WEBVTT - Looking Change Right In the Eye

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<v Speaker 1>You're listening to a Mamma Mia podcast.

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<v Speaker 2>Mamma Mere acknowledges the traditional owners of land and waters

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<v Speaker 2>that this podcast is recorded on.

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<v Speaker 3>You've changed.

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<v Speaker 2>It's an accusation, a spiky barb.

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<v Speaker 3>How dare you?

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<v Speaker 2>We all knew who you were, we'd got comfortable with

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<v Speaker 2>the space and the shape you take up in our lives,

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<v Speaker 2>and now you've gone and changed. You're spreading, moving, stretching, questioning,

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<v Speaker 2>You're settling into yourself. You're accepting fewer excuses, you're offering

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<v Speaker 2>fewer absolutions, you're giving fewer.

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<v Speaker 3>You know the drill, don't change. Stay who you were.

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<v Speaker 2>Please, all parts of you, your faith and your body,

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<v Speaker 2>of course, will be strictly marked on how little or

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<v Speaker 2>much they have altered over time. But also please keep

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<v Speaker 2>a tight grip on actual you, on inside that matters.

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<v Speaker 2>Please stay where you are and who you were, particularly

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<v Speaker 2>if it suited us, nurtured us, made life easier for

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<v Speaker 2>us at every turn, particularly if you being you and

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<v Speaker 2>doing the things that you were doing allowed me to

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<v Speaker 2>be me and do all the things that I wanted

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<v Speaker 2>to do and just kept the world turning exactly as

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<v Speaker 2>it was. Well, good luck with that, because they call

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<v Speaker 2>it the change this time of life, and for many

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<v Speaker 2>of us it can feel like something big is rolling

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<v Speaker 2>in and stirring everything up. From this vantage point, when

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<v Speaker 2>we have a minute to raise our heads and look back,

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<v Speaker 2>we can see we've already transformed, many times already. We've

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<v Speaker 2>bent ourselves to fit in. We've been pushed around by

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<v Speaker 2>our hormones, our bodies. We've stifled ourselves for acceptance. We've

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<v Speaker 2>opened ourselves for love. We've put ourselves back together after loss.

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<v Speaker 2>Nothing was ever in exactly the same place again. We

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<v Speaker 2>grew people inside us, or we fought with the bodies

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<v Speaker 2>that could not. We've always been changing, it's been the

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<v Speaker 2>only constant. We've just been pretending all this time to

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<v Speaker 2>be static, smooth, reliable, steady. So yes, we've changed. We're

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<v Speaker 2>changing still. We're learning how to be in this new

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<v Speaker 2>version of ourselves, testing out our wobbly new grown up legs,

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<v Speaker 2>realigning what matters, tapping into instincts we've pushed away for

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<v Speaker 2>too long, the kind promised at the start of every year,

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<v Speaker 2>free with a gym membership and a serve of shame.

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<v Speaker 2>But the new you that understands that the time for

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<v Speaker 2>standing still and playing nice is over.

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<v Speaker 3>We've changed you. See. Hello, my name is.

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<v Speaker 2>Holly Wainwright and I am Mid Midlife, mid Family, mid Change.

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<v Speaker 2>This is season three of our show Mid for Generation

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<v Speaker 2>X women who are anything but and look, it's not

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<v Speaker 2>only for Generation X women, actually, but for anyone who

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<v Speaker 2>wants to sit down with us and have the only

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<v Speaker 2>kinds of conversations. We've got time for real ones, honest ones,

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<v Speaker 2>funny ones, curious ones.

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<v Speaker 3>No small talk here.

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<v Speaker 2>Friends, and over the next eight episodes, the conversations we've

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<v Speaker 2>got for you are so big it's going to be

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<v Speaker 2>hard to keep them squeezed into that phone in your hand.

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<v Speaker 2>We are talking about hormones, We're talking about divorce, We're

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<v Speaker 2>talking about sexuality shifts. We're talking about invisible illness and

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<v Speaker 2>dickheads and ambition. But today I am bringing you something

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<v Speaker 2>that I have literally been biting my tongue and binding

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<v Speaker 2>my fingers.

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<v Speaker 3>Not to tell you about before. Now we are bringing you.

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<v Speaker 2>A conversation about transformation and change and so much more.

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<v Speaker 2>It's about bravery and being wild, and about trusting your gut,

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<v Speaker 2>about facing reality with clear eyes, and about surviving the unsurvivable.

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<v Speaker 3>It's about Gina Chick.

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<v Speaker 1>What I found was that I could lit my instincts

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<v Speaker 1>and teach me what I needed to know. I really

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<v Speaker 1>wanted to show that there is a way of being

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<v Speaker 1>at home in the wild.

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<v Speaker 3>You know who Gina Chick is.

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<v Speaker 2>She went into the Tasmanian wilderness for season one of

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<v Speaker 2>the TVs shown alone Australia and almost immediately imprinted into

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<v Speaker 2>the Australian psyche. It is And we talk about this

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<v Speaker 2>today like we were just waiting for her, And in

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<v Speaker 2>the flicker of firelight on an unforgiving beach, this incredible,

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<v Speaker 2>capable older woman revealed herself to be as someone who

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<v Speaker 2>had lived through so much and lost so much, but

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<v Speaker 2>every bit of that experience had only made her grow stronger,

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<v Speaker 2>love harder, live more. In this conversation inspired by her book,

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<v Speaker 2>and it's a really good book. It's called We Are

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<v Speaker 2>the Stars, we talk about all that loss, about all

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<v Speaker 2>those different seasons of life she's lived through, from being

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<v Speaker 2>a wild young girl with a baby bird in her pocket,

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<v Speaker 2>mercilessly bullied at school, to being a starry eyed raver

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<v Speaker 2>at the peak of Sydney's club scene.

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<v Speaker 3>To being a survivalist who.

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<v Speaker 2>Falls in love with a man from somewhere else gets

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<v Speaker 2>diagnosed with cancer at the very moment she's about to

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<v Speaker 2>become a mother and has three precious years with her

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<v Speaker 2>baby girl before that sickness comes for her too, and

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<v Speaker 2>the woman who chose, in the aftermath of unimaginable loss,

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<v Speaker 2>to change again, to live and live big. This conversation

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<v Speaker 2>literally changed me. In fact, quite a few of the

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<v Speaker 2>conversations in this upcoming season have If I'm honest and

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<v Speaker 2>I'm going to shut up about me now and introduce

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<v Speaker 2>you to a truly extraordinary force of nature Gina Chick

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<v Speaker 2>on transformation. Gina, this fucking book. This book is brilliant.

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<v Speaker 2>It's heartbreaking, it really is. It's powerful, it's honest. It

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<v Speaker 2>feels like you, so I want to read you just

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<v Speaker 2>one little thing going to do?

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<v Speaker 1>Lads, look at all of your.

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<v Speaker 2>This is so so many like folded over PAGESLFA.

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<v Speaker 1>Did you rip any well.

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<v Speaker 2>I've got it, as I was going to say to you,

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<v Speaker 2>because in your book you tell the story about how

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<v Speaker 2>when you're a kid you love book so much, when

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<v Speaker 2>you love them, you tear the pages.

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<v Speaker 3>Out and eat them.

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<v Speaker 2>I could have nibbled on this book, Gina, I could

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<v Speaker 2>have nibbled on this book. But I want to read

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<v Speaker 2>you this tiny bit. The context of this is actually

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<v Speaker 2>very difficult time in your life. When you're telling your

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<v Speaker 2>friend Kim Farrant, film director friend, you have cancer and

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<v Speaker 2>you're pregnant, and she says to you, ge, she laughs,

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<v Speaker 2>which seems you know, that's what good friends do. I

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<v Speaker 2>guess in that situation. Gee, she says, when you're waiting

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<v Speaker 2>to come into this body, the Angel at the gate

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<v Speaker 2>stopped you with his clipboard and asked what experience you

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<v Speaker 2>wanted in this life, and you just said, tick every box.

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<v Speaker 2>That's what this book feels like. It feels to me

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<v Speaker 2>like if you're going to do something, you don't do

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<v Speaker 2>it half asked. It's not like a tick the boxes

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<v Speaker 2>I was on TV kind of book. No, it's nothing

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<v Speaker 2>like that. Do you think that is who you are?

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<v Speaker 2>Are you just all in? And have you always been that?

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<v Speaker 1>It's a really good question and the answer I think

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<v Speaker 1>is fairly obvious from my time on alone and also

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<v Speaker 1>from this book. I am absolutely full throttle and have

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<v Speaker 1>been ever since I can remember, so from the youngest age,

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<v Speaker 1>I've always been Yeah, full on. I used to have

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<v Speaker 1>a motto and I think I was in primary school

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<v Speaker 1>and I wanted to have a T shirt that said this,

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<v Speaker 1>which was grab life with both hands and stuff it

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<v Speaker 1>in your mouth and on the back, don't choke. Maybe

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<v Speaker 1>I was in high school, but I can remember like

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<v Speaker 1>I've always whatever life has been offering, I've wanted it.

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<v Speaker 1>I haven't wanted to miss any morsel of it. And

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<v Speaker 1>I've never been afraid of life. And that's probably a

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<v Speaker 1>lot to do with my parents, that lack of fear,

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<v Speaker 1>but it means that whenever there's an opportunity, I'm much

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<v Speaker 1>more likely to say yes than no. And if I

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<v Speaker 1>am going to take that opportunity, I am going to

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<v Speaker 1>do it to my last breath.

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<v Speaker 2>I was going to say. I think one of the

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<v Speaker 2>things about getting to this point of our lives and

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<v Speaker 2>looking back that obviously you have had to do to

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<v Speaker 2>write this book. Often we've lived many lives. You have

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<v Speaker 2>definitely lived many lives. There's the life that you lived

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<v Speaker 2>obviously as a child in Javis Bay, a wild child

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<v Speaker 2>in the literal sense of the word. There's the bully

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<v Speaker 2>kid in your teenage years at school. Then you find

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<v Speaker 2>your family almost in Sydney in the queer rave scene

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<v Speaker 2>in the nineties. Oh my god, I love those chapters

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<v Speaker 2>so much, and then we'll get to midlife. But I

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<v Speaker 2>wonder if when we look back at that, we think,

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<v Speaker 2>did all those things make me who I am? Or

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<v Speaker 2>was I always this person? And you think you were

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<v Speaker 2>always this?

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<v Speaker 1>Yeah? I think we come into life, into our bodies

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<v Speaker 1>with like a fingerprint of our personality. And I've been

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<v Speaker 1>lucky enough and blessed enough to be able to explore

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<v Speaker 1>those I've had a life of privilege in that I

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<v Speaker 1>grew up loved and I grew up in a house

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<v Speaker 1>where time was a commodity that was valued with family,

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<v Speaker 1>so there was a lot of family time. I grew

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<v Speaker 1>up in a house where my creativity was fed and fostered.

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<v Speaker 1>And I grew up in Jervis Bay, I grew up

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<v Speaker 1>in Paradise. So I had the privilege of being able

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<v Speaker 1>to express these facets of my personality and have them fed.

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<v Speaker 1>And you know, I've been able to follow a lot

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<v Speaker 1>of them, and just even one of them is unusual,

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<v Speaker 1>but I've managed to be able to. You know, I

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<v Speaker 1>have so many that are actually quite weird and weave

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<v Speaker 1>them into a life.

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<v Speaker 2>It's interesting, though, So you've got these different lives. One

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<v Speaker 2>of the places I would love to ask you about

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<v Speaker 2>jumping into is a lot of the big adventures. As established,

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<v Speaker 2>you've always been having adventures, but it's somewhere in your

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<v Speaker 2>late thirties forty ish after you actually have quite a

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<v Speaker 2>terrifying health episode that you decide that you are going

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<v Speaker 2>to go to tracking school and you're going to really

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<v Speaker 2>jump into this sort of survivalist world. And that changes

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<v Speaker 2>the direction of your life in several ways because you

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<v Speaker 2>travel over there and you meet Lee and then he

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<v Speaker 2>ends up being your husband and the father of Blaze.

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<v Speaker 2>What made you decide at that point in your life

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<v Speaker 2>to make that jump?

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<v Speaker 1>So one of the things that I talk about in

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<v Speaker 1>the book, and I probably I think I don't actually

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<v Speaker 1>mention this explicitly. I trust my gut. The sort of

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<v Speaker 1>scary health episode that happened when I was I think

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<v Speaker 1>at thirty was after like a whole bunch of experiences

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<v Speaker 1>where I didn't trust my gut, and I think it

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<v Speaker 1>nearly killed me not doing that. And in the aftermath

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<v Speaker 1>of that, I got it, I learned it. And so

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<v Speaker 1>then after that, whenever I would sort of have an

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<v Speaker 1>opportunity or a crossroads come up, I wouldn't ask my

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<v Speaker 1>head what the right decision was. I'd actually ask my

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<v Speaker 1>belly or the wolf in my belly, and if the

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<v Speaker 1>wolf in my bally said do this, then I would

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<v Speaker 1>do it. And I wouldn't even ask any questions. And

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<v Speaker 1>so when it came to going to track a school,

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<v Speaker 1>at that point, I think I would hear the name

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<v Speaker 1>of a school, or i'd hear the name of a teacher.

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<v Speaker 1>I'd hear the name of something, and it'd ring me

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<v Speaker 1>like a bell, and I would know, Oh, I have

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<v Speaker 1>to do this. I don't know why. I'll find out later.

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<v Speaker 1>The first time I heard about track of school like, oh, wow,

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<v Speaker 1>I don't even know what that is, but I'm going

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<v Speaker 1>to have to do it, but it's not yet. And

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<v Speaker 1>then I heard it again a year later, and it

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<v Speaker 1>rang me even deeper. And that was when I said, oh,

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<v Speaker 1>I really need to research this now. And I looked

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<v Speaker 1>it up online and went, oh, my god, this is amazing.

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<v Speaker 1>There's this school where you can learn how to track

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<v Speaker 1>and how to stalk, and how to make fire by

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<v Speaker 1>rubbing sticks together, and how to survive in the wilderness

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<v Speaker 1>with only your hands. Basically, it just sang to me.

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<v Speaker 1>So for me it became choiceless in that moment, I

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<v Speaker 1>actually didn't have a choice. Then it was just a

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<v Speaker 1>matter of, well, how am I going to get myself there?

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<v Speaker 2>Because I guess if people who aren't super familiar with

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<v Speaker 2>your story and who met you on alone and saw

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<v Speaker 2>how capable you are in the bush, we've talked about

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<v Speaker 2>how you were always massively drawn to nature, like in

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<v Speaker 2>the book you talk about as a little child, how

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<v Speaker 2>obsessed you were with creatures and bringing the outside inside

0:12:20.607 --> 0:12:23.367
<v Speaker 2>and having a snake in a mouse cage and a

0:12:23.407 --> 0:12:25.407
<v Speaker 2>bird in the thing in your pocket at school and

0:12:25.447 --> 0:12:28.527
<v Speaker 2>all those things. But you had spent a good decade

0:12:28.567 --> 0:12:31.527
<v Speaker 2>living a very urban Sydney life, like in the middle

0:12:31.527 --> 0:12:35.127
<v Speaker 2>of Sydney, living near Taylor Square, partying every night, building

0:12:35.207 --> 0:12:38.367
<v Speaker 2>this sort of tribe of very interesting, great artistic friends.

0:12:38.367 --> 0:12:41.647
<v Speaker 2>But you were a city person at that point. And

0:12:42.447 --> 0:12:45.247
<v Speaker 2>I wonder if it's I've heard you say that you've

0:12:45.287 --> 0:12:48.447
<v Speaker 2>always felt like a wild thing in a human's body,

0:12:48.847 --> 0:12:51.647
<v Speaker 2>and I reckon lots of women feel a bit like that,

0:12:51.967 --> 0:12:56.607
<v Speaker 2>but they've spent a lifetime taming that wild thing. Is

0:12:56.647 --> 0:12:59.207
<v Speaker 2>it trite to say that these moments where you were

0:12:59.247 --> 0:13:00.927
<v Speaker 2>like getting to the end of that time where you'd

0:13:01.327 --> 0:13:02.967
<v Speaker 2>I mean, I don't want to spoil everything for the book,

0:13:02.967 --> 0:13:05.767
<v Speaker 2>but you had a bad relationship, you'd had to dig

0:13:05.807 --> 0:13:09.007
<v Speaker 2>yourself out of a financial hole by working your butt off.

0:13:09.327 --> 0:13:12.327
<v Speaker 2>Obviously it was always very determined in that the wild

0:13:12.447 --> 0:13:15.887
<v Speaker 2>was calling you again. Was it about getting back in

0:13:15.927 --> 0:13:18.807
<v Speaker 2>touch with that wild person? And how can some of

0:13:18.807 --> 0:13:21.567
<v Speaker 2>the women listening to this learn how to listen to that?

0:13:21.967 --> 0:13:24.887
<v Speaker 1>Yeah, I love that you've asked me this. Anything I say,

0:13:24.927 --> 0:13:26.887
<v Speaker 1>I'm not saying this is the way the world is.

0:13:26.967 --> 0:13:29.567
<v Speaker 1>It's the way my world is. But for me, what

0:13:29.767 --> 0:13:33.767
<v Speaker 1>is true is that we are stone age creatures in

0:13:33.807 --> 0:13:37.247
<v Speaker 1>modern bodies. You know, the vast majority of the information

0:13:37.287 --> 0:13:40.607
<v Speaker 1>in our DNA comes from hunter gatherer ancestors. If we've

0:13:40.647 --> 0:13:44.247
<v Speaker 1>been Homo sapiens for three hundred and fifty thousand years,

0:13:44.327 --> 0:13:46.767
<v Speaker 1>the three hundred and forty thousand of those years we

0:13:46.767 --> 0:13:51.967
<v Speaker 1>were hunter gatherers. Like that is this enormous like well

0:13:52.007 --> 0:13:57.807
<v Speaker 1>of information that we contain within ourselves genetically. And now

0:13:57.847 --> 0:14:00.367
<v Speaker 1>we're in this world where we live in boxes and

0:14:00.407 --> 0:14:03.207
<v Speaker 1>we get our food in packets, and we can't hear

0:14:03.327 --> 0:14:06.207
<v Speaker 1>the storms coming and we can't sense the information coming

0:14:06.367 --> 0:14:08.447
<v Speaker 1>of the weather we're not hearing the birds telling us

0:14:08.487 --> 0:14:11.807
<v Speaker 1>what's going on, but we're designed to connect in on

0:14:11.887 --> 0:14:15.407
<v Speaker 1>that level. We are designed to connect infinitely with this

0:14:15.647 --> 0:14:19.167
<v Speaker 1>web of life. So that is actually our birthright, and

0:14:19.207 --> 0:14:21.687
<v Speaker 1>I think women can really understand that. I think that's

0:14:21.727 --> 0:14:24.407
<v Speaker 1>why so many women garden. And it's not just women

0:14:24.407 --> 0:14:27.447
<v Speaker 1>who garden. But the thing that I think happened when

0:14:27.447 --> 0:14:29.847
<v Speaker 1>I was out on a loan and my journey resonated

0:14:29.887 --> 0:14:33.767
<v Speaker 1>with so many women is because they could say, that's me,

0:14:34.247 --> 0:14:36.607
<v Speaker 1>that's an extreme version, but I know I get that

0:14:36.647 --> 0:14:39.167
<v Speaker 1>feeling when I'm out gardening, I get that feeling when

0:14:39.167 --> 0:14:41.567
<v Speaker 1>I'm hanging out with my kids. It was more that

0:14:42.247 --> 0:14:47.167
<v Speaker 1>there's this familiarity that we have with our wild essence,

0:14:47.447 --> 0:14:49.207
<v Speaker 1>and we live in a world that tells us that

0:14:49.247 --> 0:14:53.407
<v Speaker 1>it's suspect and dangerous. But women, deep down, we know

0:14:53.527 --> 0:14:56.487
<v Speaker 1>that's who we are. We have that resonance. And the

0:14:56.567 --> 0:15:00.607
<v Speaker 1>thing that I find really sad is that because we

0:15:00.887 --> 0:15:04.967
<v Speaker 1>are on the tail end of this patriarchal culture that

0:15:05.487 --> 0:15:09.487
<v Speaker 1>views women's wildness as suspect and other and dangerous. I

0:15:09.567 --> 0:15:11.887
<v Speaker 1>like that you say we're at the tail end of it. Yeah,

0:15:11.927 --> 0:15:14.727
<v Speaker 1>But because we are on that tail end. The messages

0:15:14.767 --> 0:15:18.127
<v Speaker 1>that we have got as women are that our wildness,

0:15:18.127 --> 0:15:25.127
<v Speaker 1>our uncontrollableness, our ferocity, our rage, our messiness, our creativity,

0:15:25.207 --> 0:15:29.887
<v Speaker 1>our life force is terrifying. And so there are all

0:15:29.927 --> 0:15:33.127
<v Speaker 1>of these structures in place to keep us small and

0:15:33.167 --> 0:15:35.487
<v Speaker 1>obedient and behave and be good girls and behave, and

0:15:36.167 --> 0:15:41.407
<v Speaker 1>you know, and so for me, what I see is

0:15:41.447 --> 0:15:44.087
<v Speaker 1>that it doesn't take much for women to start to

0:15:44.127 --> 0:15:46.527
<v Speaker 1>remember and for that wild creature that's in all of

0:15:46.567 --> 0:15:49.607
<v Speaker 1>our bellies to wake up. It just needs to be

0:15:49.687 --> 0:15:52.447
<v Speaker 1>whispered to and to have its ears scratched, and to

0:15:52.487 --> 0:15:54.847
<v Speaker 1>be sort of like hab its nose pointed out to

0:15:54.887 --> 0:15:57.127
<v Speaker 1>a full moon, and to be able to be let

0:15:57.167 --> 0:15:59.687
<v Speaker 1>out on a wild beach at night, and to maybe

0:15:59.767 --> 0:16:01.607
<v Speaker 1>go for a walk in the bush and maybe take

0:16:01.647 --> 0:16:04.407
<v Speaker 1>its shoes off and get out in the garden. It

0:16:04.447 --> 0:16:08.087
<v Speaker 1>doesn't take much, and we do start to like stretch

0:16:08.167 --> 0:16:11.527
<v Speaker 1>out of our buy cages that we've been put into

0:16:12.127 --> 0:16:16.567
<v Speaker 1>and to believe in that voice that we all have,

0:16:16.927 --> 0:16:20.127
<v Speaker 1>because it's a bit like tinker Bell, you know, you

0:16:20.127 --> 0:16:23.087
<v Speaker 1>know how tinker Bell. Everybody had to clap to wake

0:16:23.167 --> 0:16:27.767
<v Speaker 1>tinker Bell up, that wild animal creature wise part of

0:16:27.847 --> 0:16:31.127
<v Speaker 1>us just needs us to believe in it and then

0:16:31.167 --> 0:16:33.327
<v Speaker 1>it starts to plump into life.

0:16:33.447 --> 0:16:37.167
<v Speaker 2>I think I've seen you say that. After alone, there

0:16:37.167 --> 0:16:39.847
<v Speaker 2>were a lot of women of a certain age, probably

0:16:39.887 --> 0:16:42.887
<v Speaker 2>the a who are listening to this, would come up

0:16:42.927 --> 0:16:46.447
<v Speaker 2>to you and say thank you, because also you were

0:16:46.487 --> 0:16:51.007
<v Speaker 2>a representation of a grown up woman, as I like

0:16:51.047 --> 0:16:53.527
<v Speaker 2>to say, rather than saying we're middle aged or any

0:16:53.527 --> 0:16:57.167
<v Speaker 2>of those awful words. Who is competent, who is brave,

0:16:57.847 --> 0:17:01.207
<v Speaker 2>who is unabashed and all those things. And it's something

0:17:01.247 --> 0:17:03.367
<v Speaker 2>that we all sort of need to see because we're

0:17:03.367 --> 0:17:05.967
<v Speaker 2>all being sort of pitied a little bit and told we're.

0:17:05.847 --> 0:17:06.487
<v Speaker 3>A bit useless.

0:17:06.607 --> 0:17:11.007
<v Speaker 1>Oh my god, it drives me absolutely bomb because where

0:17:11.047 --> 0:17:14.407
<v Speaker 1>do we get to see the real us on a billboard?

0:17:14.847 --> 0:17:18.167
<v Speaker 1>Like we get told that Demi Moore looks amazing and

0:17:18.207 --> 0:17:20.567
<v Speaker 1>she's had what seven hundred and fifty thousand, a million

0:17:20.607 --> 0:17:23.607
<v Speaker 1>dollars worth of plastic surgery to look amazing. We get

0:17:23.647 --> 0:17:26.167
<v Speaker 1>to see the news articles where someone of a woman

0:17:26.207 --> 0:17:28.647
<v Speaker 1>of a certain age is like, Oh, she wows in

0:17:28.687 --> 0:17:31.647
<v Speaker 1>her bikini body. That's how we get marketed as long

0:17:31.687 --> 0:17:34.327
<v Speaker 1>as we can wow in a bikini body. For me,

0:17:35.007 --> 0:17:37.927
<v Speaker 1>one of the most amazing things that happened from alone.

0:17:38.327 --> 0:17:41.527
<v Speaker 1>Is I say this in the keynote speeches, that I'm

0:17:41.567 --> 0:17:43.487
<v Speaker 1>in a lot. I feel like there was a jigsaw

0:17:43.527 --> 0:17:46.847
<v Speaker 1>puzzle shaped piece in the zeitgeist and nobody knew it

0:17:46.927 --> 0:17:50.967
<v Speaker 1>was there until I told my story and suddenly it

0:17:51.047 --> 0:17:54.167
<v Speaker 1>was just suddenly like whoa. And because there was this

0:17:54.367 --> 0:17:58.207
<v Speaker 1>jigsaw puzzle shaped piece in the zeitgeist, it meant that

0:17:58.447 --> 0:18:02.967
<v Speaker 1>when alone happened, and it did happen, suddenly women got

0:18:03.007 --> 0:18:07.007
<v Speaker 1>to see themselves. They got to see a postmenopausal woman

0:18:07.367 --> 0:18:11.447
<v Speaker 1>who's got wobbly bits and wrinkles and silver feathers and

0:18:11.527 --> 0:18:14.847
<v Speaker 1>swears and laughs and shows her rashy thighs and isn't

0:18:14.887 --> 0:18:18.847
<v Speaker 1>interested in marketing and is barefoot and can connect with

0:18:18.967 --> 0:18:22.687
<v Speaker 1>nature in the way they relate. But it's also vital

0:18:22.727 --> 0:18:26.967
<v Speaker 1>and creative and sexy and articulate and beautiful in that

0:18:27.247 --> 0:18:30.287
<v Speaker 1>raw way that an older woman is beautiful. And I

0:18:30.327 --> 0:18:32.407
<v Speaker 1>say older and I own it. I'm not talking like,

0:18:32.567 --> 0:18:35.407
<v Speaker 1>you know, let's all be like so glad.

0:18:35.207 --> 0:18:37.327
<v Speaker 2>You brought that up, because I wanted to talk to

0:18:37.327 --> 0:18:40.607
<v Speaker 2>you about this, Like change and transformation is part of nature, right,

0:18:40.647 --> 0:18:42.967
<v Speaker 2>And it seems to me that you've always known that.

0:18:43.007 --> 0:18:45.207
<v Speaker 2>We talked to the beginning like you are who you are,

0:18:45.367 --> 0:18:48.567
<v Speaker 2>but you've also been through some extraordinary transformations and we'll

0:18:48.567 --> 0:18:50.727
<v Speaker 2>get to some of them. But a lot of older

0:18:50.727 --> 0:18:53.607
<v Speaker 2>women are told don't change, like your face shouldn't change,

0:18:53.607 --> 0:18:57.447
<v Speaker 2>your body shouldn't change, your demeanor shouldn't change, don't be

0:18:57.527 --> 0:19:00.127
<v Speaker 2>too scary, don't be too outspoken, don't be too experienced,

0:19:00.687 --> 0:19:06.327
<v Speaker 2>all of those things. And I saw you saying I

0:19:06.367 --> 0:19:08.767
<v Speaker 2>don't know where I saw you saying this, so excuse me,

0:19:09.327 --> 0:19:10.927
<v Speaker 2>but that when you were younger, you were a bit

0:19:11.007 --> 0:19:13.487
<v Speaker 2>glib about aging, and that you were like, it's going

0:19:13.527 --> 0:19:15.967
<v Speaker 2>to be great. Who doesn't want to be wise? But

0:19:16.087 --> 0:19:20.127
<v Speaker 2>it is confronting when you do see yourself changing, And

0:19:20.207 --> 0:19:23.207
<v Speaker 2>you said something really great about that. You also have

0:19:23.327 --> 0:19:26.247
<v Speaker 2>that voice that speaks to you unkindly sometimes but you've

0:19:26.247 --> 0:19:31.287
<v Speaker 2>got to come back, So how have you reflection?

0:19:31.527 --> 0:19:36.007
<v Speaker 1>So for me, that thing about the glib is so hilarious.

0:19:36.087 --> 0:19:38.487
<v Speaker 1>And I get really annoyed because I'm around a lot

0:19:38.527 --> 0:19:41.447
<v Speaker 1>of younger women all the time, and I say, oh,

0:19:41.687 --> 0:19:44.287
<v Speaker 1>you know, aging is great and women should just age

0:19:44.367 --> 0:19:46.847
<v Speaker 1>naturally and blah blah blah blah blah, and I, you know,

0:19:47.127 --> 0:19:50.567
<v Speaker 1>I love the wrinkles, and I'm like, yeah, please don't

0:19:50.647 --> 0:19:54.247
<v Speaker 1>tell me how to age until you've been here, and

0:19:54.327 --> 0:19:57.167
<v Speaker 1>you know what it's like. I'm sorry, but your opinion

0:19:57.247 --> 0:20:00.607
<v Speaker 1>actually doesn't mean squat saying how women should age or

0:20:00.607 --> 0:20:02.887
<v Speaker 1>how we should feel about our aging bodies and our

0:20:02.927 --> 0:20:06.167
<v Speaker 1>aging faces. You have no idea how confronic it is

0:20:06.247 --> 0:20:08.967
<v Speaker 1>until the estrogen falls out of your body and with

0:20:09.087 --> 0:20:12.047
<v Speaker 1>it collagen, and suddenly it's like time lapse photography of

0:20:12.127 --> 0:20:14.727
<v Speaker 1>watching this, like this portrait is a portrait in the

0:20:14.727 --> 0:20:18.327
<v Speaker 1>act attic and I'm it. And so I was that glib.

0:20:18.687 --> 0:20:22.487
<v Speaker 1>Oh yes, because my face basically didn't change, It really didn't.

0:20:22.607 --> 0:20:26.327
<v Speaker 1>I could have been generic something between twenty and fifty,

0:20:26.727 --> 0:20:29.007
<v Speaker 1>you know, And so I was really glib. I was like, oh, yes,

0:20:29.047 --> 0:20:32.487
<v Speaker 1>I'm fine with aging. And then menopause happened, and the

0:20:32.527 --> 0:20:38.887
<v Speaker 1>time lapse of menopause changing things was super confronting. And

0:20:39.087 --> 0:20:43.527
<v Speaker 1>I have an absolutely strong strand of vanity.

0:20:44.367 --> 0:20:48.567
<v Speaker 2>Absolutely you have your adiva, which I, yes, I so

0:20:48.767 --> 0:20:50.927
<v Speaker 2>do and I think many of us do. But that's

0:20:50.927 --> 0:20:52.487
<v Speaker 2>something else I meant to be a bit ashamed of.

0:20:52.647 --> 0:20:55.047
<v Speaker 1>But yeah, and again, so it can.

0:20:54.887 --> 0:20:56.247
<v Speaker 2>Be hard to see yourself change.

0:20:56.247 --> 0:20:58.967
<v Speaker 1>Oh my god, it is. And so then to have

0:20:59.047 --> 0:21:02.167
<v Speaker 1>that voice, because then there's this whole narrative of like,

0:21:02.367 --> 0:21:04.847
<v Speaker 1>I should be okay with it, man, that the messages

0:21:04.847 --> 0:21:07.727
<v Speaker 1>that I'm getting from billboards and from society are that

0:21:07.767 --> 0:21:11.167
<v Speaker 1>women are attractive as long as they are botoxed and

0:21:11.447 --> 0:21:14.207
<v Speaker 1>as long as they look twenty five. And to be

0:21:14.247 --> 0:21:16.567
<v Speaker 1>an older woman, as long as you still look thirty five,

0:21:16.647 --> 0:21:19.967
<v Speaker 1>then you're valued, and you're valuable and you're attractive. That's

0:21:19.967 --> 0:21:22.167
<v Speaker 1>what I'm being told. But I should also be told

0:21:22.167 --> 0:21:24.967
<v Speaker 1>that I should age naturally and I should be graceful

0:21:25.007 --> 0:21:26.927
<v Speaker 1>in that, and I should be able to embrace that.

0:21:27.007 --> 0:21:30.087
<v Speaker 1>And so there's all of these messages what ends up happening,

0:21:30.167 --> 0:21:33.007
<v Speaker 1>and what ended up happening for me was like, all

0:21:33.047 --> 0:21:37.047
<v Speaker 1>of a sudden, my body looks different, my face looks different,

0:21:37.087 --> 0:21:40.087
<v Speaker 1>and that unkind voice just starts going, oh my god,

0:21:40.127 --> 0:21:45.807
<v Speaker 1>there's me, me, me, And so what I do when

0:21:45.887 --> 0:21:49.407
<v Speaker 1>that happens is I've just like, for me, the interesting

0:21:49.447 --> 0:21:52.807
<v Speaker 1>thing isn't that that voice is there, because I think

0:21:52.807 --> 0:21:55.207
<v Speaker 1>we all have that. It's like, what do we do

0:21:55.287 --> 0:21:57.527
<v Speaker 1>with it when that shows up? Instead of making that

0:21:57.607 --> 0:22:00.927
<v Speaker 1>voice wrong? Well, I shouldn't feel that way. I do

0:22:01.007 --> 0:22:02.967
<v Speaker 1>feel that way. It's not all of me, but I

0:22:03.007 --> 0:22:06.127
<v Speaker 1>have that voice that is horrified on some mornings looking

0:22:06.167 --> 0:22:08.687
<v Speaker 1>in the mirror, telling me I shouldn't care, or that

0:22:08.687 --> 0:22:11.007
<v Speaker 1>they shouldn't have that vanity. I'm like, sorry, it's true,

0:22:11.047 --> 0:22:13.927
<v Speaker 1>it's not in me. So for me, the part that

0:22:13.967 --> 0:22:18.647
<v Speaker 1>I focus on is my vitality. It is how much

0:22:18.847 --> 0:22:21.527
<v Speaker 1>life force is available to me. Now, if I am

0:22:21.607 --> 0:22:23.367
<v Speaker 1>at a period in my life where I'm sick, I

0:22:23.407 --> 0:22:26.167
<v Speaker 1>don't actually have much life force. If I've been through

0:22:26.207 --> 0:22:29.167
<v Speaker 1>a huge time, I might not have much life force.

0:22:29.247 --> 0:22:32.007
<v Speaker 1>So how do I feed the life force that I have?

0:22:32.767 --> 0:22:36.727
<v Speaker 1>And those like small things like for me, asking what

0:22:36.847 --> 0:22:40.167
<v Speaker 1>is the most nourishing thing I can do for myself today?

0:22:40.287 --> 0:22:42.407
<v Speaker 1>Like instead of going how can I look after everyone

0:22:42.447 --> 0:22:44.887
<v Speaker 1>else's needs? What is the most nourishing thing I can

0:22:44.927 --> 0:22:48.287
<v Speaker 1>do for myself today? That is going to feed my vitality,

0:22:48.687 --> 0:22:53.767
<v Speaker 1>because when someone has vitality, when we are brimming with vitality,

0:22:54.087 --> 0:22:56.887
<v Speaker 1>it's like for me, it's the antidote to that voice

0:22:56.887 --> 0:22:59.887
<v Speaker 1>that says you should look a certain way. And I

0:23:00.047 --> 0:23:04.687
<v Speaker 1>notice when I notice someone who identifies having vitality, I

0:23:04.727 --> 0:23:08.767
<v Speaker 1>don't judge them like I don't notice their looks so much.

0:23:09.367 --> 0:23:11.247
<v Speaker 2>Thing about that is because I agree with you so much,

0:23:11.327 --> 0:23:14.687
<v Speaker 2>is that when my cruel voice starts, I do the

0:23:14.727 --> 0:23:18.327
<v Speaker 2>things that matter to me about holding onto whatever youth

0:23:18.407 --> 0:23:22.887
<v Speaker 2>means is like staying curious, staying interested, staying creative, staying moving,

0:23:23.007 --> 0:23:27.247
<v Speaker 2>like not atrifying like that's and I know that that's

0:23:27.247 --> 0:23:29.687
<v Speaker 2>when I'm my happiest and I don't feel as bad

0:23:30.127 --> 0:23:33.847
<v Speaker 2>about what's going on on the outside. But the mean

0:23:33.927 --> 0:23:36.887
<v Speaker 2>trick there is sometimes feeling bad about what's happening on

0:23:36.927 --> 0:23:40.287
<v Speaker 2>the outside stops you from viewing all those things because

0:23:40.287 --> 0:23:43.607
<v Speaker 2>you're just solutely secure and absolutely and they should hie.

0:23:43.727 --> 0:23:45.447
<v Speaker 1>Yeah, it's like I don't want to go outside because

0:23:45.487 --> 0:23:47.967
<v Speaker 1>I feel like I'm basically just a potato sack with

0:23:48.007 --> 0:23:50.127
<v Speaker 1>eyeballs at the moment, Like, you know, why would I

0:23:50.167 --> 0:23:52.967
<v Speaker 1>possibly go out? And I think that then to be

0:23:53.047 --> 0:23:58.047
<v Speaker 1>able to have some practices that we can do inside

0:23:58.367 --> 0:24:02.207
<v Speaker 1>that are gentle and that do feed our creativity, because

0:24:02.247 --> 0:24:06.567
<v Speaker 1>for me, our creativity that is life force, our creative force,

0:24:06.807 --> 0:24:09.487
<v Speaker 1>especially as women, that is our life force, is our

0:24:09.567 --> 0:24:14.567
<v Speaker 1>creative function. And so to find the smallest ways that

0:24:14.607 --> 0:24:18.047
<v Speaker 1>we can actually feed that and you know, just those

0:24:18.087 --> 0:24:20.247
<v Speaker 1>tiny little baby steps, and it might mean that like

0:24:20.367 --> 0:24:23.127
<v Speaker 1>yet today I don't want to go outside. Tomorrow I

0:24:23.167 --> 0:24:25.207
<v Speaker 1>don't want to go outside, But maybe I can go

0:24:25.247 --> 0:24:27.287
<v Speaker 1>out in the garden and get my fingers in the dirt.

0:24:27.687 --> 0:24:31.247
<v Speaker 1>Maybe I can just get into the practice of just weeding.

0:24:31.367 --> 0:24:34.807
<v Speaker 1>I love that beautiful focus where we can bring all

0:24:34.887 --> 0:24:39.087
<v Speaker 1>of our presence to some creative act, and that for

0:24:39.207 --> 0:24:42.007
<v Speaker 1>me is such an antidote and a way to build

0:24:42.047 --> 0:24:44.967
<v Speaker 1>our inner fire and our inner resources to then be

0:24:45.047 --> 0:24:47.007
<v Speaker 1>able to take the bigger steps into the world.

0:24:47.407 --> 0:24:50.087
<v Speaker 2>What has nature taught you about aging? Because I wonder

0:24:50.167 --> 0:24:52.647
<v Speaker 2>if that's given you some perspective on that the rest

0:24:52.647 --> 0:24:53.967
<v Speaker 2>of us might not have.

0:24:54.807 --> 0:25:01.847
<v Speaker 1>Absolutely so for me, being in connection with nature means

0:25:01.847 --> 0:25:05.527
<v Speaker 1>being in connection with cycles of death and rebirth. Everything

0:25:05.527 --> 0:25:08.847
<v Speaker 1>in nature has a season. Everything you know, a mountain

0:25:08.927 --> 0:25:11.327
<v Speaker 1>sees and takes a bit longer than a flowers season,

0:25:11.367 --> 0:25:15.247
<v Speaker 1>but everything has a season. So when we're out in nature,

0:25:15.447 --> 0:25:19.247
<v Speaker 1>nature is this amazing mirror that shows us us, whatever

0:25:19.287 --> 0:25:21.927
<v Speaker 1>the story is, whatever our hamsters in our heads. We

0:25:22.007 --> 0:25:24.647
<v Speaker 1>can go outside and we can sit quietly and put

0:25:24.647 --> 0:25:28.007
<v Speaker 1>the phone off and let our eyes go soft and

0:25:28.087 --> 0:25:30.967
<v Speaker 1>let nature come to us with its stories, and we

0:25:31.007 --> 0:25:35.487
<v Speaker 1>will find our own stories reflected as metaphors wherever we look.

0:25:36.367 --> 0:25:40.367
<v Speaker 1>So I find that when we're in walls and when

0:25:40.367 --> 0:25:43.127
<v Speaker 1>we're on social media and on our devices, we're in

0:25:43.167 --> 0:25:45.967
<v Speaker 1>the echo chamber of the algorithm. We're either in the

0:25:46.007 --> 0:25:49.487
<v Speaker 1>echo chamber of our own algorithm or in the algorithm

0:25:49.687 --> 0:25:54.887
<v Speaker 1>of our culture. And it's completely artificial, completely artificial, and

0:25:55.087 --> 0:25:57.927
<v Speaker 1>it's nothing to do with capital our reality. None of

0:25:57.927 --> 0:26:01.047
<v Speaker 1>those stories are true, but we believe them because we

0:26:01.127 --> 0:26:04.207
<v Speaker 1>don't have a greater context. But when we go out

0:26:04.247 --> 0:26:07.127
<v Speaker 1>in nature, we are designed to be able to see

0:26:07.167 --> 0:26:10.207
<v Speaker 1>to a horizon, an infinite edge. And when we see

0:26:10.207 --> 0:26:13.047
<v Speaker 1>an infinite edge, whether it's a horizon or whether it stars,

0:26:13.807 --> 0:26:15.847
<v Speaker 1>we get a sense of ourselves as a speck of

0:26:15.927 --> 0:26:18.287
<v Speaker 1>dust in an expanding universe. We have a sense of

0:26:18.407 --> 0:26:22.087
<v Speaker 1>context where we are not the most important thing, and

0:26:22.247 --> 0:26:24.687
<v Speaker 1>that then gives us some space to be able to

0:26:24.687 --> 0:26:27.407
<v Speaker 1>put our own timeline and our own stories and our

0:26:27.447 --> 0:26:31.247
<v Speaker 1>own aging in the context, in greater context, in greater timelines,

0:26:31.287 --> 0:26:34.767
<v Speaker 1>in geological time, in the tree life cycle, in the

0:26:34.807 --> 0:26:37.447
<v Speaker 1>forest life cycle, in the things that are rotting away

0:26:37.487 --> 0:26:40.207
<v Speaker 1>in the leaves, at our feet. And I find that

0:26:40.847 --> 0:26:44.647
<v Speaker 1>the more we open ourselves up to the wisdom of

0:26:44.767 --> 0:26:48.167
<v Speaker 1>nature as it is unfolding, and it doesn't care about us,

0:26:48.247 --> 0:26:51.847
<v Speaker 1>it's not prioritizing us for those lessons. They're just there.

0:26:52.767 --> 0:26:56.407
<v Speaker 1>And what we see is a There are no mirrors

0:26:56.727 --> 0:27:00.247
<v Speaker 1>in nature, so we don't ever get to see ourselves

0:27:00.327 --> 0:27:02.727
<v Speaker 1>in the way we see ourselves in mirrors. We don't

0:27:02.727 --> 0:27:05.927
<v Speaker 1>get to judge our own appearance in that way. In nature.

0:27:05.967 --> 0:27:08.807
<v Speaker 1>The best we can do is look into a pull

0:27:08.927 --> 0:27:11.047
<v Speaker 1>or a creek or a river or something like that,

0:27:11.087 --> 0:27:13.527
<v Speaker 1>and then you've still got ripples, You've still got nature

0:27:13.567 --> 0:27:17.167
<v Speaker 1>all around. One breath of wind and it's gone, it's distorted.

0:27:17.767 --> 0:27:20.927
<v Speaker 1>So we don't have that judgment and that value system.

0:27:21.287 --> 0:27:24.607
<v Speaker 1>We also in nature, we don't have the value system

0:27:24.607 --> 0:27:27.047
<v Speaker 1>of anything being more important than anything else, which is

0:27:27.087 --> 0:27:29.767
<v Speaker 1>part of our the echo chamber of our own algorithm,

0:27:29.927 --> 0:27:33.007
<v Speaker 1>is that we're more important, or some lives are more important,

0:27:33.047 --> 0:27:35.487
<v Speaker 1>or some stories are more important, and blah blah blah.

0:27:35.527 --> 0:27:38.287
<v Speaker 1>But when we're in nature, that all burns away. And

0:27:38.367 --> 0:27:41.807
<v Speaker 1>so what I find is that if the hamsters and

0:27:41.807 --> 0:27:44.807
<v Speaker 1>the head miles are happening, if I get out and

0:27:44.847 --> 0:27:47.767
<v Speaker 1>get into nature and take myself for a walk for

0:27:48.207 --> 0:27:52.327
<v Speaker 1>an hour or two hours. Those lessons and that context

0:27:52.367 --> 0:27:56.127
<v Speaker 1>has given me such a completely different perspective. I have

0:27:56.207 --> 0:27:59.327
<v Speaker 1>a sense of myself. I have a sense of myself

0:27:59.767 --> 0:28:03.487
<v Speaker 1>in relationship with capital, our reality, rather than in the

0:28:03.527 --> 0:28:06.767
<v Speaker 1>fantasy of my own crazy stories.

0:28:08.247 --> 0:28:11.367
<v Speaker 2>In a moment, more of conversation with the Mighty Gina Chick,

0:28:11.487 --> 0:28:19.127
<v Speaker 2>but first this short break. So Blaze's story begins, and

0:28:19.767 --> 0:28:22.127
<v Speaker 2>you're I think you're forty when you have Blaze. You're

0:28:22.167 --> 0:28:25.847
<v Speaker 2>nearly forty one, yes, And you have Blaze. And you

0:28:25.967 --> 0:28:28.527
<v Speaker 2>and Lee had been living in Bondai with your beautiful

0:28:28.527 --> 0:28:33.047
<v Speaker 2>friend Stevie, and you move back down the coast, and

0:28:33.407 --> 0:28:38.687
<v Speaker 2>it seems for a while idyllic, so idyllic the way

0:28:38.727 --> 0:28:42.167
<v Speaker 2>you describe. You were living on a property for a while,

0:28:42.327 --> 0:28:45.727
<v Speaker 2>and you'd started beginning to run what will become the

0:28:45.767 --> 0:28:48.567
<v Speaker 2>Rewilding camps. Am I right? And so kids are coming

0:28:48.607 --> 0:28:51.287
<v Speaker 2>to the camps, your friends can come. You're living this

0:28:51.407 --> 0:28:54.487
<v Speaker 2>beautiful life, Blaze. Well, tell me about Blaze.

0:28:54.527 --> 0:28:59.527
<v Speaker 1>I shouldn't. My little munchkin. So Blaze was a really

0:28:59.567 --> 0:29:02.687
<v Speaker 1>extraordinary kid, and everybody says that about their kids. But

0:29:02.807 --> 0:29:06.647
<v Speaker 1>like she really was an extraordinary kid. I think because

0:29:06.647 --> 0:29:09.647
<v Speaker 1>I went through so much to get her here, and

0:29:09.687 --> 0:29:13.247
<v Speaker 1>I did so much work on myself when I was

0:29:13.327 --> 0:29:15.607
<v Speaker 1>going through, you know, pregnancy with cancer.

0:29:15.887 --> 0:29:18.207
<v Speaker 2>So you were diagnosed with cancer when you were in

0:29:18.247 --> 0:29:20.927
<v Speaker 2>the early stages of pregnancy with Blaze. And you explain

0:29:21.007 --> 0:29:24.567
<v Speaker 2>this so in such beautiful detail in the book, the

0:29:24.607 --> 0:29:26.927
<v Speaker 2>decisions you had to make about what treatment to take

0:29:27.527 --> 0:29:30.367
<v Speaker 2>in order to save your life. Said that she wasn't

0:29:30.447 --> 0:29:32.407
<v Speaker 2>an orphan when she was born. Almost, well, the other

0:29:32.487 --> 0:29:35.087
<v Speaker 2>that's when she was born and you have the treatment,

0:29:35.167 --> 0:29:37.527
<v Speaker 2>as you say, when she was born, you lost your hair.

0:29:37.567 --> 0:29:39.727
<v Speaker 1>You were both, we were both born from them and

0:29:39.807 --> 0:29:40.287
<v Speaker 1>the chemo.

0:29:40.607 --> 0:29:42.367
<v Speaker 2>But then you're in remission and you're.

0:29:42.727 --> 0:29:44.687
<v Speaker 1>And then we were down. Then we were living in

0:29:44.727 --> 0:29:48.287
<v Speaker 1>the country. But she always had this silence to her,

0:29:49.047 --> 0:29:50.887
<v Speaker 1>you know, that thing of they you know, babies come

0:29:50.927 --> 0:29:54.367
<v Speaker 1>in with the personality they've got. She was like a universe,

0:29:55.527 --> 0:29:57.647
<v Speaker 1>you know, there was a universe looking out of her eyes.

0:29:57.687 --> 0:30:02.287
<v Speaker 1>She had this incredible stillness to her, the incredible calm,

0:30:02.607 --> 0:30:06.487
<v Speaker 1>and this incredible presence. And so when we were living

0:30:06.807 --> 0:30:10.247
<v Speaker 1>in the bush, and of course babies will take the

0:30:10.287 --> 0:30:12.767
<v Speaker 1>life of the parents. They've got and we were living

0:30:12.807 --> 0:30:17.527
<v Speaker 1>in the bush, and so she would know the calls

0:30:17.567 --> 0:30:19.647
<v Speaker 1>of all the birds and she'd say hello to them,

0:30:20.087 --> 0:30:22.487
<v Speaker 1>and she would know the scat of all the animals

0:30:22.487 --> 0:30:24.847
<v Speaker 1>because Lee would say, oh, that's from a bandicoot, and

0:30:24.887 --> 0:30:26.727
<v Speaker 1>that's from a wombat, and so she would just point

0:30:26.727 --> 0:30:30.447
<v Speaker 1>them out, and she became so connected to the bush

0:30:30.567 --> 0:30:34.047
<v Speaker 1>that the bush wasn't afraid of her, and then animals

0:30:34.087 --> 0:30:36.327
<v Speaker 1>would just come, and the birds would just come, and

0:30:36.367 --> 0:30:41.847
<v Speaker 1>she had this incredibly rich life of connection with nature.

0:30:42.207 --> 0:30:45.367
<v Speaker 1>And that was our life as well. So yeah, it

0:30:45.527 --> 0:30:51.527
<v Speaker 1>was incredibly idyllic, and it'll come to an end.

0:30:52.047 --> 0:30:54.127
<v Speaker 2>I wanted to ask you about your wonderful parents later

0:30:54.127 --> 0:30:56.687
<v Speaker 2>because I love the descriptions of Christmas at Javis Bay.

0:30:57.127 --> 0:30:59.727
<v Speaker 2>But that is when you find out that Blaze has

0:30:59.967 --> 0:31:01.367
<v Speaker 2>cancer in her stomach.

0:31:01.687 --> 0:31:04.567
<v Speaker 1>Yeah, No, it wasn't actually at Christmas. No, it wasn't

0:31:04.607 --> 0:31:08.767
<v Speaker 1>long after. So, yeah, but finding out, I saw the

0:31:08.847 --> 0:31:11.087
<v Speaker 1>lump in her and I'd been sort of going, oh,

0:31:11.207 --> 0:31:14.007
<v Speaker 1>belly's a bit big, and then I felt it, and yeah,

0:31:14.007 --> 0:31:16.767
<v Speaker 1>it was like I knew immediately because I'd felt the

0:31:16.967 --> 0:31:20.447
<v Speaker 1>cancer in my own breast, and you know, when I

0:31:20.487 --> 0:31:24.007
<v Speaker 1>talk with people who've had cancer. Once you've felt cancer,

0:31:24.087 --> 0:31:27.567
<v Speaker 1>once you've felt what that feels like, then it's your

0:31:27.567 --> 0:31:29.927
<v Speaker 1>fingers know. And as soon as I felt it in her,

0:31:30.407 --> 0:31:33.767
<v Speaker 1>I knew, and yeah, that was big.

0:31:34.527 --> 0:31:39.007
<v Speaker 2>You write again so beautifully and clearly about this looking

0:31:39.007 --> 0:31:41.607
<v Speaker 2>the unimaginable in the eye. Well, it's not unimaginable to you,

0:31:41.687 --> 0:31:46.607
<v Speaker 2>of course, about how you had to become very clear,

0:31:46.767 --> 0:31:49.287
<v Speaker 2>very centered, very calm, like I'm the one who's dealing

0:31:49.287 --> 0:31:51.647
<v Speaker 2>with this. You stay in ronin McDonald house, You have

0:31:52.007 --> 0:31:54.287
<v Speaker 2>all these different experiences. I wanted to thank you for

0:31:55.607 --> 0:31:57.287
<v Speaker 2>when you write the chapter about the day you had

0:31:57.287 --> 0:32:00.287
<v Speaker 2>to say goodbye to Blaze is obviously it goes without

0:32:00.327 --> 0:32:03.727
<v Speaker 2>saying that that's just the most unimaginable chapter, but the

0:32:03.807 --> 0:32:06.447
<v Speaker 2>respects you show for the reader you also you actually

0:32:06.447 --> 0:32:10.367
<v Speaker 2>write in the book this bit's going to be really

0:32:10.367 --> 0:32:13.687
<v Speaker 2>hard if you want to skip ahead. And I know

0:32:14.007 --> 0:32:16.407
<v Speaker 2>personally so many people who are going to be very

0:32:16.407 --> 0:32:21.687
<v Speaker 2>grateful to you for writing what follows. Yeah, because it's

0:32:21.727 --> 0:32:24.007
<v Speaker 2>not only you, like, it's not only you and your family.

0:32:24.087 --> 0:32:26.767
<v Speaker 2>It's a lot of family stories, and they because people

0:32:26.807 --> 0:32:30.767
<v Speaker 2>are so scared to look that in the eye, that

0:32:31.207 --> 0:32:34.087
<v Speaker 2>the unthinkable loss I think they're going to feel very

0:32:34.127 --> 0:32:35.247
<v Speaker 2>seen by that story.

0:32:35.367 --> 0:32:39.727
<v Speaker 1>Yeah, I hope. So. I mean, my my attitude and

0:32:39.767 --> 0:32:44.327
<v Speaker 1>my process with death is that it is horrifying and

0:32:44.567 --> 0:32:48.687
<v Speaker 1>unutterably beautiful, and it is both is it is that

0:32:48.887 --> 0:32:54.567
<v Speaker 1>all at once, and so whenever I'm writing this, it

0:32:54.687 --> 0:32:57.447
<v Speaker 1>is bringing all of it, you know. That's and that's

0:32:57.487 --> 0:33:00.887
<v Speaker 1>how I do it. And after we lost Blaze, I

0:33:00.927 --> 0:33:04.247
<v Speaker 1>did write, you know, quite a lot of posts on Facebook,

0:33:04.447 --> 0:33:07.807
<v Speaker 1>and very quickly in the beginning, people would say, I'm

0:33:07.807 --> 0:33:12.367
<v Speaker 1>sorry for your loss, and I don't need that. Let's

0:33:12.367 --> 0:33:14.687
<v Speaker 1>have a conversation. And so I would write these posts

0:33:14.687 --> 0:33:18.367
<v Speaker 1>and each post would be going into the grief but

0:33:18.527 --> 0:33:21.607
<v Speaker 1>then coming out of it, and like the people who

0:33:21.607 --> 0:33:23.567
<v Speaker 1>would read them would start to trust me that it

0:33:23.647 --> 0:33:25.607
<v Speaker 1>was like, well, this is going to be hard, but

0:33:25.807 --> 0:33:27.647
<v Speaker 1>where we're going to go on the other side is

0:33:27.767 --> 0:33:32.567
<v Speaker 1>actually going to be beautiful. And so it very quickly

0:33:32.607 --> 0:33:35.887
<v Speaker 1>turned into these amazing conversations with people sharing their own

0:33:35.927 --> 0:33:38.847
<v Speaker 1>grief and their own loss and speaking about grief in

0:33:38.887 --> 0:33:41.447
<v Speaker 1>a way that I think our culture doesn't. You know,

0:33:41.647 --> 0:33:45.127
<v Speaker 1>that there isn't a we don't have what I would

0:33:45.167 --> 0:33:49.927
<v Speaker 1>call nourishing rituals and conversations for grief, like we have

0:33:50.087 --> 0:33:52.687
<v Speaker 1>a very like our whitey way of doing it is

0:33:52.727 --> 0:33:58.527
<v Speaker 1>so disconnected from indigenous ceremonies and rituals and the wisdom

0:33:58.607 --> 0:34:01.967
<v Speaker 1>that comes with those ceremonies and rituals and what people

0:34:02.127 --> 0:34:05.407
<v Speaker 1>actually need to be able to metabolize grief. Like we've

0:34:05.487 --> 0:34:07.647
<v Speaker 1>stuck it in a box and we've you know, put

0:34:07.647 --> 0:34:10.087
<v Speaker 1>flowers on it, and we've said I'm sorry for your

0:34:10.087 --> 0:34:12.767
<v Speaker 1>loss because it's all too hard. And for some people

0:34:12.767 --> 0:34:15.087
<v Speaker 1>it is too hard, and I totally respect that, which

0:34:15.087 --> 0:34:16.807
<v Speaker 1>is why I write in that bit of the book,

0:34:16.967 --> 0:34:19.807
<v Speaker 1>you know, if this is too hard, just you know,

0:34:20.167 --> 0:34:24.247
<v Speaker 1>skip ahead. We'll catch up with you. But for those

0:34:24.327 --> 0:34:29.327
<v Speaker 1>who do want to find a language for their own

0:34:29.407 --> 0:34:33.687
<v Speaker 1>grief and their own loss, there's something about losing a

0:34:33.767 --> 0:34:37.767
<v Speaker 1>child that lets us access our own grief. And I

0:34:37.887 --> 0:34:42.087
<v Speaker 1>find that if conversations about grief are held well, it's

0:34:42.127 --> 0:34:44.567
<v Speaker 1>like there's so it's such a part, it is such

0:34:44.607 --> 0:34:46.887
<v Speaker 1>a part of our lives. It is such a part

0:34:47.007 --> 0:34:49.967
<v Speaker 1>of what we're talking about with menopause, Like we're grieving

0:34:49.967 --> 0:34:52.527
<v Speaker 1>our faces, we're grieving our bodies, we're grieving our sexuality,

0:34:52.527 --> 0:34:55.807
<v Speaker 1>we're grieving our birthing ability. We're grieving at like it's like,

0:34:55.847 --> 0:34:58.807
<v Speaker 1>holy shit, death's coming up fast. Like we're grieving just

0:34:58.847 --> 0:35:01.807
<v Speaker 1>in that one way, and in every day, in every way,

0:35:01.887 --> 0:35:05.087
<v Speaker 1>things are dying. Every moment is dying into every other.

0:35:05.367 --> 0:35:08.647
<v Speaker 1>My picture of myself is dying in every moment. But

0:35:08.727 --> 0:35:12.807
<v Speaker 1>because we're so terrified to have those conversations, we're actually

0:35:12.887 --> 0:35:15.967
<v Speaker 1>hanging on to the things that hurt us instead of

0:35:16.087 --> 0:35:22.407
<v Speaker 1>having like a fluid and dancers language for letting go

0:35:23.207 --> 0:35:26.807
<v Speaker 1>that has to come from talking about death. That's the

0:35:26.887 --> 0:35:29.047
<v Speaker 1>root of it. And if we can talk about death

0:35:29.287 --> 0:35:33.647
<v Speaker 1>and just shift our perspective a little and shift our

0:35:34.447 --> 0:35:38.167
<v Speaker 1>our sort of our fluidity a little, that then ripples

0:35:38.207 --> 0:35:40.527
<v Speaker 1>out into every corner of our lives. And that is

0:35:40.607 --> 0:35:42.367
<v Speaker 1>one of the main things I wanted to do with

0:35:42.487 --> 0:35:44.607
<v Speaker 1>this book. I really wanted to do that.

0:35:44.727 --> 0:35:47.327
<v Speaker 2>You've done it because it's not in any way like

0:35:48.407 --> 0:35:51.447
<v Speaker 2>glossing over it or being God. No, it's the opposite.

0:35:51.527 --> 0:35:53.487
<v Speaker 2>But you talk about some of the rituals that you

0:35:54.367 --> 0:35:55.967
<v Speaker 2>know that you and Lee and your family, and it's

0:35:55.967 --> 0:35:58.487
<v Speaker 2>actually beautiful. You write about how the women and your

0:35:58.487 --> 0:36:01.767
<v Speaker 2>family just kind of came together on the day that

0:36:01.807 --> 0:36:05.127
<v Speaker 2>you have your ritual for Blaze at home and looking

0:36:05.127 --> 0:36:07.607
<v Speaker 2>around and seeing the women cooking and bringing all these

0:36:07.607 --> 0:36:10.687
<v Speaker 2>things together and thinking about all that losses, and it's amazing.

0:36:11.487 --> 0:36:14.407
<v Speaker 2>I want to read you a little bit about because

0:36:14.487 --> 0:36:17.247
<v Speaker 2>you also write amazingly about how other people's reactions to

0:36:17.247 --> 0:36:19.567
<v Speaker 2>your grief, which you've just touched on, really is that,

0:36:19.727 --> 0:36:22.727
<v Speaker 2>especially in the immediate aftermath, they all wanted you, almost

0:36:22.807 --> 0:36:24.927
<v Speaker 2>expected you to fall apart. And you live in a

0:36:24.927 --> 0:36:28.367
<v Speaker 2>small community. Everybody knows you, and everybody knows Blaze, and

0:36:28.407 --> 0:36:31.687
<v Speaker 2>everybody is devastated they were, And you're kind of like,

0:36:31.767 --> 0:36:34.527
<v Speaker 2>in public, I didn't do that. That wasn't what I

0:36:34.567 --> 0:36:36.607
<v Speaker 2>needed to do. But you also don't shy away from

0:36:36.607 --> 0:36:39.607
<v Speaker 2>saying you know in private you absolutely have keened and

0:36:39.607 --> 0:36:42.367
<v Speaker 2>wailed and screamed and screamed for the will to bring

0:36:42.407 --> 0:36:49.327
<v Speaker 2>her back. You write about choices and change transformations. You're

0:36:49.327 --> 0:36:52.767
<v Speaker 2>talking about the decision to leave the home where you'd

0:36:52.807 --> 0:36:56.487
<v Speaker 2>lived in with Blaze, not always obviously you'd been in

0:36:56.487 --> 0:36:58.687
<v Speaker 2>the bush, but then in her in in the last

0:36:59.247 --> 0:37:01.247
<v Speaker 2>period of her life, And you say, I see a

0:37:01.287 --> 0:37:03.607
<v Speaker 2>future where I choose this path keeping a house as

0:37:03.607 --> 0:37:06.247
<v Speaker 2>a shrine to her three year old self, tending and

0:37:06.327 --> 0:37:09.487
<v Speaker 2>dusting and trimming its lawns and lighting its candles, house

0:37:09.527 --> 0:37:12.487
<v Speaker 2>where neither of us ages. I could hide here forever,

0:37:12.847 --> 0:37:15.807
<v Speaker 2>cutting myself open again and again on memories and regrets

0:37:15.847 --> 0:37:18.007
<v Speaker 2>and the shame of the undone and the unset and

0:37:18.087 --> 0:37:21.247
<v Speaker 2>the actions I can never rescind. And when I read that,

0:37:21.327 --> 0:37:24.967
<v Speaker 2>I was like, you chose to absolutely do the opposite

0:37:24.967 --> 0:37:30.447
<v Speaker 2>of that, and you lived on, and you and Lee

0:37:30.527 --> 0:37:34.247
<v Speaker 2>made the decision to separate, which you also look at

0:37:34.287 --> 0:37:36.567
<v Speaker 2>with a very clear eye. There's a portion in the

0:37:36.567 --> 0:37:39.087
<v Speaker 2>book where you say that, even though you think you

0:37:39.167 --> 0:37:41.287
<v Speaker 2>might be imagining it, you can see in his eye

0:37:41.367 --> 0:37:44.927
<v Speaker 2>that maybe there's a tiny part of him that blames you.

0:37:44.927 --> 0:37:48.167
<v Speaker 2>You talk about knowing that you're too old in inverted

0:37:48.207 --> 0:37:51.407
<v Speaker 2>commas to give him a baby. So you decide to

0:37:51.447 --> 0:37:54.287
<v Speaker 2>separate so he can move on with that and you

0:37:54.367 --> 0:37:58.287
<v Speaker 2>can move on to something new. Talk about change and transformation.

0:37:59.607 --> 0:38:01.527
<v Speaker 2>Tell me a bit about that process.

0:38:02.207 --> 0:38:06.167
<v Speaker 1>So yeah, I mean, the thing with Lee and I is,

0:38:07.127 --> 0:38:11.967
<v Speaker 1>from the moment we met, we made a choice to

0:38:12.207 --> 0:38:16.567
<v Speaker 1>show up and take responsibility for whatever our part was

0:38:16.687 --> 0:38:20.407
<v Speaker 1>in our dynamic. And we have done that over and

0:38:20.527 --> 0:38:24.807
<v Speaker 1>over and over thousands and thousands of times, and that

0:38:25.047 --> 0:38:29.447
<v Speaker 1>level of honesty is so confronting, and at various times

0:38:29.527 --> 0:38:31.847
<v Speaker 1>it's probably been confronting for both of us. I know

0:38:31.887 --> 0:38:35.367
<v Speaker 1>it's been confronting for me. But also when there's that

0:38:35.487 --> 0:38:37.687
<v Speaker 1>level of honesty, it means that you can trust the

0:38:37.727 --> 0:38:41.767
<v Speaker 1>other person because I can trust, I will absolutely trust

0:38:41.807 --> 0:38:44.447
<v Speaker 1>that he will tell the truth. Well, what about marketing?

0:38:44.567 --> 0:38:48.967
<v Speaker 1>There is no, Nope, they're no, absolutely none. And there

0:38:49.047 --> 0:38:51.407
<v Speaker 1>was well sometimes a little bit of a gloss and

0:38:51.407 --> 0:38:54.127
<v Speaker 1>an airbrush for Bill Lovely, but nope, there was no

0:38:54.327 --> 0:38:58.567
<v Speaker 1>marketing and still isn't. And what that means is that

0:38:59.207 --> 0:39:03.967
<v Speaker 1>level of conscious relating meant that no matter what was

0:39:04.007 --> 0:39:08.087
<v Speaker 1>going on, we would both turn up and tell the truth,

0:39:08.767 --> 0:39:11.287
<v Speaker 1>even if it hurt the other person, no matter what

0:39:11.407 --> 0:39:14.847
<v Speaker 1>that was. And so for me there was like there

0:39:14.927 --> 0:39:19.167
<v Speaker 1>was hugely confronting because there was the like, I can't

0:39:19.247 --> 0:39:22.167
<v Speaker 1>have any more children and he desperately wanted to be

0:39:22.207 --> 0:39:25.647
<v Speaker 1>a dad again, and that capital reality of that is

0:39:25.687 --> 0:39:28.807
<v Speaker 1>I can't change that. I can't hate him for that.

0:39:28.807 --> 0:39:31.007
<v Speaker 1>That is who he is, This is who I am,

0:39:31.247 --> 0:39:34.287
<v Speaker 1>and so like, I just have this thing that I

0:39:34.407 --> 0:39:38.647
<v Speaker 1>don't want to waste energy on a fantasy ever, Ever,

0:39:38.807 --> 0:39:40.847
<v Speaker 1>no matter what my story is, no matter what I

0:39:41.007 --> 0:39:44.007
<v Speaker 1>reality I think I should have or I deserve or whatever,

0:39:44.887 --> 0:39:48.447
<v Speaker 1>if it's not capital reality, it's a fantasy. And if

0:39:48.487 --> 0:39:50.887
<v Speaker 1>it's a fantasy and I'm wasting energy on it, I'm

0:39:50.927 --> 0:39:53.207
<v Speaker 1>not going to be able to move forward in my life.

0:39:53.247 --> 0:39:56.487
<v Speaker 1>The choices I make are not going to be effective.

0:39:57.087 --> 0:40:01.007
<v Speaker 1>And so even though it was painful to see that,

0:40:02.207 --> 0:40:04.727
<v Speaker 1>you know, and we tried every possible way to make

0:40:04.767 --> 0:40:08.887
<v Speaker 1>it work, but I like, ultimately he needed to be

0:40:08.927 --> 0:40:13.207
<v Speaker 1>a dad, and I wanted the best for him and me,

0:40:13.647 --> 0:40:15.847
<v Speaker 1>which means there's like, wow, we got to points like, well,

0:40:15.887 --> 0:40:19.607
<v Speaker 1>actually this is it. We can't we just can't. You know,

0:40:20.167 --> 0:40:22.967
<v Speaker 1>these ovaries are not going to be doing anything anymore.

0:40:23.127 --> 0:40:25.167
<v Speaker 1>You know, they might make Homo Simpsons three Eyed Fish,

0:40:25.167 --> 0:40:25.967
<v Speaker 1>but that's about it.

0:40:27.567 --> 0:40:30.247
<v Speaker 2>And as people who are a little bit familiar with

0:40:30.287 --> 0:40:35.367
<v Speaker 2>this story know that you and Lee continue to be

0:40:35.767 --> 0:40:40.087
<v Speaker 2>very much family and run a business together too. And

0:40:40.207 --> 0:40:43.967
<v Speaker 2>he went on to meet Hannah, and there's a bit

0:40:43.967 --> 0:40:46.447
<v Speaker 2>in the book where you're like you were there when

0:40:46.447 --> 0:40:49.127
<v Speaker 2>he first meets her and she's walking away and you

0:40:49.167 --> 0:40:50.767
<v Speaker 2>can feel the energy and you're like, are you gonna

0:40:50.807 --> 0:40:51.527
<v Speaker 2>let that ass.

0:40:51.287 --> 0:40:54.687
<v Speaker 1>Walk out of your life, and he didn't. He didn't.

0:40:55.447 --> 0:40:58.167
<v Speaker 2>And you talk about how you and she a family too,

0:40:58.167 --> 0:41:01.927
<v Speaker 2>and yeah, they've got beautiful girls and you have. And

0:41:01.967 --> 0:41:05.127
<v Speaker 2>the thing that I didn't know and loved reading about

0:41:05.167 --> 0:41:07.447
<v Speaker 2>a little bit towards the end of the book is

0:41:07.927 --> 0:41:10.567
<v Speaker 2>what your life was like before we all met you alone,

0:41:10.607 --> 0:41:13.167
<v Speaker 2>because the book actually finishes before alone. Yes it does,

0:41:13.207 --> 0:41:15.327
<v Speaker 2>which I like, the writer in me is like, I

0:41:15.407 --> 0:41:19.407
<v Speaker 2>wonder what the publishers thought about that. Yeah, but it's

0:41:19.527 --> 0:41:23.887
<v Speaker 2>really interesting. But your life was You moved back to Sydney,

0:41:23.927 --> 0:41:26.127
<v Speaker 2>am I right? And you were basically breaking your year

0:41:26.287 --> 0:41:30.287
<v Speaker 2>up into traveling, into running the workshops with Lee, into

0:41:30.487 --> 0:41:34.327
<v Speaker 2>doing your dance workshops, dance meditation workshops and all those things,

0:41:34.607 --> 0:41:38.327
<v Speaker 2>and having like your life. I don't know, I just

0:41:38.407 --> 0:41:41.207
<v Speaker 2>got this sense of a life well lived. At every

0:41:41.207 --> 0:41:44.687
<v Speaker 2>turn you've lived, You've not lived through because it's still

0:41:44.767 --> 0:41:48.687
<v Speaker 2>obviously with you, this unimaginable loss of your child and

0:41:48.727 --> 0:41:53.367
<v Speaker 2>your relationship, but your life was still moving ahead and you.

0:41:53.287 --> 0:41:55.687
<v Speaker 1>Absolutely my life was great. And I didn't move back

0:41:55.727 --> 0:41:58.127
<v Speaker 1>to Sydney, so I'd have four months of the year

0:41:58.367 --> 0:42:01.847
<v Speaker 1>in the Northern Hemisphere, running five rhythms programs, five rhythms

0:42:01.847 --> 0:42:05.607
<v Speaker 1>workshops part of the Huntress like taking women out shooting

0:42:05.647 --> 0:42:08.487
<v Speaker 1>bows and arrows and looking at archetypes of power and

0:42:08.567 --> 0:42:12.447
<v Speaker 1>dancing in the dancing in retreat centers and it was amazing.

0:42:13.007 --> 0:42:15.007
<v Speaker 1>So four months of the year doing that, then four

0:42:15.047 --> 0:42:17.367
<v Speaker 1>months of the year with Lee running the Rewild your

0:42:17.447 --> 0:42:20.447
<v Speaker 1>Child programs and vision quests and rites of Passage and

0:42:20.487 --> 0:42:23.367
<v Speaker 1>the wilderness and sleeping next to a fire, which was amazing.

0:42:23.647 --> 0:42:25.087
<v Speaker 1>And then four months of the year I'd been my

0:42:25.167 --> 0:42:27.887
<v Speaker 1>bus and my bus would be up and down the

0:42:27.927 --> 0:42:30.727
<v Speaker 1>coast and I'd go and visit people in various different places.

0:42:30.767 --> 0:42:33.447
<v Speaker 1>But I didn't actually have a fixed abode at all.

0:42:33.727 --> 0:42:36.527
<v Speaker 1>So yeah, I was really like before alone, I was

0:42:36.647 --> 0:42:38.847
<v Speaker 1>really happy with my life. My life was great.

0:42:39.727 --> 0:42:43.247
<v Speaker 2>After this break, the rest of my life changing, DNA

0:42:43.327 --> 0:42:50.247
<v Speaker 2>altering conversation with Gina Chick, well, I want to get

0:42:50.247 --> 0:42:52.127
<v Speaker 2>to alone because, as we say, it isn't in the book,

0:42:52.207 --> 0:42:56.847
<v Speaker 2>but speaking about change and transformation, I can't imagine very

0:42:56.887 --> 0:42:59.727
<v Speaker 2>many more profound changes also happen to you. At around

0:42:59.767 --> 0:43:02.727
<v Speaker 2>fifty van you become and I know you'd hate the word,

0:43:02.887 --> 0:43:08.367
<v Speaker 2>but a celebrity basically because as you expressed at the

0:43:08.407 --> 0:43:09.967
<v Speaker 2>beginning of this, and I couldn't agree with you more.

0:43:09.967 --> 0:43:11.887
<v Speaker 2>There was a hole in the culture with your name

0:43:11.927 --> 0:43:16.687
<v Speaker 2>on it. You captured that imagination from here. What did

0:43:16.767 --> 0:43:20.487
<v Speaker 2>that experience have suddenly becoming very visible give you and

0:43:20.527 --> 0:43:21.207
<v Speaker 2>what did it take?

0:43:21.887 --> 0:43:25.807
<v Speaker 1>Great question? Yes, I still laugh when I hear celebrity.

0:43:25.887 --> 0:43:28.327
<v Speaker 1>I keep looking around going wait, what, oh you mean me?

0:43:29.047 --> 0:43:31.087
<v Speaker 1>Or when I'm doing TV stuff and they do this

0:43:31.127 --> 0:43:33.167
<v Speaker 1>thing in TV which I didn't know where they call

0:43:33.247 --> 0:43:35.007
<v Speaker 1>whoever the people are who are going to be in

0:43:35.047 --> 0:43:37.287
<v Speaker 1>front of the camera the talent do They call you

0:43:37.367 --> 0:43:39.407
<v Speaker 1>the talent and they're like, oh, the talent's over here,

0:43:39.407 --> 0:43:42.887
<v Speaker 1>and I'm like, oh wait, that's me. Oh I'm talent.

0:43:42.967 --> 0:43:47.247
<v Speaker 1>Oh my god. It's just so strange. So Alone was

0:43:47.367 --> 0:43:51.087
<v Speaker 1>really beautiful. When I went out on Alone, I made

0:43:51.127 --> 0:43:53.807
<v Speaker 1>a vow of veracity. I thought, the only way I

0:43:53.807 --> 0:43:55.807
<v Speaker 1>can do this is if I tell the truth and

0:43:55.887 --> 0:43:58.127
<v Speaker 1>I'm going to keep the camera rolling no matter what.

0:43:58.327 --> 0:44:01.407
<v Speaker 1>That's the only way this is going to work. Because

0:44:01.487 --> 0:44:04.167
<v Speaker 1>if I'm editing in my head, if I'm second guessing,

0:44:04.247 --> 0:44:07.127
<v Speaker 1>if I'm filtering, then you're only going to get half

0:44:07.167 --> 0:44:09.687
<v Speaker 1>of me. And I can't do half of me. Not

0:44:09.807 --> 0:44:12.567
<v Speaker 1>capable of half of me. I can't even do like,

0:44:12.727 --> 0:44:15.647
<v Speaker 1>you know, eighty or ninety percent. I mean, I only

0:44:15.727 --> 0:44:18.327
<v Speaker 1>know how to do all of me, which meant alone

0:44:18.367 --> 0:44:21.447
<v Speaker 1>was terrifying because to be able to say, Okay, well,

0:44:21.447 --> 0:44:23.407
<v Speaker 1>I'm going to be out there and I'm going to

0:44:23.447 --> 0:44:26.727
<v Speaker 1>film myself for five or six hours a day and

0:44:27.047 --> 0:44:30.727
<v Speaker 1>hand it over to other people to turn into stories.

0:44:31.567 --> 0:44:34.327
<v Speaker 1>But all I knew was that if I just tell

0:44:34.367 --> 0:44:36.847
<v Speaker 1>the truth, then whatever those stories are, they going to

0:44:36.887 --> 0:44:39.967
<v Speaker 1>be me. They're just going to be me. So that

0:44:40.167 --> 0:44:43.767
<v Speaker 1>was a big choice. That was a big decision. But

0:44:43.887 --> 0:44:46.407
<v Speaker 1>it also meant that once I'd made that decision, there

0:44:46.447 --> 0:44:49.207
<v Speaker 1>was only one course of action, which was to show

0:44:49.247 --> 0:44:51.887
<v Speaker 1>all my inn its, you know, to show everything, to

0:44:51.927 --> 0:44:53.607
<v Speaker 1>show every part of me, because that's how I live.

0:44:54.207 --> 0:44:59.047
<v Speaker 1>And what that meant then was as my journey unfolded

0:44:59.367 --> 0:45:03.047
<v Speaker 1>during those ten weeks, people because it was once a week,

0:45:03.207 --> 0:45:06.207
<v Speaker 1>people got to actually, in the beginning, oh my god,

0:45:06.287 --> 0:45:08.727
<v Speaker 1>that hippie chick, she's dancing in the mosque. We give

0:45:08.767 --> 0:45:11.767
<v Speaker 1>her a day and I'm like, you know, oh my god,

0:45:11.807 --> 0:45:12.567
<v Speaker 1>that hippie chick.

0:45:13.007 --> 0:45:14.087
<v Speaker 2>Id you.

0:45:14.527 --> 0:45:18.287
<v Speaker 1>But then week by week they started saying wait, there's

0:45:18.287 --> 0:45:21.807
<v Speaker 1>something what she doing, There's something really different. And what

0:45:21.887 --> 0:45:25.087
<v Speaker 1>it was was like, what I was doing is what

0:45:25.887 --> 0:45:27.647
<v Speaker 1>all the women who are out there in their gardens

0:45:27.647 --> 0:45:29.567
<v Speaker 1>and hanging out with their kids know, which is just

0:45:29.647 --> 0:45:33.767
<v Speaker 1>like I was just connecting. I was receptive and because

0:45:33.847 --> 0:45:37.007
<v Speaker 1>there was that jigsaw puzzle shaped piece in the zeitgeist.

0:45:37.167 --> 0:45:40.247
<v Speaker 1>And then I told my story and then that conversation

0:45:40.527 --> 0:45:44.487
<v Speaker 1>got loud for the first time, and women started hearing

0:45:44.527 --> 0:45:48.407
<v Speaker 1>each other having that conversation. And the way I see

0:45:48.447 --> 0:45:50.087
<v Speaker 1>it is it is actually nothing to do with me.

0:45:50.807 --> 0:45:53.207
<v Speaker 1>It is nothing to do with me. It is about

0:45:53.207 --> 0:45:55.647
<v Speaker 1>the story. It is about that story that needed to

0:45:55.687 --> 0:45:58.767
<v Speaker 1>be told. You know, in our culture that women are

0:45:58.847 --> 0:46:02.567
<v Speaker 1>either young and hot or crone, you know, and that

0:46:02.607 --> 0:46:09.167
<v Speaker 1>there's this whole strata of fucking amazing womanhood where where

0:46:09.367 --> 0:46:13.007
<v Speaker 1>wise and we're fierce and we're creative and we're receptive,

0:46:13.087 --> 0:46:15.767
<v Speaker 1>but we also pretty much have no fucks left to give,

0:46:16.407 --> 0:46:19.647
<v Speaker 1>and we've been refined and we've been sort of hammered

0:46:19.727 --> 0:46:23.367
<v Speaker 1>by the anvil of either child rearing or just life

0:46:23.607 --> 0:46:26.327
<v Speaker 1>as a you know, in our twenties and thirties, and

0:46:26.407 --> 0:46:29.367
<v Speaker 1>now here we are with these gifts to bring to

0:46:29.447 --> 0:46:32.127
<v Speaker 1>the world, and we get told by the world that

0:46:32.167 --> 0:46:37.287
<v Speaker 1>we're invisible. Fuck that as absolutely fuck that. And so

0:46:38.367 --> 0:46:42.367
<v Speaker 1>by not being that, by making the choice to sow

0:46:42.447 --> 0:46:45.967
<v Speaker 1>myself a possum coat from forty possum pelts and wear

0:46:46.007 --> 0:46:48.327
<v Speaker 1>the thing in like Aela from you know, Clan of

0:46:48.407 --> 0:46:51.047
<v Speaker 1>the Cave Bear, it's saying, yeah, you know, you what,

0:46:51.247 --> 0:46:54.087
<v Speaker 1>we can be iconic. We might have some wrinkles and

0:46:54.127 --> 0:46:55.847
<v Speaker 1>some things and a fat ass and all the rest

0:46:55.887 --> 0:46:58.927
<v Speaker 1>of it, but we can still bring our own magic

0:46:59.007 --> 0:47:01.367
<v Speaker 1>to the world. And it's actually not about me. I'm

0:47:01.367 --> 0:47:04.807
<v Speaker 1>a placeholder for something that I think women all get

0:47:04.847 --> 0:47:07.807
<v Speaker 1>to in our fifties when we're like, okay, well we've

0:47:07.847 --> 0:47:10.447
<v Speaker 1>done the thing where we're looking after everyone else. We've

0:47:10.487 --> 0:47:13.927
<v Speaker 1>graduated from that. Now what what We're just supposed to

0:47:13.967 --> 0:47:17.367
<v Speaker 1>just curl up and be invisible and die. No, like,

0:47:17.527 --> 0:47:21.407
<v Speaker 1>now we're actually we've got it all. And so the

0:47:21.527 --> 0:47:25.167
<v Speaker 1>amazing thing that's happened is that because that tuning fork

0:47:25.207 --> 0:47:27.887
<v Speaker 1>in the zeitgeist rang so strongly and so loudly, I

0:47:27.967 --> 0:47:32.247
<v Speaker 1>keep on being given a platform because the story wants

0:47:32.247 --> 0:47:35.447
<v Speaker 1>to be told. It's not my story, it's everyone's story.

0:47:35.527 --> 0:47:38.047
<v Speaker 1>I just happened to be the placeholder. I happen to

0:47:38.047 --> 0:47:40.607
<v Speaker 1>be the one that can actually, you know, sity with

0:47:40.647 --> 0:47:41.647
<v Speaker 1>you and make worse.

0:47:41.887 --> 0:47:43.287
<v Speaker 2>You're very good at doing that. Yeah.

0:47:43.327 --> 0:47:46.007
<v Speaker 1>Well, like I believe in the story, but I'm also

0:47:46.287 --> 0:47:49.287
<v Speaker 1>I really know it's not about me. And so this book,

0:47:49.367 --> 0:47:51.607
<v Speaker 1>even though it's my story, it's actually not about me,

0:47:51.687 --> 0:47:53.767
<v Speaker 1>that Journey On Alone, is not about me. It is

0:47:53.847 --> 0:47:58.367
<v Speaker 1>about what I want to do is to in my

0:47:58.567 --> 0:48:01.087
<v Speaker 1>words and in my offerings and in the places that

0:48:01.127 --> 0:48:04.367
<v Speaker 1>I do get invited to speak or to share, or

0:48:04.407 --> 0:48:07.807
<v Speaker 1>to sing or to dance, is to help women wake

0:48:07.927 --> 0:48:11.807
<v Speaker 1>up to what is alive and possible, because it's really

0:48:11.847 --> 0:48:14.847
<v Speaker 1>hard to aspire to that which we haven't seen true.

0:48:14.887 --> 0:48:19.127
<v Speaker 1>It's really hard. And so by being this wild, weird, messy, barefoot,

0:48:19.287 --> 0:48:23.567
<v Speaker 1>you know, hippie kind of freak, what's happening is women

0:48:23.687 --> 0:48:26.287
<v Speaker 1>are saying, oh my god, that's me. I can do that,

0:48:26.407 --> 0:48:28.687
<v Speaker 1>and that's why they're coming to approach me. And that's

0:48:28.727 --> 0:48:31.247
<v Speaker 1>why every single person who approaches me, I will look

0:48:31.287 --> 0:48:32.967
<v Speaker 1>them in the eye and I will ask them their name,

0:48:33.007 --> 0:48:34.967
<v Speaker 1>and I will say would you like a hug? I

0:48:35.127 --> 0:48:37.967
<v Speaker 1>see you. It's not just oh yeah, okay, we can

0:48:37.967 --> 0:48:40.167
<v Speaker 1>do the selfie. It's like, I see you like you

0:48:40.247 --> 0:48:42.207
<v Speaker 1>are me and I am you, and you're having the

0:48:42.287 --> 0:48:44.567
<v Speaker 1>vulnerability to come up and say hi. Then that is

0:48:44.647 --> 0:48:47.527
<v Speaker 1>fucking a gift and amazing and so let's do this together.

0:48:48.127 --> 0:48:50.527
<v Speaker 1>And so together we get to stitch a new story.

0:48:50.847 --> 0:48:54.727
<v Speaker 1>And that that is how alone has changed my life.

0:48:54.767 --> 0:48:56.807
<v Speaker 1>And that is where I get the energy to keep

0:48:57.167 --> 0:49:01.407
<v Speaker 1>doing this thing, because because I know this story wants

0:49:01.447 --> 0:49:04.327
<v Speaker 1>to be told, and it has chosen me in this moment.

0:49:04.807 --> 0:49:07.087
<v Speaker 1>And who knows how long this moment will last. Maybe

0:49:07.127 --> 0:49:09.567
<v Speaker 1>this will be over in six months. Okay, great, but

0:49:09.607 --> 0:49:12.527
<v Speaker 1>I'll just keep writing books and hanging out in the bush.

0:49:12.967 --> 0:49:14.847
<v Speaker 2>When I asked my daughter what I should ask you,

0:49:14.967 --> 0:49:17.767
<v Speaker 2>because she obviously watched alone with me and she may

0:49:17.847 --> 0:49:22.247
<v Speaker 2>or may not go to your odd school, she said,

0:49:22.407 --> 0:49:24.247
<v Speaker 2>which is a very simple question, But I think it

0:49:24.287 --> 0:49:26.967
<v Speaker 2>actually isn't because I think it's to do with another

0:49:27.007 --> 0:49:29.167
<v Speaker 2>reason why I think you resonated so hard with people?

0:49:29.487 --> 0:49:31.847
<v Speaker 2>She said, why does she think she lasted so long

0:49:31.887 --> 0:49:36.207
<v Speaker 2>out there? And I wonder if one of the things

0:49:36.207 --> 0:49:40.767
<v Speaker 2>that people also really loved about you is that. And

0:49:40.847 --> 0:49:43.527
<v Speaker 2>I saw your friend Stevie saying this on Australian story.

0:49:43.567 --> 0:49:45.767
<v Speaker 2>He said she wasn't surviving out there, she was living

0:49:45.847 --> 0:49:48.567
<v Speaker 2>like it was like you weren't just ticking down the days.

0:49:48.567 --> 0:49:50.727
<v Speaker 2>I mean, I'm sure you were. Sometimes you weren't just

0:49:50.767 --> 0:49:53.247
<v Speaker 2>ticking down the days. You were existing in the moment.

0:49:53.927 --> 0:49:56.167
<v Speaker 2>And that's something that a lot of women wish they

0:49:56.207 --> 0:49:59.447
<v Speaker 2>could do more. Rather than rushing through the list of

0:49:59.487 --> 0:50:02.007
<v Speaker 2>the things I've got to do today, tomorrow, right now,

0:50:02.047 --> 0:50:04.567
<v Speaker 2>before I'm forty, before I'm fifty, before I'm da da dah,

0:50:04.687 --> 0:50:07.087
<v Speaker 2>before while I'm still relevant and interesting, whatever it is,

0:50:07.647 --> 0:50:10.127
<v Speaker 2>you were there in the moment. And it it also feels,

0:50:10.287 --> 0:50:13.487
<v Speaker 2>especially having read your beautiful book, that it was also

0:50:13.527 --> 0:50:17.687
<v Speaker 2>apparent that all these experiences, these very profound experiences that

0:50:17.767 --> 0:50:20.207
<v Speaker 2>lots of us have had in different levels, in different ways,

0:50:20.727 --> 0:50:23.967
<v Speaker 2>that was why you could do it. Oh yeah, it's

0:50:24.007 --> 0:50:27.247
<v Speaker 2>the levels of experience that meant that you could be

0:50:27.447 --> 0:50:29.527
<v Speaker 2>in that space. You weren't sort of out there and

0:50:29.807 --> 0:50:32.407
<v Speaker 2>obviously also knowing how to handle yourself in the bush

0:50:32.447 --> 0:50:35.287
<v Speaker 2>was very helpful, But you weren't sort of out there

0:50:35.327 --> 0:50:37.247
<v Speaker 2>just going got to get through this, gota win the money,

0:50:37.287 --> 0:50:39.487
<v Speaker 2>got to get through this, got to win the money.

0:50:39.647 --> 0:50:42.127
<v Speaker 2>You were living. Yeah, how do we all get a

0:50:42.127 --> 0:50:43.487
<v Speaker 2>bit better at that? Oh?

0:50:46.687 --> 0:50:50.847
<v Speaker 1>So, yes I was living, and yes I was in

0:50:50.887 --> 0:50:54.607
<v Speaker 1>the moment. One of the things I realized out there

0:50:54.847 --> 0:50:59.487
<v Speaker 1>is that discomfort is necessary for resilience, and our ability

0:50:59.487 --> 0:51:03.407
<v Speaker 1>to be with discomfort is actually that is our resilience there,

0:51:03.847 --> 0:51:08.247
<v Speaker 1>And in a society that pathologizes discomfort, where we have

0:51:08.447 --> 0:51:12.687
<v Speaker 1>infinite distracts available, as soon as we feel even remotely uncomfortable,

0:51:13.287 --> 0:51:15.807
<v Speaker 1>we are being dumbed down. We are being you know,

0:51:15.927 --> 0:51:19.927
<v Speaker 1>our skills of being able to respond to challenges are shrinking.

0:51:20.327 --> 0:51:23.287
<v Speaker 1>And then what happens is it's very hard for us

0:51:23.287 --> 0:51:25.327
<v Speaker 1>to be in the moment because the moment is often

0:51:25.807 --> 0:51:29.927
<v Speaker 1>fucking uncomfortable. Being in the moment doesn't mean skipping around

0:51:29.927 --> 0:51:31.887
<v Speaker 1>in bliss. It means being able to be with every

0:51:31.927 --> 0:51:35.487
<v Speaker 1>single feeling that is inside me right now. And there's

0:51:35.487 --> 0:51:38.247
<v Speaker 1>a lot of feelings, like we have golf, there's a

0:51:38.247 --> 0:51:41.087
<v Speaker 1>whole universe of them in there. And so for me,

0:51:41.287 --> 0:51:44.407
<v Speaker 1>what that meant was whatever I was feeling, I just

0:51:44.487 --> 0:51:47.607
<v Speaker 1>gave it permission to be. And I think that the

0:51:47.767 --> 0:51:53.087
<v Speaker 1>more we can allow that whatever our emotional state is,

0:51:53.607 --> 0:51:57.887
<v Speaker 1>it's not wrong, it's not bad. It's not broken, it's

0:51:57.927 --> 0:52:01.487
<v Speaker 1>not suspect, it's just who we are. One of the

0:52:01.527 --> 0:52:03.887
<v Speaker 1>things that I love saying on my workshops is like,

0:52:04.047 --> 0:52:07.127
<v Speaker 1>is there ever a tree that's the wrong shape? Is

0:52:07.127 --> 0:52:10.447
<v Speaker 1>there ever a cloud that's too cloud? You know, we

0:52:10.487 --> 0:52:14.127
<v Speaker 1>are part of nature, We are grown from nature's essence,

0:52:14.567 --> 0:52:18.007
<v Speaker 1>and we are no more or less important or weird

0:52:18.087 --> 0:52:22.607
<v Speaker 1>or strange than any tree or bird or fish. But

0:52:22.727 --> 0:52:26.207
<v Speaker 1>a meaning generating function tells us that what we're doing

0:52:26.287 --> 0:52:29.207
<v Speaker 1>or we're feeling is wrong or bad or suspect. As

0:52:29.207 --> 0:52:31.487
<v Speaker 1>soon as we hear what we should be doing, we

0:52:31.527 --> 0:52:34.327
<v Speaker 1>are getting told that how we are is not okay.

0:52:35.047 --> 0:52:39.407
<v Speaker 1>And so for me, part of being able to deprogram

0:52:39.447 --> 0:52:42.807
<v Speaker 1>that is to start to turn that thing around that

0:52:42.927 --> 0:52:46.767
<v Speaker 1>says that I should be different. Whenever I hear that

0:52:46.807 --> 0:52:48.687
<v Speaker 1>word should, I'm like, no, that's not my voice, that's

0:52:48.727 --> 0:52:51.927
<v Speaker 1>someone else's voice. No, go away, what's the need that's

0:52:52.007 --> 0:52:55.687
<v Speaker 1>underneath that? Because if I can take responsibility for my

0:52:55.727 --> 0:52:58.407
<v Speaker 1>own needs, no one's going to rescue me. That's nobody's job.

0:52:58.607 --> 0:53:01.767
<v Speaker 1>No one's responsible for my needs. I'm responsible for my needs.

0:53:02.287 --> 0:53:06.167
<v Speaker 1>And so by taking that authority and that autonomy, then

0:53:06.247 --> 0:53:10.207
<v Speaker 1>I'm reclaiming that part of myself, and then by you know,

0:53:10.327 --> 0:53:13.247
<v Speaker 1>looking at what I should be doing and actually is

0:53:13.247 --> 0:53:17.367
<v Speaker 1>this what I need? No it's not. Then fuck it off,

0:53:17.687 --> 0:53:20.807
<v Speaker 1>you know who? Like, No, life's too short, our energy

0:53:20.847 --> 0:53:24.287
<v Speaker 1>is too precious to be doing stuff that actually isn't

0:53:24.447 --> 0:53:27.447
<v Speaker 1>giving us nourishment. So for me, like, the more we

0:53:27.527 --> 0:53:29.847
<v Speaker 1>can say, what is the most nourishing thing I can

0:53:29.887 --> 0:53:32.487
<v Speaker 1>do for myself right now, one hundred times a day,

0:53:33.167 --> 0:53:34.927
<v Speaker 1>not for someone else, not for my kids, not for

0:53:35.007 --> 0:53:37.207
<v Speaker 1>my mum, not for bloody world peace. What is the

0:53:37.207 --> 0:53:40.327
<v Speaker 1>most nourishing thing I can do for myself right now?

0:53:40.887 --> 0:53:43.607
<v Speaker 1>Means that I am taking care of the organism that

0:53:43.687 --> 0:53:45.687
<v Speaker 1>is going to be doing all of the looking after.

0:53:46.207 --> 0:53:49.887
<v Speaker 1>But I'm feeding myself and I'm filling up my own batteries,

0:53:50.047 --> 0:53:53.647
<v Speaker 1>taking responsibility for my own needs, which means I'm much

0:53:53.727 --> 0:53:56.647
<v Speaker 1>more able to be in this moment, in all of

0:53:56.687 --> 0:53:59.807
<v Speaker 1>its emotions, in all of us, all of its strangeness,

0:53:59.807 --> 0:54:03.487
<v Speaker 1>in all of its wiggliness. And then from that, because

0:54:03.527 --> 0:54:05.767
<v Speaker 1>I'm not trying to run away from whatever's in here,

0:54:06.047 --> 0:54:08.567
<v Speaker 1>I also have access to the joy. I'll suddenly start

0:54:08.607 --> 0:54:11.407
<v Speaker 1>hearing the bird, I'll have this creative impulse. I am

0:54:11.487 --> 0:54:14.967
<v Speaker 1>now engaging with Capital our reality and life as it

0:54:15.047 --> 0:54:18.847
<v Speaker 1>really is, and myself as a being connected to life,

0:54:19.247 --> 0:54:20.807
<v Speaker 1>and that is a moment I want to be in

0:54:21.767 --> 0:54:23.207
<v Speaker 1>love that. Thank you, Gina.

0:54:23.447 --> 0:54:25.007
<v Speaker 3>This has been amazing. I could talk to you for

0:54:25.007 --> 0:54:25.367
<v Speaker 3>a week.

0:54:28.607 --> 0:54:31.327
<v Speaker 2>If you're anything like me, you're going to be thinking

0:54:31.447 --> 0:54:34.687
<v Speaker 2>about that conversation for a while. I fell in love

0:54:34.687 --> 0:54:37.087
<v Speaker 2>with Gina chick joining that chat, as everyone who meets

0:54:37.087 --> 0:54:39.607
<v Speaker 2>as surely does just a little bit, because being around

0:54:39.647 --> 0:54:44.007
<v Speaker 2>someone with so much vitality and life force is seductive

0:54:44.087 --> 0:54:47.167
<v Speaker 2>and inspiring. But I told you that it had changed me,

0:54:47.247 --> 0:54:50.407
<v Speaker 2>and then so I'd better tell you how it was.

0:54:50.567 --> 0:54:54.167
<v Speaker 2>Capital our reality, as you heard in that conversation. The

0:54:54.167 --> 0:54:56.567
<v Speaker 2>way that Gina can walk up to some of the

0:54:56.567 --> 0:55:00.407
<v Speaker 2>most heartbreaking, complicated issues and just call it like it

0:55:00.487 --> 0:55:04.367
<v Speaker 2>is is extraordinary. We're so caught up always in how

0:55:04.447 --> 0:55:07.047
<v Speaker 2>things should be, the way we should behave, and how

0:55:07.167 --> 0:55:10.167
<v Speaker 2>other people should behave, and whatever everyone else thinks about

0:55:10.167 --> 0:55:13.967
<v Speaker 2>our choices. But living in Gina's Capital our reality world

0:55:14.087 --> 0:55:16.727
<v Speaker 2>is to push that off and make calls based on

0:55:16.807 --> 0:55:20.007
<v Speaker 2>what is. And I'm doing that now. I am all

0:55:20.167 --> 0:55:24.927
<v Speaker 2>what would Gina do Whenever something comes up and it's

0:55:24.967 --> 0:55:29.047
<v Speaker 2>remarkably free anyway, if you love that as much as

0:55:29.087 --> 0:55:32.127
<v Speaker 2>I did by Gina's book, it's really bloody good, as

0:55:32.127 --> 0:55:34.167
<v Speaker 2>I'm sure you've gathered by now. There's a link in

0:55:34.207 --> 0:55:36.647
<v Speaker 2>the show notes for where and how, and if you

0:55:36.807 --> 0:55:39.927
<v Speaker 2>really loved it, tell your friends, share this episode with someone,

0:55:40.047 --> 0:55:41.647
<v Speaker 2>review it, leave a star or five.

0:55:41.767 --> 0:55:43.087
<v Speaker 3>I would be very grateful.

0:55:43.247 --> 0:55:45.247
<v Speaker 2>And look, I'm learning to ask for what I need

0:55:46.847 --> 0:55:50.487
<v Speaker 2>And welcome back to your show mid next week. I'm

0:55:50.527 --> 0:55:54.527
<v Speaker 2>talking to a formidable international fashion guru who's well ordered

0:55:54.567 --> 0:55:58.087
<v Speaker 2>and picture perfect world was suddenly smashed to smithereens by.

0:55:58.407 --> 0:56:01.647
<v Speaker 3>You guessed it, hormones. See you there.

0:56:02.527 --> 0:56:06.647
<v Speaker 2>Massive thanks to my Mid's team. My EP name of

0:56:06.727 --> 0:56:10.967
<v Speaker 2>Brown Our produces tolysabezaz Andal black Man, sound design and

0:56:11.007 --> 0:56:14.567
<v Speaker 2>audio production of Tom Lyon, and social media video production

0:56:14.687 --> 0:56:15.527
<v Speaker 2>by Josh Green