1 00:00:01,360 --> 00:00:04,480 Speaker 1: It is the City and with Kate Rigi podcast. 2 00:00:06,760 --> 00:00:10,840 Speaker 2: Together, I don't know a lot of the. 3 00:00:13,920 --> 00:00:17,799 Speaker 3: CSI song to be let's talk about Justin Bieber today 4 00:00:18,320 --> 00:00:21,520 Speaker 3: what do you Mean? We're going back at twenty fifteen, everybody, 5 00:00:23,280 --> 00:00:25,040 Speaker 3: it wasn't a good time for bees and we're going 6 00:00:25,079 --> 00:00:26,640 Speaker 3: to talk about this a little bit later on. But 7 00:00:26,760 --> 00:00:28,440 Speaker 3: that was around the time that he was voted the 8 00:00:28,480 --> 00:00:30,639 Speaker 3: most hated celebrity in the US because it. 9 00:00:30,720 --> 00:00:32,200 Speaker 4: Was remember, he was egging people. 10 00:00:32,640 --> 00:00:33,400 Speaker 2: He writes the song. 11 00:00:33,280 --> 00:00:35,120 Speaker 4: About he went off the rails a little bit, do 12 00:00:35,200 --> 00:00:35,640 Speaker 4: you mean? 13 00:00:36,920 --> 00:00:36,960 Speaker 5: So? 14 00:00:37,520 --> 00:00:40,280 Speaker 3: What do you Mean? Was written by Justin Bieber and 15 00:00:40,400 --> 00:00:43,120 Speaker 3: a guy called Jason pooh Bear Boyd. 16 00:00:43,760 --> 00:00:46,800 Speaker 4: Poo Bear poo Bear is a producer. 17 00:00:47,159 --> 00:00:51,480 Speaker 3: Okay, this is a fascinating story because it's Jason pooh 18 00:00:51,520 --> 00:00:54,640 Speaker 3: Bear Boyd talking about, you know, all the songs that 19 00:00:54,720 --> 00:00:57,400 Speaker 3: he was writing around the time and producing around that time, 20 00:00:58,280 --> 00:01:02,760 Speaker 3: and it's just fascinating how this song was picked up. 21 00:01:03,560 --> 00:01:05,800 Speaker 2: When I wrote that record, I wasn't even a big 22 00:01:05,920 --> 00:01:10,880 Speaker 2: fan of what do you Mean? At that time. 23 00:01:10,959 --> 00:01:13,360 Speaker 6: I had already written one hundred and ten songs for 24 00:01:13,440 --> 00:01:15,880 Speaker 6: that project, and I was kind of at my WIT's end, 25 00:01:16,120 --> 00:01:18,760 Speaker 6: so I kind of wrote that one from I just 26 00:01:18,840 --> 00:01:20,160 Speaker 6: want to get this over with ye. 27 00:01:20,560 --> 00:01:22,400 Speaker 7: I wrote that in like it was like twenty five minutes, 28 00:01:22,440 --> 00:01:24,640 Speaker 7: thirty minute, and left the studio. I didn't want to 29 00:01:24,720 --> 00:01:27,280 Speaker 7: waste studio time, but I know how much it costs. 30 00:01:27,720 --> 00:01:29,440 Speaker 7: So I went in the studio and I wrote this 31 00:01:29,560 --> 00:01:32,680 Speaker 7: record really fast, not thinking that anybody would like it 32 00:01:32,800 --> 00:01:35,520 Speaker 7: because I wasn't that much into it, and then left 33 00:01:35,560 --> 00:01:35,880 Speaker 7: and get it. 34 00:01:35,920 --> 00:01:38,399 Speaker 2: Called from Scooter and he was like, that record you did? 35 00:01:38,520 --> 00:01:39,160 Speaker 2: What do you mean? 36 00:01:39,520 --> 00:01:41,800 Speaker 6: I was like, yeah, it's cool. He's like, that's his 37 00:01:41,880 --> 00:01:45,600 Speaker 6: first single. I was like, no, no, I said, we 38 00:01:45,720 --> 00:01:47,320 Speaker 6: have I have a one hundred and tent of the 39 00:01:47,400 --> 00:01:49,400 Speaker 6: songs that I wrote. What do you mean it's not 40 00:01:49,520 --> 00:01:51,360 Speaker 6: the first single. He was like, I'm telling you who where? 41 00:01:51,840 --> 00:01:53,960 Speaker 6: Every time I get that billing in my stomach, I'm 42 00:01:54,040 --> 00:01:54,640 Speaker 6: never wrong? 43 00:01:54,920 --> 00:01:57,520 Speaker 2: What do you mean? Is the single? And I came 44 00:01:57,600 --> 00:02:02,520 Speaker 2: out fifty times platinumers something like that. Some crazy, isn't that? A? 45 00:02:03,080 --> 00:02:05,280 Speaker 3: Like it's crazy to think and you know, you take 46 00:02:05,320 --> 00:02:07,800 Speaker 3: the pod of Let's how to Scoot Abroad, but it's 47 00:02:07,880 --> 00:02:11,359 Speaker 3: amazing how some people can go nah and when you're 48 00:02:11,480 --> 00:02:14,239 Speaker 3: writing so much music like that. Pooh Bear was just 49 00:02:14,320 --> 00:02:17,799 Speaker 3: saying it's just all mold into the others, and you're like, 50 00:02:17,880 --> 00:02:19,000 Speaker 3: I don't know which one's good. 51 00:02:19,160 --> 00:02:21,359 Speaker 2: Of course not. You've heard everything, and how good's poo 52 00:02:21,400 --> 00:02:22,720 Speaker 2: Bear was as well? 53 00:02:22,840 --> 00:02:25,840 Speaker 3: Yeah, it all was there, and then they and pooh 54 00:02:25,880 --> 00:02:30,000 Speaker 3: Bear passed it on to j Bear Justin Bieber, So 55 00:02:30,360 --> 00:02:32,079 Speaker 3: Justin Bieber then puts his edge on it. 56 00:02:33,520 --> 00:02:36,480 Speaker 6: Concept is the most important part. The concept is the address. 57 00:02:36,919 --> 00:02:39,519 Speaker 6: Each route becomes a verse that gets me to my 58 00:02:39,680 --> 00:02:42,760 Speaker 6: main idea, my destination. So now I'm making sure that 59 00:02:42,960 --> 00:02:46,360 Speaker 6: my verses support my main idea. So now I'm talking 60 00:02:46,440 --> 00:02:47,400 Speaker 6: with the artists and. 61 00:02:47,480 --> 00:02:48,560 Speaker 2: I'm like, you, are you in love? 62 00:02:48,639 --> 00:02:50,000 Speaker 6: Are you going to do anything? You're going to do 63 00:02:50,040 --> 00:02:52,080 Speaker 6: a heart rate? They give me the concept of design, 64 00:02:52,200 --> 00:02:54,560 Speaker 6: So then that's my address. Now I put that in 65 00:02:54,639 --> 00:02:55,239 Speaker 6: my GPS. 66 00:02:55,560 --> 00:02:58,079 Speaker 2: Let's to the hook. I write the hook. You love that? 67 00:02:58,360 --> 00:03:01,160 Speaker 6: That's our first love check. Now I'm going to create 68 00:03:01,200 --> 00:03:03,760 Speaker 6: this verse to support the main idea to a melody. 69 00:03:04,280 --> 00:03:06,640 Speaker 2: You love that melody? Cool? Now I'm gonna start putting 70 00:03:06,680 --> 00:03:08,760 Speaker 2: words to that melody. By the end of the song. 71 00:03:09,200 --> 00:03:12,160 Speaker 6: Every section that I've worked in, we've all proved it, 72 00:03:12,240 --> 00:03:14,440 Speaker 6: and we've all been brutally honest about it. So when 73 00:03:14,440 --> 00:03:17,000 Speaker 6: we listen to the song, we have zero resentment, we 74 00:03:17,080 --> 00:03:19,200 Speaker 6: have zero regrets power. 75 00:03:20,000 --> 00:03:22,040 Speaker 4: So you got to sit down with the artists and go, 76 00:03:22,200 --> 00:03:23,880 Speaker 4: what's going on in your life at the moment? 77 00:03:23,960 --> 00:03:26,959 Speaker 2: Well, I egged three houses and then he says, what 78 00:03:27,120 --> 00:03:27,680 Speaker 2: do you mean? 79 00:03:28,000 --> 00:03:31,919 Speaker 4: What he was talking about the girls? Let's have a 80 00:03:31,960 --> 00:03:33,680 Speaker 4: listen to justin talking about the lyrics. 81 00:03:34,240 --> 00:03:36,280 Speaker 5: The title is called what do you mean? 82 00:03:37,200 --> 00:03:38,000 Speaker 2: What do you mean? 83 00:03:38,120 --> 00:03:38,520 Speaker 3: Do you mean? 84 00:03:38,760 --> 00:03:41,760 Speaker 1: Now, that's something that like when you say that to somebody, 85 00:03:42,720 --> 00:03:45,040 Speaker 1: you're like, you don't understand what they're saying to you, right. 86 00:03:45,400 --> 00:03:49,720 Speaker 2: Well, like girls are often like it's just flip floppy. 87 00:03:49,840 --> 00:03:50,640 Speaker 4: I love it, you're whispering. 88 00:03:50,680 --> 00:03:51,520 Speaker 2: We're talking about girls. 89 00:03:51,560 --> 00:03:53,840 Speaker 6: Come on, say they say something and then they mean 90 00:03:53,920 --> 00:03:56,480 Speaker 6: something else, you know, So it's like I want to like, 91 00:03:57,400 --> 00:03:58,040 Speaker 6: what do you mean? 92 00:03:58,240 --> 00:04:01,080 Speaker 4: Like, like, do you find when you ask somebody a girl, 93 00:04:01,200 --> 00:04:01,640 Speaker 4: what do you mean? 94 00:04:01,680 --> 00:04:03,000 Speaker 1: That they tell you what they mean? Or do they 95 00:04:03,080 --> 00:04:06,480 Speaker 1: still not always tell you what they're Like you're supposed 96 00:04:06,480 --> 00:04:07,280 Speaker 1: to read their mind sometimes? 97 00:04:07,360 --> 00:04:09,040 Speaker 2: Yeah, I mean I don't really know. 98 00:04:09,160 --> 00:04:12,880 Speaker 5: That's why I'm asking What's. 99 00:04:13,520 --> 00:04:15,720 Speaker 4: That's why he was voted the most heided person in 100 00:04:15,760 --> 00:04:16,800 Speaker 4: the US at the time. 101 00:04:17,880 --> 00:04:19,440 Speaker 2: Can't live with him, can't live without him, you know 102 00:04:19,480 --> 00:04:20,640 Speaker 2: what I mean? Well, you know what. 103 00:04:20,839 --> 00:04:24,320 Speaker 3: After that poll, Poober was asked, why are you always 104 00:04:24,440 --> 00:04:27,800 Speaker 3: working with Biber? Like, why are you working with him 105 00:04:28,279 --> 00:04:31,440 Speaker 3: when he's been voted the most hated. This is what 106 00:04:31,560 --> 00:04:32,320 Speaker 3: Pooper had to s. 107 00:04:32,960 --> 00:04:36,080 Speaker 6: I remember my publisher was like, why you keep working 108 00:04:36,160 --> 00:04:38,480 Speaker 6: with him? He's done? It's like you keep you keep 109 00:04:38,520 --> 00:04:40,800 Speaker 6: putting all your a's in the one basket. And I'm like, 110 00:04:41,320 --> 00:04:45,960 Speaker 6: I was, but I like the I like that, and 111 00:04:47,000 --> 00:04:49,600 Speaker 6: he believed in me more than anybody in my home career. 112 00:04:49,760 --> 00:04:52,000 Speaker 6: For me, it was like I believe in him because 113 00:04:52,000 --> 00:04:52,680 Speaker 6: he believed. 114 00:04:52,400 --> 00:04:55,480 Speaker 2: That mere putting his career in your head and I 115 00:04:55,480 --> 00:04:56,440 Speaker 2: don't even look at it like that. 116 00:04:57,480 --> 00:05:00,240 Speaker 3: And now he's worth multi millionaire at all. So it 117 00:05:00,279 --> 00:05:03,000 Speaker 3: helps that your bank balance keeps going wow and up 118 00:05:03,480 --> 00:05:03,840 Speaker 3: as well. 119 00:05:03,960 --> 00:05:06,280 Speaker 4: He believes in my bank ballance. Yeah, I believe in 120 00:05:06,400 --> 00:05:07,200 Speaker 4: his bank balance. 121 00:05:07,400 --> 00:05:09,640 Speaker 2: What do you mean justin Bieber? That's the song to 122 00:05:09,680 --> 00:05:13,200 Speaker 2: be today. This is the fitz Wiber with Cape Ritchie podcast. 123 00:05:14,680 --> 00:05:19,719 Speaker 4: Wells again love, I don't have a lot of me. 124 00:05:23,680 --> 00:05:24,600 Speaker 3: This song to be. 125 00:05:25,240 --> 00:05:27,240 Speaker 4: I like the opener. I do like the opener. 126 00:05:27,720 --> 00:05:30,479 Speaker 3: Unfortunately, you won't be able to hear Fitzi's voice anymore. 127 00:05:30,640 --> 00:05:32,000 Speaker 4: The open it's been taken away. 128 00:05:32,360 --> 00:05:33,240 Speaker 6: Bad World. 129 00:05:33,320 --> 00:05:36,640 Speaker 4: I'm snitchy. That's why he's the best in the business today. 130 00:05:37,520 --> 00:05:39,800 Speaker 4: I am so excited about this. This is a song 131 00:05:39,880 --> 00:05:45,360 Speaker 4: from nineteen ninety, a dance floor classic. It's robin It 132 00:05:45,640 --> 00:05:53,320 Speaker 4: show me Laugh. Yeah, nineteen ninety yet that's what I. 133 00:05:53,360 --> 00:06:00,719 Speaker 3: Said, got it. I'm clear world, World done. So Robins 134 00:06:00,920 --> 00:06:01,760 Speaker 3: is the voice there. 135 00:06:01,880 --> 00:06:02,040 Speaker 2: Now. 136 00:06:02,160 --> 00:06:06,320 Speaker 4: It was produced by a man called stone Bridge. 137 00:06:07,200 --> 00:06:07,479 Speaker 2: Okay. 138 00:06:07,560 --> 00:06:10,880 Speaker 3: Now, this is why this song is so interesting because 139 00:06:10,920 --> 00:06:13,560 Speaker 3: there's been a few blow ups about this song and 140 00:06:13,720 --> 00:06:16,480 Speaker 3: who's received the money, because it is one of the 141 00:06:16,520 --> 00:06:18,560 Speaker 3: biggest dance for classics of all time. 142 00:06:18,920 --> 00:06:19,960 Speaker 4: And you ask any. 143 00:06:19,880 --> 00:06:22,600 Speaker 3: DJ what's one song that gets the dance floor going, 144 00:06:22,920 --> 00:06:26,679 Speaker 3: and it's Robines's show Me Love. This song is iconic 145 00:06:27,200 --> 00:06:31,039 Speaker 3: and in the dance industry it's huge. So a stone 146 00:06:31,080 --> 00:06:33,800 Speaker 3: Bridge there was a podcast. He hasn't really spoken about 147 00:06:33,839 --> 00:06:36,279 Speaker 3: it too much, but there was a podcast that went 148 00:06:36,400 --> 00:06:41,200 Speaker 3: through the song and they were talking about where Stonebridge 149 00:06:41,320 --> 00:06:44,960 Speaker 3: got the idea for the beat, and it was from 150 00:06:45,040 --> 00:06:46,280 Speaker 3: a track in the eighties. 151 00:06:46,320 --> 00:06:48,600 Speaker 4: Have a listen to this. This is a Kevin Sanderson 152 00:06:48,640 --> 00:06:49,600 Speaker 4: earlier's Chaos. 153 00:06:49,880 --> 00:07:02,600 Speaker 2: It's called Definition of Love from nineteen eighty nine Polish mission. 154 00:07:05,080 --> 00:07:07,839 Speaker 4: So he basically Gral's coming back. 155 00:07:13,480 --> 00:07:16,680 Speaker 2: If we why what how much have you got? 156 00:07:17,280 --> 00:07:21,840 Speaker 4: So he had the beat. Now there's confusion because he 157 00:07:22,080 --> 00:07:23,520 Speaker 4: was looking for a voice. Right. 158 00:07:23,640 --> 00:07:25,920 Speaker 3: So the record company said, we've got this woman called 159 00:07:26,000 --> 00:07:28,200 Speaker 3: Robins right, and she's got an amazing voice. 160 00:07:28,480 --> 00:07:30,600 Speaker 4: She's got no idea about the song whip. 161 00:07:30,720 --> 00:07:34,160 Speaker 3: She thinks that she's going in there and she's recording 162 00:07:34,240 --> 00:07:35,040 Speaker 3: her vocal beat. 163 00:07:35,200 --> 00:07:38,480 Speaker 4: She thought that he recorded the song around her vocals. 164 00:07:38,760 --> 00:07:41,560 Speaker 3: But anyway, the day that she rocked up to record 165 00:07:41,760 --> 00:07:45,320 Speaker 3: the voice, she was actually under duress. 166 00:07:45,600 --> 00:07:46,600 Speaker 4: She was quite craek. 167 00:07:46,680 --> 00:07:49,640 Speaker 8: Listen to this, and then before I started feeling ill. 168 00:07:50,080 --> 00:07:52,920 Speaker 8: That night I got really sick and I was like 169 00:07:53,080 --> 00:07:54,720 Speaker 8: I can't. I don't know if I could do this, 170 00:07:55,400 --> 00:07:57,960 Speaker 8: and half lost my voice, you know, was half there 171 00:07:58,080 --> 00:08:01,440 Speaker 8: half night, and that morning when we got. 172 00:08:01,400 --> 00:08:04,240 Speaker 5: Up to start working, I was like, I'm not sure 173 00:08:04,280 --> 00:08:06,200 Speaker 5: I can do this, but I'll try. 174 00:08:06,720 --> 00:08:09,200 Speaker 8: And so the note that everyone hears and the singing 175 00:08:09,320 --> 00:08:12,280 Speaker 8: that everyone hears is me singing with the flu. 176 00:08:17,320 --> 00:08:18,600 Speaker 4: That's her with the flu. 177 00:08:20,360 --> 00:08:23,360 Speaker 3: What a voice and now you haven't listened to Robin 178 00:08:23,400 --> 00:08:27,000 Speaker 3: he talking about the song, because you know, everyone's thinking, 179 00:08:27,080 --> 00:08:29,400 Speaker 3: this song is so big, you've made so much money 180 00:08:29,520 --> 00:08:29,760 Speaker 3: from it. 181 00:08:29,880 --> 00:08:31,160 Speaker 4: Are you a fan of the song? 182 00:08:32,800 --> 00:08:36,640 Speaker 8: I didn't have great expectations of it because it wasn't 183 00:08:36,720 --> 00:08:39,480 Speaker 8: something that I really wanted to do. 184 00:08:40,200 --> 00:08:43,360 Speaker 5: That's not a song that I really wanted to sing. 185 00:08:43,720 --> 00:08:44,480 Speaker 2: So when it was. 186 00:08:44,559 --> 00:08:46,959 Speaker 5: Played back to me and Okay, this is it, this 187 00:08:47,120 --> 00:08:52,240 Speaker 5: is the finished product, I was like, okay, and that 188 00:08:52,679 --> 00:08:54,960 Speaker 5: is the truth. Okay, well what do we do now? 189 00:08:55,559 --> 00:08:57,400 Speaker 5: I was so not enthused. 190 00:08:58,520 --> 00:09:00,880 Speaker 4: She didn't write the song, so you're still sick. 191 00:09:01,440 --> 00:09:03,559 Speaker 3: So then you think to yourself, when a producer and 192 00:09:03,640 --> 00:09:07,199 Speaker 3: an artist gets together, that you know obviously you talk 193 00:09:07,240 --> 00:09:10,199 Speaker 3: about it and you walking. She had no relationship with 194 00:09:10,520 --> 00:09:15,000 Speaker 3: stone Bridge at all. She only met him a long 195 00:09:15,080 --> 00:09:15,800 Speaker 3: time after that. 196 00:09:16,920 --> 00:09:21,280 Speaker 8: He built the music to the song around the vocals. 197 00:09:21,640 --> 00:09:25,120 Speaker 8: It was an absolute perfect Matrich. I didn't even know 198 00:09:25,200 --> 00:09:30,199 Speaker 8: who Stonebridge was. I only met Stonebridge about maybe fifteen 199 00:09:30,320 --> 00:09:30,719 Speaker 8: years ago. 200 00:09:32,160 --> 00:09:36,719 Speaker 3: And this is nineteen ninety the song came out. Now 201 00:09:37,120 --> 00:09:39,160 Speaker 3: a lot of people are saying, I mean, this song 202 00:09:39,320 --> 00:09:42,720 Speaker 3: is huge. So how much did she receive for the song? 203 00:09:42,800 --> 00:09:44,480 Speaker 3: How much money did she make from it. 204 00:09:45,480 --> 00:09:48,760 Speaker 8: I had put input in the song, my own input 205 00:09:48,880 --> 00:09:50,760 Speaker 8: in the song, and I never got credited for it, 206 00:09:52,000 --> 00:09:52,560 Speaker 8: never got. 207 00:09:52,440 --> 00:09:53,000 Speaker 5: Paid for it. 208 00:09:53,200 --> 00:09:55,640 Speaker 8: So I was labeled as one of the hardest working 209 00:09:55,720 --> 00:10:00,800 Speaker 8: women in the nineties because I would do four shows 210 00:10:00,800 --> 00:10:01,120 Speaker 8: a night. 211 00:10:01,760 --> 00:10:03,120 Speaker 5: That's how I made my money. 212 00:10:03,720 --> 00:10:04,760 Speaker 2: Wow, four shows. 213 00:10:05,480 --> 00:10:07,520 Speaker 4: She didn't get paid any royalties for the song. 214 00:10:08,000 --> 00:10:08,840 Speaker 2: Let's bring. 215 00:10:10,480 --> 00:10:13,160 Speaker 3: Now this is This is the interesting bit because a 216 00:10:13,200 --> 00:10:16,400 Speaker 3: few years later there was a woman that came out 217 00:10:16,440 --> 00:10:20,319 Speaker 3: by the name of Andrea Michaels. Right had nothing to 218 00:10:20,400 --> 00:10:25,040 Speaker 3: do with Robins, and Andrea and Michaels made a massive revelation. 219 00:10:25,200 --> 00:10:25,680 Speaker 3: Have a listen. 220 00:10:26,400 --> 00:10:28,439 Speaker 2: A long time ago, I had demoed a song. Two 221 00:10:28,520 --> 00:10:30,520 Speaker 2: years later, my sister called me on the phone and said, 222 00:10:30,800 --> 00:10:31,559 Speaker 2: you're on the radio. 223 00:10:31,720 --> 00:10:34,160 Speaker 5: So apparently somebody put out the demo and it became 224 00:10:34,240 --> 00:10:35,080 Speaker 5: a big song. 225 00:10:35,200 --> 00:10:37,920 Speaker 2: People that know my voice? No, who did it? So 226 00:10:38,600 --> 00:10:43,880 Speaker 2: hear your voice? Ah? Yeah, did you recover it? 227 00:10:44,600 --> 00:10:44,640 Speaker 3: No? 228 00:10:45,920 --> 00:10:47,920 Speaker 5: This is my voice and I want to be heard. 229 00:10:49,760 --> 00:10:52,640 Speaker 3: So she's claiming that she's the voice of the song, 230 00:10:52,760 --> 00:10:56,319 Speaker 3: not Robins. Now now I'm thinking if Robins was crook 231 00:10:56,400 --> 00:10:59,760 Speaker 3: on the day, like I mean, Robin, this is not 232 00:10:59,760 --> 00:11:01,960 Speaker 3: going to come out now and talk about it if 233 00:11:02,040 --> 00:11:02,600 Speaker 3: you've got. 234 00:11:02,520 --> 00:11:05,040 Speaker 4: The flu whip. No, but she wouldn't even know, right. 235 00:11:05,160 --> 00:11:08,320 Speaker 3: So she's gone in and recorded with the flu her 236 00:11:08,480 --> 00:11:11,559 Speaker 3: version of it right, and stone Bridge has gone, I 237 00:11:11,600 --> 00:11:13,880 Speaker 3: don't know if I can use that? Did He then 238 00:11:14,000 --> 00:11:18,040 Speaker 3: go and get Andrea Michaels to recorder, But Robin s 239 00:11:18,320 --> 00:11:21,559 Speaker 3: was accredited to the song as the original and not 240 00:11:21,720 --> 00:11:22,680 Speaker 3: Andrea Michaels. 241 00:11:23,720 --> 00:11:25,439 Speaker 2: Well, have you got onto Stonewall yet? 242 00:11:26,679 --> 00:11:29,800 Speaker 4: Stone get onto Stonebridge and moves on the track. 243 00:11:30,240 --> 00:11:34,000 Speaker 3: He's he's gone quiet, he's gone underground. No one can 244 00:11:34,080 --> 00:11:35,080 Speaker 3: hear from Stonebridge. 245 00:11:35,440 --> 00:11:38,120 Speaker 2: Get on to him, Tommy Stonebridge got organized? 246 00:11:38,160 --> 00:11:42,839 Speaker 3: That I Love in Whipper with Kate Ritchie is a 247 00:11:42,920 --> 00:11:46,559 Speaker 3: Nova podcast walk great shows like this. Download the Nova 248 00:11:46,640 --> 00:11:49,720 Speaker 3: Player by the app Store or Google Playing the Nova 249 00:11:49,800 --> 00:11:50,120 Speaker 3: Player