1 00:00:11,104 --> 00:00:15,064 Speaker 1: So much. You're listening to a Mamma Mia podcast. Mamma 2 00:00:15,144 --> 00:00:18,824 Speaker 1: Mia acknowledges the traditional owners of land and borders that 3 00:00:18,904 --> 00:00:20,544 Speaker 1: this podcast is recorded on. 4 00:00:25,344 --> 00:00:27,824 Speaker 2: From Mamma may I. Welcome to the Spill your daily 5 00:00:27,864 --> 00:00:30,944 Speaker 2: pop culture Fix. I'm m Burnham and I'm Laura Brodnick. 6 00:00:31,104 --> 00:00:34,104 Speaker 2: And on the show today, there's a big difference between 7 00:00:34,144 --> 00:00:37,784 Speaker 2: the way people talk about two certain celebrities bodies. We'll 8 00:00:37,824 --> 00:00:40,024 Speaker 2: be discussing that, but first. 9 00:00:39,904 --> 00:00:42,344 Speaker 1: But first to talk about some news that has been 10 00:00:42,504 --> 00:00:46,264 Speaker 1: consuming my mind since it was confirmed yesterday. Well, first 11 00:00:46,264 --> 00:00:48,264 Speaker 1: of all, I should say it was confirmed a little 12 00:00:48,264 --> 00:00:51,624 Speaker 1: while ago that actress and filmmaker and also Midge in 13 00:00:51,664 --> 00:00:55,384 Speaker 1: the Barbie movies, Emerald Fanelle, would be making a big 14 00:00:55,424 --> 00:00:58,744 Speaker 1: screen adaptation of one of the most famous and most 15 00:00:58,784 --> 00:01:01,824 Speaker 1: studied books of all time, Wathering Heights. And we know 16 00:01:01,944 --> 00:01:04,704 Speaker 1: this because she posted a graphic on her Instagram a 17 00:01:04,704 --> 00:01:07,544 Speaker 1: while ago with a quote from Wathering Heights saying, be 18 00:01:07,704 --> 00:01:10,824 Speaker 1: with me, always take any form, drive me mad. African 19 00:01:10,864 --> 00:01:14,344 Speaker 1: love that book, and everyone got very excited about her adaptation. 20 00:01:15,064 --> 00:01:18,624 Speaker 1: And then yesterday it was confirmed, much to the Internet's 21 00:01:18,624 --> 00:01:22,304 Speaker 1: delight and horror in equal measure, that Margo Robbie and 22 00:01:22,464 --> 00:01:26,304 Speaker 1: Jacob o'lordie would be starring as the two leads, Kathy 23 00:01:26,344 --> 00:01:28,904 Speaker 1: and Heathcliff. First of all, have you read Wathering Heights 24 00:01:28,904 --> 00:01:32,384 Speaker 1: before you got any further? How did you get through 25 00:01:32,464 --> 00:01:33,464 Speaker 1: Year twelve English? 26 00:01:33,584 --> 00:01:34,784 Speaker 2: I didn't. I actually failed. 27 00:01:34,864 --> 00:01:35,384 Speaker 1: Oh. 28 00:01:35,544 --> 00:01:37,304 Speaker 2: I think we talked about this on the podcast. 29 00:01:37,224 --> 00:01:41,544 Speaker 1: Cycling right past that very infamous book, Kathleen and Heathcliff. 30 00:01:42,144 --> 00:01:44,544 Speaker 1: I mean, would we say yes, romance? There's a whole 31 00:01:44,544 --> 00:01:46,304 Speaker 1: backstory there. I don't know, guys, we can't get into 32 00:01:46,304 --> 00:01:48,424 Speaker 1: the backstory of Wathering Heights at this point in time, 33 00:01:48,504 --> 00:01:50,744 Speaker 1: but it is very, very famous book. 34 00:01:50,784 --> 00:01:52,064 Speaker 2: I'll take your word for it, well, you. 35 00:01:51,984 --> 00:01:54,584 Speaker 1: Can take there's starts to back this up. Written by 36 00:01:54,584 --> 00:01:57,584 Speaker 1: Emily Bronte, it was first release back in nineteen forty 37 00:01:57,624 --> 00:01:59,824 Speaker 1: seven and, as I said, considered one of the greatest 38 00:01:59,864 --> 00:02:02,864 Speaker 1: English written books. I've read the book multiple times like 39 00:02:02,904 --> 00:02:05,944 Speaker 1: many other millennial women in high school, and was like 40 00:02:06,064 --> 00:02:10,344 Speaker 1: fascinated by this whole story. And I've seen so many adaptations, 41 00:02:10,624 --> 00:02:12,944 Speaker 1: so many movies and TV shows about six or so 42 00:02:13,024 --> 00:02:14,864 Speaker 1: and I do a little digging and we're up to 43 00:02:15,024 --> 00:02:18,624 Speaker 1: fourteen adaptations of film and TV of this book. 44 00:02:18,744 --> 00:02:19,504 Speaker 2: People love it. 45 00:02:19,904 --> 00:02:21,864 Speaker 1: Yes, again, that's not I have my. 46 00:02:21,984 --> 00:02:25,824 Speaker 2: Nana's copy that is like really old, like broken down 47 00:02:25,824 --> 00:02:28,744 Speaker 2: into bits. It's kind of like in this big plastic bag. Oh, 48 00:02:28,944 --> 00:02:31,104 Speaker 2: because we can't open it because we're literally disintegraged. 49 00:02:31,184 --> 00:02:31,744 Speaker 1: Yeah, that's fair. 50 00:02:31,864 --> 00:02:34,264 Speaker 2: She's like, this is like one of my most prized possessions. 51 00:02:34,264 --> 00:02:35,744 Speaker 1: Oh. I think a lot of people feel the way, 52 00:02:35,744 --> 00:02:37,344 Speaker 1: and this is why it's started up a lot of feelings. 53 00:02:37,344 --> 00:02:39,624 Speaker 1: So to kind of break it down, people are not 54 00:02:40,184 --> 00:02:43,464 Speaker 1: super happy about about Margot Robbie and Jacob Alordi being 55 00:02:43,544 --> 00:02:45,784 Speaker 1: cast and lead roles. I think it's just because these 56 00:02:45,784 --> 00:02:48,904 Speaker 1: are very iconic characters in literature, and obviously they're going 57 00:02:48,944 --> 00:02:50,704 Speaker 1: to make them look like the characters, and they can 58 00:02:50,744 --> 00:02:53,064 Speaker 1: make Margot Robbie look eighteen all that sort of stuff. 59 00:02:53,224 --> 00:02:55,464 Speaker 1: But I do think that mentioned eighteen. 60 00:02:55,584 --> 00:02:58,864 Speaker 2: Yeah, yeah, okay, I'm starting to understand. 61 00:02:59,064 --> 00:03:01,104 Speaker 1: It's just like when you kind of picture characters in 62 00:03:01,104 --> 00:03:04,144 Speaker 1: your mind and then you see the casting, it's kind 63 00:03:04,144 --> 00:03:06,944 Speaker 1: of hard to see how it will translate. Also, Margo 64 00:03:07,024 --> 00:03:09,544 Speaker 1: Robbie's production company is involved in it. She's teamed up 65 00:03:09,544 --> 00:03:13,024 Speaker 1: with Emerald Fanew for Promising Young Women, which Emerald Fanell 66 00:03:13,064 --> 00:03:14,624 Speaker 1: won an Oscar for original screen. 67 00:03:14,424 --> 00:03:17,504 Speaker 2: Brilliant and also for Saltburn. 68 00:03:17,264 --> 00:03:19,184 Speaker 1: Which also stand by is a great movie. 69 00:03:19,264 --> 00:03:22,304 Speaker 2: Yeah, I think anything Emerald Fanell touches is brilliant. 70 00:03:22,504 --> 00:03:24,664 Speaker 1: I think that's where my disappointment is coming from. I 71 00:03:24,704 --> 00:03:26,984 Speaker 1: do have a little bit of fatigue about this story 72 00:03:26,984 --> 00:03:30,024 Speaker 1: being told so many times, and I've seen so many different, 73 00:03:30,344 --> 00:03:33,344 Speaker 1: particularly film versions. I think capture it really well, and 74 00:03:33,384 --> 00:03:36,464 Speaker 1: I don't know what she's going to do different, and 75 00:03:36,504 --> 00:03:37,544 Speaker 1: I just think it's kind of. 76 00:03:37,504 --> 00:03:38,944 Speaker 2: Hard, like what the quirk will be. 77 00:03:39,424 --> 00:03:41,864 Speaker 1: Yeah, I just kind of find it interesting that a 78 00:03:41,984 --> 00:03:44,624 Speaker 1: filmmaker and also a female filmmaker, of which there is, 79 00:03:44,824 --> 00:03:47,544 Speaker 1: you know, the scarcity of that in the current climate, 80 00:03:48,024 --> 00:03:52,824 Speaker 1: is that she is known for making these really original films, 81 00:03:52,864 --> 00:03:55,224 Speaker 1: like promising young women in Saltburn, Like obviously they both 82 00:03:55,224 --> 00:03:57,424 Speaker 1: have their own floors, but they are like big swings. 83 00:03:57,704 --> 00:04:00,104 Speaker 1: They have a real voice and a real look to them, 84 00:04:00,424 --> 00:04:02,984 Speaker 1: and I think she's really exciting as a filmmaker, and 85 00:04:03,064 --> 00:04:06,144 Speaker 1: so I find it kind of a little bit disappointing 86 00:04:06,144 --> 00:04:08,064 Speaker 1: that I feel like it looks like she's going to 87 00:04:08,144 --> 00:04:10,664 Speaker 1: make almost like a beat for beat remake of all 88 00:04:10,704 --> 00:04:13,144 Speaker 1: these movies that have been made before. Because I don't 89 00:04:13,144 --> 00:04:15,224 Speaker 1: think they're modernizing it and kind of why would you? 90 00:04:15,704 --> 00:04:17,904 Speaker 1: And it made me feel the same way I did 91 00:04:17,904 --> 00:04:20,464 Speaker 1: when I found out that Greta Gerwick also an amazing 92 00:04:20,464 --> 00:04:23,984 Speaker 1: filmmaker with a very unique voice, after making movies like 93 00:04:24,024 --> 00:04:26,624 Speaker 1: Francis Hart and then also Barbie and like having such 94 00:04:26,624 --> 00:04:29,704 Speaker 1: an incredible unique voice and take with Barbie in the 95 00:04:29,744 --> 00:04:32,464 Speaker 1: practical effects, then announced that she was going to remake 96 00:04:32,464 --> 00:04:35,064 Speaker 1: the Narnia movies. This is the third time they're making them, 97 00:04:35,144 --> 00:04:37,944 Speaker 1: really yes, because they've got their original BBC adaptation and 98 00:04:37,944 --> 00:04:40,264 Speaker 1: then the big screen adaptation which I don't even think 99 00:04:40,304 --> 00:04:42,184 Speaker 1: they finished those movies, and now she's going for a 100 00:04:42,224 --> 00:04:44,784 Speaker 1: third swing at Nannia, and I just think I'm excited 101 00:04:44,784 --> 00:04:46,344 Speaker 1: to see her take on it. But I just think 102 00:04:46,664 --> 00:04:50,504 Speaker 1: we're just losing two very unique voices in filmmaking to 103 00:04:50,584 --> 00:04:53,744 Speaker 1: these almost like remakes and franchises, where I would just 104 00:04:53,784 --> 00:04:56,384 Speaker 1: like them to see them gone right their own original screenplays, 105 00:04:56,664 --> 00:04:57,504 Speaker 1: that is what I would like. 106 00:04:57,584 --> 00:04:59,984 Speaker 2: I'm not up is that what everyone else is upset about. 107 00:05:00,184 --> 00:05:01,824 Speaker 1: No, I think people are very upset from what I 108 00:05:01,864 --> 00:05:03,784 Speaker 1: can tell about, just not thinking that Marga, Robbie and 109 00:05:03,904 --> 00:05:06,464 Speaker 1: Jacob Wadi are rite for these very iconic roles because 110 00:05:06,464 --> 00:05:09,224 Speaker 1: of like looks and age and tone. But again, you know, 111 00:05:09,344 --> 00:05:11,624 Speaker 1: I guess it's the point of acting. They're going to 112 00:05:12,024 --> 00:05:14,704 Speaker 1: make them look like these characters. But I think when 113 00:05:14,704 --> 00:05:17,344 Speaker 1: you have a book like this that's so beloved and 114 00:05:17,384 --> 00:05:20,784 Speaker 1: people have a real intense ownership over it, there was 115 00:05:20,824 --> 00:05:22,824 Speaker 1: really going to be not any kind of casting that 116 00:05:22,864 --> 00:05:23,904 Speaker 1: was going to please everybody. 117 00:05:24,184 --> 00:05:26,904 Speaker 2: I saw a tweet that said two Australians as a 118 00:05:26,984 --> 00:05:29,064 Speaker 2: lead that we should call it gnthering. 119 00:05:30,184 --> 00:05:33,184 Speaker 1: I mean, it's not the worst take out, that's for sure. 120 00:05:35,144 --> 00:05:38,624 Speaker 1: So this week we've seen two stories about two famous 121 00:05:38,664 --> 00:05:41,704 Speaker 1: women's bodies doing the rounds, a lot of people throwing 122 00:05:41,704 --> 00:05:44,384 Speaker 1: in their opinions around that. I should start by saying 123 00:05:44,384 --> 00:05:46,984 Speaker 1: that I do wish we lived in a world where 124 00:05:47,024 --> 00:05:50,624 Speaker 1: we didn't talk about anyone's body. Ever, that's obviously the ideal, 125 00:05:50,984 --> 00:05:53,864 Speaker 1: but I think in the situation we're in now, especially 126 00:05:53,944 --> 00:05:57,704 Speaker 1: in terms of the way representation is moving and the 127 00:05:57,744 --> 00:06:00,824 Speaker 1: conversations we're having about body, what's happening on catwalks, what's 128 00:06:00,824 --> 00:06:04,864 Speaker 1: happening in casting studios, we're seeing this like real decline 129 00:06:04,984 --> 00:06:07,904 Speaker 1: of body diversity. And I think if we don't talk 130 00:06:07,944 --> 00:06:10,784 Speaker 1: about it and call it out then, and it's only 131 00:06:10,824 --> 00:06:12,704 Speaker 1: gonna get worse if we don't talk about an issue 132 00:06:12,704 --> 00:06:14,904 Speaker 1: like this. And I think when you see something like 133 00:06:14,944 --> 00:06:16,864 Speaker 1: this play out in the public eye, it kind of 134 00:06:16,904 --> 00:06:19,344 Speaker 1: just mirrors back what we're seeing in our own world. 135 00:06:19,504 --> 00:06:22,304 Speaker 1: So it's not about these particular famous women, it's just 136 00:06:22,464 --> 00:06:25,504 Speaker 1: very unfortunately their stories are playing out in public. So 137 00:06:25,544 --> 00:06:27,984 Speaker 1: what we're talking about here single Lizzo, who we love, 138 00:06:28,024 --> 00:06:29,824 Speaker 1: who Obviously there's been a lot of back and forth 139 00:06:30,224 --> 00:06:33,904 Speaker 1: about her in recent years, allegations from her team of 140 00:06:34,064 --> 00:06:37,104 Speaker 1: you know, different misconduct, people in the plus size community 141 00:06:37,144 --> 00:06:40,784 Speaker 1: being upset with how she markets her exercise brand Yiddi, 142 00:06:41,184 --> 00:06:42,744 Speaker 1: a lot of back and forth along with you know, 143 00:06:42,824 --> 00:06:45,984 Speaker 1: people really loving her music as always in her But 144 00:06:46,024 --> 00:06:48,584 Speaker 1: one thing about Lizzo is ever since she shot to 145 00:06:48,624 --> 00:06:50,664 Speaker 1: fame and people fell in love with her music and 146 00:06:50,704 --> 00:06:53,584 Speaker 1: her personality and everything that she creates, is that her 147 00:06:53,624 --> 00:06:57,144 Speaker 1: body has always been a huge topic of discussion, even 148 00:06:57,184 --> 00:06:59,344 Speaker 1: when it's not something that she was speaking on or 149 00:06:59,344 --> 00:07:02,344 Speaker 1: bringing up anyway. She was simply existing in a bigger 150 00:07:02,344 --> 00:07:04,664 Speaker 1: body in turing, and of course that just opens the 151 00:07:04,664 --> 00:07:07,864 Speaker 1: floodgates of comments. So recently, she has been sharing quite 152 00:07:07,864 --> 00:07:11,584 Speaker 1: a few different exercise videos, often wearing Giddy, her brand, 153 00:07:11,624 --> 00:07:14,104 Speaker 1: and talking about different things that she's doing. And one 154 00:07:14,104 --> 00:07:16,304 Speaker 1: thing about that is that, to me, that was never 155 00:07:16,344 --> 00:07:20,024 Speaker 1: surprising that she was sharing these intense exercise videos and moments, 156 00:07:20,064 --> 00:07:22,384 Speaker 1: because I think we always knew that she had that 157 00:07:22,464 --> 00:07:25,504 Speaker 1: extreme level of fitness, because she would have to. This 158 00:07:25,544 --> 00:07:29,464 Speaker 1: woman has played like two and three hour stadium tours 159 00:07:29,504 --> 00:07:32,664 Speaker 1: solo where she's the main person on stage. She's dancing 160 00:07:32,744 --> 00:07:35,664 Speaker 1: like crazy with all her backup dancers, she's playing the flute, 161 00:07:35,664 --> 00:07:38,824 Speaker 1: she's jumping around, she's singing while dancing, which we know, 162 00:07:38,944 --> 00:07:41,104 Speaker 1: not us personally, but we hear Taylor Shift and Beyonce 163 00:07:41,224 --> 00:07:44,544 Speaker 1: talk about it that you need a really extreme level 164 00:07:44,544 --> 00:07:46,584 Speaker 1: of fitness to be able to do that for hours 165 00:07:46,624 --> 00:07:49,104 Speaker 1: on stage just singing and had that level of movement. 166 00:07:49,184 --> 00:07:50,424 Speaker 2: You need to be strong, exactly. 167 00:07:50,464 --> 00:07:51,704 Speaker 1: You need to be strong, You need to be really 168 00:07:51,744 --> 00:07:53,704 Speaker 1: physically fit, you have to have a lot of control over 169 00:07:53,744 --> 00:07:56,504 Speaker 1: your breathing, all of these things, and she has been 170 00:07:56,504 --> 00:07:58,384 Speaker 1: doing that since the start of her career. So when 171 00:07:58,424 --> 00:08:01,344 Speaker 1: I see these like intense exercise videos, no matter the 172 00:08:01,384 --> 00:08:03,544 Speaker 1: shape or size of her body, and I always assume 173 00:08:03,624 --> 00:08:06,144 Speaker 1: she was doing that because that's how she performs on stage. 174 00:08:06,544 --> 00:08:09,504 Speaker 1: So anyway, recently she shared a video where she was 175 00:08:09,504 --> 00:08:12,664 Speaker 1: talking about a social media accusing her of using ozempic, 176 00:08:12,704 --> 00:08:15,704 Speaker 1: the weight loss drug, or snorting coke to lose weight. 177 00:08:16,064 --> 00:08:18,424 Speaker 1: A few days later, she she had a carousel of 178 00:08:18,464 --> 00:08:21,064 Speaker 1: photos and one of them where she's in a red robe, 179 00:08:21,464 --> 00:08:24,144 Speaker 1: and the text over the video is when you finally 180 00:08:24,184 --> 00:08:27,784 Speaker 1: get ozembic allegations after five months of weight training and 181 00:08:27,824 --> 00:08:31,104 Speaker 1: a calorie deficit, And the post was captioned ozempic or coke? 182 00:08:31,264 --> 00:08:33,864 Speaker 1: A fan? It was in like a fan asking the question. 183 00:08:34,544 --> 00:08:36,664 Speaker 2: And I remember there was also which we talked about 184 00:08:36,664 --> 00:08:39,904 Speaker 2: in the podcast South Park made that Yeah, like that 185 00:08:40,024 --> 00:08:43,224 Speaker 2: episode about a weight loss drug called Lizzo, And she 186 00:08:43,344 --> 00:08:46,264 Speaker 2: actually posted a video of herself reacting to that. So 187 00:08:46,984 --> 00:08:49,304 Speaker 2: even if you weren't a Lizo fan, it was like 188 00:08:50,104 --> 00:08:51,904 Speaker 2: made very public her weight loss. 189 00:08:52,224 --> 00:08:54,464 Speaker 1: Yeah, one hundred percent. And this is the really troubling 190 00:08:54,504 --> 00:08:57,424 Speaker 1: thing here. Have anything this woman has done, what she's released, 191 00:08:57,464 --> 00:09:00,624 Speaker 1: the TV shows, she's created, the fashion lines like whether 192 00:09:00,664 --> 00:09:03,344 Speaker 1: you like what she stands for or not. Her body 193 00:09:03,384 --> 00:09:06,264 Speaker 1: has always been people have seen it as being something 194 00:09:06,304 --> 00:09:09,024 Speaker 1: that really is up for debate, and there's always a 195 00:09:09,104 --> 00:09:11,904 Speaker 1: very kind of accus at her toned to it, which 196 00:09:11,944 --> 00:09:14,784 Speaker 1: I think can be quite different when we're talking about 197 00:09:14,824 --> 00:09:19,264 Speaker 1: different actresses or performers who have a more conventionally thin body. 198 00:09:19,584 --> 00:09:23,944 Speaker 2: Interestingly, Florence Pugh has also been an actress that has 199 00:09:24,024 --> 00:09:27,944 Speaker 2: talked about her body. She was interviewed by British Vogue 200 00:09:27,984 --> 00:09:30,664 Speaker 2: this month and the interview was quite interesting when they 201 00:09:30,744 --> 00:09:35,464 Speaker 2: mentioned her body because the interviewer, Raven Smith, wanted to 202 00:09:36,064 --> 00:09:39,984 Speaker 2: ask her about the Internet talking about her body without 203 00:09:40,024 --> 00:09:42,504 Speaker 2: actually asking her yes, So she kind of framed in 204 00:09:42,504 --> 00:09:44,304 Speaker 2: a way saying I had to ask her because this 205 00:09:44,344 --> 00:09:47,024 Speaker 2: is what the whole internet's talking about, rather than putting 206 00:09:47,064 --> 00:09:49,864 Speaker 2: the onus on herself as a direct question. Now, Florence 207 00:09:49,904 --> 00:09:53,864 Speaker 2: Peugh said, it's so hard. The Internet's a very mean place. 208 00:09:54,024 --> 00:09:56,744 Speaker 2: It's really painful to read people being nasty about my 209 00:09:56,824 --> 00:10:00,024 Speaker 2: confidence or nasty about my weight. It never feels good. 210 00:10:00,424 --> 00:10:02,744 Speaker 2: The one thing I always wanted to achieve was to 211 00:10:02,824 --> 00:10:05,704 Speaker 2: never sell someone else something that isn't the real me. 212 00:10:06,184 --> 00:10:09,824 Speaker 1: Yes, it's interesting because I can see why the interview 213 00:10:09,904 --> 00:10:12,384 Speaker 1: wanted to get that question in because I thought the 214 00:10:12,464 --> 00:10:15,944 Speaker 1: Vogue interview with Florence Pugh was very interesting, but she's 215 00:10:15,944 --> 00:10:17,864 Speaker 1: also very closed off, like she's got a real line 216 00:10:17,944 --> 00:10:19,664 Speaker 1: the sand drawn where they ask her if she's in 217 00:10:19,664 --> 00:10:21,784 Speaker 1: a relationship, she says, yes, I'll never talk about it. 218 00:10:21,904 --> 00:10:24,424 Speaker 1: They ask her about her personal life and she says, yes, 219 00:10:24,464 --> 00:10:26,464 Speaker 1: I'll keep that private. They ask her away and on 220 00:10:26,504 --> 00:10:28,824 Speaker 1: past drama, don't worry darling. She's like, I'll never speak 221 00:10:28,864 --> 00:10:30,984 Speaker 1: about that. And so there's this kind of digging to 222 00:10:31,024 --> 00:10:33,504 Speaker 1: try and get her to say something. And when they 223 00:10:33,544 --> 00:10:35,824 Speaker 1: asked her about her body image, like, no matter what 224 00:10:35,864 --> 00:10:37,424 Speaker 1: she's sent around that that was going to be the 225 00:10:37,464 --> 00:10:39,624 Speaker 1: takeout headline that everyone ran with. So I can see 226 00:10:39,624 --> 00:10:42,224 Speaker 1: why they put it in there. And it's interesting because 227 00:10:42,264 --> 00:10:46,264 Speaker 1: like just because she's a famous woman whose photograph appears everywhere, Like, yes, 228 00:10:46,304 --> 00:10:49,664 Speaker 1: her body has been ripped apart online, but as a 229 00:10:49,704 --> 00:10:51,984 Speaker 1: conventionally thin woman, I think she would agree with this, 230 00:10:52,024 --> 00:10:53,744 Speaker 1: and she has agreed with it in the past, not 231 00:10:53,824 --> 00:10:56,264 Speaker 1: to the extent that some other women's bodies have, but 232 00:10:56,384 --> 00:10:58,144 Speaker 1: something like where she wore the shared dress and you 233 00:10:58,144 --> 00:11:00,904 Speaker 1: can see her nipples, there's a big conversation about whether 234 00:11:01,224 --> 00:11:02,904 Speaker 1: you know her body was up to the standard or 235 00:11:02,904 --> 00:11:05,304 Speaker 1: whether or not she should wear a sartop, which is insane, 236 00:11:05,664 --> 00:11:07,584 Speaker 1: and people have talked about her also being in a 237 00:11:07,584 --> 00:11:11,344 Speaker 1: superhero franchise and whether her body looked like muscle or fit, 238 00:11:11,424 --> 00:11:15,224 Speaker 1: all this absolutely crazy stuff, and so she's obviously seen 239 00:11:15,264 --> 00:11:17,504 Speaker 1: that and has to respond to it. But what I 240 00:11:17,504 --> 00:11:20,064 Speaker 1: thought was interesting was not that there was debate around 241 00:11:20,064 --> 00:11:22,464 Speaker 1: these two different famous women's bodies in the same week, 242 00:11:22,464 --> 00:11:25,384 Speaker 1: because I think that's almost any given week on the Internet, 243 00:11:25,464 --> 00:11:27,904 Speaker 1: it just you know, sub to other women's names in 244 00:11:27,944 --> 00:11:30,504 Speaker 1: it'd be the same thing. Was the different ways that 245 00:11:30,544 --> 00:11:32,584 Speaker 1: people reacted to these conversations. 246 00:11:34,664 --> 00:11:37,184 Speaker 2: I think another difference that I found because I've been 247 00:11:37,344 --> 00:11:41,624 Speaker 2: a huge Lizo fan for so so long, like always 248 00:11:41,704 --> 00:11:44,904 Speaker 2: Spotify top five, Like remember that one year that everyone 249 00:11:44,944 --> 00:11:46,184 Speaker 2: just had lizards at five. 250 00:11:46,264 --> 00:11:48,264 Speaker 1: I mean that's still me. I love her music. 251 00:11:48,384 --> 00:11:51,264 Speaker 2: I think what I find the difference between talking about 252 00:11:51,344 --> 00:11:54,584 Speaker 2: Lizzo's body and Florence Peugh's body is that when I 253 00:11:54,784 --> 00:11:57,464 Speaker 2: first started listening to Lizo and following her on Instagram, 254 00:11:57,624 --> 00:12:00,584 Speaker 2: her whole brand was about loving yourself. Yeah, She's like, 255 00:12:00,704 --> 00:12:04,104 Speaker 2: love your most authentic self, love yourself, never change for anybody, 256 00:12:04,584 --> 00:12:07,264 Speaker 2: and then for women in particular. I feel like when 257 00:12:07,264 --> 00:12:09,984 Speaker 2: we say love ourselves, it means our physical self. Yeah, 258 00:12:10,344 --> 00:12:12,624 Speaker 2: want to show how we love just the way we look, 259 00:12:12,664 --> 00:12:14,584 Speaker 2: the way we are. We don't want to change for anybody. 260 00:12:14,944 --> 00:12:18,384 Speaker 2: And then she changed, So in my head I was like, oh, 261 00:12:18,464 --> 00:12:21,024 Speaker 2: so you lie, like you shouldn't love yourself, you should 262 00:12:21,064 --> 00:12:22,984 Speaker 2: change yourself, and then like love yourself. And it was 263 00:12:23,144 --> 00:12:25,864 Speaker 2: really confusing because I feel like the whole love yourself 264 00:12:26,344 --> 00:12:28,744 Speaker 2: message for so long has been so black and white, 265 00:12:29,024 --> 00:12:31,024 Speaker 2: and it put to women who want to voice this 266 00:12:31,104 --> 00:12:33,944 Speaker 2: important message into a box saying, now you can't change, 267 00:12:34,264 --> 00:12:36,584 Speaker 2: because if you change, then it seems like you're selling 268 00:12:36,584 --> 00:12:37,144 Speaker 2: a lie. 269 00:12:37,464 --> 00:12:39,944 Speaker 1: Yeah, yeah, exactly on that. I mean, it's such a 270 00:12:39,944 --> 00:12:42,064 Speaker 1: difficult thing, isn't it, Because I know that Lizo has 271 00:12:42,064 --> 00:12:44,504 Speaker 1: said during this whole moment in time, where she's talked 272 00:12:44,504 --> 00:12:47,064 Speaker 1: about doing juice cleanses or she's talked about wanting to 273 00:12:47,104 --> 00:12:49,384 Speaker 1: change her body, she's always folded it up with saying 274 00:12:49,464 --> 00:12:52,744 Speaker 1: like I was perfect before in that size body, and 275 00:12:52,784 --> 00:12:55,104 Speaker 1: I'm perfect in this size body. But I do think 276 00:12:55,184 --> 00:12:57,344 Speaker 1: it's more kind of nuanced than that, especially because, as 277 00:12:57,384 --> 00:13:00,224 Speaker 1: we've discussed before, there isn't a lot of body diversity 278 00:13:00,304 --> 00:13:03,904 Speaker 1: for women in the public eye, whether it's actors or 279 00:13:03,984 --> 00:13:06,824 Speaker 1: musicians or models, and we're seeing less and less of that. 280 00:13:06,864 --> 00:13:09,544 Speaker 1: So when you have this tiny handful of people that 281 00:13:09,624 --> 00:13:12,424 Speaker 1: do represent different body types and you start to see 282 00:13:12,464 --> 00:13:14,144 Speaker 1: them change or you start to see them not get 283 00:13:14,184 --> 00:13:17,304 Speaker 1: work anymore, as like we've seen with some actresses, it 284 00:13:17,344 --> 00:13:19,184 Speaker 1: does hit really hard because. 285 00:13:18,944 --> 00:13:21,704 Speaker 2: It feels like they owe us something. And I don't 286 00:13:21,704 --> 00:13:22,624 Speaker 2: know where that comes from. 287 00:13:22,624 --> 00:13:24,264 Speaker 1: I'm not saying you're wrong saying that, but it's so 288 00:13:24,384 --> 00:13:27,664 Speaker 1: interesting because that is the difference between these two conversations. 289 00:13:27,744 --> 00:13:31,424 Speaker 1: Is that with Lizzo, because she exists in a bigger body, 290 00:13:31,824 --> 00:13:35,224 Speaker 1: the conversation is what does she owe us? She has 291 00:13:35,264 --> 00:13:37,984 Speaker 1: to stand for something. This kind of got your culture 292 00:13:38,064 --> 00:13:40,424 Speaker 1: like caught her out. She's using OZM pics, she's doing this, 293 00:13:40,544 --> 00:13:43,664 Speaker 1: she's doing the wrong thing, and so we're coming at 294 00:13:43,704 --> 00:13:47,064 Speaker 1: her with like you're doing, like emotional response and a 295 00:13:47,184 --> 00:13:50,024 Speaker 1: genuine question to kind of understand what she's doing, or 296 00:13:50,144 --> 00:13:54,184 Speaker 1: people are coming at her in a way that's very aggressive, 297 00:13:54,624 --> 00:13:58,384 Speaker 1: either questioning her lifestyle for promoting OBEs and promoting being 298 00:13:58,464 --> 00:14:01,784 Speaker 1: unhealthy too, things that she has not done, or questioning 299 00:14:01,784 --> 00:14:03,464 Speaker 1: that she's trying to take an easy way out or 300 00:14:03,544 --> 00:14:05,584 Speaker 1: questioning that she's trying to change her body. And then 301 00:14:05,624 --> 00:14:09,144 Speaker 1: we have Florence Pugh, whose body has also been ridiculed 302 00:14:09,184 --> 00:14:11,104 Speaker 1: and judged, but because she is a woman in a 303 00:14:11,144 --> 00:14:15,504 Speaker 1: conventionally thin body, it's a different conversation where the reaction 304 00:14:15,544 --> 00:14:18,744 Speaker 1: from everyone was like, that's ridiculous, Florence Pugh, she's gorgeous. 305 00:14:18,744 --> 00:14:20,744 Speaker 1: Why would we ever say anything about her? She's just 306 00:14:20,784 --> 00:14:22,544 Speaker 1: trying to be an actress. She just says she's trying 307 00:14:22,584 --> 00:14:24,184 Speaker 1: to be in her body in the world. Like we 308 00:14:24,264 --> 00:14:27,144 Speaker 1: go into care taker mode and we go into black 309 00:14:27,184 --> 00:14:30,184 Speaker 1: and white mode because we're like woman being attached, we 310 00:14:30,264 --> 00:14:33,224 Speaker 1: shouldn't do that. And we see this very clear distinction 311 00:14:33,384 --> 00:14:35,864 Speaker 1: with someone who's Florence Pew's size of right and wrong, 312 00:14:36,104 --> 00:14:39,784 Speaker 1: whereas Lizo, we're like, mmmm, there's gray area. But they're 313 00:14:39,824 --> 00:14:41,744 Speaker 1: just there are two women who are existing in the 314 00:14:41,744 --> 00:14:45,664 Speaker 1: public eye in their bodies. The difference is that one 315 00:14:46,024 --> 00:14:48,464 Speaker 1: is not a conventional size and one is. To me, 316 00:14:48,584 --> 00:14:49,544 Speaker 1: that's the main difference. 317 00:14:49,864 --> 00:14:53,904 Speaker 2: I think another big difference is because Lizo's taken us 318 00:14:53,984 --> 00:14:56,424 Speaker 2: on a journey with her body. Yes, like she shows 319 00:14:56,464 --> 00:15:00,064 Speaker 2: her like actor, where she shows her doing workouts, whereas 320 00:15:00,264 --> 00:15:03,144 Speaker 2: Florence Pew like doesn't show any of that. Plus she's 321 00:15:03,144 --> 00:15:06,104 Speaker 2: also never made it like her like loving herself, a 322 00:15:06,144 --> 00:15:08,384 Speaker 2: brand like that. She said, she's such a private person. 323 00:15:08,544 --> 00:15:10,064 Speaker 1: Yeah, that's so true once you make it in a brand, 324 00:15:10,344 --> 00:15:12,704 Speaker 1: so hubly Zoe, because it's like, even if she didn't 325 00:15:12,784 --> 00:15:14,344 Speaker 1: choose to make it a brand, it would have been 326 00:15:14,384 --> 00:15:17,344 Speaker 1: I think woven in just because people and fans would 327 00:15:17,344 --> 00:15:19,064 Speaker 1: have put that on her. But you're right, she has 328 00:15:19,464 --> 00:15:22,224 Speaker 1: made a brand, and she has also attempted to like 329 00:15:22,704 --> 00:15:27,144 Speaker 1: monetize fat acceptance and self love in a way that 330 00:15:27,184 --> 00:15:29,144 Speaker 1: has financially benefited her at times. 331 00:15:29,184 --> 00:15:31,464 Speaker 2: That's very true, and also just helped so many other 332 00:15:31,504 --> 00:15:34,504 Speaker 2: women rite. And I think that's the biggest risk she took, 333 00:15:34,904 --> 00:15:37,824 Speaker 2: was opening that door to talk about her weight to 334 00:15:37,944 --> 00:15:41,264 Speaker 2: help other women. But then you can't close that door 335 00:15:41,304 --> 00:15:44,104 Speaker 2: again because then people always will always demand you to 336 00:15:44,184 --> 00:15:47,064 Speaker 2: constantly talk about and give a reason why for everything 337 00:15:47,064 --> 00:15:47,384 Speaker 2: you do. 338 00:15:47,624 --> 00:15:49,464 Speaker 1: Yeah, exactly. And I think it just comes down to 339 00:15:49,464 --> 00:15:51,224 Speaker 1: this thing that we think at this point in time, 340 00:15:51,304 --> 00:15:54,344 Speaker 1: with like the studies that we have and the conversations 341 00:15:54,384 --> 00:15:57,824 Speaker 1: we've had around diversity and particularly around famous women, I 342 00:15:57,824 --> 00:16:00,944 Speaker 1: think that people feel like we're much more evolved than 343 00:16:00,984 --> 00:16:03,224 Speaker 1: we actually are. And people think that we live in 344 00:16:03,264 --> 00:16:05,864 Speaker 1: this world where we can just sort of say like 345 00:16:05,904 --> 00:16:09,584 Speaker 1: everyone's beautiful and everyone's body is amazing, but then like 346 00:16:09,624 --> 00:16:11,864 Speaker 1: the world we in doesn't reflect that. And I think 347 00:16:11,904 --> 00:16:15,544 Speaker 1: also every single person, no matter what weight or age 348 00:16:15,624 --> 00:16:18,264 Speaker 1: or race you are, everyone who lives in like our 349 00:16:18,744 --> 00:16:20,984 Speaker 1: society right now, the society you and I live in, 350 00:16:21,344 --> 00:16:23,824 Speaker 1: has a form of weight stigma embedded than them. You 351 00:16:23,944 --> 00:16:27,064 Speaker 1: just do. It's ingrained in you since birth. It's a 352 00:16:27,184 --> 00:16:29,464 Speaker 1: very hard thing to unlearn. And I think like Florence 353 00:16:29,504 --> 00:16:32,304 Speaker 1: Pew and Lizzo both have it when they talk about it, 354 00:16:32,344 --> 00:16:34,424 Speaker 1: they have weight stigma. And I think every single person 355 00:16:34,424 --> 00:16:37,464 Speaker 1: who's looking at the content around them has a level 356 00:16:37,504 --> 00:16:40,944 Speaker 1: of stigma where even if you self correct, you're still 357 00:16:40,984 --> 00:16:43,384 Speaker 1: looking at Lizo's body and thinking like it's almost like 358 00:16:43,424 --> 00:16:45,664 Speaker 1: what's a story here? Like are we back at self love? 359 00:16:45,984 --> 00:16:48,464 Speaker 1: Has she done something wrong? Or should I be protecting her? 360 00:16:48,504 --> 00:16:51,064 Speaker 1: Whereas I just think with Florence Pew, it just is 361 00:16:51,104 --> 00:16:54,264 Speaker 1: an easier conversation to have for some people because we 362 00:16:54,344 --> 00:16:57,784 Speaker 1: immediately latch onto like this idea that we think is safe, 363 00:16:57,864 --> 00:16:59,904 Speaker 1: like don't talk about her body. And the reason we 364 00:16:59,944 --> 00:17:03,064 Speaker 1: can do that is because she overall, being like a young, thin, blonde, 365 00:17:03,064 --> 00:17:07,224 Speaker 1: white woman, able bodied woman, she has the ideal like appearance, 366 00:17:07,264 --> 00:17:10,264 Speaker 1: so it's easier to kind of say, like live her alone. 367 00:17:10,464 --> 00:17:13,824 Speaker 2: Yeah. And for some reason, with women, especially women celebrities, 368 00:17:14,344 --> 00:17:17,344 Speaker 2: it feels like, even if they constantly say I'm so 369 00:17:17,384 --> 00:17:19,224 Speaker 2: sick and tired of people talking about bodies, I want 370 00:17:19,264 --> 00:17:21,144 Speaker 2: them to stop, I want people to stop talking about 371 00:17:21,144 --> 00:17:25,184 Speaker 2: my body, we never listen. Yeah, but I remember the 372 00:17:25,264 --> 00:17:28,064 Speaker 2: same thing happened. Would you remember this Jonah Hill, Yeah, 373 00:17:28,104 --> 00:17:29,824 Speaker 2: where he didn't want people talk about bodies, and then 374 00:17:30,184 --> 00:17:32,024 Speaker 2: he said I didn't want people to talk about my body, 375 00:17:32,024 --> 00:17:32,784 Speaker 2: and then no one did. 376 00:17:32,984 --> 00:17:35,504 Speaker 1: Yeah, exactly. I think with I stopped and people take 377 00:17:35,544 --> 00:17:37,624 Speaker 1: that very seriously. And that was kind of different with 378 00:17:37,704 --> 00:17:39,824 Speaker 1: Joniy Hill too, because at the time I wrote a 379 00:17:39,824 --> 00:17:42,144 Speaker 1: piece about the fact that as much as we shouldn't 380 00:17:42,184 --> 00:17:44,664 Speaker 1: say anything about his body, and like male celebrities and 381 00:17:44,704 --> 00:17:46,904 Speaker 1: men in general can be subjected to the same weight 382 00:17:46,984 --> 00:17:49,904 Speaker 1: stigma that women are. At the same time, Hollywood and 383 00:17:50,064 --> 00:17:52,704 Speaker 1: the entertainment industry has made more of a place for them. 384 00:17:52,944 --> 00:17:56,384 Speaker 1: There's a lot more body diversity with men performers across 385 00:17:56,384 --> 00:17:58,424 Speaker 1: the ball than there is with women. And I also 386 00:17:58,424 --> 00:18:00,984 Speaker 1: think with Joony Hill, like sometimes he really leaned into 387 00:18:00,984 --> 00:18:05,784 Speaker 1: playing those kind of schlubby, overweight characters for comedic value. 388 00:18:05,864 --> 00:18:07,264 Speaker 1: And obviously, you know, you want to be an actor, 389 00:18:07,304 --> 00:18:09,224 Speaker 1: you take the job that you can get that you're given. 390 00:18:09,304 --> 00:18:11,584 Speaker 1: I totally understand that, but I felt like he really 391 00:18:11,664 --> 00:18:13,824 Speaker 1: kind of played into that and then was like but 392 00:18:13,864 --> 00:18:15,744 Speaker 1: then also when he lost weight, was very much like, 393 00:18:15,864 --> 00:18:17,544 Speaker 1: I don't want to be associated with that, So it 394 00:18:17,704 --> 00:18:19,744 Speaker 1: wasn't kind of there was two sides so that neither 395 00:18:19,744 --> 00:18:21,704 Speaker 1: of them were good. But you're right, people were just 396 00:18:21,744 --> 00:18:24,304 Speaker 1: like horrified that we were talking about is weight and 397 00:18:24,304 --> 00:18:31,584 Speaker 1: then we really tried to stop where going Yeah where 398 00:18:31,624 --> 00:18:33,304 Speaker 1: is Lozo's been talking about for years and Differen's like, 399 00:18:33,864 --> 00:18:38,024 Speaker 1: but that's like what's your health really like? Like it's 400 00:18:38,024 --> 00:18:40,024 Speaker 1: never going to be a conversation that ends for her. 401 00:18:40,304 --> 00:18:42,944 Speaker 2: If this conversation has brought up anything for you, There 402 00:18:43,104 --> 00:18:46,624 Speaker 2: is help and support for eating disorders. Contact the Butterfly 403 00:18:46,704 --> 00:18:50,344 Speaker 2: Foundations National Support line on one eight hundred ed hope 404 00:18:50,704 --> 00:18:53,984 Speaker 2: or email support at the Butterfly Foundation dot org dot au. 405 00:18:54,064 --> 00:18:56,664 Speaker 2: We will pop those details in our show notes. Thank 406 00:18:56,704 --> 00:18:58,744 Speaker 2: you so much for listening to the Spill today. If 407 00:18:58,784 --> 00:19:01,864 Speaker 2: you want more content from us, please message us or 408 00:19:01,864 --> 00:19:04,264 Speaker 2: follow us or d m us or comment on our 409 00:19:04,304 --> 00:19:06,904 Speaker 2: posts over on our Instagram page. We are at the 410 00:19:06,944 --> 00:19:10,304 Speaker 2: Spill podcast. A big thank you to our producer Kimberly Bradish, 411 00:19:10,384 --> 00:19:12,744 Speaker 2: with audio production by Scott Stronik. We will be back 412 00:19:12,784 --> 00:19:17,824 Speaker 2: here in your podcast speed at three pm tomorrow. Bye bye, 413 00:19:20,344 --> 00:19:21,384 Speaker 2: Love it