1 00:00:01,440 --> 00:00:07,040 Speaker 1: The magnificent beautiful guy, Sebastian john Well smells so good. 2 00:00:09,080 --> 00:00:10,000 Speaker 1: Do you know what? I love it? 3 00:00:10,160 --> 00:00:12,200 Speaker 2: You've got your studio set up at home now and 4 00:00:12,240 --> 00:00:14,760 Speaker 2: you were you put up, you put on your Instagram stories. 5 00:00:14,760 --> 00:00:16,759 Speaker 2: You show us when you go through these beats. Do 6 00:00:16,800 --> 00:00:18,680 Speaker 2: you get these beats sent to your guy? You come 7 00:00:18,760 --> 00:00:21,200 Speaker 2: up with them yourself. It looks like it's so much 8 00:00:21,239 --> 00:00:23,400 Speaker 2: fun when you're in there making around with that. 9 00:00:23,680 --> 00:00:26,840 Speaker 3: It's it's It is a lot of procrastination though, as 10 00:00:26,840 --> 00:00:29,560 Speaker 3: a as a songwriter, yes, you end up you go 11 00:00:29,680 --> 00:00:33,479 Speaker 3: to write a song and then I know the cards already, 12 00:00:33,479 --> 00:00:35,400 Speaker 3: the chords are there, Yes, So you end up just 13 00:00:35,479 --> 00:00:38,080 Speaker 3: programming drums and fiddling around with sounds because you don't 14 00:00:38,080 --> 00:00:39,479 Speaker 3: actually want to tackle the. 15 00:00:41,800 --> 00:00:44,360 Speaker 4: Want to. Because we were talking about Billie Eilish and 16 00:00:44,400 --> 00:00:47,400 Speaker 4: the new documentary Out of the Moment on Netflix and 17 00:00:47,440 --> 00:00:49,320 Speaker 4: how she doesn't like writing songs. 18 00:00:49,600 --> 00:00:53,080 Speaker 1: She's not into it. Her brother is the Phineas is 19 00:00:53,120 --> 00:00:53,840 Speaker 1: a genius. 20 00:00:54,720 --> 00:00:56,720 Speaker 3: Just watch that just the other day and she goes, 21 00:00:56,760 --> 00:00:59,160 Speaker 3: oh my gosh, you are gonna love Phineas. He's like 22 00:00:59,240 --> 00:01:02,320 Speaker 3: the nicest bloke and even when he's recording her in 23 00:01:02,360 --> 00:01:05,080 Speaker 3: the bedroom, apparently he's just so gentle with. 24 00:01:05,000 --> 00:01:05,959 Speaker 4: Like, yeah, sure. 25 00:01:06,040 --> 00:01:08,520 Speaker 3: Because I was chatting to Jules today because we had 26 00:01:08,520 --> 00:01:11,440 Speaker 3: a little recording session yesterday with all the coaches and 27 00:01:11,880 --> 00:01:14,240 Speaker 3: on the voice, and I was just saying to her, 28 00:01:14,280 --> 00:01:16,840 Speaker 3: you know, it's a real art when you're recording people 29 00:01:16,880 --> 00:01:19,680 Speaker 3: to capture their energy right at the right times. And 30 00:01:20,040 --> 00:01:23,000 Speaker 3: for example, if someone's in the studio and you're they 31 00:01:23,000 --> 00:01:25,920 Speaker 3: can't nail a little bit of a song, you just 32 00:01:26,040 --> 00:01:29,080 Speaker 3: move on. And because if you keep grinding that person 33 00:01:29,120 --> 00:01:30,920 Speaker 3: when they've got like a different rhythm in their head 34 00:01:31,000 --> 00:01:33,520 Speaker 3: or something, they will end up just going I can't sing, 35 00:01:33,560 --> 00:01:34,759 Speaker 3: I suck like you. 36 00:01:34,760 --> 00:01:38,800 Speaker 1: Have are so like easily damaged, and. 37 00:01:39,160 --> 00:01:41,040 Speaker 3: You want to just get them feeling like they're the 38 00:01:41,040 --> 00:01:43,039 Speaker 3: best singer of the world. And it's a it's a 39 00:01:43,319 --> 00:01:43,880 Speaker 3: real gift. 40 00:01:44,200 --> 00:01:46,640 Speaker 4: In radio, they say, I reckon, you got a I reckon, 41 00:01:46,640 --> 00:01:49,760 Speaker 4: You've got a better one in you mate, there. 42 00:01:50,800 --> 00:01:53,000 Speaker 2: Another crack you do that though, if you know that 43 00:01:53,040 --> 00:01:54,840 Speaker 2: you're just not in the mood or you're not in 44 00:01:54,840 --> 00:01:57,320 Speaker 2: a zone, you're just go, nah, I cannot record it. 45 00:01:57,440 --> 00:01:58,720 Speaker 1: Let me have a day off or come back. 46 00:02:00,120 --> 00:02:03,520 Speaker 3: Just in general, I probably wouldn't start. So now I 47 00:02:03,560 --> 00:02:06,520 Speaker 3: have a different approach to making music. I mean, and 48 00:02:07,200 --> 00:02:09,040 Speaker 3: the thing is, you can't really do this at the start. 49 00:02:09,040 --> 00:02:11,400 Speaker 3: At the start, you do have to grind. But I've 50 00:02:11,720 --> 00:02:14,120 Speaker 3: you know, I'm coming up to two decades and I 51 00:02:15,240 --> 00:02:17,760 Speaker 3: want to love music, So I only really write when 52 00:02:17,760 --> 00:02:18,400 Speaker 3: i'm inspired. 53 00:02:18,480 --> 00:02:21,799 Speaker 5: Now, what's the longest period you've procrastinated being in not 54 00:02:21,840 --> 00:02:23,480 Speaker 5: like a funk, but sort of going now, I'm not 55 00:02:23,480 --> 00:02:24,760 Speaker 5: feeling it today. 56 00:02:25,720 --> 00:02:26,160 Speaker 1: You know what. 57 00:02:26,320 --> 00:02:32,120 Speaker 3: This song is a classic example of how important it 58 00:02:32,160 --> 00:02:34,160 Speaker 3: is to be inspired when you're right. So I was 59 00:02:34,200 --> 00:02:38,239 Speaker 3: doing this zoom session with guys in LA and so 60 00:02:38,440 --> 00:02:41,760 Speaker 3: we're going over the music. We had all the music down, drums, 61 00:02:41,800 --> 00:02:45,120 Speaker 3: everything programmed, and I'm going over and over trying to 62 00:02:45,160 --> 00:02:47,760 Speaker 3: write the actual song, the actual top line. And I'm 63 00:02:47,800 --> 00:02:51,040 Speaker 3: singing tons of melodies into my phone. Nothing's feeling special. 64 00:02:52,320 --> 00:02:54,960 Speaker 1: Hours and hours. I was like, boys, I just I 65 00:02:54,960 --> 00:02:55,519 Speaker 1: can't do it. 66 00:02:55,720 --> 00:02:57,160 Speaker 3: I don't know if I got one, like let's just 67 00:02:57,200 --> 00:03:00,000 Speaker 3: start tomorrow or something. And I've done and I was cooked. 68 00:03:00,000 --> 00:03:03,280 Speaker 3: So I went downstairs made a coffee. As I'm making 69 00:03:03,280 --> 00:03:05,720 Speaker 3: a coffee, I've still got the beat and everything still 70 00:03:05,720 --> 00:03:08,280 Speaker 3: in my head. I sung the whole chorus literally that 71 00:03:08,480 --> 00:03:11,079 Speaker 3: like words, everything all just click, all just clicked, and 72 00:03:11,120 --> 00:03:13,760 Speaker 3: I sung it. Sometimes you just need to step away 73 00:03:14,080 --> 00:03:16,160 Speaker 3: such a grind like you're in the moment and it's 74 00:03:16,160 --> 00:03:18,919 Speaker 3: like and same as like singing. That's what I mean 75 00:03:19,000 --> 00:03:22,080 Speaker 3: is you don't just keep grinding away at something you 76 00:03:22,120 --> 00:03:24,120 Speaker 3: need to be, you know, sort of inspired. 77 00:03:23,600 --> 00:03:24,959 Speaker 4: And now you're going to be like you're going to 78 00:03:25,040 --> 00:03:26,680 Speaker 4: be stuck in the studio and then you go, I 79 00:03:26,760 --> 00:03:28,520 Speaker 4: know what I'll do, go and grab a coffee. 80 00:03:29,160 --> 00:03:30,680 Speaker 3: I'm the proper caffeine at it. 81 00:03:30,760 --> 00:03:33,960 Speaker 1: Down shakes a chorus in a minute. 82 00:03:34,080 --> 00:03:35,400 Speaker 3: Yeah, yeah, I've got a whole. 83 00:03:35,520 --> 00:03:37,280 Speaker 1: I'm like obsessed with coffee. 84 00:03:37,320 --> 00:03:38,200 Speaker 3: So I've got a big set up. 85 00:03:38,240 --> 00:03:40,080 Speaker 1: I got your little cafe there at the moment as well. 86 00:03:40,720 --> 00:03:44,360 Speaker 1: Can I just say, do you? Keith Richards came up with. 87 00:03:44,320 --> 00:03:47,200 Speaker 2: A rift of satisfaction for the Rolling Stones in his sleep, 88 00:03:47,640 --> 00:03:52,080 Speaker 2: so he said, he woke up in the morning and it. 89 00:03:52,320 --> 00:03:54,880 Speaker 1: Was in his head. Yeah have you ever done that before? 90 00:03:55,680 --> 00:03:56,120 Speaker 1: Was it? 91 00:03:56,160 --> 00:03:56,240 Speaker 4: So? 92 00:03:56,240 --> 00:03:57,480 Speaker 1: I just was. 93 00:03:57,640 --> 00:03:59,960 Speaker 3: I was living on my own in this little flat. 94 00:04:00,160 --> 00:04:02,640 Speaker 3: I think it's like a like a house over flat now, 95 00:04:03,000 --> 00:04:05,680 Speaker 3: but it's a I had a little studio set up 96 00:04:05,880 --> 00:04:08,360 Speaker 3: and I was living on my own right after idle 97 00:04:08,920 --> 00:04:13,680 Speaker 3: and I swear I thought of the chords and everything 98 00:04:13,720 --> 00:04:16,400 Speaker 3: in my sleep. I was sitting there and it's and 99 00:04:16,440 --> 00:04:19,720 Speaker 3: it's a really beautiful melody. I ended up getting up 100 00:04:19,720 --> 00:04:21,000 Speaker 3: in the middle of the night and I was like, 101 00:04:21,160 --> 00:04:22,320 Speaker 3: oh my god, oh my god. 102 00:04:22,160 --> 00:04:23,960 Speaker 1: I record it, recorded before you forget it. 103 00:04:24,000 --> 00:04:26,920 Speaker 3: And I went next door to my little studio and yeah, 104 00:04:27,120 --> 00:04:28,920 Speaker 3: put down the song and then went back to sleep. 105 00:04:28,920 --> 00:04:31,200 Speaker 3: And then when I woke up, I was like, is 106 00:04:31,200 --> 00:04:33,360 Speaker 3: that actually good? And I ended up recording it as 107 00:04:33,360 --> 00:04:36,760 Speaker 3: a duet with Maya. Do you remember my your song 108 00:04:36,800 --> 00:04:37,600 Speaker 3: with my Yeah? 109 00:04:37,720 --> 00:04:39,640 Speaker 1: Yeah, so forever with you? 110 00:04:39,839 --> 00:04:40,119 Speaker 3: Wow. 111 00:04:40,320 --> 00:04:42,080 Speaker 5: Yeah, your neighbors would have loved. 112 00:04:41,960 --> 00:04:45,919 Speaker 3: That tiny little flat as well. 113 00:04:46,440 --> 00:04:48,320 Speaker 4: Can you tell us to mate, because for the last 114 00:04:48,320 --> 00:04:50,960 Speaker 4: week there's been a cardboard cutout of you in reception 115 00:04:51,080 --> 00:04:54,600 Speaker 4: here we're a slashing machine. Yeah. Yesterday they filled it 116 00:04:54,640 --> 00:04:57,080 Speaker 4: full of raspberry cordial and vodka. 117 00:04:57,640 --> 00:05:00,760 Speaker 1: Was him firm. 118 00:05:00,960 --> 00:05:03,000 Speaker 2: Joel came in in the afternoon and we did have 119 00:05:03,080 --> 00:05:05,760 Speaker 2: the raspberry flavor there. Yeah, and he put in a 120 00:05:05,760 --> 00:05:09,440 Speaker 2: full bottle of vodka. And on Friday afternoon, everyone inva 121 00:05:09,560 --> 00:05:10,240 Speaker 2: I was on fire. 122 00:05:10,920 --> 00:05:11,800 Speaker 4: Missing was the vodka. 123 00:05:11,920 --> 00:05:16,200 Speaker 3: You don't know how that makes me feel I brought, 124 00:05:16,560 --> 00:05:20,679 Speaker 3: I got the place lit. 125 00:05:20,160 --> 00:05:23,080 Speaker 4: On behalf of all the stuff and Nova you buddy, 126 00:05:23,160 --> 00:05:23,839 Speaker 4: my pleasure. 127 00:05:25,080 --> 00:05:26,960 Speaker 2: Tell us what we had Keith Urban in the other day, 128 00:05:27,040 --> 00:05:29,080 Speaker 2: tell us how this new team is going, because we 129 00:05:29,080 --> 00:05:31,760 Speaker 2: were like, you know, Keith was talking about when he 130 00:05:31,800 --> 00:05:35,279 Speaker 2: did American Idol and he was in between Nicki Minaj 131 00:05:35,920 --> 00:05:38,279 Speaker 2: and Mariah and Mariah Carey and he said, and he 132 00:05:38,400 --> 00:05:40,359 Speaker 2: was like, you know this, I love this team. 133 00:05:40,440 --> 00:05:42,719 Speaker 1: You know, like we have so much respect for each other. 134 00:05:42,800 --> 00:05:45,280 Speaker 3: It is really good. I mean he told me about 135 00:05:45,320 --> 00:05:49,320 Speaker 3: that as well. He goes, mate, they genuinely loathe each other. 136 00:05:49,440 --> 00:05:49,680 Speaker 4: Wow. 137 00:05:49,920 --> 00:05:52,919 Speaker 3: Imagine sitting in the middle of that. And initially I 138 00:05:52,960 --> 00:05:56,640 Speaker 3: heard Mariah was up for this season of The Voice here, 139 00:05:56,800 --> 00:06:01,000 Speaker 3: so that would have been interesting. But Keith is, as 140 00:06:01,040 --> 00:06:04,440 Speaker 3: you know, the loveliest guy. He's so just so easy. 141 00:06:04,680 --> 00:06:08,039 Speaker 3: What you see is what you get. Jess is fantastic 142 00:06:08,080 --> 00:06:11,160 Speaker 3: her first TV gig, and you're going to love her 143 00:06:11,240 --> 00:06:14,679 Speaker 3: because she's just she's so nice and she she sings 144 00:06:14,720 --> 00:06:16,520 Speaker 3: a lot, which is great. You know, she her life 145 00:06:16,600 --> 00:06:20,120 Speaker 3: is a musical and thank god because her voice is insane. 146 00:06:20,440 --> 00:06:24,320 Speaker 3: And then Reader, you will love Reader. She's hard reader. 147 00:06:24,760 --> 00:06:27,920 Speaker 3: She's the best picture, like so you know how well 148 00:06:29,560 --> 00:06:33,160 Speaker 3: she's unbelievable. She's like like a proper salesman. 149 00:06:33,279 --> 00:06:36,479 Speaker 5: You say, Keith's very nice, but he was, I don't 150 00:06:36,520 --> 00:06:39,040 Speaker 5: know what words you use to describe your fashion on 151 00:06:39,080 --> 00:06:43,400 Speaker 5: the voice, but I think he was not confused. He said, 152 00:06:43,440 --> 00:06:44,600 Speaker 5: you were out there. 153 00:06:44,720 --> 00:06:47,000 Speaker 1: Without that, all right, yeah, a little bit out there? 154 00:06:47,040 --> 00:06:50,720 Speaker 5: Some do you dress yourself though it is jewels? Well, 155 00:06:50,720 --> 00:06:51,039 Speaker 5: she's a. 156 00:06:52,440 --> 00:06:54,800 Speaker 3: She is, but she hasn't. She stole me for like 157 00:06:54,880 --> 00:06:58,320 Speaker 3: one shoot and then we generally never work together. 158 00:06:58,400 --> 00:07:00,560 Speaker 4: Every now and then we will, but you know, so 159 00:07:00,600 --> 00:07:02,359 Speaker 4: you don't have like a chair in the corner of 160 00:07:02,360 --> 00:07:04,160 Speaker 4: your room and you get up and you go, Now, 161 00:07:04,320 --> 00:07:06,560 Speaker 4: am I really worrying about today? 162 00:07:07,920 --> 00:07:10,440 Speaker 3: There's a bloke that stars me for things like the 163 00:07:10,560 --> 00:07:13,360 Speaker 3: voice and because it's a lot of outfit, not for 164 00:07:13,400 --> 00:07:15,840 Speaker 3: the initial blind auditions, because we were the same. 165 00:07:15,680 --> 00:07:16,320 Speaker 4: Thing for ages. 166 00:07:16,320 --> 00:07:19,800 Speaker 3: But yeah, guy Dale, who's an awesome starist. But we 167 00:07:20,080 --> 00:07:22,080 Speaker 3: sort of work together a fair bit. I'll send him 168 00:07:22,080 --> 00:07:24,320 Speaker 3: heaps of references and we'll just for the voice. We 169 00:07:24,440 --> 00:07:26,440 Speaker 3: just ended up going shopping together and. 170 00:07:26,360 --> 00:07:28,440 Speaker 4: So it was like a boy he does that with 171 00:07:28,440 --> 00:07:29,920 Speaker 4: for the project, You've got Tarot. 172 00:07:29,680 --> 00:07:32,160 Speaker 1: Cash It's how I go down to any local Tarot care. 173 00:07:32,320 --> 00:07:32,480 Speaker 5: Yeah. 174 00:07:32,560 --> 00:07:36,040 Speaker 3: I love having me in the metallic shirt official ambassador 175 00:07:36,080 --> 00:07:36,560 Speaker 3: for Tarot. 176 00:07:36,600 --> 00:07:38,360 Speaker 1: First time they get rid of a suit about eight 177 00:07:38,400 --> 00:07:39,800 Speaker 1: years and there it's been hanging up. 178 00:07:40,200 --> 00:07:41,160 Speaker 4: It looks good on you, mate. 179 00:07:42,200 --> 00:07:44,440 Speaker 1: The new single is the only thing missing. We're loving 180 00:07:44,480 --> 00:07:46,000 Speaker 1: it mate. Thank you very much for coming next. 181 00:07:46,600 --> 00:07:46,840 Speaker 3: Thanks