1 00:00:00,240 --> 00:00:03,120 Speaker 1: They're fitsy and with with Kate Whichie podcast. 2 00:00:03,400 --> 00:00:05,520 Speaker 2: Good news is guys, we've tracked it down. Natalie Brouley, 3 00:00:05,680 --> 00:00:09,240 Speaker 2: she's on the line now. This is exciting for. 4 00:00:09,880 --> 00:00:13,040 Speaker 3: We are very very excited though, because we are. I 5 00:00:13,200 --> 00:00:16,919 Speaker 3: can't wait with this sleep Sound podcast and we get 6 00:00:16,960 --> 00:00:19,040 Speaker 3: to hear your magnificent voice as well. 7 00:00:19,160 --> 00:00:19,280 Speaker 4: Nat. 8 00:00:20,360 --> 00:00:21,360 Speaker 3: How did this come about? 9 00:00:21,920 --> 00:00:25,040 Speaker 5: I had a bit of a panic because I thought, oh, 10 00:00:25,079 --> 00:00:26,480 Speaker 5: I'm just going to go back and have a little 11 00:00:26,520 --> 00:00:29,520 Speaker 5: listen to other people. Yeah, and I went straight to 12 00:00:30,360 --> 00:00:34,720 Speaker 5: Jamie Dornan's ims and I was like, oh my gosh, 13 00:00:35,280 --> 00:00:39,000 Speaker 5: he's talking really sultry and soft. And I don't think 14 00:00:39,000 --> 00:00:42,239 Speaker 5: that I was because I was reciting poetry. And then 15 00:00:42,280 --> 00:00:44,280 Speaker 5: I had this panic that perhaps it's not going to 16 00:00:44,280 --> 00:00:45,159 Speaker 5: be very sleepy. 17 00:00:45,360 --> 00:00:48,600 Speaker 1: So I mean, yeah, fingers crossed. 18 00:00:49,120 --> 00:00:52,680 Speaker 2: I mean Jamie's from fifty Shades of Gray, so I 19 00:00:52,680 --> 00:00:54,680 Speaker 2: mean he would know how to lower the voice nicely. 20 00:00:54,720 --> 00:00:56,760 Speaker 2: But I hope he's not making it sound. 21 00:00:57,080 --> 00:01:01,920 Speaker 5: Yes, I haven't made a film like that. No, I 22 00:01:01,920 --> 00:01:03,960 Speaker 5: haven't had to do. I haven't needed to do. 23 00:01:04,400 --> 00:01:08,440 Speaker 4: Hang on to say, so you became self Are you 24 00:01:08,520 --> 00:01:10,920 Speaker 4: being self conscious then about whether you were going to 25 00:01:11,000 --> 00:01:13,000 Speaker 4: be able to deliver what they were hoping for. 26 00:01:13,360 --> 00:01:15,960 Speaker 5: Well, you'll appreciate this as an actress, right, So it's 27 00:01:16,680 --> 00:01:17,200 Speaker 5: some of them. 28 00:01:17,280 --> 00:01:20,119 Speaker 1: Some of the sleep sounds is people kind of describing environments. 29 00:01:20,160 --> 00:01:22,480 Speaker 1: But I was reading poetry and I got there. 30 00:01:22,520 --> 00:01:25,319 Speaker 5: I was like, oh, I can't ruin this, this is 31 00:01:25,480 --> 00:01:27,440 Speaker 5: pros like, I have to get this right. 32 00:01:27,840 --> 00:01:30,840 Speaker 3: Did you do that with songwriting? I know Michael Hutchins 33 00:01:30,920 --> 00:01:33,480 Speaker 3: used to do that. So he would write down poems 34 00:01:33,880 --> 00:01:36,680 Speaker 3: and then he would combine those poems for his songs. 35 00:01:36,760 --> 00:01:38,680 Speaker 3: That do you do that with your songwriting? 36 00:01:38,760 --> 00:01:41,319 Speaker 1: Sometimes you mean his own poems. 37 00:01:41,200 --> 00:01:45,320 Speaker 3: Yes, his own poems and just put them together and 38 00:01:45,360 --> 00:01:47,720 Speaker 3: then the Farres brothers would find music for it, and 39 00:01:47,720 --> 00:01:50,520 Speaker 3: that's how quickly it would come together. But he always 40 00:01:50,560 --> 00:01:52,560 Speaker 3: just used to jop stuff down that would just came 41 00:01:52,600 --> 00:01:53,160 Speaker 3: to his head. 42 00:01:53,400 --> 00:01:55,200 Speaker 5: You know the problem with that, I didn't have the 43 00:01:55,240 --> 00:02:01,440 Speaker 5: Faris brothers. I would like write things down and I'd 44 00:02:01,440 --> 00:02:03,720 Speaker 5: go to a writing session. And the problem for me 45 00:02:03,840 --> 00:02:07,600 Speaker 5: with doing it that way is you're trying to make 46 00:02:07,640 --> 00:02:11,200 Speaker 5: the music fit the timing of something you've written over 47 00:02:11,200 --> 00:02:11,840 Speaker 5: the years. 48 00:02:12,720 --> 00:02:15,080 Speaker 1: I turn up with nothing and I chat. 49 00:02:15,160 --> 00:02:17,800 Speaker 5: We talk for half a day, yep, and we just 50 00:02:17,880 --> 00:02:20,680 Speaker 5: kind of dive into each other's mind, whoever I'm writing with, 51 00:02:21,240 --> 00:02:24,920 Speaker 5: and then the song writes itself and the music is 52 00:02:25,120 --> 00:02:27,360 Speaker 5: the music guides it for me so that the music 53 00:02:27,360 --> 00:02:29,680 Speaker 5: will give me images and then I'll write this, I'll 54 00:02:29,720 --> 00:02:32,880 Speaker 5: see something or something we've been speaking about goes into 55 00:02:32,919 --> 00:02:35,480 Speaker 5: the song, and it's much more liberating and it's much 56 00:02:35,520 --> 00:02:36,519 Speaker 5: more free. 57 00:02:36,800 --> 00:02:39,040 Speaker 4: You're doing any of that? Of later, we did hear 58 00:02:39,160 --> 00:02:41,400 Speaker 4: something about you heading into a studio where you in 59 00:02:41,840 --> 00:02:44,240 Speaker 4: Byron and you kind of locked yourself away and there 60 00:02:44,320 --> 00:02:46,320 Speaker 4: is new music. Are you doing some writing? 61 00:02:46,320 --> 00:02:50,200 Speaker 5: Oh my gosh, I'm having so much fun. Yes, I'm 62 00:02:50,240 --> 00:02:54,160 Speaker 5: working on new music. I'm experimenting. I'm loving it. So 63 00:02:54,320 --> 00:02:54,960 Speaker 5: I'm really. 64 00:02:54,800 --> 00:02:57,720 Speaker 1: Excited about there. Was also got a live album coming out. 65 00:02:58,120 --> 00:03:01,000 Speaker 3: Yeah, is that the first album? Left Left in the middle, 66 00:03:01,120 --> 00:03:03,240 Speaker 3: left of left of the middle, Left of the middle. 67 00:03:04,480 --> 00:03:07,919 Speaker 1: That was really cute. Left in the middle. 68 00:03:08,360 --> 00:03:10,360 Speaker 5: Sometimes you get you might get left in the middle. 69 00:03:11,000 --> 00:03:14,080 Speaker 5: You might not be left of the middle, left to 70 00:03:14,160 --> 00:03:20,520 Speaker 5: the right of the middle anyway, stuck in the middle, stuck. 71 00:03:20,280 --> 00:03:22,120 Speaker 3: In the middle with you. This is song so and 72 00:03:22,200 --> 00:03:23,720 Speaker 3: so song there. 73 00:03:23,840 --> 00:03:27,720 Speaker 5: Make we need to write a song. 74 00:03:25,520 --> 00:03:29,760 Speaker 4: We us thinking about you ahead of being able to 75 00:03:29,760 --> 00:03:32,880 Speaker 4: have a chat today, and I guess we've had We 76 00:03:32,960 --> 00:03:36,400 Speaker 4: have had very different careers, but we we started in 77 00:03:36,480 --> 00:03:41,600 Speaker 4: the same little place of a bussy series, drama series. 78 00:03:42,160 --> 00:03:44,560 Speaker 4: What do you kind of wish you'd known then, or 79 00:03:44,600 --> 00:03:46,400 Speaker 4: what do you wish someone had taken under you under 80 00:03:46,440 --> 00:03:48,920 Speaker 4: their wing and said, Okay, now we're up, this is 81 00:03:48,920 --> 00:03:49,800 Speaker 4: what you need to know. 82 00:03:50,160 --> 00:03:51,280 Speaker 1: I wouldn't change any of it. 83 00:03:51,600 --> 00:03:53,520 Speaker 5: The one thing I would change was nobody told me 84 00:03:53,560 --> 00:03:56,160 Speaker 5: where to sign on and sign off to get paid. 85 00:03:57,320 --> 00:04:01,160 Speaker 3: Sure, I was about to say three weeks. 86 00:04:00,800 --> 00:04:03,120 Speaker 5: In and I was like, oh, nobody told you have 87 00:04:03,160 --> 00:04:04,600 Speaker 5: got to sign here and sign there. 88 00:04:05,000 --> 00:04:06,840 Speaker 1: So that's But was. 89 00:04:06,760 --> 00:04:08,960 Speaker 3: That the same with your first record deal? Net? Do 90 00:04:09,000 --> 00:04:11,520 Speaker 3: you look back and go, oh, beat ripped off? There? 91 00:04:12,040 --> 00:04:14,360 Speaker 3: Is that what it's like when you first get into industry. 92 00:04:14,800 --> 00:04:16,040 Speaker 1: I don't regret any of it. 93 00:04:17,160 --> 00:04:19,719 Speaker 5: I feel like people are a little bit too precious, 94 00:04:19,760 --> 00:04:24,000 Speaker 5: and I think that I'm from a generation of those 95 00:04:24,000 --> 00:04:27,440 Speaker 5: are the things that made me so strong, even the 96 00:04:27,520 --> 00:04:30,280 Speaker 5: things where I you know, the exploitative side of it, 97 00:04:30,400 --> 00:04:35,320 Speaker 5: and you know, every every interview is like do you 98 00:04:35,320 --> 00:04:36,480 Speaker 5: think you got this far because of the. 99 00:04:36,400 --> 00:04:38,800 Speaker 1: Way that you look. I don't regret any of it. 100 00:04:38,960 --> 00:04:43,640 Speaker 5: Like people need to just be a little bit more hardwaring, 101 00:04:43,760 --> 00:04:46,919 Speaker 5: I think, and just recognize that those are the things 102 00:04:46,960 --> 00:04:48,320 Speaker 5: that make you make decisions. 103 00:04:49,279 --> 00:04:51,039 Speaker 1: I am not going to let that happen again. So 104 00:04:51,160 --> 00:04:52,279 Speaker 1: it's like, just use. 105 00:04:52,160 --> 00:04:54,880 Speaker 2: It because what you're what you're also saying too, is 106 00:04:54,920 --> 00:04:58,520 Speaker 2: you're controlling how you react to these situations. So you're 107 00:04:58,520 --> 00:05:00,640 Speaker 2: giving yourself the power, aren't you, by going, well that 108 00:05:00,800 --> 00:05:02,240 Speaker 2: this is what happened. That was some good, that was 109 00:05:02,240 --> 00:05:04,400 Speaker 2: some bad. But here's how I take it on board. 110 00:05:04,760 --> 00:05:08,440 Speaker 5: Yeah, I mean, look, the first song I released, you know, 111 00:05:08,480 --> 00:05:11,479 Speaker 5: it was so mega that that could have been something 112 00:05:11,520 --> 00:05:15,800 Speaker 5: I decided as a negative. I made a decision to 113 00:05:15,920 --> 00:05:18,960 Speaker 5: fall in love with it and never let that, you know, 114 00:05:19,000 --> 00:05:20,920 Speaker 5: the thing that changed my life in a positive way 115 00:05:21,000 --> 00:05:21,560 Speaker 5: be a bad thing. 116 00:05:21,760 --> 00:05:24,760 Speaker 3: So well, we you know, we had Torn Thursdays there 117 00:05:24,800 --> 00:05:26,680 Speaker 3: for a while, or we got the losses to ring 118 00:05:26,680 --> 00:05:30,839 Speaker 3: In and they were just did you yeah, we told 119 00:05:30,839 --> 00:05:33,360 Speaker 3: you about that, So people would just read when they're 120 00:05:33,400 --> 00:05:37,520 Speaker 3: stuck in traffic, and then we'd go, okay, Jenny Jenny 121 00:05:37,560 --> 00:05:40,480 Speaker 3: from Penrith over to you, and then she would continue 122 00:05:40,520 --> 00:05:43,520 Speaker 3: the lyrics to torn and when everyone would get excited 123 00:05:43,560 --> 00:05:44,320 Speaker 3: for the weekend. 124 00:05:44,560 --> 00:05:46,080 Speaker 1: So good. 125 00:05:46,080 --> 00:05:48,240 Speaker 4: Well, we'll have to do that when you re released. 126 00:05:48,640 --> 00:05:52,080 Speaker 5: Left in the middle, that left somewhere right in the middle, 127 00:05:54,880 --> 00:05:58,400 Speaker 5: left of the corner of the Where the hell have I? 128 00:05:58,720 --> 00:06:02,040 Speaker 3: Well, it's funny, Natalie, And you know what, you are 129 00:06:02,080 --> 00:06:04,960 Speaker 3: more relevant today than you were than you've ever been, 130 00:06:05,040 --> 00:06:07,640 Speaker 3: and that says that says a lot. You've been in 131 00:06:07,680 --> 00:06:09,520 Speaker 3: the industry for a long time, but you know what, 132 00:06:09,640 --> 00:06:13,040 Speaker 3: people still talk about you and that song and your 133 00:06:13,080 --> 00:06:16,320 Speaker 3: acting career and everything, and now we're talking about you, 134 00:06:16,320 --> 00:06:19,280 Speaker 3: you know, reciting poems to us to go to sleep. 135 00:06:19,880 --> 00:06:23,160 Speaker 3: The Audible original podcast Sleeps Sound is with Nellie and Brily. 136 00:06:23,200 --> 00:06:25,359 Speaker 3: You can get it now on Audible. But we know 137 00:06:25,400 --> 00:06:27,800 Speaker 3: how busy you are and how late it is over there. 138 00:06:27,839 --> 00:06:28,720 Speaker 3: So thanks for your time. 139 00:06:28,800 --> 00:06:31,320 Speaker 1: That well, thanks for the giggle. You guys are great. 140 00:06:31,480 --> 00:06:31,800 Speaker 2: Thank you. 141 00:06:31,960 --> 00:06:32,760 Speaker 1: It's nice to chat. 142 00:06:32,839 --> 00:06:34,359 Speaker 2: Make sure you come in when you're in town. 143 00:06:34,600 --> 00:06:37,720 Speaker 5: I will, I will, lots of love, pleasure to chat, 144 00:06:37,720 --> 00:06:41,479 Speaker 5: big names, keep rolling, Nat. 145 00:06:41,480 --> 00:06:45,000 Speaker 3: You're still there, Nat, and I don't. I don't want 146 00:06:45,000 --> 00:06:45,479 Speaker 3: it to leave. 147 00:06:45,600 --> 00:06:46,120 Speaker 2: Where'd you go? 148 00:06:46,880 --> 00:06:49,159 Speaker 4: I just I think I'm in love with her. 149 00:06:49,240 --> 00:06:50,839 Speaker 3: Me too, Nat? 150 00:06:51,279 --> 00:06:51,720 Speaker 2: No, she's not. 151 00:06:51,880 --> 00:06:52,200 Speaker 3: You're there. 152 00:06:52,400 --> 00:06:54,240 Speaker 2: I'm saying she's left, she's hung up. 153 00:06:54,240 --> 00:06:57,680 Speaker 3: The line with. 154 00:06:57,760 --> 00:07:00,760 Speaker 2: Kate Ritchie is a note for podcast A. Great shows 155 00:07:00,839 --> 00:07:04,000 Speaker 2: like this. Download the Nova Player via the app Store 156 00:07:04,120 --> 00:07:04,880 Speaker 2: or Google Play. 157 00:07:05,080 --> 00:07:06,000 Speaker 1: The Nova Player 158 00:07:09,080 --> 00:07:09,120 Speaker 5: M