WEBVTT - The Friends Who Don’t Make The Grid

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<v Speaker 1>You're listening to a MoMA Mia podcast.

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<v Speaker 2>Mamma Mia acknowledges the traditional owners of land and waters

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<v Speaker 2>that this podcast is recorded on Hello and welcome to

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<v Speaker 2>Mamma Mia out Loud and to our Friday show. It's

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<v Speaker 2>the show where we step out of the news cycle

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<v Speaker 2>and talk about stuff that has nothing to do with

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<v Speaker 2>all that. Today it's Friday, the twenty fifth of October,

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<v Speaker 2>and I am Holly Wainwright.

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<v Speaker 3>I am Jesse Stephens, and I'm m Venam.

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<v Speaker 4>I normally co host our daily entertainment podcast, The Spill,

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<v Speaker 4>but today I have a record that I really wanted

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<v Speaker 4>to share with you, so I kicked me off.

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<v Speaker 2>Welcome EM on today's show. Do you have a friend

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<v Speaker 2>that you love but somehow they never ever make your

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<v Speaker 2>Instagram grid? Are you that friend? Yes, you know what

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<v Speaker 2>I'm talking about. Welcome to the new politics of social

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<v Speaker 2>media friendship. Also the most ridiculously wonderful TV show of

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<v Speaker 2>the year, an interview that made Jesse Stephens swoon, and

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<v Speaker 2>EM's twenty minute face re team It's recommendations and our

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<v Speaker 2>bests of worths of the week include revealing riding mistakes

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<v Speaker 2>and Stephens's accolade and sitting down. But first, Jesse Stevens

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<v Speaker 2>be my shean.

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<v Speaker 3>Came in today and so I'm going to do a hall.

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<v Speaker 3>It's like summer stuff, but literally came in four ds.

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<v Speaker 4>Very big shopping holl.

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<v Speaker 3>L had to do it, y'all.

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<v Speaker 4>I just got a new H and M order, so

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<v Speaker 4>let's open it and try it on together.

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<v Speaker 3>I don't even know where to start.

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<v Speaker 5>In case you missed it, the TikTok shopping hall has

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<v Speaker 5>turned young shoppers into what has been termed serial returners,

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<v Speaker 5>which is seriously affecting retail profitability. So this was in

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<v Speaker 5>a report from the Telegraph UK this week and it

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<v Speaker 5>was revealed that gen Z's are sending back almost seven

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<v Speaker 5>million pounds worth of items a year. Why are they

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<v Speaker 5>doing this? Because of the surgeon popularity in the clothing

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<v Speaker 5>hall whereby you buy a bunch of clothes. Some of

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<v Speaker 5>them are actually the same items, but they're in different colors, sizes,

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<v Speaker 5>and you try them on on TikTok, so you get

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<v Speaker 5>a big bag. I've seen this and like they tried on,

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<v Speaker 5>They're like should I keep this?

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<v Speaker 1>I not?

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<v Speaker 5>And then whatever you don't want you just send it

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<v Speaker 5>all back. So why is that a problem? Well, it's

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<v Speaker 5>putting an unprecedented strain on retailers. According to Richard Limb,

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<v Speaker 5>who's the chief executive of Retail Economics, someone has to

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<v Speaker 5>process all of these returns. ASOS said last year that

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<v Speaker 5>frequent returners were costing them six pounds per order. What's that, Holly,

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<v Speaker 5>twelve dollars. Twelve dollars pretty much with some of those

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<v Speaker 5>customers ordering two or three times a month and then

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<v Speaker 5>returning ninety percent of what they received. Ninety percent is

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<v Speaker 5>what they're returning. M Are you a serial returner? You're young,

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<v Speaker 5>You're cue.

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<v Speaker 4>I used to be a serial returner. When I was younger,

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<v Speaker 4>I would buy like I would usually be with pants

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<v Speaker 4>and jeans because I'm like a different size in every

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<v Speaker 4>gene and I love online shopping, so I'd buy like

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<v Speaker 4>jeans that were different sizes, like a size a same gene,

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<v Speaker 4>size eight ten, going there a shin No, that's a

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<v Speaker 4>whole other convention.

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<v Speaker 2>But I stopped.

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<v Speaker 4>I stopped doing this because a few years ago I

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<v Speaker 4>actually interviewed New South Wales Young Australian of the Year

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<v Speaker 4>Lotty dl. She was a sustainability educator and she taught

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<v Speaker 4>me about bracketing. Have you heard about this, Yeoh, So

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<v Speaker 4>racketing is labeled as fashions hidden returns problem, and it

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<v Speaker 4>shows that the chances of the clothes being returned very

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<v Speaker 4>rarely do they end up back on the shelves, and

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<v Speaker 4>I think it's because of this economic stuff. So firstly

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<v Speaker 4>with carbon, like you're creating carbon by getting the packages

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<v Speaker 4>sent to you creating carbon by delivering it back. But

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<v Speaker 4>it also with some brands, depending on the brand and

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<v Speaker 4>the value of the clothes, it sometimes costs them less

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<v Speaker 4>to send it to landfill rather than repackaging, washing, resealing,

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<v Speaker 4>putting it back on the website and selling it again.

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<v Speaker 5>Oh my god, I've heard that it is like less

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<v Speaker 5>than fifty percent get back on so it can take

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<v Speaker 5>a long time. So even it's kind of like maybe

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<v Speaker 5>they're not even selling it by the time you get

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<v Speaker 5>back with a lot of the really fast fashion ones.

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<v Speaker 5>And then even if they do resell it, it's like

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<v Speaker 5>they take the plastic away, they put it in new plastic,

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<v Speaker 5>and then yeah, once you put it in a truck

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<v Speaker 5>and a blar and a bla. They've gotten better at

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<v Speaker 5>the sustainability of sending it out, but they've not gotten

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<v Speaker 5>better at the sustainability of sending it back.

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<v Speaker 2>I have so many questions because sending anything back is

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<v Speaker 2>my worst night. There are things in my wardrobe that

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<v Speaker 2>I should have sent back, like shoes that don't quite fit.

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<v Speaker 2>But just the process, like the admin involved in like repackaging,

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<v Speaker 2>go to the post office, da da da da dah,

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<v Speaker 2>Like why don't they they wouldn't it be easier to

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<v Speaker 2>just go to a shop and walk into a chaine

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<v Speaker 2>room and try on three pairs of jeans.

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<v Speaker 4>No, because then sometimes when you've had LUNs, you can't

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<v Speaker 4>try jeans and you need to wait until you get

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<v Speaker 4>your package. You get your package and then you're like, okay,

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<v Speaker 4>now it's a good time to try these jeans on.

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<v Speaker 4>I also think it's because a lot of brands now

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<v Speaker 4>are doing free returns, so they made it quite well.

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<v Speaker 2>They know because they know that this is a thing.

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<v Speaker 5>And really and really long, like sometimes it's a month

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<v Speaker 5>or two months that you've got to re which is

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<v Speaker 5>really good.

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<v Speaker 4>So on the like TikTok's side, like you're saying that

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<v Speaker 4>we're costing you a lot, but then you're making it

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<v Speaker 4>really cheap for us to do it.

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<v Speaker 5>Which is do it clearly because it's such a pool

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<v Speaker 5>for the consumer. Like I won't buy something online if

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<v Speaker 5>that's not returns. Yeah, right, and especially I check for

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<v Speaker 5>free returns because that is like so appealing to me.

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<v Speaker 5>But I went into a post office recently to.

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<v Speaker 3>Pick up a package.

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<v Speaker 5>Don't even get me started on having to go to

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<v Speaker 5>a post office to pick something up. But I was

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<v Speaker 5>in there, all young women, all with bags. I just went,

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<v Speaker 5>this is so interesting because young people weren't in.

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<v Speaker 3>The post office ten years ago.

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<v Speaker 5>I swear Australia post was like, what are we going

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<v Speaker 5>to do now that email's here?

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<v Speaker 3>And then young women were like, We've got you, We

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<v Speaker 3>have got you.

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<v Speaker 2>Who appears the most on your Instagram feed or your

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<v Speaker 2>Facebook timeline? Even? Is it your buddies, your parents, your babies,

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<v Speaker 2>your pets? Is it you? In a date book of

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<v Speaker 2>birthday dinners, work promotions and assorted life lately updates? Do

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<v Speaker 2>you post more or less about the people you like

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<v Speaker 2>the most or about the people you'd like others to

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<v Speaker 2>think you like the most? I think the answer to

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<v Speaker 2>these questions varies depending on your age, your job, your

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<v Speaker 2>life stage. But what I'd never considered until this very morning,

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<v Speaker 2>when Emily Vernon brought it up to me, is that

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<v Speaker 2>there might be a person or people in my life

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<v Speaker 2>and yours who are offended that they're not on your

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<v Speaker 2>grid more or at all. M tell me about the

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<v Speaker 2>secret Mistress friend.

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<v Speaker 4>So I came across this TikTok by this user named Lucy,

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<v Speaker 4>and there was a piece to camera and she seemed

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<v Speaker 4>a bit upset. She said, that is anyone else the

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<v Speaker 4>secret Mistress friend?

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<v Speaker 6>I'm the one that will do all the emotional regulation

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<v Speaker 6>and do all of the therapy sessions and be there

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<v Speaker 6>twenty four fucking seven, but then not post about, not mentioned,

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<v Speaker 6>no fucking birthday.

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<v Speaker 4>Things, nothing, And it feels like that she's living in

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<v Speaker 4>like the secret compartment of their life, like she's a mistress.

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<v Speaker 2>Like secret sector. Remember that episode, you know the how everything.

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<v Speaker 2>Obviously I have to bring back to an episode of

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<v Speaker 2>Sex and the City, because because I do secret sex,

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<v Speaker 2>was this episode where it was people who you were

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<v Speaker 2>in a relationship with. I bet you would have some

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<v Speaker 2>stories about this to him, but you're not ready for

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<v Speaker 2>anyone to know that you are yet. So it's like

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<v Speaker 2>and sometimes it's you who's the secret sex and you

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<v Speaker 2>find that they're taking you to a restaurant that's like

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<v Speaker 2>really out of the way where they know they're not

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<v Speaker 2>going to see anyone they know. It's almost like the

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<v Speaker 2>modern day friendship equivalent of that. But here's what I

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<v Speaker 2>didn't understand, because one of the things that I thought

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<v Speaker 2>is that if I'm out for dinner with my girlfriends

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<v Speaker 2>and we're having a really nice night, I don't post

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<v Speaker 2>about that. That's not the kind of thing I post about.

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<v Speaker 4>So your friends are your secret mistress.

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<v Speaker 2>Yeah, I assume that they all know that our friendship

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<v Speaker 2>does not need to be performed. But now I think,

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<v Speaker 2>did they think that I am keeping them secret?

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<v Speaker 1>Yeah?

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<v Speaker 4>They one hundred percent do. Because you can't go to

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<v Speaker 4>dinner with your friend not post them, or even worse,

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<v Speaker 4>post the dinner but not tag them and not show them,

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<v Speaker 4>and then the next day go to dinner with me

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<v Speaker 4>and Jesse and then post us and tag.

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<v Speaker 5>Have you ever been to a dinner where some people

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<v Speaker 5>from the dinner go off and take photos and then

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<v Speaker 5>post it.

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<v Speaker 4>No one does that, I like in the bathroom it.

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<v Speaker 5>Yes, I've experienced it, and I've been like, oh, I

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<v Speaker 5>mind the table, We're taking the pictures to mark my dinner,

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<v Speaker 5>and I'm.

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<v Speaker 3>Like can I have a tag?

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<v Speaker 2>People really do that?

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<v Speaker 5>Yeah, because I think that they know they're the photo people.

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<v Speaker 5>They know I'm not the photo person that if they

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<v Speaker 5>asked me, I'd make it weird and I'd be awkward

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<v Speaker 5>and I don't know how to pose and I'd rather

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<v Speaker 5>just sit there and.

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<v Speaker 4>Are you okay with not being the photo person?

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<v Speaker 3>Yeah? I am.

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<v Speaker 5>It's funny because me, it's talked on this show before

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<v Speaker 5>about how she feels like social media at the moment

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<v Speaker 5>is leaking intimacy in certain experiences that we're having, whether

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<v Speaker 5>it's with our family or our friends or holidays or whatever.

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<v Speaker 5>There's this I don't know, it feels transgressive to go,

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<v Speaker 5>I'm not going to post like it feels countercultural. I

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<v Speaker 5>think especially for maybe Gen X and millennial women who

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<v Speaker 5>have come up with this big revolution in media. Like

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<v Speaker 5>I still remember the Facebook. We would go out clubbing

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<v Speaker 5>and I would have my.

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<v Speaker 4>Digital camera, digital camera.

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<v Speaker 3>Yeah, I would make head.

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<v Speaker 4>I would make Friday Nights.

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<v Speaker 5>I would make multiple Facebook albums and it would be

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<v Speaker 5>of a shoe and it would be of a blur

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<v Speaker 5>and it was like there was no such thing as intimacy.

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<v Speaker 5>That now I'm just like, it's like a hangover. I

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<v Speaker 5>read someone refer to it as like an immune response

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<v Speaker 5>to that that the body is just kind of like

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<v Speaker 5>I need to keep you away, and the internet oscillates,

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<v Speaker 5>I think, very quickly between kind of like overexposure and

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<v Speaker 5>then pulling it all back. So there's this new trend

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<v Speaker 5>of the no grid, like people are taking away their

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<v Speaker 5>their grids or deleting their whole grids. And I've noticed

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<v Speaker 5>that with nearly every gen Z I follow, if I

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<v Speaker 5>go on to their account, they've got like six or

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<v Speaker 5>seven photos, like they don't have this sprawling grid which

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<v Speaker 5>I do of every thing I've ever posted. I didn't

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<v Speaker 5>realize you could take it away.

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<v Speaker 2>I didn't know that was an option. I thought that

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<v Speaker 2>the whole point was this is a record of my life,

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<v Speaker 2>and to delete anything from it would be to deny

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<v Speaker 2>a moment in time.

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<v Speaker 5>I thought, anytime I've seen someone, if Maya deleted her grid,

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<v Speaker 5>I would call her on the phone, which I never do,

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<v Speaker 5>and I would say, are you having an identity crisis?

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<v Speaker 5>I would think that she was in a moment of

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<v Speaker 5>profound crisis and she needed a welfare check if she

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<v Speaker 5>deleted it.

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<v Speaker 3>But the Genza heads are just like.

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<v Speaker 5>What even is identity? What is fixed? And I'm like,

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<v Speaker 5>what you can't just break the rule?

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<v Speaker 2>Okay, but there's a conflict here because you're saying it's

0:10:45.207 --> 0:10:47.327
<v Speaker 2>not cool to post a lot, but you're telling me

0:10:47.447 --> 0:10:49.327
<v Speaker 2>em that if you go out for a girl's dinner

0:10:49.367 --> 0:10:52.727
<v Speaker 2>and it is not posted, then that's somehow slight. I'm

0:10:52.727 --> 0:10:55.607
<v Speaker 2>not never posted. To me if I'm having dinner with

0:10:55.647 --> 0:10:57.567
<v Speaker 2>my girlfriend's on like a random if it's birthday or

0:10:57.607 --> 0:11:01.127
<v Speaker 2>something different, but like a random Thursday night pastor, it

0:11:01.127 --> 0:11:03.167
<v Speaker 2>wouldn't even occur to me that I should post that.

0:11:03.287 --> 0:11:05.807
<v Speaker 4>No, it's not like post it in general. It's more

0:11:05.927 --> 0:11:08.127
<v Speaker 4>like if there's a group of your friends that you

0:11:08.327 --> 0:11:11.927
<v Speaker 4>don't post o other people, so you're still posting, but

0:11:12.127 --> 0:11:15.447
<v Speaker 4>only certain people. And it's the friends that who don't

0:11:15.487 --> 0:11:17.807
<v Speaker 4>get posted, who are like what the hell? Like I

0:11:17.847 --> 0:11:20.647
<v Speaker 4>see you once a week, we have beautiful dinners, we

0:11:20.767 --> 0:11:22.807
<v Speaker 4>hang out all the time. I put makeup on, I

0:11:22.887 --> 0:11:25.207
<v Speaker 4>dress up for you, and not once have I appeared

0:11:25.207 --> 0:11:27.047
<v Speaker 4>on your grid. People don't even know we're friends.

0:11:27.087 --> 0:11:29.047
<v Speaker 2>Why do you want people to know your friends?

0:11:29.087 --> 0:11:31.127
<v Speaker 4>Because then people ask are you still friends with so

0:11:31.247 --> 0:11:32.847
<v Speaker 4>and so? I haven't seen them on your.

0:11:32.687 --> 0:11:35.927
<v Speaker 2>Instagram, so it is a document of your life, like

0:11:36.087 --> 0:11:37.167
<v Speaker 2>it is, what's like, what.

0:11:37.167 --> 0:11:39.887
<v Speaker 4>Will happen if, like, I still don't understand the leaking

0:11:39.927 --> 0:11:43.087
<v Speaker 4>of intimacy, because what will happen if you do post

0:11:43.167 --> 0:11:44.567
<v Speaker 4>those photos with your friends?

0:11:44.607 --> 0:11:47.607
<v Speaker 2>Well, I think the problem is is that people begin

0:11:47.807 --> 0:11:53.287
<v Speaker 2>to struggle with every social event and friendship moment being

0:11:53.487 --> 0:11:56.687
<v Speaker 2>for the grid. Right, So let's talk about Thursday night,

0:11:56.727 --> 0:11:59.047
<v Speaker 2>pasta dinner. Right, you know, we're all talking, we're just

0:11:59.047 --> 0:12:01.167
<v Speaker 2>having a good time, it's an ordinary night. At what

0:12:01.247 --> 0:12:03.967
<v Speaker 2>point are we all like photo time? And then we're

0:12:03.967 --> 0:12:06.487
<v Speaker 2>all who's approving this picture? Like do you like how

0:12:06.527 --> 0:12:08.127
<v Speaker 2>you look? And do you look like how you look?

0:12:08.127 --> 0:12:10.047
<v Speaker 2>And do we tag the restaurant? Not tag the restaurant?

0:12:10.047 --> 0:12:11.647
<v Speaker 4>And I always take the restaurant. I don't know where

0:12:11.647 --> 0:12:13.047
<v Speaker 4>you're going? And then we're.

0:12:12.927 --> 0:12:17.607
<v Speaker 2>Very like I feel like that changes the purpose and

0:12:17.647 --> 0:12:20.007
<v Speaker 2>the dynamic of the evening, right, And the and the

0:12:20.047 --> 0:12:22.567
<v Speaker 2>thing that people begin to panic about about intimacy leak

0:12:22.767 --> 0:12:25.727
<v Speaker 2>is are we performing going out for dinner with our

0:12:25.767 --> 0:12:28.007
<v Speaker 2>friends rather than just going out for dinner with our friends?

0:12:28.047 --> 0:12:29.407
<v Speaker 2>And I think because.

0:12:29.207 --> 0:12:30.607
<v Speaker 3>That takes you out of the moment.

0:12:30.767 --> 0:12:33.847
<v Speaker 2>Yeah, And it's to me. It's like, say, it's my

0:12:33.887 --> 0:12:35.567
<v Speaker 2>friend's birthday and we go out for dinner and I

0:12:35.607 --> 0:12:38.087
<v Speaker 2>post about it and I'm like, happy birthday, Betty. You

0:12:38.127 --> 0:12:42.167
<v Speaker 2>know that's my act of like appreciation of Betty. But

0:12:42.207 --> 0:12:45.847
<v Speaker 2>hopefully she already knows that I appreciate her Like that

0:12:45.967 --> 0:12:47.687
<v Speaker 2>isn't my real life, do you know what I mean?

0:12:47.727 --> 0:12:50.367
<v Speaker 2>My grid and my feed is not my real life.

0:12:50.407 --> 0:12:52.887
<v Speaker 4>But it doesn't have to be like a pose photo,

0:12:53.007 --> 0:12:55.327
<v Speaker 4>like a curated photo. It can be like a blurry

0:12:55.327 --> 0:12:57.687
<v Speaker 4>photo of your pasta while you're eating it, and I

0:12:57.727 --> 0:12:59.527
<v Speaker 4>just want to see the list of your friends that

0:12:59.527 --> 0:13:02.287
<v Speaker 4>you're with in the tag, but just so I can

0:13:02.367 --> 0:13:05.127
<v Speaker 4>stalk them, especially if they're hot. If they're a hot friend,

0:13:05.247 --> 0:13:05.927
<v Speaker 4>I definitely need.

0:13:06.327 --> 0:13:10.447
<v Speaker 2>It's totally so, say my daughter, who growing up in

0:13:10.487 --> 0:13:12.567
<v Speaker 2>the world of snap maps, did they have snap maps

0:13:12.607 --> 0:13:15.167
<v Speaker 2>around when you were didn't have right, So it is

0:13:15.287 --> 0:13:18.327
<v Speaker 2>so normal for you for the idea of like who

0:13:18.327 --> 0:13:20.887
<v Speaker 2>are you with? Where are you? I need to know

0:13:21.047 --> 0:13:24.087
<v Speaker 2>all interesting that so and so wasn't there, like.

0:13:24.167 --> 0:13:26.447
<v Speaker 5>I just and they wanted to disappear, which is what

0:13:26.487 --> 0:13:29.127
<v Speaker 5>Snapchat realized really early on, which is why the grid

0:13:29.207 --> 0:13:32.727
<v Speaker 5>is gone. The grid is gone because younger people don't

0:13:32.727 --> 0:13:35.447
<v Speaker 5>want that footprint. They've seen it happen enough that it

0:13:35.447 --> 0:13:38.487
<v Speaker 5>comes back to bite you, like she wants to.

0:13:38.527 --> 0:13:39.847
<v Speaker 3>Know happy with my story.

0:13:40.087 --> 0:13:41.807
<v Speaker 4>It's happy with a story that's twenty four hours.

0:13:42.087 --> 0:13:44.807
<v Speaker 3>She's happy with the story impermanent. Yes.

0:13:44.847 --> 0:13:47.607
<v Speaker 5>And what I think you're also speaking to is the

0:13:47.607 --> 0:13:50.527
<v Speaker 5>photo dump, which is another trend which there was an

0:13:50.567 --> 0:13:53.727
<v Speaker 5>article recently in The New Yorker about this. What we

0:13:53.807 --> 0:13:56.167
<v Speaker 5>do online is completely shaped by the algorithm. It's not,

0:13:56.407 --> 0:13:58.527
<v Speaker 5>you know, just people deciding all of a sudden they'd

0:13:58.567 --> 0:14:01.167
<v Speaker 5>like to post twenty photos. But in August, I think

0:14:01.247 --> 0:14:04.207
<v Speaker 5>Instagram went from letting you post ten photos to letting

0:14:04.207 --> 0:14:07.407
<v Speaker 5>you post twenty. And you remember j Loo just after

0:14:07.447 --> 0:14:11.407
<v Speaker 5>Ben posted sixteen, and it is like all these oh

0:14:11.447 --> 0:14:14.487
<v Speaker 5>what a summer, and she posted all these random things.

0:14:15.447 --> 0:14:18.487
<v Speaker 5>And I think that what Instagram has become is less

0:14:18.607 --> 0:14:21.687
<v Speaker 5>like here's my friends at dinner, and more about here's

0:14:21.687 --> 0:14:24.287
<v Speaker 5>a vibe, like I'm gonna sprinkle these things and give

0:14:24.327 --> 0:14:27.647
<v Speaker 5>you a sense of my month, rather than like the

0:14:27.807 --> 0:14:31.767
<v Speaker 5>images that are like opposed the you know, twenty to

0:14:31.847 --> 0:14:35.127
<v Speaker 5>fifteen influencer posing in a bikini not getting any traction.

0:14:35.527 --> 0:14:39.487
<v Speaker 5>What is some chaotic, as a young person would say,

0:14:39.687 --> 0:14:44.247
<v Speaker 5>cooked carousel of like a dinner and a blurred this,

0:14:44.567 --> 0:14:46.807
<v Speaker 5>and there's a bonfire and there's half your friend's leg

0:14:46.927 --> 0:14:49.567
<v Speaker 5>and that's like yeah, and it's the end of month

0:14:50.007 --> 0:14:51.327
<v Speaker 5>dump situation.

0:14:51.087 --> 0:14:54.167
<v Speaker 4>Yeah, or end of week. Like I really respect the

0:14:54.167 --> 0:14:56.767
<v Speaker 4>photo dumb because I get like a weekly recap of

0:14:56.807 --> 0:14:59.447
<v Speaker 4>like everyone's big week, and it needs to be chaotic

0:14:59.447 --> 0:15:01.487
<v Speaker 4>and it needs to be from your POV and I

0:15:01.527 --> 0:15:03.727
<v Speaker 4>need to see the world through your eyes, so it

0:15:03.767 --> 0:15:06.767
<v Speaker 4>can't be curated, it can't be edited. What happened is

0:15:06.767 --> 0:15:09.927
<v Speaker 4>that the celebrities and the rich people got hold of

0:15:09.967 --> 0:15:12.367
<v Speaker 4>the photo dump and they tried to do it as well.

0:15:12.407 --> 0:15:14.487
<v Speaker 4>They tried to be like, yeah, look at me, casual, cool,

0:15:14.647 --> 0:15:17.967
<v Speaker 4>but in the corner you're like that's a chandelier. You're like,

0:15:18.047 --> 0:15:21.127
<v Speaker 4>that's a very expensive candle. And what they've done now

0:15:21.207 --> 0:15:23.527
<v Speaker 4>is that they've led us into this huge world that

0:15:23.567 --> 0:15:25.887
<v Speaker 4>we never had access before. So now we're just like

0:15:25.927 --> 0:15:28.927
<v Speaker 4>perving on all of these lives and they don't realize,

0:15:29.007 --> 0:15:31.727
<v Speaker 4>like you were saying before, how intimate these dumps actually are.

0:15:31.967 --> 0:15:36.007
<v Speaker 2>I love a further dump twenty photos thirty Furtosire give

0:15:36.087 --> 0:15:38.567
<v Speaker 2>me all of them. It's time efficient, so I only

0:15:38.607 --> 0:15:40.687
<v Speaker 2>have to look at your thing once rather than I

0:15:40.727 --> 0:15:43.127
<v Speaker 2>have to keep going. And I love that thing of

0:15:43.127 --> 0:15:45.767
<v Speaker 2>what do you choose? Because when I used to do

0:15:46.287 --> 0:15:47.847
<v Speaker 2>my best and worst of the week, I used to

0:15:47.887 --> 0:15:49.567
<v Speaker 2>do on a Saturday morning, I'd do ten and it

0:15:49.567 --> 0:15:52.607
<v Speaker 2>would always be like, actually that was because you could

0:15:52.607 --> 0:15:57.607
<v Speaker 2>only do ten. Like what you choose is really interesting,

0:15:57.647 --> 0:15:59.567
<v Speaker 2>because that's the whole point of curation, right. It's like,

0:15:59.647 --> 0:16:02.407
<v Speaker 2>there could be everything in the world, but what would

0:16:02.447 --> 0:16:05.927
<v Speaker 2>I choose to celebrate or highlight or whatever. And in

0:16:05.967 --> 0:16:08.727
<v Speaker 2>that instance, Thursday night dinner might make it in right,

0:16:09.367 --> 0:16:11.287
<v Speaker 2>like all Monday night movie club that I do with

0:16:11.367 --> 0:16:14.207
<v Speaker 2>Jesse and Meha. And I know I have this much

0:16:14.327 --> 0:16:17.727
<v Speaker 2>mocked like obsession with privacy, which is funny for someone

0:16:17.807 --> 0:16:19.967
<v Speaker 2>who lives a lot of their life publicly. But it's

0:16:20.007 --> 0:16:23.207
<v Speaker 2>that idea of if I thought that people were looking

0:16:23.247 --> 0:16:24.767
<v Speaker 2>to see who I was going out for dinner with

0:16:24.807 --> 0:16:27.487
<v Speaker 2>and wondering why Sally wasn't there on Wednesday, like that

0:16:27.527 --> 0:16:29.327
<v Speaker 2>would really stress me out a lot.

0:16:29.527 --> 0:16:30.447
<v Speaker 4>Why wasn't she there?

0:16:31.687 --> 0:16:32.527
<v Speaker 3>You find to hide?

0:16:32.567 --> 0:16:33.567
<v Speaker 2>You need to know.

0:16:33.847 --> 0:16:35.807
<v Speaker 4>I'm going to be in the comics at Sally if

0:16:35.847 --> 0:16:36.527
<v Speaker 4>we're here.

0:16:37.167 --> 0:16:40.127
<v Speaker 5>The other thing with the not posting the friends, right,

0:16:40.527 --> 0:16:42.847
<v Speaker 5>And I thought when I watched that TikTok video was

0:16:43.687 --> 0:16:48.207
<v Speaker 5>there's this evolution of Internet slash social media that I

0:16:48.247 --> 0:16:51.647
<v Speaker 5>was reading about, which is I guess the niche right,

0:16:51.887 --> 0:16:54.927
<v Speaker 5>So and TikTok has shaped this, but I think it's

0:16:54.967 --> 0:16:58.407
<v Speaker 5>sort of in every platform to varying degrees. Is that

0:16:58.847 --> 0:17:00.967
<v Speaker 5>when I turned up to Facebook, and when I turned

0:17:01.047 --> 0:17:02.967
<v Speaker 5>up to MySpace, and when I first turned up to Instagram,

0:17:03.007 --> 0:17:05.567
<v Speaker 5>I brought my whole self. I brought my parents, I

0:17:05.607 --> 0:17:07.647
<v Speaker 5>brought my friends, I brought my pets, and I brought

0:17:07.647 --> 0:17:09.847
<v Speaker 5>my job, and I brought everything. Now there's this thing

0:17:09.887 --> 0:17:12.847
<v Speaker 5>where it's like, what actually works best in terms of

0:17:13.087 --> 0:17:16.087
<v Speaker 5>content creation because a lot of this is being monetized

0:17:16.247 --> 0:17:19.287
<v Speaker 5>is Jesse does this on the Internet. So I'm gonna

0:17:19.287 --> 0:17:21.407
<v Speaker 5>show you what I do when Jesse does a podcast

0:17:21.567 --> 0:17:23.167
<v Speaker 5>and you don't get access to me on the weekend.

0:17:23.767 --> 0:17:26.327
<v Speaker 5>And that I think I'm seeing that increasingly, even with

0:17:26.407 --> 0:17:30.287
<v Speaker 5>like really public figures, they're going no, I'm not gonna

0:17:30.327 --> 0:17:32.247
<v Speaker 5>leak that, and I'm not gonna leak that. I'm gonna

0:17:32.287 --> 0:17:35.567
<v Speaker 5>have a certain part of myself that's for the public,

0:17:35.967 --> 0:17:38.447
<v Speaker 5>and then who I have dinner with on a Monday

0:17:38.527 --> 0:17:39.367
<v Speaker 5>is none of your business.

0:17:39.407 --> 0:17:41.967
<v Speaker 4>So do you use your Instagram more like a LinkedIn? Yes,

0:17:42.247 --> 0:17:43.247
<v Speaker 4>like a social LinkedIn?

0:17:43.607 --> 0:17:45.247
<v Speaker 3>Yes? Absolutely? Absolutely.

0:17:45.327 --> 0:17:47.087
<v Speaker 4>Do you have a private Instagram like a Finster?

0:17:47.607 --> 0:17:49.327
<v Speaker 5>I don't, But I was reading about this because I

0:17:49.367 --> 0:17:51.007
<v Speaker 5>was thinking, Oh, all the gen Z's I know have

0:17:51.087 --> 0:17:55.967
<v Speaker 5>deleted their grid, and I was like, because I guarantee

0:17:55.967 --> 0:17:58.727
<v Speaker 5>they have some Finsta with their photo dumps and with

0:17:58.807 --> 0:18:01.767
<v Speaker 5>all their like I don't know, hot like posy photos

0:18:01.807 --> 0:18:04.887
<v Speaker 5>or whatever, I'm certainly not getting them. But that's apparently

0:18:04.927 --> 0:18:07.167
<v Speaker 5>what gen Z's are doing more and more is they're

0:18:07.207 --> 0:18:09.887
<v Speaker 5>going because the thing about Instagram that because it's got

0:18:09.887 --> 0:18:12.807
<v Speaker 5>the public private settings, it was also for everyone. Like

0:18:12.847 --> 0:18:15.527
<v Speaker 5>I've always been aware on Instagram that it's not just

0:18:15.567 --> 0:18:19.807
<v Speaker 5>people who know me. Anyone can come across you and

0:18:19.847 --> 0:18:21.927
<v Speaker 5>get a sense of you in a second, whereas that's

0:18:21.927 --> 0:18:25.087
<v Speaker 5>not what happens on your Facebook profile or whatever. What

0:18:25.207 --> 0:18:28.927
<v Speaker 5>gen Z's are doing now is they're going, I want

0:18:28.927 --> 0:18:31.687
<v Speaker 5>to have an Instagram account where twenty of my friends

0:18:31.687 --> 0:18:33.687
<v Speaker 5>follow and it's almost like a group chat with my friends,

0:18:34.047 --> 0:18:36.327
<v Speaker 5>and then they have that separately so they can be

0:18:36.407 --> 0:18:38.767
<v Speaker 5>themselves there, which that had never occurred to me. I

0:18:38.807 --> 0:18:40.687
<v Speaker 5>thought everyone who followed me on Instagram just needs to

0:18:40.727 --> 0:18:41.207
<v Speaker 5>know everything.

0:18:41.287 --> 0:18:43.807
<v Speaker 4>And they're so active on social as well, Like I

0:18:43.807 --> 0:18:46.967
<v Speaker 4>always forget that just because they're not posting doesn't mean

0:18:46.967 --> 0:18:49.127
<v Speaker 4>they're not active, Like they're always the first to reply

0:18:49.207 --> 0:18:52.287
<v Speaker 4>to DM, to read your stories, to watch your stories.

0:18:52.647 --> 0:18:53.367
<v Speaker 3>Do you have a fin Star?

0:18:53.767 --> 0:18:57.247
<v Speaker 4>I do have a fin Star follow it, but I

0:18:57.247 --> 0:18:58.407
<v Speaker 4>don't post on it regularly.

0:18:58.767 --> 0:18:59.807
<v Speaker 3>Oh is it for stalking?

0:18:59.967 --> 0:19:04.007
<v Speaker 2>It's for start it's stalking. Okay, So we also need

0:19:04.087 --> 0:19:06.567
<v Speaker 2>to explain this to out louders who aren't necessarily across it.

0:19:06.887 --> 0:19:09.047
<v Speaker 2>You might have a Finster account that you might use

0:19:09.047 --> 0:19:11.407
<v Speaker 2>to do exactly what em just said. Go and look

0:19:11.447 --> 0:19:13.927
<v Speaker 2>at other people's stories without them seeing, because they can

0:19:13.967 --> 0:19:15.407
<v Speaker 2>see when you're looking at their story.

0:19:15.647 --> 0:19:20.087
<v Speaker 5>Yeah, and have it super private so that maybe only, yeah,

0:19:20.127 --> 0:19:21.927
<v Speaker 5>a few people see it. And maybe that's where you

0:19:21.927 --> 0:19:23.487
<v Speaker 5>put pictures of your baby because you don't want all

0:19:23.487 --> 0:19:24.687
<v Speaker 5>the other people looking. Yes.

0:19:25.287 --> 0:19:27.887
<v Speaker 4>After the break, we are setting up your weekend with

0:19:27.967 --> 0:19:31.927
<v Speaker 4>our best recommendations, including a new show that Holly is

0:19:31.967 --> 0:19:35.567
<v Speaker 4>obsessed with it. She literally was screaming us this morning.

0:19:38.687 --> 0:19:39.247
<v Speaker 6>He loud.

0:19:42.087 --> 0:19:45.247
<v Speaker 4>It is Friday, which means we share our best recommendations

0:19:45.287 --> 0:19:48.127
<v Speaker 4>with you, and today I am going to go first.

0:19:48.367 --> 0:19:49.047
<v Speaker 4>You don't mind.

0:19:49.367 --> 0:19:49.967
<v Speaker 2>I like it.

0:19:50.087 --> 0:19:54.127
<v Speaker 4>So I am recommending a cleanser. It's the Trinny London

0:19:54.287 --> 0:19:58.127
<v Speaker 4>Cleansing Bomb. It's called the Be Your Best Enzyme Bomb cleanser.

0:19:58.927 --> 0:20:01.567
<v Speaker 4>So the cleanser is amazing. It's like this big yellow bottle.

0:20:01.607 --> 0:20:03.767
<v Speaker 4>You can also get a mini version for like if

0:20:03.767 --> 0:20:06.327
<v Speaker 4>you're traveling or stuff. But I'm actually not recommending the

0:20:06.367 --> 0:20:09.687
<v Speaker 4>specific cleanser, but more the cleansing act I do.

0:20:09.887 --> 0:20:11.767
<v Speaker 3>Can I ask a questions about the cleanser? Yes, just

0:20:11.887 --> 0:20:12.327
<v Speaker 3>go on dry.

0:20:12.327 --> 0:20:15.487
<v Speaker 4>Our wet skin goes on dry skin. So I'm recommending

0:20:15.527 --> 0:20:18.207
<v Speaker 4>like oil and balm cleansers in general to work on

0:20:18.287 --> 0:20:19.367
<v Speaker 4>a dry skin.

0:20:19.487 --> 0:20:19.647
<v Speaker 1>Yea.

0:20:20.167 --> 0:20:24.127
<v Speaker 4>So I visited my friend and facialist, Lauren over the weekend.

0:20:24.167 --> 0:20:26.967
<v Speaker 2>Excuse me, do you have a This is.

0:20:26.887 --> 0:20:30.567
<v Speaker 3>Why all they all have such a beautiful skin. I

0:20:30.607 --> 0:20:32.807
<v Speaker 3>think I need a facialist. I'm very spotty at the moment.

0:20:32.967 --> 0:20:36.407
<v Speaker 2>Is it facialist different from a dermatologist? Yes? So am

0:20:36.407 --> 0:20:38.287
<v Speaker 2>I meant to have like a dermatologist and.

0:20:39.007 --> 0:20:42.807
<v Speaker 4>I don't have a dermatology artist is when you have

0:20:43.167 --> 0:20:45.327
<v Speaker 4>a real problem, when you have your ex summer or something.

0:20:45.127 --> 0:20:46.247
<v Speaker 2>And then maybe an.

0:20:50.287 --> 0:20:53.407
<v Speaker 4>Interrupted sorry on my skin has changed. I used to

0:20:53.487 --> 0:20:55.727
<v Speaker 4>be very oily, and then I started getting older and

0:20:55.767 --> 0:20:57.887
<v Speaker 4>the weather changed, and now I'm very dry, and I

0:20:57.927 --> 0:21:00.087
<v Speaker 4>didn't know how to work with my skin. So she

0:21:00.447 --> 0:21:02.247
<v Speaker 4>told me that I need to start cleansing with an

0:21:02.287 --> 0:21:04.087
<v Speaker 4>oil cleanser. And I talked about this on the You

0:21:04.207 --> 0:21:08.807
<v Speaker 4>Beauty podcast on Wednesday. If you listened, did you? It's

0:21:08.847 --> 0:21:11.967
<v Speaker 4>on my left and she told me that she wanted

0:21:12.007 --> 0:21:15.327
<v Speaker 4>me once a week to cleanse in an oil or

0:21:15.327 --> 0:21:17.407
<v Speaker 4>balm cleanser for twenty minutes.

0:21:17.487 --> 0:21:18.407
<v Speaker 2>That's a long time.

0:21:18.447 --> 0:21:19.927
<v Speaker 3>Does she mean leave it on for twenty minutes?

0:21:19.927 --> 0:21:22.527
<v Speaker 4>I actually like rapplarge my face for twenty minutes, she said,

0:21:22.567 --> 0:21:24.127
<v Speaker 4>Put on the TV, sit in front of the TV,

0:21:24.207 --> 0:21:26.727
<v Speaker 4>watch a favorite episode or something, and just cleanse for

0:21:26.727 --> 0:21:27.847
<v Speaker 4>twenty minutes a week.

0:21:28.327 --> 0:21:30.847
<v Speaker 2>Because I love an oil cleanser do They're my favorite,

0:21:30.887 --> 0:21:32.967
<v Speaker 2>So they go on dry skin. So then just sit

0:21:33.047 --> 0:21:33.847
<v Speaker 2>there in front of the.

0:21:33.807 --> 0:21:37.807
<v Speaker 4>Telly, rubbing your face, neck, declotage all of it for

0:21:37.887 --> 0:21:40.847
<v Speaker 4>twenty minutes. I've done it for three weeks. I've done

0:21:40.847 --> 0:21:44.527
<v Speaker 4>it three times. My skin has completely transformed.

0:21:44.007 --> 0:21:45.927
<v Speaker 2>In what way it does like good babes.

0:21:45.967 --> 0:21:48.207
<v Speaker 4>Oh well, now I'm purging, so it's not not backgrade,

0:21:48.287 --> 0:21:51.927
<v Speaker 4>which you told me might happen. Brighter, more moist. Is

0:21:51.927 --> 0:21:54.887
<v Speaker 4>that the right word for skin? Like plumper? Also like

0:21:54.927 --> 0:21:57.327
<v Speaker 4>the amount of shit that came out of my skin

0:21:57.687 --> 0:22:01.127
<v Speaker 4>while doing this, like black heads, spacious feelings, yes, like

0:22:01.527 --> 0:22:02.087
<v Speaker 4>little hair.

0:22:02.287 --> 0:22:04.807
<v Speaker 2>So then after your twenty minutes, you get like a

0:22:04.807 --> 0:22:05.967
<v Speaker 2>little cloth and white.

0:22:06.087 --> 0:22:07.447
<v Speaker 4>Yeah, you get a cloth, and then you can do

0:22:07.487 --> 0:22:09.527
<v Speaker 4>your double clean so like a normal cleanser on top,

0:22:09.567 --> 0:22:11.607
<v Speaker 4>and then your normal like skin care routine and your

0:22:11.647 --> 0:22:13.287
<v Speaker 4>skin feels so good.

0:22:13.647 --> 0:22:15.647
<v Speaker 5>I'm going to do that tonight because I actually have that.

0:22:15.727 --> 0:22:18.567
<v Speaker 5>I've never been very good at using them because I rush.

0:22:18.847 --> 0:22:20.407
<v Speaker 4>You need to sink in and then it becomes oily

0:22:20.447 --> 0:22:23.087
<v Speaker 4>and feels better. Rush it and you don't get that

0:22:23.167 --> 0:22:24.887
<v Speaker 4>feeling of like gladness.

0:22:25.007 --> 0:22:26.847
<v Speaker 5>Yeah right right right, And I do get the sense

0:22:26.887 --> 0:22:28.087
<v Speaker 5>I'm not getting all my makeup off.

0:22:28.087 --> 0:22:30.567
<v Speaker 4>And when you see the stuff come out on your hands,

0:22:30.647 --> 0:22:31.367
<v Speaker 4>you get addicted.

0:22:31.607 --> 0:22:33.847
<v Speaker 3>I'm so excited.

0:22:33.887 --> 0:22:37.167
<v Speaker 2>God, this is the best recommendation ever until this one.

0:22:37.207 --> 0:22:38.567
<v Speaker 4>Oh gosh, here we go.

0:22:39.047 --> 0:22:41.247
<v Speaker 2>So I don't know I have a feeling that this

0:22:41.407 --> 0:22:44.247
<v Speaker 2>is a recommendation that will divide. People are either going

0:22:44.327 --> 0:22:46.367
<v Speaker 2>to fucking love this or you're going to be like

0:22:47.247 --> 0:22:51.927
<v Speaker 2>Holly you canceled because Disney Plus has a new show

0:22:51.927 --> 0:22:54.767
<v Speaker 2>on it called Rivals, right, and I need to explain

0:22:54.887 --> 0:22:57.767
<v Speaker 2>that it's based on one of many books by a

0:22:57.807 --> 0:23:01.007
<v Speaker 2>British author called Jilly Cooper. She's actually Dame Jilly Cooper

0:23:01.047 --> 0:23:03.567
<v Speaker 2>because she has been around for a very long time

0:23:04.127 --> 0:23:06.927
<v Speaker 2>and she wrote the books that were very popular in

0:23:06.967 --> 0:23:10.807
<v Speaker 2>the nineteen eighties. Is to be called bunk right in.

0:23:10.727 --> 0:23:11.527
<v Speaker 3>Like fifty Shades.

0:23:11.967 --> 0:23:14.727
<v Speaker 4>No, it is not allowed. I'd be allowed to say that.

0:23:14.887 --> 0:23:17.607
<v Speaker 2>Like Jackie Collins, Have you ever read any of those

0:23:17.687 --> 0:23:22.567
<v Speaker 2>kind of books? I like, sort of really rompy, lightweight,

0:23:23.167 --> 0:23:27.447
<v Speaker 2>sort of satirical loads of sex, usually set in like

0:23:27.487 --> 0:23:31.367
<v Speaker 2>a high society world. Bonkbusters used to call them, right.

0:23:31.487 --> 0:23:34.327
<v Speaker 2>Jilly Cooper was the best at writing those, and she

0:23:34.447 --> 0:23:37.167
<v Speaker 2>herself is poshing, comes from posh part of England, and

0:23:37.207 --> 0:23:42.407
<v Speaker 2>they're all set in these Cotswolds, very fancy sort of

0:23:42.487 --> 0:23:45.167
<v Speaker 2>societies and a lot about class and a lot about

0:23:45.247 --> 0:23:49.487
<v Speaker 2>outsiders insiders stuff, but mostly about sex. Anyway, Jilly Cooper's

0:23:49.487 --> 0:23:52.247
<v Speaker 2>books have all been bought and are being adapted for

0:23:52.367 --> 0:23:57.287
<v Speaker 2>TV in the most perfect way that could ever happen.

0:23:58.527 --> 0:24:00.407
<v Speaker 4>It's nineteen eighty six.

0:24:02.567 --> 0:24:04.247
<v Speaker 3>You can have whatever you want.

0:24:05.647 --> 0:24:07.567
<v Speaker 6>Come to the cotswart.

0:24:09.327 --> 0:24:10.527
<v Speaker 2>Is it going to happen to us in the place

0:24:10.567 --> 0:24:10.807
<v Speaker 2>like this?

0:24:15.927 --> 0:24:18.247
<v Speaker 3>If you don't start spending some of that fortune making

0:24:18.287 --> 0:24:21.087
<v Speaker 3>a decent television, you're going to lose your business.

0:24:21.167 --> 0:24:23.847
<v Speaker 4>Rupert Campbell Black championshow Jump Up put out the past year?

0:24:23.967 --> 0:24:25.407
<v Speaker 7>It's an arrogant Black.

0:24:29.767 --> 0:24:32.367
<v Speaker 2>Rivals. Doesn't really matter what it's about, but it's a

0:24:32.407 --> 0:24:36.007
<v Speaker 2>story of a guy who buys a TV station and

0:24:36.007 --> 0:24:38.407
<v Speaker 2>he's trying to take on like the BBC in the eighties,

0:24:38.447 --> 0:24:41.247
<v Speaker 2>and it's all this right. That guy is played by

0:24:41.327 --> 0:24:45.447
<v Speaker 2>David Tennant, who you know from Oh Church, Doctor Who,

0:24:45.687 --> 0:24:48.807
<v Speaker 2>et cetera, et cetera. The cast is amazing, like lots

0:24:48.807 --> 0:24:50.647
<v Speaker 2>of people whose names you wouldn't necessarily know. What you've

0:24:50.647 --> 0:24:52.807
<v Speaker 2>seen in every good English thing you've ever seen. Right,

0:24:53.647 --> 0:24:57.007
<v Speaker 2>it is so fun. I've heard Marina Hyde talk about

0:24:57.007 --> 0:24:58.527
<v Speaker 2>this on one of my favorite progrests and she said

0:24:58.527 --> 0:25:03.207
<v Speaker 2>this show is TV perfection because it's what we need

0:25:03.287 --> 0:25:05.727
<v Speaker 2>at this moment. Right. It's said in the eighties, So

0:25:05.767 --> 0:25:10.167
<v Speaker 2>it's complete retro pawn of that time, which was very,

0:25:10.367 --> 0:25:13.487
<v Speaker 2>as we call it now, politically incorrect, but not enough

0:25:13.687 --> 0:25:15.687
<v Speaker 2>like a hort well sometimes in a horrible way, but

0:25:15.807 --> 0:25:18.647
<v Speaker 2>it doesn't shy away from that, hasn't like sanitized it

0:25:18.727 --> 0:25:21.287
<v Speaker 2>and kind of done that thing that sometimes adaptations do

0:25:21.287 --> 0:25:23.607
<v Speaker 2>where they go, let's just pretend that all the moors

0:25:23.647 --> 0:25:26.247
<v Speaker 2>of now are the mores of them, Like no, right,

0:25:26.327 --> 0:25:30.367
<v Speaker 2>So the problematic characters are problematic. There's so much sex.

0:25:30.407 --> 0:25:33.647
<v Speaker 2>There's nudity. Penis first episode bangs right full frontal in

0:25:33.727 --> 0:25:33.967
<v Speaker 2>you Are.

0:25:34.047 --> 0:25:35.127
<v Speaker 3>I love a bit of that.

0:25:35.567 --> 0:25:36.647
<v Speaker 2>The soundtrack is.

0:25:36.607 --> 0:25:37.327
<v Speaker 4>It like sexy?

0:25:37.607 --> 0:25:40.767
<v Speaker 2>It's not sexy in a way that would make you excited, Okay,

0:25:40.847 --> 0:25:43.247
<v Speaker 2>not really. It's more just like funny thing all like

0:25:43.367 --> 0:25:46.047
<v Speaker 2>funny sex, which is what that was about that Bom

0:25:46.047 --> 0:25:48.687
<v Speaker 2>plus time. Anyway, I can't tell you. I watched two

0:25:48.767 --> 0:25:51.927
<v Speaker 2>episodes last night and all I want to do is

0:25:51.927 --> 0:25:54.727
<v Speaker 2>stop talking to you and gon't watch it. You've sold

0:25:54.767 --> 0:25:57.247
<v Speaker 2>me that's fun. And what I heard Marina Heidze, which

0:25:57.247 --> 0:25:58.407
<v Speaker 2>is so funny. She was like, I don't know how

0:25:58.407 --> 0:25:59.927
<v Speaker 2>the Americans are going to feel about this because it's

0:25:59.927 --> 0:26:03.527
<v Speaker 2>prestige TV as in The production values are unbelievable, the

0:26:03.567 --> 0:26:06.727
<v Speaker 2>cast is unbelievable. But it has no message. It has

0:26:06.807 --> 0:26:08.887
<v Speaker 2>no like Higher Arc, it's just.

0:26:09.847 --> 0:26:13.247
<v Speaker 3>No speech, deliver morality.

0:26:13.647 --> 0:26:16.207
<v Speaker 2>Watch and shut up and enjoy and please it's my

0:26:16.327 --> 0:26:19.247
<v Speaker 2>gift to you. Watch Rivals. Apparently all her books are

0:26:19.247 --> 0:26:23.327
<v Speaker 2>going to be adapted in the same way, and Riders

0:26:23.367 --> 0:26:25.127
<v Speaker 2>is the one that I remember mostly, which is about

0:26:25.207 --> 0:26:27.967
<v Speaker 2>high jumpers and show jumpers. Like it's just so good.

0:26:28.367 --> 0:26:32.287
<v Speaker 5>Speaking of has you started watching my recommendation from last week?

0:26:32.327 --> 0:26:32.847
<v Speaker 3>Disclaimer?

0:26:33.047 --> 0:26:34.647
<v Speaker 2>Not yet, but I promise I will.

0:26:34.647 --> 0:26:36.847
<v Speaker 4>What do you think so good? It took me a

0:26:36.847 --> 0:26:37.847
<v Speaker 4>while to understand it's.

0:26:37.807 --> 0:26:42.127
<v Speaker 5>Quite Yeah, it's a bit weird, but I've free watched

0:26:42.207 --> 0:26:44.967
<v Speaker 5>the new second one and like the new ones and

0:26:45.007 --> 0:26:48.567
<v Speaker 5>that look. Luckily I have a high brow recommend that

0:26:48.687 --> 0:26:51.727
<v Speaker 5>is lucky to bring to the table. Because have you

0:26:51.887 --> 0:26:55.407
<v Speaker 5>seen the clips of Andrew Garfield breaking down on Modern.

0:26:55.207 --> 0:26:56.447
<v Speaker 4>Love no podcast.

0:26:56.727 --> 0:26:59.407
<v Speaker 2>I've been watching him on as discussed on Monday's episode

0:26:59.487 --> 0:27:00.287
<v Speaker 2>Chicken Shop Days.

0:27:00.167 --> 0:27:01.167
<v Speaker 4>And I watched him with Elmo.

0:27:01.607 --> 0:27:02.607
<v Speaker 2>Yeah, I love him.

0:27:03.327 --> 0:27:05.447
<v Speaker 5>You're gonna love him all because he went on the

0:27:05.447 --> 0:27:08.407
<v Speaker 5>Modern Love podcast and what they do is a quick

0:27:08.407 --> 0:27:11.127
<v Speaker 5>little interview and then they read an essay which sounds

0:27:11.127 --> 0:27:15.047
<v Speaker 5>like a bad format in my opinion, and it's brilliant.

0:27:15.087 --> 0:27:18.607
<v Speaker 5>It's a brilliant format, but basically the essay that he chooses.

0:27:18.647 --> 0:27:19.927
<v Speaker 5>So they gave him a few to choose from, and

0:27:19.927 --> 0:27:22.647
<v Speaker 5>he chose an essay called Learning to Measure Time in

0:27:22.687 --> 0:27:27.047
<v Speaker 5>Love and Loss, and it's about the grief of time passing.

0:27:27.487 --> 0:27:30.007
<v Speaker 5>And he speaks about this concept of honism.

0:27:29.807 --> 0:27:33.607
<v Speaker 7>The sense and of knowing and the sorrow of knowing

0:27:33.727 --> 0:27:38.367
<v Speaker 7>that you will only be able to live your own life.

0:27:38.487 --> 0:27:41.327
<v Speaker 7>You won't be able to have all of the experiences

0:27:41.327 --> 0:27:42.767
<v Speaker 7>you want. That I won't be able to read all

0:27:42.767 --> 0:27:44.567
<v Speaker 7>the books in the library, see all the films in

0:27:44.647 --> 0:27:48.487
<v Speaker 7>the in the cinema, to know all the people on earth,

0:27:48.767 --> 0:27:51.607
<v Speaker 7>visit all the countries, all of history, all of time.

0:27:52.247 --> 0:27:55.007
<v Speaker 7>Is an imprisonment in the life that you have, realizing

0:27:55.047 --> 0:27:57.807
<v Speaker 7>that you're trapped to a certain amount of experience as

0:27:57.807 --> 0:27:58.287
<v Speaker 7>you're alive.

0:27:58.647 --> 0:28:02.407
<v Speaker 5>And there's a sense of profound grief in that that

0:28:02.847 --> 0:28:06.407
<v Speaker 5>life is about letting go and realizing all the things

0:28:06.447 --> 0:28:08.887
<v Speaker 5>he's never going to have. And he talks about how

0:28:09.287 --> 0:28:12.207
<v Speaker 5>the people he knows who have died still had books

0:28:12.247 --> 0:28:14.287
<v Speaker 5>I wanted to read, had things they wanted to do.

0:28:14.367 --> 0:28:17.087
<v Speaker 3>He just articulated it so beautifully. But this essay.

0:28:17.167 --> 0:28:19.087
<v Speaker 5>He reads this essay and he gets halfway through, and

0:28:19.127 --> 0:28:21.327
<v Speaker 5>this has never happened in a Modern Love episode before,

0:28:21.367 --> 0:28:23.487
<v Speaker 5>where he just broke down and just started crying because

0:28:23.487 --> 0:28:23.847
<v Speaker 5>he was so.

0:28:23.847 --> 0:28:24.487
<v Speaker 3>Touched by it.

0:28:24.567 --> 0:28:26.607
<v Speaker 7>My wife hasn't worn a bikini for six years and

0:28:26.687 --> 0:28:29.607
<v Speaker 7>probably never will again. She says she's too old, which

0:28:29.647 --> 0:28:32.607
<v Speaker 7>makes me sad. She's a beautiful woman with gray and

0:28:32.687 --> 0:28:40.127
<v Speaker 7>her hair. My parents no longer drive at night. Sorry.

0:28:42.247 --> 0:28:45.927
<v Speaker 5>It's about a guy who worked in prison and what

0:28:46.007 --> 0:28:48.207
<v Speaker 5>the cell mats taught him about life.

0:28:48.407 --> 0:28:51.607
<v Speaker 3>And ah, so Andrew Garfield.

0:28:51.607 --> 0:28:53.927
<v Speaker 5>It's really affecting. I think a lot of people will

0:28:53.927 --> 0:28:57.767
<v Speaker 5>relate to it. So yeah, Modern Love with Andrew Garfield.

0:28:58.247 --> 0:29:00.927
<v Speaker 5>It is time for Best and Worst of the week.

0:29:00.967 --> 0:29:03.047
<v Speaker 5>While it is nearly time, join us after this short

0:29:03.047 --> 0:29:05.647
<v Speaker 5>break to hear why one of my favorite things in

0:29:05.687 --> 0:29:07.567
<v Speaker 5>the world is actually my worst.

0:29:07.567 --> 0:29:08.127
<v Speaker 4>This week.

0:29:09.887 --> 0:29:11.887
<v Speaker 2>Out louders, if you want to listen to us every

0:29:11.967 --> 0:29:14.167
<v Speaker 2>day of the week, and why wouldn't you, You can

0:29:14.207 --> 0:29:18.047
<v Speaker 2>get access to exclusive segments on Tuesdays and Thursdays by

0:29:18.087 --> 0:29:21.247
<v Speaker 2>becoming a Mum and Mere subscriber. Follow the link in

0:29:21.247 --> 0:29:24.047
<v Speaker 2>the show notes to subscribe, and a big thank you

0:29:24.207 --> 0:29:34.167
<v Speaker 2>to all our current subscribers.

0:29:35.927 --> 0:29:38.527
<v Speaker 5>Right out louders, it is time for us to spill

0:29:38.607 --> 0:29:42.807
<v Speaker 5>our best and worst of the last seven days. M

0:29:43.087 --> 0:29:43.887
<v Speaker 5>what is your worst?

0:29:44.607 --> 0:29:47.127
<v Speaker 4>My worst is my dad was in and out of

0:29:47.167 --> 0:29:50.247
<v Speaker 4>hospital this week with kidney stones.

0:29:50.567 --> 0:29:53.047
<v Speaker 2>Mate, I've had one of those. It hurts like hell.

0:29:53.367 --> 0:29:54.887
<v Speaker 4>Apparently he had many.

0:29:55.687 --> 0:29:57.727
<v Speaker 2>I can't even imagine. Oh, it was a lot.

0:29:57.807 --> 0:29:59.047
<v Speaker 3>Did they give him all the pain relief?

0:29:59.247 --> 0:30:01.087
<v Speaker 4>Yes, he got a lot of pain relief. So he

0:30:01.447 --> 0:30:03.927
<v Speaker 4>got kidney stones for the first time. When I was sixteen.

0:30:04.607 --> 0:30:06.127
<v Speaker 4>It was a big deal because it was the first

0:30:06.127 --> 0:30:08.167
<v Speaker 4>time I saw like a parent go into like surgery.

0:30:08.207 --> 0:30:09.967
<v Speaker 4>Even though it was like key hold, I was like,

0:30:09.967 --> 0:30:12.607
<v Speaker 4>I've never seen had a parent be in hospital. And

0:30:12.847 --> 0:30:14.687
<v Speaker 4>it was my birthday as well, and it was the

0:30:14.807 --> 0:30:16.847
<v Speaker 4>day after was my birthday party, and he had a

0:30:16.887 --> 0:30:19.487
<v Speaker 4>surgery and then was able to party straight away after,

0:30:19.527 --> 0:30:20.607
<v Speaker 4>and I was like, this is so cool. And the

0:30:20.647 --> 0:30:23.247
<v Speaker 4>doctor was like, you'll probably get them again in twelve years,

0:30:23.287 --> 0:30:26.487
<v Speaker 4>and like clockwork, exactly twelve years he's got them again.

0:30:26.607 --> 0:30:28.407
<v Speaker 3>How many years ago were yours, Holly? Maybe two?

0:30:28.727 --> 0:30:29.487
<v Speaker 2>Yeah?

0:30:29.287 --> 0:30:33.287
<v Speaker 4>Well, yeah, a while. Yeah, so he got them again

0:30:33.607 --> 0:30:36.367
<v Speaker 4>and he was fine for a bit and then he

0:30:36.447 --> 0:30:38.087
<v Speaker 4>had like a big one, but he was able to

0:30:38.127 --> 0:30:40.847
<v Speaker 4>pass it, and so they sent him back home from

0:30:40.887 --> 0:30:42.567
<v Speaker 4>the hospital. But then he was in so much pain

0:30:42.607 --> 0:30:44.847
<v Speaker 4>from all the little ones because you can't actually remove them.

0:30:44.887 --> 0:30:47.287
<v Speaker 4>You have to blast them and then pee them out,

0:30:48.167 --> 0:30:50.767
<v Speaker 4>and the recovery has taken quite a bit. Like he

0:30:50.807 --> 0:30:52.327
<v Speaker 4>was in a pain, and it was the first time

0:30:52.367 --> 0:30:55.687
<v Speaker 4>I've seen like my dad in pain. And I was like,

0:30:55.767 --> 0:30:57.727
<v Speaker 4>the last time he got them felt like yesterday, and

0:30:57.767 --> 0:31:00.647
<v Speaker 4>now it feels like he's so much older. It was

0:31:00.647 --> 0:31:03.567
<v Speaker 4>the first time I've seen my dad seem older, vulnerable.

0:31:03.687 --> 0:31:06.007
<v Speaker 4>And also because he's like a trade so I've always

0:31:06.087 --> 0:31:09.087
<v Speaker 4>like pictured him like on a ladder, like carrying a refrigerator,

0:31:09.327 --> 0:31:11.407
<v Speaker 4>fixing my air con, doing all that stuff. And it

0:31:11.527 --> 0:31:14.327
<v Speaker 4>just made me realize that in probably like five to

0:31:14.407 --> 0:31:16.887
<v Speaker 4>ten years, like he can't be that person anymore.

0:31:17.207 --> 0:31:19.047
<v Speaker 2>You're gonna have to get all of the jobs you

0:31:19.087 --> 0:31:19.527
<v Speaker 2>need doing.

0:31:20.327 --> 0:31:24.007
<v Speaker 4>Literally get back from the hospital, very got to move

0:31:24.047 --> 0:31:28.127
<v Speaker 4>my couch. Yeah, but yeah, he's okay. Now, Yeah he's fine.

0:31:28.127 --> 0:31:31.287
<v Speaker 4>Now he's at home. He's like cooking. It's like, oh,

0:31:31.327 --> 0:31:33.487
<v Speaker 4>I need to provide this family was back. But yeah,

0:31:33.487 --> 0:31:34.687
<v Speaker 4>it was just one of those moments I feel like

0:31:34.727 --> 0:31:36.407
<v Speaker 4>you've talked about it before where it's just one of

0:31:36.447 --> 0:31:38.807
<v Speaker 4>those moments where you're like, oh, my parents.

0:31:39.367 --> 0:31:44.047
<v Speaker 5>May I recommend to you? Andrew Garfield, That's exactly what

0:31:44.087 --> 0:31:44.527
<v Speaker 5>it's about.

0:31:45.927 --> 0:31:49.287
<v Speaker 4>My best though was relating to my age. I went

0:31:49.327 --> 0:31:51.367
<v Speaker 4>to a concert recently, Lime Cordial.

0:31:51.527 --> 0:31:51.927
<v Speaker 2>Have you heard it?

0:31:52.087 --> 0:31:52.887
<v Speaker 1>Yes? I have.

0:31:53.247 --> 0:31:54.487
<v Speaker 4>They were playing at the icy C.

0:31:55.007 --> 0:31:56.567
<v Speaker 2>I couldn't sing one of this song.

0:31:56.687 --> 0:32:00.927
<v Speaker 4>No, I couldn't either concert, but I've heard of them. Yeah,

0:32:00.927 --> 0:32:02.887
<v Speaker 4>it's very alt. I went with my cousin and the

0:32:02.927 --> 0:32:04.847
<v Speaker 4>only tickets we could get were the tickets like at

0:32:04.887 --> 0:32:06.807
<v Speaker 4>the back with the seats, so we were sitting. We

0:32:06.847 --> 0:32:10.287
<v Speaker 4>were the youngest people like in our row basically, and

0:32:10.367 --> 0:32:13.647
<v Speaker 4>it was so much fun sitting down at a concert

0:32:14.047 --> 0:32:16.567
<v Speaker 4>that you're meant to be dancing and jumping up and

0:32:16.607 --> 0:32:19.487
<v Speaker 4>down for. And then it was just so much fun

0:32:19.487 --> 0:32:20.927
<v Speaker 4>because we were sitting down for the songs we didn't

0:32:20.927 --> 0:32:22.927
<v Speaker 4>really know, like bobbing along, and then the songs we

0:32:22.967 --> 0:32:25.247
<v Speaker 4>did know. I think it's like consensus, like everyone knows

0:32:25.247 --> 0:32:26.967
<v Speaker 4>that even if you're sitting down, you can stand up

0:32:26.967 --> 0:32:28.767
<v Speaker 4>and have a bit of a boogie. So we did that.

0:32:29.007 --> 0:32:31.607
<v Speaker 4>Niece felt great after was able to walk home.

0:32:31.807 --> 0:32:34.567
<v Speaker 3>There is no luxury like sitting at a concert.

0:32:34.647 --> 0:32:37.287
<v Speaker 4>It is and it started at nine, and they came

0:32:37.287 --> 0:32:39.287
<v Speaker 4>on a bit earlier, so they came on at eight fifty.

0:32:39.447 --> 0:32:41.007
<v Speaker 4>So I was home by like eleven.

0:32:41.527 --> 0:32:44.687
<v Speaker 2>Oh okay, I'm depressed. How old are you again?

0:32:44.807 --> 0:32:45.287
<v Speaker 4>Twenty eight?

0:32:47.727 --> 0:32:50.007
<v Speaker 2>Dance at the concerts.

0:32:50.167 --> 0:32:51.847
<v Speaker 4>But I don't know if I want to anymore.

0:32:52.527 --> 0:32:55.887
<v Speaker 2>You've aged yourself up pretty significantly.

0:32:56.967 --> 0:32:58.167
<v Speaker 3>Holly, what's your worst?

0:32:58.807 --> 0:32:59.727
<v Speaker 2>Okay, my worst?

0:32:59.807 --> 0:33:00.727
<v Speaker 4>It's not really a worse.

0:33:00.807 --> 0:33:04.327
<v Speaker 2>In many ways, it's my best because I finally sent

0:33:04.407 --> 0:33:06.727
<v Speaker 2>the final pages off for my next book. It's been

0:33:06.767 --> 0:33:13.047
<v Speaker 2>a juice well second to last five, but you know,

0:33:13.767 --> 0:33:16.447
<v Speaker 2>last opportunity to make a lot of changes. And this

0:33:16.487 --> 0:33:18.487
<v Speaker 2>book has any out Louder would know, has been what

0:33:18.527 --> 0:33:22.247
<v Speaker 2>we would call a journey. And anyway, what happens with books,

0:33:22.247 --> 0:33:23.887
<v Speaker 2>if you don't know, is that you write your book,

0:33:23.927 --> 0:33:26.527
<v Speaker 2>you send it off, your editor comes back and says,

0:33:26.927 --> 0:33:29.607
<v Speaker 2>this isn't working, This isn't working. Change this do that?

0:33:29.647 --> 0:33:31.327
<v Speaker 2>I mean, I assume that's what happens to everyone. Maybe

0:33:31.327 --> 0:33:31.687
<v Speaker 2>it doesn't.

0:33:31.767 --> 0:33:42.847
<v Speaker 5>Jesse some people like me just get a big ticks.

0:33:39.367 --> 0:33:42.167
<v Speaker 2>And so there are like stages of editing, so you

0:33:42.287 --> 0:33:44.167
<v Speaker 2>do quite a big rewrite and then you send it

0:33:44.207 --> 0:33:47.847
<v Speaker 2>back and then the structural structural, right, so structural is

0:33:47.887 --> 0:33:50.087
<v Speaker 2>like big things, and then it's line edits, which are

0:33:50.087 --> 0:33:51.647
<v Speaker 2>small things, but it's hard.

0:33:51.807 --> 0:33:52.567
<v Speaker 3>It's really hard.

0:33:52.567 --> 0:33:54.287
<v Speaker 4>I want to tell a story, it's really hard.

0:33:54.727 --> 0:33:56.927
<v Speaker 2>And then after the line edits, then it comes back

0:33:56.927 --> 0:33:58.607
<v Speaker 2>with like these are the page proofs. So you're just

0:33:58.647 --> 0:34:01.847
<v Speaker 2>literally like proofing for mistakes. It's quite vulnerable, like all

0:34:01.887 --> 0:34:06.087
<v Speaker 2>these people, Oh my god, so vulnerable. And so by

0:34:06.127 --> 0:34:08.447
<v Speaker 2>the time you get to nearly the pointy end, which

0:34:08.487 --> 0:34:10.687
<v Speaker 2>is kind of where I am now, most of the

0:34:10.687 --> 0:34:13.287
<v Speaker 2>big things have been solved. But you get your document

0:34:13.367 --> 0:34:16.127
<v Speaker 2>back and it has lots of little notes in the margins,

0:34:16.327 --> 0:34:19.047
<v Speaker 2>sometimes maybe a list as well. And the thing is

0:34:19.047 --> 0:34:21.647
<v Speaker 2>is that sometimes the mistakes you've made just are very

0:34:21.687 --> 0:34:27.047
<v Speaker 2>revealing about you your life, like because proofreaders are amazing people, right,

0:34:27.047 --> 0:34:29.127
<v Speaker 2>they make it writers look good. You know, we're very

0:34:29.127 --> 0:34:30.967
<v Speaker 2>good at grammar and we know all the words. But

0:34:31.327 --> 0:34:34.847
<v Speaker 2>they also are very particularly pedantic, like they have to

0:34:34.887 --> 0:34:37.127
<v Speaker 2>be right in their job. So for example, this is

0:34:37.127 --> 0:34:39.327
<v Speaker 2>why It was my worst because, for example, one of

0:34:39.367 --> 0:34:42.327
<v Speaker 2>the edits in this most recent edit was I think

0:34:42.367 --> 0:34:45.967
<v Speaker 2>I had the character who's this very sort of cold

0:34:46.367 --> 0:34:48.767
<v Speaker 2>guy who lives in this very perfect apartment, and I

0:34:48.847 --> 0:34:51.087
<v Speaker 2>referred to the towels that the woman found there as

0:34:51.127 --> 0:34:54.807
<v Speaker 2>box fresh, and the proofreader wrote in the margin, towels

0:34:54.847 --> 0:34:57.167
<v Speaker 2>can't be box fresh because you have to wash towels

0:34:57.167 --> 0:34:58.487
<v Speaker 2>before you use them. Always.

0:34:59.007 --> 0:35:00.887
<v Speaker 5>Is that why when I use new towels, I get

0:35:00.927 --> 0:35:05.927
<v Speaker 5>fluff on me, fluff they stick to me. I think

0:35:05.967 --> 0:35:08.407
<v Speaker 5>I was meant to wash them, and I had our

0:35:08.407 --> 0:35:10.887
<v Speaker 5>group text to wash thee.

0:35:12.607 --> 0:35:14.647
<v Speaker 2>Like I didn't know that. I thought one of the

0:35:14.727 --> 0:35:17.247
<v Speaker 2>joys of music, and you tell is how fluffy it was,

0:35:17.767 --> 0:35:18.967
<v Speaker 2>and b I'm like, you.

0:35:18.967 --> 0:35:19.807
<v Speaker 4>Know what I mean?

0:35:20.047 --> 0:35:20.567
<v Speaker 7>You know what I mean.

0:35:21.047 --> 0:35:23.767
<v Speaker 2>This is what really proofreading and writers are always about.

0:35:23.807 --> 0:35:25.807
<v Speaker 2>It's the writers they're going but you know what I mean,

0:35:25.927 --> 0:35:27.727
<v Speaker 2>And they proof it is like, no, I don't know

0:35:27.767 --> 0:35:29.047
<v Speaker 2>what you said. That's not what you said.

0:35:29.127 --> 0:35:30.487
<v Speaker 4>Can you go back to them and be like, I

0:35:30.527 --> 0:35:32.647
<v Speaker 4>know you're meant to do that, but the character did it.

0:35:32.727 --> 0:35:35.407
<v Speaker 2>Of course you can't. Like the proofreader isn't like the

0:35:35.567 --> 0:35:38.687
<v Speaker 2>teacher who gets to you decide what you're taking on

0:35:38.807 --> 0:35:40.927
<v Speaker 2>what you're not and let me be clear, ninety nine

0:35:40.927 --> 0:35:42.647
<v Speaker 2>point nine percent of what they tell you to do,

0:35:42.727 --> 0:35:44.887
<v Speaker 2>you're like sex. Fuck they picked that up. But then

0:35:44.927 --> 0:35:47.807
<v Speaker 2>there's their point one where you're just like nah, keeping it. Sorry.

0:35:47.927 --> 0:35:50.607
<v Speaker 5>I fought for In my last book, I referred to

0:35:50.647 --> 0:35:52.887
<v Speaker 5>someone as wearing Nike tea and a specific shoe that

0:35:52.927 --> 0:35:55.007
<v Speaker 5>looks like they're about to kick you something like that,

0:35:55.247 --> 0:35:57.287
<v Speaker 5>and they were like question mark, and I was like.

0:35:57.527 --> 0:36:00.207
<v Speaker 4>Trust me, trust me, everyone knows.

0:36:00.447 --> 0:36:02.607
<v Speaker 5>And I swear every second reader is like what and

0:36:02.607 --> 0:36:06.127
<v Speaker 5>then every other reader's like, yeah, exactly, those shoes are

0:36:06.247 --> 0:36:11.007
<v Speaker 5>kicking yeah, sometimes specificity specific see.

0:36:10.847 --> 0:36:14.047
<v Speaker 2>The proof of it would know. Anyway, that was my

0:36:14.127 --> 0:36:16.007
<v Speaker 2>worst of the week was realizing just what a heat

0:36:16.047 --> 0:36:17.647
<v Speaker 2>and I am, but also thank god we're at that

0:36:17.687 --> 0:36:20.207
<v Speaker 2>stage now. My best is that I literally found my

0:36:20.247 --> 0:36:24.167
<v Speaker 2>life purpose last weekend, like all of the search before

0:36:24.367 --> 0:36:27.007
<v Speaker 2>in the world now all of the searching that I've

0:36:27.007 --> 0:36:29.527
<v Speaker 2>been doing for my entire life. Last weekend had a

0:36:29.567 --> 0:36:31.807
<v Speaker 2>really busy weekend because Brent was away in New Zealand

0:36:31.887 --> 0:36:33.527
<v Speaker 2>visiting his dad. As I spoke about last week, the

0:36:33.607 --> 0:36:35.007
<v Speaker 2>kids had a lot on it. I'm trying to sign

0:36:35.047 --> 0:36:37.967
<v Speaker 2>off my fucking book pages. But I did take half

0:36:38.007 --> 0:36:40.447
<v Speaker 2>an hour to go and visit a garden here where

0:36:40.447 --> 0:36:42.167
<v Speaker 2>I live, right, I know, right, you know you're gonna

0:36:42.207 --> 0:36:43.647
<v Speaker 2>roll your eyes, but you've got to stick with me

0:36:43.687 --> 0:36:43.847
<v Speaker 2>on it.

0:36:44.207 --> 0:36:46.327
<v Speaker 4>So you post a garden on your Instagram story.

0:36:46.407 --> 0:36:46.647
<v Speaker 2>I do.

0:36:46.767 --> 0:36:49.367
<v Speaker 4>I can't get a tag. I had to.

0:36:49.447 --> 0:36:54.447
<v Speaker 2>Tag my tomatoes anyway, Berry, which is a town near me,

0:36:54.487 --> 0:36:56.047
<v Speaker 2>not quite where I live, but near me, was having

0:36:56.127 --> 0:36:58.527
<v Speaker 2>garden festival and I was like, that sounds like fun,

0:36:58.567 --> 0:37:01.127
<v Speaker 2>but actually I'm going to be honest, they're not that

0:37:01.207 --> 0:37:03.407
<v Speaker 2>fun because basically, I mean, this is good in itself.

0:37:03.407 --> 0:37:05.007
<v Speaker 2>You get to go and look at some really fancy

0:37:05.007 --> 0:37:06.407
<v Speaker 2>person's really fancy garden.

0:37:06.527 --> 0:37:06.687
<v Speaker 1>Right.

0:37:06.807 --> 0:37:08.927
<v Speaker 4>That actually appeals to me too, So it's for people

0:37:08.967 --> 0:37:10.567
<v Speaker 4>who actually appreciate gardens.

0:37:10.647 --> 0:37:12.727
<v Speaker 2>Yeah, and also, if you want to go on pervert,

0:37:12.767 --> 0:37:15.167
<v Speaker 2>fancy houses and fancy gardens is ideal. But it wasn't

0:37:15.207 --> 0:37:17.047
<v Speaker 2>really what I was looking for. I was like, help

0:37:17.087 --> 0:37:23.847
<v Speaker 2>me with my tomato problems, Like, anyway.

0:37:21.927 --> 0:37:24.287
<v Speaker 4>Google can help you with that, I'm sure, Like you're

0:37:24.327 --> 0:37:25.847
<v Speaker 4>here for the wrong thing.

0:37:26.807 --> 0:37:29.367
<v Speaker 2>They were like, here, we have a lake full of

0:37:29.487 --> 0:37:33.047
<v Speaker 2>very expensive carp and fourteen different sculptures and hedges in

0:37:33.047 --> 0:37:37.167
<v Speaker 2>this I'm like, no, no, where you're leafy greens. Talk

0:37:37.247 --> 0:37:42.327
<v Speaker 2>to me of your brassacres. Anyway, I found that garden, right,

0:37:42.367 --> 0:37:44.687
<v Speaker 2>I went and spent twenty very happy minutes.

0:37:44.767 --> 0:37:46.647
<v Speaker 4>Were they part of the thing or did you just

0:37:46.687 --> 0:37:47.967
<v Speaker 4>go to a Brandon's garden?

0:37:48.047 --> 0:37:52.007
<v Speaker 2>Because that's what this woman's garden was on the list,

0:37:52.047 --> 0:37:53.767
<v Speaker 2>And I know her a little bit, like this woman

0:37:53.807 --> 0:37:55.687
<v Speaker 2>called Jody name check to Jody, I think she's an

0:37:55.687 --> 0:37:57.207
<v Speaker 2>o louder. I think she listens to us while she

0:37:57.287 --> 0:38:03.047
<v Speaker 2>sorts a compost. Anyway, Jody's garden is unbelievable, and she

0:38:03.607 --> 0:38:05.807
<v Speaker 2>loves it. She spends half a life in there. I'm

0:38:05.807 --> 0:38:07.927
<v Speaker 2>sure she's got these veggie beds that I just can't

0:38:07.967 --> 0:38:10.007
<v Speaker 2>even She's got these old bed head that she's attached

0:38:10.007 --> 0:38:13.087
<v Speaker 2>to them to dangling. It looks straight out of the

0:38:13.127 --> 0:38:17.047
<v Speaker 2>pages of a magazine. But also just everything's just overflowed.

0:38:17.087 --> 0:38:20.007
<v Speaker 2>And I was like, this is exactly what I'm going

0:38:20.087 --> 0:38:22.007
<v Speaker 2>to do with my time when I am no longer

0:38:22.047 --> 0:38:24.207
<v Speaker 2>working and my kids are grown. I am writing and

0:38:24.247 --> 0:38:26.247
<v Speaker 2>I am gardening, and that is it. I'm writing gardening

0:38:26.367 --> 0:38:28.007
<v Speaker 2>right and gardening. I was like that's it.

0:38:28.527 --> 0:38:29.487
<v Speaker 3>I found my goal.

0:38:30.087 --> 0:38:32.087
<v Speaker 2>I want to be in that garden. I want to

0:38:32.087 --> 0:38:34.687
<v Speaker 2>be storting my compost. I want to be And I

0:38:34.727 --> 0:38:36.087
<v Speaker 2>came home and I told the kids that, and they

0:38:36.087 --> 0:38:37.367
<v Speaker 2>looked at me like I was and I was like,

0:38:37.727 --> 0:38:40.927
<v Speaker 2>you don't understand. Two years ago, I didn't even know

0:38:40.967 --> 0:38:44.847
<v Speaker 2>what a garden was, and now I've discovered that. It's

0:38:44.927 --> 0:38:47.007
<v Speaker 2>all I want to do. All I wanted to.

0:38:47.047 --> 0:38:48.367
<v Speaker 4>Kind of get that beautiful.

0:38:48.527 --> 0:38:49.767
<v Speaker 3>Yeah, I like that a lot.

0:38:49.967 --> 0:38:50.607
<v Speaker 2>You can change.

0:38:50.967 --> 0:38:56.007
<v Speaker 5>My worst is also sort of a recommendation for a

0:38:56.047 --> 0:38:57.247
<v Speaker 5>true crime documentary.

0:38:57.327 --> 0:38:57.727
<v Speaker 3>I watched that.

0:38:57.767 --> 0:39:02.127
<v Speaker 5>I'm not allowed to recommend anymore, but do you remember

0:39:02.487 --> 0:39:05.927
<v Speaker 5>the case. It was a few years ago of Gracemulane

0:39:06.487 --> 0:39:09.327
<v Speaker 5>and she was a young girl from the UK, I

0:39:09.327 --> 0:39:11.607
<v Speaker 5>think she was twenty two, and she was traveling around

0:39:11.607 --> 0:39:13.047
<v Speaker 5>the world on like a gap year, and she ended

0:39:13.087 --> 0:39:15.127
<v Speaker 5>up in New Zealand. She went on a tinder date

0:39:15.167 --> 0:39:18.207
<v Speaker 5>with a guy there. She ended up going missing, and

0:39:18.247 --> 0:39:22.607
<v Speaker 5>then they eventually established that that man had murdered her. Anyway,

0:39:22.687 --> 0:39:24.967
<v Speaker 5>I started watching that the other night. I've heard really

0:39:25.007 --> 0:39:27.287
<v Speaker 5>good things about it, and it is an outstanding documentary.

0:39:27.847 --> 0:39:30.527
<v Speaker 5>The reason it is my worst is because there are

0:39:30.527 --> 0:39:32.807
<v Speaker 5>a few things I remembered from this case, and it

0:39:32.807 --> 0:39:36.087
<v Speaker 5>made me think about how quickly the news cycle moves on,

0:39:36.167 --> 0:39:38.807
<v Speaker 5>and how we never actually prosecute what happened because we

0:39:38.887 --> 0:39:41.447
<v Speaker 5>just get thrown all these conflicting narratives. So do you

0:39:41.487 --> 0:39:44.447
<v Speaker 5>remember about that case that one of the things that

0:39:44.567 --> 0:39:47.527
<v Speaker 5>made headlines was that what the defense had to argue

0:39:47.887 --> 0:39:51.287
<v Speaker 5>was that in that hotel room, he choked her because

0:39:51.287 --> 0:39:51.847
<v Speaker 5>she wanted it.

0:39:52.127 --> 0:39:55.247
<v Speaker 2>I do remember such a distinct, so.

0:39:55.367 --> 0:39:58.167
<v Speaker 5>Distressing, right, And I remember that being one of the things,

0:39:58.207 --> 0:40:00.727
<v Speaker 5>and it became this big conversation about choking.

0:40:00.807 --> 0:40:03.367
<v Speaker 2>I remember just Sindra Dan spoke about it, Yes, she did.

0:40:03.407 --> 0:40:07.207
<v Speaker 5>They show that clip, and this documentary shows the interviews,

0:40:07.207 --> 0:40:09.767
<v Speaker 5>that shows CCTV footage, It shows inside the room like

0:40:09.767 --> 0:40:12.887
<v Speaker 5>it's really hearing what the defense had to argue. I

0:40:12.887 --> 0:40:14.847
<v Speaker 5>almost felt sorry for that lawyer because I just went

0:40:14.967 --> 0:40:18.727
<v Speaker 5>what he had to argue. What we never went back

0:40:18.767 --> 0:40:22.007
<v Speaker 5>and looked at was the truth of what happened that night.

0:40:22.047 --> 0:40:24.407
<v Speaker 5>Because the thing is that once they established guilty or

0:40:24.407 --> 0:40:27.247
<v Speaker 5>innocence and sentencing, the world's moved on. Yeah, and all

0:40:27.287 --> 0:40:29.967
<v Speaker 5>you got with the headlines about the choking that man,

0:40:30.047 --> 0:40:31.687
<v Speaker 5>I won't go into it too much, because I think

0:40:31.727 --> 0:40:35.327
<v Speaker 5>you should watch it. But that man, who was an

0:40:35.447 --> 0:40:38.127
<v Speaker 5>ordinary young man, like and you get that sense from

0:40:38.127 --> 0:40:41.887
<v Speaker 5>the CCTV he came across so ordinary, took out on

0:40:41.927 --> 0:40:44.887
<v Speaker 5>a date. What they know they were able to establish

0:40:44.927 --> 0:40:47.807
<v Speaker 5>is that after she died in the hotel room, he

0:40:48.047 --> 0:40:51.327
<v Speaker 5>took photos of her naked body and he watched pornography.

0:40:51.807 --> 0:40:53.447
<v Speaker 5>They are just two of the details. There are a

0:40:53.487 --> 0:40:56.247
<v Speaker 5>hundred other details about what he did, but you go,

0:40:56.727 --> 0:40:59.687
<v Speaker 5>it was in the media. It was like positioned as

0:40:59.767 --> 0:41:04.007
<v Speaker 5>this accident and that in order to defend.

0:41:03.767 --> 0:41:07.647
<v Speaker 2>Almost even like almost her fault. So I felt like

0:41:08.087 --> 0:41:10.647
<v Speaker 2>young women wanting today dangerous sex acts.

0:41:10.767 --> 0:41:13.487
<v Speaker 5>I mean, poor man's life is ruined because of what

0:41:13.527 --> 0:41:17.047
<v Speaker 5>she wanted. That in order to defend someone who's accused

0:41:17.087 --> 0:41:19.847
<v Speaker 5>of murder, you have to defame a dead woman, Like

0:41:19.927 --> 0:41:21.727
<v Speaker 5>that's so fucked up.

0:41:21.607 --> 0:41:22.727
<v Speaker 3>And I just, oh my god.

0:41:22.887 --> 0:41:24.647
<v Speaker 5>I think it's really important to go back and look

0:41:24.687 --> 0:41:26.567
<v Speaker 5>at the details of these cases because it gets so

0:41:26.727 --> 0:41:29.727
<v Speaker 5>vague and so confused that we never really think about it.

0:41:29.807 --> 0:41:32.887
<v Speaker 4>I remember this case because I was obviously like single

0:41:32.927 --> 0:41:35.487
<v Speaker 4>and dating at the time, and I think every woman

0:41:35.527 --> 0:41:37.887
<v Speaker 4>who was dating at that time remembers this so specifically

0:41:37.927 --> 0:41:40.327
<v Speaker 4>because I remember I didn't even hear it on the news.

0:41:40.367 --> 0:41:42.367
<v Speaker 4>I heard it like almost like a rumor because like,

0:41:42.407 --> 0:41:44.567
<v Speaker 4>that's what you did. You talked about like all the

0:41:44.607 --> 0:41:47.287
<v Speaker 4>most dangerous situations you could potentially be on in a date.

0:41:47.567 --> 0:41:49.887
<v Speaker 4>And I do remember the photos because that's what I

0:41:49.927 --> 0:41:51.847
<v Speaker 4>heard through my friend, but I never saw it on

0:41:51.887 --> 0:41:52.287
<v Speaker 4>the news.

0:41:52.447 --> 0:41:54.207
<v Speaker 5>Yeah, it's like what we're talking about recently with the

0:41:54.207 --> 0:41:57.327
<v Speaker 5>French case, where you just go, these are not monsters

0:41:57.367 --> 0:41:59.367
<v Speaker 5>that are like serial killers that are out to it.

0:41:59.407 --> 0:42:01.527
<v Speaker 5>This is just, yeah, what looks like an ordinary person.

0:42:02.367 --> 0:42:06.527
<v Speaker 5>My best of the week is my mum, who has

0:42:06.887 --> 0:42:10.327
<v Speaker 5>now retired, gotten a wood on Friday night. Oh, she

0:42:10.367 --> 0:42:12.767
<v Speaker 5>had a little awards night and yeah, the whole family went.

0:42:12.847 --> 0:42:15.887
<v Speaker 2>When did add retire? Regular outlouders will know this. Jesse

0:42:16.047 --> 0:42:18.287
<v Speaker 2>Klasma and very regular in the out Louders group.

0:42:18.407 --> 0:42:20.847
<v Speaker 5>Wonderful woman pretty much, I would say at the end

0:42:20.887 --> 0:42:22.807
<v Speaker 5>of last year, because she's a teacher, she kind of

0:42:23.127 --> 0:42:26.007
<v Speaker 5>scaled it back to a few days and then I

0:42:26.047 --> 0:42:28.647
<v Speaker 5>think she's officially retired now, but kind of was like

0:42:28.647 --> 0:42:30.327
<v Speaker 5>I might do some casual teaching.

0:42:30.007 --> 0:42:31.727
<v Speaker 2>And see how I love being retired.

0:42:32.007 --> 0:42:33.887
<v Speaker 5>She is loving it because and this is what they

0:42:33.927 --> 0:42:36.367
<v Speaker 5>were all saying was when you retire, you got to

0:42:36.407 --> 0:42:39.487
<v Speaker 5>retire to something, your garden. You've got to retire to

0:42:39.647 --> 0:42:42.247
<v Speaker 5>your garden or to ye books whatever. And my mum,

0:42:42.527 --> 0:42:44.687
<v Speaker 5>and I know this is not every woman, but she's like,

0:42:44.767 --> 0:42:47.527
<v Speaker 5>I'm retiring to my granddaughters. Like she is living her

0:42:47.607 --> 0:42:50.927
<v Speaker 5>best fucking life. It was so lovely to go there

0:42:50.967 --> 0:42:53.367
<v Speaker 5>and like a bunch of her friends were there and

0:42:53.447 --> 0:42:56.287
<v Speaker 5>like work colleagues, and she got recognized because she's been

0:42:56.327 --> 0:42:59.287
<v Speaker 5>a teacher for more than thirty years and got this

0:42:59.327 --> 0:43:02.527
<v Speaker 5>special award. And I thought, we've been at awards nights

0:43:02.647 --> 0:43:06.207
<v Speaker 5>or graduations or work things for me and my brothers

0:43:06.247 --> 0:43:11.207
<v Speaker 5>and moms are always there clap, but how often are

0:43:11.247 --> 0:43:15.207
<v Speaker 5>you actually there to celebrate your own mum. So anyway,

0:43:15.247 --> 0:43:17.327
<v Speaker 5>it was a great night. And then my other mini

0:43:17.367 --> 0:43:19.727
<v Speaker 5>best was at the day before because she looks after

0:43:20.127 --> 0:43:22.607
<v Speaker 5>Luna Matilda at different times, but every now and then

0:43:22.647 --> 0:43:24.247
<v Speaker 5>there's like a half hour period where she has both

0:43:24.247 --> 0:43:26.167
<v Speaker 5>the girls and that can be really hard when neither

0:43:26.207 --> 0:43:29.047
<v Speaker 5>of them walk yet. Anyway, she went and bought a

0:43:29.167 --> 0:43:32.487
<v Speaker 5>double pram off Facebook marketplace, and the picture of the

0:43:32.487 --> 0:43:34.807
<v Speaker 5>girls on the double pram is the cutest. They hit

0:43:34.847 --> 0:43:37.687
<v Speaker 5>each other and then they cried. But Mum, she's most

0:43:37.687 --> 0:43:39.447
<v Speaker 5>comfortable with a double cram. She's like, I didn't know

0:43:39.487 --> 0:43:40.207
<v Speaker 5>single prans.

0:43:40.407 --> 0:43:43.327
<v Speaker 2>Yes, because she's the mom of twos of twins, so

0:43:43.927 --> 0:43:44.207
<v Speaker 2>I was like.

0:43:44.167 --> 0:43:45.647
<v Speaker 3>I wouldn't even know how to you. How do you

0:43:45.687 --> 0:43:49.927
<v Speaker 3>get through a door with a double pram? Anyway, my nanna.

0:43:49.727 --> 0:43:51.687
<v Speaker 4>Did the same thing because I have two cousins also

0:43:51.767 --> 0:43:53.647
<v Speaker 4>born in ninety ninety six, so we were all babies

0:43:53.687 --> 0:43:57.247
<v Speaker 4>together and she bought a triple pram just for photos.

0:43:57.287 --> 0:43:59.207
<v Speaker 4>Did we have so many?

0:43:59.247 --> 0:44:01.007
<v Speaker 3>It's so cute.

0:44:01.007 --> 0:44:03.167
<v Speaker 2>I'm so glad there was a ticket tape parade friends

0:44:03.167 --> 0:44:07.247
<v Speaker 2>Steven because also for all bloody teachers teaching for thirty years,

0:44:07.287 --> 0:44:10.127
<v Speaker 2>imagine how many lives she's changed, how much differ she's made, Like,

0:44:10.687 --> 0:44:13.087
<v Speaker 2>I just absolutely applaud her.

0:44:13.127 --> 0:44:16.167
<v Speaker 3>They do not every teacher get enough attention. Mum loved it.

0:44:16.407 --> 0:44:17.927
<v Speaker 5>My brothers were like, oh, don't feel kind of weird

0:44:17.887 --> 0:44:18.967
<v Speaker 5>when you're get getting an award.

0:44:19.007 --> 0:44:20.847
<v Speaker 2>Mom's like, naps, give it to me.

0:44:21.327 --> 0:44:23.727
<v Speaker 3>But no problem, we've center of attention.

0:44:23.687 --> 0:44:27.967
<v Speaker 2>Or congratulations and that is all we've got time for today.

0:44:28.087 --> 0:44:30.647
<v Speaker 2>A massive thank you to all of you out Louders

0:44:30.647 --> 0:44:33.007
<v Speaker 2>for being with us all week. In our show notes,

0:44:33.007 --> 0:44:35.287
<v Speaker 2>you're going to find links to everything that we've talked

0:44:35.287 --> 0:44:38.447
<v Speaker 2>about today. You'll also find us on Instagram and TikTok,

0:44:38.487 --> 0:44:41.007
<v Speaker 2>of course, or in the out Louders Facebook group, and

0:44:41.087 --> 0:44:43.407
<v Speaker 2>don't forget, we've got a newsletter. There are lots of

0:44:43.447 --> 0:44:45.967
<v Speaker 2>different places that you can jump in and connect with us,

0:44:46.087 --> 0:44:48.167
<v Speaker 2>no matter what your social media jam is.

0:44:48.407 --> 0:44:50.807
<v Speaker 4>Read us out a big thank you to our team.

0:44:51.127 --> 0:44:54.247
<v Speaker 4>Executive producer is Ruth Divine, who last added to her

0:44:54.287 --> 0:44:58.247
<v Speaker 4>grid on ninth of December twenty twenty three, but loves

0:44:58.247 --> 0:45:01.527
<v Speaker 4>in Instagram story It's so cool. That is a cool girl.

0:45:01.567 --> 0:45:05.967
<v Speaker 4>Think that's what you should be doing. Our senior producer

0:45:06.047 --> 0:45:09.167
<v Speaker 4>is Emmeline Gazillis, who has posted only three times this year.

0:45:09.527 --> 0:45:11.887
<v Speaker 4>In case you're wondering, the Mama Mia out loud Live

0:45:11.927 --> 0:45:13.447
<v Speaker 4>show did indeed make it to.

0:45:13.447 --> 0:45:16.047
<v Speaker 3>The grid got a priority of She's smart girl.

0:45:16.327 --> 0:45:19.287
<v Speaker 4>Our audio producer is Leah Porges, who much prefers posting

0:45:19.287 --> 0:45:22.567
<v Speaker 4>an Instagram story over putting something on the grid can relate,

0:45:23.047 --> 0:45:26.247
<v Speaker 4>and our social media producer is Isabelle Dolphin. She's obviously

0:45:26.247 --> 0:45:28.367
<v Speaker 4>an expert in the field, and her hot tip is

0:45:28.407 --> 0:45:31.047
<v Speaker 4>to just have fun, don't overthink it, and post the

0:45:31.167 --> 0:45:32.007
<v Speaker 4>damn selfie.

0:45:32.127 --> 0:45:33.807
<v Speaker 3>Yeah, dolls, I think dolphs are big.

0:45:34.007 --> 0:45:35.927
<v Speaker 4>I feel like Dolphin might look like you. I definitely

0:45:35.927 --> 0:45:36.607
<v Speaker 4>be a posting.

0:45:38.087 --> 0:45:38.807
<v Speaker 2>Sushnaw.

0:45:40.607 --> 0:45:43.447
<v Speaker 3>But hay out louders.

0:45:43.527 --> 0:45:45.807
<v Speaker 5>I know you're not ready to say goodbye just yet,

0:45:45.847 --> 0:45:47.487
<v Speaker 5>so we are going to leave you with a little

0:45:47.567 --> 0:45:51.767
<v Speaker 5>treat a taste of yesterday's Subscribe episode, where Holly and

0:45:51.847 --> 0:45:56.167
<v Speaker 5>I found out from Amelia Lester exactly why Donald Trump

0:45:56.247 --> 0:45:58.967
<v Speaker 5>did that shift of McDonald's if you've seen those images

0:45:59.007 --> 0:46:01.407
<v Speaker 5>of him serving people takeaway machas.

0:46:01.567 --> 0:46:03.927
<v Speaker 3>Yet look, Amelia did some explaining.

0:46:04.047 --> 0:46:07.207
<v Speaker 1>So it was essentially him trolling her. Elon Musker has

0:46:07.207 --> 0:46:09.327
<v Speaker 1>obviously been whispering in his ear because we all know

0:46:09.487 --> 0:46:12.247
<v Speaker 1>that Elon Musk Clove's control. He didn't actually work an

0:46:12.247 --> 0:46:15.207
<v Speaker 1>actual shift at the restaurant. It was, of course in Pennsylvania.

0:46:15.247 --> 0:46:18.127
<v Speaker 1>We always talk about how important Pennsylvania is on this podcast,

0:46:18.527 --> 0:46:21.367
<v Speaker 1>and he was kind of cosplaying as a minimum wage worker.

0:46:21.407 --> 0:46:24.287
<v Speaker 1>The franchise was closed, all the customers passing through the

0:46:24.327 --> 0:46:27.167
<v Speaker 1>drive through had been pre screened. There was a blonde

0:46:27.167 --> 0:46:29.687
<v Speaker 1>woman who he got kind of creepy about as he

0:46:29.767 --> 0:46:32.327
<v Speaker 1>was handing her fries, telling her how beautiful she was

0:46:32.367 --> 0:46:35.527
<v Speaker 1>and how perfect she was. And now on his campaign

0:46:35.527 --> 0:46:38.887
<v Speaker 1>store website there's a t shirt that says, I am

0:46:38.927 --> 0:46:41.767
<v Speaker 1>the first and only twenty twenty four presidential nominee to

0:46:41.807 --> 0:46:43.087
<v Speaker 1>work with ridnald.

0:46:42.727 --> 0:46:45.087
<v Speaker 3>Oh He's so.

0:46:46.647 --> 0:46:48.727
<v Speaker 5>As ever, you'll find a link to that episode in

0:46:48.767 --> 0:46:51.047
<v Speaker 5>the show notes. Shout out to any Mum and Maya

0:46:51.127 --> 0:46:53.967
<v Speaker 5>subscribers listening. If you love the show and you want

0:46:53.967 --> 0:46:57.007
<v Speaker 5>to support us, subscribing to MMA MAA is the very

0:46:57.047 --> 0:46:59.367
<v Speaker 5>best way to do so. There's a link in the

0:46:59.407 --> 0:47:00.247
<v Speaker 5>episode description