1 00:00:08,234 --> 00:00:10,914 Speaker 1: You're listening to Amma Mia podcast. 2 00:00:15,874 --> 00:00:19,274 Speaker 2: Welcome to mummya out loud where women come to debrief. 3 00:00:19,434 --> 00:00:22,874 Speaker 2: I am Jesse Stevens, I'm mea Friedman, and I'm Amelia Lester. 4 00:00:23,194 --> 00:00:25,874 Speaker 2: And here is what's on our agenda for today, Monday, 5 00:00:26,034 --> 00:00:29,634 Speaker 2: the fourteenth of July. Everyone's talking about Lena Dunham's new 6 00:00:29,674 --> 00:00:33,153 Speaker 2: show Too Much, which dropped on Netflix last week. And 7 00:00:33,193 --> 00:00:36,674 Speaker 2: the girl's creator is suddenly everywhere. So where has she been? 8 00:00:36,754 --> 00:00:39,913 Speaker 2: And have we finally stopped being weird about Lena Dunham. 9 00:00:40,114 --> 00:00:43,193 Speaker 3: We've also got some scurrellous gossip about a secret meeting 10 00:00:43,233 --> 00:00:46,353 Speaker 3: between Teen Charles and Team Harry. I was eating this 11 00:00:46,394 --> 00:00:49,074 Speaker 3: story up over the weekend. We want to know what 12 00:00:49,153 --> 00:00:51,314 Speaker 3: it means and also who tipped off the paps? 13 00:00:51,754 --> 00:00:55,194 Speaker 1: And you are not imagining it. Women really are posting 14 00:00:55,273 --> 00:00:58,594 Speaker 1: less on social media and they're lurking more so are 15 00:00:58,634 --> 00:01:00,674 Speaker 1: we heading towards posting zero? 16 00:01:01,034 --> 00:01:03,354 Speaker 2: But first, in case you missed it, if you find 17 00:01:03,354 --> 00:01:06,234 Speaker 2: yourself dreading mondays or finding them harder than any other 18 00:01:06,314 --> 00:01:08,834 Speaker 2: day of the week, it could be because of this 19 00:01:08,874 --> 00:01:13,674 Speaker 2: phenomenon called identity lag. Speaking to Mamma Mia, a psychologist 20 00:01:13,834 --> 00:01:17,994 Speaker 2: named doctor Marni Lishman said, the shift from weekend you 21 00:01:18,154 --> 00:01:21,514 Speaker 2: to work you can be very emotionally jarring. There is 22 00:01:21,554 --> 00:01:26,074 Speaker 2: also a concept called role fragmentation, which, according to Stylist, 23 00:01:26,194 --> 00:01:29,914 Speaker 2: is what happens when we spend the weekend exploring parts 24 00:01:29,914 --> 00:01:32,834 Speaker 2: of ourselves that sort of go they're not expressed during 25 00:01:32,834 --> 00:01:34,834 Speaker 2: the work week right, and then we turn up on 26 00:01:34,874 --> 00:01:38,034 Speaker 2: Monday and we have to transform right into our LinkedIn 27 00:01:38,234 --> 00:01:42,794 Speaker 2: selves immediately. There's this experience of sort of whiplash, Amelia, 28 00:01:43,034 --> 00:01:43,794 Speaker 2: do you relate. 29 00:01:44,914 --> 00:01:48,154 Speaker 1: I'm about to confess something which probably makes me sound horrible, 30 00:01:48,194 --> 00:01:51,354 Speaker 1: but I actually look forward to Monday's. 31 00:01:50,994 --> 00:01:52,554 Speaker 2: Because you like that identity more. 32 00:01:53,994 --> 00:01:57,554 Speaker 1: I find it easier to inhabit. So I have two children, 33 00:01:57,594 --> 00:02:00,634 Speaker 1: and on the weekend there's a lot of chaos and 34 00:02:00,674 --> 00:02:04,634 Speaker 1: a lot of noise, and we don't have routines, whereas 35 00:02:04,714 --> 00:02:08,474 Speaker 1: during the week I have routines, and I love that routine. 36 00:02:08,633 --> 00:02:11,194 Speaker 1: And I'm often very tired on Sunday nights. And I 37 00:02:11,194 --> 00:02:15,394 Speaker 1: remember when I had very little kids, people at work 38 00:02:15,394 --> 00:02:17,594 Speaker 1: would say to me, have a good weekend, and I 39 00:02:17,634 --> 00:02:20,994 Speaker 1: would hate them because I knew that my weekend might 40 00:02:21,034 --> 00:02:24,354 Speaker 1: be fulfilling but was not going to be fun or easy, 41 00:02:24,914 --> 00:02:28,594 Speaker 1: and now I feel that less. But even so, Monday 42 00:02:28,634 --> 00:02:33,233 Speaker 1: brings routine and normalcy and talking to people who are 43 00:02:33,954 --> 00:02:36,034 Speaker 1: rational and professional. 44 00:02:36,234 --> 00:02:39,714 Speaker 2: But you work with mea the people, how about you. 45 00:02:40,634 --> 00:02:43,074 Speaker 3: I really related to this because I think we all 46 00:02:43,114 --> 00:02:47,194 Speaker 3: wear a mask at work, and we should in many ways, 47 00:02:47,194 --> 00:02:49,674 Speaker 3: because you know, you shouldn't let it all hang out 48 00:02:49,714 --> 00:02:52,834 Speaker 3: at work. Also for me, sometimes I take my medication 49 00:02:52,954 --> 00:02:55,594 Speaker 3: during the work week, but then I didn't on this weekend, 50 00:02:56,354 --> 00:03:00,554 Speaker 3: and I did feel quite different. I do inher habit too, 51 00:03:00,634 --> 00:03:05,034 Speaker 3: sort of slightly different personas. But this morning I'm sort 52 00:03:05,034 --> 00:03:07,794 Speaker 3: of fighting off a cold over the weekend, and I 53 00:03:07,834 --> 00:03:10,314 Speaker 3: thought I didn't want to call in sick because I 54 00:03:10,394 --> 00:03:13,314 Speaker 3: knew Holly was away and all of that stuff, and 55 00:03:13,394 --> 00:03:15,514 Speaker 3: I wanted to do this show, but also I wanted 56 00:03:15,554 --> 00:03:18,594 Speaker 3: to inhabit this persona. I knew I could stay home 57 00:03:19,114 --> 00:03:25,954 Speaker 3: and continue with my weekend persona, which was unwashed hair. Yeah, 58 00:03:26,034 --> 00:03:28,914 Speaker 3: but I wanted to lift and be in this persona. 59 00:03:28,994 --> 00:03:31,714 Speaker 2: Don't you reckon when you turn up on Monday, though, 60 00:03:31,914 --> 00:03:33,394 Speaker 2: I find it hard to get my head in the game, 61 00:03:33,434 --> 00:03:35,594 Speaker 2: like my head somewhere else, at least for the first 62 00:03:35,994 --> 00:03:38,754 Speaker 2: half a day. And then when you look around, there's 63 00:03:38,754 --> 00:03:41,514 Speaker 2: a sense of everyone's sort of cose playing work. I 64 00:03:41,594 --> 00:03:43,434 Speaker 2: found this. I remember when everyone came back to the 65 00:03:43,434 --> 00:03:45,994 Speaker 2: office after COVID, and I think identity lag can be 66 00:03:46,074 --> 00:03:49,634 Speaker 2: something that happens with significant life changes that you're still 67 00:03:49,634 --> 00:03:51,874 Speaker 2: People came back to the office and they were still 68 00:03:51,914 --> 00:03:55,634 Speaker 2: work from home identity, and you could see everyone kind 69 00:03:55,714 --> 00:04:00,074 Speaker 2: of cose playing, sitting there, working meetings, using lingo to 70 00:04:00,074 --> 00:04:01,154 Speaker 2: try and get themselves. 71 00:04:01,234 --> 00:04:03,434 Speaker 1: Kind of a lot with the mask back back. 72 00:04:03,474 --> 00:04:07,434 Speaker 3: After holidays or after Matt leave or any Yeah, starting 73 00:04:07,434 --> 00:04:09,674 Speaker 3: a new job, I always find you just sort of codsplaying, 74 00:04:09,754 --> 00:04:12,034 Speaker 3: trying to work out what your new identity is in 75 00:04:12,074 --> 00:04:12,794 Speaker 3: that workplace. 76 00:04:12,954 --> 00:04:14,834 Speaker 1: You could argue that the whole world's kind of going 77 00:04:14,874 --> 00:04:16,594 Speaker 1: through identity like post pandemic. 78 00:04:17,034 --> 00:04:18,634 Speaker 2: Yeah, I think it's still happening. 79 00:04:19,394 --> 00:04:22,434 Speaker 3: I spent the weekend binging on all ten episodes of 80 00:04:22,514 --> 00:04:25,873 Speaker 3: Lena Dunham's new Netflix series Too Much. She's the writer, 81 00:04:25,914 --> 00:04:28,753 Speaker 3: of the creator, and the director. She also has a 82 00:04:29,034 --> 00:04:32,473 Speaker 3: supporting role in it, playing the sister of the main character, 83 00:04:32,753 --> 00:04:35,313 Speaker 3: but she's not the star of this show. The show 84 00:04:35,594 --> 00:04:39,914 Speaker 3: is semi autobiographical. It's about an American woman in her 85 00:04:39,953 --> 00:04:42,633 Speaker 3: thirties who leaves New York after a bad breakup to 86 00:04:42,714 --> 00:04:45,594 Speaker 3: move to London where she meets this musician and they 87 00:04:45,594 --> 00:04:48,313 Speaker 3: fall in love. It's a rom com. It's got a 88 00:04:48,354 --> 00:04:53,034 Speaker 3: phenomenal supporting cast. The main character is played by an 89 00:04:53,073 --> 00:04:56,833 Speaker 3: actress called Megan Stalta, who she plays Kayla in Hacks. 90 00:04:56,993 --> 00:05:00,794 Speaker 3: She's kind of the assistant. She looks a lot like Lena, 91 00:05:00,914 --> 00:05:03,674 Speaker 3: and she sort of acts a little bit like Hannah Horvath. 92 00:05:03,794 --> 00:05:04,474 Speaker 1: Thin Girls. 93 00:05:05,193 --> 00:05:07,873 Speaker 3: We're going to talk about too much on Friday Show, 94 00:05:08,154 --> 00:05:10,474 Speaker 3: but today we wanted to talk about Lena. 95 00:05:11,113 --> 00:05:13,873 Speaker 1: Girls was obviously her breakout hit. 96 00:05:13,953 --> 00:05:16,274 Speaker 3: She was only twenty five when she wrote and directed 97 00:05:16,873 --> 00:05:20,633 Speaker 3: and was the showrunner on that show, and she was 98 00:05:20,714 --> 00:05:24,034 Speaker 3: everywhere for the six seasons. That Girls was around six 99 00:05:24,154 --> 00:05:26,433 Speaker 3: or seven seasons. It was the sort of the mid 100 00:05:26,794 --> 00:05:30,313 Speaker 3: twenty tens, and we just wanted to have a little 101 00:05:30,354 --> 00:05:34,034 Speaker 3: bit of an explainer about her place in the culture 102 00:05:34,113 --> 00:05:36,513 Speaker 3: and why. You might remember she seemed to be so 103 00:05:36,633 --> 00:05:40,674 Speaker 3: controversial back then until she basically was so controversial she 104 00:05:40,953 --> 00:05:44,994 Speaker 3: imploded and disappeared. She's done a lot of things since then, 105 00:05:45,034 --> 00:05:47,713 Speaker 3: but she also did move to London about five years 106 00:05:47,714 --> 00:05:51,113 Speaker 3: ago and met this musician and got married and he's 107 00:05:51,154 --> 00:05:53,753 Speaker 3: the co creator of this show with her, and I 108 00:05:53,834 --> 00:05:56,153 Speaker 3: just wanted to recap because there's two kinds of people, 109 00:05:56,193 --> 00:05:58,474 Speaker 3: the ones who know all the law and who watch 110 00:05:58,553 --> 00:06:00,873 Speaker 3: Girls and who are huge fans, and then there are 111 00:06:00,914 --> 00:06:03,034 Speaker 3: those who didn't and who are a little bit foggy. 112 00:06:03,073 --> 00:06:04,873 Speaker 3: They've heard of Lena Dunna, they've heard of Girls, but 113 00:06:04,914 --> 00:06:06,394 Speaker 3: they don't really know the details. 114 00:06:06,553 --> 00:06:09,913 Speaker 2: A lot of people have forgotten but know that Lena 115 00:06:09,993 --> 00:06:13,073 Speaker 2: Dunham was somewhat exiled, whether that was like a self 116 00:06:13,113 --> 00:06:17,473 Speaker 2: appointed exile or she was sort of passed out from Hollywood, 117 00:06:17,474 --> 00:06:19,914 Speaker 2: But I don't think people can remember the point at 118 00:06:19,914 --> 00:06:22,074 Speaker 2: which she was sort of what. 119 00:06:22,073 --> 00:06:24,753 Speaker 3: Did she do and who was she? Amelia for those 120 00:06:24,794 --> 00:06:26,033 Speaker 3: who were a bit vague. 121 00:06:26,354 --> 00:06:28,993 Speaker 1: Yeah, So I actually remember the very first time I 122 00:06:29,073 --> 00:06:31,474 Speaker 1: heard about Lena Dunham, and it was in twenty ten, 123 00:06:31,714 --> 00:06:34,633 Speaker 1: and I was working at the New Yorker magazine and 124 00:06:35,034 --> 00:06:37,514 Speaker 1: we had these ideas meetings every week and people would 125 00:06:37,513 --> 00:06:40,393 Speaker 1: bring ideas about things that people were talking about, pitched 126 00:06:40,393 --> 00:06:44,753 Speaker 1: them essentially as stories, and this extremely switched on, very 127 00:06:44,834 --> 00:06:48,273 Speaker 1: very cool young man came to the meeting and he 128 00:06:48,313 --> 00:06:50,193 Speaker 1: always had the best ideas, and he came to the meeting, 129 00:06:50,234 --> 00:06:53,873 Speaker 1: and he said, there's this young director called Lena Dunham, 130 00:06:54,354 --> 00:06:57,953 Speaker 1: and she has written and directed a movie called Tiny Furniture. 131 00:06:57,993 --> 00:06:59,553 Speaker 1: And I thought, that is such a strange name for 132 00:06:59,633 --> 00:07:03,794 Speaker 1: a movie, and because I am evidently not an especially 133 00:07:03,794 --> 00:07:07,073 Speaker 1: good magazine editor, I passed on that story, which is 134 00:07:07,234 --> 00:07:09,354 Speaker 1: sort of like when all those people passed on signing 135 00:07:09,354 --> 00:07:13,114 Speaker 1: the Beatles when they shopping their first album around. Because 136 00:07:13,234 --> 00:07:16,434 Speaker 1: very shortly after that she did become extremely famous, and 137 00:07:16,554 --> 00:07:19,833 Speaker 1: it's easy to forget quite how exciting it felt to 138 00:07:19,953 --> 00:07:23,914 Speaker 1: watch that ascent happen so Tiny Furniture it became very 139 00:07:23,953 --> 00:07:26,674 Speaker 1: famous very quickly because, in addition to being a very 140 00:07:26,714 --> 00:07:28,914 Speaker 1: interesting sort of movie about a woman coming of age 141 00:07:28,914 --> 00:07:31,154 Speaker 1: in New York, there was a sex scene which took 142 00:07:31,194 --> 00:07:35,114 Speaker 1: place in an abandoned tunnel in Brooklyn, Oh, And there 143 00:07:35,154 --> 00:07:37,674 Speaker 1: was this frank depiction of sex that we had never 144 00:07:37,714 --> 00:07:42,234 Speaker 1: seen before. I can't stress how revolutionary this was. It 145 00:07:42,274 --> 00:07:44,713 Speaker 1: was a sex scene in an abandoned tunnel. It was 146 00:07:44,714 --> 00:07:48,794 Speaker 1: not glamorous. The parts did not fit together like tetris, 147 00:07:48,794 --> 00:07:51,554 Speaker 1: which is often how we see sex scenes and certainly 148 00:07:51,634 --> 00:07:54,674 Speaker 1: used to see sex scenes on film. It felt very 149 00:07:54,874 --> 00:07:58,194 Speaker 1: real and gritty and quite literally dirty because it was 150 00:07:58,234 --> 00:08:01,754 Speaker 1: in an abandoned tunnel, and there was something incredibly exciting 151 00:08:01,794 --> 00:08:05,594 Speaker 1: about seeing a young woman's vision of sex, which is 152 00:08:05,634 --> 00:08:10,674 Speaker 1: sometimes profoundly and fulfilling. Sometimes it doesn't always in orgasms, 153 00:08:10,794 --> 00:08:12,914 Speaker 1: and in fact sometimes the man can be a real 154 00:08:13,034 --> 00:08:15,234 Speaker 1: jerk afterwards. And you hadn't really seen any of that 155 00:08:15,274 --> 00:08:18,114 Speaker 1: from a woman's point of view. So if I sound excited, 156 00:08:18,154 --> 00:08:20,714 Speaker 1: it was because it did feel like a new way 157 00:08:20,754 --> 00:08:25,514 Speaker 1: of thinking about young woman. Yeah. And so then unsurprisingly 158 00:08:25,554 --> 00:08:28,194 Speaker 1: shortly after that, she teamed up with Judd Apatow, who 159 00:08:28,314 --> 00:08:30,394 Speaker 1: was everywhere at the time the director of The Forty 160 00:08:30,434 --> 00:08:33,713 Speaker 1: year Old Virgin and This Is Forty and other movies 161 00:08:33,794 --> 00:08:36,434 Speaker 1: like that, sort of you could argue taking that same 162 00:08:36,834 --> 00:08:39,754 Speaker 1: no holds barred approach to men. He teamed up with 163 00:08:39,834 --> 00:08:42,634 Speaker 1: Lena Dunham, who was doing it for women's lives, and 164 00:08:42,674 --> 00:08:45,754 Speaker 1: then they made together Girls, which premiered, as you said me, 165 00:08:45,834 --> 00:08:47,754 Speaker 1: and when she was just twenty five and twenty twelve, 166 00:08:48,354 --> 00:08:51,434 Speaker 1: everyone called Girls the millennial generation's answer to Sex and 167 00:08:51,474 --> 00:08:53,514 Speaker 1: the City. It was sort of everything Sex and the 168 00:08:53,554 --> 00:08:56,434 Speaker 1: City was, and it was also about four women in 169 00:08:56,474 --> 00:08:59,994 Speaker 1: New York. But these four women were really going through 170 00:09:00,074 --> 00:09:03,953 Speaker 1: messy struggles. It wasn't glamorous. They were not drinking cosmos 171 00:09:03,994 --> 00:09:07,114 Speaker 1: in bars. They were kind of like taking gin shops 172 00:09:07,434 --> 00:09:10,474 Speaker 1: in their sort of like hoveled apartments in Brooklyn. It 173 00:09:10,514 --> 00:09:13,714 Speaker 1: felt very different. It had lots of critical acclaim millions 174 00:09:13,714 --> 00:09:16,074 Speaker 1: of viewers. The second season was greenlit before the first 175 00:09:16,154 --> 00:09:19,714 Speaker 1: was even over. But then even as Girls was this 176 00:09:19,794 --> 00:09:22,914 Speaker 1: huge touchstone moment. Over the course of the six seasons 177 00:09:22,914 --> 00:09:25,754 Speaker 1: that it was on, I remember that you started to 178 00:09:25,874 --> 00:09:28,594 Speaker 1: feel Lena Dunham slipped down the mountain, as we so 179 00:09:28,794 --> 00:09:30,874 Speaker 1: often do the women, we build them up, and she 180 00:09:31,034 --> 00:09:34,394 Speaker 1: became the voice of her generation. People often quote this 181 00:09:34,514 --> 00:09:37,194 Speaker 1: line from the pilot of Girls, where her fictional character 182 00:09:37,234 --> 00:09:39,994 Speaker 1: Hannah Horvar says, I may not be the voice of 183 00:09:40,114 --> 00:09:42,594 Speaker 1: my generation, but I feel that I am a voice 184 00:09:42,594 --> 00:09:45,314 Speaker 1: of a generation. But in fact, over time she became 185 00:09:45,314 --> 00:09:46,434 Speaker 1: the voice of millennials. 186 00:09:47,114 --> 00:09:49,674 Speaker 3: Can we talk about her body though? And I, you know, 187 00:09:49,754 --> 00:09:52,554 Speaker 3: I just think we'd be remiss not to, because part 188 00:09:52,594 --> 00:09:55,274 Speaker 3: of what was so transgressive about that show and about 189 00:09:55,274 --> 00:09:57,874 Speaker 3: her starring in it, is that she didn't have the 190 00:09:57,954 --> 00:10:00,034 Speaker 3: kind of body we were used to seeing, even in 191 00:10:00,034 --> 00:10:02,434 Speaker 3: the sex scenes on sex and the City or on 192 00:10:02,514 --> 00:10:07,114 Speaker 3: shows like Friends, the female lead was always a side 193 00:10:07,274 --> 00:10:10,794 Speaker 3: zero and looked a certain way, and she didn't. And 194 00:10:11,274 --> 00:10:13,474 Speaker 3: it's so funny looking back now because like a lot 195 00:10:13,474 --> 00:10:16,754 Speaker 3: of people, I'm rewatching Girls and it's almost like when 196 00:10:16,754 --> 00:10:19,314 Speaker 3: you rewatch Bridget Jones and all of the talk about 197 00:10:19,354 --> 00:10:23,514 Speaker 3: how fat Rene Zellwiga was, and there was all this 198 00:10:23,634 --> 00:10:26,154 Speaker 3: talk about Lena Dunnam and how brave she was or 199 00:10:26,194 --> 00:10:30,234 Speaker 3: how shocking it was to see her having sex and 200 00:10:30,314 --> 00:10:33,314 Speaker 3: not talking about her body. Her body was incidental and 201 00:10:33,354 --> 00:10:35,794 Speaker 3: when you look back now, she'd be what a size 202 00:10:35,834 --> 00:10:36,914 Speaker 3: ten to twelve maybe. 203 00:10:37,634 --> 00:10:40,074 Speaker 1: Yeah. There was even an episode of Girls where she 204 00:10:40,474 --> 00:10:43,474 Speaker 1: has this kind of sexy weekend with a stranger that 205 00:10:43,554 --> 00:10:47,154 Speaker 1: she meets and he's very, very handsome. Yes, And there 206 00:10:47,234 --> 00:10:49,674 Speaker 1: was this whole discourse because this is what we did 207 00:10:49,754 --> 00:10:52,874 Speaker 1: back then, where everyone was saying that it was an 208 00:10:52,954 --> 00:10:56,794 Speaker 1: unrealistic plot because he was too good looking for her. 209 00:10:57,114 --> 00:10:59,713 Speaker 2: Yeah, she was this lightning rod in that she was 210 00:10:59,754 --> 00:11:04,074 Speaker 2: being criticized by the far right for being what they 211 00:11:04,154 --> 00:11:08,234 Speaker 2: saw as not conventionally attractive or to work or whatever. 212 00:11:08,754 --> 00:11:12,234 Speaker 2: But then I think she pissed the left off to 213 00:11:12,314 --> 00:11:16,434 Speaker 2: the same degree, and often because the show was criticized 214 00:11:16,554 --> 00:11:21,274 Speaker 2: for not being diverse. It was very white. It wasn't 215 00:11:21,274 --> 00:11:25,114 Speaker 2: maybe self aware about class that show. It wasn't possible 216 00:11:25,154 --> 00:11:26,434 Speaker 2: for it to be all things. 217 00:11:26,154 --> 00:11:26,674 Speaker 3: To all people. 218 00:11:26,754 --> 00:11:28,554 Speaker 1: Yeah, shall we get into some of the controversies. I 219 00:11:28,594 --> 00:11:30,594 Speaker 1: see some of the things that tipped her down the mountain, 220 00:11:30,594 --> 00:11:34,234 Speaker 1: because there's a couple of interesting ones to revisit. I think. So, 221 00:11:34,274 --> 00:11:37,474 Speaker 1: she had a huge memoir deal with Random House in 222 00:11:37,554 --> 00:11:40,634 Speaker 1: twenty fourteen. Her memoir came out and they had paid 223 00:11:40,634 --> 00:11:42,594 Speaker 1: three point five million dollars for it, So there was 224 00:11:42,594 --> 00:11:45,034 Speaker 1: a lot of excitement about that when it came out. 225 00:11:45,674 --> 00:11:48,354 Speaker 1: And in it she talks about being curious about her 226 00:11:48,394 --> 00:11:51,953 Speaker 1: siblings Vagina when her sibling was a toddler. She talks 227 00:11:51,954 --> 00:11:54,554 Speaker 1: about opening it and putting some stones in there, some 228 00:11:54,594 --> 00:11:57,154 Speaker 1: pebbles in there, and also trying to kiss her sibling 229 00:11:57,194 --> 00:11:58,274 Speaker 1: on the lips when she. 230 00:11:58,274 --> 00:12:01,354 Speaker 3: Was changing her siblings naprsing, and she was My memory 231 00:12:01,394 --> 00:12:03,874 Speaker 3: is that she was only seven. No, she was seven 232 00:12:03,914 --> 00:12:05,474 Speaker 3: and her sibling was like three. 233 00:12:05,354 --> 00:12:09,114 Speaker 1: A toddler. Yes, So the alt right, which was rising 234 00:12:09,154 --> 00:12:11,674 Speaker 1: at the time, because we didn't even really have the 235 00:12:11,714 --> 00:12:14,074 Speaker 1: phrase back then, I think we probably would have described 236 00:12:14,114 --> 00:12:17,674 Speaker 1: them as sort of conservative provocateurs. But this rising alt 237 00:12:17,794 --> 00:12:22,194 Speaker 1: right really seized on these anecdotes as evidence that Lena 238 00:12:22,274 --> 00:12:25,234 Speaker 1: Dunham was a sexual predator. And it might sound a 239 00:12:25,234 --> 00:12:28,074 Speaker 1: bit absurd now because her siblings spoke out and said 240 00:12:28,074 --> 00:12:30,434 Speaker 1: this was not a problem and she was a toddler, 241 00:12:30,474 --> 00:12:33,034 Speaker 1: but it made no difference. That was really the start 242 00:12:33,194 --> 00:12:34,314 Speaker 1: of her fall from grace. 243 00:12:34,514 --> 00:12:36,754 Speaker 3: You know, you would never put that in a book now, right, 244 00:12:36,914 --> 00:12:40,714 Speaker 3: because it was those early years of when things were 245 00:12:40,714 --> 00:12:45,834 Speaker 3: being weaponized offhanded comments, and Lena Dunham was very unfiltered. 246 00:12:45,874 --> 00:12:48,994 Speaker 3: Her character was as well, but she was then called 247 00:12:48,994 --> 00:12:50,954 Speaker 3: to sort of as the voice of her generation to 248 00:12:50,994 --> 00:12:53,954 Speaker 3: speak about all these different things and girls was it 249 00:12:54,034 --> 00:12:56,074 Speaker 3: was back when there was more of a monoculture. 250 00:12:56,274 --> 00:12:57,434 Speaker 1: Everybody would watch it and. 251 00:12:57,394 --> 00:13:00,154 Speaker 3: Every week there would be these big discussions, and it 252 00:13:00,194 --> 00:13:03,514 Speaker 3: was also the rise of women's websites and blogs like Jezebel, 253 00:13:03,834 --> 00:13:06,794 Speaker 3: so everything would be sort of picked apart every Now. 254 00:13:06,954 --> 00:13:09,674 Speaker 2: There was this quote by Kevin Fallon where he said 255 00:13:09,714 --> 00:13:12,154 Speaker 2: it was the discourse apocalypse, which I think is a 256 00:13:12,194 --> 00:13:14,634 Speaker 2: really good description of that hot tame of that time, 257 00:13:14,714 --> 00:13:17,874 Speaker 2: and the book I think fits into this. What's worth 258 00:13:17,914 --> 00:13:21,354 Speaker 2: acknowledging is that it was absolute cultural saturation because while 259 00:13:21,354 --> 00:13:24,314 Speaker 2: there was girls, there was also the memoir, the personal essay, 260 00:13:24,354 --> 00:13:27,234 Speaker 2: which you know has disappeared people do not. 261 00:13:27,354 --> 00:13:29,914 Speaker 1: Well, and that was part of her breakthrough, was that 262 00:13:30,194 --> 00:13:34,554 Speaker 1: disclosure and women talking frankly about these most private things 263 00:13:35,034 --> 00:13:38,194 Speaker 1: was seen as a liberation rather than sort of a liability. 264 00:13:38,314 --> 00:13:40,954 Speaker 2: Yeah, and then there was Lenny Letter, There was Women 265 00:13:40,954 --> 00:13:43,114 Speaker 2: of the Hour, there was interviews, there was social media 266 00:13:44,314 --> 00:13:45,674 Speaker 2: early on everywhere. 267 00:13:45,674 --> 00:13:48,914 Speaker 3: She's incredibly prolific, and it's interesting strife is set at 268 00:13:48,914 --> 00:13:51,914 Speaker 3: this time too, very deliberately because it was the beginning. 269 00:13:52,034 --> 00:13:54,754 Speaker 3: It was the rise of women's media and a lot 270 00:13:54,754 --> 00:13:57,554 Speaker 3: of women's voices in the media, like Lena Dunham. But 271 00:13:57,594 --> 00:14:00,514 Speaker 3: it was also the beginning of cancel culture, when the 272 00:14:00,674 --> 00:14:05,953 Speaker 3: left started to be very censorious of particularly outspoken women. 273 00:14:06,194 --> 00:14:08,194 Speaker 1: And let's get to that, but also the idea of 274 00:14:08,274 --> 00:14:10,514 Speaker 1: so we've talked about why the right kind of seized 275 00:14:10,554 --> 00:14:12,994 Speaker 1: on her. She was a messy woman who was also 276 00:14:13,034 --> 00:14:15,874 Speaker 1: in their viewer, sexual predator. On the left, there was 277 00:14:15,914 --> 00:14:19,554 Speaker 1: also this rising sort of criticism of her. You mentioned 278 00:14:19,594 --> 00:14:22,034 Speaker 1: Lenny Letter, that was her newsletter, and that was also 279 00:14:22,194 --> 00:14:24,834 Speaker 1: she has always been ahead of her time, podcasting Before 280 00:14:24,834 --> 00:14:28,234 Speaker 1: a Time newsletter Right Before a Time, And in this newsletter, 281 00:14:28,314 --> 00:14:30,994 Speaker 1: Lenny Letter, she wrote an essay once, a personal essay 282 00:14:31,114 --> 00:14:33,994 Speaker 1: about going to the met Gala, and she wrote that 283 00:14:34,074 --> 00:14:36,794 Speaker 1: she was sitting next to this football player called Odell 284 00:14:36,874 --> 00:14:39,794 Speaker 1: Beckham Junior, and I'm just going to quote from it. 285 00:14:39,794 --> 00:14:41,994 Speaker 1: It was like we were forced to be together. And 286 00:14:42,074 --> 00:14:45,314 Speaker 1: he literally was scrolling Instagram rather than have to look 287 00:14:45,354 --> 00:14:47,874 Speaker 1: at a woman in a bow tie because Lena had 288 00:14:47,874 --> 00:14:50,514 Speaker 1: worn a bow tie to this met gala. I was like, 289 00:14:50,674 --> 00:14:53,754 Speaker 1: this should be called the Metropolitan Museum of getting rejected 290 00:14:53,794 --> 00:14:56,594 Speaker 1: by athletes. So the whole point was how fat and 291 00:14:56,714 --> 00:14:59,074 Speaker 1: ugly she felt sitting next to Adell Beckham Junior, who 292 00:14:59,114 --> 00:15:01,514 Speaker 1: was not interested in talking to her. This was at 293 00:15:01,554 --> 00:15:04,474 Speaker 1: the time when intersectionality not a new concept, but one 294 00:15:04,474 --> 00:15:07,674 Speaker 1: which was rising in value and in prominence. At the time, 295 00:15:08,034 --> 00:15:11,394 Speaker 1: people felt like a white woman was saying that she 296 00:15:11,554 --> 00:15:15,314 Speaker 1: was entitled to attention and affection from a black man, 297 00:15:15,714 --> 00:15:18,314 Speaker 1: and that was a real lightning bolt moment. 298 00:15:18,554 --> 00:15:20,674 Speaker 3: Do you think would you say, Amelia that it's when 299 00:15:20,794 --> 00:15:24,114 Speaker 3: Because she's always done a lot of personal disclosure, and 300 00:15:24,434 --> 00:15:28,914 Speaker 3: so her authors and artists since the beginning of creativity, 301 00:15:29,514 --> 00:15:32,074 Speaker 3: but it was the time when the personal was being 302 00:15:32,194 --> 00:15:36,594 Speaker 3: very politicized. So everything she would say personally, whether it 303 00:15:36,634 --> 00:15:40,514 Speaker 3: was about playing doctors with her sibling or this personal 304 00:15:40,594 --> 00:15:43,634 Speaker 3: experience of how she felt next to this man, suddenly 305 00:15:43,914 --> 00:15:48,074 Speaker 3: everything was taken and overlaid with this political context that 306 00:15:48,194 --> 00:15:51,034 Speaker 3: was often used to cancel her. 307 00:15:51,394 --> 00:15:54,154 Speaker 1: Well, I'm quite literally political because the other thing I'm 308 00:15:54,194 --> 00:15:57,474 Speaker 1: going to throw into this heady cauldron of cancel culture 309 00:15:57,594 --> 00:16:02,874 Speaker 1: is Hillary Clinton. So twenty sixteen, she starts basically part 310 00:16:02,874 --> 00:16:06,594 Speaker 1: time to full time campaigning for Hillary Clinton's presidential run. 311 00:16:07,154 --> 00:16:10,114 Speaker 1: And there was that whole idea around them that this 312 00:16:10,234 --> 00:16:12,994 Speaker 1: was going to be Hillary Clinton breaking the glass ceiling 313 00:16:13,474 --> 00:16:16,714 Speaker 1: in her pants suit. Remember pants suit Nation. This idea 314 00:16:16,754 --> 00:16:19,674 Speaker 1: of women felt jubilant that finally they were going to 315 00:16:19,674 --> 00:16:23,114 Speaker 1: get a woman in the Oval office, and Lena really 316 00:16:23,154 --> 00:16:25,874 Speaker 1: spent the year campaigning for her. Along the way, while 317 00:16:25,914 --> 00:16:27,714 Speaker 1: she was on the campaign trail, she said that she 318 00:16:27,834 --> 00:16:30,634 Speaker 1: was she had an abortion, another reason why the left 319 00:16:30,674 --> 00:16:32,594 Speaker 1: did not love her, And of course the left didn't 320 00:16:32,594 --> 00:16:35,234 Speaker 1: really love Hillary Clinton. She was a centrist candidate who 321 00:16:35,234 --> 00:16:37,194 Speaker 1: happened to be running for the left. 322 00:16:37,434 --> 00:16:39,354 Speaker 3: But I know what she was trying to say like 323 00:16:39,394 --> 00:16:43,554 Speaker 3: that is just such an example of how the conversation changed. 324 00:16:43,594 --> 00:16:46,034 Speaker 3: So as part of her podcast, she'd done an episode 325 00:16:46,074 --> 00:16:50,714 Speaker 3: about abortion, and someone asked her in an interview, have 326 00:16:50,794 --> 00:16:53,074 Speaker 3: you ever had an abortion? And she said, no, I 327 00:16:53,114 --> 00:16:55,834 Speaker 3: wish I had. But taken out of context, what she 328 00:16:55,874 --> 00:16:59,314 Speaker 3: was trying to say is she was trying to be silly. 329 00:16:59,354 --> 00:17:01,114 Speaker 1: And you know, self, step. 330 00:17:00,954 --> 00:17:03,154 Speaker 2: Think that what you're speaking to as well is that 331 00:17:03,234 --> 00:17:06,033 Speaker 2: we didn't know how to take her because she was 332 00:17:06,114 --> 00:17:13,194 Speaker 2: this character, this classic to uncouple Hannah Horvath from Lena Dunham, 333 00:17:13,194 --> 00:17:16,754 Speaker 2: I still think we don't quite know how to do that, and. 334 00:17:16,234 --> 00:17:19,874 Speaker 1: That's why she's cast someone else as in this new exactly. 335 00:17:20,514 --> 00:17:24,634 Speaker 2: And I think that activists now almost have to adopt 336 00:17:24,714 --> 00:17:27,994 Speaker 2: this earnest tone because if you are an activist, if 337 00:17:27,994 --> 00:17:29,954 Speaker 2: you have something very serious to say about the world, 338 00:17:29,994 --> 00:17:33,794 Speaker 2: you can never joke. So she would clumsily say things, 339 00:17:33,914 --> 00:17:35,434 Speaker 2: she would joke about something that. 340 00:17:35,434 --> 00:17:37,194 Speaker 1: Was very seriously because she's very funny. 341 00:17:37,234 --> 00:17:39,594 Speaker 2: She's very funny, and girl was very funny, brilliant writer, 342 00:17:39,794 --> 00:17:41,994 Speaker 2: and so she'd say things tongue in cheek, even on 343 00:17:42,114 --> 00:17:44,954 Speaker 2: girls that were then weaponized because we were like, well, 344 00:17:44,994 --> 00:17:47,194 Speaker 2: what are you about? Are you a feminist or are 345 00:17:47,234 --> 00:17:50,954 Speaker 2: you And it's how feminism became this like stick to 346 00:17:50,994 --> 00:17:55,114 Speaker 2: beat women with, because sometimes she did and she did 347 00:17:55,154 --> 00:17:56,994 Speaker 2: make real mistakes. Like I think it was just after 348 00:17:57,034 --> 00:17:59,994 Speaker 2: the Me Too movement when someone was accused. 349 00:17:59,514 --> 00:18:02,354 Speaker 1: Of Yeah, we should just talk briefly about that, because 350 00:18:02,394 --> 00:18:05,114 Speaker 1: that was I think the fine or nail in the 351 00:18:05,154 --> 00:18:08,274 Speaker 1: coffin Fellina Dunham. The left and the right just couldn't 352 00:18:08,274 --> 00:18:12,114 Speaker 1: handle her anymore. So what happened was in November twenty seventeen. 353 00:18:12,314 --> 00:18:15,554 Speaker 1: So yeah, during the metre movement, there was a girl's 354 00:18:15,594 --> 00:18:19,034 Speaker 1: writer named Mary Miller a man, and an actress named 355 00:18:19,074 --> 00:18:22,553 Speaker 1: Aurora Perry No accused him of sexually assaulting her. This 356 00:18:22,674 --> 00:18:24,994 Speaker 1: was back in twenty twelve, but the allegation came out 357 00:18:25,034 --> 00:18:28,833 Speaker 1: in November twenty seventeen. Dunham responded to the accusations and 358 00:18:28,834 --> 00:18:31,754 Speaker 1: she said, Nope, I know him. He did not do this. 359 00:18:31,954 --> 00:18:34,074 Speaker 1: She said. While our first instinct is to listen to 360 00:18:34,154 --> 00:18:38,874 Speaker 1: every woman's story, our insider knowledge makes us confident that 361 00:18:38,914 --> 00:18:41,354 Speaker 1: this accusation is one of the three percent of assault 362 00:18:41,394 --> 00:18:44,874 Speaker 1: cases that are misreported every year. Now I remember reading 363 00:18:44,874 --> 00:18:46,954 Speaker 1: that on Instagram, do you I do I think. I 364 00:18:46,994 --> 00:18:49,594 Speaker 1: talked about it at the time, and I was devastated 365 00:18:50,034 --> 00:18:53,474 Speaker 1: because it just felt like a real betrayal. And I 366 00:18:53,514 --> 00:18:56,674 Speaker 1: don't identify with either the far left or the far right, 367 00:18:57,114 --> 00:18:59,674 Speaker 1: but to me, she lost me in that moment. I 368 00:18:59,754 --> 00:19:02,194 Speaker 1: have to appear right. She lost me and I was 369 00:19:02,194 --> 00:19:04,313 Speaker 1: a huge fan of hers. So then after that she 370 00:19:04,394 --> 00:19:08,034 Speaker 1: went very much to ground. She basically left public eye. 371 00:19:08,274 --> 00:19:10,874 Speaker 1: There were some health reasons for that. She had a hysterectomy, 372 00:19:10,954 --> 00:19:14,273 Speaker 1: Judah endometriosis, and she wrote about that very beautiful lest 373 00:19:14,794 --> 00:19:18,034 Speaker 1: for US Vogue. She also was diagnosed with Ella's dwan 374 00:19:18,074 --> 00:19:21,874 Speaker 1: Lows syndrome, and so she does now identify and describe 375 00:19:21,874 --> 00:19:24,914 Speaker 1: herself as chronically ill. She moved to London in twenty 376 00:19:24,954 --> 00:19:27,394 Speaker 1: twenty one. She went to rehab. She went to rehab. 377 00:19:27,434 --> 00:19:31,634 Speaker 3: She was addicted to prescription medication and she broke up 378 00:19:31,674 --> 00:19:34,634 Speaker 3: a long term relationship through almost the entirety of girls. 379 00:19:34,674 --> 00:19:36,593 Speaker 1: She was dating Jack Antonoff. 380 00:19:36,034 --> 00:19:42,754 Speaker 3: Who's Taylor Swift's co collaborator, Lord's collaborator Margaret Qually. He's 381 00:19:42,794 --> 00:19:46,634 Speaker 3: married to Margaret Qually, and that was a very defining 382 00:19:46,954 --> 00:19:49,914 Speaker 3: relationship obviously in her life at a very defining time. 383 00:19:49,954 --> 00:19:51,553 Speaker 1: In her life, and. 384 00:19:51,674 --> 00:19:55,553 Speaker 3: There are a lot of biographical similarities. There's a character 385 00:19:55,634 --> 00:19:59,034 Speaker 3: very similar to him in Too Much, which is which 386 00:19:59,074 --> 00:20:01,994 Speaker 3: is also very interesting. But she's also very good friends 387 00:20:01,994 --> 00:20:04,914 Speaker 3: with Taylor Swift, who she no doubt met through her 388 00:20:04,954 --> 00:20:07,354 Speaker 3: relationship with Jack Antonoff and who she remains friends with 389 00:20:07,714 --> 00:20:10,154 Speaker 3: to this day. Taylor Swift was actually at her wedding too. 390 00:20:10,314 --> 00:20:13,234 Speaker 3: She was a brise man, yeah to this musician Loue Felder, 391 00:20:13,274 --> 00:20:16,434 Speaker 3: who's her co creator on Too Much. And she was 392 00:20:16,514 --> 00:20:19,793 Speaker 3: part of remember that whole squad, Yeah, with the nineteen 393 00:20:19,874 --> 00:20:23,434 Speaker 3: eighty nine tour. It was all of these supermodels and 394 00:20:23,554 --> 00:20:26,274 Speaker 3: Lena Dunham And she spoke afterwards, even though she's still 395 00:20:26,314 --> 00:20:29,553 Speaker 3: friends with Taylor, how that wasn't very good for her 396 00:20:30,194 --> 00:20:30,834 Speaker 3: self esteem. 397 00:20:30,874 --> 00:20:33,034 Speaker 1: Oh, it wasn't very good for Taylor's self esteem either. 398 00:20:33,234 --> 00:20:35,594 Speaker 1: They both suffered from eating disorders around that time that 399 00:20:35,634 --> 00:20:39,714 Speaker 1: they've spoken about. She moved to London. She did make 400 00:20:39,794 --> 00:20:43,354 Speaker 1: some films, none of them really hit. And now there's 401 00:20:43,434 --> 00:20:44,234 Speaker 1: this She. 402 00:20:44,194 --> 00:20:46,314 Speaker 3: Has a I think it's a fifty five million dollar 403 00:20:46,394 --> 00:20:49,474 Speaker 3: deal with Netflix, so she's made Too Much, which is 404 00:20:49,474 --> 00:20:52,474 Speaker 3: a ten episode series which I assume will go to 405 00:20:52,514 --> 00:20:54,874 Speaker 3: a second season because I think it's been pretty well received. 406 00:20:55,154 --> 00:20:57,874 Speaker 3: She's also currently directing I think it's a rom com 407 00:20:57,914 --> 00:21:00,154 Speaker 3: with Natalie Portman in New York. 408 00:21:00,434 --> 00:21:01,313 Speaker 1: Called Good Sex. 409 00:21:01,874 --> 00:21:05,074 Speaker 3: She's got a ton of different projects on the boil. 410 00:21:05,554 --> 00:21:10,474 Speaker 3: I think she's so talented, like crazy talented. She's like 411 00:21:10,514 --> 00:21:13,434 Speaker 3: one of the most talented creators of our generation. 412 00:21:13,874 --> 00:21:16,074 Speaker 2: She's a beautiful writer, and I suppose you can compare 413 00:21:16,114 --> 00:21:19,594 Speaker 2: her almost to a bo Burnham. He's a male comedian 414 00:21:19,594 --> 00:21:21,194 Speaker 2: of the same sort of age, and he does something 415 00:21:21,234 --> 00:21:23,874 Speaker 2: really interesting, which is he releases a special, whether it's 416 00:21:23,914 --> 00:21:27,234 Speaker 2: stand up, whether it's on Netflix, like Inside, and then 417 00:21:27,274 --> 00:21:32,554 Speaker 2: he disappears for years. Is that a privilege that's afforded 418 00:21:32,834 --> 00:21:36,353 Speaker 2: to men. I don't know, but I was thinking about, like, 419 00:21:36,794 --> 00:21:40,074 Speaker 2: you're Jerry Seinfeld, You're Larry David, You're Ricky Gervais. I 420 00:21:40,074 --> 00:21:44,594 Speaker 2: think that men are allowed to create, star in develop 421 00:21:44,674 --> 00:21:47,874 Speaker 2: these personas who are imperfect and funny and play with 422 00:21:47,954 --> 00:21:51,194 Speaker 2: that in a way that we don't allow women to. 423 00:21:51,274 --> 00:21:53,434 Speaker 2: I think there was a lot of misogyny, a lot 424 00:21:53,434 --> 00:21:55,834 Speaker 2: of fat phobia in our treatment of Lena Dunham. I 425 00:21:55,874 --> 00:21:59,074 Speaker 2: just think it's very interesting that she's been invited back 426 00:21:59,114 --> 00:22:00,074 Speaker 2: to the party. 427 00:21:59,914 --> 00:22:02,074 Speaker 1: And what I'm so glad she has. What I'm loving 428 00:22:02,114 --> 00:22:05,394 Speaker 1: about this is that jen Z seems to be able 429 00:22:05,474 --> 00:22:10,994 Speaker 1: to rediscover her and girls without bringing the subsequent baggage 430 00:22:11,034 --> 00:22:13,474 Speaker 1: to it. They can appreciate it as the brilliant show 431 00:22:13,514 --> 00:22:17,474 Speaker 1: it was and celebrate her storytelling capacity without then having 432 00:22:17,514 --> 00:22:20,394 Speaker 1: to assume that she has to mean something politically to them. 433 00:22:20,514 --> 00:22:22,674 Speaker 3: So we'll be talking more about too much. If you 434 00:22:22,754 --> 00:22:25,474 Speaker 3: want to get it into your eyes, it's on Netflix 435 00:22:25,554 --> 00:22:26,074 Speaker 3: at the moment. 436 00:22:26,114 --> 00:22:28,074 Speaker 1: You can watch all ten episodes. 437 00:22:28,274 --> 00:22:31,313 Speaker 2: In a moment. An inconvenient truth about alcohol and what 438 00:22:31,434 --> 00:22:38,394 Speaker 2: we're meant to actually do about it. Should Australia mandate 439 00:22:38,514 --> 00:22:42,474 Speaker 2: cancer warnings on alcohol? And how much labels on anything 440 00:22:42,634 --> 00:22:43,474 Speaker 2: really even matter? 441 00:22:44,154 --> 00:22:44,234 Speaker 1: So? 442 00:22:44,354 --> 00:22:47,034 Speaker 2: In January of this year, the United States Office of 443 00:22:47,074 --> 00:22:51,674 Speaker 2: the Surgeon General recommended that warnings about alcohol's cancer risks 444 00:22:51,954 --> 00:22:56,754 Speaker 2: be displayed on drink packaging. We are, as often cited, 445 00:22:56,834 --> 00:22:58,914 Speaker 2: much to Maya's disappointment, not doctors. 446 00:22:59,114 --> 00:22:59,954 Speaker 1: We're not. Man, we're not. 447 00:23:00,314 --> 00:23:00,634 Speaker 3: You're not. 448 00:23:01,114 --> 00:23:03,954 Speaker 2: But according to a study in The Lancet, alcohol is 449 00:23:04,034 --> 00:23:08,434 Speaker 2: responsible for five thousand, eight hundred new cancer cases per 450 00:23:08,554 --> 00:23:11,314 Speaker 2: year in Australia. That is more than I would have assumed. 451 00:23:11,914 --> 00:23:14,514 Speaker 2: It has been found that any level of alcohol use 452 00:23:14,634 --> 00:23:18,314 Speaker 2: increases the risk for several types of cancers. Now we're 453 00:23:18,314 --> 00:23:20,553 Speaker 2: going to leave the medical studies to the side, because 454 00:23:20,714 --> 00:23:24,434 Speaker 2: the question is how best to communicate this information given 455 00:23:24,514 --> 00:23:27,234 Speaker 2: a lot of Australians actually aren't aware of the risk. 456 00:23:27,834 --> 00:23:30,874 Speaker 2: So in Australia and the US there are warnings on alcohol, 457 00:23:30,994 --> 00:23:35,514 Speaker 2: about its impacts on unborn children and about operating heavy machinery. 458 00:23:35,594 --> 00:23:39,594 Speaker 2: Right did you know the pregnancy warning labels only became 459 00:23:39,634 --> 00:23:41,674 Speaker 2: mandatory in twenty twenty three in Australia. 460 00:23:41,794 --> 00:23:42,474 Speaker 1: Did not know that? 461 00:23:42,794 --> 00:23:43,954 Speaker 2: I thought they'd always been there. 462 00:23:43,994 --> 00:23:46,234 Speaker 1: Is that the one with the picture of the pregnant woman? Yes? 463 00:23:46,354 --> 00:23:46,714 Speaker 1: I think so. 464 00:23:46,914 --> 00:23:50,234 Speaker 2: Yeah. So Ireland is the first country to have a 465 00:23:50,274 --> 00:23:53,314 Speaker 2: mandatory cancer label on alcohol. It hasn't come in yet, 466 00:23:53,314 --> 00:23:56,834 Speaker 2: but they've made the sort of policy and Australian health 467 00:23:56,834 --> 00:24:00,154 Speaker 2: bodies want us to follow suit. My question is do 468 00:24:00,194 --> 00:24:04,074 Speaker 2: we reckon that labels make that much of a difference, Amelia, 469 00:24:04,074 --> 00:24:04,554 Speaker 2: What do you think? 470 00:24:04,674 --> 00:24:08,114 Speaker 1: I went on a real journey here because my instinct 471 00:24:08,194 --> 00:24:10,474 Speaker 1: was to say, no, they're white noise and we tune 472 00:24:10,474 --> 00:24:14,513 Speaker 1: them out and we want the drink. But then I 473 00:24:14,554 --> 00:24:17,434 Speaker 1: read about California. So when you go to California, you 474 00:24:17,474 --> 00:24:21,914 Speaker 1: see labels everywhere. They're on like everything from pleather jackets 475 00:24:21,954 --> 00:24:24,714 Speaker 1: to drink cans, like like soda cans. 476 00:24:25,554 --> 00:24:26,674 Speaker 2: What kind of labels? 477 00:24:26,754 --> 00:24:31,074 Speaker 1: Subway seats there are these huge labels that say, essentially, 478 00:24:31,154 --> 00:24:35,634 Speaker 1: this product may cause cancer. I cannot stress how widespread 479 00:24:35,714 --> 00:24:37,474 Speaker 1: these labels are. But what do you like on a 480 00:24:37,514 --> 00:24:38,274 Speaker 1: subway seat? 481 00:24:38,354 --> 00:24:40,114 Speaker 3: Yes, because of the plastic that's used. 482 00:24:40,154 --> 00:24:42,273 Speaker 1: Because of the plastics. So there was this law in 483 00:24:42,354 --> 00:24:46,273 Speaker 1: nineteen eighty six which basically identified nine hundred chemicals that 484 00:24:46,354 --> 00:24:49,154 Speaker 1: could be carcinogenic. So it was a pretty low bar, 485 00:24:49,834 --> 00:24:53,714 Speaker 1: and they decided to slap these giant labels on any 486 00:24:53,834 --> 00:24:57,394 Speaker 1: product that contain these chemicals. We're talking big labels too. 487 00:24:57,474 --> 00:24:59,553 Speaker 2: See my response to that, I imagine that if I 488 00:24:59,674 --> 00:25:02,394 Speaker 2: lived in that context, I would stop seeing it. And 489 00:25:02,594 --> 00:25:04,834 Speaker 2: I'm feeling this already, that there's a new study every 490 00:25:04,874 --> 00:25:07,594 Speaker 2: day about a new castinogen, and I just have to go, Okay, 491 00:25:07,634 --> 00:25:09,314 Speaker 2: everything's carcinogenic. I'm not taking it. 492 00:25:09,394 --> 00:25:11,874 Speaker 1: That's exactly what I assume too, because as a consumer, 493 00:25:12,034 --> 00:25:13,513 Speaker 1: what can you do about it? So you get a 494 00:25:13,554 --> 00:25:15,354 Speaker 1: car seat, for instance, you rent a car and you 495 00:25:15,354 --> 00:25:17,354 Speaker 1: get a car seat, and on the car seat is 496 00:25:17,394 --> 00:25:19,874 Speaker 1: a giant label that says that the car seat that, 497 00:25:19,954 --> 00:25:21,874 Speaker 1: by the way, you are legally mandated to put in 498 00:25:21,914 --> 00:25:24,514 Speaker 1: the car and news may cause cancer. And you think 499 00:25:24,514 --> 00:25:27,314 Speaker 1: to yourself, well, that's unfortunate because I have to use it. Yeah, 500 00:25:27,874 --> 00:25:32,154 Speaker 1: but it turns out that they've had this unexpected consequence 501 00:25:32,194 --> 00:25:34,554 Speaker 1: that no one was really thinking about. So there was 502 00:25:34,594 --> 00:25:36,874 Speaker 1: a recent study done that said, let's look into what 503 00:25:37,194 --> 00:25:40,234 Speaker 1: sort of effects these labels have had, and they talked 504 00:25:40,234 --> 00:25:43,074 Speaker 1: to both consumers and to companies. And you're right about 505 00:25:43,074 --> 00:25:45,954 Speaker 1: the consumers because again, using the car seat example, there's 506 00:25:45,994 --> 00:25:47,594 Speaker 1: nothing I can really do about it. I have to 507 00:25:47,674 --> 00:25:49,994 Speaker 1: use the car seat unless they fashioned one out of bamboo, 508 00:25:50,034 --> 00:25:52,553 Speaker 1: which I don't think would be legal. Legal. Yeah, So 509 00:25:52,594 --> 00:25:55,234 Speaker 1: they are the companies. And it turns out that eighty 510 00:25:55,274 --> 00:25:58,674 Speaker 1: percent of the companies that this survey interviewed said that 511 00:25:58,714 --> 00:26:01,634 Speaker 1: the law had prompted them to reformulate their products. So 512 00:26:01,674 --> 00:26:04,273 Speaker 1: think about, for instance, nail polish remover, like, yes, you 513 00:26:04,314 --> 00:26:06,714 Speaker 1: can make it with the carcinogenic substance, or you can 514 00:26:06,754 --> 00:26:10,154 Speaker 1: try and something else that maybe doesn't cause cancer. And 515 00:26:10,274 --> 00:26:12,033 Speaker 1: so what I think is fascinating about this in the 516 00:26:12,034 --> 00:26:14,794 Speaker 1: context of this debate about Australia and the labels and alcohol, 517 00:26:15,514 --> 00:26:19,234 Speaker 1: is that obviously you know something either has alcohol or 518 00:26:19,274 --> 00:26:21,553 Speaker 1: it doesn't. It's a little bit different. But on the 519 00:26:21,554 --> 00:26:24,073 Speaker 1: other hand, I think we are seeing a trend towards 520 00:26:24,114 --> 00:26:29,154 Speaker 1: people wanting lower alcohol beverages or maybe even those fancy 521 00:26:29,194 --> 00:26:32,914 Speaker 1: non alcoholic beverages that people are increasingly using for mocktails 522 00:26:33,154 --> 00:26:36,833 Speaker 1: and as a substitute in social events. So I wonder 523 00:26:36,954 --> 00:26:39,834 Speaker 1: if it is going to prompt companies to innovate more 524 00:26:39,954 --> 00:26:42,914 Speaker 1: to make lower alcohols or no alcohols, like a phoney 525 00:26:42,914 --> 00:26:45,074 Speaker 1: Negroni for instance. That could be a positive. 526 00:26:45,234 --> 00:26:47,874 Speaker 2: This is also being discussed in the US around highly 527 00:26:47,954 --> 00:26:51,274 Speaker 2: processed food and wanting to have clear labels about what's 528 00:26:51,314 --> 00:26:54,754 Speaker 2: in the food, and it has been adopted in places 529 00:26:54,754 --> 00:26:57,874 Speaker 2: in South America and apparently has had an impact on 530 00:26:58,674 --> 00:27:02,274 Speaker 2: firstly the knowledge and secondly the choice whether or not 531 00:27:02,474 --> 00:27:05,154 Speaker 2: to buy it. I think Australia has sort of messed 532 00:27:05,154 --> 00:27:07,434 Speaker 2: this up a bit with the Health Star rating because 533 00:27:07,474 --> 00:27:09,514 Speaker 2: I've started to ignore that. Do you actually take any 534 00:27:09,554 --> 00:27:10,634 Speaker 2: notice of the health Star rating? 535 00:27:10,754 --> 00:27:10,794 Speaker 4: No? 536 00:27:11,354 --> 00:27:13,954 Speaker 1: And in fact, my child looks at the snack and 537 00:27:13,994 --> 00:27:16,954 Speaker 1: it has one star, and yes, well, it's got a star. 538 00:27:17,274 --> 00:27:19,234 Speaker 2: It's got a star. And what a lot of people 539 00:27:19,234 --> 00:27:21,634 Speaker 2: don't know about your health star rating is that it's 540 00:27:21,634 --> 00:27:23,793 Speaker 2: been compared to other foods in the same category. So 541 00:27:23,834 --> 00:27:26,674 Speaker 2: you're not comparing yoga and chips. You're comparing chips and chips. 542 00:27:26,834 --> 00:27:29,354 Speaker 2: So your four star actually isn't healthy, right. 543 00:27:29,394 --> 00:27:30,834 Speaker 1: So it's interesting. I didn't know that. 544 00:27:30,954 --> 00:27:32,954 Speaker 2: So there are some labels that I've stopped seeing. But 545 00:27:32,994 --> 00:27:36,313 Speaker 2: the difference with alcohol, I was thinking, is most of 546 00:27:36,314 --> 00:27:39,794 Speaker 2: the context in which I consume alcohol, I have absolutely 547 00:27:39,834 --> 00:27:43,314 Speaker 2: no proximity to the label. So I am at a bar, 548 00:27:43,594 --> 00:27:45,954 Speaker 2: a restaurant, even if I'm at work and someone pours 549 00:27:45,954 --> 00:27:47,634 Speaker 2: me a drink, I'm at dinner and someone pours me 550 00:27:47,674 --> 00:27:50,554 Speaker 2: a drink. My behavior around alcohol is that I don't 551 00:27:50,594 --> 00:27:54,074 Speaker 2: generally have it in my house. But I wonder if 552 00:27:54,114 --> 00:27:57,914 Speaker 2: that's going to make any difference if it's being poured 553 00:27:57,954 --> 00:28:00,674 Speaker 2: at a venue. Whereas with cigarettes, for example, where we 554 00:28:00,714 --> 00:28:03,234 Speaker 2: know that the label had made a big difference, there's 555 00:28:03,274 --> 00:28:05,994 Speaker 2: no such thing as getting a cigarette as distinct from 556 00:28:06,034 --> 00:28:08,634 Speaker 2: its packaging, you know what I mean? Like alcohol exists 557 00:28:08,674 --> 00:28:12,034 Speaker 2: is a very specific type of consumer good in that 558 00:28:12,114 --> 00:28:14,794 Speaker 2: often it's not linked to its packaging, so I would 559 00:28:14,834 --> 00:28:18,554 Speaker 2: never see that label, Like do you read labels on things? 560 00:28:18,954 --> 00:28:19,073 Speaker 1: Like? 561 00:28:19,114 --> 00:28:21,434 Speaker 3: I don't read the fine print, But if it's an 562 00:28:21,514 --> 00:28:25,394 Speaker 3: actual label, yeah, I mean I do. I guess I 563 00:28:25,514 --> 00:28:28,714 Speaker 3: do if it's warning me of something. I'm also a 564 00:28:28,714 --> 00:28:31,394 Speaker 3: little bit wary, you know. I like being educated. I 565 00:28:31,554 --> 00:28:34,834 Speaker 3: like knowing so that I've got choice. I think that 566 00:28:34,874 --> 00:28:37,274 Speaker 3: a lot of people don't know the connection between alcohol 567 00:28:37,354 --> 00:28:41,114 Speaker 3: and cancer. Everyone knows the connection between cigarettes and cancer. 568 00:28:41,674 --> 00:28:44,634 Speaker 3: But I don't think that's a bad thing. 569 00:28:45,034 --> 00:28:49,714 Speaker 2: I wonder too, if the cigarettes and the alcohol. So, 570 00:28:49,834 --> 00:28:52,154 Speaker 2: for example, the two messages on alcohol at the moment 571 00:28:52,194 --> 00:28:55,354 Speaker 2: are about pregnancy and unbond baby and operating heavy machinery. 572 00:28:55,434 --> 00:28:55,594 Speaker 1: Right. 573 00:28:56,274 --> 00:28:59,674 Speaker 2: There is enormous stigma about those two things, and the 574 00:28:59,794 --> 00:29:03,554 Speaker 2: stigma I think comes from it impacting another person. 575 00:29:03,914 --> 00:29:04,554 Speaker 1: Ah, that's fair. 576 00:29:04,714 --> 00:29:07,274 Speaker 2: So if I sit there at the pub and my 577 00:29:07,314 --> 00:29:09,794 Speaker 2: friend has had four drinks and picks up their car 578 00:29:09,874 --> 00:29:12,794 Speaker 2: keys horrified, you simply wouldn't let it happen. And that's 579 00:29:12,874 --> 00:29:15,034 Speaker 2: been a change in a generation. That's been a really 580 00:29:15,154 --> 00:29:17,274 Speaker 2: positive thing. Same with drinking. The idea that you would 581 00:29:17,634 --> 00:29:19,634 Speaker 2: if a heavily pregnant person was sitting there with the 582 00:29:19,634 --> 00:29:22,354 Speaker 2: bottle of wine in front of her, you'd get looks. 583 00:29:23,274 --> 00:29:26,434 Speaker 2: But cancer impacts you, and so I wonder if there 584 00:29:26,434 --> 00:29:29,794 Speaker 2: will ever be the same amount of stigma around that 585 00:29:30,234 --> 00:29:33,794 Speaker 2: even with cigarettes. My issue with people smoking in public 586 00:29:33,874 --> 00:29:37,274 Speaker 2: is the passive smoke of like it impacting people around them, 587 00:29:37,274 --> 00:29:37,794 Speaker 2: you know what I mean. 588 00:29:37,914 --> 00:29:40,394 Speaker 3: I'd be interested to know whether the because obviously the 589 00:29:40,394 --> 00:29:44,034 Speaker 3: photos that are on cigarette packets are extreme and they're 590 00:29:44,034 --> 00:29:46,594 Speaker 3: not like your regular warning label. They're very, very graphic. 591 00:29:47,314 --> 00:29:50,634 Speaker 3: I know that some people have actually black humor, name 592 00:29:50,874 --> 00:29:54,674 Speaker 3: the people and name the photos, and there's a sort 593 00:29:54,674 --> 00:29:57,594 Speaker 3: of a oh, this is Jerry with the lungs, or 594 00:29:57,634 --> 00:30:00,274 Speaker 3: this is you know, Jane with the fingers, whatever it is. 595 00:30:01,434 --> 00:30:03,394 Speaker 3: But it would be probably hard to measure that because 596 00:30:03,434 --> 00:30:05,994 Speaker 3: over the same period of time, the price of cigarettes 597 00:30:06,034 --> 00:30:07,394 Speaker 3: has gone up a huge. 598 00:30:07,354 --> 00:30:08,514 Speaker 2: And advertising was pulled. 599 00:30:08,634 --> 00:30:11,074 Speaker 3: Yeah, which is a different kind of detern. 600 00:30:11,114 --> 00:30:13,434 Speaker 1: I think that's a really interesting point. You make me out. 601 00:30:13,434 --> 00:30:15,434 Speaker 1: I'm a bit stuck on it, the idea that we 602 00:30:15,554 --> 00:30:21,634 Speaker 1: all now understand that cigarettes cause cancer. We read articles 603 00:30:21,674 --> 00:30:25,834 Speaker 1: just constantly telling us about the direct links between alcohol 604 00:30:25,914 --> 00:30:27,794 Speaker 1: and cancer. Why do you think it's been so hard 605 00:30:27,834 --> 00:30:29,954 Speaker 1: for us to internalize that as a society. 606 00:30:30,314 --> 00:30:33,474 Speaker 3: I think that alcohol is so much part of our 607 00:30:34,114 --> 00:30:41,194 Speaker 3: culture and so connected to celebrations, whereas they don't have 608 00:30:41,234 --> 00:30:43,594 Speaker 3: a celebratory cigarette. I mean, you know, there used to 609 00:30:43,594 --> 00:30:45,914 Speaker 3: be that cliche after really good sex, you know, people 610 00:30:45,954 --> 00:30:48,874 Speaker 3: would say, I feel like a cigarette. But it's not like, Oh, 611 00:30:49,034 --> 00:30:51,074 Speaker 3: it's you've got a promotion at work, let's all have 612 00:30:51,154 --> 00:30:51,874 Speaker 3: a cigarette. 613 00:30:52,714 --> 00:30:56,194 Speaker 1: There's never been that row and it's your one cigarette 614 00:30:56,234 --> 00:30:56,834 Speaker 1: a week. Yeah. 615 00:30:56,954 --> 00:31:00,554 Speaker 2: That smoking I think was that widespread in say my parents' generation, 616 00:31:00,674 --> 00:31:02,914 Speaker 2: like it was something that everyone did, and you see 617 00:31:02,954 --> 00:31:05,714 Speaker 2: it even in films. It's like the easiest way for 618 00:31:05,794 --> 00:31:08,554 Speaker 2: them to sit to wait themselves. Within the context of 619 00:31:08,594 --> 00:31:11,114 Speaker 2: the seventies is that everyone has a cigarette in I've. 620 00:31:10,914 --> 00:31:14,274 Speaker 3: Seen a lot more smoking in popular culture, like on 621 00:31:14,474 --> 00:31:17,634 Speaker 3: and just like that, for example, the way same as smokes, 622 00:31:17,634 --> 00:31:19,314 Speaker 3: the way carry sometimes smokes. 623 00:31:19,354 --> 00:31:22,394 Speaker 1: There's also been this wishful thinking about the idea that 624 00:31:22,514 --> 00:31:25,754 Speaker 1: young people are going to understand just how bad alcohol 625 00:31:25,954 --> 00:31:28,754 Speaker 1: is and not drink, And there's been this rising trend 626 00:31:28,754 --> 00:31:31,874 Speaker 1: of articles about how gen z have rejected alcohol as 627 00:31:31,874 --> 00:31:35,434 Speaker 1: a social lubricant in the way that past generations loved it. 628 00:31:35,434 --> 00:31:37,954 Speaker 1: It turns out that really was just wishful thinking. A 629 00:31:37,994 --> 00:31:40,754 Speaker 1: new report and the Financial Times says that seventy three 630 00:31:40,794 --> 00:31:44,234 Speaker 1: percent of Gen Z admitted to consuming alcohol in the 631 00:31:44,274 --> 00:31:46,954 Speaker 1: past six months. And so it turns out the reason 632 00:31:46,994 --> 00:31:49,354 Speaker 1: why they weren't drinking was because they weren't in the 633 00:31:49,394 --> 00:31:51,674 Speaker 1: workforce and they didn't have money to spend on alcohol. 634 00:31:51,834 --> 00:31:54,394 Speaker 1: But now that they're aging into the workforce and earning 635 00:31:54,394 --> 00:31:56,794 Speaker 1: real money, it turns out that they like a drink 636 00:31:56,874 --> 00:31:59,634 Speaker 1: just as much as any other generation. I think it's 637 00:31:59,674 --> 00:32:02,114 Speaker 1: time for a bit of scurrillous gossip, just to lighten 638 00:32:02,114 --> 00:32:05,314 Speaker 1: the mood here a little bit. Prince Harry and King 639 00:32:05,434 --> 00:32:08,994 Speaker 1: Charles may be working towards making amends, and I am 640 00:32:09,154 --> 00:32:11,954 Speaker 1: so relieved. I've been very worried about this. 641 00:32:12,114 --> 00:32:13,794 Speaker 2: What do we know about this? Because I saw the 642 00:32:13,834 --> 00:32:16,754 Speaker 2: headlines over the weekend, what steps have been taken? 643 00:32:16,834 --> 00:32:19,914 Speaker 1: It's actually not even that scurrilous. There's photos. So the 644 00:32:19,954 --> 00:32:22,554 Speaker 1: Mail on Sunday had the scoop. They said that the 645 00:32:22,594 --> 00:32:25,234 Speaker 1: Monarch and the Duke of Sussex's aides met for a 646 00:32:25,274 --> 00:32:28,714 Speaker 1: secret peace summit in London last week and there were 647 00:32:28,714 --> 00:32:32,394 Speaker 1: photos in fact of these high level officials leaving the meeting. 648 00:32:32,674 --> 00:32:35,194 Speaker 1: So It took place at a place called the Royal 649 00:32:35,354 --> 00:32:38,874 Speaker 1: Overseas League. That is a private members club that was 650 00:32:38,914 --> 00:32:43,274 Speaker 1: set up to promote wait for it, international friendship. Oh 651 00:32:43,314 --> 00:32:47,074 Speaker 1: across the pond overseass two words for some reason, and 652 00:32:47,114 --> 00:32:49,794 Speaker 1: I can just smell the other bound books in their car. 653 00:32:50,914 --> 00:32:53,354 Speaker 1: It was very the Crown. I want to go to 654 00:32:53,394 --> 00:32:56,914 Speaker 1: their people, shaman might say, who is there? So I'm 655 00:32:56,914 --> 00:32:59,074 Speaker 1: glad you asked that, mere because we've got their names. 656 00:32:59,154 --> 00:33:03,474 Speaker 1: Meredith Mains who was Prince Harry's new CEO, Liam McGuire, 657 00:33:03,674 --> 00:33:06,354 Speaker 1: who was the Sussex's pr lead. That's a busy job, 658 00:33:06,434 --> 00:33:11,594 Speaker 1: isn't it. And Tobin Andre who was King Charles's communications secretary. 659 00:33:11,634 --> 00:33:15,114 Speaker 1: Now what I really want to know is who leaked this? 660 00:33:15,234 --> 00:33:17,634 Speaker 1: Which side do you think has more interest in leaking 661 00:33:17,674 --> 00:33:18,834 Speaker 1: that these talks are happening? 662 00:33:18,954 --> 00:33:20,354 Speaker 2: May I the're the pr expert. 663 00:33:20,474 --> 00:33:22,914 Speaker 3: I think it was a joint decision to leak it, 664 00:33:22,994 --> 00:33:26,034 Speaker 3: because it's almost a leak off, right. I imagine that 665 00:33:26,154 --> 00:33:28,914 Speaker 3: the terms and conditions by which this meeting and any 666 00:33:28,954 --> 00:33:32,194 Speaker 3: future meetings would happen, because part of the reason they 667 00:33:32,194 --> 00:33:35,154 Speaker 3: haven't happened until now is because no one trusts the 668 00:33:35,194 --> 00:33:40,234 Speaker 3: Sussexes anymore because every text message, every phone call, every conversation, 669 00:33:40,394 --> 00:33:44,274 Speaker 3: a lot of these really private exchanges have become fodder 670 00:33:44,314 --> 00:33:48,394 Speaker 3: for interviews, for books, for Netflix documentaries. So I think 671 00:33:48,434 --> 00:33:53,114 Speaker 3: for anyone to feel safe having these conversations, the leaking 672 00:33:53,194 --> 00:33:56,074 Speaker 3: policy would have had to be very much laid out, 673 00:33:56,074 --> 00:33:58,114 Speaker 3: So I think it was probably mutual decision. 674 00:33:58,554 --> 00:34:02,594 Speaker 1: I also think Harry has a real incentive here to 675 00:34:02,714 --> 00:34:05,074 Speaker 1: patch things up fast. Now I'm going to get a 676 00:34:05,074 --> 00:34:07,754 Speaker 1: little bit pragmatic and maybe a little bit more, but 677 00:34:07,874 --> 00:34:11,433 Speaker 1: about this, Charles is in his mid seventies. By all accounts, 678 00:34:11,674 --> 00:34:15,274 Speaker 1: William is determined not to let Harry get away with 679 00:34:15,514 --> 00:34:18,634 Speaker 1: any of this royal ish funny business anymore. So for 680 00:34:18,634 --> 00:34:22,034 Speaker 1: instance calling himself the Duke of Sussex. Jamie Kern Lee 681 00:34:22,114 --> 00:34:25,034 Speaker 1: mckho was the first person to have Megan on a 682 00:34:25,074 --> 00:34:28,953 Speaker 1: podcast as an interview guest showed on her Instagram that 683 00:34:28,994 --> 00:34:33,234 Speaker 1: Meghan had sent her a gift using the HRH nomenclature, 684 00:34:33,434 --> 00:34:36,914 Speaker 1: which William is simply not going to allow. So when 685 00:34:37,194 --> 00:34:42,154 Speaker 1: William becomes king, all these royal sort of trappings are 686 00:34:42,154 --> 00:34:45,554 Speaker 1: going to go away. So I think what Harry wants 687 00:34:45,594 --> 00:34:48,514 Speaker 1: to do is shore up what he can use and 688 00:34:48,554 --> 00:34:52,074 Speaker 1: what he can't use now, because soon enough it's going 689 00:34:52,154 --> 00:34:54,154 Speaker 1: to be very hard for him to get away with it. 690 00:34:54,234 --> 00:34:56,034 Speaker 3: He's so completely excommunicated. 691 00:34:56,154 --> 00:34:59,114 Speaker 2: As soon as I saw this headline, my first reaction 692 00:34:59,394 --> 00:35:03,114 Speaker 2: was concerned for Charles because I went, oh, he's sicker 693 00:35:03,114 --> 00:35:05,913 Speaker 2: than we thought because he was diagnosed with cancer in 694 00:35:06,274 --> 00:35:09,474 Speaker 2: February last We do not know what type of cancer 695 00:35:09,514 --> 00:35:13,874 Speaker 2: that is still there was Also, when Harry recently did 696 00:35:13,914 --> 00:35:17,274 Speaker 2: that interview following the court case, he said, I. 697 00:35:17,234 --> 00:35:19,234 Speaker 3: Don't know how long my father, Yeah, but they were 698 00:35:19,314 --> 00:35:20,393 Speaker 3: very upset about that. 699 00:35:20,434 --> 00:35:21,314 Speaker 2: They weren't set about that. 700 00:35:21,434 --> 00:35:24,994 Speaker 3: Firstly, he doesn't know, and secondly that's a pretty awful 701 00:35:24,994 --> 00:35:25,674 Speaker 3: thing to say. 702 00:35:25,714 --> 00:35:28,034 Speaker 2: But for Charles to come to the table here, I 703 00:35:28,194 --> 00:35:31,754 Speaker 2: just thought, there is nothing like mortality to kind of 704 00:35:31,914 --> 00:35:34,994 Speaker 2: bring potential or an attempt at reconciliation. 705 00:35:35,274 --> 00:35:37,953 Speaker 3: You know who wasn't represented at that meeting, William No. 706 00:35:38,074 --> 00:35:40,074 Speaker 1: And nor will he after the break? 707 00:35:40,114 --> 00:35:43,393 Speaker 3: Has posting on Instagram and Facebook become cringe? And are 708 00:35:43,394 --> 00:35:45,154 Speaker 3: we heading towards posting zero? 709 00:35:46,034 --> 00:35:49,994 Speaker 2: What unlimited out loud access? We drop episodes every Tuesday 710 00:35:49,994 --> 00:35:54,234 Speaker 2: and Thursday exclusively for Mum and Maya subscribers. Follow the 711 00:35:54,274 --> 00:35:56,154 Speaker 2: link in the show notes to get us in your 712 00:35:56,194 --> 00:35:58,994 Speaker 2: ears five days a week, and a huge thank you 713 00:35:59,154 --> 00:36:05,354 Speaker 2: to all our current subscribers. 714 00:36:06,874 --> 00:36:09,433 Speaker 4: I just came back from Greece, so I definitely would 715 00:36:09,434 --> 00:36:12,794 Speaker 4: say I insufferably overposted on that holiday, both grid posts 716 00:36:12,834 --> 00:36:16,154 Speaker 4: and stories. Most of the time, though I probably consistently 717 00:36:16,154 --> 00:36:20,433 Speaker 4: post Instagram stories grid posts probably more, maybe once every 718 00:36:20,474 --> 00:36:21,114 Speaker 4: two weeks. 719 00:36:21,554 --> 00:36:23,554 Speaker 5: I do not post a lot to my main kind 720 00:36:23,554 --> 00:36:25,754 Speaker 5: of like Instagram or TikTok feeds. But what I do 721 00:36:25,874 --> 00:36:28,114 Speaker 5: use social media for a lot more is stories. I 722 00:36:28,154 --> 00:36:30,634 Speaker 5: kind of like that it's temporary and there's less pressure 723 00:36:30,674 --> 00:36:32,474 Speaker 5: I feel to get it right. You don't have to 724 00:36:32,514 --> 00:36:34,794 Speaker 5: curate anything, you don't have to get a caption. It 725 00:36:34,834 --> 00:36:37,354 Speaker 5: can just be a lot simpler. So I do not 726 00:36:37,434 --> 00:36:40,074 Speaker 5: post regularly on social media. Maybe once a year if that. 727 00:36:40,514 --> 00:36:42,474 Speaker 5: If we've been on holidays and I want to post 728 00:36:42,514 --> 00:36:45,474 Speaker 5: a photo, I feel this weird pressure about getting the 729 00:36:45,474 --> 00:36:47,393 Speaker 5: caption right and do I need to ask a friend 730 00:36:47,394 --> 00:36:48,194 Speaker 5: to edit the lighting? 731 00:36:48,274 --> 00:36:49,993 Speaker 1: And like, who am I. 732 00:36:49,914 --> 00:36:50,433 Speaker 4: Doing this for? 733 00:36:50,714 --> 00:36:53,194 Speaker 5: Because I don't care, and in my real life I. 734 00:36:53,114 --> 00:36:56,314 Speaker 3: Don't care if you know anybody who's on holidays at 735 00:36:56,314 --> 00:37:00,274 Speaker 3: the moment, particularly in Europe. You might be struck by 736 00:37:00,914 --> 00:37:04,234 Speaker 3: how surprising it is to see this almost retro use 737 00:37:04,274 --> 00:37:07,794 Speaker 3: of social media where they're posting his what I ate 738 00:37:07,834 --> 00:37:12,594 Speaker 3: for lunch, Here's me in front of a landmark, Here's 739 00:37:12,914 --> 00:37:15,314 Speaker 3: what I bought in a shop. I've got a few 740 00:37:15,354 --> 00:37:18,433 Speaker 3: friends who are overseas at the moment, and it's such 741 00:37:18,434 --> 00:37:21,514 Speaker 3: a stark contrast because it feels like what social media 742 00:37:21,914 --> 00:37:25,034 Speaker 3: isn't anymore. And I only realized that when I started 743 00:37:25,034 --> 00:37:28,794 Speaker 3: seeing those photos again. As social media has evolved, the 744 00:37:28,834 --> 00:37:33,873 Speaker 3: baseline expectation for posting keeps rising. We've been posting, well 745 00:37:33,914 --> 00:37:37,954 Speaker 3: some of us for fifteen years now, and it started 746 00:37:37,994 --> 00:37:41,634 Speaker 3: off with sort of dashed off tweets. Then it became 747 00:37:41,954 --> 00:37:46,634 Speaker 3: carefully composed Instagram photos, which were replaced in turn by 748 00:37:46,674 --> 00:37:51,674 Speaker 3: TikTok clips, which are increasingly showing the production value of television. 749 00:37:52,154 --> 00:37:54,514 Speaker 3: Have you noticed that it's now and you flick through, 750 00:37:55,354 --> 00:37:58,913 Speaker 3: everything's moving towards short form video content. So there's very 751 00:37:58,954 --> 00:38:02,794 Speaker 3: few pictures of people's breakfasts, very few pictures of sunsets, 752 00:38:03,434 --> 00:38:07,674 Speaker 3: very few pictures of people's dogs or selfies or their families. 753 00:38:08,514 --> 00:38:11,074 Speaker 3: And women, we know that women are posting less and 754 00:38:11,154 --> 00:38:14,154 Speaker 3: lurking more and there are three. There are actually four 755 00:38:14,194 --> 00:38:16,034 Speaker 3: reasons for this, which I'm just quickly going to go 756 00:38:16,074 --> 00:38:17,994 Speaker 3: through and tell me if any of these resonate with you. 757 00:38:18,834 --> 00:38:21,674 Speaker 3: The first one is with everything going on in the world, 758 00:38:21,914 --> 00:38:24,714 Speaker 3: a lot of which we see via social thanks to 759 00:38:24,754 --> 00:38:29,594 Speaker 3: the algorithm, people are feeling self conscious about posting just 760 00:38:29,674 --> 00:38:35,154 Speaker 3: sort of mundane, benign updates about their life because you know, 761 00:38:35,194 --> 00:38:38,154 Speaker 3: there's a lot of shouting and a lot of assumptions 762 00:38:38,154 --> 00:38:40,393 Speaker 3: are being made by what you don't post. 763 00:38:40,154 --> 00:38:41,234 Speaker 1: Or what you do post. 764 00:38:41,354 --> 00:38:44,914 Speaker 2: I think specifically in a context where there is discussions 765 00:38:44,954 --> 00:38:47,634 Speaker 2: around Gaza and what is happening in the US with 766 00:38:47,874 --> 00:38:51,794 Speaker 2: Ice at the moment, that anything you post does look 767 00:38:51,834 --> 00:38:54,194 Speaker 2: tone deaf beside the worst thing happening in the world 768 00:38:54,314 --> 00:38:58,033 Speaker 2: right now, and therefore people are sort of opting out 769 00:38:58,314 --> 00:39:03,714 Speaker 2: whether you post or you don't post, that will be weaponized. 770 00:39:03,874 --> 00:39:07,354 Speaker 3: Because those things didn't used to be on Instagram so much, 771 00:39:07,394 --> 00:39:10,314 Speaker 3: but now there's so many brands posting and creators and 772 00:39:10,354 --> 00:39:14,473 Speaker 3: influencers they've sort of taken over, and news brands as well. 773 00:39:14,794 --> 00:39:18,674 Speaker 3: The second reason, which I alluded to earlier reels it's 774 00:39:18,714 --> 00:39:21,274 Speaker 3: now whether it's on TikTok or whether it's on Instagram, 775 00:39:21,514 --> 00:39:25,274 Speaker 3: even on Facebook, people are posting these kind of movie 776 00:39:25,354 --> 00:39:29,954 Speaker 3: trailer production quality values, and social is a place of 777 00:39:29,994 --> 00:39:33,314 Speaker 3: work for a lot of people, influencers, creators, and brands. 778 00:39:33,714 --> 00:39:35,754 Speaker 3: So these are big budgets. It takes a lot of 779 00:39:35,794 --> 00:39:40,794 Speaker 3: time to edit and produce and film these reels, and. 780 00:39:40,754 --> 00:39:43,194 Speaker 1: Not everybody's up to it, right, And that's not an accident. 781 00:39:43,434 --> 00:39:46,074 Speaker 2: I think, as you say, the average person, women are 782 00:39:46,354 --> 00:39:49,234 Speaker 2: posting less and less, and that is because of a 783 00:39:49,434 --> 00:39:53,393 Speaker 2: very intentional algorithm change that happened, which was we are 784 00:39:53,474 --> 00:39:58,034 Speaker 2: going to present your content to strangers. This is no 785 00:39:58,074 --> 00:40:01,393 Speaker 2: longer about friends engaging. Mark Zuckerberg has talked about that 786 00:40:01,914 --> 00:40:04,314 Speaker 2: on Instagram. Initially it was like I was sharing with 787 00:40:04,354 --> 00:40:07,594 Speaker 2: my community, and now it's been like who. 788 00:40:07,514 --> 00:40:08,433 Speaker 1: Chose to follow you? 789 00:40:08,914 --> 00:40:11,274 Speaker 3: Now they were interested in what Jesse had for breakfast, 790 00:40:11,314 --> 00:40:12,594 Speaker 3: or maybe that you've got a haircut. 791 00:40:12,674 --> 00:40:16,034 Speaker 2: Now you're performing to strangers. And therefore it is the 792 00:40:16,034 --> 00:40:21,953 Speaker 2: erasure of context, which brings it back to your I 793 00:40:21,954 --> 00:40:24,554 Speaker 2: suppose either you post about everything all of the time 794 00:40:24,994 --> 00:40:26,074 Speaker 2: or you post about nothing. 795 00:40:26,354 --> 00:40:29,434 Speaker 3: That context is really important. And that's the next point 796 00:40:29,594 --> 00:40:31,794 Speaker 3: is that millennials who grew up on social media. Like 797 00:40:31,834 --> 00:40:36,234 Speaker 3: you two, you're moving into middle age and seeking more 798 00:40:36,234 --> 00:40:39,114 Speaker 3: privacy in your lives. You don't want to be perceived 799 00:40:39,154 --> 00:40:42,514 Speaker 3: all the time, that sense of I don't want to 800 00:40:42,554 --> 00:40:45,514 Speaker 3: show the world what I'm doing. It's almost like everybody's 801 00:40:45,554 --> 00:40:48,473 Speaker 3: woken up from this collective fever dream of why were 802 00:40:48,514 --> 00:40:52,354 Speaker 3: we just sharing all the private moments from our lives? 803 00:40:52,794 --> 00:40:55,154 Speaker 3: Firstly with a bunch of people who we might you know, 804 00:40:55,394 --> 00:40:56,913 Speaker 3: the person who went to school with, or an ex 805 00:40:56,994 --> 00:40:58,914 Speaker 3: boyfriend or an ex boyfriend's mother. 806 00:40:58,794 --> 00:40:59,754 Speaker 1: That still follows you. 807 00:41:00,354 --> 00:41:02,314 Speaker 3: And now it's literally why would I want to share 808 00:41:02,354 --> 00:41:04,994 Speaker 3: those things with strangers? And that idea of being perceived 809 00:41:05,034 --> 00:41:07,554 Speaker 3: by people either who you don't know very well or 810 00:41:07,674 --> 00:41:11,554 Speaker 3: you don't at all. And then the fourth reason is 811 00:41:11,834 --> 00:41:15,754 Speaker 3: group chats. This is relatively new over the last few years. 812 00:41:16,074 --> 00:41:18,714 Speaker 3: If you wanted to share an observation about something, a 813 00:41:18,754 --> 00:41:21,114 Speaker 3: picture about something, some news that you've got a promotion, 814 00:41:21,434 --> 00:41:23,834 Speaker 3: or that you'd had to put your dog down, you 815 00:41:23,874 --> 00:41:27,354 Speaker 3: would do that on social media. Now you're much more 816 00:41:27,394 --> 00:41:28,714 Speaker 3: likely to do it in a group chat. 817 00:41:28,754 --> 00:41:32,074 Speaker 1: I think there's a fifth reason ai as Ai scraped 818 00:41:32,114 --> 00:41:35,034 Speaker 1: the internet for fodder. People are understanding you don't want 819 00:41:35,034 --> 00:41:36,914 Speaker 1: to put your baby photo up there because your baby's 820 00:41:36,914 --> 00:41:39,034 Speaker 1: going to end up being used by AI to make 821 00:41:39,074 --> 00:41:40,554 Speaker 1: a completely unrelated video. 822 00:41:40,994 --> 00:41:44,394 Speaker 3: So Jesse, I was reading this amazing piece about posting 823 00:41:44,434 --> 00:41:46,434 Speaker 3: on we which is kind of like everyone's feeling a 824 00:41:46,474 --> 00:41:47,434 Speaker 3: bit weird about posting. 825 00:41:47,674 --> 00:41:49,114 Speaker 1: It was in The New Yorker this week. 826 00:41:49,554 --> 00:41:51,433 Speaker 3: I certainly feel that way. I used to do insta 827 00:41:51,474 --> 00:41:53,354 Speaker 3: babbles on Instagram all the time, where I just sort 828 00:41:53,394 --> 00:41:56,074 Speaker 3: of chat, you know, spontaneously while I put my makeup 829 00:41:56,074 --> 00:41:58,754 Speaker 3: on a couple of months ago, I felt uncomfortable about 830 00:41:58,754 --> 00:42:01,433 Speaker 3: doing that, and I stopped doing that. And I used 831 00:42:01,434 --> 00:42:04,874 Speaker 3: to post lots of sort of getting ready videos and stuff. 832 00:42:04,914 --> 00:42:07,714 Speaker 3: I don't do that anymore. And I loved the idea 833 00:42:07,794 --> 00:42:11,474 Speaker 3: of understanding why. And it's said in this article social 834 00:42:11,514 --> 00:42:15,514 Speaker 3: now is just used for punditory provocation and promotion. Does 835 00:42:15,594 --> 00:42:16,274 Speaker 3: that ring truth for you? 836 00:42:16,874 --> 00:42:20,393 Speaker 2: Yes? And it is my greatest concern, like reading this 837 00:42:20,674 --> 00:42:24,114 Speaker 2: about who we're leaving social media too, because I think 838 00:42:24,114 --> 00:42:27,834 Speaker 2: it's a very skewed vision of who people are, what 839 00:42:27,874 --> 00:42:33,274 Speaker 2: they care about, morality, ethics, tone, discourse, all of those 840 00:42:33,274 --> 00:42:37,954 Speaker 2: things being left to the content creators now. When someone 841 00:42:37,994 --> 00:42:41,154 Speaker 2: uploads something onto social media. It's sort of like, oh, 842 00:42:41,154 --> 00:42:43,314 Speaker 2: are you trying to be a content creator? You kind 843 00:42:43,314 --> 00:42:44,754 Speaker 2: of don't know why else. 844 00:42:44,754 --> 00:42:47,594 Speaker 3: It feels vulnerable because people talk about feeling cringe when 845 00:42:47,634 --> 00:42:48,354 Speaker 3: they post something. 846 00:42:48,394 --> 00:42:50,873 Speaker 1: But why is that bad? Why don't we just leave 847 00:42:50,914 --> 00:42:51,913 Speaker 1: it to the professionals. 848 00:42:52,194 --> 00:42:54,634 Speaker 2: I suppose the reason why I worry about leaving it 849 00:42:54,674 --> 00:42:59,994 Speaker 2: to the inadverted commas professionals is because of the tone 850 00:43:00,034 --> 00:43:03,274 Speaker 2: of that conversation. You get the extremes on both sides. 851 00:43:03,994 --> 00:43:06,794 Speaker 2: You get the people like exactly what it said here, 852 00:43:06,954 --> 00:43:08,913 Speaker 2: get people who are provocative on. 853 00:43:08,874 --> 00:43:13,034 Speaker 3: Purpose professionals, and we don't want to do it anymore. 854 00:43:13,114 --> 00:43:15,034 Speaker 3: You haven't posted on social for a long time. 855 00:43:14,874 --> 00:43:15,513 Speaker 1: Have you? No? 856 00:43:15,754 --> 00:43:18,994 Speaker 2: But like normal people, sometimes I have to go on 857 00:43:18,994 --> 00:43:20,834 Speaker 2: to TikTok and I scroll and I scroll, or I 858 00:43:20,834 --> 00:43:23,274 Speaker 2: scroll on Instagram and I go The normal people aren't here. 859 00:43:23,954 --> 00:43:26,194 Speaker 2: The normal people have left this party. The normal people 860 00:43:26,234 --> 00:43:29,913 Speaker 2: are all watching. It's like, you know what, it's like. 861 00:43:29,994 --> 00:43:33,074 Speaker 2: It's a party and it's four am, and all the 862 00:43:33,154 --> 00:43:36,594 Speaker 2: normal people with normal lives went home and you look 863 00:43:36,634 --> 00:43:38,634 Speaker 2: around and you think all parties are like this all 864 00:43:38,634 --> 00:43:41,154 Speaker 2: of the time, And people are throwing things and there's 865 00:43:41,234 --> 00:43:43,914 Speaker 2: vomit in the corner and there's like people on the 866 00:43:43,954 --> 00:43:46,794 Speaker 2: hard drugs and you're just looking around, going this is 867 00:43:46,914 --> 00:43:47,634 Speaker 2: this is terrible. 868 00:43:47,754 --> 00:43:49,794 Speaker 1: People telling me about Amazon Prime sales. 869 00:43:50,074 --> 00:43:51,594 Speaker 3: People being way too intense. 870 00:43:51,754 --> 00:43:54,634 Speaker 2: Yeah, and it's descended into chaos, and you go, what 871 00:43:54,794 --> 00:43:56,953 Speaker 2: has happened to parties? And it's like, no, no, no, it's 872 00:43:56,994 --> 00:43:58,634 Speaker 2: not the party, it's the people. 873 00:43:58,354 --> 00:43:59,034 Speaker 4: Who are left. 874 00:43:59,194 --> 00:44:02,074 Speaker 1: But on the flip side, Jesse, I'm going to attempt 875 00:44:02,074 --> 00:44:05,274 Speaker 1: a more optimistic take on this trend, which is maybe 876 00:44:05,314 --> 00:44:08,114 Speaker 1: the normal people quote unquote I have just realized that 877 00:44:08,354 --> 00:44:11,194 Speaker 1: real life is much better than social media, and now 878 00:44:11,194 --> 00:44:14,794 Speaker 1: they're prioritizing IROL experiences. This is my theory as to 879 00:44:14,834 --> 00:44:17,034 Speaker 1: why we've all suddenly become obsessed with tennis. Have you 880 00:44:17,114 --> 00:44:20,514 Speaker 1: noticed that, yes, I know you always liked. Yes, Yes, 881 00:44:20,634 --> 00:44:24,314 Speaker 1: everyone's watching the Wimbledon front row this year so much 882 00:44:24,354 --> 00:44:27,114 Speaker 1: more than they ever have in past years. And I 883 00:44:27,154 --> 00:44:30,914 Speaker 1: feel like the hype around sporting events, around the eras tour, 884 00:44:31,154 --> 00:44:34,274 Speaker 1: around live music generally is because people are turning to 885 00:44:34,354 --> 00:44:37,194 Speaker 1: real life more. They're valuing it more. And I've noticed 886 00:44:37,194 --> 00:44:40,154 Speaker 1: that even in my group chats, particularly with American friends, 887 00:44:40,594 --> 00:44:43,074 Speaker 1: because the enormity of what's going on is difficult to 888 00:44:43,114 --> 00:44:47,274 Speaker 1: summarize and get at. People are even retreating from group chats, 889 00:44:47,354 --> 00:44:50,074 Speaker 1: or maybe they're just not talking to me. Either way, Yes, 890 00:44:50,274 --> 00:44:50,794 Speaker 1: I can't. 891 00:44:50,634 --> 00:44:52,234 Speaker 3: Believe you haven't said the word capitalism. 892 00:44:52,474 --> 00:44:55,194 Speaker 2: That's the thing, right, is that these social media companies 893 00:44:55,394 --> 00:44:57,754 Speaker 2: couldn't charge any of us to be on it, right, 894 00:44:58,074 --> 00:44:58,874 Speaker 2: And in fact. 895 00:44:58,714 --> 00:45:00,074 Speaker 1: There are those pictures of our breakfast. 896 00:45:00,154 --> 00:45:02,794 Speaker 2: Yes, that incredible documentary called The Social Dilemma made the 897 00:45:02,834 --> 00:45:06,394 Speaker 2: point that it is one of the widest used products 898 00:45:06,634 --> 00:45:08,994 Speaker 2: that every one would refuse to pay for. In fact, 899 00:45:09,074 --> 00:45:11,634 Speaker 2: most people not only wouldn't pay a dollary use that, 900 00:45:11,674 --> 00:45:14,794 Speaker 2: they would pay a dollar not And the only people 901 00:45:14,834 --> 00:45:19,674 Speaker 2: who have upheld these companies is advertisers. And I think 902 00:45:19,674 --> 00:45:23,514 Speaker 2: that that's eroded trust. But the reason why Amelia, I 903 00:45:23,554 --> 00:45:28,234 Speaker 2: think your optimism is totally misguided is because people have 904 00:45:28,274 --> 00:45:30,874 Speaker 2: not left the party and gone home. They are standing 905 00:45:30,914 --> 00:45:34,473 Speaker 2: by the windows, addicted to watching what's going on. If 906 00:45:34,474 --> 00:45:36,714 Speaker 2: you looked at the time people are spending on social 907 00:45:36,754 --> 00:45:39,634 Speaker 2: media that hasn't gone down, that has not gone down. 908 00:45:40,234 --> 00:45:42,874 Speaker 3: That's the thing we're not posting. We're lurking. 909 00:45:42,954 --> 00:45:43,114 Speaker 1: Now. 910 00:45:43,554 --> 00:45:48,434 Speaker 3: Men have always been lurkers, right, Women have always been posters, commenters, likers, sharers, 911 00:45:48,994 --> 00:45:52,954 Speaker 3: but now women aren't doing that anymore, not as much. 912 00:45:53,394 --> 00:45:55,514 Speaker 3: And as Jesse said, we're looking through the window and 913 00:45:55,554 --> 00:45:57,514 Speaker 3: the problem with that. If we've just left the party, 914 00:45:57,594 --> 00:46:02,314 Speaker 3: that's different. Let them, you know, eat, But because we're 915 00:46:02,314 --> 00:46:06,674 Speaker 3: watching it, it's skewing our idea of reality. 916 00:46:07,314 --> 00:46:12,754 Speaker 2: The other element to why millennials in particular stopped posting 917 00:46:13,674 --> 00:46:18,514 Speaker 2: is because we watched as the dumb stuff that the 918 00:46:18,554 --> 00:46:20,674 Speaker 2: famous people posted got dug up. 919 00:46:21,154 --> 00:46:23,234 Speaker 3: So the dig which we've talked about on this show, 920 00:46:23,274 --> 00:46:24,034 Speaker 3: it was weaponized. 921 00:46:24,114 --> 00:46:25,194 Speaker 2: It was all weaponized. 922 00:46:25,234 --> 00:46:28,194 Speaker 1: So I think what happened was Trevor Noah, Yes, when 923 00:46:28,434 --> 00:46:31,033 Speaker 1: was that he was named to the Daily Show chair 924 00:46:31,114 --> 00:46:33,234 Speaker 1: after John Stewart left, So that was when the Daily 925 00:46:33,274 --> 00:46:36,993 Speaker 1: Show was absolutely at its peak. Trevor Noah was named 926 00:46:36,994 --> 00:46:39,553 Speaker 1: the new chair and people dug up all these sort 927 00:46:39,594 --> 00:46:42,114 Speaker 1: of fat phobic, fat shaming tweets. 928 00:46:42,394 --> 00:46:45,834 Speaker 2: How many careers like have been I mean destroyed might 929 00:46:45,874 --> 00:46:48,194 Speaker 2: be too big a word, but have been impacted. 930 00:46:48,554 --> 00:46:51,393 Speaker 3: What's that idea of social excavation, which is why you know, 931 00:46:51,434 --> 00:46:56,634 Speaker 3: when Lauren Sanchez Bezos got married, she wiped her Instagram. 932 00:46:56,714 --> 00:46:58,754 Speaker 3: It's this idea and if you look at a gen 933 00:46:58,874 --> 00:47:03,154 Speaker 3: Zeta or Jen Alfa's social they'll only have on Maine, 934 00:47:03,354 --> 00:47:06,234 Speaker 3: which is in their feed. They'll only have like three 935 00:47:06,314 --> 00:47:09,354 Speaker 3: or four posts. For millennials and gen X's it was 936 00:47:09,434 --> 00:47:11,514 Speaker 3: like a record of everything. 937 00:47:11,634 --> 00:47:14,834 Speaker 1: Every time we didn't avocado toast in a sun dappled room. 938 00:47:14,754 --> 00:47:16,794 Speaker 3: You go back and it was a record of our relationships. 939 00:47:16,794 --> 00:47:20,554 Speaker 3: It was almost like a public diary. But this idea 940 00:47:20,594 --> 00:47:24,074 Speaker 3: of being perceived and not wanting to be perceived, that's 941 00:47:24,114 --> 00:47:26,674 Speaker 3: something that gen Z's and jen alf Is are much 942 00:47:26,714 --> 00:47:30,314 Speaker 3: more savvy about because they don't want people drawing conclusions 943 00:47:30,674 --> 00:47:33,834 Speaker 3: about them because of something they posted two weeks ago, 944 00:47:33,874 --> 00:47:34,873 Speaker 3: let alone two years ago. 945 00:47:35,074 --> 00:47:38,314 Speaker 1: That's why Travis Kelsey and Taylor Swift have never followed 946 00:47:38,354 --> 00:47:41,634 Speaker 1: each other on Instagram because they know that the unfollow 947 00:47:41,714 --> 00:47:43,314 Speaker 1: would be such a big story. 948 00:47:43,434 --> 00:47:47,554 Speaker 2: Which I find it interesting that jen Alphas and Z's 949 00:47:47,674 --> 00:47:50,274 Speaker 2: have pulled back because when I look at my own 950 00:47:50,314 --> 00:47:53,954 Speaker 2: social media usage, and if I'm being entirely honest with myself, 951 00:47:54,714 --> 00:47:57,554 Speaker 2: I think it was indexed a lot on whether or 952 00:47:57,634 --> 00:48:00,674 Speaker 2: not I was courting, like in my single life. So 953 00:48:01,194 --> 00:48:04,714 Speaker 2: I wonder if too, if you're on sort of hinge 954 00:48:05,194 --> 00:48:06,514 Speaker 2: or you're on bumble and. 955 00:48:06,554 --> 00:48:09,194 Speaker 3: You're but it's it's more curately dating. It's more curated 956 00:48:09,274 --> 00:48:10,794 Speaker 3: and with less shots. 957 00:48:10,594 --> 00:48:12,393 Speaker 2: Because you won't be paved when you're seeing You. 958 00:48:12,434 --> 00:48:14,913 Speaker 3: Don't want someone going back and seeing pictures of you 959 00:48:15,314 --> 00:48:18,234 Speaker 3: with your exes, or you don't necessarily want to be 960 00:48:18,434 --> 00:48:22,114 Speaker 3: known in that public way, whereas our generation it felt 961 00:48:22,154 --> 00:48:25,434 Speaker 3: like we really wanted to be known. It's like remember 962 00:48:25,474 --> 00:48:27,714 Speaker 3: my Space, which it was like what are your favorite books? 963 00:48:27,714 --> 00:48:28,754 Speaker 3: What are your favorite movie? 964 00:48:28,834 --> 00:48:31,194 Speaker 1: It happened quickly, Like I remember, I had my first 965 00:48:31,274 --> 00:48:34,554 Speaker 1: child in twenty eighteen, and practically the first thing I 966 00:48:34,594 --> 00:48:38,314 Speaker 1: did was post a picture of him on Instagram. By 967 00:48:38,314 --> 00:48:40,274 Speaker 1: the time I had my second child in twenty twenty, 968 00:48:40,314 --> 00:48:42,794 Speaker 1: I was not putting a photo of her on the 969 00:48:42,794 --> 00:48:43,513 Speaker 1: internet ever. 970 00:48:44,034 --> 00:48:44,354 Speaker 4: Yeah. 971 00:48:44,394 --> 00:48:47,434 Speaker 2: Wow, A big thank you to all of you the 972 00:48:47,474 --> 00:48:49,954 Speaker 2: out loud as well. We we are done. That was 973 00:48:49,994 --> 00:48:53,033 Speaker 2: great for listening to today's show and our fabulous team 974 00:48:53,114 --> 00:48:55,754 Speaker 2: for putting this show together. We'll be back in your 975 00:48:55,794 --> 00:48:57,554 Speaker 2: ears tomorrow. Bye. 976 00:48:58,794 --> 00:49:02,154 Speaker 3: Shout out to any Muma Maya subscribers listening. If you 977 00:49:02,194 --> 00:49:04,554 Speaker 3: love the show and want to support us as well, 978 00:49:04,754 --> 00:49:07,234 Speaker 3: subscribing to Mom and Maya is the very best way 979 00:49:07,234 --> 00:49:09,714 Speaker 3: to do so there is a link in the episode description.