1 00:00:01,560 --> 00:00:04,080 Speaker 1: Is it fits in with Kate Wiki podcast. 2 00:00:05,600 --> 00:00:08,280 Speaker 2: I'm not sure if you know about this Swifties, but 3 00:00:08,320 --> 00:00:10,520 Speaker 2: there is a new twenty four to seven station dedicated 4 00:00:10,560 --> 00:00:14,040 Speaker 2: to Taylor Swift. It's available now to stream via the 5 00:00:14,040 --> 00:00:16,280 Speaker 2: Nova website and the Nova Player app. 6 00:00:16,600 --> 00:00:18,840 Speaker 3: I've been on this non stop because you ever find 7 00:00:18,840 --> 00:00:22,000 Speaker 3: when you put Taylor on yourself, you automatically gravitate towards. 8 00:00:21,760 --> 00:00:22,560 Speaker 1: The songs you want. 9 00:00:22,680 --> 00:00:26,239 Speaker 3: Yeah, on this they're picking the playlist for you. You're 10 00:00:26,280 --> 00:00:28,280 Speaker 3: just enjoying someone else's curation. 11 00:00:28,640 --> 00:00:31,320 Speaker 2: I love that it's a smaller sport of Taylor Swift 12 00:00:31,440 --> 00:00:34,840 Speaker 2: and it's available now. Hello, and welcome to the podcast 13 00:00:35,479 --> 00:00:40,720 Speaker 2: Educate for a brand new year. Welcome back Jess and Lizzie, 14 00:00:40,840 --> 00:00:44,080 Speaker 2: my Swifties and Taylor Swift Experts. 15 00:00:44,159 --> 00:00:45,919 Speaker 3: Thank you Kate, thank you for having us, and thank 16 00:00:45,960 --> 00:00:48,240 Speaker 3: you for what a wonderful start. 17 00:00:48,479 --> 00:00:52,839 Speaker 2: And also, I mean coming back to work for a 18 00:00:53,240 --> 00:00:55,120 Speaker 2: brand new year. There is a lot to look forward to. 19 00:00:55,240 --> 00:00:57,520 Speaker 2: But I have to say, especially working in a place 20 00:00:57,600 --> 00:01:02,720 Speaker 2: like this, Taylor Swift featuring heavily in all of our chats, 21 00:01:02,800 --> 00:01:05,959 Speaker 2: so much Taylor, if she didn't already at the end 22 00:01:05,959 --> 00:01:09,920 Speaker 2: of last year, even there are conversations in my car 23 00:01:10,000 --> 00:01:12,800 Speaker 2: with my daughter driving around. We did a lot of 24 00:01:12,840 --> 00:01:15,800 Speaker 2: Taylor Swift listening in the car on road trips, getting 25 00:01:15,800 --> 00:01:18,600 Speaker 2: those hours off over Christmas, and then it was only 26 00:01:18,720 --> 00:01:23,680 Speaker 2: last night my girlfriend messaged me she's taking her daughter 27 00:01:23,720 --> 00:01:26,280 Speaker 2: to the concert, who is also nine, and she said, 28 00:01:26,680 --> 00:01:29,240 Speaker 2: is it too early to open the conversation about what 29 00:01:29,360 --> 00:01:32,840 Speaker 2: we should wear to the Taylor Swift coms? And I said, 30 00:01:32,959 --> 00:01:36,160 Speaker 2: funny you should say this because it's only weeks away 31 00:01:36,400 --> 00:01:41,880 Speaker 2: until the concert. Now we're excited and momentum is building. 32 00:01:42,640 --> 00:01:44,920 Speaker 2: But to kick it off, to kick off this new 33 00:01:45,000 --> 00:01:48,160 Speaker 2: round of educate podcasts, Jess, you need to bring me 34 00:01:48,240 --> 00:01:50,720 Speaker 2: up to speed and we will do this every week. 35 00:01:50,760 --> 00:01:52,680 Speaker 2: There is a lot for me to learn before I 36 00:01:52,760 --> 00:01:55,000 Speaker 2: head in to the stadium on that night. 37 00:01:55,120 --> 00:01:56,920 Speaker 3: That's right, because you're a new swift y Kate and 38 00:01:56,960 --> 00:01:59,480 Speaker 3: we have been educating you as we so at le 39 00:01:59,560 --> 00:01:59,960 Speaker 3: named pod. 40 00:02:00,480 --> 00:02:04,639 Speaker 2: I appreciate you giving me or welcoming me into the fold, 41 00:02:05,000 --> 00:02:08,200 Speaker 2: because I'm sure there are Taylor Swift fans who are 42 00:02:08,480 --> 00:02:10,840 Speaker 2: a bit more territorial about this. 43 00:02:11,000 --> 00:02:13,519 Speaker 1: No, the more Swift is, the more shows we get rank. 44 00:02:13,639 --> 00:02:16,000 Speaker 3: So you are welcome, you know, just purely from a 45 00:02:16,080 --> 00:02:17,560 Speaker 3: numbers point of view. So what we're going to do 46 00:02:17,600 --> 00:02:19,120 Speaker 3: is we are going to take you through all the 47 00:02:19,120 --> 00:02:21,880 Speaker 3: steps you need in order to get prepared for the concert. 48 00:02:22,200 --> 00:02:25,040 Speaker 3: In particular today, if you are a new Swifty and 49 00:02:25,080 --> 00:02:27,800 Speaker 3: you're heading to the Erast tour, or maybe you're an 50 00:02:27,840 --> 00:02:30,239 Speaker 3: og Swifty and you're just feeling a little bit rusty, 51 00:02:30,560 --> 00:02:33,720 Speaker 3: We're going to take you through all the fan chants 52 00:02:33,800 --> 00:02:37,520 Speaker 3: that happen at every Taylor show, and you can practice 53 00:02:37,720 --> 00:02:38,680 Speaker 3: before getting in there. 54 00:02:38,880 --> 00:02:41,200 Speaker 1: Because they are important. They don't know them. 55 00:02:41,400 --> 00:02:44,359 Speaker 4: That's when you actually might get shunned. If I'm honest, Well, 56 00:02:44,360 --> 00:02:45,079 Speaker 4: that's we want. 57 00:02:44,960 --> 00:02:47,520 Speaker 5: To I need to take you. I need to earn 58 00:02:47,520 --> 00:02:48,160 Speaker 5: my seat. 59 00:02:48,360 --> 00:02:49,519 Speaker 1: Yes, py much. 60 00:02:49,520 --> 00:02:49,800 Speaker 5: Okay. 61 00:02:49,840 --> 00:02:52,079 Speaker 2: So and when you say chant, I know you're about 62 00:02:52,120 --> 00:02:53,800 Speaker 2: to talk me through it. But when you say chant, 63 00:02:54,120 --> 00:02:57,840 Speaker 2: is this like the celebration song that a footy team 64 00:02:57,919 --> 00:02:59,200 Speaker 2: might sing at the air or not? 65 00:02:59,280 --> 00:02:59,600 Speaker 6: Really? 66 00:03:02,080 --> 00:03:03,880 Speaker 5: Also, it's throughout the show. 67 00:03:03,720 --> 00:03:06,960 Speaker 1: We should have actually said yes it is. And then 68 00:03:07,000 --> 00:03:11,239 Speaker 1: at the end of the concert just a you know, 69 00:03:11,320 --> 00:03:11,880 Speaker 1: we'd love that. 70 00:03:12,440 --> 00:03:13,800 Speaker 5: Travis. 71 00:03:13,800 --> 00:03:17,560 Speaker 2: Oh yeah, well that is very true sporting thing. Okay, 72 00:03:17,639 --> 00:03:18,160 Speaker 2: let's do it. 73 00:03:18,240 --> 00:03:21,360 Speaker 3: So the fan champs happen at certain points in the songs. 74 00:03:21,480 --> 00:03:24,639 Speaker 3: It's either something extra that you might yell out like 75 00:03:24,680 --> 00:03:27,480 Speaker 3: a phrase. It might be a lyric that gets emphasized, 76 00:03:27,600 --> 00:03:30,520 Speaker 3: or it might be like a clap. But if you 77 00:03:30,520 --> 00:03:32,359 Speaker 3: don't know them before going in, you're gonna be in 78 00:03:32,400 --> 00:03:33,720 Speaker 3: a bit of trouble. You're gonna sit there looking a 79 00:03:33,720 --> 00:03:37,320 Speaker 3: little bit silly. So please let me educate sillier than this. 80 00:03:40,080 --> 00:03:43,720 Speaker 1: You Belong with Me podcast, and I'll tell you why. 81 00:03:43,880 --> 00:03:44,440 Speaker 1: I'll tell you why. 82 00:03:44,480 --> 00:03:46,120 Speaker 3: So the first chat we're going to go through is 83 00:03:46,160 --> 00:03:49,320 Speaker 3: the Delicate fan chat. Delicate is one of the songs 84 00:03:49,320 --> 00:03:53,280 Speaker 3: from Reputation, and there is a line that Taylor says, 85 00:03:53,320 --> 00:03:55,720 Speaker 3: which is, we can't make any promises now, can we? 86 00:03:55,760 --> 00:03:56,120 Speaker 1: Babe? 87 00:03:56,200 --> 00:03:58,800 Speaker 3: But you can make me a drink? That is your 88 00:03:58,920 --> 00:04:04,280 Speaker 3: cue to yell out one, two three, Let's go bitch. 89 00:04:05,080 --> 00:04:07,000 Speaker 3: That is the fat chat for Delicates. 90 00:04:07,200 --> 00:04:08,200 Speaker 5: No, No, Taylor. 91 00:04:08,400 --> 00:04:11,119 Speaker 4: Taylor even gestures to it herself because she loves. 92 00:04:10,920 --> 00:04:11,640 Speaker 6: It that much. 93 00:04:11,880 --> 00:04:16,599 Speaker 3: Haven't listened to how it sounds live in a huge stadium. 94 00:04:16,720 --> 00:04:19,560 Speaker 6: Kimmy, any promises? Now? 95 00:04:19,720 --> 00:04:21,279 Speaker 1: Can you mean where it comes? 96 00:04:21,640 --> 00:04:23,440 Speaker 6: You can meet me to me? 97 00:04:23,640 --> 00:04:29,120 Speaker 2: Oh so it's not even a lyric, No, it's just 98 00:04:29,120 --> 00:04:30,159 Speaker 2: the fans themselves. 99 00:04:31,920 --> 00:04:34,479 Speaker 3: So it's from a fan. Her name was Emily Valencia. 100 00:04:34,560 --> 00:04:37,000 Speaker 3: She was fifteen years old at the time. She shouted 101 00:04:37,000 --> 00:04:40,279 Speaker 3: it out while attending the Reputation World Tour in Pasadena 102 00:04:40,320 --> 00:04:43,360 Speaker 3: in California, and then in May twenty eighteen, she shared 103 00:04:43,360 --> 00:04:46,840 Speaker 3: the video on Twitter. It went viral, and then Taylor 104 00:04:46,839 --> 00:04:49,200 Speaker 3: referenced it at her next show. She kept hearing it, 105 00:04:49,240 --> 00:04:51,320 Speaker 3: and then she now counts people into it. 106 00:04:51,960 --> 00:04:55,320 Speaker 4: So it's like our very own personal joke with Taylor. 107 00:04:55,080 --> 00:04:57,480 Speaker 2: And what's her what's the girl's name? Her name's Emily, 108 00:04:57,560 --> 00:04:58,360 Speaker 2: and where's Emily? 109 00:04:58,440 --> 00:04:58,600 Speaker 1: Now? 110 00:04:58,800 --> 00:05:01,839 Speaker 3: She got invited to a love a Secret session and 111 00:05:02,120 --> 00:05:05,320 Speaker 3: Taylor said to her one two three, let's go bitch 112 00:05:05,400 --> 00:05:06,880 Speaker 3: and gave her a hug and took a photo with her. 113 00:05:07,040 --> 00:05:09,880 Speaker 3: Oh wow, yeah, so she did thank her, And that 114 00:05:10,120 --> 00:05:11,120 Speaker 3: is swifty law. 115 00:05:11,160 --> 00:05:12,359 Speaker 1: You have to know that one. If you're going to 116 00:05:12,360 --> 00:05:13,760 Speaker 1: know any of them, that's the one to know. 117 00:05:14,080 --> 00:05:18,320 Speaker 2: Now, Okay, Now I'm excited because I'm also imagining in 118 00:05:18,360 --> 00:05:22,080 Speaker 2: the moment at the concerts when this is happening, there's 119 00:05:22,120 --> 00:05:25,320 Speaker 2: a stadium full of people who. 120 00:05:25,200 --> 00:05:26,120 Speaker 5: Know the rules. 121 00:05:26,200 --> 00:05:29,240 Speaker 2: Yes, this is like, okay, this is going to make 122 00:05:29,279 --> 00:05:31,800 Speaker 2: me sound really daggy. The only thing I can liken 123 00:05:31,839 --> 00:05:34,080 Speaker 2: it to is when I would do pantomime in the 124 00:05:34,160 --> 00:05:37,560 Speaker 2: UK's relatable for us. I've worked when I worked on 125 00:05:37,600 --> 00:05:38,880 Speaker 2: a Home and Away and. 126 00:05:39,040 --> 00:05:41,840 Speaker 1: Pantomime Home and Away. 127 00:05:42,160 --> 00:05:43,320 Speaker 5: Now you sound up my daughter. 128 00:05:44,320 --> 00:05:46,680 Speaker 2: And so you would perform in a show that was 129 00:05:47,200 --> 00:05:50,880 Speaker 2: a fairy tale of sorts, So you might do Cinderella 130 00:05:51,040 --> 00:05:53,920 Speaker 2: or snow White and the Seven Dwarfs, and in a panto. 131 00:05:54,480 --> 00:05:56,800 Speaker 2: Just because people have been brought up in the UK 132 00:05:56,920 --> 00:05:59,720 Speaker 2: and seen pantomimes at Christmas time, they know what the 133 00:05:59,839 --> 00:06:02,320 Speaker 2: rule of the panto are, so they know how to 134 00:06:02,360 --> 00:06:05,520 Speaker 2: engage with the actors on stage at particular times. 135 00:06:05,880 --> 00:06:08,240 Speaker 5: So is that what this is like? So when Taylor 136 00:06:08,320 --> 00:06:09,000 Speaker 5: is singing. 137 00:06:08,720 --> 00:06:13,920 Speaker 2: That, it's just what I'm saying, is when Taylor singing 138 00:06:13,920 --> 00:06:17,200 Speaker 2: that song, there aren't any instructions. No, it's just that 139 00:06:18,279 --> 00:06:22,919 Speaker 2: everybody's vibe. Yeah Taylor, they know that, please cut the 140 00:06:23,000 --> 00:06:27,280 Speaker 2: vibing thing out. But they all know what to do. 141 00:06:27,320 --> 00:06:30,400 Speaker 2: And there's a great anticipation of fat. 142 00:06:31,680 --> 00:06:34,880 Speaker 3: Chat number two. This is in Bad Blood. The original 143 00:06:35,080 --> 00:06:38,000 Speaker 3: Bad Blood doesn't have Kendrick Klamar on it. The remix 144 00:06:38,080 --> 00:06:41,440 Speaker 3: has a rap verse from him, and you'll hear this. 145 00:06:41,320 --> 00:06:47,200 Speaker 1: In Bad Blood he's about to. 146 00:06:47,200 --> 00:06:49,320 Speaker 3: Do his line, but of course he's not there, so 147 00:06:49,400 --> 00:06:55,279 Speaker 3: the crowd has to do. So what we're yelling there 148 00:06:55,480 --> 00:06:58,960 Speaker 3: is you forgive, you forget, but you never let it go, 149 00:06:59,080 --> 00:07:01,279 Speaker 3: which is just simple rat verse. 150 00:07:01,600 --> 00:07:03,280 Speaker 1: Make sure you say it. She loves to hear it back. 151 00:07:03,320 --> 00:07:06,159 Speaker 2: Okay, I think I would do that naturally anyway, because 152 00:07:06,200 --> 00:07:06,920 Speaker 2: I know the Kendrick. 153 00:07:08,560 --> 00:07:09,679 Speaker 5: Yeah, okay, I'm just writing. 154 00:07:09,720 --> 00:07:10,600 Speaker 1: He's got street cred. 155 00:07:10,640 --> 00:07:13,520 Speaker 2: We all know I am actually writing it down so 156 00:07:13,560 --> 00:07:15,520 Speaker 2: I can go through my checklist on the night. 157 00:07:15,680 --> 00:07:18,600 Speaker 3: That's very good studying. Thank you, Kate. And it is 158 00:07:18,600 --> 00:07:20,440 Speaker 3: a pleasure to educate you every week. 159 00:07:20,520 --> 00:07:20,680 Speaker 6: Hey. 160 00:07:20,720 --> 00:07:23,240 Speaker 3: Plus The next one, which also comes from a remix 161 00:07:23,240 --> 00:07:26,640 Speaker 3: of a song, is the anti Hero remix Bleaches jumped 162 00:07:26,640 --> 00:07:29,960 Speaker 3: on that. Bleaches is made up of Jack Antonoff and 163 00:07:30,000 --> 00:07:32,400 Speaker 3: his bandmates. He is the producer of a lot of 164 00:07:32,440 --> 00:07:35,440 Speaker 3: Taylor's albums and songs, so they jumped on for a 165 00:07:35,520 --> 00:07:39,200 Speaker 3: remix and you're here in the line she says, did 166 00:07:39,240 --> 00:07:43,360 Speaker 3: you hear my covert narcissism I disguised as altruism like 167 00:07:43,520 --> 00:07:46,560 Speaker 3: some kind of congressman. Thank god, we're not repeating that 168 00:07:46,600 --> 00:07:50,360 Speaker 3: bit back. All you need to say there is Taylor, 169 00:07:50,400 --> 00:08:04,160 Speaker 3: You'll be fine afterwards, have a little listen, yeah, which 170 00:08:04,200 --> 00:08:06,480 Speaker 3: is the original lyric they do over the top of that, 171 00:08:06,520 --> 00:08:08,680 Speaker 3: So you won't hear that in the normal Antihero just 172 00:08:08,720 --> 00:08:10,760 Speaker 3: the remix, but you will hear it at the ears 173 00:08:10,760 --> 00:08:12,640 Speaker 3: to us, right, so make sure you know that one the. 174 00:08:12,720 --> 00:08:15,440 Speaker 1: Fits and with the Kate whichie podcast. 175 00:08:16,040 --> 00:08:18,920 Speaker 3: Okay, we move on now to All too well ten 176 00:08:18,960 --> 00:08:22,400 Speaker 3: minute version Taylor's version. The first line is when she says, 177 00:08:22,480 --> 00:08:25,360 Speaker 3: and you are tossing me the car keys. The line 178 00:08:25,400 --> 00:08:27,320 Speaker 3: you need to scream back to her, and it is in. 179 00:08:27,280 --> 00:08:31,880 Speaker 7: The lyrics is fuck the patriarchy loved, which if there's 180 00:08:31,920 --> 00:08:35,600 Speaker 7: anything that may is gonna scream, I think it shouldn't 181 00:08:35,600 --> 00:08:38,320 Speaker 7: be that one. And I think if you're taking kids, 182 00:08:38,320 --> 00:08:40,720 Speaker 7: it's beautiful taking kids with you. 183 00:08:40,720 --> 00:08:43,040 Speaker 1: You've got to let the swearing slide for this, okay, do. 184 00:08:43,080 --> 00:08:46,360 Speaker 4: There's lots of TikTok videos of mums like having a 185 00:08:46,360 --> 00:08:48,600 Speaker 4: little talk with their toddlers before they go or their 186 00:08:48,640 --> 00:08:50,600 Speaker 4: young girls and being like, if you're going to say 187 00:08:50,600 --> 00:08:51,640 Speaker 4: this word tonight, tonight, and. 188 00:08:51,640 --> 00:08:53,760 Speaker 3: Then that's it because haven't listened to what it sounds 189 00:08:53,800 --> 00:09:03,680 Speaker 3: like when the stadium yells it eighty thousand women and 190 00:09:03,800 --> 00:09:06,760 Speaker 3: maybe like a few gay men, all yelling. 191 00:09:06,520 --> 00:09:07,400 Speaker 1: Fuck the patriarch. 192 00:09:08,120 --> 00:09:10,640 Speaker 3: That's inspirational, and of course the girls that brought their boyfriends. 193 00:09:10,840 --> 00:09:11,480 Speaker 1: Yeah, okay. 194 00:09:11,520 --> 00:09:14,040 Speaker 3: The other line or the other chant that we have 195 00:09:14,400 --> 00:09:18,200 Speaker 3: from all too well, this is when she says, you said, 196 00:09:18,200 --> 00:09:21,200 Speaker 3: if we had been closer in age, maybe it would 197 00:09:21,200 --> 00:09:25,160 Speaker 3: have been fine. You then need to yell out how 198 00:09:25,160 --> 00:09:27,680 Speaker 3: did that make you feel? And then she's going to 199 00:09:27,760 --> 00:09:29,680 Speaker 3: tell you have a listen to this. 200 00:09:37,880 --> 00:09:40,080 Speaker 6: Maybe to die. 201 00:09:40,320 --> 00:09:43,640 Speaker 3: So she responds, then, so that's that's a little filler phrase, 202 00:09:44,000 --> 00:09:45,760 Speaker 3: so that you do a bit of call and response 203 00:09:45,800 --> 00:09:46,079 Speaker 3: with her. 204 00:09:46,200 --> 00:09:47,480 Speaker 5: This is so engaging. 205 00:09:47,800 --> 00:09:49,880 Speaker 3: The next one, we move on to some clapping. No, 206 00:09:49,960 --> 00:09:51,600 Speaker 3: I know you paid the clapping out at the start. 207 00:09:51,679 --> 00:09:55,200 Speaker 2: No, I'm not paying it out. Yes, we can't keep 208 00:09:55,240 --> 00:09:58,800 Speaker 2: doing this. We can't let you go if you. 209 00:09:58,720 --> 00:10:00,320 Speaker 1: Aren't gonna, you know, distress. 210 00:10:00,400 --> 00:10:02,600 Speaker 5: I'm not. I love a bit of clapping. 211 00:10:03,240 --> 00:10:06,600 Speaker 1: Well that's too slow. You need the reason being in 212 00:10:06,760 --> 00:10:07,600 Speaker 1: you belong with me. 213 00:10:08,440 --> 00:10:11,000 Speaker 3: There is a line I'm the one who makes you 214 00:10:11,080 --> 00:10:13,319 Speaker 3: laugh when you know you're about to cry. Now this 215 00:10:13,400 --> 00:10:15,959 Speaker 3: is so serious that I've seen a video of a 216 00:10:16,040 --> 00:10:19,640 Speaker 3: stage hand and he's like halfway down the stadium. Someone 217 00:10:19,679 --> 00:10:21,760 Speaker 3: was feeling him and he's like loading boxes at the time. 218 00:10:21,800 --> 00:10:24,719 Speaker 3: He's obviously on the tours the crew. This line comes up. 219 00:10:24,760 --> 00:10:26,320 Speaker 3: He dropped what he was doing and he did the 220 00:10:26,360 --> 00:10:28,560 Speaker 3: double clap just because it's so ingrained in his head. 221 00:10:29,080 --> 00:10:30,840 Speaker 3: So we'll show you where the moment is now. 222 00:10:36,400 --> 00:10:37,040 Speaker 6: On its way. 223 00:10:37,960 --> 00:10:45,080 Speaker 3: Here we go, so the whole stadium will do that. 224 00:10:45,360 --> 00:10:46,800 Speaker 3: So you've just got to make sure you're on it. 225 00:10:47,559 --> 00:10:49,560 Speaker 3: I'm sure a double will be great, might be the 226 00:10:49,640 --> 00:10:51,319 Speaker 3: easiest one. We should we test it now, do you 227 00:10:51,320 --> 00:10:57,000 Speaker 3: want to have a go? Now? 228 00:10:53,040 --> 00:11:00,360 Speaker 1: Yeah, hands up ready? 229 00:11:01,240 --> 00:11:02,200 Speaker 6: You know your pa. 230 00:11:06,400 --> 00:11:07,160 Speaker 5: I knew she'd get it. 231 00:11:07,200 --> 00:11:08,440 Speaker 1: I knew she'd get it. I knew we'd have to 232 00:11:08,440 --> 00:11:11,400 Speaker 1: practice twice on the clap, but she got there, just. 233 00:11:11,400 --> 00:11:13,160 Speaker 2: For the just for the record, that is the first 234 00:11:13,200 --> 00:11:15,319 Speaker 2: time we tried it. But that was very I mean 235 00:11:15,720 --> 00:11:17,000 Speaker 2: that's rehearsed. 236 00:11:17,080 --> 00:11:20,160 Speaker 3: That would be very very good. Okay, the next one 237 00:11:20,320 --> 00:11:22,640 Speaker 3: that I want to talk about, there's two more. There's 238 00:11:22,640 --> 00:11:25,560 Speaker 3: actually heaps and heaps and heaps, but we can't we 239 00:11:25,600 --> 00:11:27,560 Speaker 3: can't really go through all of them. So the next 240 00:11:27,559 --> 00:11:30,280 Speaker 3: one is in a song called Don't Blame Me Now. 241 00:11:30,320 --> 00:11:32,079 Speaker 3: This song and you'll experience this when you go to 242 00:11:32,120 --> 00:11:34,800 Speaker 3: the ears. To us, this is a religious experience, and 243 00:11:34,840 --> 00:11:36,720 Speaker 3: you'll understand why we have to chant what we have 244 00:11:36,800 --> 00:11:39,080 Speaker 3: to chant. Because she gets to a line in the 245 00:11:39,120 --> 00:11:42,640 Speaker 3: song where she says, every time, every time you're loving me, 246 00:11:42,800 --> 00:11:45,439 Speaker 3: and there's a bit of music that plays, you have 247 00:11:45,480 --> 00:11:50,280 Speaker 3: to yell out take me to church, okay, which feels weird, 248 00:11:50,720 --> 00:11:53,120 Speaker 3: but when you're there and the music's playing, and then 249 00:11:53,160 --> 00:11:55,440 Speaker 3: her next line is Lord save me. 250 00:11:55,800 --> 00:11:58,160 Speaker 1: You know what I mean. It is a religious experience. 251 00:11:58,200 --> 00:12:03,000 Speaker 3: Have a little listen to to what that's sounds like. 252 00:12:13,920 --> 00:12:17,000 Speaker 1: So it does make sense, and you're really ampling her 253 00:12:17,080 --> 00:12:17,480 Speaker 1: up for this. 254 00:12:17,520 --> 00:12:22,440 Speaker 2: Ye here, I like that when you're in that audio, though, 255 00:12:22,600 --> 00:12:25,320 Speaker 2: it sounds as though it's just one person in the 256 00:12:25,360 --> 00:12:26,679 Speaker 2: wings yelling it to her. 257 00:12:26,920 --> 00:12:29,280 Speaker 3: I thought that might have been the video, the first 258 00:12:29,320 --> 00:12:30,280 Speaker 3: person to do it. 259 00:12:30,720 --> 00:12:33,280 Speaker 1: I think that's the one that start because that's what happens. 260 00:12:33,320 --> 00:12:36,160 Speaker 3: People do these things and then they go viral, they 261 00:12:36,200 --> 00:12:38,079 Speaker 3: catch on and you know, you can't sing. We know, 262 00:12:38,120 --> 00:12:40,360 Speaker 3: we're doing a whole bloody podcast on it, okay. And 263 00:12:40,400 --> 00:12:42,280 Speaker 3: then the last one, this is another one. So this 264 00:12:42,320 --> 00:12:44,520 Speaker 3: is at the beginning of style. You will know style 265 00:12:44,559 --> 00:12:47,160 Speaker 3: because it has its very famous guitar riff that it 266 00:12:47,200 --> 00:12:50,720 Speaker 3: begins with. As we get close to the verse starting, 267 00:12:51,160 --> 00:12:54,360 Speaker 3: you just need to ask Taylor, Hey, what time is it? 268 00:12:54,480 --> 00:13:01,679 Speaker 1: Have a little listen iconic alarm clock. All right, here 269 00:13:01,679 --> 00:13:07,559 Speaker 1: we go, you're feeling it and then ship. 270 00:13:09,559 --> 00:13:12,200 Speaker 3: So another bit of call and response there again, there's 271 00:13:12,200 --> 00:13:14,520 Speaker 3: lots and lots you'll probably hear more, but we can 272 00:13:14,559 --> 00:13:15,199 Speaker 3: focus on these. 273 00:13:15,280 --> 00:13:16,800 Speaker 5: Oh, I think I need to do You know what 274 00:13:16,840 --> 00:13:17,319 Speaker 5: you could. 275 00:13:17,160 --> 00:13:19,200 Speaker 4: Come up with your own imagine if if you go 276 00:13:19,320 --> 00:13:23,520 Speaker 4: viral making up your own chances on the night, Kate Richie, 277 00:13:23,559 --> 00:13:24,440 Speaker 4: what would you go with? 278 00:13:24,720 --> 00:13:25,680 Speaker 5: What song could I do? 279 00:13:25,840 --> 00:13:26,040 Speaker 6: Yeah? 280 00:13:26,040 --> 00:13:26,960 Speaker 1: What song could you do? 281 00:13:28,000 --> 00:13:28,240 Speaker 6: Mmm? 282 00:13:29,040 --> 00:13:29,920 Speaker 1: Let's think about this. 283 00:13:30,040 --> 00:13:33,960 Speaker 5: Yeah, we need to brainstorm. Send exactly. 284 00:13:34,000 --> 00:13:36,040 Speaker 4: If you have any suggestions, please dm us on the 285 00:13:36,040 --> 00:13:38,360 Speaker 4: fits in Whip with Kate Richie Instagram page. 286 00:13:38,440 --> 00:13:41,360 Speaker 2: Great idea with maybe an example of how I mean 287 00:13:41,400 --> 00:13:45,600 Speaker 2: you've talked me through it today, Maybe with an example 288 00:13:45,640 --> 00:13:47,280 Speaker 2: of how it would unfold. 289 00:13:47,440 --> 00:13:48,680 Speaker 5: Then I can rehearse it. 290 00:13:49,200 --> 00:13:50,480 Speaker 1: Then we can do it on Now. We don't have 291 00:13:50,600 --> 00:13:52,160 Speaker 1: long so we've got to get onto this. 292 00:13:52,360 --> 00:13:56,040 Speaker 3: Yeah, all right, so know your chance, know the well, 293 00:13:56,400 --> 00:13:58,600 Speaker 3: enjoy the concert and I'll leave you with this, Kate Richie, 294 00:13:58,600 --> 00:14:00,160 Speaker 3: You're on your own here, Lizzie and I uncle to 295 00:14:00,160 --> 00:14:01,680 Speaker 3: give you a We're not going to give you. 296 00:14:01,679 --> 00:14:02,520 Speaker 5: What do I need to put. 297 00:14:05,840 --> 00:14:06,120 Speaker 6: House? 298 00:14:07,160 --> 00:14:10,560 Speaker 3: Yeah by know. 299 00:14:10,679 --> 00:14:11,439 Speaker 6: Your pat. 300 00:14:14,600 --> 00:14:15,440 Speaker 1: Days, Jeemes. 301 00:14:15,520 --> 00:14:17,199 Speaker 6: Think you know where you'll go? Thanks. 302 00:14:17,280 --> 00:14:22,160 Speaker 3: Going Busy and Whopper with Kate Ritchie is a Nova podcast. 303 00:14:22,280 --> 00:14:24,800 Speaker 3: For more great comedy shows like this, head to Nova 304 00:14:24,880 --> 00:14:25,920 Speaker 3: podcast dot com. 305 00:14:25,960 --> 00:14:26,440 Speaker 1: Jod Are you