WEBVTT -  Sandra Sully: the woman behind 35 years of headlines 

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<v Speaker 1>Hello, and welcome to Something to Talk About for Stella Podcast.

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<v Speaker 1>I'm Sarah La Marquin, to your host, and every week

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<v Speaker 1>I sit down with some of the biggest names in

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<v Speaker 1>the country because when Australia's celebrities are ready to talk,

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<v Speaker 1>they come to Something to talk about. There have been

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<v Speaker 1>thousands of big news stories over the last thirty five years,

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<v Speaker 1>and my guest today has covered them all, from being

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<v Speaker 1>the first Australian journalist to cover the events of nine

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<v Speaker 1>to eleven and from war zones to Olympics to royal weddings.

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<v Speaker 1>Sandra Solly has been bringing the headlines to TV viewers

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<v Speaker 1>on ten News since nineteen ninety. But as you're about

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<v Speaker 1>to hear, it wasn't Sandra's goal to be a newsreader.

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<v Speaker 1>It was a career she fell into by accident, and

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<v Speaker 1>because of that, she's always felt like a bit of

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<v Speaker 1>a fraud.

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<v Speaker 2>I always felt a little bit fraudulent, a little bit

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<v Speaker 2>of an impossible that I started very late. This seriousness

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<v Speaker 2>came over me because I had to play catch up.

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<v Speaker 1>But Sandra, Sally is the real deal and on today's episode,

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<v Speaker 1>she joins me in the studio to discuss her incredible career.

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<v Speaker 1>The harrowing experience of being held at gunpoint as she

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<v Speaker 1>got out of her car after driving home from work

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<v Speaker 1>one night, and why you never hear about her personal life.

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<v Speaker 1>Sandra Sually, Welcome to the Stellar Podcast.

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<v Speaker 2>Thank you, thanks for having me. It's nice to have

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<v Speaker 2>you here.

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<v Speaker 1>I have met you a few times over the years.

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<v Speaker 1>We have worked with you before at Stella, but I

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<v Speaker 1>have never sat down in conversation with you, So thank.

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<v Speaker 2>You for me to.

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<v Speaker 1>The trigger for this is because thirty five years this

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<v Speaker 1>year you have been at ten News. It's quite remarkable

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<v Speaker 1>in a time when people tend to turn over jobs

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<v Speaker 1>and employers pretty frequently. I wanted to start our conversation

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<v Speaker 1>by showing you a little bit of video that I

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<v Speaker 1>have here from one of your earlier bulletins in the

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<v Speaker 1>early nineties.

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<v Speaker 2>So let me is that with padded shoulders, with.

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<v Speaker 1>Action at last over Sidney, these hotel fire traps first

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<v Speaker 1>at five the Hampton Court ordered to close down. What

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<v Speaker 1>do you think when you look back on those early years?

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<v Speaker 1>Do you look back on those early years to people

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<v Speaker 1>like me make you look.

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<v Speaker 2>Back on those Yeah, and I'm gonna blame you, Sarah. Look,

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<v Speaker 2>it's just a walk back in time you are transported

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<v Speaker 2>there momentarily to you know, the feelings and what your

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<v Speaker 2>thoughts were, and how nervous you were. You know, I

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<v Speaker 2>remember all of that and how lucky AIR was and

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<v Speaker 2>you know, wracked with I wouldn't say anxiety, but you know,

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<v Speaker 2>anxiousness about doing a good job. And I'm actually reading

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<v Speaker 2>the news in Sydney. There's a lot to process. But yeah,

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<v Speaker 2>when I see that stuff, it takes me right back

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<v Speaker 2>there and I feel very lucky, you know.

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<v Speaker 1>And also, of course there's always that thing whenever anyone's

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<v Speaker 1>looking through photos or videos of the reminders of what

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<v Speaker 1>you wore, of the different haircuts that you had over

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<v Speaker 1>the years, and we always look back and think, oh

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<v Speaker 1>my gosh, I look so young, even though we didn't

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<v Speaker 1>think it at the time, even if it was just

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<v Speaker 1>last year, a lot of us look and think, look

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<v Speaker 1>at that person. So there's also that time capsule component

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<v Speaker 1>when a big part of your life thirty five years

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<v Speaker 1>has been visually documented in that way.

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<v Speaker 2>Yeah, exactly, And I see many of those images and think,

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<v Speaker 2>what was I thinking? You know that I really think

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<v Speaker 2>that looked good, but look, you go with it. At

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<v Speaker 2>the time, I do remember I was called into the

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<v Speaker 2>news bosses offices, actually the station offices, and they were

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<v Speaker 2>trying to work out, these three elderly men how they

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<v Speaker 2>could make me look older. And one of them, who

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<v Speaker 2>was head of finance I think at the time, said

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<v Speaker 2>hmm a French rule I think would be very elegant.

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<v Speaker 2>What did you try that?

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<v Speaker 1>And did you try that?

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<v Speaker 2>I don't think so. I just remember thinking, what would

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<v Speaker 2>you know?

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<v Speaker 1>You don't take care and fashion tips from the head

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<v Speaker 1>of finance on a regular basis.

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<v Speaker 2>Oh, look, we've put it up and probably tried something,

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<v Speaker 2>But I mean I wasn't in a position to argue

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<v Speaker 2>at the time. I just remember thinking, this is surreal. Seriously.

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<v Speaker 2>Have you had that sort.

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<v Speaker 1>Of unsolicited advice over the years about how you present yourself?

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<v Speaker 1>Because that's a big part of working in media, it's

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<v Speaker 1>a big part of being a woman, whatever industry you

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<v Speaker 1>work in, has that something that's been thrown at you

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<v Speaker 1>a lot? And have you found that you've learned to

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<v Speaker 1>speak up a little bit or do you just let

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<v Speaker 1>it go?

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<v Speaker 2>Look, it's part and parcel of the job. I've had

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<v Speaker 2>unsolicited advice in my whole life. But who hasn't And

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<v Speaker 2>when it's about your appearance. In our industry, that can

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<v Speaker 2>be a little bit tedious because men aren't provided the

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<v Speaker 2>same unsolicited advice that you know, they literally go through.

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<v Speaker 2>I mean, color will the same suit for a year,

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<v Speaker 2>nobody noticed exactly. At the same time, women enjoy being

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<v Speaker 2>able to play with fashion and hair and jewelry and makeup,

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<v Speaker 2>so we can't have it both ways. I'm never going

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<v Speaker 2>to complain. I've just learned how to manage that and

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<v Speaker 2>process it and park it in the right spot. You know,

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<v Speaker 2>who did take notice? Often who not to look. I've

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<v Speaker 2>got colleagues that actually hate that hour in hair and makeup,

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<v Speaker 2>and it's the best part of my day? Is it

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<v Speaker 2>really every day?

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<v Speaker 1>In what way do you? Is it a time where you.

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<v Speaker 2>Have It's a time where I'm still and quiet. Usually

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<v Speaker 2>I'm working, I'm on my computer, usually while they're doing

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<v Speaker 2>my hair. But oh, someone playing with the hair and

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<v Speaker 2>makeup for an hour every day, knowing that I could

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<v Speaker 2>not do, you know, an adequate job on my own.

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<v Speaker 2>So relieved that someone else who is a professional is

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<v Speaker 2>taking charge, because you know, heaven help the viewers of Australia,

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<v Speaker 2>they had to see my best efforts. You know, I

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<v Speaker 2>really am hopeless at it. I don't rely on the experts.

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<v Speaker 1>That vision that I was just showing you was your

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<v Speaker 1>former colleague Ron Wilson, And when we profiled you in

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<v Speaker 1>Stella some years ago, Ron told Stella at the time,

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<v Speaker 1>I've worked with over a dozen female partners on Channel ten,

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<v Speaker 1>and virtually all of them have fallen by the wayside.

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<v Speaker 1>These were pretty tough women. But Sandra has survived all

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<v Speaker 1>this time and still has a smile on her face.

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<v Speaker 1>If you can do that for this long, something is right.

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<v Speaker 1>What do you say to that? What might that something

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<v Speaker 1>be that is so right?

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<v Speaker 2>Thank you? Ronnie. Oh look, I think in many respects

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<v Speaker 2>it was about opportunity and good timing, you know, not

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<v Speaker 2>being afraid to seize a moment. But when I worked

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<v Speaker 2>on late News, and I did for nearly eighteen years,

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<v Speaker 2>I was out of the cut and thrust the fray

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<v Speaker 2>of politics of a newsroom, and it served me really well.

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<v Speaker 2>They left us alone and they focused on the main game,

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<v Speaker 2>which was five o'clock, and I needed that quiet time

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<v Speaker 2>and to be out of everyone's gun sights. You know,

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<v Speaker 2>I'd not long been divorced and gone through an assault,

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<v Speaker 2>and the Late News was a really safe space for me.

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<v Speaker 2>We had a small team, really agile. We were left

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<v Speaker 2>to our own devices, and we had a lot of

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<v Speaker 2>fun and it was a really tight team. It was

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<v Speaker 2>hard work, the hours were tough, but I liked the

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<v Speaker 2>fact that, you know, the bosses left at six o'clock

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<v Speaker 2>and they left us to it, so we had a

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<v Speaker 2>lot of freedom and license to, you know, really enjoy

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<v Speaker 2>the product and get our hands dirty and be really

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<v Speaker 2>responsible for it, you know. So I think in many

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<v Speaker 2>respects that gave me a national profile by default. It

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<v Speaker 2>wasn't anything I chased, and Forward left and she sort

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<v Speaker 2>of said, Silent's your turn, you know, good old Fullers,

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<v Speaker 2>and I hadn't you know, it wasn't anything I chased

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<v Speaker 2>or wanted. But when the opportunity came up, I knew

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<v Speaker 2>it was the right call for me. And I think

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<v Speaker 2>I'd learned over the years that you know, to have

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<v Speaker 2>a national profile in such a cutthroat industry, it meant

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<v Speaker 2>I could get a job somewhere, you know, if the

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<v Speaker 2>worst happened, because it does every day of the week

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<v Speaker 2>in our game. So it was, you know, a kind

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<v Speaker 2>of remote insurance policy of sorts. I never knew at

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<v Speaker 2>the time. I'd be there for seventeen and a half years,

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<v Speaker 2>and then when it ended, you know, I got married

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<v Speaker 2>and I got back from my honeymoon, and I got

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<v Speaker 2>called into the boss's office and he said, do you

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<v Speaker 2>want to do five o'clock? Choice? He said none, He

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<v Speaker 2>said not really. He said, well, we're acting late news.

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<v Speaker 2>I went, okay, tokyo, Yeah, there really is no choice

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<v Speaker 2>mortgage and yeah. So for me, it's been hard work,

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<v Speaker 2>seizing opportunities and good timing.

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<v Speaker 1>I wanted to ask you about the different time slots

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<v Speaker 1>that you'd worked in, not only in terms of the

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<v Speaker 1>professional way. As you say, you had a little bit

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<v Speaker 1>of freedom at the late news, and then at five

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<v Speaker 1>o'clock you're there and there's no where to hide, and

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<v Speaker 1>the suits are still in the building, and it's all

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<v Speaker 1>eyes on you for better ultimately, And of course it

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<v Speaker 1>does bring risk with it, but just also sandra from

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<v Speaker 1>your routine and your life. And there's always fascination in

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<v Speaker 1>anyone that works shift hours. I put those in inverted

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<v Speaker 1>commas because obviously a lot of people, especially in this

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<v Speaker 1>time of hybrid working and remote working and technology, working

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<v Speaker 1>different locations and different times. But with the five o'clock.

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<v Speaker 1>What does a day look like for you? Because I

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<v Speaker 1>think most people understand you're not rolling in the door

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<v Speaker 1>at four point thirty. I mean you're there doing headlines

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<v Speaker 1>throughout the afternoon, You're preparing you scripts, researching, meeting with

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<v Speaker 1>producers and other people in the newsroom. There is as

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<v Speaker 1>we talked about the visual component of hair and makeup.

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<v Speaker 1>Did you have a preference in terms of your lifestyle

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<v Speaker 1>between time slides?

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<v Speaker 2>Although I reluctantly did the five o'clock job, but I

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<v Speaker 2>had just got married and I figured the universe was

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<v Speaker 2>telling me I needed to adopt better hours for my

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<v Speaker 2>new husband so that I would be home and not

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<v Speaker 2>always sleep deprived. When you're a shift worker, you are

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<v Speaker 2>sleep deprived. And I think if you do either midnight

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<v Speaker 2>to dawns or super early start, you become quite sleep obsessed.

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<v Speaker 2>But you know, I did it for nearly two decades,

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<v Speaker 2>and it taught me the rigors of looking after yourself.

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<v Speaker 2>While it's important to manage yourself well in this industry,

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<v Speaker 2>with those hours, five o'clock was a big adjustment, and

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<v Speaker 2>it took me a long time to kind of get

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<v Speaker 2>with a program. But in a nutshell, when I was

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<v Speaker 2>on late news. I was completely wedded to radio, and

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<v Speaker 2>you know, I'd get home anytime from midnight till two

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<v Speaker 2>in the morning. And I'm a TV person. I grew

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<v Speaker 2>up with TV, very strong TV family, and I can

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<v Speaker 2>fall sleep in front of the telly. But I knew

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<v Speaker 2>that if I sat up for too late, when I

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<v Speaker 2>got home, it'll be two or three in the morning.

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<v Speaker 2>But the world still expected me to connect and be

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<v Speaker 2>engaged available at nine, So I would go to bed

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<v Speaker 2>and put the radio on. So to this day, I

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<v Speaker 2>go to bed and put the radio on. Now it's

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<v Speaker 2>morphed into the world of podcasts, which we've all fallen

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<v Speaker 2>in love with, but I've been in the podcast world

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<v Speaker 2>for twenty five thirty years. Yeah, you're at So I

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<v Speaker 2>go to bed listening to BBC or you know. The

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<v Speaker 2>rest is politics or great podcasts that I really enjoy,

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<v Speaker 2>and it can be silly stuff, crime stuff, whatever, and

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<v Speaker 2>then I'm awadded to the radio as soon as I

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<v Speaker 2>wake up, basically Radio National in the morning, but you know,

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<v Speaker 2>I'll scan all the major radio stations to hear what's

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<v Speaker 2>going on. And then as soon as I wake up

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<v Speaker 2>and not necessarily out of bed, and I download the

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<v Speaker 2>major full papers of every day, scan all of those

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<v Speaker 2>so I know what the major stories are. And while

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<v Speaker 2>i'm reading those, I've got a running commentary from a

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<v Speaker 2>radio current affairs show about what's going on. Then I

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<v Speaker 2>might get into my day, and most days i'm kind

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<v Speaker 2>of in the office somewhere between twelve and one, but

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<v Speaker 2>that varies. You know, today was an eight thirty start,

0:12:21.800 --> 0:12:24.880
<v Speaker 2>so it does depend. And then I go straight into

0:12:24.920 --> 0:12:27.240
<v Speaker 2>hair and makeup. I don't even go upstairs because I

0:12:27.240 --> 0:12:31.000
<v Speaker 2>can see the rundown remotely on my computer laptop either

0:12:31.080 --> 0:12:33.360
<v Speaker 2>at home. When I'm in hair and makeup, I've got

0:12:33.360 --> 0:12:35.559
<v Speaker 2>a laptop in my dressing room so that I can

0:12:35.640 --> 0:12:38.880
<v Speaker 2>start working and looking at the bulletin, reading people's scripts,

0:12:38.960 --> 0:12:42.040
<v Speaker 2>trying to get a handle on the flow of the bulletin,

0:12:42.160 --> 0:12:44.079
<v Speaker 2>what the shape looks like where there's a bit of

0:12:44.160 --> 0:12:47.680
<v Speaker 2>light and shade, where it's super heavy obviously in the

0:12:47.840 --> 0:12:51.200
<v Speaker 2>entire first break, and what those intros is starting to

0:12:51.240 --> 0:12:55.360
<v Speaker 2>look like. And then I'll leave that laptop in my

0:12:55.520 --> 0:12:58.280
<v Speaker 2>dressing room and then head upstairs, sit on the production desk,

0:12:58.679 --> 0:13:02.960
<v Speaker 2>get ready for updates, keep.

0:13:02.760 --> 0:13:05.600
<v Speaker 1>Going and what time do you finish up? Now?

0:13:05.760 --> 0:13:09.080
<v Speaker 2>Then about six thirty. Yeah, but you know, for three

0:13:09.120 --> 0:13:11.079
<v Speaker 2>or four years I did two states, so I did

0:13:11.120 --> 0:13:13.439
<v Speaker 2>New South Wales and Queensland. So that was three and

0:13:13.480 --> 0:13:15.880
<v Speaker 2>a half hours of reading and the magic of television

0:13:15.960 --> 0:13:19.280
<v Speaker 2>cutting and working between two states and daylight saving and

0:13:20.160 --> 0:13:22.040
<v Speaker 2>it was rigorous.

0:13:22.200 --> 0:13:25.680
<v Speaker 1>How do you feel when every day you're just about

0:13:25.720 --> 0:13:28.599
<v Speaker 1>to go on air, presumably the floor manager's doing the

0:13:28.679 --> 0:13:32.640
<v Speaker 1>classic countdown? Do you still is there something that kicks

0:13:32.679 --> 0:13:36.400
<v Speaker 1>in in you? Is it a hit of adrenaline? Is

0:13:36.440 --> 0:13:37.240
<v Speaker 1>that excitement?

0:13:37.360 --> 0:13:42.960
<v Speaker 2>Is it nerves? Not so much nerves any anymore, but

0:13:43.040 --> 0:13:49.440
<v Speaker 2>there is a conscious realization and acknowledgment that this is

0:13:49.480 --> 0:13:54.920
<v Speaker 2>live television and there is no safety net. And we

0:13:55.000 --> 0:13:57.280
<v Speaker 2>have a running gag in the newsroom and for twenty

0:13:57.320 --> 0:14:02.040
<v Speaker 2>five plus years, I will I will occasion, you know,

0:14:02.080 --> 0:14:05.040
<v Speaker 2>we'll say Chuckers break a leg, or I will squeal

0:14:05.120 --> 0:14:08.679
<v Speaker 2>I'm not ready. I'm not ready, which makes us all

0:14:08.800 --> 0:14:12.200
<v Speaker 2>laugh because I'm you know, a creature of habit. But

0:14:12.280 --> 0:14:15.000
<v Speaker 2>also it's about actually getting you up. Not that you

0:14:15.040 --> 0:14:19.480
<v Speaker 2>want to read that first story, you know, smiling and giggling,

0:14:19.480 --> 0:14:22.080
<v Speaker 2>but you've got to get your energy levels up, and

0:14:23.680 --> 0:14:28.440
<v Speaker 2>at times, with the heaviness of stories, you know, you

0:14:28.440 --> 0:14:30.400
<v Speaker 2>can peek and trough all day and then you kind

0:14:30.400 --> 0:14:32.640
<v Speaker 2>of want a flat line, but it is there's a

0:14:32.680 --> 0:14:34.960
<v Speaker 2>performance element to what we do, and you need to

0:14:35.000 --> 0:14:38.800
<v Speaker 2>be very switched on and focused because with live television

0:14:38.840 --> 0:14:42.960
<v Speaker 2>and breaking news, there's no one that can help you.

0:14:43.200 --> 0:14:45.200
<v Speaker 1>Obviously, you consume a lot of media.

0:14:45.440 --> 0:14:48.240
<v Speaker 2>What you've just talked us through what a day looks.

0:14:48.000 --> 0:14:51.720
<v Speaker 1>Like, and when you're not working, you take a break

0:14:51.760 --> 0:14:54.680
<v Speaker 1>over summer. It's obviously February a lot of us have

0:14:54.720 --> 0:14:57.240
<v Speaker 1>come back from a bit of time, are really getting back.

0:14:57.120 --> 0:14:57.680
<v Speaker 2>Into the work.

0:14:57.720 --> 0:15:00.960
<v Speaker 1>Here. Are you able to unplug from the news cycle?

0:15:01.120 --> 0:15:03.760
<v Speaker 1>And is that even anything that you would want to do?

0:15:04.360 --> 0:15:06.400
<v Speaker 2>I never used to, but now I think it's good

0:15:06.400 --> 0:15:09.360
<v Speaker 2>for my mental health, so I do kind of switch off.

0:15:09.760 --> 0:15:13.520
<v Speaker 2>I do like listening to political podcasts, which drives my

0:15:13.680 --> 0:15:16.680
<v Speaker 2>husband completely spare. So I've often got to, you know,

0:15:16.760 --> 0:15:21.880
<v Speaker 2>have headsets on or something. But that's not the daily

0:15:22.720 --> 0:15:28.640
<v Speaker 2>cycle of news. It's not driven by the headlines, and

0:15:28.920 --> 0:15:31.320
<v Speaker 2>for me, it's getting more behind the scenes and understanding

0:15:31.360 --> 0:15:35.040
<v Speaker 2>the bigger picture, and I really enjoy that. But yeah,

0:15:35.080 --> 0:15:38.440
<v Speaker 2>I can switch off, and I know I should, and

0:15:38.520 --> 0:15:40.520
<v Speaker 2>I do because it's good for me. I mean, I

0:15:40.640 --> 0:15:43.560
<v Speaker 2>was traveling in the States last year for a couple

0:15:43.600 --> 0:15:46.440
<v Speaker 2>of weeks and other than watch some local news just

0:15:46.480 --> 0:15:50.160
<v Speaker 2>to get a sense in the build up to the election,

0:15:50.840 --> 0:15:52.840
<v Speaker 2>you know what were the local saying how big a

0:15:52.880 --> 0:15:56.440
<v Speaker 2>deal was it? But you know in Detroit they didn't

0:15:56.520 --> 0:15:57.040
<v Speaker 2>really care.

0:15:58.080 --> 0:16:00.440
<v Speaker 1>It must be so fascinating. Obviously, I want to ask

0:16:00.480 --> 0:16:02.960
<v Speaker 1>you a little bit about some of those moments that

0:16:03.000 --> 0:16:06.400
<v Speaker 1>have really stood out, and the people that you have met,

0:16:06.520 --> 0:16:11.120
<v Speaker 1>and the historical scenes that you have found yourself bringing

0:16:11.200 --> 0:16:14.880
<v Speaker 1>to the country. But that question there just also makes

0:16:14.920 --> 0:16:18.320
<v Speaker 1>me think about the changing nature of the news cycle.

0:16:18.360 --> 0:16:20.480
<v Speaker 1>And it's obviously something that we in the media talk

0:16:20.840 --> 0:16:23.280
<v Speaker 1>a lot about. Is that there used to be a

0:16:23.320 --> 0:16:27.200
<v Speaker 1>time where you have a certain newspaper arriving at a

0:16:27.200 --> 0:16:29.240
<v Speaker 1>time and then turn on the TV and get that

0:16:29.320 --> 0:16:32.360
<v Speaker 1>certain bulletin, and of course now news is coming at

0:16:32.440 --> 0:16:35.320
<v Speaker 1>us all the time. Is there a sense that your

0:16:35.360 --> 0:16:38.840
<v Speaker 1>audience now might be across certain things and you're bringing

0:16:38.840 --> 0:16:41.560
<v Speaker 1>it to them with a slightly different tone than maybe

0:16:41.600 --> 0:16:43.120
<v Speaker 1>you were thirty five years ago.

0:16:43.280 --> 0:16:45.160
<v Speaker 2>It's thirty five years ago we knew they wouldn't have

0:16:45.160 --> 0:16:48.520
<v Speaker 2>seen the pictures by five o'clock or unless they'd heard

0:16:48.520 --> 0:16:53.320
<v Speaker 2>something on radio. So much of the day had largely

0:16:53.640 --> 0:16:58.040
<v Speaker 2>gone by unnoticed and undocumented other than within newsrooms and

0:16:58.120 --> 0:17:02.280
<v Speaker 2>journals around the country, So your average viewer didn't really

0:17:02.320 --> 0:17:04.359
<v Speaker 2>have a great sense of what had happened, and they

0:17:04.440 --> 0:17:08.359
<v Speaker 2>tuned in to find out. These days, we must always

0:17:08.400 --> 0:17:11.840
<v Speaker 2>assume that we've got to take a story somewhere from

0:17:11.960 --> 0:17:14.879
<v Speaker 2>six o'clock and eight o'clock, and we've we've got to

0:17:14.880 --> 0:17:17.680
<v Speaker 2>present the news at the end of it, the evolution

0:17:17.840 --> 0:17:21.879
<v Speaker 2>of a day as that story has evolved. And you know,

0:17:22.320 --> 0:17:25.359
<v Speaker 2>we often get frustrated with sports stories. I mean, you

0:17:25.480 --> 0:17:28.720
<v Speaker 2>really rarely want a sports break that's just full of

0:17:28.800 --> 0:17:33.560
<v Speaker 2>results that happened in Europe last night, because soccer fans

0:17:33.680 --> 0:17:36.119
<v Speaker 2>knew that when they woke up or they were up

0:17:36.119 --> 0:17:39.200
<v Speaker 2>watching it. It's changed the dynamic of everything we do.

0:17:39.680 --> 0:17:41.719
<v Speaker 2>Everyone is twenty four to seven. I mean, the internet

0:17:41.720 --> 0:17:46.280
<v Speaker 2>actually wasn't invented that long before I started. So you know,

0:17:46.320 --> 0:17:52.440
<v Speaker 2>I remember, you know, journo's out with pages and they

0:17:52.440 --> 0:17:54.560
<v Speaker 2>had to stop at a phone booth and put in

0:17:54.680 --> 0:17:57.080
<v Speaker 2>money to ring so that we could say, listen, we've

0:17:57.080 --> 0:18:01.080
<v Speaker 2>got the address of the family of and then they

0:18:01.080 --> 0:18:04.400
<v Speaker 2>say Okay, we'll call back in an hour and let

0:18:04.400 --> 0:18:06.399
<v Speaker 2>you know if we found them, and then you just

0:18:06.400 --> 0:18:09.320
<v Speaker 2>didn't hear hear from them for two hours, not knowing

0:18:09.320 --> 0:18:11.240
<v Speaker 2>what they were going to come back with. Now everything

0:18:11.320 --> 0:18:14.400
<v Speaker 2>is so instantaneous. I mean, it's another reason why ten

0:18:14.480 --> 0:18:17.600
<v Speaker 2>launched the Late News as a digital product first, you know,

0:18:17.800 --> 0:18:21.520
<v Speaker 2>because people don't watch news on traditional platforms, so we

0:18:21.600 --> 0:18:24.280
<v Speaker 2>need to be where the eyeballs are. You know, you

0:18:24.320 --> 0:18:28.200
<v Speaker 2>can see breaks of our new service on YouTube, Yes,

0:18:28.320 --> 0:18:32.639
<v Speaker 2>on Facebook, on Tenplay. We need to be where the

0:18:32.640 --> 0:18:35.240
<v Speaker 2>eyeballs are, and the metrics we have to wait for

0:18:35.280 --> 0:18:37.800
<v Speaker 2>them to catch up, but we know you know that

0:18:37.960 --> 0:18:42.800
<v Speaker 2>they're not an accurate reflection of the viewing landscape.

0:18:43.240 --> 0:18:45.560
<v Speaker 1>I would now love to ask about some of the

0:18:45.560 --> 0:18:48.040
<v Speaker 1>moments that have stood out for you over the thirty

0:18:48.080 --> 0:18:51.360
<v Speaker 1>five years. One, of course, I'm sure you think I'm

0:18:51.400 --> 0:18:55.080
<v Speaker 1>going to bring up September eleven, two thousand and one,

0:18:55.160 --> 0:18:58.159
<v Speaker 1>because I know that's something that you're constantly asked about

0:18:58.880 --> 0:19:02.760
<v Speaker 1>because you were the first Australian journalist to bring that

0:19:02.840 --> 0:19:06.119
<v Speaker 1>news as it was unfolding. You were on air doing

0:19:06.160 --> 0:19:08.800
<v Speaker 1>the late night News when that vision came through.

0:19:09.280 --> 0:19:12.000
<v Speaker 2>Now that do some breaking news just through and CNN

0:19:12.119 --> 0:19:15.439
<v Speaker 2>is reporting tonight that a plane has crashed into the

0:19:15.480 --> 0:19:16.560
<v Speaker 2>World Trade Center.

0:19:16.760 --> 0:19:19.520
<v Speaker 1>The only thing so let's just start by'm not talking

0:19:19.520 --> 0:19:22.040
<v Speaker 1>about that too much unless you want to, because, like

0:19:22.040 --> 0:19:24.359
<v Speaker 1>I'd say, I'd love to ask you to nominate some

0:19:24.400 --> 0:19:26.119
<v Speaker 1>of the other moments that have stood out that you

0:19:26.200 --> 0:19:28.840
<v Speaker 1>maybe haven't spoken about as much. But my question to

0:19:28.920 --> 0:19:32.680
<v Speaker 1>you is when something like that happens nine to eleven

0:19:32.760 --> 0:19:36.840
<v Speaker 1>or something similar and you are there seeing this absolutely

0:19:37.160 --> 0:19:43.040
<v Speaker 1>or in the moment clearly absolutely horrifying event happened, huge

0:19:43.080 --> 0:19:46.119
<v Speaker 1>loss of life, and then probably having that instinct that

0:19:46.280 --> 0:19:48.760
<v Speaker 1>of course this was going to be a moment that

0:19:48.800 --> 0:19:52.679
<v Speaker 1>would change everything, which it did. When you go home

0:19:53.280 --> 0:19:56.880
<v Speaker 1>at the end of that, is that a really bad

0:19:56.960 --> 0:19:59.720
<v Speaker 1>day at work? Or is it actually a day at

0:19:59.760 --> 0:20:03.640
<v Speaker 1>work that proves exactly while you're there and is actually

0:20:04.240 --> 0:20:07.399
<v Speaker 1>the most important kind of work and a privilege in

0:20:07.400 --> 0:20:08.520
<v Speaker 1>a way? Is it a good day?

0:20:08.520 --> 0:20:12.520
<v Speaker 2>It's a good question, I think, and I do get

0:20:12.520 --> 0:20:17.359
<v Speaker 2>it a lot. I have realized mostly through the discussions

0:20:17.400 --> 0:20:23.240
<v Speaker 2>I've had with my husband his observations of me. Obviously,

0:20:23.240 --> 0:20:25.440
<v Speaker 2>there's a lot of adrenaline on a big news day

0:20:25.640 --> 0:20:27.600
<v Speaker 2>because you want to get it right and cover as

0:20:27.600 --> 0:20:30.920
<v Speaker 2>many angles as you can and present the most accurate

0:20:30.960 --> 0:20:35.680
<v Speaker 2>picture of a significant story like that to viewers. I

0:20:35.720 --> 0:20:43.800
<v Speaker 2>think when I get home, I probably a mostly quite

0:20:44.280 --> 0:20:49.359
<v Speaker 2>and just processing it all or a bit flat. I

0:20:49.359 --> 0:20:54.320
<v Speaker 2>wouldn't say I'm energized. I'm probably drained and trying to

0:20:54.320 --> 0:20:57.520
<v Speaker 2>process it. I try not to wallow in it. If

0:20:57.560 --> 0:21:01.439
<v Speaker 2>I wallow in the images, then I'm just that's silly.

0:21:01.560 --> 0:21:06.080
<v Speaker 2>Like I've learnt to, I can't. Can't you know, there

0:21:06.080 --> 0:21:08.920
<v Speaker 2>are times when as a human being, of course, there

0:21:08.920 --> 0:21:12.840
<v Speaker 2>are plenty of days when it's really hard, but I'll

0:21:12.880 --> 0:21:15.119
<v Speaker 2>just be quiet and try to work out how to

0:21:15.280 --> 0:21:15.920
<v Speaker 2>switch off.

0:21:16.880 --> 0:21:19.800
<v Speaker 1>For you, what are the big moments that would stand

0:21:19.880 --> 0:21:22.920
<v Speaker 1>out from some of the stories that you've covered, particularly

0:21:23.000 --> 0:21:25.400
<v Speaker 1>the ones that you were on location.

0:21:26.560 --> 0:21:29.399
<v Speaker 2>Well, these I wasn't on location, but you know, I

0:21:29.560 --> 0:21:33.440
<v Speaker 2>just moved to Sydney from Canberra, and it was all

0:21:33.440 --> 0:21:38.600
<v Speaker 2>the Gulf War, you know, every day reporting on the

0:21:38.640 --> 0:21:42.120
<v Speaker 2>fall of Saddam Hussein, and then when they found him,

0:21:42.320 --> 0:21:45.720
<v Speaker 2>and then it was you know, obviously September eleven, but

0:21:45.760 --> 0:21:48.080
<v Speaker 2>then it was the assassination of a summer bin laden.

0:21:48.680 --> 0:21:52.600
<v Speaker 2>How that played out. I think you know, I've been

0:21:52.640 --> 0:21:55.040
<v Speaker 2>desk bound for a long time, so I can't really

0:21:55.040 --> 0:22:00.119
<v Speaker 2>claim to be on location. But the Fukushima nuclear bi

0:22:00.240 --> 0:22:09.800
<v Speaker 2>down was pretty gold smacking. Archa was horrendous, so many.

0:22:09.760 --> 0:22:13.320
<v Speaker 1>What about some of the lighter moments as well, because

0:22:13.359 --> 0:22:17.679
<v Speaker 1>obviously there's also been royal weddings and and you know

0:22:17.800 --> 0:22:21.880
<v Speaker 1>big obviously Olympics and big cultural and sporting.

0:22:22.359 --> 0:22:27.160
<v Speaker 2>See I'm sorry, I was on location on a holiday

0:22:27.280 --> 0:22:31.399
<v Speaker 2>Threadbow when the Threadbow landslide disaster happened. I was in

0:22:31.480 --> 0:22:35.800
<v Speaker 2>Atlanta covering the Olympics when the bombing occurred, so those

0:22:35.920 --> 0:22:39.119
<v Speaker 2>were significant. But yes, there's been lots of great upsides there, really,

0:22:39.320 --> 0:22:43.160
<v Speaker 2>there really has. And covering the Atlanta Olympics was amazing.

0:22:43.320 --> 0:22:48.359
<v Speaker 2>Conwealth Games of Victoria incredible in Atlanta, seeing Muhammad Ali

0:22:48.440 --> 0:22:52.920
<v Speaker 2>and on pill side Karen Perkins wins gold from Layin eight,

0:22:53.080 --> 0:22:55.040
<v Speaker 2>Madame Butterfly wins gold.

0:22:55.720 --> 0:22:59.120
<v Speaker 1>Ridiculous there for history front row seat. And that's right

0:22:59.240 --> 0:23:03.399
<v Speaker 1>with the Threadbow landslide in nineteen ninety seven, you were,

0:23:04.000 --> 0:23:09.119
<v Speaker 1>I believe they're on location when they found Stuart Diver,

0:23:09.359 --> 0:23:12.879
<v Speaker 1>which is a moment etched into the minds forever of

0:23:12.920 --> 0:23:17.800
<v Speaker 1>so many Australians to be there for that moment must

0:23:17.840 --> 0:23:21.720
<v Speaker 1>be again overwhelming at the time.

0:23:21.600 --> 0:23:25.760
<v Speaker 2>But who well I was. We were on air and

0:23:26.280 --> 0:23:28.639
<v Speaker 2>I remember getting into trouble from my news director when

0:23:28.680 --> 0:23:30.840
<v Speaker 2>I got back to Sydney because I was emotional and

0:23:30.880 --> 0:23:33.240
<v Speaker 2>I shouldn't have been, but I'd been there a week

0:23:33.480 --> 0:23:39.520
<v Speaker 2>and we had been immersed in Threadbow with a village

0:23:39.520 --> 0:23:41.840
<v Speaker 2>and a community that were grieving the loss of so

0:23:41.960 --> 0:23:45.560
<v Speaker 2>many of their colleagues, friends and family, and we were

0:23:45.680 --> 0:23:49.359
<v Speaker 2>considered the pariahs. We were hated, understandably that it was

0:23:49.400 --> 0:23:54.399
<v Speaker 2>such a sensitive time for everyone and the relief that

0:23:54.440 --> 0:23:57.439
<v Speaker 2>they'd actually found him, Plus we all knew the ordeal

0:23:57.480 --> 0:24:01.080
<v Speaker 2>that Stuart had gone through at the time as well,

0:24:01.119 --> 0:24:07.960
<v Speaker 2>losing his wife, lying next to her for days. Horrendous, horrendous.

0:24:09.560 --> 0:24:12.360
<v Speaker 2>But yes, on a brighter note, lots of incredible stories

0:24:12.359 --> 0:24:16.920
<v Speaker 2>and random, great fun you know at the network that

0:24:17.440 --> 0:24:18.480
<v Speaker 2>I've been afforded.

0:24:19.200 --> 0:24:20.879
<v Speaker 1>Can I just go back to you mention when you

0:24:20.920 --> 0:24:25.600
<v Speaker 1>came back from covering the Threadbow landslide and the discovery

0:24:25.800 --> 0:24:29.320
<v Speaker 1>of Stuart Diver, that your news director you were in

0:24:29.400 --> 0:24:33.600
<v Speaker 1>trouble for being emotional. Was that being emotional on air?

0:24:33.800 --> 0:24:37.320
<v Speaker 1>Was it being emotional behind the scene, so it was

0:24:37.359 --> 0:24:39.800
<v Speaker 1>really frowned upon to show any sort of emotion.

0:24:40.000 --> 0:24:43.800
<v Speaker 2>Yes, and I just I heard what he said. I

0:24:43.800 --> 0:24:46.600
<v Speaker 2>couldn't go back and change it, I said, I just

0:24:46.720 --> 0:24:48.880
<v Speaker 2>disagree with you. I don't, I said, I don't remember

0:24:49.320 --> 0:24:52.199
<v Speaker 2>losing it. You know that my voice was breaking, and

0:24:52.800 --> 0:24:58.600
<v Speaker 2>clearly it was, you know, everyone was overwhelmed with relief

0:24:58.640 --> 0:25:04.879
<v Speaker 2>and that in the circumstances, I just sort of thought, Okay,

0:25:04.920 --> 0:25:07.000
<v Speaker 2>I'll go back. I mean, I would always go back

0:25:07.040 --> 0:25:10.640
<v Speaker 2>and look at the vision and how I went and

0:25:10.680 --> 0:25:14.439
<v Speaker 2>what I should change, always ruminating, ruminating and ruminating.

0:25:15.119 --> 0:25:19.400
<v Speaker 1>It's just an interesting I think, also snapshot of the time,

0:25:19.440 --> 0:25:23.680
<v Speaker 1>what we're talking about earlier, how things change. Because obviously

0:25:24.240 --> 0:25:28.080
<v Speaker 1>you as a journalist, throughout your career, you haven't put yourself.

0:25:28.119 --> 0:25:31.760
<v Speaker 1>You have never made yourself the story, and so it's

0:25:31.800 --> 0:25:35.120
<v Speaker 1>not as though you were making the focus about your

0:25:35.240 --> 0:25:38.560
<v Speaker 1>human reaction to it. But I think as a society

0:25:38.600 --> 0:25:42.600
<v Speaker 1>we've become a bit more forgiving, and actually people really

0:25:42.760 --> 0:25:45.640
<v Speaker 1>like that glimpse, especially I think when it's coming from

0:25:45.680 --> 0:25:49.440
<v Speaker 1>someone who isn't doing that all the time.

0:25:49.480 --> 0:25:51.960
<v Speaker 2>I don't think you should ever really the story you

0:25:51.960 --> 0:25:55.439
<v Speaker 2>shouldn't be the story. It's not about you, no, But look,

0:25:55.680 --> 0:25:58.560
<v Speaker 2>the casualness of news is a relatively new thing. It's

0:25:58.680 --> 0:26:01.479
<v Speaker 2>far more conversational than it was when I started. It

0:26:01.520 --> 0:26:04.159
<v Speaker 2>was very formal. You know, we had jackets, we had

0:26:04.160 --> 0:26:08.240
<v Speaker 2>shoulder pads, we lived in a small box. We really smiled.

0:26:08.280 --> 0:26:10.520
<v Speaker 2>Except for the light and fluffy story at the end

0:26:10.560 --> 0:26:13.640
<v Speaker 2>of the bulletin. It is far more conversation. We do

0:26:14.119 --> 0:26:16.840
<v Speaker 2>ten times of reading that, you know, than the original

0:26:17.040 --> 0:26:19.879
<v Speaker 2>news readers back in the day. I mean, there's endless

0:26:19.880 --> 0:26:22.920
<v Speaker 2>scripts and endless copy and not everything you've seen before

0:26:22.920 --> 0:26:26.160
<v Speaker 2>you get a chance to read it. So the audience

0:26:26.160 --> 0:26:31.280
<v Speaker 2>has become more forgiving, fortunately, but the work's harder and

0:26:31.320 --> 0:26:34.200
<v Speaker 2>there's a lot more of it. But that's okay.

0:26:36.560 --> 0:26:40.560
<v Speaker 1>Coming up the violent attack that Sandra very rarely speaks about.

0:26:46.440 --> 0:26:50.320
<v Speaker 1>You mentioned that you were really fascinated with TV before

0:26:50.440 --> 0:26:52.960
<v Speaker 1>you broke into the industry, and I wanted to ask

0:26:53.000 --> 0:26:55.440
<v Speaker 1>you a little bit about what you thought the job

0:26:55.520 --> 0:26:58.439
<v Speaker 1>might be like when you were growing up, and the

0:26:58.480 --> 0:27:02.119
<v Speaker 1>way that we see the nature of being on a

0:27:02.200 --> 0:27:05.760
<v Speaker 1>news desk replicated in popular culture. I mean, at the moment,

0:27:05.800 --> 0:27:10.080
<v Speaker 1>there's an ABC show called The News reader obviously the

0:27:10.160 --> 0:27:14.160
<v Speaker 1>famously there's the anchorman years. I'd love to know if

0:27:14.200 --> 0:27:17.080
<v Speaker 1>you know Ron Burgundy meant that everyone was, you know,

0:27:17.160 --> 0:27:19.960
<v Speaker 1>coming at you with the real life version of memes

0:27:20.240 --> 0:27:24.399
<v Speaker 1>quoting that to you, and how how was that era?

0:27:25.760 --> 0:27:31.439
<v Speaker 2>Well, I think a lot of people think that I

0:27:31.480 --> 0:27:34.080
<v Speaker 2>always wanted to do this job, but the truth of

0:27:34.119 --> 0:27:36.360
<v Speaker 2>the matter is I fell into it quite by accident.

0:27:36.840 --> 0:27:39.679
<v Speaker 2>You know, I worked in health and fitness, you know,

0:27:39.800 --> 0:27:42.959
<v Speaker 2>torta aerobics. Loved the health and fitness world, but realized

0:27:43.000 --> 0:27:45.560
<v Speaker 2>it was probably more of a hobby than a career.

0:27:46.000 --> 0:27:50.880
<v Speaker 2>And one of the ladies in the running club, Barbara,

0:27:51.359 --> 0:27:54.760
<v Speaker 2>she was leaving Channel seven and going to set up

0:27:56.119 --> 0:27:59.400
<v Speaker 2>the entertainment for Expo and Brisbane, and you know, I

0:27:59.440 --> 0:28:04.360
<v Speaker 2>was looking in a gym. We had five centers, twenty

0:28:04.440 --> 0:28:06.800
<v Speaker 2>five instructors, one hundred and twenty five classes a week.

0:28:07.720 --> 0:28:10.639
<v Speaker 2>I'm a really organized person and I wanted to go

0:28:10.680 --> 0:28:14.800
<v Speaker 2>and work with Barbara setting up the entertainment. And she said, Sandra,

0:28:14.840 --> 0:28:16.120
<v Speaker 2>I won't have a job for a couple of years,

0:28:16.200 --> 0:28:19.000
<v Speaker 2>you know, Expos a little while away, but there's a

0:28:19.040 --> 0:28:20.600
<v Speaker 2>great job going up to Channel seven. I said, I

0:28:20.640 --> 0:28:22.920
<v Speaker 2>don't know anything about television. She said, no, no, no unit manager,

0:28:22.920 --> 0:28:27.399
<v Speaker 2>you be fine. Production system. Okay. I fell into it

0:28:27.440 --> 0:28:30.760
<v Speaker 2>by accident and I started as a production system Maxie

0:28:30.840 --> 0:28:35.960
<v Speaker 2>McHugh started as a director's assistant. Lee Sales started. I

0:28:36.000 --> 0:28:40.040
<v Speaker 2>think a similar way to myself. So I had no

0:28:41.000 --> 0:28:45.600
<v Speaker 2>idea what being a newsreader or a journalist meant. I

0:28:45.600 --> 0:28:48.520
<v Speaker 2>think in some respects, because I always felt a little

0:28:48.520 --> 0:28:51.400
<v Speaker 2>bit fraudulent, a little bit of an impost and that

0:28:51.720 --> 0:28:55.560
<v Speaker 2>I started very late. You know, this seriousness came over

0:28:55.640 --> 0:28:57.960
<v Speaker 2>me because I had to play catch up and I

0:28:58.000 --> 0:29:02.920
<v Speaker 2>hadn't I didn't have that gene because I've worked on

0:29:02.960 --> 0:29:06.840
<v Speaker 2>a current affairs show and then on April Fool's Day,

0:29:07.360 --> 0:29:10.520
<v Speaker 2>the Current Affair show got axed and I got absorbed

0:29:10.520 --> 0:29:13.000
<v Speaker 2>into the newsroom because they went to an hour and

0:29:13.040 --> 0:29:16.840
<v Speaker 2>they needed two production assistants and I was literally bored

0:29:17.160 --> 0:29:19.040
<v Speaker 2>because there wasn't enough work to do, and I'd hassle

0:29:19.080 --> 0:29:20.960
<v Speaker 2>the news director for things to do. So again, what's

0:29:20.960 --> 0:29:23.400
<v Speaker 2>the foreign feeds? Tell me what you like? And at

0:29:23.440 --> 0:29:25.760
<v Speaker 2>the time, I was doing a Bachelor of Business and

0:29:27.040 --> 0:29:30.520
<v Speaker 2>I just loved it. So in a nutshell, I was

0:29:30.760 --> 0:29:33.600
<v Speaker 2>encouraged to apply for a cadet ship, and I said,

0:29:33.600 --> 0:29:35.280
<v Speaker 2>only if I can swap my degrees and you give

0:29:35.320 --> 0:29:38.360
<v Speaker 2>me time off so that I can learn this job properly,

0:29:39.160 --> 0:29:42.520
<v Speaker 2>even though you know I'd got my cadet ship. So

0:29:42.920 --> 0:29:44.880
<v Speaker 2>I think I always felt like I was playing catch

0:29:45.000 --> 0:29:48.400
<v Speaker 2>up and I wasn't born to be, you know, a journalist,

0:29:48.800 --> 0:29:50.880
<v Speaker 2>let alone a newsreader, like that was the last thing

0:29:51.120 --> 0:29:55.840
<v Speaker 2>I even considered. It all happened by accidents. So sometimes

0:29:55.880 --> 0:29:57.720
<v Speaker 2>I think that's part of the straight jacket, is I

0:29:57.800 --> 0:30:01.360
<v Speaker 2>always feel like I don't know enough.

0:30:02.520 --> 0:30:04.720
<v Speaker 1>I love those sliding doors moments, and I think it's

0:30:04.720 --> 0:30:09.520
<v Speaker 1>always great to hear because sometimes we assume that especially

0:30:09.600 --> 0:30:12.560
<v Speaker 1>successful people knew exactly where they're going, because we do

0:30:12.720 --> 0:30:14.840
<v Speaker 1>hear those stories a lot. I mean, people will write

0:30:15.000 --> 0:30:17.800
<v Speaker 1>entire books about that. But I knew exactly what I wanted,

0:30:18.160 --> 0:30:21.320
<v Speaker 1>came out of the womb, this was the plan. So

0:30:21.520 --> 0:30:26.360
<v Speaker 1>many things in life happen because of unexpected detours and

0:30:26.480 --> 0:30:29.560
<v Speaker 1>then finding our feet, and I think that's a really

0:30:29.720 --> 0:30:31.800
<v Speaker 1>great thing for us to talk about a bit more.

0:30:31.960 --> 0:30:35.720
<v Speaker 2>Yeah, I do think opportunities present themselves organically, and it's

0:30:36.400 --> 0:30:38.840
<v Speaker 2>really about timing and where your head's at and if

0:30:38.880 --> 0:30:41.040
<v Speaker 2>you have any clarity at the time about are you

0:30:41.200 --> 0:30:44.840
<v Speaker 2>ready to receive that opportunity or can you see it?

0:30:45.400 --> 0:30:49.600
<v Speaker 2>Other people can often see opportunities before you. As I said,

0:30:49.640 --> 0:30:52.120
<v Speaker 2>it wasn't anything I ever wanted to do. And then

0:30:52.800 --> 0:30:56.120
<v Speaker 2>fortunately for me, when i'd started in the newsroom in Brisbane,

0:30:56.160 --> 0:31:00.800
<v Speaker 2>the Fitzgerial inquiry was underway and I was asked to

0:31:01.280 --> 0:31:04.200
<v Speaker 2>basically be a supporter for our senior journalist who was

0:31:04.240 --> 0:31:07.040
<v Speaker 2>down covering the Fitzgeral inquiry. And so I got to

0:31:07.160 --> 0:31:11.480
<v Speaker 2>see really powerful journalism make a difference when I started

0:31:11.560 --> 0:31:15.360
<v Speaker 2>in the newsroom. What gave me the fire when I

0:31:15.520 --> 0:31:17.640
<v Speaker 2>you know, when I caught the bug, was to actually

0:31:17.800 --> 0:31:22.560
<v Speaker 2>see the difference it made. You know, It's just so powerful.

0:31:22.520 --> 0:31:27.400
<v Speaker 1>Being able to change something, bring an injustice to lights,

0:31:27.480 --> 0:31:35.160
<v Speaker 1>see legislation, change seed decisions overturned. This is the absolute privilege, surely.

0:31:35.360 --> 0:31:40.160
<v Speaker 2>Absolutely doing it, and that underscores everything and galvanizes me,

0:31:40.760 --> 0:31:43.800
<v Speaker 2>you know, on a profound level, because I've seen that

0:31:44.640 --> 0:31:48.480
<v Speaker 2>societal change that's been really important to the betterment of

0:31:48.520 --> 0:31:51.640
<v Speaker 2>Australian's lives. Now I'm not responsible for that, but just

0:31:51.760 --> 0:31:55.160
<v Speaker 2>being a part of that industry, I'm really really proud

0:31:55.200 --> 0:31:57.480
<v Speaker 2>of I know when I started, I was really I

0:31:57.600 --> 0:32:01.040
<v Speaker 2>loved news. I love the imitates immediacy of it. I

0:32:01.120 --> 0:32:02.840
<v Speaker 2>love the fact that the next day a new chapter

0:32:03.000 --> 0:32:05.600
<v Speaker 2>was written, or brand new chapters, brand new stories were written.

0:32:06.120 --> 0:32:08.560
<v Speaker 2>And in those days, it was all about wanting to

0:32:08.600 --> 0:32:11.760
<v Speaker 2>Beyana and who didn't want to be Jana because Jana

0:32:11.880 --> 0:32:15.560
<v Speaker 2>was Yana. But I didn't want a career in long

0:32:15.640 --> 0:32:19.040
<v Speaker 2>form journalism and all current affairs. I really I didn't.

0:32:19.240 --> 0:32:21.960
<v Speaker 2>And I remembered them all telling me, well, you know,

0:32:22.040 --> 0:32:25.680
<v Speaker 2>that's where you need to go, and I said no, no, nope, no, no,

0:32:25.880 --> 0:32:27.760
<v Speaker 2>no nope. So then I went regional and went to

0:32:27.840 --> 0:32:31.239
<v Speaker 2>Canberra and worked in a brand new newsroom. And then

0:32:32.120 --> 0:32:36.760
<v Speaker 2>you know, ten went through another series of massinations and cutbacks,

0:32:36.800 --> 0:32:39.720
<v Speaker 2>and basically I got hired because I didn't have to

0:32:39.760 --> 0:32:44.200
<v Speaker 2>pay relocation fees. Could just you know, already living in Camera,

0:32:44.240 --> 0:32:46.960
<v Speaker 2>I just moved up the hill anyway, thrown in the

0:32:47.040 --> 0:32:50.400
<v Speaker 2>deep end federal politics. Didn't know anything about it. Hopeless,

0:32:50.440 --> 0:32:51.080
<v Speaker 2>I was hopeless.

0:32:52.680 --> 0:32:56.080
<v Speaker 1>I wanted to ask you, if you don't mind me

0:32:56.240 --> 0:32:59.720
<v Speaker 1>asking about it. You mentioned earlier an assault and that

0:33:00.000 --> 0:33:03.360
<v Speaker 1>I was in nineteen ninety seven when you had come

0:33:03.480 --> 0:33:06.240
<v Speaker 1>home from doing the late news one evening and you

0:33:06.400 --> 0:33:09.800
<v Speaker 1>parked your car, and then we're getting out of your car.

0:33:09.880 --> 0:33:13.120
<v Speaker 1>You were getting your handbag off the passenger seat and

0:33:13.240 --> 0:33:15.720
<v Speaker 1>realized that you weren't alone, and you were knocked to

0:33:15.760 --> 0:33:20.640
<v Speaker 1>the ground by a masked assailant who actually held a

0:33:20.680 --> 0:33:23.400
<v Speaker 1>gun to your head and pulled the trigger not once

0:33:23.480 --> 0:33:24.040
<v Speaker 1>but twice.

0:33:25.000 --> 0:33:25.640
<v Speaker 2>Thank god the.

0:33:25.680 --> 0:33:26.600
<v Speaker 1>Gun didn't go off.

0:33:26.760 --> 0:33:27.600
<v Speaker 2>Yeah, I was very lucky.

0:33:27.760 --> 0:33:32.120
<v Speaker 1>Spoke to Stella about this twenty years after the attack,

0:33:32.640 --> 0:33:35.600
<v Speaker 1>and you said, you think maybe screaming You were screaming

0:33:35.720 --> 0:33:39.120
<v Speaker 1>so loud may have saved you. He suddenly stopped, he

0:33:39.720 --> 0:33:40.200
<v Speaker 1>led the car.

0:33:40.520 --> 0:33:44.280
<v Speaker 2>I really believe that I was in a warehouse apartment

0:33:44.360 --> 0:33:49.880
<v Speaker 2>at the time, and the garage driveway garages were was

0:33:50.120 --> 0:33:55.480
<v Speaker 2>one long hallway of parking spots underneath two floors of apartments,

0:33:56.080 --> 0:33:59.720
<v Speaker 2>but the windows to that parking space just had bars

0:33:59.800 --> 0:34:04.480
<v Speaker 2>but windows. So there were little squattish cottages in Surrey

0:34:04.560 --> 0:34:08.400
<v Speaker 2>Hills where I was living. And it was funny. I

0:34:08.520 --> 0:34:10.600
<v Speaker 2>had a dream as a young woman most of my

0:34:10.719 --> 0:34:15.400
<v Speaker 2>life about my most a really frightening experience, and that

0:34:15.480 --> 0:34:18.399
<v Speaker 2>I would be trying to scream and nothing would come out.

0:34:19.320 --> 0:34:23.600
<v Speaker 2>And at the time I remember screaming, and I was

0:34:24.840 --> 0:34:31.279
<v Speaker 2>shocked that it was coming out, and I knew I

0:34:31.360 --> 0:34:33.600
<v Speaker 2>found out within a day or two that the people

0:34:33.840 --> 0:34:36.279
<v Speaker 2>next door had called the police. And because I was

0:34:36.360 --> 0:34:40.239
<v Speaker 2>making so I didn't stop screaming. Despite him pistol whipping me.

0:34:41.200 --> 0:34:43.120
<v Speaker 2>He ran. That was the only thing that saved me.

0:34:43.560 --> 0:34:46.360
<v Speaker 2>I was lucky because he had a gun, ballet, clava

0:34:46.480 --> 0:34:49.440
<v Speaker 2>and handcuffs, so he met business.

0:34:50.360 --> 0:34:54.560
<v Speaker 1>And then you did go back to work, and you've

0:34:55.000 --> 0:34:57.399
<v Speaker 1>spoke to sell. When we asked you about you said, yeah,

0:34:57.440 --> 0:35:01.880
<v Speaker 1>obviously there's still things A loud noise will make you jump.

0:35:02.520 --> 0:35:06.280
<v Speaker 1>Are very wary of your surroundings. I'm sure in multiple locations,

0:35:06.320 --> 0:35:10.880
<v Speaker 1>but obviously in a car park we didn't necessarily understand.

0:35:11.360 --> 0:35:15.000
<v Speaker 1>I don't think trauma at that time, even in nineteen

0:35:15.080 --> 0:35:18.279
<v Speaker 1>ninety seven, as we do now. Do you think that

0:35:18.480 --> 0:35:21.440
<v Speaker 1>you do you look back and think, wow, I mean,

0:35:22.239 --> 0:35:25.560
<v Speaker 1>obviously I got back to work, and is that something

0:35:25.719 --> 0:35:30.279
<v Speaker 1>that you would treat any of it differently? Do you

0:35:30.400 --> 0:35:33.560
<v Speaker 1>think that you gave yourself enough time to.

0:35:33.680 --> 0:35:35.640
<v Speaker 2>Really Yeah, look, I do, and I think I needed

0:35:35.680 --> 0:35:37.640
<v Speaker 2>to get back to work. I think I had about

0:35:38.239 --> 0:35:40.560
<v Speaker 2>a couple of weeks off, three or four, perhaps because

0:35:40.840 --> 0:35:43.560
<v Speaker 2>I couldn't. I couldn't go back to that apartment because

0:35:43.600 --> 0:35:46.680
<v Speaker 2>I never found the person, and because I was doing

0:35:46.800 --> 0:35:51.440
<v Speaker 2>night shift, I couldn't be home alone, so that we

0:35:51.560 --> 0:35:53.600
<v Speaker 2>had to move our temporary accommodation. Then we had to

0:35:53.680 --> 0:35:56.960
<v Speaker 2>try and find some real sleeve. I had a security

0:35:57.080 --> 0:36:00.919
<v Speaker 2>detail for ten years every night when I got home,

0:36:01.120 --> 0:36:05.040
<v Speaker 2>but that gave me real comfort. My marriage broke down

0:36:05.120 --> 0:36:11.640
<v Speaker 2>not long after all of that, which was yeah, life

0:36:11.960 --> 0:36:15.000
<v Speaker 2>shit sandwich, which happened sometimes. You know, you just got

0:36:15.120 --> 0:36:19.279
<v Speaker 2>to work it out. I needed my job because I

0:36:19.400 --> 0:36:21.920
<v Speaker 2>felt very alone and very vulnerable, and it was the

0:36:22.040 --> 0:36:25.319
<v Speaker 2>one steady thing in my life that I could rely

0:36:25.520 --> 0:36:28.600
<v Speaker 2>on as much as you can rely on being a

0:36:28.680 --> 0:36:34.800
<v Speaker 2>journalist at a TV network, but I could. Yeah, but

0:36:34.920 --> 0:36:37.200
<v Speaker 2>I didn't know that at the time, so I knew

0:36:37.280 --> 0:36:40.400
<v Speaker 2>I had to just work really hard and turn up.

0:36:41.080 --> 0:36:43.319
<v Speaker 2>But it got me through. It got me through when

0:36:43.360 --> 0:36:46.120
<v Speaker 2>I was my most vulnerable. I had no family in Sydney,

0:36:46.320 --> 0:36:51.279
<v Speaker 2>just some good friends. And as I said, my mean

0:36:51.280 --> 0:36:53.520
<v Speaker 2>I got married, but we didn't. It didn't last very long.

0:36:53.520 --> 0:36:55.560
<v Speaker 2>We've been together a long time, but when we got married,

0:36:56.600 --> 0:36:58.560
<v Speaker 2>it didn't. It didn't work out, and that's okay, but

0:37:00.080 --> 0:37:02.520
<v Speaker 2>you know, you are very vulnerable, and I think people

0:37:02.600 --> 0:37:06.160
<v Speaker 2>do understand a lot more now that I could arguably

0:37:06.239 --> 0:37:10.359
<v Speaker 2>call it PTSD to some description, to some degree. It's

0:37:10.440 --> 0:37:13.560
<v Speaker 2>not a word or a term I've ever actually used

0:37:13.800 --> 0:37:18.000
<v Speaker 2>before in relation to this, but it took me. When

0:37:18.040 --> 0:37:20.720
<v Speaker 2>I spoke to Stella was the first time i'd spoken publicly.

0:37:22.280 --> 0:37:25.640
<v Speaker 2>My close circle and family obviously knew what went down,

0:37:25.800 --> 0:37:28.279
<v Speaker 2>but I really didn't want to draw attention to it.

0:37:28.320 --> 0:37:31.759
<v Speaker 2>I didn't want this person. I don't believe that they

0:37:31.880 --> 0:37:34.239
<v Speaker 2>had a clue that I was that woman on the news.

0:37:34.400 --> 0:37:37.160
<v Speaker 2>I think they had done their homework and worked out.

0:37:37.239 --> 0:37:40.400
<v Speaker 2>I was a target and I was gettable, but I

0:37:40.440 --> 0:37:44.360
<v Speaker 2>didn't want to add any fuel to that fire of

0:37:44.440 --> 0:37:47.960
<v Speaker 2>a person who worked out at all. They may it

0:37:48.040 --> 0:37:50.560
<v Speaker 2>could have been me, and I wasn't going to found

0:37:50.640 --> 0:37:54.960
<v Speaker 2>that in any way. So it was important for me

0:37:55.160 --> 0:37:57.720
<v Speaker 2>not to really talk about it for two decades.

0:37:57.719 --> 0:38:00.480
<v Speaker 1>And completely understandable as well.

0:38:01.040 --> 0:38:05.320
<v Speaker 2>But I do feel completely over it as well, you know.

0:38:05.920 --> 0:38:10.040
<v Speaker 2>I mean, I know that I sit there every night

0:38:10.120 --> 0:38:13.480
<v Speaker 2>on the news and a shit sandwich happens to someone

0:38:14.600 --> 0:38:17.080
<v Speaker 2>nearly in every story. The first break part of my language,

0:38:17.719 --> 0:38:24.080
<v Speaker 2>but somebody has not seen drama unfold that is life

0:38:24.200 --> 0:38:29.600
<v Speaker 2>changing and horrendous or tragic, whatever it may be. I

0:38:29.719 --> 0:38:32.160
<v Speaker 2>do know that you do have to seize the day,

0:38:32.520 --> 0:38:37.000
<v Speaker 2>and you do have to believe that you've got to

0:38:37.080 --> 0:38:41.120
<v Speaker 2>make the most of every day. So I know that

0:38:41.239 --> 0:38:44.600
<v Speaker 2>what happened to me is nothing compared to what happens

0:38:44.640 --> 0:38:47.759
<v Speaker 2>to a lot of other people. So you get perspective,

0:38:49.719 --> 0:38:52.400
<v Speaker 2>put it in its right box, and get on with it.

0:38:53.440 --> 0:38:56.080
<v Speaker 1>And from what you've said as your approach to media,

0:38:56.480 --> 0:38:59.359
<v Speaker 1>it sounds as though you've always had a fairly strong

0:38:59.400 --> 0:39:01.560
<v Speaker 1>sense of EmPATH human That's not the word that you've viewed,

0:39:01.600 --> 0:39:04.440
<v Speaker 1>so that's possibly an observation that you would disagree with.

0:39:04.680 --> 0:39:10.160
<v Speaker 1>But you've had that sense of humanity and understanding that

0:39:10.280 --> 0:39:13.440
<v Speaker 1>people are dealing with shit sandwiches even before you had

0:39:13.520 --> 0:39:17.320
<v Speaker 1>that harrowing experience in nineteen ninety seven. But did it

0:39:17.440 --> 0:39:20.000
<v Speaker 1>sharpen that or did it change any way that you

0:39:20.239 --> 0:39:22.239
<v Speaker 1>approach your role as a journalist.

0:39:22.520 --> 0:39:25.520
<v Speaker 2>No, I don't think it changed anything. I think I'll

0:39:25.560 --> 0:39:28.360
<v Speaker 2>give complete credit to my family and my parents the

0:39:28.400 --> 0:39:30.879
<v Speaker 2>way I was brought up in the value system. That's

0:39:31.000 --> 0:39:38.960
<v Speaker 2>always been important to me. You know, you're a human beings,

0:39:39.400 --> 0:39:42.439
<v Speaker 2>as are all the people that are at the center

0:39:42.480 --> 0:39:45.520
<v Speaker 2>of all of our stories. So you walk in their

0:39:45.560 --> 0:39:48.439
<v Speaker 2>shoes for a second and you get a glimpse into

0:39:48.719 --> 0:39:53.160
<v Speaker 2>how tough it can be. I'd like to think people

0:39:53.280 --> 0:39:56.120
<v Speaker 2>can see that I get that and always have. That's

0:39:56.400 --> 0:39:57.880
<v Speaker 2>really important to me.

0:39:58.320 --> 0:40:02.040
<v Speaker 1>I think people would, and that that's why I wanted

0:40:02.080 --> 0:40:04.359
<v Speaker 1>to say that. I think that empathy's always been there.

0:40:04.840 --> 0:40:08.840
<v Speaker 1>I think it's a really valid experience with somebody, whatever industry,

0:40:08.920 --> 0:40:13.600
<v Speaker 1>there is something happens that changes the way that they

0:40:14.840 --> 0:40:17.160
<v Speaker 1>look at what other people go through. And we've all

0:40:17.239 --> 0:40:20.600
<v Speaker 1>heard people say that. I mean, getting a diagnosis with

0:40:20.680 --> 0:40:22.960
<v Speaker 1>the serious illness, for instance, can be a life changing

0:40:23.000 --> 0:40:25.640
<v Speaker 1>event for a lot of people because, depending on what

0:40:25.760 --> 0:40:29.160
<v Speaker 1>they'd been through at that point, it just completely opens

0:40:29.200 --> 0:40:29.759
<v Speaker 1>their eyes to.

0:40:29.760 --> 0:40:31.319
<v Speaker 2>The vulnerability of all of us.

0:40:31.440 --> 0:40:34.360
<v Speaker 1>But some people always had that awareness, maybe because of

0:40:34.480 --> 0:40:36.919
<v Speaker 1>things that they went through early on. You're not someone,

0:40:36.960 --> 0:40:40.719
<v Speaker 1>from my observation, that had that before and after in

0:40:40.840 --> 0:40:43.879
<v Speaker 1>terms of how you approached your job. So I really

0:40:44.000 --> 0:40:46.440
<v Speaker 1>just wanted to know what your take on it was,

0:40:46.640 --> 0:40:49.240
<v Speaker 1>and I think how you feel about it is certainly

0:40:49.520 --> 0:40:51.960
<v Speaker 1>how I would have witnessed it from the outside.

0:40:52.520 --> 0:40:54.800
<v Speaker 2>Yeah, I am, well, I'm heartened to hear that that

0:40:55.160 --> 0:40:59.319
<v Speaker 2>might be how it's perceived, but from my perspective, there's

0:40:59.400 --> 0:41:03.879
<v Speaker 2>nothing content about it. You know, it's completely unconscious.

0:41:04.600 --> 0:41:09.520
<v Speaker 1>You've always obviously not really sought the spotlight, and people

0:41:09.600 --> 0:41:12.799
<v Speaker 1>always think it's unusual when you're in a job where

0:41:12.800 --> 0:41:15.839
<v Speaker 1>you're on television every day, but I see it all

0:41:15.880 --> 0:41:18.960
<v Speaker 1>the time in this job, and so I really am

0:41:19.080 --> 0:41:21.279
<v Speaker 1>grateful that you've sat down with me today because I

0:41:21.440 --> 0:41:24.959
<v Speaker 1>know that you know, you're not somebody that necessarily loves

0:41:25.000 --> 0:41:26.520
<v Speaker 1>talking about yourself in this way.

0:41:26.640 --> 0:41:30.600
<v Speaker 2>So let's throw forward a little bit to the future.

0:41:31.280 --> 0:41:33.960
<v Speaker 1>I mean, it would be unfair of me to ask

0:41:34.040 --> 0:41:35.600
<v Speaker 1>to see your thirty five year plan.

0:41:35.760 --> 0:41:36.640
<v Speaker 2>We're talking about the.

0:41:36.719 --> 0:41:39.600
<v Speaker 1>Last thirty five years, what's the next thirty five years?

0:41:39.680 --> 0:41:43.360
<v Speaker 1>But what is the future plan for you? Do you?

0:41:43.520 --> 0:41:46.480
<v Speaker 2>Well, I've never had a plan. I don't believe in plans.

0:41:46.600 --> 0:41:46.840
<v Speaker 1>I know.

0:41:49.680 --> 0:41:52.320
<v Speaker 2>I know a lot of you know, lecturers will be

0:41:52.520 --> 0:41:56.960
<v Speaker 2>very annoyed about trying to encourage people to have goals,

0:41:57.040 --> 0:41:59.000
<v Speaker 2>and I think you should have goals, But my goal

0:41:59.160 --> 0:42:01.440
<v Speaker 2>is always I love what I do, and when I

0:42:01.800 --> 0:42:04.520
<v Speaker 2>stop loving what I'll do, I'll find something else, or

0:42:04.600 --> 0:42:06.960
<v Speaker 2>the network will make a decision for me, and that's life,

0:42:07.000 --> 0:42:11.840
<v Speaker 2>that's TV. I don't I just want to be happy

0:42:11.920 --> 0:42:15.479
<v Speaker 2>and well, you know, your health is the greatest gift,

0:42:16.120 --> 0:42:20.760
<v Speaker 2>and being happy is always a goal, you know, because

0:42:21.280 --> 0:42:23.239
<v Speaker 2>we've all got our own dramas. You know, I lost

0:42:23.280 --> 0:42:25.960
<v Speaker 2>my dad a year ago. You know, you can have

0:42:26.080 --> 0:42:29.520
<v Speaker 2>an argument with your with your husband, or your wife

0:42:29.680 --> 0:42:33.759
<v Speaker 2>or or your partner. All those things can derail you.

0:42:33.840 --> 0:42:36.120
<v Speaker 2>You can get a bad medical diagnosis. I don't know.

0:42:38.719 --> 0:42:44.520
<v Speaker 2>Just you know, my dad would always say, I woke

0:42:44.600 --> 0:42:47.759
<v Speaker 2>up this morning. It's a good start. Yes, And I

0:42:47.840 --> 0:42:54.440
<v Speaker 2>don't take that lightly. It's flippant. But life is incredibly

0:42:54.600 --> 0:42:58.040
<v Speaker 2>fickle and can be incredibly harsh. So if I have

0:42:58.120 --> 0:43:01.680
<v Speaker 2>the good fortune to keep doing what I'm doing with

0:43:01.840 --> 0:43:04.640
<v Speaker 2>the people who really are family, in a job I

0:43:04.800 --> 0:43:07.880
<v Speaker 2>absolutely love, with a network I haven't left for thirty

0:43:07.920 --> 0:43:12.880
<v Speaker 2>five years, go me, pick me. I'm there. Well, I

0:43:13.040 --> 0:43:14.120
<v Speaker 2>wish you all the best.

0:43:14.320 --> 0:43:17.360
<v Speaker 1>I am looking forward to seeing what the next thirty

0:43:17.440 --> 0:43:20.520
<v Speaker 1>five years brings. I mean, I think, as Ron Wilson said,

0:43:20.560 --> 0:43:24.120
<v Speaker 1>you've got to be doing something right to survive in

0:43:24.239 --> 0:43:27.680
<v Speaker 1>that sort of industry and survive with such grace and class.

0:43:27.840 --> 0:43:31.000
<v Speaker 1>So Sandra Sully, thank you so much for your time today.

0:43:31.400 --> 0:43:34.640
<v Speaker 2>Thank you Sarah for being gentle with me. I hope

0:43:34.640 --> 0:43:35.120
<v Speaker 2>that I was.

0:43:35.400 --> 0:43:37.440
<v Speaker 1>And of course you can watch Sandra Sually on ten

0:43:37.520 --> 0:43:39.720
<v Speaker 1>News for Sydney week days from five.

0:43:39.680 --> 0:43:42.840
<v Speaker 2>Pm on ten and ten Play. Indeed, thanks Sarah.

0:43:42.920 --> 0:43:46.080
<v Speaker 1>Andre. You can also watch this interview of the Stellar

0:43:46.160 --> 0:43:49.440
<v Speaker 1>podcast on YouTube by following the link in our show notes.

0:43:49.960 --> 0:43:52.760
<v Speaker 1>Thank you for joining me today. If you've enjoyed this episode,

0:43:52.880 --> 0:43:55.480
<v Speaker 1>let us know by leaving a review and make sure

0:43:55.520 --> 0:43:57.960
<v Speaker 1>you're following something to talk about, because we'll be back

0:43:58.080 --> 0:44:00.319
<v Speaker 1>with another exclusive guest next time week.

0:44:00.480 --> 0:44:01.080
<v Speaker 2>See you then,