WEBVTT - Millennials Were The Last Generation To Have It All

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<v Speaker 1>You're listening to a Mama Mia podcast.

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<v Speaker 2>Mamma Mia acknowledges the traditional owners of land and waters

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<v Speaker 2>that this podcast is recorded on.

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<v Speaker 3>Yeah, I can even talk about the fact that I

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<v Speaker 3>was there on the night that Facebook started. I don't

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<v Speaker 3>know if I've shared this on the pod before, but

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<v Speaker 3>I was at Harvard when Mark Zuckerberg started Facebook, and.

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<v Speaker 1>I remember the night it started. My roommate walked into

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<v Speaker 1>my room in the social news.

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<v Speaker 3>I'm sitting in my dorm room and my roommate comes

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<v Speaker 3>in and she says, have you heard of this thing

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<v Speaker 3>called the Facebook?

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<v Speaker 2>Hello, and welcome to Mamma Mia out Loud and to

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<v Speaker 2>our Friday show, where you will hear not a peep,

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<v Speaker 2>not a bleep about what's going on in the wider

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<v Speaker 2>world because this is a news free zone and it's Friday,

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<v Speaker 2>the twenty eighth of March.

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<v Speaker 1>I'm Holly Waynwright, I'm Meya Friedman, and I am not

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<v Speaker 1>Jessee Stevens. I am Amelia Lester, filling in for Jesse.

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<v Speaker 2>On today's show. We're millennials, the last generation to really

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<v Speaker 2>have it all. That slight crunch you could here is

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<v Speaker 2>a merelya Lester flexing gee.

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<v Speaker 1>Is one I know loud. That's why so you and

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<v Speaker 1>I are not.

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<v Speaker 2>Recommendations include a deeply original novel, some no bullshit health

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<v Speaker 2>advice and a lipliner, and our Best and Worst of

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<v Speaker 2>the Week, which includes singing, dancing, and having nightmares, not

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<v Speaker 2>all at the same time, but also sort of at

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<v Speaker 2>the same time.

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<v Speaker 1>First mea Friedman In case you missed it. There are

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<v Speaker 1>five main reasons why women break up with their hairdresser,

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<v Speaker 1>according to an unscientific investigation in the Age by reporter

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<v Speaker 1>Hannah Hammond. I have a question before I tell you

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<v Speaker 1>what they are. How many times do you think the

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<v Speaker 1>average woman goes to the hairdresser in her lifetime?

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<v Speaker 2>Oh my gosh, just quickly, just off the top of

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<v Speaker 2>your head.

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<v Speaker 1>Over a whole life. Do maths one hundred four hundred.

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<v Speaker 1>It's one hundred and fifty on average, five times a

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<v Speaker 1>year except during COVID, where we cut our own fringes.

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<v Speaker 1>There are sixty three thousand hairstylists currently employed across Australia,

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<v Speaker 1>and at any given moment, many of us are moving

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<v Speaker 1>between them, leaving one trying another. Here are the five

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<v Speaker 1>reasons why. Number one, they don't listen. So if you say,

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<v Speaker 1>I'd just like a couple of centimeters off and you

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<v Speaker 1>leave with, as they call it on The White Lotus,

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<v Speaker 1>a county bob. Do you know what I'm referring to it?

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<v Speaker 1>I do. Leslie Beab's character, one of the Three Blondes.

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<v Speaker 1>She released a video with her and Chris McMillan, who

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<v Speaker 1>is Jennifer Andison's headdresser, and they call this hairstyle the

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<v Speaker 1>county bob. Do just think anyone ever breaks up with Chris McMillan.

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<v Speaker 1>I have some feedback for him about Jennifer Aniston's hair.

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<v Speaker 1>I think that I don't think she needs to break

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<v Speaker 1>up with him. And maybe it's her not him, but

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<v Speaker 1>I would like her hair to evolve. I think it

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<v Speaker 1>needs a little bit more warmth. I'd like to see

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<v Speaker 1>some more buttery chunks.

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<v Speaker 2>Okay, it's not you, it's me, Chris.

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<v Speaker 1>I'll DM him anyway. The second reason, you don't feel

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<v Speaker 1>good about yourself when you leave. I love this reason

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<v Speaker 1>because I sometimes apply this to friendships. You know, when

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<v Speaker 1>you spend time with someone and you leave and you say, Okay,

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<v Speaker 1>how do I feel in this moment? What's the word?

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<v Speaker 1>And it could be burdened, it could be drained, it

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<v Speaker 1>could be recharged uplifted. If you walk out of the

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<v Speaker 1>hairdresser and you feel disappointed, sad, bad things, probably ugly ugly. Yes,

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<v Speaker 1>it's probably a reason that you might want to break up.

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<v Speaker 1>Third reason, they're always running late. Got to respect people's time.

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<v Speaker 1>I'm usually the one running late. Fourth reason is you

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<v Speaker 1>can't afford them anymore. It's expensive going to the hairdresser.

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<v Speaker 1>It can be, but you know their time is precious too.

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<v Speaker 1>And the fifth reason, they make you feel uncomfortable. I

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<v Speaker 1>think this speaks to the intimacy that happens when you're vulnerable,

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<v Speaker 1>sitting in the chair, hair or wet and maybe foils,

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<v Speaker 1>and you might say things to your hairdresser. They might

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<v Speaker 1>say things to you. It's a very intimate moment, it is,

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<v Speaker 1>but you have to feel comfortable in the moment. Emila

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<v Speaker 1>and Holly, when was the last time you broke up

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<v Speaker 1>with your hairdresser? And why so?

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<v Speaker 3>I need to bring the curly girl energy here because

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<v Speaker 3>I have very difficult hair. This is not a humble brag,

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<v Speaker 3>but hair dress get really terrified when they see my

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<v Speaker 3>hair for the first time. They always say something.

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<v Speaker 1>Like, gosh, you've got a lot of hair.

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<v Speaker 3>Yeah, and sometimes it's a compliment and sometimes it's an insult,

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<v Speaker 3>and sometimes it's just sort of a complaint. But either way,

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<v Speaker 3>it's always a bit fraught when I meet a new hairdresser.

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<v Speaker 1>So this is a topic nearing to my heart. Then

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<v Speaker 1>not accept you like, say thanks, but I won't be

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<v Speaker 1>doing this today, not yet.

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<v Speaker 3>I think it's because you can charge a lot when

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<v Speaker 3>you've got as much hair as I do. But again,

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<v Speaker 3>not a humble brag, it's really it creates friction with

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<v Speaker 3>hairdressers a lot. But I had a hairdresser who I

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<v Speaker 3>acquired during COVID, So when restrictions were easy where I

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<v Speaker 3>was living, I just moved to a new place and

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<v Speaker 3>I got a hairdresser who came to my house and

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<v Speaker 3>for a while she cut my hair in my backyard

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<v Speaker 3>because it was still during that time when we needed

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<v Speaker 3>to socialize outside, and then we moved inside. Look, you

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<v Speaker 3>couldn't beat the convenience of it. I did have to

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<v Speaker 3>wash my own hair, which was slightly annoying.

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<v Speaker 1>But my local park was full of hairdressers meeting their clients.

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<v Speaker 3>Park.

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<v Speaker 1>Was it like people.

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<v Speaker 2>Walking around with their foils in?

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<v Speaker 1>Yeah, it was.

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<v Speaker 3>But I broke up with her because to your point

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<v Speaker 3>about how you feel when you leave, I felt really drained.

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<v Speaker 3>She would come and I felt like I needed to

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<v Speaker 3>keep the conversation going, and I had to remember her

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<v Speaker 3>children's names, and we just got into sort of inevitably

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<v Speaker 3>quite intense conversations about parenting.

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<v Speaker 1>I felt exhausted at the end. I like to work

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<v Speaker 1>at the hairdresser, Holly, what about you.

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<v Speaker 2>I didn't have a steady hairdresser until me. I did

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<v Speaker 2>some matchmaking for me, which you know, it's quite typical

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<v Speaker 2>of many of the dynamic of our relationship where she's like,

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<v Speaker 2>we need to fix this. So I always just flooded around.

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<v Speaker 2>ID just go to whoever.

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<v Speaker 1>So you were constantly breaking up with people, I'd.

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<v Speaker 2>Be like, whoever can pit me in? And I have

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<v Speaker 2>exactly the same thing, because dirt, because I was and

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<v Speaker 2>I'm a commitment fobe, like Ameily, I have a lot

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<v Speaker 2>of hair. So sometimes they break up with you. Sometimes

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<v Speaker 2>they're just like, oh no, really yep. And also I

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<v Speaker 2>think I always feel a lot of sympathy for hair

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<v Speaker 2>dresses because my expectations are very unrealistic. I'm always like,

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<v Speaker 2>I want a heavy friend.

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<v Speaker 1>Are you bringing a bardo?

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<v Speaker 2>That's like my ideal hair, and they're just like, duh,

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<v Speaker 2>you're delusional, and they're obviously like in any relationship when

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<v Speaker 2>they tell you you're dreaming, you get a bit upset.

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<v Speaker 1>I've evangelized my hairdresser, but now everyone on Out Loud

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<v Speaker 1>goes to her except for you, but Jesse and Holly

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<v Speaker 1>both go to her. She's like the out loud hairdresser,

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<v Speaker 1>elle A Edwards, and I'm going this week. Yeah, And

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<v Speaker 1>I've started a group chat with Elle and Holly about

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<v Speaker 1>what we're going to do just for feelings about Holly's hair.

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<v Speaker 2>MEA's backseat driving my hair. Generational wars are an enormous

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<v Speaker 2>amount of fun if it is not your generation who's

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<v Speaker 2>being sledged, which is why I can't get enough of

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<v Speaker 2>the millennial gen Z fight. But sometimes these silly scraps

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<v Speaker 2>about arbitrary social groupings of birthdays are profound.

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<v Speaker 1>Can you summarize that fire? Do you think it's just

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<v Speaker 1>like gen Z trolling millennials about being old?

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<v Speaker 2>Yes, because now that millennials are, you know, in their

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<v Speaker 2>thirties and early forties and so on, they are now

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<v Speaker 2>the old people and inverted commas, and obviously gen zs

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<v Speaker 2>are the young people, and young people like to sledge

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<v Speaker 2>old people, and when you're first in the old people

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<v Speaker 2>category in inverted commas, it is profoundly uncomfortable to have

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<v Speaker 2>that shifting realization that you are not the young people anymore.

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<v Speaker 1>Meanwhile, Gen x's have just become irrelevant and or cute,

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<v Speaker 1>but you are always kind of a releman. I disagree.

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<v Speaker 2>I think we have only become cooler. Meal We are cool,

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<v Speaker 2>but we are.

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<v Speaker 1>Not how they kill a fight. They see us as cute,

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<v Speaker 1>you know, that condescending phase.

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<v Speaker 2>It's like they do genes cute and kind of bombling

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<v Speaker 2>and pathetic.

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<v Speaker 1>And I said that to us the other day.

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<v Speaker 2>She did, Actually, that was good. We should get to that.

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<v Speaker 2>But this essay that we're going to talk about today

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<v Speaker 2>is not silly. It's profound, and I think there's a

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<v Speaker 2>lot of truth in it for all of us. It's

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<v Speaker 2>written by American content creators. She would hate that tag, Liz.

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<v Speaker 2>It's called millennials were the last generation to have it all.

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<v Speaker 2>And before we test some of these theories on Amelia,

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<v Speaker 2>I want to read you a couple of highlights from

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<v Speaker 2>this essay because it's really good and it's kind of

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<v Speaker 2>the main argument about being jen Yan young was the

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<v Speaker 2>greatest gift right. For example, social media, Liz Rights, Millennials

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<v Speaker 2>were the last generation to experience social media when it

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<v Speaker 2>was fun, before it turned into a full time job.

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<v Speaker 2>Social media was essentially one big group chat, just a

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<v Speaker 2>place for your friends and family to keep up with you.

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<v Speaker 1>The virtual world.

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<v Speaker 2>Was not more important than the real one. We went

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<v Speaker 2>out drank Vodkasoda's made mistakes, and those mistakes stayed in

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<v Speaker 2>the bar bathroom. You could have a bad night without

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<v Speaker 2>its showing up in someone's group chat five seconds later.

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<v Speaker 1>Yes, life was.

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<v Speaker 2>Not a personal brand and being young wasn't a content strategy.

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<v Speaker 2>It was excessive, earnest, ridiculous and free. And jen Z

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<v Speaker 2>hates us for it because they know they missed out.

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<v Speaker 2>What do you think about that?

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<v Speaker 3>So you'll notice that I bought the side part energy

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<v Speaker 3>here today.

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<v Speaker 1>It really did in your Rocketcas.

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<v Speaker 3>I'm reclaiming it, and I want to point out to

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<v Speaker 3>gen Z, jen Affer is coming up behind you and

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<v Speaker 3>soon they're going to be making fun of your tube

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<v Speaker 3>socks and your center parts, and you're going to see.

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<v Speaker 1>What it feels like.

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<v Speaker 3>But look, I think this is very profound in the

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<v Speaker 3>sense that Millennials were the last of maybe the good ones,

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<v Speaker 3>but also the first of the bad ones. And I

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<v Speaker 3>think that's maybe what Liz Plank is missing a little

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<v Speaker 3>bit here. So, yes, we know what life was like

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<v Speaker 3>before the Internet, but life was no walk in the

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<v Speaker 3>park for us millennials. Get out your violins here. I

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<v Speaker 3>need to explain that for us, we saw a stable,

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<v Speaker 3>prosperous world in the nineties, but then that bubble was

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<v Speaker 3>burst when we basically finished high school around the time

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<v Speaker 3>of nine to eleven, and that showed that all the

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<v Speaker 3>things that we took for granted, that skyscrapers would always

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<v Speaker 3>be there, and that the West was largely unencumbered by

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<v Speaker 3>problems in the rest of the world, that was.

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<v Speaker 1>Not true week old we during nine to eleven, I.

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<v Speaker 3>Was eighteen, so it was really a coming of age. Yeah,

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<v Speaker 3>and in fact it happened the day before I started university,

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<v Speaker 3>so it's all about me. And then the second thing

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<v Speaker 3>was that we graduated into the financial crisis. So a

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<v Speaker 3>lot of people I know took time off before if

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<v Speaker 3>they went to graduate school they wanted to be a

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<v Speaker 3>doctor or a lawyer or whatever, they took time off

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<v Speaker 3>because there was just no jobs to be had, and

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<v Speaker 3>so they worked sort of jobs that they wouldn't have

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<v Speaker 3>chosen otherwise because it was such a hostile job market.

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<v Speaker 3>So basically, we've had a huge shock every seven eight,

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<v Speaker 3>nine years since we became adults. And then you've got

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<v Speaker 3>Brexit and Trump in about seven or eight years after

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<v Speaker 3>the financial crisis, and that was a big sort of

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<v Speaker 3>blinkers lifting moment for millennials because we are a very

0:10:58.902 --> 0:11:02.381
<v Speaker 3>progressive generation. Most of us did not want Brexit, most

0:11:02.422 --> 0:11:04.942
<v Speaker 3>of us did not want Donald Trump, and that was

0:11:04.982 --> 0:11:07.182
<v Speaker 3>another big shock. So I think you got these three

0:11:07.222 --> 0:11:10.942
<v Speaker 3>seismic events for our generation that are made not fully incorporated.

0:11:11.182 --> 0:11:15.462
<v Speaker 2>The thing that's really interesting about generational algibargie is that

0:11:15.542 --> 0:11:18.022
<v Speaker 2>all of the things that you just discussed happened to everybody,

0:11:18.262 --> 0:11:21.142
<v Speaker 2>right as in, the things that happen when you're young

0:11:21.222 --> 0:11:24.662
<v Speaker 2>tipping into adulthood are very formative, it's true, but everyone

0:11:24.662 --> 0:11:27.102
<v Speaker 2>else at this table experienced all those events, you know,

0:11:27.142 --> 0:11:31.462
<v Speaker 2>the financial crisis nine to eleven, So it's really interesting

0:11:31.542 --> 0:11:33.502
<v Speaker 2>what we think about who owns what time.

0:11:33.582 --> 0:11:36.182
<v Speaker 1>That's fascinating because as you were saying that, I was

0:11:36.302 --> 0:11:38.662
<v Speaker 1>forcing myself to not interrupt and go, But did you

0:11:38.702 --> 0:11:43.902
<v Speaker 1>have aids Because when we were becoming sexually active, suddenly

0:11:43.942 --> 0:11:46.822
<v Speaker 1>there was this sex born virus that could kill you.

0:11:46.982 --> 0:11:50.302
<v Speaker 1>And even though the Boomers also experienced that, they weren't

0:11:50.582 --> 0:11:52.502
<v Speaker 1>first starting to have sex. So it was much more

0:11:52.542 --> 0:11:55.381
<v Speaker 1>impactful on Gen X than it was on Boomers, even

0:11:55.462 --> 0:11:56.902
<v Speaker 1>though we were all having sex.

0:11:57.222 --> 0:11:59.822
<v Speaker 3>Yeah, I guess every generation can point to these being

0:12:00.022 --> 0:12:03.662
<v Speaker 3>seizmic traumatic events. I think the difference from millennials is

0:12:03.662 --> 0:12:05.902
<v Speaker 3>that we saw it both ways. So we saw the

0:12:05.902 --> 0:12:08.462
<v Speaker 3>Blockbuster and the Netflix, we saw the radio and the

0:12:08.462 --> 0:12:11.022
<v Speaker 3>Spotify of it all. So take the Internet like a

0:12:11.062 --> 0:12:13.542
<v Speaker 3>bridge in generation. There we are, we have to hold

0:12:13.542 --> 0:12:16.462
<v Speaker 3>everyone else up. So do you remember there's there's a

0:12:16.542 --> 0:12:20.142
<v Speaker 3>very famous New Yorker cartoon which features a dog sitting

0:12:20.182 --> 0:12:23.302
<v Speaker 3>at a computer and typing, and the caption is on

0:12:23.342 --> 0:12:26.222
<v Speaker 3>the Internet, no one knows You're a dog. That cartoon

0:12:26.262 --> 0:12:28.422
<v Speaker 3>came out in the late nineties, and the humor of

0:12:28.462 --> 0:12:30.742
<v Speaker 3>that cartoon was that you could be anyone you like

0:12:30.822 --> 0:12:31.422
<v Speaker 3>on the Internet.

0:12:31.462 --> 0:12:35.062
<v Speaker 1>No one used real names back then. You a radical idea.

0:12:35.222 --> 0:12:37.102
<v Speaker 3>Yes, it was like the Internet was a sort of

0:12:37.142 --> 0:12:40.742
<v Speaker 3>like mysterious fantasy realm where you never used your full name.

0:12:40.942 --> 0:12:43.222
<v Speaker 3>You would never post a photo of your face on there.

0:12:43.542 --> 0:12:45.502
<v Speaker 3>The idea was that on the Internet you'd come up

0:12:45.542 --> 0:12:48.422
<v Speaker 3>with some ridiculous email address, you know, like whatever at

0:12:48.462 --> 0:12:50.702
<v Speaker 3>hotmail dot com, Fluffy Unicorn.

0:12:50.342 --> 0:12:52.262
<v Speaker 1>At hotmail dot com. You'd never use your name.

0:12:52.582 --> 0:12:54.902
<v Speaker 3>And then we thought the Internet was a fun place

0:12:54.902 --> 0:12:57.662
<v Speaker 3>where you could experiment with different personas. But then what

0:12:57.782 --> 0:13:00.942
<v Speaker 3>gen Z came into was the Internet was real life.

0:13:01.102 --> 0:13:03.582
<v Speaker 3>That was your person I wonder if even gen z

0:13:03.742 --> 0:13:07.102
<v Speaker 3>uses do they say irl because we used IRL to

0:13:07.142 --> 0:13:09.822
<v Speaker 3>denote this is the Internet, but this is real life.

0:13:09.902 --> 0:13:12.822
<v Speaker 2>The thing that's interesting about this is so Plank's essay

0:13:12.902 --> 0:13:16.262
<v Speaker 2>is very positive, right, It's very like we saw this

0:13:16.342 --> 0:13:20.262
<v Speaker 2>amazing progressive era. She's American, so she'soid about American politics

0:13:20.382 --> 0:13:22.542
<v Speaker 2>under Obama. That's why we believe in politics, and we

0:13:22.622 --> 0:13:24.622
<v Speaker 2>believe in change and all these things. She's like, we

0:13:24.662 --> 0:13:26.302
<v Speaker 2>got to party, we got to do all this stuff.

0:13:26.382 --> 0:13:28.902
<v Speaker 1>What I really loved in this idea of you being

0:13:28.942 --> 0:13:31.782
<v Speaker 1>a bridging generation is that and what Liz thank got

0:13:31.822 --> 0:13:34.502
<v Speaker 1>to in this was that you experienced all of the

0:13:34.502 --> 0:13:36.422
<v Speaker 1>good things, or a lot of the good things about

0:13:36.462 --> 0:13:41.222
<v Speaker 1>the Internet before the really toxic things took hold. So

0:13:41.262 --> 0:13:44.982
<v Speaker 1>She says millennials were the last generation to experience social

0:13:44.982 --> 0:13:47.102
<v Speaker 1>media when it was fun, before it turned into a

0:13:47.102 --> 0:13:50.662
<v Speaker 1>full time job. Social media was essentially one big group chat,

0:13:50.782 --> 0:13:52.982
<v Speaker 1>just a place for your friends and family to keep

0:13:53.062 --> 0:13:55.622
<v Speaker 1>up with you. The virtual world wasn't more important than

0:13:55.622 --> 0:13:59.622
<v Speaker 1>the real one. The Internet really struck me because like

0:13:59.742 --> 0:14:02.822
<v Speaker 1>my eldest child, he's not quite millennial. He's technically zed,

0:14:02.942 --> 0:14:06.542
<v Speaker 1>but he's almost twenty eight. He didn't experience the toxicity

0:14:06.542 --> 0:14:09.982
<v Speaker 1>of algorithms and social media. It was fun for him,

0:14:10.102 --> 0:14:13.382
<v Speaker 1>and the Internet was full of opportunities in the beginning

0:14:13.422 --> 0:14:17.582
<v Speaker 1>of streaming, and things were good before they became toxic.

0:14:17.702 --> 0:14:19.942
<v Speaker 3>Yeah. I can even talk about the fact that I

0:14:20.062 --> 0:14:22.542
<v Speaker 3>was there on the night that Facebook started. I don't

0:14:22.582 --> 0:14:24.422
<v Speaker 3>know if I've shared this on the pod before, but

0:14:24.622 --> 0:14:27.702
<v Speaker 3>I was at Harvard when Mark Zuckerberg started Facebook, and

0:14:27.742 --> 0:14:30.262
<v Speaker 3>I remember the night it started. My roommate walked into

0:14:30.302 --> 0:14:33.022
<v Speaker 3>my life the social network.

0:14:33.542 --> 0:14:35.742
<v Speaker 1>Were you a CA? I don't know if we've spoken

0:14:35.782 --> 0:14:38.422
<v Speaker 1>about this enough. O the Leicester.

0:14:38.862 --> 0:14:41.302
<v Speaker 3>So I'm sitting in my year with this two thousand

0:14:41.342 --> 0:14:44.782
<v Speaker 3>and four. Okay, I'm sitting in my dorm room and

0:14:45.062 --> 0:14:48.062
<v Speaker 3>my roommate comes in and she says, have you heard

0:14:48.102 --> 0:14:51.422
<v Speaker 3>of this thing called the Facebook? And it started literally

0:14:51.462 --> 0:14:53.542
<v Speaker 3>a couple of hours beforehand. So I signed up. So

0:14:53.582 --> 0:14:55.662
<v Speaker 3>I was the sixtieth user, and that used to be

0:14:55.702 --> 0:15:00.462
<v Speaker 3>in my URL of my name Amelia sixty Amelia sixty

0:15:00.502 --> 0:15:03.662
<v Speaker 3>not sixty nine, and face sixty. Everyone was super excited

0:15:03.702 --> 0:15:06.102
<v Speaker 3>because it was the first time that you could upload

0:15:06.142 --> 0:15:08.982
<v Speaker 3>a photo of yourself and put your name. It felt

0:15:09.022 --> 0:15:11.902
<v Speaker 3>safe because it was a little closed ecosystem. You'd never

0:15:11.982 --> 0:15:14.382
<v Speaker 3>done that before. The idea of putting your name and

0:15:14.462 --> 0:15:17.902
<v Speaker 3>your face on the Internet was a new idea.

0:15:17.902 --> 0:15:20.942
<v Speaker 1>And what made it feel safe because it just for.

0:15:20.942 --> 0:15:24.262
<v Speaker 3>Harvard students, so it was just it was very restricted.

0:15:24.302 --> 0:15:27.542
<v Speaker 3>And then it only became for other university students, and

0:15:27.582 --> 0:15:29.582
<v Speaker 3>you know, it gradually got bigger and bigger, but it

0:15:29.662 --> 0:15:32.742
<v Speaker 3>started as a closed ecosystem, so you joined that night.

0:15:32.942 --> 0:15:35.702
<v Speaker 3>It had all these fields, like political views. Everyone put

0:15:35.782 --> 0:15:38.302
<v Speaker 3>very liberal regardless of their political views, because that's what

0:15:38.342 --> 0:15:41.582
<v Speaker 3>we did at the time. Favorite movie, favorite quote. People

0:15:41.622 --> 0:15:44.302
<v Speaker 3>put Annie Hall as their favorite movie, which is like

0:15:44.582 --> 0:15:46.902
<v Speaker 3>what we did on MySpace. Right, It was a bit

0:15:46.942 --> 0:15:50.102
<v Speaker 3>like MySpace, but MySpace had a stigma around it because

0:15:50.222 --> 0:15:53.262
<v Speaker 3>I think it still felt a little bit alternative, as

0:15:53.302 --> 0:15:56.062
<v Speaker 3>Facebook was just what you did. Even that night, I

0:15:56.102 --> 0:15:58.702
<v Speaker 3>felt a twinge of anxiety when I joined, And then

0:15:58.742 --> 0:16:01.142
<v Speaker 3>after a few days I already started to feel that

0:16:01.262 --> 0:16:03.782
<v Speaker 3>pit in my stomach that comes from social media, that

0:16:03.822 --> 0:16:06.182
<v Speaker 3>comes from competing with other people on social.

0:16:05.902 --> 0:16:08.382
<v Speaker 1>Media first time that we all know so well.

0:16:08.582 --> 0:16:12.142
<v Speaker 3>Yes, And then I emailed Mark Zuckerberg because I wrote

0:16:12.142 --> 0:16:15.662
<v Speaker 3>a column in the university newspaper, and I emailed him

0:16:15.662 --> 0:16:19.022
<v Speaker 3>and said, Hi, Mark, I'm writing an article about the Facebook,

0:16:19.102 --> 0:16:21.622
<v Speaker 3>and I'm trying to find out how to leave the Facebook,

0:16:21.742 --> 0:16:23.902
<v Speaker 3>but there's no way to leave it. And he wrote

0:16:23.902 --> 0:16:27.022
<v Speaker 3>back immediately. He was really worried and anxious because keep

0:16:27.062 --> 0:16:28.742
<v Speaker 3>in mind, he was like twenty years old and didn't

0:16:28.782 --> 0:16:30.782
<v Speaker 3>know what he was doing. He wrote back immediately. He

0:16:30.862 --> 0:16:32.982
<v Speaker 3>was like Himelia, thanks for getting in touch. I'm so

0:16:33.022 --> 0:16:34.662
<v Speaker 3>glad you're writing about it, because no one had written

0:16:34.702 --> 0:16:37.942
<v Speaker 3>about it before, And he said, I haven't yet written

0:16:37.942 --> 0:16:43.302
<v Speaker 3>the code to unjoin, but I'm working on it. And

0:16:43.422 --> 0:16:45.622
<v Speaker 3>I look back on that and I think it's such

0:16:45.662 --> 0:16:48.742
<v Speaker 3>a metaphor for what ended up happening, because we're all

0:16:48.782 --> 0:16:51.382
<v Speaker 3>living in the Facebook world now and none of us

0:16:51.422 --> 0:16:52.742
<v Speaker 3>can enjoin because he.

0:16:52.742 --> 0:16:55.422
<v Speaker 1>Never wrote the code. So I wrote this article which

0:16:56.062 --> 0:16:57.982
<v Speaker 1>now runs the world that yeah, he does.

0:16:58.342 --> 0:17:00.822
<v Speaker 3>And so I wrote this article, which was the second

0:17:00.902 --> 0:17:03.822
<v Speaker 3>ever published article. It was about Facebook. It was ten

0:17:03.902 --> 0:17:07.022
<v Speaker 3>days after it had started. And basically the article, I

0:17:07.101 --> 0:17:09.702
<v Speaker 3>was like, I feel bad about Facebook because it it

0:17:09.742 --> 0:17:10.742
<v Speaker 3>only took ten days.

0:17:10.902 --> 0:17:12.942
<v Speaker 1>I mean, you were an iconiclass.

0:17:13.262 --> 0:17:15.502
<v Speaker 3>It's just that social media makes everyone feel bad. It

0:17:16.702 --> 0:17:19.502
<v Speaker 3>wasn't a profound thought. It was just that I felt

0:17:19.502 --> 0:17:21.261
<v Speaker 3>this pit in my stomach ten days in.

0:17:21.502 --> 0:17:25.262
<v Speaker 1>And ironically, the Facebook was about rating women, That's what

0:17:25.341 --> 0:17:28.462
<v Speaker 1>it was about. Galat face. So he was known to us.

0:17:28.621 --> 0:17:30.942
<v Speaker 3>So when my roommate came in, I knew who Mark

0:17:31.022 --> 0:17:33.742
<v Speaker 3>Zuckerberg was because a few months before that he had

0:17:34.262 --> 0:17:37.101
<v Speaker 3>started face mash, which was where he took our official

0:17:37.141 --> 0:17:41.262
<v Speaker 3>student ID photos and pitied both men and women's official

0:17:41.262 --> 0:17:43.022
<v Speaker 3>photos against each other, and you had to vote for

0:17:43.061 --> 0:17:45.621
<v Speaker 3>the hotter one. And I remember there was a ranking

0:17:45.661 --> 0:17:47.942
<v Speaker 3>of the top ten women on campus and the top

0:17:47.982 --> 0:17:49.342
<v Speaker 3>ten men, which is.

0:17:49.341 --> 0:17:53.381
<v Speaker 1>What social media at its heart, basically, it is whether

0:17:53.462 --> 0:17:56.661
<v Speaker 1>it's comparing faces or lifestyles.

0:17:57.222 --> 0:18:01.101
<v Speaker 3>And he hadn't met Priscilla Chan, his wife. She was

0:18:01.222 --> 0:18:03.221
<v Speaker 3>He met her in the line for the bathroom at

0:18:03.222 --> 0:18:05.381
<v Speaker 3>a fraternity party, but he hadn't met her when he

0:18:05.381 --> 0:18:07.821
<v Speaker 3>started facemash, so it very much read as sort of

0:18:07.861 --> 0:18:12.061
<v Speaker 3>a horny opportunity stick, almost like twenty year old coding.

0:18:12.462 --> 0:18:16.341
<v Speaker 1>Yeah. In Liz Plank's story about this Golden Age and

0:18:16.341 --> 0:18:20.861
<v Speaker 1>why Millennials had it good, she says, the faces, My god,

0:18:20.901 --> 0:18:23.821
<v Speaker 1>the faces. The women of that era had faces, distinct ones,

0:18:23.821 --> 0:18:27.421
<v Speaker 1>faces with character and quirks, Noses that weren't mathematically whittled

0:18:27.462 --> 0:18:30.621
<v Speaker 1>into aerodynamic ski slopes, lips that weren't pre measured to

0:18:30.901 --> 0:18:33.821
<v Speaker 1>one to one to six golden ratio. Rihanna had her

0:18:33.821 --> 0:18:36.821
<v Speaker 1>face care and Nightley had her jawline. Zoe Deschanel had

0:18:36.821 --> 0:18:39.462
<v Speaker 1>her big, awkward round eyes. Women weren't expected to morph

0:18:39.581 --> 0:18:42.821
<v Speaker 1>into an optimized version of beauty. There was no single

0:18:42.861 --> 0:18:46.262
<v Speaker 1>template being mass produced in Beverly Hills and exploreded around

0:18:46.302 --> 0:18:49.981
<v Speaker 1>the country. There was no singular, terrifying Instagram face. And

0:18:50.022 --> 0:18:52.742
<v Speaker 1>you know why that was. It was because we very rarely.

0:18:52.502 --> 0:18:55.981
<v Speaker 3>Saw ourselves in a photo because at your time, you

0:18:56.022 --> 0:18:58.902
<v Speaker 3>had to go to the chemist to get photos produced,

0:18:59.022 --> 0:19:01.662
<v Speaker 3>and so when the Facebook started, you had to literally

0:19:01.742 --> 0:19:04.821
<v Speaker 3>scan in a photo. You didn't have digital photos of yourself,

0:19:05.061 --> 0:19:05.742
<v Speaker 3>like cast.

0:19:05.542 --> 0:19:08.542
<v Speaker 1>Your mind back. So beauty was more varied then, because now,

0:19:08.621 --> 0:19:12.101
<v Speaker 1>for jen Z, it's completely homogenized and there is literally

0:19:12.141 --> 0:19:14.582
<v Speaker 1>an algorithm that tells us what kind of beauty performs

0:19:14.581 --> 0:19:16.462
<v Speaker 1>the best. It's Instagram face.

0:19:16.581 --> 0:19:18.542
<v Speaker 2>I want to ask this bit about celebrity because you know,

0:19:18.542 --> 0:19:21.262
<v Speaker 2>I'm obsessed with celebrity culture, right. One of the things

0:19:21.262 --> 0:19:23.662
<v Speaker 2>that Liz writes that was great about pop culture at

0:19:23.661 --> 0:19:25.621
<v Speaker 2>that time, which, let's face it was not all great,

0:19:25.901 --> 0:19:27.982
<v Speaker 2>but she said, we got to live through Solunge and

0:19:28.061 --> 0:19:30.741
<v Speaker 2>jay Z and the Elevator as a mystery, not as

0:19:30.782 --> 0:19:34.421
<v Speaker 2>a micro trend dissected in a thousand tiktoks by teenagers

0:19:34.462 --> 0:19:38.861
<v Speaker 2>convinced they had sources. Yes, so true, because it's like

0:19:38.982 --> 0:19:41.621
<v Speaker 2>she says, Lebonade told us what happened, not a series

0:19:41.661 --> 0:19:44.182
<v Speaker 2>of breathless exposes written by nineteen year olds who think

0:19:44.182 --> 0:19:47.061
<v Speaker 2>watching a grainy paparazzi clip qualifies them to unpack what

0:19:47.101 --> 0:19:47.862
<v Speaker 2>really happened.

0:19:48.222 --> 0:19:48.781
<v Speaker 1>I love this.

0:19:49.061 --> 0:19:51.302
<v Speaker 2>There has been a shift, the rail shift in how

0:19:51.341 --> 0:19:54.262
<v Speaker 2>we view celebrity culture now as a mystery to solve.

0:19:54.782 --> 0:19:59.861
<v Speaker 1>That's true and also the opinionification of everything. The hot take,

0:19:59.942 --> 0:20:01.861
<v Speaker 1>which is ironic given that's what we do on this

0:20:01.901 --> 0:20:05.181
<v Speaker 1>show in many cases. But then you could consume a

0:20:05.262 --> 0:20:08.902
<v Speaker 1>piece of content and form your own opinion about it

0:20:08.942 --> 0:20:13.181
<v Speaker 1>before you eight million others like my feed at the

0:20:13.182 --> 0:20:19.381
<v Speaker 1>moment is overrun with podcasts and videos and social deconstructing

0:20:19.462 --> 0:20:22.181
<v Speaker 1>all the mysteries in White Lotus and severance and this

0:20:22.262 --> 0:20:24.861
<v Speaker 1>clue and that clue that you missed in this easter egg,

0:20:24.861 --> 0:20:26.901
<v Speaker 1>whether it's you know, Taylor Swift or a TV show,

0:20:27.302 --> 0:20:29.581
<v Speaker 1>And that can feel fun, but it can feel exhausting,

0:20:29.702 --> 0:20:31.661
<v Speaker 1>and then it can also apply to news like the

0:20:32.182 --> 0:20:34.141
<v Speaker 1>Lively and Justin Baldoni story.

0:20:33.901 --> 0:20:37.982
<v Speaker 3>And I'm cuan on arguably Taylor Swift. She was famous

0:20:38.022 --> 0:20:40.782
<v Speaker 3>all through the two thousands, but she really hit the

0:20:40.782 --> 0:20:45.982
<v Speaker 3>stratosphere when we developed this receipts culture because people essentially

0:20:46.022 --> 0:20:49.421
<v Speaker 3>were consuming her music as gossip and connecting the dots

0:20:49.462 --> 0:20:52.021
<v Speaker 3>of her music in a way that was quite distinct

0:20:52.061 --> 0:20:55.461
<v Speaker 3>from when Lemonade came out twenty fifteen, twenty sixteen.

0:20:55.502 --> 0:20:57.142
<v Speaker 1>Sorry, it was a quite different way.

0:20:57.182 --> 0:20:59.702
<v Speaker 3>You were listening to the music first and foremost, yes,

0:20:59.702 --> 0:21:01.182
<v Speaker 3>but now it's different.

0:21:01.222 --> 0:21:06.061
<v Speaker 1>And Taylor very much pioneered easter egg culture from a

0:21:06.222 --> 0:21:09.821
<v Speaker 1>mainstream point of view. Yes, intentionally dropping and creating all

0:21:09.821 --> 0:21:10.982
<v Speaker 1>of those easter eggs.

0:21:11.302 --> 0:21:12.901
<v Speaker 2>One of the things that Liz Plank says in this

0:21:12.982 --> 0:21:16.782
<v Speaker 2>and obviously she's very specific media lens, and she made

0:21:16.782 --> 0:21:20.861
<v Speaker 2>her name in like startup internet businesses like BuzzFeed.

0:21:21.101 --> 0:21:23.502
<v Speaker 1>Fun fact about Liz Plank. She also co hosted a

0:21:23.502 --> 0:21:27.621
<v Speaker 1>podcast with Justin Baldoni That's Feminism. Quite recently quit after

0:21:27.661 --> 0:21:29.582
<v Speaker 1>the New York Times story.

0:21:29.381 --> 0:21:32.262
<v Speaker 2>And in this piece she writes about the enthusiasm of

0:21:32.302 --> 0:21:35.302
<v Speaker 2>that time, like throwing yourselves into these kind of startups,

0:21:35.341 --> 0:21:37.861
<v Speaker 2>working like a mofo, like never you know. She says,

0:21:37.861 --> 0:21:39.621
<v Speaker 2>we didn't go home till late, and we didn't want to.

0:21:39.942 --> 0:21:42.821
<v Speaker 2>That's where we found our family was fun back then. Yeah,

0:21:42.861 --> 0:21:45.262
<v Speaker 2>and she says that we even though she says with

0:21:45.661 --> 0:21:47.701
<v Speaker 2>kind of with hindsight, there was a fair amount of

0:21:47.742 --> 0:21:50.381
<v Speaker 2>exploitation in a way. It meant that people could build

0:21:50.422 --> 0:21:53.542
<v Speaker 2>these careers and it felt very exciting and you.

0:21:53.742 --> 0:21:57.022
<v Speaker 3>Yeah, we were institutionalists. I think we were the last institutionalist.

0:21:57.061 --> 0:22:01.061
<v Speaker 3>So we entered the workforce wanting to climb the corporate ladder.

0:22:01.462 --> 0:22:04.102
<v Speaker 3>The notion of work life balance was not important to us.

0:22:04.222 --> 0:22:07.701
<v Speaker 3>The word hustle was glorified. Leaning In, Leaning In, I

0:22:07.742 --> 0:22:10.141
<v Speaker 3>watched The Devil We was prior recently a great movie.

0:22:10.182 --> 0:22:13.302
<v Speaker 3>Love Stanley Tucci and love Anne Hathaway, but it feels

0:22:13.302 --> 0:22:14.222
<v Speaker 3>like a relic.

0:22:13.942 --> 0:22:14.621
<v Speaker 1>Of another time.

0:22:14.821 --> 0:22:19.461
<v Speaker 3>The whole notion that you should sacrifice yourself to work

0:22:19.621 --> 0:22:22.782
<v Speaker 3>in order to get this delayed promise of getting ahead,

0:22:22.821 --> 0:22:24.462
<v Speaker 3>that just feels so alien now.

0:22:24.502 --> 0:22:25.982
<v Speaker 1>And I know that younger people in the.

0:22:25.942 --> 0:22:29.262
<v Speaker 3>Workforce resent that idea that they should pour themselves into

0:22:29.302 --> 0:22:30.782
<v Speaker 3>the work at the expense of everything.

0:22:30.861 --> 0:22:33.782
<v Speaker 1>Now, I think Anne Hathaway's character would be telling Anna

0:22:33.821 --> 0:22:38.782
<v Speaker 1>Winto's character that she has boundaries and yeah, work life

0:22:38.982 --> 0:22:40.942
<v Speaker 1>wants and she worked from home.

0:22:41.022 --> 0:22:43.742
<v Speaker 3>Anne Hathaway would be the content creator. Now the movie

0:22:43.742 --> 0:22:44.462
<v Speaker 3>would be about her.

0:22:44.661 --> 0:22:47.141
<v Speaker 2>Yeah, the last one to drop about womanhood, Because I

0:22:47.141 --> 0:22:50.222
<v Speaker 2>wonder if you feel as optimistic about millennial women as

0:22:50.302 --> 0:22:52.661
<v Speaker 2>Liz did. She says, if you were a girl, you

0:22:52.661 --> 0:22:55.382
<v Speaker 2>were the first generation of women who truly had choices,

0:22:55.542 --> 0:22:57.941
<v Speaker 2>not just in theory but in practice. Unlike our mothers,

0:22:57.942 --> 0:23:00.221
<v Speaker 2>we weren't expected to marry straight out of college. We

0:23:00.262 --> 0:23:03.222
<v Speaker 2>could be messy, ambitious, chaotic, and unapologetic in ways they

0:23:03.222 --> 0:23:05.022
<v Speaker 2>never could. I kind of feel like jen X could

0:23:05.061 --> 0:23:07.821
<v Speaker 2>do that too. We weren't just given the option of independence,

0:23:07.861 --> 0:23:10.982
<v Speaker 2>we were expected to take it more. Women of all

0:23:11.022 --> 0:23:13.861
<v Speaker 2>walks of life were delaying marriage, delaying motherhood, pursuing careers,

0:23:13.861 --> 0:23:16.461
<v Speaker 2>moving to cities, building lives on their own terms. And

0:23:16.502 --> 0:23:19.141
<v Speaker 2>for the first time, it wasn't tragic to be a

0:23:19.141 --> 0:23:20.861
<v Speaker 2>woman in her twenties without a husband.

0:23:20.942 --> 0:23:22.142
<v Speaker 1>It was aspirational.

0:23:22.982 --> 0:23:25.461
<v Speaker 2>Do reckon that was a real thing, and that she

0:23:25.581 --> 0:23:28.022
<v Speaker 2>doesn't buy it, She's not buying the millennials at at all.

0:23:28.381 --> 0:23:30.101
<v Speaker 1>It felt a little tragic.

0:23:30.462 --> 0:23:33.142
<v Speaker 3>I mean, I'm not proud of saying that, but as

0:23:33.182 --> 0:23:35.462
<v Speaker 3>a woman who was single for much of my twenties,

0:23:35.502 --> 0:23:38.742
<v Speaker 3>I really felt like, frankly a failure at thirty when

0:23:38.742 --> 0:23:39.461
<v Speaker 3>I wasn't married.

0:23:39.901 --> 0:23:43.181
<v Speaker 1>Really, you didn't, You weren't empowered by the girl's era,

0:23:43.621 --> 0:23:44.982
<v Speaker 1>You know that, because it's.

0:23:44.901 --> 0:23:47.341
<v Speaker 3>What you should mention girls. I mean, Lena Dunham, that

0:23:47.422 --> 0:23:50.062
<v Speaker 3>show is all about. It's sort of like a retelling

0:23:50.101 --> 0:23:52.741
<v Speaker 3>of sex and the City for twenty something. Ye, but

0:23:52.821 --> 0:23:56.821
<v Speaker 3>Lena Dunham had the same desire to find someone for

0:23:57.061 --> 0:23:59.582
<v Speaker 3>in love settled don as Carrie Bradshaw did.

0:24:00.222 --> 0:24:01.101
<v Speaker 1>Ten years earlier.

0:24:01.222 --> 0:24:04.141
<v Speaker 2>Yeah, so a merely saying, no, millennials did not have

0:24:04.222 --> 0:24:07.021
<v Speaker 2>it all you being at day one of the culture

0:24:07.022 --> 0:24:09.102
<v Speaker 2>we all live in now at Harvard with Mark Zuckerberg.

0:24:09.141 --> 0:24:11.901
<v Speaker 2>We need to unpacked further at another time, but the

0:24:11.982 --> 0:24:14.101
<v Speaker 2>link to the essay that we're talking about is going

0:24:14.182 --> 0:24:16.061
<v Speaker 2>to be in the show notes, and we'd love to

0:24:16.101 --> 0:24:19.581
<v Speaker 2>know if millennials feel like they had it great or

0:24:19.661 --> 0:24:20.982
<v Speaker 2>like Amelia, that they did not.

0:24:21.222 --> 0:24:26.221
<v Speaker 1>We could have had it all out loud is in

0:24:26.222 --> 0:24:29.022
<v Speaker 1>a moment, something to listen, to read and pop on

0:24:29.022 --> 0:24:29.381
<v Speaker 1>your lips.

0:24:29.422 --> 0:24:40.742
<v Speaker 4>It's our recommendations, vibes, ideas, atmosphere, something casual, something fun.

0:24:41.262 --> 0:24:45.582
<v Speaker 1>This is my best recommendation. It's Friday, so we want

0:24:45.621 --> 0:24:48.341
<v Speaker 1>to help set up your weekend with our best recos Amelia,

0:24:49.101 --> 0:24:49.862
<v Speaker 1>go your hardest.

0:24:50.302 --> 0:24:52.862
<v Speaker 3>So I went on a girl's trip recently with two

0:24:52.942 --> 0:24:55.302
<v Speaker 3>friends I haven't seen in a long time, and naturally

0:24:55.341 --> 0:24:58.942
<v Speaker 3>what we did was god a Sephora and we went

0:24:59.022 --> 0:25:01.742
<v Speaker 3>in and there was a young lady working there.

0:25:01.782 --> 0:25:03.901
<v Speaker 1>Because now I'm an older millennial, I use the phrase

0:25:03.982 --> 0:25:04.581
<v Speaker 1>young lady.

0:25:05.061 --> 0:25:09.062
<v Speaker 3>And she was wearing dark lip liner with a pale lipstick.

0:25:09.661 --> 0:25:12.381
<v Speaker 3>She looked so good, and I just blurted out, I

0:25:12.502 --> 0:25:15.982
<v Speaker 3>need exactly what you're wearing. And she sat me down

0:25:16.302 --> 0:25:19.662
<v Speaker 3>and she did me up, and she gave me Bobby

0:25:19.742 --> 0:25:22.422
<v Speaker 3>Brown's lipliner in rum raisin.

0:25:22.542 --> 0:25:24.621
<v Speaker 1>This is so I used to have that. This is

0:25:24.661 --> 0:25:28.582
<v Speaker 1>so ninety, which is a brown terra cotta brown if

0:25:28.621 --> 0:25:31.222
<v Speaker 1>you will, ye, I'm getting like flashbacks.

0:25:31.302 --> 0:25:34.021
<v Speaker 3>Yeah, And she gave me a sort of baby pink

0:25:34.141 --> 0:25:37.061
<v Speaker 3>Na's lipstick to wear on the top of it. And

0:25:37.341 --> 0:25:40.181
<v Speaker 3>it does feel nineties, but it feels like it's a

0:25:40.182 --> 0:25:42.381
<v Speaker 3>little bit edgy in a good way for me. And

0:25:42.422 --> 0:25:46.501
<v Speaker 3>the interesting thing is, I think it's just very flattering

0:25:46.621 --> 0:25:49.501
<v Speaker 3>to outline your lips and that went out of fashion.

0:25:49.542 --> 0:25:54.101
<v Speaker 1>Palony liipliner, we just we haven't. I've started using liipliner again.

0:25:54.341 --> 0:25:55.901
<v Speaker 3>It was such a faux pat do you remember for

0:25:55.942 --> 0:25:58.221
<v Speaker 3>the last twenty years it was basically a faux par

0:25:58.422 --> 0:25:59.341
<v Speaker 3>to wear lipliner.

0:25:59.542 --> 0:26:01.381
<v Speaker 2>You know what it looks like because I'm looking obviously

0:26:01.381 --> 0:26:02.942
<v Speaker 2>at ilips, I've been looking at them for a couple

0:26:02.982 --> 0:26:05.022
<v Speaker 2>of days. Knowing that you're doing.

0:26:04.782 --> 0:26:06.542
<v Speaker 1>This rather sounds a little creepy, I.

0:26:06.502 --> 0:26:10.222
<v Speaker 2>Know, sorry, but what it's kind of added like mentioned,

0:26:10.381 --> 0:26:11.741
<v Speaker 2>do you know what I mean? It's not like you

0:26:11.742 --> 0:26:13.542
<v Speaker 2>look if you listen to this and thinking she's got

0:26:13.581 --> 0:26:15.782
<v Speaker 2>like an outline, You've got it. It's not that it

0:26:15.942 --> 0:26:19.061
<v Speaker 2>just gives it like, yeah, it makes your lips pop.

0:26:19.022 --> 0:26:19.702
<v Speaker 1>Yes, yeah.

0:26:19.821 --> 0:26:21.821
<v Speaker 3>And it's a little bit high maintenance because for the

0:26:21.861 --> 0:26:24.181
<v Speaker 3>longest time we were just sort of rocking a like

0:26:24.341 --> 0:26:26.982
<v Speaker 3>pale pink lip gloss. But I think it's it's well

0:26:27.061 --> 0:26:28.302
<v Speaker 3>keep things tidy.

0:26:28.661 --> 0:26:30.742
<v Speaker 1>And the trick that I learned is if you don't

0:26:30.742 --> 0:26:32.422
<v Speaker 1>want to do the dark one and the lighter one

0:26:32.422 --> 0:26:36.542
<v Speaker 1>inside is a neutral lipliner before any color. So if

0:26:36.542 --> 0:26:38.421
<v Speaker 1>you're just going to buy one lipliner, just buy a

0:26:38.462 --> 0:26:40.981
<v Speaker 1>neutral one that's just a bit darker than your lips.

0:26:41.182 --> 0:26:45.302
<v Speaker 1>So even if you're wearing red, use that first to

0:26:45.502 --> 0:26:47.182
<v Speaker 1>just define the outline of your lip.

0:26:47.262 --> 0:26:49.022
<v Speaker 3>I got a glimpse of you when you used to

0:26:49.022 --> 0:26:50.621
<v Speaker 3>be a beauty editors.

0:26:51.782 --> 0:26:57.061
<v Speaker 1>Did you ever use the perfect pout? I've got a

0:26:57.101 --> 0:27:01.902
<v Speaker 1>recommendation for a book by a well known author and

0:27:02.381 --> 0:27:05.821
<v Speaker 1>friend of the Pod and former executive producer of No

0:27:05.901 --> 0:27:08.701
<v Speaker 1>Filter or she still is the executive producer of No Filter,

0:27:08.782 --> 0:27:10.782
<v Speaker 1>but she used to be my producer. Her name is

0:27:10.861 --> 0:27:13.341
<v Speaker 1>Niama Brown. She wrote one of my favorite books from

0:27:13.341 --> 0:27:15.221
<v Speaker 1>a couple of years ago called The Shot, which is

0:27:15.821 --> 0:27:22.621
<v Speaker 1>a phenomenal, romping, page turning novel about a reality TV show.

0:27:22.782 --> 0:27:25.341
<v Speaker 1>Did you have watch The Swan where they get plastic

0:27:25.381 --> 0:27:28.542
<v Speaker 1>surgery and it's a reality show. It's that but on

0:27:28.782 --> 0:27:31.142
<v Speaker 1>massive steroids. It's like The Bachelor, but it's a whole

0:27:31.141 --> 0:27:33.942
<v Speaker 1>big thing. It was fantastic. Her new book is called

0:27:33.982 --> 0:27:36.661
<v Speaker 1>Mother Tongue and it follows a woman called Brin. She's

0:27:36.702 --> 0:27:40.502
<v Speaker 1>a suburban mum who wakes up from a coma speaking

0:27:40.742 --> 0:27:42.861
<v Speaker 1>fluent French. Have you heard that thing about when people

0:27:43.581 --> 0:27:46.861
<v Speaker 1>can wake up speaking other languages? And what it does

0:27:46.901 --> 0:27:49.302
<v Speaker 1>is that it actually completely upends her life and she

0:27:49.422 --> 0:27:53.181
<v Speaker 1>leaves her family and moves to Paris to start a

0:27:53.222 --> 0:27:56.901
<v Speaker 1>new life. It really is and it explores like the

0:27:56.942 --> 0:28:00.141
<v Speaker 1>fall out of her family and what it means about motherhood,

0:28:00.141 --> 0:28:03.421
<v Speaker 1>and in Paris she becomes this successful model. It's a

0:28:03.462 --> 0:28:05.702
<v Speaker 1>book that's got a lot of dark humor and insight.

0:28:06.022 --> 0:28:09.502
<v Speaker 1>It's out this week. Highly recommend Mother Tongue by name.

0:28:09.742 --> 0:28:12.422
<v Speaker 2>I think you'd like it, Amelia, because it also has

0:28:12.422 --> 0:28:15.902
<v Speaker 2>this political undertone because it's set in America and Brinn's

0:28:15.982 --> 0:28:20.422
<v Speaker 2>husband is quite trumpy and she's sort of finding this

0:28:20.621 --> 0:28:25.942
<v Speaker 2>very conventional traditional role that she's in suffocating. It poses

0:28:25.982 --> 0:28:29.742
<v Speaker 2>a lot of like quite provocative questions about how much

0:28:29.782 --> 0:28:32.941
<v Speaker 2>you should care about yourself and your when you're a

0:28:32.982 --> 0:28:36.422
<v Speaker 2>well identity is and so you know, it's like save yourself,

0:28:36.462 --> 0:28:39.661
<v Speaker 2>but who you're leaving behind kind of thing. It's really interesting.

0:28:39.942 --> 0:28:43.021
<v Speaker 2>I've got a reco that is counterintuitive for me, right

0:28:43.062 --> 0:28:46.302
<v Speaker 2>because you know how mea is a doctor, you know, Mia.

0:28:45.782 --> 0:28:48.181
<v Speaker 1>She studied hard, she did. You got to give it.

0:28:48.462 --> 0:28:50.142
<v Speaker 2>As well as being the person who fixed me up

0:28:50.182 --> 0:28:52.382
<v Speaker 2>with the hair dresser and telling me what pants to wear,

0:28:52.462 --> 0:28:54.502
<v Speaker 2>she's also the person that you go to and you say,

0:28:54.622 --> 0:28:56.062
<v Speaker 2>should I go to the doctor about this?

0:28:56.102 --> 0:28:58.022
<v Speaker 1>Mole? Like that generally.

0:28:57.622 --> 0:28:58.822
<v Speaker 2>Mia, she loves it.

0:28:59.062 --> 0:28:59.862
<v Speaker 1>I'm the other way.

0:29:00.022 --> 0:29:04.262
<v Speaker 2>I am health avoidant and I get a bit intimidated

0:29:04.342 --> 0:29:08.102
<v Speaker 2>by health information by doctors. And so Mama Mia has

0:29:08.182 --> 0:29:11.102
<v Speaker 2>launched a big new content pillar this week called Well,

0:29:11.142 --> 0:29:13.302
<v Speaker 2>which is all about health, and it's got a podcast

0:29:13.302 --> 0:29:16.782
<v Speaker 2>that's hosted by Claire Murphy, friend of the poem Murphy

0:29:16.902 --> 0:29:18.302
<v Speaker 2>wonderful Quickie host.

0:29:18.342 --> 0:29:20.022
<v Speaker 1>Do you know what I love about this show is

0:29:20.062 --> 0:29:22.261
<v Speaker 1>that when Claire Murphy was the host of the Quickie,

0:29:22.782 --> 0:29:24.822
<v Speaker 1>she had to be quite serious, but whenever she'd come

0:29:24.822 --> 0:29:27.822
<v Speaker 1>on out loud, there would be a different side of

0:29:27.902 --> 0:29:32.461
<v Speaker 1>Claire that people would here and on. Well, it's version

0:29:32.502 --> 0:29:35.542
<v Speaker 1>of Claire. She laughs a lot and she's prepared.

0:29:35.102 --> 0:29:38.222
<v Speaker 2>With the doctor, right, doctor Marriam. She's a Sydney based GP.

0:29:38.582 --> 0:29:39.942
<v Speaker 2>She's really no nonsense.

0:29:39.982 --> 0:29:40.502
<v Speaker 1>She's great.

0:29:41.022 --> 0:29:43.461
<v Speaker 2>And when we were launching this, I went to the launch.

0:29:43.742 --> 0:29:46.382
<v Speaker 2>It's kind of health, real life health stuff like a

0:29:46.382 --> 0:29:48.302
<v Speaker 2>full body check for women, and there was this board

0:29:48.502 --> 0:29:50.261
<v Speaker 2>at the launch where you could stick a sticker if

0:29:50.262 --> 0:29:52.342
<v Speaker 2>you related to it, so it said things like, have

0:29:52.462 --> 0:29:56.342
<v Speaker 2>you ever tried a treatment that you saw on the internet,

0:29:56.542 --> 0:30:00.102
<v Speaker 2>diagnosed yourself with something that only three people in Australia

0:30:00.222 --> 0:30:03.302
<v Speaker 2>have compared the color of your period blood.

0:30:03.342 --> 0:30:04.302
<v Speaker 1>With your friends?

0:30:04.462 --> 0:30:07.022
<v Speaker 2>Right, people would go and stick their stickers.

0:30:07.222 --> 0:30:08.742
<v Speaker 1>City for us to do when we're on the road.

0:30:08.782 --> 0:30:12.661
<v Speaker 2>I oh, and this is very me, Like ignored something

0:30:12.661 --> 0:30:15.382
<v Speaker 2>because you think you're too busy, that's very me. So

0:30:15.622 --> 0:30:17.302
<v Speaker 2>a lot of women relate to a lot of this.

0:30:17.382 --> 0:30:19.582
<v Speaker 2>And the thing that's great about well is that it's

0:30:19.702 --> 0:30:21.902
<v Speaker 2>very accessible. So if you're a bit of a health

0:30:21.942 --> 0:30:25.181
<v Speaker 2>avoidant person like me, it's entertaining. There's going to be newsletters,

0:30:25.182 --> 0:30:27.781
<v Speaker 2>there's fact sheets, it's the whole box and dice. In

0:30:27.822 --> 0:30:30.221
<v Speaker 2>the first episode, they do talk about something called a

0:30:30.262 --> 0:30:34.902
<v Speaker 2>sperm graveyard, which is where maybe if you're having sex

0:30:34.942 --> 0:30:37.742
<v Speaker 2>with men without a condom, and where do all those.

0:30:37.742 --> 0:30:41.222
<v Speaker 1>Sperms that don't get a graveyard bemy, they all go

0:30:41.302 --> 0:30:43.502
<v Speaker 1>to a special place to die. Well. To find out

0:30:43.542 --> 0:30:44.462
<v Speaker 1>where that place is.

0:30:44.582 --> 0:30:46.782
<v Speaker 2>You can find well in your podcast app of course

0:30:46.822 --> 0:30:48.182
<v Speaker 2>a Mom and Me I will put a link in.

0:30:48.102 --> 0:30:48.902
<v Speaker 1>The show notes.

0:30:49.022 --> 0:30:54.661
<v Speaker 2>It is great, dinner, parties, dancing, Yes, we're talking nightmares

0:30:54.782 --> 0:30:57.302
<v Speaker 2>literal and otherwise it's Best and Worst.

0:30:57.822 --> 0:31:00.382
<v Speaker 1>Do you want daily out Loud access? Why wouldn't you?

0:31:00.542 --> 0:31:04.742
<v Speaker 1>We drop episodes every Tuesday and Thursday exclusively for Mum

0:31:04.742 --> 0:31:06.982
<v Speaker 1>and Me are subscribers. Follow the link in the show

0:31:07.022 --> 0:31:09.062
<v Speaker 1>notes to get us in your ears five days a

0:31:09.102 --> 0:31:12.342
<v Speaker 1>week and a huge thank you if you're already a subscriber.

0:31:24.902 --> 0:31:26.661
<v Speaker 1>It's time for Best and Worst, the part of the

0:31:26.661 --> 0:31:29.261
<v Speaker 1>show where we share a little more from our personal lives.

0:31:29.342 --> 0:31:32.542
<v Speaker 1>I'm going to go first. My worst and Best happened

0:31:32.582 --> 0:31:36.542
<v Speaker 1>on the same two days. We had to do a

0:31:36.542 --> 0:31:41.142
<v Speaker 1>special secret squirrel shoot for the out Loud tour, and

0:31:41.542 --> 0:31:45.142
<v Speaker 1>it involved a lot of costumes. In involved some singing,

0:31:45.661 --> 0:31:51.502
<v Speaker 1>In involves some choreography. It involved several changes of hair, makeup,

0:31:51.622 --> 0:31:56.421
<v Speaker 1>and outfit. And I used to think that I wanted

0:31:56.422 --> 0:31:58.782
<v Speaker 1>to be a pop star secretly, like I wanted to

0:31:58.782 --> 0:32:02.062
<v Speaker 1>be maybe a spice girl, maybe Kylie, I don't know

0:32:02.182 --> 0:32:05.102
<v Speaker 1>that that would be just so awesome, or maybe an actor.

0:32:05.342 --> 0:32:08.262
<v Speaker 1>Maybe I wanted to be secretly like Nicole Kidman or

0:32:08.782 --> 0:32:12.062
<v Speaker 1>you know, my Robbie. I learned on this shoot I

0:32:12.102 --> 0:32:17.102
<v Speaker 1>would last two seconds because shoots take a long time.

0:32:18.022 --> 0:32:21.661
<v Speaker 1>And I was a whiny little bitch. I was so bored.

0:32:22.302 --> 0:32:24.782
<v Speaker 1>At one point, at about four point thirty, I just

0:32:24.902 --> 0:32:28.822
<v Speaker 1>yelped I need to go home because I couldn't take

0:32:28.822 --> 0:32:31.342
<v Speaker 1>it anymore. There was so much waiting.

0:32:31.622 --> 0:32:33.502
<v Speaker 2>Would you pass your tiny violin to me?

0:32:33.742 --> 0:32:34.062
<v Speaker 1>Please?

0:32:34.462 --> 0:32:36.462
<v Speaker 2>I know, like people will be like, well, you didn't

0:32:36.502 --> 0:32:37.981
<v Speaker 2>have to sit at a computer all day. You got

0:32:38.022 --> 0:32:39.782
<v Speaker 2>to sing and dance and have makeup put on you.

0:32:39.862 --> 0:32:42.422
<v Speaker 1>What fun? I know, And this is what's so strange.

0:32:42.502 --> 0:32:44.701
<v Speaker 1>It would seem like I should have loved that, but

0:32:44.742 --> 0:32:47.102
<v Speaker 1>I didn't, And I realized my happy place. I just

0:32:47.142 --> 0:32:49.142
<v Speaker 1>wanted to be alone with my laptop. Does it give

0:32:49.142 --> 0:32:50.142
<v Speaker 1>you a new found respect.

0:32:50.182 --> 0:32:51.701
<v Speaker 3>You know how you and I are both obsessed with

0:32:51.702 --> 0:32:54.542
<v Speaker 3>the nineties supermodels. Yes, does it give you a new

0:32:54.582 --> 0:32:56.661
<v Speaker 3>found respect? You know how they're always like, well, Christy

0:32:56.742 --> 0:32:59.262
<v Speaker 3>challenging is just the most professional of all.

0:32:59.422 --> 0:33:01.661
<v Speaker 1>Now you'll know what I would have been, Naomi Campbell

0:33:01.661 --> 0:33:04.262
<v Speaker 1>throwing a fine you would My best of the week, though,

0:33:04.862 --> 0:33:07.582
<v Speaker 1>was all the other people on that shoot and seeing

0:33:07.622 --> 0:33:11.902
<v Speaker 1>how professional they were, A very big cast of people

0:33:12.022 --> 0:33:14.902
<v Speaker 1>behind the scenes, in front of the scenes. Everyone was

0:33:15.022 --> 0:33:19.382
<v Speaker 1>very lovely to me. I didn't deserve it, and there

0:33:19.422 --> 0:33:20.942
<v Speaker 1>were good snacks out loud as.

0:33:20.942 --> 0:33:22.461
<v Speaker 2>I promise that if you come to the show and

0:33:22.502 --> 0:33:24.902
<v Speaker 2>you see the end result of this, it was.

0:33:24.902 --> 0:33:27.742
<v Speaker 1>Worth it in every way. Oh yeah, I was totally

0:33:27.822 --> 0:33:30.422
<v Speaker 1>worth it. That was just my personal worst. I realized

0:33:30.462 --> 0:33:33.102
<v Speaker 1>that I would have made a terrible pop star or supermodel,

0:33:33.302 --> 0:33:34.302
<v Speaker 1>let the record show.

0:33:34.262 --> 0:33:37.661
<v Speaker 2>Or actress because actresses, because one of the things is

0:33:37.742 --> 0:33:40.022
<v Speaker 2>there's a lot of setting up a shot. Yes, and

0:33:40.102 --> 0:33:42.662
<v Speaker 2>obviously we're not super famous, so you stand there while

0:33:42.661 --> 0:33:44.941
<v Speaker 2>they set up a shot. Imagine that Nicole has a

0:33:44.942 --> 0:33:47.142
<v Speaker 2>body double stars, but there's a lot of that. It

0:33:47.142 --> 0:33:51.542
<v Speaker 2>makes you realize anyway, my worst is a disguised best,

0:33:51.582 --> 0:33:53.741
<v Speaker 2>but I have to get it out this week for

0:33:53.822 --> 0:33:57.502
<v Speaker 2>somebody who has the kind of celebrity icon obsessions that

0:33:57.582 --> 0:34:01.702
<v Speaker 2>I do. You're Gwyneth's, your Megan's, you're Jennifer Anist, You're.

0:34:01.502 --> 0:34:04.142
<v Speaker 1>A basic bitch, elder millennial gen X.

0:34:04.262 --> 0:34:07.421
<v Speaker 2>Yes, it's been hard to keep up. For example, I

0:34:07.582 --> 0:34:10.742
<v Speaker 2>can't that Gwyneth and Meghan are sitting together in a

0:34:10.822 --> 0:34:13.261
<v Speaker 2>kitchen the point we're recording this. It's not clear why

0:34:13.342 --> 0:34:16.062
<v Speaker 2>they are, if they're recording an episode of something. If

0:34:16.062 --> 0:34:18.342
<v Speaker 2>it's just that Gwyneth has managed to get past security.

0:34:18.382 --> 0:34:21.022
<v Speaker 2>She did say in that profile last week that she

0:34:21.102 --> 0:34:23.462
<v Speaker 2>wanted to take Megan a pie, but that there was

0:34:23.502 --> 0:34:26.102
<v Speaker 2>too much security at the gate. So maybe she busted

0:34:26.102 --> 0:34:26.582
<v Speaker 2>her way in.

0:34:26.701 --> 0:34:27.222
<v Speaker 1>Who knows.

0:34:27.261 --> 0:34:29.542
<v Speaker 2>I don't know, but it just feels like all my

0:34:29.582 --> 0:34:32.182
<v Speaker 2>favorite people are coming together and coalescing, and I couldn't

0:34:32.221 --> 0:34:36.941
<v Speaker 2>be more excited. Meghan dropped her shopping line like, well,

0:34:36.942 --> 0:34:39.982
<v Speaker 2>we're not a shopping line, but her affiliate links page.

0:34:39.622 --> 0:34:43.301
<v Speaker 1>Did the Meghan Duchess of Sussex. I may earn a

0:34:43.302 --> 0:34:46.182
<v Speaker 1>commission from anything that you buy on this list.

0:34:46.342 --> 0:34:49.062
<v Speaker 2>We talked about it on Wednesday, but it's like it's.

0:34:48.902 --> 0:34:52.542
<v Speaker 3>A lot going for dinner with Pedro Pascal.

0:34:52.221 --> 0:34:54.181
<v Speaker 2>Well and then Jen. And the thing is is I

0:34:54.261 --> 0:34:57.181
<v Speaker 2>need Mia when she has a hot minute to go

0:34:57.221 --> 0:35:00.462
<v Speaker 2>and observe those paparazzi pictures of Jen and Pedro closely,

0:35:00.502 --> 0:35:03.422
<v Speaker 2>because what Jen is wearing is going to enrage Mia.

0:35:03.542 --> 0:35:06.422
<v Speaker 2>She is wearing what she has been wearing, the exact

0:35:06.462 --> 0:35:07.662
<v Speaker 2>thing that she has been wearing.

0:35:09.542 --> 0:35:12.181
<v Speaker 1>I want to hear it. Have already given some feedback

0:35:12.221 --> 0:35:14.341
<v Speaker 1>to Gen about her hair. I feel like I need

0:35:14.342 --> 0:35:17.062
<v Speaker 1>to just back off. And she's wearing a white teeth.

0:35:17.102 --> 0:35:19.181
<v Speaker 1>Not that we look at paparazzi photos ever, because we

0:35:19.181 --> 0:35:22.302
<v Speaker 1>don't have very but my eyes glanced at them briefly,

0:35:22.422 --> 0:35:24.102
<v Speaker 1>and she was wearing a white T shirt with a

0:35:24.142 --> 0:35:27.022
<v Speaker 1>black waistcoat over the top. It's a lot and jeans

0:35:27.022 --> 0:35:29.422
<v Speaker 1>with cuffs, which I thought, well, it's been coming back.

0:35:29.422 --> 0:35:34.181
<v Speaker 2>Enormously fun for me, but also slow down, I have stressful.

0:35:34.221 --> 0:35:36.782
<v Speaker 1>I think that's fair. My best is a very petty

0:35:36.822 --> 0:35:37.622
<v Speaker 1>best that I love.

0:35:37.822 --> 0:35:39.622
<v Speaker 2>Right, don't worry. I'm not going to tell you about

0:35:39.622 --> 0:35:41.342
<v Speaker 2>my dreams because that's the worst thing that ever happens.

0:35:41.342 --> 0:35:43.261
<v Speaker 2>But do you ever have one of those nightmares? Wait

0:35:43.342 --> 0:35:45.822
<v Speaker 2>in your nightmare you're trying to shout but nothing comes out. Yes,

0:35:45.862 --> 0:35:47.021
<v Speaker 2>that's the one I have all the time.

0:35:47.102 --> 0:35:50.382
<v Speaker 1>Right, What does that mean that you mean silence or

0:35:50.462 --> 0:35:51.342
<v Speaker 1>you are silent?

0:35:53.781 --> 0:35:56.421
<v Speaker 2>So I was having one of those dreams the other night, right,

0:35:56.701 --> 0:35:58.901
<v Speaker 2>and I was trying to tell someone about a bad guy.

0:35:59.102 --> 0:36:02.741
<v Speaker 2>So in my dream, I'm shouting, it's him, it's that guy. Right,

0:36:03.142 --> 0:36:09.862
<v Speaker 2>nothing was coming out. Text me immediately said Rant was

0:36:09.902 --> 0:36:11.821
<v Speaker 2>away that night. He was taking Matilda to one of

0:36:11.862 --> 0:36:13.902
<v Speaker 2>her twenty five million football games in.

0:36:13.942 --> 0:36:14.661
<v Speaker 1>Some far from place.

0:36:15.582 --> 0:36:17.582
<v Speaker 2>But I woke up in the middle of this dream

0:36:17.701 --> 0:36:20.741
<v Speaker 2>to the dog licking my face because you know how

0:36:20.781 --> 0:36:23.142
<v Speaker 2>you think you're shouting and you actually are, like in

0:36:23.221 --> 0:36:26.142
<v Speaker 2>your in your sleep, you're going get back.

0:36:33.102 --> 0:36:34.862
<v Speaker 1>She didn't jumped on the bed to try and perform

0:36:34.942 --> 0:36:40.342
<v Speaker 1>the highway conover her mastssly really disturbed and she.

0:36:40.302 --> 0:36:44.301
<v Speaker 2>Jumped up and she was like mom, And I was like,

0:36:44.582 --> 0:36:47.942
<v Speaker 2>good dog, good dog saved me from the background.

0:36:49.062 --> 0:36:50.861
<v Speaker 1>So good. I'm glad you didn't like clock her in

0:36:50.902 --> 0:36:51.382
<v Speaker 1>the face.

0:36:52.342 --> 0:36:55.261
<v Speaker 2>She was some funny I'm just imagining the dogs were

0:36:55.302 --> 0:36:59.421
<v Speaker 2>actually hearing this, like strangled, like like what lifted her ears?

0:37:00.781 --> 0:37:00.901
<v Speaker 1>Like?

0:37:01.062 --> 0:37:01.342
<v Speaker 4>Mom?

0:37:01.582 --> 0:37:03.822
<v Speaker 1>Anyway, do you know that's funny because my dog jumped

0:37:03.822 --> 0:37:05.781
<v Speaker 1>on the bed last night for absolutely no reason. I

0:37:05.902 --> 0:37:07.861
<v Speaker 1>wasn't having a nightmare. It was the middle of the night.

0:37:07.902 --> 0:37:09.181
<v Speaker 1>I think she just wanted to put her tongue in

0:37:09.221 --> 0:37:17.542
<v Speaker 1>my mouth. Amelia, what was your worst of the week

0:37:17.661 --> 0:37:18.382
<v Speaker 1>and your best?

0:37:18.582 --> 0:37:21.701
<v Speaker 3>I mean, it's hard to top house stressful celebrity gossipers

0:37:21.741 --> 0:37:23.942
<v Speaker 3>right now. I agree, there's a lot going on. So

0:37:24.022 --> 0:37:26.622
<v Speaker 3>I went to a very lovely dinner party on the weekend.

0:37:26.822 --> 0:37:29.782
<v Speaker 3>Some new friends invitim me over. I love a dinner party,

0:37:29.862 --> 0:37:33.262
<v Speaker 3>and I was so impressed. And they had a signed

0:37:33.302 --> 0:37:36.261
<v Speaker 3>seating which I love, and there were three different desserts.

0:37:36.261 --> 0:37:38.542
<v Speaker 1>Did they state the couples next to each other? No,

0:37:38.781 --> 0:37:42.261
<v Speaker 1>that's such a faux pat I never want to sit

0:37:42.302 --> 0:37:44.102
<v Speaker 1>next to me. Tell me where to see at the

0:37:44.142 --> 0:37:45.941
<v Speaker 1>dinner party. You don't want to sit next to him?

0:37:46.302 --> 0:37:48.542
<v Speaker 1>Did you both know everybody there? No, we knew no one.

0:37:48.582 --> 0:37:52.462
<v Speaker 3>It was delightful. It was an extroverts dream. So the

0:37:52.502 --> 0:37:54.542
<v Speaker 3>dinner party itself was lovely. Oh and they said this

0:37:54.661 --> 0:37:57.221
<v Speaker 3>amazing cocktail in a big jug when we all got there,

0:37:57.221 --> 0:37:59.742
<v Speaker 3>which was made with like prosecco and sorbet.

0:38:00.102 --> 0:38:01.782
<v Speaker 1>How do you know when it's time to go home.

0:38:01.942 --> 0:38:03.622
<v Speaker 1>That's what makes me feel anxious.

0:38:03.862 --> 0:38:07.422
<v Speaker 3>Oh I love to leave a dinner party with everyone

0:38:07.502 --> 0:38:08.542
<v Speaker 3>wanting more from me.

0:38:08.661 --> 0:38:11.902
<v Speaker 1>So I typically round nine forty five, just citing a baby,

0:38:12.062 --> 0:38:15.342
<v Speaker 1>just as I just cite a babysity that just after.

0:38:15.181 --> 0:38:19.542
<v Speaker 2>She said me, So I emailed Mark Zuckerberg on Facebook.

0:38:25.221 --> 0:38:27.301
<v Speaker 1>So yeah, I do love leaving. I once read the

0:38:27.302 --> 0:38:28.062
<v Speaker 1>Anna Win Tour.

0:38:28.221 --> 0:38:31.982
<v Speaker 3>The editor of USFO Devil was prior of inspiration, leaves

0:38:32.022 --> 0:38:34.582
<v Speaker 3>every party after fifteen minutes and only ever has one

0:38:34.582 --> 0:38:35.502
<v Speaker 3>glass of champagne.

0:38:35.502 --> 0:38:38.102
<v Speaker 1>Oh my god, that's me. I aspire to that anyway.

0:38:38.181 --> 0:38:40.422
<v Speaker 3>So the dinner party itself was lovely, but you know,

0:38:40.582 --> 0:38:42.822
<v Speaker 3>talk turned to politics, and I know this is Friday,

0:38:42.862 --> 0:38:44.861
<v Speaker 3>so I'm going to keep it very vague, but you know,

0:38:45.062 --> 0:38:47.261
<v Speaker 3>things are happening in politics, just like they are in

0:38:47.342 --> 0:38:51.982
<v Speaker 3>celebrity gossips. And I am a joint Australian American citizen.

0:38:52.142 --> 0:38:55.462
<v Speaker 3>So I was sharing some anxieties that I'm having about

0:38:55.542 --> 0:38:57.862
<v Speaker 3>the state of one of those countries politics.

0:38:57.942 --> 0:38:59.542
<v Speaker 1>I'll as leave you to guess which.

0:38:59.342 --> 0:39:02.701
<v Speaker 3>One, and I was sort of saying, look, my home

0:39:02.781 --> 0:39:03.382
<v Speaker 3>is changing.

0:39:03.661 --> 0:39:04.381
<v Speaker 1>America's my home.

0:39:04.422 --> 0:39:06.142
<v Speaker 3>Australia is my home, and I was saying, I don't

0:39:06.181 --> 0:39:08.181
<v Speaker 3>know what's going to happen to my home in America,

0:39:08.261 --> 0:39:11.701
<v Speaker 3>and as an immigrant to America, obviously a very privileged one,

0:39:11.741 --> 0:39:14.542
<v Speaker 3>but nonetheless someone who has chosen to make America my home,

0:39:14.701 --> 0:39:17.542
<v Speaker 3>I have certain worries about the direction it's going in.

0:39:18.142 --> 0:39:21.022
<v Speaker 3>And there were two people seated next to me. One

0:39:21.741 --> 0:39:25.181
<v Speaker 3>was from Russia, left after the Ukraine War started, and

0:39:25.221 --> 0:39:28.381
<v Speaker 3>the other was from South Africa. Family came to Australia

0:39:28.422 --> 0:39:32.582
<v Speaker 3>many years ago when politics in South Africa were particularly contentious,

0:39:32.622 --> 0:39:34.341
<v Speaker 3>and I realized they were both just looking at me

0:39:35.102 --> 0:39:39.582
<v Speaker 3>with the most sort of long suffering faces, and I

0:39:39.661 --> 0:39:43.822
<v Speaker 3>realized it's because Australia and America have been exceptional around

0:39:43.822 --> 0:39:45.861
<v Speaker 3>the world for not having to worry about the state

0:39:45.902 --> 0:39:48.942
<v Speaker 3>of other politics. And these people are like, welcome to

0:39:48.982 --> 0:39:54.462
<v Speaker 3>the world. Yeah, your country is tumultuous, things are unpredictable. Essentially,

0:39:54.462 --> 0:39:56.982
<v Speaker 3>get over yourself in the most sympathetic way possible.

0:39:57.462 --> 0:39:59.221
<v Speaker 1>And it was a reality check for me.

0:39:59.302 --> 0:40:02.181
<v Speaker 3>I realized how privileged it was for me to be like, well,

0:40:02.302 --> 0:40:03.102
<v Speaker 3>politics are.

0:40:03.062 --> 0:40:04.982
<v Speaker 1>Very stressful for me right now, and I don't know

0:40:04.982 --> 0:40:05.902
<v Speaker 1>what's going to happen.

0:40:06.261 --> 0:40:09.422
<v Speaker 3>Meanwhile, people in basically every other country on the planet

0:40:10.181 --> 0:40:13.781
<v Speaker 3>have been dealing with this forever, so.

0:40:13.221 --> 0:40:15.461
<v Speaker 1>That was a really interesting reality check.

0:40:15.701 --> 0:40:18.181
<v Speaker 3>The best was something that I hope a lot of

0:40:18.221 --> 0:40:21.301
<v Speaker 3>people listening can relate to because Australia is a nation

0:40:21.342 --> 0:40:23.341
<v Speaker 3>of immigrants and a lot of people here come from

0:40:23.382 --> 0:40:24.062
<v Speaker 3>other places.

0:40:24.221 --> 0:40:26.022
<v Speaker 1>And my brother lives.

0:40:25.781 --> 0:40:29.221
<v Speaker 3>In London, and I have one brother, and he and

0:40:29.302 --> 0:40:31.381
<v Speaker 3>I were very close growing up, despite a seven year

0:40:31.422 --> 0:40:34.301
<v Speaker 3>age gap, and we lived in the same city. We

0:40:34.342 --> 0:40:36.502
<v Speaker 3>lived in New York for about ten years together. We

0:40:36.542 --> 0:40:39.542
<v Speaker 3>saw each other every weekend. We were very close. He

0:40:39.582 --> 0:40:42.102
<v Speaker 3>moved to London, I moved to Sydney and we're no

0:40:42.181 --> 0:40:45.222
<v Speaker 3>longer close. I'm afraid to say that that time difference,

0:40:45.221 --> 0:40:48.422
<v Speaker 3>it's wholly must know. World between the UK and Australia

0:40:48.542 --> 0:40:49.902
<v Speaker 3>is just awful.

0:40:49.982 --> 0:40:51.341
<v Speaker 1>There's just no way.

0:40:51.142 --> 0:40:53.542
<v Speaker 3>To ever have a conversation which you're just in a

0:40:53.661 --> 0:40:56.701
<v Speaker 3>very different It's always either early morning, late night.

0:40:56.822 --> 0:40:59.222
<v Speaker 1>You're very rarely in the same It's really hard.

0:40:59.302 --> 0:41:01.982
<v Speaker 3>And then, as with a lot of sibling relationships, we've

0:41:01.982 --> 0:41:04.781
<v Speaker 3>gone in very different directions with our lives. He lives

0:41:04.822 --> 0:41:07.181
<v Speaker 3>a very different life to me, but he and his

0:41:07.221 --> 0:41:10.462
<v Speaker 3>family are coming to visit this week. Can for an

0:41:10.462 --> 0:41:14.102
<v Speaker 3>extended period during the UK school holidays, and I'm really

0:41:14.102 --> 0:41:17.022
<v Speaker 3>excited to reconnect because sometimes you do have to have

0:41:17.102 --> 0:41:20.822
<v Speaker 3>conversations with your siblings or in any relationship in person

0:41:20.902 --> 0:41:21.741
<v Speaker 3>to maintain them.

0:41:21.781 --> 0:41:23.182
<v Speaker 1>It's just been too hard.

0:41:23.422 --> 0:41:26.502
<v Speaker 2>My brother is And I know this is a stereotype,

0:41:26.542 --> 0:41:29.742
<v Speaker 2>but like the classic man who's no good on the phone,

0:41:29.781 --> 0:41:32.701
<v Speaker 2>no good on text, no good on anything except face

0:41:32.741 --> 0:41:34.222
<v Speaker 2>to face. So it's very hard.

0:41:34.261 --> 0:41:37.142
<v Speaker 1>If you yeah, my brothers, it's very different. He just

0:41:37.902 --> 0:41:39.821
<v Speaker 1>always wants to tell me how much he loves me.

0:41:40.261 --> 0:41:44.062
<v Speaker 1>Oh my gosh, he's got a lot of big feelings,

0:41:44.102 --> 0:41:47.022
<v Speaker 1>my brother. He just is very like I just love

0:41:47.062 --> 0:41:50.341
<v Speaker 1>you so much, and I'm like slower role that is

0:41:50.382 --> 0:41:55.941
<v Speaker 1>so lovely, but just role, you just live down the road.

0:41:56.781 --> 0:42:00.102
<v Speaker 1>I'm so happy for you. Thank you beautiful. Oh my gosh.

0:42:00.142 --> 0:42:02.622
<v Speaker 2>All right, that is all we have time for today.

0:42:02.781 --> 0:42:05.262
<v Speaker 2>Out Loud is a massive thank you to you all

0:42:05.302 --> 0:42:07.622
<v Speaker 2>for listening to our show all week. We're going to

0:42:07.622 --> 0:42:09.502
<v Speaker 2>be back in him Is next week. Thank you Amelia

0:42:09.701 --> 0:42:12.181
<v Speaker 2>very much fulfilling him for our Jesse And why don't

0:42:12.221 --> 0:42:13.181
<v Speaker 2>you and me a read this out.

0:42:13.342 --> 0:42:15.661
<v Speaker 1>We have some people to thank for helping us to

0:42:15.741 --> 0:42:19.661
<v Speaker 1>be here in your ears. Group executive producer Ruth Devine,

0:42:19.781 --> 0:42:22.582
<v Speaker 1>Executive producer Emmeline Gazillis.

0:42:22.102 --> 0:42:26.382
<v Speaker 3>Audio producer is Leah Porges, video producer is Josh Green,

0:42:26.902 --> 0:42:30.181
<v Speaker 3>and our junior content producers are co Co and Tessa.

0:42:30.221 --> 0:42:36.301
<v Speaker 1>Goodbye bye, except I'm still here. We're going to leave

0:42:36.302 --> 0:42:37.982
<v Speaker 1>you with a bit of a conversation we had on

0:42:38.022 --> 0:42:44.022
<v Speaker 1>the subscriber episode yesterday with Amelia about a little whoopsie

0:42:44.022 --> 0:42:45.902
<v Speaker 1>that happened in a group chat, because don't you hate

0:42:45.902 --> 0:42:49.062
<v Speaker 1>it when you're a journalist who gets added to the

0:42:49.102 --> 0:42:53.622
<v Speaker 1>political chat about a war? And I think we've all

0:42:53.622 --> 0:42:56.421
<v Speaker 1>been there. We'll pup a link in the show notes.

0:42:56.942 --> 0:42:59.821
<v Speaker 2>Shout out to any Mamma Mia subscribers listening. If you

0:42:59.982 --> 0:43:02.861
<v Speaker 2>love the show and you want to support us, subscribing

0:43:02.862 --> 0:43:04.462
<v Speaker 2>to Mamma Mia is the very.

0:43:04.302 --> 0:43:05.301
<v Speaker 1>Best way to do it.

0:43:05.502 --> 0:43:07.342
<v Speaker 2>There's a link in the episode description.

0:43:10.142 --> 0:43:13.982
<v Speaker 3>Play Spain the bagbook, Bag, tax Book, tack Book,