1 00:00:11,064 --> 00:00:11,384 Speaker 1: So much. 2 00:00:11,424 --> 00:00:14,104 Speaker 2: You're listening to a Muma Mia podcast. 3 00:00:14,784 --> 00:00:18,664 Speaker 1: Mamma Mia acknowledges the traditional owners of land and borders 4 00:00:18,704 --> 00:00:26,864 Speaker 1: that this podcast is recorded on From Mamma Mia. Welcome 5 00:00:26,904 --> 00:00:29,664 Speaker 1: to the Spill, your daily pop culture Fixed. I'm Laura 6 00:00:29,704 --> 00:00:33,264 Speaker 1: Brodnick and I'm Cascene Lugid, and welcome to We can Watch, 7 00:00:33,304 --> 00:00:35,744 Speaker 1: where we talk about the biggest new movies and TV 8 00:00:35,904 --> 00:00:38,664 Speaker 1: shows that have just stropped this week, or a few 9 00:00:38,704 --> 00:00:41,384 Speaker 1: little throwback recommendations from past weeks. 10 00:00:41,384 --> 00:00:44,584 Speaker 2: We're going to bend up the rules slightly long. 11 00:00:44,784 --> 00:00:47,384 Speaker 1: I know I have been holding onto those rules because 12 00:00:47,384 --> 00:00:49,824 Speaker 1: I made them for over five years, but now I've 13 00:00:49,904 --> 00:00:53,144 Speaker 1: loosened the reins. It's the new fun. Call me, It's chill. 14 00:00:53,264 --> 00:00:56,144 Speaker 2: She's easy going, very easy going. But this week we 15 00:00:56,304 --> 00:00:59,824 Speaker 2: do have one that is very very timely and something 16 00:00:59,864 --> 00:01:02,384 Speaker 2: that a lot of our listeners are going to be 17 00:01:02,464 --> 00:01:03,624 Speaker 2: very very excited about. 18 00:01:03,864 --> 00:01:06,224 Speaker 1: The build up for this moment, I can't even talk 19 00:01:06,224 --> 00:01:07,864 Speaker 1: about it. Well, first of we had a twenty year 20 00:01:07,904 --> 00:01:10,024 Speaker 1: build up and now it's been over a year because 21 00:01:10,024 --> 00:01:13,104 Speaker 1: the new season of and Just like That has dropped 22 00:01:13,104 --> 00:01:16,744 Speaker 1: on Max in Australia today. And look, we have had 23 00:01:16,744 --> 00:01:18,984 Speaker 1: a sneaky look at the first episode. So we're gonna 24 00:01:18,984 --> 00:01:21,104 Speaker 1: get into it. It's gonna be spoiler free. 25 00:01:20,784 --> 00:01:23,304 Speaker 2: Okay, but first, Laurie, you've got something else for us. 26 00:01:23,664 --> 00:01:26,784 Speaker 1: Yes, So this did come out maybe over a week ago. 27 00:01:27,904 --> 00:01:29,984 Speaker 1: I know, I know, but there's a reason. There's a reason. 28 00:01:30,024 --> 00:01:32,624 Speaker 1: It's not because I wasn't across it. It's because I 29 00:01:32,784 --> 00:01:35,664 Speaker 1: wasn't emotionally ready to watch it. And I take my 30 00:01:35,744 --> 00:01:38,704 Speaker 1: job as a TV and film reviewer very very seriously. 31 00:01:39,184 --> 00:01:42,424 Speaker 1: I always make sure, like I watch the full you know, 32 00:01:42,744 --> 00:01:45,144 Speaker 1: series or movie before I do anything. I don't read 33 00:01:45,184 --> 00:01:47,784 Speaker 1: anyone else's reviews on anything until I've written my own, 34 00:01:47,784 --> 00:01:50,144 Speaker 1: so I can have my full thoughts. I always give 35 00:01:50,144 --> 00:01:52,584 Speaker 1: my honest opinion, especially if it's a movie, because movie 36 00:01:52,864 --> 00:01:56,264 Speaker 1: you're a journalistic. If I can't be borught, I definitely can. 37 00:01:56,344 --> 00:01:58,304 Speaker 1: If anyone wants to buy me, just no one's offering. 38 00:01:58,624 --> 00:02:01,024 Speaker 1: Movie tickets are expensive now. I just really just realize. 39 00:02:01,024 --> 00:02:02,744 Speaker 1: So if someone's gonna go spend their money or they're 40 00:02:02,744 --> 00:02:05,344 Speaker 1: going to join a streaming service, it's got to be 41 00:02:05,384 --> 00:02:06,024 Speaker 1: worth the money. 42 00:02:06,064 --> 00:02:07,944 Speaker 2: Well, this is the thing, Like the amount of streaming 43 00:02:07,944 --> 00:02:11,144 Speaker 2: service is now, so it has to be like really good, 44 00:02:11,184 --> 00:02:12,144 Speaker 2: So tell us about the show. 45 00:02:12,344 --> 00:02:15,784 Speaker 1: Okay, So the show is called Overcompensating and you can 46 00:02:15,824 --> 00:02:20,344 Speaker 1: watch it now. There's eight episodes on Prime Video. It's created, written, 47 00:02:20,424 --> 00:02:24,104 Speaker 1: and stars Benito Skinner, who is a really well known 48 00:02:24,264 --> 00:02:28,664 Speaker 1: comedian online personality but also podcast host of one of 49 00:02:28,664 --> 00:02:31,344 Speaker 1: my favorite podcasts of all time Ride. That's how I 50 00:02:31,424 --> 00:02:34,384 Speaker 1: know him and his co host from Ryde Mary Beth Burone, 51 00:02:34,384 --> 00:02:37,504 Speaker 1: who's also a comedian actress, plays his sister in the show, 52 00:02:37,784 --> 00:02:39,664 Speaker 1: and it's based on his life. This is why I 53 00:02:39,704 --> 00:02:42,064 Speaker 1: went into it kind of being like, Okay, I love 54 00:02:42,104 --> 00:02:44,664 Speaker 1: these people so much. I've been listening to their podcast 55 00:02:44,744 --> 00:02:47,184 Speaker 1: for years, both this podcast and the podcast they used 56 00:02:47,224 --> 00:02:49,944 Speaker 1: to have together. And I know more about Benny. His 57 00:02:50,024 --> 00:02:52,864 Speaker 1: name's Benny Drama on Instagram. I know more about Benny 58 00:02:52,944 --> 00:02:55,344 Speaker 1: Drama's family than I do about the families of my friends, 59 00:02:55,384 --> 00:02:58,304 Speaker 1: and this is like a story based on his family. 60 00:02:58,344 --> 00:03:00,264 Speaker 1: This is why I went into it, being like, am 61 00:03:00,304 --> 00:03:02,904 Speaker 1: I actually gonna like this show or am I just 62 00:03:02,984 --> 00:03:05,664 Speaker 1: gonna like it? Because I know the backstory and I 63 00:03:05,664 --> 00:03:07,624 Speaker 1: feel invested like a proud weird art. 64 00:03:08,504 --> 00:03:12,184 Speaker 2: So I am on the opposite spectrum. I'm not completely 65 00:03:12,224 --> 00:03:15,224 Speaker 2: blind into these I am not familiar with this at all, 66 00:03:15,304 --> 00:03:17,864 Speaker 2: So if there's anyone else out there like that, give 67 00:03:17,944 --> 00:03:19,704 Speaker 2: us like the like, like, what's it about? 68 00:03:19,984 --> 00:03:22,744 Speaker 1: Okay, So again, it's based on his true life story, 69 00:03:22,984 --> 00:03:25,504 Speaker 1: but it's him going to college and he's come from 70 00:03:25,544 --> 00:03:28,544 Speaker 1: being like the golden boy of his high school. He 71 00:03:28,664 --> 00:03:31,104 Speaker 1: was the champion of the football team. I don't know 72 00:03:31,184 --> 00:03:33,744 Speaker 1: what the actual term is, the quarterback back. Yeah, yeah, 73 00:03:33,784 --> 00:03:35,744 Speaker 1: like the best player on the team, most valuar player. 74 00:03:35,824 --> 00:03:37,824 Speaker 2: He was homecoming city, he was barcity. 75 00:03:37,984 --> 00:03:40,144 Speaker 1: Yes, what about that is exactly how they speak on 76 00:03:40,144 --> 00:03:40,464 Speaker 1: the show. 77 00:03:40,504 --> 00:03:41,064 Speaker 2: So that's great. 78 00:03:41,224 --> 00:03:43,584 Speaker 1: So he was the quarterback, he was the homecoming king, 79 00:03:43,904 --> 00:03:46,144 Speaker 1: he was valle Victorian, he was the cool guy at school. 80 00:03:46,224 --> 00:03:48,744 Speaker 1: Everyone loved him. And the whole time, he's playing a 81 00:03:48,824 --> 00:03:51,984 Speaker 1: character because he's secretly gay, still in the closet and 82 00:03:52,064 --> 00:03:55,064 Speaker 1: just feels like if he ever told anyone that he 83 00:03:55,144 --> 00:03:57,024 Speaker 1: was gay, then his life would be over. And so 84 00:03:57,104 --> 00:03:59,104 Speaker 1: he's over compensating, which is the name of the show 85 00:03:59,424 --> 00:04:02,264 Speaker 1: of acting like this really butcher straight guy. Then he 86 00:04:02,304 --> 00:04:05,784 Speaker 1: goes to college and develops this crush on this other student, 87 00:04:05,784 --> 00:04:08,984 Speaker 1: this hot guy, and his world sort of starts to unravel. 88 00:04:08,984 --> 00:04:11,264 Speaker 1: But it has amazing characters have come together for their 89 00:04:11,264 --> 00:04:13,704 Speaker 1: first year of college and you sort of see like 90 00:04:13,744 --> 00:04:17,064 Speaker 1: the dynamics between their group and people finding themselves and friendships. 91 00:04:17,104 --> 00:04:19,104 Speaker 1: And it's just like the one liners in it because 92 00:04:19,104 --> 00:04:21,224 Speaker 1: he wrote it and he's very funny. The one liners 93 00:04:21,224 --> 00:04:24,024 Speaker 1: in it are so funny and so quick. All of 94 00:04:24,024 --> 00:04:26,544 Speaker 1: his scenes with like the different characters are so well done. 95 00:04:26,544 --> 00:04:29,144 Speaker 1: Connie Brittain plays his mother like that, Cayle MacLachlan plays 96 00:04:29,144 --> 00:04:31,784 Speaker 1: his father like the cast is stacked. And it's also 97 00:04:31,864 --> 00:04:35,024 Speaker 1: just got like a really kind of lovely, heartfelt moment 98 00:04:35,344 --> 00:04:37,504 Speaker 1: going through it, especially knowing that that's what he went 99 00:04:37,504 --> 00:04:39,184 Speaker 1: through in real life. Like he was on the football 100 00:04:39,184 --> 00:04:41,424 Speaker 1: team in high school. He was tried to get everyone 101 00:04:41,464 --> 00:04:43,024 Speaker 1: to think he was straight and be this butch guy 102 00:04:43,104 --> 00:04:45,824 Speaker 1: so he would be accepted. And now he's on the 103 00:04:45,864 --> 00:04:48,464 Speaker 1: other side of it, creating a story to show like 104 00:04:48,584 --> 00:04:50,344 Speaker 1: where being his true self God him. 105 00:04:50,464 --> 00:04:52,904 Speaker 2: It's really nice, not a coming of age, but like 106 00:04:52,944 --> 00:04:58,024 Speaker 2: a coming of quick you know, accepting yourself and finding yourself, 107 00:04:58,344 --> 00:05:00,864 Speaker 2: you know, in your own identity. And I think that's 108 00:05:00,904 --> 00:05:03,944 Speaker 2: so pertinent, like people want to see these stories. 109 00:05:04,144 --> 00:05:06,824 Speaker 1: Yeah, exactly. So it's on Prime Video It's just a 110 00:05:06,864 --> 00:05:09,984 Speaker 1: lovely watch. It's called over compensating. There's eight episode you 111 00:05:10,024 --> 00:05:11,464 Speaker 1: can just kind of watch them all in one go. 112 00:05:11,904 --> 00:05:13,704 Speaker 1: It does a little bit I will say, it feel 113 00:05:13,744 --> 00:05:15,824 Speaker 1: a little bit like that online sketch comedy. It does 114 00:05:15,864 --> 00:05:18,184 Speaker 1: feel a little bit like that, but I would say 115 00:05:18,224 --> 00:05:20,104 Speaker 1: watch the first couple of episodes and once you get 116 00:05:20,104 --> 00:05:22,424 Speaker 1: into the groove of the storytelling, it's a really fun watch. 117 00:05:22,704 --> 00:05:24,984 Speaker 2: Welcome to college. 118 00:05:26,464 --> 00:05:28,744 Speaker 1: You can be whoever you want to be here. 119 00:05:28,904 --> 00:05:33,424 Speaker 2: Can how the freshman ladies treat me any hardings? 120 00:05:33,664 --> 00:05:36,384 Speaker 1: Do you have a girlfriend? NA really seem likes such 121 00:05:36,384 --> 00:05:36,864 Speaker 1: a girlfriend? 122 00:05:36,904 --> 00:05:40,224 Speaker 2: Guy? Is it really okay? Sounds good? That's I'll be 123 00:05:40,344 --> 00:05:40,584 Speaker 2: right that. 124 00:05:43,424 --> 00:05:45,304 Speaker 1: It feels like you're kind of out of sync with 125 00:05:45,424 --> 00:05:45,864 Speaker 1: your life. 126 00:05:47,904 --> 00:05:50,824 Speaker 2: We have to address the element. I don't even really 127 00:05:50,824 --> 00:05:51,984 Speaker 2: know what I am. 128 00:05:52,344 --> 00:05:53,744 Speaker 1: Have you ever kissed a guy before? 129 00:05:54,984 --> 00:05:56,744 Speaker 2: Open your mouth and a spitnet? 130 00:05:57,544 --> 00:05:59,984 Speaker 1: Okay, guys, take care, I'm rooting for you. 131 00:06:00,304 --> 00:06:09,144 Speaker 2: Dout. Okay. So, and just like that, season three drops today. 132 00:06:09,344 --> 00:06:10,944 Speaker 2: I think there's been a lot of people that are 133 00:06:11,024 --> 00:06:14,784 Speaker 2: very excited. You know, multiple camps on this reboot of 134 00:06:14,864 --> 00:06:18,704 Speaker 2: Sex and the City. We've had two seasons. I would 135 00:06:18,784 --> 00:06:21,584 Speaker 2: say from my perspective. First season, I was like, Eh, 136 00:06:21,944 --> 00:06:24,784 Speaker 2: second season I liked a lot more. Okay, I feel 137 00:06:24,784 --> 00:06:27,264 Speaker 2: like they found their footing a little bit more. But 138 00:06:27,424 --> 00:06:30,144 Speaker 2: where we left off, basically, Aiden came back into the 139 00:06:30,184 --> 00:06:33,304 Speaker 2: picture with Carrie, and I think that was like really 140 00:06:33,904 --> 00:06:36,104 Speaker 2: comforting for a lot of people. It was almost like 141 00:06:36,144 --> 00:06:37,744 Speaker 2: this throwback that people really. 142 00:06:37,584 --> 00:06:39,704 Speaker 1: Want once they got over the jump scare of how 143 00:06:39,704 --> 00:06:41,664 Speaker 1: he appeared. Remember how he appeared in the road with 144 00:06:41,704 --> 00:06:44,264 Speaker 1: that buttoned up black jacket and he looks like a 145 00:06:44,264 --> 00:06:46,984 Speaker 1: serial killer, and everyone like jumped back from their TV. 146 00:06:47,184 --> 00:06:50,904 Speaker 1: You remember that handsome Oh my god. The online people 147 00:06:50,904 --> 00:06:53,864 Speaker 1: were making memes that were tiktoks like, ok he looks 148 00:06:54,264 --> 00:06:57,144 Speaker 1: I like cereal, maybe you do well, that's something definitely 149 00:06:57,184 --> 00:06:59,024 Speaker 1: a to unpack. That's a bit sexy and fun. But 150 00:06:59,104 --> 00:07:01,464 Speaker 1: now we've now he's just his old old school aiding 151 00:07:01,544 --> 00:07:02,104 Speaker 1: kind of self. 152 00:07:02,224 --> 00:07:05,184 Speaker 2: Yeah, so we've got Aiden. Aiden's got kids. He lives 153 00:07:05,184 --> 00:07:07,104 Speaker 2: out in Virginia, Norfolk. 154 00:07:07,224 --> 00:07:08,304 Speaker 1: I don't know where that is. 155 00:07:08,344 --> 00:07:11,064 Speaker 2: Somewhere somewhere in someone of the They're a red. 156 00:07:10,904 --> 00:07:13,104 Speaker 1: Brick an hour and a half flight from New York. 157 00:07:13,184 --> 00:07:15,904 Speaker 2: That's so. And they get back together. They're having this 158 00:07:16,064 --> 00:07:20,344 Speaker 2: really beautiful, like rekindling of their romance. Now where we 159 00:07:20,464 --> 00:07:24,784 Speaker 2: leave off in season two is Aiden basically says, I 160 00:07:24,864 --> 00:07:27,464 Speaker 2: need to be with my son right now. His son 161 00:07:27,584 --> 00:07:32,104 Speaker 2: has a duy car accident. They found drugs in his system, 162 00:07:32,104 --> 00:07:35,664 Speaker 2: an alcohol in his system, and they basically he's like, 163 00:07:35,744 --> 00:07:38,584 Speaker 2: I need to be at home with my family. And 164 00:07:38,704 --> 00:07:40,784 Speaker 2: Carrie says, well, how long do you need? And he 165 00:07:40,824 --> 00:07:42,384 Speaker 2: says five. 166 00:07:42,264 --> 00:07:44,064 Speaker 1: Years, just a casual five years. 167 00:07:44,104 --> 00:07:46,224 Speaker 2: And she's like, what do you mean, and he goes, 168 00:07:46,264 --> 00:07:49,104 Speaker 2: it's going to go just and then he doesn't snap 169 00:07:49,144 --> 00:07:51,584 Speaker 2: his fingers because he says ten years is like that, 170 00:07:51,664 --> 00:07:54,864 Speaker 2: So five goes so quickly. It's all this very like yeah, yeah, 171 00:07:54,984 --> 00:07:57,624 Speaker 2: very traumatic. But that's when we leave off with Carrie. 172 00:07:57,944 --> 00:08:02,984 Speaker 2: Miranda and Chay have kind of ended their relationship. Miranda 173 00:08:03,064 --> 00:08:07,304 Speaker 2: is again going through this self discovery, you know, finding 174 00:08:07,304 --> 00:08:10,304 Speaker 2: out that she is. I think she's kind of, you know, 175 00:08:10,584 --> 00:08:13,584 Speaker 2: newly trying to figure out her sexuality. Is she a lesbian, 176 00:08:13,704 --> 00:08:16,824 Speaker 2: is she bisexual? Is she queer? I think that is 177 00:08:16,904 --> 00:08:21,664 Speaker 2: still kind of really big for her. Chae has finished 178 00:08:21,904 --> 00:08:27,144 Speaker 2: their run on the season. They basically said that they 179 00:08:27,184 --> 00:08:30,264 Speaker 2: and the rest of the producers had kind of realized 180 00:08:30,304 --> 00:08:32,904 Speaker 2: that Chay's story had kind of come to an end. 181 00:08:33,664 --> 00:08:36,704 Speaker 2: So that's where so Miranda's left off, and she's also 182 00:08:36,744 --> 00:08:40,944 Speaker 2: gone back to law, human rights law Miranda. That's Miranda. 183 00:08:41,424 --> 00:08:44,544 Speaker 2: We did get a little bit of Samantha, so maybe 184 00:08:44,584 --> 00:08:48,224 Speaker 2: she'll shop in season three, and then Charlotte's just doing 185 00:08:48,264 --> 00:08:50,144 Speaker 2: her thing. Yeah. Yeah, I feel like there's not that 186 00:08:50,184 --> 00:08:51,584 Speaker 2: many changes with Charlotte. 187 00:08:51,864 --> 00:08:53,824 Speaker 1: Yeah. I mean again, she's back at full time work, 188 00:08:53,864 --> 00:08:55,664 Speaker 1: but it's still very much her storyline is still very 189 00:08:55,744 --> 00:08:57,344 Speaker 1: much dominated by her two children. 190 00:08:57,464 --> 00:08:59,784 Speaker 2: Yeah, her story she goes back to the art gallery. 191 00:08:59,784 --> 00:09:02,944 Speaker 2: There's a little bit about her feeling uncomfortable in her 192 00:09:02,944 --> 00:09:07,024 Speaker 2: body as a mom with this like mum Tom, which 193 00:09:07,344 --> 00:09:08,224 Speaker 2: was and. 194 00:09:08,584 --> 00:09:11,064 Speaker 1: That was a weird episode, and then she sees plus 195 00:09:11,104 --> 00:09:15,344 Speaker 1: sized woman is like, I'm fine. Yeah. I I wasn't sure. 196 00:09:15,184 --> 00:09:18,104 Speaker 2: How I felt about that because it was like, you know, 197 00:09:18,144 --> 00:09:20,104 Speaker 2: remember in that first Sex and the City movie when 198 00:09:20,624 --> 00:09:22,824 Speaker 2: Samantha rocks up and they're like, oh my god, who's 199 00:09:22,864 --> 00:09:27,344 Speaker 2: look at the gut? Ye it was like nothing. It 200 00:09:27,424 --> 00:09:29,424 Speaker 2: kind of felt a little bit like that, But as 201 00:09:29,464 --> 00:09:31,664 Speaker 2: a general rule, I did really enjoy it. It's kind 202 00:09:31,704 --> 00:09:34,824 Speaker 2: of one of those shows that it is about easy watching. 203 00:09:34,864 --> 00:09:38,464 Speaker 2: It is about comfort watching, It is about just enjoying 204 00:09:39,624 --> 00:09:45,104 Speaker 2: brain free watching. But season three has dropped. You've watched 205 00:09:45,104 --> 00:09:46,864 Speaker 2: the first episode, I tell. 206 00:09:46,704 --> 00:09:48,944 Speaker 1: You, yeah. A look, I have to say, I know 207 00:09:49,024 --> 00:09:51,264 Speaker 1: that there is like a bit of criticism around and 208 00:09:51,384 --> 00:09:53,184 Speaker 1: just like that and a lot of it is fair. 209 00:09:53,304 --> 00:09:55,024 Speaker 1: But I've got to say, and again me talking a 210 00:09:55,024 --> 00:09:57,024 Speaker 1: big talk about being a TV if you are, I 211 00:09:57,024 --> 00:09:59,424 Speaker 1: can't look at this show with an unbiased eye because 212 00:09:59,424 --> 00:10:01,224 Speaker 1: Sex and the City is one of my favorite shows 213 00:10:01,264 --> 00:10:03,304 Speaker 1: of all time, and I've watched every TV show, so like, 214 00:10:03,344 --> 00:10:05,464 Speaker 1: I feel like that's a big call, and so I 215 00:10:05,544 --> 00:10:09,104 Speaker 1: do allow these writers and this cast a lot of 216 00:10:09,344 --> 00:10:12,824 Speaker 1: leniency because of nostalgia. In saying that, though, I think that, 217 00:10:12,984 --> 00:10:15,064 Speaker 1: especially if you like season two, season two is a 218 00:10:15,144 --> 00:10:18,744 Speaker 1: more continuation of finding that light aside and returning to 219 00:10:18,824 --> 00:10:21,024 Speaker 1: old schools Sex and the City in a way that 220 00:10:21,264 --> 00:10:24,664 Speaker 1: doesn't feel like they're retreading past storylines and they're trying 221 00:10:24,664 --> 00:10:27,104 Speaker 1: to be thirty again. It's just recaptured the magic of 222 00:10:27,144 --> 00:10:30,824 Speaker 1: why we loved this show. Because season three opens, and 223 00:10:30,864 --> 00:10:32,704 Speaker 1: this is why I'm glad I had my setup. I like, 224 00:10:32,704 --> 00:10:35,224 Speaker 1: I sat down to watch the screener and I sat 225 00:10:35,224 --> 00:10:38,864 Speaker 1: in my single girls City apartment, and I little my candles, 226 00:10:38,904 --> 00:10:40,504 Speaker 1: and I put a face mask on and I may 227 00:10:40,544 --> 00:10:42,584 Speaker 1: mess off a cosmo, because I feel like you've got 228 00:10:42,624 --> 00:10:44,144 Speaker 1: to have like Sex and the City is about creating 229 00:10:44,184 --> 00:10:45,464 Speaker 1: an event and a moment. 230 00:10:45,584 --> 00:10:46,864 Speaker 2: You need a bevy, yeah. 231 00:10:46,664 --> 00:10:48,704 Speaker 1: Exactly, you need to have everything. You need your snacks, 232 00:10:48,744 --> 00:10:50,984 Speaker 1: you need your drinks, you need to create a moment 233 00:10:51,064 --> 00:10:51,864 Speaker 1: in an atmosphere. 234 00:10:51,864 --> 00:10:53,664 Speaker 2: I have a nice little bevy. Exactly. 235 00:10:53,704 --> 00:10:55,264 Speaker 1: It's got to feel special. So I did all that, 236 00:10:55,304 --> 00:10:57,864 Speaker 1: and I sat down to watch the first episode of 237 00:10:57,904 --> 00:11:01,104 Speaker 1: season three and of Just Like That, and straight away 238 00:11:01,464 --> 00:11:04,224 Speaker 1: it opens with this really beautiful nod to like die 239 00:11:04,264 --> 00:11:07,504 Speaker 1: hard Sex and the City fans, because the first episode 240 00:11:07,544 --> 00:11:10,344 Speaker 1: is written and directed by Michael Patrick King, who's obviously 241 00:11:10,464 --> 00:11:12,984 Speaker 1: the creator of and Just Like That, but also one 242 00:11:13,024 --> 00:11:16,424 Speaker 1: of the masterminds behind the original series, and that man, 243 00:11:16,504 --> 00:11:19,584 Speaker 1: he and I have beef because he is really big 244 00:11:19,664 --> 00:11:23,224 Speaker 1: on giving fans these little glimmers and these little moments 245 00:11:23,264 --> 00:11:26,824 Speaker 1: of like comfort and like wish fulfillment, and then giving 246 00:11:26,824 --> 00:11:28,744 Speaker 1: you a storyline that just like yanks it all away, 247 00:11:29,064 --> 00:11:32,184 Speaker 1: like killing a character or ending a relationship or selling 248 00:11:32,224 --> 00:11:34,224 Speaker 1: an apartment. And he does it because he wants to 249 00:11:34,304 --> 00:11:38,304 Speaker 1: subvert the storyline, and he wants to subvert expectations, and 250 00:11:38,344 --> 00:11:41,104 Speaker 1: he loves that people love the show, but he also 251 00:11:41,824 --> 00:11:45,624 Speaker 1: likes to live in the unexpected, which I sometimes feel 252 00:11:45,624 --> 00:11:47,864 Speaker 1: like that he does things for shock value. So that's 253 00:11:47,904 --> 00:11:50,424 Speaker 1: my personal beef with him, but I did appreciate his 254 00:11:50,584 --> 00:11:53,024 Speaker 1: opening being a little nod to fans because season three 255 00:11:53,104 --> 00:11:56,624 Speaker 1: opens with Carrie and Charlotte and Miranda, so just the 256 00:11:56,624 --> 00:11:59,344 Speaker 1: core three in an old school kind of like very 257 00:11:59,544 --> 00:12:03,264 Speaker 1: fancy Manhattan nightclub and they're drinking cocktails and they're talking 258 00:12:03,304 --> 00:12:05,224 Speaker 1: about dating in their lives and it's just that kind 259 00:12:05,264 --> 00:12:08,224 Speaker 1: of like fun, easy friendship banter that we grow to 260 00:12:08,264 --> 00:12:10,504 Speaker 1: love in like the original Sex in the City. But 261 00:12:10,544 --> 00:12:12,544 Speaker 1: the twist is that they're in a lesbian bar because 262 00:12:12,584 --> 00:12:15,424 Speaker 1: Miranda is like exploring her sexuality and they're there to 263 00:12:15,424 --> 00:12:17,784 Speaker 1: try and help her hook up, which is interesting because 264 00:12:17,784 --> 00:12:19,784 Speaker 1: it's that idea of like, yes, you're in your fifties 265 00:12:19,824 --> 00:12:22,184 Speaker 1: and like she's exploring her sexuality, but the end of 266 00:12:22,184 --> 00:12:23,864 Speaker 1: the day, you still knowing your friends to come to 267 00:12:23,864 --> 00:12:25,664 Speaker 1: a bar with you and like be your wing women 268 00:12:25,944 --> 00:12:28,944 Speaker 1: to help you, you know, pick up someone. And as 269 00:12:29,024 --> 00:12:31,304 Speaker 1: much as we sort of saw her Miranda be like 270 00:12:31,384 --> 00:12:33,704 Speaker 1: dating men in her thirties and everything that comes with that. 271 00:12:34,024 --> 00:12:35,744 Speaker 1: There's a whole news thatt of problems with kind of 272 00:12:35,784 --> 00:12:38,184 Speaker 1: dating women in your fifties. And it also felt like 273 00:12:38,224 --> 00:12:40,344 Speaker 1: that kind of old school sex in the City, not 274 00:12:40,384 --> 00:12:42,144 Speaker 1: that we should be watching and just like that looking 275 00:12:42,184 --> 00:12:43,904 Speaker 1: for glimmers of sex and the City, because I feel 276 00:12:43,904 --> 00:12:45,904 Speaker 1: like that's how you hate the show, if you want 277 00:12:45,944 --> 00:12:48,224 Speaker 1: it to be something that it's just not anymore, or 278 00:12:48,264 --> 00:12:51,064 Speaker 1: something that's been over for twenty years. But Miranda's now 279 00:12:51,104 --> 00:12:53,104 Speaker 1: in this place where she's going to have that classic 280 00:12:53,184 --> 00:12:55,664 Speaker 1: sex in the city like a boyfriend, girlfriend of the 281 00:12:55,704 --> 00:12:58,584 Speaker 1: week kind of storylines I used to have every episode. 282 00:12:58,664 --> 00:13:00,904 Speaker 1: And also her love interests. I won't say who, because 283 00:13:00,904 --> 00:13:02,424 Speaker 1: I want everyone to kind of experience her for the 284 00:13:02,424 --> 00:13:05,944 Speaker 1: first time. Her love story is that classic, like special 285 00:13:05,984 --> 00:13:08,384 Speaker 1: guest star coming in. Everyone knows their name. They're kind 286 00:13:08,384 --> 00:13:11,304 Speaker 1: of a well known New York person, very linked to 287 00:13:11,344 --> 00:13:14,024 Speaker 1: the show, like they used to do with their guest characters. 288 00:13:14,144 --> 00:13:16,784 Speaker 1: So I loved that. What felt difficult for me is 289 00:13:16,784 --> 00:13:20,504 Speaker 1: that in the end of season two, Carrie sold her 290 00:13:20,544 --> 00:13:22,704 Speaker 1: classic apartment that she's had since. 291 00:13:22,864 --> 00:13:25,424 Speaker 2: Had that big like last supper, yes. 292 00:13:25,304 --> 00:13:28,464 Speaker 1: And I don't know, like I feel like they did 293 00:13:28,504 --> 00:13:31,224 Speaker 1: that so that this season would feel really fresh and 294 00:13:31,264 --> 00:13:33,024 Speaker 1: that they could have a new space to play in, 295 00:13:33,024 --> 00:13:36,424 Speaker 1: because she's now in this like Gramercy Park townhouse and 296 00:13:36,424 --> 00:13:39,224 Speaker 1: it's really beautiful. And I'm not sure what's going to 297 00:13:39,224 --> 00:13:40,824 Speaker 1: add to the story yet, because even though I have 298 00:13:40,864 --> 00:13:42,544 Speaker 1: all the screeners, I just watched the first one because 299 00:13:42,544 --> 00:13:44,744 Speaker 1: I didn't want to watch ahead and ruin it for myself. 300 00:13:45,024 --> 00:13:46,744 Speaker 1: But it does feel like they just wanted a new 301 00:13:46,784 --> 00:13:49,544 Speaker 1: set piece. The only thing I'm finding comfort in that 302 00:13:49,624 --> 00:13:52,384 Speaker 1: is that apparently Sarah Jessica Parker is very uncomfortable with 303 00:13:52,384 --> 00:13:54,464 Speaker 1: that situation as well, like she wanted to stay in 304 00:13:54,464 --> 00:13:56,344 Speaker 1: the apartment. I've heard her saying interviews. 305 00:13:56,904 --> 00:14:00,384 Speaker 2: The apartment also became like a character. Yeah, you know. 306 00:14:00,544 --> 00:14:04,304 Speaker 2: And I think often when you remove that, particularly from 307 00:14:04,424 --> 00:14:08,904 Speaker 2: shows that have this nostalgia about them, which sex and 308 00:14:08,944 --> 00:14:10,904 Speaker 2: the city, the people who are watching and just like 309 00:14:10,944 --> 00:14:13,624 Speaker 2: that are there for the nostalgia. Yeah, they are not 310 00:14:13,704 --> 00:14:17,344 Speaker 2: there because it's like some you know, brand new thing. 311 00:14:17,464 --> 00:14:22,064 Speaker 2: It is nostalgia, and that apartment has so much to it. 312 00:14:22,144 --> 00:14:25,424 Speaker 2: But I think because we've actually kind of been here before, 313 00:14:25,464 --> 00:14:28,304 Speaker 2: we went through, you know, the changes of she was 314 00:14:28,344 --> 00:14:30,104 Speaker 2: going to sell it, then she didn't sell it, then 315 00:14:30,224 --> 00:14:32,624 Speaker 2: some big broke off the engagement, then she went back 316 00:14:32,664 --> 00:14:35,664 Speaker 2: to it, then she redecorated, and it's like there's been 317 00:14:35,664 --> 00:14:38,304 Speaker 2: a lot going on with this apartment. So I almost 318 00:14:38,384 --> 00:14:40,304 Speaker 2: it's like, okay, like let's be done with it. You 319 00:14:40,344 --> 00:14:42,424 Speaker 2: can't sell it and unsell it and resell it and 320 00:14:42,464 --> 00:14:46,384 Speaker 2: buy it like it's done. It's fine, let's just leave 321 00:14:46,424 --> 00:14:47,304 Speaker 2: it in the past. 322 00:14:47,424 --> 00:14:49,224 Speaker 1: I know, it's just that's my sarahj Justica and I 323 00:14:49,264 --> 00:14:51,104 Speaker 1: don't like change, but we're dealing with it. So that's 324 00:14:51,144 --> 00:14:53,144 Speaker 1: kind of where we're at. And obviously we knew that 325 00:14:53,224 --> 00:14:57,024 Speaker 1: her and Aiden's storyline wasn't done forever because some different 326 00:14:57,104 --> 00:15:00,304 Speaker 1: primary images leaked of John Corbett still being in the mix. 327 00:15:00,384 --> 00:15:02,704 Speaker 1: So like he is in the mix in the first episode, 328 00:15:03,024 --> 00:15:05,384 Speaker 1: and you kind of see them working out this new 329 00:15:05,464 --> 00:15:07,744 Speaker 1: dynamic of like are they really going to stay apart 330 00:15:07,784 --> 00:15:09,984 Speaker 1: for five years? Are they going to have to call 331 00:15:10,024 --> 00:15:11,984 Speaker 1: it and just and their relationship or is something going 332 00:15:12,064 --> 00:15:13,624 Speaker 1: to happen and he moves in with her, like we 333 00:15:13,624 --> 00:15:16,304 Speaker 1: don't know the answer yet, but it's an interesting setup. 334 00:15:16,344 --> 00:15:17,944 Speaker 1: And I've heard a lot of people sort of say like, oh, 335 00:15:17,944 --> 00:15:20,864 Speaker 1: it's so crazy that Carrie agreed to that, Like it's 336 00:15:20,904 --> 00:15:23,984 Speaker 1: so unbelievable that she agreed to wait five years. And 337 00:15:24,024 --> 00:15:26,224 Speaker 1: I was like, I'm sorry, are we watching the same show? 338 00:15:26,544 --> 00:15:30,304 Speaker 1: Because this woman, she's a hopeless romantic. That's everything about 339 00:15:30,304 --> 00:15:33,064 Speaker 1: her character. Like Big tells her he's moving to Paris, 340 00:15:33,144 --> 00:15:35,384 Speaker 1: She's like, great, I'll move with you. You know, she 341 00:15:35,504 --> 00:15:38,304 Speaker 1: loves a big declaration of love. She screamed at Alexander 342 00:15:38,344 --> 00:15:41,304 Speaker 1: Petrowski in a Paris hotel room. I'm looking for big, 343 00:15:41,384 --> 00:15:45,064 Speaker 1: inconvenient love. So of course she's going to say yes 344 00:15:45,104 --> 00:15:46,344 Speaker 1: to five years, right. 345 00:15:46,504 --> 00:15:48,624 Speaker 2: I think so? I think I think so that you've 346 00:15:48,624 --> 00:15:49,424 Speaker 2: got that nail. 347 00:15:49,784 --> 00:15:54,784 Speaker 1: Yeah, there's nothing like summer in New York. 348 00:15:54,664 --> 00:15:59,464 Speaker 2: City, New York City ago, with its hot days. 349 00:16:00,864 --> 00:16:07,624 Speaker 1: And even harder night. Something new and unexpected always awaits 350 00:16:08,784 --> 00:16:14,904 Speaker 1: h rats rancy around like in a nutcracker. I'm trying 351 00:16:14,944 --> 00:16:15,624 Speaker 1: something new. 352 00:16:15,864 --> 00:16:20,184 Speaker 2: It's fiction. Romantic is very hot, right, exect on the cauldron. 353 00:16:20,424 --> 00:16:23,824 Speaker 2: Now I have a title, Harry, have you heard anything 354 00:16:23,864 --> 00:16:26,024 Speaker 2: from Aiden? Yeah? I got a postcard today? Well what 355 00:16:26,144 --> 00:16:27,744 Speaker 2: did he write? Nothing? 356 00:16:27,984 --> 00:16:32,424 Speaker 1: A blank postcards gets an all. Well, you're not and 357 00:16:32,504 --> 00:16:33,624 Speaker 1: over the top all. 358 00:16:33,544 --> 00:16:34,744 Speaker 2: But it's better than nothing. 359 00:16:37,144 --> 00:16:40,344 Speaker 1: I really like her, but it's a work contact. You 360 00:16:41,704 --> 00:16:43,824 Speaker 1: and your neighbor kind of caught a little vibe there. 361 00:16:43,984 --> 00:16:47,344 Speaker 2: It's complicated with Aidy, but I'm trying to figure it out. 362 00:16:49,824 --> 00:16:52,904 Speaker 1: Life is a story we get to write every day. 363 00:16:53,544 --> 00:16:57,264 Speaker 1: We have got to be present for every moment. Everything 364 00:16:57,384 --> 00:16:58,904 Speaker 1: is gonna be fine too. 365 00:17:02,304 --> 00:17:04,344 Speaker 2: We know what's happening with Miranda, we know what's happening 366 00:17:04,344 --> 00:17:06,264 Speaker 2: with Carrie. What about Charlotte. 367 00:17:06,624 --> 00:17:09,064 Speaker 1: Yeah, so this is where again Michael Patrick King and 368 00:17:09,104 --> 00:17:12,504 Speaker 1: I are gonna have some beef this season because Charlotte is, 369 00:17:12,584 --> 00:17:14,584 Speaker 1: I think, such an interesting character. I hate when people 370 00:17:14,624 --> 00:17:16,944 Speaker 1: write her off as just being like the wife or 371 00:17:16,944 --> 00:17:18,304 Speaker 1: the one who wanted to fall in love and have 372 00:17:18,344 --> 00:17:20,744 Speaker 1: a baby, Like, yes, that's her storyline, but she's a 373 00:17:20,824 --> 00:17:24,744 Speaker 1: very complex character. And I think Kristin Davis really falted 374 00:17:24,784 --> 00:17:26,424 Speaker 1: in the first season. But she's a good actress and 375 00:17:26,424 --> 00:17:28,464 Speaker 1: I feel like she's really bad to get up, she's 376 00:17:28,544 --> 00:17:30,464 Speaker 1: really got she's back in the game. We love this 377 00:17:30,544 --> 00:17:33,504 Speaker 1: for her her first episode, maybe it gets better, but 378 00:17:33,544 --> 00:17:37,824 Speaker 1: her first episode storyline was slightly embarrassing because it felt 379 00:17:37,864 --> 00:17:41,504 Speaker 1: like it was something pulled from the b plot storyline 380 00:17:41,504 --> 00:17:44,304 Speaker 1: of some weird after school special that would have aired 381 00:17:44,304 --> 00:17:46,704 Speaker 1: on the Disney Channel like twenty years ago, because her 382 00:17:46,744 --> 00:17:51,264 Speaker 1: whole storyline is someone accusing her dog of biting their 383 00:17:51,344 --> 00:17:53,904 Speaker 1: dog and her being like looking at having to go 384 00:17:53,984 --> 00:17:55,944 Speaker 1: like look for another dog groomer and look for another 385 00:17:55,984 --> 00:17:58,504 Speaker 1: dog babysitter, and I'm like, I'm sorry, why are we 386 00:17:58,544 --> 00:18:01,304 Speaker 1: wasting our prescuous storyline on this? And I understand they're 387 00:18:01,304 --> 00:18:03,264 Speaker 1: trying to make her storyline more domestic, but it doesn't 388 00:18:03,264 --> 00:18:05,704 Speaker 1: need to be that. And most of her screen time 389 00:18:05,784 --> 00:18:08,424 Speaker 1: is actually more devoted to Lily and Rock and Lily 390 00:18:08,504 --> 00:18:12,104 Speaker 1: having like a big love story this weekend with with Brady. No, 391 00:18:12,184 --> 00:18:17,904 Speaker 1: they've dropped that that was the interesting party. When that happened, 392 00:18:17,944 --> 00:18:20,464 Speaker 1: that was so confronting, like when Miranda yells when she 393 00:18:20,464 --> 00:18:22,544 Speaker 1: sees Lily coming out of Brad's room. When Miranda yelled, 394 00:18:22,584 --> 00:18:24,944 Speaker 1: I yelled to and it was a lot to deal with. 395 00:18:25,024 --> 00:18:27,104 Speaker 1: But I'm like, at least that's kind of an interesting 396 00:18:27,144 --> 00:18:30,864 Speaker 1: like that's fun. She's in love with a guy who's 397 00:18:30,864 --> 00:18:32,984 Speaker 1: in a ballet school that she praised the piano for, 398 00:18:33,144 --> 00:18:35,584 Speaker 1: I know. And there's a lot of storyline devoted to that, 399 00:18:35,704 --> 00:18:38,144 Speaker 1: so we don't love that the character of Nia Wallace 400 00:18:38,264 --> 00:18:41,664 Speaker 1: is gone, which Nya and Chabing gone. I loved both 401 00:18:41,704 --> 00:18:44,104 Speaker 1: of those performers, but I do want to say their 402 00:18:44,104 --> 00:18:46,904 Speaker 1: storylines had come to an end. Lisa Todd Wexley is 403 00:18:46,944 --> 00:18:48,984 Speaker 1: still in the mix. She hasn't got a lot going on. 404 00:18:49,064 --> 00:18:50,584 Speaker 1: Her life is kind of just the same, but she 405 00:18:50,584 --> 00:18:53,304 Speaker 1: wears nice clothes, so we'll let that go. Seema is 406 00:18:53,344 --> 00:18:57,224 Speaker 1: also because she ended season two in a long distance relationship, 407 00:18:57,304 --> 00:18:59,624 Speaker 1: and that really comes to it the big director, Yeah, 408 00:18:59,624 --> 00:19:01,144 Speaker 1: with the Marvel director, and that comes to a hen 409 00:19:01,144 --> 00:19:02,584 Speaker 1: in the first season. So I would just say, like, 410 00:19:03,144 --> 00:19:05,024 Speaker 1: if you kind of maybe falter a little bit with 411 00:19:05,064 --> 00:19:06,784 Speaker 1: the first two seasons and then just like that and 412 00:19:06,824 --> 00:19:08,704 Speaker 1: you felt a bit uneven or maybe you didn't feel 413 00:19:08,704 --> 00:19:10,864 Speaker 1: like it was living up to the dole joy of 414 00:19:10,864 --> 00:19:13,464 Speaker 1: Sex in the City, I feel like season three has 415 00:19:13,544 --> 00:19:17,024 Speaker 1: really fallen into a really good place and is maybe 416 00:19:17,344 --> 00:19:19,944 Speaker 1: a little bit more for the old school kind of fans. 417 00:19:20,064 --> 00:19:23,064 Speaker 1: And I don't know, it's just a really lovely, comforting watch. 418 00:19:23,104 --> 00:19:25,664 Speaker 1: It's like a Friday night with a Cosmo watch. It's 419 00:19:25,704 --> 00:19:27,904 Speaker 1: a Saturday morning with a big coffee kind of watch. Like, 420 00:19:27,904 --> 00:19:29,144 Speaker 1: that's that's comfort TV. 421 00:19:29,304 --> 00:19:31,704 Speaker 2: Do you know the reason I watch stuff like yes 422 00:19:32,144 --> 00:19:34,664 Speaker 2: and just like that. Yeah, these kind of easy to 423 00:19:34,704 --> 00:19:36,664 Speaker 2: watch shows is that I put them on in the 424 00:19:36,704 --> 00:19:38,504 Speaker 2: background and the clean while I watch them. 425 00:19:38,664 --> 00:19:41,904 Speaker 1: Okay, that is blasphemous, Just so you can you can 426 00:19:41,944 --> 00:19:44,104 Speaker 1: clean to the show if you're watching it the second time. 427 00:19:44,144 --> 00:19:45,904 Speaker 1: You can't clean watching it the first I do. And 428 00:19:45,944 --> 00:19:48,384 Speaker 1: that is that's how I watch No no, no, no. 429 00:19:49,024 --> 00:19:51,224 Speaker 2: If like, that's how I watch TV if it's not 430 00:19:51,464 --> 00:19:54,344 Speaker 2: a like foreign film that I need to read subtitles for. 431 00:19:54,864 --> 00:19:57,344 Speaker 1: I'm really upset by this. Okay, cleaning TV is like 432 00:19:57,384 --> 00:19:58,664 Speaker 1: an old episode of The cut Ash. 433 00:19:58,784 --> 00:20:00,384 Speaker 2: I know, but I know a lot of rewatching. We're 434 00:20:00,384 --> 00:20:02,144 Speaker 2: gonna have a bait about this. I do a lot 435 00:20:02,184 --> 00:20:04,144 Speaker 2: of rewatching, so usually I do if it is the 436 00:20:04,184 --> 00:20:07,344 Speaker 2: first watch I do. I am especially watch especially with this. 437 00:20:07,544 --> 00:20:11,144 Speaker 2: I am paying attention. I'm not ignoring half of it. 438 00:20:11,704 --> 00:20:13,384 Speaker 2: But it is the kind of show that, like, it's 439 00:20:13,384 --> 00:20:15,624 Speaker 2: not like you're going to miss a major plot line. 440 00:20:15,664 --> 00:20:17,984 Speaker 1: I always think you just really watch it the first time. 441 00:20:18,104 --> 00:20:20,424 Speaker 1: And yeah, my secret thing is that I watch every 442 00:20:20,424 --> 00:20:22,224 Speaker 1: episode just like that about three. 443 00:20:22,064 --> 00:20:22,864 Speaker 2: Times during the week. 444 00:20:23,824 --> 00:20:26,624 Speaker 1: It's really in my head because I find it really comforting. Yeah, 445 00:20:26,624 --> 00:20:28,584 Speaker 1: even the bad episodes, not the one where big dies. 446 00:20:28,584 --> 00:20:30,584 Speaker 1: I've watched that once. I can't live that through that again. 447 00:20:30,624 --> 00:20:32,344 Speaker 1: But I feel like the first time you have to 448 00:20:32,344 --> 00:20:34,424 Speaker 1: be watching it otherwise you'll miss like the little quips 449 00:20:34,424 --> 00:20:34,744 Speaker 1: and you're. 450 00:20:34,624 --> 00:20:37,744 Speaker 2: Missing sorry that I don't have the attentions. 451 00:20:37,544 --> 00:20:39,584 Speaker 1: Clothes, that's what we're watching it for. 452 00:20:39,704 --> 00:20:40,544 Speaker 2: I can still see it. 453 00:20:40,584 --> 00:20:43,384 Speaker 1: I just look it from No, I don't like that. 454 00:20:43,384 --> 00:20:45,504 Speaker 1: That's for the second that's for a rewatch. Oh that's 455 00:20:45,504 --> 00:20:47,864 Speaker 1: all I'll say about that. So the first episode and 456 00:20:47,984 --> 00:20:50,384 Speaker 1: just like that is out on Max in Australia today, 457 00:20:50,744 --> 00:20:52,904 Speaker 1: episodes Xana dropping weekly every Friday. 458 00:20:53,104 --> 00:20:53,944 Speaker 2: I'm so excited. 459 00:20:53,984 --> 00:20:55,984 Speaker 1: I'm just so glad it's back. Well, thank you so 460 00:20:56,064 --> 00:20:58,384 Speaker 1: much for listening to this spill today, and don't forget 461 00:20:58,464 --> 00:21:01,504 Speaker 1: to follow us on TikTok or Instagram so see all 462 00:21:01,504 --> 00:21:04,304 Speaker 1: of our extra videos and photos. And The Spill is 463 00:21:04,304 --> 00:21:07,704 Speaker 1: produced by Manisha Ysworn with sound production by Scott Stronik. 464 00:21:08,104 --> 00:21:11,264 Speaker 1: Muma Mia Studio is a star with furniture for Fenton Fenton. 465 00:21:11,624 --> 00:21:14,584 Speaker 1: Visit Fenton and Fenton dot com dot au and we'll 466 00:21:14,584 --> 00:21:16,704 Speaker 1: see you back here. On your podcast feed at three 467 00:21:16,784 --> 00:21:23,144 Speaker 1: pm today for our very special episode Bye Bye He