WEBVTT - Redefining Your Style Through Perimenopause

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<v Speaker 1>You're listening to Amma Mia podcast. Mama Mia acknowledges the

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<v Speaker 1>traditional owners of land and waters that this podcast is

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<v Speaker 1>recorded on.

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<v Speaker 2>Whoever said orange is a new pink with seriously disturved

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<v Speaker 2>laurels for spraying groundbreaking? Oh my god, you have to

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<v Speaker 2>do it. You live for fashion.

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<v Speaker 1>Hello, and welcome to Nothing to Wear, the podcast that

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<v Speaker 1>solves fashion problems and levels up your wardrobe. I'm Lee Campbell,

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<v Speaker 1>and every week I talk to an expert who helps

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<v Speaker 1>us work out how to get more out of the

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<v Speaker 1>clothes we already own and tells us exactly what is

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<v Speaker 1>and importantly what isn't worth adding to our wardrobes. We

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<v Speaker 1>will all face it eventually, perimenopause and menopause. As I

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<v Speaker 1>enter my own experience, I'm learning just how many symptoms

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<v Speaker 1>can come along with the transition for a full rundown

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<v Speaker 1>on perimenopause and menopause and this whole life stage. I

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<v Speaker 1>could not recommend more. Hollywayen WRTS podcast mid deep dive

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<v Speaker 1>on that whole life stage. Here, though, we're focusing on

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<v Speaker 1>how these changes impact our body. Because there's a body

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<v Speaker 1>type and a body shape, and hormones like to mess

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<v Speaker 1>with all of that, and in turn that might change

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<v Speaker 1>our fashion choices. I've brought back stylist and color expert

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<v Speaker 1>Kim Crowley to explain how our body shapes evolve and

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<v Speaker 1>how we can dress in harmony with these changes rather

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<v Speaker 1>than fighting against them. So, Kim, first you came and

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<v Speaker 1>blew our mind with color. Now we're going to talk

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<v Speaker 1>about body shapes, particularly how they relate to dressing for

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<v Speaker 1>perimenopause and menopause. I am at the opening cave of

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<v Speaker 1>tunnel of perity and I'm feeling all kinds of ways.

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<v Speaker 1>So you want to talk about how our bodies change,

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<v Speaker 1>how to understand our body shape, how to dress for that,

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<v Speaker 1>what flattering even means. So when we say flattering, because

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<v Speaker 1>things have changed a lot and language is changing in

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<v Speaker 1>the industry, which is good. Absolutely talk to me about shapes, silhouettes,

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<v Speaker 1>tell me everything you know.

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<v Speaker 2>We might have a hero up. But I do premise

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<v Speaker 2>this chat by saying that I have these conversations with

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<v Speaker 2>menopausal women, but it's all the dressing strategies and concepts

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<v Speaker 2>are relevant for any woman who's struggling to flatter her body,

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<v Speaker 2>to work out what she feels good in she feels exactly.

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<v Speaker 1>Because Maya talks a lot about when she started to

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<v Speaker 1>go through menopause. She said, her body is trying to

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<v Speaker 1>become a circle.

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<v Speaker 2>Yes that, yes, absolutely, that blob, that circle, that rounding,

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<v Speaker 2>that's what we're going to get to. So we're gonna

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<v Speaker 2>hover over that body shape quite a lot.

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<v Speaker 1>Okay, gosh, we've got a lot to look forward to,

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<v Speaker 1>don't we. All right, so can you begin by describing

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<v Speaker 1>the terms or the different body shapes for women, because

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<v Speaker 1>back when I worked in magazines, gosh, there was apples

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<v Speaker 1>and peers, and yeah, you're probably bringing the perspective of

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<v Speaker 1>creating clothes for women.

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<v Speaker 2>Exactly, and the different shapes of women. And that's why

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<v Speaker 2>being able to give some guidelines around body type is

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<v Speaker 2>brilliant because then it helps with the kind of guidelines

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<v Speaker 2>to what will suit one shape versus another, because obviously

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<v Speaker 2>we're all different. Yes, So generally there's five different female

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<v Speaker 2>body types which are often compared to fruit au, geometric

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<v Speaker 2>shapes and all of the beautiful things that we're compared

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<v Speaker 2>to as women. Yes, however, I have a sixth which

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<v Speaker 2>we'll talk about as well as we kind of go through.

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<v Speaker 2>But the way I measure body type is much more

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<v Speaker 2>by I rather than with the tape measure.

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<v Speaker 1>That gets very scientific and also you can sometimes just

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<v Speaker 1>don't feel great getting out the measuring table.

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<v Speaker 2>Yeah, I don't put a measure tacher in a body's body.

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<v Speaker 2>But basically the way I measure is to compare our

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<v Speaker 2>bodies horizontally, Okay, on the horizontal and then on the vertical,

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<v Speaker 2>like as if I was lying down you mean looking, yes,

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<v Speaker 2>looking outside to side, Okay, So horizontally, that's about our

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<v Speaker 2>two widest parts we might have as women. So number

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<v Speaker 2>one is shoulder and orbust, so this upper region as

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<v Speaker 2>I call it, and then number two is hip and

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<v Speaker 2>or thight lower region as I call it, And that's

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<v Speaker 2>how I'll refer to upper region body lower region, Okay.

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<v Speaker 2>And our body type is how balanced or unbalanced those

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<v Speaker 2>two areas are. That's a lot of what basically when

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<v Speaker 2>we're judging it and we're trying to define it, that's

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<v Speaker 2>what we're kind of looking at.

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<v Speaker 1>So women can kind of work this out by looking

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<v Speaker 1>in the mirror and figuring and nickers in the swimmers

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<v Speaker 1>or something.

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<v Speaker 2>No tape measure ideally in your undies ideally because they're

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<v Speaker 2>flatter generally, Yeah, you can get a bit more of

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<v Speaker 2>a kind of understanding, okay, And often we get confused

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<v Speaker 2>because a lot of female body types are a combination

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<v Speaker 2>of two, and that's when it gets complicated.

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<v Speaker 1>And or has changed. So you used to be this,

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<v Speaker 1>now your body's this one, and that's why the clothes

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<v Speaker 1>you used to love don't feel the same.

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<v Speaker 2>And this is why it's hard, because we might have

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<v Speaker 2>nailed what we used to be, but oh yeah, I've

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<v Speaker 2>got this look, and then fashion changes, or our body changes,

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<v Speaker 2>or our likes and dislikes changes, all of them exactly,

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<v Speaker 2>all at the same time. It feels like over the

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<v Speaker 2>same week, and then you're coming out there and going, oh,

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<v Speaker 2>got nothing to wear exactly. That's what you're here for exactly.

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<v Speaker 1>Okay. So we're going to learn how to work out

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<v Speaker 1>our proportions and then work out what makes us feel great.

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<v Speaker 1>Can you kick things off with the first body type?

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<v Speaker 1>So a rectangle slash athletic? Yes, what is this?

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<v Speaker 2>So this is when you're pretty balanced from your top

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<v Speaker 2>region to your bottom region and with very little curved

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<v Speaker 2>through your body, so you resemble more of a rectangle

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<v Speaker 2>basically from shoulder to hip. Generally you're pretty lean. You

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<v Speaker 2>don't tend to put on weight very easily, otherwise known

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<v Speaker 2>as an ectomorph, and this is actually one of the

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<v Speaker 2>most common body types.

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<v Speaker 1>Okay, okay, interesting triangle, rectangle, Sorry, tangle, I'm not very

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<v Speaker 1>good with my shapes. What's number two? Am I getting

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<v Speaker 1>ahead of myself?

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<v Speaker 2>Inverted triangle? That is exactly the next one inverted, So

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<v Speaker 2>inverted triangle, so the point is at the bottom. So

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<v Speaker 2>an upside down capital a.

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<v Speaker 1>Okay, I like it.

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<v Speaker 2>Yeah, So this is when you're broadest at your top region,

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<v Speaker 2>then you taper towards your hip and thigh, otherwise known

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<v Speaker 2>as a mesomorph. You want to get scientific, but we

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<v Speaker 2>don't have to. You can have a tendency to feel

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<v Speaker 2>top heavy because your shoulder and your bust is your

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<v Speaker 2>widest part. Generally your leg's your best feature, so that's

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<v Speaker 2>often what we want to kind of show off.

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<v Speaker 1>Okay, Yeah, that's a upside down triangle. N three A pair. Okay,

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<v Speaker 1>so appair a lot of women appears quite a lot

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<v Speaker 1>of women, Are you know, raproductive stuff happening?

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<v Speaker 2>Yes, But the thing is we're not often as big

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<v Speaker 2>or as heavy down there as often we might think.

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<v Speaker 2>So sometimes we feel heavy down there, but actually when

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<v Speaker 2>we look at ourselves. I'm not actually you're not a

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<v Speaker 2>pair because when you look in front of the mirror,

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<v Speaker 2>your shoulder and your hip or thigh actually balance out beautifully.

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<v Speaker 2>Do you see what I mean?

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<v Speaker 1>Yes, but no, I want to take all my clothes

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<v Speaker 1>off a look in the mirror, but I won't right now.

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<v Speaker 1>But this is interesting.

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<v Speaker 2>Often they can be a lot more balanced than we think. Okay, yeah,

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<v Speaker 2>it's really interesting. Okay, So a pair is more She's

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<v Speaker 2>basically the complete opposite to number two, opposite to the

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<v Speaker 2>inverted triangle. She is more of a capital a shape.

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<v Speaker 2>She is heavier around the thigh and the bottom, and

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<v Speaker 2>then tapers towards the shoulder. Okay, So basically, lots of

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<v Speaker 2>my pear shapes are very slim waists in comparison to

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<v Speaker 2>their widest parts, so they're often emphasizing that waist. And

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<v Speaker 2>then they have a beautiful curve out and over the hip.

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<v Speaker 2>So you see them and they just look very feminine

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<v Speaker 2>and quite gorgeous. We're looking at a horizontal, but we're

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<v Speaker 2>also looking at a vertical. What I mean by that

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<v Speaker 2>when I'm talking vertical is your torso length versus your

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<v Speaker 2>leg length.

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<v Speaker 1>Okay, and kind of cutting out body in half exactly

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<v Speaker 1>the top and then the bottom.

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<v Speaker 2>Exactly, so it's about four had lengths on the top

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<v Speaker 2>and then four on the bottom. Okay. And so basically

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<v Speaker 2>what generally happens as a pair, if you're putting most

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<v Speaker 2>of your weight on on your bottom of body, generally

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<v Speaker 2>that's where you're the shortest. So often my pairs will

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<v Speaker 2>have longer torsos, and then because they have shorter legs,

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<v Speaker 2>that's where they'll put on their weight. Okay, does that

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<v Speaker 2>make sense? And that's often the case. Obviously I'm generalizing.

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<v Speaker 1>A bit, yea.

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<v Speaker 2>If we've got a longer torso we're spreading out our

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<v Speaker 2>weight over a longer space, and our bottom of body

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<v Speaker 2>is our shortest, and that's where we put on weight,

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<v Speaker 2>and we feel heavier in those areas.

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<v Speaker 1>Okay. So what's number four is.

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<v Speaker 2>An hour glass? Okay, because when we're talking about our glass,

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<v Speaker 2>our glasses, when we're basically two triangles, comes in at

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<v Speaker 2>the waist. So basically her top region is a similar

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<v Speaker 2>dress sizes to the bottom region, but curving in considerably

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<v Speaker 2>at the waist.

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<v Speaker 1>Okay.

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<v Speaker 2>So if we use like the old school measurement of

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<v Speaker 2>defining an outlage. You have to be something I think

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<v Speaker 2>it's nine inches or something different between.

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<v Speaker 1>There was like specific measurements. Oh yes, wow, that's very prescriptive.

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<v Speaker 2>Yeah, exactly exactly, and because you know, back along it

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<v Speaker 2>might have been that obviously, you know, we were particular shapes.

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<v Speaker 2>But nowadays, I mean, diet has changed, the way we

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<v Speaker 2>live has changed a lot. So that's why I mean

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<v Speaker 2>more often a combination of two.

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<v Speaker 1>Yeah. Yeah, you know, we're celebrating individuality in exactly fully

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<v Speaker 1>putting everyone in these buckets. But this is a general guide.

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<v Speaker 2>Absolutely, and we kind of need guides in a way

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<v Speaker 2>to be able to put guidelines because a lot of

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<v Speaker 2>my pairs might not feel very comfortable in a pencil skirt, yes,

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<v Speaker 2>but they would feel more happy in an a line

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<v Speaker 2>skirt that works with their beautiful body shapes.

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<v Speaker 1>Sure, does that make sense totally? So it helps cut

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<v Speaker 1>out a lot of the clutter to start with. And

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<v Speaker 1>you start looking for particular shapes and you think you're

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<v Speaker 1>going to feel good in.

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<v Speaker 2>It's all about flipping script. It's about emphasizing and enjoying

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<v Speaker 2>our best bits rather than going, oh my worst bit

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<v Speaker 2>is this, and I'm do you know what I mean,

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<v Speaker 2>we're flipping it and thinking, actually, I love my long

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<v Speaker 2>legs for example, with an inverted triangle for example, And

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<v Speaker 2>so they'll enjoy that and they'll wear and buy garments

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<v Speaker 2>that emphasize that, and it.

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<v Speaker 1>Just helps to go shopping or once you know this information,

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<v Speaker 1>reassess what's in your order and you're like, oh, that's

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<v Speaker 1>why those.

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<v Speaker 2>Exactly, because it's actually putting a bit of science around it,

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<v Speaker 2>and why those geometric shapes. Although I hate, you know,

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<v Speaker 2>using a lot of those fruit and the shapes, it

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<v Speaker 2>kind of does give us a visual and then you

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<v Speaker 2>can kind of understand what you put the science behind it,

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<v Speaker 2>and it will makes sense. Ah, that's why I go.

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<v Speaker 1>For that neckliine exactly. I've avoided that exactly.

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<v Speaker 2>So a lot of my inverted triangles that feel broader

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<v Speaker 2>across their shoulder. I think it is an amazing thing.

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<v Speaker 2>Your look is stronger and all the rest of it.

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<v Speaker 2>But they might not want to look even wider, so

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<v Speaker 2>they avoid puffs in their sleeves, they avoid heavy shoulder.

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<v Speaker 1>But perhaps I haven't really even known why they're drawn

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<v Speaker 1>to certain Okay, yes, because it's important, I guess also

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<v Speaker 1>to point out that these shapes can any size, size

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<v Speaker 1>six can be size twenty six. Size.

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<v Speaker 2>Not about size at all. You know what I do

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<v Speaker 2>here and really upsets me is a lot of women

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<v Speaker 2>come to me and they're like, oh, I'm sorry, but

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<v Speaker 2>I'm a size twenty. I'm like, why are you apologizing

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<v Speaker 2>to me? I don't care what size you are. Don

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<v Speaker 2>I just care that you know how to wear the

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<v Speaker 2>clothes that are meant for you, because certain clothes aren't

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<v Speaker 2>meant for you. It's the same mccolor.

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<v Speaker 1>I just know how to find stuff that makes it

0:10:32.185 --> 0:10:32.985
<v Speaker 1>feel absolutely.

0:10:33.025 --> 0:10:34.345
<v Speaker 2>I want to introduce you to brands. I want to

0:10:34.345 --> 0:10:37.425
<v Speaker 2>introduce to stiles. I want to introduce you to fabrics, cuts,

0:10:37.665 --> 0:10:41.225
<v Speaker 2>and also little design details that mean that you're gonna

0:10:41.265 --> 0:10:43.385
<v Speaker 2>love and wear this garment.

0:10:43.265 --> 0:10:47.145
<v Speaker 1>And look forward to getting rinkly exactly. Not about size.

0:10:47.385 --> 0:11:00.345
<v Speaker 1>I like that size at all. Flattering. We hear this

0:11:00.425 --> 0:11:02.745
<v Speaker 1>is very flattering on this person that person. Flattering is

0:11:02.785 --> 0:11:08.825
<v Speaker 1>an interesting word and it's been evaluated because I could

0:11:08.905 --> 0:11:13.105
<v Speaker 1>wear a jar and puffy balloon shape. That's not quote

0:11:13.185 --> 0:11:16.145
<v Speaker 1>unquote flattering. If it makes me feel fabulous, yep, I

0:11:16.225 --> 0:11:18.425
<v Speaker 1>feel confident. I go about my day or my vent

0:11:18.625 --> 0:11:21.225
<v Speaker 1>or whatever, and that's good. So what are your thoughts

0:11:21.265 --> 0:11:22.585
<v Speaker 1>on the word flattering while we're here.

0:11:22.705 --> 0:11:24.945
<v Speaker 2>I think that's a really really interesting word. The way

0:11:24.985 --> 0:11:27.225
<v Speaker 2>I define two kind of looks that gen and I

0:11:27.225 --> 0:11:30.385
<v Speaker 2>deal with and I encourage women to dress into is

0:11:30.425 --> 0:11:32.745
<v Speaker 2>either flattering, so flattering your body shape. So once you

0:11:32.825 --> 0:11:36.105
<v Speaker 2>understand your best bits, let's emphasize them, let's go for

0:11:36.185 --> 0:11:38.545
<v Speaker 2>it and let's make a real thing of showing them off,

0:11:38.825 --> 0:11:41.825
<v Speaker 2>or we do fashion. Often fashion can be more oversized,

0:11:41.905 --> 0:11:44.745
<v Speaker 2>it can be baggier clothes, it can be for example,

0:11:44.825 --> 0:11:49.105
<v Speaker 2>oversized blazers, right right, Go for fashion or go for flattering.

0:11:48.745 --> 0:11:51.985
<v Speaker 1>So you'll find out what that particular client's trying to achieve, Yes.

0:11:51.985 --> 0:11:54.585
<v Speaker 2>Exactly, and we'll put them on this makeshift barometer, right,

0:11:54.665 --> 0:11:57.585
<v Speaker 2>flattering at one end, fashion at the other. Yeah, but

0:11:57.745 --> 0:12:00.905
<v Speaker 2>when we start playing with clothes and we're creating looks

0:12:00.905 --> 0:12:03.545
<v Speaker 2>that aren't flattering us our shape, you know, they don't

0:12:03.545 --> 0:12:06.705
<v Speaker 2>show off how beautiful, button waste and whatever, and they're

0:12:06.745 --> 0:12:10.025
<v Speaker 2>not fashion either. They're mediocre. They're the ones it's down

0:12:10.065 --> 0:12:12.065
<v Speaker 2>the middle and they're boring. And so it's really easy

0:12:12.065 --> 0:12:12.985
<v Speaker 2>because if you if.

0:12:12.865 --> 0:12:15.305
<v Speaker 1>You're trying to strike both and you're striking nothing or

0:12:15.345 --> 0:12:16.225
<v Speaker 1>you don't really know.

0:12:16.305 --> 0:12:18.945
<v Speaker 2>Yes, exactly exactly, you're not. Yeah, you're trying to strike

0:12:18.985 --> 0:12:22.185
<v Speaker 2>both because sometimes there's things that are flattering and fashion

0:12:22.265 --> 0:12:24.505
<v Speaker 2>like a white sneaker, Right, how has that been in fashion?

0:12:24.585 --> 0:12:28.465
<v Speaker 1>Ye? You're going to use them amately quote unquote cool.

0:12:28.625 --> 0:12:30.465
<v Speaker 2>Yeah, and they work for everybody. You know, we wear

0:12:30.465 --> 0:12:33.145
<v Speaker 2>them daily. They're comfortable, they tick so many boxes. So

0:12:33.225 --> 0:12:36.985
<v Speaker 2>that's something that's flattering and fashionable. Okay, but often things

0:12:37.025 --> 0:12:39.545
<v Speaker 2>are one or the other. And when we're throwing on

0:12:39.585 --> 0:12:42.385
<v Speaker 2>that old gray oversized top that because we're not really

0:12:42.385 --> 0:12:44.065
<v Speaker 2>sure what to wear with, you know, we've often put

0:12:44.065 --> 0:12:46.585
<v Speaker 2>on a bit of weight. That's the time when we're like, oh,

0:12:46.905 --> 0:12:49.225
<v Speaker 2>feel a bit nah in this? Yeh, feel a bit mediocre.

0:12:49.305 --> 0:12:51.305
<v Speaker 2>We look at ourselves in the mirror. And I mentioned

0:12:51.305 --> 0:12:54.265
<v Speaker 2>this on you know, our shopping podcast Spiral, where we

0:12:54.345 --> 0:12:56.465
<v Speaker 2>look in the mirror like, oh, feel a bit nah

0:12:56.505 --> 0:12:58.665
<v Speaker 2>in this? I think I'm putting on weight, And we

0:12:58.665 --> 0:13:00.985
<v Speaker 2>wear the garment that makes us look like we've put

0:13:00.985 --> 0:13:03.505
<v Speaker 2>on weight. So we look at ourselves in the mirror like, oh,

0:13:03.625 --> 0:13:06.385
<v Speaker 2>don't feel great, I'm going to exist on small. It's

0:13:06.505 --> 0:13:10.185
<v Speaker 2>just we shrink back exactly. We cower, we don't wn't

0:13:10.225 --> 0:13:12.065
<v Speaker 2>stand up, We're not you know, and all that internal

0:13:12.145 --> 0:13:14.905
<v Speaker 2>narrative is different because we're looking at ourselves and it's

0:13:14.985 --> 0:13:16.625
<v Speaker 2>validating the fact that we might have put me and

0:13:16.705 --> 0:13:19.625
<v Speaker 2>we might all that's fine, but we'd want to dress

0:13:19.665 --> 0:13:21.825
<v Speaker 2>to enjoy our body rather than cover it in a

0:13:21.825 --> 0:13:25.225
<v Speaker 2>big blanket or sheet that often we do soon as

0:13:25.225 --> 0:13:26.585
<v Speaker 2>we put on a bit of weight. And that's what's

0:13:26.625 --> 0:13:28.945
<v Speaker 2>really interesting about the menopause side of.

0:13:28.905 --> 0:13:32.305
<v Speaker 1>Things, because traditionally women do put on weight, and particularly

0:13:32.465 --> 0:13:32.985
<v Speaker 1>in the middle.

0:13:33.065 --> 0:13:36.585
<v Speaker 2>But putting on something that is so big and swamps

0:13:36.665 --> 0:13:39.865
<v Speaker 2>us is the worst thing you can do for your confidence. Yeah, okay,

0:13:40.025 --> 0:13:40.785
<v Speaker 2>the trouble this.

0:13:40.745 --> 0:13:42.185
<v Speaker 1>Is where I think a lot of women just don't

0:13:42.185 --> 0:13:44.465
<v Speaker 1>know what to do at this live state. Absolutely back

0:13:44.505 --> 0:13:48.505
<v Speaker 1>to our glass. I mean, I'm thinking Marilyn Monroe exactly

0:13:48.505 --> 0:13:51.905
<v Speaker 1>whether or not that's achieved naturally or not. How many

0:13:51.945 --> 0:13:53.705
<v Speaker 1>of us are actual hour glasses?

0:13:54.105 --> 0:13:57.585
<v Speaker 2>A very small amount, so only about nine percent, if

0:13:57.585 --> 0:13:59.385
<v Speaker 2>you get all scientific, is about nine percent. I mean,

0:13:59.425 --> 0:14:01.585
<v Speaker 2>it's ridiculously small. But as I said, I just look

0:14:01.625 --> 0:14:03.625
<v Speaker 2>at a woman. If she's balanced from her top region

0:14:03.745 --> 0:14:06.425
<v Speaker 2>to her bottom, and she curves the significantly at the waist.

0:14:06.625 --> 0:14:08.345
<v Speaker 2>She can't be a size six, shedn't be a size

0:14:08.345 --> 0:14:08.945
<v Speaker 2>twenty six.

0:14:08.825 --> 0:14:12.025
<v Speaker 1>Don't care. But if there's not that curve in them mi,

0:14:12.025 --> 0:14:13.505
<v Speaker 1>while she's a rectangle exactly.

0:14:13.825 --> 0:14:16.665
<v Speaker 2>Well, what's really interesting. Right when I first started spending

0:14:16.665 --> 0:14:19.225
<v Speaker 2>obviously more time in fitting rooms with women, I was

0:14:19.265 --> 0:14:21.905
<v Speaker 2>putting different shapes on different women. Can be tool, you

0:14:21.945 --> 0:14:24.505
<v Speaker 2>can be fritique. That's the other part of this conversation,

0:14:24.705 --> 0:14:28.665
<v Speaker 2>which complicates our body shape and our body type. But

0:14:28.945 --> 0:14:30.505
<v Speaker 2>what I was putting on a lot of the time

0:14:30.585 --> 0:14:33.105
<v Speaker 2>was actually our glass shape. So basically pyramid on the

0:14:33.105 --> 0:14:35.585
<v Speaker 2>bottom and then upside down pyramid on the top. Okay,

0:14:35.945 --> 0:14:38.065
<v Speaker 2>in terms of say a dress, so you've got a

0:14:38.145 --> 0:14:40.385
<v Speaker 2>dressed maybe with a bit of a puff sleeve. You've

0:14:40.385 --> 0:14:42.825
<v Speaker 2>got a beautiful bit of fit under the bust, and

0:14:42.865 --> 0:14:46.505
<v Speaker 2>then it comes out again an a shape at the hem.

0:14:46.545 --> 0:14:48.425
<v Speaker 2>And a lot of my clients, and a lot of

0:14:48.465 --> 0:14:50.225
<v Speaker 2>them don't feel that comfortable with their body, and they're

0:14:50.225 --> 0:14:52.865
<v Speaker 2>really trying to seek out what would work better someone

0:14:52.905 --> 0:14:55.825
<v Speaker 2>more confident. Absolutely, there's a range, But often i'd put

0:14:55.865 --> 0:14:57.905
<v Speaker 2>an hourglass dress shape on a client and they would

0:14:57.945 --> 0:15:00.225
<v Speaker 2>look up and look in the mirror and oh and

0:15:00.345 --> 0:15:05.225
<v Speaker 2>like look themselves up exactly. Oh, I like what I

0:15:05.225 --> 0:15:07.145
<v Speaker 2>look like in this? What have you done? And I'm like,

0:15:07.425 --> 0:15:09.825
<v Speaker 2>I've just put an hourglass shaped dress on you, So

0:15:09.905 --> 0:15:11.425
<v Speaker 2>let me talk you through the science. And I kind

0:15:11.465 --> 0:15:13.185
<v Speaker 2>of talk them through and that oh oh yeah, the

0:15:13.225 --> 0:15:14.785
<v Speaker 2>colors is coming. It might take too. I love it.

0:15:14.785 --> 0:15:16.785
<v Speaker 2>What shoes can I wear? Oh? How can I access? Right? Oh?

0:15:16.785 --> 0:15:19.625
<v Speaker 2>This is great? What's the jacket? And suddenly they're like,

0:15:19.705 --> 0:15:23.065
<v Speaker 2>something fits me, something makes me feel fantastic, And it's

0:15:23.065 --> 0:15:25.585
<v Speaker 2>that old school hourglass shape. And I was really shocked

0:15:26.065 --> 0:15:28.385
<v Speaker 2>to think when you know, because I thought we'd moved

0:15:28.385 --> 0:15:30.185
<v Speaker 2>on from this, but what it feels like we haven't

0:15:30.185 --> 0:15:32.145
<v Speaker 2>with a lot of the women I see that is

0:15:32.185 --> 0:15:35.945
<v Speaker 2>still such a beautiful, powerful shape, is feminine, and it's.

0:15:35.945 --> 0:15:38.745
<v Speaker 1>It's interest terrible fashion so oversize and like kind of

0:15:38.785 --> 0:15:42.185
<v Speaker 1>androgynous at the moment. Yeah, parts of the fashion world that, yes,

0:15:42.345 --> 0:15:45.145
<v Speaker 1>we forget that sometimes going back to something that's quite

0:15:45.225 --> 0:15:48.625
<v Speaker 1>unquite flattering, and by that we mean you feel fabulous

0:15:48.705 --> 0:15:51.825
<v Speaker 1>in it? Absolutely? Yeah, yeah, absolutely, And you know, a

0:15:51.905 --> 0:15:52.825
<v Speaker 1>timeless in a way.

0:15:52.785 --> 0:15:55.545
<v Speaker 2>Because it's always going to fit your body and that's

0:15:55.625 --> 0:15:57.705
<v Speaker 2>always going to make you feel good. Does that make sense?

0:15:57.745 --> 0:15:58.345
<v Speaker 1>Absolutely?

0:15:58.465 --> 0:16:00.425
<v Speaker 2>And so it's interesting with the oversized thing. You know,

0:16:00.425 --> 0:16:02.145
<v Speaker 2>a lot of my cents are right. I'm experimented with

0:16:02.185 --> 0:16:04.305
<v Speaker 2>over sized blazers. They look really cool. But then they

0:16:04.305 --> 0:16:05.785
<v Speaker 2>took a photo of themselves, like, oh my god, I

0:16:05.785 --> 0:16:08.025
<v Speaker 2>look like a tent. Yeah, but your body's not a tent.

0:16:08.225 --> 0:16:09.625
<v Speaker 2>It's the garment that's the tent.

0:16:09.825 --> 0:16:13.545
<v Speaker 1>Yeah, stop, glean, go back to flattering. Yes, yeah, exactly.

0:16:13.585 --> 0:16:17.305
<v Speaker 2>But because they see a tent like thing on themselves,

0:16:17.385 --> 0:16:19.665
<v Speaker 2>they think they've got that big to look more like

0:16:19.665 --> 0:16:21.865
<v Speaker 2>a ten. Ye know, you've got a gorgeous body under there,

0:16:21.985 --> 0:16:23.825
<v Speaker 2>doesn't matter what size is, but it's still gorgeous.

0:16:23.905 --> 0:16:24.065
<v Speaker 1>Yeah.

0:16:24.105 --> 0:16:25.945
<v Speaker 2>But the tent you're putting on, you can take that off.

0:16:25.985 --> 0:16:28.025
<v Speaker 2>You can choose, you see what I mean totally?

0:16:28.305 --> 0:16:30.425
<v Speaker 1>Okay, let's talk about the fifth body type, an apple

0:16:30.545 --> 0:16:32.465
<v Speaker 1>or a circle, because I feel like as we head

0:16:32.465 --> 0:16:34.785
<v Speaker 1>into menopause, this is what a lot of women feel

0:16:34.825 --> 0:16:36.025
<v Speaker 1>like their body is morphing into.

0:16:36.185 --> 0:16:37.985
<v Speaker 2>That's why I put it at the end, because a

0:16:38.025 --> 0:16:40.305
<v Speaker 2>lot of us feel like there is a real rounding

0:16:40.345 --> 0:16:42.265
<v Speaker 2>of the body. And it's so interesting because a lot

0:16:42.305 --> 0:16:44.785
<v Speaker 2>of my clients, regardless of their body type. So body

0:16:44.785 --> 0:16:48.465
<v Speaker 2>type is what our genetics are. Body shape is often

0:16:48.545 --> 0:16:50.345
<v Speaker 2>the shape that we think we are, depending on the

0:16:50.385 --> 0:16:53.345
<v Speaker 2>clothes we're wearing. Interesting, that's the way I define them.

0:16:53.385 --> 0:16:56.385
<v Speaker 2>Body type is one thing. Body shape. Do you see

0:16:56.385 --> 0:16:56.985
<v Speaker 2>what I do?

0:16:57.065 --> 0:16:57.545
<v Speaker 1>I do I do?

0:16:57.705 --> 0:17:01.465
<v Speaker 2>Because you are the shape you put on around.

0:17:00.545 --> 0:17:04.905
<v Speaker 1>Our body critically and trying to hide massively. You see

0:17:05.025 --> 0:17:06.905
<v Speaker 1>you look in the mirror your undis, which sounds daunting,

0:17:06.905 --> 0:17:07.945
<v Speaker 1>and you go, I want to hide. I want to

0:17:07.985 --> 0:17:10.185
<v Speaker 1>hide that instead of actually really like rashold, really like

0:17:11.345 --> 0:17:12.865
<v Speaker 1>I've got a really great rack.

0:17:13.265 --> 0:17:15.785
<v Speaker 2>Exactly, exactly exactly, That's exactly what it's about.

0:17:16.145 --> 0:17:17.505
<v Speaker 1>So the apple, Yes.

0:17:17.345 --> 0:17:19.625
<v Speaker 2>When we're going a bit more rounded, So basically you

0:17:19.625 --> 0:17:22.465
<v Speaker 2>know that's often our bust and our tummy, which, regardless

0:17:22.505 --> 0:17:24.305
<v Speaker 2>of what body top we are, often we are going

0:17:24.305 --> 0:17:25.625
<v Speaker 2>to put on a bit of weight through our middle

0:17:25.625 --> 0:17:27.545
<v Speaker 2>as we age. It's hormones and all those things.

0:17:27.625 --> 0:17:29.905
<v Speaker 1>Yeah, it's going to happen to all of us, yes,

0:17:30.385 --> 0:17:30.985
<v Speaker 1>but it's.

0:17:30.865 --> 0:17:34.385
<v Speaker 2>How we feel about becoming a bit rounder. And what's

0:17:34.425 --> 0:17:36.585
<v Speaker 2>really interesting, A lot of my can't say, Kim help me,

0:17:36.625 --> 0:17:39.625
<v Speaker 2>I've lost my waist. Okay, you haven't lost your waist

0:17:39.665 --> 0:17:41.985
<v Speaker 2>if you're becoming more apple, your waist has just moved

0:17:42.065 --> 0:17:45.225
<v Speaker 2>up under your bust. It's empire line, you know, that

0:17:45.345 --> 0:17:46.625
<v Speaker 2>kind of bit under our bust.

0:17:46.745 --> 0:17:48.825
<v Speaker 1>Yeah, so when.

0:17:48.665 --> 0:17:50.425
<v Speaker 2>A lot of women go I've lost my femininity, I've

0:17:50.465 --> 0:17:51.905
<v Speaker 2>lost my waist, it's like, no, you haven't done.

0:17:51.945 --> 0:17:53.425
<v Speaker 1>It's just moved us.

0:17:54.105 --> 0:17:55.945
<v Speaker 2>And that's a really nice way to think about it,

0:17:56.145 --> 0:17:58.665
<v Speaker 2>because that is kind of prime real estate under our bust.

0:17:59.105 --> 0:18:01.625
<v Speaker 2>But we often overlook it because we're too busy hating

0:18:01.665 --> 0:18:04.225
<v Speaker 2>on our waist. So what kind of shapes then, so

0:18:04.425 --> 0:18:08.185
<v Speaker 2>more an empire line hour glass, So basically that hour

0:18:08.225 --> 0:18:11.185
<v Speaker 2>glass shape of a try on a triangle, but with

0:18:11.345 --> 0:18:13.945
<v Speaker 2>more of a band or some definition under.

0:18:13.745 --> 0:18:15.625
<v Speaker 1>The right, under the past. I mean, even if you're

0:18:15.665 --> 0:18:17.345
<v Speaker 1>not that, I don't want anything really tired across my

0:18:17.465 --> 0:18:19.825
<v Speaker 1>lower tell me, because I like to breathe and eat, yes,

0:18:19.945 --> 0:18:20.945
<v Speaker 1>not feel restricted.

0:18:21.025 --> 0:18:22.905
<v Speaker 2>Yeah, well a lot of the time nowly it's great.

0:18:22.985 --> 0:18:25.265
<v Speaker 2>There's so many dresses and even top styles that have

0:18:25.305 --> 0:18:27.865
<v Speaker 2>got elastic at the back that will allow you to eat,

0:18:27.905 --> 0:18:29.825
<v Speaker 2>drink and be merry. Because if you can't be merry

0:18:29.825 --> 0:18:30.905
<v Speaker 2>in your clothes, then don't get them.

0:18:30.985 --> 0:18:33.065
<v Speaker 1>It doesn't matter what size or shape you are if

0:18:33.105 --> 0:18:35.265
<v Speaker 1>you're not comfortable exactly.

0:18:35.345 --> 0:18:37.945
<v Speaker 2>So that's why looking out for these design details, such

0:18:37.945 --> 0:18:40.305
<v Speaker 2>as a bit of elastic across the back or stretch

0:18:40.305 --> 0:18:43.585
<v Speaker 2>you fabrics just allows you through the month to always

0:18:43.625 --> 0:18:44.345
<v Speaker 2>fit in your clothes.

0:18:44.425 --> 0:18:46.385
<v Speaker 1>Yeah, I think is a really important, especially when things

0:18:46.425 --> 0:18:49.625
<v Speaker 1>are fluctuating and going great exactly. So tell me more

0:18:49.665 --> 0:18:52.545
<v Speaker 1>about Empire line because I'm finding this interesting and I'm

0:18:52.625 --> 0:18:55.745
<v Speaker 1>also having some like weird flashbacks. No, I'm fluttering, But

0:18:55.905 --> 0:18:59.585
<v Speaker 1>just like downy things I used to wear, that's sort

0:18:59.625 --> 0:19:01.945
<v Speaker 1>of formed who I think of empires. So give me more.

0:19:02.105 --> 0:19:03.865
<v Speaker 2>Yes, so often they can look really good, like mister

0:19:03.905 --> 0:19:06.785
<v Speaker 2>Zimmy does lots of Empire dresses, you know, Spell does them.

0:19:08.505 --> 0:19:10.905
<v Speaker 1>You know, like a like my arms, I mean, I

0:19:11.145 --> 0:19:12.345
<v Speaker 1>like all of me. I shouldn't say that.

0:19:12.385 --> 0:19:14.625
<v Speaker 2>But you can put a belt there if you want.

0:19:14.905 --> 0:19:18.385
<v Speaker 2>But having that shape in that garment already is really

0:19:18.465 --> 0:19:20.545
<v Speaker 2>nice because then you can just literally chuck it on.

0:19:20.625 --> 0:19:22.545
<v Speaker 2>You don't have to accessorize or overthink it.

0:19:22.585 --> 0:19:25.985
<v Speaker 1>Basically is that whether the top and pants are or separates, can.

0:19:25.865 --> 0:19:28.505
<v Speaker 2>You You can, But it's a bit harder. It's a

0:19:28.585 --> 0:19:30.265
<v Speaker 2>bit easier with the dress, but you still can it's

0:19:30.305 --> 0:19:33.105
<v Speaker 2>just getting tops with from shaping, and that's the whole point, right,

0:19:33.305 --> 0:19:36.505
<v Speaker 2>rather than wearing boxy square tops or tops that are

0:19:36.585 --> 0:19:39.905
<v Speaker 2>more trapees that are meant more for true apples that

0:19:39.985 --> 0:19:42.785
<v Speaker 2>are rounder, because a true apple is defined that basically

0:19:42.825 --> 0:19:46.145
<v Speaker 2>her tummy is her widest part. Bust. Okay, But the

0:19:46.145 --> 0:19:48.865
<v Speaker 2>reason I come up with a sixth body type, which

0:19:48.985 --> 0:19:50.665
<v Speaker 2>is a slim apple.

0:19:55.465 --> 0:19:56.505
<v Speaker 1>I'm trying to think of her fruit.

0:19:56.545 --> 0:19:59.545
<v Speaker 2>I don't know. It was more about client feedback rather

0:19:59.625 --> 0:20:02.025
<v Speaker 2>than you know that fashion dictates a few different body types.

0:20:02.265 --> 0:20:04.265
<v Speaker 2>But I found that a slim apple so she sits

0:20:04.265 --> 0:20:08.305
<v Speaker 2>between a circle like an apple and a rectangle, so

0:20:08.345 --> 0:20:10.505
<v Speaker 2>she holds her weight through her belly as a lot

0:20:10.505 --> 0:20:12.905
<v Speaker 2>of us do. But she's not as lean as a rectangle,

0:20:13.025 --> 0:20:15.945
<v Speaker 2>but she's not as round as an apple. Does that

0:20:15.945 --> 0:20:16.385
<v Speaker 2>make s end?

0:20:16.465 --> 0:20:16.585
<v Speaker 1>Yes?

0:20:16.665 --> 0:20:19.105
<v Speaker 2>Yes, yes, there's a little bit of a roundness of

0:20:19.105 --> 0:20:21.425
<v Speaker 2>the tummy, but it's not round like a circle where

0:20:21.425 --> 0:20:24.065
<v Speaker 2>we need to wear trapeze shapes. A lot of the

0:20:24.105 --> 0:20:28.265
<v Speaker 2>problem is we actually turn into slim apples, not true apples,

0:20:28.425 --> 0:20:30.945
<v Speaker 2>but we wear the clothes that belong to a true apple,

0:20:30.945 --> 0:20:34.225
<v Speaker 2>which is more trapeze, right, which is more garments that

0:20:34.265 --> 0:20:37.545
<v Speaker 2>come out from the bus to cover and skim the tummy.

0:20:38.265 --> 0:20:41.025
<v Speaker 2>But they have so much fabric that when you're slim

0:20:41.025 --> 0:20:42.905
<v Speaker 2>apple which many more of my clients are than a

0:20:42.905 --> 0:20:45.345
<v Speaker 2>true apple, is making us look bigger.

0:20:45.065 --> 0:20:47.385
<v Speaker 1>With a lot of these body shapes that bras and

0:20:47.505 --> 0:20:49.065
<v Speaker 1>busts makes a big.

0:20:48.905 --> 0:20:49.905
<v Speaker 2>Oh my god, my difference.

0:20:50.065 --> 0:20:51.585
<v Speaker 1>Right, Like I can wear a bra that makes me

0:20:51.625 --> 0:20:53.185
<v Speaker 1>look like I've got bazookas, and then i can wear

0:20:53.185 --> 0:20:54.585
<v Speaker 1>a bra that makes me look like I've got nothing.

0:20:54.665 --> 0:20:57.025
<v Speaker 2>Yep, they're powerful, So talk to.

0:20:56.985 --> 0:20:59.625
<v Speaker 1>Me about bras and brass straps and all that kind

0:20:59.665 --> 0:21:02.985
<v Speaker 1>of stuff because also your boobs change in perimeniorse.

0:21:02.265 --> 0:21:05.425
<v Speaker 2>Absolutely absolutely, And actually my client I just had this morning,

0:21:05.505 --> 0:21:07.105
<v Speaker 2>we were talking through this because you know, a lot

0:21:07.105 --> 0:21:08.865
<v Speaker 2>of the brass straps that we buy are a bit

0:21:08.905 --> 0:21:12.985
<v Speaker 2>more satin because there are sometimes exactly but they slip, right,

0:21:13.025 --> 0:21:15.905
<v Speaker 2>the clips will slip, So we really need to tighten

0:21:15.945 --> 0:21:18.185
<v Speaker 2>them every so often because obviously they're going through quite

0:21:18.185 --> 0:21:21.985
<v Speaker 2>a lot every day and support exactly, so being able

0:21:22.065 --> 0:21:24.225
<v Speaker 2>to then lift them that bit, because then that lifts

0:21:24.225 --> 0:21:25.985
<v Speaker 2>our bus points. So your bus point is the widest

0:21:25.985 --> 0:21:28.105
<v Speaker 2>part of your bust. And if we can lift it

0:21:28.185 --> 0:21:28.825
<v Speaker 2>a little bit.

0:21:28.705 --> 0:21:31.705
<v Speaker 1>Where you nipples are ye south not.

0:21:33.385 --> 0:21:37.905
<v Speaker 2>Age. Your nipples aren't always nowadays the widest.

0:21:37.545 --> 0:21:40.025
<v Speaker 1>Part of silient to close their eyes, but.

0:21:39.945 --> 0:21:46.105
<v Speaker 2>It's but it's lifting that bust that bit through adjusting

0:21:46.145 --> 0:21:48.705
<v Speaker 2>your bras straps to shorten them so that the whole

0:21:48.705 --> 0:21:49.665
<v Speaker 2>bus lifts a little bit.

0:21:49.665 --> 0:21:52.905
<v Speaker 1>And that's where difference to sometimes when I'm just like, oh,

0:21:52.905 --> 0:21:58.305
<v Speaker 1>that's annoying, I do that, Alee. It's meant to set exactly.

0:21:58.105 --> 0:21:59.985
<v Speaker 2>Especially when we've got a fuller bust, you have to

0:22:00.025 --> 0:22:02.185
<v Speaker 2>do that a little bit more regularly. But my god,

0:22:02.305 --> 0:22:04.505
<v Speaker 2>it changes so much of how often we feel about

0:22:04.545 --> 0:22:07.505
<v Speaker 2>ourselves because we feel perkier, but we also have released

0:22:07.505 --> 0:22:10.625
<v Speaker 2>that prime real estate under our bus that often ow waste,

0:22:10.625 --> 0:22:13.665
<v Speaker 2>that highwaist area that's no longer the slimm ist part

0:22:13.785 --> 0:22:15.545
<v Speaker 2>that used to be around, sorry, the belly button in

0:22:15.585 --> 0:22:17.985
<v Speaker 2>the slimmist part, but is now our slimmers part gone

0:22:18.025 --> 0:22:21.465
<v Speaker 2>to the underbust. Does that make sense? And so often

0:22:21.505 --> 0:22:24.345
<v Speaker 2>it's just choosing shapes of tops that come in just

0:22:24.465 --> 0:22:28.705
<v Speaker 2>a little bit rather than go outwards. Okay, one of

0:22:28.705 --> 0:22:30.465
<v Speaker 2>the biggest things I say to my clients, one of

0:22:30.545 --> 0:22:33.465
<v Speaker 2>the key things I talk a lot about is the

0:22:33.545 --> 0:22:35.905
<v Speaker 2>silhouette of the garment, how it fits your body rather

0:22:35.985 --> 0:22:38.265
<v Speaker 2>than swamping your body. And you know when we look

0:22:38.305 --> 0:22:39.385
<v Speaker 2>in the mirror and we're like, oh my god, I've

0:22:39.425 --> 0:22:41.625
<v Speaker 2>turned to the tent type of conversations that a lot

0:22:41.665 --> 0:22:44.265
<v Speaker 2>of my clients will talk to me about. It's about

0:22:44.305 --> 0:22:47.905
<v Speaker 2>garments that skim your body. Skim okay, because we think

0:22:47.945 --> 0:22:49.985
<v Speaker 2>in really binary terms. I think, don't be with fit.

0:22:50.065 --> 0:22:50.745
<v Speaker 2>It's either got.

0:22:52.105 --> 0:22:57.945
<v Speaker 1>That's exactly what was sim oversized. Yes, but you're so right.

0:22:58.025 --> 0:23:00.265
<v Speaker 1>Sometimes the joy is in the middle and it can

0:23:00.385 --> 0:23:02.345
<v Speaker 1>still sort of fit into a trend without.

0:23:02.465 --> 0:23:06.945
<v Speaker 2>Oh totally, you can still really modern for it all.

0:23:07.065 --> 0:23:09.025
<v Speaker 2>I you know, I talk a lot about contemporary classics

0:23:09.065 --> 0:23:10.665
<v Speaker 2>a lot of the time, and then we might sprinkle

0:23:10.705 --> 0:23:13.105
<v Speaker 2>on a few edgy fashion bits. Absolutely how we can

0:23:13.105 --> 0:23:15.785
<v Speaker 2>buy that. It's absolutely up to every individual. But being

0:23:15.825 --> 0:23:19.385
<v Speaker 2>able to choose clothes that skim your body brilliant. Like,

0:23:19.425 --> 0:23:21.105
<v Speaker 2>you know, someone can't say I don't like my bottom

0:23:21.105 --> 0:23:23.025
<v Speaker 2>it's big. I'm like, your bottom is gorgeous, but you're

0:23:23.065 --> 0:23:26.465
<v Speaker 2>wearing low slung drop crotch pants in the wrong kind

0:23:26.505 --> 0:23:30.025
<v Speaker 2>of fabric. Yeah, So let's skim your body and I'm like,

0:23:30.065 --> 0:23:32.945
<v Speaker 2>your booty is gorgeous, and they're looking oh oh, actually,

0:23:33.025 --> 0:23:34.305
<v Speaker 2>and I've changed their underwear.

0:23:34.785 --> 0:23:35.905
<v Speaker 1>Okay, tell me about that.

0:23:35.945 --> 0:23:37.825
<v Speaker 2>Because if you've got a high rise pant or a

0:23:37.865 --> 0:23:41.465
<v Speaker 2>high rise skirt, you need a high rise knicker otherwise

0:23:41.505 --> 0:23:44.985
<v Speaker 2>you can see your oh okay, it's because we don't

0:23:45.545 --> 0:23:49.065
<v Speaker 2>mentally draw because we don't want to wear it, or

0:23:49.105 --> 0:23:51.105
<v Speaker 2>like the boi leg or the full brave if you're

0:23:51.105 --> 0:23:52.825
<v Speaker 2>gonna if it's skimming and you can.

0:23:52.705 --> 0:23:53.945
<v Speaker 1>Sort of see your body.

0:23:54.025 --> 0:23:55.905
<v Speaker 2>Yeah, but you don't need a spanks that's not what

0:23:55.945 --> 0:23:58.705
<v Speaker 2>it's about. That's not but we just want a bigger

0:23:58.785 --> 0:24:01.905
<v Speaker 2>knicker that sits and hugs your waist at the same

0:24:01.905 --> 0:24:02.545
<v Speaker 2>point that you're closed.

0:24:03.065 --> 0:24:04.865
<v Speaker 1>Sometimes you just feel more secure. It's almost like a

0:24:04.865 --> 0:24:07.065
<v Speaker 1>bra for your bam. Like when you've got the right Yeah,

0:24:07.305 --> 0:24:11.145
<v Speaker 1>underwear ons make everything just feel a bit more secure.

0:24:11.545 --> 0:24:14.025
<v Speaker 2>Absolutely, And a lot of us have moved up in

0:24:14.105 --> 0:24:16.745
<v Speaker 2>terms of the waistline going higher wasted, but we haven't

0:24:16.785 --> 0:24:18.865
<v Speaker 2>moved ourn nickers up. Yeah. Does that make sense?

0:24:18.945 --> 0:24:22.985
<v Speaker 1>Yeah, So everything, absolutely anything else we need to know

0:24:23.105 --> 0:24:26.425
<v Speaker 1>about perimenopause and menopause or changing body shapes before we

0:24:26.465 --> 0:24:27.505
<v Speaker 1>get into Bousian budget.

0:24:27.625 --> 0:24:29.425
<v Speaker 2>So I understand that a lot of us have very

0:24:29.425 --> 0:24:33.105
<v Speaker 2>complicated relationships with our bodies and therefore our wardrobes. But

0:24:33.185 --> 0:24:35.425
<v Speaker 2>that only intensifies as well when we might gain a

0:24:35.465 --> 0:24:37.345
<v Speaker 2>bit of weight. And I know that a lot of

0:24:37.385 --> 0:24:40.545
<v Speaker 2>clients won't love their body overnight, but to stop hating

0:24:40.665 --> 0:24:44.225
<v Speaker 2>on bits and become more body neutral, that's quite a

0:24:44.265 --> 0:24:47.305
<v Speaker 2>profound shift tidally. And there's a group of women in

0:24:47.345 --> 0:24:48.785
<v Speaker 2>the world. You know, if we could be a bit

0:24:48.825 --> 0:24:51.025
<v Speaker 2>happier in our clothes, it would free up a lot

0:24:51.065 --> 0:24:55.465
<v Speaker 2>of mental space. I so agree, and that is ideally

0:24:55.545 --> 0:24:58.545
<v Speaker 2>what a lot of the guidelines I give clients are for,

0:24:59.025 --> 0:25:00.625
<v Speaker 2>so that they can block out a lot of the

0:25:01.225 --> 0:25:03.985
<v Speaker 2>rubbish that's not going to work for them and start

0:25:04.065 --> 0:25:06.345
<v Speaker 2>honing in on what works for them, create a few

0:25:06.385 --> 0:25:09.865
<v Speaker 2>formulas of what they like, and then they're gold in this, say,

0:25:09.865 --> 0:25:12.025
<v Speaker 2>if they know they've got an outfit for every occasion

0:25:12.025 --> 0:25:13.745
<v Speaker 2>and a wardrobe is going to work with them, not

0:25:13.785 --> 0:25:14.865
<v Speaker 2>against them, and let them.

0:25:14.865 --> 0:25:17.865
<v Speaker 1>They can stop mentally torturing themselves about their body. Particularly

0:25:18.025 --> 0:25:20.625
<v Speaker 1>changing is going to happen to all us women.

0:25:20.745 --> 0:25:22.745
<v Speaker 2>Absolutely, I think a lot of you change clothes, not

0:25:22.745 --> 0:25:25.585
<v Speaker 2>your body exactly exactly. That's exactly it, because I think

0:25:25.585 --> 0:25:27.265
<v Speaker 2>a lot of hormones rushing around our body. As soon

0:25:27.305 --> 0:25:28.625
<v Speaker 2>as we put on a bit of weight, we're like,

0:25:28.665 --> 0:25:30.265
<v Speaker 2>oh my god, oh my god, I'm so much bigger

0:25:30.305 --> 0:25:33.025
<v Speaker 2>than I am. But actually a lot of the time,

0:25:33.145 --> 0:25:35.385
<v Speaker 2>you know, dress near later thousand women, nearly all women

0:25:35.425 --> 0:25:37.665
<v Speaker 2>are a lot less round in reality than their clothes

0:25:37.745 --> 0:25:46.745
<v Speaker 2>might suggest.

0:25:50.905 --> 0:25:57.865
<v Speaker 1>It's very expensive, how world these, Kim. I think we

0:25:57.945 --> 0:25:59.665
<v Speaker 1>have to do a part two because we haven't talked

0:25:59.665 --> 0:26:03.625
<v Speaker 1>about fabric types, and as a perimenopausal woman, I'm hot,

0:26:04.465 --> 0:26:05.825
<v Speaker 1>so that's going to have to be part two. But

0:26:05.865 --> 0:26:09.265
<v Speaker 1>I've brought bougie and budget coul fabrics that I can wear. Yes,

0:26:09.345 --> 0:26:12.505
<v Speaker 1>because I'm hot, flushing, I'm sweating at night. Yep, I'm

0:26:12.545 --> 0:26:15.505
<v Speaker 1>getting all those first early symptoms. But firstly, let's start

0:26:15.545 --> 0:26:16.265
<v Speaker 1>with your budget.

0:26:16.425 --> 0:26:21.065
<v Speaker 2>Okay, my budget is a Portman's denim dress and Portmans

0:26:21.065 --> 0:26:25.265
<v Speaker 2>in Forever. It's brilliant. It's this beautiful dark denim.

0:26:25.545 --> 0:26:26.265
<v Speaker 1>Oh that's good.

0:26:26.425 --> 0:26:28.345
<v Speaker 2>So it's got this beautiful erglass shape to it because

0:26:28.385 --> 0:26:29.865
<v Speaker 2>it's got a bit of a puff sleeve, so it's

0:26:29.905 --> 0:26:33.265
<v Speaker 2>exaggerating the shoulder a little bit more it's got beautiful

0:26:33.545 --> 0:26:36.305
<v Speaker 2>shaping and seaming down it to me, but not too

0:26:36.345 --> 0:26:39.905
<v Speaker 2>deep exactly, so beautiful flattering on the bust. It's got

0:26:39.905 --> 0:26:41.545
<v Speaker 2>the seeming that comes down, and then it's got the

0:26:41.545 --> 0:26:44.745
<v Speaker 2>stitching down the seams to really elongate the body. And

0:26:44.745 --> 0:26:47.705
<v Speaker 2>then it's got a beautiful belt and all these gold detailing.

0:26:47.705 --> 0:26:48.905
<v Speaker 2>I mean, it doesn't look like Portman's.

0:26:48.905 --> 0:26:51.865
<v Speaker 1>It looks like Age was like, Yeah, it's stunning in

0:26:51.905 --> 0:26:53.265
<v Speaker 1>the belt, and then you could take the belt off

0:26:53.305 --> 0:26:54.265
<v Speaker 1>and absolutely.

0:26:54.425 --> 0:26:57.425
<v Speaker 2>It's currently one hundred and fifty dollars, which is really good.

0:26:57.425 --> 0:27:00.025
<v Speaker 2>Obviously it's a bit more breathable because it's cotton. Predominantly

0:27:00.105 --> 0:27:03.145
<v Speaker 2>pop into Portmans. I haven't done Portman's real quiet as well. Yeah,

0:27:03.145 --> 0:27:05.305
<v Speaker 2>and they're doing better cotton lot. I know Portman's isn't

0:27:05.345 --> 0:27:08.025
<v Speaker 2>the most sustainable of brands, but they are doing better cotton.

0:27:08.465 --> 0:27:11.625
<v Speaker 1>My budget is from linter Co. They're called the Linen

0:27:11.705 --> 0:27:15.705
<v Speaker 1>Simple button fly down trousers because when I really just

0:27:15.825 --> 0:27:17.345
<v Speaker 1>take it back to what I wear all the time,

0:27:17.345 --> 0:27:19.785
<v Speaker 1>it's jeans and a T shirt. So these aren't jeans.

0:27:19.785 --> 0:27:23.265
<v Speaker 1>They're coming a thousand different colors, ninety one dollars. They've

0:27:23.265 --> 0:27:24.945
<v Speaker 1>got like a little. They're kind of like a mix

0:27:25.025 --> 0:27:28.865
<v Speaker 1>between a cargo and a Chino and a jean, and

0:27:28.865 --> 0:27:31.385
<v Speaker 1>they're one hundred percent linen.

0:27:31.585 --> 0:27:32.305
<v Speaker 2>They re edgy.

0:27:32.305 --> 0:27:33.785
<v Speaker 1>I love them well, they are, aren't they? But then

0:27:33.825 --> 0:27:35.465
<v Speaker 1>you could just like you chuck on a song or

0:27:35.505 --> 0:27:37.185
<v Speaker 1>you can on a heel on a cami. Yeah, that's

0:27:37.185 --> 0:27:39.545
<v Speaker 1>the dusty blue. But they've got like ten different colors,

0:27:39.825 --> 0:27:42.905
<v Speaker 1>color size extra small to triple XL brilliant, and undred

0:27:42.905 --> 0:27:46.105
<v Speaker 1>percent linen. So while I'm hot and sweaty and periman

0:27:46.145 --> 0:27:48.585
<v Speaker 1>a porsal, I'm trying to go from more natural fibers,

0:27:48.985 --> 0:27:50.545
<v Speaker 1>more so on the top, but I thought i'd bring

0:27:50.545 --> 0:27:52.345
<v Speaker 1>a natural on a bottom on the bottom as well.

0:27:53.145 --> 0:27:55.305
<v Speaker 1>It's a bit well, I'm shitzy in summer even when

0:27:55.345 --> 0:27:57.705
<v Speaker 1>I'm not hormonal. What's your bougie.

0:27:57.865 --> 0:28:00.225
<v Speaker 2>It's the age version. You probably know how to pronounce

0:28:00.225 --> 0:28:04.065
<v Speaker 2>this bad age. Yes, it's the Colorado den and mini dress.

0:28:04.105 --> 0:28:05.105
<v Speaker 1>And it's also gorgeous.

0:28:05.145 --> 0:28:07.625
<v Speaker 2>Version is gorgeous and it's got very similar styling. So

0:28:07.665 --> 0:28:09.665
<v Speaker 2>it's a dupe. Portman's is a dupe for the.

0:28:09.785 --> 0:28:12.225
<v Speaker 1>Pretty much Asian one is beautiful and I'll let you

0:28:12.225 --> 0:28:14.585
<v Speaker 1>finish describing it, but I reckon. The Portman one's more

0:28:14.585 --> 0:28:17.225
<v Speaker 1>flattering that buttons up almost like a denim shirt, whereas, yeah,

0:28:17.225 --> 0:28:18.545
<v Speaker 1>the other one has a bit of a v.

0:28:19.025 --> 0:28:20.905
<v Speaker 2>Yeah, a bit more open. But obviously you can open

0:28:20.905 --> 0:28:23.825
<v Speaker 2>this because it's true a shirt wrere yes and it's

0:28:23.865 --> 0:28:26.625
<v Speaker 2>got a lot of the gold detailing, so that obviously elevates.

0:28:26.625 --> 0:28:28.585
<v Speaker 2>So it means that these kind of dresses you can

0:28:28.625 --> 0:28:31.665
<v Speaker 2>wear to so many different places because it's already got

0:28:31.665 --> 0:28:33.585
<v Speaker 2>a bit of glam on it because of the gold.

0:28:34.865 --> 0:28:37.625
<v Speaker 1>Absolutely you can check that on with flats and got

0:28:37.625 --> 0:28:39.385
<v Speaker 1>a kind of a barbecue or you could dress it up.

0:28:39.665 --> 0:28:42.985
<v Speaker 2>And so this one is size four to sixteen and

0:28:43.025 --> 0:28:45.305
<v Speaker 2>the price is five hundred and twenty five, so it's

0:28:45.425 --> 0:28:47.505
<v Speaker 2>quite a lot. Obviously it's cotton, it's more breathable, but

0:28:47.545 --> 0:28:49.345
<v Speaker 2>it's beautiful. It's quite expensive.

0:28:49.545 --> 0:28:51.865
<v Speaker 1>There's also a really good Agia outlet in Sydney, but

0:28:51.905 --> 0:28:57.225
<v Speaker 1>if you're not from my bougie isn't very expensive. So

0:28:57.265 --> 0:29:00.985
<v Speaker 1>it's from the brand Forecast. It's on the iconic Manhattan

0:29:01.025 --> 0:29:04.105
<v Speaker 1>striped cotton shirt one hundred percent cotton. So you know

0:29:04.105 --> 0:29:06.865
<v Speaker 1>how those stripey oversized men's shirts are really cool. But

0:29:06.945 --> 0:29:08.385
<v Speaker 1>see how this isn't too oversized.

0:29:08.505 --> 0:29:09.665
<v Speaker 2>Yes, that's perfect.

0:29:09.745 --> 0:29:13.305
<v Speaker 1>So it's clearly for a woman's shape. I believe it's

0:29:13.465 --> 0:29:15.825
<v Speaker 1>slouching oversize, but not like you went and put your

0:29:15.905 --> 0:29:20.025
<v Speaker 1>dad's shirt on size four to sixteen and it also

0:29:20.065 --> 0:29:22.305
<v Speaker 1>comes into green. But I just love the blue stripe.

0:29:22.305 --> 0:29:25.065
<v Speaker 1>I'm just loving that with summer whites one hundred percent

0:29:25.105 --> 0:29:26.985
<v Speaker 1>cotton because I have to say, last week I wore

0:29:27.065 --> 0:29:29.745
<v Speaker 1>a synthetic long sleeve shirt. I just got to leave

0:29:29.785 --> 0:29:31.305
<v Speaker 1>my synthetics for the dead of winter, I think.

0:29:31.425 --> 0:29:33.425
<v Speaker 2>Or But this is what's interesting as well about why

0:29:33.465 --> 0:29:35.345
<v Speaker 2>I think a lot of women and them wearing oversize

0:29:35.425 --> 0:29:37.985
<v Speaker 2>because some of their fabric choices aren't quite right, and

0:29:38.025 --> 0:29:40.185
<v Speaker 2>so they're like, I want this armhole to sit away

0:29:40.225 --> 0:29:42.665
<v Speaker 2>from my body before I get really really honey, you're.

0:29:42.545 --> 0:29:44.265
<v Speaker 1>Going to have to do a part two on fabric.

0:29:44.665 --> 0:29:46.785
<v Speaker 1>Now we know what shapes to go for. You've already

0:29:46.785 --> 0:29:50.905
<v Speaker 1>noailed the colors. Fabrics comes next. Care your wealth of knowledge.

0:29:50.945 --> 0:29:55.225
<v Speaker 1>I appreciate you bringing all your accumulated wisdom from designing

0:29:55.265 --> 0:29:57.465
<v Speaker 1>and then styling and helping women. So thank you so

0:29:57.545 --> 0:30:01.985
<v Speaker 1>much for joy, Thank you Lee, thank you, thank you

0:30:02.025 --> 0:30:04.385
<v Speaker 1>for listening to Nothing to Wear, don't forget to sign

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<v Speaker 1>up to the Nothing to Wear newsletter. It's free and

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<v Speaker 1>there's a link in the show notes. And if you

0:30:09.225 --> 0:30:11.865
<v Speaker 1>want to unders send more about sizing in Australia, we've

0:30:11.865 --> 0:30:14.865
<v Speaker 1>done a whole deep dive on that. It's incredibly interesting

0:30:14.905 --> 0:30:16.785
<v Speaker 1>and I reckon you'll learn something, so there's a link

0:30:16.825 --> 0:30:19.465
<v Speaker 1>to that episode in the show notes. See you next week.

0:30:19.625 --> 0:30:23.065
<v Speaker 1>This episode was produced by Grace Roofrey, with audio production

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<v Speaker 1>by Lou Hill. This podcast is powered by our subscribers.

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