1 00:00:01,440 --> 00:00:03,280 Speaker 1: I don't look at decorative flowers on a play and 2 00:00:03,360 --> 00:00:07,680 Speaker 1: think yeah, I think congratulations on making that. 3 00:00:07,840 --> 00:00:10,880 Speaker 2: I'm sure it was really hard. Can make some beef 4 00:00:10,880 --> 00:00:12,760 Speaker 2: and cheese immediately. 5 00:00:22,560 --> 00:00:25,080 Speaker 3: From The Australian. This is the weekend edition of The Front. 6 00:00:25,200 --> 00:00:31,040 Speaker 3: I'm Claire Harvey. It doesn't sound like the premise of 7 00:00:31,080 --> 00:00:34,760 Speaker 3: a hit TV show. Following the suicide of his brother, Carmi, 8 00:00:34,920 --> 00:00:38,680 Speaker 3: a tortured chef returns home to Chicago to save the 9 00:00:38,760 --> 00:00:43,200 Speaker 3: family Italian beef sandwich business. Short King Jeremy Allen White 10 00:00:43,240 --> 00:00:46,879 Speaker 3: is the lead, alongside a cast of mostly lesser known stars, 11 00:00:47,479 --> 00:00:50,199 Speaker 3: and yet The Bear has become one of the biggest 12 00:00:50,200 --> 00:00:53,640 Speaker 3: shows on TV four seasons in with a fifth on 13 00:00:53,720 --> 00:00:59,000 Speaker 3: the way, It's swept awards, topped critics lists, and introduced 14 00:00:59,240 --> 00:01:05,600 Speaker 3: yes chef h into everyday vocabulary. Today entertainment reporter Jordie 15 00:01:05,640 --> 00:01:08,400 Speaker 3: Gray joins me to talk about how and why The 16 00:01:08,400 --> 00:01:13,240 Speaker 3: Bear has resonated with huge audiences and critics alike. 17 00:01:17,720 --> 00:01:19,480 Speaker 2: Hebra make sandwiches. 18 00:01:19,760 --> 00:01:22,320 Speaker 3: Don't stop making fucking sandwiches. 19 00:01:22,680 --> 00:01:23,800 Speaker 4: I'm gonna make three sections. 20 00:01:23,840 --> 00:01:27,840 Speaker 3: Okay, They're gonna be wet. Most of the action in 21 00:01:27,920 --> 00:01:30,959 Speaker 3: The Bear takes place at the Bear the restaurant that 22 00:01:31,080 --> 00:01:35,000 Speaker 3: is now Kami's joint, along with all the dirty dishes 23 00:01:35,040 --> 00:01:39,720 Speaker 3: and dodgy accounting his late brother Michael left behind. Krmi 24 00:01:39,959 --> 00:01:43,280 Speaker 3: is unhinged in a way we're used to chefs being 25 00:01:43,360 --> 00:01:43,840 Speaker 3: on TV. 26 00:01:44,959 --> 00:01:45,720 Speaker 1: The clocks are. 27 00:01:47,120 --> 00:01:47,680 Speaker 5: Require. 28 00:01:48,840 --> 00:01:50,960 Speaker 2: If it's not perfect, it doesn't go out okay. 29 00:01:52,000 --> 00:01:57,880 Speaker 3: His ambition and obsession is destructive, but it's also contagious Gradually, 30 00:01:58,000 --> 00:02:01,800 Speaker 3: Kami's motley caste of chefs led by Ao at every 31 00:02:01,920 --> 00:02:06,120 Speaker 3: Sydney a young Sioux chef with Michelin star dreams try 32 00:02:06,160 --> 00:02:11,359 Speaker 3: to turn this greasy institution into something great. There's tenderness 33 00:02:11,360 --> 00:02:12,040 Speaker 3: and laughs. 34 00:02:12,520 --> 00:02:14,920 Speaker 4: You cut vegetables like I'll be it, don't wipe your 35 00:02:14,960 --> 00:02:16,280 Speaker 4: hands on your apron chef. 36 00:02:16,400 --> 00:02:23,000 Speaker 3: Chest chef. But the road to success is naturally rough 37 00:02:23,360 --> 00:02:25,400 Speaker 3: and presented unsparingly. 38 00:02:28,000 --> 00:02:29,640 Speaker 4: I told you, I told you to be more fucking ready. 39 00:02:29,639 --> 00:02:31,600 Speaker 2: I told you that dish wasn't fucking ready. What does 40 00:02:31,639 --> 00:02:32,560 Speaker 2: this have to do with yes? 41 00:02:32,680 --> 00:02:33,520 Speaker 1: Stop stop? 42 00:02:38,080 --> 00:02:41,040 Speaker 2: As someone who has worked in. 43 00:02:41,120 --> 00:02:45,760 Speaker 3: Kitchens, Jordi Gray is the Australian's entertainment reporter. 44 00:02:46,400 --> 00:02:48,320 Speaker 1: I feel like it's really accurate. I feel like that's 45 00:02:48,320 --> 00:02:51,400 Speaker 1: how chefs are. And then new clockoff and that kind 46 00:02:51,560 --> 00:02:54,040 Speaker 1: it's just the madness of the job. 47 00:02:54,600 --> 00:02:56,680 Speaker 3: Do you think they've learned to be like that or 48 00:02:57,160 --> 00:02:59,920 Speaker 3: is it like the crazy industry gives them permission to 49 00:03:00,320 --> 00:03:00,600 Speaker 3: like that. 50 00:03:00,720 --> 00:03:03,640 Speaker 1: I don't think there's like gentle parenting at culinary school. 51 00:03:03,960 --> 00:03:06,399 Speaker 1: I don't know whether that will change and we'll see 52 00:03:06,480 --> 00:03:09,480 Speaker 1: gentler chefs emerge in the future. 53 00:03:10,000 --> 00:03:11,720 Speaker 3: What's the craziest thing you saw in a kitchen? 54 00:03:12,080 --> 00:03:14,959 Speaker 1: Well, everyone is angry all the time, right. I remember 55 00:03:15,000 --> 00:03:18,320 Speaker 1: working an ANTC day shift, not getting penalty rates because 56 00:03:18,320 --> 00:03:21,960 Speaker 1: everything is cash in hand and cutting my hand open 57 00:03:22,040 --> 00:03:24,080 Speaker 1: and then getting yelled at by the chef because there 58 00:03:24,120 --> 00:03:24,799 Speaker 1: was food to run. 59 00:03:24,919 --> 00:03:25,520 Speaker 2: It was like a. 60 00:03:25,440 --> 00:03:29,600 Speaker 1: Tarantino movie, like the comical amounts of blood spurting and 61 00:03:29,720 --> 00:03:30,400 Speaker 1: just been yelled at. 62 00:03:30,520 --> 00:03:34,880 Speaker 2: I was like seventeen, and don't bleed on the food. 63 00:03:34,960 --> 00:03:35,600 Speaker 5: Don't bleed on. 64 00:03:35,600 --> 00:03:38,600 Speaker 2: The food, run the plates and what did you do? 65 00:03:39,520 --> 00:03:43,880 Speaker 2: Apologized for bleeding? Apologize profusely. 66 00:03:46,320 --> 00:03:48,880 Speaker 3: As a piece of television. Then, how successful has the 67 00:03:48,880 --> 00:03:49,400 Speaker 3: Bear been? 68 00:03:50,480 --> 00:03:52,480 Speaker 1: I have a theory on why it was so successful 69 00:03:52,800 --> 00:03:58,160 Speaker 1: so immediately, I think it was perfectly calibrated to hit 70 00:03:58,560 --> 00:04:04,200 Speaker 1: this pop culture sweet spot, which is very online millennials, 71 00:04:04,720 --> 00:04:08,600 Speaker 1: most of who probably have writing jobs, which isn't to 72 00:04:08,600 --> 00:04:09,200 Speaker 1: discredit like. 73 00:04:09,200 --> 00:04:10,520 Speaker 2: The quality of the Bear at all. 74 00:04:10,960 --> 00:04:14,960 Speaker 1: I'm not denying that it is an absolutely excellent show. 75 00:04:15,400 --> 00:04:17,200 Speaker 3: You're saying it's for old people aged. 76 00:04:17,440 --> 00:04:18,000 Speaker 2: I'm not saying that. 77 00:04:18,960 --> 00:04:21,680 Speaker 1: I'm saying it's the ancient thirty three year olds in 78 00:04:21,680 --> 00:04:22,279 Speaker 1: this world. 79 00:04:24,160 --> 00:04:27,320 Speaker 2: But it did arrive with this pre existing hype. 80 00:04:27,560 --> 00:04:30,040 Speaker 1: Obviously, Jeremy Allen White was on Shameless for like a 81 00:04:30,200 --> 00:04:35,680 Speaker 1: decade and he was the favorite character. But the supporting 82 00:04:35,720 --> 00:04:39,120 Speaker 1: Cluss has this kind of in built circuitry of very 83 00:04:39,200 --> 00:04:43,320 Speaker 1: niche fame. Marcus the Dessert Chef was a member of 84 00:04:43,400 --> 00:04:47,719 Speaker 1: Odd Future the Rap Crew sort of fronted by Tyler 85 00:04:47,839 --> 00:04:52,400 Speaker 1: creator Any Teenager Online in like the late two thousand. 86 00:04:52,200 --> 00:04:53,440 Speaker 2: And they were like the biggest steal ever. 87 00:04:53,720 --> 00:04:56,320 Speaker 1: So to see like, oh, the dude from Odd Futures 88 00:04:56,320 --> 00:04:59,400 Speaker 1: in a television show like that was immediate interest there. 89 00:05:00,480 --> 00:05:05,039 Speaker 1: Uncle Richie Evon muss Backrack played a very small but 90 00:05:05,240 --> 00:05:10,280 Speaker 1: very memorable and totally unbearable character in Girls, the Lena 91 00:05:10,320 --> 00:05:14,719 Speaker 1: Dunman Show, which is the most influential millennial show. 92 00:05:15,760 --> 00:05:18,279 Speaker 2: And Maddie Matheson, who plays Neil Thack. 93 00:05:18,400 --> 00:05:23,480 Speaker 1: They're like burly and beloved Handyman hosted a food show 94 00:05:23,520 --> 00:05:27,960 Speaker 1: on Vice called Munchies. So it's all these very small, 95 00:05:28,160 --> 00:05:32,960 Speaker 1: niche people. But when you read that this completely disjointed 96 00:05:32,960 --> 00:05:36,280 Speaker 1: group had come together, it's like automatically tapping into a 97 00:05:36,320 --> 00:05:41,960 Speaker 1: certain audience. It seeded the kind of low key cultural 98 00:05:42,040 --> 00:05:44,640 Speaker 1: recognition that built momentum. 99 00:05:44,760 --> 00:05:45,000 Speaker 5: Ah. 100 00:05:45,080 --> 00:05:46,800 Speaker 3: So you're saying it's sort of like a boy band, 101 00:05:47,400 --> 00:05:51,120 Speaker 3: so curated to hit a particular moment that this was deliberate. 102 00:05:51,600 --> 00:05:56,080 Speaker 1: Yeah, it was curated amazingly. Yeah, I think, and very tastefully. 103 00:06:00,160 --> 00:06:03,320 Speaker 5: I know who you were, Oh yeah, yeah, I mean 104 00:06:03,720 --> 00:06:08,200 Speaker 5: you're the most excellent CDC at the most excellent restaurant 105 00:06:08,240 --> 00:06:12,800 Speaker 5: in the entire United States of America. So what are 106 00:06:12,800 --> 00:06:13,960 Speaker 5: you doing here? I guess. 107 00:06:16,360 --> 00:06:22,960 Speaker 3: Making sandwiches. Jeremy Allen White is kind of an unlikely star, 108 00:06:23,160 --> 00:06:27,080 Speaker 3: isn't he. He's ridiculously handsome, and he's offside of Sydney 109 00:06:27,200 --> 00:06:31,520 Speaker 3: is this beautiful young woman who you can tell is 110 00:06:31,560 --> 00:06:36,200 Speaker 3: a deep lover of food, and yet her ideas are 111 00:06:36,600 --> 00:06:41,359 Speaker 3: crushed by Kami. There's a sort of romance at the start, 112 00:06:41,400 --> 00:06:43,760 Speaker 3: isn't there. She's obviously interested in him romantically. 113 00:06:44,600 --> 00:06:47,159 Speaker 1: Yeah, and I don't think he's interested in anyone romantically 114 00:06:47,279 --> 00:06:51,920 Speaker 1: until the Claire character resurfaces. I just don't think romance 115 00:06:52,000 --> 00:06:54,440 Speaker 1: is something that's on his radar. And I also think 116 00:06:54,440 --> 00:06:56,520 Speaker 1: it's really interesting that there's a show where there is 117 00:06:56,560 --> 00:07:00,000 Speaker 1: a male and female lead and they're both very attractive 118 00:07:00,080 --> 00:07:04,159 Speaker 1: and then not an item that's more interesting to me 119 00:07:04,240 --> 00:07:05,280 Speaker 1: than I will they won't they? 120 00:07:05,440 --> 00:07:10,480 Speaker 3: Yeah? And then Camie then starts kind of marginalizing her. 121 00:07:11,320 --> 00:07:14,560 Speaker 1: Yeah, she's definitely is sidelined, and it's I don't think 122 00:07:14,560 --> 00:07:16,040 Speaker 1: it's out of spy. I just think it's out of 123 00:07:16,040 --> 00:07:19,960 Speaker 1: his pure obsession, yeah, for his craft, and he cannot 124 00:07:19,960 --> 00:07:25,800 Speaker 1: think about anything else outside his own ambition and leaves 125 00:07:25,960 --> 00:07:27,720 Speaker 1: just this trail of destruction. 126 00:07:28,960 --> 00:07:30,800 Speaker 3: And then you see this arc that Richie goes on 127 00:07:30,880 --> 00:07:35,480 Speaker 3: that's really interesting too, Richie the shouty, kind of messy cousin. 128 00:07:35,800 --> 00:07:41,520 Speaker 4: Yep, Richie Jeremolovich, pleasure to meet you, Sweeteart'll say, sweetheart, 129 00:07:41,560 --> 00:07:45,160 Speaker 4: your you're so wolf. I mean nothing by it, Sydney 130 00:07:45,560 --> 00:07:47,480 Speaker 4: saying Sweetheart's just part of our Italian. 131 00:07:49,640 --> 00:07:51,720 Speaker 2: Okay, listen, I'm trying to talk to you. 132 00:07:51,920 --> 00:07:52,880 Speaker 4: Okay. 133 00:07:54,160 --> 00:07:56,720 Speaker 3: Then he discovers fine dining as well, like goes off 134 00:07:56,800 --> 00:07:59,840 Speaker 3: to do a stag at this restaurant run by Olivia Coleman. 135 00:08:02,120 --> 00:08:03,120 Speaker 2: Just put her on everything. 136 00:08:03,920 --> 00:08:04,600 Speaker 3: She's amazing. 137 00:08:04,640 --> 00:08:05,200 Speaker 2: It's amazing. 138 00:08:05,480 --> 00:08:10,200 Speaker 1: I'd slice my hand open and apologize for Olivia Coleman. 139 00:08:11,080 --> 00:08:15,320 Speaker 3: So then Richie discovers the magic of fine dining and 140 00:08:15,480 --> 00:08:19,080 Speaker 3: food and serving people and then becomes an obsessive kind 141 00:08:19,080 --> 00:08:19,960 Speaker 3: of matre d. 142 00:08:20,320 --> 00:08:26,040 Speaker 1: Yeah. This show, unlike any others, is so good at 143 00:08:26,640 --> 00:08:30,240 Speaker 1: going into the lives of its peripheral characters, and you'll 144 00:08:30,320 --> 00:08:33,800 Speaker 1: just have these amazing standalone episodes like the one in 145 00:08:33,840 --> 00:08:37,200 Speaker 1: season three that was directed by Ao Debris, who plays Sydney, 146 00:08:37,200 --> 00:08:41,760 Speaker 1: and was focused on the character of Lisa and how 147 00:08:41,800 --> 00:08:44,200 Speaker 1: she struggled to find a job and then wound up 148 00:08:44,240 --> 00:08:46,160 Speaker 1: at the Beef of Chicago Land. 149 00:08:46,320 --> 00:08:49,800 Speaker 3: Yeah, where other productions try to do color line casting, 150 00:08:50,360 --> 00:08:52,319 Speaker 3: you know, and they'll cast a black woman as a 151 00:08:52,400 --> 00:08:59,560 Speaker 3: tudor princess bridgeton. Yeah, this show stars a Puerto Rican woman. 152 00:09:00,320 --> 00:09:03,480 Speaker 3: She's the working poor in America. Yeah, desperate for a job, 153 00:09:03,520 --> 00:09:07,360 Speaker 3: gets one at the Beef. Yes, and it saves your life, really, 154 00:09:07,840 --> 00:09:11,720 Speaker 3: And then it's about how she then discovers that she 155 00:09:11,800 --> 00:09:14,960 Speaker 3: can do more than just wash dishes or just be 156 00:09:15,000 --> 00:09:15,960 Speaker 3: aligned cooings. 157 00:09:17,280 --> 00:09:17,439 Speaker 5: Yeah. 158 00:09:17,480 --> 00:09:19,720 Speaker 1: I mean it doesn't have to try that hard, because 159 00:09:19,760 --> 00:09:22,760 Speaker 1: that is ultimately what life is like. And I think 160 00:09:22,800 --> 00:09:27,760 Speaker 1: that's why people like the Bear so much. I think 161 00:09:27,800 --> 00:09:32,319 Speaker 1: the realism isn't just in the restaurants, but in the 162 00:09:32,480 --> 00:09:36,199 Speaker 1: emotional plausibility of it all. Like you believe these characters 163 00:09:36,320 --> 00:09:39,920 Speaker 1: and you care about what they're going through because they're 164 00:09:39,960 --> 00:09:44,320 Speaker 1: not so dissimilar to people you know and love in life. 165 00:09:44,960 --> 00:09:49,360 Speaker 3: There's a great episode in season three where Sugar is 166 00:09:49,400 --> 00:09:52,840 Speaker 3: giving birth. Oh do you remember this? 167 00:09:53,240 --> 00:09:53,440 Speaker 5: Yes? 168 00:09:53,640 --> 00:09:57,319 Speaker 1: So I didn't like that episode. Why Because I think 169 00:09:57,360 --> 00:10:02,160 Speaker 1: it indulged in all the bears worst impulses, which as 170 00:10:02,160 --> 00:10:06,080 Speaker 1: it's kind of progressed, they've kind of gotten maybe too 171 00:10:06,200 --> 00:10:10,000 Speaker 1: experimental for what we want from television, which is like, 172 00:10:10,440 --> 00:10:15,840 Speaker 1: I like a driving narrative, and I think that these scenes, 173 00:10:15,920 --> 00:10:21,079 Speaker 1: these conversations work, but not for like. 174 00:10:21,040 --> 00:10:23,600 Speaker 2: A whole episode. It was full it was full on. 175 00:10:24,040 --> 00:10:25,000 Speaker 2: But why did you like it? 176 00:10:25,679 --> 00:10:27,120 Speaker 3: I didn't like it the first watch, and then I 177 00:10:27,120 --> 00:10:28,960 Speaker 3: watched it. I forced myself to watch it again because 178 00:10:29,000 --> 00:10:32,400 Speaker 3: I think also, you know, childbirth scenes on screen can 179 00:10:32,520 --> 00:10:34,960 Speaker 3: just lean into a lot of you know, silly breathing 180 00:10:35,320 --> 00:10:39,120 Speaker 3: and sort of sweating and nice chips, but the kind 181 00:10:39,120 --> 00:10:42,800 Speaker 3: of layers of sort of need and emotion between these 182 00:10:42,800 --> 00:10:47,360 Speaker 3: two women as the child is becoming a mother, the 183 00:10:47,440 --> 00:10:53,440 Speaker 3: mothers struggle to relinquish her power and their daughter stepping 184 00:10:53,480 --> 00:10:59,400 Speaker 3: into hers is so carefully calibrated. And it's very similar 185 00:10:59,440 --> 00:11:05,199 Speaker 3: towards happening to Kami. Kami's emerging from being the little 186 00:11:05,200 --> 00:11:08,160 Speaker 3: brother and being the employee to being the boss and 187 00:11:08,160 --> 00:11:11,120 Speaker 3: the creator and the visionary and kind of realizing along 188 00:11:11,160 --> 00:11:13,520 Speaker 3: the way that he's none of those things, not capable 189 00:11:13,559 --> 00:11:16,559 Speaker 3: of any of it, you know. So I found it 190 00:11:16,679 --> 00:11:19,959 Speaker 3: very moving. But the episode with Jamie Lee curt Is 191 00:11:20,000 --> 00:11:22,800 Speaker 3: making the Christmas dinner is very hard to watch as well. 192 00:11:24,000 --> 00:11:26,319 Speaker 3: It's rare to see an older actress like Jamie Lee 193 00:11:26,320 --> 00:11:28,920 Speaker 3: Curtis be that ugly as well. 194 00:11:29,280 --> 00:11:31,560 Speaker 1: Yes, she is one of our great criers, and I 195 00:11:31,640 --> 00:11:37,400 Speaker 1: always think about how, like, specifically American productions are filled 196 00:11:37,400 --> 00:11:41,160 Speaker 1: with people crying and they look beautiful and it's just 197 00:11:41,200 --> 00:11:44,199 Speaker 1: like a few tasteful tears, but she is just this heaving, 198 00:11:44,520 --> 00:11:48,480 Speaker 1: snotty mess and it's fabulous. It is. 199 00:11:56,000 --> 00:12:20,120 Speaker 3: Coming up more of my chat with Jordie Gray, and 200 00:12:20,160 --> 00:12:21,800 Speaker 3: now it's been renewed for a season five. 201 00:12:22,360 --> 00:12:24,040 Speaker 1: It has been renewed for a season five, and there 202 00:12:24,080 --> 00:12:26,840 Speaker 1: was like a little teaser as to what direction it 203 00:12:27,080 --> 00:12:29,280 Speaker 1: may take. And I think it's going to focus on 204 00:12:29,760 --> 00:12:34,760 Speaker 1: franchising the original Beef of Chicago Sandwich Store, and that 205 00:12:34,840 --> 00:12:36,520 Speaker 1: might be the thing that gets the bear out of 206 00:12:37,080 --> 00:12:38,040 Speaker 1: financial trouble. 207 00:12:39,760 --> 00:12:41,199 Speaker 3: My heart sank a little bit when I saw it 208 00:12:41,200 --> 00:12:42,960 Speaker 3: would have been renewed for a season five, because I 209 00:12:43,080 --> 00:12:47,120 Speaker 3: really worry. Not many shows can be sustained over more 210 00:12:47,160 --> 00:12:48,240 Speaker 3: than two seasons. 211 00:12:48,840 --> 00:12:50,800 Speaker 2: Yeah, so it's so true, and this doesn't seem to 212 00:12:50,800 --> 00:12:51,640 Speaker 2: have a clear ending. 213 00:12:52,360 --> 00:12:54,000 Speaker 3: There's a threat at the end of season four that 214 00:12:54,080 --> 00:12:56,520 Speaker 3: Jeremielle and White's character Calm he might leave if he 215 00:12:56,520 --> 00:12:57,640 Speaker 3: doesn't get a Michelin star. 216 00:12:58,240 --> 00:13:00,840 Speaker 1: I mean, I'm not sure about your My favorite catch 217 00:13:00,840 --> 00:13:04,800 Speaker 1: I certainly is not Krmi. I'm much more interested in 218 00:13:04,800 --> 00:13:08,400 Speaker 1: those he's surrounded by. So I think if it stops 219 00:13:08,400 --> 00:13:12,000 Speaker 1: being about Kami's ambition, then it could be a more 220 00:13:12,080 --> 00:13:12,800 Speaker 1: thrilling show. 221 00:13:13,640 --> 00:13:15,800 Speaker 3: Maybe it's a new kind of show. Actually it's a 222 00:13:15,840 --> 00:13:19,960 Speaker 3: real ensemble, isn't it. Maybe this is a show where 223 00:13:20,040 --> 00:13:23,079 Speaker 3: actually the star can fade into the background and the 224 00:13:23,160 --> 00:13:24,319 Speaker 3: rest of them can pick it up. 225 00:13:24,920 --> 00:13:25,320 Speaker 2: I think so. 226 00:13:25,559 --> 00:13:27,400 Speaker 1: I think that's what the show has been preparing for. 227 00:13:28,040 --> 00:13:29,880 Speaker 1: Life without Kami, Life without Kami. 228 00:13:37,920 --> 00:13:40,880 Speaker 3: Jordi Gray is the Australian's Entertainment report up. You can 229 00:13:40,920 --> 00:13:44,360 Speaker 3: read her writing every weekend in the Weekend Australian's Review 230 00:13:44,440 --> 00:13:49,440 Speaker 3: section and anytime at the Australian dot com dot auslash Review. 231 00:13:50,000 --> 00:13:52,280 Speaker 3: This episode of the Front was hosted by me Claire 232 00:13:52,280 --> 00:13:55,320 Speaker 3: Harvey and produced by Jasper Leak, who edited the episode 233 00:13:55,400 --> 00:13:58,120 Speaker 3: and also wrote our theme. Thanks for joining us on 234 00:13:58,160 --> 00:14:02,040 Speaker 3: the Front this week. Our team also includes Christian amyot Leat, Sammaglu, 235 00:14:02,120 --> 00:14:05,079 Speaker 3: Tiffany Dimack, Joshua Burton and Stephanie Coombs.