WEBVTT - Read This: How Sonia Orchard Reclaimed Her Story

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<v Speaker 1>Hi there, It's Ruby Jones and I'm back to share

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<v Speaker 1>another episode of Read This, Schwartz Media's weekly books podcast.

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<v Speaker 1>It's hosted by editor of the Monthly Michael Williams and

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<v Speaker 1>features conversations with some of the most talented writers from

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<v Speaker 1>Australia and around the world. In this episode, we're going

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<v Speaker 1>to hear from writer Sonya Orchard. Before we begin, though

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<v Speaker 1>a warning. This week's conversation is about sexual assault and abuse.

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<v Speaker 1>It's about the failures social, structural legal that entrench and

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<v Speaker 1>prolong the trauma for victim survivors. It may be triggering

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<v Speaker 1>and upsetting to hear, so please proceed with caution. As usual,

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<v Speaker 1>I'm joined by Michael to tell me a bit more

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<v Speaker 1>about the episode.

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<v Speaker 2>Hi Michael, Ruby Jones. Hello, So, Michael.

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<v Speaker 1>As I mentioned up top, this episode delves into some

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<v Speaker 1>difficult topics and might not be for everyone. But as

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<v Speaker 1>you mentioned in the episode, the proliferation of this kind

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<v Speaker 1>of abuse means that there is actually a very good

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<v Speaker 1>chance that many of us will have either experienced it

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<v Speaker 1>or will know someone who has. So with that in mind,

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<v Speaker 1>tell me a bit about Sonya Orchard's new book, Groomed

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<v Speaker 1>and why you found it so powerful.

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<v Speaker 2>Yeah, it's a really tricky one and the warning is

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<v Speaker 2>particularly acute this week. This isn't a book that deals

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<v Speaker 2>with trauma and traumatic topics in passing. It is a

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<v Speaker 2>book where they are front and center, and in many ways,

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<v Speaker 2>that's the point of doing this episode. That's the point

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<v Speaker 2>of Sonya Orchard's book, is that we understand, through things

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<v Speaker 2>like the Me Too movement, through various global attempts to

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<v Speaker 2>raise awareness, the ubiquity of sexual violence and sexual assault.

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<v Speaker 2>You know, the chances are ruby anyone listening to this

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<v Speaker 2>will have someone in their life who's been affected by

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<v Speaker 2>gendered violence one way or the other. It's an absolute epidemic.

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<v Speaker 2>And one of the things that have really well written

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<v Speaker 2>memoir in this space can do is offer a language

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<v Speaker 2>for victim survivors, offer them a space with which they

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<v Speaker 2>can see their own experience reflected, understand the kind of

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<v Speaker 2>universality of some of these challenges, and maybe hopefully give

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<v Speaker 2>them the strength to find ways to process, fight, and

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<v Speaker 2>live with that struggle themselves.

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<v Speaker 1>And you note that this book is beautifully written in

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<v Speaker 1>addition to of course being rigorously researched, and that's because

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<v Speaker 1>Sonya is actually first and foremost a novelist, Is that.

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<v Speaker 2>Right, Yeah, that's right. Sonya has written a couple of

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<v Speaker 2>books before this, The Virtuoso, which won the India Award

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<v Speaker 2>for Best Debut Fiction back in two thousand and nine,

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<v Speaker 2>and Into the Fire in particular. Both of them were

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<v Speaker 2>incredibly well reviewed. She's a natural writer and a beautiful storyteller.

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<v Speaker 2>And one of the things that's really interesting in our

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<v Speaker 2>conversation that listeners will get to hear is that relationship

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<v Speaker 2>between the creative ridly life and the processing that Sonya

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<v Speaker 2>was doing of her own experiences and working out how

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<v Speaker 2>to share them with the world. The two are interconnected,

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<v Speaker 2>and it's a fascinating.

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<v Speaker 1>Conversation coming up in just a moment. How Sonya altered

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<v Speaker 1>reclaimed her story.

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<v Speaker 3>About ten years ago, I was at a counseling session

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<v Speaker 3>and this just came up as a, you know, something

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<v Speaker 3>to fill the end of the session with.

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<v Speaker 4>And it came up.

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<v Speaker 3>That I'd had this what I called a relationship, and

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<v Speaker 3>she said to me, you know, you were violated, and

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<v Speaker 3>I was just like, no, I wasn't, don't be ridiculous.

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<v Speaker 3>And she was the one who kind of suggested new

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<v Speaker 3>words to me for what I had experienced when I

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<v Speaker 3>was a teenager, and I flatly denied what she was

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<v Speaker 3>saying to me.

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<v Speaker 4>And it was only when she sort of spun the.

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<v Speaker 3>Story around and said, Okay, imagine your daughters are in

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<v Speaker 3>that relationship. And that's when the story suddenly looked very

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<v Speaker 3>very different to me, and I experienced what I realize

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<v Speaker 3>now is a trauma response where I was shaking all

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<v Speaker 3>over and shivering and it was like a you know,

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<v Speaker 3>a computer crashing or something.

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<v Speaker 4>That's how it felt.

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<v Speaker 3>And that was very very confusing because she had just

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<v Speaker 3>driven a truck through a wall kind of thing, and

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<v Speaker 3>I was just like, hang on, what's on the other

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<v Speaker 3>side of the wall.

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<v Speaker 4>You know, what's going on here?

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<v Speaker 3>I don't understand because I stick by my story and

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<v Speaker 3>this is the story that I've held onto for my

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<v Speaker 3>entire life, that I was in this regular in inverted

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<v Speaker 3>commas relationship when I was fifteen. But she has unpicked

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<v Speaker 3>something for me, and I don't understand what's going on here.

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<v Speaker 3>You know, a lot of people might have just decided

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<v Speaker 3>I'm not going to go there, but I suppose there's

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<v Speaker 3>the you know, investigative journalist in me that took it

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<v Speaker 3>on as a I need to.

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<v Speaker 4>I need to get to the bottom of this.

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<v Speaker 3>This is it's too interesting for starters, and it's too important,

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<v Speaker 3>and it's it's important on so many levels. Sort of socially,

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<v Speaker 3>it's important for me as a mother of teenage girls.

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<v Speaker 4>It's you know, I just needed to.

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<v Speaker 2>And and also presumably once you start pulling at the thread,

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<v Speaker 2>it's no longer a choice to see it through because

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<v Speaker 2>the scaffolding is down. Just to mix my metaphors from

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<v Speaker 2>thread to scaffolding, get a single go. But you know,

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<v Speaker 2>that thing of reassessing story and story as coping mechanism

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<v Speaker 2>no longer being adequate.

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<v Speaker 4>Yeah.

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<v Speaker 2>Part of what I love so much and groomed is

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<v Speaker 2>that you're in really deft, careful ways toggle between memoirist

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<v Speaker 2>and investigative journalist. As you say that, on the one hand,

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<v Speaker 2>this is a deeply personal, very story that you're bravely

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<v Speaker 2>sharing with readers, and on the other hand, it seems

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<v Speaker 2>to be one of the new mechanisms you have to

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<v Speaker 2>make it possible to do that is your instincts as

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<v Speaker 2>a writer. How can I think about utility? How can

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<v Speaker 2>I think about where the problems are here that need

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<v Speaker 2>to be identified? How can I write about it dispassionately.

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<v Speaker 2>Was that the way the writing flowed out, and was

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<v Speaker 2>that the way the retelling of your own story flowed out,

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<v Speaker 2>that you have the arms length thing of the writer there.

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<v Speaker 3>Absolutely everything I wrote was very intuitive, and I think

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<v Speaker 3>one of the ways that I deal with issues in

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<v Speaker 3>my life and problems, whether it be a relationship or

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<v Speaker 3>parenting or whatever it is, is I research the hell

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<v Speaker 3>out of it. And it's something that I do talk

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<v Speaker 3>about kind of intellectualizing in Groomed and how intellectualizing and

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<v Speaker 3>really studying a topic can become a form of sort

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<v Speaker 3>of self soothing, where you are just poking at something

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<v Speaker 3>and poking and poking and poking and trying to look

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<v Speaker 3>at it from different angles, because well, I think there's

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<v Speaker 3>trying to understand it, and there's also if you do

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<v Speaker 3>have disassociation, which I think anyone who's had any trauma

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<v Speaker 3>will have some disassociation. It's a way of trying to

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<v Speaker 3>break out of the numbness. I was hitting these walls

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<v Speaker 3>in my own memory and my own sort of sort

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<v Speaker 3>of emotional response.

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<v Speaker 4>I was kind of trying.

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<v Speaker 3>To feel something and often it just wouldn't be there,

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<v Speaker 3>or try and remember something, and it wouldn't be there,

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<v Speaker 3>so I had to do something, so I would just

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<v Speaker 3>start reading and researching.

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<v Speaker 2>That makes a lot of sense. I can see both

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<v Speaker 2>the kind of support that that would give to the writing,

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<v Speaker 2>but also the kind of comfort it would give that

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<v Speaker 2>you don't have to feel everything that happens on the page.

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<v Speaker 2>Sometimes you can think it through and.

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<v Speaker 3>Yeah, yeah, And I mean when I put them into

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<v Speaker 3>the book, I didn't put them necessarily in like a

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<v Speaker 3>glossary or oh, you'll need to understand this term. I

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<v Speaker 3>was putting things in as I was learning about them,

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<v Speaker 3>So I was it was the process of my discovery

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<v Speaker 3>and learning that I thought, if this is relevant to

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<v Speaker 3>me and my unpacking, then.

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<v Speaker 4>It's a part of the story.

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<v Speaker 3>A part of the story is me learning about these

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<v Speaker 3>things and trying to fit them into my life and

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<v Speaker 3>what they mean for me as I'm going through this process.

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<v Speaker 2>So the crucial thing is off the back of having

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<v Speaker 2>that conversation and therapy of suddenly starting to reassess your

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<v Speaker 2>own experiences through this different lens and understand them differently

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<v Speaker 2>at some point, and that understanding led to a desire

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<v Speaker 2>or a need for action and a need to kind

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<v Speaker 2>of for lack of a better word to socialize that

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<v Speaker 2>experience in the legal system in a kind of search

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<v Speaker 2>for repair.

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<v Speaker 4>Yes, well, it was probably about six or eight.

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<v Speaker 3>Years between the therapy and contacting the police, and I

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<v Speaker 3>think there were quite a few factors at play there.

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<v Speaker 3>There was obviously the time that I sat with it

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<v Speaker 3>and sort of got used to the idea of okay,

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<v Speaker 3>so this is my new story. Now.

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<v Speaker 4>There was the fact.

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<v Speaker 3>That I was more aware of how trauma had played

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<v Speaker 3>out in my life and had affected me, and I

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<v Speaker 3>wasn't really seeing the shifts I would have liked to

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<v Speaker 3>have seen. And you know, it can get really boring,

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<v Speaker 3>you know, dealing with the the same problems and going

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<v Speaker 3>why can't I move on Like this happened thirty five

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<v Speaker 3>years ago. Why can't I just flick a switch and

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<v Speaker 3>move on from it? So there was kind of getting

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<v Speaker 3>sick of it and sick of the fact that nothing

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<v Speaker 3>had shifted really for me. And then there was I've

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<v Speaker 3>got three daughters, and my eldest daughter was fourteen at

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<v Speaker 3>the time, and I was just finding myself among lots

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<v Speaker 3>of other parents chatting about teenage parties and getting drunk

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<v Speaker 3>and oh, it's all a lot of fun. Isn't it

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<v Speaker 3>when the teenagers go out and get drunk. And I

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<v Speaker 3>found myself getting really upset during those conversations, and I thought, Okay, clearly,

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<v Speaker 3>I'm not comfortable with this next phase of my daughter's

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<v Speaker 3>hitting teenage years. There's stuff that I need to work through.

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<v Speaker 3>But then there was that year of Grace Tame, becoming

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<v Speaker 3>Australian of the Year, Britney Higgins allegations, the Christian Porter allegations,

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<v Speaker 3>and the March for Justice, and I think that was

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<v Speaker 3>that was what tipped me over.

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<v Speaker 4>And I didn't see it coming. The morning of the.

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<v Speaker 3>March for Justice. It hadn't entered my mind to go

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<v Speaker 3>to the police. But that night I couldn't sleep and

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<v Speaker 3>I just stayed awake all night. And you know, I

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<v Speaker 3>try and describe in the book what was going on

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<v Speaker 3>for me that night, but it was almost like I

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<v Speaker 3>just went into this kind of subliminal zone during the

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<v Speaker 3>night and just unpacked a whole lot of stuff, and

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<v Speaker 3>in the morning, you just thought it, right, I'm going

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<v Speaker 3>to the police.

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<v Speaker 2>I want to take this moment just to pause on

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<v Speaker 2>the title of the book and Groomed and why the

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<v Speaker 2>idea of grooming and being groomed is such an important

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<v Speaker 2>central part of the way you want to tell this story.

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<v Speaker 3>As I write in the book, I don't actually really

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<v Speaker 3>relate to the word, and that's one of the reasons

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<v Speaker 3>why I chose the word, and I use it often.

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<v Speaker 3>It's almost like brain training. And I do talk in

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<v Speaker 3>the book how for me and for other survivors that

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<v Speaker 3>I've spoken with, the word that comes up constantly is

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<v Speaker 3>that they've been robbed or they've had something stolen, and that,

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<v Speaker 3>for me, is a much more potent word and something

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<v Speaker 3>that I relate to.

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<v Speaker 4>The word groomed is not.

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<v Speaker 3>Something that I really relate to because when I look

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<v Speaker 3>back on the relationship, I recall being in love.

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<v Speaker 4>The more I.

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<v Speaker 3>Looked into what grooming is and what it does and

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<v Speaker 3>how underhand it is, I just found it such a

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<v Speaker 3>fascinating concept because you are being kind of almost convinced

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<v Speaker 3>to be in love. And that's how perpetrators are so

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<v Speaker 3>successful because they don't need to use violence or force.

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<v Speaker 3>They can be pretty confident that you're not going to

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<v Speaker 3>go and say anything because you come away thinking, well.

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<v Speaker 4>I consented to that. So it's such a.

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<v Speaker 3>Confounding thing to experience, and you know, I spend a

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<v Speaker 3>lot of time in the book talking about the behavioral science,

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<v Speaker 3>the neurobiology, what grooming actually is, and how it is

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<v Speaker 3>very closely related to our need for attachment, our need

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<v Speaker 3>to be cared for as a child. It's very similar

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<v Speaker 3>to courtship. It's very similar to all these things which

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<v Speaker 3>are really important, necessary, beautiful things in our lives. Hence

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<v Speaker 3>why it's so seductive. It's all these great things except

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<v Speaker 3>with this one little poisonous kind of element, which is

0:13:58.920 --> 0:14:04.199
<v Speaker 3>it's done by an abuser, not a caring, loving equal.

0:14:04.920 --> 0:14:08.280
<v Speaker 2>It's kind of weaponizing those instincts against you as a

0:14:08.360 --> 0:14:10.360
<v Speaker 2>kind of active manipulation.

0:14:10.800 --> 0:14:11.400
<v Speaker 4>Absolutely.

0:14:11.520 --> 0:14:14.800
<v Speaker 2>And the other thing about it, which I think is

0:14:14.840 --> 0:14:18.400
<v Speaker 2>so tied in with the kind of lasting trauma of it,

0:14:18.440 --> 0:14:22.240
<v Speaker 2>is that it's a recasting of your reality. Your reality

0:14:22.280 --> 0:14:25.480
<v Speaker 2>is distorted by your abuser. Then interests of being.

0:14:25.320 --> 0:14:28.560
<v Speaker 3>Groomed, yes, yeah, and you're so vulnerable to that as

0:14:28.560 --> 0:14:31.960
<v Speaker 3>a child, yeah, you know, because you can be groomed

0:14:31.960 --> 0:14:37.560
<v Speaker 3>at any age. But hopefully as an adult you're more

0:14:37.600 --> 0:14:42.560
<v Speaker 3>aware of power dynamics and you're not entering relationships with

0:14:42.680 --> 0:14:47.760
<v Speaker 3>such a power deficit as you are as a child. Definitely,

0:14:47.800 --> 0:14:51.480
<v Speaker 3>for me, I was a people pleaser, and I was

0:14:51.760 --> 0:14:54.640
<v Speaker 3>pretty obedient, you know. And this is again one of

0:14:54.640 --> 0:14:56.400
<v Speaker 3>the things that people don't talk about.

0:14:56.520 --> 0:14:57.240
<v Speaker 4>With grooming.

0:14:58.000 --> 0:15:01.320
<v Speaker 3>You are there because you're getting good things. You know,

0:15:01.360 --> 0:15:04.280
<v Speaker 3>are you're getting. There are a lot of advantages and

0:15:04.360 --> 0:15:09.040
<v Speaker 3>benefits and pluses, you know, whether it's attention or you know,

0:15:09.120 --> 0:15:12.040
<v Speaker 3>whether the person's giving you money or whatever they're doing

0:15:12.040 --> 0:15:16.760
<v Speaker 3>that there's a payoff and you are really enjoying being there.

0:15:17.920 --> 0:15:21.360
<v Speaker 3>But then there's also the abuse, which you have to

0:15:21.400 --> 0:15:27.240
<v Speaker 3>then compartmentalize and sort of disassociate from. But yeah, it's

0:15:28.040 --> 0:15:33.440
<v Speaker 3>a very clever manipulation and I still can't.

0:15:33.120 --> 0:15:34.360
<v Speaker 4>Really relate to it.

0:15:34.600 --> 0:15:36.840
<v Speaker 3>I can only sort of relate to it in a

0:15:36.960 --> 0:15:41.560
<v Speaker 3>theoretical kind of way. But I find it such a

0:15:41.720 --> 0:15:44.440
<v Speaker 3>fascinating sort of dynamic.

0:15:45.600 --> 0:15:50.040
<v Speaker 2>You write really well about the desire to constantly pick

0:15:50.120 --> 0:15:52.680
<v Speaker 2>up the scape of knowledge about this stuff that, even

0:15:53.400 --> 0:15:56.560
<v Speaker 2>as the personal processing was it some of its hardest points,

0:15:57.040 --> 0:16:01.800
<v Speaker 2>you couldn't resist reading everything you could find, the accounts, watching,

0:16:01.960 --> 0:16:06.480
<v Speaker 2>listening to just absolutely mainlining any stories about kind of

0:16:06.480 --> 0:16:13.080
<v Speaker 2>similar reviews. And I'm curious about the relationship between comfort

0:16:13.200 --> 0:16:16.280
<v Speaker 2>in seeing the familiar and seeing the echoes and discomfort.

0:16:17.160 --> 0:16:21.520
<v Speaker 2>Seeing elements of your own experience echoed in the stuff

0:16:21.560 --> 0:16:25.160
<v Speaker 2>that you read help or was it jarring? Did it

0:16:25.240 --> 0:16:27.360
<v Speaker 2>make it harder to carve out your own space?

0:16:28.280 --> 0:16:34.400
<v Speaker 3>It definitely helped, and it helped for quite a few reasons.

0:16:35.760 --> 0:16:43.680
<v Speaker 3>I could feel enormous empathy for other survivors in a

0:16:43.720 --> 0:16:48.480
<v Speaker 3>way that I couldn't for myself, and that helped me

0:16:48.640 --> 0:16:51.880
<v Speaker 3>kind of, I think, grieve, because I could kind.

0:16:51.680 --> 0:16:54.360
<v Speaker 4>Of a grieve for these other survivors.

0:16:54.920 --> 0:16:58.280
<v Speaker 3>It's so lonely grief, but then when you're around other

0:16:58.320 --> 0:17:02.160
<v Speaker 3>people who are grieving, it can you can find incredible

0:17:02.280 --> 0:17:04.320
<v Speaker 3>kind of company in the loneliness.

0:17:04.840 --> 0:17:05.880
<v Speaker 4>And so I think.

0:17:05.760 --> 0:17:13.960
<v Speaker 3>There was a lovely feeling of community within this otherwise

0:17:14.080 --> 0:17:19.720
<v Speaker 3>kind of harrowing space, and it helped me feel like

0:17:19.840 --> 0:17:25.800
<v Speaker 3>not such a freak because people were describing exactly what

0:17:25.840 --> 0:17:28.399
<v Speaker 3>I was feeling and doing, and I was just like, Okay,

0:17:28.440 --> 0:17:32.600
<v Speaker 3>this is what I'm experiencing. Is these are normal responses

0:17:32.960 --> 0:17:35.160
<v Speaker 3>or you know, I don't like using the word normal,

0:17:35.200 --> 0:17:39.000
<v Speaker 3>but these are to be expected and not total outlies.

0:17:41.560 --> 0:17:44.560
<v Speaker 2>When we returned, Sonya shares her grueling journey through the

0:17:44.680 --> 0:17:47.840
<v Speaker 2>legal system and reveals why she didn't hide under the

0:17:47.880 --> 0:17:51.680
<v Speaker 2>covers that they groomed, hit the shelves. We'll be right back.

0:18:02.840 --> 0:18:06.040
<v Speaker 2>So there's another overlay that we haven't gotten to yet.

0:18:06.119 --> 0:18:10.040
<v Speaker 2>If we begin with the stories that you tell yourself

0:18:10.359 --> 0:18:13.200
<v Speaker 2>to cope and to be able to get through life,

0:18:13.320 --> 0:18:15.760
<v Speaker 2>and then we have the layer of stories that come

0:18:16.080 --> 0:18:20.560
<v Speaker 2>when confronting one's own experience and giving it a different

0:18:20.640 --> 0:18:24.080
<v Speaker 2>name and dealing with it. But the third level is

0:18:24.119 --> 0:18:27.600
<v Speaker 2>the legal system and the ways in which there are

0:18:27.760 --> 0:18:30.720
<v Speaker 2>structures and pressures for how a story must be told.

0:18:30.960 --> 0:18:34.240
<v Speaker 2>There that in some ways rob you again of the

0:18:34.280 --> 0:18:37.199
<v Speaker 2>telling of your own story, and that's a kind of

0:18:37.280 --> 0:18:42.560
<v Speaker 2>key part of how Groomed plays out. Your experience with

0:18:42.600 --> 0:18:44.200
<v Speaker 2>the legal system was not a happy one.

0:18:44.400 --> 0:18:45.479
<v Speaker 4>No, I didn't enjoy it.

0:18:46.440 --> 0:18:48.800
<v Speaker 2>No, I didn't enjoy reading it. I mean, it was

0:18:48.880 --> 0:18:52.879
<v Speaker 2>beautifully written, but it was it was upsetting. You know,

0:18:53.040 --> 0:18:56.480
<v Speaker 2>six to eight years between that therapy session and when

0:18:57.040 --> 0:19:00.479
<v Speaker 2>you felt ready to go to the police, talk me

0:19:00.480 --> 0:19:03.000
<v Speaker 2>through what it felt like to suddenly lose ownership of

0:19:03.040 --> 0:19:05.479
<v Speaker 2>your own story again having just regained it.

0:19:05.960 --> 0:19:12.400
<v Speaker 4>Yeah, it's, uh, what's the best word for it, fucked? Yeah,

0:19:12.600 --> 0:19:15.600
<v Speaker 4>it is. It's you're going.

0:19:15.480 --> 0:19:18.240
<v Speaker 3>Through the legal system, not because you know, you think

0:19:18.240 --> 0:19:20.320
<v Speaker 3>you're going to have a great time in the legal

0:19:20.359 --> 0:19:22.280
<v Speaker 3>system and you're not going to get any money or

0:19:22.280 --> 0:19:25.640
<v Speaker 3>anything like that for you know, a criminal case. You're

0:19:25.760 --> 0:19:30.200
<v Speaker 3>going because you've had power taken from you and you're

0:19:30.200 --> 0:19:34.200
<v Speaker 3>trying to regain that power and to say, Okay, I'm

0:19:34.240 --> 0:19:36.840
<v Speaker 3>in charge, I make the rules to do with my

0:19:36.920 --> 0:19:40.040
<v Speaker 3>body and what things are okay and what things aren't okay.

0:19:40.080 --> 0:19:43.160
<v Speaker 3>So you're trying to kind of gain control, and then

0:19:43.240 --> 0:19:47.280
<v Speaker 3>you enter this system where the door is shut in

0:19:47.320 --> 0:19:53.119
<v Speaker 3>your face. Once it hit the legal system, that's where

0:19:53.240 --> 0:19:56.160
<v Speaker 3>I felt like I was just out in the cold,

0:19:56.600 --> 0:20:02.000
<v Speaker 3>and there would be all these hearings that were being

0:20:02.040 --> 0:20:06.280
<v Speaker 3>conducted that I wasn't allowed to be ash, and there

0:20:06.320 --> 0:20:13.280
<v Speaker 3>would be the accused and his lawyers, and then the

0:20:13.320 --> 0:20:18.000
<v Speaker 3>prosecution lawyers for the opp crown lawyers, and there would

0:20:18.000 --> 0:20:21.840
<v Speaker 3>be a magistrate. So everyone was there except for me,

0:20:22.280 --> 0:20:25.320
<v Speaker 3>the person who could actually explain what was going on,

0:20:26.040 --> 0:20:29.760
<v Speaker 3>and they would have these hearings and I would be

0:20:29.880 --> 0:20:32.639
<v Speaker 3>kind of frantically saying what happened in the hearings, and

0:20:32.640 --> 0:20:35.040
<v Speaker 3>they'd be like, oh, well, it's just going to be

0:20:35.600 --> 0:20:37.720
<v Speaker 3>you know, it's going to be another three months and

0:20:37.840 --> 0:20:40.320
<v Speaker 3>we'll let you know if anything happens, and if we're

0:20:40.320 --> 0:20:43.439
<v Speaker 3>hear any you know. So you were constantly, you know,

0:20:43.600 --> 0:20:47.080
<v Speaker 3>constantly sort of knocking at doors trying to say, you

0:20:47.119 --> 0:20:50.120
<v Speaker 3>know what's going on, and just let me in the room.

0:20:50.440 --> 0:20:53.960
<v Speaker 3>Let me in the room with him, his lawyers, give

0:20:53.960 --> 0:20:56.800
<v Speaker 3>me a lawyer, and we will bash this out in

0:20:56.920 --> 0:21:01.639
<v Speaker 3>ten minutes. And I do describe this period of feeling

0:21:01.680 --> 0:21:04.320
<v Speaker 3>like I was in a straight jacket because I was

0:21:04.400 --> 0:21:09.240
<v Speaker 3>kind of in this battle mode, ready to go back

0:21:09.240 --> 0:21:11.639
<v Speaker 3>to the scene of the crime and fight it out again.

0:21:12.440 --> 0:21:16.080
<v Speaker 3>But I was just being told to, you know, just

0:21:16.080 --> 0:21:18.880
<v Speaker 3>sit in the waiting room. We'll deal with it, leave

0:21:18.920 --> 0:21:19.440
<v Speaker 3>it to us.

0:21:19.960 --> 0:21:23.359
<v Speaker 2>Plus, you've been wildly retraumatized in the process of having

0:21:23.400 --> 0:21:26.560
<v Speaker 2>to dredge it up and go into forensic detail over

0:21:26.640 --> 0:21:30.679
<v Speaker 2>stuff that is hard enough to kind of tell the

0:21:30.720 --> 0:21:35.240
<v Speaker 2>story of in broad terms let alone, Yep, expose yourself to.

0:21:35.200 --> 0:21:36.679
<v Speaker 4>That absolutely, and.

0:21:38.359 --> 0:21:43.520
<v Speaker 3>You're going in with the knowledge that you are ninety

0:21:43.520 --> 0:21:46.520
<v Speaker 3>five percent of the evidence. And so the entire job

0:21:46.560 --> 0:21:49.159
<v Speaker 3>of the defense is to undermine you. Like if they

0:21:49.160 --> 0:21:52.639
<v Speaker 3>can undermine you and they can kind of break you down,

0:21:53.040 --> 0:21:56.359
<v Speaker 3>then they've won. So you realize very early on that

0:21:57.560 --> 0:22:02.680
<v Speaker 3>truth is completely irrelevant, Like there doesn't seem at any

0:22:02.720 --> 0:22:07.400
<v Speaker 3>point a time when people are trying to actually work

0:22:07.400 --> 0:22:11.640
<v Speaker 3>out what happened, and people don't seem interested in what happened.

0:22:12.280 --> 0:22:16.720
<v Speaker 3>It's just can they break you? Because if they can

0:22:16.760 --> 0:22:19.880
<v Speaker 3>break you, then they're one. If they can't break you,

0:22:20.119 --> 0:22:20.680
<v Speaker 3>then you win.

0:22:21.320 --> 0:22:30.600
<v Speaker 2>So laying out these different versions of your story, personal, structural, legal,

0:22:30.800 --> 0:22:33.920
<v Speaker 2>all of those a question. We come back to it

0:22:34.080 --> 0:22:38.240
<v Speaker 2>again and again on read this. It seems is different

0:22:38.240 --> 0:22:42.840
<v Speaker 2>writers feel differently about the cathartic potential of writing, about

0:22:42.880 --> 0:22:46.560
<v Speaker 2>whether it's a thing that frees them from stuff they're

0:22:46.600 --> 0:22:50.160
<v Speaker 2>working through or whether that's a bit of a false economy.

0:22:50.200 --> 0:22:51.600
<v Speaker 2>I think we've come back again and again to the

0:22:51.600 --> 0:22:54.640
<v Speaker 2>fact that writing is not therapy. Therapy is therapy and yep,

0:22:55.240 --> 0:23:00.439
<v Speaker 2>worth doing alongside the writing. But one about for you,

0:23:00.680 --> 0:23:02.960
<v Speaker 2>the experience of putting it down in a book and

0:23:03.000 --> 0:23:06.080
<v Speaker 2>seeing that book in the world and having a launch,

0:23:06.560 --> 0:23:11.520
<v Speaker 2>doing interviews, actually thinking about it as an artifact.

0:23:12.080 --> 0:23:13.280
<v Speaker 4>Yep, how's that been.

0:23:15.359 --> 0:23:17.160
<v Speaker 3>I'll have to break it down into a few because

0:23:17.200 --> 0:23:20.200
<v Speaker 3>there's the writing process and then there's the publishing process.

0:23:21.440 --> 0:23:24.720
<v Speaker 3>The writing process, a lot of people said to me,

0:23:25.000 --> 0:23:26.800
<v Speaker 3>it must have been really hard to write, and it

0:23:26.880 --> 0:23:32.280
<v Speaker 3>was incredibly easy to write and even enjoyable to write.

0:23:33.000 --> 0:23:38.679
<v Speaker 3>And I think that possibly a lot of it comes

0:23:38.920 --> 0:23:42.880
<v Speaker 3>back to that sense of control that I didn't have

0:23:43.920 --> 0:23:46.440
<v Speaker 3>in the legal system.

0:23:46.560 --> 0:23:51.680
<v Speaker 4>But when you're the writer, you are you are God.

0:23:51.840 --> 0:23:54.280
<v Speaker 3>When you are writing, you know, you decide what goes

0:23:54.320 --> 0:23:57.080
<v Speaker 3>in and you decide how are you going to say this,

0:23:57.800 --> 0:24:01.959
<v Speaker 3>So you become the protagon hot and you become, you know,

0:24:02.040 --> 0:24:05.560
<v Speaker 3>the hero of the story, not that you know, necessarily

0:24:05.600 --> 0:24:09.520
<v Speaker 3>a traditional hero, but you are the person who tells

0:24:09.560 --> 0:24:11.840
<v Speaker 3>the story and tells it how you want to tell it.

0:24:12.680 --> 0:24:17.720
<v Speaker 3>So I found that sense of being able to say

0:24:17.720 --> 0:24:19.879
<v Speaker 3>what I wanted to say and be in control of

0:24:19.920 --> 0:24:25.720
<v Speaker 3>my story really really helpful. The publishing side of things

0:24:26.160 --> 0:24:31.680
<v Speaker 3>was terrifying, and you know, thankfully I had a very

0:24:31.800 --> 0:24:37.080
<v Speaker 3>supportive team, my agent and my publisher, a firm press

0:24:37.640 --> 0:24:41.439
<v Speaker 3>or very supportive. I have very supportive friends, my husband,

0:24:41.520 --> 0:24:43.800
<v Speaker 3>my kids, so I had I had a great network

0:24:43.840 --> 0:24:48.800
<v Speaker 3>around me. But it was still absolutely terrifying. And I

0:24:48.880 --> 0:24:51.159
<v Speaker 3>did initially say that I wasn't going to have a

0:24:51.240 --> 0:24:54.520
<v Speaker 3>launch because I just I just wanted to hide under

0:24:54.560 --> 0:24:56.600
<v Speaker 3>the doner when the book came out, I was just

0:24:56.720 --> 0:24:59.360
<v Speaker 3>so like, I just want to be in another country.

0:24:59.480 --> 0:25:03.040
<v Speaker 3>I just I want to be here and look people

0:25:03.040 --> 0:25:05.720
<v Speaker 3>in the eye who have read my book. But very

0:25:06.200 --> 0:25:11.480
<v Speaker 3>quickly I started getting messages from people who had read

0:25:11.480 --> 0:25:16.359
<v Speaker 3>it who were thanking me. And of my four books,

0:25:16.400 --> 0:25:22.400
<v Speaker 3>it's been the most rewarding of all four books because

0:25:22.840 --> 0:25:26.880
<v Speaker 3>of the gratitude from people saying, thank you, You've helped

0:25:26.960 --> 0:25:30.119
<v Speaker 3>me make sense of my story. I've been sitting with

0:25:30.160 --> 0:25:32.960
<v Speaker 3>this for thirty or forty years, and I now understand

0:25:33.560 --> 0:25:37.760
<v Speaker 3>things better, and yeah, thank you for putting words to

0:25:37.920 --> 0:25:41.640
<v Speaker 3>what I've gone through. So I get those messages every day.

0:25:41.840 --> 0:25:43.879
<v Speaker 3>And I had been warned that I would get a

0:25:43.880 --> 0:25:47.040
<v Speaker 3>lot of messages from readers and that it could be

0:25:47.080 --> 0:25:49.879
<v Speaker 3>really triggering for me. It's been the opposite. It's made

0:25:49.920 --> 0:25:54.840
<v Speaker 3>me feel very confident that what I've done in writing

0:25:54.840 --> 0:25:56.200
<v Speaker 3>this book has been worthwhile.

0:25:56.800 --> 0:26:00.240
<v Speaker 2>I am a big fan of your earlier novels. Did

0:26:00.280 --> 0:26:03.480
<v Speaker 2>want to ask do you look at those earlier novels

0:26:03.560 --> 0:26:09.040
<v Speaker 2>now and see them differently? Do you see things that

0:26:09.119 --> 0:26:10.879
<v Speaker 2>you were working through in them that you might not

0:26:10.960 --> 0:26:14.960
<v Speaker 2>have identified at the time, or echoes and shadows that.

0:26:15.280 --> 0:26:18.560
<v Speaker 4>Absolutely, absolutely.

0:26:20.200 --> 0:26:26.160
<v Speaker 3>All three of my earlier works have a theme of

0:26:27.200 --> 0:26:31.520
<v Speaker 3>someone not understanding what's really going on. All of them

0:26:31.560 --> 0:26:35.720
<v Speaker 3>have got sort of unreliable narrators that tell a story

0:26:36.480 --> 0:26:40.639
<v Speaker 3>and it becomes, i think in all three stories, quite

0:26:40.760 --> 0:26:45.159
<v Speaker 3>clear to the reader that the narrator is not seeing

0:26:45.160 --> 0:26:50.200
<v Speaker 3>what's really going on. And I was halfway through writing

0:26:50.280 --> 0:26:54.479
<v Speaker 3>my last book, Into the Fire, when I had the

0:26:54.480 --> 0:26:58.760
<v Speaker 3>therapy session that's kind of uncovered this kind of different

0:26:58.800 --> 0:26:59.800
<v Speaker 3>story of my past.

0:27:00.680 --> 0:27:02.480
<v Speaker 4>And that was.

0:27:03.320 --> 0:27:08.400
<v Speaker 3>The biggest aha moment for that book, because I suddenly

0:27:08.440 --> 0:27:12.200
<v Speaker 3>realized what I was writing then and that I had

0:27:12.240 --> 0:27:17.399
<v Speaker 3>kind of split myself into two characters who were the

0:27:17.400 --> 0:27:20.720
<v Speaker 3>two females in that novel. One of them had one

0:27:20.800 --> 0:27:24.199
<v Speaker 3>story and the other one had another story of their past.

0:27:24.720 --> 0:27:29.560
<v Speaker 3>And the novel is these two stories kind of parallel,

0:27:29.680 --> 0:27:31.639
<v Speaker 3>which one are you going to believe as a reader

0:27:31.760 --> 0:27:34.840
<v Speaker 3>kind of thing, and all is revealed at the end.

0:27:35.600 --> 0:27:37.840
<v Speaker 3>And I don't think I would have been able to

0:27:38.080 --> 0:27:41.719
<v Speaker 3>finish that book had I not had that therapy session

0:27:42.200 --> 0:27:49.280
<v Speaker 3>and that aha moment, because that was the novel that

0:27:49.440 --> 0:27:54.000
<v Speaker 3>was I think the warm up for me writing this memoir.

0:27:54.320 --> 0:27:57.240
<v Speaker 2>I guess if the body keeps score, the body of

0:27:57.280 --> 0:27:59.360
<v Speaker 2>work provides commentary or.

0:27:59.320 --> 0:28:04.199
<v Speaker 3>Something absolutely and it's yeah, I mean I think I

0:28:04.200 --> 0:28:07.119
<v Speaker 3>think a therapist would probably you know, there's probably a

0:28:08.720 --> 0:28:13.879
<v Speaker 3>book therapist out there for writers who could look at someone's.

0:28:13.400 --> 0:28:16.560
<v Speaker 2>Pott for moost sessions. Let me just read what you've written.

0:28:16.240 --> 0:28:19.000
<v Speaker 4>And then yeah, exactly exactly where the gaps are.

0:28:19.040 --> 0:28:21.199
<v Speaker 3>And I do I do feel like, you know, I

0:28:21.200 --> 0:28:24.840
<v Speaker 3>could just walk into a therapist's office and hand over

0:28:24.920 --> 0:28:27.560
<v Speaker 3>my four books and just go, okay, start there.

0:28:28.560 --> 0:28:31.480
<v Speaker 2>That's very efficient a reading list. I'll see you when

0:28:31.520 --> 0:28:31.840
<v Speaker 2>you're done.

0:28:32.000 --> 0:28:32.720
<v Speaker 4>Yeah, exactly.

0:28:32.920 --> 0:28:34.879
<v Speaker 2>I like the idea of pre reading for therapy, and

0:28:34.920 --> 0:28:38.680
<v Speaker 2>I have no doubt that Groomed will join the ranks

0:28:38.680 --> 0:28:42.880
<v Speaker 2>of things that empower and strengthen and not just victim survivors,

0:28:42.880 --> 0:28:45.720
<v Speaker 2>but anyone who's finding it hard to find words to

0:28:46.120 --> 0:28:49.640
<v Speaker 2>share a story. I think you've done them and all

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<v Speaker 2>of us are great service.

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<v Speaker 4>So thank you, thank you so much, Thank you.

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<v Speaker 2>Sonja Orchard's new book, Groomed is available at all Good bookstores. Now.

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<v Speaker 1>Thank you so much for listening to another special episode

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<v Speaker 1>of Read This. If today's episode has raised issues or concerns,

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<v Speaker 1>make sure you tap into your support systems or call

0:29:12.720 --> 0:29:15.520
<v Speaker 1>one eight hundred, respect or other similar services in your

0:29:15.560 --> 0:29:18.680
<v Speaker 1>local area. Don't try to manage it alone. We'll have

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<v Speaker 1>another episode of Read This to share with you next Sunday.

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<v Speaker 4>See then,