1 00:00:11,189 --> 00:00:13,909 Speaker 1: You're listening to a MoMA Mia podcast. 2 00:00:14,829 --> 00:00:17,909 Speaker 2: Mom and Maya acknowledges the traditional owners of land and 3 00:00:17,949 --> 00:00:30,509 Speaker 2: waters that this podcast is recorded on Hello, and welcome 4 00:00:30,549 --> 00:00:33,469 Speaker 2: to Canceled, The Lazy Girl's Guide to Pop Culture. 5 00:00:33,869 --> 00:00:36,109 Speaker 3: I'm Jesse Stephens and I'm Claire Stephens. 6 00:00:36,229 --> 00:00:39,909 Speaker 2: And speaking of canceled, we are about to be canceled 7 00:00:39,949 --> 00:00:41,909 Speaker 2: because what we're going to do today is unpack the 8 00:00:41,909 --> 00:00:45,109 Speaker 2: biggest movie of the year. Some would say of all time. 9 00:00:45,589 --> 00:00:49,709 Speaker 2: I would say the moment, at the moment, until Gladiator 10 00:00:49,749 --> 00:00:50,069 Speaker 2: is out. 11 00:00:50,669 --> 00:00:51,469 Speaker 3: I think it is out. 12 00:00:51,509 --> 00:00:53,509 Speaker 2: Oh yeah, no, I think Gladiator is out. I mean 13 00:00:53,869 --> 00:00:56,989 Speaker 2: until we've all seen Gladiat We're okay. The movie we're 14 00:00:57,029 --> 00:00:58,709 Speaker 2: talking about is Wicked. 15 00:01:00,189 --> 00:01:03,669 Speaker 4: Fellow Ouzian, the Wicked Winter of the West is dead. 16 00:01:05,469 --> 00:01:10,629 Speaker 3: You agree, I am. We were a mess that day. Yeah, 17 00:01:10,629 --> 00:01:11,509 Speaker 3: we are almost doing that. 18 00:01:11,909 --> 00:01:12,109 Speaker 1: Yeah. 19 00:01:12,349 --> 00:01:15,269 Speaker 2: And because we're singing, it lives. 20 00:01:15,549 --> 00:01:18,989 Speaker 3: That's how we sound together. I just had a thought 21 00:01:19,109 --> 00:01:21,149 Speaker 3: right now, and I thought to myself. 22 00:01:20,869 --> 00:01:22,709 Speaker 1: If we were instruments, what will be I was like, 23 00:01:23,909 --> 00:01:27,229 Speaker 1: you and Glinda would be a flupe and alphabet. I 24 00:01:27,269 --> 00:01:28,269 Speaker 1: think would be a clarinet. 25 00:01:28,509 --> 00:01:32,629 Speaker 4: I've seen this week people are taking the lyrics of 26 00:01:32,709 --> 00:01:36,309 Speaker 4: defying gravity and really holding space with that and feeling 27 00:01:36,389 --> 00:01:37,149 Speaker 4: power in that. 28 00:01:38,069 --> 00:01:39,509 Speaker 3: I didn't know that that was happening. 29 00:01:40,029 --> 00:01:43,709 Speaker 1: I've seen it. Yeah, that's really powerful. 30 00:01:53,749 --> 00:01:54,549 Speaker 3: We're not haters. 31 00:01:54,989 --> 00:01:59,069 Speaker 2: We are not haters, despite the title of our podcast 32 00:01:59,149 --> 00:02:02,389 Speaker 2: and our general and our general energy, not haters. We 33 00:02:02,429 --> 00:02:06,029 Speaker 2: love a musical. Have we seen Weeket at the theater twice? 34 00:02:06,149 --> 00:02:08,709 Speaker 3: I believe I've seen it in London. Wow, that's not 35 00:02:08,869 --> 00:02:09,109 Speaker 3: like you. 36 00:02:09,309 --> 00:02:12,269 Speaker 2: Yeah, the Wizard of Oz slaps. We are on the 37 00:02:12,349 --> 00:02:17,629 Speaker 2: same page about that. Yeah. Do we entirely understand Wicked? 38 00:02:18,309 --> 00:02:20,069 Speaker 2: The first two times I saw it at the theater, 39 00:02:20,269 --> 00:02:24,029 Speaker 2: not fully, And I think that is an indictment on me. 40 00:02:24,189 --> 00:02:26,149 Speaker 2: There was so much that I was so into the 41 00:02:26,149 --> 00:02:28,509 Speaker 2: plot of the film Wicked because I was like, this 42 00:02:28,549 --> 00:02:29,189 Speaker 2: is all brand. 43 00:02:29,069 --> 00:02:29,389 Speaker 1: New to me. 44 00:02:29,749 --> 00:02:31,789 Speaker 3: Yeah, yeah, yeah, even though I knew. 45 00:02:31,669 --> 00:02:35,349 Speaker 2: Two of the songs popular and defying Gravity, couldn't remember 46 00:02:35,389 --> 00:02:38,189 Speaker 2: how she got great. This episode will be an attempt 47 00:02:38,229 --> 00:02:43,149 Speaker 2: to process what is happening, because literally everyone's crying, they're 48 00:02:43,149 --> 00:02:45,789 Speaker 2: holding space for their power, they're saying phrases. It don't 49 00:02:45,789 --> 00:02:49,029 Speaker 2: seem to make sense. As culture critic Hunter Harris put it, 50 00:02:49,349 --> 00:02:54,509 Speaker 2: the Wicked press tour has defied reason, language boundaries, and manicures. 51 00:02:54,909 --> 00:02:58,389 Speaker 2: And this is really just the beginning. Our structure for 52 00:02:58,469 --> 00:03:01,229 Speaker 2: today is as follows, and warning this is going to 53 00:03:01,269 --> 00:03:03,349 Speaker 2: be unnecessarily comprehensive. 54 00:03:03,429 --> 00:03:04,989 Speaker 3: Well, what are we canceling today? 55 00:03:05,029 --> 00:03:07,349 Speaker 2: Because I thought we were doing a canceled episode on 56 00:03:07,429 --> 00:03:09,989 Speaker 2: the Wicked press tour, but you seem to have broadened it. 57 00:03:10,229 --> 00:03:11,829 Speaker 3: I have because what. 58 00:03:11,749 --> 00:03:13,749 Speaker 2: We did is last night, you and I went to 59 00:03:13,749 --> 00:03:16,589 Speaker 2: see the film. We frantically went to see frantically went 60 00:03:16,629 --> 00:03:19,229 Speaker 2: to the film. We have a cousin who loves musicals, 61 00:03:19,229 --> 00:03:21,349 Speaker 2: and we called him at four o'clock and we said, 62 00:03:21,349 --> 00:03:23,469 Speaker 2: we're picking you up, mate, We're going to see it. 63 00:03:23,469 --> 00:03:25,629 Speaker 3: We're going to get popcorn. There's gonna be a frozen coat. 64 00:03:25,989 --> 00:03:28,589 Speaker 2: And he said, I'll be there with my good theater 65 00:03:28,669 --> 00:03:31,069 Speaker 2: pants on, and he was and we had a lovely time. 66 00:03:31,469 --> 00:03:34,429 Speaker 2: And I feel that because we've seen it, we should comment. Okay, well, 67 00:03:34,429 --> 00:03:35,149 Speaker 2: there be spoilers. 68 00:03:35,189 --> 00:03:36,189 Speaker 3: I don't know what a spoiler is. 69 00:03:36,229 --> 00:03:38,949 Speaker 2: At this point, most people know the story because they 70 00:03:38,949 --> 00:03:41,749 Speaker 2: were concentrating when they saw it at Yeah, okay. My 71 00:03:41,869 --> 00:03:47,069 Speaker 2: structure is the affair fan Ai controversy, the small zy 72 00:03:47,189 --> 00:03:51,829 Speaker 2: interview that holding space in your power while defying gravity interview, 73 00:03:52,269 --> 00:03:54,789 Speaker 2: a list of all the things that have made Cynthia 74 00:03:54,989 --> 00:03:58,989 Speaker 2: Rivo ariana grande cry. I tried to have everything I could. 75 00:03:59,109 --> 00:04:01,189 Speaker 3: No, you can't. There's not enough time. Someone needs to 76 00:04:01,189 --> 00:04:02,469 Speaker 3: write a yes. 77 00:04:03,189 --> 00:04:07,229 Speaker 2: And finally, some notes on the actual movie before we 78 00:04:07,509 --> 00:04:10,789 Speaker 2: really get into it. What is Wicked and from Wednesday originate? 79 00:04:10,869 --> 00:04:12,349 Speaker 2: I thought I would do a bit of a cliff note. 80 00:04:12,469 --> 00:04:15,549 Speaker 2: I'm confused because there's a prequel and there's a sequel, 81 00:04:15,589 --> 00:04:18,829 Speaker 2: and there's a part one, and there's Oz, and there's Wicked, 82 00:04:19,269 --> 00:04:22,189 Speaker 2: and there's Wizard, and there's Yellow Brick Road, and there's 83 00:04:22,229 --> 00:04:23,549 Speaker 2: Dorothy and there's Toto. 84 00:04:24,349 --> 00:04:25,269 Speaker 3: There's just so much. 85 00:04:25,349 --> 00:04:28,029 Speaker 2: Yeah, and it's like, you know, the tin Man is 86 00:04:28,109 --> 00:04:31,029 Speaker 2: actually fred Di Ico And I'm like, who's Frederico? 87 00:04:31,269 --> 00:04:32,789 Speaker 3: Yeah, isn't tin Man? Tin Man? 88 00:04:33,109 --> 00:04:35,989 Speaker 2: Yeah, that's not his name either, Frederico. No, No, I 89 00:04:35,989 --> 00:04:38,589 Speaker 2: can't remember that. But there's a story of the Wizard 90 00:04:38,589 --> 00:04:42,069 Speaker 2: of Oz written in the year nineteen hundred. Wow, and 91 00:04:42,229 --> 00:04:44,069 Speaker 2: it was made into a film with Judy Garland in 92 00:04:44,149 --> 00:04:45,149 Speaker 2: nineteen thirty nine. 93 00:04:45,429 --> 00:04:46,389 Speaker 3: Is that the one I've seen? 94 00:04:46,469 --> 00:04:46,709 Speaker 1: Yeah? 95 00:04:46,789 --> 00:04:50,869 Speaker 3: Fabulous film, fabulous. In nineteen ninety five, they had color 96 00:04:50,949 --> 00:04:54,029 Speaker 3: TV in nineteen thirty, I believe so. 97 00:04:54,109 --> 00:04:57,269 Speaker 2: In nineteen ninety five, a man named Gregory Maguire published 98 00:04:57,269 --> 00:05:00,029 Speaker 2: a novel called Wicked, The Life and Times of the 99 00:05:00,069 --> 00:05:03,829 Speaker 2: Wicked Witch of the West. It was a revisionist exploration 100 00:05:04,029 --> 00:05:06,709 Speaker 2: of the characters from The Wizard of Oz, the protagonist 101 00:05:06,789 --> 00:05:09,309 Speaker 2: being the witch Alphaba, and it looked at themes of 102 00:05:09,389 --> 00:05:16,269 Speaker 2: evil versus nurture, social ostracism, radicalization, terrorism, propaganda, and life purpose. 103 00:05:16,349 --> 00:05:19,189 Speaker 2: Apparently he was quite influenced by the James Bolger case. 104 00:05:19,429 --> 00:05:20,269 Speaker 3: Remember in the UK. 105 00:05:20,429 --> 00:05:21,909 Speaker 2: That was a case a little boy who was killed 106 00:05:21,949 --> 00:05:24,269 Speaker 2: by Yeah, and it was he was interested in what 107 00:05:24,389 --> 00:05:28,629 Speaker 2: makes someone evil anyway? So wait in that novel, did 108 00:05:28,709 --> 00:05:32,589 Speaker 2: he go back in human and humanize Alpha Bar. That's 109 00:05:32,589 --> 00:05:34,669 Speaker 2: what he did in two thousand and three. It was 110 00:05:34,709 --> 00:05:37,509 Speaker 2: then made into a Tony Award winning Broadway show, and 111 00:05:37,549 --> 00:05:40,589 Speaker 2: in November of this year the movie was released, starring 112 00:05:40,629 --> 00:05:43,829 Speaker 2: Cynthia Arrivo as Alpha Ba and Ariana Grande as a 113 00:05:43,829 --> 00:05:46,869 Speaker 2: good witch Glinda. If you're like, what is an alphabat 114 00:05:46,909 --> 00:05:49,749 Speaker 2: and what does it do? That's how we felt literally 115 00:05:50,069 --> 00:05:52,669 Speaker 2: this time twenty four hours. Yeah, yeah, And we had, 116 00:05:52,949 --> 00:05:56,589 Speaker 2: as aforementioned, seen the musical we can't, for the life 117 00:05:56,589 --> 00:05:58,909 Speaker 2: of us tell you what happens in part two. We 118 00:05:58,949 --> 00:06:00,989 Speaker 2: walked out and everyone was like, have you seen the movie 119 00:06:01,029 --> 00:06:02,549 Speaker 2: the music? I was like, yeah, ya, yeah, I've just 120 00:06:02,549 --> 00:06:05,029 Speaker 2: seen the musical. Well you'll know what's going to happen. 121 00:06:06,989 --> 00:06:07,229 Speaker 1: Ah. 122 00:06:07,829 --> 00:06:11,069 Speaker 2: I thought that was the end till it said to 123 00:06:11,189 --> 00:06:14,349 Speaker 2: be continued. I was like, I'm satisfied. I don't need 124 00:06:14,429 --> 00:06:16,389 Speaker 2: to know it. I feel fool rung a bell with 125 00:06:16,429 --> 00:06:19,869 Speaker 2: the monkeys following the winch. Not sure if you feel 126 00:06:19,869 --> 00:06:21,869 Speaker 2: like this, but it is as though the world can 127 00:06:21,949 --> 00:06:26,189 Speaker 2: be split into two camps. The first only think about Wicked. 128 00:06:27,029 --> 00:06:29,949 Speaker 2: It's their favorite musical of all time. The second is 129 00:06:30,029 --> 00:06:33,549 Speaker 2: like when did we all become on first name basis 130 00:06:33,589 --> 00:06:38,069 Speaker 2: with Alphaba? Like when and how did you get so 131 00:06:38,309 --> 00:06:38,989 Speaker 2: into Wicked? 132 00:06:39,109 --> 00:06:41,229 Speaker 3: And like why do you know the law? 133 00:06:41,669 --> 00:06:47,349 Speaker 2: The They're like, Ariana, she always wanted to be in this, 134 00:06:47,509 --> 00:06:50,589 Speaker 2: but the thing they forget And I only know this 135 00:06:50,629 --> 00:06:52,829 Speaker 2: because I saw it on TikTok about an hour ago. 136 00:06:53,269 --> 00:06:56,949 Speaker 2: Ariana Grande wanted to play Alpha ba What Yeah, no, 137 00:06:57,149 --> 00:07:00,829 Speaker 2: she said, Elfie was a dream roll Wow, okay, okay. 138 00:07:01,189 --> 00:07:03,349 Speaker 2: The thing I've realized is that the reason we didn't 139 00:07:03,389 --> 00:07:06,909 Speaker 2: realize these two camps existed before. Is because Wicked before 140 00:07:06,949 --> 00:07:09,829 Speaker 2: now has rarely come up in conversation. No, so I'm 141 00:07:09,829 --> 00:07:14,189 Speaker 2: seeing people outing themselves as mad Wicked fans. They're like, 142 00:07:14,189 --> 00:07:16,989 Speaker 2: when I studied Wicked, Yeah, I've seen it on Broadway, 143 00:07:17,029 --> 00:07:19,589 Speaker 2: and when I saw the theater production, I did not. 144 00:07:19,629 --> 00:07:21,909 Speaker 3: And I'm like, oh, you were keeping that in there? 145 00:07:22,309 --> 00:07:23,469 Speaker 3: You were keeping that in why? 146 00:07:23,589 --> 00:07:25,829 Speaker 2: And then they're like, yeah, notice how alphable went haha, 147 00:07:26,469 --> 00:07:29,109 Speaker 2: Well that's that alphabar, but the other alphabat was more 148 00:07:29,149 --> 00:07:33,269 Speaker 2: like and I'm like what, I'm also really tired. I 149 00:07:33,269 --> 00:07:34,869 Speaker 2: would like that on the record, because we did see 150 00:07:34,869 --> 00:07:37,669 Speaker 2: a seven pm session. Yeah, and then that finished at 151 00:07:37,669 --> 00:07:40,989 Speaker 2: four am, which is when my baby worke up, So 152 00:07:41,309 --> 00:07:45,789 Speaker 2: very very tired. Okay, we're going to begin with the affair. Claire, 153 00:07:46,349 --> 00:07:49,669 Speaker 2: you have some information on the affair. In the lead 154 00:07:49,749 --> 00:07:52,429 Speaker 2: up to the Wicked press tour, there was a lot 155 00:07:52,429 --> 00:07:55,149 Speaker 2: of talk about a love that blossomed on the set 156 00:07:55,229 --> 00:07:57,389 Speaker 2: of the movie. I know, we're not talking about the 157 00:07:57,429 --> 00:08:00,269 Speaker 2: love between Ariana Grande and Cynthia Arrivo. 158 00:08:00,109 --> 00:08:02,469 Speaker 3: Though much has said of that, which we will. 159 00:08:02,269 --> 00:08:06,509 Speaker 2: Hold space for separately and repeatedly later in this episode. 160 00:08:06,869 --> 00:08:10,349 Speaker 2: I'm talking about the love between Ariana Grande and her 161 00:08:10,389 --> 00:08:11,789 Speaker 2: literal lover Boch. 162 00:08:12,989 --> 00:08:13,749 Speaker 3: Is that his name? 163 00:08:14,069 --> 00:08:16,429 Speaker 2: It sounds like when my baby can't say a word properly, 164 00:08:16,829 --> 00:08:17,509 Speaker 2: like block. 165 00:08:17,789 --> 00:08:17,829 Speaker 3: No. 166 00:08:17,989 --> 00:08:20,229 Speaker 2: It sounds like when she says mock when she wants 167 00:08:20,229 --> 00:08:21,749 Speaker 2: her milk. 168 00:08:22,349 --> 00:08:25,109 Speaker 3: Yeah. Well, his name's Ethan Slater. Firstly, what is an 169 00:08:25,149 --> 00:08:27,389 Speaker 3: Ethan Slatter? Great question because. 170 00:08:27,149 --> 00:08:30,869 Speaker 2: I've never seen I've never seen that man before in 171 00:08:30,949 --> 00:08:32,789 Speaker 2: my life, like Ethan Slater. 172 00:08:33,509 --> 00:08:36,749 Speaker 3: The culture does this. The culture loves to be like 173 00:08:36,989 --> 00:08:40,229 Speaker 3: remember with the this is us? Well, what was that mean? 174 00:08:40,509 --> 00:08:40,629 Speaker 1: This? 175 00:08:40,749 --> 00:08:43,669 Speaker 3: It ends with us? And everyone knew who that man was, 176 00:08:43,709 --> 00:08:45,629 Speaker 3: And I was like, she knew who it was. 177 00:08:45,989 --> 00:08:48,549 Speaker 2: We weren't on first name basis with him before this 178 00:08:48,629 --> 00:08:52,309 Speaker 2: press to the press to have happened. We all pretended 179 00:08:52,349 --> 00:08:54,389 Speaker 2: to be and now we can't remember. No, and that's 180 00:08:54,429 --> 00:08:57,909 Speaker 2: the deal with Ethan Slater seems lovely. Not a household man. 181 00:08:58,469 --> 00:09:01,549 Speaker 2: Ethan Slater is a Broadway star known for his role 182 00:09:01,669 --> 00:09:06,389 Speaker 2: as SpongeBob square Pants in SpongeBob square Pants the musical 183 00:09:06,709 --> 00:09:09,549 Speaker 2: No No, But with the musical he received a Tony 184 00:09:09,589 --> 00:09:13,389 Speaker 2: Award No Nation Okay. In Wicked, he plays a munchkin 185 00:09:13,669 --> 00:09:18,869 Speaker 2: named Boch. Grande and Slater were both legally married to 186 00:09:19,189 --> 00:09:22,349 Speaker 2: other people when they met on the set. Who was 187 00:09:22,389 --> 00:09:26,669 Speaker 2: around marriage, Yeah, great question, Dalton Gomez. Who's Dalton was 188 00:09:26,749 --> 00:09:30,189 Speaker 2: her husband? Okay, yeah, husband of a couple of years. 189 00:09:30,389 --> 00:09:33,829 Speaker 2: And then Ethan Slater was married to his high school sweetheart, 190 00:09:34,029 --> 00:09:37,429 Speaker 2: Lily Jay that's lovely, with whom he had just had 191 00:09:37,429 --> 00:09:40,749 Speaker 2: a baby, one year old, one year old little boy. 192 00:09:40,949 --> 00:09:46,109 Speaker 2: So they welcomed that baby boy in August twenty twenty two. 193 00:09:46,109 --> 00:09:50,029 Speaker 2: Filming for Wicked starts in December twenty twenty two. That's 194 00:09:50,149 --> 00:09:53,909 Speaker 2: not sounding good. So in January twenty twenty three, Grande 195 00:09:53,989 --> 00:09:57,509 Speaker 2: separates from her husband, so that's early the next year. 196 00:09:57,589 --> 00:10:02,509 Speaker 2: TMZ claimed their relationship suffered after the pandemic restrictions were 197 00:10:02,589 --> 00:10:07,149 Speaker 2: lifted because Gomez was taken aback by his wife's fame. 198 00:10:07,869 --> 00:10:12,069 Speaker 2: Oh sir, your wife is literate, Ariana Grande. 199 00:10:12,109 --> 00:10:14,189 Speaker 3: When she licked a donut? Yeah yeah, we do. 200 00:10:14,749 --> 00:10:18,029 Speaker 2: Have you heard songs such as break Free or Into 201 00:10:18,069 --> 00:10:20,789 Speaker 2: You or no Tears Left to Cry, which it appears 202 00:10:20,829 --> 00:10:24,509 Speaker 2: as premature because she did in fact, many tears left 203 00:10:24,549 --> 00:10:27,989 Speaker 2: to cry about Wicked? But mate, literally check your phone, 204 00:10:28,309 --> 00:10:31,069 Speaker 2: turn on your television, turn on the radio. Yeah, your 205 00:10:31,069 --> 00:10:33,989 Speaker 2: wife is the literal and actual Ariana Grande. 206 00:10:34,149 --> 00:10:35,229 Speaker 3: That's very a man. 207 00:10:35,589 --> 00:10:38,269 Speaker 2: Yeah, being like like I didn't realize you were yeah famous, 208 00:10:38,309 --> 00:10:42,549 Speaker 2: I'm sorry. I'm Mariana fucking Grande. There's gonna be paparazzi. 209 00:10:42,789 --> 00:10:45,269 Speaker 3: We've been in COVID for too long and you forgot. 210 00:10:45,789 --> 00:10:48,589 Speaker 2: But in March twenty twenty three, Grande and Slater a 211 00:10:48,669 --> 00:10:52,269 Speaker 2: photograph together with the cast. You know when the cast 212 00:10:52,269 --> 00:10:54,989 Speaker 2: hangs out socially, it was one of those. In May, 213 00:10:55,509 --> 00:10:57,909 Speaker 2: Grande shared a photo of her husband to celebrate their 214 00:10:57,949 --> 00:11:00,389 Speaker 2: second wedding anniversary. I think they tried to get back 215 00:11:00,389 --> 00:11:02,749 Speaker 2: together for a little bit. Then later that month she 216 00:11:02,869 --> 00:11:05,309 Speaker 2: deleted a whole lot of photos from her grid and 217 00:11:05,349 --> 00:11:08,749 Speaker 2: it was clearly like something's happened. In July, there's news 218 00:11:08,789 --> 00:11:11,629 Speaker 2: that they're headed for divorce, and in the same month, 219 00:11:11,749 --> 00:11:16,389 Speaker 2: the rumors about Grande and Slater start to surface. Slater 220 00:11:16,469 --> 00:11:20,029 Speaker 2: had shared a Mother's Day post about Lily j in May, 221 00:11:20,309 --> 00:11:25,389 Speaker 2: saying like she's great mother, and Ariana Grande had liked it. 222 00:11:27,149 --> 00:11:30,069 Speaker 2: A few days after the rumors went public, Slater filed 223 00:11:30,109 --> 00:11:35,349 Speaker 2: for divorce from Jay. Then the day after that, and 224 00:11:35,389 --> 00:11:37,949 Speaker 2: it's like, guys, do you not have work to do? 225 00:11:38,029 --> 00:11:40,229 Speaker 2: You're doing a lot of filing for divorce. Yeah. I 226 00:11:40,269 --> 00:11:43,109 Speaker 2: think that this plays into my theory that theater kids 227 00:11:43,149 --> 00:11:46,149 Speaker 2: feel things more deeply than everyone else. It is reminiscent 228 00:11:46,469 --> 00:11:49,869 Speaker 2: of Hugh Jackman and the Chick from Younger who met 229 00:11:49,869 --> 00:11:52,709 Speaker 2: on Broadway and actually feel there are some intense love 230 00:11:52,749 --> 00:11:55,469 Speaker 2: affairs bubbling in musicals when you look into each other's 231 00:11:55,469 --> 00:11:57,429 Speaker 2: eyes and you sing, I've never had the experience, but 232 00:11:58,069 --> 00:12:01,629 Speaker 2: he is to be bonding. I thought that was a 233 00:12:01,669 --> 00:12:03,549 Speaker 2: thing about which we did not speak out loud. 234 00:12:04,029 --> 00:12:05,509 Speaker 3: Oh no, we do. Oh okay, yeah, Hugh. 235 00:12:05,549 --> 00:12:08,629 Speaker 2: Jackman and Satain Foster, certain Foster, Okay, we're talking about it. 236 00:12:08,869 --> 00:12:14,909 Speaker 3: Yeah yeah, yeah. Really sad for Deborah. Debrah's okay. Anyway. 237 00:12:16,349 --> 00:12:19,669 Speaker 2: On the day after that, so, the day after the 238 00:12:19,749 --> 00:12:23,869 Speaker 2: rumors go public, Lily J gives a short interview to 239 00:12:23,909 --> 00:12:27,829 Speaker 2: page six, and she describes Grande as not a girl's girl. 240 00:12:28,829 --> 00:12:32,229 Speaker 2: She says, my family is just collateral damage. The story 241 00:12:32,349 --> 00:12:36,349 Speaker 2: is her and Dalton. According to an anonymous source, Slater 242 00:12:36,469 --> 00:12:39,349 Speaker 2: and Jay had been separated for two months before he 243 00:12:39,389 --> 00:12:42,149 Speaker 2: pursued a relationship with Grande and it's like, mate, that 244 00:12:42,349 --> 00:12:45,629 Speaker 2: is definitely your source defending you. Two months ain't long enough. 245 00:12:46,149 --> 00:12:48,869 Speaker 2: You have a child? You do, you do have a child. 246 00:12:48,949 --> 00:12:51,869 Speaker 2: Your wife gave birth. Yeah, I wonder if her and 247 00:12:51,909 --> 00:12:55,349 Speaker 2: Cynthia are on the press tour a bit ariana kind 248 00:12:55,389 --> 00:12:57,269 Speaker 2: of building up her reputation. 249 00:12:57,669 --> 00:12:59,949 Speaker 3: Girl. Yeah, oh yeah, yeah, yeah. 250 00:12:59,709 --> 00:13:02,709 Speaker 2: Definitely a sauce said Ethan's trying to take the high 251 00:13:02,789 --> 00:13:05,909 Speaker 2: road and hopes he can resolve this situation for the 252 00:13:05,949 --> 00:13:08,509 Speaker 2: sake of their child. There's all this protection going on. 253 00:13:08,669 --> 00:13:11,709 Speaker 2: Then in September, Grande and O's file for divorce at 254 00:13:11,709 --> 00:13:17,269 Speaker 2: the same time, citing irreconcilable differences aka Haryana is fully 255 00:13:17,349 --> 00:13:21,989 Speaker 2: having a relationship with a lunch Okay, the munch can 256 00:13:22,029 --> 00:13:25,509 Speaker 2: thing like even speaking of wicked law much can Land? 257 00:13:26,029 --> 00:13:27,189 Speaker 3: Can I get a quick explain? 258 00:13:27,309 --> 00:13:30,749 Speaker 2: Yeah? Is that like a It's like a postcard. It's 259 00:13:30,789 --> 00:13:37,269 Speaker 2: giving Hobbit, giving Hobbits all right to me. Parallel universes 260 00:13:37,509 --> 00:13:42,869 Speaker 2: Hobbit and Hobbit, hobbitin Okay and munch can Land. I reckon, 261 00:13:42,909 --> 00:13:48,629 Speaker 2: they I reckon, there'd be I reckon. There's a multiverse, 262 00:13:48,989 --> 00:13:54,749 Speaker 2: the Spider Man universe where hobbiton and munch can Land intersect. 263 00:13:55,269 --> 00:13:57,949 Speaker 2: I think ant Man's there, yeah, and ant Man's just 264 00:13:57,989 --> 00:14:03,469 Speaker 2: like pow wow wow honey. Apparently, Grande was very determined 265 00:14:03,509 --> 00:14:05,949 Speaker 2: to keep her relationship with Later out of the spotlight, 266 00:14:06,709 --> 00:14:09,389 Speaker 2: because the source said, this entire situation has been blown 267 00:14:09,389 --> 00:14:11,989 Speaker 2: out of proportion, and it's much different than what has 268 00:14:12,029 --> 00:14:16,269 Speaker 2: been portrayed in public. In September, Grande and Slater went 269 00:14:16,309 --> 00:14:20,069 Speaker 2: to Disney World together and they were photographed linking arms. 270 00:14:20,429 --> 00:14:24,309 Speaker 2: Grande has also been spotted at one of Slater's Broadway musicals, 271 00:14:24,429 --> 00:14:27,989 Speaker 2: like The Opening Night and SpongeBob or a different one. No, no, no, 272 00:14:28,109 --> 00:14:31,469 Speaker 2: different one. This is called spam Alot. It's like a 273 00:14:31,509 --> 00:14:35,349 Speaker 2: Monty Python music because imagine I reckon. Obviously it's Tony 274 00:14:35,469 --> 00:14:38,349 Speaker 2: like award nominated. It's like obviously a good no. But 275 00:14:38,389 --> 00:14:40,749 Speaker 2: imagine you're seeing someone with musical theater and you're like, 276 00:14:40,749 --> 00:14:41,949 Speaker 2: oh my god, who do you play? Do you play 277 00:14:42,069 --> 00:14:46,029 Speaker 2: Romeo in and Juliet? Are you in Lame Meares? Are 278 00:14:46,069 --> 00:14:49,189 Speaker 2: you in Hamilton? And they're like, no, no, no more. 279 00:14:49,349 --> 00:14:54,229 Speaker 2: I'm SpongeBob. I'm SpongeBob. It's one step higher than honestly 280 00:14:54,269 --> 00:14:58,069 Speaker 2: playing Shrek. And I've seen Trek the musical, and it 281 00:14:58,149 --> 00:15:02,629 Speaker 2: was lovely. It was a delight, sure, but SpongeBob ain't sexy. 282 00:15:03,229 --> 00:15:06,989 Speaker 2: It's a bit wiggles. It's a little bit waggles. So 283 00:15:07,029 --> 00:15:09,749 Speaker 2: they've been to all these musicals together. They're very like 284 00:15:10,189 --> 00:15:11,429 Speaker 2: musical theater darlings. 285 00:15:11,509 --> 00:15:13,909 Speaker 3: Yeah. I got that from their date at Disneyland. 286 00:15:14,029 --> 00:15:18,109 Speaker 2: Yeah. Then in September twenty four, just before the Wicked 287 00:15:18,149 --> 00:15:21,469 Speaker 2: Press who had started, Grande was interviewed for Vanity Fair 288 00:15:21,709 --> 00:15:24,429 Speaker 2: and she said, it definitely doesn't get any easier seeing 289 00:15:24,469 --> 00:15:28,309 Speaker 2: some of the negativity that was birthed by disreputable tabloids. 290 00:15:28,669 --> 00:15:30,429 Speaker 2: Of course, I went through a lot of life changes 291 00:15:30,509 --> 00:15:32,549 Speaker 2: during the filming of this movie. A lot of people 292 00:15:32,589 --> 00:15:34,909 Speaker 2: that were working on it did. And she says she 293 00:15:34,949 --> 00:15:38,109 Speaker 2: will never go into certain details, and the most disappointing 294 00:15:38,149 --> 00:15:40,629 Speaker 2: part was to see so many people believe the worst 295 00:15:40,789 --> 00:15:41,389 Speaker 2: version of it. 296 00:15:41,949 --> 00:15:43,389 Speaker 3: And clearly she dog matter Munchkin. 297 00:15:44,069 --> 00:15:47,589 Speaker 2: And then in an interview with GQ in October, Slater 298 00:15:47,789 --> 00:15:51,429 Speaker 2: was asked, you also fell in love making this movie. 299 00:15:51,469 --> 00:15:53,229 Speaker 2: Can you tell me a little bit about what that 300 00:15:53,429 --> 00:15:56,109 Speaker 2: was like? And he said, that's a really sweet question. 301 00:15:56,229 --> 00:15:58,069 Speaker 2: That's really nice of you to ask. That's a really 302 00:15:58,109 --> 00:16:00,589 Speaker 2: sweet question. And I think that's important because it's like 303 00:16:00,749 --> 00:16:03,429 Speaker 2: he's being earnest on this press tour as well. 304 00:16:04,229 --> 00:16:06,109 Speaker 3: A lot of people have said, Ethan. 305 00:16:05,869 --> 00:16:10,909 Speaker 2: You blow up your marriage for a small part. It 306 00:16:10,989 --> 00:16:12,869 Speaker 2: might be bigger in part two. I'm just saying in 307 00:16:12,909 --> 00:16:14,349 Speaker 2: part one it was it was small. 308 00:16:14,469 --> 00:16:14,989 Speaker 3: It was small. 309 00:16:15,109 --> 00:16:17,869 Speaker 2: Have you seen everybody talking about the chemistry that they 310 00:16:17,909 --> 00:16:21,309 Speaker 2: had during the movie? No, Yeah, there are full articles 311 00:16:21,309 --> 00:16:24,229 Speaker 2: analyzing their chemistry, And I'm like, guys, it was a look. 312 00:16:24,709 --> 00:16:26,269 Speaker 2: It was one look. It was one look, and I 313 00:16:26,309 --> 00:16:28,269 Speaker 2: didn't see it. I did not see it. They were 314 00:16:28,309 --> 00:16:31,949 Speaker 2: simply acting. Yeah, and she's done a good job of 315 00:16:32,029 --> 00:16:32,949 Speaker 2: keeping that below the sea. 316 00:16:33,069 --> 00:16:35,709 Speaker 3: Yeah, she really really has. Yeah. He just talked about 317 00:16:35,709 --> 00:16:37,069 Speaker 3: the fact that his private life. 318 00:16:36,869 --> 00:16:38,909 Speaker 2: Was being commented on and looked out by the public 319 00:16:38,949 --> 00:16:41,189 Speaker 2: and YadA, YadA, YadA. But on the press to he's 320 00:16:41,229 --> 00:16:44,149 Speaker 2: just basically said, I'm really really proud of ari and 321 00:16:44,189 --> 00:16:45,429 Speaker 2: the work she's done on this. 322 00:16:45,789 --> 00:16:47,149 Speaker 3: She's poured herself into it. 323 00:16:47,389 --> 00:16:51,469 Speaker 2: He really praises her comedy, chops and a comedic timing. 324 00:16:51,789 --> 00:16:54,829 Speaker 3: What do you most appreciate about Ariana. She's the funniest 325 00:16:54,829 --> 00:16:55,749 Speaker 3: person with the planet. 326 00:16:55,869 --> 00:16:57,629 Speaker 2: I was actually taken by that too. Yeah, I thought 327 00:16:57,669 --> 00:17:11,789 Speaker 2: she had a stunning performance. Moving on to fan ai controversy, Claire, 328 00:17:11,789 --> 00:17:13,069 Speaker 2: did you see this a few months ago? 329 00:17:13,149 --> 00:17:14,629 Speaker 3: I'm so unaware of it? All right. 330 00:17:14,669 --> 00:17:18,269 Speaker 2: So Universal released the movie poster of Wicked, and pretty 331 00:17:18,349 --> 00:17:21,829 Speaker 2: quickly a fan edited the poster to mimic the original 332 00:17:21,909 --> 00:17:29,269 Speaker 2: Broadway production. Again, fan, it's very a musical based on 333 00:17:29,349 --> 00:17:33,589 Speaker 2: a book that is fan fiction from an original book 334 00:17:33,869 --> 00:17:35,229 Speaker 2: that was also made into a movie. 335 00:17:35,589 --> 00:17:36,189 Speaker 3: You know what I mean. 336 00:17:36,789 --> 00:17:41,349 Speaker 2: So the original Broadway poster is like, yeah, it's very matter. Okay, 337 00:17:41,469 --> 00:17:43,589 Speaker 2: take a look at this first. So this one here 338 00:17:43,669 --> 00:17:47,069 Speaker 2: is the actual poster and they edited it and you 339 00:17:47,149 --> 00:17:49,629 Speaker 2: can see that alpha bar, her eyes are a bit hidden. 340 00:17:49,669 --> 00:17:52,029 Speaker 2: They changed the color of her lips, and they changed 341 00:17:52,229 --> 00:17:56,229 Speaker 2: Ariana's hand slightly to make it look exactly like the 342 00:17:56,269 --> 00:18:00,109 Speaker 2: poster on Broadway. Okay, I just think it's hold on. 343 00:18:00,349 --> 00:18:02,829 Speaker 2: I just think everyone's spending too much time on the internet. 344 00:18:02,869 --> 00:18:06,389 Speaker 2: Because one, they can be different posters. You don't need 345 00:18:06,429 --> 00:18:09,909 Speaker 2: to edit anything, you know, well you can. But I 346 00:18:09,949 --> 00:18:12,629 Speaker 2: think I think it's the commentary about this that I 347 00:18:12,669 --> 00:18:15,189 Speaker 2: don't know. But I assume there's going to be outrage, 348 00:18:15,669 --> 00:18:18,909 Speaker 2: and I do think everyone needs to put down your phone, 349 00:18:19,429 --> 00:18:22,709 Speaker 2: go for a walk. You can sing define gravity in 350 00:18:22,789 --> 00:18:28,029 Speaker 2: real life alone. The fandom is intense, but so Cynthia. Yeah, 351 00:18:28,109 --> 00:18:29,149 Speaker 2: here's what Cynthia said. 352 00:18:29,349 --> 00:18:31,629 Speaker 3: She didn't like it. Oh, she didn't like it. 353 00:18:31,829 --> 00:18:36,109 Speaker 2: She reposted the image very outrage okay, and she said, 354 00:18:36,109 --> 00:18:39,709 Speaker 2: this is the wildest most offensive thing I have seen, 355 00:18:40,269 --> 00:18:43,189 Speaker 2: equal to that awful ai of us fighting, equal to 356 00:18:43,189 --> 00:18:46,069 Speaker 2: people posing the question is your? And then she's got 357 00:18:46,109 --> 00:18:51,109 Speaker 2: a whole lot of stars green is your? There's five stars. 358 00:18:50,789 --> 00:18:52,909 Speaker 3: And I don't know if it's like large I know 359 00:18:53,029 --> 00:18:54,829 Speaker 3: what starting with people? 360 00:18:54,909 --> 00:18:57,749 Speaker 2: Oh okay, yeah, yeah right. None of this is funny, 361 00:18:57,829 --> 00:19:00,349 Speaker 2: None of it is cute. It degrades me, It degrades us. 362 00:19:00,589 --> 00:19:03,829 Speaker 2: The original poster is an illustration. I'm a real human 363 00:19:03,869 --> 00:19:06,949 Speaker 2: being who chose to look right down the barrel of 364 00:19:06,989 --> 00:19:08,949 Speaker 2: the camera to you, the viewer. Da da da da 365 00:19:09,029 --> 00:19:11,749 Speaker 2: da our post dur is an homage, not in imitation. 366 00:19:11,869 --> 00:19:13,789 Speaker 2: Blah blah blah blah blah. That all of it is 367 00:19:13,829 --> 00:19:14,789 Speaker 2: just deeply hurtful. 368 00:19:14,829 --> 00:19:15,509 Speaker 3: We're taking it. 369 00:19:16,709 --> 00:19:19,229 Speaker 2: Would you say that that poster is the most offensive 370 00:19:19,269 --> 00:19:20,189 Speaker 2: thing you've ever seen? 371 00:19:20,789 --> 00:19:23,789 Speaker 3: No, I wouldn't. I think everyone needs to come well. 372 00:19:23,829 --> 00:19:26,589 Speaker 2: Ariana Grande was asked about Cynthia's reaction on the Red Carpet, 373 00:19:26,589 --> 00:19:28,349 Speaker 2: and she had the best answer in the history I've ever. 374 00:19:28,949 --> 00:19:32,309 Speaker 2: She said, it's very complicated because now she speaks like Glinda, 375 00:19:32,389 --> 00:19:33,709 Speaker 2: so she's like, it's very complicated. 376 00:19:33,789 --> 00:19:33,909 Speaker 1: Oh. 377 00:19:33,949 --> 00:19:37,229 Speaker 2: I was gonna say, yes, her voice has fundamentally changed. 378 00:19:37,229 --> 00:19:38,789 Speaker 3: It's higher, it's more airy. 379 00:19:38,949 --> 00:19:43,269 Speaker 2: It's because I find a eyes so conflicting and troublesome sometimes. 380 00:19:43,309 --> 00:19:45,149 Speaker 2: But I think it's just kind of such a massive 381 00:19:45,149 --> 00:19:47,509 Speaker 2: adjustment period. And then she said, but I think it's 382 00:19:47,589 --> 00:19:48,229 Speaker 2: just kind of. 383 00:19:48,189 --> 00:19:50,869 Speaker 4: Such a massive adjustment period. And this is something that 384 00:19:50,989 --> 00:19:53,149 Speaker 4: is such a it's so much bigger than us, and 385 00:19:53,549 --> 00:19:56,069 Speaker 4: the fans are gonna have fun and make their edits, 386 00:19:56,069 --> 00:19:57,789 Speaker 4: but of course, you know. 387 00:19:58,269 --> 00:20:01,109 Speaker 3: I sometimes it goes too far. I yeah, I think so. 388 00:20:01,469 --> 00:20:03,829 Speaker 4: And I have so much respect for my sister Cynthia, 389 00:20:04,029 --> 00:20:07,349 Speaker 4: and I love her so much, and you know, it's 390 00:20:07,509 --> 00:20:09,669 Speaker 4: it's just a big adjustment period. You know, it's like 391 00:20:09,749 --> 00:20:13,549 Speaker 4: so much stimulation about something that's so much bigger than us. 392 00:20:13,589 --> 00:20:17,589 Speaker 3: So, yeah, Claire Ai is conflicting in trouble. Okay. 393 00:20:18,549 --> 00:20:21,389 Speaker 2: People have said I actually did know about that response, 394 00:20:21,429 --> 00:20:23,829 Speaker 2: but I didn't know what it was in response to 395 00:20:24,349 --> 00:20:27,189 Speaker 2: and people said it was actually she was clearly thinking 396 00:20:27,189 --> 00:20:29,989 Speaker 2: on her feet and trying not to get anybody in trouble. 397 00:20:30,189 --> 00:20:31,989 Speaker 2: But they were like, it's actually quite a good app 398 00:20:32,269 --> 00:20:35,789 Speaker 2: Ai is bigger than us. Yeah, it's all bigger than us, 399 00:20:35,909 --> 00:20:39,109 Speaker 2: and it is an adjustment period. And Cynthia is your 400 00:20:39,149 --> 00:20:42,309 Speaker 2: sister and you do love her so much. Speaking to 401 00:20:42,429 --> 00:20:45,709 Speaker 2: Entertainment tonight, Cynthia reflected on her response, and she said, 402 00:20:45,989 --> 00:20:47,829 Speaker 2: I'm passionate about it. I know that the fans are 403 00:20:47,829 --> 00:20:50,229 Speaker 2: passionate about it. I think for me it was just 404 00:20:50,269 --> 00:20:54,109 Speaker 2: a human moment of wanting to protect little Alphaba. She added, 405 00:20:54,349 --> 00:20:57,909 Speaker 2: I probably should have called my friends, but it's fine, Okay, 406 00:20:57,949 --> 00:21:00,349 Speaker 2: that's how all of us feel about the time we went. 407 00:21:00,389 --> 00:21:02,109 Speaker 3: Not for me, that sums up the Internet. 408 00:21:02,189 --> 00:21:04,069 Speaker 2: Every time I see someone get mad or jump on 409 00:21:04,069 --> 00:21:07,789 Speaker 2: a pylon, I think this is what your group chat 410 00:21:07,829 --> 00:21:10,469 Speaker 2: is full. Yeah, jump in the group chat and say 411 00:21:10,549 --> 00:21:13,669 Speaker 2: unhinged things and do a screenshot. You need to send 412 00:21:13,669 --> 00:21:15,549 Speaker 2: a screenshot to your friends, and you need to do 413 00:21:15,669 --> 00:21:16,469 Speaker 2: little arrows. 414 00:21:16,789 --> 00:21:18,429 Speaker 3: Great, there will draw function. 415 00:21:18,549 --> 00:21:20,589 Speaker 2: You can circle what you're mad about and draw an 416 00:21:20,669 --> 00:21:22,549 Speaker 2: arrow to it. What do you think we're doing in 417 00:21:22,549 --> 00:21:28,429 Speaker 2: our grip, Yeah, going off, going off necessarily about that, 418 00:21:28,749 --> 00:21:34,109 Speaker 2: about this, about that, Yeah, anyway, AI is conflicting and troublesome. 419 00:21:34,189 --> 00:21:36,789 Speaker 3: But I actually don't think this is a story about AI, Claire. 420 00:21:36,869 --> 00:21:39,189 Speaker 3: I think it's about photoshop. I don't know over riga fan. 421 00:21:39,909 --> 00:21:44,909 Speaker 2: Yeah, do you ever go so wicked fandom that Alpha 422 00:21:44,989 --> 00:21:46,229 Speaker 2: M cancels to or not? 423 00:21:46,949 --> 00:21:48,909 Speaker 3: Is that not something else. 424 00:21:48,709 --> 00:21:51,389 Speaker 2: I'd say to Cynthia Riva where she's like, I'm protecting 425 00:21:51,429 --> 00:21:58,709 Speaker 2: little Alphaba. Sorry, don't say don't know which is fine. 426 00:21:59,069 --> 00:22:00,989 Speaker 2: You can't say that you're gonna actually get so many 427 00:22:00,989 --> 00:22:03,749 Speaker 2: people upset. I kept thinking alphabet is not real. I 428 00:22:03,869 --> 00:22:06,149 Speaker 2: was thinking that this is a fictional story. But you 429 00:22:06,229 --> 00:22:09,229 Speaker 2: actually can't say okay, sorry, okay, I'm gonna get in trouble. 430 00:22:09,309 --> 00:22:12,949 Speaker 2: Claire The Small Thing interview. We love when Australia gets 431 00:22:12,989 --> 00:22:17,429 Speaker 2: caught up in drama. Jeff, Remember how in twenty fourteen, 432 00:22:17,549 --> 00:22:22,389 Speaker 2: Ariana Grande reportedly left an Australian media photo shoot because 433 00:22:22,389 --> 00:22:24,829 Speaker 2: she didn't like how her top looked. Yeah, but then 434 00:22:24,869 --> 00:22:27,149 Speaker 2: she's here and she's like the land of ours. Yeah, 435 00:22:27,229 --> 00:22:31,189 Speaker 2: it's like she's so you left. I love being here 436 00:22:31,229 --> 00:22:34,789 Speaker 2: and It's like you did an MX photo shoot and 437 00:22:34,949 --> 00:22:37,429 Speaker 2: you didn't want the natural light and you wanted to 438 00:22:37,429 --> 00:22:38,949 Speaker 2: be only photographed. 439 00:22:38,429 --> 00:22:39,149 Speaker 3: From your left side. 440 00:22:39,389 --> 00:22:45,029 Speaker 2: MX didn't make it, andr, MX wasn't obeying your commands, 441 00:22:45,429 --> 00:22:48,389 Speaker 2: and you left and you never came back. And honestly, 442 00:22:48,949 --> 00:22:53,429 Speaker 2: respect respect you know from Glinda, you know what doesn't 443 00:22:53,469 --> 00:22:57,309 Speaker 2: exist anymore. Ex do we call her Glinda or GARLANDA 444 00:22:57,429 --> 00:23:05,469 Speaker 2: Superfans call her Garlinger, war gar Linda call her Glinda. 445 00:23:05,829 --> 00:23:08,709 Speaker 2: That's because her name's Glinda. Yeah, I think the Garlander 446 00:23:08,789 --> 00:23:12,029 Speaker 2: thing was just a joke. Superman's are like she's Garlander 447 00:23:12,069 --> 00:23:13,589 Speaker 2: for most of the film. 448 00:23:13,949 --> 00:23:16,269 Speaker 3: That's what. Yeah. No, I don't. 449 00:23:16,829 --> 00:23:19,989 Speaker 2: In terms of Ariana walking out of MX, I just 450 00:23:19,989 --> 00:23:22,589 Speaker 2: want to say, Arianna, you're better than that, Like you're 451 00:23:22,589 --> 00:23:24,869 Speaker 2: better than MX. I don't know why you should never 452 00:23:24,909 --> 00:23:27,989 Speaker 2: have done MX, why you're put in that situation. Sorry, No, 453 00:23:28,069 --> 00:23:30,629 Speaker 2: I'm sorry and speaking very Australia to be like you 454 00:23:30,669 --> 00:23:31,829 Speaker 2: want to come and be an MX. 455 00:23:32,389 --> 00:23:34,349 Speaker 3: We're probably going to cancel it next year. 456 00:23:35,429 --> 00:23:40,829 Speaker 2: And we won't take your request series. We'll treat you 457 00:23:40,909 --> 00:23:42,189 Speaker 2: like shit and then we'll write about it in the 458 00:23:42,229 --> 00:23:42,749 Speaker 2: Daily Mail. 459 00:23:42,749 --> 00:23:47,149 Speaker 3: How about that? That's some fun Vogue Vogue, US will 460 00:23:47,189 --> 00:23:48,429 Speaker 3: take your request seriously. 461 00:23:48,989 --> 00:23:54,149 Speaker 2: But us this photographer who again isn't going to have 462 00:23:54,269 --> 00:24:00,789 Speaker 2: much next year he will be He's respect who will AnyWho? 463 00:24:00,829 --> 00:24:05,389 Speaker 2: Australia emparasales wells yet again with Ariana when an interview 464 00:24:05,429 --> 00:24:07,269 Speaker 2: with a radio personality went viral. 465 00:24:07,429 --> 00:24:08,749 Speaker 3: Jess, have you seen it? No? 466 00:24:08,829 --> 00:24:14,509 Speaker 2: I actually have our Wow Nova presenter Kent Smallsy Smalls. 467 00:24:14,589 --> 00:24:15,629 Speaker 2: I didn't know his first name. 468 00:24:15,669 --> 00:24:16,629 Speaker 3: I can't picture him. 469 00:24:16,829 --> 00:24:23,029 Speaker 2: Smallsey, Jesse be bald. You know Smallsey. You have seen 470 00:24:23,069 --> 00:24:27,549 Speaker 2: Smallsey at premieres, at media events. He's always okay, all right, 471 00:24:27,589 --> 00:24:29,709 Speaker 2: well yes, Smallsey okay, yeah. 472 00:24:29,749 --> 00:24:29,949 Speaker 3: Well. 473 00:24:30,029 --> 00:24:32,789 Speaker 2: He posted a clipped social media of him speaking to 474 00:24:32,829 --> 00:24:37,349 Speaker 2: Ariana and Cynthia about the movie, but straight away everyone 475 00:24:37,469 --> 00:24:40,629 Speaker 2: was like, wait, you're clearly far more interested in directing 476 00:24:40,669 --> 00:24:44,349 Speaker 2: your questions to Ariana. And someone did an analysis of 477 00:24:44,429 --> 00:24:48,429 Speaker 2: like how much he directed his questions towards Ariana versus 478 00:24:48,469 --> 00:24:50,389 Speaker 2: Cynthia and it was something like eighty twenty. 479 00:24:50,909 --> 00:24:56,509 Speaker 3: Like he clearly was like hard. I interviewed once Paul 480 00:24:56,589 --> 00:25:01,309 Speaker 3: Rudd and another man. Fuck it was hard. Oh no, 481 00:25:01,549 --> 00:25:03,549 Speaker 3: he was a man. It was for ant man. 482 00:25:03,789 --> 00:25:08,389 Speaker 2: But I was like, I respectfully, I don't know you respectfully. 483 00:25:08,509 --> 00:25:11,989 Speaker 2: Besides Paul, I just want to ask him questions. Yeah, 484 00:25:11,429 --> 00:25:15,709 Speaker 2: And that's the thing is that I'm not judging Smallsey 485 00:25:15,789 --> 00:25:18,429 Speaker 2: for this. I'm genuinely not because that happens a lot 486 00:25:18,469 --> 00:25:21,229 Speaker 2: in media, where you know you're going to get more 487 00:25:21,229 --> 00:25:24,029 Speaker 2: clicks on a story, more people are going to listen 488 00:25:24,029 --> 00:25:27,029 Speaker 2: to your soundbites, more people are going to watch the videos. Yeah, 489 00:25:27,029 --> 00:25:29,909 Speaker 2: but that sucks for Cynthia, like she's literally the main character. 490 00:25:29,989 --> 00:25:32,029 Speaker 3: Absolutely, it really sucks for her. 491 00:25:32,069 --> 00:25:35,589 Speaker 2: But from Smallsey's perspective, he's clearly like, I'm doing this 492 00:25:35,629 --> 00:25:39,909 Speaker 2: for radio, and Ariana Grande in terms of celebrity, is 493 00:25:39,949 --> 00:25:42,069 Speaker 2: a bigger celebrity than Cynthia, So I'm going to direct 494 00:25:42,109 --> 00:25:44,189 Speaker 2: my questions to her. And it's like, dude, everybody got 495 00:25:44,229 --> 00:25:47,469 Speaker 2: to that point. I realized it was like a bit 496 00:25:47,589 --> 00:25:50,349 Speaker 2: of a dickhead thing. Yeah, and then even doubt their creation. 497 00:25:50,709 --> 00:25:51,189 Speaker 3: Yeah. 498 00:25:51,269 --> 00:25:54,109 Speaker 2: Yeah, but you run out of time, Jesse. I want 499 00:25:54,109 --> 00:25:57,589 Speaker 2: to show you some of the clip. 500 00:25:57,469 --> 00:25:58,269 Speaker 4: Mask you Ariana. 501 00:25:58,429 --> 00:26:01,629 Speaker 3: I heard a story that you obviously you wanted this 502 00:26:01,709 --> 00:26:02,509 Speaker 3: job of the role. 503 00:26:02,789 --> 00:26:04,669 Speaker 1: Yeah, your whole life, right. 504 00:26:05,309 --> 00:26:07,549 Speaker 2: Where were you when you got the call that said, yep, 505 00:26:07,589 --> 00:26:08,669 Speaker 2: we want you to be part of it. 506 00:26:08,709 --> 00:26:09,869 Speaker 1: Do you remember what you were. 507 00:26:09,709 --> 00:26:10,509 Speaker 2: Doing that day? 508 00:26:10,669 --> 00:26:13,749 Speaker 4: I do, actually, but we both have really fun stories. 509 00:26:13,789 --> 00:26:15,149 Speaker 1: Well we both have to tell them. 510 00:26:15,229 --> 00:26:17,749 Speaker 3: But you have a fun story. Tell your story. Well 511 00:26:17,789 --> 00:26:20,549 Speaker 3: I was in London, and well so everyone else is 512 00:26:20,589 --> 00:26:24,109 Speaker 3: in la And quickly, quickly, when are you bring ram 513 00:26:24,149 --> 00:26:27,189 Speaker 3: Beauty to Australia. This is what's like, Oh my god, 514 00:26:27,349 --> 00:26:28,909 Speaker 3: soon soon, we are working on it. 515 00:26:28,989 --> 00:26:30,469 Speaker 4: And then the other question that the fans want to 516 00:26:30,509 --> 00:26:32,669 Speaker 4: know is music and tour and when will you be 517 00:26:32,669 --> 00:26:35,429 Speaker 4: coming back to Australia. Oh my goodness, we both yes, 518 00:26:35,629 --> 00:26:37,469 Speaker 4: well together, oh my god, we've both will come back 519 00:26:37,469 --> 00:26:39,109 Speaker 4: here as soon as we humanly possibly can. 520 00:26:39,189 --> 00:26:40,669 Speaker 3: Yes, it is so great to see again Arianna. 521 00:26:40,709 --> 00:26:41,829 Speaker 2: It has been so many years. 522 00:26:41,869 --> 00:26:43,989 Speaker 3: Thank you so much for the time. She is such 523 00:26:43,989 --> 00:26:46,949 Speaker 3: a pro, is a pro. 524 00:26:47,669 --> 00:26:52,349 Speaker 2: Everybody said, she is a masterclass in kind of deflecting 525 00:26:52,749 --> 00:26:55,749 Speaker 2: the awkward so really politely. Yeah, she could have been rude, 526 00:26:55,789 --> 00:26:57,829 Speaker 2: and we've seen those viral And I have a theory 527 00:26:57,829 --> 00:27:00,389 Speaker 2: that we'll get to about why this press to her 528 00:27:00,389 --> 00:27:02,149 Speaker 2: has looked like this, and I think it's in reaction 529 00:27:02,269 --> 00:27:04,469 Speaker 2: to that. It ends with us like lively drama than 530 00:27:04,469 --> 00:27:07,789 Speaker 2: the Anne Hathaway and all of these leaked interviews of 531 00:27:07,829 --> 00:27:11,869 Speaker 2: celebrities being mean and they have done the exact opposite. 532 00:27:11,949 --> 00:27:15,909 Speaker 2: Yeah yeah, but he literally at the end just says 533 00:27:15,949 --> 00:27:16,909 Speaker 2: goodbye to Ariana. 534 00:27:17,109 --> 00:27:18,589 Speaker 3: Oh, like it's so bad. 535 00:27:18,629 --> 00:27:21,949 Speaker 2: So he asks her how she felt when she received 536 00:27:21,949 --> 00:27:25,069 Speaker 2: the call notifying her that she had won the role 537 00:27:25,549 --> 00:27:29,229 Speaker 2: of Glinda, and doesn't ask Cynthia that question, and then 538 00:27:29,229 --> 00:27:32,909 Speaker 2: Arianna has to like even it out. Then Cynthia's talking 539 00:27:32,949 --> 00:27:36,549 Speaker 2: and smalls, he cuts her off to redirect questions to Arianna, 540 00:27:37,429 --> 00:27:40,469 Speaker 2: and then he asks her when she's going to be 541 00:27:40,469 --> 00:27:43,789 Speaker 2: coming back for a tour, when her like makeup line 542 00:27:43,829 --> 00:27:45,869 Speaker 2: or something's gonna come to a stral. It's just very 543 00:27:45,949 --> 00:27:49,109 Speaker 2: like directing the questions to her and not very wicked. No, 544 00:27:49,349 --> 00:27:51,989 Speaker 2: And just the people were so upset because this is 545 00:27:52,069 --> 00:27:54,389 Speaker 2: the sort of thing that really upsets people on the 546 00:27:54,429 --> 00:27:58,029 Speaker 2: internet because they're protective. Yeah, there are comments such as 547 00:27:58,029 --> 00:28:00,869 Speaker 2: and they're like, I have a question for Cynthia. Yeah yeah, 548 00:28:00,949 --> 00:28:04,549 Speaker 2: there are comments such as this in capitals. Stop disrespecting 549 00:28:04,709 --> 00:28:09,029 Speaker 2: Cynthia arivo wo wo Yeah. Yeah, he needs to be 550 00:28:09,029 --> 00:28:12,309 Speaker 2: fired immediately. This is super disrespectful. This movie is not 551 00:28:12,349 --> 00:28:16,069 Speaker 2: only about Glinda. Ariana Grande. This movie is about them both, 552 00:28:16,709 --> 00:28:21,709 Speaker 2: especially Cynthia's character. Everyone got really upset Jess that holding 553 00:28:21,789 --> 00:28:26,509 Speaker 2: space in your power while defying gravity interview. Everyone thought 554 00:28:26,749 --> 00:28:30,509 Speaker 2: the Wicked Press Tour had reached peak Wicked Press Tour. 555 00:28:30,629 --> 00:28:35,709 Speaker 2: Ye and then Ariana Grande gently yet earnestly clutched onto 556 00:28:35,829 --> 00:28:41,109 Speaker 2: cynthia repos mail for emotional support while they discussed how 557 00:28:41,189 --> 00:28:44,709 Speaker 2: it is important to hold space for defying gravity. So 558 00:28:44,909 --> 00:28:47,349 Speaker 2: much of this has been lost on me, but I 559 00:28:47,389 --> 00:28:50,149 Speaker 2: have watched this clip, yeah, fifteen times. 560 00:28:50,269 --> 00:28:52,829 Speaker 3: I really enjoy it. I'm trying to be moved. 561 00:28:52,869 --> 00:28:57,069 Speaker 2: I'm trying to understand, and I cannot decode what is 562 00:28:57,109 --> 00:29:00,469 Speaker 2: being said. Well, everyone in this film is so profoundly 563 00:29:00,509 --> 00:29:03,989 Speaker 2: moved by themselves. Okay, and this interview sums it up. 564 00:29:04,509 --> 00:29:07,549 Speaker 2: The writer Hunter Harris put it beautifully on Substack when 565 00:29:07,589 --> 00:29:11,269 Speaker 2: she wrote what began as a regular junket interview without 566 00:29:11,309 --> 00:29:15,989 Speaker 2: dot COM's Tracy E. Gilchrist turned into an uncanny display 567 00:29:16,149 --> 00:29:20,029 Speaker 2: of this ferocity of feeling. Gilchris's interview starts off as 568 00:29:20,069 --> 00:29:24,149 Speaker 2: normal as any junket interview could. Now that junkets are 569 00:29:24,189 --> 00:29:26,109 Speaker 2: more how much can I leave an impression on this 570 00:29:26,189 --> 00:29:30,389 Speaker 2: famous person unless traditional question and answer. Yes, that is 571 00:29:30,469 --> 00:29:35,189 Speaker 2: such a good point. Erry, I'm going to impress the celebrity. Yeah, 572 00:29:35,549 --> 00:29:37,629 Speaker 2: I'm just gonna have a moment with a celebrity. Does 573 00:29:37,669 --> 00:29:38,749 Speaker 2: this serve anyone else? 574 00:29:38,949 --> 00:29:41,269 Speaker 3: No? No, no, am I going to ask them anything? 575 00:29:41,829 --> 00:29:44,229 Speaker 2: That it will make for a video which will have 576 00:29:44,429 --> 00:29:47,549 Speaker 2: seven million hits on TikTok. It'll make for a video 577 00:29:47,749 --> 00:29:49,549 Speaker 2: that will be good on my socials? 578 00:29:49,669 --> 00:29:52,229 Speaker 3: Yeah, really really good for my kind of platform. 579 00:29:52,269 --> 00:29:54,909 Speaker 2: Why else are we doing anything if not for a 580 00:29:55,029 --> 00:29:59,749 Speaker 2: video on my social At some point during one of 581 00:29:59,789 --> 00:30:03,829 Speaker 2: Gilchris's questions to Grante, she starts clutching a Rebos fingernail. 582 00:30:03,949 --> 00:30:07,749 Speaker 2: Everything's fine, yeah, but she does onto it promotional support. 583 00:30:08,509 --> 00:30:12,189 Speaker 2: And then there's the exchange and Jess, I'm going to 584 00:30:12,229 --> 00:30:15,869 Speaker 2: play the interviewer, okay, and you're going to play Cynthia Arrivo. 585 00:30:16,109 --> 00:30:16,349 Speaker 3: Yeah. 586 00:30:16,429 --> 00:30:18,429 Speaker 2: My question is do you think you've watched this enough 587 00:30:18,469 --> 00:30:19,669 Speaker 2: to really get the emotion right? 588 00:30:20,189 --> 00:30:23,269 Speaker 3: Yeah? Yeah, I do. Okay, I'm the journalist. Okay. 589 00:30:23,469 --> 00:30:26,229 Speaker 2: This week people are taking the lyrics to define gravity 590 00:30:26,389 --> 00:30:29,229 Speaker 2: and really holding space with that and feeling power in that. 591 00:30:29,869 --> 00:30:32,749 Speaker 2: Would you touch on that moment in the film when 592 00:30:32,789 --> 00:30:35,629 Speaker 2: Alphaba has been banished, and yet she comes into her 593 00:30:35,669 --> 00:30:40,389 Speaker 2: full power at that moment of the worst time, overcome 594 00:30:40,429 --> 00:30:42,629 Speaker 2: with emotion. That's in brackets. 595 00:30:43,589 --> 00:30:46,389 Speaker 3: I didn't know that was happening. I've seen it. 596 00:30:47,109 --> 00:30:51,349 Speaker 2: That's really powerful. That's what I wanted. I didn't know 597 00:30:51,389 --> 00:30:54,829 Speaker 2: that was happening. At this point, the journalist is clearly 598 00:30:54,829 --> 00:30:59,309 Speaker 2: stressed because she doesn't know what they're talking about. I 599 00:30:59,709 --> 00:31:03,109 Speaker 2: think that often. Ariana doesn't either. No, she's like, I've 600 00:31:03,189 --> 00:31:03,589 Speaker 2: missed it. 601 00:31:04,389 --> 00:31:05,669 Speaker 3: I tuned out. 602 00:31:05,749 --> 00:31:08,469 Speaker 2: Yeah, yeah, I reckon the journalists wedding because she's like, 603 00:31:08,869 --> 00:31:12,429 Speaker 2: I think Cynthia, though, has misunderstood what I said, which 604 00:31:12,469 --> 00:31:14,749 Speaker 2: is fair because I also don't know what I mean. 605 00:31:15,309 --> 00:31:17,469 Speaker 2: And now it's done and I can't watch it. Yeah, 606 00:31:17,509 --> 00:31:19,109 Speaker 2: I'm in the moment because it's one of those things. 607 00:31:19,109 --> 00:31:20,669 Speaker 2: I get it all the time when I'm interviewing people. 608 00:31:20,669 --> 00:31:22,429 Speaker 2: Because you're a little bit nervous, you start a question, 609 00:31:22,429 --> 00:31:23,429 Speaker 2: you go, I don't know where this is going. 610 00:31:23,429 --> 00:31:24,429 Speaker 3: I don't know where this is going, and. 611 00:31:24,349 --> 00:31:26,869 Speaker 2: Then you finish, and then then you both look at 612 00:31:26,909 --> 00:31:28,789 Speaker 2: each other and you're like, please save me. 613 00:31:31,269 --> 00:31:35,989 Speaker 3: And when you live, you have last about holding. 614 00:31:35,789 --> 00:31:42,789 Speaker 2: Space shown me a journalist who was not huge about 615 00:31:42,829 --> 00:31:43,629 Speaker 2: holding space. 616 00:31:44,269 --> 00:31:46,949 Speaker 3: You're holding space for defying gravity? Is very there. 617 00:31:46,989 --> 00:31:51,989 Speaker 2: Paras around this interview, and I felt myself bump up 618 00:31:52,029 --> 00:31:57,629 Speaker 2: against every single one until I landed in this nowhing space. Okay, okay, 619 00:31:57,669 --> 00:31:59,749 Speaker 2: back to the interview, yap. I've seen it on a 620 00:31:59,749 --> 00:32:03,109 Speaker 2: couple of posts. I don't know how wide spread, but 621 00:32:03,189 --> 00:32:05,749 Speaker 2: you know, I am in queer media, so that's my 622 00:32:06,269 --> 00:32:09,749 Speaker 2: You know, at this point, the journalist is killing time. 623 00:32:10,709 --> 00:32:11,829 Speaker 3: She wants to let the. 624 00:32:11,829 --> 00:32:15,589 Speaker 2: Interview end so no one ever has to address the misunderstanding. 625 00:32:16,709 --> 00:32:21,549 Speaker 3: And Cynthia goes, yeah, but yeah, it's happened. 626 00:32:22,269 --> 00:32:25,789 Speaker 2: What Cynthia didn't ask that, but I'm asking as a viewer, 627 00:32:26,229 --> 00:32:27,989 Speaker 2: what has happened? 628 00:32:28,029 --> 00:32:28,709 Speaker 3: What happened? 629 00:32:28,909 --> 00:32:31,429 Speaker 2: So I tried to work out what the journalist was 630 00:32:31,469 --> 00:32:34,829 Speaker 2: talking about, okay, in terms of people holding space with 631 00:32:34,949 --> 00:32:39,789 Speaker 2: the lyrics to define gravity. Variety interviewed that journalist and 632 00:32:40,029 --> 00:32:43,549 Speaker 2: this is what they asked, Yeah, do you recall any 633 00:32:43,589 --> 00:32:48,669 Speaker 2: of the posts that inspired your question? For Cynthia and Ariana, 634 00:32:49,349 --> 00:32:52,789 Speaker 2: And she says this, most of it actually came from 635 00:32:52,829 --> 00:32:55,829 Speaker 2: a conversation with a friend. I was using that to 636 00:32:55,869 --> 00:32:58,549 Speaker 2: tee up the question, and I was a little thrown 637 00:32:58,589 --> 00:33:02,949 Speaker 2: off by Cynthia's response because it was so sincere and real. 638 00:33:03,549 --> 00:33:06,149 Speaker 2: I was a little flustered. I could have said I 639 00:33:06,189 --> 00:33:08,909 Speaker 2: have all these friends and this is our conversation, but 640 00:33:09,069 --> 00:33:13,709 Speaker 2: instead I said I'm in queer media. I have so 641 00:33:13,869 --> 00:33:16,109 Speaker 2: done that. I have said, oh my god, have you 642 00:33:16,149 --> 00:33:19,029 Speaker 2: seen that x y Z? And if anyone interrogated me 643 00:33:19,069 --> 00:33:22,309 Speaker 2: on it, I'd be like link. I'd be like, I'm 644 00:33:22,309 --> 00:33:24,309 Speaker 2: gonna be real. My mom sent me a link and 645 00:33:24,349 --> 00:33:27,869 Speaker 2: it might be fake news. Didn't actually open it. But 646 00:33:27,989 --> 00:33:29,789 Speaker 2: it's so like you just had a conversation with a 647 00:33:29,829 --> 00:33:31,509 Speaker 2: friend and then you're like, there's this you know, thing 648 00:33:31,509 --> 00:33:33,389 Speaker 2: that's happening, and she's like, I don't know that was 649 00:33:33,789 --> 00:33:39,469 Speaker 2: and you're like, it's not except privately, except privately with 650 00:33:39,549 --> 00:33:40,109 Speaker 2: me and my friend. 651 00:33:40,309 --> 00:33:43,069 Speaker 3: Mean to hold space for defining gravity? Excuse me? Can 652 00:33:43,109 --> 00:33:43,909 Speaker 3: they use that space? 653 00:33:43,989 --> 00:33:44,829 Speaker 1: Or are you holding it? 654 00:33:45,029 --> 00:33:45,429 Speaker 4: You can't? 655 00:33:45,469 --> 00:33:47,149 Speaker 1: Sorry, I'm holding it. That's fine. 656 00:33:47,389 --> 00:33:48,909 Speaker 3: May I ask what you're holding it for? 657 00:33:49,069 --> 00:33:49,909 Speaker 1: I think we both know? 658 00:33:50,189 --> 00:33:51,749 Speaker 3: Is it the lyrics of define gravity? 659 00:33:52,989 --> 00:33:55,069 Speaker 1: Was walking beautiful? I didn't know people were doing that. 660 00:33:55,389 --> 00:33:57,589 Speaker 2: She also said earlier in the interview that she did 661 00:33:57,629 --> 00:34:01,189 Speaker 2: see a man named Tony Morrison who is like a 662 00:34:01,269 --> 00:34:05,589 Speaker 2: director glad he had posted the lyrics for defining gravity. 663 00:34:06,389 --> 00:34:09,869 Speaker 2: I guess that's holding bad. I think I think that's 664 00:34:09,909 --> 00:34:13,989 Speaker 2: what she meant by holding space. So my question is 665 00:34:14,869 --> 00:34:17,389 Speaker 2: I think seen the movie last night. I know I'm 666 00:34:17,469 --> 00:34:21,869 Speaker 2: dating only serious. Have you been holding space during the 667 00:34:21,869 --> 00:34:27,269 Speaker 2: scene of Defying Gravity? I held space and I held space? 668 00:34:27,669 --> 00:34:29,909 Speaker 2: What did that like? I didn't look at my phone. Okay, 669 00:34:29,949 --> 00:34:31,629 Speaker 2: I didn't look at my phone, and I watched the 670 00:34:31,629 --> 00:34:35,189 Speaker 2: scene and that scene went for two hours, and I 671 00:34:35,269 --> 00:34:36,629 Speaker 2: was like, I'm just here holding space. 672 00:34:37,189 --> 00:34:38,669 Speaker 3: Is that the scene that everyone cried? 673 00:34:38,669 --> 00:34:41,109 Speaker 2: Because I keep saying all these no, we've seen that 674 00:34:41,149 --> 00:34:44,149 Speaker 2: everyone cried in was the one the dance the ball? 675 00:34:44,349 --> 00:34:45,829 Speaker 3: Yeah, it was beautiful. That was beautiful. 676 00:34:45,829 --> 00:34:49,229 Speaker 2: I didn't cry, but okay, yeah, because there were people 677 00:34:49,269 --> 00:34:51,149 Speaker 2: crying at the end of the movie, and I was like, 678 00:34:51,189 --> 00:34:55,589 Speaker 2: with that, I just wanted were holding Hey, no, what 679 00:34:55,629 --> 00:34:56,309 Speaker 2: are we crying out? 680 00:34:56,469 --> 00:34:56,549 Speaker 1: No? 681 00:34:56,709 --> 00:34:58,069 Speaker 2: Come on, I want to cry, but I don't know 682 00:34:58,069 --> 00:35:00,429 Speaker 2: what cry. Can you explain I missed something? Because it's 683 00:35:00,429 --> 00:35:02,509 Speaker 2: like I think they must have been holding space? Yeah, 684 00:35:02,629 --> 00:35:04,749 Speaker 2: and that's why they were. What is the thing that's happening? Yeah, 685 00:35:04,829 --> 00:35:07,789 Speaker 2: I've seen it. Yeah, I've seen a couple of posts 686 00:35:09,629 --> 00:35:14,029 Speaker 2: Jesse memes. Okay, I want you to read out the 687 00:35:14,069 --> 00:35:19,069 Speaker 2: memes that have erupted in response to holding space define Gravity. 688 00:35:19,109 --> 00:35:20,829 Speaker 2: So this is a picture of Kimi kardash Hian and 689 00:35:20,869 --> 00:35:23,829 Speaker 2: it says, get your fucking ass up and hold space 690 00:35:23,869 --> 00:35:26,109 Speaker 2: for the lyrics of defying gravity. It's like, no one 691 00:35:26,149 --> 00:35:29,229 Speaker 2: wants to hold space for the lyrics of define gravity anymore. 692 00:35:29,429 --> 00:35:31,629 Speaker 3: Love it? Very true, Carrie Bradshaw. 693 00:35:31,989 --> 00:35:34,229 Speaker 2: I couldn't help, but wonder if Big could hold space 694 00:35:34,269 --> 00:35:36,909 Speaker 2: for the lyrics of defying gravity, why couldn't he hold. 695 00:35:36,749 --> 00:35:40,349 Speaker 3: Space for me? That's so true? Excellent, babe. What's wrong? 696 00:35:40,629 --> 00:35:42,669 Speaker 2: You've barely held space and felt the power and the 697 00:35:42,709 --> 00:35:47,269 Speaker 2: lyrics of defying gravity. Then we've got Hey, a bunch 698 00:35:47,269 --> 00:35:49,269 Speaker 2: of us are outside holding space for cigarettes. 699 00:35:49,509 --> 00:35:50,149 Speaker 3: You want to join. 700 00:35:51,429 --> 00:35:54,069 Speaker 2: But if you're holding space and I'm in queer media, 701 00:35:54,189 --> 00:35:59,429 Speaker 2: then who the hell is gravity? I also like, this 702 00:35:59,509 --> 00:36:01,229 Speaker 2: is how close I am to losing it? And it 703 00:36:01,309 --> 00:36:05,229 Speaker 2: is Ariana just gently touched touching. It's not she doesn't 704 00:36:05,269 --> 00:36:07,669 Speaker 2: have all the It's kind of how you'd pick up 705 00:36:07,669 --> 00:36:11,069 Speaker 2: a chopstick. Is how she's holding her holding as nails. Yeah, 706 00:36:11,109 --> 00:36:13,469 Speaker 2: and then the last one is if I'm holding space 707 00:36:13,509 --> 00:36:16,189 Speaker 2: with the lyrics of defying gravity and you're in queer media, 708 00:36:16,709 --> 00:36:18,589 Speaker 2: then who the hell is holding his finger? 709 00:36:20,349 --> 00:36:21,589 Speaker 3: I really love it. 710 00:36:21,709 --> 00:36:26,549 Speaker 2: How weird everything has Yeah, yeah, a nonsensical yeah. Before 711 00:36:26,589 --> 00:36:28,069 Speaker 2: I ask me what I'm doing tonight, asked me what 712 00:36:28,109 --> 00:36:31,789 Speaker 2: I'm doing tonight? And what happened? God, I said, hey, Clari, 713 00:36:31,909 --> 00:36:34,069 Speaker 2: free tonight, and you said, let me just check my calendar. 714 00:36:34,149 --> 00:36:35,629 Speaker 3: And then you had a diary invite. 715 00:36:35,629 --> 00:36:38,229 Speaker 2: Well you had a block which was about you holding 716 00:36:38,229 --> 00:36:40,549 Speaker 2: space for define gravity tonight, so you can't do anything. 717 00:36:40,789 --> 00:36:43,429 Speaker 2: I think that would be lovely. Yeah, I just want 718 00:36:43,429 --> 00:36:46,109 Speaker 2: to hold o wan hold space for define gravity. That 719 00:36:46,189 --> 00:36:48,749 Speaker 2: you should see when you google holding space for the 720 00:36:48,829 --> 00:36:52,429 Speaker 2: lyrics of defining gravity. Things that come up, what is 721 00:36:52,549 --> 00:36:57,789 Speaker 2: holding space? A psychologist defines what holding space is, and 722 00:36:57,829 --> 00:37:00,669 Speaker 2: then it's like holding space for the lyrics of defying 723 00:37:00,669 --> 00:37:03,029 Speaker 2: gravity explained the best memes. 724 00:37:03,349 --> 00:37:05,989 Speaker 3: And I'm like, this is so weird. My pop, We're 725 00:37:06,069 --> 00:37:19,549 Speaker 3: in a ninety seven year old pop would be so confused, Claire. 726 00:37:19,549 --> 00:37:20,989 Speaker 2: It is time for a list of all the things 727 00:37:21,069 --> 00:37:25,429 Speaker 2: that have made Ariana Grande and Cynthia Arivo cry. I 728 00:37:25,629 --> 00:37:28,509 Speaker 2: straight up do not understand what's happening during the press tour. 729 00:37:28,829 --> 00:37:31,269 Speaker 2: Don't get me wrong, I'm not hating. I am simply 730 00:37:31,429 --> 00:37:31,909 Speaker 2: not following. 731 00:37:31,989 --> 00:37:33,189 Speaker 3: But I'm not bothering either. 732 00:37:33,509 --> 00:37:35,949 Speaker 2: It is the opposite, as I said to the it 733 00:37:36,029 --> 00:37:38,229 Speaker 2: ends with US press tour, and it is also the 734 00:37:38,269 --> 00:37:41,589 Speaker 2: opposite to the Madam Webb press tour, Ah where Dakota 735 00:37:41,669 --> 00:37:44,869 Speaker 2: Johnson openly detested her own film and when there was 736 00:37:44,909 --> 00:37:47,549 Speaker 2: a literal earthquake, she didn't emote. 737 00:37:47,869 --> 00:37:49,629 Speaker 3: She was like, I think there was an earthquake. 738 00:37:49,949 --> 00:37:53,869 Speaker 2: She was like, can you imagine and Ariana Thede squeal, 739 00:37:54,389 --> 00:37:56,429 Speaker 2: sol cry and they'd be like, we hold space. 740 00:37:56,749 --> 00:37:58,189 Speaker 3: Yeah, yeah, yeah yeah. 741 00:37:58,229 --> 00:38:00,469 Speaker 2: Here's a list of questions and all statements that have 742 00:38:00,509 --> 00:38:03,069 Speaker 2: made Cynthia and Ariana cry. And this is from a 743 00:38:03,069 --> 00:38:07,709 Speaker 2: compilation of like interviews on the internet. Okay, what ways 744 00:38:07,709 --> 00:38:09,749 Speaker 2: has the person sitting next to you changed you? 745 00:38:09,789 --> 00:38:11,669 Speaker 3: For good? Lot? 746 00:38:12,029 --> 00:38:15,789 Speaker 2: Okay, Okay, I have read a stupid amount of interviews 747 00:38:15,869 --> 00:38:17,429 Speaker 2: since watching the film. 748 00:38:18,109 --> 00:38:19,429 Speaker 3: And I will say. 749 00:38:21,429 --> 00:38:24,189 Speaker 2: No, please, please, I'm not mad. I just can't understand. 750 00:38:24,229 --> 00:38:27,829 Speaker 2: All right, all right, here's the thing, Pressed who is now? 751 00:38:28,629 --> 00:38:30,909 Speaker 2: And people are gonna hate me for saying this, Pressed, 752 00:38:30,909 --> 00:38:32,989 Speaker 2: whours are just an extension of the film. They're just 753 00:38:33,069 --> 00:38:35,309 Speaker 2: they're just They're just an extension. It's like, I'm going 754 00:38:35,389 --> 00:38:37,269 Speaker 2: to pretend to be Alphabet. You're going to pretend to 755 00:38:37,269 --> 00:38:41,149 Speaker 2: be Glinda in a press to a context, in an interview. 756 00:38:41,229 --> 00:38:43,749 Speaker 2: What would Glinda do? What would Alphabet do? And so 757 00:38:44,149 --> 00:38:48,189 Speaker 2: it's just all an extension and it's worked like it's 758 00:38:48,229 --> 00:38:51,029 Speaker 2: the number one movie. They have done a remarkable job. 759 00:38:51,069 --> 00:38:54,349 Speaker 2: I'm watching all of them. But if we want to 760 00:38:54,909 --> 00:38:58,789 Speaker 2: kind of buy into that, Wicked is an excellent story 761 00:38:59,949 --> 00:39:03,749 Speaker 2: in terms of following story structure and challenging our ideas 762 00:39:03,749 --> 00:39:07,989 Speaker 2: about perspective and who people are, and have female friendship, 763 00:39:08,909 --> 00:39:12,669 Speaker 2: incredible representation, all of that excellent. And I do think 764 00:39:12,709 --> 00:39:16,509 Speaker 2: if you just look at the characters of Glinda and Alphaba, 765 00:39:17,549 --> 00:39:20,229 Speaker 2: what Ariana Grande has said is that she has got 766 00:39:20,269 --> 00:39:23,349 Speaker 2: a lot of strength from Cynthia, and Cynthia's like, I've 767 00:39:23,669 --> 00:39:27,349 Speaker 2: been able to be a bit softer, and I feel 768 00:39:27,389 --> 00:39:30,269 Speaker 2: that I took the start a lot. 769 00:39:31,069 --> 00:39:32,029 Speaker 3: I hop that well. 770 00:39:32,069 --> 00:39:35,509 Speaker 2: Mm Rosciano told Cynthia, you fucking did it, babe. 771 00:39:35,629 --> 00:39:37,789 Speaker 1: I didn't know how the movie was going to do that, 772 00:39:37,949 --> 00:39:40,349 Speaker 1: Just that changing of levels. I don't want to get 773 00:39:40,349 --> 00:39:42,709 Speaker 1: anything away. But when you read the Inner Child stuff 774 00:39:42,749 --> 00:39:49,109 Speaker 1: and the did she like dissolve? Yes, oh yeah, oh 775 00:39:49,149 --> 00:39:51,909 Speaker 1: Cynthia fucking did it? Babe? Mm hmmm. 776 00:39:52,509 --> 00:39:55,869 Speaker 3: And Cynthia sob stopped. She was like, was one of 777 00:39:55,909 --> 00:39:59,709 Speaker 3: the early sobs. Yeah, sobs? And I went wow, what Wow. 778 00:39:59,829 --> 00:40:04,229 Speaker 2: Excellent interview. You've really got them to unlock emotion. And 779 00:40:04,229 --> 00:40:06,349 Speaker 2: then I was like absolutely viral. Yeah, and then I 780 00:40:06,389 --> 00:40:09,269 Speaker 2: was like, oh, we're crying all over the place, an 781 00:40:09,309 --> 00:40:11,869 Speaker 2: interviewer telling her it's indesscribable how you feel when when 782 00:40:11,949 --> 00:40:14,389 Speaker 2: you watch it. And also these are just some quotes 783 00:40:14,389 --> 00:40:17,989 Speaker 2: that they've given through interviews because they're very like they'll 784 00:40:17,989 --> 00:40:20,349 Speaker 2: say to an interviewer, you are very good. Oh see, 785 00:40:20,389 --> 00:40:23,469 Speaker 2: i'd lose it. We love you. You are such a gift. 786 00:40:23,549 --> 00:40:26,909 Speaker 2: Oh beautiful, which again it's very in character. Georgie Tunney 787 00:40:27,069 --> 00:40:30,869 Speaker 2: telling them what a friend's kid had said after watching it, 788 00:40:30,949 --> 00:40:32,909 Speaker 2: which is you have to be good and you have 789 00:40:32,949 --> 00:40:35,069 Speaker 2: to be kind to everybody, and she is a good witch. 790 00:40:35,189 --> 00:40:37,549 Speaker 2: That one actually did get me and it got Cynthia. 791 00:40:37,549 --> 00:40:39,149 Speaker 3: I'll tell you that. Yeah, yeah, yeah, yeah. 792 00:40:39,309 --> 00:40:43,829 Speaker 2: And sorry, just in terms of literally the only thing 793 00:40:43,909 --> 00:40:47,989 Speaker 2: that they haven't done in terms of just making Ariana 794 00:40:48,069 --> 00:40:53,949 Speaker 2: Glinda and Cynthia. Alphaba is paint Cynthia green. Yeah, but 795 00:40:53,989 --> 00:40:58,509 Speaker 2: Cynthia has the nails, these ridiculously over the top nails, 796 00:40:58,549 --> 00:41:00,429 Speaker 2: and she's still blond. It's like they still look like 797 00:41:00,469 --> 00:41:00,869 Speaker 2: their character. 798 00:41:00,949 --> 00:41:01,829 Speaker 3: Yeah. Yeah, yeah. 799 00:41:01,909 --> 00:41:04,789 Speaker 2: They sat in an interview with the original Glinda and 800 00:41:05,029 --> 00:41:09,109 Speaker 2: Alphaba and the original Alpha bar began by saying it 801 00:41:09,149 --> 00:41:11,109 Speaker 2: was a great tribute. The view hadn't even begun and 802 00:41:11,149 --> 00:41:14,229 Speaker 2: said it was a great tribute. Ariana breakdown. They cried 803 00:41:14,549 --> 00:41:18,229 Speaker 2: because they were in a parking lot because and I quote, 804 00:41:18,269 --> 00:41:20,669 Speaker 2: they've come through a massive, massive thing. This is where 805 00:41:20,669 --> 00:41:24,429 Speaker 2: I go, I'm missing something. Something has occurred. This film 806 00:41:24,509 --> 00:41:29,189 Speaker 2: is about something else, and I haven't properly dissected what 807 00:41:29,309 --> 00:41:33,029 Speaker 2: the pointless Unless some people are like this is just 808 00:41:33,109 --> 00:41:36,029 Speaker 2: theater kids, they just moved, yes, and I'll get to that. 809 00:41:36,109 --> 00:41:38,269 Speaker 2: Mariana said the stuff you don't see is the most 810 00:41:38,269 --> 00:41:40,269 Speaker 2: special stuff. And at that point, she actually fell to 811 00:41:40,269 --> 00:41:41,749 Speaker 2: the ground. Have you seen her fall to the ground? 812 00:41:41,749 --> 00:41:44,709 Speaker 2: And wait and then she crawls out. An interviewer asked 813 00:41:44,749 --> 00:41:47,789 Speaker 2: Ariana about the credits where her name appears as Ariana 814 00:41:47,829 --> 00:41:50,389 Speaker 2: Grande but Terra. Yeah, Claire, what did you do? She 815 00:41:50,869 --> 00:41:53,829 Speaker 2: cried silently, she couldn't ask, and it's weird. I've great 816 00:41:53,829 --> 00:41:54,789 Speaker 2: weight of getting out. 817 00:41:54,629 --> 00:41:56,389 Speaker 3: Of answering the question. Yeah, I got silence. 818 00:41:56,469 --> 00:41:58,629 Speaker 2: Stare at them, and it also makes the interviewer feel 819 00:41:58,669 --> 00:42:00,869 Speaker 2: quite good because like, oh, is that an emotional question? 820 00:42:00,989 --> 00:42:03,709 Speaker 2: I touched a nerve is going to be very happy. Yea, 821 00:42:04,189 --> 00:42:06,909 Speaker 2: What do we think is happening? Because the first theory 822 00:42:07,229 --> 00:42:10,509 Speaker 2: is we've got the theater kids, people who seeing might 823 00:42:10,589 --> 00:42:13,789 Speaker 2: feel more deeply one hundred percent. We do neither, and 824 00:42:13,829 --> 00:42:16,629 Speaker 2: so we're looking at it going excuse me, yeah, can 825 00:42:16,669 --> 00:42:18,709 Speaker 2: you loop us in? We're confused about what's happening? Or 826 00:42:18,749 --> 00:42:22,509 Speaker 2: is this an Oscars thing? Okay, it is definitely an 827 00:42:22,509 --> 00:42:28,749 Speaker 2: Oscars thing, because remember like the Lady Cooper, Bradley Cooper, 828 00:42:28,829 --> 00:42:32,269 Speaker 2: Lady Gaga, like, you've got to keep playing the characters yep, 829 00:42:32,749 --> 00:42:34,469 Speaker 2: out of the context of the movie. 830 00:42:34,629 --> 00:42:35,429 Speaker 3: I don't know why. 831 00:42:35,549 --> 00:42:38,389 Speaker 2: I don't know who invented that rule, but someone did. 832 00:42:38,429 --> 00:42:41,069 Speaker 2: The other thing is people think that they're going a 833 00:42:41,109 --> 00:42:45,709 Speaker 2: little bit earnest because when Barbie did the press too, 834 00:42:45,909 --> 00:42:49,469 Speaker 2: it was very light and Barbie didn't remember. Barbie got 835 00:42:49,469 --> 00:42:51,989 Speaker 2: snubbed for quite a lot of nominations. I wonder too 836 00:42:51,989 --> 00:42:54,349 Speaker 2: if it ends with us felt too light given its 837 00:42:54,349 --> 00:42:56,109 Speaker 2: subject matter. Yeah, and they're like, well, you know what, 838 00:42:56,109 --> 00:42:57,149 Speaker 2: we're gonna go too hard. 839 00:42:57,349 --> 00:42:59,469 Speaker 3: Yeah, we're gonna make this it's. 840 00:42:59,309 --> 00:43:01,389 Speaker 2: About a witch. Yeah, but we're just gonna wait. But 841 00:43:01,429 --> 00:43:03,989 Speaker 2: we're gonna weep as though. This is about like the 842 00:43:04,149 --> 00:43:06,949 Speaker 2: end of time. Yes, this is about the apocalypse, Clara, 843 00:43:06,949 --> 00:43:09,389 Speaker 2: I want to move on to the actual movie. And 844 00:43:09,429 --> 00:43:11,989 Speaker 2: I just think fire just notes ye notes that we 845 00:43:12,029 --> 00:43:13,429 Speaker 2: had first out. 846 00:43:13,549 --> 00:43:15,069 Speaker 3: What did you think? What do you make of it? 847 00:43:15,429 --> 00:43:18,309 Speaker 3: I was moved, Okay, I actually loved every moment I 848 00:43:18,349 --> 00:43:20,309 Speaker 3: held space. I really enjoyed it. 849 00:43:20,389 --> 00:43:22,109 Speaker 2: I held space with Jonathan Bailey. I'll tell you that 850 00:43:22,549 --> 00:43:25,549 Speaker 2: sexy boys very sexy. And you didn't know what a 851 00:43:25,629 --> 00:43:28,389 Speaker 2: Jonathan Bailey mean until the movie. And I kept yelling 852 00:43:28,389 --> 00:43:31,109 Speaker 2: at you things like Bridgeton and you were like, own 853 00:43:31,109 --> 00:43:33,429 Speaker 2: watch Bridgeton and then you understood, didn't you? 854 00:43:33,429 --> 00:43:34,909 Speaker 3: You're so sexy. Yeah. 855 00:43:35,349 --> 00:43:38,749 Speaker 2: I genuinely loved every moment. Didn't look at my phone once. 856 00:43:39,309 --> 00:43:42,469 Speaker 2: Absolute perfection. I did not expect to feel that because 857 00:43:42,509 --> 00:43:46,749 Speaker 2: I am cynical and resistant in that when the culture 858 00:43:46,869 --> 00:43:49,109 Speaker 2: is looking at something and praising it, I'm like, not me, 859 00:43:49,349 --> 00:43:51,429 Speaker 2: I'm too good for that. And I went into it 860 00:43:51,989 --> 00:43:53,909 Speaker 2: thinking that I wouldn't enjoy it. 861 00:43:53,909 --> 00:43:54,389 Speaker 3: And I loved it. 862 00:43:54,469 --> 00:43:56,509 Speaker 2: I thought there were some strong moments and okay, well 863 00:43:56,509 --> 00:43:57,829 Speaker 2: what could be cut down? 864 00:43:57,869 --> 00:43:59,189 Speaker 3: Okay, what strong moments? 865 00:43:59,349 --> 00:44:02,709 Speaker 2: I liked the song popular because I knew that from TikTok. Yeah, 866 00:44:02,709 --> 00:44:04,389 Speaker 2: and I liked the song to Fine Gravity. 867 00:44:04,469 --> 00:44:04,709 Speaker 3: Yeah. 868 00:44:04,789 --> 00:44:07,909 Speaker 2: Did you like that the dance with Ariana and Cynthia 869 00:44:08,109 --> 00:44:10,509 Speaker 2: where they like I thought they did, but I kept 870 00:44:10,669 --> 00:44:12,869 Speaker 2: I had been told there was a scene ah that 871 00:44:13,109 --> 00:44:15,749 Speaker 2: you know, made everyone cry, And I did get to 872 00:44:15,749 --> 00:44:17,149 Speaker 2: the end and say, what was that scene? 873 00:44:17,189 --> 00:44:17,869 Speaker 3: And did I miss it? 874 00:44:17,989 --> 00:44:18,189 Speaker 1: Oh? 875 00:44:18,229 --> 00:44:19,309 Speaker 3: Because I didn't cry during that. 876 00:44:19,469 --> 00:44:22,749 Speaker 2: I did think early on a plot hole I had. 877 00:44:22,829 --> 00:44:24,269 Speaker 2: I had an issue with the plot. I've got a plot. 878 00:44:24,269 --> 00:44:24,549 Speaker 3: I'll go. 879 00:44:24,589 --> 00:44:29,029 Speaker 2: Okay, Glinda paid for her own sweet she did at 880 00:44:29,069 --> 00:44:30,989 Speaker 2: the college. She was meant to have her own sweat. 881 00:44:31,429 --> 00:44:34,149 Speaker 2: And then we've got Alphabra over here not paying. I 882 00:44:34,149 --> 00:44:36,869 Speaker 2: don't know how she's enrolled because she didn't enroll, she 883 00:44:36,869 --> 00:44:39,149 Speaker 2: didn't pay. She should have been sharing with her sister, well, 884 00:44:39,189 --> 00:44:42,189 Speaker 2: shouldn't have even been there, really, And then you've paid 885 00:44:42,229 --> 00:44:43,789 Speaker 2: for your own room and you get a room mate. 886 00:44:44,189 --> 00:44:47,629 Speaker 2: How did Alphaba have any clothes because she didn't pack 887 00:44:47,629 --> 00:44:48,269 Speaker 2: a suitcase? 888 00:44:48,589 --> 00:44:52,469 Speaker 3: Wow? Right, there weren't any shops that I saw. Yeah. 889 00:44:53,309 --> 00:44:55,989 Speaker 2: Yeah. It wasn't a great makeover, was it. When Glinda 890 00:44:55,989 --> 00:44:58,989 Speaker 2: makes her over, she looks very much the same she does. 891 00:44:59,149 --> 00:45:00,869 Speaker 2: I kept thinking about the green makeup and how they 892 00:45:00,909 --> 00:45:04,469 Speaker 2: would have needed like green bronzer. I also thought about 893 00:45:04,589 --> 00:45:06,149 Speaker 2: when she smiled the one if she got green in 894 00:45:06,189 --> 00:45:07,749 Speaker 2: her teeth. You know how you get lipstick on your tae. 895 00:45:07,789 --> 00:45:08,629 Speaker 3: Yeah yeah yeah. 896 00:45:08,669 --> 00:45:12,069 Speaker 2: Also her lips were green, I know, but that's why 897 00:45:12,069 --> 00:45:13,829 Speaker 2: I thought, it's amazing that it never gets on it. 898 00:45:13,949 --> 00:45:15,989 Speaker 3: Oh yeah, yeah yeah. And then I also thought she 899 00:45:16,029 --> 00:45:17,989 Speaker 3: would be going home after filming and they'd just be 900 00:45:18,149 --> 00:45:21,149 Speaker 3: green in a hairline. Yeah, it's so annoying, very much. 901 00:45:21,509 --> 00:45:24,829 Speaker 2: My plot hole was that dance scene that everybody's been 902 00:45:24,869 --> 00:45:29,509 Speaker 2: talking about. Ha, Why why the dance? Where did the 903 00:45:29,589 --> 00:45:33,349 Speaker 2: dance come from? Why did she start dancing? I think 904 00:45:33,389 --> 00:45:35,989 Speaker 2: that it was meant to show that she was attempting 905 00:45:36,149 --> 00:45:39,189 Speaker 2: to do a dance and like do something cool, and 906 00:45:39,229 --> 00:45:42,389 Speaker 2: it was meant to be weird and unusual, and everyone's 907 00:45:42,469 --> 00:45:45,709 Speaker 2: laughing at her, and then Glinda is like No, I 908 00:45:45,749 --> 00:45:47,989 Speaker 2: got that. I got the inclusiveness, I got the beauty 909 00:45:48,029 --> 00:45:48,429 Speaker 2: of the moment. 910 00:45:48,429 --> 00:45:50,669 Speaker 3: It's meant to be symbolic. I got the beauty of 911 00:45:50,669 --> 00:45:51,069 Speaker 3: the moment. 912 00:45:51,149 --> 00:45:54,749 Speaker 2: I just it was more the inciting incident of that 913 00:45:55,229 --> 00:45:57,669 Speaker 2: scene that I was a bit confused. You walk in, 914 00:45:57,789 --> 00:45:59,789 Speaker 2: You're wearing a funny hat. Everyone laughed at you. Do 915 00:45:59,869 --> 00:46:02,029 Speaker 2: you start so true? 916 00:46:02,149 --> 00:46:05,749 Speaker 3: Actually start dancing? Or do you run away? Yeah? So true? 917 00:46:05,869 --> 00:46:07,549 Speaker 2: I also wanted to just put it on the record. 918 00:46:07,549 --> 00:46:10,069 Speaker 2: Did you know that Universal had two musicals that they 919 00:46:10,189 --> 00:46:12,229 Speaker 2: had the rights to. They've had the rights to Wicked 920 00:46:12,269 --> 00:46:14,949 Speaker 2: for forever. Super fans have been waiting for this for decades, 921 00:46:15,989 --> 00:46:19,669 Speaker 2: and in twenty nineteen, well a little bit before that, 922 00:46:19,669 --> 00:46:21,589 Speaker 2: they were like, we get to decide whether we do Wicked, 923 00:46:21,589 --> 00:46:23,189 Speaker 2: and they pushed Wicked back. Do you know why they 924 00:46:23,269 --> 00:46:29,829 Speaker 2: pushed Wicked back? Because they prioritize cats. A prioritized cats. 925 00:46:30,629 --> 00:46:35,709 Speaker 2: What can you imagine getting that caliber of cast making 926 00:46:35,709 --> 00:46:38,709 Speaker 2: them all look like cats? What's the point, what's the 927 00:46:38,749 --> 00:46:41,149 Speaker 2: point of James Corden got a Rebel Wilson, We have 928 00:46:41,309 --> 00:46:43,069 Speaker 2: Jennifer Hudson, We've got a Taylor Swift. 929 00:46:43,109 --> 00:46:45,509 Speaker 3: Don't know who's who? They all Allo like Cats. Judy Dench's 930 00:46:45,509 --> 00:46:50,109 Speaker 3: in it. No, how humiliated. Cats is never it. Cats 931 00:46:50,149 --> 00:46:50,709 Speaker 3: isn't never it. 932 00:46:50,789 --> 00:46:52,669 Speaker 2: But it's confusing because it has been on Broadway for 933 00:46:52,669 --> 00:46:54,589 Speaker 2: a really long time. It's like rent, I don't think 934 00:46:55,589 --> 00:46:57,029 Speaker 2: you don't have to turn it into a movie. 935 00:46:57,429 --> 00:46:57,749 Speaker 3: Claire. 936 00:46:57,789 --> 00:47:03,229 Speaker 2: It is time for charges and sentences. You can go 937 00:47:03,309 --> 00:47:07,429 Speaker 2: best my charge. Firstly, I actually am here for holding 938 00:47:07,469 --> 00:47:10,069 Speaker 2: space for the lyrics of fine Gravity. I haven't had 939 00:47:10,189 --> 00:47:13,149 Speaker 2: you've done it since that's not not actively. 940 00:47:13,229 --> 00:47:15,829 Speaker 3: But as you said in the moment, okay, yeah I did. 941 00:47:16,709 --> 00:47:19,589 Speaker 2: I really I was moved. I think it's an excellent 942 00:47:19,629 --> 00:47:22,149 Speaker 2: work of art. I would say to anyone who thinks 943 00:47:22,389 --> 00:47:25,029 Speaker 2: they're not gonna like it. I expected to be bored. 944 00:47:25,069 --> 00:47:25,869 Speaker 3: I was not bored. 945 00:47:26,669 --> 00:47:28,749 Speaker 2: I was thoroughly entertaining the whole time. I want a 946 00:47:28,749 --> 00:47:31,549 Speaker 2: Wicked themed theme park. Have I said yet that I 947 00:47:31,589 --> 00:47:33,629 Speaker 2: had to leave two thirds of the way through to 948 00:47:33,629 --> 00:47:36,989 Speaker 2: get another snack? No, I can't remember because I'm so tired. Yeah, 949 00:47:36,989 --> 00:47:38,669 Speaker 2: but I got crispy Eminem's. But it was a bit 950 00:47:38,709 --> 00:47:40,229 Speaker 2: that I was like, if we've got another hour, I 951 00:47:40,309 --> 00:47:41,349 Speaker 2: might as well get some Eminem's. 952 00:47:41,429 --> 00:47:44,749 Speaker 3: My charge is to do with the earnestness. 953 00:47:45,869 --> 00:47:50,509 Speaker 2: I think we really have to interrogate these press tours 954 00:47:50,869 --> 00:47:54,429 Speaker 2: because what we need to acknowledge is that that's a movie. 955 00:47:54,469 --> 00:47:55,629 Speaker 3: These are characters. 956 00:47:56,189 --> 00:48:00,589 Speaker 2: Yeah right, it's not real. Alphabat as a baby fiction, 957 00:48:00,749 --> 00:48:05,149 Speaker 2: she's green, Yeah, she's green. Yeah, it's not real. No 958 00:48:05,949 --> 00:48:11,789 Speaker 2: stories powerful make us feel all of human life is really. 959 00:48:11,629 --> 00:48:13,989 Speaker 3: Just a story. Yeah right, but it is a story. 960 00:48:14,429 --> 00:48:19,429 Speaker 2: Okay, okay, And I needn't go No, I need more 961 00:48:19,469 --> 00:48:25,549 Speaker 2: press to its where people show up as themselves, not 962 00:48:25,629 --> 00:48:28,229 Speaker 2: the character. You don't want that, no, I do don't 963 00:48:28,229 --> 00:48:28,909 Speaker 2: want that now. 964 00:48:28,949 --> 00:48:30,589 Speaker 3: I think Black Lava did that. She got in so 965 00:48:30,669 --> 00:48:31,189 Speaker 3: much trouble. 966 00:48:31,469 --> 00:48:35,309 Speaker 2: Ye, No, that was different. That was different because she 967 00:48:35,509 --> 00:48:38,789 Speaker 2: was actually showing up as whatever her name was, because. 968 00:48:38,589 --> 00:48:42,189 Speaker 3: She was all flowery. Is that your sentence? No? No, sorry, okay. 969 00:48:42,269 --> 00:48:45,429 Speaker 2: My sentence is show up as who you are and 970 00:48:45,829 --> 00:48:49,389 Speaker 2: show us, if you're making an OSCARS campaign, right, show 971 00:48:49,469 --> 00:48:53,109 Speaker 2: us what a good actor you were by being yourself 972 00:48:53,669 --> 00:48:56,309 Speaker 2: so that we can see how you transformed yourself. 973 00:48:56,389 --> 00:48:59,109 Speaker 3: We don't think you're acting. We don't think Mariana Grande 974 00:48:59,269 --> 00:48:59,829 Speaker 3: is Glinda. 975 00:48:59,949 --> 00:49:04,109 Speaker 2: And yeah, yeah, Arianna, go back to your brown hair, 976 00:49:04,309 --> 00:49:08,549 Speaker 2: go back to your like go back to that start. 977 00:49:08,669 --> 00:49:11,789 Speaker 2: You're weird feud with Mariah Care, you know, like, be 978 00:49:12,429 --> 00:49:15,229 Speaker 2: somebody who's very distinct from Glinda. It's like when you 979 00:49:15,269 --> 00:49:17,989 Speaker 2: see the Oppenheimer press to her, and it's like that 980 00:49:18,029 --> 00:49:21,669 Speaker 2: guy's accents different. Y, whoa, you did an accent? Yeah, 981 00:49:21,989 --> 00:49:24,629 Speaker 2: Alpha Butt in the movie has an American accent. Yeah, 982 00:49:24,709 --> 00:49:28,669 Speaker 2: And Cynthia Arrivo has a British accent. Amazing, blows my mind. Incredible. 983 00:49:29,029 --> 00:49:32,749 Speaker 2: So be yourself, be your authentic self. Yeah, you don't 984 00:49:32,789 --> 00:49:36,349 Speaker 2: have to be Alphava on your Instagram in interviews. 985 00:49:36,509 --> 00:49:36,749 Speaker 3: Yep. 986 00:49:37,229 --> 00:49:40,229 Speaker 2: And I think I will say, we don't need to 987 00:49:40,229 --> 00:49:44,989 Speaker 2: be profoundly moved by everything. Okay, my charge, I interrogated this. 988 00:49:45,069 --> 00:49:47,829 Speaker 2: I feel left out. Ah, I feel profoundly left out 989 00:49:47,869 --> 00:49:48,469 Speaker 2: by this whole thing. 990 00:49:48,549 --> 00:49:51,509 Speaker 3: Mm hmm. It's making me uncomfortable, it's making me defensive. Yeah. 991 00:49:51,549 --> 00:49:53,109 Speaker 2: I just had a meeting with someone in the office 992 00:49:53,109 --> 00:49:54,589 Speaker 2: who was quite frustrated that I. 993 00:49:54,589 --> 00:49:57,509 Speaker 3: Don't get it. No, I don't get it. People are annoyed. 994 00:49:57,749 --> 00:50:00,869 Speaker 2: It's creating. Why are all the gen Z's crying? Yeah, 995 00:50:00,949 --> 00:50:03,029 Speaker 2: that's what she said, And okay, no, I get that. 996 00:50:03,189 --> 00:50:07,029 Speaker 2: My sentence is send me the link. I feel as 997 00:50:07,029 --> 00:50:11,029 Speaker 2: though before this we were all reading something. Yeah, I 998 00:50:11,069 --> 00:50:13,629 Speaker 2: didn't know we had recently gone back to watch the 999 00:50:13,709 --> 00:50:15,429 Speaker 2: nineteen thirty nine Wizard of Oz. 1000 00:50:15,469 --> 00:50:15,789 Speaker 3: Did we? 1001 00:50:15,949 --> 00:50:16,109 Speaker 1: Oh? 1002 00:50:16,149 --> 00:50:16,509 Speaker 2: I didn't. 1003 00:50:16,669 --> 00:50:18,629 Speaker 3: I think some people on TikTok did. Yeah. 1004 00:50:18,709 --> 00:50:20,789 Speaker 2: I feel like there's a reading list like you get 1005 00:50:20,789 --> 00:50:25,149 Speaker 2: at Uni. There's the law, Yeah, but going to need 1006 00:50:25,229 --> 00:50:28,029 Speaker 2: you to talk me. There's like there's like the course 1007 00:50:28,149 --> 00:50:31,869 Speaker 2: Wicked Wizard of Oz and I'll do the course vibe. 1008 00:50:32,189 --> 00:50:34,669 Speaker 2: Of course, that's still a weekend course. Send it to me, 1009 00:50:34,709 --> 00:50:38,509 Speaker 2: I'll pay you. Yeah, But I need to feel part 1010 00:50:38,549 --> 00:50:41,069 Speaker 2: of something. I've got a year now till the next 1011 00:50:41,069 --> 00:50:42,749 Speaker 2: part comes out. I would like to be a part 1012 00:50:42,749 --> 00:50:44,789 Speaker 2: of it. I'd like to be on it. I'd like 1013 00:50:44,829 --> 00:50:48,309 Speaker 2: to see the Easter eggs. I do often feel out 1014 00:50:48,389 --> 00:50:51,149 Speaker 2: of the loop in cultural moments like this, Yes, where 1015 00:50:51,189 --> 00:50:55,589 Speaker 2: I go, I don't know who these people are. I 1016 00:50:55,629 --> 00:50:58,189 Speaker 2: didn't know that this was arounda Grande's dream role. 1017 00:50:58,789 --> 00:51:01,109 Speaker 3: I didn't. I simply didn't know any of it. 1018 00:51:01,269 --> 00:51:03,669 Speaker 2: No, No, I don't like that, all right, Jess, I've 1019 00:51:03,669 --> 00:51:04,709 Speaker 2: got a lazy girl story. 1020 00:51:05,069 --> 00:51:08,269 Speaker 3: Who from this is from Olivia. She's a lazy girl. 1021 00:51:08,549 --> 00:51:11,709 Speaker 2: Lazy girl here, I would say, I'm average height, but 1022 00:51:11,749 --> 00:51:15,269 Speaker 2: my pant length would say otherwise. I simply will not 1023 00:51:15,309 --> 00:51:18,629 Speaker 2: be hemming my pants no matter their length. I tried 1024 00:51:18,669 --> 00:51:21,349 Speaker 2: stapling them up, but the staples fell out or cut 1025 00:51:21,389 --> 00:51:21,949 Speaker 2: my ankles. 1026 00:51:22,029 --> 00:51:23,069 Speaker 3: This is very Ariana. 1027 00:51:23,469 --> 00:51:26,389 Speaker 2: Yeah, so now I only wear my long pants in 1028 00:51:26,429 --> 00:51:29,269 Speaker 2: winter and will wear my heeled boots so that they 1029 00:51:29,349 --> 00:51:31,949 Speaker 2: only just touched the floor. Find me a lazy girl 1030 00:51:31,989 --> 00:51:34,349 Speaker 2: who's ever gone to an alterationist. Everyone's like, I just 1031 00:51:34,349 --> 00:51:35,069 Speaker 2: get it altered? 1032 00:51:35,589 --> 00:51:39,429 Speaker 3: Where? How much? With what time? How did you remember 1033 00:51:39,469 --> 00:51:41,629 Speaker 3: to go and then to pick it up? Yeah. 1034 00:51:41,669 --> 00:51:44,709 Speaker 2: My other thing is one time I saw somebody and 1035 00:51:44,749 --> 00:51:47,269 Speaker 2: they say, oh, I just get my jeans, and I 1036 00:51:47,309 --> 00:51:50,829 Speaker 2: looked down and I went, they're too short. 1037 00:51:50,189 --> 00:51:53,349 Speaker 3: They're just a little bit too short. 1038 00:51:53,909 --> 00:51:55,949 Speaker 2: And that's what I imagine buying clothes and being like, 1039 00:51:55,949 --> 00:51:56,989 Speaker 2: I'll just get those hemmed. 1040 00:51:57,109 --> 00:51:57,629 Speaker 3: Yeah. 1041 00:51:57,669 --> 00:51:58,069 Speaker 1: Wow. 1042 00:51:58,229 --> 00:51:59,269 Speaker 3: I was thinking that the other day. 1043 00:51:59,269 --> 00:52:00,949 Speaker 2: I'll just try that on a list and then go 1044 00:52:01,029 --> 00:52:03,669 Speaker 2: and and like you on like a Saturday. Yeah, I 1045 00:52:03,789 --> 00:52:06,829 Speaker 2: was gonna order some clothes online and I was like, oh, 1046 00:52:06,869 --> 00:52:08,509 Speaker 2: I can have a buy stuff online because it just 1047 00:52:08,549 --> 00:52:09,389 Speaker 2: never fits properly. 1048 00:52:09,549 --> 00:52:10,749 Speaker 3: And I was like, I guess I could get a 1049 00:52:10,749 --> 00:52:14,189 Speaker 3: older you know, speaking of laser girls. Bloke. 1050 00:52:14,269 --> 00:52:17,429 Speaker 2: Recently, my husband went to an alterations got holes in 1051 00:52:17,429 --> 00:52:19,069 Speaker 2: both his pockets. Every time I've put his phone in 1052 00:52:19,069 --> 00:52:21,229 Speaker 2: his pockets, it falls down into his stock and it's 1053 00:52:21,549 --> 00:52:22,669 Speaker 2: it's very happy. Yeah. 1054 00:52:22,669 --> 00:52:23,869 Speaker 3: And he went and he said, you think you can 1055 00:52:23,909 --> 00:52:24,949 Speaker 3: sew my pockets back up? 1056 00:52:25,029 --> 00:52:29,709 Speaker 2: Lady said no, why speaking of a lazy girl, sim wonder. 1057 00:52:30,389 --> 00:52:32,109 Speaker 2: I looked at it and I went, I can't sew, 1058 00:52:32,189 --> 00:52:37,229 Speaker 2: but I could sew together. Yeah, stay for them him seventy, 1059 00:52:37,269 --> 00:52:40,509 Speaker 2: but care and he doesn't know how long it takes. 1060 00:52:40,549 --> 00:52:42,549 Speaker 3: He doesn't know how much this has meant to cost. 1061 00:52:42,709 --> 00:52:45,349 Speaker 2: I got a couple of things altered for my wedding, 1062 00:52:46,109 --> 00:52:49,829 Speaker 2: and I remember thinking, Lady. 1063 00:52:49,149 --> 00:52:50,949 Speaker 3: I'm being taken for a ride, aren't I? 1064 00:52:51,589 --> 00:52:53,989 Speaker 2: But this is my wedding and therefore I will spend 1065 00:52:54,069 --> 00:52:57,029 Speaker 2: thousands of dollars on absurdity. 1066 00:52:56,949 --> 00:52:57,589 Speaker 3: Before we go. 1067 00:52:57,869 --> 00:53:00,709 Speaker 2: I also wanted to ask our canceled listeners, if you 1068 00:53:00,949 --> 00:53:03,869 Speaker 2: like this show, then please leave us a review, because 1069 00:53:03,909 --> 00:53:05,989 Speaker 2: we have got some that have really tickled us. 1070 00:53:05,989 --> 00:53:07,149 Speaker 3: Oh, they make us live. 1071 00:53:07,429 --> 00:53:09,949 Speaker 2: Did you see some of these recently, Claire, We've got 1072 00:53:09,949 --> 00:53:13,549 Speaker 2: some great reviews from canceled listeners that just make me giggle. 1073 00:53:13,869 --> 00:53:16,469 Speaker 3: We got this review from Jordan L. Morris. 1074 00:53:16,749 --> 00:53:19,069 Speaker 2: It is Fight Stars and it says it's weird what 1075 00:53:19,149 --> 00:53:22,509 Speaker 2: they do. Weird is in good. It's very specific what 1076 00:53:22,589 --> 00:53:26,709 Speaker 2: they do and unique and I appreciate them. What episode 1077 00:53:26,789 --> 00:53:29,829 Speaker 2: was Are you joking that you don't remember what that's from? 1078 00:53:30,229 --> 00:53:38,189 Speaker 2: That was the Sexy Boy, Oh, Andrew Garfield, Amelia Moldenburg 1079 00:53:38,309 --> 00:53:40,589 Speaker 2: and we said it would be the biggest compliment if 1080 00:53:40,629 --> 00:53:41,749 Speaker 2: somebody said that to us. 1081 00:53:42,149 --> 00:53:45,109 Speaker 3: That's really kind, I know, actually really kind. We have 1082 00:53:45,269 --> 00:53:47,029 Speaker 3: canceled law, Yeah, we do. 1083 00:53:47,469 --> 00:53:49,949 Speaker 2: There were a couple of things today that I almost 1084 00:53:50,069 --> 00:53:52,589 Speaker 2: was going to bring up previous episodes, and then I think, oh, 1085 00:53:52,589 --> 00:53:54,869 Speaker 2: it's just too confusing for new listeners, and then I think, 1086 00:53:55,589 --> 00:53:56,629 Speaker 2: a new listener. 1087 00:53:58,949 --> 00:54:00,549 Speaker 3: Thank you so much for joining us. 1088 00:54:00,549 --> 00:54:04,629 Speaker 2: The producer have canceled is Kimberly Bradish, with audio production 1089 00:54:04,869 --> 00:54:05,989 Speaker 2: by Leah Porgies. 1090 00:54:06,389 --> 00:54:11,549 Speaker 3: Bye Bye,