1 00:00:03,200 --> 00:00:07,120 Speaker 1: Okay, we there's an aroma in the studio. There's somebody 2 00:00:07,120 --> 00:00:08,639 Speaker 1: in the booth. Let's play hide and see. 3 00:00:08,920 --> 00:00:10,400 Speaker 2: It's the and Whippers. 4 00:00:13,039 --> 00:00:14,840 Speaker 3: Hide and see. 5 00:00:15,080 --> 00:00:17,000 Speaker 4: All right, Tommy, you got to steer this in because 6 00:00:17,040 --> 00:00:19,680 Speaker 4: we're excited. We had to move out of the studio. Yes, 7 00:00:19,880 --> 00:00:22,599 Speaker 4: so the guests could sneak in and behind the curtain 8 00:00:22,640 --> 00:00:23,680 Speaker 4: they stand. 9 00:00:23,560 --> 00:00:25,520 Speaker 2: You bet, And what a great way to start your 10 00:00:25,560 --> 00:00:28,520 Speaker 2: week then, you know, singing you know, and listening along 11 00:00:28,560 --> 00:00:30,680 Speaker 2: and guessing who's in a small boot you know what? 12 00:00:30,720 --> 00:00:33,080 Speaker 4: Tommy, I could also say that the guest, whoever it is, 13 00:00:33,120 --> 00:00:35,280 Speaker 4: would be absolutely wrapped that they've got to get up 14 00:00:35,320 --> 00:00:37,320 Speaker 4: this morning for hide and singing this weather and coming 15 00:00:37,320 --> 00:00:38,840 Speaker 4: early on a Monday. They'd be stoked. 16 00:00:38,920 --> 00:00:40,360 Speaker 2: Yeah, they're so happy, well booked. 17 00:00:40,680 --> 00:00:43,159 Speaker 1: How many receptions have you snuck into the studio over 18 00:00:43,159 --> 00:00:44,839 Speaker 1: the years, tom personally? 19 00:00:44,960 --> 00:00:51,120 Speaker 2: Yeah, a different story. Yeah, no, look, it's all it's 20 00:00:51,159 --> 00:00:53,680 Speaker 2: all still pending, guys, So it's probably best if that 21 00:00:53,680 --> 00:00:59,040 Speaker 2: one night. But what do you go there. 22 00:00:58,920 --> 00:01:02,720 Speaker 4: Is the Facebook group is currently speculating on Whipper's final 23 00:01:02,760 --> 00:01:03,920 Speaker 4: mobile phone number. 24 00:01:05,600 --> 00:01:08,119 Speaker 1: And they're all just banding it about. So those want 25 00:01:08,200 --> 00:01:10,360 Speaker 1: to know the first seven digits jump onto the old 26 00:01:10,360 --> 00:01:13,319 Speaker 1: Facebook livestream right now. Well, none of you have got 27 00:01:13,319 --> 00:01:15,960 Speaker 1: it right yet, so zero have got it right yet. 28 00:01:17,040 --> 00:01:20,280 Speaker 2: You're an idiot anyway, Well look forward to those calls. 29 00:01:20,480 --> 00:01:22,360 Speaker 2: You can call it four ten or you could just 30 00:01:22,360 --> 00:01:24,520 Speaker 2: call Whipper's mobile, whichever you prefer for this game. 31 00:01:24,640 --> 00:01:25,360 Speaker 1: An idiot? 32 00:01:26,040 --> 00:01:29,440 Speaker 2: All right, celeb is standing by. Let's not make them 33 00:01:29,480 --> 00:01:33,959 Speaker 2: wait any longer. Busy day for whip today. Umm, al right, 34 00:01:34,840 --> 00:01:35,320 Speaker 2: how many songs? 35 00:01:35,440 --> 00:01:35,840 Speaker 5: I got? One? 36 00:01:35,840 --> 00:01:38,640 Speaker 2: Two, three, four signs? All right, celeb, take it away 37 00:01:38,640 --> 00:01:39,920 Speaker 2: with your first song. 38 00:01:40,000 --> 00:01:44,479 Speaker 5: Please, you've been hit ber, You've been stopped by a 39 00:01:44,520 --> 00:01:49,960 Speaker 5: smooth criminal. Okay, Jack, don't recognize the voice of more? 40 00:01:50,200 --> 00:01:52,760 Speaker 1: Is it alien? Amazing? 41 00:01:55,040 --> 00:01:57,480 Speaker 4: My phone's ringing, which is good? 42 00:02:00,000 --> 00:02:00,200 Speaker 1: Longer? 43 00:02:00,320 --> 00:02:01,280 Speaker 4: Zero people calling me? 44 00:02:01,440 --> 00:02:02,080 Speaker 5: You've got. 45 00:02:03,640 --> 00:02:07,200 Speaker 4: Can I have a wild stab? Madeline West? 46 00:02:09,280 --> 00:02:21,440 Speaker 2: Well it's not that wild a stab. It is, of 47 00:02:21,480 --> 00:02:32,320 Speaker 2: course made was on underbelly, smooth criminal. We had. 48 00:02:31,040 --> 00:02:38,600 Speaker 1: Come over here. Now you supposed to sing a little 49 00:02:38,600 --> 00:02:39,000 Speaker 1: bit more. 50 00:02:39,960 --> 00:02:41,560 Speaker 4: I thought, come over to that mic. 51 00:02:42,440 --> 00:02:47,960 Speaker 5: The chicks in the male think Kanye song I really 52 00:02:48,480 --> 00:02:51,840 Speaker 5: running for president. I don't need to be seeing that 53 00:02:52,360 --> 00:02:53,120 Speaker 5: was really good. 54 00:02:53,520 --> 00:02:56,040 Speaker 4: I don't know why I knew that, and if I 55 00:02:56,040 --> 00:02:57,960 Speaker 4: if I thought that I was spot on. I would 56 00:02:57,960 --> 00:02:59,840 Speaker 4: have let the game go a little bit longer, but 57 00:02:59,880 --> 00:03:00,800 Speaker 4: I just heard the voice. 58 00:03:00,919 --> 00:03:03,239 Speaker 3: I was thinking, that's the voice of a mother. 59 00:03:03,120 --> 00:03:07,799 Speaker 5: Of six, and she's hearing city and it's raining out 60 00:03:07,800 --> 00:03:08,440 Speaker 5: of her misery. 61 00:03:08,520 --> 00:03:10,600 Speaker 4: Let's get her out, Let's get her up early in 62 00:03:10,639 --> 00:03:12,280 Speaker 4: the morning. 63 00:03:12,040 --> 00:03:14,240 Speaker 1: Having Can I just say, well done on the project? 64 00:03:14,280 --> 00:03:16,320 Speaker 1: The other night is well, you were great on the project, 65 00:03:16,360 --> 00:03:17,560 Speaker 1: really enjoy I. 66 00:03:17,560 --> 00:03:19,640 Speaker 5: Thought I dropped a couple of bombs. I keep forgetting. 67 00:03:19,680 --> 00:03:20,840 Speaker 5: I was on Live TV. 68 00:03:25,760 --> 00:03:26,320 Speaker 3: About you. 69 00:03:26,320 --> 00:03:29,480 Speaker 1: You say what you straight comes to your head. You're 70 00:03:29,520 --> 00:03:31,519 Speaker 1: bang straight out and that's what we love about it. 71 00:03:31,560 --> 00:03:33,360 Speaker 5: I'm sure there's a lot of lawyers out there that 72 00:03:33,400 --> 00:03:35,920 Speaker 5: have been kept in employment the things that I've said 73 00:03:35,960 --> 00:03:38,120 Speaker 5: that have transcended focus. 74 00:03:38,760 --> 00:03:41,200 Speaker 4: Can we ask about I mean, you talk about six kids. 75 00:03:41,240 --> 00:03:42,160 Speaker 1: I've got three of them. 76 00:03:42,200 --> 00:03:43,600 Speaker 4: I don't know how you do it. And I've seen 77 00:03:43,640 --> 00:03:45,280 Speaker 4: you out and about when you're trying to juggle it. 78 00:03:45,600 --> 00:03:49,680 Speaker 4: How's was homeschooling in lockdown for six kids? 79 00:03:49,680 --> 00:03:52,960 Speaker 5: Well, we're not where, We're not actually having homeschool at 80 00:03:53,000 --> 00:03:54,800 Speaker 5: the moment where we. 81 00:03:54,760 --> 00:03:55,800 Speaker 6: Are up in the north. 82 00:03:57,960 --> 00:03:59,280 Speaker 1: Great, great, we're. 83 00:03:59,120 --> 00:04:02,440 Speaker 5: Just us just over the outside, just on the fringes. 84 00:04:02,560 --> 00:04:05,520 Speaker 1: Thank god, you would have gone into lockdown at some stage. 85 00:04:05,560 --> 00:04:06,680 Speaker 1: How was that matter? 86 00:04:07,080 --> 00:04:09,200 Speaker 5: There was a lot of children being locked in the 87 00:04:09,200 --> 00:04:13,840 Speaker 5: garage with the boxing usual grain and saying now five plus. 88 00:04:13,560 --> 00:04:16,320 Speaker 6: Three equals no. But I did do a few things like. 89 00:04:17,800 --> 00:04:19,680 Speaker 5: If this is my application for Mother of the Year 90 00:04:19,720 --> 00:04:23,560 Speaker 5: twenty twenty, going onto the beach and writing, getting them 91 00:04:23,600 --> 00:04:26,039 Speaker 5: to write the alphabet, or see how many sentences they 92 00:04:26,080 --> 00:04:28,800 Speaker 5: could write before the tide came in, And I really 93 00:04:28,960 --> 00:04:31,920 Speaker 5: sound like, here's a great one. 94 00:04:32,240 --> 00:04:33,360 Speaker 6: This is what I call nature. 95 00:04:33,640 --> 00:04:36,560 Speaker 5: Let let the natural world be your classroom, going to 96 00:04:36,640 --> 00:04:39,920 Speaker 5: spiders webs and getting the kids to identify the shapes. 97 00:04:40,000 --> 00:04:42,719 Speaker 3: And then come back and research what the shape? 98 00:04:43,480 --> 00:04:45,000 Speaker 6: What are you talking about? Boys? 99 00:04:45,520 --> 00:04:47,760 Speaker 1: You have one kid that's been washed out the sea, though, 100 00:04:47,800 --> 00:04:50,159 Speaker 1: and the other he's been beaten by a red bay. 101 00:04:50,400 --> 00:04:54,240 Speaker 5: But so you were talking about my storylines on neighbors 102 00:04:54,279 --> 00:04:55,839 Speaker 5: for a moment lost. 103 00:04:56,040 --> 00:04:58,440 Speaker 4: That's not lazy. The worst that we've done is the 104 00:04:58,480 --> 00:05:02,200 Speaker 4: game Sleeping Lions. First one, all the kids lie on 105 00:05:02,240 --> 00:05:07,320 Speaker 4: the floor. The first one to move is as sleeping lines. 106 00:05:07,400 --> 00:05:11,360 Speaker 4: Where so you didn't have a nat exactly right, says 107 00:05:11,480 --> 00:05:13,520 Speaker 4: just so you can get some sort of piece and quiet. 108 00:05:13,520 --> 00:05:17,200 Speaker 1: What about sleeping dogs? You play that, Well, that's not 109 00:05:17,320 --> 00:05:20,760 Speaker 1: me in no way. Now, Madeline, you've got a podcast 110 00:05:20,760 --> 00:05:21,440 Speaker 1: at the moment. 111 00:05:21,200 --> 00:05:22,000 Speaker 6: Where you I have. 112 00:05:22,400 --> 00:05:24,760 Speaker 1: Is it true that you're like, you're just interviewing every 113 00:05:24,800 --> 00:05:26,960 Speaker 1: day Aussies but with the amazing stories. 114 00:05:27,360 --> 00:05:28,520 Speaker 6: It's called Invisible Heroes. 115 00:05:28,560 --> 00:05:31,280 Speaker 5: And it was kind of born out of isolation where 116 00:05:32,320 --> 00:05:35,200 Speaker 5: everyone was banding about the term essential, what's essential to you? 117 00:05:35,640 --> 00:05:38,000 Speaker 5: And so I really thought, what's essential to me, and 118 00:05:38,040 --> 00:05:41,680 Speaker 5: it's storytelling that I'm a storyteller, an actor, and an 119 00:05:41,760 --> 00:05:44,920 Speaker 5: author and now a budding activist, And so I went 120 00:05:45,000 --> 00:05:47,320 Speaker 5: out into the areas that I started working a lot 121 00:05:47,400 --> 00:05:50,839 Speaker 5: in the charity sector because everyone seemed to turn away 122 00:05:50,880 --> 00:05:51,159 Speaker 5: from that. 123 00:05:51,200 --> 00:05:51,680 Speaker 6: When we go. 124 00:05:51,640 --> 00:05:56,080 Speaker 5: Into crises, we look in woods naturally, and I've always 125 00:05:56,080 --> 00:05:59,239 Speaker 5: I've been a long term ambassador for the Asylum Seeker Center. 126 00:05:59,279 --> 00:06:03,200 Speaker 5: I started working in homeless kitchens and have been working 127 00:06:03,480 --> 00:06:08,000 Speaker 5: very heavily in the environment, regenerating rainforests, and realized I 128 00:06:08,000 --> 00:06:11,640 Speaker 5: was encountering, encounter incredible people who you'll never see on 129 00:06:11,680 --> 00:06:13,679 Speaker 5: the cover of magazine, you never see them on the TV, 130 00:06:14,160 --> 00:06:16,799 Speaker 5: but they're the real change makers. They're behind the scenes 131 00:06:16,880 --> 00:06:18,600 Speaker 5: and they're making the world a better place by thinking 132 00:06:18,640 --> 00:06:21,240 Speaker 5: outside the box. And I thought, these are the stories 133 00:06:21,360 --> 00:06:23,960 Speaker 5: now that we need to hear. I don't want to 134 00:06:24,000 --> 00:06:26,120 Speaker 5: hear about the next celebrity and what they're launching. I 135 00:06:26,120 --> 00:06:29,599 Speaker 5: don't want to hear about the newest range of gin Gia. 136 00:06:29,720 --> 00:06:32,800 Speaker 5: I want to hear about who are really giving back. 137 00:06:32,800 --> 00:06:35,880 Speaker 5: And I think that that's what we've all found at 138 00:06:35,920 --> 00:06:38,920 Speaker 5: the moment that we've had to look inwood and realize, 139 00:06:39,120 --> 00:06:42,200 Speaker 5: you know what, my life isn't going to according to script, 140 00:06:42,320 --> 00:06:43,320 Speaker 5: so maybe it's time to. 141 00:06:43,279 --> 00:06:43,960 Speaker 6: Write my own. 142 00:06:44,000 --> 00:06:47,279 Speaker 4: Because the other thing you find, too is because everybody 143 00:06:47,320 --> 00:06:49,880 Speaker 4: is very much self focused with what they do and 144 00:06:49,920 --> 00:06:51,520 Speaker 4: how life works, and they're more than happy to be 145 00:06:51,600 --> 00:06:53,080 Speaker 4: sitting there on their phone and they don't have the 146 00:06:53,080 --> 00:06:55,359 Speaker 4: conversation with the neighbor over the fence like they may have. 147 00:06:55,839 --> 00:06:59,040 Speaker 4: You know, in the olden days, you don't realize what 148 00:06:59,120 --> 00:07:01,320 Speaker 4: people are doing that you might even work with, or 149 00:07:01,320 --> 00:07:03,120 Speaker 4: who your neighbors are. You don't realize what they're do, 150 00:07:03,320 --> 00:07:05,600 Speaker 4: know what they're doing. On the side, those great stories 151 00:07:05,640 --> 00:07:06,080 Speaker 4: can come. 152 00:07:05,960 --> 00:07:10,120 Speaker 1: Out, you know, fascinating story the Michael Jordan documentary, which 153 00:07:10,160 --> 00:07:12,080 Speaker 1: they said is one of the best sporting documentaries of 154 00:07:12,080 --> 00:07:14,440 Speaker 1: all time, The Last Dance, Right. He didn't even know 155 00:07:14,480 --> 00:07:17,880 Speaker 1: that one of his teammates, Steve Kerr, that his father 156 00:07:18,040 --> 00:07:19,840 Speaker 1: was murdered as well, Michael Jordan's father. 157 00:07:19,720 --> 00:07:21,320 Speaker 6: Got They never had that conversation. 158 00:07:21,400 --> 00:07:24,000 Speaker 1: You ever had this conversation. And it's funny that you 159 00:07:24,520 --> 00:07:27,320 Speaker 1: become friends with these people, but you never really delve 160 00:07:27,360 --> 00:07:28,200 Speaker 1: into their lives. 161 00:07:28,240 --> 00:07:30,600 Speaker 5: So often what we do, it's considered social etiquette to 162 00:07:30,600 --> 00:07:32,800 Speaker 5: say Hi, how are you, and you immediately go I'm great. 163 00:07:32,800 --> 00:07:34,320 Speaker 5: Thinks oh, that's great, we should catch up and have 164 00:07:34,400 --> 00:07:36,840 Speaker 5: that drink. Instead, say hi, how are you and say 165 00:07:37,080 --> 00:07:39,440 Speaker 5: I'm actually really not good. I'm not coping at the 166 00:07:39,440 --> 00:07:42,600 Speaker 5: moment because it's confronting, but then it gives the other 167 00:07:42,640 --> 00:07:47,720 Speaker 5: person opportunity to say, yeah, actually I'm not greatly having 168 00:07:47,760 --> 00:07:50,560 Speaker 5: a real dialogue, especially at the moment. What this is 169 00:07:50,560 --> 00:07:52,440 Speaker 5: where the podcast was born from. I want to have 170 00:07:52,440 --> 00:07:55,000 Speaker 5: conversations with people who were really at the. 171 00:07:54,960 --> 00:07:56,480 Speaker 6: Cold face of the crisis. 172 00:07:56,720 --> 00:08:00,800 Speaker 5: We've gone through three extreme crises and here we are 173 00:08:00,840 --> 00:08:03,480 Speaker 5: amidst the apocalypse. Still now is the time to have 174 00:08:03,520 --> 00:08:06,600 Speaker 5: real conversations. And this is what started that. By having 175 00:08:06,640 --> 00:08:09,720 Speaker 5: conversations with people, I was working with and going, what, 176 00:08:09,840 --> 00:08:12,240 Speaker 5: hang on a minute, what do you mean you're working 177 00:08:12,360 --> 00:08:14,400 Speaker 5: in child sexy exploitation. 178 00:08:15,000 --> 00:08:15,880 Speaker 6: How does that work? 179 00:08:16,200 --> 00:08:17,640 Speaker 5: What do you mean You're in the office and you 180 00:08:17,880 --> 00:08:21,200 Speaker 5: see you know that? Yes, what do you mean? Tell 181 00:08:21,200 --> 00:08:23,240 Speaker 5: me about it? I want to hear it and then 182 00:08:23,280 --> 00:08:25,520 Speaker 5: give using my voice to bring their. 183 00:08:25,440 --> 00:08:26,000 Speaker 6: Voices to you. 184 00:08:26,120 --> 00:08:26,800 Speaker 1: It sounds. 185 00:08:28,120 --> 00:08:31,120 Speaker 3: In this oh at least once or many times every 186 00:08:31,160 --> 00:08:32,040 Speaker 3: single yeah. 187 00:08:32,520 --> 00:08:32,720 Speaker 5: Yeah. 188 00:08:33,040 --> 00:08:34,840 Speaker 1: So it's called invisible Heroes. 189 00:08:34,640 --> 00:08:37,040 Speaker 5: Visible Heroes, And it kicks off today with my story 190 00:08:37,120 --> 00:08:40,800 Speaker 5: about confronting the PTSD that I suffered after being hit 191 00:08:40,840 --> 00:08:41,839 Speaker 5: by a bus eighteen years ago. 192 00:08:41,920 --> 00:08:44,200 Speaker 6: Of course I remember that revisiting. 193 00:08:43,800 --> 00:08:46,040 Speaker 3: The bus stop, which I did two weeks ago. 194 00:08:47,000 --> 00:08:48,319 Speaker 6: I stood there for four and a half. 195 00:08:48,160 --> 00:08:51,280 Speaker 5: Hours and kidding me no, and watched sixty four buses 196 00:08:51,320 --> 00:08:54,440 Speaker 5: go past until I stopped being a blubbering mess and went, 197 00:08:54,480 --> 00:08:56,800 Speaker 5: you know what, I'm ready to move on. 198 00:08:57,080 --> 00:08:59,280 Speaker 4: This is great and that's helped. 199 00:08:59,800 --> 00:09:01,840 Speaker 3: Absolutely, it's gone. 200 00:09:01,880 --> 00:09:04,720 Speaker 5: It was something that I've been ignoring for the last 201 00:09:04,800 --> 00:09:07,000 Speaker 5: eighteen years until it started. 202 00:09:06,679 --> 00:09:08,199 Speaker 6: Becoming more and more consistent. 203 00:09:08,520 --> 00:09:10,439 Speaker 5: I was having panic attacks when I was in traffic 204 00:09:11,559 --> 00:09:14,679 Speaker 5: my kids on the school bus without having palpitations. It 205 00:09:14,720 --> 00:09:17,320 Speaker 5: was ridiculous, and it was time to say, Madeline, face 206 00:09:17,360 --> 00:09:17,800 Speaker 5: your fears. 207 00:09:17,800 --> 00:09:20,160 Speaker 6: That's the only way. And so has it stopped? Now 208 00:09:20,400 --> 00:09:24,480 Speaker 6: it has? That's amazing. Last week and. 209 00:09:24,880 --> 00:09:27,160 Speaker 1: Wine, this guy's got a fear of flying. Maybe he 210 00:09:27,200 --> 00:09:28,280 Speaker 1: could be in one of the episode. 211 00:09:28,280 --> 00:09:33,040 Speaker 4: I've got a respect for flying. 212 00:09:33,320 --> 00:09:35,560 Speaker 5: I'm not sweating right, and make it a positive because 213 00:09:35,559 --> 00:09:38,640 Speaker 5: you know what, fear generates adrenaline and adrenaline and not 214 00:09:38,679 --> 00:09:40,880 Speaker 5: only focuses us but makes us feel good. 215 00:09:41,320 --> 00:09:43,440 Speaker 1: I just gave out his phone number on air as well, 216 00:09:45,080 --> 00:09:47,120 Speaker 1: sort of an adrenaline that I'm experiencing as well. 217 00:09:47,160 --> 00:09:49,160 Speaker 4: I might come on the podcast and share my thoughts 218 00:09:49,160 --> 00:09:51,920 Speaker 4: on working with fits before you go. Should we get 219 00:09:51,920 --> 00:09:53,079 Speaker 4: you to sing the other four songs? 220 00:09:54,280 --> 00:09:55,439 Speaker 6: How about a great big. 221 00:09:57,240 --> 00:09:58,120 Speaker 5: Shut down? All right? 222 00:09:58,240 --> 00:10:00,559 Speaker 1: The podcast is called Invisible Here. You can get it 223 00:10:00,640 --> 00:10:03,440 Speaker 1: wherever you can get your podcast from. It's available at 224 00:10:03,480 --> 00:10:05,680 Speaker 1: smooth dot com dot I use Forward Slash podcast, but 225 00:10:05,720 --> 00:10:08,120 Speaker 1: wherever you get podcasts from Meadeline West always great to 226 00:10:08,120 --> 00:10:08,400 Speaker 1: see you. 227 00:10:08,480 --> 00:10:11,080 Speaker 3: Thank you so much, guys. 228 00:10:10,400 --> 00:10:11,719 Speaker 6: It's in with