1 00:00:11,064 --> 00:00:14,104 Speaker 1: So you're listening to a Muma Mia podcast. 2 00:00:14,784 --> 00:00:18,664 Speaker 2: Mamma Mia acknowledges the traditional owners of land and waters 3 00:00:18,704 --> 00:00:28,064 Speaker 2: that this podcast is recorded on From Mamma Mia. Welcome 4 00:00:28,104 --> 00:00:30,864 Speaker 2: to the Spill your daily pop culture Fixed. I'm Laura 5 00:00:30,864 --> 00:00:33,464 Speaker 2: Brodney and I'm in Burnham, and it is a weekend. 6 00:00:33,504 --> 00:00:35,824 Speaker 2: Watched the episode of the week where we talk about 7 00:00:35,824 --> 00:00:37,824 Speaker 2: the best new TV shows and movies that have just 8 00:00:37,904 --> 00:00:41,224 Speaker 2: come out in some cases, so everyone knows what they 9 00:00:41,224 --> 00:00:42,624 Speaker 2: can watch this weekend. 10 00:00:42,984 --> 00:00:46,904 Speaker 1: Well, look, my show is just a show I'm really 11 00:00:46,984 --> 00:00:48,224 Speaker 1: enjoying right now. 12 00:00:48,064 --> 00:00:50,064 Speaker 2: And that is allowed because we do have a special 13 00:00:50,064 --> 00:00:51,984 Speaker 2: guest coming on learning the episode to give us an 14 00:00:52,024 --> 00:00:54,104 Speaker 2: update on a brand new release. And I have a 15 00:00:54,264 --> 00:00:55,504 Speaker 2: release to you. Can I go first? 16 00:00:55,624 --> 00:00:56,064 Speaker 1: Okay? 17 00:00:56,264 --> 00:00:58,984 Speaker 2: Because I just feel like at the moment, everyone is 18 00:00:58,984 --> 00:01:02,184 Speaker 2: looking for a bit of sexy escapism. Right. It's the 19 00:01:02,264 --> 00:01:04,664 Speaker 2: end of the year. People are stressed, people are tired, 20 00:01:04,944 --> 00:01:06,184 Speaker 2: people are about to spell a lot of time with 21 00:01:06,224 --> 00:01:06,784 Speaker 2: their families. 22 00:01:06,784 --> 00:01:07,584 Speaker 1: People are horney. 23 00:01:08,024 --> 00:01:11,144 Speaker 2: Well that too, And what gives you better sense of 24 00:01:11,264 --> 00:01:15,464 Speaker 2: romance and escapism than watching a movie about two step siblings? 25 00:01:15,504 --> 00:01:18,904 Speaker 2: Hook it up? Ill, No, don't pretend you're into it. 26 00:01:19,104 --> 00:01:21,584 Speaker 2: You just watched three seasons of the Summer I Turn Pretty. 27 00:01:21,584 --> 00:01:25,104 Speaker 2: I don't standing siblings, but they were raised as siblings. 28 00:01:25,184 --> 00:01:28,184 Speaker 2: Time they're going to tap into the same audience because 29 00:01:28,184 --> 00:01:30,184 Speaker 2: remember we went to that event for the Summer I 30 00:01:30,264 --> 00:01:32,864 Speaker 2: Turned Pretty and they had the two lead actresses and 31 00:01:32,864 --> 00:01:35,584 Speaker 2: the creator, Jenny Harn and it was all celebrating the 32 00:01:35,624 --> 00:01:38,304 Speaker 2: Summer I Turned Pretty. But they also had the author 33 00:01:38,344 --> 00:01:42,464 Speaker 2: behind them My Fault series, who was there when we 34 00:01:42,504 --> 00:01:44,584 Speaker 2: saw the trailer and everyone was like, yeah, you guys 35 00:01:44,664 --> 00:01:46,664 Speaker 2: like almost siblings looking up. Well, if you're like the 36 00:01:46,664 --> 00:01:48,624 Speaker 2: Summer I Turn Pretty, then you should know the My 37 00:01:48,744 --> 00:01:51,584 Speaker 2: Fault series. So if anyone's on across these movies, I 38 00:01:51,584 --> 00:01:53,864 Speaker 2: think the first one came out in twenty twenty three, 39 00:01:54,104 --> 00:01:56,184 Speaker 2: and I love the titles of these movies. 40 00:01:56,664 --> 00:01:57,904 Speaker 1: And they're also based off books. 41 00:01:57,904 --> 00:02:00,384 Speaker 2: They're based off books. Yes, so Mercedes Ron is the 42 00:02:00,384 --> 00:02:03,144 Speaker 2: author behind it. She spoke at that event we went to, Yeah, 43 00:02:03,224 --> 00:02:06,464 Speaker 2: lovely so smart. They actually started as what Pad stories, 44 00:02:06,904 --> 00:02:09,264 Speaker 2: you know that online thinking when one could just I 45 00:02:09,304 --> 00:02:13,184 Speaker 2: believe it. She had a dream and a fantasy and 46 00:02:13,224 --> 00:02:17,024 Speaker 2: she put pen to paper or keypad to start what Pad. 47 00:02:17,784 --> 00:02:19,944 Speaker 2: We're about fifteen years behind that, but no, but we 48 00:02:19,944 --> 00:02:21,944 Speaker 2: should just start it. What would your fantasy be he 49 00:02:22,024 --> 00:02:25,424 Speaker 2: had to write a fantasy for what pad into a 50 00:02:25,464 --> 00:02:27,744 Speaker 2: TV show? Well, they're stepsiply I do, like you. 51 00:02:27,704 --> 00:02:29,944 Speaker 1: Know, I'm into my fairy smart. Yeah, it might be 52 00:02:29,944 --> 00:02:31,544 Speaker 1: like mythical like fairies. 53 00:02:31,584 --> 00:02:33,784 Speaker 2: But what hasn't been done, Like we've got fairy smart, 54 00:02:33,864 --> 00:02:36,744 Speaker 2: we've got where wolf smart obvious, there's so much vampires have. 55 00:02:38,104 --> 00:02:40,824 Speaker 2: Zombie smart is out there already, is it? I think 56 00:02:40,824 --> 00:02:43,584 Speaker 2: you'd have to go really off as a joke. No, 57 00:02:43,624 --> 00:02:46,184 Speaker 2: there's hips. You've not read any zombie smart where wolf 58 00:02:46,224 --> 00:02:51,344 Speaker 2: smuts out there, smart, centaur smart, decaying. Yeah, but some 59 00:02:51,384 --> 00:02:53,864 Speaker 2: people are just like there's actually there's that movie Warm 60 00:02:53,904 --> 00:02:57,064 Speaker 2: Bodies with Teresa Palmer and Nicholas's so true where she 61 00:02:57,264 --> 00:02:58,104 Speaker 2: does it is? 62 00:02:58,344 --> 00:02:58,704 Speaker 1: Yeah, she does. 63 00:02:58,784 --> 00:03:01,304 Speaker 2: Look up with the zombie and hot zombie is a 64 00:03:01,344 --> 00:03:03,024 Speaker 2: hot You have to if you want to write some 65 00:03:03,064 --> 00:03:05,984 Speaker 2: sort of smart mythology like adjacent, you'd have to go 66 00:03:06,024 --> 00:03:12,704 Speaker 2: for something that's not being tapped into, maybe like some gnomes. 67 00:03:12,904 --> 00:03:15,224 Speaker 2: What I. 68 00:03:18,664 --> 00:03:18,704 Speaker 3: Do. 69 00:03:21,264 --> 00:03:22,264 Speaker 1: I don't want to do that. 70 00:03:22,224 --> 00:03:25,104 Speaker 2: Because fairies and mermaids have been done. Dryads have been done, 71 00:03:25,264 --> 00:03:28,984 Speaker 2: superheros have been done, Giants have been done. You're gonna 72 00:03:29,024 --> 00:03:30,944 Speaker 2: have to go an buddy and not want to tell you. 73 00:03:30,704 --> 00:03:32,664 Speaker 1: You know what will be good smart, like you know 74 00:03:32,744 --> 00:03:36,464 Speaker 1: the B movie, like fan fiction of B movies. 75 00:03:36,504 --> 00:03:39,584 Speaker 2: I don't know. People wanted that he's people wanted that 76 00:03:39,624 --> 00:03:40,544 Speaker 2: woman talking up that bee. 77 00:03:40,704 --> 00:03:43,144 Speaker 1: Yes, oh you know what? 78 00:03:43,144 --> 00:03:46,704 Speaker 2: What cars again? I do think that's probably been done, 79 00:03:46,704 --> 00:03:49,424 Speaker 2: but actually not to a huge extent like Transformers, Like 80 00:03:49,424 --> 00:03:51,184 Speaker 2: does the car turn into a robot? You can have. 81 00:03:51,384 --> 00:03:57,784 Speaker 1: Transformers some of the Transformers hot miss Prime, Yes, Metron 82 00:03:58,104 --> 00:03:59,584 Speaker 1: Megatron's hot so hot? 83 00:03:59,784 --> 00:04:01,264 Speaker 2: Oh my god. And you want to almost be in 84 00:04:01,264 --> 00:04:04,424 Speaker 2: a love triangle with here in the villain. 85 00:04:04,464 --> 00:04:07,104 Speaker 1: Oh my god? What okay, okay, let me write this down, 86 00:04:07,184 --> 00:04:07,824 Speaker 1: let me ride. 87 00:04:07,624 --> 00:04:11,904 Speaker 2: This, no one this it's a good idea to co 88 00:04:12,024 --> 00:04:16,784 Speaker 2: write a smutty Transformer's book where heroin it can be 89 00:04:16,824 --> 00:04:17,784 Speaker 2: a mixture of both of them. 90 00:04:17,824 --> 00:04:19,424 Speaker 1: Oh my god. You know what we should do. We 91 00:04:19,424 --> 00:04:22,064 Speaker 1: should write the book together and then do a really 92 00:04:22,104 --> 00:04:25,704 Speaker 1: honest review of our book. And you know what, it's 93 00:04:25,744 --> 00:04:26,584 Speaker 1: going to be really good. 94 00:04:26,904 --> 00:04:28,624 Speaker 2: And how about we at least just try and write 95 00:04:28,624 --> 00:04:30,704 Speaker 2: the first few pages and we'll read them on the spill. 96 00:04:32,104 --> 00:04:33,504 Speaker 1: I'm actually committed to this idea. 97 00:04:33,584 --> 00:04:36,384 Speaker 2: It's a young woman torn between Optimist Prime and Megatron, 98 00:04:36,424 --> 00:04:39,504 Speaker 2: who she hooks up with both of them. What would 99 00:04:39,664 --> 00:04:41,904 Speaker 2: like pseudonyms be, Oh, I don't know how to get 100 00:04:41,904 --> 00:04:43,624 Speaker 2: into that, and you're gonna have to write something. 101 00:04:43,664 --> 00:04:48,424 Speaker 1: This girl his Iron girl. 102 00:04:50,184 --> 00:04:51,224 Speaker 2: He's a question. 103 00:04:52,704 --> 00:04:53,584 Speaker 4: That we asked for. 104 00:04:54,304 --> 00:04:56,824 Speaker 2: Do they change into cars halfway through the sex act 105 00:04:57,464 --> 00:04:59,224 Speaker 2: or do they stay robots the whole time? Or do 106 00:04:59,264 --> 00:05:01,664 Speaker 2: you mix it up? We have to like think of 107 00:05:01,704 --> 00:05:02,504 Speaker 2: the logistics of this. 108 00:05:02,704 --> 00:05:06,264 Speaker 1: Maybe it starts in the car. Yeah, in the car 109 00:05:06,384 --> 00:05:08,864 Speaker 1: like full play. Yeah, you're in the car's full play, 110 00:05:08,904 --> 00:05:12,904 Speaker 1: and it's a bumpy road. It's a bumpy they transfer. 111 00:05:13,504 --> 00:05:15,344 Speaker 1: I love how you like had like a full like 112 00:05:15,464 --> 00:05:17,024 Speaker 1: woman in your head, and I just had myself. 113 00:05:17,784 --> 00:05:20,504 Speaker 2: She started the kind was like, I fat, you're Stephaniemurrin twil. 114 00:05:20,624 --> 00:05:22,664 Speaker 2: You're just like I'm just doing a straight author incert. 115 00:05:23,104 --> 00:05:24,464 Speaker 2: It's me in the book, and I won't hear a 116 00:05:24,464 --> 00:05:28,424 Speaker 2: word about it. You're like, her name's Emily, her name's Emily. 117 00:05:28,544 --> 00:05:30,304 Speaker 2: Nam that I don't want to hear a word about Emily. 118 00:05:31,144 --> 00:05:33,224 Speaker 2: You like to go there, it's not me, it's a character, 119 00:05:33,504 --> 00:05:34,424 Speaker 2: all right, We'll stay true. 120 00:05:34,624 --> 00:05:35,904 Speaker 1: That a great wee can watch so far. 121 00:05:36,344 --> 00:05:38,064 Speaker 2: Yeah, so you can read a book that doesn't exist 122 00:05:38,144 --> 00:05:47,664 Speaker 2: that we're gonna write. So My Fault, My Fault series, Okay, 123 00:05:47,664 --> 00:05:49,584 Speaker 2: I love the names of these movies. The first one 124 00:05:49,664 --> 00:05:53,624 Speaker 2: is called My Fault, the second movie is called Your Fault, 125 00:05:53,984 --> 00:05:56,384 Speaker 2: and the new movie that just came out last night 126 00:05:56,424 --> 00:05:58,304 Speaker 2: on Prime Video that is available for you to watch 127 00:05:58,384 --> 00:06:02,824 Speaker 2: is called Our Fault, which I think shows a healthy 128 00:06:02,904 --> 00:06:06,024 Speaker 2: sense of acceptance of who is the problem here and 129 00:06:06,064 --> 00:06:06,784 Speaker 2: it's both of them. 130 00:06:06,904 --> 00:06:09,264 Speaker 1: So if anything, the next one will be their fault, 131 00:06:09,344 --> 00:06:11,224 Speaker 1: their fault, her fault. 132 00:06:12,064 --> 00:06:14,824 Speaker 4: Everyone kept telling me that London would be a fresh start, 133 00:06:18,264 --> 00:06:19,504 Speaker 4: but I had no idea. 134 00:06:20,864 --> 00:06:23,264 Speaker 3: You know, It's just the big entrance wasn't necessary. 135 00:06:24,984 --> 00:06:25,344 Speaker 4: God, it is. 136 00:06:25,464 --> 00:06:28,824 Speaker 2: I shod you swore, daddy boy. I'd hate to not 137 00:06:28,824 --> 00:06:30,304 Speaker 2: give up to your expectations. 138 00:06:30,344 --> 00:06:31,944 Speaker 4: Any other bad book shows. 139 00:06:34,344 --> 00:06:46,144 Speaker 3: Nick, what is going on with you? 140 00:06:49,464 --> 00:06:51,104 Speaker 2: So, as we said, they're based on the books by 141 00:06:51,144 --> 00:06:54,264 Speaker 2: Mercedes Ron and the first, like the whole story, right, 142 00:06:54,384 --> 00:06:57,104 Speaker 2: is about this seventeen year old girl called Noah who 143 00:06:57,184 --> 00:07:01,264 Speaker 2: moved into this really wealthy new hotel seventeen. Yeah, she 144 00:07:01,384 --> 00:07:05,784 Speaker 2: isn't start Okay, Yeah that's legal, is it? I mean, 145 00:07:05,984 --> 00:07:09,144 Speaker 2: let's not look for legalities in this situation. So her 146 00:07:09,184 --> 00:07:12,944 Speaker 2: mother marries a millionaire, right, must be that nice, And 147 00:07:13,224 --> 00:07:17,144 Speaker 2: she moves into the billionaire stepfather's home and she's trying 148 00:07:17,144 --> 00:07:20,344 Speaker 2: to adjust to life in this new world, all this 149 00:07:20,544 --> 00:07:23,024 Speaker 2: money and all this power, and then she meets her 150 00:07:23,024 --> 00:07:27,304 Speaker 2: new step brother. Nick, is involved in street racing and 151 00:07:27,344 --> 00:07:29,464 Speaker 2: has a rebellious streak. It's how he's described. 152 00:07:29,544 --> 00:07:30,224 Speaker 1: Okay, fast and. 153 00:07:30,184 --> 00:07:32,504 Speaker 2: Furious, so yeah, yeah, no, it has a real fast 154 00:07:32,544 --> 00:07:33,984 Speaker 2: and furious bent these movies. 155 00:07:34,064 --> 00:07:35,944 Speaker 1: Yeah, I remember the trailer had a lot of cars 156 00:07:35,984 --> 00:07:36,104 Speaker 1: and that. 157 00:07:36,264 --> 00:07:38,784 Speaker 2: Yeah, is that what you were really getting into? That 158 00:07:38,864 --> 00:07:44,624 Speaker 2: cross curss is over with our transformers, fanship. 159 00:07:44,424 --> 00:07:46,824 Speaker 1: It's all comfortable circle. 160 00:07:47,424 --> 00:07:50,064 Speaker 2: So Noah and Nick at first they hate each other, 161 00:07:50,344 --> 00:07:53,544 Speaker 2: of course, but not in the way siblings enemies to 162 00:07:53,584 --> 00:07:57,544 Speaker 2: lover us. I know. It's all the tropes twisted in there. 163 00:07:57,624 --> 00:07:59,544 Speaker 2: So Nick noan me and they don't like each other, 164 00:07:59,584 --> 00:08:01,784 Speaker 2: and there's a lot of tension between them, but it 165 00:08:01,864 --> 00:08:04,224 Speaker 2: soon turns. 166 00:08:04,464 --> 00:08:06,584 Speaker 1: He's like, no, he's my biological. 167 00:08:06,144 --> 00:08:09,464 Speaker 2: Girl dad, And there's no way to sugarcoat this. There's 168 00:08:09,464 --> 00:08:12,224 Speaker 2: step siblings fall in love and start hooking up. There's 169 00:08:12,224 --> 00:08:13,624 Speaker 2: lots of different elements involved. 170 00:08:13,624 --> 00:08:15,024 Speaker 1: And so do they tell the parents. 171 00:08:15,104 --> 00:08:15,984 Speaker 2: Yeah, yeah, the parents know. 172 00:08:16,264 --> 00:08:16,544 Speaker 1: Oh. 173 00:08:16,584 --> 00:08:18,504 Speaker 2: I don't want to get into like which movie things 174 00:08:18,544 --> 00:08:20,104 Speaker 2: happen because I don't know if people have watched all 175 00:08:20,184 --> 00:08:21,824 Speaker 2: of them, so don't want to spoil. But like, that's 176 00:08:21,864 --> 00:08:25,864 Speaker 2: the premise of the three movies. So the last movie 177 00:08:25,944 --> 00:08:28,864 Speaker 2: in the trilogy, Our Fold, only came out on Prime 178 00:08:28,944 --> 00:08:30,784 Speaker 2: Video this week, so it's there to watch. So if 179 00:08:30,784 --> 00:08:33,344 Speaker 2: you've been watched the first two movies and you're hanging 180 00:08:33,384 --> 00:08:35,984 Speaker 2: out for the last installment, it's out now. But if 181 00:08:36,024 --> 00:08:38,384 Speaker 2: you haven't watched any of them, you should really sit 182 00:08:38,424 --> 00:08:41,144 Speaker 2: down and do a free film feature this weekend. Oh 183 00:08:41,184 --> 00:08:44,704 Speaker 2: my god, sexy watch it all the way to the end. 184 00:08:45,104 --> 00:08:47,184 Speaker 1: How long are the movies? Are they like little extendon 185 00:08:47,224 --> 00:08:49,144 Speaker 1: movie like okay, oh my god. Yeah they're a little 186 00:08:49,144 --> 00:08:51,824 Speaker 1: weak or anything. But you could knock the three of 187 00:08:51,864 --> 00:08:54,464 Speaker 1: them over in like under six hours. I definitely have 188 00:08:54,984 --> 00:08:59,624 Speaker 1: sexy time. So yeah, on fault on Prime Video? 189 00:09:02,344 --> 00:09:05,024 Speaker 2: What is your recommendation? Doesn't have anything to do with 190 00:09:05,064 --> 00:09:05,704 Speaker 2: sexy cars? 191 00:09:05,824 --> 00:09:09,904 Speaker 1: No, okay, my recommendation is a series that's just come 192 00:09:09,904 --> 00:09:13,664 Speaker 1: out Apple TV. Yes, it is called Slow Horses. 193 00:09:14,104 --> 00:09:16,424 Speaker 2: Okay, I have not seen this, but I've seen so 194 00:09:16,584 --> 00:09:18,064 Speaker 2: much chat around it LB. 195 00:09:18,584 --> 00:09:22,184 Speaker 1: It's one of those shows where everyone's like, have you 196 00:09:22,224 --> 00:09:23,824 Speaker 1: watched thow Horses yet? Have you watched it yet? 197 00:09:23,824 --> 00:09:24,384 Speaker 2: Have you No? 198 00:09:24,464 --> 00:09:26,864 Speaker 1: That's what people say to me, and I'm like no, no, no, 199 00:09:26,944 --> 00:09:28,864 Speaker 1: And then this weekend I was like, you know what, 200 00:09:28,904 --> 00:09:30,864 Speaker 1: I'm just gonna give it a go. M It's been 201 00:09:30,904 --> 00:09:33,264 Speaker 1: like everywhere I'm going to start on season one because 202 00:09:33,384 --> 00:09:36,024 Speaker 1: obviously I'm not gonna yeah, I'm not going to crazy, 203 00:09:36,704 --> 00:09:39,464 Speaker 1: so I start on season one. I watched the whole 204 00:09:39,544 --> 00:09:43,544 Speaker 1: of season one in one day, really twelve pm two 205 00:09:43,624 --> 00:09:44,824 Speaker 1: I think around seven pm. 206 00:09:44,944 --> 00:09:46,744 Speaker 2: Okay, well that's a real committmence and you must have 207 00:09:46,784 --> 00:09:47,624 Speaker 2: been very invested. 208 00:09:47,704 --> 00:09:51,824 Speaker 1: It is so so good. So it stars Gary Oldman. 209 00:09:51,904 --> 00:09:55,224 Speaker 1: He plays this character called Jackson Lamb and he's head 210 00:09:55,384 --> 00:09:58,904 Speaker 1: of a certain division in m I five and it's 211 00:09:58,904 --> 00:10:02,384 Speaker 1: the type of division where like kind of disgraced I 212 00:10:02,544 --> 00:10:05,384 Speaker 1: five agents work out. It's so like division that you 213 00:10:05,424 --> 00:10:06,904 Speaker 1: don't want to end up in. It's kind of a 214 00:10:06,984 --> 00:10:09,744 Speaker 1: joke division. Like the name they call it is Slough 215 00:10:09,744 --> 00:10:11,704 Speaker 1: House because of so far out of London they may 216 00:10:11,744 --> 00:10:14,104 Speaker 1: as well be in Slough And it's basically him and 217 00:10:14,184 --> 00:10:17,384 Speaker 1: The other main character is this guy named River cart Ride. 218 00:10:17,464 --> 00:10:21,464 Speaker 1: He's played by Jack Lodin. And all of these agents 219 00:10:21,464 --> 00:10:24,584 Speaker 1: like they do something like really really bad in five. 220 00:10:24,664 --> 00:10:27,384 Speaker 1: Like one of the agents like leaves a top secret 221 00:10:27,424 --> 00:10:30,264 Speaker 1: file on the train, so he's immediately put into some holes. 222 00:10:30,344 --> 00:10:32,064 Speaker 1: Like you can't mess up in five. They're like the 223 00:10:32,064 --> 00:10:34,824 Speaker 1: top of the top. It's like these group of agents 224 00:10:34,944 --> 00:10:37,864 Speaker 1: like they're laughing stock amongst all of the MI five people. 225 00:10:38,624 --> 00:10:41,544 Speaker 1: They have like these really boring, mundane tasks to do, 226 00:10:41,704 --> 00:10:44,944 Speaker 1: like kind of like tailgating people who aren't even that important, 227 00:10:45,224 --> 00:10:47,744 Speaker 1: like looking through files, like looking through rubbish cans of 228 00:10:47,784 --> 00:10:50,264 Speaker 1: like people they're investigating, and then they have to send 229 00:10:50,264 --> 00:10:53,344 Speaker 1: all their findings to the real MI five division. They 230 00:10:53,384 --> 00:10:58,144 Speaker 1: come across a really big kidnapping and they decided to 231 00:10:58,184 --> 00:11:01,264 Speaker 1: take upon themselves to save this guy who's being kidnapped, 232 00:11:01,624 --> 00:11:05,744 Speaker 1: and they uncover some certain secrets within the MI five division. 233 00:11:05,984 --> 00:11:07,184 Speaker 2: Interesting it is. 234 00:11:07,264 --> 00:11:11,424 Speaker 1: Done so it's like like typical British crime where it's 235 00:11:11,464 --> 00:11:15,184 Speaker 1: just so good and juicy, but also has that element 236 00:11:15,224 --> 00:11:17,864 Speaker 1: of realism, like it's no expendables, you know what I mean. 237 00:11:18,184 --> 00:11:21,384 Speaker 2: Okay, again, that's only your favorite movie franchise. For most people, 238 00:11:21,864 --> 00:11:22,464 Speaker 2: that's not the bar. 239 00:11:23,904 --> 00:11:26,224 Speaker 1: No no, no, no, no, no. It doesn't feel like 240 00:11:26,344 --> 00:11:28,104 Speaker 1: over the top or over fake over. 241 00:11:28,104 --> 00:11:31,784 Speaker 2: Actionly and how's Gary Oldman my favorite actors? You know? 242 00:11:31,944 --> 00:11:35,304 Speaker 2: He plays Drucula in Bram Stoker's Dracula, one of my 243 00:11:35,464 --> 00:11:38,824 Speaker 2: favorite favorite movies of all time. Okay, he don't say 244 00:11:38,824 --> 00:11:39,864 Speaker 2: anying about about Gary Oldman. 245 00:11:39,944 --> 00:11:42,064 Speaker 1: I'm not saying any think he's obviously an amazing actor. 246 00:11:42,784 --> 00:11:47,024 Speaker 1: He just looks different. Well yeah, he's older, yeah, but 247 00:11:47,064 --> 00:11:52,144 Speaker 1: he's really like the character he plays is like this old, greasy, 248 00:11:52,304 --> 00:11:55,664 Speaker 1: annoying like gross Man. I bet he does that very well. 249 00:11:55,704 --> 00:11:58,064 Speaker 1: He does it really well. But also like I found 250 00:11:58,144 --> 00:11:59,784 Speaker 1: him quite sexy in Batman. 251 00:12:00,344 --> 00:12:05,264 Speaker 2: He wasn't there, yes, oh yeah, yeah was me when 252 00:12:05,304 --> 00:12:05,984 Speaker 2: he was Batman. 253 00:12:06,144 --> 00:12:08,504 Speaker 1: No, he wasn't Batman. I found him sexy. Commissioner Gordon 254 00:12:08,584 --> 00:12:11,384 Speaker 1: commission as Commissioner Gordon Batman with his mustache. 255 00:12:11,464 --> 00:12:12,984 Speaker 2: Yeah, oh yeah. Hot. He's hot in everything. 256 00:12:12,984 --> 00:12:15,304 Speaker 1: He's hot, just not in this. But he's really good. 257 00:12:15,344 --> 00:12:18,384 Speaker 2: He's really doing good character acting. He's hot in real life. 258 00:12:18,424 --> 00:12:21,464 Speaker 1: The main guy, Jack Lowden, super hard. 259 00:12:21,584 --> 00:12:23,504 Speaker 2: Yeah, no, I believe you, And I've seen pictures of him. 260 00:12:23,544 --> 00:12:26,224 Speaker 1: He is very, very sexy. But you don't like, I'm 261 00:12:26,224 --> 00:12:28,584 Speaker 1: not watching it like you know me, and I'm not 262 00:12:28,664 --> 00:12:30,544 Speaker 1: watching it going like, oh my god, this guy is 263 00:12:30,584 --> 00:12:32,064 Speaker 1: so hot. I'm watching it because it's actually a really 264 00:12:32,064 --> 00:12:34,904 Speaker 1: good pla. Yes, yes, Now I know everyone has already 265 00:12:34,904 --> 00:12:38,264 Speaker 1: watched it, so they're probably like yelling into their phones 266 00:12:38,344 --> 00:12:42,584 Speaker 1: right now at me, going, you're explaining everything really really wrong. Okay, 267 00:12:42,664 --> 00:12:45,104 Speaker 1: and I'm sorry about that, but look, I'm a ner 268 00:12:45,104 --> 00:12:46,224 Speaker 1: fan and now I'm on board. 269 00:12:46,304 --> 00:12:48,304 Speaker 2: Yeah, and I'm sure there's heaps people who haven't watched 270 00:12:48,304 --> 00:12:49,104 Speaker 2: it who are going to watch it. 271 00:12:49,144 --> 00:12:49,704 Speaker 1: Please watch it. 272 00:12:49,704 --> 00:12:50,544 Speaker 2: It's so wet. 273 00:12:50,704 --> 00:12:52,704 Speaker 1: We can watch it on Apple TV. It is called 274 00:12:52,784 --> 00:12:53,504 Speaker 1: Slow Horses. 275 00:12:55,744 --> 00:12:57,544 Speaker 2: Okay, So we have Broughten a special guest for this 276 00:12:57,584 --> 00:12:58,784 Speaker 2: next beer, because. 277 00:13:00,584 --> 00:13:01,464 Speaker 1: When did you get here? 278 00:13:01,744 --> 00:13:06,144 Speaker 2: All the listeners just drove the cart Thanks for that, Emily. 279 00:13:06,344 --> 00:13:08,824 Speaker 2: So a very important movie has come out this week now, 280 00:13:08,824 --> 00:13:10,664 Speaker 2: Emily and I couldn't get to the premiere, so we 281 00:13:10,704 --> 00:13:12,584 Speaker 2: have roped in someone who did. Would you like to 282 00:13:12,624 --> 00:13:13,704 Speaker 2: tell the people who you are? 283 00:13:13,864 --> 00:13:16,504 Speaker 4: Hi, I'm Chelsea. I'm the entertainment producer here at Mamma Mia. 284 00:13:16,664 --> 00:13:21,904 Speaker 2: Oh my gosh, entertainment writer at Mamma Mia and also 285 00:13:22,064 --> 00:13:24,824 Speaker 2: hosting some upcoming episodes of Watch Party. You're all across 286 00:13:24,824 --> 00:13:26,664 Speaker 2: the poet, So tell us which movie you went to 287 00:13:26,784 --> 00:13:27,264 Speaker 2: without us? 288 00:13:27,584 --> 00:13:31,384 Speaker 4: I watched After the Hunt, directed by what Nino, Yeah, 289 00:13:31,424 --> 00:13:39,184 Speaker 4: Luco and starring Julia Roberts, Iodebris, Andrew Garfield. Highly anticipated movie, 290 00:13:39,184 --> 00:13:41,024 Speaker 4: and I do have thoughts. 291 00:13:42,184 --> 00:13:43,304 Speaker 1: Talk to Maggie today. 292 00:13:43,584 --> 00:13:47,904 Speaker 2: No, she wasn't a class, no call, no show. I 293 00:13:47,944 --> 00:13:51,784 Speaker 2: need to speak with you. Okay, Hank walked me home. 294 00:13:52,544 --> 00:13:55,544 Speaker 2: What do you saying happened? He crossed the line? 295 00:13:56,304 --> 00:13:58,144 Speaker 4: But what actually happened? 296 00:14:00,784 --> 00:14:03,624 Speaker 2: These kids We've had everything handed to them in their lives. 297 00:14:03,864 --> 00:14:07,184 Speaker 2: Insists that the world stopped. But the first slip of victimization, 298 00:14:09,024 --> 00:14:14,184 Speaker 2: you should be ready, ready for what we backlash Potentially. 299 00:14:15,064 --> 00:14:17,784 Speaker 4: I don't feel comfortable having this conversation with you anymore. 300 00:14:18,864 --> 00:14:21,744 Speaker 2: Not everything is supposed to make you a comfortable. 301 00:14:21,864 --> 00:14:25,104 Speaker 1: Great, incredible cast, and I feel like everyone only really 302 00:14:25,104 --> 00:14:27,344 Speaker 1: found out that this movie was happening in that awkward 303 00:14:27,424 --> 00:14:32,464 Speaker 1: interview where Julia robbers yes, where. 304 00:14:32,264 --> 00:14:34,224 Speaker 2: She's like, I'm gonna put this question of me too, 305 00:14:34,264 --> 00:14:36,904 Speaker 2: and race to you, Andrew Garfield and you Julia Robbers 306 00:14:37,024 --> 00:14:39,024 Speaker 2: two white people in the room Black Lives Matter? Yes, 307 00:14:40,504 --> 00:14:42,144 Speaker 2: could I could not me. 308 00:14:42,104 --> 00:14:47,024 Speaker 1: And like take off your classes. I was like yes, Julia, Yeah, 309 00:14:47,064 --> 00:14:47,824 Speaker 1: there's a buzz. 310 00:14:47,864 --> 00:14:50,264 Speaker 2: They've been very cute on the press tour. So yes, 311 00:14:50,304 --> 00:14:51,904 Speaker 2: tell us the first of what the movie is about. 312 00:14:51,904 --> 00:14:52,504 Speaker 2: What's the premise. 313 00:14:52,744 --> 00:14:56,904 Speaker 4: Julia Roberts plays a Yale professor and her life sort 314 00:14:56,944 --> 00:14:59,344 Speaker 4: of gets turned upside down when her star student, which 315 00:14:59,344 --> 00:15:02,944 Speaker 4: is Io Debrie's character, levels some pretty troubling sexual assault 316 00:15:02,984 --> 00:15:07,784 Speaker 4: allegations against her Alma's friend and drama. Yeah, it's a 317 00:15:07,824 --> 00:15:10,304 Speaker 4: psychological drama, drama. 318 00:15:10,824 --> 00:15:13,104 Speaker 2: Yeah, oh I did not know this was a surprise 319 00:15:13,144 --> 00:15:13,904 Speaker 2: to you, but yes. 320 00:15:13,864 --> 00:15:16,984 Speaker 1: Yes, because I've only ever seen her in comedy. It's like, 321 00:15:17,024 --> 00:15:19,624 Speaker 1: amazing actor, but like I've only ever seen her in comedy. 322 00:15:19,664 --> 00:15:21,984 Speaker 2: Are you calling the Bearer comedy? You're the problem with 323 00:15:22,024 --> 00:15:22,704 Speaker 2: the any voting? 324 00:15:23,144 --> 00:15:25,544 Speaker 4: Literally, Yeah, she's incredible in this. 325 00:15:25,664 --> 00:15:26,784 Speaker 1: Oh my god, I'm so excited. 326 00:15:26,864 --> 00:15:30,944 Speaker 2: Yeah, it's so good. Yes, through me. You thought you 327 00:15:30,944 --> 00:15:31,944 Speaker 2: were tuning in for a field. 328 00:15:33,184 --> 00:15:35,184 Speaker 1: We thought it was a comedy the genre. 329 00:15:36,184 --> 00:15:38,544 Speaker 4: So yeah, So her life kind of gets turned upside 330 00:15:38,544 --> 00:15:41,184 Speaker 4: down and it's really about the fallout, and we start 331 00:15:41,184 --> 00:15:45,464 Speaker 4: to uncover a lot about her character and her own secrets. 332 00:15:45,744 --> 00:15:49,344 Speaker 2: So Io Debris is making sexual assault allegations against Andrew 333 00:15:49,384 --> 00:15:50,704 Speaker 2: Gard's character. 334 00:15:50,424 --> 00:15:53,144 Speaker 4: And he's very good friends with Julia Robertson's character. So 335 00:15:53,184 --> 00:15:55,704 Speaker 4: Julia Robins's character is kind of grappling with this, right, 336 00:15:55,824 --> 00:15:57,584 Speaker 4: and do you see her kind of processes and what 337 00:15:57,664 --> 00:15:58,344 Speaker 4: kind of follows? 338 00:15:58,664 --> 00:16:01,544 Speaker 1: Yeah, and he did he do it? 339 00:16:02,424 --> 00:16:05,344 Speaker 2: Don't ruin the movie. That's an interesting premise too, because 340 00:16:05,384 --> 00:16:07,144 Speaker 2: it is that idea of like, we're all, you know, 341 00:16:07,344 --> 00:16:09,704 Speaker 2: we're all believe women, which I stand by. I don't 342 00:16:09,744 --> 00:16:13,024 Speaker 2: cut that and put a cut that b Yeah. 343 00:16:12,824 --> 00:16:14,624 Speaker 1: I mean how no one seems to believe women. 344 00:16:16,384 --> 00:16:18,104 Speaker 2: I think that's the premise of this movie. But I 345 00:16:18,104 --> 00:16:20,744 Speaker 2: think there's a huge complication when it's someone you know 346 00:16:20,864 --> 00:16:23,184 Speaker 2: and love and you're just like, this is that I'm 347 00:16:23,184 --> 00:16:25,184 Speaker 2: assuming what I've seen from like the intus and trailers 348 00:16:25,184 --> 00:16:27,064 Speaker 2: and stuff. You just like, it can't be this person 349 00:16:27,184 --> 00:16:28,744 Speaker 2: like I know them. And we see a lot of 350 00:16:28,824 --> 00:16:31,544 Speaker 2: people grapple with that when allegations are made against people 351 00:16:31,584 --> 00:16:33,024 Speaker 2: they know. It's just like an extra layer. 352 00:16:33,264 --> 00:16:35,544 Speaker 4: Yeah, and the film you sort of see her no spoilers, 353 00:16:35,624 --> 00:16:38,864 Speaker 4: but the moment she's told this news and how that 354 00:16:38,944 --> 00:16:40,824 Speaker 4: kind of changes throughout the film and you start to 355 00:16:40,824 --> 00:16:44,624 Speaker 4: find out that she has some relation to the subject 356 00:16:44,664 --> 00:16:45,424 Speaker 4: matter in some way. 357 00:16:45,664 --> 00:16:48,904 Speaker 2: Oh interesting. So all the kind of headlines around this 358 00:16:48,944 --> 00:16:51,064 Speaker 2: movie is it kind of like people keep saying, like 359 00:16:51,104 --> 00:16:53,904 Speaker 2: the Me Too movement, especially in Hollywood, burned fast and 360 00:16:53,904 --> 00:16:56,064 Speaker 2: bright for so long, and then there was a few 361 00:16:56,104 --> 00:16:59,064 Speaker 2: complications and some people feel like it's dropped off in 362 00:16:59,104 --> 00:17:01,984 Speaker 2: some areas and I lost momentum, and obviously, like there's 363 00:17:02,024 --> 00:17:04,944 Speaker 2: that movement still exists. And then when this movie came out, 364 00:17:04,984 --> 00:17:06,984 Speaker 2: the question was that it was maybe going to be 365 00:17:07,024 --> 00:17:10,144 Speaker 2: damaging to the Me Too movement because it was alluding 366 00:17:10,144 --> 00:17:13,464 Speaker 2: to the fact that some women lie though even though 367 00:17:13,504 --> 00:17:15,744 Speaker 2: like we know in the world, the percentage of women 368 00:17:15,784 --> 00:17:19,384 Speaker 2: who lie is so so minuscule it barely warrants. 369 00:17:19,424 --> 00:17:20,864 Speaker 1: But they're the ones that we share about. 370 00:17:21,424 --> 00:17:24,504 Speaker 2: Yeah, exactly, and so and obviously sometimes cases can't go 371 00:17:24,624 --> 00:17:26,504 Speaker 2: forward because of a lack of evidence. It doesn't mean 372 00:17:26,504 --> 00:17:28,584 Speaker 2: it didn't happen. But what was your thoughts on that 373 00:17:28,824 --> 00:17:30,304 Speaker 2: in the movie in terms of like how it would 374 00:17:30,344 --> 00:17:32,064 Speaker 2: relate to the Me too movement? 375 00:17:32,064 --> 00:17:35,544 Speaker 4: In that conversation, Yeah, I would say my personal opinion, 376 00:17:35,904 --> 00:17:38,904 Speaker 4: great movie in terms of what the director was able 377 00:17:38,904 --> 00:17:42,904 Speaker 4: to do. It's visually stunning, music is great, It's very 378 00:17:43,024 --> 00:17:45,984 Speaker 4: unsettling in tones. So I feel like I enjoyed the film, 379 00:17:46,184 --> 00:17:48,424 Speaker 4: but I would agree that I feel like there are 380 00:17:48,464 --> 00:17:50,984 Speaker 4: some bad ethics in it where I walked away not 381 00:17:51,104 --> 00:17:54,544 Speaker 4: really understanding the message or the commentary there is trying 382 00:17:54,584 --> 00:17:57,584 Speaker 4: to make about the me too movement, and I was 383 00:17:57,744 --> 00:18:00,824 Speaker 4: quite confused because there are some pretty divisive scenes really 384 00:18:00,864 --> 00:18:03,464 Speaker 4: in the movie, but I didn't come away feeling like 385 00:18:03,544 --> 00:18:05,864 Speaker 4: there was a strong take on that from the director. 386 00:18:06,584 --> 00:18:08,984 Speaker 2: It is a massive swing to because I'm assuming that 387 00:18:09,064 --> 00:18:10,224 Speaker 2: again we don't want to give too much away, but 388 00:18:10,224 --> 00:18:12,384 Speaker 2: I'm assuming the premise is that there's this idea that 389 00:18:12,424 --> 00:18:13,824 Speaker 2: Io's character is lying. 390 00:18:14,264 --> 00:18:16,224 Speaker 4: It tows that line where we don't know if she's lying. 391 00:18:16,584 --> 00:18:17,184 Speaker 4: Did he do it? 392 00:18:17,224 --> 00:18:17,704 Speaker 2: Did he not? 393 00:18:17,984 --> 00:18:19,304 Speaker 1: And it's like jumps back and forth. 394 00:18:19,424 --> 00:18:19,584 Speaker 4: Yes. 395 00:18:19,864 --> 00:18:23,464 Speaker 2: Yeah, from a storytelling point of view, that's so interesting. Yeah, 396 00:18:23,544 --> 00:18:26,064 Speaker 2: that idea of like having this unreliable narrator and this 397 00:18:26,144 --> 00:18:28,944 Speaker 2: unreliable character and the fallout from something like that is 398 00:18:28,984 --> 00:18:31,344 Speaker 2: so huge. But when you look at it, as you're saying, 399 00:18:31,344 --> 00:18:33,864 Speaker 2: from like like a real life news perspective, it is 400 00:18:33,904 --> 00:18:36,224 Speaker 2: kind of damaging because like there is that rhetoric out 401 00:18:36,264 --> 00:18:39,504 Speaker 2: there that women lie. Now this, I think, Okay, it's 402 00:18:39,504 --> 00:18:41,184 Speaker 2: that whole thing of like, do movies have to have 403 00:18:41,304 --> 00:18:43,144 Speaker 2: like a moral kind of compass around them. I don't 404 00:18:43,184 --> 00:18:43,544 Speaker 2: think so. 405 00:18:44,344 --> 00:18:46,584 Speaker 1: But I think it's different when it's like a movie 406 00:18:46,624 --> 00:18:51,024 Speaker 1: like this where it's like a story that happens every 407 00:18:51,104 --> 00:18:53,624 Speaker 1: day to women all the time, because the other thing 408 00:18:53,664 --> 00:18:55,464 Speaker 1: I can relate it to. And I obviously haven't seen 409 00:18:55,464 --> 00:18:58,264 Speaker 1: this movie, but a movie I have seen that like 410 00:18:58,424 --> 00:19:01,544 Speaker 1: was so big an award winning was Anatomy of a four. Yeah, 411 00:19:01,584 --> 00:19:03,264 Speaker 1: and when that, I feel like that's such an extreme 412 00:19:03,264 --> 00:19:06,344 Speaker 1: because that's obviously like a murder plot. And I think 413 00:19:06,704 --> 00:19:09,144 Speaker 1: it works in those scenarios when like the crime the 414 00:19:09,224 --> 00:19:12,064 Speaker 1: quote unquote crime is like so extreme versus in these 415 00:19:12,144 --> 00:19:14,384 Speaker 1: movies where it's actually just something that happens to women 416 00:19:14,384 --> 00:19:15,064 Speaker 1: every single day. 417 00:19:15,504 --> 00:19:18,184 Speaker 4: Yeah, it is kind of I was conflicted because it's 418 00:19:18,184 --> 00:19:21,464 Speaker 4: beautiful storytelling and I really enjoyed it. In this, I 419 00:19:21,504 --> 00:19:24,144 Speaker 4: wouldn't say enjoyed it. It's very anxiety provoking. I think 420 00:19:24,144 --> 00:19:24,944 Speaker 4: they do that on purpose. 421 00:19:24,984 --> 00:19:26,744 Speaker 2: You're stressed for like the two hours, you're meant to 422 00:19:26,784 --> 00:19:27,984 Speaker 2: sort of feel like you're in the city. 423 00:19:28,064 --> 00:19:31,144 Speaker 4: Yes, and they do that very well. But I do 424 00:19:31,344 --> 00:19:33,784 Speaker 4: think as a director maybe there is a responsibility to 425 00:19:33,824 --> 00:19:35,584 Speaker 4: take a bit of a stance when the subject matter 426 00:19:35,664 --> 00:19:37,624 Speaker 4: is so pertinent and so important. 427 00:19:37,904 --> 00:19:40,064 Speaker 2: Yeah, it's almost like there should have been like a 428 00:19:40,064 --> 00:19:42,584 Speaker 2: little endo graphic that says like this is based on 429 00:19:42,784 --> 00:19:46,464 Speaker 2: fictional events. Yeah, something like ninety nine percent of women 430 00:19:46,464 --> 00:19:49,744 Speaker 2: who come forward are telling the true that there aren't 431 00:19:49,744 --> 00:19:52,504 Speaker 2: real stats. Yeah, around that, It's almost like you needed that. 432 00:19:52,544 --> 00:19:54,624 Speaker 2: But then also, is that diluting the storytelling? Is like 433 00:19:54,824 --> 00:19:56,144 Speaker 2: taking away from art because it's. 434 00:19:55,984 --> 00:19:57,504 Speaker 1: Not the last week I want? Is people to take 435 00:19:57,544 --> 00:19:59,784 Speaker 1: that away? Is truth? Yeah, which I feel like a 436 00:19:59,784 --> 00:20:00,344 Speaker 1: lot of people do. 437 00:20:00,384 --> 00:20:01,784 Speaker 2: You don't want what most of it would be? They're like, 438 00:20:01,784 --> 00:20:05,024 Speaker 2: well one percent of women lie, Like that's they would 439 00:20:05,024 --> 00:20:07,664 Speaker 2: take that away. How were the performances? Because Julia Roberts 440 00:20:07,704 --> 00:20:09,584 Speaker 2: always talks about the fact that she has really stepped 441 00:20:09,584 --> 00:20:12,544 Speaker 2: away from acting, and she only peaks very specific projects 442 00:20:12,544 --> 00:20:15,184 Speaker 2: to work on, and then Iowa Debris, as we know, 443 00:20:15,384 --> 00:20:17,424 Speaker 2: has done a lot of comedy Bottoms one of the 444 00:20:17,464 --> 00:20:20,584 Speaker 2: greatest movies ever. She's like in the Bear. We've had 445 00:20:20,584 --> 00:20:22,464 Speaker 2: a lot of time to sit with her character, but 446 00:20:22,504 --> 00:20:24,664 Speaker 2: I feel like this is a very different role for her. Incredible. 447 00:20:24,704 --> 00:20:27,504 Speaker 4: The performances really carry the entire movie. And that's why 448 00:20:27,584 --> 00:20:30,064 Speaker 4: I struggle to say I have seen some of the 449 00:20:30,304 --> 00:20:32,544 Speaker 4: movies online, and I feel like I struggled to say 450 00:20:32,544 --> 00:20:34,144 Speaker 4: that I didn't enjoy or that it's not a good movie, 451 00:20:34,184 --> 00:20:37,744 Speaker 4: because the performances are so fantastic and the chemistry between 452 00:20:37,784 --> 00:20:42,384 Speaker 4: the three of them is incredible and all is I 453 00:20:42,424 --> 00:20:44,144 Speaker 4: love him, but in this movie, I'm like, god, I. 454 00:20:45,704 --> 00:20:46,744 Speaker 2: That's interesting. Yeah. 455 00:20:46,864 --> 00:20:50,704 Speaker 1: So did he play a professor yesse country glasses, yes, Oh, 456 00:20:50,744 --> 00:20:51,544 Speaker 1: but not. 457 00:20:51,464 --> 00:20:53,864 Speaker 4: In like a fun country way, like I want to 458 00:20:53,904 --> 00:20:54,584 Speaker 4: punch you in the face. 459 00:20:55,904 --> 00:20:56,144 Speaker 3: Good. 460 00:20:56,264 --> 00:21:00,664 Speaker 4: He's like that classic a philosophy professor that's like very 461 00:21:00,664 --> 00:21:03,104 Speaker 4: flirty with his students and really toes the line of 462 00:21:03,144 --> 00:21:05,064 Speaker 4: being unethical and unlasonable. 463 00:21:05,264 --> 00:21:06,344 Speaker 1: I know those. 464 00:21:08,504 --> 00:21:12,464 Speaker 2: Experience. Oh my gosh, I'm fine. 465 00:21:12,504 --> 00:21:13,144 Speaker 1: I'm fine. 466 00:21:13,504 --> 00:21:15,344 Speaker 2: Oh my god. So after the Hunt, So it's in 467 00:21:15,344 --> 00:21:18,304 Speaker 2: cinemas now, and you're saying you do recommend people see it, 468 00:21:18,344 --> 00:21:20,944 Speaker 2: but just be aware it's a bit of an experience. 469 00:21:20,504 --> 00:21:21,344 Speaker 1: And you have no comedy. 470 00:21:21,504 --> 00:21:23,344 Speaker 2: No, it's you heard it here first. 471 00:21:23,384 --> 00:21:25,664 Speaker 4: And if you have anxiety, I do. This is your warning. 472 00:21:26,344 --> 00:21:28,264 Speaker 4: A stressful movie. 473 00:21:28,464 --> 00:21:30,624 Speaker 2: Take some chocolate in yeah it, take some chocolate, take 474 00:21:30,624 --> 00:21:34,144 Speaker 2: a breather. Okay, amazing. Thank you for that review. Appreciate it. 475 00:21:36,424 --> 00:21:38,584 Speaker 1: Thank you so much for listening to the Spill today. 476 00:21:38,624 --> 00:21:40,624 Speaker 1: Do not forget to follow us on socials. We are 477 00:21:40,664 --> 00:21:43,864 Speaker 1: on Instagram and TikTok at the Spill podcast. The Spill 478 00:21:43,904 --> 00:21:46,464 Speaker 1: is produced by Minishio's Lauren with sound production by Scotstranik 479 00:21:46,464 --> 00:21:47,504 Speaker 1: and we will see you next time. 480 00:21:47,624 --> 00:21:50,904 Speaker 4: Bye bye bye