1 00:00:00,080 --> 00:00:02,239 Speaker 1: Seeing Whip with Kate Richie Podcast. 2 00:00:02,480 --> 00:00:05,600 Speaker 2: Well, we absolutely adore this man. Here's a brand new 3 00:00:05,640 --> 00:00:07,880 Speaker 2: book out. I already got a couple out. He's getting 4 00:00:07,920 --> 00:00:10,520 Speaker 2: greedy now when it comes to books. The new one 5 00:00:10,600 --> 00:00:13,640 Speaker 2: is called you Don't Have to Have a Dream. It's 6 00:00:13,680 --> 00:00:16,200 Speaker 2: out now. Tim Minchin, welcome to the show. 7 00:00:18,120 --> 00:00:18,480 Speaker 1: Books. 8 00:00:19,079 --> 00:00:22,000 Speaker 3: Just talk about books on morning radio. That'll keep driving. 9 00:00:22,440 --> 00:00:25,160 Speaker 1: I love your work, whatever you're doing into it. We've 10 00:00:25,160 --> 00:00:27,240 Speaker 1: always had to dream, Tim Heaven. 11 00:00:27,360 --> 00:00:29,800 Speaker 2: We we're always told as kids that we have to 12 00:00:29,800 --> 00:00:33,080 Speaker 2: have a dream, a five year plan, a ten year goal. 13 00:00:33,440 --> 00:00:35,680 Speaker 1: Yeah, what do you want to be when you're older. Yeah. 14 00:00:35,720 --> 00:00:38,360 Speaker 3: It's kind of mad, isn't it. I just I think 15 00:00:38,560 --> 00:00:41,600 Speaker 3: it did. It does damage this idea that everyone not 16 00:00:41,680 --> 00:00:43,839 Speaker 3: only like having it. There's lots of problems with the 17 00:00:43,840 --> 00:00:45,600 Speaker 3: idea of having a dream. One is if you have 18 00:00:45,640 --> 00:00:47,360 Speaker 3: to have something, you have an ambition, have a goal, 19 00:00:47,400 --> 00:00:48,800 Speaker 3: but a dream is like this thing like if I 20 00:00:48,800 --> 00:00:50,720 Speaker 3: think about it with my heart enough, I'll get there. 21 00:00:51,040 --> 00:00:54,240 Speaker 3: Obviously there's those problems, but the big problem is the 22 00:00:54,280 --> 00:00:57,520 Speaker 3: idea that when you turn fifteen or seventeen or twenty, 23 00:00:57,840 --> 00:01:00,640 Speaker 3: you have to know what your goal is is. And 24 00:01:01,000 --> 00:01:03,080 Speaker 3: I think you know the thing I say in the book, 25 00:01:03,080 --> 00:01:05,160 Speaker 3: in these speeches that the book is a collection of, 26 00:01:05,600 --> 00:01:07,760 Speaker 3: is that I think if you just concentrate on what 27 00:01:07,800 --> 00:01:11,240 Speaker 3: you're doing, like just absolutely throw yourself into whatever it is, 28 00:01:11,280 --> 00:01:14,080 Speaker 3: and that includes like washing dishes at a cafe or whatever, 29 00:01:14,560 --> 00:01:16,160 Speaker 3: and then to see what the next step is. 30 00:01:16,319 --> 00:01:18,200 Speaker 1: I guess that's the general advice. 31 00:01:18,120 --> 00:01:20,200 Speaker 4: Tim uh I loved. I mean, I'm a writer as well. 32 00:01:20,200 --> 00:01:23,360 Speaker 4: I wrote an erotic fiction too, personal track. 33 00:01:23,400 --> 00:01:25,360 Speaker 3: And all those ones on the internet that you that 34 00:01:25,400 --> 00:01:28,920 Speaker 3: you wrote under the cousins. 35 00:01:30,400 --> 00:01:34,160 Speaker 4: Called my cousin. Yeah, no, no I didn't. That wasn't me. 36 00:01:34,240 --> 00:01:36,800 Speaker 4: I just did the one personal trainer one. But I 37 00:01:36,880 --> 00:01:38,600 Speaker 4: like to write down quotes when I come in, when 38 00:01:38,600 --> 00:01:40,720 Speaker 4: they come into my head. Yes, and one I wrote 39 00:01:40,720 --> 00:01:43,160 Speaker 4: down the other day which was very deep but almost 40 00:01:43,200 --> 00:01:44,720 Speaker 4: applicable to what you're saying. 41 00:01:45,160 --> 00:01:46,200 Speaker 1: Is that what it was? 42 00:01:46,240 --> 00:01:46,440 Speaker 3: You know? 43 00:01:46,440 --> 00:01:46,920 Speaker 1: How people go? 44 00:01:47,040 --> 00:01:50,680 Speaker 4: I how good's the timing? My quote is, It's not 45 00:01:50,800 --> 00:01:53,160 Speaker 4: a matter of timing. It's a matter of time. 46 00:01:53,840 --> 00:01:58,040 Speaker 1: Oh it's really good. Makes much. I mean the bumper. 47 00:01:59,600 --> 00:02:02,640 Speaker 3: That's a I call that fridge magnitude. 48 00:02:03,000 --> 00:02:06,520 Speaker 4: If you do something at a certain level for long enough, Yeah, 49 00:02:06,720 --> 00:02:08,400 Speaker 4: it'll eventuate into something great. 50 00:02:08,600 --> 00:02:11,440 Speaker 1: I think that's probably true. Print on the book. 51 00:02:12,800 --> 00:02:16,600 Speaker 3: Is I'm going to put a sticker more. I reckon 52 00:02:16,960 --> 00:02:19,480 Speaker 3: that there's truth in all this stuff. I mean, it's 53 00:02:19,480 --> 00:02:22,560 Speaker 3: all about the timing my interpretation. So in one of 54 00:02:22,560 --> 00:02:24,920 Speaker 3: the lessons in my book is it's all about luck. 55 00:02:25,160 --> 00:02:28,399 Speaker 3: And I believe that very very very deeply, Like everything 56 00:02:28,480 --> 00:02:30,799 Speaker 3: is luck. And people go, I go, I'm just lucky, 57 00:02:30,840 --> 00:02:33,440 Speaker 3: and they go, but you've worked so hard, and I'm like, yeah, 58 00:02:33,440 --> 00:02:35,720 Speaker 3: but I didn't make the bit of me that works hard, 59 00:02:35,760 --> 00:02:37,400 Speaker 3: Like I got taught to work hard. I got a 60 00:02:37,440 --> 00:02:40,520 Speaker 3: brain that likes working hard. Like it's all just I 61 00:02:40,680 --> 00:02:43,360 Speaker 3: just got lucky. And so when people say it's all 62 00:02:43,360 --> 00:02:45,720 Speaker 3: about the timing, what they mean is you can't control 63 00:02:45,800 --> 00:02:49,639 Speaker 3: this stuff, but your brain is. If you just stay 64 00:02:50,200 --> 00:02:54,200 Speaker 3: completely focused, then then you've got lots of shots at timing. 65 00:02:54,320 --> 00:02:56,160 Speaker 3: You know, if you work really hard for a really 66 00:02:56,160 --> 00:02:59,240 Speaker 3: long time, the odds that you'll intersect with an audience, 67 00:02:59,320 --> 00:03:01,120 Speaker 3: or you'll intersect with a job that you like, or 68 00:03:01,120 --> 00:03:03,520 Speaker 3: you'll intersect with a person you fall in love with, 69 00:03:03,680 --> 00:03:06,240 Speaker 3: they increase because you're keeping yourself active. 70 00:03:06,320 --> 00:03:08,400 Speaker 1: You just got to keep focused. 71 00:03:08,480 --> 00:03:11,040 Speaker 2: So who was your mentor who inspired you growing up, Like, 72 00:03:11,880 --> 00:03:13,200 Speaker 2: who taught you to work hard? 73 00:03:13,320 --> 00:03:13,920 Speaker 1: Tim was? 74 00:03:14,160 --> 00:03:16,440 Speaker 3: I think I just had sort of strict parents. But 75 00:03:16,960 --> 00:03:18,880 Speaker 3: also I think it's just my genes. My dad's a 76 00:03:18,919 --> 00:03:20,679 Speaker 3: surgeon and his dad's are surgeon, and it's just this 77 00:03:20,760 --> 00:03:25,239 Speaker 3: sort of methodical, diligent work ethic. And I'm one of 78 00:03:25,280 --> 00:03:27,720 Speaker 3: four kids, and we were just expected. There was just 79 00:03:27,840 --> 00:03:31,400 Speaker 3: no taking the mick. What do your other siblings do well? 80 00:03:31,440 --> 00:03:32,919 Speaker 3: My big brother is a CEO of a not for 81 00:03:33,000 --> 00:03:36,240 Speaker 3: profit home care company for disabled and elderly people. My 82 00:03:36,680 --> 00:03:39,440 Speaker 3: younger sister is the documentary maker now mentioned who's won 83 00:03:39,560 --> 00:03:43,040 Speaker 3: heaps of awards. And my sister Katie worked for a 84 00:03:43,080 --> 00:03:45,240 Speaker 3: Live Nation and was a primary school teacher and now 85 00:03:45,280 --> 00:03:45,960 Speaker 3: she works for me. 86 00:03:46,320 --> 00:03:47,080 Speaker 1: And that's all of us. 87 00:03:47,120 --> 00:03:49,840 Speaker 3: Yeah, yeah, And I do what I do you create 88 00:03:50,040 --> 00:03:51,760 Speaker 3: when you come together or you don't want to talk 89 00:03:51,760 --> 00:03:54,880 Speaker 3: about work or is it I don't even know how 90 00:03:54,960 --> 00:03:56,960 Speaker 3: creative I am. I mean, I do a lot of 91 00:03:56,960 --> 00:03:59,880 Speaker 3: creative things, but again I take this sort of quite methodical, 92 00:04:00,640 --> 00:04:04,000 Speaker 3: unromantic view of it. I'm a storyteller, I guess, and 93 00:04:04,040 --> 00:04:06,400 Speaker 3: a songwriter and I absolutely love it. But we're not 94 00:04:06,760 --> 00:04:09,000 Speaker 3: artif arty, like we're not like yeah, you know, just 95 00:04:09,040 --> 00:04:09,920 Speaker 3: wait for the inspiration. 96 00:04:10,000 --> 00:04:12,280 Speaker 1: We're like, this is my job, it's your job. 97 00:04:12,360 --> 00:04:15,520 Speaker 3: And I don't value what I do over what my 98 00:04:15,560 --> 00:04:18,080 Speaker 3: siblings or what anyone. That's another thing that I think 99 00:04:18,120 --> 00:04:20,600 Speaker 3: is in the book. This part of the don't have 100 00:04:20,640 --> 00:04:23,960 Speaker 3: a dream thing is we elevate, you know, fame, and 101 00:04:24,320 --> 00:04:26,880 Speaker 3: just because I don't know the way the world structured 102 00:04:26,920 --> 00:04:29,520 Speaker 3: and social media makes it worse. I think young people 103 00:04:29,520 --> 00:04:32,360 Speaker 3: grow up thinking that if you're not shiny or something, 104 00:04:32,400 --> 00:04:34,240 Speaker 3: that it's not valid and I just don't. I don't 105 00:04:34,240 --> 00:04:34,800 Speaker 3: even feel it. 106 00:04:35,960 --> 00:04:38,359 Speaker 1: When you get recognized though, how does that make you feel? 107 00:04:38,560 --> 00:04:40,919 Speaker 3: I mean, it makes you feel good? Yep, every now 108 00:04:40,960 --> 00:04:44,159 Speaker 3: and then. I would prefer it wasn't going on. But 109 00:04:44,920 --> 00:04:46,960 Speaker 3: I'm at a really good level, you know, I just 110 00:04:46,960 --> 00:04:50,280 Speaker 3: live a normal life. I'm lucky though, because I'm an 111 00:04:50,320 --> 00:04:52,800 Speaker 3: extra it or at least I really like people and 112 00:04:53,360 --> 00:04:55,920 Speaker 3: I love the interactions I have. 113 00:04:56,320 --> 00:04:58,880 Speaker 1: Under that idea, do you feel the reward? 114 00:04:59,279 --> 00:05:01,600 Speaker 4: Like when you have all the success you've had with 115 00:05:01,600 --> 00:05:04,640 Speaker 4: Matilda and it was recognized on stage and there's there's 116 00:05:04,800 --> 00:05:07,839 Speaker 4: symbols of trophies and things like that, do you does 117 00:05:07,880 --> 00:05:12,840 Speaker 4: that feel good to yours? Just in out or output. 118 00:05:13,480 --> 00:05:18,200 Speaker 3: I feel hugely grateful for everything that's gone well, and 119 00:05:18,240 --> 00:05:21,719 Speaker 3: I'm incredibly grateful for the awards Matilda's one, But that 120 00:05:21,800 --> 00:05:25,640 Speaker 3: is nothing compared to how excited I am that millions 121 00:05:25,680 --> 00:05:26,960 Speaker 3: of children have seen that show. 122 00:05:27,080 --> 00:05:29,120 Speaker 1: Yeah, loved it? You know? Is that the greatest part 123 00:05:29,120 --> 00:05:31,359 Speaker 1: of the process? Is it the writing? Is it? Is 124 00:05:31,400 --> 00:05:35,240 Speaker 1: it coming up with something royalty checks? I mean that 125 00:05:35,279 --> 00:05:41,040 Speaker 1: thing just doesn't like the greatest part of the process, 126 00:05:41,040 --> 00:05:41,520 Speaker 1: for you. 127 00:05:41,560 --> 00:05:43,800 Speaker 3: Love the making of it. I sitting around a room 128 00:05:43,839 --> 00:05:45,720 Speaker 3: with a bunch of people going what if this happened? Yep, 129 00:05:45,839 --> 00:05:50,640 Speaker 3: that is amazing. I've got an idea feeling. Can you 130 00:05:50,680 --> 00:05:53,360 Speaker 3: play a game with us? How much of a musical nerd? 131 00:05:53,400 --> 00:05:55,680 Speaker 3: Are you a Broadway nerd? Are you do? You do? 132 00:05:55,760 --> 00:05:56,000 Speaker 3: You know? 133 00:05:56,240 --> 00:05:56,720 Speaker 1: Not at all? 134 00:05:57,080 --> 00:06:00,839 Speaker 2: Okay, we've called it musical or crimes against music either 135 00:06:00,880 --> 00:06:02,400 Speaker 2: from a music all quotes of. 136 00:06:02,360 --> 00:06:05,640 Speaker 1: My work, because my work really that is the Van 137 00:06:05,720 --> 00:06:13,040 Speaker 1: Diigen musical or crimes against music. 138 00:06:15,920 --> 00:06:17,920 Speaker 4: Well, the funny thing is Tim said, unless you guys 139 00:06:17,920 --> 00:06:19,320 Speaker 4: have got a great game, I'm not coming in. 140 00:06:19,560 --> 00:06:19,760 Speaker 3: Yeah. 141 00:06:19,800 --> 00:06:22,720 Speaker 1: I love a game. I love a morning radio game. 142 00:06:23,520 --> 00:06:26,200 Speaker 1: Bond for this, You've come to the right place. Yes, Okay, 143 00:06:26,240 --> 00:06:28,440 Speaker 1: We're going to do a Gotcha call next as well. Tim, so. 144 00:06:30,800 --> 00:06:32,120 Speaker 4: Get a video message from my mum. 145 00:06:33,360 --> 00:06:35,880 Speaker 1: Just put on a bit of Whipper's Mom. You're looking 146 00:06:35,960 --> 00:06:39,359 Speaker 1: better than last time? What al right? Here we go? 147 00:06:39,440 --> 00:06:42,640 Speaker 2: First one, A boy like that who'd kill your brother? 148 00:06:42,960 --> 00:06:46,599 Speaker 2: Forget that boy and find another? Is that from a 149 00:06:46,680 --> 00:06:49,520 Speaker 2: musical or is that from a band that has made 150 00:06:49,600 --> 00:06:50,920 Speaker 2: crimes against music? 151 00:06:51,120 --> 00:06:51,919 Speaker 1: I don't like this. 152 00:06:52,080 --> 00:06:55,400 Speaker 3: I feel like I'm judging people when my lyrics said 153 00:06:55,520 --> 00:06:58,280 Speaker 3: right on the line, but somewhere between very good and 154 00:06:58,320 --> 00:07:01,680 Speaker 3: maybe that lyrics sounds like a musical to me, But 155 00:07:02,360 --> 00:07:03,279 Speaker 3: that sounds like a musical. 156 00:07:03,640 --> 00:07:07,400 Speaker 1: Listen, good boy like that? You your brother? Or get 157 00:07:07,440 --> 00:07:11,240 Speaker 1: that boy and find it? Not website story, I believe. 158 00:07:11,280 --> 00:07:14,680 Speaker 3: I don't know that that's Sunnime lyrics. That's some wrote 159 00:07:14,680 --> 00:07:17,200 Speaker 3: that when it was like twenty five. Really Burnstein music, 160 00:07:17,240 --> 00:07:18,400 Speaker 3: but sometimes. 161 00:07:18,040 --> 00:07:20,920 Speaker 1: Wow, extraordinary. We're going to okay? 162 00:07:21,000 --> 00:07:23,760 Speaker 2: Second one, I'm going to trade this life of fortune 163 00:07:23,800 --> 00:07:26,920 Speaker 2: and fame. I'd even cut my hair and change my name. 164 00:07:28,200 --> 00:07:30,680 Speaker 2: Musical or is that a crime against music? 165 00:07:30,760 --> 00:07:35,160 Speaker 3: I reckon that's a pop song, but I don't know 166 00:07:35,160 --> 00:07:46,920 Speaker 3: who it iss? A roster Yeah, they are massive. Do 167 00:07:46,920 --> 00:07:49,400 Speaker 3: you know that Chad huge song. Why is that a 168 00:07:49,440 --> 00:07:51,880 Speaker 3: crime against music? People are such snobs? 169 00:07:52,160 --> 00:07:52,960 Speaker 1: That's a great song. 170 00:07:54,080 --> 00:07:57,560 Speaker 2: He has an ice hockey rink in his house, does 171 00:07:57,560 --> 00:08:00,200 Speaker 2: Michael bub does he really do you go? 172 00:08:00,320 --> 00:08:03,520 Speaker 3: I know, look, I'm not I'm not going to tout 173 00:08:04,080 --> 00:08:05,240 Speaker 3: my carbon footprint. 174 00:08:05,280 --> 00:08:05,960 Speaker 1: It's not good. 175 00:08:06,000 --> 00:08:08,640 Speaker 3: But I don't think keeping a frozen lake in your 176 00:08:08,640 --> 00:08:11,880 Speaker 3: house is particularly twenty twenty four. 177 00:08:13,160 --> 00:08:16,120 Speaker 1: On if he uses solar sol that's. 178 00:08:15,880 --> 00:08:18,280 Speaker 3: That'd be a funny way to twist your soular energy 179 00:08:18,320 --> 00:08:19,960 Speaker 3: into the the. 180 00:08:19,880 --> 00:08:21,320 Speaker 1: Purpose of us. Okay. 181 00:08:21,440 --> 00:08:23,960 Speaker 2: Number three, as my money gets older, let's get younger. 182 00:08:24,000 --> 00:08:26,160 Speaker 1: They sell their soul. But the devil knows I have 183 00:08:26,240 --> 00:08:26,840 Speaker 1: no number. 184 00:08:27,560 --> 00:08:29,840 Speaker 3: That's going to be a rock song as well. That 185 00:08:30,000 --> 00:08:31,400 Speaker 3: sounds like American rock. 186 00:08:31,440 --> 00:08:35,280 Speaker 1: Here when the famous Oh. 187 00:08:40,000 --> 00:08:43,560 Speaker 3: The devil come on man, that's good lyrics. 188 00:08:42,840 --> 00:08:47,360 Speaker 2: It's okay. Question number four, never again? Will we live 189 00:08:47,480 --> 00:08:48,520 Speaker 2: behind bars? 190 00:08:48,880 --> 00:08:52,120 Speaker 1: Never again? Now that we know that we are e v. 191 00:08:52,240 --> 00:08:56,200 Speaker 3: O LT I mean that that night, do we need 192 00:08:56,240 --> 00:08:58,599 Speaker 3: to do twenty minutes on how good that is? 193 00:09:00,080 --> 00:09:06,760 Speaker 1: It is? Okay? The last one here, This is a 194 00:09:06,800 --> 00:09:08,719 Speaker 1: tough one. God in the. 195 00:09:11,360 --> 00:09:15,120 Speaker 2: Is that a musical or is that a crime against music? 196 00:09:17,120 --> 00:09:20,440 Speaker 1: I think that's a musical. I think you're spot on. 197 00:09:20,559 --> 00:09:26,679 Speaker 1: I think it's Mormon. Can I ask you about the 198 00:09:26,679 --> 00:09:32,720 Speaker 1: Book of Mormon? Amazing, unbelievable, extraordinah. 199 00:09:32,040 --> 00:09:34,560 Speaker 3: Very very good and attributed, of course to the South 200 00:09:34,600 --> 00:09:37,480 Speaker 3: Park guys. But it's Bobby Lopez deep deep Bubby Lopez. 201 00:09:38,280 --> 00:09:39,959 Speaker 3: Bubby Bobby Well, I actually. 202 00:09:39,720 --> 00:09:40,560 Speaker 1: Don't know the distribution. 203 00:09:40,600 --> 00:09:45,200 Speaker 3: But Bubby wrote a musical with puppets that had that 204 00:09:45,320 --> 00:09:47,800 Speaker 3: song it's called Avenue Q and had that song Everyone's 205 00:09:47,800 --> 00:09:50,840 Speaker 3: a little bit racist and stuff and it's super edgy. 206 00:09:51,120 --> 00:09:54,840 Speaker 3: And then the South Park Boys tapped him to do Mormon. 207 00:09:54,880 --> 00:09:59,120 Speaker 3: And then he and his wife Kristin Anderson Lopez wrote 208 00:09:59,120 --> 00:10:00,640 Speaker 3: a little musical call Frozen. 209 00:10:01,360 --> 00:10:01,880 Speaker 4: Wow. 210 00:10:02,040 --> 00:10:04,920 Speaker 3: So Bubby Bobby wrote, do you want to build a 211 00:10:05,000 --> 00:10:07,720 Speaker 3: snow Man? Well, Bobby and Kristin and Kristen wrote let 212 00:10:07,760 --> 00:10:08,120 Speaker 3: it go. 213 00:10:08,440 --> 00:10:10,560 Speaker 1: Oh my gosh, what a talent. 214 00:10:11,320 --> 00:10:14,480 Speaker 3: Yeah, he's in one months and he's this really little dude, 215 00:10:14,559 --> 00:10:14,800 Speaker 3: I think. 216 00:10:15,320 --> 00:10:18,440 Speaker 1: And so the South Park Boys approached him, Yeah. 217 00:10:18,440 --> 00:10:21,120 Speaker 3: Because those guys know how to write songs, but not 218 00:10:21,160 --> 00:10:23,560 Speaker 3: like that, not that that is an amazing musical and 219 00:10:23,600 --> 00:10:25,160 Speaker 3: it has its cake and eats it too, because it's 220 00:10:25,200 --> 00:10:28,360 Speaker 3: kind of a it's mocking a musical, but managers to 221 00:10:28,400 --> 00:10:30,800 Speaker 3: still land as more than just a parody. 222 00:10:30,800 --> 00:10:34,160 Speaker 1: It's quite incredible, unbelievable. Tim mentioned we could spend hours 223 00:10:34,160 --> 00:10:36,840 Speaker 1: with you. I don't have hours, but we have to 224 00:10:36,880 --> 00:10:39,040 Speaker 1: promote your new book. You don't have to have a dream. 225 00:10:39,080 --> 00:10:42,040 Speaker 2: It's out now, your third book, this is your first, 226 00:10:42,200 --> 00:10:43,400 Speaker 2: this is your first nonfiction. 227 00:10:43,520 --> 00:10:45,880 Speaker 3: I don't know it's much serious ones. But I've got 228 00:10:45,880 --> 00:10:47,920 Speaker 3: a graphic novel of a poem I wrote called Storm. 229 00:10:47,960 --> 00:10:49,440 Speaker 3: I've got a couple of kids books that are as 230 00:10:49,520 --> 00:10:51,800 Speaker 3: lyrics from Matilda. And this is a book of speeches 231 00:10:51,840 --> 00:10:54,120 Speaker 3: I wrote over the last ten years. So basically, books 232 00:10:54,120 --> 00:10:57,959 Speaker 3: to me are just exploiting old ip. It's just like 233 00:10:58,080 --> 00:11:00,360 Speaker 3: what's around stuff, put a cover around it. 234 00:11:00,400 --> 00:11:00,920 Speaker 1: People are by. 235 00:11:02,679 --> 00:11:05,640 Speaker 3: It's a little bit cynical about this book. I was like, 236 00:11:05,640 --> 00:11:08,560 Speaker 3: all right, we can publish my speeches. But then I said, 237 00:11:08,559 --> 00:11:10,679 Speaker 3: why don't I write some essays? And then we got 238 00:11:10,679 --> 00:11:13,080 Speaker 3: this beautiful illustrator. And now I'm really proud of it. 239 00:11:13,120 --> 00:11:16,680 Speaker 3: And I particularly had a total about turn on my 240 00:11:16,679 --> 00:11:18,520 Speaker 3: attitude to it because a couple of weeks ago, while 241 00:11:18,520 --> 00:11:21,599 Speaker 3: I was in the US, my son started reading it. 242 00:11:21,600 --> 00:11:24,480 Speaker 3: And he's fifteen, and he wouldn't necessarily go to my work. 243 00:11:24,559 --> 00:11:27,599 Speaker 3: He's my son, he doesn't watch my stuff. But he 244 00:11:28,000 --> 00:11:30,400 Speaker 3: started asking all these questions and I suddenly went, oh, 245 00:11:30,480 --> 00:11:32,880 Speaker 3: I see this. I knew it'd be for like twenty 246 00:11:32,880 --> 00:11:35,320 Speaker 3: to thirty year olds or whatever, but it actually is 247 00:11:35,400 --> 00:11:36,280 Speaker 3: going to be. 248 00:11:36,360 --> 00:11:38,160 Speaker 1: Useful life being for young kids. Yeah. 249 00:11:38,200 --> 00:11:41,600 Speaker 3: Yeah, it's just a it's quite meditative love of that. Yeah, 250 00:11:41,600 --> 00:11:45,280 Speaker 3: it's about creativity and just to chill and work hard 251 00:11:45,320 --> 00:11:47,240 Speaker 3: and don't worry about other people's experts. 252 00:11:47,240 --> 00:11:48,920 Speaker 1: I mean, there's loads of advice in there, but I. 253 00:11:48,920 --> 00:11:50,160 Speaker 4: Can't wait to read it. I really can't. 254 00:11:50,440 --> 00:11:52,839 Speaker 3: Yeah, you're going to finally do something with your life 255 00:11:52,920 --> 00:11:57,000 Speaker 3: after you've read this book. Than mister Minchin, thank you 256 00:11:57,120 --> 00:11:59,000 Speaker 3: very much for coming in pleasure, thanks for having me. 257 00:11:59,040 --> 00:12:01,840 Speaker 4: Thanks to him. Sits in Whipper with Kate Ritchie is 258 00:12:01,880 --> 00:12:05,199 Speaker 4: a Nova podcast to walk great shows like this. Download 259 00:12:05,200 --> 00:12:08,120 Speaker 4: the Nova player via the App Store or Google Play 260 00:12:08,280 --> 00:12:09,240 Speaker 4: the Nova player