WEBVTT - Read This: It’s Not Roxane Gay’s Job to Make People Happy

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<v Speaker 1>Hey there, it's Ruby Jones. Each Sunday, we're sharing one

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<v Speaker 1>of our favorite episodes from our sister podcast, Read This.

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<v Speaker 1>The show features interviews with some of the best and

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<v Speaker 1>most beloved writers from Australia and around the world. Today,

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<v Speaker 1>we're going to hear from Roxanne Gay. Roxanne is an

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<v Speaker 1>American author, professor, and cultural critic known for her insightful

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<v Speaker 1>and often provocative writing. She's gained acclaim for her essays, fiction,

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<v Speaker 1>and memoirs that explore themes of identity, gender, race, and

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<v Speaker 1>body image. Her new book, Opinions, is a collection of

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<v Speaker 1>Roxanne's best non fiction pieces from the past ten years.

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<v Speaker 1>Michael Williams is the host of Read This, and he's

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<v Speaker 1>with me Now. Hi Michael, Hi, Ruby, Yeah, I'm great.

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<v Speaker 1>So this week on the show, you spoke with Roxanne Gay. Now,

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<v Speaker 1>I'm sure many of our listeners have either read one

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<v Speaker 1>of her essays or her fiction, But for those who

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<v Speaker 1>might not be familiar with Roxanne, can you tell us

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<v Speaker 1>a bit about her.

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<v Speaker 2>It's kind of hard to remember a time when Roxanne

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<v Speaker 2>Gey it wasn't a key figure in our public, intellectual,

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<v Speaker 2>literary life. She's kind of this extraordinary force. She was

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<v Speaker 2>one of the writers who really got how to use

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<v Speaker 2>the platform formerly known as Twitter, and was ubiquitous there

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<v Speaker 2>for ages when kind of forthright and strident on all

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<v Speaker 2>kinds of issues. Her maybe most famous book is Bad Feminist,

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<v Speaker 2>and that captures a bit of what she does. She's

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<v Speaker 2>this notable campaigner on questions of gender, on questions of

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<v Speaker 2>basic human rights, but she does so through a lens

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<v Speaker 2>that is personal and is kind of funny, and engages

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<v Speaker 2>with pop culture and works on all these different levels.

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<v Speaker 2>As well as Bad Feminist, she also brought out a

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<v Speaker 2>memoir called Hunger that was an account of her own

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<v Speaker 2>relationship with her body that talks about trauma, talks about

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<v Speaker 2>a historical sexual abuse, but it also talks about the

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<v Speaker 2>thing about moving through the world as a fat person

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<v Speaker 2>and the ways in which our culture is ill equipped

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<v Speaker 2>to understand what that might be like.

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<v Speaker 1>And so in this episode, you two discuss Opinions, which

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<v Speaker 1>gathers together ten years of Roxanne's nonfiction writing. She is

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<v Speaker 1>obviously a seasoned essays so I'm wondering what you thought

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<v Speaker 1>of this collection.

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<v Speaker 2>Look, the collection is terrific, partly because it's a snapshot

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<v Speaker 2>of ten years of her opinion writing. So I mentioned

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<v Speaker 2>before about her presence on social media, but she writes

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<v Speaker 2>for kind of conventional masteads, but does hone ways that

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<v Speaker 2>for me are always incredibly energizing. She's willing to go

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<v Speaker 2>against the kind of orthodoxy on the things that she says,

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<v Speaker 2>and she's smart and thoughtful in ways that we really

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<v Speaker 2>want our public intellectuals to be. And so Opinions is

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<v Speaker 2>not just a snapshot of some really terrific writing, It's

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<v Speaker 2>a snapshot of a decade of I think what we

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<v Speaker 2>can all agree is pretty monumental.

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<v Speaker 1>Change coming up in just a moment. It's not Roxanne

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<v Speaker 1>Gay's job to make people happy.

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<v Speaker 2>You were a very cane rata from a very young age,

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<v Speaker 2>I understand to that point. Your parents armed you with

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<v Speaker 2>your own typewriter for your writing and taking you to

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<v Speaker 2>the library every weekend. One of those earliest writing memories

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<v Speaker 2>for you.

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<v Speaker 3>You know, I read a lot growing up, and my

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<v Speaker 3>earliest memories were just like the odd that I could

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<v Speaker 3>go to this building where there were so many books

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<v Speaker 3>and I could just take whatever I wanted and go back.

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<v Speaker 3>I mean, it was amazing. It was just amazing. And

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<v Speaker 3>my biggest memories of reading are that I was reading

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<v Speaker 3>way above my pay grade. My parents just assumed that

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<v Speaker 3>if it was in a book, it was good, so

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<v Speaker 3>they didn't monitor my reading or censorate, And so I

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<v Speaker 3>read a lot of very adult stuff at a very

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<v Speaker 3>young age. And like one of the main books I

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<v Speaker 3>remember reading was Clan of the Cave Bear yep by

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<v Speaker 3>gene All, and it's this sort of epic prehistoric novel,

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<v Speaker 3>but also lots and lots of sex, And I had

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<v Speaker 3>no idea what I was reading, but I did know

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<v Speaker 3>that sex was something that happened on a bear pelt.

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<v Speaker 2>And nothing in life since has taught you otherwise.

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<v Speaker 3>That's true, yep. I mean, as far as I know,

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<v Speaker 3>that remains the case, and you know I keep my

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<v Speaker 3>bare pelts with me at all times. But it was

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<v Speaker 3>just amazing to be able to have such a rich

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<v Speaker 3>imagination and a rich imaginary life because my parents fostered

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<v Speaker 3>my love of reading and never tried to change that love.

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<v Speaker 2>Now has your rating? Has your rating changed? Do you

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<v Speaker 2>still push yourself to read stuff that is outside your

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<v Speaker 2>comfort zone? Or have you reached a point where you

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<v Speaker 2>lean into reading what you know you like to read?

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<v Speaker 3>Both? Actually, I do push myself to read outside my

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<v Speaker 3>comfort zone, because I have found some of the most

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<v Speaker 3>amazing books that way. I remember several years ago I

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<v Speaker 3>read this book called The Water Knife by Paolo Bauchi Galoopi,

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<v Speaker 3>and I loved it. It was completely out of my wheelhouse.

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<v Speaker 3>And like to this day, I remember that book like

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<v Speaker 3>with clarity, and I loved that I had taken the

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<v Speaker 3>chance on the book even though I knew nothing about it,

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<v Speaker 3>knew nothing about the author, and actually prefer to know

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<v Speaker 3>nothing about the author or what the book is about.

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<v Speaker 3>I just want to dive in and be surprised. So

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<v Speaker 3>I do like to read outside my comfort zone. But

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<v Speaker 3>there are also things that I love, like I love

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<v Speaker 3>to read the spy thrillers and like mysteries and conspiracies

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<v Speaker 3>in Washington, d c. CIA type novels like give me that,

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<v Speaker 3>and so when I need comfort, that's exactly the kind

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<v Speaker 3>of thing that I read, and I just love it,

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<v Speaker 3>just like, yes, give me more of this. Tell me

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<v Speaker 3>what's happening. If there's like a husband and wife and

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<v Speaker 3>like one of them, like the wife is the head

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<v Speaker 3>of the CIA and the husband's an operative and they're

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<v Speaker 3>like estranged. Yes, yeah, perfect.

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<v Speaker 2>I think it's good to now ask sweight spot the

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<v Speaker 2>things that.

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<v Speaker 3>Absolutely and like. It's called comfort reading for a reason.

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<v Speaker 3>I mean, I think it's important to challenge ourselves intellectually

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<v Speaker 3>and to read different things. But I also think there's

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<v Speaker 3>a time and place for comfort reading and for finding

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<v Speaker 3>something that's reliable that you know is going to just

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<v Speaker 3>like feel like home.

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<v Speaker 2>You read for comfort. Do you write for comfort or

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<v Speaker 2>do you write for challenge?

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<v Speaker 3>I used to write for comfort, and I would like

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<v Speaker 3>to get back to it. And right now it's not

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<v Speaker 3>that I'm writing for challenge. It's that I'm writing to

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<v Speaker 3>deadlines and to promise writing into solicited writing. So I

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<v Speaker 3>enjoy writing still, but it's you know, it's just a

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<v Speaker 3>little more challenging, and it feels like I'm doing all

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<v Speaker 3>of this writing that I'm obligated to write. I'm very

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<v Speaker 3>much interested in it, but it's not like just writing

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<v Speaker 3>with no audience in mind, where there's nothing at stake.

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<v Speaker 3>I'm just writing for myself and maybe something comes of it,

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<v Speaker 3>but maybe nothing does, and that's okay either way. So

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<v Speaker 3>I hopefully will be able to get back to that someday.

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<v Speaker 2>One of the things thinking about the task of kind

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<v Speaker 2>of gathering ten years of opinion writing That struck me

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<v Speaker 2>was not just about whether the wider culture has changed

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<v Speaker 2>in that time, but your position, Roxanne within it. People feel,

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<v Speaker 2>and I'm amongst them, a very strong connection with you

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<v Speaker 2>because of what you write. They have a strong idea

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<v Speaker 2>of who Roxanne Gay is and your name means something

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<v Speaker 2>to them. Has that changed what it is to write

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<v Speaker 2>opinion that kind of rusted on readership.

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<v Speaker 3>That's a great question. Uh, yes it has. And I'm

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<v Speaker 3>not thrilled about that in that I tend to write

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<v Speaker 3>primarily for myself, but more importantly, I want to write

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<v Speaker 3>what I really want to write. I want to write

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<v Speaker 3>what I think is true, true, and what I genuinely believe,

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<v Speaker 3>and I want to do so without sort of censoring myself,

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<v Speaker 3>without anticipating criticism, without wondering what readers are going to think.

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<v Speaker 3>And as you develop more of an audience, and because

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<v Speaker 3>we have so many ways of interacting with people who

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<v Speaker 3>are putting their work into the public sphere, you tend

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<v Speaker 3>to be exposed to quite a lot of criticism, and

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<v Speaker 3>not all of it is well intended, not all of

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<v Speaker 3>it is useful. And there comes a time where I

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<v Speaker 3>just feel like I don't need any more feedback, and

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<v Speaker 3>I have found that it has affected my writing process

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<v Speaker 3>a great deal, and I'm trying to write my way

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<v Speaker 3>out of it right now and to think less about

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<v Speaker 3>what people might think, even when they like me, because

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<v Speaker 3>I appreciate that, and I will always appreciate that. It's incredible.

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<v Speaker 3>As a writer, you never expect that you're going to

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<v Speaker 3>find an audience, and so that I do have an

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<v Speaker 3>audience is something I will never take for granted, and

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<v Speaker 3>I'm grateful for it every single day. But I then

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<v Speaker 3>start to think, I don't want to disappoint you. I

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<v Speaker 3>don't want to challenge your understanding of me by showing

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<v Speaker 3>you more of who I am. And unfortunately, people tend

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<v Speaker 3>to think they know you because they read your work

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<v Speaker 3>and you've shared some personal details, and you know something

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<v Speaker 3>of me, absolutely, but you know what I want you

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<v Speaker 3>to know. And I'm actually a very private person, so

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<v Speaker 3>you know, maintaining some of those boundaries is also challenging

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<v Speaker 3>so that people understand, like, yes, you know me, but

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<v Speaker 3>you know a part of me that I've chosen to

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<v Speaker 3>put on the page. And I've put it on the

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<v Speaker 3>page because I feel like it's going to support the

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<v Speaker 3>argument I'm making no, there's no other reason for it.

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<v Speaker 3>So you know, it's challenging to navigate all of that.

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<v Speaker 2>That must be so hard, that kind of parasocial relationship

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<v Speaker 2>that kicks in, you know, particularly amongst the many modes

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<v Speaker 2>in which you write and have written. But it seems

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<v Speaker 2>to me a memoir in particular, and a kind of

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<v Speaker 2>into writing that you did for some time, and your

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<v Speaker 2>presence on social media. Those two things create the illusion

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<v Speaker 2>of a kind of heightened transparency. They create an illusion

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<v Speaker 2>of closeness between the rada and you. And because a

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<v Speaker 2>lot of what you've written about in some of those

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<v Speaker 2>spaces is about trauma and is about sharing ideas around trauma,

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<v Speaker 2>the things people project onto you must be pretty exhausting

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<v Speaker 2>thing to navigate.

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<v Speaker 3>It can be. Now I understand where that sort of

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<v Speaker 3>parasocial connection comes from, especially when people have connected with Hunger,

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<v Speaker 3>which is a memoir about my body and about living

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<v Speaker 3>in this world in a fat body. And one of

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<v Speaker 3>the things I've learned with touring this book for the

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<v Speaker 3>past seven years is that everyone has some kind of

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<v Speaker 3>struggle with their body, no matter what size, no matter

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<v Speaker 3>what level of ability, and that has been very eye

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<v Speaker 3>opening and humbling and so I understand the connections that

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<v Speaker 3>people feel. And also because the book engages with trauma,

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<v Speaker 3>a lot of people are carrying around a lot of

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<v Speaker 3>pain and a lot of trauma, and so I do

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<v Speaker 3>try to create space for that as I interact with readers.

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<v Speaker 3>But it's also challenging because you know, I wrote about

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<v Speaker 3>my assault, but it was like thirty eight years ago now,

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<v Speaker 3>and that doesn't mean like I'm completely over it, but

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<v Speaker 3>I'm like, you know, this is something that I have

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<v Speaker 3>processed in therapy for just about thirty eight years, and

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<v Speaker 3>I you know, I don't know that I even at

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<v Speaker 3>this point have anything more to say about it. And

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<v Speaker 3>so it can be challenging when people offer so much empathy,

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<v Speaker 3>which I totally receive and embrace and I'm grateful for,

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<v Speaker 3>but at the same time, I often have to try

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<v Speaker 3>and articulate that this happened a very long time ago,

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<v Speaker 3>and you know, the book isn't just about that, It's

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<v Speaker 3>about the aftermaths, and the aftermath, of course, has been

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<v Speaker 3>much longer than one day. And the other challenge is

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<v Speaker 3>that people love to share their own stories of trauma,

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<v Speaker 3>which again I'm honored to receive, but there are certainly

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<v Speaker 3>days where I think I can only carry my own

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<v Speaker 3>trauma today because people have told me the most horrific things,

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<v Speaker 3>like the amount of suffering in this world is staggering,

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<v Speaker 3>the amount of abuse some people have suffered is just staggering.

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<v Speaker 3>And my heart goes out to everyone who has to

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<v Speaker 3>experience things like this, And thank God for books, thank

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<v Speaker 3>God that we have this way of sharing our stories,

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<v Speaker 3>because for generations, people and mostly women, kept these stories

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<v Speaker 3>to themselves and had nowhere to put that trauma except

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<v Speaker 3>sort of back on themselves. And though change can be slow,

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<v Speaker 3>that is changing, and I'm grateful for that.

0:12:50.320 --> 0:12:54.520
<v Speaker 2>I think one of the things I so admire about

0:12:54.520 --> 0:12:59.400
<v Speaker 2>your opinion writing is that it is never glib. You know,

0:12:59.440 --> 0:13:01.760
<v Speaker 2>there's a thing happens. I think it's the kind of

0:13:02.120 --> 0:13:05.080
<v Speaker 2>tyranny of limited word counts in newspapers and the desire

0:13:05.120 --> 0:13:08.120
<v Speaker 2>to kind of get that take just so that kind

0:13:08.120 --> 0:13:10.200
<v Speaker 2>of rounds off the edges or decides, Okay, well we

0:13:10.280 --> 0:13:13.040
<v Speaker 2>have to deliver this one thing and do it in

0:13:13.080 --> 0:13:16.160
<v Speaker 2>a way that is self contained. And I feel like

0:13:16.200 --> 0:13:19.480
<v Speaker 2>you write opinion pieces like a book writer, like you

0:13:19.520 --> 0:13:21.840
<v Speaker 2>write them in a way that opens up the idea

0:13:22.440 --> 0:13:26.720
<v Speaker 2>rather than definitively closes it off one way or another.

0:13:27.000 --> 0:13:31.000
<v Speaker 2>And I'm curious about whether there were surprises as you

0:13:31.080 --> 0:13:35.280
<v Speaker 2>went back through that decade long archive. Were there things

0:13:35.360 --> 0:13:38.640
<v Speaker 2>you'd written either that you'd forgotten or that you looked

0:13:38.640 --> 0:13:40.720
<v Speaker 2>at and you're like, oh god, I would do that

0:13:40.800 --> 0:13:42.160
<v Speaker 2>completely differently. Now.

0:13:43.040 --> 0:13:48.319
<v Speaker 3>It's a good question. You know, it's interesting. The word

0:13:48.440 --> 0:13:52.200
<v Speaker 3>count thing is real, and I thank you for those

0:13:52.280 --> 0:13:54.520
<v Speaker 3>very kind words, because it's one of the things I

0:13:54.559 --> 0:13:57.920
<v Speaker 3>struggle the most with. I'm like, I have three thousand

0:13:57.920 --> 0:13:59.480
<v Speaker 3>words of things to say, and you want me to

0:13:59.520 --> 0:14:02.120
<v Speaker 3>distill it down to fifteen hundred or twelve hundred, or

0:14:02.280 --> 0:14:06.679
<v Speaker 3>god forbid, sometimes nine hundred. And it can be really challenging.

0:14:06.760 --> 0:14:09.800
<v Speaker 3>And that's one of the things that I find most jarring.

0:14:09.840 --> 0:14:12.280
<v Speaker 3>When I read a lot of opinion pieces, especially like

0:14:12.400 --> 0:14:17.440
<v Speaker 3>op eds, you barely see any engagement with the subject

0:14:17.520 --> 0:14:19.800
<v Speaker 3>matter at hand, because like, you're in and out, and

0:14:19.960 --> 0:14:23.040
<v Speaker 3>nine hundred words is not a lot. And I also

0:14:23.080 --> 0:14:26.400
<v Speaker 3>believe like we need to trust people and their attention spans.

0:14:26.480 --> 0:14:28.600
<v Speaker 3>I really believe we can go further and we can

0:14:28.640 --> 0:14:31.240
<v Speaker 3>go deeper, but I do try to get as much

0:14:31.400 --> 0:14:33.560
<v Speaker 3>breath and depth as I can. No matter what my

0:14:33.600 --> 0:14:37.440
<v Speaker 3>word limit is. As I was going through the essays

0:14:37.440 --> 0:14:40.560
<v Speaker 3>for this book, I you know, I don't think there's

0:14:40.560 --> 0:14:43.200
<v Speaker 3>anything I would do differently, not because I haven't grown

0:14:43.320 --> 0:14:45.920
<v Speaker 3>or learned, or because I got everything right. But and

0:14:46.000 --> 0:14:49.400
<v Speaker 3>I say this about bad feminists too, it's that I

0:14:49.440 --> 0:14:53.120
<v Speaker 3>did the best I could with the information and resources

0:14:53.120 --> 0:14:55.360
<v Speaker 3>I had available to me at the time I wrote

0:14:55.360 --> 0:14:58.320
<v Speaker 3>those essays. I think the thing that surprised me was

0:14:58.400 --> 0:15:01.040
<v Speaker 3>just how many like book reviews I had written over

0:15:01.080 --> 0:15:04.600
<v Speaker 3>the years, and things like that I tend to forget, like, yes,

0:15:04.680 --> 0:15:08.240
<v Speaker 3>I actually do cultural criticism and I'm not terrible at it.

0:15:08.680 --> 0:15:14.120
<v Speaker 3>And also I noticed like certain tropes that I fall into,

0:15:14.360 --> 0:15:17.800
<v Speaker 3>certain like have like old thing and it's a rhetorical technique.

0:15:17.840 --> 0:15:20.840
<v Speaker 3>And my PhD is actually in rhetoric and technical communication,

0:15:20.920 --> 0:15:23.120
<v Speaker 3>so I know where it comes from. But this like

0:15:23.200 --> 0:15:26.880
<v Speaker 3>accumulation of listing all of the terrible things and then

0:15:26.920 --> 0:15:29.040
<v Speaker 3>making a point and then saying like, here's what we

0:15:29.080 --> 0:15:32.000
<v Speaker 3>need to do now. And when you see it in

0:15:32.040 --> 0:15:35.680
<v Speaker 3>like ten essays, like in a condensed amount of time,

0:15:35.720 --> 0:15:38.760
<v Speaker 3>it's just like, girl, let's try something else. And so

0:15:38.920 --> 0:15:41.720
<v Speaker 3>it was again a lot of humility happened as I

0:15:41.760 --> 0:15:44.440
<v Speaker 3>put the collection together, because I just realized some of

0:15:44.480 --> 0:15:46.640
<v Speaker 3>the things you do are very good, but you have

0:15:46.720 --> 0:15:50.200
<v Speaker 3>a couple little things you rely on a little too much.

0:15:50.200 --> 0:15:54.120
<v Speaker 3>And so I've actually been trying to do different things

0:15:54.320 --> 0:15:57.920
<v Speaker 3>in my essays since I opinions together and just like,

0:15:58.080 --> 0:15:59.200
<v Speaker 3>let's grow a little here.

0:16:00.120 --> 0:16:03.240
<v Speaker 2>It's definitely challenging. It's it's worse even than hearing your

0:16:03.280 --> 0:16:07.400
<v Speaker 2>own voice back on type is saying your repeated tics

0:16:07.600 --> 0:16:10.600
<v Speaker 2>and retired. For once in my life, could I just

0:16:10.680 --> 0:16:13.680
<v Speaker 2>list either two or four things rather than insist on

0:16:13.760 --> 0:16:15.360
<v Speaker 2>doing three every single time?

0:16:15.400 --> 0:16:17.880
<v Speaker 3>Absolutely? And I know, you know, every time you read

0:16:17.920 --> 0:16:20.000
<v Speaker 3>a book back you start to see ticks. Like in

0:16:20.040 --> 0:16:24.680
<v Speaker 3>my novel and Untamed State Mirae, who's the protagonist, she

0:16:24.840 --> 0:16:28.640
<v Speaker 3>exhales cigarette smokes so much, and I'm clearly using it

0:16:28.680 --> 0:16:31.480
<v Speaker 3>as this device to show that she's sad or she's pensive.

0:16:32.400 --> 0:16:33.880
<v Speaker 3>And when I read through the novel, I was like,

0:16:33.960 --> 0:16:38.280
<v Speaker 3>my god, she exhales too much. Fortunately, I don't take

0:16:38.320 --> 0:16:40.880
<v Speaker 3>myself so seriously that I can't laugh at like my

0:16:41.120 --> 0:16:44.960
<v Speaker 3>ticks and quirks. And you know, I just always think,

0:16:45.000 --> 0:16:48.600
<v Speaker 3>oh man, that's imprint forever. But then I I'll tell myself.

0:16:48.680 --> 0:16:49.880
<v Speaker 3>I'm going to do better next time.

0:16:50.080 --> 0:16:52.920
<v Speaker 2>Self awareness is a curse. I mean really, there really

0:16:53.000 --> 0:16:56.440
<v Speaker 2>is the unself aware. You can say many things about them,

0:16:56.440 --> 0:16:57.080
<v Speaker 2>but they're happy.

0:16:57.600 --> 0:16:59.960
<v Speaker 3>I think they really are. I mean they just want

0:17:00.120 --> 0:17:01.320
<v Speaker 3>around like life is great.

0:17:04.960 --> 0:17:08.200
<v Speaker 2>After the break, Roxane shares the changes in her opinion

0:17:08.200 --> 0:17:11.840
<v Speaker 2>writing over the years and reveals the people she refuses

0:17:11.920 --> 0:17:15.080
<v Speaker 2>to debate with. See that was a list of two things,

0:17:15.200 --> 0:17:29.159
<v Speaker 2>not three. We'll be right back. So opinions gathers a

0:17:29.280 --> 0:17:31.760
<v Speaker 2>decade's worth of your writing, and I want to know,

0:17:32.040 --> 0:17:34.960
<v Speaker 2>as you were putting it together, how much the business

0:17:34.960 --> 0:17:38.080
<v Speaker 2>of opinion and writing opinion you think has changed over

0:17:38.119 --> 0:17:39.120
<v Speaker 2>those ten years.

0:17:39.640 --> 0:17:41.840
<v Speaker 3>You know, in some ways the business has not changed,

0:17:42.560 --> 0:17:48.240
<v Speaker 3>but in other ways it has. In that the media

0:17:48.280 --> 0:17:53.480
<v Speaker 3>sphere continues to get smaller and smaller, and pay rates

0:17:53.680 --> 0:17:57.199
<v Speaker 3>are stagnant. People are still being paid today what they

0:17:57.240 --> 0:18:01.560
<v Speaker 3>were paid ten years ago, if not less, And that's

0:18:01.600 --> 0:18:08.480
<v Speaker 3>incredibly disheartening. And if you don't already have a portfolio,

0:18:08.600 --> 0:18:12.400
<v Speaker 3>a career, a name for yourself, it's even more difficult

0:18:12.440 --> 0:18:16.320
<v Speaker 3>to break in. And even though there are fewer legitimate

0:18:16.400 --> 0:18:20.600
<v Speaker 3>media outlets, there are an ever increasing number of ways

0:18:20.600 --> 0:18:24.000
<v Speaker 3>that people can express their opinions, and so the importance

0:18:24.040 --> 0:18:28.080
<v Speaker 3>of opinion in some ways is diluted by social media

0:18:28.400 --> 0:18:31.520
<v Speaker 3>and all of these ways that people can speak into

0:18:31.600 --> 0:18:32.000
<v Speaker 3>the void.

0:18:33.240 --> 0:18:36.119
<v Speaker 2>It's hard not to feel a bit like the ubiquity

0:18:36.200 --> 0:18:40.200
<v Speaker 2>of opinion has had a corrosive effect on other forms

0:18:40.200 --> 0:18:43.399
<v Speaker 2>of journalism as well, that opinion kind of at this

0:18:43.480 --> 0:18:44.640
<v Speaker 2>point does rules.

0:18:44.480 --> 0:18:51.240
<v Speaker 3>Separate, yes, and it has contributed to assuming that opinions

0:18:51.280 --> 0:18:54.159
<v Speaker 3>are facts, but you know, as to saying, ohs, feelings

0:18:54.200 --> 0:18:57.440
<v Speaker 3>are not facts. Opinions are important. I think we need

0:18:57.480 --> 0:18:59.760
<v Speaker 3>to be exposed to a range of opinions. But we

0:18:59.800 --> 0:19:03.040
<v Speaker 3>all so need journalism, We need fact checking, we need

0:19:03.080 --> 0:19:09.480
<v Speaker 3>people to function in reality. And when we legitimize only

0:19:09.600 --> 0:19:15.960
<v Speaker 3>opinion over factual, researched and rigorous information, you know, we're

0:19:16.000 --> 0:19:18.600
<v Speaker 3>really saying that we're just going to trust any old thing.

0:19:19.320 --> 0:19:21.800
<v Speaker 3>And the reason people prefer that is because it's easier.

0:19:21.960 --> 0:19:24.720
<v Speaker 3>Few people really want to contend with difficult subject matters

0:19:24.720 --> 0:19:28.879
<v Speaker 3>and difficult things. They'd rather just go along with someone's opinion. Now,

0:19:29.400 --> 0:19:32.719
<v Speaker 3>most opinions are fine, they're reasonably good. But when you

0:19:32.760 --> 0:19:37.560
<v Speaker 3>bring in toxic opinions from toxic people who want to

0:19:37.560 --> 0:19:40.920
<v Speaker 3>do more harm than good, and people are easily swayed

0:19:40.920 --> 0:19:43.920
<v Speaker 3>by those voices. You really start to have a problem.

0:19:44.400 --> 0:19:46.920
<v Speaker 2>I couldn't write more. And there's also an element of

0:19:46.960 --> 0:19:49.040
<v Speaker 2>bad faith in it. It seems to me as well.

0:19:49.080 --> 0:19:52.880
<v Speaker 2>The people who who express opinion not because of any

0:19:53.000 --> 0:19:56.960
<v Speaker 2>kind of authenticity or strength of feeling, but because they

0:19:57.000 --> 0:19:59.000
<v Speaker 2>know it's going to get a response. They know that

0:19:59.040 --> 0:20:02.280
<v Speaker 2>it's grist to the meal of entertainment and conflict.

0:20:03.200 --> 0:20:06.000
<v Speaker 3>Absolutely, and that's one of the things that frustrates me most. Like,

0:20:06.040 --> 0:20:09.120
<v Speaker 3>believe what you want to believe. I can well not respect,

0:20:09.119 --> 0:20:13.639
<v Speaker 3>but I can understand a true believer. We may be

0:20:13.800 --> 0:20:17.199
<v Speaker 3>diametrically opposed, but if you genuinely believe, at least you

0:20:17.280 --> 0:20:21.879
<v Speaker 3>believe something. What really gets under my skin are the

0:20:21.960 --> 0:20:26.000
<v Speaker 3>people who are only seeking attention by any means necessary,

0:20:26.040 --> 0:20:30.879
<v Speaker 3>who are seeking power and other forms of cultural validation

0:20:31.640 --> 0:20:34.040
<v Speaker 3>because they're going to say the most provocative thing or

0:20:34.040 --> 0:20:37.199
<v Speaker 3>the most ridiculous thing, and they don't even really believe it,

0:20:37.320 --> 0:20:39.040
<v Speaker 3>like a Donald Trump or a JD.

0:20:39.200 --> 0:20:39.520
<v Speaker 2>Vance.

0:20:39.640 --> 0:20:43.000
<v Speaker 3>Now do I believe they have noxious ideologies, absolutely, but

0:20:43.080 --> 0:20:48.800
<v Speaker 3>are they true believers of their conservative, supposedly values. No,

0:20:48.960 --> 0:20:52.160
<v Speaker 3>they're not. Trump will talk about God, and I doubt

0:20:52.160 --> 0:20:54.560
<v Speaker 3>that man has ever stepped foot in a church, and

0:20:54.960 --> 0:20:58.560
<v Speaker 3>I just can't respect anything along those lines, nor do

0:20:58.640 --> 0:21:01.119
<v Speaker 3>I take it seriously, even though you can't ignore it,

0:21:01.200 --> 0:21:03.840
<v Speaker 3>because these are people who are running for president and

0:21:03.920 --> 0:21:06.320
<v Speaker 3>vice president in the United States.

0:21:06.240 --> 0:21:10.200
<v Speaker 2>And there is that element with both of those examples

0:21:11.119 --> 0:21:15.360
<v Speaker 2>opinion or political position as vaudeville. It's like, Okay, well,

0:21:15.640 --> 0:21:18.000
<v Speaker 2>this is going to this is one hundred percent going

0:21:18.040 --> 0:21:20.200
<v Speaker 2>to energize our base, or this is going to make

0:21:20.560 --> 0:21:24.520
<v Speaker 2>the people we despise angry, and therefore that's where our

0:21:24.600 --> 0:21:25.280
<v Speaker 2>victory lies.

0:21:26.080 --> 0:21:31.600
<v Speaker 3>Absolutely. I mean, it's politics is entertainment, and that's just

0:21:31.720 --> 0:21:36.639
<v Speaker 3>incredibly frustrating because politics isn't about entertainment. It shouldn't be

0:21:36.680 --> 0:21:41.800
<v Speaker 3>about entertainment. It should be about introducing candidates to the

0:21:41.960 --> 0:21:46.480
<v Speaker 3>people and allowing people to have choices, to be able

0:21:46.520 --> 0:21:51.320
<v Speaker 3>to decide which candidates will best suit what they want

0:21:51.320 --> 0:21:55.080
<v Speaker 3>for themselves, their families, their communities, and in many ways,

0:21:55.119 --> 0:21:57.159
<v Speaker 3>politics has always been a bit of a circus, especially

0:21:57.200 --> 0:22:00.399
<v Speaker 3>in the United States, but it has become more and

0:22:00.480 --> 0:22:06.760
<v Speaker 3>more and more ridiculous, and right now it's just incredibly

0:22:06.800 --> 0:22:09.719
<v Speaker 3>frustrating that this is what we're left with. And that

0:22:09.760 --> 0:22:13.000
<v Speaker 3>this is seemingly the best that we can deal. Yeah,

0:22:13.040 --> 0:22:15.800
<v Speaker 3>and I just wish that we could do better. And

0:22:16.480 --> 0:22:19.600
<v Speaker 3>I mean that for people of all political persuasions, for candidates,

0:22:19.640 --> 0:22:22.240
<v Speaker 3>you know, on both sides of the proverbial aisle, like

0:22:22.600 --> 0:22:23.280
<v Speaker 3>let's do better.

0:22:24.680 --> 0:22:29.240
<v Speaker 2>Part of the kind of narrative around the twenty sixteen election,

0:22:29.359 --> 0:22:31.479
<v Speaker 2>and part of the kind of collective memory of that,

0:22:32.760 --> 0:22:36.240
<v Speaker 2>was that one of the things that history seems to

0:22:36.600 --> 0:22:40.920
<v Speaker 2>remember that Clinton failed at in that election was talking

0:22:41.000 --> 0:22:45.240
<v Speaker 2>to people who weren't her base, talking to talking to

0:22:45.320 --> 0:22:48.800
<v Speaker 2>people who were disenfranchised for different reasons, and kind of

0:22:48.840 --> 0:22:52.960
<v Speaker 2>taking their grievances seriously. It's what jd. Vance made his

0:22:53.160 --> 0:22:57.920
<v Speaker 2>name on, rising up on those grievances. And I'm interested

0:22:57.960 --> 0:23:01.280
<v Speaker 2>in that question of talking to people with whom you

0:23:01.320 --> 0:23:04.000
<v Speaker 2>don't agree. It's something that I know you've put a

0:23:04.040 --> 0:23:04.840
<v Speaker 2>lot of thought into.

0:23:06.280 --> 0:23:08.800
<v Speaker 3>Yeah, I have no problem talking to people I don't

0:23:08.840 --> 0:23:12.359
<v Speaker 3>agree with. I am always interested in other perspectives and

0:23:12.840 --> 0:23:16.480
<v Speaker 3>hopefully learning from people with different points of view. Like

0:23:16.600 --> 0:23:18.600
<v Speaker 3>how else, I mean, nobody should be in an intellectual

0:23:18.720 --> 0:23:22.880
<v Speaker 3>vacuum or a silo. That said, there are certain viewpoints

0:23:22.920 --> 0:23:25.600
<v Speaker 3>that I don't need to entertain that I don't have

0:23:25.640 --> 0:23:30.600
<v Speaker 3>to legitimize, and those are any viewpoints that are grounded

0:23:30.600 --> 0:23:38.760
<v Speaker 3>in bigotry and that prioritize isolationism as xenophobia, misogyny, transphobia.

0:23:38.840 --> 0:23:41.679
<v Speaker 3>Like I'm not going to sit and talk to the

0:23:41.760 --> 0:23:44.080
<v Speaker 3>racist next door. I don't need to do that. I

0:23:44.080 --> 0:23:46.960
<v Speaker 3>already know what they think, So nothing is going to

0:23:46.960 --> 0:23:50.240
<v Speaker 3>be gained. And oftentimes what we do is we ask

0:23:50.400 --> 0:23:53.760
<v Speaker 3>marginalize people to humanize themselves to people who don't see

0:23:53.760 --> 0:23:55.800
<v Speaker 3>them as human in the hopes that that will work.

0:23:56.800 --> 0:23:58.679
<v Speaker 3>If you don't see me as human, there's nothing I

0:23:58.680 --> 0:24:00.720
<v Speaker 3>can say or do that's going to change your mind.

0:24:00.880 --> 0:24:02.960
<v Speaker 3>And I shouldn't have to do that work regardless, Like

0:24:03.000 --> 0:24:05.640
<v Speaker 3>that's work you need to do on your own. And

0:24:06.480 --> 0:24:12.679
<v Speaker 3>so I I am always interested in debate and discussion

0:24:13.000 --> 0:24:16.440
<v Speaker 3>and learning, and I do learn quite a lot from

0:24:16.520 --> 0:24:21.800
<v Speaker 3>talking to people of different intellectual persuasions. But there are

0:24:21.840 --> 0:24:23.600
<v Speaker 3>also people I find unreachable.

0:24:25.400 --> 0:24:28.560
<v Speaker 2>I'm thinking about opinion and the ways in which it's

0:24:28.680 --> 0:24:31.240
<v Speaker 2>shifted over the past ten years. One of the things

0:24:31.240 --> 0:24:33.920
<v Speaker 2>that really strikes me is you read all these things

0:24:33.920 --> 0:24:36.840
<v Speaker 2>about the kind of diminishment of trust in media and

0:24:36.880 --> 0:24:40.960
<v Speaker 2>the diminishment of trust in masstheads that once upon a time,

0:24:41.320 --> 0:24:46.159
<v Speaker 2>you know, a particular publication would carry such authority that

0:24:46.280 --> 0:24:50.440
<v Speaker 2>everything that they did would be kind of regarded as worthwhile.

0:24:50.800 --> 0:24:52.639
<v Speaker 2>And I think the biggest shift is a shift to

0:24:52.680 --> 0:24:56.320
<v Speaker 2>trust in individuals rather than trust in companies or mass

0:24:56.359 --> 0:24:59.399
<v Speaker 2>heeads anymore. How do you feel about the authority you

0:24:59.480 --> 0:25:02.680
<v Speaker 2>carry now you're no longer an opinion writer as activist

0:25:02.800 --> 0:25:06.000
<v Speaker 2>from the margins, Now you're opinion writer as establishment. How

0:25:06.000 --> 0:25:06.639
<v Speaker 2>does that feel?

0:25:07.040 --> 0:25:09.760
<v Speaker 3>Feels weird? And I don't think of myself that way.

0:25:09.920 --> 0:25:12.679
<v Speaker 3>I still feel like I'm writing from the margins. But

0:25:12.760 --> 0:25:15.280
<v Speaker 3>I also recognize that I do have an audience, and

0:25:15.359 --> 0:25:18.800
<v Speaker 3>that the audience tends to look to me, not necessarily

0:25:18.880 --> 0:25:21.360
<v Speaker 3>for guidance, but just you know, where do you stand?

0:25:21.440 --> 0:25:24.600
<v Speaker 3>And so it feels that there's a lot of responsibility there.

0:25:24.800 --> 0:25:29.359
<v Speaker 3>And I don't mind responsibility and I don't mind accountability,

0:25:29.760 --> 0:25:36.240
<v Speaker 3>but it is challenging in that I know that people

0:25:36.720 --> 0:25:40.080
<v Speaker 3>tend to often be disappointed when I don't articulate their

0:25:40.119 --> 0:25:45.720
<v Speaker 3>exact opinion, or when they think I'm being too compromising

0:25:45.800 --> 0:25:48.200
<v Speaker 3>or too middle of the road, which I don't think

0:25:48.280 --> 0:25:51.240
<v Speaker 3>of as my writing at all. But you know, like,

0:25:51.280 --> 0:25:53.719
<v Speaker 3>for example, I do think that Harris is the right

0:25:53.800 --> 0:25:57.200
<v Speaker 3>candidate right now, and I also think that we need

0:25:57.240 --> 0:26:00.760
<v Speaker 3>to hear her policies, like really, what you stand for?

0:26:03.359 --> 0:26:05.080
<v Speaker 3>I mean, I know that the team is working on this,

0:26:05.200 --> 0:26:07.840
<v Speaker 3>and so hopefully soon they will actually put some policy

0:26:07.840 --> 0:26:11.600
<v Speaker 3>positions on the candidate's website so that we can have

0:26:11.640 --> 0:26:15.480
<v Speaker 3>a substantive conversation about her as president and not just

0:26:16.359 --> 0:26:20.359
<v Speaker 3>not Donald Trump. And yeah, you know, I would like

0:26:20.400 --> 0:26:22.960
<v Speaker 3>to know more about what she intends to do about

0:26:22.960 --> 0:26:26.159
<v Speaker 3>the war in Gaza and the extraordinary loss of life

0:26:26.240 --> 0:26:32.000
<v Speaker 3>and the extraordinary suffering that's happening there. But I feel

0:26:32.040 --> 0:26:34.560
<v Speaker 3>like we can have those conversations, and I can also say, yes,

0:26:34.640 --> 0:26:38.760
<v Speaker 3>I'm very enthusiastic about this candidate, and so I know

0:26:38.800 --> 0:26:41.360
<v Speaker 3>that that's not going to sit well with every reader,

0:26:41.440 --> 0:26:44.840
<v Speaker 3>But I also know that my job as a writer

0:26:45.640 --> 0:26:49.560
<v Speaker 3>is not to make people happy. It's to share my

0:26:49.640 --> 0:26:52.879
<v Speaker 3>point of view and hopefully do so with as much

0:26:53.000 --> 0:26:56.080
<v Speaker 3>rigor and integrity as possible. And it's not that I'm

0:26:56.119 --> 0:26:59.080
<v Speaker 3>always right, but it is that I do put care

0:26:59.280 --> 0:27:01.400
<v Speaker 3>into my work as.

0:27:01.240 --> 0:27:05.200
<v Speaker 2>A reader, as a global citizen, as a human being.

0:27:05.240 --> 0:27:07.880
<v Speaker 2>I'm very grateful for the care that you take, Roxane Gay,

0:27:08.200 --> 0:27:09.760
<v Speaker 2>and I'm grateful for your time today.

0:27:10.160 --> 0:27:12.520
<v Speaker 3>I appreciate it, Michael, Truly, those are great questions.

0:27:15.080 --> 0:27:19.200
<v Speaker 2>Roxanne Gay's latest collection of essays, Opinions, is out now.

0:27:19.760 --> 0:27:22.960
<v Speaker 2>Roxanne is in Australia this month. She'll be appearing at

0:27:23.040 --> 0:27:26.080
<v Speaker 2>Carriageworks in Sydney as part of the Festival of Dangerous

0:27:26.119 --> 0:27:29.440
<v Speaker 2>Ideas on the twenty fourth and twenty fifth of August,

0:27:29.720 --> 0:27:32.200
<v Speaker 2>and she's going to be in Melbourne at Melbourne Town

0:27:32.240 --> 0:27:35.080
<v Speaker 2>Hall on the twenty seventh of August at an event

0:27:35.160 --> 0:27:38.639
<v Speaker 2>presented by the Wheelers Cender and Now or Never Festival.

0:27:39.040 --> 0:27:42.200
<v Speaker 2>You can go to either of their websites to get tickets.

0:27:51.880 --> 0:27:54.679
<v Speaker 1>Thanks so much for listening to another special episode of

0:27:54.720 --> 0:27:57.800
<v Speaker 1>Read This. Join us each Sunday to hear our favorite

0:27:57.840 --> 0:28:00.960
<v Speaker 1>interviews from the show. Listen out for us in conversations

0:28:01.000 --> 0:28:04.560
<v Speaker 1>with Miranda July, Malcolm Knox and Mary Beard. And if

0:28:04.560 --> 0:28:06.520
<v Speaker 1>you don't want to wait until next Sunday to dive

0:28:06.560 --> 0:28:08.919
<v Speaker 1>in to Read This, you can search for it wherever

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<v Speaker 1>you listen to podcasts.