1 00:00:10,614 --> 00:00:15,294 Speaker 1: You're listening to a Muma Mia podcast. Mamma Mia acknowledges 2 00:00:15,334 --> 00:00:18,174 Speaker 1: the traditional owners of land and waters that this podcast 3 00:00:18,214 --> 00:00:23,134 Speaker 1: is recorded on Hi. I'm Claire Murphy. This is Mumma 4 00:00:23,174 --> 00:00:26,974 Speaker 1: MIA's twice daily news podcast, The Quickie. Since the premiere 5 00:00:27,014 --> 00:00:29,334 Speaker 1: of the new movie It Ends with Us, Blake Lively 6 00:00:29,454 --> 00:00:32,374 Speaker 1: has been on the press tour from Hell, criticized for 7 00:00:32,374 --> 00:00:35,854 Speaker 1: her responses to questions, scolded for choosing now to launch 8 00:00:35,854 --> 00:00:38,654 Speaker 1: a haircare line when the movie content is so serious. 9 00:00:38,974 --> 00:00:41,814 Speaker 1: Past interviews are being resurfaced to claim her a real 10 00:00:41,854 --> 00:00:44,774 Speaker 1: life mean girl. So why is this happening? Is the 11 00:00:44,814 --> 00:00:48,294 Speaker 1: criticism warranted? Or is she just experiencing what so many 12 00:00:48,374 --> 00:00:51,294 Speaker 1: other women in Hollywood have? The time she gets pulled 13 00:00:51,294 --> 00:00:54,654 Speaker 1: from her pedestal, we break down the Blake Lively Justin 14 00:00:54,694 --> 00:00:57,294 Speaker 1: Baldoni feud and try to get a better understanding of 15 00:00:57,334 --> 00:01:00,654 Speaker 1: where Hollywood power now lies. But first let's get the 16 00:01:00,694 --> 00:01:03,734 Speaker 1: latest from the Quickie newsroom. Wednesday, August twenty one, the 17 00:01:03,774 --> 00:01:07,454 Speaker 1: Israeli military has recovered the bodies of six hostages taken 18 00:01:07,534 --> 00:01:10,174 Speaker 1: in the October seven attack that started the current war 19 00:01:10,214 --> 00:01:14,174 Speaker 1: in Gaza. The bodies of eighty year old's Chaimperi and Euromedga. 20 00:01:14,494 --> 00:01:17,454 Speaker 1: Seventy nine year old Avraham Munda, seventy six year old 21 00:01:17,454 --> 00:01:20,774 Speaker 1: Alexander Dancy, fifty one year old Nado of Popolwell and 22 00:01:20,894 --> 00:01:24,054 Speaker 1: thirty five year old Jagev Bushdav were retrieved in an 23 00:01:24,134 --> 00:01:27,534 Speaker 1: overnight operation in southern Gaza, the IDF saying they were 24 00:01:27,614 --> 00:01:30,774 Speaker 1: killed during a time when troops were operating in carn Unis. 25 00:01:31,014 --> 00:01:34,454 Speaker 1: Hamas says some captives have been killed in Israeli air strikes, 26 00:01:34,614 --> 00:01:37,614 Speaker 1: but returning hostages have revealed the struggle to survive in 27 00:01:37,654 --> 00:01:40,974 Speaker 1: the difficult conditions in captivity, including a lack of food 28 00:01:41,054 --> 00:01:44,174 Speaker 1: and medical care. The recovery is a blow to Hamas, 29 00:01:44,174 --> 00:01:47,734 Speaker 1: who were hoping to exchange hostages for more Palestinian prisoners 30 00:01:47,974 --> 00:01:51,294 Speaker 1: and Israeli withdrawal and a long term ceasefire. There are 31 00:01:51,414 --> 00:01:54,254 Speaker 1: urgent calls to roll up a sleeve, with blood donors 32 00:01:54,294 --> 00:01:57,054 Speaker 1: canceling at the highest rates in five years due to 33 00:01:57,094 --> 00:01:59,974 Speaker 1: suffering cold and flu symptoms. The drop off, which has 34 00:02:00,054 --> 00:02:02,614 Speaker 1: left as many as one thousand donor chairs empty each 35 00:02:02,694 --> 00:02:05,574 Speaker 1: week during winter, has led to the Australian Red Cross 36 00:02:05,614 --> 00:02:08,534 Speaker 1: putting out a call for eighty five hundred people over 37 00:02:08,574 --> 00:02:11,294 Speaker 1: the next week to drop into their nearest donor center 38 00:02:11,414 --> 00:02:14,894 Speaker 1: and help replenish stock. Every week Australian needs thirty three 39 00:02:14,934 --> 00:02:18,734 Speaker 1: thousand donations to meet demand. Lifeblood will struggle to meet 40 00:02:18,814 --> 00:02:22,854 Speaker 1: patient needs if cancelations continue and appointments aren't filled after 41 00:02:22,894 --> 00:02:25,894 Speaker 1: this period where cold and flu rates peak. With only 42 00:02:25,974 --> 00:02:29,214 Speaker 1: three percent of adult Ozzie's donating blood and plasma regularly 43 00:02:29,574 --> 00:02:33,174 Speaker 1: but fifty seven percent eligible to do so, it's estimated 44 00:02:33,174 --> 00:02:35,774 Speaker 1: there's an extra ten million people out there who could 45 00:02:35,814 --> 00:02:40,214 Speaker 1: help right now. Ozzi's in regional areas are leading complaints 46 00:02:40,254 --> 00:02:43,654 Speaker 1: to telcos in recent years, with fifty two thousand reports 47 00:02:43,694 --> 00:02:46,934 Speaker 1: about phone and internet service issues made since July twenty 48 00:02:46,974 --> 00:02:50,974 Speaker 1: twenty one. The telecommunications industry Onbardsman has told her review 49 00:02:51,014 --> 00:02:54,974 Speaker 1: into regional telecommunications that they understand that number may only 50 00:02:55,014 --> 00:02:58,054 Speaker 1: be the tip of the iceberg, with an estimated forty 51 00:02:58,094 --> 00:03:01,094 Speaker 1: six percent of Australians who experience a telco challenge in 52 00:03:01,094 --> 00:03:04,614 Speaker 1: the past twelve months not lodging a complaint. The cases 53 00:03:04,654 --> 00:03:07,454 Speaker 1: include a man living in a remote indigenous community who 54 00:03:07,494 --> 00:03:10,974 Speaker 1: waited six months to have his broken, unrepaired phone returned 55 00:03:11,014 --> 00:03:14,094 Speaker 1: to him after having to travel a significant distance to 56 00:03:14,134 --> 00:03:17,014 Speaker 1: his Telco's closest store to drop it off, and another 57 00:03:17,054 --> 00:03:19,654 Speaker 1: man who spent six hours stuck in his crashed vehicle 58 00:03:19,694 --> 00:03:23,654 Speaker 1: waiting for help, unable to call emergency services. With her 59 00:03:23,734 --> 00:03:27,574 Speaker 1: Olympic notoriety still following her, there are reports Ossie breakdownser 60 00:03:27,694 --> 00:03:31,254 Speaker 1: Raygun might head into the jungle. New Idea magazine is 61 00:03:31,294 --> 00:03:34,094 Speaker 1: reporting that Raygun is being courted by the producers of 62 00:03:34,134 --> 00:03:36,494 Speaker 1: I'm a Celebrity, Get Me out of Here to join 63 00:03:36,534 --> 00:03:39,414 Speaker 1: other stars of TV, music, comedy and sport living in 64 00:03:39,454 --> 00:03:43,374 Speaker 1: the African wilderness, their every moment caught on camera. Raygun 65 00:03:43,374 --> 00:03:45,854 Speaker 1: failed to win a single round of her breaking debut 66 00:03:45,934 --> 00:03:49,414 Speaker 1: in Paris, pulling out moves like the Sprinkler and the Kangaroo, 67 00:03:49,454 --> 00:03:52,494 Speaker 1: which captured the world's attention. Adele speaking about her at 68 00:03:52,534 --> 00:03:55,334 Speaker 1: her concert, and Jimmy Fallon imitating her in a sketch. 69 00:03:55,654 --> 00:03:57,774 Speaker 1: A stint in the jungle would come after she made 70 00:03:57,774 --> 00:04:00,694 Speaker 1: a surprise appearance at the Logis That's What's happening in 71 00:04:00,694 --> 00:04:01,254 Speaker 1: the world today? 72 00:04:01,254 --> 00:04:01,534 Speaker 2: Next? 73 00:04:01,694 --> 00:04:04,814 Speaker 1: Is Blake Lively really the worst woman in Hollywood right now? 74 00:04:05,174 --> 00:04:08,254 Speaker 1: Or is she experiencing what happens when women gain too 75 00:04:08,334 --> 00:04:20,254 Speaker 1: much power? When Colleen Hoover's twenty sixteen novel It Ends 76 00:04:20,254 --> 00:04:23,254 Speaker 1: with Us, a story of how a woman experiences domestic 77 00:04:23,334 --> 00:04:26,574 Speaker 1: violence and manages to come out the other side, received 78 00:04:26,614 --> 00:04:29,974 Speaker 1: such high levels of critical acclaim it wasn't surprising to 79 00:04:29,974 --> 00:04:32,934 Speaker 1: find out that it would be made into a movie. 80 00:04:32,974 --> 00:04:36,694 Speaker 1: In twenty nineteen, director and actor Justin Baldoni secured the 81 00:04:36,734 --> 00:04:39,894 Speaker 1: rights to the book, saying he had massive respect for Hoover, 82 00:04:40,214 --> 00:04:42,134 Speaker 1: and then Hoover was excited for him to take on 83 00:04:42,174 --> 00:04:44,094 Speaker 1: the challenge of adapting it to the screen. 84 00:04:44,294 --> 00:04:47,414 Speaker 2: And you love something so much, and when you're touched 85 00:04:47,414 --> 00:04:50,214 Speaker 2: and moved by something like as deeply as I was 86 00:04:50,254 --> 00:04:53,054 Speaker 2: by this book, it just kind of comes naturally. Yes, 87 00:04:53,094 --> 00:04:56,014 Speaker 2: this is a movie about love and hope, but that 88 00:04:56,054 --> 00:04:58,334 Speaker 2: we don't shy away from the issue. 89 00:04:58,974 --> 00:05:01,854 Speaker 1: Baldoni would not only direct and produce the movie, but 90 00:05:01,894 --> 00:05:06,014 Speaker 1: would also star as the emotionally and physically abusive Rale Kinkaid, 91 00:05:06,374 --> 00:05:09,374 Speaker 1: alongside the main character of the book, Lily Bloom played 92 00:05:09,534 --> 00:05:13,574 Speaker 1: Blake Lively. Now, all seemed fine, but when the press 93 00:05:13,574 --> 00:05:16,774 Speaker 1: tour began, it was evident that something had gone down 94 00:05:16,774 --> 00:05:19,934 Speaker 1: on the set. Baldoni was not doing any joint cast 95 00:05:20,014 --> 00:05:22,734 Speaker 1: interviews and none of them followed him on social media 96 00:05:22,814 --> 00:05:26,494 Speaker 1: despite or following each other. He attended separate screenings to 97 00:05:26,534 --> 00:05:28,734 Speaker 1: the rest of the cast and sat on separate panels 98 00:05:28,774 --> 00:05:31,334 Speaker 1: discussing it if they were required to be at the 99 00:05:31,334 --> 00:05:33,854 Speaker 1: same event. He would arrive after the rest of the 100 00:05:33,894 --> 00:05:36,294 Speaker 1: cast had walked to the red carpet, and there's not 101 00:05:36,374 --> 00:05:40,054 Speaker 1: been a single photo of all of them together. What 102 00:05:40,254 --> 00:05:43,854 Speaker 1: had Baldoni done to alienate the entire cast and crew 103 00:05:43,854 --> 00:05:47,174 Speaker 1: of this movie. No one was saying anything on the record, 104 00:05:47,454 --> 00:05:50,494 Speaker 1: but rumors started to spread that Lively had taken control 105 00:05:50,534 --> 00:05:54,254 Speaker 1: of the movie from Baldoni during filming, multiple sources saying 106 00:05:54,254 --> 00:05:57,854 Speaker 1: there'd been competing cuts of the film, with Baldoni's edits 107 00:05:57,854 --> 00:06:01,494 Speaker 1: scoring higher with the audience. Despite this, rumor has it 108 00:06:01,574 --> 00:06:04,534 Speaker 1: that Lively took over Baldoni's edit and was able to 109 00:06:04,574 --> 00:06:08,494 Speaker 1: do so because of the power she currently holds in Hollywood. 110 00:06:08,694 --> 00:06:12,774 Speaker 1: Alongside her equally his powerful husband, Ryan Reynolds. There were 111 00:06:12,814 --> 00:06:15,894 Speaker 1: stories that Reynolds was asked to help rewrite some scenes 112 00:06:16,214 --> 00:06:19,774 Speaker 1: while the friendship between Lively, Reynolds, and Hoover grew, putting 113 00:06:19,774 --> 00:06:23,014 Speaker 1: Baldoni on the sidelines to the point that he is 114 00:06:23,094 --> 00:06:26,814 Speaker 1: no longer listed as a producer in the credits. With 115 00:06:26,894 --> 00:06:29,974 Speaker 1: all this information pointing to Justin Baldoni being frozen out 116 00:06:29,974 --> 00:06:33,454 Speaker 1: of the process, stories started to circulate that Lively was 117 00:06:33,494 --> 00:06:37,414 Speaker 1: a closet mean girl. Journalist Kirsty Flower reposted her twenty 118 00:06:37,414 --> 00:06:40,894 Speaker 1: sixteen interview with The Star where Lively seemingly takes offense 119 00:06:40,934 --> 00:06:43,894 Speaker 1: to being congratulated on her pregnancy, which she had just 120 00:06:44,014 --> 00:06:47,494 Speaker 1: recently publicly announced, pointing out the interview almost made her 121 00:06:47,574 --> 00:06:50,134 Speaker 1: quit her job, as Lively almost ignored her for the 122 00:06:50,214 --> 00:06:52,094 Speaker 1: duration of the chat first. 123 00:06:51,934 --> 00:06:54,134 Speaker 3: All congrats on your little bomb. 124 00:06:54,574 --> 00:06:55,814 Speaker 4: Congrats on your little bump. 125 00:06:56,814 --> 00:07:00,134 Speaker 1: More and more stories of Lively's bad behavior began to circulate, 126 00:07:00,254 --> 00:07:02,734 Speaker 1: people upset that she spent more time focused on her 127 00:07:02,774 --> 00:07:05,934 Speaker 1: floral themed outfits than talking about the heavy topics from 128 00:07:05,974 --> 00:07:09,494 Speaker 1: the movie. Her handling of direct questions about domestic violence 129 00:07:09,694 --> 00:07:13,694 Speaker 1: were criticized, especially when compared to Baldoni seemingly more thoughtful 130 00:07:13,694 --> 00:07:15,494 Speaker 1: of the victim survivors' responses. 131 00:07:16,294 --> 00:07:19,054 Speaker 5: If a Lily Bloom in real life consider in this 132 00:07:19,094 --> 00:07:22,454 Speaker 5: theater and maybe make a different choice for herself than 133 00:07:22,574 --> 00:07:24,894 Speaker 5: was made for her, Maybe she sees herself on that 134 00:07:24,934 --> 00:07:28,094 Speaker 5: screen and chooses something prefer herself That's why I made 135 00:07:28,094 --> 00:07:28,694 Speaker 5: the movie. 136 00:07:28,934 --> 00:07:32,534 Speaker 4: So if someone understands the themes of this movie comes 137 00:07:32,534 --> 00:07:35,174 Speaker 4: across you in public and they want to really talk 138 00:07:35,214 --> 00:07:37,014 Speaker 4: to you, what's the best way for them to be 139 00:07:37,094 --> 00:07:38,494 Speaker 4: able to talk to you about this? How would you 140 00:07:38,494 --> 00:07:39,374 Speaker 4: recommend they go about it? 141 00:07:39,414 --> 00:07:42,814 Speaker 5: Like asking for my address or my phone number, or 142 00:07:42,854 --> 00:07:45,854 Speaker 5: like my location share or I could just location share you 143 00:07:46,054 --> 00:07:46,854 Speaker 5: and then we could. 144 00:07:47,174 --> 00:07:51,854 Speaker 1: Uh. But is this a case of one star's ego 145 00:07:51,934 --> 00:07:54,454 Speaker 1: gone wild? Or is it more that a woman is 146 00:07:54,494 --> 00:07:57,574 Speaker 1: now in place of power once reserved for Hollywood men, 147 00:07:58,134 --> 00:08:01,854 Speaker 1: and some don't like it. Laura Brodnick is Mamma May's 148 00:08:01,894 --> 00:08:04,054 Speaker 1: head of entertainment and the co host of our daily 149 00:08:04,054 --> 00:08:07,254 Speaker 1: pop culture podcast, This Spill Laura. Back when the Me 150 00:08:07,294 --> 00:08:10,654 Speaker 1: Too movement happened, we realized how much of a stronghold 151 00:08:10,774 --> 00:08:14,174 Speaker 1: men like Harvey Weinstein, for example, held over the careers 152 00:08:14,174 --> 00:08:17,254 Speaker 1: of stars. Is that still the case? Are these producers 153 00:08:17,294 --> 00:08:19,574 Speaker 1: still the gods of Hollywood? Or are the stars more 154 00:08:19,614 --> 00:08:20,254 Speaker 1: powerful now? 155 00:08:21,774 --> 00:08:24,414 Speaker 3: I think nowadays, now that so many celebrities have their 156 00:08:24,454 --> 00:08:28,494 Speaker 3: own personal brands and their own personal social media empires 157 00:08:28,774 --> 00:08:31,294 Speaker 3: and their own production companies, they have a bit more 158 00:08:31,334 --> 00:08:34,654 Speaker 3: power than celebrities from the last few decades because back 159 00:08:34,654 --> 00:08:36,654 Speaker 3: in the day, especially in Hollywood, there was a real 160 00:08:36,694 --> 00:08:39,134 Speaker 3: monopoly of just you know, kind of four big studios. 161 00:08:39,454 --> 00:08:41,294 Speaker 3: If you were in with those studios, you got work. 162 00:08:41,374 --> 00:08:43,134 Speaker 3: If you were out, there was nowhere else to go. 163 00:08:43,494 --> 00:08:45,934 Speaker 3: Now we've seen that dynamic change and there are a 164 00:08:45,974 --> 00:08:48,974 Speaker 3: few big power players, like someone like a Margo Robbie 165 00:08:49,054 --> 00:08:51,454 Speaker 3: or a Ryan Reynolds who have a lot of power 166 00:08:51,574 --> 00:08:54,534 Speaker 3: behind the scenes and are also very bankable stars. I 167 00:08:54,534 --> 00:08:56,654 Speaker 3: think being bankable is always going to be the biggest 168 00:08:56,654 --> 00:09:00,134 Speaker 3: power play. But we haven't moved away completely yet from 169 00:09:00,134 --> 00:09:03,254 Speaker 3: that monopoly of studios. So the biggest power players in 170 00:09:03,294 --> 00:09:06,774 Speaker 3: Hollywood are still the people that head up these multi 171 00:09:06,814 --> 00:09:10,214 Speaker 3: billion dollar studios. So someone like Bob Eiger, who is 172 00:09:10,294 --> 00:09:13,334 Speaker 3: the head of the Walt Disney Company. They obviously own 173 00:09:13,454 --> 00:09:18,814 Speaker 3: everything from IP to studios to streaming. Someone like Kevin 174 00:09:18,854 --> 00:09:22,254 Speaker 3: Fagey who's the president of Marvel Studios, who has made 175 00:09:22,254 --> 00:09:24,934 Speaker 3: over thirty billion dollars, They're still going to have more 176 00:09:24,974 --> 00:09:27,774 Speaker 3: power and more clout than a celebrity. But we are 177 00:09:27,854 --> 00:09:30,334 Speaker 3: seeing a few of those celebrity brands come into power 178 00:09:30,374 --> 00:09:30,854 Speaker 3: a bit more. 179 00:09:31,934 --> 00:09:34,614 Speaker 1: Well, you mentioned Ryan Reynolds there, and Deadpool and Wolverine 180 00:09:34,654 --> 00:09:36,694 Speaker 1: essentially has come out at the same time as Blake 181 00:09:36,734 --> 00:09:40,454 Speaker 1: Lively's movie. It ends with Us, and she's had crossovers 182 00:09:40,494 --> 00:09:42,894 Speaker 1: in his movie as well, She's Lady Deadpool. Their kids 183 00:09:42,934 --> 00:09:46,374 Speaker 1: made cameos in that movie. How much of all of 184 00:09:46,454 --> 00:09:52,814 Speaker 1: this could potentially be a PR move, Like how much 185 00:09:52,814 --> 00:09:56,534 Speaker 1: are Blake Lively and Ryan Reynolds sort of coming into 186 00:09:56,534 --> 00:10:00,334 Speaker 1: this as power players in Hollywood as opposed to say, 187 00:10:00,694 --> 00:10:02,974 Speaker 1: wanting to pull off major PR stunts to get more 188 00:10:03,014 --> 00:10:04,614 Speaker 1: people to go and see their movies. 189 00:10:05,414 --> 00:10:07,854 Speaker 3: Oh, everything about the way these two movies have been 190 00:10:07,894 --> 00:10:10,654 Speaker 3: released is very much looked at, not so much on 191 00:10:10,694 --> 00:10:13,214 Speaker 3: the artistic side of it, although there is that as well, 192 00:10:13,454 --> 00:10:15,934 Speaker 3: but they've more been released in a way that's very 193 00:10:16,014 --> 00:10:20,094 Speaker 3: centered on them as personal brands and their businesses away 194 00:10:20,094 --> 00:10:22,654 Speaker 3: from these movies, and how do they bring their businesses 195 00:10:23,014 --> 00:10:25,894 Speaker 3: into this to kind of capitalize on these two movies 196 00:10:25,894 --> 00:10:28,574 Speaker 3: coming out. So I don't think it's any coincidence that 197 00:10:28,654 --> 00:10:32,294 Speaker 3: they've been released in similar time frames. Also, the fact 198 00:10:32,334 --> 00:10:34,534 Speaker 3: that Deadpool came out first and that had a lot of, 199 00:10:34,534 --> 00:10:37,374 Speaker 3: you know, big celebrity cameos and a lot of goodwill, 200 00:10:37,494 --> 00:10:40,054 Speaker 3: a lot of fandom, and that was really kind of 201 00:10:40,054 --> 00:10:42,814 Speaker 3: setting the scene to lead into this Ends with US 202 00:10:42,854 --> 00:10:46,494 Speaker 3: press tour. We also saw crossovers like with Hugh Jackman, 203 00:10:46,574 --> 00:10:48,934 Speaker 3: who was in the new Deadpool movie, doing a big 204 00:10:49,014 --> 00:10:51,614 Speaker 3: Vogue cover and spread with Blake Lively, so it was 205 00:10:51,654 --> 00:10:54,934 Speaker 3: bringing these two movies together and trying to capture these 206 00:10:54,974 --> 00:10:58,974 Speaker 3: two audiences. We also saw Ryan Reynolds sort of promoting 207 00:10:58,974 --> 00:11:01,214 Speaker 3: a lot of his different businesses and his company and 208 00:11:01,254 --> 00:11:03,934 Speaker 3: his Gin company along the time he was doing the 209 00:11:03,974 --> 00:11:06,894 Speaker 3: Deadpool press and he and Blake doing a lot of 210 00:11:07,014 --> 00:11:09,854 Speaker 3: red carpets together, a lot of joint interviews. That was 211 00:11:09,894 --> 00:11:12,174 Speaker 3: really capitalizing on the love people have for them as 212 00:11:12,214 --> 00:11:14,374 Speaker 3: a couple. And then on top of that, you had 213 00:11:14,454 --> 00:11:18,014 Speaker 3: Blake Lively launching her new haircare brand, Blake Brown, at 214 00:11:18,054 --> 00:11:20,614 Speaker 3: the same time as this Ends with Us press tour 215 00:11:20,774 --> 00:11:23,054 Speaker 3: was kicking off, and that was done to kind of 216 00:11:23,094 --> 00:11:25,654 Speaker 3: capitalize on the fact that all eyes would be on 217 00:11:25,734 --> 00:11:28,294 Speaker 3: her to launch new business. So everything about this rollout 218 00:11:28,294 --> 00:11:31,774 Speaker 3: has been very centered around setting up their personal businesses 219 00:11:32,174 --> 00:11:34,654 Speaker 3: to have the same sort of fame as these movies 220 00:11:34,654 --> 00:11:35,134 Speaker 3: are going to have. 221 00:11:36,094 --> 00:11:39,054 Speaker 1: Some of the rumors that have been going around about 222 00:11:39,174 --> 00:11:43,894 Speaker 1: the fallout between Blake Lively and Justin Baldoni, is that 223 00:11:44,974 --> 00:11:48,934 Speaker 1: they sided with Blake Lively because she is holding the 224 00:11:49,014 --> 00:11:52,294 Speaker 1: power in this relationship. Now she's got backers who've come 225 00:11:52,294 --> 00:11:54,814 Speaker 1: in to help her make this movie work. She's taken 226 00:11:54,854 --> 00:11:58,454 Speaker 1: over essentially the final edit of this movie, and she's 227 00:11:58,494 --> 00:12:02,134 Speaker 1: been essentially named as potentially the director of any sequel 228 00:12:02,134 --> 00:12:04,574 Speaker 1: that comes from this. Do you think that Carlston Crue 229 00:12:04,614 --> 00:12:07,934 Speaker 1: had any choice but to back Lively in this situation, 230 00:12:08,014 --> 00:12:10,214 Speaker 1: because I mean, potentially it could mean work for them 231 00:12:10,254 --> 00:12:10,814 Speaker 1: down the track. 232 00:12:11,534 --> 00:12:11,694 Speaker 2: Oh. 233 00:12:11,734 --> 00:12:14,534 Speaker 3: Absolutely. I think in Hollywood especially, it's like any other 234 00:12:14,574 --> 00:12:17,774 Speaker 3: business where you really have to align yourself with the 235 00:12:17,814 --> 00:12:19,814 Speaker 3: person who you see is having the most power or 236 00:12:19,814 --> 00:12:21,974 Speaker 3: the safest bet and I think in this case it's 237 00:12:22,094 --> 00:12:25,214 Speaker 3: very much Blake Lively and Ryan Reynolds because they are, 238 00:12:25,334 --> 00:12:27,974 Speaker 3: you know, a power couple, and not only do they 239 00:12:27,974 --> 00:12:30,414 Speaker 3: have they're very well known for having a wide circle 240 00:12:30,414 --> 00:12:33,094 Speaker 3: of friends in Hollywood, but also they're very involved in 241 00:12:33,094 --> 00:12:35,854 Speaker 3: the production of their businesses. They have these huge kind 242 00:12:35,894 --> 00:12:38,534 Speaker 3: of companies behind them, a huge team. They also both 243 00:12:38,574 --> 00:12:41,814 Speaker 3: have a huge amount of social media presence and clout, 244 00:12:42,174 --> 00:12:45,334 Speaker 3: and so that's really going to overshadow someone like Justin Baldoni, 245 00:12:45,374 --> 00:12:47,254 Speaker 3: who I think before this a lot of people had 246 00:12:47,294 --> 00:12:49,694 Speaker 3: known him from his TV work. He's not a banner 247 00:12:49,694 --> 00:12:52,254 Speaker 3: director whose name you would put over the poster of 248 00:12:52,294 --> 00:12:54,294 Speaker 3: a movie and know that it's going to bring people in. 249 00:12:54,374 --> 00:12:56,454 Speaker 3: He's not at that stage yet. So if you're looking 250 00:12:56,494 --> 00:12:58,694 Speaker 3: for someone to side with, you would go with the 251 00:12:58,694 --> 00:13:01,734 Speaker 3: big power couple, who are kind of known for bringing 252 00:13:01,734 --> 00:13:04,774 Speaker 3: their friends into their projects and taking their friends on 253 00:13:04,854 --> 00:13:07,854 Speaker 3: red carpets with them and promoting their own projects. And 254 00:13:07,934 --> 00:13:09,734 Speaker 3: it has been said that some of the people people 255 00:13:09,774 --> 00:13:12,014 Speaker 3: who have worked on the movie have switched over to 256 00:13:12,094 --> 00:13:15,254 Speaker 3: the management team that will run things for Blake and 257 00:13:15,334 --> 00:13:17,734 Speaker 3: Ryan because they've had an introduction. They've kind of brought 258 00:13:17,774 --> 00:13:19,774 Speaker 3: them into the fold. And so I think if you're 259 00:13:19,814 --> 00:13:21,414 Speaker 3: going to side with someone, it doesn't make sense that 260 00:13:21,454 --> 00:13:22,854 Speaker 3: you would side with the power couple. 261 00:13:23,814 --> 00:13:25,814 Speaker 1: What role do you think misogyny is playing in the 262 00:13:25,814 --> 00:13:29,534 Speaker 1: treatment of Blake Lively during this press tour, because I 263 00:13:29,694 --> 00:13:33,094 Speaker 1: was wondering what impact it would have if we found 264 00:13:33,094 --> 00:13:35,814 Speaker 1: out that a male movie star, let's I don't know, 265 00:13:35,814 --> 00:13:38,294 Speaker 1: for example, say George Clooney was known to have taken 266 00:13:38,334 --> 00:13:40,814 Speaker 1: over the running of a movie in the background and 267 00:13:40,854 --> 00:13:44,054 Speaker 1: put his skills to work and did his final letter, 268 00:13:44,054 --> 00:13:46,574 Speaker 1: which is the one that finally gets up. Would we 269 00:13:46,614 --> 00:13:49,094 Speaker 1: be as upset with George Clooney as we are with 270 00:13:49,214 --> 00:13:52,694 Speaker 1: Blake Lively? And would we have painted George Clooney as 271 00:13:53,054 --> 00:13:55,654 Speaker 1: a mean boy as we've now painted Blake Lively as 272 00:13:55,694 --> 00:13:57,094 Speaker 1: a mean girl? No. 273 00:13:57,174 --> 00:14:00,294 Speaker 3: I think misogyny definitely plays a role here because why 274 00:14:00,334 --> 00:14:02,614 Speaker 3: this has taken off in such an extreme fashion and 275 00:14:02,614 --> 00:14:05,574 Speaker 3: why it's domaining algorithms and my old interviews being pulled 276 00:14:05,654 --> 00:14:07,454 Speaker 3: up and it's kind of been dressed up in a 277 00:14:07,534 --> 00:14:11,294 Speaker 3: very specific way, is that there's nothing that media outlets 278 00:14:11,414 --> 00:14:14,414 Speaker 3: and social media uses. There's nothing that brings on clicks 279 00:14:14,414 --> 00:14:18,214 Speaker 3: and traffic to websites and conversations more than someone who 280 00:14:18,254 --> 00:14:22,214 Speaker 3: is seen as a conventionally attractive, successful woman being kind 281 00:14:22,254 --> 00:14:24,734 Speaker 3: of having this downfall and kind of being seen to 282 00:14:24,774 --> 00:14:27,654 Speaker 3: have been tricking people or to being seen as something 283 00:14:27,814 --> 00:14:30,174 Speaker 3: that they're not. That always is going to bring across 284 00:14:30,214 --> 00:14:32,694 Speaker 3: the most kind of media coverage. And that's why I 285 00:14:32,734 --> 00:14:34,454 Speaker 3: think this has taken on a life of its own, 286 00:14:34,894 --> 00:14:37,614 Speaker 3: and it's something that we've seen time and time again, 287 00:14:37,854 --> 00:14:40,374 Speaker 3: probably more recently with the Amber Heard and Johnny Depp trial, 288 00:14:40,414 --> 00:14:44,934 Speaker 3: where you saw that algorithms and tweets and different stories 289 00:14:45,094 --> 00:14:47,694 Speaker 3: can influence the way people think because it's what they're 290 00:14:47,694 --> 00:14:51,054 Speaker 3: seeing their social media feeds flooded with. And so we're 291 00:14:51,094 --> 00:14:53,934 Speaker 3: seeing that so much now with Blake Lively, just because 292 00:14:53,934 --> 00:14:56,494 Speaker 3: it's what the algorithm favors. It's what people are clicking on, 293 00:14:56,534 --> 00:14:58,974 Speaker 3: what they're sharing, what they're using to kind of promote 294 00:14:59,254 --> 00:15:02,494 Speaker 3: their own platforms, and we don't see that quite as 295 00:15:02,574 --> 00:15:04,814 Speaker 3: much with male celebrities. We know that we can give 296 00:15:04,854 --> 00:15:06,894 Speaker 3: them a bit more of a pass because we're also 297 00:15:06,934 --> 00:15:09,454 Speaker 3: not critiquing kind of what they're wearing, how they're interacting 298 00:15:09,614 --> 00:15:12,094 Speaker 3: with their friends, what they've said in the past, and 299 00:15:12,134 --> 00:15:14,774 Speaker 3: having that emotional connection to characters. So all of these 300 00:15:14,814 --> 00:15:17,494 Speaker 3: things have really set her up to not come out 301 00:15:17,534 --> 00:15:20,094 Speaker 3: of this being as successful as she was going in. 302 00:15:22,534 --> 00:15:25,094 Speaker 1: Until Baldoni or Lively or both of them sit down 303 00:15:25,134 --> 00:15:28,014 Speaker 1: and hash this out publicly, we may never know exactly 304 00:15:28,054 --> 00:15:30,654 Speaker 1: what went down behind the scenes of it ends with us, 305 00:15:30,934 --> 00:15:32,774 Speaker 1: but what we do know is if they do make 306 00:15:32,814 --> 00:15:35,294 Speaker 1: a sequel, Baldoni probably won't be there. 307 00:15:35,694 --> 00:15:38,294 Speaker 5: I think there are better people for that one. I 308 00:15:38,294 --> 00:15:40,574 Speaker 5: think there are better people for that one. I think 309 00:15:40,574 --> 00:15:43,054 Speaker 5: Blake Live is ready to direct. That's what I think. 310 00:15:42,694 --> 00:15:46,054 Speaker 1: So thanks for tuning in today taking some time to 311 00:15:46,054 --> 00:15:48,814 Speaker 1: feed your mind. You can hear Laura's full Logi's Red 312 00:15:48,854 --> 00:15:51,694 Speaker 1: Carpet behind the scenes expose on the Spill this week. 313 00:15:52,014 --> 00:15:55,214 Speaker 1: Just check it out wherever you get your podcasts. The 314 00:15:55,334 --> 00:15:58,054 Speaker 1: Quickie is produced by me Claire Murphy and our senior 315 00:15:58,094 --> 00:16:02,174 Speaker 1: producer Taylor Strano, with production support from Telyissa Perzads. Audio 316 00:16:02,214 --> 00:16:03,534 Speaker 1: production by Jacob Brown.