1 00:00:11,104 --> 00:00:16,024 Speaker 1: So you're listening to Amma Mia podcast. Mamma Mia acknowledges 2 00:00:16,104 --> 00:00:19,584 Speaker 1: the traditional owners of land and borders that this podcast 3 00:00:19,704 --> 00:00:20,424 Speaker 1: is recorded on. 4 00:00:25,224 --> 00:00:28,504 Speaker 2: From Mama Mia. Welcome to the Spell, your daily pop 5 00:00:28,544 --> 00:00:29,344 Speaker 2: culture fix. 6 00:00:29,584 --> 00:00:32,344 Speaker 3: I'm m Burnham and I'm Laura Brodney, and it is 7 00:00:32,424 --> 00:00:34,424 Speaker 3: our weekend watch episode. 8 00:00:35,224 --> 00:00:38,384 Speaker 1: Yes, our special episode that we release every Friday morning 9 00:00:38,464 --> 00:00:42,144 Speaker 1: at six am. I don't know who's away, certainly not me, No, 10 00:00:42,304 --> 00:00:44,144 Speaker 1: I know people get up and live their lives. Must 11 00:00:44,144 --> 00:00:46,904 Speaker 1: be Nice where we release that episode with the best 12 00:00:46,904 --> 00:00:49,064 Speaker 1: new TV shows and movies that have just come out, 13 00:00:49,104 --> 00:00:51,584 Speaker 1: because we have a little sneak peak of everything before 14 00:00:51,624 --> 00:00:54,184 Speaker 1: it goes out to the masses. And I have been 15 00:00:54,624 --> 00:00:56,464 Speaker 1: dying to record this podcast with you. 16 00:00:56,704 --> 00:00:59,504 Speaker 3: I'm excited too because I feel like I've missed so 17 00:00:59,624 --> 00:01:03,144 Speaker 3: many movies and TV shows because I have been overseas. 18 00:01:03,344 --> 00:01:04,144 Speaker 1: Must be Nice. 19 00:01:04,144 --> 00:01:07,184 Speaker 3: On holiday, I went to Vietnam and I was there 20 00:01:07,264 --> 00:01:09,784 Speaker 3: for shorter than the time it took to get there. 21 00:01:09,984 --> 00:01:12,024 Speaker 1: Yeah, this happens when you go over those weekend trips. 22 00:01:12,064 --> 00:01:13,784 Speaker 1: Like most it was on a plane, but still it was. 23 00:01:13,824 --> 00:01:15,784 Speaker 3: A long weekend. But also like when you go on 24 00:01:15,784 --> 00:01:18,944 Speaker 3: a weekend. That's all my like TV movie times. Yeah, 25 00:01:18,984 --> 00:01:21,304 Speaker 3: so I actually haven't watched that much TV and movie 26 00:01:21,384 --> 00:01:24,344 Speaker 3: So you're literally taking the reins of this podcast for 27 00:01:24,424 --> 00:01:27,704 Speaker 3: this episode. But I am really really excited to get 28 00:01:27,744 --> 00:01:29,944 Speaker 3: back home and have my like little setup going. 29 00:01:30,224 --> 00:01:33,104 Speaker 1: Okay, So I have two recommendations. The first one is 30 00:01:33,184 --> 00:01:35,384 Speaker 1: for a new TV show that has just come out 31 00:01:35,384 --> 00:01:38,544 Speaker 1: this week on Binge and it's called mixtape. 32 00:01:39,104 --> 00:01:40,784 Speaker 2: Mixtape. Okay, that sounds funky. 33 00:01:40,944 --> 00:01:43,504 Speaker 1: It is very funky. This is I was like, I'm 34 00:01:43,504 --> 00:01:45,744 Speaker 1: worried I sounded old, but then you said funky, and 35 00:01:45,744 --> 00:01:48,144 Speaker 1: then now you sound old. Okay, cut that out. 36 00:01:50,064 --> 00:01:52,904 Speaker 2: You never forget the boy who makes you your first mixtape. 37 00:01:52,944 --> 00:01:54,864 Speaker 1: It don't just up and leave on it's seventeen. 38 00:01:55,304 --> 00:01:59,144 Speaker 2: We'll ship it by She's not coming back. My founder 39 00:01:59,264 --> 00:02:00,544 Speaker 2: on the first book. 40 00:02:00,944 --> 00:02:02,424 Speaker 3: We went together for decades. 41 00:02:02,624 --> 00:02:08,504 Speaker 1: You've never even mentioned. I said, ask her, what bloody happened? 42 00:02:08,504 --> 00:02:09,424 Speaker 2: It's decades ago? 43 00:02:10,584 --> 00:02:13,624 Speaker 1: Are you and sick? It really doesn't matter how hard 44 00:02:13,664 --> 00:02:20,944 Speaker 1: I try, does it? I want? I guess the question 45 00:02:20,984 --> 00:02:22,544 Speaker 1: I should ask first is that do you know what 46 00:02:22,584 --> 00:02:25,264 Speaker 1: a mixtape is? And have you ever received a mixtape? 47 00:02:25,504 --> 00:02:27,744 Speaker 2: I've never received a mixtape. I feel like if I 48 00:02:27,824 --> 00:02:28,824 Speaker 2: received a mixtape. 49 00:02:28,904 --> 00:02:31,864 Speaker 3: That would be extremely problematic because that person would be 50 00:02:32,024 --> 00:02:33,024 Speaker 3: much older than me. 51 00:02:33,784 --> 00:02:37,224 Speaker 1: Especially retro they've gone back the other way. I like 52 00:02:37,384 --> 00:02:39,384 Speaker 1: some how like some gen z now like buying the 53 00:02:39,384 --> 00:02:41,624 Speaker 1: old school knock your phone so that they can not 54 00:02:41,664 --> 00:02:42,344 Speaker 1: go online. 55 00:02:43,264 --> 00:02:44,744 Speaker 3: A couple of full circle I spending a lot of 56 00:02:44,744 --> 00:02:48,024 Speaker 3: money out here is a mixtape? So is it like 57 00:02:48,064 --> 00:02:49,944 Speaker 3: an actual like cassette tape. 58 00:02:50,264 --> 00:02:52,464 Speaker 1: Yeah, that's the original. So it's like the cassette tape. 59 00:02:52,464 --> 00:02:54,504 Speaker 1: And the idea was that you would It's the kind 60 00:02:54,504 --> 00:02:55,824 Speaker 1: of thing that was like around a lot and like 61 00:02:55,944 --> 00:02:57,944 Speaker 1: rom coms and stuff, that you would make someone a 62 00:02:57,984 --> 00:03:01,504 Speaker 1: mixtape with songs that reminded them of you, all songs 63 00:03:01,584 --> 00:03:02,264 Speaker 1: you wanted to know. 64 00:03:02,424 --> 00:03:03,584 Speaker 2: Like a Spotify playlist. 65 00:03:03,784 --> 00:03:06,424 Speaker 1: Yeah, so the evolution is a mixtape and then a 66 00:03:06,464 --> 00:03:09,584 Speaker 1: mixed But how do you make one now on a 67 00:03:09,624 --> 00:03:10,264 Speaker 1: cassette player? 68 00:03:10,504 --> 00:03:11,664 Speaker 2: But how do you do it? Like how do you 69 00:03:11,664 --> 00:03:12,624 Speaker 2: put all the songs on it? 70 00:03:12,824 --> 00:03:14,584 Speaker 1: Oh? Well, I guess back in the day, you'd have 71 00:03:14,624 --> 00:03:16,584 Speaker 1: one of those like double cassette players where you put 72 00:03:16,584 --> 00:03:18,024 Speaker 1: a cassette tape and one a cassette tape in the 73 00:03:18,064 --> 00:03:20,984 Speaker 1: other and you can move it over. Whoa you have 74 00:03:21,024 --> 00:03:23,664 Speaker 1: to be listening to the radio. I just want everyone 75 00:03:23,664 --> 00:03:25,144 Speaker 1: to know that I wasn't alive for this, but I 76 00:03:25,144 --> 00:03:27,704 Speaker 1: watch a lot of movies, so I know this of 77 00:03:27,784 --> 00:03:29,824 Speaker 1: the art I'm really young is that you have to 78 00:03:29,864 --> 00:03:31,984 Speaker 1: be listening to the radio. Song came on the radio, 79 00:03:32,024 --> 00:03:33,704 Speaker 1: the cassette players in there, you have to go record 80 00:03:34,344 --> 00:03:36,784 Speaker 1: and then stop and then you just do that song, yeah, 81 00:03:36,824 --> 00:03:39,264 Speaker 1: and until you record it off the radio. And so 82 00:03:39,304 --> 00:03:41,424 Speaker 1: you had to be listening for your songs to come along. 83 00:03:41,624 --> 00:03:43,424 Speaker 1: And that means that also you'd have all of your 84 00:03:43,424 --> 00:03:44,864 Speaker 1: songs that you might have, like a bit of a 85 00:03:44,864 --> 00:03:47,304 Speaker 1: car At or something, Yeah in the middle that was 86 00:03:47,304 --> 00:03:52,384 Speaker 1: but Hear Me and Rhapsody, So you'd have those kind 87 00:03:52,384 --> 00:03:54,024 Speaker 1: of tapes around. I remember like my mom had tapes 88 00:03:54,064 --> 00:03:55,904 Speaker 1: of those that I like play as a kid, where 89 00:03:55,944 --> 00:03:58,904 Speaker 1: she taped it off the radio and then I want 90 00:03:58,944 --> 00:04:01,304 Speaker 1: to mix tape. Do you wan to make you a mixtage? 91 00:04:01,344 --> 00:04:01,584 Speaker 3: Yes? 92 00:04:01,824 --> 00:04:03,304 Speaker 2: It sounds like a lot of work. 93 00:04:03,544 --> 00:04:05,544 Speaker 1: It is because then it's very personal, because it's like 94 00:04:05,544 --> 00:04:07,784 Speaker 1: the songs that you pick up someone, it's like what 95 00:04:07,824 --> 00:04:09,224 Speaker 1: you want them to know. Like for you, I could 96 00:04:09,224 --> 00:04:11,544 Speaker 1: pick cute songs about friendship, but then if you want 97 00:04:11,584 --> 00:04:12,944 Speaker 1: to do it for a ball. You could pick songs 98 00:04:12,984 --> 00:04:16,024 Speaker 1: about like hidden love, whoa yeah, and it's a way 99 00:04:16,024 --> 00:04:17,384 Speaker 1: to say it without saying it. So you can make 100 00:04:17,384 --> 00:04:18,864 Speaker 1: a mixed CD and then I guess now you can 101 00:04:18,904 --> 00:04:20,144 Speaker 1: send someone a Spotify playlist. 102 00:04:20,224 --> 00:04:21,464 Speaker 2: It's quite a dangerous game. 103 00:04:21,544 --> 00:04:24,464 Speaker 3: My ex made me a Spotify playlist and one of 104 00:04:24,504 --> 00:04:27,664 Speaker 3: the songs was how to Say I Love You Oh, 105 00:04:27,704 --> 00:04:29,784 Speaker 3: and then he break up at me after oh, and 106 00:04:29,824 --> 00:04:30,184 Speaker 3: I was like. 107 00:04:30,144 --> 00:04:32,824 Speaker 1: Oh, I feel It's just a real mixed message, a 108 00:04:32,904 --> 00:04:37,824 Speaker 1: mixtape message for sure. So this TV show is called Mixtape. Okay, 109 00:04:37,864 --> 00:04:41,224 Speaker 1: we're talking a dating podcast. It's four hours and it's 110 00:04:41,224 --> 00:04:43,984 Speaker 1: four episodes, so it's yeah, four hours long, roughly the 111 00:04:44,144 --> 00:04:48,224 Speaker 1: length of the intro we just gave it. And it's 112 00:04:48,264 --> 00:04:52,184 Speaker 1: on Binge and it's actually based on the acclaimed novel 113 00:04:52,224 --> 00:04:56,664 Speaker 1: by Jane Sanderson. It's got an incredible cast including Jim Sturgis, 114 00:04:56,784 --> 00:04:59,024 Speaker 1: Florence Hunt who a lot of people know from Bridgerton, 115 00:04:59,544 --> 00:05:02,664 Speaker 1: Ben Lawson, but also friend of the pod Teresa Palmer. 116 00:05:03,184 --> 00:05:05,864 Speaker 2: Yay, yeah, is it an Australian. 117 00:05:06,144 --> 00:05:09,784 Speaker 1: It's an Australian Irish production. So it follows two different 118 00:05:09,864 --> 00:05:12,584 Speaker 1: timeline and one of the Timelines is set in the 119 00:05:12,624 --> 00:05:15,704 Speaker 1: nineteen eighties where Alison and Dan meet as like very 120 00:05:15,944 --> 00:05:19,624 Speaker 1: love struck teenagers, and then there's also a timeline happening 121 00:05:19,664 --> 00:05:21,904 Speaker 1: in the future where it shows that Alison and Dan 122 00:05:22,384 --> 00:05:26,144 Speaker 1: played by Jim Sturgis and Teresa Palmer both went their 123 00:05:26,224 --> 00:05:29,104 Speaker 1: separate ways after they fell in love as teenagers, and 124 00:05:29,144 --> 00:05:32,104 Speaker 1: now they're both grown up and you know, they're married 125 00:05:32,144 --> 00:05:34,344 Speaker 1: to other people and have their whole other lives. And 126 00:05:34,504 --> 00:05:36,864 Speaker 1: Dan is a music journalist and Alison is a best 127 00:05:36,864 --> 00:05:39,904 Speaker 1: selling novel He lives in the UK, she lives in Australia. 128 00:05:39,944 --> 00:05:43,064 Speaker 1: And then in the first episode, Teresa Palmer's character is 129 00:05:43,104 --> 00:05:45,144 Speaker 1: doing an into about her new novel and they're asking 130 00:05:45,184 --> 00:05:47,584 Speaker 1: her about like when she lived in Sheffield that's when 131 00:05:47,624 --> 00:05:49,864 Speaker 1: she met him, and you can see that she's like 132 00:05:49,984 --> 00:05:51,464 Speaker 1: very kind of taken it back and doesn't want to 133 00:05:51,464 --> 00:05:54,864 Speaker 1: talk about what happened. And then as the series goes on, 134 00:05:54,984 --> 00:05:56,544 Speaker 1: you kind of find out what happened to her in 135 00:05:56,584 --> 00:05:59,264 Speaker 1: the past, what happened to their love story, how they 136 00:05:59,344 --> 00:06:02,664 Speaker 1: might reconnect as adults, all kind of brought together by music, 137 00:06:02,744 --> 00:06:05,224 Speaker 1: and it's really love. It sounds like one of those. 138 00:06:05,064 --> 00:06:07,584 Speaker 2: Like little love stories yeah, it is. 139 00:06:07,704 --> 00:06:09,504 Speaker 1: I mean, there's definitely some dark parts to it, but 140 00:06:09,504 --> 00:06:10,984 Speaker 1: it is one of those stories. It's just like a 141 00:06:11,064 --> 00:06:14,384 Speaker 1: romantic drama where it's just about like it's about the characters. 142 00:06:14,424 --> 00:06:16,544 Speaker 1: It's about the evolution of their story. Like there's no 143 00:06:16,664 --> 00:06:19,664 Speaker 1: huge scary plot twists or anything like that. It's just 144 00:06:19,704 --> 00:06:23,184 Speaker 1: a really beautiful watch, super critically acclaimed when it first 145 00:06:23,224 --> 00:06:25,784 Speaker 1: started getting shown at film festivals and events. It actually 146 00:06:25,824 --> 00:06:29,704 Speaker 1: won the TV Spotlight Audience Award at south By Southwest 147 00:06:29,864 --> 00:06:31,584 Speaker 1: this year. So it was like the one that everyone 148 00:06:31,664 --> 00:06:34,104 Speaker 1: was like, this is the show to watch, and yeah, 149 00:06:34,104 --> 00:06:36,304 Speaker 1: it's just really nice. I just had a lovely time. 150 00:06:36,304 --> 00:06:38,864 Speaker 1: I sat down and watched all four episodes back to back. 151 00:06:39,104 --> 00:06:41,344 Speaker 1: Well I and you know, I love to like set 152 00:06:41,384 --> 00:06:43,704 Speaker 1: the scene and I had my candles lit and I 153 00:06:43,744 --> 00:06:46,184 Speaker 1: had my fresh flowers and yeah, and I always love 154 00:06:46,224 --> 00:06:48,944 Speaker 1: watching Teresa Palmer. I find it's such an interesting actress. 155 00:06:48,944 --> 00:06:51,184 Speaker 1: So if you're on binge and you watch Mixtape, then 156 00:06:51,184 --> 00:06:54,384 Speaker 1: go and watch her other new show, The Last Anniversary, 157 00:06:54,424 --> 00:06:56,504 Speaker 1: that also came out of this year, because they're both 158 00:06:56,584 --> 00:06:57,544 Speaker 1: really good watches. 159 00:06:57,944 --> 00:06:59,184 Speaker 2: She's been doing some great work. 160 00:06:59,304 --> 00:07:05,784 Speaker 1: Yeah, so both based on best selling novels. Both on binge. Okay, 161 00:07:06,144 --> 00:07:07,064 Speaker 1: onto the main event. 162 00:07:07,744 --> 00:07:08,864 Speaker 2: I'm jealous, sir. 163 00:07:09,544 --> 00:07:11,784 Speaker 1: Well that's what you've me on holiday, isn't it. I'm 164 00:07:11,784 --> 00:07:14,064 Speaker 1: going to set the scene. Okay, So this week I 165 00:07:14,144 --> 00:07:16,184 Speaker 1: went to the preview of a movie which is Adam 166 00:07:16,224 --> 00:07:18,864 Speaker 1: Cinemas now that we have been waiting to see for 167 00:07:18,944 --> 00:07:19,504 Speaker 1: such a. 168 00:07:19,504 --> 00:07:21,464 Speaker 2: Long time, the whole country has been waiting to see. 169 00:07:21,544 --> 00:07:24,664 Speaker 1: Well, the promo has been very good. So it's called Materialists. 170 00:07:24,824 --> 00:07:26,584 Speaker 1: And the way you probably know it is that it's 171 00:07:26,624 --> 00:07:29,984 Speaker 1: been billed as this big new love triangle movie starring 172 00:07:30,064 --> 00:07:35,704 Speaker 1: Dakota Johnson, Chris Evans and Pedro Pascal. Hear him say 173 00:07:35,744 --> 00:07:37,304 Speaker 1: his name? That I hear me? So my name is 174 00:07:37,304 --> 00:07:44,424 Speaker 1: Michael Queen's Rodney. Hey are you single? I'm a matchmaker. 175 00:07:44,584 --> 00:07:46,144 Speaker 1: Give me a call if you want to meet somebody. 176 00:07:47,224 --> 00:07:50,064 Speaker 1: I deserve someone who fulfills all of my criteria, nothing 177 00:07:50,104 --> 00:07:50,784 Speaker 1: over twenty PM. 178 00:07:51,064 --> 00:07:52,664 Speaker 2: I don't want someone who likes cats. 179 00:07:52,824 --> 00:07:56,064 Speaker 1: I'm trying to settle. I promise you're going to marry 180 00:07:56,064 --> 00:08:01,104 Speaker 1: the love of your life. How many marriages are you 181 00:08:01,184 --> 00:08:05,824 Speaker 1: responsible born? Now? Lucy, you're a matchmaker. Do you want 182 00:08:05,824 --> 00:08:07,144 Speaker 1: to drink sure cocin? 183 00:08:07,224 --> 00:08:08,544 Speaker 3: Deer? 184 00:08:11,744 --> 00:08:14,224 Speaker 1: Anybody I'm John. 185 00:08:18,824 --> 00:08:21,784 Speaker 3: Definitely didn't expect about it to you today. 186 00:08:22,144 --> 00:08:30,104 Speaker 1: Yeah, we don't even remember my face, Lucy. 187 00:08:29,864 --> 00:08:33,424 Speaker 2: And the eternal Bachelora. You can do better than me 188 00:08:33,904 --> 00:08:35,144 Speaker 2: my instincts you usually right. 189 00:08:38,824 --> 00:08:41,464 Speaker 1: Wow, you know how to. 190 00:08:41,424 --> 00:08:45,944 Speaker 2: Do the math, don't you. You are what we call. 191 00:08:45,984 --> 00:08:52,064 Speaker 3: A unicorn, an impossible fantasy. How much is this enmartment 192 00:08:52,704 --> 00:08:53,304 Speaker 3: twelve million? 193 00:08:56,064 --> 00:08:57,624 Speaker 2: I'm not gonna marry him, are you? 194 00:08:57,704 --> 00:08:58,064 Speaker 3: Why not? 195 00:08:58,384 --> 00:09:00,024 Speaker 2: Guess he's good looking and rich. 196 00:09:00,664 --> 00:09:04,104 Speaker 1: He probably doesn't have roomain when I see your face, 197 00:09:04,984 --> 00:09:07,704 Speaker 1: the seat mirinkles, and children that look like you. 198 00:09:08,224 --> 00:09:09,344 Speaker 2: So where does that leave us? 199 00:09:10,064 --> 00:09:12,184 Speaker 1: The marketing material for this, I should say, has been 200 00:09:12,584 --> 00:09:15,864 Speaker 1: incredible because you have that very iconic poster, which is 201 00:09:15,984 --> 00:09:20,264 Speaker 1: Pedron Chris flanking Dakota on either side. Pedro's wearing his 202 00:09:20,384 --> 00:09:22,544 Speaker 1: very fancy tucks, Chris Evans is wearing more of a 203 00:09:22,584 --> 00:09:25,704 Speaker 1: cat away to outfit, and Dakota Johnson is in that beautiful, 204 00:09:25,824 --> 00:09:28,464 Speaker 1: rich blue gown that's become sort of like the symbol 205 00:09:28,504 --> 00:09:31,224 Speaker 1: of the movie. And then the trailer came out, and 206 00:09:31,264 --> 00:09:34,624 Speaker 1: the trailer felt very kind of like old school early 207 00:09:34,664 --> 00:09:37,224 Speaker 1: two thousands rom com. Yeah, you know, like she's she's 208 00:09:37,264 --> 00:09:38,704 Speaker 1: just a girl living in New York City. 209 00:09:39,304 --> 00:09:41,944 Speaker 2: Do I choose this hot man or this hot rich man. 210 00:09:42,064 --> 00:09:44,264 Speaker 1: She's waking up in her beautiful, big apartment. That is 211 00:09:44,304 --> 00:09:46,784 Speaker 1: always the biggest lie that I think romantic comedy has 212 00:09:46,784 --> 00:09:49,104 Speaker 1: told us. It wasn't about love, was about real estate. 213 00:09:49,344 --> 00:09:50,624 Speaker 1: Because I always thought I was going to have a 214 00:09:50,704 --> 00:09:52,504 Speaker 1: huge apartment in New York and I wouldn't have to 215 00:09:52,504 --> 00:09:53,744 Speaker 1: pay for it. That's a lie. 216 00:09:53,824 --> 00:09:56,024 Speaker 2: That's a lie, Carrie Ratcher, I feel listener. 217 00:09:56,584 --> 00:09:59,784 Speaker 1: You lie from Baganda. So, Dakota Johnson plays a woman 218 00:09:59,864 --> 00:10:01,784 Speaker 1: named Lucy, and as I said, we're introduced to her. 219 00:10:01,864 --> 00:10:04,024 Speaker 1: She's like in her beautiful New York City apartment. She 220 00:10:04,064 --> 00:10:06,744 Speaker 1: puts on her gorgeous outfit and she's walking through New 221 00:10:06,824 --> 00:10:08,464 Speaker 1: York and then she sees a hot man and she 222 00:10:08,504 --> 00:10:11,264 Speaker 1: looks eyes with him and she says, hello, I'm a 223 00:10:11,304 --> 00:10:13,664 Speaker 1: matchmaker and we have so many matches for you, and 224 00:10:13,704 --> 00:10:15,944 Speaker 1: she hands him her business card and then she bops 225 00:10:15,944 --> 00:10:18,264 Speaker 1: back along the street and you learn that she is 226 00:10:18,304 --> 00:10:21,144 Speaker 1: a matchmaker at an agency called a Door. So do 227 00:10:21,184 --> 00:10:24,344 Speaker 1: you know how matchmakers actually know a lot of people 228 00:10:24,344 --> 00:10:27,344 Speaker 1: who have been married through matchmakers story? Yeah, it's a thing. 229 00:10:27,384 --> 00:10:28,824 Speaker 2: I thought it was like a fake job. 230 00:10:28,984 --> 00:10:31,064 Speaker 1: Oh my god, No, it's a huge hut. 231 00:10:31,824 --> 00:10:33,344 Speaker 2: Dating apps took that away from them. 232 00:10:33,744 --> 00:10:39,424 Speaker 1: No, because matchmaking agencies it's very high end, super super expensive, 233 00:10:39,984 --> 00:10:42,704 Speaker 1: like not for people like us, train your savings, and 234 00:10:42,784 --> 00:10:44,704 Speaker 1: that's why it matches people who are like quite rich, 235 00:10:44,744 --> 00:10:47,464 Speaker 1: That's what it is. So it's cutting through like it's 236 00:10:47,464 --> 00:10:49,624 Speaker 1: for people who don't want to put themselves on dating apps, 237 00:10:49,624 --> 00:10:51,104 Speaker 1: Like they have a lot of money and they used 238 00:10:51,104 --> 00:10:53,424 Speaker 1: to paying professionals to fix problems for them. And that's 239 00:10:53,424 --> 00:10:56,184 Speaker 1: where the matchmaker comes in. So especially Lucy being a 240 00:10:56,184 --> 00:10:59,704 Speaker 1: matchmaker in New York in this movie, she's all about finding, 241 00:10:59,744 --> 00:11:02,104 Speaker 1: you know, a matches for people who are very specific 242 00:11:02,264 --> 00:11:04,504 Speaker 1: kind of needs and a lot of money to pay 243 00:11:04,624 --> 00:11:07,144 Speaker 1: her bills. So the movie starts with her. 244 00:11:06,984 --> 00:11:08,464 Speaker 2: Going to wait, how do I get this job? 245 00:11:08,744 --> 00:11:12,624 Speaker 1: How do you become a Matchmaker'd I think if I think, 246 00:11:12,624 --> 00:11:13,984 Speaker 1: once you watch this movie, you might not want to 247 00:11:13,984 --> 00:11:15,104 Speaker 1: be a matchmaker anymore. 248 00:11:15,424 --> 00:11:17,104 Speaker 2: Oh no, yeah, I mean. 249 00:11:16,984 --> 00:11:18,504 Speaker 1: Again, it's a noble job. And like I said, I 250 00:11:18,504 --> 00:11:20,784 Speaker 1: know people who are married from it. Sometimes that's just 251 00:11:20,904 --> 00:11:22,904 Speaker 1: what you do. Wow, the same way as using a 252 00:11:22,984 --> 00:11:25,304 Speaker 1: dating app. But I don't think it's not all ribbons 253 00:11:25,304 --> 00:11:30,624 Speaker 1: and love hearts. Oh so so it's a horror. It's well, no, 254 00:11:30,864 --> 00:11:31,424 Speaker 1: we just wait. 255 00:11:31,584 --> 00:11:31,904 Speaker 2: Okay. 256 00:11:31,944 --> 00:11:35,504 Speaker 1: So Lucy is attending the wedding of one of her matches. 257 00:11:35,504 --> 00:11:37,944 Speaker 1: So she's matched nine couples and she's getting celebrated and 258 00:11:37,984 --> 00:11:40,264 Speaker 1: it's all lovely. And then she gets to the wedding 259 00:11:40,624 --> 00:11:43,304 Speaker 1: and she's drumming up business and all this stuff, and 260 00:11:43,304 --> 00:11:46,944 Speaker 1: then she gets seated next to the groom's brother, a 261 00:11:47,024 --> 00:11:51,824 Speaker 1: multi multi millionaire called Harry's Pedro Pascal. 262 00:11:51,744 --> 00:11:55,024 Speaker 2: And she chooses Pedro Pascal and they live happily ever after. 263 00:11:55,224 --> 00:11:57,224 Speaker 2: Would you believe she match make herself. 264 00:11:58,104 --> 00:11:59,504 Speaker 1: I'm not gonna say who she ends up with, because 265 00:11:59,504 --> 00:11:59,824 Speaker 1: that is. 266 00:11:59,984 --> 00:12:01,784 Speaker 2: The Can I tell you my theory? 267 00:12:01,904 --> 00:12:02,184 Speaker 1: Sure? 268 00:12:02,704 --> 00:12:06,984 Speaker 3: My theory is is that she jumps between Chris Evans 269 00:12:07,024 --> 00:12:09,904 Speaker 3: and I don't know their names, Chris and Pedro, and 270 00:12:09,944 --> 00:12:12,904 Speaker 3: then they start getting really annoyed at her and they're like, hey, 271 00:12:12,944 --> 00:12:15,304 Speaker 3: you have to choose, you have to choose, and then 272 00:12:15,344 --> 00:12:17,384 Speaker 3: she's like, I don't want to choose, and then they're like, 273 00:12:17,664 --> 00:12:19,904 Speaker 3: will choose, and then they choose each other. 274 00:12:20,464 --> 00:12:23,064 Speaker 1: I mean, that's a great movie. I'm gonna go out 275 00:12:23,024 --> 00:12:24,464 Speaker 1: in the limit to say that's not what happened. 276 00:12:24,584 --> 00:12:28,144 Speaker 2: I imagine like Chris Evans and Pedro Pascal is a couple. 277 00:12:28,224 --> 00:12:32,904 Speaker 1: I mean I would see. So she meets Harry and 278 00:12:32,944 --> 00:12:35,064 Speaker 1: she's all wanting to like sign him up for her agency. 279 00:12:35,144 --> 00:12:36,984 Speaker 2: This is where this movie really it does not look 280 00:12:37,024 --> 00:12:37,584 Speaker 2: like a Harry. 281 00:12:38,344 --> 00:12:40,904 Speaker 1: Yeah. Well, Chris Evans's name in the movie is John, 282 00:12:40,984 --> 00:12:42,784 Speaker 1: and he doesn't like a John, that's true. And she 283 00:12:42,944 --> 00:12:44,984 Speaker 1: kind of looks like a loosey, so that one fled. 284 00:12:45,944 --> 00:12:47,824 Speaker 1: So she's trying to sign up for the dating agency 285 00:12:47,944 --> 00:12:49,584 Speaker 1: because he is what they call And this is where 286 00:12:49,584 --> 00:12:52,544 Speaker 1: the movie gets very into kind of like dating speak. 287 00:12:52,664 --> 00:12:54,744 Speaker 1: It almost feels like it's a better movie than this. 288 00:12:55,224 --> 00:12:56,944 Speaker 1: But he's just not that into you, you know how 289 00:12:56,944 --> 00:12:59,224 Speaker 1: they bring it that was basically, and that brings a 290 00:12:59,264 --> 00:13:03,584 Speaker 1: lot of like dating lingo and phrases or rules or 291 00:13:03,664 --> 00:13:05,544 Speaker 1: like urban legends into the store. 292 00:13:05,544 --> 00:13:07,584 Speaker 2: I can't call them after three days blah blah blah. 293 00:13:07,624 --> 00:13:09,304 Speaker 1: Yeah, this movie kind of weaves in a lot of 294 00:13:09,304 --> 00:13:11,344 Speaker 1: that sort of stuff. So Pedro Pascal's Harry is what 295 00:13:11,344 --> 00:13:13,984 Speaker 1: we call a unicorn because he's got a really good job, 296 00:13:14,024 --> 00:13:17,904 Speaker 1: he's rich, he's tall, he's single, and he's looking for 297 00:13:18,184 --> 00:13:22,064 Speaker 1: a woman to share his life with and as their meeting, 298 00:13:22,224 --> 00:13:24,864 Speaker 1: Chris Evans's character John appears at the table. 299 00:13:24,984 --> 00:13:26,504 Speaker 2: Oh and he's none away things. 300 00:13:27,144 --> 00:13:30,304 Speaker 1: Well, he's tall and handsome. Oh yeah, but he's in 301 00:13:30,344 --> 00:13:33,064 Speaker 1: his late thirties. He's an actor who's still trying to 302 00:13:33,064 --> 00:13:35,264 Speaker 1: break into the industry, and he's picking up shifts as 303 00:13:35,264 --> 00:13:37,384 Speaker 1: a caterwaiter just to earn a bit of money to 304 00:13:37,624 --> 00:13:39,824 Speaker 1: pay for the terrible room. He shares in a terrible 305 00:13:39,864 --> 00:13:43,024 Speaker 1: apartment with like three other gross men. And so he 306 00:13:43,024 --> 00:13:46,024 Speaker 1: appears at the tables as Harry always call in Pedro, 307 00:13:46,984 --> 00:13:48,624 Speaker 1: I maybe I should just do that. As Pedro verscal 308 00:13:48,704 --> 00:13:51,304 Speaker 1: is hitting on Dakota Johnson, Chris Evans appears at the 309 00:13:51,304 --> 00:13:54,904 Speaker 1: table with Dakota Johnson's signature drink. And that is because 310 00:13:54,944 --> 00:13:56,904 Speaker 1: they've had a very long relationship and they've broken up 311 00:13:56,944 --> 00:13:58,704 Speaker 1: and all this kind of thing. I won't go into it. 312 00:13:58,784 --> 00:14:01,864 Speaker 1: So then the movie is very much around this question 313 00:14:01,944 --> 00:14:05,664 Speaker 1: of like compatibility and why marriage is a contract, and 314 00:14:06,184 --> 00:14:08,104 Speaker 1: also this question I'm interested in your thought on this, 315 00:14:08,104 --> 00:14:10,744 Speaker 1: this question of his marriage is a contract. Do you 316 00:14:10,864 --> 00:14:15,104 Speaker 1: marry the rich man who makes you feel valuable, but 317 00:14:15,304 --> 00:14:17,344 Speaker 1: who you are, you don't have a spark with but 318 00:14:17,384 --> 00:14:19,984 Speaker 1: everything on paper is good. Or do you marry the 319 00:14:20,024 --> 00:14:23,504 Speaker 1: poor man who you have a spark with, but nothing 320 00:14:23,544 --> 00:14:26,584 Speaker 1: about it makes business sense because marriage is a contract. 321 00:14:26,624 --> 00:14:29,264 Speaker 1: Even if you're in love, you're still entering into a 322 00:14:29,264 --> 00:14:30,144 Speaker 1: business arrangement. 323 00:14:30,704 --> 00:14:31,944 Speaker 2: That's such a good point. 324 00:14:32,104 --> 00:14:33,384 Speaker 1: The movie wants you to tell. 325 00:14:33,384 --> 00:14:35,384 Speaker 2: Oh my God, and you want me to answer. 326 00:14:35,144 --> 00:14:39,504 Speaker 1: Yeah, Okay, so you're Lucy your Dakota Fanning Dakota Johnson. 327 00:14:41,304 --> 00:14:45,064 Speaker 2: I'd love to be Fanning. Okay. 328 00:14:45,624 --> 00:14:51,344 Speaker 3: Firstly, I would choose to marry the rich man. 329 00:14:52,264 --> 00:14:54,784 Speaker 1: Interesting. You know what, that's not a bad thing because, 330 00:14:54,864 --> 00:14:58,224 Speaker 1: as I say in the movie, he makes you feel valuable, 331 00:14:58,864 --> 00:15:02,584 Speaker 1: and valuable is a very important part of you feel 332 00:15:02,704 --> 00:15:04,224 Speaker 1: like a human and feeling like you matter. 333 00:15:04,384 --> 00:15:08,304 Speaker 3: Also, sparks die right and like, as you said, they 334 00:15:08,344 --> 00:15:09,824 Speaker 3: did break up for a reason. 335 00:15:12,384 --> 00:15:15,224 Speaker 1: So here's the interesting thing about Materialists is that when 336 00:15:15,224 --> 00:15:17,184 Speaker 1: the movie poster came out, when the trailer came out 337 00:15:17,224 --> 00:15:20,344 Speaker 1: and we saw who the leads were, Dakota and Pedro 338 00:15:20,504 --> 00:15:22,944 Speaker 1: and Chris, everyone was like, Yes, this is the rom 339 00:15:22,984 --> 00:15:25,584 Speaker 1: com I've been waiting for. And to be fair, the 340 00:15:25,664 --> 00:15:28,064 Speaker 1: promo for the movie did make it look like a 341 00:15:28,144 --> 00:15:30,704 Speaker 1: rom com. It's like it's Dakota Johnson in the Big 342 00:15:30,744 --> 00:15:33,304 Speaker 1: City tour between these two handsome men, and she's gonna 343 00:15:33,344 --> 00:15:35,424 Speaker 1: fall madly in love with one of them. This movie 344 00:15:35,504 --> 00:15:38,144 Speaker 1: is not a rom com. Oh it's a romantic drama. 345 00:15:38,304 --> 00:15:40,664 Speaker 1: Oh it's not a rom com at all. Oh my god, 346 00:15:40,704 --> 00:15:44,944 Speaker 1: it's romantic drama and potentially and at some points it 347 00:15:44,984 --> 00:15:47,704 Speaker 1: feels like a horror movie. What if you're currently in 348 00:15:47,744 --> 00:15:50,944 Speaker 1: the dating pool, which you know, I know me too. 349 00:15:51,064 --> 00:15:52,584 Speaker 2: Oh my god, I like. 350 00:15:52,584 --> 00:15:54,784 Speaker 1: Can I tell you? I was so thrown and so 351 00:15:55,064 --> 00:15:57,944 Speaker 1: just in my head about this movie. As I left that, 352 00:15:58,024 --> 00:15:59,824 Speaker 1: I walked home, and when I got home, I'm like, 353 00:15:59,904 --> 00:16:02,104 Speaker 1: why am I my feet in pain? And why did 354 00:16:02,144 --> 00:16:03,704 Speaker 1: that take so long? Because I don't live that far 355 00:16:03,744 --> 00:16:05,864 Speaker 1: from the movies, as you know, And I had forgotten 356 00:16:05,864 --> 00:16:07,704 Speaker 1: to like take my heels off from the premiere and 357 00:16:07,704 --> 00:16:09,904 Speaker 1: put my walking shoes on, which I normally do. I 358 00:16:09,944 --> 00:16:12,624 Speaker 1: just stopped through the streets of Sydney late at night 359 00:16:12,664 --> 00:16:14,624 Speaker 1: in my heels and I didn't put my headphones in 360 00:16:14,704 --> 00:16:16,504 Speaker 1: to like listen to music or anything. I was so 361 00:16:16,624 --> 00:16:18,744 Speaker 1: like in my head about like what does this mean? 362 00:16:18,784 --> 00:16:20,184 Speaker 1: And what do I think? And what does that mean? 363 00:16:20,224 --> 00:16:22,224 Speaker 1: Like it really turns all these tough questions. 364 00:16:22,504 --> 00:16:25,104 Speaker 3: It just makeing like I'm so keen to watch it 365 00:16:25,144 --> 00:16:27,344 Speaker 3: because when I came into the office today, like so 366 00:16:27,384 --> 00:16:29,504 Speaker 3: many people here, Mum and Maya went to watch it, 367 00:16:29,624 --> 00:16:33,224 Speaker 3: and one of our entertainment writers, Tara Watson, I think 368 00:16:33,264 --> 00:16:34,824 Speaker 3: she said something similar to you. She was like to me, 369 00:16:34,864 --> 00:16:36,824 Speaker 3: She's like, it's going to make you spiral, and I'm. 370 00:16:36,664 --> 00:16:39,424 Speaker 1: Like, okay, so this, yeah, the setup is really really good. 371 00:16:39,464 --> 00:16:42,264 Speaker 1: So you see Lucy to go to Johnson going and 372 00:16:42,304 --> 00:16:44,664 Speaker 1: meeting with all her different clients, both men and women, 373 00:16:45,144 --> 00:16:47,904 Speaker 1: and what they are saying they want in a relationship. 374 00:16:48,424 --> 00:16:52,104 Speaker 1: It's just so sobering of like, oh, there's no one 375 00:16:52,184 --> 00:16:56,504 Speaker 1: out there and I'm not anyone's ideal because my age 376 00:16:56,544 --> 00:16:58,424 Speaker 1: is wrong, my height is wrong, my face is wrong, 377 00:16:58,464 --> 00:17:01,704 Speaker 1: my personality is wrong. And this is so transactional and 378 00:17:02,344 --> 00:17:04,704 Speaker 1: like the older you get, especially as a woman, like 379 00:17:04,984 --> 00:17:07,544 Speaker 1: there's just no men out there for you to meet, 380 00:17:07,584 --> 00:17:09,064 Speaker 1: and if you're a different size, there's no man. 381 00:17:08,984 --> 00:17:09,384 Speaker 2: Out for me. 382 00:17:09,424 --> 00:17:12,984 Speaker 1: And it's so bleak. Literally, in those first few minutes, 383 00:17:13,024 --> 00:17:14,664 Speaker 1: I had my two wines, as you know, I have 384 00:17:14,744 --> 00:17:16,584 Speaker 1: my popcorn, and I was all read. I was all 385 00:17:16,624 --> 00:17:18,384 Speaker 1: in for the movie, and I was sitting there and 386 00:17:18,424 --> 00:17:22,064 Speaker 1: my heart was beating so far because I was like, 387 00:17:22,264 --> 00:17:25,224 Speaker 1: this movie that musquraded it as a rom com is 388 00:17:25,264 --> 00:17:29,664 Speaker 1: throwing this huge spotlight over this idea that what your 389 00:17:29,704 --> 00:17:32,464 Speaker 1: worth is, what it means to find love? How much 390 00:17:32,464 --> 00:17:34,664 Speaker 1: of like a rat race it is, like it's the 391 00:17:34,744 --> 00:17:37,744 Speaker 1: Hunger Games, how much you only have a tiny window 392 00:17:37,784 --> 00:17:41,264 Speaker 1: to be someone's ideal, how transactional it is, and just 393 00:17:41,304 --> 00:17:44,424 Speaker 1: how bleak it'll be if you as to go to 394 00:17:44,504 --> 00:17:46,424 Speaker 1: Johnson case as the movie she's like it's this or 395 00:17:46,424 --> 00:17:50,064 Speaker 1: dialoge and you're like, yeah, I don't know, it's really 396 00:17:50,104 --> 00:17:51,824 Speaker 1: And the thing is, no one should have gone into 397 00:17:51,824 --> 00:17:54,864 Speaker 1: this thinking it was a rom com because despite some 398 00:17:54,904 --> 00:17:57,784 Speaker 1: of the marketing, because it's written directed by Selene's Song 399 00:17:58,344 --> 00:18:01,784 Speaker 1: an incredible filmmaker, one of my absolute favorite filmmakers at 400 00:18:01,824 --> 00:18:05,184 Speaker 1: the moment, Oscar nominated her first movie, Past Lives. Like 401 00:18:06,024 --> 00:18:08,224 Speaker 1: this made me feel a lot like watching Past Me. 402 00:18:08,464 --> 00:18:10,664 Speaker 2: I had a very similar the pace it. 403 00:18:10,864 --> 00:18:13,744 Speaker 1: Yeah, just how like she's a and I should also. 404 00:18:13,544 --> 00:18:15,024 Speaker 2: Past Lives if we haven't watched it. 405 00:18:15,184 --> 00:18:19,024 Speaker 1: Incredible amazing, Oh should I say materialists incredible? I actually 406 00:18:19,064 --> 00:18:21,224 Speaker 1: loved it. I just it hit me really hard, but 407 00:18:21,264 --> 00:18:24,664 Speaker 1: it's meant to like it did its job exactly. Like again, 408 00:18:24,744 --> 00:18:26,664 Speaker 1: she's not trying to tell a frothy wrong com She's 409 00:18:26,704 --> 00:18:28,504 Speaker 1: trying to like get in your heart and soul in 410 00:18:28,584 --> 00:18:31,584 Speaker 1: your head with this storyline and these characters. Yeah, I 411 00:18:31,624 --> 00:18:33,944 Speaker 1: just I think going into it because Past Lives is 412 00:18:33,984 --> 00:18:37,384 Speaker 1: like her first film, and Materialist is on the same vein, 413 00:18:37,544 --> 00:18:39,704 Speaker 1: and like Selene's song was just never going to write 414 00:18:39,704 --> 00:18:42,144 Speaker 1: a wrong comp Yeah, but again, the post is so pretty, 415 00:18:42,184 --> 00:18:44,864 Speaker 1: it's so nice, So it's just, yeah, it's really interesting 416 00:18:44,904 --> 00:18:47,384 Speaker 1: of like you see her sort of like go between 417 00:18:47,384 --> 00:18:49,544 Speaker 1: these two men, but then there's also the clients that 418 00:18:49,584 --> 00:18:51,944 Speaker 1: she works with and like what's happening in their lives, 419 00:18:52,024 --> 00:18:54,584 Speaker 1: and it just really I don't know, it builds this 420 00:18:54,704 --> 00:18:57,624 Speaker 1: really interesting ending. I would say, go and see the movies. 421 00:18:58,024 --> 00:18:59,744 Speaker 1: Like obviously you can watch when it comes on streaming, 422 00:18:59,744 --> 00:19:01,024 Speaker 1: but I almost feel like it's a good one to 423 00:19:01,024 --> 00:19:03,344 Speaker 1: go and like really immerse yourself in. You could go 424 00:19:03,424 --> 00:19:05,904 Speaker 1: by yourself and just have like a solo movie date 425 00:19:05,984 --> 00:19:09,984 Speaker 1: and yeah, and just take it all in. But it's 426 00:19:09,984 --> 00:19:12,104 Speaker 1: also a really really good movie to like if you 427 00:19:12,144 --> 00:19:13,824 Speaker 1: can go and see with like a bunch of your 428 00:19:13,864 --> 00:19:17,384 Speaker 1: girlfriends and then don't all rush off go to drinks 429 00:19:17,424 --> 00:19:19,464 Speaker 1: or something afterwards, because you're just gonna want to like 430 00:19:19,544 --> 00:19:23,104 Speaker 1: dissect this movie like crazy, or I want to talk 431 00:19:23,144 --> 00:19:24,824 Speaker 1: about the ending so bad. 432 00:19:24,704 --> 00:19:28,984 Speaker 3: Okay, okay, without spoiling the ending, give me some adjectives 433 00:19:28,984 --> 00:19:31,064 Speaker 3: to describe your feelings. 434 00:19:31,704 --> 00:19:38,864 Speaker 1: Okay, romantic okay, a cop out. No, that's my personal opinion, Okay. 435 00:19:39,024 --> 00:19:45,304 Speaker 1: And it's like hopeful and really sobering at the same time. 436 00:19:45,424 --> 00:19:48,224 Speaker 2: Interesting. I don't know. 437 00:19:48,304 --> 00:19:49,544 Speaker 1: I think a lot of people have talked to us 438 00:19:49,624 --> 00:19:52,144 Speaker 1: loved or hated the ending. People are very intense about it. 439 00:19:52,584 --> 00:19:54,344 Speaker 1: When I say cop it, I just mean, like I 440 00:19:54,344 --> 00:19:57,704 Speaker 1: thought we weren't making a romcom Selene, but sometimes we 441 00:19:57,744 --> 00:20:00,064 Speaker 1: almost veer into making I just find it so interesting, 442 00:20:00,064 --> 00:20:01,344 Speaker 1: I know. I guess if enough people see it, if 443 00:20:01,424 --> 00:20:02,784 Speaker 1: enough spillers want to talk about it, we could do 444 00:20:02,784 --> 00:20:03,664 Speaker 1: a really honest review. 445 00:20:03,664 --> 00:20:06,064 Speaker 3: So I think the ending of Past Lives just destroyed 446 00:20:06,064 --> 00:20:07,424 Speaker 3: everything destroyed. 447 00:20:07,584 --> 00:20:10,704 Speaker 1: Yeah, this is not quite that, but it really like 448 00:20:10,784 --> 00:20:12,984 Speaker 1: and the build up to it and everything, and it 449 00:20:13,064 --> 00:20:17,264 Speaker 1: just really makes you question love and romance and everything, 450 00:20:17,304 --> 00:20:26,824 Speaker 1: but also makes you want it even more. Yeahlleen, No, anyway, materialists, 451 00:20:26,824 --> 00:20:28,624 Speaker 1: it's out now. I mean, look, if you just love 452 00:20:28,664 --> 00:20:31,704 Speaker 1: Pedro Pascal and Chris Evans. Also, Chris Evans great actor. 453 00:20:31,744 --> 00:20:33,904 Speaker 1: People have been really shitting on him since he left 454 00:20:33,944 --> 00:20:37,464 Speaker 1: Marvel because after he left Marvel the Marvels Automatic Universe, 455 00:20:37,864 --> 00:20:40,584 Speaker 1: he and Robert Downey Junior and Scarlett Johansson all left 456 00:20:40,664 --> 00:20:43,784 Speaker 1: at the same time. Yeah, and Scarlett Johanson nominated for 457 00:20:43,824 --> 00:20:47,944 Speaker 1: two Oscars straight after directing her home movie critically acclaimed. 458 00:20:48,224 --> 00:20:51,704 Speaker 1: Robert Downey Junior won an Oscar critically acclaimed. Chris Evans 459 00:20:52,264 --> 00:20:54,344 Speaker 1: not doing well got married to a younger woman that 460 00:20:54,384 --> 00:20:56,904 Speaker 1: people got really angry about it only because his. 461 00:20:56,984 --> 00:21:00,024 Speaker 2: Ex is Jenny's Lay. Yeah, and we thought he was 462 00:21:00,064 --> 00:21:03,424 Speaker 2: a different kind of I'm just gonna saying, well. 463 00:21:03,304 --> 00:21:05,664 Speaker 1: Did we all did? Brother did a podcast the other day? 464 00:21:05,704 --> 00:21:07,264 Speaker 1: Were you telling me his brother did a podcast the 465 00:21:07,304 --> 00:21:09,784 Speaker 1: other day saying that Chris Evans couldn't find love for 466 00:21:09,824 --> 00:21:11,704 Speaker 1: so long because so many people shot it on him 467 00:21:11,704 --> 00:21:14,144 Speaker 1: for his girlfriends and then were mean to his girlfriends. 468 00:21:14,544 --> 00:21:16,584 Speaker 1: The man's been through a lost He went through so much. 469 00:21:17,184 --> 00:21:19,304 Speaker 2: It's hard being a really attractive white. 470 00:21:19,064 --> 00:21:22,304 Speaker 1: Man, being attractive white man. Someone give him a chance, 471 00:21:22,344 --> 00:21:24,664 Speaker 1: So Anyway, this is the first time after he's left 472 00:21:24,664 --> 00:21:27,104 Speaker 1: the Marvel cinematic universe that people like, oh, you're a 473 00:21:27,184 --> 00:21:29,064 Speaker 1: real actor. You're a good actor. 474 00:21:29,184 --> 00:21:31,744 Speaker 2: He does really well, but he should also go back. 475 00:21:32,104 --> 00:21:34,864 Speaker 1: Yeah. He hates people asking him that you could see 476 00:21:34,864 --> 00:21:36,944 Speaker 1: to see the Materialists premiere, Like he was asked, what 477 00:21:36,984 --> 00:21:38,384 Speaker 1: do you go back to Marvel? And his soul has 478 00:21:38,464 --> 00:21:39,184 Speaker 1: left his body. 479 00:21:39,224 --> 00:21:41,984 Speaker 2: So it's like when you ask Robert Patterson about Twilight. 480 00:21:42,184 --> 00:21:47,144 Speaker 1: Yeah, so Materialists listening is now, go and see it 481 00:21:47,224 --> 00:21:48,864 Speaker 1: and then talk to us about it. And I guess 482 00:21:48,904 --> 00:21:51,024 Speaker 1: if enough people, I love to do a brilli honest review. 483 00:21:51,064 --> 00:21:52,824 Speaker 2: If enough people see it, Oh my god, I'm excited. 484 00:21:52,864 --> 00:21:55,904 Speaker 1: Okay, anyway, a very love and drama filled episode of 485 00:21:55,984 --> 00:21:58,744 Speaker 1: Weekend Watch about two recommendations to day love is in 486 00:21:58,784 --> 00:21:59,104 Speaker 1: the air. 487 00:21:59,064 --> 00:22:00,864 Speaker 2: Both yours as a listener. 488 00:22:01,064 --> 00:22:02,304 Speaker 1: I love Itgret listen. 489 00:22:02,304 --> 00:22:04,704 Speaker 3: Thank you so much, Thank you so much for listening 490 00:22:04,704 --> 00:22:06,704 Speaker 3: to The Spill today, and don't forget to follow us 491 00:22:06,744 --> 00:22:09,544 Speaker 3: on TikTok at The Spilled podcast. The Spill is produced 492 00:22:09,544 --> 00:22:12,784 Speaker 3: by Manishas, with sound production by Scott Stronik, fom of 493 00:22:12,864 --> 00:22:14,984 Speaker 3: Me and Studios are Style, with furniture from Fenton and 494 00:22:15,064 --> 00:22:18,224 Speaker 3: Fenton visit Venton and Fentin dot com dot au and 495 00:22:18,264 --> 00:22:20,184 Speaker 3: we'll be back here on your podcast feed at three 496 00:22:20,224 --> 00:22:21,104 Speaker 3: pm today. 497 00:22:21,664 --> 00:22:27,824 Speaker 1: Bye bye,