WEBVTT - The Boy ‘Mom’ Trap & Actually, We’ve Met

0:00:03.040 --> 0:00:05.960
<v Speaker 1>Hello, and welcome to Mamma Mia out loud. It's what

0:00:06.000 --> 0:00:09.400
<v Speaker 1>women are actually talking about on Wednesday, the third of June.

0:00:09.480 --> 0:00:12.760
<v Speaker 2>I'm Hollyween, I'm Clere Stephens, and I'm Amelia Lost.

0:00:13.280 --> 0:00:16.200
<v Speaker 1>And here's what has made our agenda for today.

0:00:16.520 --> 0:00:19.720
<v Speaker 3>The boy mum controversy that has me terrified for the

0:00:19.760 --> 0:00:21.079
<v Speaker 3>next phase of my life.

0:00:21.520 --> 0:00:24.280
<v Speaker 2>The one thing you should never say when you meet someone,

0:00:24.520 --> 0:00:25.160
<v Speaker 2>or is it?

0:00:25.560 --> 0:00:29.080
<v Speaker 1>And women shouldn't be allowed to write books discuss but

0:00:29.280 --> 0:00:36.120
<v Speaker 1>first just putting it out there controversial opinions Wednesday anyway, First,

0:00:36.120 --> 0:00:39.879
<v Speaker 1>in case you missed it, suns shining in Europe and

0:00:39.920 --> 0:00:43.360
<v Speaker 1>so the tennis is happening. I'm sports correspondent for today.

0:00:43.520 --> 0:00:45.560
<v Speaker 1>Oh we've been passing that mic around last week.

0:00:45.600 --> 0:00:49.360
<v Speaker 3>It was wow. I don't know how much I trust this,

0:00:50.280 --> 0:00:54.360
<v Speaker 3>especially not with tennis better with football tennis not so much.

0:00:54.560 --> 0:00:56.800
<v Speaker 1>But anyway, I'm going to give it a go. Because

0:00:56.840 --> 0:00:59.400
<v Speaker 1>there is this thing, this tournament called Roland Garros, which

0:00:59.440 --> 0:01:01.320
<v Speaker 1>is also Therench Open. I had to make sure they

0:01:01.320 --> 0:01:04.200
<v Speaker 1>were the same thing. They are the same thing, just

0:01:04.240 --> 0:01:05.240
<v Speaker 1>like Wimbledon.

0:01:05.920 --> 0:01:07.759
<v Speaker 2>Land, Like who's rolling exactly?

0:01:07.920 --> 0:01:11.160
<v Speaker 1>Who is Roland? An answer to that, weren't they and

0:01:11.280 --> 0:01:13.120
<v Speaker 1>this week there was a bit of a ding dong

0:01:13.240 --> 0:01:17.200
<v Speaker 1>at the French Open over some umpires being women.

0:01:17.880 --> 0:01:20.920
<v Speaker 3>Oh oh my god, I know, I'm shocked.

0:01:21.160 --> 0:01:21.399
<v Speaker 2>Now.

0:01:21.560 --> 0:01:26.440
<v Speaker 1>To be clear, the umpires who get to adjudicate over

0:01:26.520 --> 0:01:30.800
<v Speaker 1>the big Grand Slam titles, so French Open, US Open, Wimbledon,

0:01:30.840 --> 0:01:33.600
<v Speaker 1>not the Open, et cetera, are called the gold badge ones.

0:01:33.640 --> 0:01:35.760
<v Speaker 1>So they are the top of their field, just like

0:01:35.840 --> 0:01:38.400
<v Speaker 1>in any other sport. You don't just pull the volunteer

0:01:38.440 --> 0:01:41.600
<v Speaker 1>referee from Saturday football and put them on the ground final.

0:01:41.720 --> 0:01:44.080
<v Speaker 1>So these are the these are the big guns. But

0:01:45.040 --> 0:01:49.520
<v Speaker 1>in a game that was played by Paraguayan Adolfo Daniel Valeo,

0:01:50.240 --> 0:01:54.640
<v Speaker 1>he criticized his female umpire and said that this level

0:01:54.680 --> 0:01:59.560
<v Speaker 1>of game should only be umpired by a man. His

0:01:59.640 --> 0:02:02.200
<v Speaker 1>game was five hours long, which he's like, that's really

0:02:02.320 --> 0:02:06.040
<v Speaker 1>really long, Oh my gosh. And it was hot and

0:02:06.080 --> 0:02:08.200
<v Speaker 1>the crowd got rowdy. And we have talked a little

0:02:08.200 --> 0:02:10.160
<v Speaker 1>bit lately, if we've talked about tennis at all, about

0:02:10.200 --> 0:02:13.320
<v Speaker 1>how the polite like just sitting around and doing little

0:02:13.320 --> 0:02:16.760
<v Speaker 1>finger claps, that tennis is over. Everybody yells now, and

0:02:16.880 --> 0:02:20.080
<v Speaker 1>his words were a game like this, he got asked

0:02:20.240 --> 0:02:22.560
<v Speaker 1>whether or not. He thought it should have been umpired

0:02:22.600 --> 0:02:24.640
<v Speaker 1>by a woman, by a magazine called Clay Magazine, And

0:02:24.720 --> 0:02:27.080
<v Speaker 1>he said it has to be refereed by a man

0:02:27.639 --> 0:02:30.400
<v Speaker 1>because it's a very demanding crowd and you need a

0:02:30.440 --> 0:02:33.720
<v Speaker 1>lot of strength to go against the crowd. It's not

0:02:33.880 --> 0:02:35.600
<v Speaker 1>normal for the crowd to be shouting for a full

0:02:35.639 --> 0:02:38.040
<v Speaker 1>minute without any play in a match where the physical

0:02:38.080 --> 0:02:40.079
<v Speaker 1>aspect matters so much. If you give a player a

0:02:40.120 --> 0:02:41.640
<v Speaker 1>lot of time, he's going to take a marriage of it.

0:02:41.639 --> 0:02:44.640
<v Speaker 1>So basically, he's making the point that an umpire, A

0:02:44.639 --> 0:02:47.040
<v Speaker 1>big part of what a tennis umpire does is they

0:02:47.080 --> 0:02:50.399
<v Speaker 1>tell the crowd to shut up. And what he's insinuating

0:02:50.440 --> 0:02:54.000
<v Speaker 1>here is the crowd wouldn't listen because the umpire was

0:02:54.080 --> 0:02:57.280
<v Speaker 1>a woman, thoughts, and he lost. To be clear, he

0:02:57.360 --> 0:02:58.160
<v Speaker 1>lost this patch.

0:02:58.280 --> 0:03:02.239
<v Speaker 3>He lost, and he lost to a seventeen year old,

0:03:02.960 --> 0:03:07.240
<v Speaker 3>and I think his ego was probably just a little

0:03:07.240 --> 0:03:10.680
<v Speaker 3>bit bruised. My favorite thing about this story is that

0:03:10.720 --> 0:03:13.120
<v Speaker 3>he got fined so much money he.

0:03:13.120 --> 0:03:16.760
<v Speaker 1>Did, even though he went to notesap and apologized on Instagram.

0:03:16.840 --> 0:03:20.359
<v Speaker 3>Yeah, got fined like half his earnings from the tournament.

0:03:20.639 --> 0:03:23.880
<v Speaker 3>But I saw a really good clip of Andy Roddick

0:03:24.120 --> 0:03:27.399
<v Speaker 3>talking about this, and I just I love when it's

0:03:27.440 --> 0:03:31.480
<v Speaker 3>men who come to the defense of a female umpire,

0:03:31.880 --> 0:03:35.000
<v Speaker 3>And he just said, he was like, mate, focus less

0:03:35.040 --> 0:03:38.200
<v Speaker 3>on the gender of the umpire and focus more on

0:03:38.240 --> 0:03:39.880
<v Speaker 3>the fact that you couldn't beat a kid.

0:03:42.200 --> 0:03:43.800
<v Speaker 2>Do you want it? Scot Form on this? Doesn't he

0:03:43.880 --> 0:03:46.000
<v Speaker 2>in a good way? Hasn't he also spoken out in

0:03:46.040 --> 0:03:48.400
<v Speaker 2>the past about making sure that women get the same

0:03:48.520 --> 0:03:49.560
<v Speaker 2>prize money as men.

0:03:49.680 --> 0:03:51.960
<v Speaker 3>Yeah, and I think it is part of a I

0:03:52.040 --> 0:03:53.960
<v Speaker 3>like that they've taken it seriously because it is a

0:03:53.960 --> 0:04:01.560
<v Speaker 3>bigger conversation in tennis that there is not necessarily parody

0:04:01.840 --> 0:04:05.360
<v Speaker 3>between men and women or there I think there is parody,

0:04:05.440 --> 0:04:08.440
<v Speaker 3>but there's some controversy about that. There people who say

0:04:08.440 --> 0:04:12.960
<v Speaker 3>that there shouldn't be and there are such a small

0:04:13.080 --> 0:04:16.320
<v Speaker 3>number of female umpires at this level, and then to

0:04:16.400 --> 0:04:20.160
<v Speaker 3>have them kind of stigmatized in this way. I'm really

0:04:20.200 --> 0:04:21.560
<v Speaker 3>really glad they took it seriously.

0:04:21.600 --> 0:04:25.520
<v Speaker 1>Okay, but here's a tiny devil's advocate here, right What

0:04:25.640 --> 0:04:27.919
<v Speaker 1>if what his point that he's making, which is that

0:04:28.000 --> 0:04:31.400
<v Speaker 1>the crowd isn't listening to her, isn't that on the like,

0:04:31.520 --> 0:04:33.720
<v Speaker 1>doesn't that tell you a truth? About the crowd because

0:04:33.760 --> 0:04:34.599
<v Speaker 1>maybe it's true.

0:04:34.800 --> 0:04:38.080
<v Speaker 3>I went through the comment section on one of the

0:04:38.160 --> 0:04:41.720
<v Speaker 3>articles about this, and everyone was like, you just have

0:04:41.800 --> 0:04:45.520
<v Speaker 3>to think about that teacher you had in like year six,

0:04:45.880 --> 0:04:49.039
<v Speaker 3>who could command the whole frickin' room. I'm sorry, but

0:04:49.279 --> 0:04:52.680
<v Speaker 3>people listen to women, and people listen to women with authority.

0:04:53.080 --> 0:04:57.000
<v Speaker 3>I just don't believe that that was the case. In

0:04:57.040 --> 0:04:59.599
<v Speaker 3>a few weeks, I am going to enter a brand

0:04:59.640 --> 0:05:03.480
<v Speaker 3>new clas and a recent online controversy is making me

0:05:03.520 --> 0:05:07.880
<v Speaker 3>feel very, very weird about it. Once this baby is born,

0:05:08.000 --> 0:05:10.640
<v Speaker 3>I believe a lovely midwife will fill out some paperwork,

0:05:10.720 --> 0:05:14.480
<v Speaker 3>give me a badge, and officially christen me a boy mom.

0:05:14.640 --> 0:05:18.719
<v Speaker 3>Boy mom, boy mom. I don't I do not consent.

0:05:18.800 --> 0:05:24.279
<v Speaker 2>That's what they say when you have a boy mom.

0:05:24.360 --> 0:05:28.080
<v Speaker 3>Somehow, the Internet has told me this is fundamentally different

0:05:28.120 --> 0:05:30.720
<v Speaker 3>to being a girl mom, even though I believe that

0:05:30.800 --> 0:05:33.160
<v Speaker 3>gender is mostly a social construct, and I don't really

0:05:33.240 --> 0:05:36.360
<v Speaker 3>understand why I would feel any differently towards this little

0:05:36.400 --> 0:05:39.200
<v Speaker 3>boy than I do towards my little girl. Apparently, the

0:05:39.240 --> 0:05:43.440
<v Speaker 3>simple fact that during conception, it was a y chromosome

0:05:43.480 --> 0:05:46.839
<v Speaker 3>that fertilized one of my eggs I am now going

0:05:46.920 --> 0:05:49.040
<v Speaker 3>to be a boy mom. I'm a fundamentally different kind

0:05:49.040 --> 0:05:51.880
<v Speaker 3>of person. Holly, you're a boy mom. Familia, you're a

0:05:51.920 --> 0:05:52.320
<v Speaker 3>boy mom.

0:05:52.320 --> 0:05:52.719
<v Speaker 2>I am.

0:05:52.839 --> 0:05:56.600
<v Speaker 3>And so is a woman named Jenny Molin. She is

0:05:56.640 --> 0:05:59.320
<v Speaker 3>an actress. She was in the TV show Angel And

0:05:59.320 --> 0:06:02.800
<v Speaker 3>she was also brief flee in Girls And she's a

0:06:02.839 --> 0:06:07.960
<v Speaker 3>writer and the ex wife of actor Jason Biggs. She's

0:06:08.040 --> 0:06:11.080
<v Speaker 3>also a mum to two boys. That is obviously the

0:06:11.160 --> 0:06:12.320
<v Speaker 3>overarching identity.

0:06:12.480 --> 0:06:14.960
<v Speaker 1>Yes, boy mo. I reckon too that there would be

0:06:15.000 --> 0:06:18.440
<v Speaker 1>some boy moms who would be policing the identity of

0:06:18.480 --> 0:06:20.760
<v Speaker 1>boy mom and say, maybe you have to have only.

0:06:20.480 --> 0:06:22.240
<v Speaker 2>Boys, yeah, to be a boy mum.

0:06:22.279 --> 0:06:26.440
<v Speaker 3>That's true, but you know whatever, I actually know that's

0:06:26.560 --> 0:06:29.320
<v Speaker 3>very true. But I think we all are like half

0:06:29.400 --> 0:06:33.960
<v Speaker 3>boy moms. This week, she has made headlines for sharing

0:06:33.960 --> 0:06:36.320
<v Speaker 3>a photo of herself lying on top of her twelve

0:06:36.360 --> 0:06:39.359
<v Speaker 3>year old son in bed, and the original caption was

0:06:39.520 --> 0:06:42.000
<v Speaker 3>your eldest son will be the most toxic guy you

0:06:42.080 --> 0:06:46.680
<v Speaker 3>ever date. She yes, so she ended up removing that caption.

0:06:46.920 --> 0:06:49.800
<v Speaker 1>I don't mind the picture, but the caption is troubling me.

0:06:50.040 --> 0:06:50.560
<v Speaker 2>Yeah.

0:06:50.680 --> 0:06:55.599
<v Speaker 3>So comments called the post creepy, wildly inappropriate, disturbing. The

0:06:55.640 --> 0:06:59.560
<v Speaker 3>photo itself again was not that controversial.

0:06:59.640 --> 0:07:02.400
<v Speaker 1>I do have although there are issues with this, which

0:07:02.400 --> 0:07:04.479
<v Speaker 1>we'll get to. I do have an issue with people

0:07:04.520 --> 0:07:08.240
<v Speaker 1>policing parental affection on the internet. It's like, if you

0:07:08.360 --> 0:07:10.640
<v Speaker 1>see David Beckham kissing his daughter.

0:07:10.440 --> 0:07:10.920
<v Speaker 3>It's eh.

0:07:11.280 --> 0:07:13.920
<v Speaker 1>And if you see a boy posing with his mum

0:07:14.000 --> 0:07:17.559
<v Speaker 1>in a bikini, it's ooh. It's like, you're making it weird.

0:07:17.600 --> 0:07:18.840
<v Speaker 3>Guys, you're making it weird.

0:07:18.920 --> 0:07:21.400
<v Speaker 1>All families are different in terms of their physical affection.

0:07:21.960 --> 0:07:24.560
<v Speaker 2>She did put it on the grid. It's an odd moment.

0:07:25.160 --> 0:07:26.320
<v Speaker 2>I should put it on the grid.

0:07:26.440 --> 0:07:28.560
<v Speaker 1>Made also made odder by the camps.

0:07:29.520 --> 0:07:33.800
<v Speaker 3>But it seems that the photo then reminded people of

0:07:33.920 --> 0:07:36.960
<v Speaker 3>a substack post she had published a few weeks ago

0:07:37.080 --> 0:07:40.240
<v Speaker 3>in early May, and it was called please Stay, I

0:07:40.320 --> 0:07:43.000
<v Speaker 3>want you, I need you, Oh God. And apparently that

0:07:43.120 --> 0:07:43.840
<v Speaker 3>is a Benson bit.

0:07:44.760 --> 0:07:47.040
<v Speaker 1>Yeah, I want you, I need you, Oh God.

0:07:47.240 --> 0:07:47.440
<v Speaker 2>Yeah.

0:07:47.480 --> 0:07:49.080
<v Speaker 1>They so.

0:07:49.520 --> 0:07:52.560
<v Speaker 3>I don't understand Holly and her pop music being up

0:07:52.560 --> 0:07:56.520
<v Speaker 3>to date with everything anyway, that's another conversation. But it

0:07:56.680 --> 0:07:58.880
<v Speaker 3>was about her twelve year old son. And here are

0:07:58.880 --> 0:08:03.400
<v Speaker 3>some quotes from that post. It opens with call me

0:08:03.480 --> 0:08:06.200
<v Speaker 3>old fashioned, but I only want my sons to marry

0:08:06.240 --> 0:08:09.880
<v Speaker 3>women with dead mothers, so it's my only shot at

0:08:09.920 --> 0:08:13.440
<v Speaker 3>staying relevant, of seeming useful, and of winning by comparison.

0:08:13.920 --> 0:08:15.960
<v Speaker 1>Please tell me she's joke, she says.

0:08:16.040 --> 0:08:18.559
<v Speaker 3>Several months ago, my eldest was texting with a girl.

0:08:18.640 --> 0:08:21.120
<v Speaker 3>She was twelve, but I could already tell my brand

0:08:21.120 --> 0:08:24.000
<v Speaker 3>of toxic. She was bossing him around and using big words,

0:08:24.000 --> 0:08:27.040
<v Speaker 3>and he was utterly spun. I complained to Jason, her

0:08:27.320 --> 0:08:30.240
<v Speaker 3>husband at the time, that I wanted to intervene before

0:08:30.360 --> 0:08:32.680
<v Speaker 3>he got hurt, and that she wasn't even hotter than me.

0:08:33.840 --> 0:08:37.840
<v Speaker 3>Please start joking, but Jason insisted I let him make

0:08:37.880 --> 0:08:45.000
<v Speaker 3>his own mistakes. Then she writes about how the abandonment

0:08:45.440 --> 0:08:48.840
<v Speaker 3>we eventually endure as boy Morm's is uniquely cruel because

0:08:48.840 --> 0:08:52.640
<v Speaker 3>it begins as worship. They arrive obsessed, dependent, adoring. They

0:08:52.640 --> 0:08:55.800
<v Speaker 3>think we're magic. We think we're magic. We spend years

0:08:55.800 --> 0:08:58.600
<v Speaker 3>being the center of their emotional world, only to slowly

0:08:58.640 --> 0:09:00.719
<v Speaker 3>watch them build one without us.

0:09:00.840 --> 0:09:02.120
<v Speaker 1>That's true of all children.

0:09:02.360 --> 0:09:06.840
<v Speaker 2>Yes, it's actually kind of like a human race, evolutionary

0:09:06.920 --> 0:09:11.680
<v Speaker 2>thing that we have helpless babies, yeah, who then become

0:09:12.000 --> 0:09:13.800
<v Speaker 2>less helpless as time goes on.

0:09:14.040 --> 0:09:17.920
<v Speaker 3>Yes, not so much about needing them to then be

0:09:18.040 --> 0:09:22.600
<v Speaker 3>with somebody with a dead mother. But the final couple

0:09:22.679 --> 0:09:25.679
<v Speaker 3>of lines of her substract were I'm still in it,

0:09:25.760 --> 0:09:28.480
<v Speaker 3>but also somehow outside of it, fully aware I'm living

0:09:28.480 --> 0:09:30.880
<v Speaker 3>through the longest goodbye of my life. I pray that

0:09:30.920 --> 0:09:32.560
<v Speaker 3>at least one of them is gay.

0:09:32.760 --> 0:09:33.520
<v Speaker 1>That's referring to it.

0:09:33.800 --> 0:09:36.520
<v Speaker 2>I worry that there's some part of her here that

0:09:36.679 --> 0:09:39.120
<v Speaker 2>is not joking. And the line that sort of gave

0:09:39.160 --> 0:09:42.080
<v Speaker 2>it away for me is when she writes, I've never

0:09:42.120 --> 0:09:45.200
<v Speaker 2>been broken up with yeah, which, first of all, lady,

0:09:45.280 --> 0:09:47.680
<v Speaker 2>you have never lived. Being broken up with is the

0:09:47.720 --> 0:09:50.800
<v Speaker 2>greatest experience. I recommend it to everyone. She goes on

0:09:50.880 --> 0:09:53.400
<v Speaker 2>to it, I've never been into someone who wasn't just

0:09:53.520 --> 0:09:57.800
<v Speaker 2>slightly more into me, which is a really annoying sing.

0:09:58.960 --> 0:10:01.680
<v Speaker 2>But now karma going to make me pay in spades,

0:10:01.720 --> 0:10:03.640
<v Speaker 2>more likely in the form of some crazy bit. She

0:10:03.800 --> 0:10:06.800
<v Speaker 2>was going to weaponize my flaws in therapy and melt

0:10:06.920 --> 0:10:09.720
<v Speaker 2>or my jewelry. I have a little bit of a

0:10:09.800 --> 0:10:11.960
<v Speaker 2>theory as to why she's sort of.

0:10:12.120 --> 0:10:14.640
<v Speaker 1>That's a rich text me working through some.

0:10:14.760 --> 0:10:17.800
<v Speaker 2>Boy mom feelings on the internet at this particular time,

0:10:18.240 --> 0:10:20.200
<v Speaker 2>and I think a lot of this has to do

0:10:20.480 --> 0:10:23.200
<v Speaker 2>with her divorce from Jason Biggs. Now that name might

0:10:23.240 --> 0:10:26.200
<v Speaker 2>be familiar. He was in American Pie. He was the

0:10:26.320 --> 0:10:29.640
<v Speaker 2>kid in American Pie who put his penis in a

0:10:29.679 --> 0:10:31.240
<v Speaker 2>pie or something. Yeah, what happened.

0:10:31.320 --> 0:10:32.400
<v Speaker 3>I feel like he did a lot of things.

0:10:33.679 --> 0:10:37.520
<v Speaker 2>But that divorce was confirmed to People magazine only two

0:10:37.559 --> 0:10:41.760
<v Speaker 2>weeks ago, so clearly, I think this is a situation

0:10:41.960 --> 0:10:45.960
<v Speaker 2>where a couple is working through some complicated relationship dynamics,

0:10:46.360 --> 0:10:49.600
<v Speaker 2>triangulating those If you'll allow me to esk to parrel

0:10:49.679 --> 0:10:54.280
<v Speaker 2>this situation through the suns, they have a weird dynamic.

0:10:54.480 --> 0:10:57.080
<v Speaker 2>I looked back in twenty nineteen. Yeah, I went into

0:10:57.160 --> 0:11:01.280
<v Speaker 2>Jason Biggs Instagram from twenty nineteen. There is an Instagram

0:11:01.360 --> 0:11:04.679
<v Speaker 2>post where Jenny is embracing their son in happier times.

0:11:04.679 --> 0:11:06.640
<v Speaker 2>They're on a holiday. They've go to Germany every year

0:11:06.679 --> 0:11:10.240
<v Speaker 2>on holiday. The caption on this was there used to

0:11:10.280 --> 0:11:12.640
<v Speaker 2>be a time when my wife wanted to ca noodle

0:11:12.679 --> 0:11:15.760
<v Speaker 2>with me on a mountaintop. And at that point, I

0:11:15.800 --> 0:11:18.200
<v Speaker 2>think the two of you are feeding off each other

0:11:18.280 --> 0:11:20.400
<v Speaker 2>with this, because I get that that's a joke. I

0:11:20.440 --> 0:11:23.080
<v Speaker 2>get that it's all said tongue in cheek. But when

0:11:23.120 --> 0:11:25.440
<v Speaker 2>you are making jokes that are premised on the idea

0:11:25.559 --> 0:11:30.720
<v Speaker 2>that your son has replaced you romantically in some way,

0:11:31.120 --> 0:11:33.840
<v Speaker 2>that's just there's a kernel there if that's how he

0:11:34.040 --> 0:11:35.240
<v Speaker 2>views their son.

0:11:36.320 --> 0:11:40.160
<v Speaker 1>Yes, and but I think that's true. There's clearly a

0:11:40.200 --> 0:11:42.080
<v Speaker 1>lot of stuff going on here, and I you know,

0:11:42.080 --> 0:11:44.439
<v Speaker 1>we're getting to it later in the conversation with today,

0:11:44.440 --> 0:11:46.280
<v Speaker 1>we're going to be talking about women getting attacked for

0:11:46.360 --> 0:11:48.360
<v Speaker 1>telling their stories and like she's allowed to write what

0:11:48.360 --> 0:11:51.000
<v Speaker 1>she wants and think what she wants. But you're right

0:11:51.080 --> 0:11:53.920
<v Speaker 1>that there's a specific dynamic going on. But this is

0:11:54.000 --> 0:11:56.200
<v Speaker 1>much broader than that, the boy mom thing and the

0:11:56.240 --> 0:11:58.200
<v Speaker 1>whole like I don't want them to get married, I

0:11:58.200 --> 0:12:00.440
<v Speaker 1>don't want them to leave me. I don't like and

0:12:00.480 --> 0:12:02.400
<v Speaker 1>the you know you can get a bumper stickers like

0:12:02.880 --> 0:12:05.240
<v Speaker 1>daughters are for life and you know sons will break,

0:12:05.360 --> 0:12:08.360
<v Speaker 1>like all that stuff. It's not specific to these two people.

0:12:08.480 --> 0:12:10.840
<v Speaker 1>This is a much bigger thing, and I find it

0:12:10.960 --> 0:12:14.679
<v Speaker 1>really interesting now. Mia wrote about this a few years ago.

0:12:14.800 --> 0:12:17.040
<v Speaker 1>She one of the most viral things she's ever written,

0:12:17.080 --> 0:12:19.080
<v Speaker 1>and we've talked about it on the show several times since.

0:12:19.600 --> 0:12:23.040
<v Speaker 1>Was about how watching your son growing up will be

0:12:23.120 --> 0:12:26.200
<v Speaker 1>like the longest breakup of your life. And that hit

0:12:26.440 --> 0:12:28.200
<v Speaker 1>a lot of nerves with people in a good way,

0:12:28.240 --> 0:12:32.040
<v Speaker 1>resonated with them, and got shared enormously well. It also

0:12:32.080 --> 0:12:34.200
<v Speaker 1>got a little bit of criticism from corners, which was

0:12:34.200 --> 0:12:38.120
<v Speaker 1>a misunderstanding of what Mia meant. But also I think

0:12:38.960 --> 0:12:42.840
<v Speaker 1>it's a trap for girls because we talk about boys

0:12:42.840 --> 0:12:45.040
<v Speaker 1>and girls so differently in this way where we say

0:12:45.440 --> 0:12:47.840
<v Speaker 1>he's gonna grow up and leave me one day, he's

0:12:47.840 --> 0:12:49.440
<v Speaker 1>going to live his own life and he's not going

0:12:49.520 --> 0:12:51.760
<v Speaker 1>to be around to satisfy all my nurturing needs all

0:12:51.800 --> 0:12:54.559
<v Speaker 1>the time. She on the other hand, he's going to

0:12:54.640 --> 0:12:59.120
<v Speaker 1>stay close, never leave, never leave, fulfill all my needs,

0:12:59.160 --> 0:13:03.040
<v Speaker 1>look after me. When I it's like, guys, haven't we

0:13:03.080 --> 0:13:03.760
<v Speaker 1>moved past this?

0:13:03.760 --> 0:13:03.840
<v Speaker 3>This?

0:13:04.320 --> 0:13:06.760
<v Speaker 1>That might be what happens, but it also might not

0:13:06.920 --> 0:13:11.000
<v Speaker 1>be what happens. Like this very stereotypical sort of jail

0:13:11.120 --> 0:13:13.800
<v Speaker 1>we put girls in, which is that they are emotionally

0:13:13.840 --> 0:13:16.480
<v Speaker 1>responsible for everyone around them all the time, and men

0:13:16.520 --> 0:13:19.440
<v Speaker 1>are expected to go off and be emotionally responsible for

0:13:19.480 --> 0:13:22.880
<v Speaker 1>other people. Can't we kind of move on.

0:13:22.960 --> 0:13:24.120
<v Speaker 2>From that this?

0:13:24.320 --> 0:13:29.080
<v Speaker 3>I remember seeing the criticism to MEA's article at the

0:13:29.200 --> 0:13:31.720
<v Speaker 3>time and it was a very small proportion of people

0:13:31.840 --> 0:13:35.160
<v Speaker 3>who read the article. There were so many who it

0:13:35.320 --> 0:13:38.320
<v Speaker 3>resonated with and they shared it and there were lots

0:13:38.360 --> 0:13:43.320
<v Speaker 3>of tears, But basically part of me was there. She wrote,

0:13:43.320 --> 0:13:45.880
<v Speaker 3>there are so many batshit crazy things about being a parent,

0:13:46.360 --> 0:13:48.600
<v Speaker 3>and one that definitely wasn't in the brochure is the

0:13:48.640 --> 0:13:52.000
<v Speaker 3>way you don't actually parent one person, You parent many,

0:13:52.040 --> 0:13:55.400
<v Speaker 3>many different people who are all your child. And that

0:13:56.840 --> 0:14:02.000
<v Speaker 3>idea is something that now having experience parenthood, I am

0:14:02.080 --> 0:14:04.840
<v Speaker 3>so aware of and thought that she stated so so

0:14:04.840 --> 0:14:08.520
<v Speaker 3>so eloquently, and the fact that I mean, I've got

0:14:08.520 --> 0:14:12.000
<v Speaker 3>a toddler and I'm seeing the distance that she's having

0:14:12.040 --> 0:14:15.240
<v Speaker 3>experiences without me, and she's becoming a person where I'm

0:14:15.280 --> 0:14:16.880
<v Speaker 3>not the only influence in her life.

0:14:17.480 --> 0:14:21.480
<v Speaker 1>That's a very complicated thing that only continues to be complicated.

0:14:21.760 --> 0:14:27.040
<v Speaker 3>Yes, but what I struggle with is there is a

0:14:27.120 --> 0:14:30.760
<v Speaker 3>kernel of truth in this in that if I look

0:14:30.800 --> 0:14:34.280
<v Speaker 3>at my life, and if you look at all the research,

0:14:35.520 --> 0:14:40.920
<v Speaker 3>it is daughters who end up caring for parents as

0:14:41.000 --> 0:14:44.840
<v Speaker 3>they age. It is daughters who do a lot of that,

0:14:45.600 --> 0:14:49.040
<v Speaker 3>the mental load of maintaining the family not always, and

0:14:50.040 --> 0:14:53.600
<v Speaker 3>men do less of it. So I think women's anxiety

0:14:53.680 --> 0:14:59.320
<v Speaker 3>about it or mother's anxiety about it is somewhat valid.

0:15:00.040 --> 0:15:05.280
<v Speaker 3>But the line between a sexual romantic relationship and a

0:15:05.360 --> 0:15:09.240
<v Speaker 3>maternal relationship, I just don't see why that's being blursh.

0:15:09.280 --> 0:15:10.200
<v Speaker 3>It's very confused.

0:15:10.240 --> 0:15:13.880
<v Speaker 1>I find a bit very I know these things are true,

0:15:13.880 --> 0:15:15.840
<v Speaker 1>but then I will always question how much of it

0:15:15.880 --> 0:15:17.920
<v Speaker 1>is true, because it's just what we keep telling everybody

0:15:18.000 --> 0:15:21.320
<v Speaker 1>all the time. Because women's lives have changed enormously. Their

0:15:21.360 --> 0:15:24.680
<v Speaker 1>social mobility is different, their professional arcs are different, A

0:15:24.720 --> 0:15:27.120
<v Speaker 1>whole lot of things are changing very quickly for women.

0:15:27.920 --> 0:15:30.720
<v Speaker 1>And so if we just keep insisting though that these

0:15:30.880 --> 0:15:34.400
<v Speaker 1>are truths, these are unquestionable truths, that your son will

0:15:34.440 --> 0:15:37.200
<v Speaker 1>be swallowed up by some other woman. And it's this

0:15:37.400 --> 0:15:39.920
<v Speaker 1>idea that I find strange, that men can be taken

0:15:40.000 --> 0:15:43.960
<v Speaker 1>and stolen and they belong to you like none of

0:15:44.000 --> 0:15:47.000
<v Speaker 1>our children actually belong to us, And that is one

0:15:47.040 --> 0:15:50.640
<v Speaker 1>of the most enormous realizations you go through as they

0:15:50.640 --> 0:15:54.320
<v Speaker 1>grow up. And so I just I wonder is that

0:15:54.360 --> 0:15:56.560
<v Speaker 1>if we keep saying these things over and over again,

0:15:56.600 --> 0:15:59.960
<v Speaker 1>we just continue to reinforce them. Right, girls can all

0:16:00.120 --> 0:16:02.800
<v Speaker 1>so move off and move into the other worlds. Some

0:16:02.880 --> 0:16:06.440
<v Speaker 1>men stay close. Some men run away from their overbearing

0:16:06.480 --> 0:16:10.800
<v Speaker 1>mothers because they daughters do the same.

0:16:11.160 --> 0:16:14.960
<v Speaker 3>They keep writing weird shit on the internet. As moms

0:16:15.200 --> 0:16:19.680
<v Speaker 3>who have a boy and a girl each, is there

0:16:19.800 --> 0:16:21.680
<v Speaker 3>something different about having a boy?

0:16:21.960 --> 0:16:26.800
<v Speaker 2>No? I find okay, so mystifying okay, and I'm I

0:16:26.880 --> 0:16:30.440
<v Speaker 2>want to ask you why you think the boy moms

0:16:30.520 --> 0:16:34.320
<v Speaker 2>who have the bumper stickers, why do they want to

0:16:34.360 --> 0:16:35.680
<v Speaker 2>tell us that they're a boy mom?

0:16:35.960 --> 0:16:39.800
<v Speaker 3>Okay. I actually have a theory about this, and I've

0:16:39.840 --> 0:16:43.080
<v Speaker 3>experienced it a little bit with this pregnancy. There are

0:16:43.160 --> 0:16:46.400
<v Speaker 3>people where when you say, oh, I'm having a boy,

0:16:46.600 --> 0:16:51.200
<v Speaker 3>they say, are you disappointed? And I think that I

0:16:51.320 --> 0:16:55.520
<v Speaker 3>find that up setting, like.

0:16:55.120 --> 0:16:58.480
<v Speaker 1>Like, are there really people who say that, yeah, because

0:16:58.560 --> 0:16:59.800
<v Speaker 1>boys are hard at work.

0:17:00.240 --> 0:17:05.520
<v Speaker 3>I've thought about it a lot and I find it

0:17:05.600 --> 0:17:06.760
<v Speaker 3>really really distressing.

0:17:07.040 --> 0:17:10.520
<v Speaker 2>And in fact, there was a study done at the

0:17:10.560 --> 0:17:13.040
<v Speaker 2>start of this year that said, for the first time,

0:17:13.160 --> 0:17:16.280
<v Speaker 2>this is an Australian study, for the first time, parents

0:17:16.400 --> 0:17:19.360
<v Speaker 2>expressed a preference more for having a girl than having

0:17:19.400 --> 0:17:21.320
<v Speaker 2>a boy. So there really is a bit of a

0:17:21.359 --> 0:17:25.120
<v Speaker 2>sort of sense now that boys are hard work, trouble.

0:17:25.400 --> 0:17:27.640
<v Speaker 2>They're all going to grow up to be like adolescents

0:17:27.760 --> 0:17:30.840
<v Speaker 2>the TV show and that you just rather have a nice,

0:17:30.920 --> 0:17:31.800
<v Speaker 2>well behaved go. Yeah.

0:17:31.840 --> 0:17:33.640
<v Speaker 1>But there's a flip side to that, which is, as

0:17:33.640 --> 0:17:36.080
<v Speaker 1>soon as you have a girl who enters puberty, everyone

0:17:36.119 --> 0:17:38.480
<v Speaker 1>will go, oh, you've got trouble.

0:17:39.920 --> 0:17:42.199
<v Speaker 2>So you don't get that for boys entering puberty. It's

0:17:42.200 --> 0:17:42.480
<v Speaker 2>a girl.

0:17:42.520 --> 0:17:45.680
<v Speaker 1>It's different. So the stereotypes tend to be that little

0:17:45.720 --> 0:17:47.480
<v Speaker 1>boys are a handful, So you'll hear a lot of

0:17:47.480 --> 0:17:51.280
<v Speaker 1>boy moms and this is entirely valid. Again from my experience,

0:17:51.359 --> 0:17:54.840
<v Speaker 1>it's not necessarily that blanket true because I have a son,

0:17:54.880 --> 0:17:56.760
<v Speaker 1>for example, who doesn't like sport and a daughter who's

0:17:56.760 --> 0:17:58.960
<v Speaker 1>crazy about it. So you know, the world moves in

0:17:59.000 --> 0:18:03.880
<v Speaker 1>mysterious ways. But to generalize broadly, the stereotypes are as

0:18:03.920 --> 0:18:05.719
<v Speaker 1>a boy mum when the kid is little, they'll never

0:18:05.760 --> 0:18:07.399
<v Speaker 1>sit still, they'll be running around, You'll have a lot

0:18:07.400 --> 0:18:09.000
<v Speaker 1>of balls in your house. It'll be you know, you'll

0:18:09.000 --> 0:18:11.359
<v Speaker 1>constantly be apologizing to people because they've smashed a window

0:18:11.400 --> 0:18:14.639
<v Speaker 1>or whatever. And there's definitely truth in that. Whereas girls

0:18:14.640 --> 0:18:17.080
<v Speaker 1>sit nicely in color at the playdates, and you'll hear

0:18:17.160 --> 0:18:19.600
<v Speaker 1>a lot of moms talk about that in a very

0:18:19.640 --> 0:18:22.240
<v Speaker 1>real way, and it's true. Then when they get towards

0:18:22.280 --> 0:18:25.560
<v Speaker 1>like teenage years, you'll get they're like, oh, but girls,

0:18:25.600 --> 0:18:27.600
<v Speaker 1>there's so much trouble. I hope you've got a shotgun.

0:18:27.600 --> 0:18:28.920
<v Speaker 1>I hope she's not going to wear that. I hope

0:18:28.920 --> 0:18:31.800
<v Speaker 1>she's not going to go there. Like, so, you can't

0:18:31.840 --> 0:18:36.440
<v Speaker 1>win in these gender stereotypes. My experience, my personal experience,

0:18:36.440 --> 0:18:38.560
<v Speaker 1>has been that those stereotypes have not played out to

0:18:38.600 --> 0:18:42.840
<v Speaker 1>be true. My personal experience in my family and my

0:18:43.119 --> 0:18:45.199
<v Speaker 1>in law's family as not that it's turned out to

0:18:45.200 --> 0:18:47.119
<v Speaker 1>be true that it's the women who do all the caring.

0:18:47.400 --> 0:18:50.520
<v Speaker 1>My mother in law lived with her son right up

0:18:50.520 --> 0:18:53.159
<v Speaker 1>to her death, and her daughter has never lived anywhere.

0:18:53.480 --> 0:18:56.000
<v Speaker 1>Like you know, I think that all of these things

0:18:56.000 --> 0:18:57.680
<v Speaker 1>that you know, and I've moved to the other side

0:18:57.680 --> 0:18:59.240
<v Speaker 1>of the world and my brother lives around the corner

0:18:59.240 --> 0:19:02.480
<v Speaker 1>from my parents, Like, I just think we get lazy

0:19:02.520 --> 0:19:05.760
<v Speaker 1>with these stereotypes, even though of course there is truth

0:19:06.160 --> 0:19:06.640
<v Speaker 1>to them.

0:19:06.800 --> 0:19:10.400
<v Speaker 3>Yeah, there's a general there's a generalization. But I do

0:19:10.440 --> 0:19:14.280
<v Speaker 3>think that the boy moms are trying to reclaim a

0:19:14.280 --> 0:19:17.520
<v Speaker 3>little pat of their own and say that there's basically

0:19:17.560 --> 0:19:21.600
<v Speaker 3>something sacred and special about being a boy mum, and

0:19:21.640 --> 0:19:23.600
<v Speaker 3>I completely understand that response.

0:19:23.680 --> 0:19:26.280
<v Speaker 2>Yeah, particularly since the tide has turned in terms of

0:19:26.280 --> 0:19:28.240
<v Speaker 2>stereotypes and what people want.

0:19:28.600 --> 0:19:30.600
<v Speaker 1>Do you think that I know, I keep asking the

0:19:30.600 --> 0:19:32.440
<v Speaker 1>same question, but I just have to ask you because

0:19:32.440 --> 0:19:34.640
<v Speaker 1>you might know more about her than me. Is sheer

0:19:34.720 --> 0:19:37.080
<v Speaker 1>comedy writer? Is this satire?

0:19:37.600 --> 0:19:38.399
<v Speaker 2>Okay?

0:19:38.880 --> 0:19:41.960
<v Speaker 3>I have a thing I need to say about satire.

0:19:42.800 --> 0:19:46.400
<v Speaker 3>You can't just write something and then say it satire.

0:19:47.840 --> 0:19:51.880
<v Speaker 3>This happens so often where people are like, it's satirical,

0:19:52.000 --> 0:19:54.359
<v Speaker 3>and it's like, I want you to define satire and

0:19:54.400 --> 0:19:57.360
<v Speaker 3>then tell me how the thing that you wrote actually

0:19:57.359 --> 0:20:00.359
<v Speaker 3>fit that, because I don't think that people saying it

0:20:00.480 --> 0:20:05.080
<v Speaker 3>satire actually understand what satire is. Is she Is she

0:20:05.280 --> 0:20:11.520
<v Speaker 3>seeing a little instinct that she has and exaggerating it. Maybe,

0:20:12.080 --> 0:20:12.840
<v Speaker 3>but it's not.

0:20:14.240 --> 0:20:17.359
<v Speaker 2>It's not making a clever comment, no point, And in

0:20:17.400 --> 0:20:20.040
<v Speaker 2>the context of the divorce. It has to be seen

0:20:20.119 --> 0:20:22.600
<v Speaker 2>in that context. Yeah, that this is the way people

0:20:22.640 --> 0:20:26.560
<v Speaker 2>communicate when communication between them has broken down. This is

0:20:26.640 --> 0:20:29.960
<v Speaker 2>all about what's going on between her and Jason out

0:20:30.000 --> 0:20:33.040
<v Speaker 2>ladders in a moment. Is a whole generation using the

0:20:33.080 --> 0:20:37.840
<v Speaker 2>phrase pov wrong, spend any time on TikTok or as

0:20:37.880 --> 0:20:41.600
<v Speaker 2>I do, watch tiktoks on Instagram and you will see

0:20:41.840 --> 0:20:45.720
<v Speaker 2>a video. Sorry, I'm sorry, Claire.

0:20:46.720 --> 0:20:49.280
<v Speaker 3>No, see what happens is you're getting the tiktoks like

0:20:50.280 --> 0:20:50.919
<v Speaker 3>six months.

0:20:51.119 --> 0:20:55.399
<v Speaker 2>I'm sorry. I'm not getting the pure I'm enriched ship talks.

0:20:55.600 --> 0:20:59.080
<v Speaker 2>I'm getting the distilled TikTok on Instagram. My bad. I'm

0:20:59.080 --> 0:21:04.440
<v Speaker 2>reading books, Claire, that's the I digress. Spend any time

0:21:04.520 --> 0:21:07.480
<v Speaker 2>on TikTok slash Instagram and you will see a video

0:21:07.560 --> 0:21:10.560
<v Speaker 2>with a caption which begins POV. This has become a

0:21:10.680 --> 0:21:13.320
<v Speaker 2>very common format, and that, of course downs for point

0:21:13.320 --> 0:21:15.600
<v Speaker 2>of view. There's an article in the New York Times

0:21:15.600 --> 0:21:18.960
<v Speaker 2>this week that says that everyone under forty is using

0:21:19.160 --> 0:21:24.000
<v Speaker 2>this term wrong as Outlad's official most annoying host. And

0:21:24.080 --> 0:21:26.080
<v Speaker 2>I say that because I'm always on time and I

0:21:26.200 --> 0:21:28.439
<v Speaker 2>used to have the job title of fact checker. That

0:21:28.600 --> 0:21:31.760
<v Speaker 2>is a true thing. This is the second in a

0:21:31.880 --> 0:21:34.640
<v Speaker 2>series of mine, which began on Monday when I lam

0:21:34.760 --> 0:21:39.199
<v Speaker 2>based it jen Z for not using enough capital letters.

0:21:39.920 --> 0:21:42.280
<v Speaker 2>So now in the second of my series, it falls

0:21:42.320 --> 0:21:46.000
<v Speaker 2>to me it seems to explain what POV actually means. Claire.

0:21:46.720 --> 0:21:48.600
<v Speaker 2>I see you have a pen and paper please pick

0:21:48.680 --> 0:21:51.960
<v Speaker 2>up the pen. If you caption a video POV you're

0:21:51.960 --> 0:21:55.640
<v Speaker 2>too short to reach the top shelf. That should feature

0:21:56.160 --> 0:21:59.119
<v Speaker 2>a camera tilted up at something just out of reach.

0:21:59.400 --> 0:22:02.679
<v Speaker 2>It should not picked a short person hopping up and

0:22:02.720 --> 0:22:04.600
<v Speaker 2>down in the middle of the screen trying to reach

0:22:04.640 --> 0:22:08.040
<v Speaker 2>a shlf. You got that POV is being used as

0:22:08.119 --> 0:22:10.840
<v Speaker 2>synonymous with fly on the wall, and that is just

0:22:10.880 --> 0:22:11.200
<v Speaker 2>not right.

0:22:11.320 --> 0:22:13.600
<v Speaker 1>Have you told everybody what it actually stands for?

0:22:13.880 --> 0:22:18.720
<v Speaker 2>Yeah? Yeah, point of view? Holy keep up. Incidentally, the

0:22:18.840 --> 0:22:21.600
<v Speaker 2>same thing, now I have your attention, The same thing

0:22:21.600 --> 0:22:25.040
<v Speaker 2>has happened with aesthetic. That doesn't mean pretty or good

0:22:25.080 --> 0:22:28.440
<v Speaker 2>looking or nice. It means what something looks like. It's

0:22:28.480 --> 0:22:32.840
<v Speaker 2>like the look of something. So that's very aesthetic. Is

0:22:32.880 --> 0:22:34.720
<v Speaker 2>not a correct use of the word as thing.

0:22:34.880 --> 0:22:36.480
<v Speaker 1>God, my daughter says that all the time.

0:22:36.760 --> 0:22:41.080
<v Speaker 2>You can see I am fun at parties. Any questions, Okay?

0:22:41.240 --> 0:22:46.200
<v Speaker 3>Firstly, I went to pitch a branded content video recently

0:22:46.320 --> 0:22:49.840
<v Speaker 3>and went to do the POV trend, and that was

0:22:49.880 --> 0:22:54.600
<v Speaker 3>the moment that I went, no, it's not POV. It's

0:22:54.640 --> 0:22:56.440
<v Speaker 3>not it's fly on the wall, and.

0:22:57.000 --> 0:23:03.160
<v Speaker 2>Which is FOT. Let's bring, let's bring into the mix.

0:23:03.240 --> 0:23:05.760
<v Speaker 3>It's not as catchy as it. No, it's not as catchy,

0:23:06.160 --> 0:23:09.240
<v Speaker 3>and I had a full existential crisis, thinking, well, I

0:23:09.240 --> 0:23:11.480
<v Speaker 3>want to be on trend, I want to be cool,

0:23:11.880 --> 0:23:16.199
<v Speaker 3>but I shan't be doing something that's incorrect. But the

0:23:16.240 --> 0:23:18.879
<v Speaker 3>annoying thing is that whenever you're pointing this out, because

0:23:19.200 --> 0:23:22.000
<v Speaker 3>my mum's an English teacher and so she'll often have

0:23:22.119 --> 0:23:25.520
<v Speaker 3>issues with all sorts of things that I said, and

0:23:25.560 --> 0:23:27.760
<v Speaker 3>then she often has to pull herself up and say.

0:23:27.920 --> 0:23:29.040
<v Speaker 3>Linguists will say.

0:23:29.000 --> 0:23:30.960
<v Speaker 2>You know that. The linguist say, it's fine, I should

0:23:30.960 --> 0:23:33.440
<v Speaker 2>say that. In this New York Times article, they interviewed

0:23:33.440 --> 0:23:37.000
<v Speaker 2>a linguist, a cunning one at that, and they said,

0:23:37.119 --> 0:23:41.000
<v Speaker 2>it's fine, just relax. It is basically relax.

0:23:41.320 --> 0:23:46.240
<v Speaker 3>Language is what language becomes like if the young.

0:23:46.160 --> 0:23:49.719
<v Speaker 2>People English languages. Apparently other languages which I don't speak,

0:23:49.840 --> 0:23:52.400
<v Speaker 2>apparently they're more formal and rigid. But in English we're

0:23:52.400 --> 0:23:55.680
<v Speaker 2>all meant to be lucy goosey. Whatever, man, Matthew McConaughey

0:23:55.720 --> 0:23:58.359
<v Speaker 2>about it all, Holly, how do you feel? Look?

0:23:58.480 --> 0:24:02.480
<v Speaker 1>It irritates me too, But I am done criticizing this

0:24:02.520 --> 0:24:06.480
<v Speaker 1>generation because I just heard about a movie sensation called

0:24:06.520 --> 0:24:10.520
<v Speaker 1>Backrooms Right that came out last week and it made

0:24:10.680 --> 0:24:14.679
<v Speaker 1>eighty million dollars in its first two days. And that

0:24:14.840 --> 0:24:18.399
<v Speaker 1>was made by a YouTuber who is twenty years old.

0:24:18.440 --> 0:24:19.920
<v Speaker 2>And it's such a cool premise.

0:24:20.040 --> 0:24:21.400
<v Speaker 1>And this is the whole thing, and we don't need

0:24:21.440 --> 0:24:23.880
<v Speaker 1>to go. But like the thing is, is this generation

0:24:23.960 --> 0:24:26.720
<v Speaker 1>who've grown up entirely just on TikTok and YouTube, who

0:24:26.720 --> 0:24:28.760
<v Speaker 1>don't know how to use the terms, have started making

0:24:28.840 --> 0:24:32.399
<v Speaker 1>their own work and it's freaking amazing and all of

0:24:32.480 --> 0:24:34.560
<v Speaker 1>us old people need to sit down and shut up.

0:24:34.600 --> 0:24:38.040
<v Speaker 2>Claire. This is why she's the popular one. Moving on.

0:24:38.520 --> 0:24:43.359
<v Speaker 2>Oh Hannah, i'mbinder is a very funny comedian. She's the

0:24:43.359 --> 0:24:47.360
<v Speaker 2>star of Hacks, which just came to a conclusion on HBO.

0:24:48.000 --> 0:24:50.760
<v Speaker 2>But in the lead up to the finale, Hannah gave

0:24:50.760 --> 0:24:53.800
<v Speaker 2>an interview on the show Subway Takes, and she dropped

0:24:53.840 --> 0:24:57.879
<v Speaker 2>a take so controversial I cannot stop thinking about it.

0:24:57.920 --> 0:25:00.159
<v Speaker 2>Here is what she said, So what's your taking? I

0:25:00.240 --> 0:25:04.040
<v Speaker 2>say nice to meet you, and you say we've met.

0:25:04.720 --> 0:25:08.600
<v Speaker 2>That is a violent act against me, Are you serious?

0:25:08.800 --> 0:25:10.320
<v Speaker 1>Honesty is the best policy?

0:25:10.359 --> 0:25:11.200
<v Speaker 2>No, no, no, no, no no no.

0:25:11.600 --> 0:25:14.280
<v Speaker 3>If you tell me that we've met and you remind

0:25:14.320 --> 0:25:17.440
<v Speaker 3>me in this way, with such a loathsome disdain.

0:25:17.920 --> 0:25:20.840
<v Speaker 2>You are embarrassing us. Both you are embarrassing me for

0:25:20.880 --> 0:25:23.240
<v Speaker 2>not remembering you, and frankly you're embarrassing yourself for not

0:25:23.280 --> 0:25:26.800
<v Speaker 2>being memorable. Pollie, you're nodding a full agreement on this.

0:25:27.280 --> 0:25:30.240
<v Speaker 1>As I've gotten older, my memory is not great, and

0:25:30.280 --> 0:25:33.400
<v Speaker 1>when you meet people out of context, in situations out

0:25:33.400 --> 0:25:36.240
<v Speaker 1>of context, I often don't remember that I've met them.

0:25:37.160 --> 0:25:40.720
<v Speaker 1>And it's not offensive. It's not that I'm rude. Maybe

0:25:40.720 --> 0:25:43.760
<v Speaker 1>it is. You'd probably tell me that I am. And

0:25:43.880 --> 0:25:47.239
<v Speaker 1>so I sometimes say these days just to hedge it,

0:25:47.640 --> 0:25:50.359
<v Speaker 1>have we met, or like I think we've met before,

0:25:51.240 --> 0:25:53.760
<v Speaker 1>in order to kind of like open that door. But

0:25:53.840 --> 0:25:56.320
<v Speaker 1>if I say nice to meet you and you come

0:25:56.440 --> 0:26:00.679
<v Speaker 1>straight back with, oh, we've met, I am more, you

0:26:00.760 --> 0:26:02.400
<v Speaker 1>have narrow to the heart.

0:26:02.560 --> 0:26:04.359
<v Speaker 3>Don't you want to be reminded? You could have had

0:26:04.400 --> 0:26:07.200
<v Speaker 3>a real important conversation last time you spoke.

0:26:07.400 --> 0:26:10.560
<v Speaker 1>No way, I want everyone to pretend that it's fine.

0:26:11.000 --> 0:26:14.280
<v Speaker 3>I totally disagree. For me, the violent act is not

0:26:14.400 --> 0:26:18.480
<v Speaker 3>that we've met, it's the nice to meet you Like that's.

0:26:18.560 --> 0:26:21.440
<v Speaker 2>I'm sorry, that's that's a very common pleasantry. What is

0:26:21.480 --> 0:26:22.199
<v Speaker 2>your problem with that?

0:26:22.640 --> 0:26:25.040
<v Speaker 3>Like nice to meet you when you've when you've already met?

0:26:25.080 --> 0:26:25.399
<v Speaker 1>That is?

0:26:26.560 --> 0:26:27.399
<v Speaker 3>That is violent?

0:26:27.560 --> 0:26:31.000
<v Speaker 1>Answer me this. If we have this encounter and I

0:26:31.040 --> 0:26:33.600
<v Speaker 1>say nice to meet you, and you say we've met?

0:26:33.840 --> 0:26:35.360
<v Speaker 1>What am I supposed to say?

0:26:35.640 --> 0:26:43.680
<v Speaker 2>Let's just cooseplay it. I can not cosplay.

0:26:43.040 --> 0:26:44.680
<v Speaker 1>If we were in cocktail dresses.

0:26:44.800 --> 0:26:47.000
<v Speaker 2>That would be so I'm going to hold up my

0:26:47.040 --> 0:26:50.080
<v Speaker 2>mug and I'm at a cocktail party and.

0:26:49.960 --> 0:26:52.480
<v Speaker 1>I say, nice to meet you, merely Lester.

0:26:52.720 --> 0:26:57.080
<v Speaker 2>Oh, actually, Holly, we met once before. Remember we met

0:26:57.119 --> 0:27:01.080
<v Speaker 2>at a party. And no, see it's a conversation. What

0:27:02.400 --> 0:27:05.119
<v Speaker 2>about it? What does Holly say in response?

0:27:05.200 --> 0:27:05.360
<v Speaker 1>Oh?

0:27:05.440 --> 0:27:06.640
<v Speaker 2>Yeah, I remember that.

0:27:08.440 --> 0:27:10.719
<v Speaker 3>Open y you say we met at the party.

0:27:10.960 --> 0:27:13.639
<v Speaker 2>If you take this, it's actually harder than it seems

0:27:13.680 --> 0:27:14.040
<v Speaker 2>to do it.

0:27:14.119 --> 0:27:18.240
<v Speaker 3>Okay, Hi, I'm like, I forget how social.

0:27:17.960 --> 0:27:18.920
<v Speaker 2>Interaction has gone.

0:27:20.480 --> 0:27:21.119
<v Speaker 1>Nice to meet you.

0:27:21.440 --> 0:27:26.000
<v Speaker 2>Nice? Have you ever said nice to meet you, Claire?

0:27:26.080 --> 0:27:27.840
<v Speaker 2>I think that's where we need to start.

0:27:27.920 --> 0:27:29.680
<v Speaker 1>You.

0:27:30.560 --> 0:27:34.760
<v Speaker 2>Actually we met before, Claire at a party. It was

0:27:34.800 --> 0:27:38.119
<v Speaker 2>at that person's house and it was really and we talked.

0:27:38.359 --> 0:27:39.680
<v Speaker 2>We talked about being brow moms.

0:27:39.960 --> 0:27:44.960
<v Speaker 3>Remember, yeah, I love the person whose party that is? Yeah,

0:27:45.080 --> 0:27:49.399
<v Speaker 3>they great. Now we're in conversation if you don't remember, Holly,

0:27:49.600 --> 0:27:51.400
<v Speaker 3>I'm going to be honest, why don't you remember?

0:27:52.320 --> 0:27:53.960
<v Speaker 2>Sometimes you just don't remember.

0:27:54.000 --> 0:27:56.960
<v Speaker 1>You have, like, particularly a professional setting, you have a

0:27:56.960 --> 0:27:59.920
<v Speaker 1>lot of small talk conversations. By the time you get

0:27:59.920 --> 0:28:01.120
<v Speaker 1>to my age.

0:28:02.280 --> 0:28:03.120
<v Speaker 3>To a lot of.

0:28:03.000 --> 0:28:05.440
<v Speaker 1>Things, and you have had a lot of small talk.

0:28:05.520 --> 0:28:08.119
<v Speaker 2>Oh mother, what's something, bloody Blair? How'd you get here?

0:28:08.240 --> 0:28:11.119
<v Speaker 2>Was it all right? I can't remember all of that? Okay,

0:28:11.200 --> 0:28:14.320
<v Speaker 2>I have a question for the group. Since you're divided

0:28:14.359 --> 0:28:17.679
<v Speaker 2>on this, can I suggest that you can say nice

0:28:17.760 --> 0:28:21.480
<v Speaker 2>to see you instead of nice to meet I started

0:28:21.520 --> 0:28:24.520
<v Speaker 2>doing it now. The problem with that is everyone knows

0:28:24.520 --> 0:28:26.560
<v Speaker 2>what you're up to. When you're say nice to see you.

0:28:26.560 --> 0:28:31.040
<v Speaker 2>You're not fooling anyone anyway. You're merely accepting that you

0:28:31.080 --> 0:28:34.159
<v Speaker 2>can't possibly remember whether or not you've met this person.

0:28:34.320 --> 0:28:36.480
<v Speaker 2>But does it kind of work to say nice to

0:28:36.520 --> 0:28:36.840
<v Speaker 2>see you?

0:28:36.960 --> 0:28:39.400
<v Speaker 1>Because it's like did you trip and fall? I'd remember that?

0:28:40.960 --> 0:28:44.400
<v Speaker 1>Were you wearing like a bright red black feathers.

0:28:45.600 --> 0:28:48.520
<v Speaker 2>You said something when we first talked about this, which

0:28:48.520 --> 0:28:51.400
<v Speaker 2>I think was so true. You said it's about ego expand.

0:28:51.160 --> 0:28:55.120
<v Speaker 3>Yes, like when they say nice to meet you and

0:28:55.240 --> 0:28:59.720
<v Speaker 3>you're thinking or saying we've met. The reason you're upset

0:29:00.120 --> 0:29:04.240
<v Speaker 3>is because you're like, why don't I always remember? So

0:29:04.600 --> 0:29:08.720
<v Speaker 3>we actually separate conversation, had to chat about this a

0:29:08.760 --> 0:29:12.160
<v Speaker 3>few weeks ago. I think I have this skill. I'm

0:29:12.200 --> 0:29:18.560
<v Speaker 3>a super recognizer. I really recognize spaces, so I don't

0:29:18.720 --> 0:29:25.760
<v Speaker 3>forget meeting people. But it is a big act of confidence. Sometimes,

0:29:25.800 --> 0:29:28.800
<v Speaker 3>if you had a very fleeting interaction with somebody, it

0:29:28.840 --> 0:29:31.600
<v Speaker 3>takes a lot of audacity to be like, so good

0:29:31.680 --> 0:29:35.120
<v Speaker 3>to see you again, because it is really scary when

0:29:35.120 --> 0:29:38.960
<v Speaker 3>they're like what, who the fuck are you and you're like, oh,

0:29:39.000 --> 0:29:40.959
<v Speaker 3>it had quite a profound impact on me in our

0:29:41.000 --> 0:29:43.800
<v Speaker 3>social interaction. But I do think it is far warmer

0:29:44.840 --> 0:29:48.200
<v Speaker 3>to kind of lead with that. I think it's so

0:29:48.440 --> 0:29:49.320
<v Speaker 3>cold you've.

0:29:49.240 --> 0:29:50.760
<v Speaker 1>Just so if you're on the other side. So, if

0:29:50.760 --> 0:29:54.720
<v Speaker 1>you're the person who's been forgotten, what do you say?

0:29:55.560 --> 0:29:57.720
<v Speaker 1>Would you say to someone you've met me before and

0:29:57.760 --> 0:30:00.200
<v Speaker 1>we talked about this, and you're a bad person because

0:30:00.200 --> 0:30:03.040
<v Speaker 1>you don't remember. No, I mean obviously wouldn't say that

0:30:03.080 --> 0:30:04.840
<v Speaker 1>last bit unless you're really grumpy. No.

0:30:05.080 --> 0:30:07.200
<v Speaker 3>See, it goes the reverse for me. So I am

0:30:07.280 --> 0:30:12.760
<v Speaker 3>not assertive enough to say do your role along with it. Yes. However,

0:30:13.080 --> 0:30:16.720
<v Speaker 3>I love when somebody says that to me, when somebody

0:30:16.720 --> 0:30:19.960
<v Speaker 3>corrects me, because I'm in the unique position where I

0:30:20.280 --> 0:30:25.000
<v Speaker 3>need clarity, because if somebody says, oh, good to see

0:30:25.040 --> 0:30:28.200
<v Speaker 3>you and give me a familiar hug, and I need

0:30:28.200 --> 0:30:31.440
<v Speaker 3>to establish have you met my sister?

0:30:31.920 --> 0:30:32.240
<v Speaker 2>Yes?

0:30:32.760 --> 0:30:34.080
<v Speaker 1>Have you there are two of you.

0:30:34.360 --> 0:30:37.400
<v Speaker 3>Yes, you may have met my sister, and therefore you've

0:30:37.400 --> 0:30:39.800
<v Speaker 3>had a conversation with her. And if we do not

0:30:39.840 --> 0:30:42.320
<v Speaker 3>acknowledge whether we know each other in this moment, we

0:30:42.400 --> 0:30:45.520
<v Speaker 3>will have an entire social interaction where you think I'm

0:30:45.560 --> 0:30:47.560
<v Speaker 3>someone else and it becomes embarrassing for me, and then

0:30:47.560 --> 0:30:50.000
<v Speaker 3>you start calling me Jesse, and then I play along.

0:30:50.080 --> 0:30:53.560
<v Speaker 3>And it's just I need all the clarity in a

0:30:53.680 --> 0:30:56.800
<v Speaker 3>world because it's happened a lot where people.

0:30:57.200 --> 0:31:02.000
<v Speaker 1>I think you are both direct and have excellent social skills.

0:31:02.240 --> 0:31:03.200
<v Speaker 1>So what do you say.

0:31:03.960 --> 0:31:06.800
<v Speaker 2>I've been on both sides of this equation, incredible as

0:31:06.840 --> 0:31:10.080
<v Speaker 2>it is. Some people have forgotten they've met me and

0:31:10.720 --> 0:31:16.240
<v Speaker 2>impact in Australian celebrity who we interacted with recently, she

0:31:16.360 --> 0:31:18.960
<v Speaker 2>and I had interacted many years ago and had in

0:31:19.000 --> 0:31:21.840
<v Speaker 2>fact even a meal together. Oh and I saw her

0:31:21.880 --> 0:31:26.680
<v Speaker 2>at a sort of like quasi professional gathering, and she

0:31:26.680 --> 0:31:28.320
<v Speaker 2>she didn't say nice to meet you. But you know

0:31:28.360 --> 0:31:31.320
<v Speaker 2>when you know someone has no idea who you are,

0:31:31.600 --> 0:31:34.239
<v Speaker 2>and I could just tell that she just thought I

0:31:34.320 --> 0:31:36.640
<v Speaker 2>was some kind of rabid fan. And she's looking at

0:31:36.640 --> 0:31:38.360
<v Speaker 2>me like, why are you talking to me as though

0:31:38.360 --> 0:31:41.280
<v Speaker 2>we've had dinner together? And so I did sort of

0:31:41.320 --> 0:31:44.680
<v Speaker 2>say to her, well, we did have dinner together on

0:31:44.720 --> 0:31:48.880
<v Speaker 2>a couple of occasions, like a decade ago. And you

0:31:48.920 --> 0:31:51.120
<v Speaker 2>know what the worst is when you clarify that you've

0:31:51.120 --> 0:31:54.520
<v Speaker 2>met them and they still don't I'm that happy.

0:31:56.440 --> 0:31:59.960
<v Speaker 1>Had she recently been through perimenopause, Get out of Jeffrey.

0:32:00.520 --> 0:32:02.680
<v Speaker 1>I'm going to I'm going to go with that brain fog,

0:32:03.200 --> 0:32:07.520
<v Speaker 1>brain fog cast over pasts. I'm just going to say it.

0:32:07.600 --> 0:32:10.360
<v Speaker 2>You know who wouldn't say that. You know who wouldn't

0:32:10.360 --> 0:32:13.680
<v Speaker 2>say that to me? Simon Baker, who I meant once

0:32:13.840 --> 0:32:15.440
<v Speaker 2>I may have told you about that.

0:32:15.600 --> 0:32:21.400
<v Speaker 3>God remember, because he'd be like, I listened to this podcast,

0:32:23.400 --> 0:32:26.600
<v Speaker 3>but like, surely then you can have a conversation that's

0:32:26.640 --> 0:32:32.000
<v Speaker 3>got some context about where you were together or who

0:32:32.040 --> 0:32:36.480
<v Speaker 3>you knew in common, or like it opens new windows

0:32:36.800 --> 0:32:40.280
<v Speaker 3>for the conversation to go. I think that transparency is lovely.

0:32:40.320 --> 0:32:42.720
<v Speaker 3>Otherwise you're living a lie. And Holy, I don't know

0:32:42.760 --> 0:32:45.640
<v Speaker 3>how you have entire conversations where you're living a lie.

0:32:45.680 --> 0:32:47.440
<v Speaker 2>I do like that you wrote in your notes on this.

0:32:47.520 --> 0:32:50.640
<v Speaker 2>It's not an authentic social interaction if you're both living

0:32:50.720 --> 0:32:51.160
<v Speaker 2>a lie.

0:32:54.000 --> 0:32:54.840
<v Speaker 1>We have to have.

0:32:57.400 --> 0:32:59.800
<v Speaker 2>Yes, we can't just be collute.

0:33:02.440 --> 0:33:07.840
<v Speaker 1>Peace breaker after the break why women shouldn't write books?

0:33:08.880 --> 0:33:12.800
<v Speaker 1>Guess what women shouldn't write books? And No, this is

0:33:12.880 --> 0:33:15.960
<v Speaker 1>not a new edict from Trump's Department of Tradwives. This

0:33:16.200 --> 0:33:19.240
<v Speaker 1>is a vibe emanating from a whole lot of discourse

0:33:19.320 --> 0:33:21.720
<v Speaker 1>around some of the biggest books of the year so far.

0:33:22.400 --> 0:33:24.600
<v Speaker 1>You've heard us talk about some of them. The novel

0:33:24.640 --> 0:33:27.959
<v Speaker 1>Yesteryear by Kara Claire Burke, that's the tradwife book, and

0:33:28.000 --> 0:33:31.640
<v Speaker 1>the memoirs Famesick by Lena Dunham and Strangers by Belle Burden.

0:33:32.200 --> 0:33:35.480
<v Speaker 1>All of these books have been hugely successful in a

0:33:35.680 --> 0:33:39.280
<v Speaker 1>very difficult market for books right books are struggling. These

0:33:39.280 --> 0:33:44.080
<v Speaker 1>books have been unqualified successes, all written by women, all

0:33:44.200 --> 0:33:48.719
<v Speaker 1>hugely successful. But they have Yesteryear and Strangers in particular

0:33:48.800 --> 0:33:53.640
<v Speaker 1>attracted an enormous amount of criticism too. The author of Yesteryear,

0:33:53.880 --> 0:33:56.400
<v Speaker 1>who has made a lovely amount of money from selling

0:33:56.440 --> 0:33:59.160
<v Speaker 1>the rights to this book, and it's sold the film

0:33:59.200 --> 0:34:02.080
<v Speaker 1>rights to ANH and all those things, has just wrapped

0:34:02.160 --> 0:34:05.479
<v Speaker 1>up her promotional tour. So the more successful your book is,

0:34:05.520 --> 0:34:07.760
<v Speaker 1>the longer that tour will go. If it keeps selling

0:34:07.760 --> 0:34:12.360
<v Speaker 1>a different markets and territories, you're going to be like, oh,

0:34:12.440 --> 0:34:14.319
<v Speaker 1>can you now go to blah blah keep talking about

0:34:14.320 --> 0:34:15.879
<v Speaker 1>it to such and such. So she's had a long

0:34:15.880 --> 0:34:18.080
<v Speaker 1>promotional tour for this book, but it's over, and she

0:34:18.480 --> 0:34:21.080
<v Speaker 1>wrote a notes app, oh its AP's very popular this

0:34:21.120 --> 0:34:23.920
<v Speaker 1>week about it. I'm just going to read a couple

0:34:23.920 --> 0:34:26.560
<v Speaker 1>of the things she has to say about the reaction

0:34:26.680 --> 0:34:30.160
<v Speaker 1>that she's had. I find it genuinely interesting. Writes Kara

0:34:30.280 --> 0:34:33.360
<v Speaker 1>Claire Burke that men can and do create art and

0:34:33.400 --> 0:34:36.600
<v Speaker 1>analyze culture in such a fashion that drives fervent conversation

0:34:36.719 --> 0:34:40.120
<v Speaker 1>and debate and disagreement without the art or analysis in

0:34:40.200 --> 0:34:43.840
<v Speaker 1>question being so frequently relegated to a term, and she

0:34:43.960 --> 0:34:47.520
<v Speaker 1>means rage bait by that term that literally means designed

0:34:47.520 --> 0:34:50.200
<v Speaker 1>to piss someone off. The term rage bait has been

0:34:50.280 --> 0:34:52.640
<v Speaker 1>used to describe three wildly different books the ones we

0:34:52.760 --> 0:34:56.360
<v Speaker 1>just discussed, and the only real connection between them is

0:34:56.360 --> 0:34:59.239
<v Speaker 1>that one they feature imperfect women, two they don't offer

0:34:59.239 --> 0:35:02.319
<v Speaker 1>a clean moral and and three they've been commercially successful.

0:35:02.680 --> 0:35:05.200
<v Speaker 1>When male artists pull this hat trick off, it's considered

0:35:05.239 --> 0:35:08.600
<v Speaker 1>an intellectual achievement. When women do it, it's more often

0:35:08.680 --> 0:35:12.200
<v Speaker 1>characterized as an accident, a mass orchestration, or a cheap

0:35:12.680 --> 0:35:15.520
<v Speaker 1>parlor trick. She says that all these things have been

0:35:15.560 --> 0:35:17.600
<v Speaker 1>qualified as a rage bait designed piece of people off

0:35:17.600 --> 0:35:20.120
<v Speaker 1>when they're just women's stories. Now, as she says, these

0:35:20.120 --> 0:35:23.640
<v Speaker 1>books all really different. Hers is a novel that was

0:35:23.640 --> 0:35:25.920
<v Speaker 1>always going to be viewed as political because of its topic.

0:35:26.320 --> 0:35:29.680
<v Speaker 1>Lena Dnom's, I would argue, has been massively well received. Actually,

0:35:30.600 --> 0:35:33.560
<v Speaker 1>but it is the pov I think I'm using that

0:35:33.560 --> 0:35:38.440
<v Speaker 1>correctly of a once very polarizing figure and Burdens So

0:35:38.640 --> 0:35:41.200
<v Speaker 1>Strangers is about the breakdown of a marriage, and the

0:35:41.200 --> 0:35:44.360
<v Speaker 1>Internet's decided that it's not as exciting as it sounded

0:35:44.400 --> 0:35:47.680
<v Speaker 1>because the deserted wife in question is very rich, richie

0:35:47.760 --> 0:35:51.799
<v Speaker 1>rich rich, and therefore the stakes fellow. All this leads

0:35:51.840 --> 0:35:54.040
<v Speaker 1>me to a piece I read by UK writer Polyvernon

0:35:54.120 --> 0:35:56.319
<v Speaker 1>called Women shouldn't write books, and in that she talks

0:35:56.320 --> 0:35:59.560
<v Speaker 1>about her experiences of publishing a controversial book and getting

0:35:59.600 --> 0:36:03.200
<v Speaker 1>lots and lots of backlash for it. My question is

0:36:03.200 --> 0:36:06.560
<v Speaker 1>we can get to that in a minute. My question is, Amelia,

0:36:06.600 --> 0:36:10.319
<v Speaker 1>are you not allowed to hate Strangers, for example, or Yesteryear,

0:36:10.560 --> 0:36:12.560
<v Speaker 1>think it's not a good book, or that the premise

0:36:12.640 --> 0:36:17.480
<v Speaker 1>is questionable because you are then not supporting the women's.

0:36:17.160 --> 0:36:20.120
<v Speaker 2>Of course, you're allowed to not like these books. I

0:36:20.160 --> 0:36:23.359
<v Speaker 2>couldn't understand where she was coming from on this. I

0:36:23.400 --> 0:36:28.440
<v Speaker 2>have read Strangers. I have not read Yesteryear. Strangers to

0:36:28.560 --> 0:36:32.960
<v Speaker 2>me fell flat as a book for various reasons. We're

0:36:33.000 --> 0:36:35.680
<v Speaker 2>not sort of debating its merits here, but in essence,

0:36:35.840 --> 0:36:38.759
<v Speaker 2>I didn't like that it was the story of a

0:36:38.840 --> 0:36:43.160
<v Speaker 2>marriage breakdown where I got no emotional complexity or sort

0:36:43.200 --> 0:36:46.440
<v Speaker 2>of details of how the husband and wife interacted with

0:36:46.480 --> 0:36:48.680
<v Speaker 2>each other prior to the divorce. That's why I didn't

0:36:48.719 --> 0:36:51.440
<v Speaker 2>like it. Does that make me a bad feminist because

0:36:51.440 --> 0:36:53.480
<v Speaker 2>I felt that the men why I didn't have payoff?

0:36:53.760 --> 0:36:57.319
<v Speaker 1>No? But no, it definitely doesn't. But I think one

0:36:57.360 --> 0:36:59.960
<v Speaker 1>of the things that the people who are supporting this

0:37:00.200 --> 0:37:02.760
<v Speaker 1>view of it would say is that rather than people

0:37:02.800 --> 0:37:04.360
<v Speaker 1>just saying I didn't like this book. It wasn't for

0:37:04.440 --> 0:37:07.480
<v Speaker 1>me shrug. They're like, she should never have been allowed

0:37:07.480 --> 0:37:11.279
<v Speaker 1>to write this book, that the advance was ridiculous, she's

0:37:11.320 --> 0:37:13.680
<v Speaker 1>making all this money, Stada, da da, and it becomes

0:37:13.719 --> 0:37:15.399
<v Speaker 1>like a personal attack about her.

0:37:16.080 --> 0:37:19.160
<v Speaker 2>The criticism I've come across of yesterday, which for the

0:37:19.200 --> 0:37:21.839
<v Speaker 2>most part, I've just been seeing people say, read this book,

0:37:21.840 --> 0:37:26.200
<v Speaker 2>it's amazing. One criticism I did see said that she

0:37:26.719 --> 0:37:31.080
<v Speaker 2>displayed a certain lack of curiosity for the historical period

0:37:31.080 --> 0:37:32.759
<v Speaker 2>which she is writing about. In the book, there was

0:37:32.800 --> 0:37:35.840
<v Speaker 2>not a lot of detail about what life actually was

0:37:35.960 --> 0:37:38.000
<v Speaker 2>like at that time, and it felt a bit flat

0:37:38.000 --> 0:37:41.839
<v Speaker 2>in its depiction. I wonder if she's including negative reviews

0:37:41.880 --> 0:37:44.000
<v Speaker 2>in this idea of women shouldn't be able allowed to

0:37:44.040 --> 0:37:44.640
<v Speaker 2>write books.

0:37:44.960 --> 0:37:49.560
<v Speaker 3>I think there's a big difference between criticism and criticism

0:37:49.719 --> 0:37:52.680
<v Speaker 3>of a piece of art, if that's if that's a

0:37:52.880 --> 0:37:58.520
<v Speaker 3>novel or a memoir, and public shaming. And I did

0:37:58.560 --> 0:38:00.759
<v Speaker 3>a book event the other week with an author and

0:38:00.800 --> 0:38:03.000
<v Speaker 3>we were both laughing about the fact that when you

0:38:03.160 --> 0:38:04.759
<v Speaker 3>get the reason you can't look at good raids or

0:38:04.800 --> 0:38:07.439
<v Speaker 3>anything like that is because when you get a two

0:38:07.560 --> 0:38:10.560
<v Speaker 3>or a three star review. Very often you're like, ah,

0:38:11.280 --> 0:38:15.760
<v Speaker 3>I agree, like like you know you you very much

0:38:15.920 --> 0:38:22.880
<v Speaker 3>are aware of your own shortcoming, your own shortcoming, your

0:38:22.920 --> 0:38:23.840
<v Speaker 3>own blind spots.

0:38:25.480 --> 0:38:27.600
<v Speaker 2>That also applies to podcast reviews.

0:38:27.239 --> 0:38:29.759
<v Speaker 3>Exactly exactly the ones that hurt the most, and when

0:38:29.800 --> 0:38:31.919
<v Speaker 3>you're just that was a bad point.

0:38:32.000 --> 0:38:34.720
<v Speaker 1>Yeah, But those are the ones that hurt the most,

0:38:34.800 --> 0:38:36.560
<v Speaker 1>the ones where they get it right and they press

0:38:36.560 --> 0:38:38.440
<v Speaker 1>on a bruise. But there are a lot of two

0:38:38.520 --> 0:38:40.200
<v Speaker 1>star reviews and stuff that'll just be like I don't

0:38:40.280 --> 0:38:42.759
<v Speaker 1>like her, yes, like about authors and about podcasters and

0:38:42.800 --> 0:38:46.240
<v Speaker 1>about whatever, or I hate that female character because blah,

0:38:46.320 --> 0:38:49.040
<v Speaker 1>Like there are I think that there is a there

0:38:49.160 --> 0:38:52.480
<v Speaker 1>is a difference between the criticism that hurts you and

0:38:52.600 --> 0:38:55.600
<v Speaker 1>like for context here, obviously we're all writers of different kinds,

0:38:55.600 --> 0:38:56.960
<v Speaker 1>and Claire and I have published books.

0:38:57.080 --> 0:39:00.000
<v Speaker 2>There is different don't publish bos because it's unseemly for women,

0:39:00.920 --> 0:39:01.600
<v Speaker 2>you're not allowed.

0:39:01.640 --> 0:39:05.400
<v Speaker 1>Which is good, is that there's a difference between criticism

0:39:05.480 --> 0:39:08.799
<v Speaker 1>that hurts because they're right and you're like, I knew it,

0:39:08.960 --> 0:39:13.520
<v Speaker 1>I knew it, yep, and criticism that hurts because it's personal.

0:39:13.320 --> 0:39:17.440
<v Speaker 3>And criticism that hurts because it seriously is going into

0:39:17.520 --> 0:39:21.520
<v Speaker 3>the category of public shaming it like it feels like

0:39:21.760 --> 0:39:24.920
<v Speaker 3>it is trying to elicit a feeling of shame that

0:39:25.000 --> 0:39:28.239
<v Speaker 3>you even tried and you had no authority or no

0:39:28.440 --> 0:39:30.919
<v Speaker 3>right to even attempt to do what you did.

0:39:31.120 --> 0:39:32.920
<v Speaker 2>And do you feel like you got that when you

0:39:32.960 --> 0:39:36.799
<v Speaker 2>published your book at all? Like that bucket of criticism

0:39:36.800 --> 0:39:39.320
<v Speaker 2>that's personal as opposed to literary in nature.

0:39:39.640 --> 0:39:44.680
<v Speaker 3>No, But I think that if you have a book

0:39:44.920 --> 0:39:49.520
<v Speaker 3>that explodes to the point of yesteryear, then that is

0:39:49.520 --> 0:39:53.560
<v Speaker 3>the question that starts being asked. And Glennon Doyle puts

0:39:53.600 --> 0:39:54.200
<v Speaker 3>it so well.

0:39:54.239 --> 0:39:55.319
<v Speaker 1>She has a quote.

0:39:55.800 --> 0:39:58.200
<v Speaker 3>That says, when a man puts out his work, the

0:39:58.239 --> 0:40:01.080
<v Speaker 3>world asks is his work worthy? When a woman puts

0:40:01.120 --> 0:40:03.600
<v Speaker 3>out her work, the world asks is she worthy of

0:40:03.640 --> 0:40:06.799
<v Speaker 3>putting out work? So rarely will the criticism be about

0:40:06.800 --> 0:40:08.480
<v Speaker 3>her work at all? It will be about her.

0:40:08.640 --> 0:40:12.240
<v Speaker 1>Yes, now, But if you're if the piece in question

0:40:12.360 --> 0:40:16.040
<v Speaker 1>is a memoir, isn't that valid? I know, like that's

0:40:16.120 --> 0:40:20.160
<v Speaker 1>tricky there, because I think that she's absolutely right about that,

0:40:20.320 --> 0:40:22.719
<v Speaker 1>like that, whether it's fiction or not. But if you're if,

0:40:23.320 --> 0:40:26.720
<v Speaker 1>isn't criticism of a memoir being about you? Of course,

0:40:26.760 --> 0:40:28.800
<v Speaker 1>inherently it's going to be about you and whether or

0:40:28.840 --> 0:40:30.480
<v Speaker 1>not you should have got the memoir deal and D

0:40:30.600 --> 0:40:31.040
<v Speaker 1>D D.

0:40:31.360 --> 0:40:34.240
<v Speaker 3>I think there is a line like with Bell Burden,

0:40:34.640 --> 0:40:38.200
<v Speaker 3>it's like, well, she doesn't not have a right to

0:40:38.280 --> 0:40:41.000
<v Speaker 3>tell her story at all, but you're allowed to look

0:40:41.040 --> 0:40:44.880
<v Speaker 3>at her memoir and think there were there were blind spots.

0:40:44.880 --> 0:40:48.080
<v Speaker 2>Well, and the whole act of criticism is meant to

0:40:48.120 --> 0:40:51.640
<v Speaker 2>be about taking the work on its own terms and

0:40:51.640 --> 0:40:55.000
<v Speaker 2>then assessing its success on those terms. So Bell Burden

0:40:55.040 --> 0:40:59.400
<v Speaker 2>wrote a divorce memoir. And what worries me is I

0:40:59.440 --> 0:41:04.360
<v Speaker 2>don't want women's writing to be relegated to this category

0:41:04.440 --> 0:41:07.360
<v Speaker 2>of is not worthy of criticism and is not worthy

0:41:07.400 --> 0:41:11.040
<v Speaker 2>of real, informed and intelligent debate, because that is an

0:41:11.080 --> 0:41:14.440
<v Speaker 2>act of respect to say, Okay, you wrote a divorce memoir.

0:41:14.560 --> 0:41:17.600
<v Speaker 2>Let's assess it as a divorce memoir. Is it successful

0:41:17.640 --> 0:41:20.399
<v Speaker 2>at what it's set out to do? That's we want

0:41:20.440 --> 0:41:23.439
<v Speaker 2>women's work to be assessed in that serious minded way.

0:41:24.040 --> 0:41:29.120
<v Speaker 3>And there is some language though around some of these books,

0:41:29.160 --> 0:41:32.719
<v Speaker 3>and I think Yesteryear in particular. It's interesting. I have

0:41:33.719 --> 0:41:36.279
<v Speaker 3>followed Carol Claire Burke, and I feel like I've seen

0:41:36.320 --> 0:41:39.120
<v Speaker 3>the arc of her emotional response to this, which at

0:41:39.160 --> 0:41:42.440
<v Speaker 3>first was very I've written this book. It no longer

0:41:42.480 --> 0:41:45.160
<v Speaker 3>belongs to me. It is to go out there. You

0:41:45.200 --> 0:41:49.360
<v Speaker 3>can say whatever belongs about it. It does, but it

0:41:49.400 --> 0:41:52.879
<v Speaker 3>belongs to the reader, who decides how it lands for them.

0:41:53.800 --> 0:41:58.480
<v Speaker 3>But then I understand that some of the commentary and

0:41:58.520 --> 0:42:03.280
<v Speaker 3>criticism around it has been so personal and does seem

0:42:03.400 --> 0:42:08.239
<v Speaker 3>so gendered that it would be impossible. She Okay, it

0:42:08.360 --> 0:42:14.440
<v Speaker 3>keeps getting described as like, basically, of course it's successful.

0:42:14.520 --> 0:42:18.319
<v Speaker 3>It's ripped from the headlines, it's ripped from the zion,

0:42:18.480 --> 0:42:22.680
<v Speaker 3>and it's like every book ever is somewhat dependent on

0:42:22.800 --> 0:42:28.000
<v Speaker 3>what the zeitgeist was. She hasn't done something malicious or

0:42:28.520 --> 0:42:30.960
<v Speaker 3>like self serving by taking an idea.

0:42:30.719 --> 0:42:31.439
<v Speaker 1>That was in the heat.

0:42:31.520 --> 0:42:34.360
<v Speaker 3>Cuddy, Yeah, basically that she cheated.

0:42:34.640 --> 0:42:37.880
<v Speaker 1>Here's the thing about your point, Amelia, about which is

0:42:37.880 --> 0:42:40.359
<v Speaker 1>a very good point about women's work being worthy of

0:42:40.360 --> 0:42:43.640
<v Speaker 1>serious criticism. The problem with that is that serious criticism

0:42:43.680 --> 0:42:45.759
<v Speaker 1>has changed. So that used to be like did you

0:42:45.800 --> 0:42:47.320
<v Speaker 1>get a review in the New York Times or the

0:42:47.320 --> 0:42:50.520
<v Speaker 1>Australian lower the literary supplement. Now it's like, are there

0:42:50.560 --> 0:42:54.320
<v Speaker 1>twenty million substack opinion pieces about this? And everybody is

0:42:54.320 --> 0:42:57.520
<v Speaker 1>writing algorithms, and everybody knows that Yester Year or Strangers

0:42:57.600 --> 0:42:59.560
<v Speaker 1>or whatever is the hot thing, and that you'll get

0:42:59.560 --> 0:43:01.880
<v Speaker 1>more clicked, more views if you say something negative than

0:43:01.880 --> 0:43:05.000
<v Speaker 1>if you say something positive. So that kind of removes

0:43:05.120 --> 0:43:09.000
<v Speaker 1>the pure intention of whether anyone really is assessing the work.

0:43:09.719 --> 0:43:13.239
<v Speaker 1>Polly Vernon, in her article about with the very rage

0:43:13.239 --> 0:43:15.520
<v Speaker 1>baby headline of women shouln't write books, which obviously I've

0:43:15.520 --> 0:43:19.320
<v Speaker 1>stolen because it's great. She's talking about a specific experience

0:43:19.360 --> 0:43:21.200
<v Speaker 1>that she had years ago where she wrote a non

0:43:21.280 --> 0:43:24.920
<v Speaker 1>fiction book with the rage baby title Hot Feminist that

0:43:25.239 --> 0:43:27.920
<v Speaker 1>landed at exactly the wrong cultural moment, and she got

0:43:27.920 --> 0:43:30.399
<v Speaker 1>a viscerated, and she said it's taken her a long

0:43:30.440 --> 0:43:32.719
<v Speaker 1>time to understand why, and she now just puts it

0:43:32.760 --> 0:43:34.480
<v Speaker 1>down to woman and woman jealousy, which I'd love to

0:43:34.520 --> 0:43:36.279
<v Speaker 1>get your take on. This is what she writes. I

0:43:36.320 --> 0:43:38.600
<v Speaker 1>have much more clarity on it now. I really couldn't

0:43:38.600 --> 0:43:41.399
<v Speaker 1>fathom would have gone so horribly wrong initially, But ten

0:43:41.480 --> 0:43:43.480
<v Speaker 1>years on, I think women can just be awful to

0:43:43.520 --> 0:43:45.360
<v Speaker 1>each other, and never more so than if one of

0:43:45.440 --> 0:43:47.480
<v Speaker 1>us looks like she might be getting a smidge more

0:43:47.520 --> 0:43:50.840
<v Speaker 1>attention than all the others think is fair. Now, that

0:43:51.000 --> 0:43:53.040
<v Speaker 1>is very much true of these books that have been

0:43:53.080 --> 0:43:55.400
<v Speaker 1>massive smashes, right, and I got a lot of attention

0:43:55.480 --> 0:43:57.719
<v Speaker 1>with that book. She says, why her? Why not them?

0:43:57.760 --> 0:43:59.439
<v Speaker 1>When will it be their turn? What if it's never

0:43:59.440 --> 0:44:03.280
<v Speaker 1>their turn? Simple? Boring and depressing as that thoughts.

0:44:03.640 --> 0:44:07.359
<v Speaker 3>I have to say, my life changed when I realized this,

0:44:07.600 --> 0:44:12.200
<v Speaker 3>when I realized that a lot of my anger to

0:44:12.600 --> 0:44:16.840
<v Speaker 3>or like wanting to and not in any public just

0:44:17.600 --> 0:44:23.000
<v Speaker 3>internally wanting to criticize other women actually examining that and thinking,

0:44:23.040 --> 0:44:25.759
<v Speaker 3>hold on, is this because I'm actually jealous of what

0:44:25.800 --> 0:44:29.839
<v Speaker 3>they're achieving, and then seeing that as a bit of

0:44:29.880 --> 0:44:33.200
<v Speaker 3>a sign of what I wanted to do and what

0:44:33.280 --> 0:44:36.239
<v Speaker 3>I wanted to pursue, and therefore changing my perspective on it.

0:44:36.840 --> 0:44:40.040
<v Speaker 3>Like I do feel like my life change when I

0:44:40.080 --> 0:44:41.160
<v Speaker 3>realized that go on to.

0:44:41.560 --> 0:44:44.080
<v Speaker 2>Women are better than this Gale. Men are not sitting

0:44:44.160 --> 0:44:47.800
<v Speaker 2>around saying I didn't like the new James Patterson Airport thriller,

0:44:47.960 --> 0:44:51.160
<v Speaker 2>But maybe that's because I'm just really jealous of James Patterson,

0:44:51.280 --> 0:44:54.360
<v Speaker 2>said no man ever. Look on the other hand, it

0:44:54.400 --> 0:44:56.520
<v Speaker 2>did make me pause for a second because I was

0:44:56.560 --> 0:44:59.000
<v Speaker 2>about to sort of throw at you wholly the idea

0:44:59.080 --> 0:45:01.680
<v Speaker 2>that fame sick, as you mentioned before, Lena Dunn's and

0:45:02.080 --> 0:45:06.320
<v Speaker 2>got a near universal positive response. But then I thought,

0:45:06.480 --> 0:45:10.040
<v Speaker 2>maybe that's because as a culture, we've already cut Lena

0:45:10.120 --> 0:45:12.960
<v Speaker 2>Dunna down to what we perceive to be the right size,

0:45:13.080 --> 0:45:16.000
<v Speaker 2>and so at this point she doesn't have that sort

0:45:16.040 --> 0:45:19.400
<v Speaker 2>of cultural cachet. She's certainly not at the height of

0:45:19.440 --> 0:45:23.040
<v Speaker 2>her influence right now, and maybe that makes everyone feel

0:45:23.080 --> 0:45:24.919
<v Speaker 2>a little bit better about the fact that she also

0:45:24.960 --> 0:45:26.360
<v Speaker 2>happened to write a superb book.

0:45:26.640 --> 0:45:28.560
<v Speaker 1>Yeah, I think that's one hundred per cent true of me.

0:45:28.640 --> 0:45:28.759
<v Speaker 2>Lean.

0:45:28.880 --> 0:45:30.680
<v Speaker 1>I also think there's a bit of revisionist well I

0:45:30.719 --> 0:45:32.920
<v Speaker 1>think not even revisionist history, the fact that we have

0:45:33.000 --> 0:45:35.640
<v Speaker 1>perspective now and what we did to her, you know,

0:45:35.680 --> 0:45:38.000
<v Speaker 1>and that's part of her book. The thing that this

0:45:38.120 --> 0:45:40.239
<v Speaker 1>where this gets tricky, this thing about we all need

0:45:40.239 --> 0:45:42.839
<v Speaker 1>to support each other all the time. I know from

0:45:42.880 --> 0:45:47.440
<v Speaker 1>my perspective that I do not like to criticize, and

0:45:47.480 --> 0:45:49.640
<v Speaker 1>I'm just going to say it. I know, like other

0:45:49.680 --> 0:45:52.000
<v Speaker 1>women's work in this way, I don't like it because

0:45:52.400 --> 0:45:54.719
<v Speaker 1>I do feel like I'm more of the mindset of

0:45:54.800 --> 0:45:59.520
<v Speaker 1>celebrate what you like don't disparage what you don't and

0:45:59.560 --> 0:46:01.480
<v Speaker 1>in that in terms of well, I might not have

0:46:01.560 --> 0:46:04.359
<v Speaker 1>loved that latest book by so and so, but I'm

0:46:04.400 --> 0:46:08.200
<v Speaker 1>not gonna don't. I feel really uncomfortable about that. It's like, well,

0:46:08.200 --> 0:46:10.000
<v Speaker 1>then I'm just not going to tell people to read that,

0:46:10.080 --> 0:46:11.400
<v Speaker 1>do you know what I mean? I don't feel I

0:46:11.480 --> 0:46:14.600
<v Speaker 1>need to go online and write four hundred words about

0:46:14.600 --> 0:46:16.120
<v Speaker 1>why I think she shouldn't have got the book.

0:46:16.160 --> 0:46:16.359
<v Speaker 2>Deal.

0:46:16.719 --> 0:46:19.560
<v Speaker 1>To me, I just feel like that is not my place.

0:46:19.640 --> 0:46:22.440
<v Speaker 1>I think that there's serious criticism to your point, Amelia,

0:46:22.680 --> 0:46:25.240
<v Speaker 1>that is actually addressing the work and not the person.

0:46:25.280 --> 0:46:28.080
<v Speaker 1>And then there's just a whole lot of algorithmic nonsense

0:46:28.080 --> 0:46:29.960
<v Speaker 1>that I don't want to be part of. Like but

0:46:30.360 --> 0:46:32.000
<v Speaker 1>not I always remember, and I know this is a

0:46:32.000 --> 0:46:34.840
<v Speaker 1>really weird comparison, but you know, I was briefly obsessed

0:46:34.840 --> 0:46:37.239
<v Speaker 1>with that TV show Somebody Feed Feel right, where he

0:46:37.239 --> 0:46:39.359
<v Speaker 1>goes around the world needs food and he always loves

0:46:39.400 --> 0:46:41.439
<v Speaker 1>the food. His whole show is just him like eating

0:46:41.440 --> 0:46:46.240
<v Speaker 1>food and going yeah whatever, in Japan, in Korea, in wherever,

0:46:46.600 --> 0:46:49.200
<v Speaker 1>and people always say to him, where are the ship meals?

0:46:49.200 --> 0:46:51.160
<v Speaker 1>And he says, I don't put the ship meals like

0:46:51.360 --> 0:46:55.200
<v Speaker 1>antib Yeah, he's like, I know. I'm aware of my power,

0:46:55.239 --> 0:46:57.239
<v Speaker 1>I'm aware of my platform. I'm not going to go

0:46:57.320 --> 0:47:01.000
<v Speaker 1>to somebody's restaurant cafe and tell the world I think

0:47:01.040 --> 0:47:03.919
<v Speaker 1>it's terrible and make their life hard like that isn't

0:47:04.200 --> 0:47:06.560
<v Speaker 1>that isn't pure criticism. It's not worthy of respect, but

0:47:06.600 --> 0:47:07.640
<v Speaker 1>it's responsible.

0:47:08.000 --> 0:47:10.320
<v Speaker 2>No, I get that. I just want to be sure.

0:47:10.440 --> 0:47:14.080
<v Speaker 2>There's a danger in that, which is that if every

0:47:14.200 --> 0:47:17.439
<v Speaker 2>woman says, well, I don't want to ever actually sort

0:47:17.480 --> 0:47:21.799
<v Speaker 2>of engage critically with a work by a woman, what

0:47:21.880 --> 0:47:25.160
<v Speaker 2>that means and what that results in is the sidelining

0:47:25.239 --> 0:47:28.759
<v Speaker 2>of women's voices, because if you can't take them seriously,

0:47:28.920 --> 0:47:32.120
<v Speaker 2>and if you can't grapple with their shortcomings as well

0:47:32.160 --> 0:47:36.520
<v Speaker 2>as their good qualities, you are going to end up

0:47:36.560 --> 0:47:40.080
<v Speaker 2>with everything that women right being called chick.

0:47:39.880 --> 0:47:46.319
<v Speaker 3>Lit, not worthy of interrogation. But I do think that

0:47:46.400 --> 0:47:51.240
<v Speaker 3>there's an element here, and your James Patterson example speaks

0:47:51.280 --> 0:47:53.280
<v Speaker 3>to this, and I do think it depends what kind

0:47:53.320 --> 0:47:56.600
<v Speaker 3>of whether it's memoir where it does blur the line

0:47:56.640 --> 0:48:01.399
<v Speaker 3>between who you are and the actual sent hand, whether

0:48:01.440 --> 0:48:04.560
<v Speaker 3>you're touching on a cultural issue. I mean with Yesteryear

0:48:04.600 --> 0:48:09.239
<v Speaker 3>that author was on she's a podcaster and she for

0:48:09.280 --> 0:48:11.719
<v Speaker 3>a long time had been on social media talking about this,

0:48:11.800 --> 0:48:14.200
<v Speaker 3>so there's also the personal connection.

0:48:13.880 --> 0:48:14.360
<v Speaker 2>To the work.

0:48:14.960 --> 0:48:16.759
<v Speaker 3>But I do think that as evidence that we are

0:48:16.840 --> 0:48:21.480
<v Speaker 3>still prosecuting some big questions about feminism in real time,

0:48:22.000 --> 0:48:26.920
<v Speaker 3>and whether women owe it to us to always reflect

0:48:27.480 --> 0:48:31.560
<v Speaker 3>our experiences, and whether we have this instinct that we

0:48:31.719 --> 0:48:37.319
<v Speaker 3>can't resist of fighting against other women's privilege, and like

0:48:37.360 --> 0:48:41.239
<v Speaker 3>the Bell Burden example is fascinating because the idea that

0:48:41.280 --> 0:48:44.399
<v Speaker 3>she is somehow protected from the distress of heartbreak and

0:48:44.440 --> 0:48:48.839
<v Speaker 3>divorce because she happened to have money is something that

0:48:48.880 --> 0:48:52.359
<v Speaker 3>I think women are doing. Women do to each other.

0:48:54.239 --> 0:48:56.759
<v Speaker 2>She doesn't have to worry about not having a roof

0:48:56.800 --> 0:48:57.080
<v Speaker 2>over it.

0:48:57.440 --> 0:49:00.520
<v Speaker 1>I think that's not criticism of the book, but criticism

0:49:00.520 --> 0:49:02.920
<v Speaker 1>of the situation. It's like, how high are the stakes?

0:49:02.960 --> 0:49:04.480
<v Speaker 1>A lot of women go through divorce and they are

0:49:04.480 --> 0:49:05.640
<v Speaker 1>on the streets.

0:49:05.280 --> 0:49:09.600
<v Speaker 3>Right, But is it her job, woman's experience at all?

0:49:09.680 --> 0:49:09.960
<v Speaker 2>It's not.

0:49:10.040 --> 0:49:11.879
<v Speaker 1>So what I meant is like I need to say

0:49:11.960 --> 0:49:14.080
<v Speaker 1>that in that I think it is a different experience.

0:49:14.080 --> 0:49:16.440
<v Speaker 1>But then you need to take away from the idea

0:49:16.480 --> 0:49:18.839
<v Speaker 1>that this is a divorce memoir that speaks to everyone

0:49:18.880 --> 0:49:21.920
<v Speaker 1>about everything. This is rich person's divorce memoir, which is

0:49:21.960 --> 0:49:24.799
<v Speaker 1>pervy and interesting in itself right how the other half live?

0:49:24.840 --> 0:49:27.960
<v Speaker 1>I love that shit. We could clearly keep talking for

0:49:28.040 --> 0:49:29.920
<v Speaker 1>a week. Today on.

0:49:31.520 --> 0:49:31.960
<v Speaker 2>We will do.

0:49:32.160 --> 0:49:36.040
<v Speaker 1>This conversation will continue off my friends. Please tell us

0:49:36.040 --> 0:49:38.080
<v Speaker 1>what you think in out louders or wherever you like

0:49:38.160 --> 0:49:41.080
<v Speaker 1>to engage with us. Massive thank you to all of

0:49:41.080 --> 0:49:42.640
<v Speaker 1>you for being here with us and to our team

0:49:42.719 --> 0:49:44.760
<v Speaker 1>helping us put the show together. We'll see you tomorrow.

0:49:44.840 --> 0:49:49.319
<v Speaker 3>Bye, Mummyer acknowledges the traditional owners of the land on

0:49:49.360 --> 0:49:51.000
<v Speaker 3>which we have recorded this podcast.