1 00:00:01,400 --> 00:00:07,560 Speaker 1: It is the City and with Kate podcast review Your 2 00:00:07,640 --> 00:00:09,440 Speaker 1: Widow with Two Wonderful Children. 3 00:00:09,680 --> 00:00:14,680 Speaker 2: I've set you up on tender what's tinder? You can 4 00:00:14,680 --> 00:00:16,479 Speaker 2: call me Rockstar Bridge Jones. 5 00:00:16,960 --> 00:00:17,919 Speaker 3: How old are. 6 00:00:17,720 --> 00:00:18,760 Speaker 2: You twenty eight? 7 00:00:19,200 --> 00:00:20,840 Speaker 1: Oh no, I'm just kidding. 8 00:00:21,760 --> 00:00:23,440 Speaker 2: I'm twenty nine. 9 00:00:24,200 --> 00:00:27,680 Speaker 1: Renee Leo to Hotel Bridge Jones, mad about the boy? 10 00:00:28,120 --> 00:00:32,559 Speaker 1: Congratulations guys. I mean, I don't want to be the 11 00:00:32,640 --> 00:00:35,640 Speaker 1: standard interviewer that says what a great film, but I 12 00:00:35,720 --> 00:00:38,160 Speaker 1: want I want you to believe me when I say 13 00:00:38,880 --> 00:00:42,960 Speaker 1: it's the best film I can remember seeing, so I 14 00:00:43,000 --> 00:00:46,959 Speaker 1: reckon with my bad memory. There'll be ten years iever. 15 00:00:47,760 --> 00:00:51,400 Speaker 1: I absolutely loved it, and I'm sure you've had that 16 00:00:51,440 --> 00:00:53,760 Speaker 1: feedback and you should be congratulated, all of you because 17 00:00:53,760 --> 00:00:56,880 Speaker 1: it really is a cracking film. You gotta believe me. 18 00:00:57,120 --> 00:01:03,960 Speaker 1: I'm not just making up. And can we just mention. 19 00:01:04,200 --> 00:01:06,000 Speaker 1: I mean, it would have been toughy on the Red carpet, 20 00:01:06,440 --> 00:01:10,360 Speaker 1: but with your dad being from Cranulla, you would have 21 00:01:10,400 --> 00:01:12,399 Speaker 1: had I mean, how far in terms of invites for 22 00:01:12,440 --> 00:01:15,520 Speaker 1: the Red carpet? How far back in terms of the 23 00:01:15,520 --> 00:01:18,360 Speaker 1: family did you decide to cut them off? Because everyone 24 00:01:18,400 --> 00:01:23,000 Speaker 1: would have wanted to be there. That's pretty great, Darren. 25 00:01:24,040 --> 00:01:28,120 Speaker 3: Yeah, no, I do know Darren. But anyway, yeah, no, 26 00:01:28,240 --> 00:01:29,160 Speaker 3: whoever was local? 27 00:01:29,400 --> 00:01:30,440 Speaker 2: Yeah yeah, we got. 28 00:01:30,280 --> 00:01:32,759 Speaker 3: A lot of adventurers. And there's a lot of wonder 29 00:01:32,840 --> 00:01:35,240 Speaker 3: lust in this in this clans. And so there's a 30 00:01:35,240 --> 00:01:39,080 Speaker 3: bunch in Vancouver and there's a bunch in Japan. And 31 00:01:39,200 --> 00:01:43,640 Speaker 3: so I mean, hi, guys, miss you, miss you guys. 32 00:01:43,520 --> 00:01:46,240 Speaker 1: Show extend the tickets. Hey, why did we wait so 33 00:01:46,360 --> 00:01:48,720 Speaker 1: long for this next film? I mean it must have 34 00:01:48,760 --> 00:01:51,760 Speaker 1: been in talks for such a long time, and conversations 35 00:01:51,800 --> 00:01:54,440 Speaker 1: would have been going back and forth. But was there 36 00:01:54,520 --> 00:01:56,520 Speaker 1: a moment that you went, yeah, the timing is right, 37 00:01:56,560 --> 00:01:57,320 Speaker 1: this feels right. 38 00:01:58,320 --> 00:02:01,520 Speaker 3: Well, yeah, it stems from Helen, you know, And during COVID, 39 00:02:02,480 --> 00:02:06,320 Speaker 3: she was grieving the loss of someone very dear to her, 40 00:02:06,680 --> 00:02:11,160 Speaker 3: and she began writing about her experiences losing her partner 41 00:02:11,280 --> 00:02:15,080 Speaker 3: some years ago and the griefing process, bereavement and moving 42 00:02:15,200 --> 00:02:18,960 Speaker 3: on through healing. And she shared her experiences as a mom, 43 00:02:19,320 --> 00:02:22,200 Speaker 3: then as a single mom, all these things. And I 44 00:02:22,240 --> 00:02:25,960 Speaker 3: think that it's sort of no one really decides to 45 00:02:26,000 --> 00:02:29,440 Speaker 3: make a movie. It starts with Helen's shared some things 46 00:02:29,480 --> 00:02:31,520 Speaker 3: through these characters, and now it's time. 47 00:02:31,800 --> 00:02:33,639 Speaker 1: Yeah, you know, what I love about that, And we 48 00:02:33,639 --> 00:02:35,639 Speaker 1: were talking about this earlier. There's so many moments too 49 00:02:35,680 --> 00:02:38,880 Speaker 1: where you stop down and reflect on your own life. 50 00:02:39,200 --> 00:02:41,519 Speaker 1: And even there's a scene with Hugh Grant where he's thinking, 51 00:02:41,720 --> 00:02:43,320 Speaker 1: and I don't want to give anything away, but he's 52 00:02:43,639 --> 00:02:45,920 Speaker 1: assessing where he's at in life on what he looks 53 00:02:46,040 --> 00:02:47,919 Speaker 1: like to the outside. He's kind of the last person 54 00:02:47,960 --> 00:02:50,680 Speaker 1: to realize it as well. But you take a lot 55 00:02:50,720 --> 00:02:52,560 Speaker 1: from that, don't you. Where you have to I mean, 56 00:02:52,600 --> 00:02:54,239 Speaker 1: I went to the pub the other night and I'm 57 00:02:54,280 --> 00:02:56,280 Speaker 1: forty five and I turned up on a Saturday night 58 00:02:56,600 --> 00:02:58,200 Speaker 1: and then I looked there was a line of people 59 00:02:58,200 --> 00:03:00,720 Speaker 1: waiting to get in and they're all twenty one. And 60 00:03:00,800 --> 00:03:02,799 Speaker 1: I had a mutt, it's the wrong pub. Well, don't 61 00:03:02,800 --> 00:03:05,280 Speaker 1: look like you meant to say, Matte, you would have 62 00:03:05,280 --> 00:03:10,560 Speaker 1: been fine the wrong pu throw a microphone at me. 63 00:03:11,680 --> 00:03:13,680 Speaker 1: Look it was the wrong pub. So we went to 64 00:03:13,720 --> 00:03:15,480 Speaker 1: another pub. But at the same time there was a 65 00:03:15,520 --> 00:03:17,960 Speaker 1: moment where you have to stop and reflect, and I 66 00:03:18,000 --> 00:03:20,639 Speaker 1: think that's really powerful, as everybody. 67 00:03:20,240 --> 00:03:24,639 Speaker 2: Does in their life, never stop going out. No, there's 68 00:03:24,720 --> 00:03:25,639 Speaker 2: no lesson. 69 00:03:28,840 --> 00:03:30,160 Speaker 3: Out with twenty one year olds high. 70 00:03:30,320 --> 00:03:32,480 Speaker 1: So that's the other tipt because I was trying to 71 00:03:32,480 --> 00:03:34,320 Speaker 1: put I mean, if you look at relationships, I mean 72 00:03:34,440 --> 00:03:36,520 Speaker 1: assessing what you guys are like. I did a bit 73 00:03:36,560 --> 00:03:39,360 Speaker 1: of a breakdown here. If we talk about what you 74 00:03:39,400 --> 00:03:41,800 Speaker 1: guys were like in relationships to Hotel, I reckon in 75 00:03:41,840 --> 00:03:45,080 Speaker 1: your past, you would probably be labeled because you do 76 00:03:45,080 --> 00:03:47,400 Speaker 1: a lot of talking in the film, you could have 77 00:03:47,400 --> 00:03:49,560 Speaker 1: been labeled as a keno. Are you guys really with 78 00:03:50,400 --> 00:03:51,720 Speaker 1: someone too keen? 79 00:03:52,000 --> 00:03:56,760 Speaker 2: Yeah? 80 00:03:57,600 --> 00:04:00,840 Speaker 1: Whistle because when you go a keno definitely was When 81 00:04:00,880 --> 00:04:03,040 Speaker 1: you get nervous and there's a little chat, you're trying to 82 00:04:03,040 --> 00:04:04,320 Speaker 1: talk yourself. You know, you want to know who am 83 00:04:04,320 --> 00:04:04,920 Speaker 1: I talking to? 84 00:04:05,600 --> 00:04:09,040 Speaker 2: Rene? I would have put you down as you would have. 85 00:04:08,960 --> 00:04:13,880 Speaker 1: Done a lot of But we're just good friends. We're 86 00:04:13,920 --> 00:04:17,159 Speaker 1: just good friends. That's kind of playing hard to get, 87 00:04:17,279 --> 00:04:17,680 Speaker 1: isn't it. 88 00:04:18,600 --> 00:04:20,920 Speaker 3: You have a lot of really good friends. 89 00:04:22,560 --> 00:04:25,040 Speaker 1: And then they end up in the friend zone, don't they. 90 00:04:25,839 --> 00:04:27,440 Speaker 3: They kind of start in the friend zone and we 91 00:04:27,520 --> 00:04:29,599 Speaker 3: kind of maintain, well, that's good. 92 00:04:29,920 --> 00:04:35,640 Speaker 2: You have a lot of friend zoned people. Maybe one 93 00:04:35,720 --> 00:04:36,559 Speaker 2: day I'm lucky. 94 00:04:36,680 --> 00:04:38,720 Speaker 3: I have a lot of trade and choose in my life. 95 00:04:38,800 --> 00:04:39,320 Speaker 1: How about that? 96 00:04:39,400 --> 00:04:39,599 Speaker 4: Yeah? 97 00:04:39,920 --> 00:04:41,919 Speaker 1: Okay, that's beautiful. Lea here we go, what do I 98 00:04:41,960 --> 00:04:45,760 Speaker 1: think you would? You'd be classic because you're the younger guy. 99 00:04:45,800 --> 00:04:47,760 Speaker 1: You'd be classic. Treat a man and keep them Kane, 100 00:04:48,279 --> 00:04:51,159 Speaker 1: you'd been doing a lot of not tonight, babe, hoping 101 00:04:51,160 --> 00:04:52,080 Speaker 1: they go, well, when is it? 102 00:04:52,520 --> 00:04:53,240 Speaker 3: Can you smell that? 103 00:04:54,200 --> 00:04:57,080 Speaker 1: Treat a man and keep them, Coop, That's one of 104 00:04:57,120 --> 00:05:01,520 Speaker 1: the classic moves. 105 00:04:58,520 --> 00:05:02,680 Speaker 2: A you a stand up. 106 00:05:03,440 --> 00:05:07,240 Speaker 1: Congratulations on the film. It is truly awesome. I really 107 00:05:07,240 --> 00:05:09,000 Speaker 1: really loved it, and I'm so excited for everybody to 108 00:05:09,040 --> 00:05:13,320 Speaker 1: see it because it's out Feb thirteen. So congratulations. Great 109 00:05:13,320 --> 00:05:18,359 Speaker 1: to meet you guys. Did I sound like a Kino? 110 00:05:19,000 --> 00:05:20,040 Speaker 2: So charming? 111 00:05:20,360 --> 00:05:20,400 Speaker 1: Was? 112 00:05:21,279 --> 00:05:26,120 Speaker 3: Obviously? There was rene Leo Woodle and four. 113 00:05:26,240 --> 00:05:31,000 Speaker 5: Without looking g four, welltour is a great twelve twelve years? 114 00:05:31,200 --> 00:05:33,919 Speaker 5: Well did he win an oscar for twelve years of slave? 115 00:05:34,120 --> 00:05:35,479 Speaker 5: Oh my gosh, what an act? 116 00:05:35,520 --> 00:05:38,040 Speaker 1: Can I throw something? There's a moment in this new 117 00:05:38,080 --> 00:05:40,800 Speaker 1: movie where he takes his shirt off and renee, Oh 118 00:05:40,839 --> 00:05:46,600 Speaker 1: my god. I was drooling as well on hotel? So 119 00:05:47,000 --> 00:05:50,359 Speaker 1: why didn't you tell him that he was really scared? 120 00:05:50,560 --> 00:05:51,800 Speaker 1: I didn't want him to think I was coming on 121 00:05:51,839 --> 00:05:53,760 Speaker 1: to it. I made out with himybod. If you want 122 00:05:53,760 --> 00:05:55,280 Speaker 1: to have a look at the chat we had on 123 00:05:55,320 --> 00:05:58,680 Speaker 1: our Instagram as it toime. We got our stories work mate, 124 00:05:58,800 --> 00:06:02,200 Speaker 1: thanks for help with the digital socialized fow really good stuff. 125 00:06:02,240 --> 00:06:05,279 Speaker 5: This is the FITZI and Wibber with Cape Ridgie podcast. 126 00:06:06,400 --> 00:06:09,240 Speaker 1: We have got a segment called a right my reply? 127 00:06:10,720 --> 00:06:14,160 Speaker 5: Sarcasm is very hard to portray through a text, isn't it. 128 00:06:14,560 --> 00:06:17,160 Speaker 5: I mean, this is what we need to dissect some 129 00:06:17,200 --> 00:06:19,400 Speaker 5: of these messages because we don't know what's going on. 130 00:06:19,640 --> 00:06:22,599 Speaker 1: All right, put yourself in this position, put yourself in 131 00:06:22,640 --> 00:06:26,479 Speaker 1: Holly's position. So Jake is nineteen and is dating his 132 00:06:26,600 --> 00:06:30,160 Speaker 1: first girlfriend, Holly, who's twenty one, who stayed over for 133 00:06:30,200 --> 00:06:34,320 Speaker 1: the first time this week. Okay, what's interesting is that 134 00:06:34,400 --> 00:06:39,200 Speaker 1: Jake still lives at home. The message reads from Holly 135 00:06:39,240 --> 00:06:43,800 Speaker 1: to Jake. I didn't want to say anything while I 136 00:06:43,880 --> 00:06:47,040 Speaker 1: was still at your parents' house, But why the f 137 00:06:47,760 --> 00:06:50,440 Speaker 1: did your mom come in and tuck you into. 138 00:06:50,320 --> 00:06:51,159 Speaker 2: Bed last night? 139 00:06:52,240 --> 00:06:57,240 Speaker 1: That's so weird? Does she do that every night? Do 140 00:06:57,279 --> 00:06:59,200 Speaker 1: you know how weird? I felt lie next to you 141 00:06:59,320 --> 00:07:01,720 Speaker 1: while she had to your blankets and padded to your head. 142 00:07:02,520 --> 00:07:05,960 Speaker 1: Gives me one good reason why that's not a red flag? 143 00:07:06,720 --> 00:07:11,400 Speaker 5: Thirteen twenty four times this Does this still happen? How 144 00:07:11,440 --> 00:07:15,600 Speaker 5: old were you before your mom stopped tucking you into bed? No? 145 00:07:15,800 --> 00:07:18,640 Speaker 1: Mummy, No, no mummy? Are you sorry? 146 00:07:18,720 --> 00:07:18,880 Speaker 5: Mom? 147 00:07:18,920 --> 00:07:20,640 Speaker 1: This is Holly. Have you met Holly? Do you want 148 00:07:20,640 --> 00:07:21,160 Speaker 1: to tuck her in? 149 00:07:21,280 --> 00:07:21,360 Speaker 5: No? 150 00:07:21,600 --> 00:07:22,160 Speaker 1: Just you, dully. 151 00:07:22,640 --> 00:07:24,360 Speaker 5: I mean we're having a conversation, b J and I 152 00:07:24,440 --> 00:07:26,760 Speaker 5: having a conversation now, And how old the boys are 153 00:07:26,760 --> 00:07:29,440 Speaker 5: going to be before they stop taking their soft toys 154 00:07:29,480 --> 00:07:29,840 Speaker 5: to bed? 155 00:07:29,960 --> 00:07:31,080 Speaker 2: Still doesn't know what I mean? 156 00:07:31,160 --> 00:07:32,720 Speaker 1: Doesn't matter, mate, I. 157 00:07:32,680 --> 00:07:34,400 Speaker 2: Mean that's but tucking. 158 00:07:34,880 --> 00:07:38,360 Speaker 5: I mean, it gets to a point where, especially a 159 00:07:38,400 --> 00:07:40,720 Speaker 5: young man, where you've got to say, Mum, I don't 160 00:07:40,720 --> 00:07:42,440 Speaker 5: think you need to tuck me in anymore. I'm right, 161 00:07:43,320 --> 00:07:44,560 Speaker 5: I'm nineteen years of age. 162 00:07:44,600 --> 00:07:46,240 Speaker 1: Polly's here with me, and she's a couple of years 163 00:07:46,240 --> 00:07:47,720 Speaker 1: older than me, and she's tucked me in as well, 164 00:07:48,240 --> 00:07:49,760 Speaker 1: so I don't need to worry about that. If it 165 00:07:49,840 --> 00:07:52,000 Speaker 1: was me, I would have been like, where's ma milk 166 00:07:52,040 --> 00:07:52,600 Speaker 1: and cookies? 167 00:07:52,960 --> 00:07:55,320 Speaker 2: Well, I think Holly's there to tuck his brains. 168 00:07:59,080 --> 00:08:04,400 Speaker 1: Now, that's something Kate and Penrith on the topic of 169 00:08:04,400 --> 00:08:07,040 Speaker 1: the red flags. Have you ever experienced anything like this? 170 00:08:07,880 --> 00:08:08,320 Speaker 3: Oh? 171 00:08:08,360 --> 00:08:12,440 Speaker 4: Look I was when I first started dating my husband, 172 00:08:12,800 --> 00:08:16,560 Speaker 4: it wasn't as bad as that, but his mummy is 173 00:08:16,600 --> 00:08:18,920 Speaker 4: there always come in and clean his room. And we 174 00:08:18,960 --> 00:08:22,240 Speaker 4: would be in the room together and she would come 175 00:08:22,280 --> 00:08:25,960 Speaker 4: in and just start tidying up his room, and you know, 176 00:08:26,240 --> 00:08:28,840 Speaker 4: when I was not there, she would also go through 177 00:08:28,840 --> 00:08:32,840 Speaker 4: his draws. But look, we ended up just having a 178 00:08:32,880 --> 00:08:35,720 Speaker 4: really honest conversation about it, and I said, I think 179 00:08:35,720 --> 00:08:38,319 Speaker 4: that you really need to tell your mom that you're 180 00:08:38,360 --> 00:08:40,880 Speaker 4: a crown boy and you can do this on your own. 181 00:08:41,000 --> 00:08:45,320 Speaker 4: And eventually you got you got it after a few 182 00:08:45,559 --> 00:08:49,120 Speaker 4: honest conversations. But and now we're married with bud kids. 183 00:08:49,200 --> 00:08:51,640 Speaker 1: Okay, And is she still hard work now that you're married? 184 00:08:52,840 --> 00:08:56,800 Speaker 4: Look? She she is actually amazing. Now she's. 185 00:08:58,640 --> 00:09:01,760 Speaker 1: Oh my god, won't you Kate? That is extraordinary? 186 00:09:01,960 --> 00:09:02,240 Speaker 5: Sure? 187 00:09:02,320 --> 00:09:04,520 Speaker 1: Can we can we get onto the topic of red 188 00:09:04,559 --> 00:09:08,040 Speaker 1: flags like that is one? Really it's the first night, 189 00:09:08,760 --> 00:09:12,040 Speaker 1: but she stayed over. Like when you see a red 190 00:09:12,080 --> 00:09:15,319 Speaker 1: flag so early, I does. 191 00:09:15,160 --> 00:09:18,120 Speaker 5: It say a lot about a person if you're still 192 00:09:18,200 --> 00:09:20,839 Speaker 5: letting that happen, like I think it says even more 193 00:09:21,080 --> 00:09:24,080 Speaker 5: if you let that happen while you're in the room. Still, 194 00:09:24,120 --> 00:09:26,319 Speaker 5: just give your mama heads up before and he Mum, 195 00:09:26,400 --> 00:09:30,240 Speaker 5: don't come in with the tucking. You know the routine tonight, 196 00:09:30,440 --> 00:09:32,240 Speaker 5: Just don't do the tuck bit. I'm trying to impress 197 00:09:32,280 --> 00:09:33,680 Speaker 5: this girl. She's my girlfriend. 198 00:09:33,720 --> 00:09:35,520 Speaker 1: Don't need the tucking, and don't pat my head. It's 199 00:09:35,520 --> 00:09:39,640 Speaker 1: getting really weird. She's here for that. Kira in Camden, Hello, 200 00:09:41,120 --> 00:09:44,040 Speaker 1: you guys, all right? What was the red flag? So 201 00:09:44,440 --> 00:09:47,160 Speaker 1: this was fourteen years ago, our first state. 202 00:09:47,240 --> 00:09:50,160 Speaker 4: We went to watch a movie and he fell asleep. 203 00:09:50,400 --> 00:09:54,160 Speaker 1: Okay is that a red flag? Or is he working hard? 204 00:09:54,200 --> 00:09:56,520 Speaker 1: Is he a plumber or a trade or he. 205 00:09:56,600 --> 00:09:59,560 Speaker 4: Was seventeen at this time? Okay, so that doesn't get 206 00:09:59,600 --> 00:10:03,400 Speaker 4: any yes, fourteen years later. 207 00:10:03,440 --> 00:10:06,480 Speaker 2: Oh beautiful, can you remember what the movie was, Kira? 208 00:10:07,280 --> 00:10:09,840 Speaker 4: It was Getting to the Greek, which that was his 209 00:10:10,000 --> 00:10:11,160 Speaker 4: argument that it wasn't. 210 00:10:10,960 --> 00:10:15,240 Speaker 1: The best man Russell Brand Now it's a funny film. 211 00:10:15,760 --> 00:10:16,760 Speaker 2: No, it's not made. 212 00:10:17,160 --> 00:10:19,880 Speaker 1: That is a funny film. That's a good film. 213 00:10:20,160 --> 00:10:22,640 Speaker 5: And he obviously knew that Russell Brown would be canceled 214 00:10:22,679 --> 00:10:24,760 Speaker 5: at some stage, and he's gone a slate, that's what 215 00:10:24,840 --> 00:10:25,360 Speaker 5: he's done. 216 00:10:26,320 --> 00:10:29,400 Speaker 2: Ashley and Cherry Brook. What do you consider a red flag? 217 00:10:29,480 --> 00:10:31,400 Speaker 4: Ash a meddling? 218 00:10:31,440 --> 00:10:31,680 Speaker 1: Mother? 219 00:10:32,440 --> 00:10:36,160 Speaker 2: Oh, here we go, on the top of how meddling 220 00:10:36,440 --> 00:10:36,800 Speaker 2: was she. 221 00:10:38,120 --> 00:10:40,520 Speaker 4: Telling him what to wear on a date, telling him 222 00:10:40,520 --> 00:10:42,480 Speaker 4: what he should order at the restaurant? 223 00:10:43,600 --> 00:10:44,160 Speaker 1: Was she right? 224 00:10:44,200 --> 00:10:44,360 Speaker 5: Though? 225 00:10:45,320 --> 00:10:46,920 Speaker 1: It's one thing for mom to be a pain in 226 00:10:47,000 --> 00:10:49,240 Speaker 1: the barn, but if she's actually right and she's making 227 00:10:49,320 --> 00:10:50,360 Speaker 1: him look good. 228 00:10:51,320 --> 00:10:54,319 Speaker 2: To order at a restaurant made are you serious? Did 229 00:10:54,360 --> 00:10:57,160 Speaker 2: you order for you should too much? 230 00:10:57,320 --> 00:10:58,040 Speaker 1: It was too much? 231 00:10:59,320 --> 00:11:00,520 Speaker 2: As did you? 232 00:11:00,720 --> 00:11:03,280 Speaker 5: Did you confront him about it and say, look, what's 233 00:11:03,320 --> 00:11:04,160 Speaker 5: the guy with your mum? 234 00:11:04,240 --> 00:11:05,000 Speaker 2: Is it a bit full on? 235 00:11:05,800 --> 00:11:05,959 Speaker 4: No? 236 00:11:06,000 --> 00:11:12,960 Speaker 5: Iran, I'm going thanks Vanessa and Bankstown red flags? 237 00:11:13,040 --> 00:11:14,720 Speaker 2: Neiss, what do you got for us? 238 00:11:15,280 --> 00:11:15,520 Speaker 5: Yeah? 239 00:11:15,559 --> 00:11:18,480 Speaker 4: So my red flag is that he had a personalized 240 00:11:18,800 --> 00:11:22,760 Speaker 4: car place I can't get in the car with someone's 241 00:11:23,000 --> 00:11:23,840 Speaker 4: car plays very. 242 00:11:23,840 --> 00:11:27,800 Speaker 1: Entitled to me. Okay, Vanessa, what was the number plate? 243 00:11:28,760 --> 00:11:29,480 Speaker 1: I think? 244 00:11:33,240 --> 00:11:37,760 Speaker 4: Okay? We said so so was I And that's all 245 00:11:37,800 --> 00:11:40,080 Speaker 4: I can really say with the c at. 246 00:11:39,920 --> 00:11:43,800 Speaker 5: The end my series not joking? 247 00:11:45,160 --> 00:11:47,760 Speaker 2: Did he did he? Did he love a bit of himself? 248 00:11:48,840 --> 00:11:49,000 Speaker 5: Oh? 249 00:11:49,080 --> 00:11:50,240 Speaker 2: Absolutely, it's why one down. 250 00:11:51,760 --> 00:11:57,320 Speaker 5: Well done on you becing bronze red flags. 251 00:11:56,920 --> 00:12:00,680 Speaker 4: Beck Oh dirty filthy hair. 252 00:12:01,920 --> 00:12:05,559 Speaker 1: But knits like knit type hair. Oh no, it doesn't even. 253 00:12:05,360 --> 00:12:08,440 Speaker 4: Have to be And It's just filthy, dirty, greasy, stinky hair. 254 00:12:09,600 --> 00:12:12,680 Speaker 5: Did you give him any sort of tips or did 255 00:12:12,679 --> 00:12:15,080 Speaker 5: you give him any sort of clues to wash his 256 00:12:15,200 --> 00:12:16,839 Speaker 5: hair back? Ah? 257 00:12:16,960 --> 00:12:20,320 Speaker 4: It was just like, oh no, thanks Mane. 258 00:12:21,000 --> 00:12:22,760 Speaker 1: Didn't you notice it early on, Beck, Like when you 259 00:12:22,800 --> 00:12:24,880 Speaker 1: first looked up with him, didn't you. You're rubbing your 260 00:12:24,880 --> 00:12:26,560 Speaker 1: hands through his hair and you think, oh, this is 261 00:12:26,559 --> 00:12:29,280 Speaker 1: so romantic, and then you had like a grease slick 262 00:12:29,360 --> 00:12:30,439 Speaker 1: on your palms. 263 00:12:30,040 --> 00:12:33,079 Speaker 4: And then I just wiped it down his shirt and 264 00:12:33,160 --> 00:12:34,120 Speaker 4: s's not wear out? 265 00:12:34,480 --> 00:12:34,880 Speaker 1: What is it? 266 00:12:35,320 --> 00:12:38,800 Speaker 5: Fil yeah or wax when they just leave the wax 267 00:12:38,840 --> 00:12:39,679 Speaker 5: in for ages? 268 00:12:39,880 --> 00:12:43,120 Speaker 1: Oh my god, grease, Tommy, what do you use again? 269 00:12:43,160 --> 00:12:45,000 Speaker 1: You've got the frize. 270 00:12:44,600 --> 00:12:47,240 Speaker 2: Dismissed, Yeah, Redkin's frizze dismiss. 271 00:12:47,040 --> 00:12:51,040 Speaker 1: Red red can yeah, red yep yeah, red Ken. 272 00:12:51,360 --> 00:12:54,880 Speaker 2: No, No, absolutely not. And you you use a bit 273 00:12:54,920 --> 00:12:56,720 Speaker 2: of a ow so soon, don't you, tom. 274 00:12:58,080 --> 00:12:58,240 Speaker 1: Not? 275 00:12:58,320 --> 00:12:59,920 Speaker 2: Since he died, I don't. 276 00:12:59,720 --> 00:13:02,240 Speaker 1: But the like you just stepped out of a salon. 277 00:13:03,040 --> 00:13:07,240 Speaker 2: He left us too so soon, gone too soon. 278 00:13:07,480 --> 00:13:10,400 Speaker 1: Sits in Whipper with Kate Ritchie is a Nova podcast 279 00:13:10,480 --> 00:13:13,520 Speaker 1: to walk great shows like this. Download the Nova Player 280 00:13:13,679 --> 00:13:15,520 Speaker 1: by the app Store or Google Play. 281 00:13:15,720 --> 00:13:16,680 Speaker 4: The Nova player