WEBVTT - No One's Having Sex in Bed Anymore. This Is Where It's Actually Happening 

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<v Speaker 1>You're listening to Amma Mia podcast.

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<v Speaker 2>Mamma Mia acknowledges the traditional owners of land and waters

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<v Speaker 2>that this podcast is recorded on.

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<v Speaker 3>Hello and welcome to Mamma Mia out Loud. It's what

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<v Speaker 3>women are actually talking about on Friday, the third of October.

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<v Speaker 3>I'm Holly Wainwright, I'm Jesse Stephen, I'm m vern m

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<v Speaker 3>And here's what's on our agenda for today. There's a

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<v Speaker 3>new etiquette guide that is supposedly for modern gentlemen. But

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<v Speaker 3>some of it is very useful, some of it is

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<v Speaker 3>a bit annoying, and some of it borders on the problematic.

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<v Speaker 3>We unpack.

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<v Speaker 2>Plus gen z are having sex in public places and

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<v Speaker 2>they're not having a good time with it.

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<v Speaker 3>They're struggling.

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<v Speaker 1>And today we've got for you some of our favorite

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<v Speaker 1>recommendations of the year that we have waited little months

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<v Speaker 1>to tell you all about.

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<v Speaker 4>But first, do you need an invisible day? If you

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<v Speaker 4>if you're feeling anxious.

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<v Speaker 1>Or angry, or disconnected or quite overwhelmed by the news.

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<v Speaker 1>A therapist named Jennifer Chaikin says, you need a day

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<v Speaker 1>to totally disappear.

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<v Speaker 4>From public life. So what are the rules of.

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<v Speaker 1>An invisible day? Well, you've got to put it in

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<v Speaker 1>your calendar. You've got to schedule your invisible day. So

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<v Speaker 1>let's say we go Sunday, it's going to be my

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<v Speaker 1>invisible day. You have to tell people that you're having one,

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<v Speaker 1>because what you don't want is for the people you

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<v Speaker 1>would ordinarily be in contact with to panic and call

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<v Speaker 1>the police, and then the police ruin your invisible day.

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<v Speaker 1>So you've got to say, I'm not gonna be answering

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<v Speaker 1>my phone, hold on, hold on, holda.

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<v Speaker 3>So the premise of this is that on a normal

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<v Speaker 3>Sunday you would be in contact with loads of people.

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<v Speaker 3>So therefore, if you decide to not be on your

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<v Speaker 3>phone that day, a lot of people will notice.

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<v Speaker 1>Yes, and imagine you are just like pulling out the

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<v Speaker 1>metaphorical plug.

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<v Speaker 4>And also you might.

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<v Speaker 1>Need to say to your partner, maybe you've got children.

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<v Speaker 1>It's very hard to be invisible when you have children around,

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<v Speaker 1>so you might have to say, hey, I'm going invisible

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<v Speaker 1>on Sunday.

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<v Speaker 4>You sought the kids.

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<v Speaker 3>Oh, so it's in real life invisible as well as

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<v Speaker 3>like digitally invisible.

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<v Speaker 4>Holly, So these see.

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<v Speaker 3>I'm midlife, I'm quite good at being invisible already.

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<v Speaker 1>Well, you have to work out what would feel good

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<v Speaker 1>for you. So this is part of your planning. What

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<v Speaker 1>does your invisible day look like? Maybe you can go

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<v Speaker 1>for a walk, you can eat whatever you want, you

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<v Speaker 1>can do some painting, you can watch Netflix in bed.

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<v Speaker 4>Whatever.

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<v Speaker 1>You're invisible, so there's no judgment. You get to rest,

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<v Speaker 1>you get to sleep. But you need to just not

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<v Speaker 1>communicate with anyone. That means no phone, it means no email,

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<v Speaker 1>it means no social media, and no checking the news.

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<v Speaker 1>And it's about listening to no one's needs except your own.

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<v Speaker 1>So like you are, just imagine you've got your Harry

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<v Speaker 1>Potter invisibility cloak and you're just hiding.

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<v Speaker 4>What do we think, m are you into an invisible day?

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<v Speaker 2>I feel like, because I live alone, it's quite easy

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<v Speaker 2>for me to have invisible days on weekends because I

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<v Speaker 2>just stay inside and no one's there anyway. I think

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<v Speaker 2>what will be really hard for me is the phone aspect,

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<v Speaker 2>not having my phone on and having to tell like

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<v Speaker 2>my parents and my family and friends, Hey, I'm going

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<v Speaker 2>to have an invisible day. But I also be offended

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<v Speaker 2>if I don't tell anyone and I turn my phone off,

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<v Speaker 2>then turn my phone on the next day and I

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<v Speaker 2>have no notifications.

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<v Speaker 4>That's so true.

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<v Speaker 1>Actually, I am that I have this feeling when I'm

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<v Speaker 1>starting to feel very, very tired and probably a bit

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<v Speaker 1>burnt out, where I fantasize about laying on my bedroom floor,

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<v Speaker 1>head down, face first, just like maybe under my bed,

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<v Speaker 1>and just disappearing a bit. And I think that what

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<v Speaker 1>I am craving in that moment, it's like a visceral

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<v Speaker 1>craving of an invisible day. And I think that the

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<v Speaker 1>phone element is very telling that often when we try

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<v Speaker 1>and unplug, we're still just like communicating.

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<v Speaker 3>I know, I love being visible. I've talked about before

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<v Speaker 3>how one of the reasons why I'm very resistant to

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<v Speaker 3>the idea of being tracked, you know, like being on

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<v Speaker 3>your partner's fine mine or whatever is there's something that

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<v Speaker 3>sometimes I need to do where I am just invisible,

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<v Speaker 3>like what I'm eating, where I'm going, where I'm spending

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<v Speaker 3>my time, like I just it's nobody's business, and it's

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<v Speaker 3>like for me, that's very recharging. And I do do

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<v Speaker 3>that quite often. I mean obviously not with family and stuff,

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<v Speaker 3>like my house is full of people, but if I

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<v Speaker 3>do get a chance, let's say Brent's taking the kids

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<v Speaker 3>away for a couple of days. Yeah, going invisible for

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<v Speaker 3>a weekend is not hard for me, not hard for

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<v Speaker 3>me at all, Like I would just be like, not

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<v Speaker 3>really answering the group chats.

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<v Speaker 2>But doesn't the idea of an invisible day for both

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<v Speaker 2>of you, because both of your jobs are so reliant

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<v Speaker 2>on being across the news cycle. If you go on

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<v Speaker 2>visible for a day, doesn't that give you more work

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<v Speaker 2>the next day?

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<v Speaker 3>But what you do is, well, this is what I do.

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<v Speaker 3>Jensey can tell us. What she does is say I

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<v Speaker 3>want a Sunday where I basically do want to be

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<v Speaker 3>offline as much as I can. I know that that

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<v Speaker 3>night I'm going to need to go online and scour

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<v Speaker 3>and check and put some ideas in and just make

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<v Speaker 3>sure nothing terrible has happened. But I can be offline

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<v Speaker 3>for a few hours like it's okay and it doesn't

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<v Speaker 3>freak you out, not at all. Like if something really

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<v Speaker 3>big happens, which often it doesn't, like it will find

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<v Speaker 3>its way to you. I would not been able to

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<v Speaker 3>do this job for as long as I've done it

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<v Speaker 3>if I didn't feel like I could have a few

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<v Speaker 3>hours away from it. Sometimes And I.

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<v Speaker 1>Think, yeah, That's the thing is that they also say

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<v Speaker 1>Sunday nights, I have to go weak.

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<v Speaker 4>You can have an invisible half day.

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<v Speaker 1>So if you feel exhausted at work and you're like,

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<v Speaker 1>you know what, I just need five to eight to

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<v Speaker 1>just disappear for a little while, you can also just

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<v Speaker 1>do that. But in reading about this, I came across

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<v Speaker 1>this concept called the window of tolerance, and it's the

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<v Speaker 1>ideal range of emotional and physiological arousal when a person

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<v Speaker 1>can think clearly. So we all have this window of tolerance,

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<v Speaker 1>and it's used a lot in therapy and psychology around

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<v Speaker 1>trauma because your window of tolerance can be very very

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<v Speaker 1>small and you can become really like hyper aroused, really

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<v Speaker 1>really quickly. Basically, these therapists were saying that the window

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<v Speaker 1>of tolerance has been shrinking for a lot of us

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<v Speaker 1>due to outside stresses, due to not properly resting, And

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<v Speaker 1>it made me think about those periods in your life

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<v Speaker 1>where you feel as though you just don't have a

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<v Speaker 1>lot of bandwidth and you feel as though one time

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<v Speaker 1>anything can set you off because your tolerance is an

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<v Speaker 1>all time low, and how having a day to regulate,

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<v Speaker 1>even a few hours to regulate just means that that

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<v Speaker 1>window is wider so that you're a better used to

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<v Speaker 1>people around you.

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<v Speaker 3>We've been talking a lot lately on the show in

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<v Speaker 3>different ways about how nobody knows how to behave anymore,

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<v Speaker 3>and I feel like we've been telling We've been telling

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<v Speaker 3>people how to behave. We've done a few subtepts about

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<v Speaker 3>modern etiquette, and we've done them from the perspective of

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<v Speaker 3>generations X Y Z, and people love on mom and

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<v Speaker 3>MIA's site and on various people love an etiquette guide

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<v Speaker 3>even now because it's like, can we just agree on

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<v Speaker 3>some basically seems to be the vibe, right. There was

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<v Speaker 3>one that came out last week that was specifically for

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<v Speaker 3>men that I immediately became obsessiing it was from GQ.

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<v Speaker 3>It was called The Gentleman's Guide to Etiquette. Do you

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<v Speaker 3>need me to bring you up to speed quickly about

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<v Speaker 3>what GQ is people, Yes.

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<v Speaker 1>It's like a men's magazine, but not a pony one. No,

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<v Speaker 1>so that GQ, but with less that we can read.

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<v Speaker 3>Yeah, Gentlemen's Quarterly. It is nearly one hundred years Gentlemen's Quarterly.

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<v Speaker 3>So it's called GQ, but it was originally called Gentlemen's

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<v Speaker 3>Quarterly and are like, we haven't been doing our job.

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<v Speaker 3>You men are all over the place. Yeah, and it

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<v Speaker 3>has been around for nearly one hundred years. Well it's

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<v Speaker 3>condo nast so it's like quite high status glossy mag

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<v Speaker 3>back in the day. I mean, no magazines are that,

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<v Speaker 3>you know, thick and glossy and fabulous anymore. But back

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<v Speaker 3>in the day, GQ is a big deal. And being

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<v Speaker 3>the editor of GQ is a big deal. There have

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<v Speaker 3>been lots of famous editors of GQ. And that it's

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<v Speaker 3>published in the UK, it's published in the US as

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<v Speaker 3>an Australian version. The UK one is the coolest. Don't

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<v Speaker 3>have me anyway. I think it's the American one that

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<v Speaker 3>published this etiquette guide. And so if you went to

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<v Speaker 3>GQ now, the kind of things you'd find in There

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<v Speaker 3>would be lots of stuff about watches, you know, like

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<v Speaker 3>cool watches, which celebrities are wearing, the really rare watches.

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<v Speaker 4>How About what protein I should take?

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<v Speaker 3>Definitely protein information, how to buy a hack sep. Yeah,

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<v Speaker 3>And there would be like preppy sneaker guides, and there'd

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<v Speaker 3>be interviews with male movie stars, and there'd be headlines

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<v Speaker 3>like why leftists are suddenly lifting more weights, why you

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<v Speaker 3>should consider a swag gap relationship, and other such things. Right,

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<v Speaker 3>So it's a men's mac. Yeah. So the American one

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<v Speaker 3>has published this big etiquette guide called one hundred and

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<v Speaker 3>twenty five Rules for the Modern Gentleman, and it's like crowdsource.

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<v Speaker 3>They've got a little panel of people, including a woman,

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<v Speaker 3>Aviad Divinet is on there, and they have got their

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<v Speaker 3>rules and manners in place. I want to share a

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<v Speaker 3>few to see what you think, because I don't think

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<v Speaker 3>these are just for men, to be honest, I think

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<v Speaker 3>some of them are, like, yes, please adopt these men.

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<v Speaker 3>But some of them we could all live by. Take

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<v Speaker 3>out your AirPods when you're talking to someone, Muting does

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<v Speaker 3>not count.

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<v Speaker 4>I actually think that's very true.

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<v Speaker 2>I like this one and I sent it to a

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<v Speaker 2>few men in our office because there've been times where've

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<v Speaker 2>approached them and not only have they not taken them out,

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<v Speaker 2>but they've actually put them in.

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<v Speaker 3>That's me, that's me. We should not be able to

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<v Speaker 3>smell you unless we are embracing you. That's about fragrance,

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<v Speaker 3>not body odor, Like how much fragrance you're wearing.

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<v Speaker 4>That's of thumb.

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<v Speaker 3>For all of it. For women, because when you walk

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<v Speaker 3>past someone and you get that blast in your please,

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<v Speaker 3>I like it, though, I go, oh, that's lovely.

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<v Speaker 2>Sometimes it's my dad over does the colony. We'll be

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<v Speaker 2>in like family, like in the car as a family,

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<v Speaker 2>and I'd be like, Dad, i have to put the

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<v Speaker 2>windows down there too much, and he'd be like, that's

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<v Speaker 2>so mean. You always say this about Michael.

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<v Speaker 3>So the rule is if I'm hugging you, I can

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<v Speaker 3>smell it.

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<v Speaker 2>Otherwise, and it has to be like a nice like ooh.

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<v Speaker 3>Yeah, yeah, this is a good one, I think for everybody.

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<v Speaker 3>Never say I've already seen this. When someone sends you

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<v Speaker 3>a funny post.

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<v Speaker 4>Yeah, I do think I'm guilty of that.

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<v Speaker 3>Yes, I'm guilty.

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<v Speaker 2>Also, I want to add something to that because I've

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<v Speaker 2>noticed when I like sharing funny posts with people. I've

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<v Speaker 2>noticed my girlfriends, when they share something with me, it's

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<v Speaker 2>they share it because they think I will find it funny.

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<v Speaker 2>When men share something with me, they share it because

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<v Speaker 2>they find it funny.

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<v Speaker 4>Oh, that's so true.

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<v Speaker 3>You have to cater to the person, and you're sending

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<v Speaker 3>it to interesting. I like this particularly for men, but

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<v Speaker 3>maybe for all of us. Never raise your voice at

0:10:15.102 --> 0:10:18.302
<v Speaker 3>someone unless there's an emergency. I like that. I like

0:10:18.342 --> 0:10:20.862
<v Speaker 3>that a lot. Yeah, no shouting, We're not shouting. I

0:10:20.902 --> 0:10:22.422
<v Speaker 3>want to ask you about some of the dating stuff,

0:10:22.502 --> 0:10:23.902
<v Speaker 3>m but I also want to get to the one

0:10:23.902 --> 0:10:28.542
<v Speaker 3>that I saw some controversial headlines about. They said this,

0:10:29.302 --> 0:10:31.982
<v Speaker 3>greet people, you know, with the single kiss on the

0:10:32.062 --> 0:10:35.302
<v Speaker 3>left cheek, unless you're in a business setting or meeting

0:10:35.342 --> 0:10:37.261
<v Speaker 3>someone for the first time, in which case stick with

0:10:37.302 --> 0:10:40.102
<v Speaker 3>a handshake. If you sent someone going in for a hug,

0:10:40.382 --> 0:10:44.022
<v Speaker 3>embrace it. Now. I saw some people grabbing that and going,

0:10:44.142 --> 0:10:47.502
<v Speaker 3>oh my god. GQ just told all the men to

0:10:47.582 --> 0:10:50.302
<v Speaker 3>kiss all the women, and we don't want you coming

0:10:50.342 --> 0:10:52.662
<v Speaker 3>at us with your kisses. Okay, can I well, how

0:10:52.662 --> 0:10:56.182
<v Speaker 3>do we feel broadly speaking about the single kiss on

0:10:56.222 --> 0:10:56.822
<v Speaker 3>the left cheek?

0:10:56.942 --> 0:10:58.462
<v Speaker 4>Okay? On Friday?

0:10:58.782 --> 0:11:00.342
<v Speaker 1>Last Friday, I had a little bit of work I

0:11:00.382 --> 0:11:02.062
<v Speaker 1>had to do, so I went to a cafe on

0:11:02.062 --> 0:11:03.302
<v Speaker 1>my own to get this work done.

0:11:03.422 --> 0:11:03.902
<v Speaker 3>Glorious.

0:11:04.542 --> 0:11:07.542
<v Speaker 1>To make it even better, there was a date happening

0:11:07.582 --> 0:11:09.102
<v Speaker 1>next to me right and there was a man sitting

0:11:09.142 --> 0:11:11.102
<v Speaker 1>their way to and then the woman showed up and

0:11:11.142 --> 0:11:14.102
<v Speaker 1>he stood and he was clearly nervous. It was delightful.

0:11:14.622 --> 0:11:17.502
<v Speaker 1>He stood up and then he kissed her on one cheek.

0:11:17.902 --> 0:11:20.142
<v Speaker 1>She went to pull away, he went kissed her on

0:11:20.182 --> 0:11:23.502
<v Speaker 1>the other cheek and then he no, but it was awkward,

0:11:23.502 --> 0:11:26.102
<v Speaker 1>and she went oh, and he said it's a bit European.

0:11:26.262 --> 0:11:28.582
<v Speaker 4>And she said are you European? And he said no?

0:11:29.262 --> 0:11:36.142
<v Speaker 1>And who die? This man needed to kiss her once

0:11:36.182 --> 0:11:37.942
<v Speaker 1>on the left cheek, and I thought, this is why

0:11:37.982 --> 0:11:40.502
<v Speaker 1>we write these guides, because we just need a clear rule.

0:11:40.622 --> 0:11:43.662
<v Speaker 3>But what about man, you do know her right like?

0:11:43.702 --> 0:11:45.502
<v Speaker 3>Because this one of the things that greet people you

0:11:45.702 --> 0:11:48.022
<v Speaker 3>know with a single cheek? Should you greet people you

0:11:48.142 --> 0:11:48.622
<v Speaker 3>don't know?

0:11:50.662 --> 0:11:54.182
<v Speaker 1>I think that there is something about shaking the hand

0:11:54.222 --> 0:11:57.422
<v Speaker 1>of a grown man in a situation that isn't professional

0:11:57.422 --> 0:11:59.462
<v Speaker 1>that makes me feel uncomfortable, like what are you meant

0:11:59.462 --> 0:12:02.022
<v Speaker 1>to do? Part of me thinks that actually going in

0:12:02.142 --> 0:12:04.622
<v Speaker 1>for like a hugger and embrace is more intimate.

0:12:04.862 --> 0:12:07.382
<v Speaker 2>No, I think I like the kiss on the especially

0:12:07.902 --> 0:12:10.542
<v Speaker 2>meeting friends and the introduce to people. I think always

0:12:10.622 --> 0:12:13.102
<v Speaker 2>kiss on the cheek. I just want all men to

0:12:13.222 --> 0:12:16.822
<v Speaker 2>do this because I have seen so many men who

0:12:17.062 --> 0:12:19.102
<v Speaker 2>get up to greet a woman and you can see

0:12:19.102 --> 0:12:19.982
<v Speaker 2>the dread in their eyes.

0:12:20.062 --> 0:12:21.742
<v Speaker 3>Yes, they don't know what they don't know what to do.

0:12:21.862 --> 0:12:22.502
<v Speaker 3>They freak out.

0:12:22.622 --> 0:12:25.262
<v Speaker 2>I've had a guy who had his hand crushed between

0:12:25.302 --> 0:12:29.862
<v Speaker 2>a stomach and his stomach. I've like hugged a guy

0:12:29.942 --> 0:12:32.822
<v Speaker 2>and I just had my all my foundation on his shirt.

0:12:33.262 --> 0:12:35.222
<v Speaker 3>I don't want to be doing that. Meet me at

0:12:35.222 --> 0:12:38.422
<v Speaker 3>my level, peck me on the cheek. I need clarity. Right,

0:12:38.742 --> 0:12:41.342
<v Speaker 3>you're meeting someone for the first time. So you're on

0:12:41.382 --> 0:12:44.262
<v Speaker 3>a date, like the people in Jesse's cafe. If you're

0:12:44.302 --> 0:12:46.262
<v Speaker 3>waiting for your date to turn up, and when he

0:12:46.302 --> 0:12:48.342
<v Speaker 3>turns up, are you expecting that he will greet you

0:12:48.382 --> 0:12:50.182
<v Speaker 3>with a kiss on the cheek. Yes, so not just

0:12:50.222 --> 0:12:51.862
<v Speaker 3>say hi, I would find a full snog.

0:12:53.062 --> 0:12:55.382
<v Speaker 4>It's a kiss on the chake. It is absolutely a kiss.

0:12:55.182 --> 0:12:55.942
<v Speaker 3>On the chack. Okayu.

0:12:56.142 --> 0:12:58.062
<v Speaker 2>He would have been talking for about like a week

0:12:58.142 --> 0:13:00.622
<v Speaker 2>or two weeks, and they're like big, Like, I'm chatting

0:13:00.662 --> 0:13:02.862
<v Speaker 2>to a guy right now. We're sending like five messages

0:13:02.942 --> 0:13:04.782
<v Speaker 2>per convo, so.

0:13:04.902 --> 0:13:05.502
<v Speaker 4>We're all growing.

0:13:05.542 --> 0:13:08.102
<v Speaker 3>I know who you are right now. Okay. Because I

0:13:08.262 --> 0:13:11.302
<v Speaker 3>have an unpopular opinion about this, I'm not prudish about it.

0:13:11.342 --> 0:13:13.702
<v Speaker 3>I don't mind it at all, But sometimes like, you know,

0:13:13.742 --> 0:13:16.142
<v Speaker 3>you'll go to a barbecue or something, right and all

0:13:16.222 --> 0:13:18.462
<v Speaker 3>your friend's partners are there, and there's a lot of men,

0:13:18.502 --> 0:13:20.822
<v Speaker 3>there's a lot of women. You can spend ten minutes

0:13:20.862 --> 0:13:23.822
<v Speaker 3>on all the going around kissing everybody like hi, Hi,

0:13:23.942 --> 0:13:25.261
<v Speaker 3>and then you might not talk to them again for

0:13:25.302 --> 0:13:26.982
<v Speaker 3>the rest of the day. And I'm like, do we

0:13:27.022 --> 0:13:28.142
<v Speaker 3>all have to No?

0:13:27.902 --> 0:13:30.582
<v Speaker 1>No, no, I have to kiss but I can't I

0:13:30.742 --> 0:13:33.422
<v Speaker 1>kiss like eighty percent in this was just one guy

0:13:34.342 --> 0:13:35.782
<v Speaker 1>that's that you refuse to kid.

0:13:36.302 --> 0:13:39.302
<v Speaker 3>I know him better, so I'll kiss him, Okay twice,

0:13:39.342 --> 0:13:40.142
<v Speaker 3>I'm not kissing him.

0:13:40.182 --> 0:13:42.142
<v Speaker 1>The image I'm getting is a hollyway and right high

0:13:42.142 --> 0:13:44.102
<v Speaker 1>fiving people. I can't get out of my head is

0:13:44.102 --> 0:13:47.022
<v Speaker 1>hollywalking into a barbecue and just going hi.

0:13:47.062 --> 0:13:47.982
<v Speaker 3>Putting here boys.

0:13:48.862 --> 0:13:52.582
<v Speaker 1>But I think that's about efficiency, and you can see

0:13:52.582 --> 0:13:53.982
<v Speaker 1>sometimes a dread in people's lives.

0:13:54.102 --> 0:13:54.982
<v Speaker 4>When someone walks in.

0:13:54.902 --> 0:13:57.381
<v Speaker 1>They're like, I'm gonna do the kisses, and everybody's like

0:13:57.502 --> 0:13:59.422
<v Speaker 1>getting a line and it's like everyone fucking.

0:13:59.262 --> 0:14:01.302
<v Speaker 3>And they always enough stepping on their feet yep.

0:14:01.382 --> 0:14:03.342
<v Speaker 1>And then you go, oh, now I'm going to go

0:14:03.382 --> 0:14:05.822
<v Speaker 1>and everyone's like no, no, no, no no, and you're like kiss,

0:14:06.102 --> 0:14:07.542
<v Speaker 1>and then you have to do it all again, Like

0:14:07.582 --> 0:14:09.502
<v Speaker 1>that's not fun for anyone. I think you can do

0:14:10.422 --> 0:14:14.742
<v Speaker 1>a great wave just like a Hi guys, Hi, Hi,

0:14:14.982 --> 0:14:15.742
<v Speaker 1>nice to see you all.

0:14:15.902 --> 0:14:17.502
<v Speaker 4>Don't need to do all the don't need to do

0:14:17.542 --> 0:14:18.542
<v Speaker 4>all the individual kissing.

0:14:18.622 --> 0:14:21.622
<v Speaker 3>I would think I've done something wrong. Are there any

0:14:21.622 --> 0:14:24.342
<v Speaker 3>men who shouldn't kiss you? I mean once on the

0:14:24.422 --> 0:14:26.662
<v Speaker 3>left chee? Are there any men like in your work,

0:14:26.862 --> 0:14:29.542
<v Speaker 3>like the people who are upset about this information being

0:14:29.582 --> 0:14:32.302
<v Speaker 3>out there and seeing it as invitations for men to

0:14:32.382 --> 0:14:33.622
<v Speaker 3>just come and kissin.

0:14:33.422 --> 0:14:36.542
<v Speaker 1>Any corporate setting. I think anything even walk into a

0:14:36.542 --> 0:14:41.022
<v Speaker 1>boardroom meeting and any work setting, any situation like that.

0:14:41.462 --> 0:14:43.702
<v Speaker 1>Absolutely not. I think that we've got to be as

0:14:43.782 --> 0:14:47.502
<v Speaker 1>gender neutral in the office as possible. Shaking hands fabulous.

0:14:47.782 --> 0:14:50.542
<v Speaker 1>I just think I think that's fine out in public.

0:14:50.622 --> 0:14:53.462
<v Speaker 3>It's funny because if I see your husband Luca at

0:14:53.462 --> 0:14:56.062
<v Speaker 3>work all the time, high Luca. If I come and

0:14:56.102 --> 0:14:58.702
<v Speaker 3>see Luca in a social setting, kiss Luke on the cheek.

0:14:58.942 --> 0:14:59.422
<v Speaker 4>There you go.

0:15:00.142 --> 0:15:00.782
<v Speaker 3>So that's the rule.

0:15:00.862 --> 0:15:02.782
<v Speaker 1>There was another one that I thought was because this

0:15:02.862 --> 0:15:05.422
<v Speaker 1>comes down to chivalry, right, which I do think is

0:15:05.422 --> 0:15:07.982
<v Speaker 1>an awkward social tension.

0:15:08.502 --> 0:15:11.182
<v Speaker 4>Very at this unpopular.

0:15:10.582 --> 0:15:14.742
<v Speaker 1>Word and an unpopular word, but there is something about

0:15:15.502 --> 0:15:19.382
<v Speaker 1>rules and guidelines and responsibilities that do make people feel safe.

0:15:19.542 --> 0:15:23.742
<v Speaker 1>And how do you explain to young men that, you know,

0:15:23.822 --> 0:15:26.862
<v Speaker 1>if you've got sons one day, they're probably going to

0:15:26.902 --> 0:15:28.742
<v Speaker 1>be stronger than their mum. So how do you explain

0:15:28.782 --> 0:15:32.222
<v Speaker 1>to them that helping the woman next to you on

0:15:32.262 --> 0:15:33.982
<v Speaker 1>the plane to put their carry on up is a

0:15:34.062 --> 0:15:35.142
<v Speaker 1>kind thing to do?

0:15:35.342 --> 0:15:35.502
<v Speaker 3>Right?

0:15:35.702 --> 0:15:37.542
<v Speaker 1>Or That was one of the rules which I thought

0:15:37.542 --> 0:15:39.942
<v Speaker 1>was really good. And the other one was was the rule.

0:15:39.702 --> 0:15:42.182
<v Speaker 3>To always help with the carry out that I really

0:15:42.222 --> 0:15:44.782
<v Speaker 3>like that. I think I fall in love with every

0:15:44.822 --> 0:15:45.742
<v Speaker 3>man who I see do that.

0:15:45.822 --> 0:15:48.142
<v Speaker 1>It's so nice because it's like you're taller and you're

0:15:48.182 --> 0:15:49.422
<v Speaker 1>stronger generally.

0:15:49.102 --> 0:15:50.342
<v Speaker 3>And the shirt lifts up a little bit.

0:15:50.542 --> 0:15:52.582
<v Speaker 4>Yeah, and they go, I've got it, and I'm like.

0:15:52.542 --> 0:15:54.582
<v Speaker 3>Thank you, can you see that? Biceps pitrude?

0:15:54.662 --> 0:15:56.742
<v Speaker 1>The other one, oh, men who help you with the pram?

0:15:56.942 --> 0:16:00.022
<v Speaker 1>Oh my gosh, like I'm with stairs or whatever, And

0:16:00.062 --> 0:16:02.382
<v Speaker 1>a man will often he'll just go, can I give.

0:16:02.302 --> 0:16:03.502
<v Speaker 3>Your hand with that? And just gets it.

0:16:03.622 --> 0:16:04.782
<v Speaker 4>You go, thank you so much.

0:16:05.182 --> 0:16:08.182
<v Speaker 1>But the one that they said which was interesting was

0:16:08.382 --> 0:16:13.222
<v Speaker 1>about holding the door, and it was again gender neutral man, woman,

0:16:13.462 --> 0:16:16.142
<v Speaker 1>as long as it's a reasonable time hold the door

0:16:16.182 --> 0:16:18.062
<v Speaker 1>open for someone. And I was like, interesting, what's a

0:16:18.102 --> 0:16:18.702
<v Speaker 1>reasonable time?

0:16:18.742 --> 0:16:20.902
<v Speaker 3>Though? I think we've discussed this on them Etiquette Gough.

0:16:20.902 --> 0:16:23.142
<v Speaker 1>I think we discussed it in a subscriber episode, and

0:16:23.182 --> 0:16:27.822
<v Speaker 1>I think somewhere between five and ten seconds, Okay, I think.

0:16:27.622 --> 0:16:30.902
<v Speaker 3>I think the reason why chivalry has become tricky is

0:16:30.902 --> 0:16:33.662
<v Speaker 3>because people love to weaponize chivalry. Right, Like you will

0:16:33.702 --> 0:16:36.582
<v Speaker 3>hear men say things like, oh, you can't even hold

0:16:36.582 --> 0:16:38.822
<v Speaker 3>a door open for a woman anymore, And I'm like,

0:16:39.822 --> 0:16:42.582
<v Speaker 3>I have never complained about having a door held open

0:16:42.582 --> 0:16:45.262
<v Speaker 3>for me, But I have complained, or at least certainly

0:16:45.262 --> 0:16:48.622
<v Speaker 3>internally complained about sexist comments, the way that you looked

0:16:48.622 --> 0:16:50.342
<v Speaker 3>at my boobs instead of my face, all of those

0:16:50.382 --> 0:16:53.982
<v Speaker 3>kind of things. Like women understand, we intrinsically understand when

0:16:53.982 --> 0:16:55.862
<v Speaker 3>people are treating you with respect or when people are

0:16:55.902 --> 0:16:59.022
<v Speaker 3>treating you with disdain. And very few women that I

0:16:59.062 --> 0:17:01.582
<v Speaker 3>have ever met would complain about anyone holding a door

0:17:01.622 --> 0:17:02.062
<v Speaker 3>open for that.

0:17:02.222 --> 0:17:04.341
<v Speaker 1>I've complained about going out to dinner with a man

0:17:04.382 --> 0:17:07.821
<v Speaker 1>who insists on paying, but then subtly uses that later

0:17:08.422 --> 0:17:11.142
<v Speaker 1>to trick you into having them Yeah, it's like I

0:17:11.142 --> 0:17:14.741
<v Speaker 1>can see that transaction being used, but you're not allowed

0:17:14.742 --> 0:17:16.421
<v Speaker 1>to insist on paying for my dinner and then expect

0:17:16.422 --> 0:17:17.101
<v Speaker 1>anything in return.

0:17:17.182 --> 0:17:18.941
<v Speaker 3>That's exactly right. That's the other thing is that who

0:17:19.381 --> 0:17:21.341
<v Speaker 3>men should we have to pay for dinner? So you

0:17:21.462 --> 0:17:23.101
<v Speaker 3>like some bits of chivalry and not others. And it's

0:17:23.141 --> 0:17:27.462
<v Speaker 3>again women understand in my experience when somebody is giving

0:17:27.542 --> 0:17:29.902
<v Speaker 3>us something to get something anyway.

0:17:29.901 --> 0:17:32.462
<v Speaker 1>One day, one of my favorites and I just think

0:17:32.462 --> 0:17:35.622
<v Speaker 1>we need this on the record for all our male listeners.

0:17:35.982 --> 0:17:37.182
<v Speaker 4>And I'm sorry, but it is men.

0:17:37.222 --> 0:17:40.421
<v Speaker 1>We don't like to discriminate, but it is always sneeze,

0:17:40.462 --> 0:17:42.542
<v Speaker 1>as if you're at a library or a fish of it.

0:17:43.182 --> 0:17:45.621
<v Speaker 1>I was reading this this morning, and I was downstairs

0:17:45.621 --> 0:17:48.302
<v Speaker 1>getting a coffee and a man sneezed, and I thought

0:17:48.422 --> 0:17:51.061
<v Speaker 1>it was an emergency, Like I thought that we needed

0:17:51.061 --> 0:17:53.341
<v Speaker 1>to call the police because someone had broken into the building.

0:17:53.341 --> 0:17:54.022
<v Speaker 3>Why they do that?

0:17:54.101 --> 0:17:54.942
<v Speaker 4>Why do they do that?

0:17:55.061 --> 0:17:56.381
<v Speaker 2>You know what I think we should do when we

0:17:56.462 --> 0:18:00.222
<v Speaker 2>hear a loud sneeze, stand up and class, because that's

0:18:00.262 --> 0:18:02.421
<v Speaker 2>essentially what they want.

0:18:03.101 --> 0:18:04.702
<v Speaker 3>I hate to tell you this, but you know, also

0:18:04.782 --> 0:18:06.981
<v Speaker 3>men's sneezes get louder as they get older, and there

0:18:07.022 --> 0:18:09.502
<v Speaker 3>are women in my world who just sneeze has been

0:18:09.621 --> 0:18:11.581
<v Speaker 3>the catalyst trying to push them.

0:18:11.742 --> 0:18:17.302
<v Speaker 4>Because you know what this anymore selfish? It's my dad.

0:18:17.381 --> 0:18:21.941
<v Speaker 1>Sneezes make literally the walls shake, and it's like you

0:18:21.982 --> 0:18:25.222
<v Speaker 1>think everyone should actually listen to your sneeze, Like why

0:18:25.262 --> 0:18:28.341
<v Speaker 1>don't you at least try to make it a little quiet.

0:18:28.462 --> 0:18:30.741
<v Speaker 1>There is a sense of entitlement about the sneeze that

0:18:30.782 --> 0:18:32.262
<v Speaker 1>I think represents a lot of other things.

0:18:32.341 --> 0:18:34.142
<v Speaker 3>I love that one em I've got some other dating ones.

0:18:34.182 --> 0:18:38.181
<v Speaker 3>I want to ask. Be unambiguous when asking someone out.

0:18:38.782 --> 0:18:41.901
<v Speaker 3>Suggest dinner, not drinks or coffee. We've talked about this,

0:18:41.942 --> 0:18:44.781
<v Speaker 3>whether that's okay or not. Imply that you'll pay, and

0:18:44.901 --> 0:18:49.222
<v Speaker 3>differentiate this hang from any previous hangs, ideally with a compliment.

0:18:49.542 --> 0:18:51.302
<v Speaker 3>I always love running into you. Can I take you

0:18:51.341 --> 0:18:53.982
<v Speaker 3>to dinner sometime? Thoughts? Oh, I like that.

0:18:54.341 --> 0:18:57.421
<v Speaker 2>I nearly cried happy tears when I read this, because

0:18:57.462 --> 0:19:01.261
<v Speaker 2>I feel like when it comes to dating, it's like

0:19:01.542 --> 0:19:04.421
<v Speaker 2>you both have preferences of what you like and what

0:19:04.462 --> 0:19:06.341
<v Speaker 2>you don't like when it comes to chivalry, but you

0:19:06.381 --> 0:19:08.902
<v Speaker 2>don't mention it yet because it's too early. So then

0:19:08.901 --> 0:19:11.221
<v Speaker 2>you both play like kind of this political game of

0:19:11.262 --> 0:19:15.341
<v Speaker 2>what you both deem is like acceptable social norms. So

0:19:15.381 --> 0:19:17.141
<v Speaker 2>you come into the date now and I feel like

0:19:17.182 --> 0:19:19.421
<v Speaker 2>I've been on dates with men who really struggle with

0:19:19.462 --> 0:19:22.782
<v Speaker 2>this where they have offered to pay, and if I

0:19:22.821 --> 0:19:24.821
<v Speaker 2>don't want to see them again, that's usually when I suggest,

0:19:24.821 --> 0:19:26.341
<v Speaker 2>can we split the pilms? I don't want to owe

0:19:26.381 --> 0:19:29.382
<v Speaker 2>them something and they kind of go, oh, yeah, yeah,

0:19:29.462 --> 0:19:31.741
<v Speaker 2>of course, like we can split, And it's always this

0:19:31.861 --> 0:19:36.221
<v Speaker 2>weird transaction where they're trying to do what they think

0:19:36.302 --> 0:19:38.302
<v Speaker 2>is the quote unquote right thing, and then it's like

0:19:38.422 --> 0:19:41.502
<v Speaker 2>society or like me going, no, I actually want to pay,

0:19:41.661 --> 0:19:44.222
<v Speaker 2>or like no going but it said I had to insist. Yeah,

0:19:44.821 --> 0:19:46.821
<v Speaker 2>I had to insist, and I'm trying to do that.

0:19:47.101 --> 0:19:48.782
<v Speaker 2>Or they're like, oh, do you want the boot seat?

0:19:48.861 --> 0:19:50.622
<v Speaker 2>And I was like no, because I know my bum

0:19:50.621 --> 0:19:52.782
<v Speaker 2>won't fit through those two little tables, so you take

0:19:52.782 --> 0:19:55.022
<v Speaker 2>the boot seat and then they're like, oh, okay, are

0:19:55.022 --> 0:19:56.861
<v Speaker 2>you sure you don't like it's so weird now, like

0:19:56.901 --> 0:19:59.381
<v Speaker 2>it's getting really political in dating.

0:19:59.661 --> 0:20:01.782
<v Speaker 4>I have a question for you. This one came up.

0:20:01.861 --> 0:20:02.782
<v Speaker 4>I really liked it.

0:20:03.101 --> 0:20:06.221
<v Speaker 1>This was in the dating section the what exactly are

0:20:06.262 --> 0:20:10.142
<v Speaker 1>we doing here? Conversation should happen somewhere around the fifth date,

0:20:10.462 --> 0:20:12.302
<v Speaker 1>and basically you've got to answer it.

0:20:12.581 --> 0:20:14.061
<v Speaker 3>And I think they should initiate it.

0:20:14.581 --> 0:20:16.542
<v Speaker 2>I think they need to be because I'm always one

0:20:16.621 --> 0:20:18.621
<v Speaker 2>initiating it, and then I get broken up with and

0:20:18.661 --> 0:20:21.302
<v Speaker 2>I'm like, damn it, three more dates?

0:20:21.742 --> 0:20:23.341
<v Speaker 1>And there were moments where I was like, it has

0:20:23.422 --> 0:20:27.222
<v Speaker 1>been seven moms, Yeah, I think it's appropriate.

0:20:27.381 --> 0:20:28.861
<v Speaker 3>And I'm like, oh, I'm not sure how I feel.

0:20:28.861 --> 0:20:33.222
<v Speaker 3>I'm like, what do you think about the five date suggestion? There? Though?

0:20:33.302 --> 0:20:35.581
<v Speaker 3>So five dates is enough time for it to be

0:20:35.821 --> 0:20:38.941
<v Speaker 3>entirely acceptable for one or both of the parties to

0:20:38.982 --> 0:20:40.701
<v Speaker 3>go what is this? I agree?

0:20:40.782 --> 0:20:42.861
<v Speaker 2>I agree five dates because if you go on a

0:20:42.942 --> 0:20:45.141
<v Speaker 2>date a week, that's essentially a month you're a month in.

0:20:45.901 --> 0:20:48.662
<v Speaker 2>Surely that gives you grounds of like whether you want

0:20:48.661 --> 0:20:49.981
<v Speaker 2>to keep seeing me or not?

0:20:50.262 --> 0:20:52.741
<v Speaker 3>Yeah, what do you think about this? It's uncouth to

0:20:52.821 --> 0:20:56.861
<v Speaker 3>show your friends someone else's dating profile. Those are meant

0:20:56.861 --> 0:20:59.181
<v Speaker 3>to be seen by people on the app, and people

0:20:59.182 --> 0:21:00.981
<v Speaker 3>on the app only, not your boys after you've had

0:21:01.022 --> 0:21:03.581
<v Speaker 3>three drinks at the bar, or even worse, screenshotted and

0:21:03.621 --> 0:21:08.302
<v Speaker 3>shared with strangers online. Don't break the contract of mutual vulnerability.

0:21:09.861 --> 0:21:13.022
<v Speaker 3>Make you show me a lot of dating profile a lot,

0:21:13.101 --> 0:21:15.222
<v Speaker 3>but if I ask, you'll show me. But I feel

0:21:15.262 --> 0:21:15.662
<v Speaker 3>like I.

0:21:15.581 --> 0:21:17.581
<v Speaker 2>Show dating profiles in the way, like, look, how cute

0:21:17.621 --> 0:21:18.302
<v Speaker 2>this guy is.

0:21:18.462 --> 0:21:19.381
<v Speaker 3>This is what he looks like.

0:21:19.462 --> 0:21:22.542
<v Speaker 4>Yeah, you're never mean. No, that's actually a good point.

0:21:22.581 --> 0:21:25.061
<v Speaker 1>I thought taking it out of context was interesting because

0:21:25.101 --> 0:21:27.381
<v Speaker 1>I've seen some friends say, oh, I've saw one of

0:21:27.422 --> 0:21:29.302
<v Speaker 1>your friends on a dating app and shown me, and

0:21:29.381 --> 0:21:32.182
<v Speaker 1>I feel as though I'm seeing them in their.

0:21:32.141 --> 0:21:35.782
<v Speaker 4>Underwear very vulnerable. Yes, that I go.

0:21:36.381 --> 0:21:40.702
<v Speaker 1>That wasn't designed for me, and they deserve some privacy

0:21:40.861 --> 0:21:44.661
<v Speaker 1>in this context. I also liked this one. Stop walking

0:21:44.702 --> 0:21:46.181
<v Speaker 1>three feet ahead of your partner.

0:21:48.061 --> 0:21:51.061
<v Speaker 3>You know, Brent does this, like he walks fast and

0:21:51.101 --> 0:21:53.302
<v Speaker 3>he always walks ahead of me, and it drives me crazy,

0:21:53.381 --> 0:21:55.341
<v Speaker 3>Like it's we go walking together every.

0:21:55.182 --> 0:21:56.782
<v Speaker 4>Day and then they get irritated.

0:21:56.861 --> 0:21:59.101
<v Speaker 3>Yeah, and then I'm like, hey, I'm back here, and

0:21:59.621 --> 0:22:02.102
<v Speaker 3>oh sorry, you have to walk next to your partner

0:22:02.141 --> 0:22:03.581
<v Speaker 3>and you have to be on the road side so

0:22:03.621 --> 0:22:05.942
<v Speaker 3>for carcarms you can save them. That was in here too.

0:22:06.182 --> 0:22:08.821
<v Speaker 3>It actually so it's interesting because I see that as

0:22:08.821 --> 0:22:11.901
<v Speaker 3>a bit of an old fed chivalrous move, but in

0:22:11.942 --> 0:22:14.381
<v Speaker 3>here it did say sorry, I know it might be

0:22:14.381 --> 0:22:16.141
<v Speaker 3>a bit old fashioned, but you have to be on

0:22:16.182 --> 0:22:18.421
<v Speaker 3>that side. I thought, shit, am I supposed to tell

0:22:18.422 --> 0:22:19.142
<v Speaker 3>my boy about that?

0:22:19.381 --> 0:22:21.422
<v Speaker 4>I think it's kind of nice.

0:22:21.462 --> 0:22:23.181
<v Speaker 3>I think when they do it quietly, it's sexy.

0:22:23.222 --> 0:22:25.982
<v Speaker 2>When I was the last person I dated, he did

0:22:25.982 --> 0:22:27.742
<v Speaker 2>this in a quiet way where we be walking the

0:22:27.742 --> 0:22:30.141
<v Speaker 2>street and he'll just like slowly walk behind me and

0:22:30.262 --> 0:22:31.341
<v Speaker 2>walk on the other side.

0:22:31.982 --> 0:22:33.982
<v Speaker 3>So sexy. Oh that is hard. It's hard.

0:22:34.262 --> 0:22:35.942
<v Speaker 4>But if they're pushing you out of the waving home

0:22:36.022 --> 0:22:37.222
<v Speaker 4>on the roadside, it's like.

0:22:37.222 --> 0:22:41.621
<v Speaker 3>That's not off the road, no yelling. I have an

0:22:41.621 --> 0:22:43.382
<v Speaker 3>age gap one that I need to ask Jesse about

0:22:43.381 --> 0:22:46.821
<v Speaker 3>because she has opinions. The age gap rule for adults.

0:22:47.141 --> 0:22:49.662
<v Speaker 3>This is for adults. Remember used to be that men

0:22:49.742 --> 0:22:53.861
<v Speaker 3>shouldn't date below half your age plus seven. We like

0:22:53.942 --> 0:22:58.662
<v Speaker 3>SAGEGQ half your age plus ten. Hey, nothing's inflation proof,

0:22:58.742 --> 0:23:02.341
<v Speaker 3>they joke. We can call this the gentleman's age gap

0:23:02.422 --> 0:23:04.542
<v Speaker 3>and know your metabolic age doesn't count.

0:23:05.462 --> 0:23:09.061
<v Speaker 1>So I worked out it took me literally twenty four

0:23:09.101 --> 0:23:11.101
<v Speaker 1>hours maths on this, but I was like, I think

0:23:11.141 --> 0:23:14.262
<v Speaker 1>I broke this rule. At the beginning, but I have

0:23:14.661 --> 0:23:17.181
<v Speaker 1>got in the clear as the years have gone on.

0:23:17.742 --> 0:23:19.821
<v Speaker 1>I think now if I'm thirty four, then that means

0:23:19.821 --> 0:23:20.341
<v Speaker 1>I could date a.

0:23:20.341 --> 0:23:21.061
<v Speaker 4>Twenty two year old.

0:23:21.661 --> 0:23:24.061
<v Speaker 3>Yeah, that sounds rare that Yeah.

0:23:24.182 --> 0:23:28.542
<v Speaker 4>And Luca's twenty eight. Oh my goodness, it's totally fine.

0:23:28.621 --> 0:23:28.782
<v Speaker 3>Yeah.

0:23:28.861 --> 0:23:31.222
<v Speaker 1>Did it look bad like at the beginning, Maybe a

0:23:31.262 --> 0:23:33.302
<v Speaker 1>little bit. But the thing about age is you generally

0:23:33.302 --> 0:23:33.821
<v Speaker 1>get older.

0:23:34.022 --> 0:23:35.022
<v Speaker 4>So I've been.

0:23:34.982 --> 0:23:40.422
<v Speaker 2>Dating younger recently because everyone my age and older all

0:23:40.502 --> 0:23:42.941
<v Speaker 2>have kids, and I'm like, oh, I actually don't know

0:23:42.982 --> 0:23:43.581
<v Speaker 2>what to do with that.

0:23:43.821 --> 0:23:46.022
<v Speaker 4>Yeah, well you've not caught them at their first divorce yet.

0:23:46.141 --> 0:23:47.782
<v Speaker 3>Yeah, so you got a way. I've got to wait

0:23:47.782 --> 0:23:50.461
<v Speaker 3>it out. Yeah, half your age plus seven four like

0:23:50.661 --> 0:23:53.462
<v Speaker 3>man in their forties plus ten. They said, oh, plus ten,

0:23:53.542 --> 0:23:57.102
<v Speaker 3>that's right, which doesn't cause I'm four a forty four

0:23:57.141 --> 0:24:00.861
<v Speaker 3>year old divorcee. Yeah. In this rule would be we're

0:24:00.861 --> 0:24:03.061
<v Speaker 3>so bad at maths, all of thirty two thirty two.

0:24:03.262 --> 0:24:04.742
<v Speaker 3>Mine would be like twenty five.

0:24:05.222 --> 0:24:06.902
<v Speaker 1>Yeah, so you're allowed to do twenty five. You haven't

0:24:06.901 --> 0:24:07.861
<v Speaker 1>done younger than twenty five.

0:24:07.942 --> 0:24:12.901
<v Speaker 3>I've done younger than twenty five. Twenty threeman's age. I

0:24:12.982 --> 0:24:13.181
<v Speaker 3>met a.

0:24:13.222 --> 0:24:15.661
<v Speaker 2>Nineteen year old in the club recently. Oh, that's a

0:24:15.702 --> 0:24:19.421
<v Speaker 2>bit of it scared me. He was very into it, and

0:24:19.502 --> 0:24:22.502
<v Speaker 2>I was like, no, no, in your life.

0:24:22.861 --> 0:24:25.701
<v Speaker 1>There was one I really liked, which was when someone

0:24:25.782 --> 0:24:28.341
<v Speaker 1>you know has a baby arranged to send them dinner

0:24:28.381 --> 0:24:31.021
<v Speaker 1>one night during the first month. And the reason I

0:24:31.101 --> 0:24:33.022
<v Speaker 1>liked that one is because I thought about all the

0:24:33.101 --> 0:24:35.982
<v Speaker 1>social rules that have passed through generations of women, because

0:24:36.022 --> 0:24:41.862
<v Speaker 1>we're socialized to communicate and to almost share that kind

0:24:41.861 --> 0:24:44.621
<v Speaker 1>of etiquette, like I've just learned from osmosis, from watching

0:24:44.661 --> 0:24:46.861
<v Speaker 1>my mum, what you're kind of meant to do. And

0:24:46.901 --> 0:24:48.742
<v Speaker 1>what was really cool about that one is I thought

0:24:49.422 --> 0:24:51.182
<v Speaker 1>their fathers probably didn't.

0:24:50.861 --> 0:24:52.901
<v Speaker 4>Do that or didn't know you were meant to do that.

0:24:53.141 --> 0:24:56.542
<v Speaker 1>True, and it's a nice generational shift to think that

0:24:56.621 --> 0:24:58.901
<v Speaker 1>men will now go, oh, my mate, who's just had

0:24:58.901 --> 0:25:00.341
<v Speaker 1>a baby, I'm actually going to do something. And they

0:25:00.341 --> 0:25:02.222
<v Speaker 1>said the same thing applies for illness or if someone's

0:25:02.262 --> 0:25:03.981
<v Speaker 1>in hospital, just one dinner.

0:25:04.101 --> 0:25:06.581
<v Speaker 3>I was like, yeah, that's nice. This one is crucial

0:25:07.141 --> 0:25:09.262
<v Speaker 3>in the summer. Take two hours a day.

0:25:09.661 --> 0:25:11.941
<v Speaker 4>Yep, completely agree, morning and night.

0:25:12.022 --> 0:25:14.421
<v Speaker 3>Yeah, it's a two shower situation. Don't get into do

0:25:14.462 --> 0:25:16.581
<v Speaker 3>you take two showers a day. In the summer, I

0:25:16.742 --> 0:25:19.621
<v Speaker 3>am a morning shower. I think we've discussed this before.

0:25:19.821 --> 0:25:21.182
<v Speaker 3>You're a nighttime shower, aren't you.

0:25:21.182 --> 0:25:23.782
<v Speaker 1>Just I do both. I do get night sweats. Because

0:25:23.821 --> 0:25:25.902
<v Speaker 1>of my night sweats, I do have to have.

0:25:25.861 --> 0:25:28.302
<v Speaker 4>A morning shower. And then I also, you got to

0:25:28.302 --> 0:25:29.622
<v Speaker 4>be nice and clean when you get into bed.

0:25:29.782 --> 0:25:32.862
<v Speaker 3>Now, I'm a morning shower, so I do definitely get

0:25:32.861 --> 0:25:35.502
<v Speaker 3>into bed dirty. But in the summer, I appreciate this

0:25:35.542 --> 0:25:37.262
<v Speaker 3>one in that like if I'm going out, you know

0:25:37.302 --> 0:25:39.461
<v Speaker 3>what I mean, Like I'm showering in the morning like normal,

0:25:39.621 --> 0:25:41.622
<v Speaker 3>but then I'm showering again later if I'm going out

0:25:41.661 --> 0:25:42.341
<v Speaker 3>doing something right.

0:25:42.341 --> 0:25:45.101
<v Speaker 2>Okay, I want to point out rule number sixty eight.

0:25:45.262 --> 0:25:47.581
<v Speaker 2>No man who doesn't post for work sho'd have a

0:25:47.581 --> 0:25:48.662
<v Speaker 2>public Instagram.

0:25:48.782 --> 0:25:51.741
<v Speaker 3>That is a really controversial rule. Do you think I

0:25:51.942 --> 0:25:57.901
<v Speaker 3>had never considered that there was something ungentlemanly or unmasculine

0:25:57.901 --> 0:26:00.982
<v Speaker 3>whatever that means about men having social media.

0:26:01.061 --> 0:26:04.021
<v Speaker 1>I incctively agree with it, and I've heard and it's wrong,

0:26:04.341 --> 0:26:05.341
<v Speaker 1>Like I've heard MSA.

0:26:05.422 --> 0:26:06.702
<v Speaker 4>Public instagrams are for the girls.

0:26:06.821 --> 0:26:12.782
<v Speaker 3>What if they enjoy it? That's just a I struggle

0:26:12.821 --> 0:26:14.302
<v Speaker 3>with that. I want to know if out louders think

0:26:14.302 --> 0:26:18.982
<v Speaker 3>that's true, Like if a man enjoys like the sharing

0:26:19.061 --> 0:26:20.422
<v Speaker 3>photos Facebook too.

0:26:20.901 --> 0:26:22.581
<v Speaker 1>No, no one knows what they're doing with their settings

0:26:22.621 --> 0:26:25.262
<v Speaker 1>on Facebook. I feel like Brent's definitely public on Facebook.

0:26:25.262 --> 0:26:27.942
<v Speaker 3>Oh my god, Brent, it's definitely public. But like I'd

0:26:28.022 --> 0:26:30.861
<v Speaker 3>never considered it before. It's very interesting to me. Now

0:26:30.901 --> 0:26:33.302
<v Speaker 3>I'm going to see it everywhere. I'm going to be like, oh,

0:26:33.341 --> 0:26:35.821
<v Speaker 3>he's got a public Instagram. I don't know block out

0:26:35.821 --> 0:26:38.782
<v Speaker 3>loud as. I need to know if you agree out

0:26:38.782 --> 0:26:39.741
<v Speaker 3>louders gen z.

0:26:39.901 --> 0:26:43.021
<v Speaker 2>Are having sex in all sorts of public places, and

0:26:43.061 --> 0:26:44.621
<v Speaker 2>we really need an unpack.

0:26:44.422 --> 0:26:49.381
<v Speaker 4>Why out Louders.

0:26:49.782 --> 0:26:52.101
<v Speaker 1>We've got a listener dilemma and we need your collective

0:26:52.141 --> 0:26:55.101
<v Speaker 1>wisdom to help us and our partner's UI solve it.

0:26:55.182 --> 0:26:55.502
<v Speaker 4>Please.

0:26:55.901 --> 0:26:58.341
<v Speaker 1>Here is the problem from our listener. Two and a

0:26:58.381 --> 0:27:01.182
<v Speaker 1>half years ago, I visited my brother in law's house

0:27:01.262 --> 0:27:04.502
<v Speaker 1>with my partner and our nine month old son. They

0:27:04.542 --> 0:27:08.702
<v Speaker 1>had just adopted a massive bull Mastiff, their first dog ever,

0:27:08.982 --> 0:27:11.662
<v Speaker 1>and they weren't familiar with dog behavior. When my sister

0:27:11.702 --> 0:27:14.701
<v Speaker 1>in law picked up my crawling baby, she started yelling

0:27:14.702 --> 0:27:17.222
<v Speaker 1>at the dog and batting the dog away. I saw

0:27:17.222 --> 0:27:19.341
<v Speaker 1>the dog stiff and growl and go to Mauth that

0:27:19.462 --> 0:27:21.821
<v Speaker 1>my son. I immediately asked if we could put the

0:27:21.861 --> 0:27:25.101
<v Speaker 1>dog outside, but I was dismissed as overprotective. When my

0:27:25.141 --> 0:27:27.101
<v Speaker 1>brother in law let the dog straight back in, I

0:27:27.182 --> 0:27:30.661
<v Speaker 1>packed up and we left. Since then, they've ignored me

0:27:30.782 --> 0:27:33.502
<v Speaker 1>at every family event. My brother in law even lied

0:27:33.661 --> 0:27:36.422
<v Speaker 1>claiming the dog never made a move despite not being

0:27:36.422 --> 0:27:40.061
<v Speaker 1>in the room. My partner says our son's safety comes first,

0:27:40.141 --> 0:27:42.382
<v Speaker 1>but he won't address his brothers lie or how his

0:27:42.381 --> 0:27:45.742
<v Speaker 1>family treats me. He's openly said he'll always choose his

0:27:45.821 --> 0:27:49.261
<v Speaker 1>family over me. I don't need him to cut off

0:27:49.302 --> 0:27:51.221
<v Speaker 1>his family. I just want to stop being treated like

0:27:51.262 --> 0:27:54.182
<v Speaker 1>the villain. The real issue isn't the dog anymore. It's

0:27:54.182 --> 0:27:56.861
<v Speaker 1>how unsupported I feel. I'm tired of always being the

0:27:56.901 --> 0:28:00.061
<v Speaker 1>bigger person while they rewrite history and punish me for

0:28:00.141 --> 0:28:03.982
<v Speaker 1>basic parenting. How long am I expected to sit quietly

0:28:04.182 --> 0:28:06.782
<v Speaker 1>while his family freezes me out for doing what any

0:28:06.821 --> 0:28:07.421
<v Speaker 1>parent would do?

0:28:07.982 --> 0:28:09.381
<v Speaker 4>What do you do next?

0:28:09.661 --> 0:28:13.141
<v Speaker 2>I have a question for the relationship is on the table,

0:28:13.141 --> 0:28:16.182
<v Speaker 2>which is the two of you saying to your partner

0:28:16.581 --> 0:28:19.461
<v Speaker 2>openly and freely, I will always choose my family over you.

0:28:19.581 --> 0:28:20.581
<v Speaker 3>Is that a red flag?

0:28:20.661 --> 0:28:23.542
<v Speaker 1>That's a real red flag, because it's like, I didn't

0:28:23.581 --> 0:28:24.462
<v Speaker 1>ask you to choose.

0:28:24.742 --> 0:28:25.742
<v Speaker 4>I feel like that's.

0:28:25.542 --> 0:28:30.382
<v Speaker 1>A weird pitting them against each other. Like I wouldn't

0:28:30.381 --> 0:28:31.782
<v Speaker 1>want him ever to say or pick you over my

0:28:31.821 --> 0:28:34.942
<v Speaker 1>family or pick my family over you. That's not what

0:28:34.942 --> 0:28:37.542
<v Speaker 1>she's asking him to do. So it feels like it

0:28:37.621 --> 0:28:40.662
<v Speaker 1>almost quite a manipulative I think to say.

0:28:40.502 --> 0:28:42.302
<v Speaker 3>I think it's a red flag for him to bring

0:28:42.302 --> 0:28:45.941
<v Speaker 3>it up like that. Like Jesse says, in my experience,

0:28:46.142 --> 0:28:49.262
<v Speaker 3>you should never make anybody try and choose. And I

0:28:49.302 --> 0:28:51.462
<v Speaker 3>have seen it happen where a woman might have gone

0:28:51.502 --> 0:28:53.502
<v Speaker 3>into relationship and she doesn't like the mother in law

0:28:53.622 --> 0:28:57.382
<v Speaker 3>and so she kind of she's like me, yeah, and

0:28:57.502 --> 0:28:59.701
<v Speaker 3>it never works out. Well, you can't slug off other

0:28:59.742 --> 0:29:02.302
<v Speaker 3>people's family. She just can't, not in like a serious

0:29:02.342 --> 0:29:05.742
<v Speaker 3>way anyway. But this is really weird. This is so

0:29:05.822 --> 0:29:08.462
<v Speaker 3>weird because two and a half years this is weird.

0:29:08.542 --> 0:29:11.021
<v Speaker 3>Right the incident in the first place, there's no question

0:29:11.102 --> 0:29:13.822
<v Speaker 3>in my mind that our questioner was in the right there.

0:29:13.902 --> 0:29:16.702
<v Speaker 3>Agree put the bloody dog outside. I love dogs. I've

0:29:16.702 --> 0:29:18.342
<v Speaker 3>got a dog who some people are scared of and

0:29:18.382 --> 0:29:20.342
<v Speaker 3>I've had dog breeds in the past that people don't

0:29:20.422 --> 0:29:24.382
<v Speaker 3>like you are sensitive to that you put the dog outside.

0:29:24.542 --> 0:29:28.102
<v Speaker 3>Of course you do likeh forget it holding on to

0:29:28.222 --> 0:29:31.462
<v Speaker 3>that for two and a half years, I just wouldn't

0:29:31.462 --> 0:29:32.582
<v Speaker 3>be going to family functions.

0:29:32.742 --> 0:29:36.342
<v Speaker 1>I wondered if it was a matter of picking up

0:29:36.342 --> 0:29:38.422
<v Speaker 1>the phone, Like, you've got two options, right, you don't

0:29:38.422 --> 0:29:40.822
<v Speaker 1>go to the family functions, or you call the sister

0:29:40.862 --> 0:29:43.142
<v Speaker 1>in law slash brother in law whoever you feel like

0:29:43.182 --> 0:29:45.342
<v Speaker 1>has more of the beef, and you go, can we

0:29:45.382 --> 0:29:46.102
<v Speaker 1>just not this out?

0:29:46.262 --> 0:29:47.982
<v Speaker 3>Can we just been two and a half years?

0:29:48.062 --> 0:29:50.902
<v Speaker 1>Can you just this is what I felt happened. I

0:29:51.022 --> 0:29:52.981
<v Speaker 1>was worried that something was going to happen with my kids.

0:29:53.142 --> 0:29:56.382
<v Speaker 1>Like whether it's a misunderstanding or it feels like it

0:29:56.422 --> 0:29:58.582
<v Speaker 1>got out of hand, whatever, I think you've got to

0:29:58.582 --> 0:30:01.302
<v Speaker 1>at least try to nut it out. But I also

0:30:01.822 --> 0:30:04.262
<v Speaker 1>understand her feeling like she's not being backed up or

0:30:04.262 --> 0:30:07.702
<v Speaker 1>supported by her partner husband. That's really really not good.

0:30:07.782 --> 0:30:09.661
<v Speaker 3>So what should she do next? So you say, wake

0:30:09.742 --> 0:30:13.022
<v Speaker 3>up the phone. I say, in my non confrontational style,

0:30:13.262 --> 0:30:15.142
<v Speaker 3>just don't go to any more family events.

0:30:15.862 --> 0:30:17.782
<v Speaker 2>I say, talk to the husband and be like, dude,

0:30:17.782 --> 0:30:19.582
<v Speaker 2>come on, sort it out.

0:30:19.742 --> 0:30:20.342
<v Speaker 3>This is your favor.

0:30:20.462 --> 0:30:22.181
<v Speaker 2>Yeah, it is true, that's when you And also he

0:30:22.262 --> 0:30:25.181
<v Speaker 2>kind of agreed initially, like he also like yeah, was

0:30:25.182 --> 0:30:27.502
<v Speaker 2>with her and like they picked up the baby and left.

0:30:27.782 --> 0:30:30.142
<v Speaker 2>So initially he was like on her quote unquote side,

0:30:30.422 --> 0:30:32.342
<v Speaker 2>And now just feels a bit weird that he's just like,

0:30:32.382 --> 0:30:33.222
<v Speaker 2>I don't know what to do.

0:30:33.622 --> 0:30:36.502
<v Speaker 3>Out louders, what would you do next? Share your thoughts

0:30:36.542 --> 0:30:38.221
<v Speaker 3>in the moment. We are out loud Facebook group and

0:30:38.262 --> 0:30:40.181
<v Speaker 3>if you have a dilemma, send it to us at

0:30:40.182 --> 0:30:42.222
<v Speaker 3>out loud, at momamea dot com, dodau.

0:30:42.302 --> 0:30:45.822
<v Speaker 2>We would love to help you fix it. Chensey, don't

0:30:45.822 --> 0:30:46.661
<v Speaker 2>know where to have sex?

0:30:46.822 --> 0:30:48.302
<v Speaker 4>Have you been having sex in public? Again?

0:30:48.782 --> 0:30:52.382
<v Speaker 3>It's really stressing us. What's been going on?

0:30:52.462 --> 0:30:55.702
<v Speaker 2>Okay, So love Honey did a survey and they found

0:30:55.702 --> 0:30:58.701
<v Speaker 2>that forty percent of the responding to a age between

0:30:58.742 --> 0:31:02.262
<v Speaker 2>eighteen and twenty four were living with their parents. I

0:31:02.422 --> 0:31:04.862
<v Speaker 2>have a lot of friends who either still live with

0:31:04.862 --> 0:31:07.542
<v Speaker 2>their parents or had to move back in with their parents,

0:31:07.542 --> 0:31:09.422
<v Speaker 2>and a lot of them are over the age of twenty.

0:31:09.182 --> 0:31:10.022
<v Speaker 3>Four as well.

0:31:10.542 --> 0:31:13.382
<v Speaker 2>Out of the people they surveyed, also, fifty six percent

0:31:13.422 --> 0:31:16.262
<v Speaker 2>of respondent said that they had to stop masturbating or

0:31:16.302 --> 0:31:19.382
<v Speaker 2>having sex because they had been interrupted, which I feel

0:31:19.382 --> 0:31:20.582
<v Speaker 2>like is too high.

0:31:20.622 --> 0:31:22.022
<v Speaker 3>Of a percentage.

0:31:22.622 --> 0:31:24.742
<v Speaker 2>So gen Z have had to get a bit creative

0:31:24.982 --> 0:31:27.622
<v Speaker 2>where they're having sex. A lot of them have said

0:31:27.622 --> 0:31:31.142
<v Speaker 2>that they're now having sex in public places. Most of

0:31:31.182 --> 0:31:33.542
<v Speaker 2>them said that they've been having sex in public bathrooms.

0:31:34.222 --> 0:31:39.461
<v Speaker 3>Oh wow, stop it, they're not hygienic. What's wrong with cars?

0:31:39.502 --> 0:31:41.542
<v Speaker 3>Young people have been having sex in cars for many years.

0:31:41.582 --> 0:31:45.701
<v Speaker 3>I guess you. Cars are expensive. I say, this is

0:31:45.742 --> 0:31:47.902
<v Speaker 3>part of the cost of living crisis. Now the payment

0:31:48.022 --> 0:31:49.782
<v Speaker 3>for it is that we have to watch out what

0:31:49.822 --> 0:31:54.181
<v Speaker 3>we touch in bathrooms. We want to go get we

0:31:54.262 --> 0:31:56.342
<v Speaker 3>can't be doing that. It's a whole other bit.

0:31:56.822 --> 0:32:00.622
<v Speaker 2>You're doing that when you guys were teenagers. How are

0:32:00.622 --> 0:32:03.022
<v Speaker 2>you getting creative in getting a bit sexy.

0:32:03.342 --> 0:32:05.502
<v Speaker 1>Well, it's interesting that you say that, because I did

0:32:05.502 --> 0:32:07.981
<v Speaker 1>a call out to the out loudest. Oh there's some

0:32:08.062 --> 0:32:10.981
<v Speaker 1>dirty gaps among our out louders, And we did an

0:32:10.982 --> 0:32:15.102
<v Speaker 1>anonymous poll and we said, where is the weirdest place

0:32:15.182 --> 0:32:18.702
<v Speaker 1>where you've had sex in public? And the interesting detail

0:32:18.702 --> 0:32:22.461
<v Speaker 1>I kept say coming up was when they were around

0:32:22.502 --> 0:32:26.822
<v Speaker 1>this age, So nineteen twenty twenty one. It was public parks,

0:32:27.542 --> 0:32:30.942
<v Speaker 1>lots of car parks like in cars car parks.

0:32:31.542 --> 0:32:33.782
<v Speaker 4>And the other one that was probably the most popular

0:32:34.142 --> 0:32:36.782
<v Speaker 4>was the cinema right towards the back.

0:32:37.462 --> 0:32:40.782
<v Speaker 3>Cameras. Do they it's dark? Yeah?

0:32:41.022 --> 0:32:43.142
<v Speaker 2>No, they have cameras because I'm watching you, because I'm

0:32:43.262 --> 0:32:45.102
<v Speaker 2>checking to see if you're filming the movie.

0:32:45.182 --> 0:32:47.022
<v Speaker 3>So then they come with their little tour a lot.

0:32:46.902 --> 0:32:49.062
<v Speaker 2>Of things really, and the person coming a little torch

0:32:49.102 --> 0:32:50.262
<v Speaker 2>is usually another teenager.

0:32:50.622 --> 0:32:52.342
<v Speaker 3>I really said supermarket.

0:32:53.142 --> 0:32:58.221
<v Speaker 4>Yeah, I wondered about I wonder which is which exactly?

0:32:58.382 --> 0:33:03.181
<v Speaker 3>Surely the cheese for safe sex purposes, I hope it

0:33:03.222 --> 0:33:06.822
<v Speaker 3>was the condom and loub section. And then some people

0:33:06.862 --> 0:33:08.942
<v Speaker 3>said in a fire truck, there's a story there. That's

0:33:08.982 --> 0:33:14.102
<v Speaker 3>the really outing story there. A church that's a bit kinky, a.

0:33:14.062 --> 0:33:15.902
<v Speaker 4>Church a graveyard came up as well.

0:33:15.942 --> 0:33:18.302
<v Speaker 3>It feels like I'm making a statement. Hotel balcony that

0:33:18.342 --> 0:33:20.502
<v Speaker 3>makes sense. Paddocks of a winery.

0:33:20.182 --> 0:33:21.662
<v Speaker 4>Another one that came up a lot.

0:33:21.782 --> 0:33:24.302
<v Speaker 1>And I want us to sort of dissect this as

0:33:24.302 --> 0:33:26.981
<v Speaker 1>a team, because, as you say, am not everyone has

0:33:26.982 --> 0:33:29.021
<v Speaker 1>a car, Yeah, so what do they need to get

0:33:29.262 --> 0:33:29.702
<v Speaker 1>an uber?

0:33:30.582 --> 0:33:30.742
<v Speaker 4>Now?

0:33:30.782 --> 0:33:34.182
<v Speaker 1>A lot of people taxis and ubers. We did discuss

0:33:34.222 --> 0:33:36.102
<v Speaker 1>in our Etiquete guard a little while ago, what are the.

0:33:36.102 --> 0:33:37.741
<v Speaker 3>Driver's doing while that's happening.

0:33:37.782 --> 0:33:40.342
<v Speaker 2>I remember I told you guys how happened to my

0:33:40.342 --> 0:33:43.742
<v Speaker 2>friends and she got kicked out and charged seventy dollars

0:33:43.742 --> 0:33:44.862
<v Speaker 2>for public in decency.

0:33:45.382 --> 0:33:48.421
<v Speaker 4>Right, so you're not allowed you're not allowed to be

0:33:48.462 --> 0:33:48.822
<v Speaker 4>doing that.

0:33:48.862 --> 0:33:50.342
<v Speaker 3>I want to know if the person she was having

0:33:50.382 --> 0:33:52.662
<v Speaker 3>sex with in the back of the uber split that. Fine, ooh,

0:33:53.342 --> 0:33:56.262
<v Speaker 3>that's a good attiquate question. Should you split the five?

0:33:57.142 --> 0:33:59.542
<v Speaker 1>Actually, I'm going to put it out there Jena Win's guide.

0:33:59.862 --> 0:34:02.582
<v Speaker 1>If you and a partner get done for public indecency,

0:34:02.661 --> 0:34:04.622
<v Speaker 1>I think you've got to pay, as.

0:34:06.382 --> 0:34:10.221
<v Speaker 3>Honestly what they think of. I think it's dependent on

0:34:10.222 --> 0:34:14.701
<v Speaker 3>who's doing the most movement, because surely you're caught who's

0:34:14.902 --> 0:34:18.021
<v Speaker 3>we're showing the most flesh? Like, how indecent did it get?

0:34:18.302 --> 0:34:20.582
<v Speaker 2>I feel like a lot of these responses though it's

0:34:20.661 --> 0:34:24.542
<v Speaker 2>not much I need to have sex because there's nowhere

0:34:24.542 --> 0:34:26.901
<v Speaker 2>else for me to have sex, and it's more voyeurism.

0:34:27.142 --> 0:34:29.542
<v Speaker 3>I think there's two different types of public sex. Yes, right,

0:34:29.902 --> 0:34:32.981
<v Speaker 3>there's public sex as a necessity and the other week,

0:34:33.022 --> 0:34:35.342
<v Speaker 3>I was walking across Hyde Park in the middle of Sydney,

0:34:35.622 --> 0:34:38.221
<v Speaker 3>like a sort of five o'clockish, and there was this

0:34:38.302 --> 0:34:40.582
<v Speaker 3>couple on the under a tree sunny evening, you know,

0:34:40.661 --> 0:34:42.381
<v Speaker 3>like I don't think we're having sex, but they're really

0:34:42.382 --> 0:34:45.982
<v Speaker 3>going for it. And I remember thinking oh, and then

0:34:46.142 --> 0:34:48.622
<v Speaker 3>like ooh and then ah. But it took me back

0:34:48.781 --> 0:34:52.142
<v Speaker 3>very viscerally to times in my life where I didn't

0:34:52.142 --> 0:34:54.781
<v Speaker 3>have anywhere to go to have sex because of flatmates,

0:34:54.982 --> 0:34:57.622
<v Speaker 3>because you're sleeping on someone's couch because whatever, and like

0:34:58.142 --> 0:35:01.142
<v Speaker 3>I was traveling or whatever, and that there was a

0:35:01.261 --> 0:35:04.422
<v Speaker 3>very visceral need. You were seeing somebody and you're physically

0:35:04.502 --> 0:35:06.341
<v Speaker 3>obsessed with each other, and you're young and you're hot

0:35:06.382 --> 0:35:09.382
<v Speaker 3>and everything. There's that kind of public sex which is

0:35:09.741 --> 0:35:11.422
<v Speaker 3>like no one can see us. It's almost like you

0:35:11.422 --> 0:35:13.542
<v Speaker 3>think you're invisible, like an ostrich with their head in

0:35:13.582 --> 0:35:15.142
<v Speaker 3>the sun, Like no one can tell what we're doing,

0:35:15.142 --> 0:35:17.582
<v Speaker 3>and everyone can tell what you're doing. But then there's

0:35:17.822 --> 0:35:21.382
<v Speaker 3>public sex for the fun of it, right the borderline,

0:35:22.062 --> 0:35:23.142
<v Speaker 3>Oh we might get caught.

0:35:23.261 --> 0:35:25.901
<v Speaker 1>Yeah, So the hotel balcony that came up a lot

0:35:25.942 --> 0:35:27.942
<v Speaker 1>and someone said it would be easier for me to

0:35:27.942 --> 0:35:29.821
<v Speaker 1>list where I haven't had public sex, like.

0:35:30.302 --> 0:35:33.261
<v Speaker 3>Wow, well, because it's some people's kink, it's.

0:35:33.022 --> 0:35:35.862
<v Speaker 1>Their kink, right, But when I've seen the most public

0:35:35.902 --> 0:35:38.582
<v Speaker 1>sex has been traveling. So if you go to Italy

0:35:38.862 --> 0:35:41.662
<v Speaker 1>or Greece and you go, you know what, you're staying

0:35:41.661 --> 0:35:43.261
<v Speaker 1>at a hostel in a bunk bed.

0:35:43.382 --> 0:35:45.341
<v Speaker 4>Yeah, both of you are. You don't know what to do.

0:35:45.822 --> 0:35:49.861
<v Speaker 1>So you are currently on a beach lounge on a

0:35:49.862 --> 0:35:53.702
<v Speaker 1>pebbled beach and it's dark, but it's not that dark,

0:35:53.862 --> 0:35:55.742
<v Speaker 1>and we can hear you and see you and whatever.

0:35:55.781 --> 0:36:00.062
<v Speaker 1>But you just go, fine, fine, you guys have fun,

0:36:00.462 --> 0:36:04.502
<v Speaker 1>and that's totally fine. But I was reading about Japan

0:36:04.701 --> 0:36:08.261
<v Speaker 1>because in Japan they have something called love hotels.

0:36:08.622 --> 0:36:09.381
<v Speaker 4>Have you heard of this?

0:36:09.862 --> 0:36:12.702
<v Speaker 3>That's by the hour, right, yes, so fifteen minutes.

0:36:13.942 --> 0:36:15.142
<v Speaker 1>You don't want to pay for an hour and then

0:36:15.181 --> 0:36:17.701
<v Speaker 1>be like, oh, can I have a refund? Amelia told

0:36:17.741 --> 0:36:20.422
<v Speaker 1>me about it. So basically, there are more than thirty

0:36:20.462 --> 0:36:23.022
<v Speaker 1>seven thousand of these love hotels all over Japan. And

0:36:23.062 --> 0:36:25.301
<v Speaker 1>the reason why they're so big in Japan is because

0:36:25.302 --> 0:36:28.902
<v Speaker 1>of multigenerational living, yes and how and the close quarters

0:36:29.342 --> 0:36:32.142
<v Speaker 1>lots of apartment buildings with really really thin walls, So

0:36:32.261 --> 0:36:35.661
<v Speaker 1>it is totally customary that you m are going out

0:36:35.661 --> 0:36:37.381
<v Speaker 1>on a date and that you would book a love

0:36:37.382 --> 0:36:40.462
<v Speaker 1>hotel afterwards, and you can get a really yucky dingy

0:36:40.502 --> 0:36:43.382
<v Speaker 1>one that smells bad, or you could get a pimped

0:36:43.382 --> 0:36:48.781
<v Speaker 1>out mirror on the ceiling BDSM equipment, like all of

0:36:48.781 --> 0:36:49.741
<v Speaker 1>this stuff.

0:36:49.422 --> 0:36:51.902
<v Speaker 3>And the thing to cater to your particular need anything.

0:36:52.022 --> 0:36:54.461
<v Speaker 3>There's another market who need this, and that is we've

0:36:54.462 --> 0:36:56.382
<v Speaker 3>touched on it the other week, but it's parents with

0:36:56.422 --> 0:37:00.062
<v Speaker 3>teenage kids at home, right, because once your kids stop

0:37:00.142 --> 0:37:02.661
<v Speaker 3>going to bed at a certain time and they're just

0:37:02.741 --> 0:37:05.262
<v Speaker 3>wandering around the house at all hours, and people's houses

0:37:05.261 --> 0:37:07.782
<v Speaker 3>are small and you've got thin walls and other things,

0:37:07.942 --> 0:37:09.661
<v Speaker 3>there are no times to have sex in your your

0:37:09.661 --> 0:37:11.982
<v Speaker 3>own home. So I feel like the middle aged people

0:37:12.022 --> 0:37:13.262
<v Speaker 3>also want the love hotels.

0:37:13.342 --> 0:37:15.862
<v Speaker 1>Also, you know who else needs them are people having affairs,

0:37:16.102 --> 0:37:18.382
<v Speaker 1>And I wonder if they are often forced into public

0:37:18.422 --> 0:37:20.421
<v Speaker 1>sex because it's like you can't go to your marital bed.

0:37:20.462 --> 0:37:21.662
<v Speaker 4>That would be disrespectful.

0:37:21.781 --> 0:37:24.381
<v Speaker 3>Well, that's what cars are for, obviously, and also why

0:37:24.422 --> 0:37:27.261
<v Speaker 3>in every American movie you always get busted having a

0:37:27.382 --> 0:37:29.701
<v Speaker 3>fair because your car is in the motel car Pa

0:37:30.221 --> 0:37:33.902
<v Speaker 3>but the gen z is not being able to afford

0:37:34.462 --> 0:37:36.742
<v Speaker 3>living by themselves or living with the roommates out of home.

0:37:37.181 --> 0:37:41.022
<v Speaker 1>It's actually affecting me even though I live alone, because

0:37:41.142 --> 0:37:42.382
<v Speaker 1>does it always have to be your place?

0:37:42.382 --> 0:37:43.502
<v Speaker 3>It's always at my place?

0:37:43.542 --> 0:37:46.102
<v Speaker 2>But even more so when you're living with your parents,

0:37:46.142 --> 0:37:49.022
<v Speaker 2>and even if you're an adult in your thirties, you

0:37:49.102 --> 0:37:52.062
<v Speaker 2>still have to tell them that you're going out to

0:37:52.462 --> 0:37:55.221
<v Speaker 2>have sex and then come back. I was seeing this

0:37:55.302 --> 0:37:58.102
<v Speaker 2>guy two years ago and he was living with his parents,

0:37:58.622 --> 0:38:00.142
<v Speaker 2>and it was always at my place. And then one

0:38:00.221 --> 0:38:02.341
<v Speaker 2>night he messaged me and he was like, Babe, come

0:38:02.342 --> 0:38:05.421
<v Speaker 2>over my parents on home and there's something so I'm

0:38:05.502 --> 0:38:09.342
<v Speaker 2>sexy with a twenty seven year old saying my parents

0:38:09.382 --> 0:38:12.022
<v Speaker 2>are Yeah.

0:38:12.102 --> 0:38:15.261
<v Speaker 1>After the break, we have some very special recommendations for

0:38:15.342 --> 0:38:18.382
<v Speaker 1>you that we have been waiting to shout from the rooftops.

0:38:18.422 --> 0:38:20.342
<v Speaker 4>We're going to tell you why some.

0:38:20.181 --> 0:38:24.221
<v Speaker 1>Of the best books of the year all dropped this week.

0:38:24.342 --> 0:38:28.102
<v Speaker 3>One unlimited out loud access. We dropped episodes every Tuesday

0:38:28.142 --> 0:38:32.181
<v Speaker 3>and Thursday exclusively for Mamma Mia subscribers. Follow the link

0:38:32.221 --> 0:38:33.982
<v Speaker 3>at the show notes to get us in your ears

0:38:34.221 --> 0:38:36.982
<v Speaker 3>five days a week, and a huge thank you to

0:38:37.142 --> 0:38:38.781
<v Speaker 3>all our current subscribers.

0:38:45.181 --> 0:38:49.062
<v Speaker 2>Vibes ideas atmosphere, something casual, something fun.

0:38:49.582 --> 0:38:51.142
<v Speaker 3>This is my best recommendation.

0:38:52.701 --> 0:38:55.062
<v Speaker 1>It's Friday, so we want to help set up your

0:38:55.142 --> 0:38:58.142
<v Speaker 1>weekend with our best recommendations. We have enough recommendations to

0:38:58.221 --> 0:38:59.661
<v Speaker 1>last fe a few months, I think we do.

0:38:59.862 --> 0:39:01.462
<v Speaker 4>This is the lead up to Christmas.

0:39:01.462 --> 0:39:03.422
<v Speaker 3>Some might say it's the week that all the books

0:39:03.462 --> 0:39:03.902
<v Speaker 3>come out.

0:39:03.942 --> 0:39:07.781
<v Speaker 1>Holly, please explain why it is that this kind of

0:39:07.822 --> 0:39:10.941
<v Speaker 1>first week of October. We've got as Sally Hepworth, We've

0:39:10.942 --> 0:39:13.661
<v Speaker 1>got a Trent Dalton, We've got a Claire Stevens, we've

0:39:13.701 --> 0:39:14.862
<v Speaker 1>got a Jane Harpark.

0:39:14.902 --> 0:39:15.942
<v Speaker 4>Why are they all dropping?

0:39:16.582 --> 0:39:19.782
<v Speaker 3>So September October is the big league of book release.

0:39:19.862 --> 0:39:21.941
<v Speaker 3>So there are a few times during the year when

0:39:21.982 --> 0:39:24.982
<v Speaker 3>people release books, when the publishing houses release books, and

0:39:25.022 --> 0:39:28.942
<v Speaker 3>they're all jostling for a bit of airtime for starters.

0:39:29.181 --> 0:39:32.142
<v Speaker 3>But also the lead up to Christmas is really big.

0:39:32.422 --> 0:39:34.901
<v Speaker 3>So in Britain it's actually called Super Thursday, and it's

0:39:34.902 --> 0:39:38.142
<v Speaker 3>the second Thursday in October when all the big big

0:39:38.181 --> 0:39:39.901
<v Speaker 3>guns will all come out and then they will all

0:39:39.982 --> 0:39:43.062
<v Speaker 3>jostle to be the number one Christmas book. Right, we're

0:39:43.062 --> 0:39:46.341
<v Speaker 3>not quite like that here, but the last week of September,

0:39:46.422 --> 0:39:48.661
<v Speaker 3>because books are always released on the last Tuesday of

0:39:48.701 --> 0:39:52.181
<v Speaker 3>the month. So my last book came out in the

0:39:52.261 --> 0:39:55.341
<v Speaker 3>last Tuesday of April, and the reason for that is

0:39:55.342 --> 0:39:57.181
<v Speaker 3>it was a lead up to Mother's Day release. That's

0:39:57.221 --> 0:40:00.822
<v Speaker 3>also quite a good window for what they call women's fiction.

0:40:00.942 --> 0:40:03.741
<v Speaker 3>So that's quite a good window. But the next really

0:40:03.781 --> 0:40:07.702
<v Speaker 3>good window is now, which is lead up to summer reading,

0:40:07.822 --> 0:40:11.142
<v Speaker 3>holiday reading, gifting. All those things give people a reason

0:40:11.181 --> 0:40:14.341
<v Speaker 3>to Bible. And what generally happens is, you know, the

0:40:14.462 --> 0:40:17.262
<v Speaker 3>really big names, you Jane Harper's and your big international

0:40:17.302 --> 0:40:19.502
<v Speaker 3>authors are going to go a little bit later, closer

0:40:19.542 --> 0:40:21.542
<v Speaker 3>to Christmas because they can afford to hold on a

0:40:21.622 --> 0:40:24.301
<v Speaker 3>little bit. And then this week is when all the

0:40:24.302 --> 0:40:26.622
<v Speaker 3>big books come out, and then they're all jostling. So

0:40:26.661 --> 0:40:29.261
<v Speaker 3>we're going to talk about some books that we read

0:40:29.302 --> 0:40:31.662
<v Speaker 3>ages ago that are coming out this week and whether

0:40:31.701 --> 0:40:33.982
<v Speaker 3>they are worth your time. Obviously, the recommendations that we're

0:40:34.022 --> 0:40:35.982
<v Speaker 3>giving you are all worth your time, and one of

0:40:35.982 --> 0:40:39.062
<v Speaker 3>them is Somebody very close to home. Yes, do you

0:40:39.062 --> 0:40:41.902
<v Speaker 3>want me to take Sally to take Mad Mabel?

0:40:42.102 --> 0:40:44.102
<v Speaker 4>Mad Mabel one of my favorite books of the year.

0:40:44.142 --> 0:40:45.022
<v Speaker 4>Please take it away.

0:40:45.102 --> 0:40:49.862
<v Speaker 3>Also, can I say excellent cover? Yes? So Sally Hepwuss

0:40:50.502 --> 0:40:55.382
<v Speaker 3>has become, without question, one of Australia's biggest writers, biggest

0:40:55.422 --> 0:40:58.661
<v Speaker 3>author's friend of the pod I sell. She was one

0:40:58.661 --> 0:41:00.542
<v Speaker 3>of the many people who texted me on Tuesday morning

0:41:00.622 --> 0:41:02.342
<v Speaker 3>said I hope you're doing an episode about Nicole and

0:41:02.422 --> 0:41:05.301
<v Speaker 3>Keith like we've got you.

0:41:05.462 --> 0:41:05.661
<v Speaker 1>Sal.

0:41:05.741 --> 0:41:08.302
<v Speaker 3>Don't worry when you ask Sally what kind of books

0:41:08.302 --> 0:41:10.022
<v Speaker 3>you write, because it's one of the hardest questions to

0:41:10.022 --> 0:41:12.741
<v Speaker 3>answer as an author. I think especially there's what kind

0:41:12.741 --> 0:41:14.542
<v Speaker 3>of books do you? People always ask you that when

0:41:14.582 --> 0:41:16.022
<v Speaker 3>you say I'm a writer, what kind of books do

0:41:16.022 --> 0:41:20.542
<v Speaker 3>you write? I don't know good ones, Sally says. She

0:41:20.862 --> 0:41:24.462
<v Speaker 3>writes about dysfunctional families with the side of murder. And

0:41:24.582 --> 0:41:26.821
<v Speaker 3>that is what all Sally's books are. And they are

0:41:26.942 --> 0:41:29.142
<v Speaker 3>all brilliant and I know out Loud has already loved them.

0:41:29.181 --> 0:41:31.221
<v Speaker 3>But the thing is is Sal for Ages was on

0:41:31.261 --> 0:41:33.301
<v Speaker 3>a one book a year. She was always had a

0:41:33.302 --> 0:41:36.102
<v Speaker 3>book out, so everyone had all the Salis. You knew

0:41:36.142 --> 0:41:37.661
<v Speaker 3>every year you're going to go to Sally. And then

0:41:37.862 --> 0:41:40.221
<v Speaker 3>the last couple of years she's left us hanging. She

0:41:40.261 --> 0:41:42.821
<v Speaker 3>did an Adele. She did an adele, she decided she

0:41:42.862 --> 0:41:45.582
<v Speaker 3>needed a bit more time, and so Mad Mabel, I

0:41:45.582 --> 0:41:49.181
<v Speaker 3>feel like there's even more like anticipation for it because

0:41:49.181 --> 0:41:52.181
<v Speaker 3>we've been a bit staffed of self. So very top line,

0:41:52.382 --> 0:41:55.821
<v Speaker 3>Mad Mabel is about this fiction, obviously, as her books are,

0:41:56.022 --> 0:41:58.542
<v Speaker 3>is about the youngest woman to be convicted of murder

0:41:58.542 --> 0:42:01.502
<v Speaker 3>in Australia, and it's now visiting Mad Mabel as she

0:42:01.622 --> 0:42:04.021
<v Speaker 3>was called in the press, as a much older woman

0:42:04.062 --> 0:42:06.462
<v Speaker 3>and elderly woman looking back at her life. Right. Oh,

0:42:07.181 --> 0:42:10.822
<v Speaker 3>in the first pages of the book, just the voice

0:42:11.022 --> 0:42:14.582
<v Speaker 3>of this character is so stark, and she's so funny

0:42:14.622 --> 0:42:17.941
<v Speaker 3>and cutting and interesting, and as Sally Oas does, there's

0:42:17.942 --> 0:42:20.341
<v Speaker 3>a hook on every page. You're like, Oh, I can't

0:42:20.342 --> 0:42:22.862
<v Speaker 3>believe what's going to happen next. It's so great.

0:42:23.022 --> 0:42:23.622
<v Speaker 4>It's so great.

0:42:24.781 --> 0:42:28.062
<v Speaker 1>I raced through it, absolutely loved it, Mad Mabel. And

0:42:28.102 --> 0:42:30.301
<v Speaker 1>the other one, Holly, that you wanted to recommend is

0:42:30.342 --> 0:42:31.301
<v Speaker 1>Trent Dlton's new.

0:42:31.181 --> 0:42:35.062
<v Speaker 3>One, Trent Dalton's new one Gravity, let Me Go Now Again,

0:42:35.221 --> 0:42:39.342
<v Speaker 3>Australian Treasure Trent Dalton. Everybody loves Trent and his books

0:42:39.382 --> 0:42:42.542
<v Speaker 3>ever since. Obviously, Boyce Waller's Universe are always a major event.

0:42:42.902 --> 0:42:44.901
<v Speaker 3>And he's done nonfiction in that time, he's done love

0:42:44.942 --> 0:42:47.582
<v Speaker 3>stories and so on. This is a novel. It is great.

0:42:47.661 --> 0:42:50.821
<v Speaker 3>It's a murder mystery, but it's got the character and

0:42:50.902 --> 0:42:53.062
<v Speaker 3>he says it's its most personal ever, and you can

0:42:53.102 --> 0:42:55.301
<v Speaker 3>totally see that. The main character in this is a

0:42:55.302 --> 0:42:57.622
<v Speaker 3>crime writer from Brisbane. All Trent's books are set in

0:42:57.622 --> 0:43:00.982
<v Speaker 3>suburban Brisbane. It's like the suburbs are living and breathing

0:43:01.022 --> 0:43:03.701
<v Speaker 3>and the pavements are hissing through the pages. But it's

0:43:03.701 --> 0:43:06.221
<v Speaker 3>a true crime writer who's had a big hit with

0:43:06.302 --> 0:43:10.342
<v Speaker 3>this unsolved murder book, and that's really interesting. Plot runs

0:43:10.342 --> 0:43:12.382
<v Speaker 3>through the book of like what really happened with that

0:43:12.502 --> 0:43:14.661
<v Speaker 3>and who did that murder and that stuff. So there's that,

0:43:15.142 --> 0:43:18.341
<v Speaker 3>but also it's about the effect of this obsession on

0:43:18.422 --> 0:43:21.302
<v Speaker 3>the writer, which is very much a Trent Dalton squ character.

0:43:21.342 --> 0:43:23.821
<v Speaker 3>He's got a wife and two teenage kids, and the

0:43:23.862 --> 0:43:26.542
<v Speaker 3>effect of his sort of, as he writes it, his

0:43:26.582 --> 0:43:29.622
<v Speaker 3>self obsession of disappearing into this story and becoming so

0:43:29.701 --> 0:43:31.622
<v Speaker 3>obsessed with it and what that's done to his marriage

0:43:31.661 --> 0:43:34.022
<v Speaker 3>to his wife, his kids. One day, his wife just

0:43:34.022 --> 0:43:36.901
<v Speaker 3>stops talking, just wait up and just stops talking, and

0:43:37.022 --> 0:43:40.662
<v Speaker 3>it's like a really interesting meditation on long term relationships,

0:43:41.142 --> 0:43:45.022
<v Speaker 3>what women will put up with, what our obsession with

0:43:45.102 --> 0:43:47.302
<v Speaker 3>our work and our status can do to our families,

0:43:47.342 --> 0:43:49.902
<v Speaker 3>as well as just having all of the charm that

0:43:49.982 --> 0:43:52.022
<v Speaker 3>is writing always does, and this really good mystery at

0:43:52.022 --> 0:43:54.142
<v Speaker 3>the center of it. I loved it and I would

0:43:54.221 --> 0:43:57.142
<v Speaker 3>highly recommend both of those two also great presents.

0:43:57.342 --> 0:43:59.381
<v Speaker 4>Can't wait to read Trance. Look.

0:43:59.422 --> 0:44:03.102
<v Speaker 1>My recommendation is my twin sister, Claire Stevens. Her book

0:44:03.502 --> 0:44:07.222
<v Speaker 1>was officially published this week. It is called the worst

0:44:07.221 --> 0:44:11.142
<v Speaker 1>thing I've ever done anyone in the public eye. And

0:44:11.142 --> 0:44:12.661
<v Speaker 1>there's a lot of people in the public eye who

0:44:12.701 --> 0:44:15.622
<v Speaker 1>got an early copy of this book and they have

0:44:15.822 --> 0:44:18.941
<v Speaker 1>just messaged her and gone, oh my god, you got it,

0:44:19.062 --> 0:44:22.622
<v Speaker 1>like you absolutely nailed it. She's got this incredible endorsement

0:44:22.661 --> 0:44:26.221
<v Speaker 1>from Tim Minchin, who said that she wides barefooted and

0:44:26.261 --> 0:44:30.102
<v Speaker 1>open hearted into the toxic swamp of psychopathic social justice

0:44:30.142 --> 0:44:33.422
<v Speaker 1>bullying and emerges with a moving and entertaining tale for

0:44:33.462 --> 0:44:37.301
<v Speaker 1>our times. You may presume the online madness is exaggerated,

0:44:37.502 --> 0:44:41.382
<v Speaker 1>trust me, it ain't, and that's exactly right. It's an

0:44:41.422 --> 0:44:44.422
<v Speaker 1>unflinching look at digital media, which I think will make

0:44:44.542 --> 0:44:46.902
<v Speaker 1>us all feel a bit uncomfortable because it is so

0:44:46.902 --> 0:44:51.142
<v Speaker 1>so close, very close. It's about the experience of public

0:44:51.221 --> 0:44:55.301
<v Speaker 1>shaming and the way the Internet refuses to forgive, but

0:44:55.342 --> 0:44:57.622
<v Speaker 1>then also the grace and love we show in.

0:44:57.462 --> 0:44:58.782
<v Speaker 4>Our private lives.

0:44:59.502 --> 0:45:01.902
<v Speaker 1>But what everyone's going to be talking about is the

0:45:02.022 --> 0:45:05.381
<v Speaker 1>big twist. It has a massive twist at the end

0:45:05.862 --> 0:45:10.902
<v Speaker 1>that is incredibly unexpected. It is just outstanding. The reviews

0:45:10.942 --> 0:45:13.821
<v Speaker 1>the feedback have been amazing. You have to go and

0:45:13.862 --> 0:45:14.181
<v Speaker 1>read it.

0:45:14.302 --> 0:45:16.221
<v Speaker 3>Yeah, you're going to be seeing it everywhere. Yeah, and

0:45:16.261 --> 0:45:17.821
<v Speaker 3>I know that when people listening to this ago, you

0:45:17.902 --> 0:45:20.342
<v Speaker 3>know all those people, but it's like, these are the

0:45:20.342 --> 0:45:23.582
<v Speaker 3>books you're going to be seeing everywhere. Yeah, and they

0:45:23.622 --> 0:45:27.022
<v Speaker 3>are all worth your time. Yeah. Yeah. Speaking of Clasty,

0:45:27.102 --> 0:45:29.062
<v Speaker 3>and she's been doing a lot, She's been busy, gat

0:45:29.502 --> 0:45:31.781
<v Speaker 3>It's been a very clear Steven this kind of time.

0:45:32.661 --> 0:45:34.701
<v Speaker 1>She was on No Filter this week with Kate lane Brook.

0:45:34.741 --> 0:45:36.302
<v Speaker 1>That episode is going off.

0:45:36.181 --> 0:45:37.062
<v Speaker 3>Same day as No Filter.

0:45:37.102 --> 0:45:41.741
<v Speaker 2>On Monday, her podcast The Pylon dropped with two episodes

0:45:41.822 --> 0:45:45.022
<v Speaker 2>with Hannah Ferguson, who's the co founder and CEO of

0:45:45.221 --> 0:45:48.982
<v Speaker 2>Cheek Media. I think this podcast goes really well with

0:45:49.102 --> 0:45:51.782
<v Speaker 2>the book she's just written, and I have my copy

0:45:51.822 --> 0:45:53.261
<v Speaker 2>and I'm waiting for the long weekend so i can

0:45:53.261 --> 0:45:57.742
<v Speaker 2>read it. But I just forgot how much I loved

0:45:58.102 --> 0:46:02.301
<v Speaker 2>Claire's interviewing style, even when she was editor here at

0:46:02.582 --> 0:46:04.422
<v Speaker 2>Me and a boss, like I remember, like we just

0:46:04.502 --> 0:46:06.301
<v Speaker 2>be in these like pitch meetings, and the way she

0:46:06.342 --> 0:46:10.982
<v Speaker 2>would explain stories was just so well done and so thoughtful.

0:46:11.382 --> 0:46:14.382
<v Speaker 2>And I listened to both of these. So she dropped

0:46:14.382 --> 0:46:16.582
<v Speaker 2>the first two episodes with Hannah Ferguson, and I listened

0:46:16.582 --> 0:46:17.902
<v Speaker 2>to both of them back to back because I was

0:46:17.982 --> 0:46:18.781
<v Speaker 2>just it was.

0:46:18.781 --> 0:46:20.502
<v Speaker 3>Just so.

0:46:20.181 --> 0:46:23.022
<v Speaker 2>Good, and I was really nervous to listen to it

0:46:23.542 --> 0:46:27.102
<v Speaker 2>because with these podcasts where it's like the Pylon and

0:46:27.142 --> 0:46:30.742
<v Speaker 2>talking about like the over critique that someone's faced, especially

0:46:30.741 --> 0:46:33.261
<v Speaker 2>in media, I'm always scared that they're going to get

0:46:33.302 --> 0:46:35.981
<v Speaker 2>an over generous edit and it will change like point

0:46:36.022 --> 0:46:38.382
<v Speaker 2>of views. But it really didn't like she kind of

0:46:38.462 --> 0:46:41.502
<v Speaker 2>let Hannah just take whatever she wanted to say and

0:46:41.542 --> 0:46:43.982
<v Speaker 2>like make her own story out of it, and I

0:46:43.982 --> 0:46:46.341
<v Speaker 2>thought it was just so so well done.

0:46:46.382 --> 0:46:48.542
<v Speaker 3>It's a little bit of that interview I struggled with

0:46:48.582 --> 0:46:51.821
<v Speaker 3>a little bit. I have to say, might make out

0:46:51.862 --> 0:46:54.102
<v Speaker 3>loud as we listened to it. But there's a little

0:46:54.102 --> 0:46:56.942
<v Speaker 3>bit where Claire asks.

0:46:56.622 --> 0:46:58.622
<v Speaker 2>I know what I'm gonna say, And I also got

0:46:58.622 --> 0:47:01.942
<v Speaker 2>a bite and about a story that Jesse wrote for

0:47:02.022 --> 0:47:05.701
<v Speaker 2>Mom and Meat some years ago that Cheak media critiques.

0:47:05.862 --> 0:47:07.942
<v Speaker 3>And it's really interesting the way that they have that

0:47:07.942 --> 0:47:09.982
<v Speaker 3>conversation and both of them welcome it it with an

0:47:09.982 --> 0:47:12.102
<v Speaker 3>open heart. But I found some parts of that quite

0:47:12.102 --> 0:47:13.542
<v Speaker 3>hard to listen to. I'm just going to say, I

0:47:13.542 --> 0:47:16.422
<v Speaker 3>think it's did you know like that was going to happen?

0:47:16.542 --> 0:47:18.901
<v Speaker 1>Yes, Claire played it to me before and she said, like,

0:47:18.982 --> 0:47:20.542
<v Speaker 1>are you comfortable with it? I'll cut it if you're not,

0:47:20.661 --> 0:47:22.661
<v Speaker 1>And I was like, no, I think that it's important

0:47:22.701 --> 0:47:26.301
<v Speaker 1>that it sits there. And you can kind of disagree

0:47:26.622 --> 0:47:30.741
<v Speaker 1>with how that whole thing played out. She talks in

0:47:30.781 --> 0:47:32.542
<v Speaker 1>it about how there was just a disagreement on the

0:47:32.542 --> 0:47:35.821
<v Speaker 1>internet and how we then reference that disagreement behind a

0:47:35.862 --> 0:47:39.102
<v Speaker 1>subscriber episode and the reason and we weren't in the

0:47:39.181 --> 0:47:41.422
<v Speaker 1>room so we couldn't say this, But the reason that

0:47:41.462 --> 0:47:44.301
<v Speaker 1>we didn't name her or name Cheek in that conversation

0:47:44.862 --> 0:47:46.982
<v Speaker 1>was actually because we didn't want to set people on them,

0:47:47.342 --> 0:47:51.182
<v Speaker 1>not because we didn't want to, you know them traffic anyway.

0:47:51.261 --> 0:47:53.861
<v Speaker 3>It's a bit weedy, it's a bit, but it's it's

0:47:53.982 --> 0:47:56.382
<v Speaker 3>really interesting. I think one of the things about obviously

0:47:56.382 --> 0:47:59.022
<v Speaker 3>Claire's book and the podcast is that it's very behind

0:47:59.062 --> 0:48:01.462
<v Speaker 3>the scenes of this world that we all live in,

0:48:01.542 --> 0:48:02.901
<v Speaker 3>you know what I mean. So I think that if

0:48:02.902 --> 0:48:07.342
<v Speaker 3>you've ever wondered, like, what's it like to have every

0:48:07.382 --> 0:48:10.901
<v Speaker 3>word you know, dissected, have people so many opinions about you,

0:48:10.982 --> 0:48:12.821
<v Speaker 3>be at the bottom of a pylon, if you've wondered

0:48:12.862 --> 0:48:14.982
<v Speaker 3>what it's the last stuff it's really it's going to

0:48:15.022 --> 0:48:15.301
<v Speaker 3>tell you.

0:48:15.382 --> 0:48:18.142
<v Speaker 1>Yeah, And to be Hannah Ferguson at a time when

0:48:18.181 --> 0:48:23.821
<v Speaker 1>the criticism is so ruthless, just awful, and Claire did

0:48:23.822 --> 0:48:27.421
<v Speaker 1>this interview and then the next week probably one of

0:48:27.462 --> 0:48:31.502
<v Speaker 1>the most kind of awful moments of Hannah Ferguson's career

0:48:31.701 --> 0:48:33.622
<v Speaker 1>came and Claire sat down with her again, and that's

0:48:33.661 --> 0:48:36.422
<v Speaker 1>why you get part two. And I just think that

0:48:36.462 --> 0:48:39.582
<v Speaker 1>the candidness, the generosity of Hannah to actually share it

0:48:39.661 --> 0:48:42.661
<v Speaker 1>is really brave, because you do have these conversations with

0:48:42.701 --> 0:48:45.861
<v Speaker 1>people in media when no one else is listening, So

0:48:45.902 --> 0:48:47.942
<v Speaker 1>to put it on a public platform I think is

0:48:47.942 --> 0:48:48.941
<v Speaker 1>a really powerful thing.

0:48:49.382 --> 0:48:51.341
<v Speaker 3>Yeah, we're living at a time right now where there

0:48:51.342 --> 0:48:55.462
<v Speaker 3>are people saying awful, heenous things about these young women

0:48:55.661 --> 0:48:59.502
<v Speaker 3>are just I can't anyway, It's very interesting. So that's

0:48:59.622 --> 0:49:02.421
<v Speaker 3>lots of things you to read and listen to. There

0:49:02.462 --> 0:49:04.022
<v Speaker 3>are more big books coming out this week that I'm

0:49:04.022 --> 0:49:07.181
<v Speaker 3>sure we'll be recommending it over the next few weeks too,

0:49:07.582 --> 0:49:10.382
<v Speaker 3>But I think that's about it for today. A big

0:49:10.422 --> 0:49:12.341
<v Speaker 3>thank you to all of you out louders for being

0:49:12.422 --> 0:49:14.582
<v Speaker 3>here with us this week as always, and to our

0:49:14.622 --> 0:49:17.702
<v Speaker 3>fabulous team for putting the show together. Don't forget friends

0:49:17.701 --> 0:49:20.862
<v Speaker 3>to listen to Parenting out Loud. There's a new episode

0:49:20.902 --> 0:49:24.781
<v Speaker 3>dropping tomorrow where Amelia and Mon's and Stacy are going

0:49:24.822 --> 0:49:27.662
<v Speaker 3>to talk about the eldest Daughter theory and what Taylor

0:49:27.701 --> 0:49:30.662
<v Speaker 3>Swift has to do with it. Find Parenting out Loud

0:49:30.701 --> 0:49:33.582
<v Speaker 3>in its own feed by searching for Parenting out Loud

0:49:33.622 --> 0:49:36.341
<v Speaker 3>and tapping follows so you don't miss a single episode.

0:49:36.622 --> 0:49:39.022
<v Speaker 4>A big thank you to our team.

0:49:39.221 --> 0:49:41.301
<v Speaker 1>I want to just give a very special shout out

0:49:41.302 --> 0:49:45.502
<v Speaker 1>to our long time executive producer Emily and Cazillis, who

0:49:45.502 --> 0:49:49.181
<v Speaker 1>this week goes off to have her first baby, and

0:49:49.382 --> 0:49:53.701
<v Speaker 1>that woman has smiled every day.

0:49:53.982 --> 0:49:57.062
<v Speaker 3>Oh my god, she's amazing. Weird, Like, I will miss

0:49:57.181 --> 0:50:00.142
<v Speaker 3>m so much because she is the calm, heartbeat of

0:50:00.181 --> 0:50:02.462
<v Speaker 3>this show, and like we're so happy for her.

0:50:02.582 --> 0:50:04.862
<v Speaker 1>I just keep saying nothing has prepared her for the

0:50:04.902 --> 0:50:07.781
<v Speaker 1>newborn period more than us bitches keeping her on her

0:50:07.822 --> 0:50:09.942
<v Speaker 1>eyes and the stress. I'm like, you will find this

0:50:10.102 --> 0:50:13.341
<v Speaker 1>so relaxing. Actually, so we wish her the best of life.

0:50:13.342 --> 0:50:14.582
<v Speaker 4>We are going to miss her so much.

0:50:14.902 --> 0:50:20.102
<v Speaker 1>Group executive producer Ruth Devine, our producer Sashritanic.

0:50:19.582 --> 0:50:22.742
<v Speaker 2>Our senior audio producer is Leah Porges, our video producer

0:50:22.862 --> 0:50:25.862
<v Speaker 2>is Josh Green, and our junior content producers are Coco

0:50:26.022 --> 0:50:26.542
<v Speaker 2>and Testa.

0:50:26.862 --> 0:50:28.982
<v Speaker 1>And if you're looking for something else to listen to,

0:50:29.302 --> 0:50:33.021
<v Speaker 1>yesterday subscriber episode, we had a lot of fun. We

0:50:33.502 --> 0:50:37.901
<v Speaker 1>talked about all the things that make someone cool or

0:50:38.261 --> 0:50:39.861
<v Speaker 1>rock and roll was the term.

0:50:39.942 --> 0:50:43.261
<v Speaker 4>There was this viral video about very specific things that

0:50:43.302 --> 0:50:44.102
<v Speaker 4>make people cool.

0:50:44.142 --> 0:50:47.062
<v Speaker 1>We shared our own list, most of them didn't apply

0:50:47.142 --> 0:50:50.142
<v Speaker 1>to us at all. And also on Monday show we

0:50:50.342 --> 0:50:52.422
<v Speaker 1>talked about sharing personal news at work, which has been

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<v Speaker 1>coming up on this podcast. We will put a link

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<v Speaker 1>to all of those episodes in our show notes.

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<v Speaker 3>Enjoy your long weekend. If you're getting one out Louders by.

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<v Speaker 1>Sea, shout out to any mum and me as subscribers listening.

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<v Speaker 1>If you love the show and you want to support us,

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<v Speaker 1>subscribing to mom Oh may I is the very best

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<v Speaker 1>way to do so.

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<v Speaker 4>There's a link in the episode description