a

0:40:22.549 --> 0:40:27.069
<v Speaker 1>clear voice of chatter of chatter? Yeah? What about when

0:40:27.109 --> 0:40:29.669
<v Speaker 1>you're thinking in images? Can he see them? Yeah? It's

0:40:29.669 --> 0:40:32.429
<v Speaker 1>a great can you only hear your thoughts? Yeah? And

0:40:32.789 --> 0:40:36.749
<v Speaker 1>great premise. I suppose you just you tie yourself in,

0:40:36.789 --> 0:40:40.589
<v Speaker 1>not you tie yourself what you do? And I suppose

0:40:40.589 --> 0:40:42.549
<v Speaker 1>that my sentence, I know what you're saying about poor things,

0:40:42.869 --> 0:40:45.829
<v Speaker 1>but there is a very real fallout to lose seventeen

0:40:45.909 --> 0:40:49.949
<v Speaker 1>years of memory, absolute tragedy. You don't know who? Do

0:40:49.989 --> 0:40:54.549
<v Speaker 1>you love your husband? I also wonder those movies involving

0:40:54.589 --> 0:40:59.029
<v Speaker 1>magic are they dangerous? Because what women want it starts

0:40:59.109 --> 0:41:03.469
<v Speaker 1>with a hair dryer and he electrocutes and people what

0:41:03.629 --> 0:41:05.509
<v Speaker 1>they think that if they electrocute themselves in the bath,

0:41:05.509 --> 0:41:06.949
<v Speaker 1>they're just gonna be able to read minds.

0:41:07.149 --> 0:41:09.149
<v Speaker 2>Please don't electrocute yourself.

0:41:09.269 --> 0:41:11.909
<v Speaker 1>And then I think it's like, if you're reading minds,

0:41:12.029 --> 0:41:14.709
<v Speaker 1>then the correct thing to do is maybe you'll like

0:41:14.789 --> 0:41:16.869
<v Speaker 1>drinking yourself again. It's always you got to do the

0:41:16.869 --> 0:41:19.509
<v Speaker 1>magic again at the end to get back to a way.

0:41:20.269 --> 0:41:25.629
<v Speaker 1>Imagine being stuck in an unending magic loop. See that's stressful.

0:41:26.669 --> 0:41:28.749
<v Speaker 1>How does she get out of it in suddenly thirty?

0:41:28.829 --> 0:41:31.269
<v Speaker 1>Oh my gosh. Okay. So at the end, it's Maddie's

0:41:31.269 --> 0:41:34.109
<v Speaker 1>wedding day and she goes and then he gives her

0:41:34.429 --> 0:41:38.269
<v Speaker 1>the house thing again. More magic dust wakes up in

0:41:38.389 --> 0:41:42.069
<v Speaker 1>the closet back at thirteen, and she kisses Mattie got

0:41:42.149 --> 0:41:51.389
<v Speaker 1>the magic. You're smiling with such joy. I like I

0:41:51.589 --> 0:41:54.669
<v Speaker 1>like it. Yeah, I like it because then she ends

0:41:54.709 --> 0:41:58.149
<v Speaker 1>up with mircrafflo oh and then it flashes to the future. Yeah,

0:41:58.189 --> 0:42:00.989
<v Speaker 1>and she ends up with mirk Raffolo and she changes

0:42:00.989 --> 0:42:03.989
<v Speaker 1>her future ends up in a house that looks like

0:42:04.109 --> 0:42:10.549
<v Speaker 1>the house you made her. Wow. Yeah beautiful Philamuth. Yeah, life,

0:42:10.589 --> 0:42:16.509
<v Speaker 1>isn't it? Calling back and forward, back and forward. We

0:42:16.629 --> 0:42:20.509
<v Speaker 1>just do this chronologically, very confused. That's all we've got

0:42:20.549 --> 0:42:24.229
<v Speaker 1>time for on cancel this week. The executive producer of

0:42:24.349 --> 0:42:28.069
<v Speaker 1>Canceled is to listiit as with audio editing by Tom Lyon.

0:42:28.549 --> 0:42:36.389
<v Speaker 1>We will be back next week. Bye.