WEBVTT - An Unhinged List Of Rules No One Asked For

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<v Speaker 1>Hello, and welcome to Mom and Mia out loud. It's

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<v Speaker 1>all I'm actually talking about. On Friday, the twentieth of

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<v Speaker 1>March out louders, I just want to offer you all

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<v Speaker 1>an enormous congratulations. You are still listening to the number

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<v Speaker 1>one show in Australia. We might have told you about

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<v Speaker 1>that on Wednesday, but we're going to tell you about

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<v Speaker 1>it again and again and again and again. Congratulations on

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<v Speaker 1>your excellent taste. Congratulations and congratulations class.

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<v Speaker 2>You can say, and I'll take a little bit of

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<v Speaker 2>credit because last time I was sort of like trying

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<v Speaker 2>to head but my way into the celebration. Everyone's like,

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<v Speaker 2>no offense, beat you won't there, you were there.

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<v Speaker 3>I can't take any credit because I wasn't here all affair.

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<v Speaker 1>Yeah, your vibes was always here, Yeah, always here. You

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<v Speaker 1>were on holiday, but your vibes were still here.

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<v Speaker 3>Thank you, Thank you anyway, alauders, I.

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<v Speaker 1>Have one request from the number one show in the nation.

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<v Speaker 1>If you love it, if you love us, wherever you're

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<v Speaker 1>listening to this, there'll be a little way for you

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<v Speaker 1>to show it. There will be a place where you

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<v Speaker 1>can hit five stars or leave a little review. Yeah,

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<v Speaker 1>saying we love our girls.

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<v Speaker 3>And also they're very attractive, thank you so much.

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<v Speaker 1>We're not really girls very attractive like the bridesmaid aging

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<v Speaker 1>really well, lady. Anyway, if you would like to leave

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<v Speaker 1>us over your five stars, we would love it. Anyway.

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<v Speaker 1>Who else is with me?

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<v Speaker 2>Well, you haven't said who you are?

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<v Speaker 1>Who are so sorry? I've been talking to us a

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<v Speaker 1>bit over excited. I'm Holly Wayne Wright.

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<v Speaker 2>You're also like, I need no introduction. The number one

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<v Speaker 2>podcast in the country.

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<v Speaker 1>I'm Clare and I'm M N M and on Today's Agenda.

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<v Speaker 2>The best selling memoir that has us asking how much

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<v Speaker 2>truth actually matters.

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<v Speaker 1>We have recommendations that include a TV show that made

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<v Speaker 1>Claire cry, a movie that m can't stop raving about,

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<v Speaker 1>and a literally eye opening beauty product from me.

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<v Speaker 3>And there is a substack titled the Unofficial List of

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<v Speaker 3>Things that men should Never do. I'm immediately obsessed, and yes,

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<v Speaker 3>I've created my.

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<v Speaker 1>Own list to add on. We're going to have a

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<v Speaker 1>little barney about that, I think. But first, in case

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<v Speaker 1>you missed it, your difficult friends are shortening your life.

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<v Speaker 1>I'm just leaving this here in case you need a

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<v Speaker 1>little nudge this weekend to cancel some plants a very

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<v Speaker 1>fancy scientific journal called PNAS. I do not read that

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<v Speaker 1>out loud.

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<v Speaker 2>I'm sorry that.

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<v Speaker 1>I didn't even realize that Proceedings of the National Academy

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<v Speaker 1>of Sciences PNAS, it's real, have published a study blah

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<v Speaker 1>blah study blah blah, but experts labor labeling your difficult

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<v Speaker 1>friends and family members as Hassler's is the official scientific

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<v Speaker 1>term for it, Hassler's and saying they're literally aging you.

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<v Speaker 1>A couple of lines from this study. We investigate the

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<v Speaker 1>role of Hassler's, say p NAS people in one's close

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<v Speaker 1>social networks who create problems or make life more difficult,

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<v Speaker 1>finding that these negative ties are not rare, disproportionately experienced

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<v Speaker 1>by individuals facing greater social and health vulnerabilities and consequential

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<v Speaker 1>for aging. So basically, they're saying they're bad for you

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<v Speaker 1>each additional Hassler, So every extra awkward, annoying person you

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<v Speaker 1>have in your life is associated with faster biological aging

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<v Speaker 1>with especially pronounced effects when that Hassler is a family member.

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<v Speaker 1>So look, you don't need to have brunch tomorrow with Betty,

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<v Speaker 1>who drives you crazy. She is ushering you to an

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<v Speaker 1>early grave and you just need to say, so's Betty,

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<v Speaker 1>I have to cut you off for my health. What

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<v Speaker 1>do we think?

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<v Speaker 2>I mean, there's a lot of debate, isn't there about

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<v Speaker 2>how we need a little bit of social friction and

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<v Speaker 2>social tension in order to have community.

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<v Speaker 1>But not if it's aging myself.

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<v Speaker 2>And then we're told that it's aging us. And obviously,

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<v Speaker 2>as the resident scientist, I went and read the entire

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<v Speaker 2>study and it's legit like and it is as you say, Holly,

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<v Speaker 2>it's not just friends, it's family members. And I thought

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<v Speaker 2>what was interesting They make the point in the study

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<v Speaker 2>that often the hasslers are the people who are closest

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<v Speaker 2>to you, because they're the ones that you give the

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<v Speaker 2>bandwidth to be annoying, Like if you had if you

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<v Speaker 2>had an acquaintance who was like that, you just kind

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<v Speaker 2>of ignore them. But it's hard when it's your mum.

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<v Speaker 2>So it's often these people who are really close to you.

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<v Speaker 2>I do like that it gives you permission.

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<v Speaker 1>And we've got a name. Hassler's Ye, you're a hassler.

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<v Speaker 1>You're not a hassler. M thank you so much. Are

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<v Speaker 1>you going to cut off some hasslers?

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<v Speaker 3>I mean, it's very rare where I hear something new

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<v Speaker 3>that's come up that has a lot of scientific backing

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<v Speaker 3>on it, and I go wrong.

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<v Speaker 1>She lives universe, take side and shove it.

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<v Speaker 3>This is wrong because this whole thing is Also because

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<v Speaker 3>I did read a lot of the science words in

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<v Speaker 3>this piece, and I saw I saw the word chronic

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<v Speaker 3>stress come up a lot. So they're comparing that some

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<v Speaker 3>people who are hasslers in your life are adding to

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<v Speaker 3>your chronic stress. And we know stress is a slow killer,

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<v Speaker 3>but it is a killer. That's not the only thing

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<v Speaker 3>that's stressful. So what I'm worried about is that we

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<v Speaker 3>could get someone who has all of these friends around

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<v Speaker 3>them and then them just going you stress me out

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<v Speaker 3>this way. I didn't like when you did that. That

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<v Speaker 3>was a bit stressful. I didn't like when you did that.

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<v Speaker 3>That was a bit stressful. But also the same person

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<v Speaker 3>could just have like a job that's literally aging them

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<v Speaker 3>and that's the biggest stress in their life, and they

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<v Speaker 3>end up dumping all their friends keeping this crappy job,

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<v Speaker 3>and now they're still stressed out, going through chronic stress,

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<v Speaker 3>and they've got no friends because I got.

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<v Speaker 2>Rid of them. Also, social support really really important for

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<v Speaker 2>fighting stress. So I do think, m there are lots

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<v Speaker 2>of confounding factors.

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<v Speaker 1>Get me a lab coat.

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<v Speaker 3>I've got this.

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<v Speaker 1>I'm just gonna get little badges made like Hassler. Just

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<v Speaker 1>hand them out to my friends and be like, this

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<v Speaker 1>is a present. It's a great compliment. Everybody around them

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<v Speaker 1>will be like, stay away.

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<v Speaker 2>There's a book cover I have been seeing everywhere. Amelia's

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<v Speaker 2>reading it, Me is reading it, and it's next on

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<v Speaker 2>my list. It's called Strangers by Bell Burden. But before

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<v Speaker 2>I've even had the chance to pick it up, I've

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<v Speaker 2>seen some criticism circling for context Burden, who happens to

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<v Speaker 2>be an heiress. She has descended.

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<v Speaker 1>So I just displayed so much about myself by giving

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<v Speaker 1>a little snort through my nose and rolling my eyes.

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<v Speaker 1>I'm very sorry, Bell Burden. I'm sure you're a lovely person.

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<v Speaker 1>Not her fault.

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<v Speaker 3>Heiresses can write books.

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<v Speaker 2>Yes, she descended from the Vanderbilts. She wrote a viral.

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<v Speaker 2>People are allowed.

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<v Speaker 1>To be heiress, discriminated Charlie inside voice. Sorry, we're not gLing, Claire.

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<v Speaker 1>I was just trying to get through this one.

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<v Speaker 2>Sorry, Clara, please continue telling us about it, just because

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<v Speaker 2>we're not heiresses. You know, one day we might be

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<v Speaker 2>She wrote a viral essay for the New York Times

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<v Speaker 2>Modern Love section, and that is the basis for this memoir.

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<v Speaker 2>So it opens in the early days of the pandemic

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<v Speaker 2>in twenty twenty, and she receives a phone call from

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<v Speaker 2>a stranger who says, FYI, your husband is having an

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<v Speaker 2>affair with my wife. And that's her husband of twenty years,

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<v Speaker 2>scary of her three children. He is a hassler. But

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<v Speaker 2>the twist is she didn't know he was a hassler,

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<v Speaker 2>because the other kind of remarkable thing about this story

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<v Speaker 2>is that she says in this book that there were

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<v Speaker 2>no signs, and so at first he says he's really sorry,

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<v Speaker 2>and he is embarrassed, and the relationship is over. Then

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<v Speaker 2>he sort of switches and says he doesn't want to

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<v Speaker 2>be married, and then he becomes a stranger to her.

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<v Speaker 2>So that's the concept of strangers. It's been hailed as

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<v Speaker 2>a memoir about betrayal and self discovery, but there are

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<v Speaker 2>also people who say it's not entirely true or not

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<v Speaker 2>entirely consistent.

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<v Speaker 1>Let me guess is one of them.

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<v Speaker 2>The husband, Well, weirdly, he read it and gave his.

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<v Speaker 1>Approved Okay, so he was like, you've got me. This

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<v Speaker 1>is my penance, Please publicly humiliate me for lessons.

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<v Speaker 2>But he I think it was very much like the

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<v Speaker 2>royal response to Prince Harry's memoir, which was like, recollections

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<v Speaker 2>may vary my favorite Yeah, because it's just I mean,

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<v Speaker 2>a truer sentence has never been spoken about life. But

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<v Speaker 2>there are apparently discrepancies between what Burden wrote in the

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<v Speaker 2>New York Times essay, what she said in interviews about

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<v Speaker 2>the book, and then what's actually in the memoir. One

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<v Speaker 2>of those is the idea of there being no signs

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<v Speaker 2>of the problems in her marriage, because sometimes she phrases

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<v Speaker 2>it that you willfully ignored them. Sometimes she kind of

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<v Speaker 2>brings up things that people are like that was a sign.

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<v Speaker 1>But to me, I'm life, Yeah, we're all inconsistent humans exactly.

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<v Speaker 2>I'm like, yeah, if I told any story about my

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<v Speaker 2>life any number of times, it would change because that's

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<v Speaker 2>the nature of language and perspective.

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<v Speaker 3>Yeah, but you're not making profit on it.

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<v Speaker 2>Yeah, true, I like, but I think even still, we

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<v Speaker 2>don't want people to be totally rehearsed in exactly what

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<v Speaker 2>they tell us. And your understanding of your own life

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<v Speaker 2>evolves over time. But there's also this sub stacker came across,

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<v Speaker 2>which is so detailed to the point of it was

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<v Speaker 2>a little bit funny, where it goes through all of

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<v Speaker 2>Burton's claims dissects them. And what's interesting is that this

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<v Speaker 2>critic seems to be annoyed at Bellburden for not considering

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<v Speaker 2>the perspective of her husband in.

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<v Speaker 1>All this, and even though he has and just like,

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<v Speaker 1>go for it.

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<v Speaker 2>Yeah, And I'd just like to say that no one

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<v Speaker 2>who's been dumped out of the blue is at pains

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<v Speaker 2>to walk in their partner's shoes, like you have your

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<v Speaker 2>experience of what happened, and that's the bloody experience. So

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<v Speaker 2>there's also criticism about the dialogue in the memoir about

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<v Speaker 2>how could you possibly have remembered those conversations, which makes

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<v Speaker 2>me think that's just me.

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<v Speaker 1>People are so annoying. I'm sorry, but people are annoying.

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<v Speaker 1>Let the woman write a book, exactly, Let the air

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<v Speaker 1>s write a book.

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<v Speaker 2>Let her write her book and make a lot of money.

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<v Speaker 2>I'm money fascinated by this conversation because I've just finished

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<v Speaker 2>listening to the Walkers the Real Salt Path which Holly

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<v Speaker 2>recommended a few weeks ago, seven part series about the

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<v Speaker 2>best selling memoir by rainer Win, and you flagged when

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<v Speaker 2>you recommended it. Holly that on the one hand, there

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<v Speaker 2>are some very legitimate claims about the story not being true,

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<v Speaker 2>or rainer Win misrepresenting her life for example, that's not

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<v Speaker 2>her name, just little things at all. But there are

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<v Speaker 2>also things that seem really petty, and I'm not sure

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<v Speaker 2>that they actually take away from the emotional truth of

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<v Speaker 2>what she was trying to say. Holly, where do you

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<v Speaker 2>think the line is?

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<v Speaker 1>I think we live in and it's all true crime

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<v Speaker 1>podcast fault.

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<v Speaker 2>Right.

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<v Speaker 1>We live in an era where everybody wants to be

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<v Speaker 1>a detective, and everybody likes to excavate on the internet,

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<v Speaker 1>and everybody likes to prove people wrong and expose the truth.

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<v Speaker 1>And we don't believe anybody about anything, so we're always digging, right.

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<v Speaker 1>That's become a very just mainstream cultural thing now that

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<v Speaker 1>we someone tells you something and you go, sure, I'm

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<v Speaker 1>going to go check. I'm going to go check receipts

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<v Speaker 1>like that's a thing. A lack of trust in general,

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<v Speaker 1>the thing that makes that really tricky atmosphere to drop

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<v Speaker 1>a memoir in is a memoir isn't an autobiography. We

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<v Speaker 1>need to remember that, right. A memoir is different. So

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<v Speaker 1>it's not supposed to be a straightforward out of every

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<v Speaker 1>single thing that's ever happened to you. The whole point

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<v Speaker 1>of a memoir is it's a story from your life

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<v Speaker 1>that you're telling. It might focus on one particular period

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<v Speaker 1>of your life or one particular relationship, or it might

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<v Speaker 1>pick out different stories, but the whole point of a

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<v Speaker 1>memoir is it's a like, it's written in an engaging

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<v Speaker 1>literary way, telling a story from your life. Now, as

0:12:23.520 --> 0:12:26.400
<v Speaker 1>we've already said, if I'm going to tell a story

0:12:26.440 --> 0:12:29.360
<v Speaker 1>about something that happened to me yesterday, it will be

0:12:29.440 --> 0:12:31.520
<v Speaker 1>my version of it, and then if I ask you

0:12:32.160 --> 0:12:34.240
<v Speaker 1>and you were there, you'll probably tell a different version.

0:12:34.360 --> 0:12:36.160
<v Speaker 1>And that's life. It doesn't mean mine was wrong or

0:12:36.200 --> 0:12:38.319
<v Speaker 1>yours was wrong. It means I came from my perspective,

0:12:38.360 --> 0:12:41.520
<v Speaker 1>you came from yours. And you've got to give memoir

0:12:41.760 --> 0:12:44.680
<v Speaker 1>and that level of recollection the benefit of the doubt

0:12:44.800 --> 0:12:47.400
<v Speaker 1>in that someone's telling you their story, you know it

0:12:49.160 --> 0:12:51.920
<v Speaker 1>with your eyes open going in. This isn't supposed to

0:12:51.920 --> 0:12:55.760
<v Speaker 1>be an entirely fair documentation of events. This is Bell

0:12:55.840 --> 0:12:59.439
<v Speaker 1>Burden's story. Or another example of this would be last

0:12:59.520 --> 0:13:03.719
<v Speaker 1>year I read and interviewed Liz Gilbert about All the

0:13:03.720 --> 0:13:05.600
<v Speaker 1>Way to the River, which was her memoir about the

0:13:05.640 --> 0:13:11.120
<v Speaker 1>death of her partner, Raya Ellis Elias Raya Elias, and

0:13:11.480 --> 0:13:13.760
<v Speaker 1>that was a very controversial book that got a lot

0:13:13.800 --> 0:13:16.800
<v Speaker 1>of crap because people said it was ungenerous to Raya

0:13:16.840 --> 0:13:18.520
<v Speaker 1>because at the end of Raya's life she turned back

0:13:18.520 --> 0:13:21.400
<v Speaker 1>towards her drug addiction. That is not a disputed fact,

0:13:21.920 --> 0:13:23.560
<v Speaker 1>Like everyone who knows her and who is in her

0:13:23.559 --> 0:13:26.679
<v Speaker 1>circle knows that happened. But they didn't like Lizzie's telling

0:13:26.679 --> 0:13:29.200
<v Speaker 1>of what life was like. But the thing is is

0:13:29.280 --> 0:13:31.760
<v Speaker 1>only Liz knows what it was like to be the

0:13:31.840 --> 0:13:35.440
<v Speaker 1>partner of that person in that moment, and she's telling

0:13:35.480 --> 0:13:38.199
<v Speaker 1>her version of events. It's got her name on the cover,

0:13:39.040 --> 0:13:42.960
<v Speaker 1>like it's to me, that's fair enough, right. The problem

0:13:43.120 --> 0:13:45.440
<v Speaker 1>is when you shit on other people in your memoirs.

0:13:46.920 --> 0:13:49.880
<v Speaker 1>And I don't classify the Raya Ellis example as that

0:13:49.920 --> 0:13:52.400
<v Speaker 1>because Liz Gilbert did not do that in my opinion,

0:13:52.480 --> 0:13:55.280
<v Speaker 1>in that book, and she was also very she didn't

0:13:55.280 --> 0:13:57.400
<v Speaker 1>give herself an easy writing that she talked heaps about

0:13:57.400 --> 0:13:59.200
<v Speaker 1>all the things she'd done wrong and all her different,

0:13:59.360 --> 0:14:03.400
<v Speaker 1>you know, sort of issues. But if you are straight

0:14:03.520 --> 0:14:07.959
<v Speaker 1>up just calling other people out and criticizing them and

0:14:08.000 --> 0:14:13.360
<v Speaker 1>giving ungenerous descriptions of their role, that is difficult because

0:14:13.360 --> 0:14:16.199
<v Speaker 1>you're putting the other person in a very tricky situation.

0:14:16.440 --> 0:14:19.200
<v Speaker 1>I think like some celebrity examples of this would be

0:14:19.720 --> 0:14:25.520
<v Speaker 1>Prince Harry's memoir Spare Yeah. He famously writes in there

0:14:25.520 --> 0:14:27.240
<v Speaker 1>about a time that him and William got into a

0:14:27.240 --> 0:14:29.320
<v Speaker 1>physical fight, do you remember, And there was about a

0:14:29.360 --> 0:14:31.840
<v Speaker 1>dog bowl and he fell over, and the fight wasn't

0:14:31.880 --> 0:14:34.080
<v Speaker 1>about a dog bowl, but they're like wrestling in the

0:14:34.160 --> 0:14:36.200
<v Speaker 1>kitchen and then a dog boll goes over and someone's

0:14:36.200 --> 0:14:38.760
<v Speaker 1>pulling someone's hair and it's all really embarrassing for everybody.

0:14:40.320 --> 0:14:43.120
<v Speaker 1>And Harry tells that story, and Prince William, who isn't

0:14:43.160 --> 0:14:45.680
<v Speaker 1>allowed to comment on such matters but through his people,

0:14:45.720 --> 0:14:47.840
<v Speaker 1>has been like that never happened, Harry, Like it did

0:14:47.880 --> 0:14:52.200
<v Speaker 1>not happen. Like that. That's tricky, you know, because you're like,

0:14:52.840 --> 0:14:55.280
<v Speaker 1>in order to negate someone else's account, you've got to

0:14:55.280 --> 0:14:58.040
<v Speaker 1>come out. You've got to say what really happened or

0:14:58.080 --> 0:15:01.080
<v Speaker 1>to you buy it from your perspective, Then you have

0:15:01.120 --> 0:15:04.200
<v Speaker 1>to go deep on it. You have to accept questions

0:15:04.280 --> 0:15:05.920
<v Speaker 1>on the matter, and like, who wants to do that?

0:15:06.280 --> 0:15:06.480
<v Speaker 1>You know?

0:15:06.920 --> 0:15:11.160
<v Speaker 3>I also want to talk about the reader of this situation,

0:15:11.400 --> 0:15:16.720
<v Speaker 3>because for non readers or people who very rarely read memoirs,

0:15:16.760 --> 0:15:20.920
<v Speaker 3>reading someone's memoir is a big deal. I rarely read memoirs.

0:15:20.920 --> 0:15:22.960
<v Speaker 3>I find them quite boring and self indulgent.

0:15:23.040 --> 0:15:24.880
<v Speaker 1>Well, some of them are brilliantly written, some of the

0:15:24.880 --> 0:15:26.840
<v Speaker 1>most famous books in the world and memoirs, but then

0:15:26.880 --> 0:15:29.640
<v Speaker 1>some of them are not, like Britney Spears, The Woman

0:15:29.680 --> 0:15:30.600
<v Speaker 1>and Me not.

0:15:31.320 --> 0:15:33.280
<v Speaker 3>But like even like Britney Spears, like I think, like

0:15:33.360 --> 0:15:36.080
<v Speaker 3>I've the reason. Ones I've read have been Britney Spears

0:15:36.120 --> 0:15:39.560
<v Speaker 3>and Jeanette McCurdy's. And there's some like social clouds in

0:15:39.640 --> 0:15:42.360
<v Speaker 3>telling people you've read a memoir, and you can be like, well,

0:15:42.400 --> 0:15:45.040
<v Speaker 3>in Britney Spears's memoir you hear all about the stuff

0:15:45.040 --> 0:15:47.440
<v Speaker 3>of Justin Tim Blake, and people are like, WHOA, she's

0:15:47.520 --> 0:15:49.800
<v Speaker 3>a great example though she's very well read.

0:15:49.960 --> 0:15:50.920
<v Speaker 1>He wouldn't have liked that.

0:15:50.960 --> 0:15:53.520
<v Speaker 3>He wouldn't have liked that. But with the strangers a

0:15:53.560 --> 0:15:55.360
<v Speaker 3>lot of the stuff that she said. So in the

0:15:55.400 --> 0:15:58.160
<v Speaker 3>book she was like, there were no signs, But then

0:15:58.160 --> 0:15:59.760
<v Speaker 3>she does interviews and she was like, there were some,

0:15:59.760 --> 0:16:02.240
<v Speaker 3>so this could have been sign. So it's like her

0:16:02.280 --> 0:16:04.840
<v Speaker 3>going against her own word. And as a reader, if

0:16:04.840 --> 0:16:06.920
<v Speaker 3>I were to read that memoir and I would have

0:16:07.000 --> 0:16:08.520
<v Speaker 3>told all my friends about it and been like, there

0:16:08.560 --> 0:16:10.720
<v Speaker 3>was no signs, no science, and then she's out doing

0:16:10.800 --> 0:16:13.200
<v Speaker 3>interviews going here's a sign here, this could have been

0:16:13.200 --> 0:16:15.280
<v Speaker 3>a sign, I would have felt betrayed, and I've been like,

0:16:15.320 --> 0:16:18.600
<v Speaker 3>you are wasting my time for making me reader's book.

0:16:18.680 --> 0:16:21.600
<v Speaker 1>But don't you think that Sometimes, Like so, in an

0:16:21.600 --> 0:16:24.320
<v Speaker 1>account of a marriage or a relationship, everybody wants a

0:16:24.360 --> 0:16:27.640
<v Speaker 1>neat narrative, right, you know, the first question whenever anyone

0:16:27.680 --> 0:16:30.680
<v Speaker 1>breaks up is what happened? And what we want is

0:16:30.920 --> 0:16:34.680
<v Speaker 1>something really simple? She cheated, he was bored, you know,

0:16:34.760 --> 0:16:38.120
<v Speaker 1>like we want something like that, don't we? And very

0:16:38.240 --> 0:16:42.720
<v Speaker 1>rarely is it like that. It's really often the story

0:16:42.720 --> 0:16:45.240
<v Speaker 1>of a relationship, particularly a long relationship, will be a

0:16:45.280 --> 0:16:47.600
<v Speaker 1>million little messes that then tip over to be the

0:16:47.640 --> 0:16:51.360
<v Speaker 1>thing that upends it. So when you ask someone were

0:16:51.360 --> 0:16:53.640
<v Speaker 1>their signs, and you're like, no, I thought we were happy.

0:16:54.160 --> 0:16:57.000
<v Speaker 1>That doesn't necessarily mean that every day you were skipping

0:16:57.040 --> 0:16:59.720
<v Speaker 1>down the street holding hands. You might just mean there

0:16:59.760 --> 0:17:02.200
<v Speaker 1>was the usual amount of shit going on, because in

0:17:02.240 --> 0:17:05.560
<v Speaker 1>every relationship there is, and maybe when you're being questioned

0:17:05.560 --> 0:17:07.919
<v Speaker 1>about that, you're going to reflect on it differently than

0:17:07.920 --> 0:17:09.120
<v Speaker 1>when you're writing it out.

0:17:09.280 --> 0:17:11.720
<v Speaker 3>But a book allow you to reflect on that like

0:17:11.760 --> 0:17:13.959
<v Speaker 3>a book. I feel like, because you're sitting down writing

0:17:14.000 --> 0:17:16.480
<v Speaker 3>this book, you are reflecting. You should have all of

0:17:16.480 --> 0:17:18.320
<v Speaker 3>that in there. It's not a social post. It was

0:17:18.359 --> 0:17:20.600
<v Speaker 3>a social post of her going he cheated. I'm like,

0:17:20.640 --> 0:17:22.879
<v Speaker 3>that's fine. I don't care about the science, but the

0:17:22.880 --> 0:17:24.119
<v Speaker 3>scigence should have been in the book.

0:17:24.280 --> 0:17:26.760
<v Speaker 1>Well, yeah, I haven't read it, so it's very hard

0:17:26.800 --> 0:17:29.280
<v Speaker 1>to be really specific about that example when you haven't

0:17:29.280 --> 0:17:32.280
<v Speaker 1>read it. But like I think, I just think that

0:17:32.359 --> 0:17:36.080
<v Speaker 1>we want really neat narratives and that's not what memoir is.

0:17:36.359 --> 0:17:40.040
<v Speaker 2>And I think what makes it really tricky in an

0:17:40.359 --> 0:17:45.400
<v Speaker 2>age of the Internet and hot takes and you know,

0:17:45.480 --> 0:17:48.040
<v Speaker 2>everybody wants to wants to post about it or have

0:17:48.040 --> 0:17:52.040
<v Speaker 2>an opinion, is that stuff gets taken out of context.

0:17:52.160 --> 0:17:55.800
<v Speaker 2>So it's like, this might be an eighty thousand word manuscript,

0:17:55.840 --> 0:17:59.600
<v Speaker 2>and I remember thinking this a lot about Lena Dunham's

0:17:59.600 --> 0:18:03.800
<v Speaker 2>memoir all those years ago, very very controversial, and there

0:18:03.840 --> 0:18:07.280
<v Speaker 2>would be a passage that just got taken out and

0:18:07.400 --> 0:18:11.600
<v Speaker 2>totally ripped apart, and I thought, but that's completely devoid

0:18:11.760 --> 0:18:15.280
<v Speaker 2>of all the context and all the context about who

0:18:15.359 --> 0:18:18.040
<v Speaker 2>she is and why she was telling that story. I

0:18:18.080 --> 0:18:21.480
<v Speaker 2>do think there's a big difference between those sort of

0:18:21.600 --> 0:18:28.399
<v Speaker 2>gray area inconsistencies that we probably all have and the

0:18:28.720 --> 0:18:34.720
<v Speaker 2>serious fabrication of a story completely. So there is a

0:18:34.760 --> 0:18:36.960
<v Speaker 2>big controversy going on at the moment with a book

0:18:37.000 --> 0:18:40.040
<v Speaker 2>called The Tell by Amy Griffin. It was all the

0:18:40.080 --> 0:18:42.800
<v Speaker 2>book Club Picks in twenty twenty five, so it came

0:18:42.840 --> 0:18:46.520
<v Speaker 2>out in March last year. Then this month it came

0:18:46.560 --> 0:18:49.600
<v Speaker 2>out that she's being sued by a former classmate who

0:18:49.600 --> 0:18:53.439
<v Speaker 2>says that Griffin's story of being sexually abused was based

0:18:53.480 --> 0:18:57.000
<v Speaker 2>on assaults that this classmate had actually suffered at their

0:18:57.000 --> 0:18:57.639
<v Speaker 2>middle school.

0:18:57.680 --> 0:19:01.600
<v Speaker 1>Well, that's an excusable ye to me. There's fraud. There's

0:19:01.600 --> 0:19:03.640
<v Speaker 1>out and out fraud, and there are some very famous

0:19:03.640 --> 0:19:07.480
<v Speaker 1>cases of that in memoir where people have fabricated everything

0:19:07.520 --> 0:19:11.119
<v Speaker 1>from racial identity to you know to their background and

0:19:11.160 --> 0:19:13.400
<v Speaker 1>all those things. That to me is a much clearer

0:19:13.400 --> 0:19:15.760
<v Speaker 1>cut and dried case, like if you're pretending a thing

0:19:15.840 --> 0:19:18.040
<v Speaker 1>happened to you and it absolutely didn't, or you're pretending

0:19:18.080 --> 0:19:20.439
<v Speaker 1>to be someone else, Which is one of the arguments

0:19:20.480 --> 0:19:24.840
<v Speaker 1>about the Saltpath discussion, is that so I'm on the

0:19:24.880 --> 0:19:26.560
<v Speaker 1>record of saying I read that book, I love that book.

0:19:26.600 --> 0:19:29.160
<v Speaker 1>I still love that book. It's beautifully written, like it's

0:19:29.200 --> 0:19:31.439
<v Speaker 1>a really well written, gorgeous book, which is why it

0:19:31.480 --> 0:19:35.919
<v Speaker 1>got so much attention. The argument there is whether the

0:19:36.040 --> 0:19:40.639
<v Speaker 1>whole premise is now discredited, which is that she and

0:19:40.680 --> 0:19:43.320
<v Speaker 1>her husband were in a very difficult spot financially and

0:19:43.400 --> 0:19:45.480
<v Speaker 1>health wise, and they went off on the walk, which

0:19:45.520 --> 0:19:48.080
<v Speaker 1>is a crazy decision to make, but they did do that.

0:19:48.080 --> 0:19:52.280
<v Speaker 1>That's all true, and then it sort of follows them

0:19:52.320 --> 0:19:56.240
<v Speaker 1>through and the accusations about them are like, the whole

0:19:56.280 --> 0:19:59.480
<v Speaker 1>thing is fake, and it's not fake, but it's just

0:19:59.520 --> 0:20:02.560
<v Speaker 1>that a lot one of the motivations that she spelled

0:20:02.560 --> 0:20:05.399
<v Speaker 1>out she either left out massive details, like the reason

0:20:05.440 --> 0:20:09.040
<v Speaker 1>that they were in debt was allegedly because she's stolen

0:20:09.080 --> 0:20:12.600
<v Speaker 1>money and got involved in this very complicated scheme, And

0:20:12.640 --> 0:20:15.400
<v Speaker 1>whether or not her husband's illness is as serious as

0:20:15.440 --> 0:20:19.560
<v Speaker 1>she has portrayed it, but the story still holds. That's

0:20:19.600 --> 0:20:23.080
<v Speaker 1>different to like I say, I grew up in a

0:20:23.160 --> 0:20:25.960
<v Speaker 1>palace in London, and really I grew up in Manchester,

0:20:26.040 --> 0:20:26.600
<v Speaker 1>you know what I mean.

0:20:26.640 --> 0:20:31.480
<v Speaker 2>I think the claim there that has that I feel

0:20:31.520 --> 0:20:35.600
<v Speaker 2>the most uncomfortable about is Rayna Winn writes about her

0:20:35.680 --> 0:20:41.560
<v Speaker 2>husband having a certain neurodegenerative and physically degenerative condition, and

0:20:42.600 --> 0:20:45.320
<v Speaker 2>it really sounds like that might have either been exaggerated

0:20:45.600 --> 0:20:47.080
<v Speaker 2>or he but.

0:20:47.080 --> 0:20:50.280
<v Speaker 1>We don't know that. Yes, but in a microsoft.

0:20:50.040 --> 0:20:52.640
<v Speaker 2>If that is the case, then I do think.

0:20:52.520 --> 0:20:54.040
<v Speaker 1>And that falls into the fraud cast.

0:20:54.119 --> 0:20:56.879
<v Speaker 2>Yeah, that falls into because the people who read that

0:20:56.920 --> 0:21:00.959
<v Speaker 2>book also think maybe I can walk my way into health,

0:21:01.040 --> 0:21:04.600
<v Speaker 2>and that's clearly not the case. This brings me back

0:21:04.680 --> 0:21:08.480
<v Speaker 2>to the fact that some of my favorite books are

0:21:08.560 --> 0:21:12.239
<v Speaker 2>fiction that's clearly based on a true story. Yeah, and

0:21:12.400 --> 0:21:15.200
<v Speaker 2>I love it because you can take all those liberties

0:21:15.240 --> 0:21:18.960
<v Speaker 2>that maybe you're restricted from taking in memoir. So I

0:21:19.160 --> 0:21:22.119
<v Speaker 2>just read EM's recommendation from the other Week Half His

0:21:22.240 --> 0:21:25.399
<v Speaker 2>Age by Jeanette MacCurdy, and you read that and you go,

0:21:25.520 --> 0:21:26.840
<v Speaker 2>she's had this experience.

0:21:26.920 --> 0:21:29.640
<v Speaker 1>Yeah, but you see sometimes that And that irritates me too,

0:21:29.680 --> 0:21:32.800
<v Speaker 1>because if you write books, everyone always fiction. Everyone always

0:21:32.800 --> 0:21:35.280
<v Speaker 1>assumes that you're just telling your story and you're not, Like,

0:21:35.359 --> 0:21:38.840
<v Speaker 1>we have imaginations, right, So you take a little bit

0:21:38.880 --> 0:21:40.480
<v Speaker 1>of this story, in a little bit of that story,

0:21:40.520 --> 0:21:41.719
<v Speaker 1>and a little bit of this and you mix them

0:21:41.720 --> 0:21:43.680
<v Speaker 1>all up at you and sometimes, I mean, lots of

0:21:43.720 --> 0:21:46.560
<v Speaker 1>great writers write about things that they have no experience of.

0:21:46.680 --> 0:21:49.480
<v Speaker 1>So I don't think it's always fair to assume that,

0:21:49.680 --> 0:21:53.760
<v Speaker 1>particularly women's fiction is always based on real experience, which

0:21:53.800 --> 0:21:56.080
<v Speaker 1>is what people particularly like to say about women's fiction.

0:21:56.200 --> 0:21:59.080
<v Speaker 1>Or well, clearly she did do that, Clearly that did happen. Yes,

0:21:59.359 --> 0:22:02.160
<v Speaker 1>and you're doing the same detective works that the people

0:22:02.200 --> 0:22:03.720
<v Speaker 1>who are doing who are digging and that you know.

0:22:03.680 --> 0:22:04.000
<v Speaker 4>What I mean.

0:22:04.080 --> 0:22:07.639
<v Speaker 2>Yes, but you're allowed. And so all fours is the

0:22:07.640 --> 0:22:11.440
<v Speaker 2>other one where you go, this is clearly partly mirandigalized story.

0:22:11.600 --> 0:22:13.560
<v Speaker 2>My book is the same. There are a whole lot

0:22:13.560 --> 0:22:15.800
<v Speaker 2>of things people like, oh I remember when that happened. Yeah,

0:22:15.880 --> 0:22:17.440
<v Speaker 2>And I'm like, yeah, And I wrote it as fiction

0:22:17.640 --> 0:22:23.200
<v Speaker 2>for a reason because I know that I'm incredibly biased

0:22:23.920 --> 0:22:28.199
<v Speaker 2>and the story would not have held up to scrutiny.

0:22:28.119 --> 0:22:32.280
<v Speaker 3>Out louders in a moment, the Unofficial List of Things

0:22:32.400 --> 0:22:35.800
<v Speaker 3>Men and Women should Never do. No, it's not scientific,

0:22:36.040 --> 0:22:38.840
<v Speaker 3>but I'm taking those truth out louders.

0:22:38.840 --> 0:22:42.240
<v Speaker 4>Hello, it's me and I've done another diary for you.

0:22:42.440 --> 0:22:45.080
<v Speaker 4>It's a bit of an update some of the things

0:22:45.119 --> 0:22:47.719
<v Speaker 4>I wanted to talk to you about. I'm not going

0:22:47.760 --> 0:22:50.439
<v Speaker 4>to spoil it by telling it to you now, but

0:22:50.680 --> 0:22:53.920
<v Speaker 4>I do subscribe episodes twice a week on Tuesdays and Thursdays.

0:22:53.920 --> 0:22:57.040
<v Speaker 4>And if you like my instabubble that I don't do anymore,

0:22:57.720 --> 0:23:01.359
<v Speaker 4>the diary updates have kind of replace them, except I

0:23:01.400 --> 0:23:05.320
<v Speaker 4>can be a lot more honest and candid because it's

0:23:05.320 --> 0:23:07.919
<v Speaker 4>not on the open Internet. So if you're not already

0:23:07.960 --> 0:23:10.520
<v Speaker 4>a subscriber and you want to hear, follow the link

0:23:10.560 --> 0:23:13.360
<v Speaker 4>in the show notes to listen to me on Tuesdays

0:23:13.359 --> 0:23:16.520
<v Speaker 4>and Thursdays, and you get out loud five days a week.

0:23:16.880 --> 0:23:17.800
<v Speaker 2>What could be better than that?

0:23:18.800 --> 0:23:23.040
<v Speaker 3>So substacker Hannah Park published the Unofficial List of Things

0:23:23.200 --> 0:23:26.159
<v Speaker 3>Men and Women should Never Do? And I want to

0:23:26.200 --> 0:23:28.480
<v Speaker 3>say that I read some of the comments on this

0:23:28.600 --> 0:23:30.600
<v Speaker 3>piece and a lot of people are angry.

0:23:31.000 --> 0:23:33.600
<v Speaker 1>I was a bit angry, but I also wanted to

0:23:33.640 --> 0:23:35.639
<v Speaker 1>bring it to you like a cat bringing you something

0:23:35.640 --> 0:23:39.280
<v Speaker 1>to play, because I was like and will love this shit.

0:23:39.440 --> 0:23:42.160
<v Speaker 1>She has very strong opinions about what men and women.

0:23:42.720 --> 0:23:46.120
<v Speaker 3>Made my week and made me so happy. Before she

0:23:46.160 --> 0:23:49.879
<v Speaker 3>gets into her list, she does say just letting you

0:23:49.920 --> 0:23:53.640
<v Speaker 3>all know this is technically not true, like, don't take

0:23:53.680 --> 0:23:54.399
<v Speaker 3>this as bible.

0:23:54.480 --> 0:23:57.000
<v Speaker 1>All the things she's like, I'm just having a lull.

0:23:57.359 --> 0:24:05.040
<v Speaker 3>I think all memboir should have FYI are true.

0:24:05.240 --> 0:24:06.040
<v Speaker 1>The queen said it.

0:24:07.359 --> 0:24:10.000
<v Speaker 3>So I want to also say I made my own list,

0:24:10.359 --> 0:24:12.080
<v Speaker 3>not about what women shouldn't do, because I think women

0:24:12.119 --> 0:24:13.639
<v Speaker 3>should do whatever they want to do, but things that

0:24:13.720 --> 0:24:19.320
<v Speaker 3>men should definitely things had men should definitely not do.

0:24:19.600 --> 0:24:21.919
<v Speaker 3>And I want to say I made this list sitting

0:24:21.920 --> 0:24:23.560
<v Speaker 3>next to one of my best friends who works here,

0:24:23.560 --> 0:24:26.240
<v Speaker 3>amom Me and Julian, a straight man, because I was

0:24:26.320 --> 0:24:28.879
<v Speaker 3>liked him. These are the things that you do that

0:24:28.960 --> 0:24:31.080
<v Speaker 3>annoy me that I think men shouldn't do, And he

0:24:31.160 --> 0:24:33.200
<v Speaker 3>got very annoyed at first, but then he got really

0:24:33.200 --> 0:24:33.680
<v Speaker 3>into it and.

0:24:33.720 --> 0:24:35.680
<v Speaker 1>Also started adding to the list. So tell us what

0:24:35.720 --> 0:24:39.000
<v Speaker 1>was on the original origins point.

0:24:39.520 --> 0:24:42.800
<v Speaker 3>Okay, some of these we agree with me and Hannah.

0:24:43.400 --> 0:24:44.760
<v Speaker 3>Men who get a stomach ache.

0:24:45.880 --> 0:24:48.960
<v Speaker 1>Ye, men are allowed to get stomach No.

0:24:49.119 --> 0:24:52.560
<v Speaker 2>I think honestly women own that part of the anatomy,

0:24:53.280 --> 0:24:56.479
<v Speaker 2>not only because of like period pain and that kind

0:24:56.520 --> 0:24:58.840
<v Speaker 2>of thing, but I just think our stomach should be

0:24:58.920 --> 0:24:59.480
<v Speaker 2>more sensitive.

0:24:59.480 --> 0:25:01.680
<v Speaker 3>Oh, you can just word it a bit differently, right,

0:25:01.720 --> 0:25:03.880
<v Speaker 3>Like I don't want to hear a man going, oh,

0:25:03.960 --> 0:25:06.600
<v Speaker 3>tummy ache. You can say something like I think I

0:25:06.600 --> 0:25:10.359
<v Speaker 3>have appendicitis. That's fine, that's fine to say, and then

0:25:10.359 --> 0:25:11.600
<v Speaker 3>we can figure it out as we go along.

0:25:11.720 --> 0:25:14.840
<v Speaker 2>Kidney Stone exactly. Think I have a bowel obstruction, Like,

0:25:14.880 --> 0:25:16.120
<v Speaker 2>don't tell me that, but like.

0:25:16.040 --> 0:25:22.639
<v Speaker 3>That scientific we've only just started. Men aren't allowed to

0:25:22.720 --> 0:25:23.760
<v Speaker 3>get hiccups.

0:25:24.040 --> 0:25:26.440
<v Speaker 2>Oh it's embarrassing. Why not?

0:25:27.160 --> 0:25:28.119
<v Speaker 3>Well, what do you like?

0:25:28.400 --> 0:25:28.800
<v Speaker 4>Stop it?

0:25:28.880 --> 0:25:32.200
<v Speaker 1>Just stop? What do you mean it's sitting there with what.

0:25:32.240 --> 0:25:32.879
<v Speaker 2>Were you drinking?

0:25:34.640 --> 0:25:40.760
<v Speaker 1>I get hiccups but you're that's fine, okay, man, just

0:25:40.920 --> 0:25:44.480
<v Speaker 1>don't tick up? Yes, you're like, please remove yourself until

0:25:44.480 --> 0:25:47.480
<v Speaker 1>this has finished. This episode, unfortunate episode is over.

0:25:47.720 --> 0:25:53.679
<v Speaker 3>Sorry again, men who use the stare master at the gym.

0:25:53.800 --> 0:25:55.240
<v Speaker 3>This is one of my personal ones as well.

0:25:55.400 --> 0:25:57.879
<v Speaker 1>Why well, why it is going to be my question

0:25:57.920 --> 0:26:01.040
<v Speaker 1>at your time? Is it? Just stop? Saying why you

0:26:01.119 --> 0:26:03.080
<v Speaker 1>need to offer me a little tippit of why it's

0:26:03.119 --> 0:26:04.880
<v Speaker 1>such a thick Well, that's my machine.

0:26:06.119 --> 0:26:07.760
<v Speaker 2>And also it's like if you want to do cardio,

0:26:07.880 --> 0:26:08.200
<v Speaker 2>just run.

0:26:09.720 --> 0:26:13.239
<v Speaker 3>Oh I see on the treadmill like outside, because the

0:26:13.240 --> 0:26:15.080
<v Speaker 3>machine is the treadmills also for women.

0:26:15.880 --> 0:26:19.679
<v Speaker 1>So the code is that the inside cardio exercise is

0:26:19.720 --> 0:26:23.639
<v Speaker 1>for women, because why we can't exercise outside safely? Like

0:26:23.720 --> 0:26:27.480
<v Speaker 1>what's the via stops?

0:26:27.680 --> 0:26:31.720
<v Speaker 3>It's all about just fine, true, can be fine.

0:26:32.440 --> 0:26:34.960
<v Speaker 2>Image of who's on a StairMaster at any given time

0:26:35.080 --> 0:26:37.800
<v Speaker 2>is a cutout? Yeah, yeah, she loves.

0:26:37.960 --> 0:26:39.480
<v Speaker 1>Its about the but right yeh.

0:26:41.080 --> 0:26:48.480
<v Speaker 3>Drinking marcher, just drink coffee. Just stop it. Needing sleeping

0:26:48.520 --> 0:26:49.920
<v Speaker 3>accessories to fall asleep.

0:26:51.080 --> 0:26:54.040
<v Speaker 2>Okay, my I have a note on this my husband,

0:26:54.720 --> 0:26:56.639
<v Speaker 2>and I'm sorry to share this because it's such an

0:26:56.720 --> 0:27:01.080
<v Speaker 2>it will he mind? No, We argue about it every day.

0:27:01.520 --> 0:27:03.119
<v Speaker 3>He wears.

0:27:03.960 --> 0:27:06.800
<v Speaker 2>It started during my matt leave newborn. All of that.

0:27:07.640 --> 0:27:10.240
<v Speaker 2>He wears this sleep mask to go to sleep, that

0:27:10.359 --> 0:27:12.800
<v Speaker 2>it's like this across his eyes, but then it also

0:27:12.800 --> 0:27:17.520
<v Speaker 2>has white noise in his ears. It's also for the

0:27:17.640 --> 0:27:19.760
<v Speaker 2>nights where he isn't getting up with Matilda so he

0:27:19.760 --> 0:27:24.440
<v Speaker 2>can sleep through. It is the biggest ick and every

0:27:24.480 --> 0:27:28.960
<v Speaker 2>morning he takes it off and I'm like, I hate it,

0:27:29.840 --> 0:27:31.480
<v Speaker 2>and he's like, do you want to borrow my sleep mask?

0:27:31.520 --> 0:27:34.000
<v Speaker 2>And I'm like, I will never touch them. It is

0:27:34.160 --> 0:27:34.960
<v Speaker 2>just about yours.

0:27:35.080 --> 0:27:35.879
<v Speaker 3>Thank you so much.

0:27:36.040 --> 0:27:38.320
<v Speaker 2>Oh God, it's so poor.

0:27:39.160 --> 0:27:41.240
<v Speaker 1>Can't help themselves and stuff? Can they know?

0:27:42.040 --> 0:27:44.600
<v Speaker 3>Before I get into my personal list? Should I go

0:27:44.600 --> 0:27:46.479
<v Speaker 3>through some of the things that Hannah says girls shouldn't?

0:27:46.920 --> 0:27:49.879
<v Speaker 1>Yeah? Have I not to ask? Why again?

0:27:50.400 --> 0:27:52.400
<v Speaker 3>Have a nickname? That's their last name?

0:27:52.520 --> 0:27:54.159
<v Speaker 1>Disagree? Love a nickname?

0:27:54.160 --> 0:27:55.440
<v Speaker 3>It's too browie.

0:27:56.080 --> 0:27:57.920
<v Speaker 2>Trying to think if I know any women.

0:27:58.080 --> 0:28:00.679
<v Speaker 1>I used to call Rachel Corbett Corbett all the time.

0:28:01.880 --> 0:28:03.840
<v Speaker 1>There are some people in my life who are definitely

0:28:03.880 --> 0:28:05.800
<v Speaker 1>just called by their second I think it's cool, but

0:28:05.800 --> 0:28:07.679
<v Speaker 1>there's that really daggy am. I just old, is that

0:28:07.680 --> 0:28:09.320
<v Speaker 1>what I think it is cool? I think it will.

0:28:10.000 --> 0:28:11.640
<v Speaker 3>I don't think you'll be able to get a boyfriend

0:28:11.640 --> 0:28:12.240
<v Speaker 3>if you do that.

0:28:13.280 --> 0:28:14.040
<v Speaker 2>You should worry that.

0:28:17.440 --> 0:28:21.440
<v Speaker 3>Some girls who like grill or I guess it's an American barbecue.

0:28:21.720 --> 0:28:26.200
<v Speaker 1>Oh no, that's also cool. Do you know how to barbecue? Yeah?

0:28:26.359 --> 0:28:31.080
<v Speaker 3>Because I've seen my dad like carry like this, this machine.

0:28:32.640 --> 0:28:33.760
<v Speaker 2>I think it's filled with gas.

0:28:34.119 --> 0:28:40.200
<v Speaker 1>Yeah, I really despair.

0:28:38.760 --> 0:28:44.360
<v Speaker 3>I think I could flip a burger, like flip some chicken.

0:28:44.400 --> 0:28:47.920
<v Speaker 1>But I think what goes on inside into like the

0:28:47.920 --> 0:28:50.640
<v Speaker 1>men are at the barbecue, the women are making the salads. Like,

0:28:50.800 --> 0:28:51.760
<v Speaker 1>come on, I.

0:28:53.400 --> 0:28:55.640
<v Speaker 3>Think the men can start the barbecue and if they

0:28:55.680 --> 0:28:58.760
<v Speaker 3>go to the bathroom, I can do some stuff on there. Okay,

0:28:59.360 --> 0:29:00.920
<v Speaker 3>I don't understand the mechanics of it.

0:29:01.040 --> 0:29:02.360
<v Speaker 2>How the barbecue works is none of.

0:29:02.360 --> 0:29:05.680
<v Speaker 3>My none of my business. Women shouldn't be at home

0:29:05.720 --> 0:29:08.400
<v Speaker 3>when the internet guy or electricity guy comes over.

0:29:09.000 --> 0:29:10.280
<v Speaker 1>What if you live alone? Like you?

0:29:10.480 --> 0:29:11.680
<v Speaker 3>Yeah, it's really.

0:29:11.400 --> 0:29:13.520
<v Speaker 1>Hard and I think I've been camped.

0:29:14.080 --> 0:29:16.720
<v Speaker 3>But I spent a lot of money on stopping my

0:29:16.760 --> 0:29:19.000
<v Speaker 3>tap from dripping, and I think it took him like

0:29:19.040 --> 0:29:22.560
<v Speaker 3>two seconds. My good, Yeah, your dad needs My dad

0:29:22.560 --> 0:29:23.200
<v Speaker 3>should have been there.

0:29:23.320 --> 0:29:26.000
<v Speaker 1>Women are very in this world order. They're like very

0:29:26.040 --> 0:29:27.760
<v Speaker 1>little helpless princesses, aren't they.

0:29:27.960 --> 0:29:29.240
<v Speaker 3>Yeah, it looks like it.

0:29:30.440 --> 0:29:30.880
<v Speaker 1>We like that.

0:29:30.880 --> 0:29:33.440
<v Speaker 3>Do we know the names of directors of movies?

0:29:33.520 --> 0:29:35.000
<v Speaker 2>Oh my god, my.

0:29:34.880 --> 0:29:35.960
<v Speaker 1>Head's going to fall off.

0:29:36.120 --> 0:29:40.480
<v Speaker 2>I think this has changed recently because directors of movies

0:29:40.560 --> 0:29:42.760
<v Speaker 2>used to all be men, and that was boring. But

0:29:42.880 --> 0:29:46.760
<v Speaker 2>now that we've got greta girl, got Chloe Joo and

0:29:46.800 --> 0:29:50.719
<v Speaker 2>Emerald for now. But no, we are not just allowed

0:29:50.720 --> 0:29:53.560
<v Speaker 2>to know about girl things. Okay, do you want to

0:29:53.560 --> 0:29:57.960
<v Speaker 2>know about in my box? Because guy like.

0:29:58.240 --> 0:29:59.200
<v Speaker 1>You should know his name?

0:30:00.600 --> 0:30:01.880
<v Speaker 3>Okay, can I get into my list?

0:30:01.920 --> 0:30:04.120
<v Speaker 1>Please get into your list. And because one of the

0:30:04.120 --> 0:30:06.440
<v Speaker 1>reasons why I brought this story to you, as I say,

0:30:06.520 --> 0:30:10.040
<v Speaker 1>like like a little shiny cat toy, is because I

0:30:10.080 --> 0:30:12.960
<v Speaker 1>think all the time about your bold declaration that you

0:30:13.040 --> 0:30:15.760
<v Speaker 1>made on this podcast quite some time ago that men,

0:30:16.000 --> 0:30:18.000
<v Speaker 1>unless they're famous. I think there was an I think

0:30:18.000 --> 0:30:20.720
<v Speaker 1>there was maybe an out for famous men should never

0:30:20.800 --> 0:30:24.000
<v Speaker 1>have a public Instagram account. No, that made my head

0:30:24.040 --> 0:30:26.560
<v Speaker 1>fall off. I'm like, I didn't think that Instagram was

0:30:26.600 --> 0:30:27.400
<v Speaker 1>only for women.

0:30:27.920 --> 0:30:30.240
<v Speaker 3>No, it is only for women. I mean the public

0:30:30.280 --> 0:30:32.960
<v Speaker 3>Instagram accounts. I only why would a man have a

0:30:33.000 --> 0:30:34.640
<v Speaker 3>public Instagram to show?

0:30:36.440 --> 0:30:39.240
<v Speaker 1>Well? What are they showing the same things that we're showing?

0:30:39.360 --> 0:30:43.800
<v Speaker 3>No, No, it's different, it's different. Okay, what else?

0:30:43.960 --> 0:30:44.440
<v Speaker 1>Okay?

0:30:45.080 --> 0:30:47.080
<v Speaker 3>Taking the tram?

0:30:47.360 --> 0:30:50.400
<v Speaker 1>Just walk? She's really, Oh, I don't know, a line bike.

0:30:50.480 --> 0:30:52.840
<v Speaker 1>Maybe I don't know. I don't approve of this. You know,

0:30:52.880 --> 0:30:55.680
<v Speaker 1>you wouldn't remember this, but Margaret Thatcher, who is famous

0:30:55.840 --> 0:30:59.160
<v Speaker 1>conservative British Preme Minister, once made a declaration that if

0:30:59.200 --> 0:31:02.120
<v Speaker 1>you see any over the age of thirty on public transport,

0:31:02.160 --> 0:31:07.080
<v Speaker 1>he's a loser. Oh I that hurts me to my core.

0:31:07.320 --> 0:31:10.760
<v Speaker 1>And this sounds like no. It sounds like you're saying no.

0:31:10.840 --> 0:31:16.200
<v Speaker 3>They can take buses, men, trains. They could take buses, trains, walks, linebacks,

0:31:16.600 --> 0:31:18.320
<v Speaker 3>metros and trams are for girls.

0:31:18.640 --> 0:31:19.400
<v Speaker 1>Okay.

0:31:20.080 --> 0:31:25.960
<v Speaker 3>Vibes, drinking with the straw, Yeah.

0:31:26.600 --> 0:31:28.520
<v Speaker 1>They've had their teeth whitened and they don't want to.

0:31:28.560 --> 0:31:36.160
<v Speaker 3>Okay, on the list straws grave, Okay, holding a wine

0:31:36.200 --> 0:31:38.160
<v Speaker 3>glass by the stem.

0:31:38.000 --> 0:31:39.680
<v Speaker 1>You're terrible. You're going to hell.

0:31:39.800 --> 0:31:41.840
<v Speaker 3>Also, how would the hand fitter like if your hand

0:31:41.840 --> 0:31:45.959
<v Speaker 3>fits around them? Yeah, I'm on into that.

0:31:46.000 --> 0:31:49.560
<v Speaker 1>I'm sure I've selling this story before. When my son

0:31:49.760 --> 0:31:52.920
<v Speaker 1>was little, I was obviously going really hard on like

0:31:53.160 --> 0:31:55.320
<v Speaker 1>the whole rebel girls things for my daughter and you

0:31:55.360 --> 0:31:57.000
<v Speaker 1>know all that, and so I was always like, you

0:31:57.000 --> 0:31:58.920
<v Speaker 1>can be whatever you want to be. And one day

0:31:58.960 --> 0:32:00.760
<v Speaker 1>little Billy, I think it was like six, he comes

0:32:00.760 --> 0:32:03.480
<v Speaker 1>to me and he goes, mom, can boys be whatever

0:32:03.520 --> 0:32:04.080
<v Speaker 1>they want to be?

0:32:04.280 --> 0:32:04.440
<v Speaker 2>Too?

0:32:06.440 --> 0:32:10.160
<v Speaker 1>I was like, shit, I think it never even occurred

0:32:10.200 --> 0:32:11.800
<v Speaker 1>to me. And now I'm going to have to go

0:32:11.880 --> 0:32:14.320
<v Speaker 1>home and say to him, yes, billy, except you.

0:32:14.240 --> 0:32:15.480
<v Speaker 2>Can't get on a tramp.

0:32:19.280 --> 0:32:20.560
<v Speaker 3>Wearing contact lenses.

0:32:21.480 --> 0:32:23.960
<v Speaker 2>Yeah, wear glass, wear glasses.

0:32:24.040 --> 0:32:28.040
<v Speaker 1>It don't look HoTT in glasses. They always look. That's

0:32:28.080 --> 0:32:28.560
<v Speaker 1>what they get.

0:32:29.320 --> 0:32:31.280
<v Speaker 3>Driving with two hands on the wheel.

0:32:32.280 --> 0:32:35.360
<v Speaker 2>One hand on the steering wheel, one on the Yeah,

0:32:36.360 --> 0:32:38.080
<v Speaker 2>have an accident.

0:32:39.360 --> 0:32:40.800
<v Speaker 1>That's too far, too far.

0:32:41.840 --> 0:32:46.440
<v Speaker 3>Blowing on their food if it's hot, just eat it.

0:32:48.040 --> 0:32:52.320
<v Speaker 3>A little burnt tongue never hurt anyone. Oh, and like

0:32:52.720 --> 0:32:55.120
<v Speaker 3>the way they get into water when it's too cold,

0:32:55.640 --> 0:32:57.960
<v Speaker 3>Like if they're not just straight jumping in, don't get

0:32:57.960 --> 0:32:59.840
<v Speaker 3>in the water because they come to climb.

0:32:59.880 --> 0:33:02.720
<v Speaker 1>And I really like manly, don't.

0:33:02.720 --> 0:33:05.480
<v Speaker 2>My favorite dud yell at my husband the manisphere.

0:33:05.520 --> 0:33:07.800
<v Speaker 1>Guys, we're talking about that the other day.

0:33:08.200 --> 0:33:09.920
<v Speaker 2>I yell at my husband all the time, being like

0:33:10.040 --> 0:33:11.200
<v Speaker 2>men used to go to war.

0:33:12.840 --> 0:33:15.760
<v Speaker 1>I did to the ocean.

0:33:15.880 --> 0:33:17.360
<v Speaker 2>You can't even get into cold water.

0:33:18.440 --> 0:33:19.280
<v Speaker 3>Well there's my list.

0:33:19.720 --> 0:33:22.680
<v Speaker 1>Clad. Do you concur with this terribly gendered conversation?

0:33:22.760 --> 0:33:26.000
<v Speaker 2>Okay, broadly, I believe gender is a construct and we

0:33:26.000 --> 0:33:30.400
<v Speaker 2>shouldn't fit into these binary kid categories and we actually don't.

0:33:30.720 --> 0:33:32.800
<v Speaker 2>I am going to raise my daughter and my son

0:33:32.960 --> 0:33:36.960
<v Speaker 2>exactly the same. But if I had to this light

0:33:37.080 --> 0:33:38.640
<v Speaker 2>hearted segment.

0:33:39.800 --> 0:33:42.520
<v Speaker 3>Segment emphasis Also, I do want to say again a

0:33:42.560 --> 0:33:45.440
<v Speaker 3>straight man helped me with my list, then this is.

0:33:45.440 --> 0:33:48.720
<v Speaker 2>What I would say. Hypothetically, Men shouldn't wear backpacks.

0:33:48.840 --> 0:33:51.280
<v Speaker 3>Agree, just kept things in your pocket.

0:33:51.360 --> 0:33:54.120
<v Speaker 1>You could not be what would a man have in

0:33:54.160 --> 0:33:55.600
<v Speaker 1>his back Tell me right now?

0:34:00.120 --> 0:34:07.040
<v Speaker 2>On every day.

0:34:04.800 --> 0:34:07.360
<v Speaker 1>He's got a little backpack and then you put the

0:34:07.400 --> 0:34:07.960
<v Speaker 1>water in it.

0:34:08.840 --> 0:34:10.480
<v Speaker 3>But they leave the house with his backpack.

0:34:10.719 --> 0:34:12.680
<v Speaker 1>What about if they're looking after a child and they

0:34:12.719 --> 0:34:14.240
<v Speaker 1>need to put the nappies in there and stuff?

0:34:14.280 --> 0:34:14.880
<v Speaker 3>Is that allowed?

0:34:15.040 --> 0:34:15.239
<v Speaker 2>No?

0:34:15.320 --> 0:34:18.600
<v Speaker 3>I think maybe like a saxul or like hold a

0:34:18.680 --> 0:34:20.280
<v Speaker 3>bag with your hand by your side.

0:34:20.400 --> 0:34:21.759
<v Speaker 1>Nothing should touch your shoulders.

0:34:22.120 --> 0:34:25.320
<v Speaker 2>No, no, no, but I agree. It's like your clothes,

0:34:25.400 --> 0:34:28.800
<v Speaker 2>get pockets, owls, drinker pockets. That's why we need bag anyway,

0:34:30.080 --> 0:34:37.480
<v Speaker 2>drink mescato?

0:34:40.280 --> 0:34:40.959
<v Speaker 1>What are you doing?

0:34:41.440 --> 0:34:45.000
<v Speaker 2>What are you doing? Wear pants made out of thin

0:34:45.280 --> 0:34:50.040
<v Speaker 2>fabric like linen? Well like stretch he's in like did

0:34:50.080 --> 0:34:50.600
<v Speaker 2>you see.

0:34:50.480 --> 0:34:52.719
<v Speaker 1>The needed rivalry boys on the red carpet at the

0:34:52.800 --> 0:34:54.320
<v Speaker 1>Vanity fair? Pap Very soon.

0:34:54.800 --> 0:34:56.640
<v Speaker 2>I'll have to look at that, I'll have they break

0:34:56.680 --> 0:35:01.440
<v Speaker 2>all the rules. And finally, this is really important. No

0:35:01.520 --> 0:35:02.759
<v Speaker 2>compression socks.

0:35:02.760 --> 0:35:05.080
<v Speaker 1>Oh yeah, what about a long cold flag?

0:35:05.320 --> 0:35:05.880
<v Speaker 2>No?

0:35:05.880 --> 0:35:09.360
<v Speaker 3>No, but look what happened to Logan roy in succession?

0:35:09.680 --> 0:35:14.440
<v Speaker 2>True that it was meant to happen. No deal with

0:35:14.480 --> 0:35:14.920
<v Speaker 2>the risk.

0:35:15.080 --> 0:35:19.560
<v Speaker 1>This is so good. What would you add to the list?

0:35:19.600 --> 0:35:23.680
<v Speaker 1>Only really have one very strongly held feeling, and it explains,

0:35:23.719 --> 0:35:26.640
<v Speaker 1>in my opinion, the end of Nicole Kidman and Nicky

0:35:26.719 --> 0:35:30.000
<v Speaker 1>Surban's marriage. No man should spend more than three minutes

0:35:30.000 --> 0:35:33.480
<v Speaker 1>getting ready to go out. That's it. Any man whose hair,

0:35:33.680 --> 0:35:37.799
<v Speaker 1>whose hair requires wires, sings like I mean, yeah, sure,

0:35:37.840 --> 0:35:39.880
<v Speaker 1>a bit of product, but like requires a lot of

0:35:39.960 --> 0:35:42.920
<v Speaker 1>extra attention. I don't like it. Like, I don't like.

0:35:42.920 --> 0:35:44.880
<v Speaker 2>That, And I don't want him to have an opinion

0:35:44.880 --> 0:35:47.040
<v Speaker 2>about his hair, you know what I mean. It's like,

0:35:47.080 --> 0:35:48.319
<v Speaker 2>go to the hairdresser, that's fine.

0:35:48.400 --> 0:35:51.319
<v Speaker 1>I have opinions about your hair. That's pretty much the

0:35:51.320 --> 0:35:54.480
<v Speaker 1>only place I draw the line. And like Harry Styles,

0:35:54.520 --> 0:35:57.360
<v Speaker 1>I would excuse that. I would excuse that. But even so,

0:35:57.640 --> 0:36:00.239
<v Speaker 1>like sometimes his hair looks like he's thought about added

0:36:00.280 --> 0:36:03.799
<v Speaker 1>a bit too much. I don't really want people to

0:36:03.800 --> 0:36:05.799
<v Speaker 1>think about it like, I don't want that.

0:36:05.880 --> 0:36:07.640
<v Speaker 3>I say men should just not have head.

0:36:08.719 --> 0:36:15.719
<v Speaker 1>You know, though, I'm being very holy now about this,

0:36:15.840 --> 0:36:18.000
<v Speaker 1>because I'm all like guys, I wanted to do whatever

0:36:18.000 --> 0:36:21.280
<v Speaker 1>they want. But when we were talking about the stomach akes,

0:36:21.719 --> 0:36:26.440
<v Speaker 1>it made me remember a very unedifying incident when I

0:36:26.480 --> 0:36:28.080
<v Speaker 1>was younger. I was going out with a guy who

0:36:28.120 --> 0:36:32.400
<v Speaker 1>had a peanutalergy and I was really mean about it,

0:36:33.040 --> 0:36:35.200
<v Speaker 1>and I'm so sorry to everyone in the world with

0:36:35.200 --> 0:36:37.880
<v Speaker 1>the peanutalergies and dealing with kids with penalogies. But it

0:36:37.960 --> 0:36:40.759
<v Speaker 1>was a different time and we didn't and I specifically

0:36:40.840 --> 0:36:44.239
<v Speaker 1>thought that men do not have foodalergies or special dietary requirements.

0:36:44.320 --> 0:36:47.680
<v Speaker 1>They don't sit in restaurants and ask like, but what's

0:36:47.800 --> 0:36:53.919
<v Speaker 1>in the car? My poor boyfriend, we went up quite

0:36:53.920 --> 0:36:56.920
<v Speaker 1>a long time. He used to always whatever we were ordering,

0:36:56.960 --> 0:36:59.600
<v Speaker 1>like spaghetti bolonnaise, be like, is the peanuts that I'd

0:36:59.640 --> 0:37:02.680
<v Speaker 1>be like, like, I was so awful, and he's like,

0:37:02.719 --> 0:37:04.799
<v Speaker 1>I guess I'll just die, And I reckon that if

0:37:04.840 --> 0:37:07.040
<v Speaker 1>that was one of my girlfriends, there is no way

0:37:07.120 --> 0:37:09.440
<v Speaker 1>I would have been awful about it. I was nasty.

0:37:09.480 --> 0:37:11.279
<v Speaker 1>And then one day, the poor man we were on

0:37:11.320 --> 0:37:14.560
<v Speaker 1>whole day together in Edinburgh and he ordered a meal

0:37:14.920 --> 0:37:16.799
<v Speaker 1>and he was like, does it have peanuts? And I

0:37:16.800 --> 0:37:19.160
<v Speaker 1>was like, forgot's fake? Can we stop talking about peanuts?

0:37:19.200 --> 0:37:21.840
<v Speaker 1>And then he had a really bad clash and I

0:37:22.000 --> 0:37:25.719
<v Speaker 1>was not nice, and I reckon that was my internalized sexism.

0:37:25.800 --> 0:37:30.320
<v Speaker 1>So just be careful out loud as. Please don't cancel

0:37:30.400 --> 0:37:35.520
<v Speaker 1>us for this conversation. Please very wrong and very funny.

0:37:36.280 --> 0:37:40.480
<v Speaker 1>I may die of laughing. I believe you have.

0:37:40.520 --> 0:37:45.160
<v Speaker 2>Something else to tell us about. On almost every episode

0:37:45.320 --> 0:37:48.280
<v Speaker 2>of this podcast, a bit of bts for the listeners,

0:37:48.480 --> 0:37:52.719
<v Speaker 2>I am corrected on my pronunciation of something, and I

0:37:52.840 --> 0:37:56.080
<v Speaker 2>like to think it's because I'm actually so clever that

0:37:56.200 --> 0:37:58.480
<v Speaker 2>I learn most of my words from reading.

0:37:58.560 --> 0:38:02.520
<v Speaker 1>Oh Jesse says this, yeh Jesse's excuse whenever she mispronounces.

0:38:02.520 --> 0:38:04.959
<v Speaker 1>She says, I've only ever seen that word written down,

0:38:05.120 --> 0:38:08.000
<v Speaker 1>probably the scientific peen.

0:38:07.760 --> 0:38:12.200
<v Speaker 2>Ass, and therefore when I go to say it, I

0:38:12.239 --> 0:38:15.839
<v Speaker 2>guess I'm just surrounded by U plebs. But I do

0:38:15.920 --> 0:38:19.040
<v Speaker 2>get a lot of words slightly wrong. But today I

0:38:19.120 --> 0:38:22.160
<v Speaker 2>learned there's another one to add to the list. An

0:38:22.280 --> 0:38:25.919
<v Speaker 2>article in the Daily Mail begins Australians have been left

0:38:25.960 --> 0:38:29.799
<v Speaker 2>stunned after discovering they may have been pronouncing one of

0:38:29.840 --> 0:38:34.640
<v Speaker 2>the country's most iconic lollies wrong their entire lives. I'd

0:38:34.640 --> 0:38:36.200
<v Speaker 2>like to challenge that. I don't think we're stunned. I

0:38:36.239 --> 0:38:38.160
<v Speaker 2>think we're just like, we just don't.

0:38:38.040 --> 0:38:38.839
<v Speaker 3>Have a lot going on.

0:38:39.680 --> 0:38:42.600
<v Speaker 1>We're trying to avoid the really scary shit in the world.

0:38:43.520 --> 0:38:48.960
<v Speaker 2>What but that lolly is the humble what I would

0:38:48.960 --> 0:38:49.879
<v Speaker 2>call chop cho.

0:38:52.080 --> 0:38:55.239
<v Speaker 1>I love Choppa chups red ones. When you've got little kids,

0:38:55.239 --> 0:38:58.080
<v Speaker 1>you can like total excuse, like watermelon really good, a

0:38:58.160 --> 0:39:00.879
<v Speaker 1>total excuse to get into the chops because you can

0:39:00.920 --> 0:39:03.239
<v Speaker 1>give them to them for like, oh your is my pop?

0:39:03.280 --> 0:39:07.400
<v Speaker 1>Oh shut up? One for me too, and it's a novelty.

0:39:07.640 --> 0:39:12.680
<v Speaker 2>The colon ones are great but apparently incorrect. We're all

0:39:12.719 --> 0:39:19.640
<v Speaker 2>saying it wrong. Uh, it's actually pronounced super shut up?

0:39:20.719 --> 0:39:21.840
<v Speaker 3>Who says wrong?

0:39:22.920 --> 0:39:27.279
<v Speaker 2>Daily mail is never wrong? And I feel like there

0:39:27.320 --> 0:39:29.319
<v Speaker 2>is new information like this all the time, and it

0:39:29.400 --> 0:39:32.320
<v Speaker 2>may just be clever marketing, but I don't mind because,

0:39:32.600 --> 0:39:35.479
<v Speaker 2>for example, did you know, according to a random article

0:39:35.520 --> 0:39:39.680
<v Speaker 2>I found on the internet, Nitella is actually new teller.

0:39:41.880 --> 0:39:45.359
<v Speaker 1>It's been around pages. It's Italian, right, so you guys

0:39:45.400 --> 0:39:50.200
<v Speaker 1>know that it's good when you say that. Now I

0:39:50.239 --> 0:39:50.960
<v Speaker 1>call it Theella.

0:39:51.080 --> 0:39:54.960
<v Speaker 2>Yes, I think this is just kind of a giveaway

0:39:55.000 --> 0:40:00.200
<v Speaker 2>about just where I exist, like socially. But Porsche is

0:40:00.239 --> 0:40:02.440
<v Speaker 2>actually Porsche.

0:40:02.680 --> 0:40:03.400
<v Speaker 1>Did you know it was?

0:40:04.200 --> 0:40:05.040
<v Speaker 2>I don't think so.

0:40:05.360 --> 0:40:08.960
<v Speaker 1>Did I know? I would definitely say, oh, he's driving

0:40:08.960 --> 0:40:09.520
<v Speaker 1>a Porsche.

0:40:09.600 --> 0:40:11.040
<v Speaker 2>Yeah, yeah, yeah, yeah.

0:40:11.000 --> 0:40:13.000
<v Speaker 1>I would say Porsche was a name.

0:40:13.200 --> 0:40:18.600
<v Speaker 2>Yeah, me too, And Porsche sounds really wanky. Everybody else

0:40:18.640 --> 0:40:20.600
<v Speaker 2>except me knew this. This is another thing I've only

0:40:20.640 --> 0:40:28.959
<v Speaker 2>read Hermes is omes.

0:40:26.760 --> 0:40:29.040
<v Speaker 1>Only people who need to know that. I know that.

0:40:29.200 --> 0:40:35.440
<v Speaker 2>I guess I didn't need to. And volts Wagon, but

0:40:35.760 --> 0:40:36.440
<v Speaker 2>you say.

0:40:36.239 --> 0:40:38.360
<v Speaker 1>That the first time to make sure you're.

0:40:38.440 --> 0:40:43.160
<v Speaker 2>Clearly clearly wrong. Volts Wagon and I don't know where

0:40:43.160 --> 0:40:45.759
<v Speaker 2>I get the t because there's no tea. But I'm like,

0:40:45.880 --> 0:40:58.960
<v Speaker 2>volts Wagon is no volks Vagan because yeah, voed for audience.

0:40:59.440 --> 0:41:01.640
<v Speaker 3>Sorry it was too.

0:41:01.560 --> 0:41:07.000
<v Speaker 1>Loose to They're like geez IQs are dropping produced.

0:41:07.960 --> 0:41:10.960
<v Speaker 3>ID did a guy who said canapes instead of candidates,

0:41:11.520 --> 0:41:13.200
<v Speaker 3>and it took me a long time to figure out

0:41:13.239 --> 0:41:13.839
<v Speaker 3>what he meant.

0:41:14.200 --> 0:41:16.399
<v Speaker 1>Sometimes you say it as you know how you say

0:41:16.480 --> 0:41:19.440
<v Speaker 1>some pronunciations a joke, like and someone will be like.

0:41:19.480 --> 0:41:20.799
<v Speaker 1>It's called talk if you're like.

0:41:23.920 --> 0:41:25.160
<v Speaker 3>But now it looks like I didn't.

0:41:25.400 --> 0:41:28.040
<v Speaker 2>I'm being ironic. I genuinely need to know this because

0:41:28.040 --> 0:41:29.879
<v Speaker 2>I heard someone say this years ago and I never

0:41:30.040 --> 0:41:33.160
<v Speaker 2>kind of googled it. The word for you, for you,

0:41:33.560 --> 0:41:37.040
<v Speaker 2>it's not fouryer, I'll meet you.

0:41:38.200 --> 0:41:38.359
<v Speaker 4>Oh.

0:41:40.280 --> 0:41:43.120
<v Speaker 1>People say ship again out loud as I apologize.

0:41:44.320 --> 0:41:46.759
<v Speaker 3>I think I've been saying both. Did I think there

0:41:46.760 --> 0:41:48.480
<v Speaker 3>were two different things? No, surely not.

0:41:48.600 --> 0:41:49.200
<v Speaker 1>Let's move on.

0:41:52.120 --> 0:41:52.560
<v Speaker 4>The break.

0:41:54.719 --> 0:42:02.880
<v Speaker 1>We have some recommendations for your weekend ideas, something casual,

0:42:03.040 --> 0:42:08.319
<v Speaker 1>something fun. This is my best recommendation. It's Friday. We

0:42:08.400 --> 0:42:10.799
<v Speaker 1>need things to tell people about for the weekend. We're

0:42:10.800 --> 0:42:15.200
<v Speaker 1>going to try and be smart. Please everybody. Claire Stevens,

0:42:15.239 --> 0:42:17.840
<v Speaker 1>you're smart. Tell everybody what to watch this weekend.

0:42:18.360 --> 0:42:21.839
<v Speaker 2>So I saw a post from Lee Sales a couple

0:42:21.840 --> 0:42:22.359
<v Speaker 2>of weeks ago.

0:42:22.600 --> 0:42:23.200
<v Speaker 1>She's smart.

0:42:24.000 --> 0:42:25.600
<v Speaker 2>I just go to the smart. We're on a good track,

0:42:26.800 --> 0:42:31.160
<v Speaker 2>and she said that that night's episode of Australian Story

0:42:31.160 --> 0:42:33.960
<v Speaker 2>had made her cry harder than any episode ever has.

0:42:34.000 --> 0:42:38.000
<v Speaker 1>Hold on it's a job to say no presents Australian.

0:42:37.520 --> 0:42:40.080
<v Speaker 2>Story exactly, but for her to say that, out of

0:42:40.120 --> 0:42:43.560
<v Speaker 2>all the episodes, I was like, ooh, okay, you're in

0:42:43.760 --> 0:42:46.000
<v Speaker 2>and so all the comment it got massive engagement. People

0:42:46.000 --> 0:42:47.920
<v Speaker 2>are commenting, and so I sort of put it to

0:42:47.920 --> 0:42:50.000
<v Speaker 2>the side because I was like, hmmm, I don't know

0:42:50.040 --> 0:42:52.600
<v Speaker 2>if I can do with a big cry right.

0:42:52.400 --> 0:42:54.960
<v Speaker 1>Now, but sometimes you need one exactly.

0:42:55.120 --> 0:42:57.360
<v Speaker 2>So I put it aside for a couple of weeks.

0:42:58.360 --> 0:43:00.759
<v Speaker 2>But then I knew I had to watch it because

0:43:00.960 --> 0:43:04.680
<v Speaker 2>it's called Raising Richard, and it's about a seventy two

0:43:04.840 --> 0:43:08.279
<v Speaker 2>year old Perth mum Didri Croft as she confronts the

0:43:08.360 --> 0:43:11.759
<v Speaker 2>question of who's going to care for her intellectually disabled son,

0:43:12.000 --> 0:43:16.160
<v Speaker 2>Richard when she no longer can yes. And so what's

0:43:16.440 --> 0:43:20.640
<v Speaker 2>incredible about this story is that this filmmaker, Andrew Wiseman,

0:43:21.080 --> 0:43:25.759
<v Speaker 2>has documented their life for more than three decades, so

0:43:25.800 --> 0:43:30.040
<v Speaker 2>from when Richard was ten, and both Wiseman and Croft

0:43:30.239 --> 0:43:34.680
<v Speaker 2>really wanted to present an honest and raw but humanizing

0:43:35.000 --> 0:43:39.239
<v Speaker 2>picture of Richard, which three decades ago was pretty frickin revolutionary.

0:43:39.920 --> 0:43:45.240
<v Speaker 2>And so when Richard was younger, there were confronting public meltdowns,

0:43:45.920 --> 0:43:48.880
<v Speaker 2>there was a bit of violence towards his mum when

0:43:48.920 --> 0:43:52.319
<v Speaker 2>he sort of was overwhelmed by emotion. But she really

0:43:52.400 --> 0:43:55.560
<v Speaker 2>wanted to show that these things were not his fault

0:43:55.880 --> 0:43:59.520
<v Speaker 2>and that there was a lot of nuance to his

0:44:00.000 --> 0:44:06.239
<v Speaker 2>emotional experience. So what got me was that Richard's mum

0:44:06.360 --> 0:44:08.120
<v Speaker 2>put him in a group home a few years ago

0:44:08.160 --> 0:44:11.240
<v Speaker 2>because physically she was unable to care for him anymore.

0:44:11.320 --> 0:44:15.040
<v Speaker 2>She's getting older, he's a big guy, and just in

0:44:15.160 --> 0:44:17.440
<v Speaker 2>terms of the physical work of looking after him, she

0:44:17.440 --> 0:44:19.760
<v Speaker 2>couldn't do it. So she put him in care. Things

0:44:19.760 --> 0:44:25.360
<v Speaker 2>looked absolutely great, and then it deteriorated and basically he

0:44:25.520 --> 0:44:29.560
<v Speaker 2>was hospitalized multiple times, even though his physical health seemed

0:44:29.560 --> 0:44:35.160
<v Speaker 2>to be okay. And what she's clearly dealing with is

0:44:35.160 --> 0:44:38.920
<v Speaker 2>that he has no way of expressing what distressed him

0:44:39.400 --> 0:44:43.080
<v Speaker 2>or how he was feeling. And the reason this got

0:44:43.080 --> 0:44:45.600
<v Speaker 2>me is because we've had a very similar experience in

0:44:45.640 --> 0:44:49.759
<v Speaker 2>our family with my cousin in a group home where

0:44:50.040 --> 0:44:55.680
<v Speaker 2>something clearly pretty rufic happened, and the fact that they

0:44:55.760 --> 0:44:59.200
<v Speaker 2>can't tell you exactly what it was, but you see

0:44:59.400 --> 0:45:04.680
<v Speaker 2>the toll them is just so devastating. So Deirdre, the

0:45:04.760 --> 0:45:08.160
<v Speaker 2>thing I absolutely loved about this Australian story and about

0:45:08.160 --> 0:45:12.480
<v Speaker 2>her is that she's not a martyr, and it's not

0:45:12.520 --> 0:45:16.839
<v Speaker 2>about being a martyr, and it doesn't romanticize disability. And

0:45:17.560 --> 0:45:22.640
<v Speaker 2>she is currently because she's aging, she's currently filming all

0:45:22.680 --> 0:45:25.319
<v Speaker 2>these videos for Richard for when she goes, because he

0:45:25.320 --> 0:45:29.400
<v Speaker 2>obviously doesn't have an understanding of mortality of what happens

0:45:29.400 --> 0:45:32.960
<v Speaker 2>after somebody dies. So she's filming all these videos just

0:45:33.000 --> 0:45:35.160
<v Speaker 2>telling him that she loves him and she's proud of him.

0:45:35.680 --> 0:45:39.719
<v Speaker 2>And it's just I just sobbed and sobbed. But I

0:45:39.760 --> 0:45:42.400
<v Speaker 2>think this is really important for people to watch when

0:45:42.440 --> 0:45:45.000
<v Speaker 2>it comes to the question of what happens to people

0:45:45.040 --> 0:45:48.839
<v Speaker 2>with intellectual disabilities as they become adults and as their

0:45:48.880 --> 0:45:52.400
<v Speaker 2>caregivers become older and can no longer care for them.

0:45:52.719 --> 0:45:56.439
<v Speaker 2>It's a big question for Australia and a really confronting one,

0:45:56.840 --> 0:45:58.160
<v Speaker 2>and this episode.

0:45:57.760 --> 0:46:02.640
<v Speaker 1>Is just the story. Stories of carers are not told

0:46:02.760 --> 0:46:06.520
<v Speaker 1>very often because it's seen as almost like a sacred

0:46:06.600 --> 0:46:09.080
<v Speaker 1>duty that you would look after your child no matter

0:46:09.120 --> 0:46:13.640
<v Speaker 1>what or whoever. But it's an enormous responsibility that comes

0:46:13.640 --> 0:46:16.640
<v Speaker 1>with so much difficulty, and so any story that kind

0:46:16.640 --> 0:46:20.279
<v Speaker 1>of shows that ye as well as asks these questions

0:46:20.280 --> 0:46:23.279
<v Speaker 1>of like why is this always a personal responsibility? Is

0:46:23.320 --> 0:46:26.840
<v Speaker 1>really yeah, Okay, you've I don't know, I'm going to

0:46:26.880 --> 0:46:29.760
<v Speaker 1>have to save that for a particularly emotionally robust moment,

0:46:29.800 --> 0:46:33.120
<v Speaker 1>but it sounds incredible. I'm going to change the mood.

0:46:33.960 --> 0:46:36.200
<v Speaker 1>I'm going to talk to you about my eyebags.

0:46:37.239 --> 0:46:38.960
<v Speaker 3>I know exactly what it's going to recommend.

0:46:40.000 --> 0:46:43.560
<v Speaker 1>So last Friday, my friend Emily Vernon and I were

0:46:43.600 --> 0:46:47.240
<v Speaker 1>on a shoot. We were doing a shoot for Shkoda Shoda,

0:46:47.920 --> 0:46:50.680
<v Speaker 1>and we spent the day like we got our makeup

0:46:50.719 --> 0:46:55.000
<v Speaker 1>done because we were being very fancy. And the makeup

0:46:55.080 --> 0:46:57.600
<v Speaker 1>artist who did us called Amy, and she was brilliant.

0:46:57.640 --> 0:47:03.120
<v Speaker 3>Makeupis are always brilliants. She only uses like K beauty products.

0:47:03.280 --> 0:47:06.080
<v Speaker 3>She knows exactly what product you use on exactly the

0:47:06.120 --> 0:47:07.399
<v Speaker 3>type of persons. Oh my god.

0:47:07.719 --> 0:47:10.440
<v Speaker 1>She was so great. Absolutely, And when you get your

0:47:10.480 --> 0:47:13.560
<v Speaker 1>face done, you suddenly realize, you know, all the famous

0:47:13.560 --> 0:47:15.560
<v Speaker 1>people were seeing on the red carpets and everything, like,

0:47:16.520 --> 0:47:20.479
<v Speaker 1>nobody looks like that. I look almost like I could

0:47:20.480 --> 0:47:22.520
<v Speaker 1>be on the Oscars Red carpet. After Amy's been at

0:47:22.520 --> 0:47:25.520
<v Speaker 1>me for like an hour. Yeah, anyway, I look.

0:47:25.400 --> 0:47:27.680
<v Speaker 3>Like I had a what they called buckle fat removal.

0:47:31.120 --> 0:47:32.960
<v Speaker 1>I'll put a picture in em and I obviously took

0:47:33.000 --> 0:47:35.000
<v Speaker 1>lots of selfies because we liked how hot we looked.

0:47:35.040 --> 0:47:37.719
<v Speaker 1>We We're just like, yes, anyway, The point is not

0:47:37.760 --> 0:47:40.840
<v Speaker 1>about that. The point is about that. One of the

0:47:40.880 --> 0:47:42.360
<v Speaker 1>things is when you, if you're ever lucky enough to

0:47:42.360 --> 0:47:44.680
<v Speaker 1>get your makeup done, I always like quiz for tips.

0:47:44.719 --> 0:47:46.359
<v Speaker 1>So I'm like, what are you doing? What are you using?

0:47:46.400 --> 0:47:48.480
<v Speaker 1>Blah blah blah blah blah. So two things that have

0:47:48.560 --> 0:47:52.440
<v Speaker 1>changed my life from Amy my under eye circles. I

0:47:52.480 --> 0:47:54.879
<v Speaker 1>have never before used a color corrector. Do you ever

0:47:54.960 --> 0:47:57.560
<v Speaker 1>use a color corrector? I do, and of course she do,

0:47:57.640 --> 0:48:00.239
<v Speaker 1>because she's very clever like that. But I just my

0:48:00.280 --> 0:48:02.680
<v Speaker 1>conceiler and I've got my favorite concealer I've recommended before.

0:48:02.800 --> 0:48:06.000
<v Speaker 1>It's Lorel True Match. It's not expensive, it's brilliant. I

0:48:06.080 --> 0:48:08.759
<v Speaker 1>use the serum one. But she's like, no, no, no,

0:48:09.040 --> 0:48:10.200
<v Speaker 1>darlt with those.

0:48:10.000 --> 0:48:12.759
<v Speaker 3>Dark exactly how she talked. She's like, what are you doing?

0:48:12.960 --> 0:48:15.319
<v Speaker 1>She was like, you need to put color corrector on

0:48:15.360 --> 0:48:17.480
<v Speaker 1>before you do the CONCEIALA And she told me about

0:48:17.520 --> 0:48:19.839
<v Speaker 1>this one. I bought a bit of an exy one.

0:48:19.880 --> 0:48:22.680
<v Speaker 1>It's a tart shape tape. I bought the peach one.

0:48:22.760 --> 0:48:24.120
<v Speaker 1>But there are lots of June.

0:48:24.160 --> 0:48:25.839
<v Speaker 3>You can get the green and red, like different colors

0:48:25.840 --> 0:48:26.920
<v Speaker 3>depending on your scale.

0:48:26.680 --> 0:48:28.319
<v Speaker 1>On your skin tone. And she said to me, you

0:48:28.360 --> 0:48:31.440
<v Speaker 1>need peach. So I've started putting that on a little bit,

0:48:31.560 --> 0:48:33.200
<v Speaker 1>letting it set in a bit before I put my

0:48:33.239 --> 0:48:35.759
<v Speaker 1>conceil on, and I reckon, it's better, I know. And

0:48:35.800 --> 0:48:37.680
<v Speaker 1>then the other things she did to me. And I'm

0:48:37.719 --> 0:48:40.400
<v Speaker 1>not necessarily recommending this because I googled and there are

0:48:40.400 --> 0:48:45.560
<v Speaker 1>are some downsides. But she taped my eyes open.

0:48:46.480 --> 0:48:49.680
<v Speaker 2>It's wild because you said this, and I was imagining

0:48:50.120 --> 0:48:53.920
<v Speaker 2>you with like strings like coming from your hair and

0:48:53.960 --> 0:48:56.320
<v Speaker 2>being a Kardashian, And then when I saw a photo,

0:48:56.360 --> 0:48:57.560
<v Speaker 2>I was like, I can't see anything.

0:48:57.640 --> 0:49:00.600
<v Speaker 1>So she used those eyelid strips. Now they're really big

0:49:00.680 --> 0:49:03.719
<v Speaker 1>in Asia where people might be trying to fix in

0:49:03.719 --> 0:49:06.759
<v Speaker 1>inverted commas like hooded eyes. Right, Like, it's a very

0:49:07.840 --> 0:49:10.960
<v Speaker 1>subjective beauty standard about whether or not your eyes should

0:49:10.960 --> 0:49:14.600
<v Speaker 1>be hooded, but clearly for older women, your eyes become

0:49:14.680 --> 0:49:17.600
<v Speaker 1>more hooded for many of us, right and basically you're

0:49:17.719 --> 0:49:21.319
<v Speaker 1>like eyelid stuff down, get more hooded? What's like what

0:49:21.960 --> 0:49:24.640
<v Speaker 1>you just It's just gravity, baby, It's just it's just

0:49:24.680 --> 0:49:27.960
<v Speaker 1>gravity doing its thing. It's just everything's just think of

0:49:27.960 --> 0:49:35.240
<v Speaker 1>it as everything's just slowly slide brows. Look, it's fine.

0:49:35.239 --> 0:49:37.879
<v Speaker 1>They're all just having a little chill. But some done

0:49:37.920 --> 0:49:40.640
<v Speaker 1>a lot of work, a lot of word like lifting

0:49:40.719 --> 0:49:43.120
<v Speaker 1>up and what the like, a lot of that, a

0:49:43.200 --> 0:49:46.520
<v Speaker 1>lot of is anyway, and so they're slowly having little

0:49:46.600 --> 0:49:50.239
<v Speaker 1>lie down. And what Amy did is she had this

0:49:50.239 --> 0:49:51.960
<v Speaker 1>this island tape and you put it in like the

0:49:52.040 --> 0:49:55.000
<v Speaker 1>crease of your eyes here, just really little and you

0:49:55.080 --> 0:49:57.400
<v Speaker 1>can't see it, and you can put eyeshadow over it,

0:49:57.440 --> 0:50:00.680
<v Speaker 1>and it just immediately makes you like a bit more. Yeah,

0:50:00.760 --> 0:50:01.239
<v Speaker 1>eyes open.

0:50:01.320 --> 0:50:02.759
<v Speaker 3>We didn't even realize she was putting it on you

0:50:02.760 --> 0:50:05.319
<v Speaker 3>because we were having a conversation hit chatting away and

0:50:05.320 --> 0:50:06.000
<v Speaker 3>I was like, what's that.

0:50:07.160 --> 0:50:10.920
<v Speaker 1>I'm like, look at me, I am emma stone up

0:50:10.920 --> 0:50:14.840
<v Speaker 1>in here. And so I'm not necessarily recommending that, friends,

0:50:14.880 --> 0:50:16.799
<v Speaker 1>but I'm just putting it out there that I learned

0:50:16.840 --> 0:50:18.919
<v Speaker 1>a couple of things about my eyes that didn't involve

0:50:18.960 --> 0:50:21.839
<v Speaker 1>a knife on the weekend on Friday. In fact, that

0:50:22.080 --> 0:50:24.160
<v Speaker 1>was a very useful. So yeah, color correct. I'll put

0:50:24.200 --> 0:50:26.319
<v Speaker 1>a link in I tape. You do you.

0:50:27.760 --> 0:50:30.520
<v Speaker 3>What have you got for a sem I have a

0:50:30.560 --> 0:50:34.919
<v Speaker 3>movie recommendation that's in cinema's right now. I have been

0:50:34.960 --> 0:50:38.280
<v Speaker 3>told by many people that I have the same movie

0:50:38.360 --> 0:50:40.520
<v Speaker 3>and TV show taste as a nine year old boy,

0:50:40.640 --> 0:50:43.080
<v Speaker 3>which is great, and this one fits right into that.

0:50:43.560 --> 0:50:46.680
<v Speaker 3>So I rarely recommend movies where you have to go

0:50:46.719 --> 0:50:49.160
<v Speaker 3>to the cinema to watch, because cinema tickets are so

0:50:49.320 --> 0:50:52.520
<v Speaker 3>bloody expensive now. So this I want people to go

0:50:52.560 --> 0:50:56.000
<v Speaker 3>see it because it is a cinematic masterpiece. It's Ryan

0:50:56.040 --> 0:50:59.560
<v Speaker 3>Gosling's new movie. It's called Project Hail Mary.

0:51:00.040 --> 0:51:02.440
<v Speaker 1>Really like Ryan Gosling? Is there any reason for us

0:51:02.520 --> 0:51:05.760
<v Speaker 1>not to like Ryan Gore? Has he done anything anything

0:51:05.760 --> 0:51:08.160
<v Speaker 1>we need to know? Problematic, troublesome? We are allowed to

0:51:08.239 --> 0:51:08.920
<v Speaker 1>like him absolutely.

0:51:09.160 --> 0:51:10.720
<v Speaker 3>Recently Hard launched his wife.

0:51:10.920 --> 0:51:13.799
<v Speaker 1>Yes, I know, I love that. Yeah, I love They've

0:51:13.800 --> 0:51:16.520
<v Speaker 1>been together for ages and ages and generally they're pretty

0:51:16.760 --> 0:51:18.879
<v Speaker 1>chill about it. Yeah, you've never seen them together ever,

0:51:18.960 --> 0:51:21.920
<v Speaker 1>and she's really fun and you're good glad. I'm glad

0:51:21.960 --> 0:51:24.480
<v Speaker 1>we're still allowed to because I love it. Will La

0:51:24.560 --> 0:51:24.840
<v Speaker 1>la la.

0:51:25.080 --> 0:51:31.520
<v Speaker 2>He's a good ex boyfriend mccadams and like he's just

0:51:31.560 --> 0:51:32.120
<v Speaker 2>a cheerleader.

0:51:32.239 --> 0:51:34.840
<v Speaker 1>The date, Yes, that notebook.

0:51:34.920 --> 0:51:38.359
<v Speaker 2>They hate each other during film, and then they got together.

0:51:38.080 --> 0:51:40.719
<v Speaker 1>After it and then they're like nice. They're still like

0:51:40.800 --> 0:51:43.120
<v Speaker 1>nice to each other. So, Okay, we've.

0:51:42.880 --> 0:51:45.240
<v Speaker 2>Decided a commission non problematic.

0:51:45.480 --> 0:51:48.560
<v Speaker 1>And his SNL thing the other week was very funny,

0:51:48.760 --> 0:51:49.920
<v Speaker 1>very funny, very funny.

0:51:49.960 --> 0:51:53.280
<v Speaker 3>Anyway, this is like old school Ryan Gosling in action movie.

0:51:53.400 --> 0:51:56.680
<v Speaker 3>So he plays this high school science teacher and the

0:51:56.719 --> 0:51:59.960
<v Speaker 3>movie starts off with him waking up on a rock

0:52:00.520 --> 0:52:04.600
<v Speaker 3>in space, not knowing who he is, why he's in space,

0:52:04.719 --> 0:52:07.239
<v Speaker 3>what he's meant to do in space, and you see

0:52:07.360 --> 0:52:10.640
<v Speaker 3>him kind of like figure out what his purpose really is.

0:52:10.760 --> 0:52:14.640
<v Speaker 1>Am a man allowed to go to space? In fact,

0:52:14.680 --> 0:52:16.000
<v Speaker 1>I think they should all go.

0:52:19.680 --> 0:52:20.799
<v Speaker 3>Just go see what's health there.

0:52:20.920 --> 0:52:22.720
<v Speaker 2>It's like jury g but like.

0:52:24.640 --> 0:52:28.600
<v Speaker 3>We'll be down here fixing everything. You guys, go do

0:52:28.680 --> 0:52:32.240
<v Speaker 3>your thing. Okays in spacelings in space, and it jumps

0:52:32.280 --> 0:52:34.719
<v Speaker 3>back and forth of him on Earth just before going

0:52:34.760 --> 0:52:36.520
<v Speaker 3>to space, so you kind of like piece together why

0:52:36.560 --> 0:52:40.000
<v Speaker 3>he's there. Very early in the film. This isn't spoilers,

0:52:40.000 --> 0:52:43.320
<v Speaker 3>we find out that the Earth is being the Earth,

0:52:43.480 --> 0:52:46.399
<v Speaker 3>the Sun, the Sorry, this is a very scientif movie.

0:52:48.120 --> 0:52:50.560
<v Speaker 3>Please please take a science person with you when you

0:52:50.560 --> 0:52:55.399
<v Speaker 3>go watch it the Earth sun is being eaten by

0:52:55.680 --> 0:52:57.880
<v Speaker 3>a substance and no one can figure out what it is.

0:52:58.160 --> 0:53:00.399
<v Speaker 3>So then Ryan figures out very quickly that's his job.

0:53:00.520 --> 0:53:02.080
<v Speaker 3>That's the reason why he's in space, because he's a

0:53:02.120 --> 0:53:05.600
<v Speaker 3>high school science stage. And then it just gets very

0:53:05.680 --> 0:53:09.080
<v Speaker 3>very action y. It's very very cinematography. It's very very

0:53:09.280 --> 0:53:10.640
<v Speaker 3>extra terrestrially.

0:53:12.280 --> 0:53:13.719
<v Speaker 1>Is he like the only human in it?

0:53:14.520 --> 0:53:14.600
<v Speaker 4>No?

0:53:14.840 --> 0:53:16.839
<v Speaker 1>Is it Ryan Gosling one man show? No?

0:53:16.840 --> 0:53:19.319
<v Speaker 3>No, there are other people around, but he's like the guy.

0:53:20.120 --> 0:53:23.080
<v Speaker 3>It's just one of those really fun, fast paced movies.

0:53:23.120 --> 0:53:24.759
<v Speaker 3>It's also gets a bit like Emoshi.

0:53:26.080 --> 0:53:28.080
<v Speaker 1>It sounds like something I need.

0:53:30.040 --> 0:53:30.640
<v Speaker 2>Yeah, you can take.

0:53:30.640 --> 0:53:34.080
<v Speaker 1>It's like a rules are allowed to go movies about space.

0:53:34.120 --> 0:53:36.080
<v Speaker 3>Girls are allowed to go to movies about space, and

0:53:36.080 --> 0:53:37.880
<v Speaker 3>they're also allowed to go to space if they want to.

0:53:38.440 --> 0:53:42.040
<v Speaker 3>It's up to them, are allowed to.

0:53:42.440 --> 0:53:43.600
<v Speaker 2>They do get a choice.

0:53:44.200 --> 0:53:45.960
<v Speaker 3>But it's just like such a fun movie. I would

0:53:45.960 --> 0:53:48.719
<v Speaker 3>compare it to like a fun version of Interstellar.

0:53:49.200 --> 0:53:50.919
<v Speaker 2>Yeah, because Interstellar wasn't fun.

0:53:51.000 --> 0:53:51.919
<v Speaker 1>No, too bad?

0:53:52.000 --> 0:53:54.320
<v Speaker 3>Too much, too much is happening. You're not going to

0:53:54.400 --> 0:53:55.480
<v Speaker 3>be sad after watching it.

0:53:55.520 --> 0:53:56.279
<v Speaker 1>What's it called again?

0:53:56.600 --> 0:53:57.960
<v Speaker 3>Project Hail Mary.

0:53:57.800 --> 0:54:00.239
<v Speaker 1>And it's in all good cinemas now also.

0:54:00.080 --> 0:54:02.320
<v Speaker 3>Themes right now you know what, go see it in

0:54:02.360 --> 0:54:02.960
<v Speaker 3>the imax.

0:54:04.440 --> 0:54:07.800
<v Speaker 1>Take out a mortgage in a week of the interst

0:54:07.920 --> 0:54:11.240
<v Speaker 1>rate right and screw petrol.

0:54:11.760 --> 0:54:16.480
<v Speaker 3>See this on the tramps. If you're a man, walk

0:54:16.520 --> 0:54:18.799
<v Speaker 3>to the wal I'll be walking.

0:54:18.560 --> 0:54:22.440
<v Speaker 1>For a long time. Okay, Well, look we Friday. That

0:54:22.560 --> 0:54:26.440
<v Speaker 1>didn't we? That was it was a bit loose. I

0:54:26.440 --> 0:54:29.200
<v Speaker 1>hope everybody is having a good Friday. I hope you're

0:54:29.239 --> 0:54:31.799
<v Speaker 1>all easing into the weekend if you get one. And

0:54:32.800 --> 0:54:34.640
<v Speaker 1>thank you so much for making us number one show

0:54:34.640 --> 0:54:37.880
<v Speaker 1>in Australia for the second month running. We will be

0:54:37.920 --> 0:54:40.959
<v Speaker 1>back in your ears next week. Please thank our marvelous team,

0:54:41.080 --> 0:54:42.719
<v Speaker 1>my friends.

0:54:42.360 --> 0:54:48.720
<v Speaker 2>Our group executive producer Ruth Divine, our executive producer Tasha Tasha, our.

0:54:49.920 --> 0:54:53.319
<v Speaker 1>Executive she has implored my name, I was.

0:54:53.239 --> 0:54:58.680
<v Speaker 2>Gonna say Tasha Sana executive producer Sasha Tanic, Our senior

0:54:58.800 --> 0:55:02.800
<v Speaker 2>audio producer is Lea Porges, video producer is Josh Green,

0:55:02.920 --> 0:55:05.880
<v Speaker 2>and our junior content producer is Tessa Kotovich.

0:55:06.239 --> 0:55:09.120
<v Speaker 3>Mama Miya acknowledges the traditional owners of the land on

0:55:09.160 --> 0:55:12.480
<v Speaker 3>which we have recorded this podcast Byey