1 00:00:02,600 --> 00:00:07,040 Speaker 1: Jason Lauren, you're on the air with Jason Lauren. Clin's 2 00:00:07,040 --> 00:00:09,800 Speaker 1: here from the newsroom as well. This is Noble one 3 00:00:09,880 --> 00:00:12,400 Speaker 1: hundred and we have major dramas going on at the D's. 4 00:00:12,440 --> 00:00:13,720 Speaker 1: Clint's gonnaway we do. 5 00:00:13,880 --> 00:00:16,560 Speaker 2: It involves a favorite in Red and Blue, a Norm 6 00:00:16,640 --> 00:00:22,400 Speaker 2: Smith medallist Premiership player and our friend, Christian Petrarca. So 7 00:00:22,560 --> 00:00:25,960 Speaker 2: yesterday he reportedly told the Melbourne Football Club that he 8 00:00:26,000 --> 00:00:29,600 Speaker 2: wants out, he wants to play elsewhere in twenty twenty five. 9 00:00:30,280 --> 00:00:33,519 Speaker 1: Now, I want to know how how we know that exactly. 10 00:00:33,560 --> 00:00:35,920 Speaker 1: Tom Morris is the chief footy reporter at Channel nine. 11 00:00:35,960 --> 00:00:38,840 Speaker 2: He broke this story initially he joins us from obviously 12 00:00:38,920 --> 00:00:40,880 Speaker 2: Channel Night and in his role at se N Good 13 00:00:40,880 --> 00:00:42,120 Speaker 2: morning to you, Tommy. 14 00:00:42,360 --> 00:00:45,800 Speaker 3: Morning, Clint, Jason Lauren, Tom, good morning with a heavy 15 00:00:46,159 --> 00:00:47,760 Speaker 3: It's with a heavy heart, isn't it that we talk 16 00:00:47,760 --> 00:00:49,760 Speaker 3: about Christopher Trarca in this way? But we need to 17 00:00:49,800 --> 00:00:53,560 Speaker 3: because it could be the biggest footy story in some years. 18 00:00:53,640 --> 00:00:56,120 Speaker 1: I've got mixed feelings about it because I'm a bit 19 00:00:56,320 --> 00:01:00,160 Speaker 1: like I don't think he's going about it the right way. 20 00:01:00,360 --> 00:01:01,920 Speaker 1: But at the end of the day, there's two sides. 21 00:01:01,960 --> 00:01:04,520 Speaker 1: To every story. He's obviously got his reasons he wants out. 22 00:01:04,640 --> 00:01:10,440 Speaker 1: How well do or how accurate is the details of 23 00:01:10,480 --> 00:01:12,080 Speaker 1: him wanting out? How do you know? 24 00:01:13,200 --> 00:01:16,040 Speaker 3: Yeah? Accurate? Yep. He's wanted out for some time now. 25 00:01:16,240 --> 00:01:19,440 Speaker 3: He wants to play for another club next year. The 26 00:01:19,480 --> 00:01:23,400 Speaker 3: big question that had to be answered over the last 27 00:01:23,400 --> 00:01:26,000 Speaker 3: few days was not whether he wanted out or not, 28 00:01:26,240 --> 00:01:28,839 Speaker 3: whether he was brave enough and courageous enough to say 29 00:01:28,880 --> 00:01:30,880 Speaker 3: to the club to say I want to play for 30 00:01:30,880 --> 00:01:33,400 Speaker 3: another club. There's one thing to think it. There's lots 31 00:01:33,400 --> 00:01:36,039 Speaker 3: of players every year that would think, yeah, I wouldn't 32 00:01:36,080 --> 00:01:39,240 Speaker 3: mind playing elsewhere, I wouldn't mind breaking my contract. I prefer 33 00:01:39,280 --> 00:01:41,479 Speaker 3: to do it this or that. But to actually walk 34 00:01:41,480 --> 00:01:44,319 Speaker 3: into the club and say it is a whole other level, 35 00:01:44,360 --> 00:01:47,240 Speaker 3: because he has to be prepared that Melbourne says back 36 00:01:47,280 --> 00:01:50,120 Speaker 3: to him, you're not going anywhere, and then he has 37 00:01:50,160 --> 00:01:52,240 Speaker 3: to be prepared that at the start of pre season 38 00:01:52,320 --> 00:01:54,760 Speaker 3: training he walks back into the club and has to 39 00:01:54,760 --> 00:01:57,480 Speaker 3: confront his teammates. So that's why it's a brave call 40 00:01:57,520 --> 00:01:59,600 Speaker 3: for him to take it this way. It's a nuclear option, 41 00:02:00,080 --> 00:02:02,960 Speaker 3: but he clearly feels as if there's no other scenario. 42 00:02:03,080 --> 00:02:05,880 Speaker 3: That can make him the player that he wants to be. 43 00:02:06,200 --> 00:02:08,160 Speaker 4: Hey, Tom, I mean he's gone in and said that 44 00:02:08,240 --> 00:02:10,080 Speaker 4: to the club. But there's this story floating around as 45 00:02:10,080 --> 00:02:11,600 Speaker 4: well that they are all I don't know if it 46 00:02:11,600 --> 00:02:13,680 Speaker 4: was an official function or the D'SE players were all 47 00:02:13,720 --> 00:02:15,800 Speaker 4: at something together the other day and a few people 48 00:02:16,160 --> 00:02:18,040 Speaker 4: gave him the cold shoulder and have told him they're 49 00:02:18,080 --> 00:02:21,560 Speaker 4: not very impressed. So how does that even look moving 50 00:02:21,560 --> 00:02:24,679 Speaker 4: forward if he does have to stay. 51 00:02:23,720 --> 00:02:27,079 Speaker 3: Oh, such a good question, because is that what happened? 52 00:02:27,080 --> 00:02:27,480 Speaker 3: Do you know that? 53 00:02:27,680 --> 00:02:29,680 Speaker 4: Is that what happened on Saturday night? 54 00:02:31,120 --> 00:02:35,280 Speaker 3: Saturday night, there's a club function, And my understanding is that, yeah, 55 00:02:35,280 --> 00:02:37,000 Speaker 3: there is a little bit tension in the playing group, 56 00:02:37,080 --> 00:02:40,560 Speaker 3: clearly not just from players towards Christian, but also from 57 00:02:40,600 --> 00:02:43,280 Speaker 3: Christian towards players like it does work both ways, And 58 00:02:43,360 --> 00:02:47,000 Speaker 3: clearly players who are really loyal to the club and 59 00:02:47,040 --> 00:02:49,280 Speaker 3: want the best of the club see the demons being 60 00:02:49,320 --> 00:02:51,360 Speaker 3: crawled through the mud and don't like what's happening at 61 00:02:51,360 --> 00:02:54,880 Speaker 3: the moment. So that's entirely understandable that there is that friction. 62 00:02:55,720 --> 00:02:59,840 Speaker 3: But there is countless examples of players who want out 63 00:03:00,200 --> 00:03:02,640 Speaker 3: that then don't get out and get back to the 64 00:03:02,639 --> 00:03:05,880 Speaker 3: club and have to eat humble pie and continue on 65 00:03:05,919 --> 00:03:09,240 Speaker 3: their careers. But it's so volatile at the moment, and 66 00:03:10,160 --> 00:03:13,040 Speaker 3: he has pressed this nuclear button that makes it really 67 00:03:13,080 --> 00:03:15,639 Speaker 3: hard to see how it can come back into Melbourne 68 00:03:16,040 --> 00:03:19,160 Speaker 3: and continue on his career as it was before. 69 00:03:19,280 --> 00:03:21,760 Speaker 2: So Tom, you reported this a couple of weeks ago. 70 00:03:21,840 --> 00:03:25,320 Speaker 2: You told Melbourne that he was disgruntled Melbourne being the city, 71 00:03:25,360 --> 00:03:27,959 Speaker 2: not the football club, and probably the football club as well. 72 00:03:28,280 --> 00:03:30,840 Speaker 2: We've watched over the last few weeks this narrative change. 73 00:03:30,880 --> 00:03:34,320 Speaker 2: It's got to a point now where I firmly believe 74 00:03:34,360 --> 00:03:37,000 Speaker 2: and I think you have of the same belief, that 75 00:03:38,680 --> 00:03:41,720 Speaker 2: he more likely than not won't be playing at Melbourne 76 00:03:41,720 --> 00:03:44,240 Speaker 2: next year. Are you of that view? 77 00:03:47,520 --> 00:03:50,240 Speaker 3: I just don't know exactly what Melbourne's position is now. 78 00:03:50,720 --> 00:03:53,520 Speaker 3: So we know what Christian's position is. We know that 79 00:03:53,520 --> 00:03:55,800 Speaker 3: the big clubs that would love to have him, I 80 00:03:55,880 --> 00:03:58,880 Speaker 3: don't know whether Melbourne would allow it to happen. And 81 00:03:58,920 --> 00:04:01,600 Speaker 3: if they did, Okay, let's just imagine they did open 82 00:04:01,640 --> 00:04:04,120 Speaker 3: there is and said, okay, give us your best offer 83 00:04:04,240 --> 00:04:07,400 Speaker 3: to other clubs. What would satisfy the demons? Because it 84 00:04:07,480 --> 00:04:09,800 Speaker 3: is it's not clear cut. I mean he's had this 85 00:04:10,040 --> 00:04:12,840 Speaker 3: terrible injury that you guys are spoken to now that 86 00:04:13,040 --> 00:04:17,800 Speaker 3: is more significant physically and mentally than an ACL or 87 00:04:17,839 --> 00:04:21,400 Speaker 3: a shoulder or even a back or an army So 88 00:04:21,480 --> 00:04:24,240 Speaker 3: how did you recover from that? He is not exactly 89 00:04:24,279 --> 00:04:25,920 Speaker 3: a twenty three or twenty four year old, so he's 90 00:04:25,920 --> 00:04:29,800 Speaker 3: probably at his absolute best. He's probably only got two 91 00:04:29,960 --> 00:04:32,960 Speaker 3: maybe three years left, so he probably needs to go 92 00:04:33,000 --> 00:04:35,560 Speaker 3: to a team that's in contention. He's on good money. 93 00:04:36,360 --> 00:04:38,200 Speaker 3: I don't think it's clear cut yet whether he can 94 00:04:38,200 --> 00:04:42,560 Speaker 3: get out or not. And to say no, it's a 95 00:04:42,600 --> 00:04:43,400 Speaker 3: catch twenty two though. 96 00:04:43,400 --> 00:04:44,920 Speaker 1: If they sit there and go, we don't want to let, 97 00:04:44,920 --> 00:04:48,240 Speaker 1: you know, the most valuable weapons go. But then what's 98 00:04:48,240 --> 00:04:50,640 Speaker 1: it going to go? What's it going to do internally 99 00:04:50,680 --> 00:04:51,800 Speaker 1: to the team if we keep it? 100 00:04:52,360 --> 00:04:54,520 Speaker 4: Yeah, and we've seen that happen at footy clubs before 101 00:04:54,640 --> 00:04:56,400 Speaker 4: exactly Yeah. 102 00:04:56,400 --> 00:04:59,240 Speaker 3: I think if that does happen, then Christian Petrarca, being 103 00:04:59,279 --> 00:05:02,400 Speaker 3: the professionally, has no choice but to go back into 104 00:05:02,440 --> 00:05:05,080 Speaker 3: the club and be the best player and the best 105 00:05:05,080 --> 00:05:05,760 Speaker 3: person to be. 106 00:05:06,080 --> 00:05:08,919 Speaker 1: You know what which track would do? Track would do 107 00:05:08,960 --> 00:05:10,240 Speaker 1: he would rock up and big professionals. 108 00:05:10,279 --> 00:05:14,600 Speaker 2: So just one last one what would satisfy Melbourne? What 109 00:05:15,080 --> 00:05:18,000 Speaker 2: world would we live in in which Christian Petrarca would 110 00:05:18,000 --> 00:05:19,640 Speaker 2: be playing for a rival club next year? 111 00:05:20,000 --> 00:05:21,920 Speaker 3: Well, the d's hold all the cards, don't make it. 112 00:05:22,040 --> 00:05:25,320 Speaker 3: He's a contracted player and the only thing that I 113 00:05:25,360 --> 00:05:28,640 Speaker 3: believe would satisfy Melbourne would be well over as to 114 00:05:28,680 --> 00:05:31,160 Speaker 3: what his actual market value. So it might be two 115 00:05:31,279 --> 00:05:34,320 Speaker 3: or three first round picks and a player. It's something 116 00:05:34,320 --> 00:05:36,640 Speaker 3: that they can't say no to. And this is the thing, 117 00:05:36,680 --> 00:05:40,000 Speaker 3: and you guys know this, that every player actually has 118 00:05:40,000 --> 00:05:42,680 Speaker 3: a price. You might say, no, we're not trading Boontpelly 119 00:05:42,720 --> 00:05:44,760 Speaker 3: from the Western Bulldogs, but if someone gave you the 120 00:05:44,760 --> 00:05:47,880 Speaker 3: top five picks in the draft at a key forward, 121 00:05:47,920 --> 00:05:50,880 Speaker 3: you go, well, were probably obligated to think about it. 122 00:05:50,960 --> 00:05:53,400 Speaker 3: So the reason why Melbourne at the moment is saying 123 00:05:53,440 --> 00:05:56,320 Speaker 3: no is because they lose bargaining power as soon as 124 00:05:56,360 --> 00:05:58,720 Speaker 3: they say, actually, let's ever think about it. And that's 125 00:05:58,760 --> 00:06:01,520 Speaker 3: what Petrarca is trying to kind of force, he kind 126 00:06:01,560 --> 00:06:04,000 Speaker 3: of force the demons to at least open the areas 127 00:06:04,000 --> 00:06:06,839 Speaker 3: and think about trading him. But at the moment, it's yeah, 128 00:06:06,839 --> 00:06:07,520 Speaker 3: it's pretty tense. 129 00:06:08,040 --> 00:06:10,520 Speaker 1: Quickly, Tom got to put the house on it. What 130 00:06:11,360 --> 00:06:14,560 Speaker 1: clubs Petruck are going to be playing for next year? Oh? 131 00:06:14,640 --> 00:06:16,440 Speaker 3: Well likely I live in a big house, I think. 132 00:06:17,480 --> 00:06:19,200 Speaker 3: I think if it's anything, that's going to be Carlton. 133 00:06:20,080 --> 00:06:21,680 Speaker 3: But it's still a long way to go before it 134 00:06:21,720 --> 00:06:22,160 Speaker 3: gets to that. 135 00:06:22,240 --> 00:06:24,000 Speaker 4: Gee, the Blue Baggers would be happy to have him 136 00:06:24,040 --> 00:06:24,440 Speaker 4: at Carlton. 137 00:06:25,040 --> 00:06:27,200 Speaker 2: Tom's been right across his story since day one. So 138 00:06:27,320 --> 00:06:29,320 Speaker 2: tune into Channel nine for all the latest. 139 00:06:29,640 --> 00:06:31,640 Speaker 1: Tom Morris join us on the air chairs. 140 00:06:31,640 --> 00:06:34,240 Speaker 3: Tommy, Thanks Clint, Thanks Lauren, Thanks Joe. 141 00:06:34,440 --> 00:06:39,320 Speaker 1: Mate. Wow, Petruck has gone to ground. I mean we 142 00:06:39,400 --> 00:06:41,719 Speaker 1: talk about meeting commitments. He hasn't wropped up on the 143 00:06:41,800 --> 00:06:44,200 Speaker 1: show for a couple of weeks. I can understand why, 144 00:06:44,279 --> 00:06:46,440 Speaker 1: but I'm also like, this isn't the way to go 145 00:06:46,480 --> 00:06:47,560 Speaker 1: about it, you know. 146 00:06:47,680 --> 00:06:49,479 Speaker 4: Well, I mean if he wants out, maybe this is 147 00:06:49,480 --> 00:06:50,320 Speaker 4: the way to go about it. 148 00:06:50,360 --> 00:06:52,040 Speaker 1: As a d S fan, is it leaving a bad 149 00:06:52,080 --> 00:06:52,880 Speaker 1: taste in your mouth? 150 00:06:53,360 --> 00:06:53,680 Speaker 3: Yes? 151 00:06:55,480 --> 00:06:56,960 Speaker 1: I think you wouldn't be aligned with that. 152 00:06:58,200 --> 00:07:00,560 Speaker 2: There's that many you think about the kids running around 153 00:07:00,560 --> 00:07:03,320 Speaker 2: with number five exactly? Yeah, on their backs. He signed 154 00:07:03,320 --> 00:07:05,320 Speaker 2: a deal until what twenty twenty nine? 155 00:07:05,440 --> 00:07:07,080 Speaker 1: Yeah, what are you doing? 156 00:07:08,440 --> 00:07:12,880 Speaker 2: Gonna be a good Jason Lauren, Jason Lauren Wake Up 157 00:07:12,960 --> 00:07:14,880 Speaker 2: Feeling Good on number one hundred. 158 00:07:15,520 --> 00:07:19,200 Speaker 4: Jason Lauren only on socials