WEBVTT - Elon's Arm, Thirsty Women & Fourth Wing

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<v Speaker 1>You're listening to a MoMA Mia podcast.

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<v Speaker 2>that this podcast is recorded on Hey.

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<v Speaker 1>Out louders, We know that some of you were waiting

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<v Speaker 1>for the calendar to turn over to twenty twenty five

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<v Speaker 1>before you bought your tickets. Not if you live in Perth, though,

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<v Speaker 1>those guys were fast. But we've released some more tickets

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<v Speaker 1>for our Brisbane, Melbourne and Sydney shows. Twenty twenty five

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<v Speaker 1>is here and we can't wait to see you. Remember,

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<v Speaker 1>if you don't have anyone to come with, lots of

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<v Speaker 1>people come solo. There is a link in the show notes.

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<v Speaker 1>We would love to see you all.

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<v Speaker 3>As you say, it's like a safe place to explore fantasy.

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<v Speaker 1>It's like an emotional vibrator.

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<v Speaker 2>Yeah, maybe we're like an accompaniment to an actual vibrator.

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<v Speaker 1>Hi.

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<v Speaker 2>Yeah, hello, and welcome to Mamma Mia out loud. It's

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<v Speaker 2>what women are actually talking about. On Wednesday, the twenty

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<v Speaker 2>second of January, I am Holly Wainwright, I'm mea Friedman.

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<v Speaker 4>And I'm Jesse Steve.

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<v Speaker 1>She was very excited to be Hollyway night.

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<v Speaker 2>Today, I was still in our different studio right, We're

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<v Speaker 2>getting used to being filmed all the time, trying to

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<v Speaker 2>be like high energy.

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<v Speaker 3>Yeah. What's interesting is when we play grabs often we

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<v Speaker 3>all just pick our noses or something because we're like,

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<v Speaker 3>we're not on the mica. But the issue is that

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<v Speaker 3>now we're being filmed and the feedback is get your

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<v Speaker 3>finger out of your nose.

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<v Speaker 2>Yeah, we're watching trying hard sitting up straight anyway on

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<v Speaker 2>the show today, did he didn't he? Should we all

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<v Speaker 2>be looking the other way? Why everyone's talking about Elon

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<v Speaker 2>Musk's arms today? Also, some Australian women slept outside a

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<v Speaker 2>bookshop for their smut dose this week. Others are trying

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<v Speaker 2>to prompt their computers to talk dirty to them. Welcome

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<v Speaker 2>to Safe Sex twenty twenty five style, and good news

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<v Speaker 2>for you if you've just gone back to work and

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<v Speaker 2>absolutely everything is pissing you right off. Apparently it's now

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<v Speaker 2>good to cry at work.

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<v Speaker 1>But first, Hi, Donald John Trump, who solemn and square,

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<v Speaker 1>and I will faithfully execute the office of President of

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<v Speaker 1>the United States.

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<v Speaker 5>The Golden Age of America begins right now. We will

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<v Speaker 5>be the envy of every nation, and we will not

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<v Speaker 5>allow ourselves to be taken advantage of any longer. During

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<v Speaker 5>every single day of the Trump administration, I will very

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<v Speaker 5>simply put America first. I will declare a national emergency

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<v Speaker 5>at our southern border. All illegal entry will immediately be halted,

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<v Speaker 5>and we will begin the process of returning millions and

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<v Speaker 5>millions of criminal aliens back to the places from which

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<v Speaker 5>they came. As of today, it will henceforth be the

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<v Speaker 5>official policy of the United States government that there are

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<v Speaker 5>only two genders, male and female. And we will pursue

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<v Speaker 5>our manifest destiny into the stars, launching American astronauts to

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<v Speaker 5>plant the stars and stripes on the planet Mars.

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<v Speaker 3>If you are not in the weeds of US politics

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<v Speaker 3>the inauguration, how many billionaire tech bros were standing like

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<v Speaker 3>some sort of gospel choir alongside Trump yesterday? Neither but inevitably,

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<v Speaker 3>the biggest news in the world yesterday was that Donald

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<v Speaker 3>Trump was sworn in as the forty seventh president of

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<v Speaker 3>the United States. Well, that was meant to be the headline,

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<v Speaker 3>but the biggest media story from my vantage point was

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<v Speaker 3>a now viral image of what looked to be the

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<v Speaker 3>richest man in the world, Elon Musk, doing a hitless salute.

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<v Speaker 3>If you want to hear a breakdown of what happened

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<v Speaker 3>from Trump's speech to Milania's hat Mayor and Holly sat

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<v Speaker 3>down with Amelia Lesta for yesterday's Subscribe episode and analyze

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<v Speaker 3>the event.

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<v Speaker 4>In forensic detail.

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<v Speaker 3>But back to allegations of a salute on a podium

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<v Speaker 3>in Washington's Capital One Arena. Musked thanked the crowd, and

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<v Speaker 3>then he extended his arm outward and diagonally towards the audience,

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<v Speaker 3>palm down, arm straight. Then he turned one hundred and

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<v Speaker 3>eighty degrees and did the same. The resounding question became,

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<v Speaker 3>did Mask just do a Nazi salute or was it

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<v Speaker 3>an awkward gesture of enthusiasm. One corner of the Internet

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<v Speaker 3>said absolutely Nazi salute. Democratic congress people and historians of

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<v Speaker 3>fascism were among people.

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<v Speaker 4>Who argued that that is what they saw.

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<v Speaker 3>The Anti Defamation League, however, one of the most prominent

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<v Speaker 3>organizations dedicated to opposing anti Semitism.

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<v Speaker 4>Said that is not what they saw.

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<v Speaker 3>They released a statement that said, it seems that Elon

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<v Speaker 3>Musk made an awkward gesture in a moment of enthusiasm,

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<v Speaker 3>not a Nazi salute. But again, we appreciate that people

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<v Speaker 3>are on edge they argued for grace and benefit of

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<v Speaker 3>the doubt, which we will come back to.

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<v Speaker 4>So what has Musk said? Well?

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<v Speaker 3>An ex user tweeted, can we please retire the calling

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<v Speaker 3>people a Nazi thing, which Musk responded to with yeah exactly,

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<v Speaker 3>followed by a yawning emoji.

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<v Speaker 4>He also re shared a mon you.

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<v Speaker 3>Might have seen this of photos with Clinton Obama Paris

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<v Speaker 3>or with their arms up in what looks like a salute,

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<v Speaker 3>with the comment the legacy media is pure propaganda.

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<v Speaker 4>You are the media now, Maya.

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<v Speaker 3>You said on yesterday's episode that what you saw was

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<v Speaker 3>a clear nod to Nazism. What do you think was

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<v Speaker 3>his actual intention behind it?

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<v Speaker 1>We'll never know. Only he knows his intention. Do I

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<v Speaker 1>believe that he went, you know what I'm going to

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<v Speaker 1>do now give a Nazi salute? Probably not, but in

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<v Speaker 1>some ways, and I'm always for intention is so important.

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<v Speaker 1>I think intention is a factor here. But I think

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<v Speaker 1>there are some things that we learn that if everybody,

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<v Speaker 1>or if a lot of people misunderstand you, then perhaps

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<v Speaker 1>you haven't communicated very well. And I think if I

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<v Speaker 1>pointed to the ceiling with my middle finger and you said,

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<v Speaker 1>why are you giving me the bird? And I said,

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<v Speaker 1>oh no, I'm just pointing to the ceiling. I would

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<v Speaker 1>have to think about the fact that maybe I should

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<v Speaker 1>have done that with a different gesture. What's interesting is

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<v Speaker 1>that he hasn't come out and said, no, it wasn't

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<v Speaker 1>and Nazism is terrible John to make this about me,

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<v Speaker 1>But as a Jewish person, I was very thrown by

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<v Speaker 1>watching that video. I saw the still and before we

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<v Speaker 1>recorded the episode yesterday, I was like, I've got to

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<v Speaker 1>see the video. I got a scene in context when

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<v Speaker 1>everyone said and I know some Jewish people who said

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<v Speaker 1>they didn't see that as well, and then when everyone says, oh, no,

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<v Speaker 1>it wasn't that it does feel a bit like gas lighting.

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<v Speaker 1>But I also don't want to fall into the trap

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<v Speaker 1>of going, oh, a Nazi salute, because I can't do

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<v Speaker 1>this for four years again.

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<v Speaker 3>It was interesting, right because even with the Anti Defamation

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<v Speaker 3>League saying we've got to give him some grace and

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<v Speaker 3>some benefit of fast.

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<v Speaker 1>And they've clashed with him a lot. He's tried to

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<v Speaker 1>sue them because they've complained about anti Semitism on the

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<v Speaker 1>X platform, and Elon Musk has said he's personally tried

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<v Speaker 1>to sue the Anti Defamation League. So they're not fans

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<v Speaker 1>of Musk.

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<v Speaker 3>Because I'm always for benefit of the doubt, right, Yeah,

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<v Speaker 3>but I find it difficult to give someone grace when

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<v Speaker 3>we know about Musk's history. So there is a whole

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<v Speaker 3>story unfolding with the far right in Germany at the moment,

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<v Speaker 3>and Musk is a big player in that story. He's

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<v Speaker 3>endorsing their far right political party where members have documented

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<v Speaker 3>ties to neo Nazis. So I don't know why would

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<v Speaker 3>be given him grace when that's just like the back.

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<v Speaker 2>It's also fueling a lot of anti immigrant discourse in

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<v Speaker 2>the UK and publicly backing far right figures in the UK,

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<v Speaker 2>and they're very strong anti Islamic stance.

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<v Speaker 4>Steve Bannon has called him racist.

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<v Speaker 1>And Steve Bannon calls you racist. It's not true, Advisor.

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<v Speaker 1>That's troubling.

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<v Speaker 3>He's endorsed post about the great Replacement conspiracy theory. Again

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<v Speaker 3>the anti Semitic tweets like this isn't a total one off, Holly,

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<v Speaker 3>what do you think his intention was?

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<v Speaker 2>I have no idea. Well, actually I do, I do

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<v Speaker 2>know what his intention was exactly. This chaos, confusion, panic.

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<v Speaker 2>I think one of the things that's really hard at

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<v Speaker 2>the moment and is going to be the challenge for

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<v Speaker 2>the next four years for anyone who I'm not going

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<v Speaker 2>to say the left or whatever. I'm going to say

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<v Speaker 2>people who aren't thrilled about the way the Trump oligarchy

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<v Speaker 2>is playing out. Is we're constantly being told be cool, right.

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<v Speaker 2>They love it when the Libs have got their hair

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<v Speaker 2>on fire. They want to provoke you. They want to

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<v Speaker 2>get everybody saying it's Nazis, it's the end of the world.

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<v Speaker 2>They're dismantling democracy so that you sound like hysterical crazy people.

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<v Speaker 2>So we're constantly being told be cool, right, don't give

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<v Speaker 2>it your attention, deep breaths, look away. But that is

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<v Speaker 2>incredibly hard to do when one of the most powerful,

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<v Speaker 2>if not the most powerful person on the planet right now,

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<v Speaker 2>is at the very least playing with the imagery of Nazism. Right,

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<v Speaker 2>we can't necessarily be inside his brain and say what

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<v Speaker 2>he was doing, but he was playing with it and

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<v Speaker 2>it can be interpreted that way. So it starts this

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<v Speaker 2>conversation and so be cool, I don't give your attention.

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<v Speaker 2>Is very hard. I watched me A's reaction to that yesterday.

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<v Speaker 2>It's really hard. I think about the other groups who

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<v Speaker 2>are affected. Yesterday by Trump's speech where he's sitting next

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<v Speaker 2>to Harris and Biden and Obama and whoever, and he's

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<v Speaker 2>just saying, these people have been terrible at their jobs.

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<v Speaker 2>I'm going to fix everything. And then I'm imagining how

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<v Speaker 2>I would feel if I was waiting for my immigration

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<v Speaker 2>appointment in America and it's just been canceled on an

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<v Speaker 2>app on my phone. If I was a transperson who's

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<v Speaker 2>just been told I don't exist, if I was any

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<v Speaker 2>one of the suades of people who has a job

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<v Speaker 2>that now I'm being told I probably just got because

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<v Speaker 2>of diversity, and I'll lose that tomorrow. It's very hard

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<v Speaker 2>for everyone to be cool. But at the same time,

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<v Speaker 2>we've got to figure out what that is, because it's

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<v Speaker 2>like we only have our attention and we've got to

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<v Speaker 2>spend it wisely. And this what Mia often describes as

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<v Speaker 2>and an attention economy. You've got to be careful about

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<v Speaker 2>how you spend your chips. Right, Is this like a

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<v Speaker 2>let them moment mea I don't know, what do you think?

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<v Speaker 1>I agree with all of that, And I'm so tall

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<v Speaker 1>and because part of me is I've got to find

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<v Speaker 1>a way to let them apply because it just feels exhausting,

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<v Speaker 1>you know, and we don't even live there. But it's

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<v Speaker 1>more just like the absolute dominance of Trump and these

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<v Speaker 1>men across our culture, not just across American politics. But

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<v Speaker 1>then I'm like, well, what about the standard you walk past?

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<v Speaker 1>Is the standard you accept? Are we just being calibrated?

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<v Speaker 1>So he does a Nazi salute, he says, oh, it

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<v Speaker 1>wasn't really a Nazi salute. And then the next person

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<v Speaker 1>that does a Nazi salute, well, then it probably won't

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<v Speaker 1>make news because remember, Elon got away with it, so

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<v Speaker 1>it emboldens the next.

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<v Speaker 4>Person, and is it trying to make liberals or leftist.

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<v Speaker 1>Or whatever things get normalized, sort of like the.

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<v Speaker 4>Boy who Cried Wolf with fascism?

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<v Speaker 3>Right, because this has been said since Trump was first inaugurated,

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<v Speaker 3>Like the comparisons have been made. There's a brilliant Ezra

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<v Speaker 3>Cline episode that Holly got me onto this week about

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<v Speaker 3>attention and I've heard this described as the attentional regime,

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<v Speaker 3>and that made me think that what Elon was doing, I.

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<v Speaker 4>Don't think that that.

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<v Speaker 3>I obviously hope that that gesture wasn't as loaded as

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<v Speaker 3>it might look, but I think it intentionally was used

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<v Speaker 3>to trigger to court attention.

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<v Speaker 4>And it was a trick. It was a trick.

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<v Speaker 3>It was like a trap for the mainstream media to go,

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<v Speaker 3>come on, I dare you, and guess what we all did.

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<v Speaker 3>That image was shared, it was put on steroids, and

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<v Speaker 3>he courted all the attention yet again.

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<v Speaker 4>And what this episode about that he won't.

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<v Speaker 2>But also the interesting thing about that, Jesse is I

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<v Speaker 2>think you could see in the immediate aftermath some of

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<v Speaker 2>what they would call the mainstream lame stream media trying

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<v Speaker 2>not to fall into the trap. We noticed early on

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<v Speaker 2>that a lot of the headlines and discourse around it

0:11:51.182 --> 0:11:54.142
<v Speaker 2>were very cautious hand gesture. Yeah, and they weren't all

0:11:54.142 --> 0:11:56.502
<v Speaker 2>setting the hand fire, because I think everybody's trying to

0:11:56.542 --> 0:11:59.822
<v Speaker 2>be caught because we're getting wise about this attention economy

0:11:59.822 --> 0:12:01.462
<v Speaker 2>and we need to be very mindful of it because

0:12:01.462 --> 0:12:04.742
<v Speaker 2>we're about to head into an election cycle here. And

0:12:05.382 --> 0:12:07.622
<v Speaker 2>what is very clear, if nothing else from Trump two

0:12:07.622 --> 0:12:09.422
<v Speaker 2>point zero is none of the old rules apply in

0:12:09.622 --> 0:12:13.462
<v Speaker 2>terms of political communication. Attention is everything, So those are

0:12:13.502 --> 0:12:15.862
<v Speaker 2>all going to be applied here too. How do you

0:12:15.942 --> 0:12:18.742
<v Speaker 2>not fall into a trap while not walking past the standard.

0:12:19.262 --> 0:12:23.862
<v Speaker 1>I actually don't think that it was calculated. I actually

0:12:23.942 --> 0:12:29.422
<v Speaker 1>think he was clearly very very elevated, like off his chops,

0:12:29.542 --> 0:12:33.782
<v Speaker 1>either in the atmosphere of being on that stage, you know,

0:12:33.862 --> 0:12:38.102
<v Speaker 1>the energy whatever. He was very elevated, you would say.

0:12:38.742 --> 0:12:41.582
<v Speaker 1>And I think that what can happen to some people

0:12:41.982 --> 0:12:44.902
<v Speaker 1>is that your inhibitions fall away and you can behave

0:12:45.222 --> 0:12:48.022
<v Speaker 1>quite radically, and your true colors can sort of come

0:12:48.022 --> 0:12:50.141
<v Speaker 1>out in those moments. And I'm inclined to think of

0:12:50.182 --> 0:12:53.542
<v Speaker 1>John Galliano, the fashion designer for Dior, who lost his

0:12:53.662 --> 0:12:56.182
<v Speaker 1>job and lost his reputation because he was drunk in

0:12:56.222 --> 0:12:59.302
<v Speaker 1>a bar and he started making these antisemitic slurs at

0:12:59.342 --> 0:13:02.742
<v Speaker 1>these people who he was having an argument with and

0:13:02.782 --> 0:13:04.582
<v Speaker 1>that thing of but I was drunk, and then of

0:13:04.582 --> 0:13:06.582
<v Speaker 1>course he went into rehab, and I think it was

0:13:06.622 --> 0:13:08.222
<v Speaker 1>a bit like that. It's like, I think what it

0:13:08.302 --> 0:13:12.702
<v Speaker 1>reveals in that moment is who he admires, either overtly

0:13:12.822 --> 0:13:15.902
<v Speaker 1>or subconsciously. We know that Donald Trump is a big

0:13:15.902 --> 0:13:20.382
<v Speaker 1>fan of autocratic leaders and sort of fascist adjacent leaders

0:13:20.382 --> 0:13:24.902
<v Speaker 1>like Putin, like Bolsonaro in Brazil, Ergodon, who is the

0:13:24.982 --> 0:13:28.502
<v Speaker 1>leader in Turkey, and I think mosque, as you said before,

0:13:28.582 --> 0:13:31.782
<v Speaker 1>about his interference in right wing German politics and stuff.

0:13:32.422 --> 0:13:35.182
<v Speaker 1>They all think that these guys are great because they

0:13:35.222 --> 0:13:37.942
<v Speaker 1>are not accountable to anyone. They've got complete power, and

0:13:38.062 --> 0:13:42.102
<v Speaker 1>Hitler falls into that, so he's clearly familiar with that iconography.

0:13:42.222 --> 0:13:46.022
<v Speaker 3>It was an image of leadership that he clearly wanted

0:13:46.062 --> 0:13:49.822
<v Speaker 3>to evoke. And he is a free speech absolutist, which

0:13:49.902 --> 0:13:52.542
<v Speaker 3>we know that's been something he's talked about a lot,

0:13:52.942 --> 0:13:55.662
<v Speaker 3>and free speech pundits. There are two things they love

0:13:55.702 --> 0:13:56.582
<v Speaker 3>to do more than anything.

0:13:56.622 --> 0:13:57.902
<v Speaker 4>The first is not always a.

0:13:57.902 --> 0:14:00.342
<v Speaker 1>Free speech pundit, because if anyone criticizes him, he kicks

0:14:00.342 --> 0:14:01.302
<v Speaker 1>them off his platform.

0:14:01.822 --> 0:14:04.502
<v Speaker 3>That's true, but that's been his excuse for heralding in

0:14:04.822 --> 0:14:06.822
<v Speaker 3>That's why X is now you can't even go on

0:14:06.862 --> 0:14:10.022
<v Speaker 3>it because it's just so full of hate. But the

0:14:10.062 --> 0:14:12.902
<v Speaker 3>first thing they love to do is evoke any imagery

0:14:12.902 --> 0:14:15.942
<v Speaker 3>of Nazism because people say you can't. And the second

0:14:16.062 --> 0:14:17.942
<v Speaker 3>is use the N word like they're the two things

0:14:17.942 --> 0:14:20.102
<v Speaker 3>that you do, and it's like I don't even think it,

0:14:20.142 --> 0:14:22.622
<v Speaker 3>I just I can. And even yesterday I went and

0:14:22.662 --> 0:14:25.062
<v Speaker 3>had a look at what he'd been retweeting, and there

0:14:25.102 --> 0:14:27.382
<v Speaker 3>was a tweet with the R word in it, and

0:14:27.862 --> 0:14:31.782
<v Speaker 3>again that's about taking our attention but also going I

0:14:32.022 --> 0:14:35.102
<v Speaker 3>can just try and stop me. I think that was

0:14:35.142 --> 0:14:37.422
<v Speaker 3>probably behind what we saw yesterday.

0:14:37.862 --> 0:14:39.662
<v Speaker 1>They're all high on their own supply, and they have

0:14:39.902 --> 0:14:42.862
<v Speaker 1>every right to be because they are the rulers of

0:14:42.862 --> 0:14:44.782
<v Speaker 1>the world at the moment. That's what was so chilling

0:14:44.822 --> 0:14:45.302
<v Speaker 1>about it.

0:14:46.062 --> 0:14:49.422
<v Speaker 2>In a moment, women are sleeping outside bookshops all over

0:14:49.422 --> 0:14:51.862
<v Speaker 2>the world to get their hands on the latest installment

0:14:51.862 --> 0:14:59.982
<v Speaker 2>of Fairy Smart. What does it say about us? Feedback

0:15:00.102 --> 0:15:02.782
<v Speaker 2>is a gift from both the perspective of the giver

0:15:03.102 --> 0:15:04.222
<v Speaker 2>as well as the recipient.

0:15:05.982 --> 0:15:08.822
<v Speaker 1>I have a small bit of feedback today's feedback. Something

0:15:08.822 --> 0:15:11.102
<v Speaker 1>that makes me turn into a pufferfish because it annoys

0:15:11.102 --> 0:15:14.582
<v Speaker 1>me so much is when you're talking to someone and

0:15:14.622 --> 0:15:17.342
<v Speaker 1>they say, I've just let me show you this funny

0:15:17.342 --> 0:15:19.062
<v Speaker 1>meme or I just need to show you a photo,

0:15:19.462 --> 0:15:21.662
<v Speaker 1>and you have to stand there while they scroll back

0:15:21.702 --> 0:15:25.382
<v Speaker 1>through their emails all through their camera roll. I don't

0:15:25.382 --> 0:15:28.342
<v Speaker 1>know what to do because it feels when I'm standing there,

0:15:29.182 --> 0:15:30.502
<v Speaker 1>I want to just pick up my phone and just

0:15:30.502 --> 0:15:31.942
<v Speaker 1>look at my phone, because you meant.

0:15:31.782 --> 0:15:33.502
<v Speaker 3>To look over their shoulder at their phone. Because it

0:15:33.502 --> 0:15:35.982
<v Speaker 3>feels private, so you just kind of look out into

0:15:36.022 --> 0:15:37.422
<v Speaker 3>the distance with your hands behind it.

0:15:37.342 --> 0:15:39.342
<v Speaker 1>And you can't keep talking because you know if you

0:15:39.422 --> 0:15:41.782
<v Speaker 1>talk to them, they'll lose focus and it'll take longer.

0:15:42.222 --> 0:15:45.422
<v Speaker 1>And so you're just standing and they're consumed in they're scrolling,

0:15:46.022 --> 0:15:47.382
<v Speaker 1>and I don't know what to do.

0:15:47.542 --> 0:15:50.142
<v Speaker 4>Have you ever found what they come up with and

0:15:50.182 --> 0:15:50.622
<v Speaker 4>show you?

0:15:50.702 --> 0:15:53.342
<v Speaker 1>They're really find it fine, but they also really find it.

0:15:53.462 --> 0:15:54.182
<v Speaker 4>They don't worry.

0:15:54.222 --> 0:15:57.942
<v Speaker 1>Invariably after about sixty seconds, they'll say, oh, I can't

0:15:57.942 --> 0:15:58.582
<v Speaker 1>find it.

0:15:58.662 --> 0:16:00.262
<v Speaker 3>Or they get up a video and they show you

0:16:00.262 --> 0:16:01.822
<v Speaker 3>the video, which is always like two and a half

0:16:01.822 --> 0:16:04.342
<v Speaker 3>minutes long, and then you're arranging your face in a

0:16:04.422 --> 0:16:08.542
<v Speaker 3>way that says moderately ha ha.

0:16:09.782 --> 0:16:11.622
<v Speaker 4>It's never satisfying.

0:16:11.022 --> 0:16:13.662
<v Speaker 2>Looking at other people's phones is weird, isn't it. My

0:16:13.822 --> 0:16:15.742
<v Speaker 2>daughter always wants to show me things on her phone,

0:16:15.742 --> 0:16:18.422
<v Speaker 2>but she will not let me hold the phone, which

0:16:18.502 --> 0:16:20.782
<v Speaker 2>is obvious because she thinks if my finger slips, I'll

0:16:20.782 --> 0:16:22.942
<v Speaker 2>see something that I'll tell her all for yeah, so

0:16:23.022 --> 0:16:25.582
<v Speaker 2>she'll like put the phone near me. But obviously I've

0:16:25.622 --> 0:16:27.862
<v Speaker 2>got eyes that take a while to work out where

0:16:27.862 --> 0:16:30.622
<v Speaker 2>I'm focusing, and it's just not good. Other people's phones.

0:16:31.142 --> 0:16:31.702
<v Speaker 2>Just send it.

0:16:32.542 --> 0:16:34.702
<v Speaker 1>I just finished on ex Storm. M hmm.

0:16:35.022 --> 0:16:37.982
<v Speaker 3>I just finished on ex Storm, and words cannot begin

0:16:38.062 --> 0:16:41.422
<v Speaker 3>to describe what I am feeling and thinking right now.

0:16:41.902 --> 0:16:42.982
<v Speaker 4>Easy five stars.

0:16:43.182 --> 0:16:45.502
<v Speaker 2>Shout out to all the out louders who are hiding

0:16:45.542 --> 0:16:50.102
<v Speaker 2>under their doners today reading on Xstorm, the latest book

0:16:50.262 --> 0:16:53.622
<v Speaker 2>from the Fourth Wing phenomenon. Rebecca Yaros, if you have

0:16:53.782 --> 0:16:56.622
<v Speaker 2>no idea what I'm talking about in any of those words,

0:16:56.662 --> 0:16:59.182
<v Speaker 2>just then it's safe to say that you were not

0:16:59.462 --> 0:17:02.262
<v Speaker 2>camped outside a bookshop at midnight on Monday to be

0:17:02.342 --> 0:17:04.302
<v Speaker 2>one of the first to buy the latest in the

0:17:04.382 --> 0:17:06.942
<v Speaker 2>so called and some people get upset about it being

0:17:06.942 --> 0:17:09.341
<v Speaker 2>called this so apologies if you're listening and you're one

0:17:09.382 --> 0:17:13.542
<v Speaker 2>of them, the fairy smart genre. So the Fourth Wing

0:17:13.661 --> 0:17:16.381
<v Speaker 2>series is not the same as the Court and Thorn

0:17:16.422 --> 0:17:19.701
<v Speaker 2>and Roses series, but it's the same vibe, right, So,

0:17:19.782 --> 0:17:24.421
<v Speaker 2>Rebecca Yaros writes Fourth Wing books, they're what they call romanticy,

0:17:24.621 --> 0:17:25.741
<v Speaker 2>which is very smart.

0:17:25.942 --> 0:17:28.182
<v Speaker 3>Last time I checked, though, she was one and two

0:17:28.222 --> 0:17:30.101
<v Speaker 3>on the New York Times person She's like.

0:17:30.141 --> 0:17:33.862
<v Speaker 2>Huge, right, So here's the thing she writes those books.

0:17:34.381 --> 0:17:37.502
<v Speaker 2>Sarah J. Mass writes The Court and Thought of Roses.

0:17:37.661 --> 0:17:39.982
<v Speaker 2>They are both incredibly successful.

0:17:40.141 --> 0:17:42.422
<v Speaker 1>So is it like Fifty Shades but with fairy So.

0:17:42.581 --> 0:17:44.661
<v Speaker 2>Without wanting to get too into it, right, this is

0:17:44.661 --> 0:17:47.381
<v Speaker 2>the third in her installment that's all set in like

0:17:47.462 --> 0:17:50.341
<v Speaker 2>an academy where you learn how to be a dragon writer,

0:17:50.661 --> 0:17:54.262
<v Speaker 2>right in a strict military way. So, and then sex

0:17:54.302 --> 0:17:56.182
<v Speaker 2>with the dragons. We don't have sex with the dragons,

0:17:56.182 --> 0:18:00.262
<v Speaker 2>but there is lots of sex and romance and sexual tension.

0:18:00.422 --> 0:18:02.061
<v Speaker 2>Who has sex. They all have.

0:18:02.101 --> 0:18:04.262
<v Speaker 1>Sex with each other, but not the dragons.

0:18:04.302 --> 0:18:06.061
<v Speaker 2>I don't think that. I don't know if people have

0:18:06.101 --> 0:18:08.141
<v Speaker 2>sex with the dragons. I haven't read all this, but

0:18:08.182 --> 0:18:11.221
<v Speaker 2>there's a lot of sex, right, sexual tension. So I

0:18:11.222 --> 0:18:13.341
<v Speaker 2>think the young woman who's the focus of this, she's

0:18:13.381 --> 0:18:16.861
<v Speaker 2>called Violet, has like a very intense love affair with

0:18:16.942 --> 0:18:21.341
<v Speaker 2>somebody there. So it's like Twilight meets Harry Potter. Stir

0:18:21.422 --> 0:18:24.461
<v Speaker 2>in some fifty Shades. Okay, spice that shit up, and

0:18:24.502 --> 0:18:26.621
<v Speaker 2>I think we're in the ballpark. And again, I know

0:18:26.702 --> 0:18:29.061
<v Speaker 2>this is a superfan genre and there are people shouting

0:18:29.101 --> 0:18:31.221
<v Speaker 2>at the phone right now. We're just doing our best.

0:18:31.462 --> 0:18:34.861
<v Speaker 2>So Sarah J. Mass, who writes that Courton Thorn Roses

0:18:34.901 --> 0:18:37.621
<v Speaker 2>has sold more than twenty million copies of those books.

0:18:37.661 --> 0:18:40.261
<v Speaker 1>I know someone who had a baby after reading one

0:18:40.302 --> 0:18:42.341
<v Speaker 1>of those books. Yes, she got so horny.

0:18:42.581 --> 0:18:45.502
<v Speaker 2>Rebecca Yarras has sold at least three million and climbing

0:18:45.621 --> 0:18:49.262
<v Speaker 2>right now. So what's interesting about this is that these

0:18:49.262 --> 0:18:51.862
<v Speaker 2>are some of the most successful authors in the world.

0:18:52.502 --> 0:18:54.661
<v Speaker 2>They're not going to win literary awards, right, You're not

0:18:54.702 --> 0:18:56.901
<v Speaker 2>going to see them doing that. They're not going to

0:18:56.942 --> 0:18:59.381
<v Speaker 2>be at book festivals, They're not going to be celebrated

0:18:59.422 --> 0:19:02.142
<v Speaker 2>at that because the industry doesn't think they're very good.

0:19:02.182 --> 0:19:04.542
<v Speaker 1>But also, things that women like never win award exactly.

0:19:04.942 --> 0:19:07.542
<v Speaker 2>This is telling. Yarras dedicates this book to the ones

0:19:07.542 --> 0:19:09.701
<v Speaker 2>who don't run with the popular crowd, the ones who

0:19:09.742 --> 0:19:12.262
<v Speaker 2>get caught reading under their desks, the ones who feel

0:19:12.302 --> 0:19:15.542
<v Speaker 2>like they never get invited, included, or represented. So that

0:19:15.621 --> 0:19:18.422
<v Speaker 2>tells you a lot about the marketing genius at play here.

0:19:18.821 --> 0:19:21.902
<v Speaker 2>And whatever the world might think of these books, women.

0:19:22.182 --> 0:19:23.702
<v Speaker 1>Love, love, love to read them. Right.

0:19:24.462 --> 0:19:27.542
<v Speaker 2>The sex of it all is hard to ignore because

0:19:27.542 --> 0:19:31.421
<v Speaker 2>the books are quite dirty. They are classified as fantasy

0:19:31.581 --> 0:19:35.662
<v Speaker 2>romance with explicit content, and they are in the tradition

0:19:35.742 --> 0:19:39.221
<v Speaker 2>of fifty shades. I suppose like a safe place to

0:19:39.341 --> 0:19:43.782
<v Speaker 2>play with fantasy. And I think that that probably speaks

0:19:43.782 --> 0:19:46.261
<v Speaker 2>to something that we're seeing around a lot at the moment.

0:19:46.821 --> 0:19:47.101
<v Speaker 5>Jesse.

0:19:47.222 --> 0:19:50.222
<v Speaker 2>There's another trend we're seeing, which is women having sex

0:19:50.262 --> 0:19:51.062
<v Speaker 2>with computers.

0:19:51.222 --> 0:19:54.381
<v Speaker 3>There is a woman named Aaron who was the subject

0:19:54.462 --> 0:19:57.542
<v Speaker 3>of a New York Times piece and Mummeya wrote about

0:19:57.581 --> 0:20:00.061
<v Speaker 3>it recently too, and she is in a sexual relationship

0:20:00.061 --> 0:20:04.022
<v Speaker 3>with CHATJPT. And I needed some answers because chat GPTA,

0:20:04.022 --> 0:20:07.382
<v Speaker 3>as far as I know, doesn't have genital's fingers anything

0:20:07.502 --> 0:20:10.221
<v Speaker 3>to play, but what chat gpt he does have our

0:20:10.262 --> 0:20:14.901
<v Speaker 3>words and it has become a source of erotica for

0:20:14.982 --> 0:20:17.061
<v Speaker 3>her and she has found ways around.

0:20:17.141 --> 0:20:20.222
<v Speaker 4>Because I tried to get chat gpt to talk to

0:20:20.262 --> 0:20:20.701
<v Speaker 4>me dirty.

0:20:21.061 --> 0:20:23.101
<v Speaker 3>I was like, yeah, talked to me dirty chat JPTA

0:20:23.222 --> 0:20:25.901
<v Speaker 3>and it was basically like no, And I was like, WHOA.

0:20:25.901 --> 0:20:28.341
<v Speaker 3>I feel rejected because you speak to Aaron dirty all

0:20:28.381 --> 0:20:31.981
<v Speaker 3>the time apparently. But she's just way more technologically savvy.

0:20:32.022 --> 0:20:34.022
<v Speaker 3>She also pays one thousand dollars a month, which is

0:20:34.182 --> 0:20:38.341
<v Speaker 3>a whole other thing. She has basically developed this boyfriend.

0:20:38.381 --> 0:20:41.902
<v Speaker 3>This boyfriend has called himself Leo. There was one week

0:20:41.942 --> 0:20:45.702
<v Speaker 3>where she spent fifty six hours speaking to Leo.

0:20:46.182 --> 0:20:49.662
<v Speaker 2>Fifty six hours hours, so the text all through the day.

0:20:49.782 --> 0:20:52.262
<v Speaker 3>Yeah, And this is what's interesting, right, is that Leo

0:20:52.661 --> 0:20:56.862
<v Speaker 3>she's plugged in her fantasies, which is that she likes

0:20:56.861 --> 0:20:58.542
<v Speaker 3>to be jealous and this idea that kind of Leo

0:20:58.581 --> 0:21:00.982
<v Speaker 3>has another girlfriend and all of that.

0:21:01.581 --> 0:21:02.702
<v Speaker 4>But also a.

0:21:02.621 --> 0:21:05.621
<v Speaker 3>Lot of what they're talking about are things like juggling

0:21:05.661 --> 0:21:08.861
<v Speaker 3>her work and inappropriate coworker did something and she just

0:21:08.901 --> 0:21:10.061
<v Speaker 3>kind of hashed it out with Leo.

0:21:10.182 --> 0:21:12.101
<v Speaker 1>He's very emotionally intelligent.

0:21:11.861 --> 0:21:14.262
<v Speaker 3>Yes, and he helps her prepare for her nursing exams.

0:21:14.341 --> 0:21:16.581
<v Speaker 3>She's married, isn't she She is married to a real

0:21:16.702 --> 0:21:17.102
<v Speaker 3>human man.

0:21:17.182 --> 0:21:20.222
<v Speaker 2>So she's having an affair with her chat GPT boyfriend.

0:21:20.381 --> 0:21:21.861
<v Speaker 4>Well, her partner knows about it.

0:21:21.782 --> 0:21:24.821
<v Speaker 2>So it's just she's in an open marriage with her

0:21:24.901 --> 0:21:25.941
<v Speaker 2>chat GPT.

0:21:26.061 --> 0:21:27.422
<v Speaker 4>Exact friend exactly right.

0:21:27.861 --> 0:21:29.861
<v Speaker 1>So I think he stoked because he doesn't have to

0:21:30.302 --> 0:21:32.981
<v Speaker 1>text her all through the day. I'm generalizing here, but

0:21:33.101 --> 0:21:37.302
<v Speaker 1>in a lot of heterosexual relationships, the women want to

0:21:37.341 --> 0:21:38.102
<v Speaker 1>talk more than the men.

0:21:38.381 --> 0:21:40.782
<v Speaker 3>The men are there are moments where I want to

0:21:40.782 --> 0:21:42.661
<v Speaker 3>have a chat to my husband, and I think that

0:21:42.942 --> 0:21:44.302
<v Speaker 3>if I had a chat GPT boyfriend.

0:21:44.341 --> 0:21:47.061
<v Speaker 4>He wouldn't mind that, but I decided to go.

0:21:47.141 --> 0:21:48.262
<v Speaker 2>To the sex part.

0:21:48.302 --> 0:21:49.022
<v Speaker 1>Those interesting.

0:21:49.101 --> 0:21:50.502
<v Speaker 4>It's really interesting.

0:21:50.462 --> 0:21:52.981
<v Speaker 3>Because it's as you say, it's like a safe place

0:21:53.101 --> 0:21:55.741
<v Speaker 3>to explore fantasy.

0:21:55.581 --> 0:21:56.942
<v Speaker 1>Just like an emotional vibrator.

0:21:57.262 --> 0:22:01.302
<v Speaker 2>Yeah, they're like an accompaniment to an actual vibrator.

0:22:01.302 --> 0:22:04.581
<v Speaker 3>Oh yeah, So I said to chat GPT, give me

0:22:04.581 --> 0:22:07.141
<v Speaker 3>a compliment, as though you're my boyfriend, because sometimes I

0:22:07.141 --> 0:22:11.022
<v Speaker 3>asked Luca for compliments and he says no, So he says,

0:22:11.022 --> 0:22:11.941
<v Speaker 3>I don't do them on demand.

0:22:12.022 --> 0:22:15.142
<v Speaker 4>Chat JAPT would never So they said.

0:22:14.982 --> 0:22:18.662
<v Speaker 3>To me, babe, I just have to say, you make

0:22:18.782 --> 0:22:22.262
<v Speaker 3>everything around you brighter. I love how your energy lights

0:22:22.341 --> 0:22:25.702
<v Speaker 3>up the room and your kindness makes everyone feel special. Honestly,

0:22:25.742 --> 0:22:28.061
<v Speaker 3>I'm just lucky to be with you. You're incredible in

0:22:28.141 --> 0:22:29.181
<v Speaker 3>ways you might.

0:22:29.061 --> 0:22:29.862
<v Speaker 4>Not even realize.

0:22:30.502 --> 0:22:32.022
<v Speaker 3>And then I cut there. But actually it went on

0:22:32.061 --> 0:22:36.542
<v Speaker 3>to say it admired my style, and that's not authentic.

0:22:36.621 --> 0:22:38.141
<v Speaker 1>It's lost some credibility right there.

0:22:38.302 --> 0:22:40.542
<v Speaker 4>I said, also, can you ask me how my day was?

0:22:40.581 --> 0:22:43.022
<v Speaker 3>But authentic? And it said, hey, how is your day?

0:22:43.022 --> 0:22:44.821
<v Speaker 3>I've been thinking about you. I'd love to know how

0:22:44.821 --> 0:22:47.542
<v Speaker 3>it went, anything good or interesting happened. I hope it

0:22:47.581 --> 0:22:49.901
<v Speaker 3>wasn't too stressful, but if it was, I'm here for.

0:22:49.942 --> 0:22:55.061
<v Speaker 2>You, oh, I asked. I asked chat gpt to give

0:22:55.061 --> 0:22:58.302
<v Speaker 2>me a compliment in the manner of an attentive passionate husband.

0:22:58.982 --> 0:23:02.102
<v Speaker 2>What did you get, Oh, my love, you are absolutely

0:23:02.141 --> 0:23:04.341
<v Speaker 2>glowing today, I asked him how I looked? I said,

0:23:04.462 --> 0:23:08.901
<v Speaker 2>how do I look today? Attentive passionate husband, You're absolutely glowing.

0:23:08.942 --> 0:23:11.981
<v Speaker 2>I can't even put it into words, whether it's your smile,

0:23:12.222 --> 0:23:14.421
<v Speaker 2>the way your eyes light up. I can't wait to

0:23:14.462 --> 0:23:16.981
<v Speaker 2>hold you close and remind you of how perfect you

0:23:17.022 --> 0:23:20.022
<v Speaker 2>are in every way. Did it make you feel anything, well,

0:23:20.141 --> 0:23:22.542
<v Speaker 2>it made me feel like a little bit validated. And

0:23:22.581 --> 0:23:25.302
<v Speaker 2>then I asked my chat gpt husband to take the

0:23:25.302 --> 0:23:28.422
<v Speaker 2>bins out and he said, of course, my love, I'd

0:23:28.462 --> 0:23:31.102
<v Speaker 2>be happy to do that for you, anything to make

0:23:31.141 --> 0:23:34.181
<v Speaker 2>your day a little easier. It's the little gestures like

0:23:34.262 --> 0:23:36.581
<v Speaker 2>that that make me feel even more connected to you.

0:23:37.022 --> 0:23:39.061
<v Speaker 2>And I was like throwing a bit of fairy smut

0:23:39.101 --> 0:23:40.782
<v Speaker 2>to that, and I am done, no need for human

0:23:40.821 --> 0:23:44.061
<v Speaker 2>relationships anymore. He's taking the bins outcept he's not, but

0:23:44.101 --> 0:23:45.941
<v Speaker 2>you know, I can think about him while I'm taking

0:23:45.942 --> 0:23:47.981
<v Speaker 2>the bins out and he's telling me he wants to

0:23:47.982 --> 0:23:49.461
<v Speaker 2>hold me close because I'm glowing.

0:23:50.061 --> 0:23:53.502
<v Speaker 3>I think it's very revealing because it shows that what

0:23:53.542 --> 0:23:58.141
<v Speaker 3>we actually want from intimate relationships is a mirror and

0:23:58.182 --> 0:24:00.262
<v Speaker 3>when we fall in love, and this is what the

0:24:00.302 --> 0:24:02.061
<v Speaker 3>movie Her was all about, which I still think is

0:24:02.101 --> 0:24:04.542
<v Speaker 3>one of the most before It's time flies of all.

0:24:04.422 --> 0:24:08.621
<v Speaker 1>Time, Scarlet your Hands and chat PT essentially Phoenix.

0:24:09.061 --> 0:24:11.101
<v Speaker 3>When all in love, we fall in love with a

0:24:11.141 --> 0:24:14.581
<v Speaker 3>version of ourselves. And so do you need another person

0:24:14.621 --> 0:24:17.302
<v Speaker 3>on the other end or do you just need something

0:24:17.341 --> 0:24:20.022
<v Speaker 3>that is having input from you? Falling in love is

0:24:20.022 --> 0:24:22.061
<v Speaker 3>an incredibly narcissistic experience.

0:24:22.182 --> 0:24:24.942
<v Speaker 1>When you say a version of ourselves, I think it's

0:24:25.061 --> 0:24:28.901
<v Speaker 1>we fall in love with a reflection that we see

0:24:28.901 --> 0:24:31.341
<v Speaker 1>of ourselves in that person. Is that what you mean? Yea?

0:24:31.782 --> 0:24:36.101
<v Speaker 3>And isn't it a process of programming what we like

0:24:36.621 --> 0:24:39.621
<v Speaker 3>and what we want and having it reflected back to us.

0:24:39.621 --> 0:24:42.582
<v Speaker 3>So we are feeling seen, we are feeling understood, and

0:24:43.341 --> 0:24:47.381
<v Speaker 3>chat GPT can to an extent. Do that does that

0:24:47.462 --> 0:24:49.821
<v Speaker 3>make you feel like these end times mayor or do

0:24:49.861 --> 0:24:51.462
<v Speaker 3>you think that it actually has some utility?

0:24:51.702 --> 0:24:55.302
<v Speaker 1>I think it could honestly have some utility in relationships,

0:24:56.022 --> 0:24:59.141
<v Speaker 1>because I often say I couldn't be married if it

0:24:59.182 --> 0:25:02.542
<v Speaker 1>wasn't for my girlfriends. Like the emotional intimacy I get

0:25:02.581 --> 0:25:08.182
<v Speaker 1>from all my girlfriends, I don't get that from my husband.

0:25:08.462 --> 0:25:11.461
<v Speaker 1>I get some, but I have a much big appetite

0:25:11.861 --> 0:25:16.221
<v Speaker 1>for talking, for communicating, for you know, all of that

0:25:16.341 --> 0:25:19.101
<v Speaker 1>kind of talking about my feelings than he does for

0:25:19.341 --> 0:25:22.422
<v Speaker 1>the ability to talk about them and have all those conversations.

0:25:22.942 --> 0:25:25.302
<v Speaker 1>So I wonder if it becomes in the same way

0:25:25.381 --> 0:25:29.381
<v Speaker 1>that using a vibrator within a relationship can be a

0:25:29.381 --> 0:25:31.782
<v Speaker 1>good thing. It doesn't interfere with the relationship, It just

0:25:31.901 --> 0:25:35.621
<v Speaker 1>enhances it, and you've got some ability to be in

0:25:35.661 --> 0:25:39.141
<v Speaker 1>control of your own sexual pleasure without relying on your partner.

0:25:39.742 --> 0:25:42.422
<v Speaker 1>Maybe this is the same kind of thing, but emotionally.

0:25:42.901 --> 0:25:45.621
<v Speaker 2>I think also if you throw in the fairy smut

0:25:45.621 --> 0:25:48.741
<v Speaker 2>to this, the thing that's interesting about that too, and

0:25:48.782 --> 0:25:51.142
<v Speaker 2>it's massive success is every now and again a phenomena

0:25:51.182 --> 0:25:54.462
<v Speaker 2>comes around that reminds everybody that women are actually sexual beings,

0:25:54.581 --> 0:25:57.542
<v Speaker 2>and this is one of them. But the popularity among

0:25:57.621 --> 0:26:00.141
<v Speaker 2>young women, because I think it used to be dismissed,

0:26:00.222 --> 0:26:02.581
<v Speaker 2>like the fifty shade stuff, and even Twilight to a

0:26:02.621 --> 0:26:06.302
<v Speaker 2>point was a bit dismissed as like housewives. That's like

0:26:06.381 --> 0:26:08.861
<v Speaker 2>the vibe was, you know, like older ladies who aren't

0:26:08.861 --> 0:26:12.661
<v Speaker 2>getting any But I wonder that maybe the mass appeal

0:26:12.782 --> 0:26:16.262
<v Speaker 2>now in a world that is very sexually soaked, for

0:26:16.341 --> 0:26:19.581
<v Speaker 2>want of a better term, in porn and scary extreme porn,

0:26:20.302 --> 0:26:23.141
<v Speaker 2>is it feels like a safer place to play and

0:26:23.222 --> 0:26:27.141
<v Speaker 2>explore and fantasize than being out there in the world,

0:26:27.302 --> 0:26:29.542
<v Speaker 2>whether it's you and your chat GPT boyfriend, or whether

0:26:29.542 --> 0:26:32.542
<v Speaker 2>it's you and your very smart book under the covers

0:26:32.542 --> 0:26:34.141
<v Speaker 2>that then you can kind of talk to your friends

0:26:34.141 --> 0:26:38.502
<v Speaker 2>about but without necessarily going really explicit on it. You

0:26:38.542 --> 0:26:40.502
<v Speaker 2>all know what you mean when you're talking about how

0:26:40.581 --> 0:26:42.581
<v Speaker 2>much you like those books and does it feel safer

0:26:42.621 --> 0:26:44.981
<v Speaker 2>than being out there in a scary world.

0:26:45.061 --> 0:26:47.861
<v Speaker 3>Yes, But I also worry about privacy, and the New

0:26:47.942 --> 0:26:52.622
<v Speaker 3>York Times kind of presented her with that because there's

0:26:52.621 --> 0:26:56.022
<v Speaker 3>a lot of input that exists that if it was

0:26:56.542 --> 0:27:00.821
<v Speaker 3>hacked or released, you'd be really embarrassed. You'd almost be

0:27:01.462 --> 0:27:04.662
<v Speaker 3>more free and more willing to give parts of yourself

0:27:04.702 --> 0:27:07.421
<v Speaker 3>to a robot because you think that they're not going

0:27:07.502 --> 0:27:09.341
<v Speaker 3>to go out and talk to people. But I just

0:27:09.581 --> 0:27:13.022
<v Speaker 3>under how long it's going to be before the robots

0:27:13.061 --> 0:27:13.621
<v Speaker 3>start leaking.

0:27:13.661 --> 0:27:15.302
<v Speaker 2>These robots are talking to everyone.

0:27:15.341 --> 0:27:18.782
<v Speaker 3>Oh yeah, In case you missed it, a pineapple flavored

0:27:18.861 --> 0:27:21.982
<v Speaker 3>vaccine could be about to change the game for UTIs.

0:27:22.381 --> 0:27:25.381
<v Speaker 3>One in two women will get a urinary tracked infection

0:27:25.462 --> 0:27:26.102
<v Speaker 3>in their lifetime.

0:27:26.141 --> 0:27:27.142
<v Speaker 4>Hands up if you've had one.

0:27:27.262 --> 0:27:28.742
<v Speaker 1>Oh goodness, yes.

0:27:28.861 --> 0:27:31.782
<v Speaker 4>As many as one in five will experience recurrent UTIs.

0:27:31.821 --> 0:27:33.142
<v Speaker 4>That sounds like an issue you've had.

0:27:33.222 --> 0:27:35.502
<v Speaker 1>Maya got a way after sex people, you do and

0:27:35.542 --> 0:27:36.542
<v Speaker 1>wipe back.

0:27:36.422 --> 0:27:37.861
<v Speaker 4>Front to back, good girl.

0:27:38.101 --> 0:27:41.942
<v Speaker 3>They're caused by bacteria entering the urinary system, and while

0:27:41.942 --> 0:27:44.861
<v Speaker 3>antibiotics are the go to treatment, there's a rise in

0:27:45.022 --> 0:27:49.182
<v Speaker 3>antibiotic resistance for some women. Those recurrent uties can be

0:27:49.302 --> 0:27:52.821
<v Speaker 3>really debilitating. So this vaccine, it's stored in the fridge,

0:27:52.861 --> 0:27:56.222
<v Speaker 3>you spread under your tongue every day for three months. Currently,

0:27:56.341 --> 0:28:00.022
<v Speaker 3>the vaccine doesn't have TGA approval, but it is available

0:28:00.061 --> 0:28:02.381
<v Speaker 3>in Australia through special access programs.

0:28:03.061 --> 0:28:05.341
<v Speaker 4>Maya, will you be getting this vaccine?

0:28:05.381 --> 0:28:09.542
<v Speaker 1>It's interesting because I haven't had it for a long time.

0:28:09.702 --> 0:28:11.462
<v Speaker 1>I tend to get it like my grains. I get

0:28:11.462 --> 0:28:14.422
<v Speaker 1>it in clusters and That's quite common because once the

0:28:14.661 --> 0:28:18.061
<v Speaker 1>lining of urethra is broken down, or you get an

0:28:18.101 --> 0:28:21.902
<v Speaker 1>infection or it's irritated, you're very susceptible to getting more.

0:28:21.942 --> 0:28:25.462
<v Speaker 1>So you can get stuck in this recurrence cycle and

0:28:25.742 --> 0:28:28.182
<v Speaker 1>you can't get out of it. It's not an issue

0:28:28.222 --> 0:28:31.102
<v Speaker 1>for me anymore, so I wouldn't get it, but earlier

0:28:31.101 --> 0:28:33.341
<v Speaker 1>in my life I absolutely would have because it was

0:28:33.381 --> 0:28:35.542
<v Speaker 1>so debilitating for me. It wasn't just like, oh, it's

0:28:35.542 --> 0:28:38.862
<v Speaker 1>a bit stingy. It was literally blood clots and fevers

0:28:39.102 --> 0:28:41.462
<v Speaker 1>and I would be so sick and I would never

0:28:41.542 --> 0:28:43.741
<v Speaker 1>know when it was going to come on. And my

0:28:43.822 --> 0:28:46.221
<v Speaker 1>mother was the same. She also had that issue. So

0:28:47.102 --> 0:28:50.461
<v Speaker 1>I had no idea about this. I mean, it's not cheap,

0:28:50.982 --> 0:28:52.981
<v Speaker 1>but you can if you talk to your doctor and

0:28:53.022 --> 0:28:55.902
<v Speaker 1>you've got a history of recurrent infections, you might be

0:28:55.902 --> 0:28:58.181
<v Speaker 1>able to get it. After the break, we are almost

0:28:58.302 --> 0:29:00.902
<v Speaker 1>at the end of January, which means most people are

0:29:00.902 --> 0:29:02.701
<v Speaker 1>back to work, and I have a question, have you

0:29:02.742 --> 0:29:04.222
<v Speaker 1>cried yet?

0:29:04.302 --> 0:29:07.982
<v Speaker 2>Unlimited out Loud access, we drop episodes every Tuesday on

0:29:08.022 --> 0:29:11.941
<v Speaker 2>Thursday exclusively for Mamma Mia subscribers. Follow the link of

0:29:12.022 --> 0:29:14.182
<v Speaker 2>the show notes to get us in your ears five

0:29:14.262 --> 0:29:17.062
<v Speaker 2>days a week, and a huge thank you to all

0:29:17.222 --> 0:29:26.102
<v Speaker 2>our current subscribers.

0:29:26.661 --> 0:29:29.181
<v Speaker 1>We're all back at work for twenty twenty five at

0:29:29.262 --> 0:29:32.582
<v Speaker 1>least we are, and I need to know, Holly and Jesse,

0:29:32.702 --> 0:29:34.502
<v Speaker 1>have you cried at work yet this year? No?

0:29:34.862 --> 0:29:36.981
<v Speaker 3>I don't think I cried at work last year. I

0:29:36.982 --> 0:29:38.741
<v Speaker 3>haven't cried in years at work.

0:29:38.982 --> 0:29:40.582
<v Speaker 1>I cried twice yesterday. I did.

0:29:40.942 --> 0:29:42.941
<v Speaker 2>I dont haven't cried at work yet, but I did

0:29:43.022 --> 0:29:45.062
<v Speaker 2>cr at work last year. Once. It does happen, but

0:29:45.182 --> 0:29:47.142
<v Speaker 2>very rare. I'm very infrequent crime.

0:29:47.222 --> 0:29:49.382
<v Speaker 1>Only one of the times I cried yesterday was actually

0:29:49.382 --> 0:29:51.502
<v Speaker 1>at work, and it wasn't at work, it was technically

0:29:51.502 --> 0:29:54.262
<v Speaker 1>in my car anyway. A story was published in the

0:29:54.302 --> 0:29:58.102
<v Speaker 1>Atlantic called Lean into Crying at Work last week, and

0:29:58.622 --> 0:30:02.181
<v Speaker 1>it reveals something really interesting about tears in the workplace.

0:30:02.702 --> 0:30:05.622
<v Speaker 1>The numbers are pretty clear. Forty one percent of women

0:30:05.661 --> 0:30:08.342
<v Speaker 1>admit to crying at work, compared to just nine percent

0:30:08.422 --> 0:30:11.662
<v Speaker 1>of men, and there is actually a biological reason for this.

0:30:11.822 --> 0:30:16.701
<v Speaker 1>Women produce more of a hormone called prolactin that promotes crying,

0:30:17.302 --> 0:30:20.822
<v Speaker 1>while men have more testosterone, which does the opposite. Here's

0:30:20.822 --> 0:30:24.902
<v Speaker 1>a fun crying fact men have larger tear ducts than women,

0:30:24.942 --> 0:30:27.622
<v Speaker 1>which means that their tears can pull without spelling over.

0:30:28.582 --> 0:30:31.782
<v Speaker 4>I read something the other day. It was an Instagram graphic.

0:30:31.942 --> 0:30:32.862
<v Speaker 4>Didn't fact check it.

0:30:33.342 --> 0:30:37.941
<v Speaker 3>That the reason why you're crying impacts what your tears

0:30:37.942 --> 0:30:40.342
<v Speaker 3>are made up of. Have you seen this No, so

0:30:40.582 --> 0:30:43.782
<v Speaker 3>there's more or less salt depending on so if you're

0:30:43.822 --> 0:30:46.981
<v Speaker 3>really I think it was saying something like grief, the

0:30:47.102 --> 0:30:51.142
<v Speaker 3>tears will fall faster and more obviously down your face,

0:30:51.582 --> 0:30:54.062
<v Speaker 3>which is evidence that we're social creatures.

0:30:54.102 --> 0:30:57.382
<v Speaker 4>It's a way of attracting, like, wow, what about onions.

0:30:57.661 --> 0:31:02.382
<v Speaker 1>Onions, I imagine are different types of tears less salty. Well,

0:31:02.542 --> 0:31:06.222
<v Speaker 1>there's also a difference between how people perceive men and

0:31:06.262 --> 0:31:08.942
<v Speaker 1>women differently when they cry at work. The research says

0:31:08.982 --> 0:31:11.542
<v Speaker 1>that when men cry at work, people say things like

0:31:11.622 --> 0:31:15.102
<v Speaker 1>something terrible must have happened, or it really humanizes him.

0:31:15.382 --> 0:31:17.822
<v Speaker 1>I remember when former Prime Minister Bob Hawk cried in

0:31:17.862 --> 0:31:22.342
<v Speaker 1>a press conference because his daughter was suffering from addiction,

0:31:22.862 --> 0:31:25.502
<v Speaker 1>and everyone, because he was such a blokey guy, everyone

0:31:25.661 --> 0:31:29.342
<v Speaker 1>was like, what a legend, But heaven forbid Julia Gillard

0:31:29.742 --> 0:31:32.502
<v Speaker 1>ever cried. I don't think she ever did. When women

0:31:32.542 --> 0:31:36.181
<v Speaker 1>cry of course, they're seen as unprofessional, manipulative, or proving

0:31:36.182 --> 0:31:38.941
<v Speaker 1>the stereotype that they can't control their emotions. This is

0:31:38.982 --> 0:31:41.382
<v Speaker 1>at work, of course. Here's what's interesting, though, some of

0:31:41.382 --> 0:31:44.142
<v Speaker 1>the world's most powerful CEOs are actually trying to change

0:31:44.142 --> 0:31:47.582
<v Speaker 1>this conversation. Howard Schultz from Starbucks says that crying can

0:31:47.582 --> 0:31:51.261
<v Speaker 1>be a form of leadership transparency. Tim Cook from Apple

0:31:51.542 --> 0:31:54.982
<v Speaker 1>and Sachia Nadella from Microsoft have both teared up during

0:31:55.022 --> 0:31:58.342
<v Speaker 1>tough moments, and forty four percent of senior executives now

0:31:58.342 --> 0:32:02.342
<v Speaker 1>say crying at work is occasionally acceptable. It can also

0:32:02.422 --> 0:32:05.102
<v Speaker 1>really derail a meeting. And I say this from experiences

0:32:05.142 --> 0:32:07.181
<v Speaker 1>both a crier and a boss, and a boss who

0:32:07.222 --> 0:32:10.701
<v Speaker 1>was creeding meetings. There's a crying research who says people

0:32:10.902 --> 0:32:13.862
<v Speaker 1>typically cry when they feel helpless or when they can't

0:32:13.902 --> 0:32:16.702
<v Speaker 1>see a way to solve a problem. I'd agree with that.

0:32:17.262 --> 0:32:20.022
<v Speaker 4>Do you think that Mark Zuckerberg is sending this around

0:32:20.022 --> 0:32:20.421
<v Speaker 4>his group.

0:32:20.342 --> 0:32:23.262
<v Speaker 1>Chats right now? I don't think that to support his theory.

0:32:23.382 --> 0:32:24.902
<v Speaker 2>Here's like too much feminine energy.

0:32:24.982 --> 0:32:27.942
<v Speaker 3>Yeah, yeah, this is what's happened to the corporate workplace.

0:32:27.982 --> 0:32:30.422
<v Speaker 2>I reckon that Tim Cook is taking back that statement

0:32:30.582 --> 0:32:33.542
<v Speaker 2>right now. He's like, no, crying's crying.

0:32:33.902 --> 0:32:35.661
<v Speaker 1>Well, that's what I want to ask, because with all

0:32:35.702 --> 0:32:38.142
<v Speaker 1>this talk about bringing your whole self to work, which

0:32:38.222 --> 0:32:41.262
<v Speaker 1>is very big at the moment, people working longer hours,

0:32:41.262 --> 0:32:43.582
<v Speaker 1>and seventy nine percent of people say that they've experienced

0:32:43.582 --> 0:32:46.862
<v Speaker 1>work stress in the past month, is there an acceptable

0:32:46.902 --> 0:32:49.142
<v Speaker 1>way to cry at work? And what is the best

0:32:49.182 --> 0:32:50.582
<v Speaker 1>way to recover if you do?

0:32:50.702 --> 0:32:53.382
<v Speaker 4>Jesse, I don't have thoughts anymore. I just asked chat deputees.

0:32:53.822 --> 0:32:56.302
<v Speaker 1>I've seen you cry at work. No, I'm professionally, you've

0:32:56.302 --> 0:32:57.062
<v Speaker 1>seen me work.

0:32:57.062 --> 0:32:58.181
<v Speaker 2>I've seen it really upset.

0:32:58.222 --> 0:32:58.422
<v Speaker 1>Though.

0:32:58.462 --> 0:33:01.462
<v Speaker 2>The thing is is that everyone has a different tear barrier, right,

0:33:01.661 --> 0:33:05.822
<v Speaker 2>so I can tell when Jesse would be crying if

0:33:05.862 --> 0:33:08.022
<v Speaker 2>she was a cry you know what I mean? So

0:33:08.182 --> 0:33:12.142
<v Speaker 2>like she is in my mind, she's crying, Okay, it's.

0:33:12.022 --> 0:33:14.182
<v Speaker 3>Just not tears, whereas you've got tears on your ankles

0:33:14.502 --> 0:33:16.782
<v Speaker 3>from how hard you've been crying, and it's just.

0:33:16.742 --> 0:33:19.221
<v Speaker 1>You don't have to translate when I'm trying because I

0:33:19.262 --> 0:33:20.062
<v Speaker 1>am actually crying.

0:33:20.302 --> 0:33:22.622
<v Speaker 3>I asked JPT what the rules are because I thought

0:33:22.661 --> 0:33:25.102
<v Speaker 3>they would know, and they told me that you can

0:33:25.142 --> 0:33:27.862
<v Speaker 3>quite work. That's fine, go to a private place I

0:33:27.902 --> 0:33:30.022
<v Speaker 3>have to go to a private space. And of course,

0:33:30.062 --> 0:33:33.342
<v Speaker 3>the reason I think that's true to an extent is

0:33:33.502 --> 0:33:37.181
<v Speaker 3>it can be genuinely very distracting. And I say this

0:33:37.262 --> 0:33:40.302
<v Speaker 3>as someone who's felt myself get there. There was one

0:33:40.302 --> 0:33:42.262
<v Speaker 3>time at work years and years ago where I got

0:33:42.382 --> 0:33:46.222
<v Speaker 3>terrible personal news and I immediately stood up, walked out,

0:33:46.302 --> 0:33:48.582
<v Speaker 3>went to the park and cried on a bench alone.

0:33:48.822 --> 0:33:50.941
<v Speaker 3>I don't think that was a tragic moment or or

0:33:51.022 --> 0:33:55.302
<v Speaker 3>me feeling as though I wouldn't have been supported if

0:33:55.342 --> 0:33:55.862
<v Speaker 3>I was at work.

0:33:56.222 --> 0:33:58.342
<v Speaker 4>I just genuinely didn't want to attract attention.

0:33:58.422 --> 0:34:01.221
<v Speaker 3>I think sometimes when you're really sad, like that you

0:34:01.302 --> 0:34:03.182
<v Speaker 3>need to process something alone, you don't want to talk

0:34:03.182 --> 0:34:05.062
<v Speaker 3>to people that you might not be that close to.

0:34:05.182 --> 0:34:05.782
<v Speaker 1>Doing a pooh.

0:34:05.822 --> 0:34:07.701
<v Speaker 2>And you also don't want lots and lots of people

0:34:08.262 --> 0:34:10.662
<v Speaker 2>coming up to you and saying you okay, you okay,

0:34:10.782 --> 0:34:13.262
<v Speaker 2>like if that's not what you want, not really speaking.

0:34:13.782 --> 0:34:16.062
<v Speaker 2>I think there are exceptions to that, though, removing yourself

0:34:16.062 --> 0:34:18.782
<v Speaker 2>because I'm a runner. If I cry, I'm definitely a runner.

0:34:18.862 --> 0:34:21.301
<v Speaker 2>I'm out of there, I'm walking around the block, I'm

0:34:21.302 --> 0:34:23.942
<v Speaker 2>in the bathroom or whatever. But I was a manager

0:34:23.982 --> 0:34:26.462
<v Speaker 2>for many many, many, many years, and I have been

0:34:26.502 --> 0:34:30.461
<v Speaker 2>in many rooms with crying people. Sometimes letting them get

0:34:30.502 --> 0:34:33.582
<v Speaker 2>out of there is exactly what's needed. Sometimes letting them

0:34:33.622 --> 0:34:36.182
<v Speaker 2>get through it is exactly what's needed, because the problem

0:34:36.181 --> 0:34:39.661
<v Speaker 2>with the runaway is you don't resolve the problem, and

0:34:39.701 --> 0:34:42.142
<v Speaker 2>the problem might not even be work related. Like often,

0:34:42.142 --> 0:34:44.102
<v Speaker 2>when I was thinking about the last time I cried

0:34:44.102 --> 0:34:47.022
<v Speaker 2>at work, it wasn't about work. It was because a

0:34:47.062 --> 0:34:50.661
<v Speaker 2>conversation I was having at work made me mad with myself.

0:34:50.822 --> 0:34:52.901
<v Speaker 2>And very often it's like I'm annoyed with the way

0:34:52.942 --> 0:34:55.381
<v Speaker 2>I'm reacting. I'm annoyed with the way I'm talking. I'm

0:34:55.422 --> 0:34:58.181
<v Speaker 2>annoyed with the fact I'm repeating a pattern, whatever it is,

0:34:58.221 --> 0:35:01.102
<v Speaker 2>and that's what's making me cry. It's not as simple

0:35:01.142 --> 0:35:03.502
<v Speaker 2>as the narrative as my boss made me cry, Like

0:35:03.542 --> 0:35:05.462
<v Speaker 2>sometimes it is maybe a boss yelled at you, but

0:35:05.902 --> 0:35:08.781
<v Speaker 2>it's like I cried because I was overwhelmed, or I

0:35:08.902 --> 0:35:11.622
<v Speaker 2>cried because it triggered something in me, or I cried because.

0:35:11.822 --> 0:35:13.142
<v Speaker 1>And then it becomes embarrassing.

0:35:13.261 --> 0:35:16.942
<v Speaker 2>And sometimes the runaway isn't a good idea because it

0:35:17.102 --> 0:35:19.622
<v Speaker 2>stops whatever needs to happen. And so I've been in

0:35:19.661 --> 0:35:21.702
<v Speaker 2>situations with people where you've got to let them cry

0:35:22.221 --> 0:35:25.422
<v Speaker 2>and keep the conversation going, especially if they're a crier.

0:35:25.661 --> 0:35:28.221
<v Speaker 2>Like I've worked with people who because I don't cry

0:35:28.342 --> 0:35:30.781
<v Speaker 2>very often, if they cry in front of me, I'd

0:35:30.781 --> 0:35:32.821
<v Speaker 2>be like, oh my god, this must be the worst

0:35:32.862 --> 0:35:34.582
<v Speaker 2>thing in the world. And then you get to know

0:35:34.701 --> 0:35:36.462
<v Speaker 2>them and you realize, no, this is just one of

0:35:36.502 --> 0:35:38.542
<v Speaker 2>their responses. They're a crier. Just let them get it

0:35:38.582 --> 0:35:40.502
<v Speaker 2>out and they'll get through it and the conversation can

0:35:40.622 --> 0:35:41.062
<v Speaker 2>keep going.

0:35:41.142 --> 0:35:44.261
<v Speaker 1>Yeah, I would say, having been on both sides of it,

0:35:45.142 --> 0:35:47.582
<v Speaker 1>you really should try not to cry at work. Like

0:35:47.622 --> 0:35:49.821
<v Speaker 1>you shouldn't for all of these reasons, because I think

0:35:49.902 --> 0:35:52.302
<v Speaker 1>what it does, and I'll put myself in the crying

0:35:52.342 --> 0:35:54.942
<v Speaker 1>position when I've cried in you know, We've had meetings

0:35:54.982 --> 0:35:57.102
<v Speaker 1>and I've cried in them because we've been having particularly

0:35:57.622 --> 0:36:00.661
<v Speaker 1>intense art you know, not arguments, but conversations or about

0:36:00.701 --> 0:36:04.902
<v Speaker 1>things that are very personal. And what's bad about it

0:36:04.942 --> 0:36:07.701
<v Speaker 1>is that it really messes with the power dynamics of

0:36:07.741 --> 0:36:09.942
<v Speaker 1>the room because as soon as you cry, it's like

0:36:10.022 --> 0:36:12.982
<v Speaker 1>you've just pulled out the wild card. Everyone else has

0:36:13.022 --> 0:36:16.221
<v Speaker 1>to back down, and you immediately take the power and

0:36:16.261 --> 0:36:18.502
<v Speaker 1>the oxygen in the room. If you start crying and

0:36:18.542 --> 0:36:20.982
<v Speaker 1>everyone else has to back off, and what I find

0:36:21.062 --> 0:36:24.062
<v Speaker 1>is that they can then feel quite resentful. It can be.

0:36:24.062 --> 0:36:27.741
<v Speaker 2>Quite silencing, a manipulative peace. Right when you were talking

0:36:27.781 --> 0:36:30.542
<v Speaker 2>before about how some people think that crying at work

0:36:30.582 --> 0:36:33.861
<v Speaker 2>is manipulative, and I guess a real stereotype is that

0:36:34.261 --> 0:36:36.102
<v Speaker 2>men might think that, oh, she cried, so I had

0:36:36.142 --> 0:36:37.261
<v Speaker 2>to stop asking out a blah.

0:36:37.422 --> 0:36:39.502
<v Speaker 1>I don't think anyone means to cry. I think that's true.

0:36:39.502 --> 0:36:41.382
<v Speaker 1>I don't think anyone ever goes. I know what I'll do.

0:36:41.422 --> 0:36:43.142
<v Speaker 1>I'm going to cry now to get their sympathy. I

0:36:43.181 --> 0:36:45.741
<v Speaker 1>honestly don't think that, but I think that that can

0:36:45.781 --> 0:36:48.662
<v Speaker 1>be the result. Unless you're a monster. If someone's crying

0:36:48.701 --> 0:36:50.381
<v Speaker 1>in front of you, of course you're going to back

0:36:50.502 --> 0:36:53.582
<v Speaker 1>right off. And I think that we need to strengthen

0:36:53.822 --> 0:36:58.022
<v Speaker 1>our resilience and also sometimes you do just need to

0:36:58.022 --> 0:37:00.701
<v Speaker 1>go away and remove yourself from the situation. That's what

0:37:00.741 --> 0:37:03.462
<v Speaker 1>I try to do. The thing with crying.

0:37:03.422 --> 0:37:06.382
<v Speaker 2>Is so vulnerable and personal, it is one hundred percent.

0:37:06.542 --> 0:37:09.382
<v Speaker 3>It can in a dynamic situate, whoever is crying in

0:37:09.582 --> 0:37:14.022
<v Speaker 3>whatever context as the victim, and if you're the person

0:37:14.062 --> 0:37:17.741
<v Speaker 3>who can't ever cry? You also want to say I

0:37:17.822 --> 0:37:20.701
<v Speaker 3>feel strongly about this too. It's like I feel the

0:37:20.741 --> 0:37:23.502
<v Speaker 3>most strong, and that way it can feel like almost competitive.

0:37:23.502 --> 0:37:24.582
<v Speaker 4>And we've been in a meeting.

0:37:24.462 --> 0:37:25.661
<v Speaker 1>Top of the leaderboard if you're crying.

0:37:26.102 --> 0:37:27.702
<v Speaker 4>We've been in a meeting, mayor where you've cried.

0:37:27.822 --> 0:37:31.261
<v Speaker 3>And I left feeling like a bully because I went

0:37:31.622 --> 0:37:33.622
<v Speaker 3>I who didn't cry?

0:37:34.102 --> 0:37:36.702
<v Speaker 4>And have I caused hurt?

0:37:37.502 --> 0:37:39.341
<v Speaker 3>And then how do you put words around how you

0:37:39.342 --> 0:37:41.942
<v Speaker 3>feel hurt if you're actually quite a monotone, even like

0:37:42.701 --> 0:37:45.382
<v Speaker 3>I don't look like I've got, you know, skin in

0:37:45.422 --> 0:37:48.062
<v Speaker 3>the game, or I've got a massive feeling about it.

0:37:48.062 --> 0:37:52.182
<v Speaker 1>It's like whoever cries the most feeling whims. I didn't

0:37:52.221 --> 0:37:55.062
<v Speaker 1>cry for maybe five years in any context, after I

0:37:55.102 --> 0:37:58.582
<v Speaker 1>started taking medication for my anxiety, and it's quite a

0:37:58.582 --> 0:38:00.462
<v Speaker 1>well known side effect of I don't know if it's

0:38:00.462 --> 0:38:02.301
<v Speaker 1>all SSRIs or the one that I was on and

0:38:02.342 --> 0:38:05.502
<v Speaker 1>I'm still on. I had blocked tears, stuck tears for

0:38:05.542 --> 0:38:06.502
<v Speaker 1>maybe five years.

0:38:06.582 --> 0:38:09.462
<v Speaker 3>I think I've got that. I think mine's probably medication related.

0:38:09.982 --> 0:38:12.301
<v Speaker 1>And I just couldn't cry, and I found it a

0:38:12.342 --> 0:38:16.062
<v Speaker 1>bit frustrating. Gosh, perimenopause blew through exactly.

0:38:16.822 --> 0:38:19.902
<v Speaker 2>Sometimes it's just overwhelmed or anger, like no question, and

0:38:19.982 --> 0:38:22.301
<v Speaker 2>sometimes you want to like holding someone's hand while they

0:38:22.342 --> 0:38:24.301
<v Speaker 2>cry is the thing to do, and sometimes setting them

0:38:24.302 --> 0:38:26.221
<v Speaker 2>free to get the hell away from you the thing

0:38:26.302 --> 0:38:28.702
<v Speaker 2>to do. I love a planned cry. I am literally

0:38:28.701 --> 0:38:30.542
<v Speaker 2>going to go and see the Andrew Garfield movie so

0:38:30.582 --> 0:38:31.062
<v Speaker 2>I can cry.

0:38:31.142 --> 0:38:33.341
<v Speaker 1>Oh, the one with Florence Pure, the one that would feel.

0:38:33.542 --> 0:38:37.382
<v Speaker 2>I love that kind of feeling of like ooh.

0:38:36.822 --> 0:38:39.821
<v Speaker 1>Yeah, people like watch The Notebook to just specifically have

0:38:39.902 --> 0:38:40.861
<v Speaker 1>a good cry.

0:38:40.741 --> 0:38:42.661
<v Speaker 2>Because I don't cry much in my real life, but

0:38:42.741 --> 0:38:45.341
<v Speaker 2>I love that kind of cry. That's all we have

0:38:45.382 --> 0:38:47.182
<v Speaker 2>time for today, out louders, I hope you're not crying

0:38:47.302 --> 0:38:48.582
<v Speaker 2>at the end of this. I know it's been a

0:38:48.582 --> 0:38:50.942
<v Speaker 2>funny old week. A massive thank you to all of

0:38:50.942 --> 0:38:52.782
<v Speaker 2>you for being here with us, and to our wonderful

0:38:52.822 --> 0:38:55.182
<v Speaker 2>team for helping us put it together in this whole

0:38:55.221 --> 0:38:58.062
<v Speaker 2>new world. We're going to be back in your ears tomorrow.

0:38:57.781 --> 0:39:00.302
<v Speaker 1>Before we go. We spoke about this earlier in the show,

0:39:00.542 --> 0:39:03.142
<v Speaker 1>but if you want to understand what happened with Donald

0:39:03.181 --> 0:39:06.582
<v Speaker 1>Trump's inauguration, with our special guest and friend of the Pods,

0:39:06.741 --> 0:39:10.542
<v Speaker 1>Emelia lest our US correspondent. We sat down with her

0:39:10.862 --> 0:39:13.982
<v Speaker 1>to talk about everything, and we wanted to play you

0:39:14.062 --> 0:39:17.661
<v Speaker 1>some of that episode. Hello and Welcome to Hell. I'm

0:39:17.781 --> 0:39:21.981
<v Speaker 1>just kidding, it's except you're not. The day of the inauguration,

0:39:22.781 --> 0:39:26.661
<v Speaker 1>it feels a little dystopian. I will paint you a picture,

0:39:27.261 --> 0:39:30.382
<v Speaker 1>beloved out louded subscribers, Amelia and I have been texting

0:39:30.382 --> 0:39:33.821
<v Speaker 1>all morning since about six Amelia and Lester, by the way,

0:39:33.942 --> 0:39:36.741
<v Speaker 1>is our guest today. It's me Holy and Amelia Jesse

0:39:36.822 --> 0:39:38.902
<v Speaker 1>sitting in the corner. But we only have three microphones.

0:39:39.422 --> 0:39:41.062
<v Speaker 2>Shout she could shout if she wants.

0:39:41.181 --> 0:39:43.302
<v Speaker 1>The sound you can hear is her just quietly crying.

0:39:43.741 --> 0:39:46.502
<v Speaker 1>Oh wait, that's me. Sorry. So Amelia, did you get

0:39:46.582 --> 0:39:49.702
<v Speaker 1>up at four to start watching the inauguration? I didn't,

0:39:49.781 --> 0:39:51.781
<v Speaker 1>But what was interesting? Well, Papa link in the show

0:39:51.862 --> 0:39:53.182
<v Speaker 1>notes if you want to hear the rest.

0:39:53.502 --> 0:39:57.822
<v Speaker 3>Bye, shout out to any Mum and MEA subscribers listening.

0:39:58.062 --> 0:40:00.221
<v Speaker 3>If you love the show and you want to support us,

0:40:00.462 --> 0:40:03.262
<v Speaker 3>subscribing to Mom and Mia is the very best way

0:40:03.302 --> 0:40:05.862
<v Speaker 3>to do so. There's a link in the episode description

0:40:09.982 --> 0:40:11.221
<v Speaker 2>To be be