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Speaker 1: It fits in whippers.

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Speaker 2: Him Boy brand you on Autumn. She's in here singing,

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Speaker 2: She's in here dancing. Please put your hands together.

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Speaker 3: Do you know what we look for dance floor classics,

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Speaker 3: don't we? And Glow was amazing.

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Speaker 2: I loved it.

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Speaker 3: That's a great dance floor classic that that's funky as well.

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Speaker 2: There's a fair bit of bass.

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Speaker 4: And super bass, super super drum, but also like it is,

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Speaker 4: it's one of those dance floors and the and the

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Speaker 4: melody feels familiar, like I wanted that combination of like

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Speaker 4: old school kind of nineties but then has that eighties

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Speaker 4: or seventies influence as well, So there's a lot of that,

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Speaker 4: but just pure pure joy dance floor. You know when

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Speaker 4: you're just on there, you're just twirling and you're flicking

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Speaker 4: your head.

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Speaker 1: My life, yo, you know what I mean?

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Speaker 5: You know what I mean?

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Speaker 1: Yes, sir, I can move, you.

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Speaker 4: Can do it.

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Speaker 1: You're back into time.

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Speaker 2: It's going really hard.

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Speaker 5: Pay well done on the voice, thank you huge, and it's.

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Speaker 1: Killing it well literally.

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Speaker 4: Obviously we had Keith and Guy with their semi finalists now,

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Speaker 4: so you know, reader and I we have a tough

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Speaker 4: decision coming up on Sunday.

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Speaker 6: Do you feel the pressure too when you're doing the

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Speaker 6: coaching forget the spin of the chair. When you're working

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Speaker 6: with the now artists before they go into the battles,

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Speaker 6: to be able to arrange the song in the correct

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Speaker 6: way to bring out the best of both.

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Speaker 2: Of them, that's a big job.

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Speaker 4: It is a big job because you're also kind of

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Speaker 4: identifying who they are as well, like consistently, you know,

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Speaker 4: they even kind of coming out and discovering themselves even

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Speaker 4: throughout that process. So whether or not you know that

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Speaker 4: it's too high or they're just going to you know,

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Speaker 4: they're just going to do it and have the experience.

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Speaker 4: So yeah, there's a bit of everything kind of happening.

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Speaker 1: What about when you're in conflict though, with what they want?

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Speaker 4: I generally don't, I'm sure set up and listen to me.

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Speaker 1: Well, yeah, I think I think it's all about kind

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Speaker 1: of listening.

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Speaker 4: For me as a coach, I just listen And that's

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Speaker 4: kind of my little, you know, my little trait that

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Speaker 4: I do when I am, you know, being a coach

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Speaker 4: and giving that experience and wisdom. But I also love

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Speaker 4: to I'm that kind of coach that also loves to

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Speaker 4: have them be free if that's the kind of way

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Speaker 4: that they sing, then I try not to change that.

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Speaker 4: But I also look for things that could so for instance,

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Speaker 4: like the tempo of the song and maybe you know,

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Speaker 4: we might need to speed that up a little bit more,

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Speaker 4: just you know, put you out of your comfort zone.

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Speaker 1: But it's gonna it's gonna help you.

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Speaker 4: It's gonna help you more and I guess give you

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Speaker 4: more experience of how you sing, you know, and develop and.

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Speaker 3: There before this is the thing You've been through this

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Speaker 3: process when you were young and on reality tell.

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Speaker 1: Yeah, definitely.

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Speaker 4: You know, there's always like you know, twelve people who

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Speaker 4: are going to you know, come with how they want

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Speaker 4: something or specifically how to sing or how to dress

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Speaker 4: or how to dance. All of those things come into

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Speaker 4: playing with the emotions.

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Speaker 2: So you're idol.

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Speaker 3: Can you remember was there a song that you didn't

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Speaker 3: want to do? Was there anything that you were pressured

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Speaker 3: in doing that you were like, no, I don't want

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Speaker 3: to do that.

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Speaker 4: Someone found a letter you rolled me on the radio.

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Speaker 1: Donna Summers. Yeah, man, that was crazy to me.

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Speaker 4: I hadn't really identified seventies at the time, so yeah,

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Speaker 4: it was something I knew. My mom listened to, but

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Speaker 4: I didn't quite quite understand it as a sixteen year old.

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Speaker 1: I didn't quite understand that at the time.

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Speaker 6: What about the girl that came on and sang the

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Speaker 6: song you audition?

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Speaker 4: Yes, yes, oh yeah, no, I have nothing said crazy

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Speaker 4: she like, I couldn't help but to get up there

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Speaker 4: and just sing that with her, because that brought back

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Speaker 4: so many memories of you know, being sixteen, being out

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Speaker 4: in the desert, you know, just painting a picture a

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Speaker 4: little bit.

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Speaker 1: But yeah, it was a moment that changed my luck.

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Speaker 2: Yes, that was her moment, and you overtook her. How

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Speaker 2: awkward is it?

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Speaker 4: She'll just remember that now now, iow, I remember it

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Speaker 4: that way.

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Speaker 6: You said you weren't going to bring that up fit.

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Speaker 6: What about when someone comes on and they sing like

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Speaker 6: one of the coach's songs?

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Speaker 2: Oh yeah, I.

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Speaker 6: Find that such a ballsy move because it is to

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Speaker 6: turn around.

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Speaker 4: It's super brave. Though I'm with you on that. I

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Speaker 4: think for me, like, I have to find that they

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Speaker 4: have explored the song in their own way, so if

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Speaker 4: I can hear that, whether they do like a you know,

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Speaker 4: for instance, you know, I make big.

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Speaker 1: Things out of little things, like I just changed it.

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Speaker 4: Then, so I try and find and identify what kind

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Speaker 4: of story that they're telling. And you can tell if

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Speaker 4: they're telling their own story right by the way that

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Speaker 4: they're singing it. So not trying to mimic me, not

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Speaker 4: trying to parrot exactly how I sing the song, but

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Speaker 4: trying to find they butcher it.

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Speaker 1: That's danger turning around.

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Speaker 4: Around.

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Speaker 3: Yeah. J Mallly been coming out of a little bit lately.

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Speaker 2: This is just his ulter ego J Mally. I love

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Speaker 2: that game.

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Speaker 1: J comes around, danceller shuts down.

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Speaker 2: How different to Jessica malbo oh she You know.

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Speaker 1: The thing that I can describe J.

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Speaker 4: Malley is probably like if I'm being clapped at, like

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Speaker 4: I'm being rushed and I'm being like, okay, we got

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Speaker 4: to go. I'm like, yo, Ja Malle has just come out,

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Speaker 4: like hang.

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Speaker 1: On, I need to go to the bathroom.

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Speaker 4: I'll be back. I don't know when I'm going to

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Speaker 4: be back. So yeah, like it's a that that alter

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Speaker 4: ego comes out.

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Speaker 6: Who does love more?

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Speaker 1: He loves both? I think I think equally he likes both.

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Speaker 1: Maybe I don't know.

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Speaker 2: He's really good you having a kick at the moment.

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Speaker 1: He's working.

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Speaker 4: Actually he's working a lot currently out at Erskineville here

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Speaker 4: in Sydney, So you know he loves it.

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Speaker 2: Have you ever rocked up on the work site before?

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Speaker 4: I have once, and like all these workmates are like,

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Speaker 4: is that who we think it is?

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Speaker 2: No?

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Speaker 1: No, no, awesome?

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Speaker 6: You know you guys were together.

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Speaker 3: No.

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Speaker 1: They freaked out. They were like, really he doesn't say anything,

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Speaker 1: that's really fine.

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Speaker 4: The one time that he did it was probably like

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Speaker 4: the maybe the thirdy third year that eventually Tommy is like,

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Speaker 4: you know, so that one time that you came in,

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Speaker 4: all my workmatees freaked out.

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Speaker 1: They were like, how do you know Jay? How do

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Speaker 1: you know?

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Speaker 2: Justin that would be better.

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Speaker 4: Those people would ask him questions if you're about something

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Speaker 4: at home at work, he'd feel the pressure exactly.

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Speaker 6: Mates would be saying to him, so, what does your girlfriend,

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Speaker 6: she's a singer, she's just trying to cut it in

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Speaker 6: the industry.

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Speaker 2: You want to know.

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Speaker 1: Where he has put it a few times, just kind of.

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Speaker 6: They're all coming to work going, do you guys watch

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Speaker 6: the Voice last night?

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Speaker 1: And he's going no, I don't know. Sure actually watches that.

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Speaker 1: He loves it. He loves it on the TV. I

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Speaker 1: can't watch myself.

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Speaker 6: So you don't like watching yourself, and I can't watch myself.

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Speaker 1: It's just a thing. I just I'd rather do the thing.

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Speaker 1: I run it and let it go.

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Speaker 2: Good girl, so good. When's the first time you performed

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Speaker 2: on the worksite?

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Speaker 1: Lunchtime is? Yeah, give me, give me a hard hat.

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Speaker 5: Uncle, the next Valentine's Day, physic? Can we organize them?

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Speaker 5: Just turns out, we turn up. We've got all sorts

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Speaker 5: going on. We've got streamers, we've got.

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Speaker 6: We've got backing dances.

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Speaker 2: Everything, we find.

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Speaker 6: The site, we shut it down, coffee and the music

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Speaker 6: just starts and then just stands.

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Speaker 4: There and I'm singing and I'm doing a whole routine

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Speaker 4: like in the gear and everything, like, yeah, leave it with.

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Speaker 2: Us, dancers. Come on, we've tried that before.

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Speaker 3: Okay, so automatic he's out now, it's available streaming download.

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Speaker 2: But this will lead to an album?

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Speaker 1: Yeah yeah, yeah, maybe not this year.

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Speaker 2: Maybe.

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Speaker 1: Look I'm thinking about it, but just drop a music.

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Speaker 2: You're talking about that end of the year.

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Speaker 4: And also next year. So yeah, get Ready twenty twenty two,

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Speaker 4: twenty three.

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Speaker 2: Yah, love it, Jess, Love you, Jess, thanks for coming in.

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Speaker 1: Love love your it fits. I in Whipper