1 00:00:00,120 --> 00:00:02,880 Speaker 1: I'm thrilled to have in the studio with me Lee Cumberleadge, 2 00:00:02,880 --> 00:00:06,760 Speaker 1: who's one of the co founders of a festival many 3 00:00:06,800 --> 00:00:09,080 Speaker 1: of us have enjoyed over the last I think four 4 00:00:09,240 --> 00:00:11,799 Speaker 1: maybe five years. Now we'll find out. I'm talking about 5 00:00:11,840 --> 00:00:12,960 Speaker 1: Illuminate Adelaide. 6 00:00:13,039 --> 00:00:14,200 Speaker 2: Lee. How are you welcome? 7 00:00:14,320 --> 00:00:15,640 Speaker 3: Oh good, thanks, thanks for having me. 8 00:00:15,800 --> 00:00:17,239 Speaker 2: Now how long fifty year now? 9 00:00:17,760 --> 00:00:19,919 Speaker 3: Yeah, this will be the fifth iteration. Yeah, okay, it 10 00:00:20,000 --> 00:00:22,160 Speaker 3: comes around so quickly to believe, isn't it. 11 00:00:22,160 --> 00:00:24,640 Speaker 1: It's and look, we've done it every year, I think 12 00:00:24,720 --> 00:00:27,080 Speaker 1: with the family just up and down North Terrace. Loved 13 00:00:27,120 --> 00:00:29,160 Speaker 1: the gin bar in the Mortlock Library a couple of 14 00:00:29,200 --> 00:00:30,680 Speaker 1: years ago. I don't know if it was there last year. 15 00:00:30,680 --> 00:00:32,559 Speaker 1: Maybe it was, but missed it if it was, but gee, 16 00:00:32,600 --> 00:00:36,040 Speaker 1: that saved us that year. And really good, like just 17 00:00:36,120 --> 00:00:39,000 Speaker 1: walking enjoying it with everyone else, a real family feel 18 00:00:39,040 --> 00:00:41,559 Speaker 1: about it. Lovely event, but so much more to it. 19 00:00:41,880 --> 00:00:43,120 Speaker 2: Yeah, that's right. Yeah. 20 00:00:43,159 --> 00:00:46,000 Speaker 3: I think the free program city Lights that you mentioned 21 00:00:46,320 --> 00:00:48,519 Speaker 3: all along North Terrace there and in the East End 22 00:00:48,560 --> 00:00:51,199 Speaker 3: is a big favorite, and in some ways it's the 23 00:00:51,240 --> 00:00:53,280 Speaker 3: real kind of backbone of our program, you know. I 24 00:00:53,320 --> 00:00:56,640 Speaker 3: think it's just such a great privilege really to have 25 00:00:56,680 --> 00:00:58,920 Speaker 3: this amazing city, to bring that to life with all 26 00:00:58,960 --> 00:01:01,120 Speaker 3: the amazing installations we bring from all over the world, 27 00:01:01,200 --> 00:01:03,440 Speaker 3: and just to open that up free to the public. 28 00:01:04,120 --> 00:01:06,280 Speaker 3: It's a beautiful thing, saying, so many happy people from 29 00:01:06,280 --> 00:01:08,560 Speaker 3: all ages, all backgrounds throughout the city. 30 00:01:08,640 --> 00:01:10,880 Speaker 1: And you know, kids love it because there are parts 31 00:01:10,880 --> 00:01:13,319 Speaker 1: of it that are so interactive. You can step on 32 00:01:13,440 --> 00:01:15,680 Speaker 1: things and make a bits slide up and all the rest. 33 00:01:15,760 --> 00:01:18,080 Speaker 3: Yeah, that's right. This year we've got a few really 34 00:01:18,120 --> 00:01:21,680 Speaker 3: amazing kind of interactive exhibits as part of the program. 35 00:01:21,720 --> 00:01:24,759 Speaker 3: You can ride a bike and compete with your friends 36 00:01:24,840 --> 00:01:27,640 Speaker 3: or family or complete strangers and it's called light Battle 37 00:01:27,680 --> 00:01:31,600 Speaker 3: and the light actually changes the faster you battle against 38 00:01:32,319 --> 00:01:35,319 Speaker 3: the opposite number on the side, so you can do that, 39 00:01:35,400 --> 00:01:37,200 Speaker 3: or this kick at Team Tennis where you play like 40 00:01:37,200 --> 00:01:40,400 Speaker 3: a ball game of lights in the street. So there's 41 00:01:40,400 --> 00:01:43,400 Speaker 3: a lot of interactivity. But we've also got amazing projections again. 42 00:01:43,440 --> 00:01:47,040 Speaker 3: There's a beautiful projection by Joan Ross on the Gallery 43 00:01:47,040 --> 00:01:50,680 Speaker 3: of South Australia again this year. And Government House, of course, 44 00:01:50,680 --> 00:01:53,840 Speaker 3: the Governor has opened up very kindly opened up the 45 00:01:54,880 --> 00:01:57,600 Speaker 3: garden there at Government House, so we put a beautiful 46 00:01:57,600 --> 00:02:00,640 Speaker 3: projection on there by a Spanish artist Javi this year. 47 00:02:00,640 --> 00:02:04,360 Speaker 3: But there's also things in Festival Plaza and right down 48 00:02:04,400 --> 00:02:06,840 Speaker 3: to Lot fourteen where base Camp will be again this year, 49 00:02:06,880 --> 00:02:10,120 Speaker 3: which is food and bev at the end of the 50 00:02:10,120 --> 00:02:10,679 Speaker 3: strip there. 51 00:02:10,840 --> 00:02:13,680 Speaker 1: Excellent and it's so much more than just that area, 52 00:02:13,720 --> 00:02:15,760 Speaker 1: isn't There's a lot going on and this year a 53 00:02:15,760 --> 00:02:17,120 Speaker 1: big drone show as part of it. 54 00:02:17,320 --> 00:02:20,519 Speaker 3: Yeah, that's right. We've got Horizons at the Adelaide Oval. 55 00:02:21,000 --> 00:02:24,440 Speaker 3: It's one night only on July the eighteenth, presented by 56 00:02:24,600 --> 00:02:28,320 Speaker 3: RAA and it's this beautiful, spectacular piece that we've been 57 00:02:29,080 --> 00:02:31,720 Speaker 3: producing that tells the story of the river bank and 58 00:02:31,720 --> 00:02:35,799 Speaker 3: its significance going back through history, but it also talks 59 00:02:35,840 --> 00:02:37,880 Speaker 3: about the people in place of South Australia and we're 60 00:02:37,960 --> 00:02:40,560 Speaker 3: using all of the amazing technology there, so hundreds of 61 00:02:40,600 --> 00:02:44,080 Speaker 3: illuminated drones, plus the technology inside the Alaied Oval, the 62 00:02:44,080 --> 00:02:47,480 Speaker 3: big screens, the led strips, the lighting in the stadium 63 00:02:47,520 --> 00:02:51,440 Speaker 3: and bringing in some other lighting as well. So we're 64 00:02:51,480 --> 00:02:52,360 Speaker 3: really looking forward to that. 65 00:02:52,400 --> 00:02:55,440 Speaker 1: Okay, is it right around? Can people sit? Are you 66 00:02:55,480 --> 00:02:58,000 Speaker 1: expecting thirty thousand? Is that the idea? 67 00:02:58,120 --> 00:03:00,400 Speaker 2: Yeah, we're expecting about that number. Show. 68 00:03:00,520 --> 00:03:02,720 Speaker 3: We have to we have to leave about half the 69 00:03:02,720 --> 00:03:06,160 Speaker 3: ball for the drones play overhead as an exclusion zone. 70 00:03:06,200 --> 00:03:09,040 Speaker 3: But they will be making these huge pictures right above 71 00:03:09,080 --> 00:03:12,639 Speaker 3: the oval. And we've just put the second show on 72 00:03:12,760 --> 00:03:15,800 Speaker 3: sale last week, so it's selling really fast and I 73 00:03:15,800 --> 00:03:18,760 Speaker 3: think everyone's really excited about it. So, yeah, we can't make. 74 00:03:18,840 --> 00:03:22,120 Speaker 1: Excellent is it a I must be a suitable venue 75 00:03:22,160 --> 00:03:25,040 Speaker 1: to stage? Is a stadium a good place to see 76 00:03:25,080 --> 00:03:28,440 Speaker 1: a drone exhibition like that? Because I recall now I 77 00:03:28,480 --> 00:03:30,440 Speaker 1: forget what it was, Festival of Arts I reckon a 78 00:03:30,480 --> 00:03:32,800 Speaker 1: few years ago did a big drone show in Victoria 79 00:03:32,880 --> 00:03:36,000 Speaker 1: Park and it looks spectacular. Yeah, but it spread out 80 00:03:36,080 --> 00:03:38,080 Speaker 1: and open and all the rest. Does a stadium make 81 00:03:38,120 --> 00:03:38,600 Speaker 1: a difference? 82 00:03:38,880 --> 00:03:41,360 Speaker 3: A stadium is like a massive theater basically for something 83 00:03:41,400 --> 00:03:43,600 Speaker 3: like this for us, and it's an incredible privilege to 84 00:03:43,640 --> 00:03:45,440 Speaker 3: get to get the keys to the place, you know. 85 00:03:45,520 --> 00:03:48,080 Speaker 3: Quite frankly, they've been a very supportive the. 86 00:03:48,560 --> 00:03:49,200 Speaker 2: Keys to the bar. 87 00:03:49,760 --> 00:03:53,480 Speaker 3: Oh I wish, I wish, but yeah, they've been great 88 00:03:53,480 --> 00:03:56,000 Speaker 3: partners the Oudelaide Oval. And they approached us about a 89 00:03:56,080 --> 00:03:57,680 Speaker 3: year ago and said, let's do something together. 90 00:03:57,720 --> 00:03:59,000 Speaker 2: And so this is what we've come up with. 91 00:03:59,120 --> 00:04:01,440 Speaker 3: And you know, it's the first time it's a drone 92 00:04:01,880 --> 00:04:03,520 Speaker 3: show like this has ever been done at a major 93 00:04:03,560 --> 00:04:06,880 Speaker 3: stadium anywhere in the country. Okay, so yeah, it's gonna 94 00:04:06,880 --> 00:04:12,000 Speaker 3: be it's gonna be something. How many drones hundreds and hundreds, Yeah, yeah, 95 00:04:11,520 --> 00:04:14,600 Speaker 3: it's gonna be. Well, it's going to be a massive 96 00:04:14,600 --> 00:04:17,000 Speaker 3: swarm of drones that will be flying throughout the whole 97 00:04:17,480 --> 00:04:18,000 Speaker 3: whole show. 98 00:04:18,200 --> 00:04:20,800 Speaker 1: Okay, wow, all right, that'll be something to see, no 99 00:04:20,839 --> 00:04:24,000 Speaker 1: doubt about that. The ad for it looks absolutely fantastic, 100 00:04:24,040 --> 00:04:26,120 Speaker 1: I've got to say. And one of the things we've 101 00:04:26,120 --> 00:04:29,400 Speaker 1: seen in the ad is something at the zoo with animals. 102 00:04:29,800 --> 00:04:30,440 Speaker 2: Yeah, that's right. 103 00:04:30,560 --> 00:04:33,920 Speaker 3: Universal Kingdom. He's back again this year for its next iteration. 104 00:04:34,680 --> 00:04:38,039 Speaker 3: It's the next era of Dinosaurs, building on last year, 105 00:04:38,080 --> 00:04:41,440 Speaker 3: so we're moving into featuring some amazing land based dinosaurs, 106 00:04:41,600 --> 00:04:44,000 Speaker 3: some of the big headliners of the prehistoric world really, 107 00:04:44,040 --> 00:04:47,000 Speaker 3: like we've got the triceratops, we've got a t rex 108 00:04:47,040 --> 00:04:51,120 Speaker 3: and raptors, so it's going to be amazing again this year. 109 00:04:51,160 --> 00:04:54,400 Speaker 3: Big Lantern's big kind of you know, full size dinosaur 110 00:04:54,640 --> 00:04:58,240 Speaker 3: lanterns illuminated, but also incredible puppets as well. So walk 111 00:04:58,240 --> 00:05:01,240 Speaker 3: around dinosaurs that the pub that can interact with as 112 00:05:01,279 --> 00:05:01,719 Speaker 3: well as. 113 00:05:01,640 --> 00:05:04,560 Speaker 2: Kids will love that. Yeah, absolutely, it's great for the families. 114 00:05:04,600 --> 00:05:08,039 Speaker 1: It's hard to come up with new iterations of things. 115 00:05:08,040 --> 00:05:10,360 Speaker 1: I suppose you're evolving that part of it, so I 116 00:05:10,720 --> 00:05:12,720 Speaker 1: might be obvious, but you know you've got to sit 117 00:05:12,800 --> 00:05:14,320 Speaker 1: down and plan something new every year. 118 00:05:14,360 --> 00:05:15,080 Speaker 2: Is it a challenge? 119 00:05:15,160 --> 00:05:16,920 Speaker 3: It is a challenge. As I said before, it comes 120 00:05:16,960 --> 00:05:20,279 Speaker 3: around very quickly. So we've already started on parts of 121 00:05:20,279 --> 00:05:22,240 Speaker 3: the twenty twenty six program. Actually, we try to get 122 00:05:22,240 --> 00:05:23,880 Speaker 3: a bit ahead of the curve before we go into 123 00:05:23,920 --> 00:05:26,080 Speaker 3: this one, and we really do sort of search the 124 00:05:26,120 --> 00:05:29,360 Speaker 3: world for what's going on in this space of creativity 125 00:05:29,400 --> 00:05:33,400 Speaker 3: and technology, so not just the kind of light festival model, 126 00:05:33,440 --> 00:05:36,520 Speaker 3: but also these immersive experiences or big shows like Horizons 127 00:05:36,600 --> 00:05:38,520 Speaker 3: or what we've got in the gardens this year night 128 00:05:38,600 --> 00:05:39,240 Speaker 3: Visions as well. 129 00:05:39,279 --> 00:05:41,560 Speaker 1: So tell us about that, because the gardens, what a 130 00:05:41,560 --> 00:05:44,520 Speaker 1: great setting it was for CHEHOLI just gone, yeah, that's right, 131 00:05:44,520 --> 00:05:47,400 Speaker 1: and I imagine I haven't been, probably to my shame 132 00:05:47,520 --> 00:05:50,320 Speaker 1: to illuminate in the garden in the past, but having 133 00:05:50,320 --> 00:05:53,560 Speaker 1: seen Jeholie at night in there and we with friends 134 00:05:53,560 --> 00:05:57,599 Speaker 1: we went in and had dinner and then walked around 135 00:05:57,600 --> 00:06:00,599 Speaker 1: and the whole thing cost ninety bucks and that was 136 00:06:00,600 --> 00:06:03,360 Speaker 1: pretty cool. I thought for an evening out with a 137 00:06:03,440 --> 00:06:08,479 Speaker 1: light show included, it's a good way to see it, 138 00:06:08,520 --> 00:06:11,159 Speaker 1: and I imagine the space you can really use to effect. 139 00:06:11,279 --> 00:06:11,440 Speaker 2: Yeah. 140 00:06:11,520 --> 00:06:15,719 Speaker 3: Well, the Adelabe Tendergardens such a beautiful, iconic a place 141 00:06:15,760 --> 00:06:18,560 Speaker 3: to go and at nighttime is even more special, I think. 142 00:06:18,600 --> 00:06:20,560 Speaker 3: And you know, we've been working in there since we 143 00:06:20,600 --> 00:06:23,560 Speaker 3: started in twenty twenty one, and the venue really just 144 00:06:23,880 --> 00:06:27,159 Speaker 3: gives us this opportunity I suppose to create these incredible 145 00:06:27,160 --> 00:06:30,279 Speaker 3: experiences for the public. So it's essentially a night walk 146 00:06:30,480 --> 00:06:34,040 Speaker 3: through the gardens. This year, Night Visions is all about 147 00:06:34,240 --> 00:06:37,800 Speaker 3: transporting people into parallel dementia. Okay, so we've kind of 148 00:06:38,120 --> 00:06:40,960 Speaker 3: come up with this concept and we're working with about 149 00:06:40,960 --> 00:06:43,560 Speaker 3: six different artists around the country and around the world 150 00:06:43,600 --> 00:06:46,640 Speaker 3: who are responding to this idea. So in each of 151 00:06:46,640 --> 00:06:49,200 Speaker 3: the different areas of the gardens, we've got a different 152 00:06:49,240 --> 00:06:52,200 Speaker 3: installation or experience and they're incredible. I was in there 153 00:06:52,240 --> 00:06:55,400 Speaker 3: just on Monday night having a look at some of 154 00:06:55,440 --> 00:06:57,600 Speaker 3: the work that the team has been doing already, and 155 00:06:57,600 --> 00:07:01,359 Speaker 3: it's looking spectacularly and it's hundreds ofundreds of lights, lasers, 156 00:07:01,560 --> 00:07:05,760 Speaker 3: projections in different areas of the garden, and there is 157 00:07:05,800 --> 00:07:08,880 Speaker 3: a dining experience as well, so just like Chihouli, you 158 00:07:08,920 --> 00:07:12,360 Speaker 3: can go and book the show with the dinner experience 159 00:07:12,360 --> 00:07:15,080 Speaker 3: as well. And the Lodge there that new restaurant on 160 00:07:15,120 --> 00:07:16,480 Speaker 3: the lake, so that's part of it. 161 00:07:16,400 --> 00:07:18,320 Speaker 1: As well, which was a good way of doing Chihouli. 162 00:07:18,360 --> 00:07:20,200 Speaker 1: And I imagine, as I say, this will be similar. 163 00:07:20,400 --> 00:07:23,520 Speaker 1: So I imagine things like night Visions, the Zoo Experience, 164 00:07:23,560 --> 00:07:26,400 Speaker 1: and the Drone Show. They are ticketed events. That's right 165 00:07:26,760 --> 00:07:29,360 Speaker 1: North Terrace, as you said, absolutely free. There's other free 166 00:07:29,360 --> 00:07:30,400 Speaker 1: stuff as well, isn't. 167 00:07:30,200 --> 00:07:33,800 Speaker 3: There there's well no, the free program has about forty 168 00:07:33,840 --> 00:07:36,320 Speaker 3: different installations and that's not just North Terrace, so that's 169 00:07:36,360 --> 00:07:40,360 Speaker 3: Festival Plaza, North Terrace and the East End. And then 170 00:07:40,440 --> 00:07:43,880 Speaker 3: we have some of those big ticketed events that you've mentioned, 171 00:07:43,920 --> 00:07:46,480 Speaker 3: but we also have some smaller events as well in 172 00:07:46,520 --> 00:07:50,640 Speaker 3: our music program which are ticketed as well, and the 173 00:07:50,720 --> 00:07:52,840 Speaker 3: tickets are all different price points as well. So we've 174 00:07:52,840 --> 00:07:56,680 Speaker 3: got some other projects like the Offline Club for example. 175 00:07:57,200 --> 00:08:01,560 Speaker 3: Now the Offline Club is an experience hosted by these 176 00:08:01,560 --> 00:08:05,720 Speaker 3: amazing guys from Amsterdam who have created this movement really 177 00:08:05,760 --> 00:08:07,960 Speaker 3: of getting offline, getting off your phone and having an 178 00:08:08,000 --> 00:08:11,960 Speaker 3: experience of reconnecting with people. So we're we're with them. 179 00:08:12,000 --> 00:08:16,760 Speaker 3: We're hosting four different events in this program that will 180 00:08:16,800 --> 00:08:19,880 Speaker 3: involve cafes, so there's some smaller hangouts that people can 181 00:08:19,880 --> 00:08:22,880 Speaker 3: go to, a large hangout at Lumen, and there's also 182 00:08:23,040 --> 00:08:25,360 Speaker 3: a lunch at paper Shell Farm. So it's all about, 183 00:08:25,560 --> 00:08:27,560 Speaker 3: you know, getting off your phone and just having a 184 00:08:27,560 --> 00:08:30,880 Speaker 3: good time, connecting with people, having good food and even 185 00:08:30,960 --> 00:08:32,440 Speaker 3: just you know, doing some of the things that we 186 00:08:32,559 --> 00:08:35,480 Speaker 3: used to do before we're also obsessed with our devices. 187 00:08:36,120 --> 00:08:38,960 Speaker 2: That's absolutely right. Chure Kill. 188 00:08:39,520 --> 00:08:43,040 Speaker 1: The Sensory Odyssey experience, What's what's that about. 189 00:08:43,240 --> 00:08:47,840 Speaker 3: Well, that's a wine tasting experience. The incredible people at 190 00:08:48,160 --> 00:08:51,920 Speaker 3: chalk Hill. They do this wine tasting with with this 191 00:08:52,000 --> 00:08:56,920 Speaker 3: audio experience, so you wear headphones and they play different 192 00:08:57,000 --> 00:08:59,560 Speaker 3: music while you taste the wines, and so you sample 193 00:08:59,600 --> 00:09:01,520 Speaker 3: the ones without listening to the music, and then with 194 00:09:01,880 --> 00:09:04,760 Speaker 3: the different music that they curate for the experience. And 195 00:09:04,800 --> 00:09:07,160 Speaker 3: apparently I haven't done it yet, been looking forward to. 196 00:09:07,280 --> 00:09:10,480 Speaker 3: Apparently it completely changes your perception of the flavor of 197 00:09:10,480 --> 00:09:10,839 Speaker 3: the wine. 198 00:09:11,200 --> 00:09:14,120 Speaker 2: With lights as well, or no, no, this is just 199 00:09:14,200 --> 00:09:15,280 Speaker 2: about audio techno. 200 00:09:15,600 --> 00:09:17,840 Speaker 1: All right, what about the ten minute dance parties? Are 201 00:09:17,840 --> 00:09:18,800 Speaker 1: they part of it as well? 202 00:09:18,960 --> 00:09:19,200 Speaker 2: Yeah? 203 00:09:19,200 --> 00:09:20,920 Speaker 3: So this is at base Camp. This is a very 204 00:09:20,960 --> 00:09:25,760 Speaker 3: fun project by Melbourne artist Josh where he curates music 205 00:09:25,840 --> 00:09:30,160 Speaker 3: inside a confined space a container actually at base Camp. 206 00:09:30,240 --> 00:09:32,880 Speaker 3: So you go inside the container with twenty you know, 207 00:09:32,960 --> 00:09:36,560 Speaker 3: friends or complete strangers. They played bangers for ten minutes 208 00:09:36,720 --> 00:09:39,600 Speaker 3: and you dance your heart out and it's great for 209 00:09:39,640 --> 00:09:42,000 Speaker 3: the whole family. Actually it's good for all ages. But yeah, 210 00:09:42,200 --> 00:09:44,080 Speaker 3: you dance your heart out, warm up, and then we 211 00:09:44,200 --> 00:09:45,480 Speaker 3: release you out into the night. 212 00:09:45,679 --> 00:09:48,559 Speaker 1: Excellent, And you know what, it is kind of special 213 00:09:48,600 --> 00:09:52,000 Speaker 1: with the lights being out with everyone else. You've huddled 214 00:09:52,080 --> 00:09:54,199 Speaker 1: up against the cold. You've got your warm jackets on 215 00:09:54,280 --> 00:09:56,480 Speaker 1: and beanie and scarf or whatever depending on the night. 216 00:09:56,559 --> 00:10:00,240 Speaker 1: And it's really good, you know. It's just such a good, 217 00:10:00,080 --> 00:10:02,560 Speaker 1: a good vibe about it, it really is. And the 218 00:10:02,559 --> 00:10:04,880 Speaker 1: city all lit up. Some of the buildings take it 219 00:10:04,920 --> 00:10:07,120 Speaker 1: the heart as well. Down King William Street and elsewhere 220 00:10:07,160 --> 00:10:09,439 Speaker 1: in the East End, as you say, Rundle Street, always 221 00:10:09,440 --> 00:10:12,520 Speaker 1: buildings down there lit up. Have you found over the 222 00:10:12,520 --> 00:10:16,439 Speaker 1: five years ly a difference with AI has that crept 223 00:10:16,480 --> 00:10:19,800 Speaker 1: into what you do and how so well. 224 00:10:19,840 --> 00:10:22,640 Speaker 3: I think artists are always great at taking new technologies 225 00:10:22,720 --> 00:10:25,400 Speaker 3: and you know, testing them until they break put them 226 00:10:25,440 --> 00:10:27,680 Speaker 3: back together in really innovative ways. So we've seen a 227 00:10:27,679 --> 00:10:30,280 Speaker 3: real wave of projects coming our way that involve AI. 228 00:10:31,520 --> 00:10:34,079 Speaker 3: You know, we have had this happen throughout the years, 229 00:10:34,120 --> 00:10:36,520 Speaker 3: So different projects, like the projections on nol Terras last 230 00:10:36,600 --> 00:10:39,960 Speaker 3: year on the Art Gallery were completely driven by AI. 231 00:10:40,960 --> 00:10:43,760 Speaker 3: You know, where portraits that were actually in the collection 232 00:10:43,800 --> 00:10:46,560 Speaker 3: at the gallery came to life by singing pop songs 233 00:10:47,120 --> 00:10:49,760 Speaker 3: for example, that were created by that deep fake technology 234 00:10:49,760 --> 00:10:52,600 Speaker 3: that's used often to you know, to negative effect out 235 00:10:52,600 --> 00:10:56,800 Speaker 3: there in social media land. But these artists that we 236 00:10:56,840 --> 00:10:59,679 Speaker 3: work with, we're doing that for you know, a real 237 00:10:59,800 --> 00:11:04,360 Speaker 3: kind of entertaining, kind of subversive but funny and entertaining 238 00:11:04,440 --> 00:11:07,720 Speaker 3: kind of take on things. So it definitely is it 239 00:11:07,760 --> 00:11:10,160 Speaker 3: definitely is creeping into the creative industries and the arts 240 00:11:10,160 --> 00:11:10,840 Speaker 3: world in that way. 241 00:11:11,160 --> 00:11:13,760 Speaker 1: So much to see. And do you just google illuminate 242 00:11:13,800 --> 00:11:16,680 Speaker 1: for a program, I imagine illuminate Adelaide. You'll find everything there. 243 00:11:16,800 --> 00:11:17,360 Speaker 2: Yeah, that's right. 244 00:11:17,360 --> 00:11:19,680 Speaker 3: Our website, illuminatadelaide dot com is where to go for 245 00:11:19,720 --> 00:11:21,120 Speaker 3: all the info and tickets as well. 246 00:11:21,120 --> 00:11:23,120 Speaker 2: All right, so July the second, I think it all 247 00:11:23,120 --> 00:11:24,400 Speaker 2: gets underway. Yeah, that's right. 248 00:11:24,400 --> 00:11:27,640 Speaker 3: Next Wednesday night we open Night Visions, and then Universal 249 00:11:27,760 --> 00:11:30,200 Speaker 3: Kingdom at the Zoo opens on Thursday. City Lights kicks 250 00:11:30,240 --> 00:11:32,679 Speaker 3: off just as the school holidays get underway on Friday, 251 00:11:32,760 --> 00:11:35,000 Speaker 3: next day, and then the rest goes for the next 252 00:11:35,000 --> 00:11:35,719 Speaker 3: two weeks. 253 00:11:35,480 --> 00:11:38,760 Speaker 1: Two weeks after that. It doesn't go long enough, it 254 00:11:38,800 --> 00:11:39,400 Speaker 1: really doesn't. 255 00:11:39,520 --> 00:11:41,320 Speaker 2: It's long enough for us, I can sure. 256 00:11:41,600 --> 00:11:44,920 Speaker 1: What is the electricity prices in essay keeping everything up 257 00:11:44,960 --> 00:11:45,400 Speaker 1: and running? 258 00:11:45,480 --> 00:11:46,319 Speaker 2: Is that the problem? 259 00:11:46,440 --> 00:11:49,120 Speaker 3: Oh well, it's not the problem actually, but it is 260 00:11:49,160 --> 00:11:51,319 Speaker 3: just the team works so hard with an incredible team 261 00:11:51,320 --> 00:11:53,360 Speaker 3: of people working out there in the cold, and but 262 00:11:53,400 --> 00:11:55,440 Speaker 3: what a great time of year to get out of 263 00:11:55,440 --> 00:11:57,000 Speaker 3: the house when it's you know, when it's dark and 264 00:11:57,040 --> 00:11:58,920 Speaker 3: cold like this, absolutely fun out there. 265 00:11:59,000 --> 00:12:03,320 Speaker 2: It's a good almost the good solstice event really. Yeah, yeah, 266 00:12:03,360 --> 00:12:03,640 Speaker 2: that's right. 267 00:12:03,640 --> 00:12:06,320 Speaker 3: I think it just helps us signpost the middle of 268 00:12:06,360 --> 00:12:08,200 Speaker 3: winter as we head back towards the woman weather. 269 00:12:08,240 --> 00:12:09,040 Speaker 2: You know, can't wait. 270 00:12:09,160 --> 00:12:11,360 Speaker 1: All right, great seeing you tonight, Lee, Thank you for 271 00:12:11,400 --> 00:12:13,720 Speaker 1: your times coming in and having a chat about that. 272 00:12:13,800 --> 00:12:16,679 Speaker 1: It's such a good event for Adelaide and does get 273 00:12:16,720 --> 00:12:19,600 Speaker 1: people out as you say, and doing the communal family thing. 274 00:12:19,640 --> 00:12:21,760 Speaker 1: It's lovely to see and I think one of the 275 00:12:21,760 --> 00:12:23,240 Speaker 1: best events we staged in Adelaide. 276 00:12:23,280 --> 00:12:25,080 Speaker 2: I know there's big things. 277 00:12:24,840 --> 00:12:26,679 Speaker 1: Like live and gather around and all of that, but 278 00:12:26,760 --> 00:12:30,200 Speaker 1: on a sort of a nice scale, not that the 279 00:12:30,240 --> 00:12:32,480 Speaker 1: others aren't. I'm searching for the right word, but it is. 280 00:12:32,520 --> 00:12:34,680 Speaker 1: It's just a lovely event in the middle of winter 281 00:12:35,040 --> 00:12:36,720 Speaker 1: to go out and rug up and enjoy. 282 00:12:37,000 --> 00:12:37,760 Speaker 3: Yeah, thanks so much. 283 00:12:37,800 --> 00:12:38,319 Speaker 2: Yeah, good on you. 284 00:12:38,440 --> 00:12:41,480 Speaker 1: Lee Cumbleledge from Illuminate, one of the co founders. And 285 00:12:41,559 --> 00:12:43,920 Speaker 1: it all starts as you heard on July the second