WEBVTT - This Is What Passion Feels Like

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<v Speaker 1>Ah you perfect people. Welcome to the podcast. Jody Say hello,

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<v Speaker 1>Jody Say hello, Jody say something.

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<v Speaker 2>Just kidding.

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<v Speaker 1>She's not here, she's gone home. She's sick, severe case

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<v Speaker 1>of gout. It's really taking hold of just kidding. She's

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<v Speaker 1>got the common flu of That's all right, she'll be

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<v Speaker 1>back first thing tomorrow. Thanks for tuning into the podcast,

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<v Speaker 1>and get yourself around our little chat with Jimmy Reese

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<v Speaker 1>because this guy is one of the funniest people that

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<v Speaker 1>you can possibly see on Instagram.

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<v Speaker 2>Of course he's Jimmy Giggle on Giggle and the Hoot.

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<v Speaker 1>If you've got kids, you love him or maybe you

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<v Speaker 1>hate him, but he's still very, very funny and he's

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<v Speaker 1>always on ABC Kids every single night. As a story

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<v Speaker 1>of circulating in the States about a lady who reached

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<v Speaker 1>a physical peak of pleasure when a particular part of

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<v Speaker 1>a classical music piece.

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<v Speaker 2>Really really did its number.

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<v Speaker 1>So we put it out there, which song absolutely gets

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<v Speaker 1>you there? And also the humble fingerwave apparently has completely died.

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<v Speaker 1>We want to bring it back. People need to be

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<v Speaker 1>nice to each other because it's either hit or miss.

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<v Speaker 1>You rather wave to people and let them in, or

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<v Speaker 1>you don't wave and you're an absolute criminal. What would

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<v Speaker 1>you bring back? They're the big questions on the podcast today.

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<v Speaker 1>Thanks for tuning in. You're a good person for doing so.

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<v Speaker 3>Enjoy I'll tell you what, Andrew Hayes. Music is powerful.

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<v Speaker 3>It can really stir some emotions.

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<v Speaker 2>I really can.

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<v Speaker 1>I can really get you there, so to speak in

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<v Speaker 1>all the fields? What about this? The ground really moved

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<v Speaker 1>for one woman during the second movement of the Los

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<v Speaker 1>Angeles Philharmi's performance of at Tchaikowsky's fitth Sympathy.

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<v Speaker 3>What happened?

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<v Speaker 1>Oh, this was a little article on news dot com.

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<v Speaker 1>She experienced a loud and full body let's just call

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<v Speaker 1>it experience. Several concert goals describe the woman's climactic moment

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<v Speaker 1>on Friday when the bow can hit the pact Walt

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<v Speaker 1>Disney Concert Hall really started to shake. Now we're going

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<v Speaker 1>to play this audio, so it was captured. I feel

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<v Speaker 1>like there's a moment when you just know that she's

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<v Speaker 1>really experiencing something pretty special.

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<v Speaker 3>Can I say you cannot use the words Bigo and

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<v Speaker 3>Walt Disney in the same e that I go together.

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<v Speaker 1>No, this is what passion feels like. Vibe music, Oh,

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<v Speaker 1>you play it again? Just It's like the music drops perfectly,

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<v Speaker 1>just like that's it.

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<v Speaker 2>I'm there, I'm there.

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<v Speaker 4>So horrified.

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<v Speaker 1>What if you pay the orchestra as well, and you're like,

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<v Speaker 1>I wonder if they're enjoying it.

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<v Speaker 2>I wonder if the crowds you do this?

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<v Speaker 1>Or meanwhile, the lady down there and about the third

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<v Speaker 1>row is almost falling off her chair in utter delight.

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<v Speaker 3>What about you the violinist, and you're just giving it

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<v Speaker 3>this one? Ne me me, and then you hear that, what.

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<v Speaker 5>The hell she's into it?

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<v Speaker 2>Goodness? May thirteen, twenty four to ten.

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<v Speaker 1>What's the song that tips you over the edge, that

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<v Speaker 1>really gives you all the feels? Maybe in those really

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<v Speaker 1>sort of special areas as well, really sent you into

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<v Speaker 1>a shaking, stuttering mess.

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<v Speaker 3>I'm kind of almost I don't want to hear it again,

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<v Speaker 3>but I do want to hear it again.

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<v Speaker 1>Oh so good. Molly Grant was there. She was sitting

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<v Speaker 1>near the overjoyed woman. She said, everyone kind of turned

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<v Speaker 1>to see what was going on. I saw the girl

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<v Speaker 1>after it happened, and I assumed that she had an

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<v Speaker 1>interesting experience, because she was heavily breathing and her partner

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<v Speaker 1>was smiling and looking at her like in an effort to.

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<v Speaker 2>Not shame her. It was quite beautiful. So whatt you

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<v Speaker 2>go to song that you get so invested in you

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<v Speaker 2>just go? Do you know what?

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<v Speaker 1>I can't handle this anymore? For example, I had eyes

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<v Speaker 1>hindered for me. Yeah, always has been, always will be.

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<v Speaker 1>I'm very faithful to Hinda, you know mine? Thank not

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<v Speaker 1>many people would say the same about this song.

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<v Speaker 2>But here we are do you reckon?

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<v Speaker 1>Our flow Rider and co Weer sitting there going do

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<v Speaker 1>you reckon? People really vibe to the song so much

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<v Speaker 1>so that they lose their minds and they lose control

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<v Speaker 1>of their bodies.

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<v Speaker 3>Flow Rider sat there and wrote this song and when

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<v Speaker 3>I'm gonna tip Jodyoti over the edge.

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<v Speaker 1>If I could do one thing in my life, it

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<v Speaker 1>would be to get Jody Odi to a space where

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<v Speaker 1>she really really can't feel her legs.

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<v Speaker 2>That's what?

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<v Speaker 1>Oh too far? Sorry by that thirteen? Twenty fourteen. What

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<v Speaker 1>song does that to you? Just like that lady at

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<v Speaker 1>this particular orchestra? Unbelievable stuff twenty fourteen, Give us a call.

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<v Speaker 1>Good morning Jasmine, Good morning Jasmine. The song that really

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<v Speaker 1>really gets the best of you?

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<v Speaker 2>What are we going with.

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<v Speaker 6>I'm gonna have to say Stay by Rihanna really gets

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<v Speaker 6>me in the film.

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<v Speaker 1>Yeah, yeah, So why why is this song in particular?

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<v Speaker 7>I don't know.

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<v Speaker 6>I love singing to it, especially driving that night. Yeah,

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<v Speaker 6>you just laid it out.

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<v Speaker 2>Exactly.

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<v Speaker 1>I would highly recommend not to listen to that song

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<v Speaker 1>and drive at the same time.

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<v Speaker 2>But here we are.

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<v Speaker 3>Let's go to lean from Onkaparinga Hills. Good morning, good morning,

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<v Speaker 3>good good. Okay, what song gets you going?

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<v Speaker 4>It has to be the theme song from Rocky Iver

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<v Speaker 4>Tiger Bangs.

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<v Speaker 2>What's this doing for you? Right now?

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<v Speaker 3>Ready for the day?

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<v Speaker 4>Right?

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<v Speaker 3>It's one way to put it.

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<v Speaker 8>That's good.

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<v Speaker 1>Yeah, Hey, Kelly, around this out for us? What song

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<v Speaker 1>is really really taking you to a special place?

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<v Speaker 8>It is an odd one.

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<v Speaker 3>Yeah.

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<v Speaker 6>Club Club seven, you're right?

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<v Speaker 2>Who thought that this would take you to such a

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<v Speaker 2>special place?

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<v Speaker 3>I can see how it happens, though, can you.

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<v Speaker 2>Yeah?

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<v Speaker 3>Rememberhe S Club seven became like S Club three because

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<v Speaker 3>they couldn't get the whole band together, so they toured

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<v Speaker 3>his S Club three.

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<v Speaker 1>There's some internal issues. Yeah, look, it's no f I mean,

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<v Speaker 1>just to paint a picture here, Jady. I just keep

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<v Speaker 1>it together, keep it together.

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<v Speaker 3>I'm just gonna need a moment.

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<v Speaker 1>Yes, so I think classical music, but replace it with

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<v Speaker 1>flow Rider.

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<v Speaker 2>They got that sort of effect from listening to flow Rider.

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<v Speaker 2>But here we are. That's fine. It's a special time.

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<v Speaker 3>Nothing, but it's a cozy winter get away or escaping

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<v Speaker 3>to a tropical paradise.

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<v Speaker 1>You're thinking about an early winter escape. What if dot

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<v Speaker 1>com has just a place check.

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<v Speaker 3>Out great accommodation deels across Australia on the waterfap.

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<v Speaker 2>What if it's Aussie for travel.

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<v Speaker 5>I just breaking story.

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<v Speaker 9>This is how the several scenes is huge.

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<v Speaker 3>Joes, we do have a little bit of break news.

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<v Speaker 3>So Harvest Rock is returning. So the festival will take

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<v Speaker 3>place across Saturday twenty eighth and Sunday twenty ninth of October,

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<v Speaker 3>bringing a team of international an Australian artist to Adelaide's

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<v Speaker 3>Rhymal Park for two days of live music. Now was

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<v Speaker 3>that thorn last year that got it was all muddy?

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<v Speaker 3>Didn't it get rained out?

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<v Speaker 2>The people? Awful? Think people?

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<v Speaker 3>No, no, no it was here.

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<v Speaker 1>Yeah it is in like the festival got really really

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<v Speaker 1>rained out up from Brisbane or Queensland.

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<v Speaker 3>No it was here. No, Harvest Rock was here and

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<v Speaker 3>it was very wet that weekend, but people still went

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<v Speaker 3>in record amount.

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<v Speaker 1>See that's what happens when you asked me a question

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<v Speaker 1>without notice.

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<v Speaker 2>Sorry, folks, that's okay.

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<v Speaker 3>Joshua Jackson from Dawnson's Creek is remaking remaking Fatal Attractions,

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<v Speaker 3>so he's come out and revealed that he hesitated to

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<v Speaker 3>take the malely role in the streaming series remake Attraction,

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<v Speaker 3>the nineteen eighty seven sexual thriller starring Michael Douglas and

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<v Speaker 3>Good Close but changes every.

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<v Speaker 1>Day that I have been in here, and I have

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<v Speaker 1>thought about Alexandra Forrest because I need to understand what

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<v Speaker 1>I did, how she died, and why.

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<v Speaker 2>I ever heard of a sexual thriller before sexual thriller? Yeah,

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<v Speaker 2>is that a genre?

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<v Speaker 3>Have you not seen fifty Shades of Gray?

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<v Speaker 4>Now?

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<v Speaker 2>It was busy watching Mowna.

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<v Speaker 3>So that is where the bunny boiler expression came from.

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<v Speaker 3>Do you know this story? So she essentially boiled a bunny.

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<v Speaker 1>Oh, it's actually from a real life happening or it's

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<v Speaker 1>mate from the movie.

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<v Speaker 3>From the movie, So she had an affair with him.

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<v Speaker 3>He tries to cut it off and then she won't

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<v Speaker 3>take no for an answer, and so she literally became

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<v Speaker 3>a bunny boiler.

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<v Speaker 2>Poor bunny, poor bunny. It's not fair.

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<v Speaker 3>It's not on him, is it? This isn't funny either.

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<v Speaker 3>Boxer Harry Garside has been arrested by the AFP at

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<v Speaker 3>the airport after a dispute with his ex girlfriend. He

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<v Speaker 3>was also on Armed Celebrity to Get Me out of Here,

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<v Speaker 3>So he's facing a legal battle as well over comments

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<v Speaker 3>that he made on that show. So he came out

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<v Speaker 3>and said I hated turning professional as a boxer because

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<v Speaker 3>people see me as a potential cash cow. And now

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<v Speaker 3>his manager has seen that as a slight and is

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<v Speaker 3>probably going to sue him. So he's in all sorts.

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<v Speaker 2>Harry. Wow.

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<v Speaker 1>So that's unbelievable because Harry has I mean, it's been

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<v Speaker 1>a bit of a roller coaster, but we've absolutely I

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<v Speaker 1>can say this enjoyed watching the way that he's developed

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<v Speaker 1>and the way that he's the things that he's pushing everything.

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<v Speaker 2>But this is an unbelievable part of the roller coaster.

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<v Speaker 3>Pretty open about mental health too, hasn't he?

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<v Speaker 2>Yes? Yep.

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<v Speaker 3>Nick Kurios's mother has allegedly been held at gunpoint by

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<v Speaker 3>a man who's accused of stealing her son's luxury green Tesla.

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<v Speaker 3>Accorded her, this is quite extraordinary the story. So the

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<v Speaker 3>car's worth one hundred and ninety one thousand dollars. Apparently

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<v Speaker 3>a Canberraman threatened her with a long barw gun and

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<v Speaker 3>demanded that she hand over the keys to the car.

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<v Speaker 3>But then Nix jumped on his iPhone and he's got

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<v Speaker 3>a special app that A tracks the car and B

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<v Speaker 3>disables it so it can only go at like a

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<v Speaker 3>certain speed. So then he alerted the cops. But because

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<v Speaker 3>the guy could only drive it like thirty k's an hour,

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<v Speaker 3>I was just like a really low speed chase. Isn't

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<v Speaker 3>that incredible?

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<v Speaker 1>The technology that as well via your phone you can

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<v Speaker 1>control how fast your car goes.

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<v Speaker 2>Can you imagine the crook as well? Go faster?

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<v Speaker 8>What is going on?

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<v Speaker 3>Quicker pumping the accelerator? Nothing's happening.

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<v Speaker 1>I remember years and years ago, find my phone the

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<v Speaker 1>app YEP, unbelievable. So I left my phone at a

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<v Speaker 1>North Adelaid petrol station, okay, and we could trace it

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<v Speaker 1>to the exact house, the house in Seaford, and my

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<v Speaker 1>father in law blessed him very very good with his

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<v Speaker 1>words He knocked on the door and said, give us

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<v Speaker 1>back the phone right now. And I said, what are

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<v Speaker 1>you talking about. There's no phone here. He said, we

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<v Speaker 1>know the phone's there, and if you don't, he was bluffing,

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<v Speaker 1>there's cops around the corner, and he said, to be

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<v Speaker 1>honest with you, I hope you don't so the cops

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<v Speaker 1>can bust in and break it down and take it

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<v Speaker 1>to jail. And that's what's going to happen if you

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<v Speaker 1>don't give us the phone immediately, and they won't.

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<v Speaker 3>Just say one second, just hold on.

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<v Speaker 1>And she came back out of the fence said I

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<v Speaker 1>found the phone for a coincidence.

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<v Speaker 2>Here you go, and we walked away.

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<v Speaker 3>So where did they steal it from?

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<v Speaker 2>I left it?

0:11:19.880 --> 0:11:23.000
<v Speaker 1>Look, I will take some sort of responsibility in saying that.

0:11:23.040 --> 0:11:25.040
<v Speaker 1>I would have thought that people, the good people of Adelaid,

0:11:25.040 --> 0:11:26.880
<v Speaker 1>were just handed into the petrol station. But I left

0:11:26.920 --> 0:11:30.319
<v Speaker 1>it next to the petrol bowser, right ready to be taken.

0:11:30.320 --> 0:11:31.679
<v Speaker 3>And someone's gone all over that. Thanks.

0:11:31.800 --> 0:11:35.120
<v Speaker 2>Hello thirteen twenty fourteen, When did you catch a crook?

0:11:35.240 --> 0:11:35.520
<v Speaker 3>Oh?

0:11:35.600 --> 0:11:37.880
<v Speaker 2>Yeah, it's amazing, curious story.

0:11:37.960 --> 0:11:41.719
<v Speaker 3>Yeah, at some level, isn't it just love that? I mean,

0:11:42.040 --> 0:11:44.439
<v Speaker 3>wouldn't give the person a spray too, if you got

0:11:44.440 --> 0:11:45.080
<v Speaker 3>his hands on them.

0:11:45.120 --> 0:11:47.560
<v Speaker 1>I can not as bad as a spray that he

0:11:47.559 --> 0:11:49.319
<v Speaker 1>gave that girl. I had a few drinks at Wimbledon.

0:11:53.960 --> 0:11:57.679
<v Speaker 1>Drinks seven out of drinks bro. Do you mind that stime

0:11:57.720 --> 0:12:03.360
<v Speaker 1>at Tesla Bro thirteen twenty four to ten. That gives

0:12:03.400 --> 0:12:04.760
<v Speaker 1>you right now if you want to get on, stand

0:12:04.800 --> 0:12:07.160
<v Speaker 1>by this for Novas ten k a day in May.

0:12:07.200 --> 0:12:08.920
<v Speaker 2>We're going to do the eight at eight next.

0:12:10.040 --> 0:12:12.480
<v Speaker 5>This is Judy and Hazy on over.

0:12:13.000 --> 0:12:16.160
<v Speaker 1>Not much gets you angry. No, it's a rarity. But

0:12:16.480 --> 0:12:18.120
<v Speaker 1>here we are and it's scary.

0:12:18.240 --> 0:12:21.760
<v Speaker 3>Oh my goodness. So road rach is becoming more and

0:12:21.760 --> 0:12:25.559
<v Speaker 3>more common, right, and so the Australian Road Safety Foundation

0:12:26.480 --> 0:12:29.080
<v Speaker 3>is pushing to bring back the thank you wave.

0:12:30.000 --> 0:12:33.840
<v Speaker 2>Yes, it's a long time. This is beautiful, Oh my goodness.

0:12:34.000 --> 0:12:37.680
<v Speaker 3>There because I, as you well know, Andrew Hayes have

0:12:37.760 --> 0:12:40.240
<v Speaker 3>always said to you there is a special place in

0:12:40.280 --> 0:12:42.920
<v Speaker 3>hell for those drivers that you let in to the

0:12:42.920 --> 0:12:45.720
<v Speaker 3>traffic but can't be bothered to lift their finger and

0:12:45.760 --> 0:12:46.640
<v Speaker 3>go thanks for that.

0:12:46.840 --> 0:12:47.640
<v Speaker 2>How hard is it?

0:12:47.920 --> 0:12:49.079
<v Speaker 3>How hard is it?

0:12:49.240 --> 0:12:51.720
<v Speaker 2>And what about we've discussed this. There's no in between.

0:12:51.800 --> 0:12:55.600
<v Speaker 1>It's either you wave and you're an absolutely great person

0:12:55.840 --> 0:12:58.080
<v Speaker 1>where you don't wave and you're a piece of you

0:12:58.120 --> 0:12:58.360
<v Speaker 1>know what.

0:12:58.600 --> 0:13:01.120
<v Speaker 3>Yeah, And isn't it funny how you can go from

0:13:01.160 --> 0:13:03.720
<v Speaker 3>nought to one hundred from being a nice person going

0:13:03.800 --> 0:13:06.520
<v Speaker 3>here you go, slip in front of my car into

0:13:06.559 --> 0:13:09.680
<v Speaker 3>the traffic. Away you go. And then when they don't wait,

0:13:10.040 --> 0:13:10.840
<v Speaker 3>do I turn?

0:13:11.640 --> 0:13:15.520
<v Speaker 1>You're really and ladies and gentlemen, this lady can turn.

0:13:18.280 --> 0:13:20.520
<v Speaker 1>Oh boy, as they say, I mean, I'll take you

0:13:20.559 --> 0:13:22.920
<v Speaker 1>the next step further. If someone lets me and you

0:13:23.040 --> 0:13:24.880
<v Speaker 1>pull over, what you should do is you pull over,

0:13:25.280 --> 0:13:27.320
<v Speaker 1>you get out, you shake hands, and you hug an embrace.

0:13:27.640 --> 0:13:29.920
<v Speaker 1>It's a nice big kiss on the forehead. Thank you

0:13:30.040 --> 0:13:32.280
<v Speaker 1>very much, have a fantastic day, all the best. Should

0:13:32.280 --> 0:13:34.480
<v Speaker 1>we spend Christmas together, let's work it out.

0:13:34.520 --> 0:13:36.760
<v Speaker 3>Should be more of that. But you're a country boy

0:13:36.800 --> 0:13:38.959
<v Speaker 3>at heart, so you do the old one finger on

0:13:39.000 --> 0:13:39.920
<v Speaker 3>the steering wheel, don't you?

0:13:40.080 --> 0:13:42.400
<v Speaker 1>Yes, that was And I remember, and I'm not even

0:13:42.440 --> 0:13:45.080
<v Speaker 1>putting any male on this. I remember as a youngster

0:13:46.240 --> 0:13:48.000
<v Speaker 1>we must have been driving to Wager see you drive

0:13:48.040 --> 0:13:49.400
<v Speaker 1>from it takes about an hour.

0:13:49.360 --> 0:13:52.240
<v Speaker 3>And you're taking the mickey out of me being from

0:13:52.360 --> 0:13:56.840
<v Speaker 3>camera and Hobart and all, come on, what's the most

0:13:56.840 --> 0:13:59.160
<v Speaker 3>famous thing to come out of wager Wayne Carrick.

0:14:01.559 --> 0:14:07.720
<v Speaker 1>It's not a good claim, is it, Michael Slater, Jamie

0:14:07.760 --> 0:14:10.040
<v Speaker 1>Soud you don't even know who that is. And I

0:14:10.080 --> 0:14:12.680
<v Speaker 1>remember asking mum as a youngster, saying why you're waiting

0:14:12.679 --> 0:14:15.000
<v Speaker 1>to it? And she just said, I don't know. That's

0:14:15.040 --> 0:14:17.840
<v Speaker 1>what we do because everyone's friendly. And I remember thinking

0:14:17.840 --> 0:14:19.440
<v Speaker 1>that even as youngs again, that's really nice.

0:14:19.520 --> 0:14:21.240
<v Speaker 3>Yeah, that's like when you go for a walk with

0:14:21.280 --> 0:14:24.800
<v Speaker 3>my mum, Colleen, she says hello to everyone. She'll go

0:14:24.880 --> 0:14:26.720
<v Speaker 3>morning to everyone.

0:14:26.760 --> 0:14:29.120
<v Speaker 2>See, that is amazing. That is an older generation thing.

0:14:29.480 --> 0:14:31.520
<v Speaker 1>We're very lucky that we get to do interviews with

0:14:31.560 --> 0:14:34.200
<v Speaker 1>Graham Corn's Channel seven. Sometimes we go to his house

0:14:34.560 --> 0:14:36.680
<v Speaker 1>and he lives in gland Elg and we've been at

0:14:36.720 --> 0:14:39.720
<v Speaker 1>the front and mid question he'll stop.

0:14:39.480 --> 0:14:41.160
<v Speaker 2>Oh how are you? How are you going?

0:14:42.000 --> 0:14:44.080
<v Speaker 1>And I remember one time we just couldn't get this

0:14:44.120 --> 0:14:48.200
<v Speaker 1>interview done. Cornsy do you know everyone? I don't know them.

0:14:48.840 --> 0:14:52.320
<v Speaker 3>You're just saying helo. But there should be more Graham

0:14:52.360 --> 0:14:53.680
<v Speaker 3>Corns in the world.

0:14:53.680 --> 0:14:56.880
<v Speaker 1>It'd be nice, it would be really nice. So that's

0:14:56.920 --> 0:14:59.200
<v Speaker 1>the big thing to bring back the fingerway.

0:14:58.960 --> 0:15:02.400
<v Speaker 3>The fingerave all about it, I'm all about politeness.

0:15:01.880 --> 0:15:03.320
<v Speaker 2>On the road. What else would you bring back?

0:15:03.360 --> 0:15:06.520
<v Speaker 3>Because I just I just don't comprehend those people that

0:15:06.800 --> 0:15:09.240
<v Speaker 3>either A don't let you in or B when you

0:15:09.280 --> 0:15:12.600
<v Speaker 3>do let them in, they just can't be bothered acknowledging it.

0:15:12.680 --> 0:15:15.080
<v Speaker 2>You're either a hero or you're a zero. Exactly right now,

0:15:15.120 --> 0:15:15.760
<v Speaker 2>we're in between.

0:15:16.200 --> 0:15:19.280
<v Speaker 3>Let's do this thirteen twenty four ten. We need to

0:15:19.320 --> 0:15:20.880
<v Speaker 3>bring back the wave. But what else do you want

0:15:20.880 --> 0:15:21.360
<v Speaker 3>to bring back?

0:15:21.520 --> 0:15:23.680
<v Speaker 2>I'll start it, bring back Mafassa December.

0:15:23.800 --> 0:15:25.920
<v Speaker 8>I'm very disappointed in you.

0:15:25.920 --> 0:15:26.920
<v Speaker 5>You could have been killed.

0:15:27.320 --> 0:15:28.920
<v Speaker 2>You deliberately this obeat me.

0:15:29.200 --> 0:15:31.440
<v Speaker 5>And what's worse, you put Nala ending.

0:15:31.560 --> 0:15:33.400
<v Speaker 2>I get it. It's hard to bring someone back from

0:15:33.400 --> 0:15:33.680
<v Speaker 2>the dead.

0:15:33.720 --> 0:15:36.320
<v Speaker 3>It is really hard, especially a cartoon lion that's.

0:15:36.160 --> 0:15:40.600
<v Speaker 2>Not even real. But just make it happen. How don't

0:15:40.600 --> 0:15:40.960
<v Speaker 2>ask me?

0:15:41.800 --> 0:15:43.880
<v Speaker 3>Did they do a second one? They bring them back in?

0:15:43.880 --> 0:15:47.160
<v Speaker 1>The second one was a linking to really?

0:15:47.320 --> 0:15:49.280
<v Speaker 2>Yeah, okay, there you go? All right?

0:15:49.320 --> 0:15:50.920
<v Speaker 1>What should we bring back? It is it called thirteen

0:15:50.960 --> 0:15:52.400
<v Speaker 1>twenty four ten, d Aphant as well? If you do

0:15:52.440 --> 0:15:55.160
<v Speaker 1>get on air, we we'll put it over to Zoe.

0:15:55.360 --> 0:15:58.600
<v Speaker 1>Maybe she'll put you in the drawer for Novs first ten.

0:15:58.520 --> 0:16:02.440
<v Speaker 3>K you know what I want to bring back, Sizzler.

0:16:02.840 --> 0:16:05.920
<v Speaker 1>Oh my gosh, that is very very good. All right,

0:16:05.960 --> 0:16:07.320
<v Speaker 1>we'll take you cause next to Jody you are very

0:16:07.400 --> 0:16:09.880
<v Speaker 1>much up in a bouts because it's two ways you

0:16:09.880 --> 0:16:12.200
<v Speaker 1>can go in terms of your mood and your vibe. Well,

0:16:12.480 --> 0:16:14.520
<v Speaker 1>you wave to Jody and you're her best friend, but

0:16:14.640 --> 0:16:15.760
<v Speaker 1>you don't wave, and you.

0:16:15.680 --> 0:16:19.120
<v Speaker 2>Are an absolute, really really bad enemy.

0:16:19.440 --> 0:16:22.840
<v Speaker 3>I'll call you some words out loud, and not nice ones,

0:16:23.000 --> 0:16:23.560
<v Speaker 3>not nice ones.

0:16:23.720 --> 0:16:25.320
<v Speaker 2>You think you were capable of such words, but here

0:16:25.320 --> 0:16:25.520
<v Speaker 2>we are.

0:16:25.640 --> 0:16:27.640
<v Speaker 3>I just got so angry talking about people who don't

0:16:27.640 --> 0:16:29.400
<v Speaker 3>wave that I threw my pen and I broke it.

0:16:29.760 --> 0:16:30.880
<v Speaker 3>That's how fared up I am.

0:16:31.120 --> 0:16:31.920
<v Speaker 2>There, you poor pen.

0:16:32.280 --> 0:16:34.160
<v Speaker 3>So apparently the thank you waver is on the decline

0:16:34.200 --> 0:16:37.080
<v Speaker 3>on our roads, so road rage spiking thank you waves

0:16:37.280 --> 0:16:39.160
<v Speaker 3>going down. It's not good enough.

0:16:39.320 --> 0:16:41.560
<v Speaker 2>It's a pretty clear correlation, though, wasn't it.

0:16:42.440 --> 0:16:44.800
<v Speaker 3>I haven't got your position on this. Are you a waiver?

0:16:45.160 --> 0:16:48.840
<v Speaker 1>I'm a massive waiver and absolutely like you have to wave.

0:16:49.400 --> 0:16:51.960
<v Speaker 1>I'm also if I cut someone off, I'll say sorry.

0:16:52.480 --> 0:16:55.000
<v Speaker 1>I'll wave and say I'm sorry. If I find myself

0:16:55.080 --> 0:16:57.960
<v Speaker 1>traveling at fifty k's when it should be doing sixty because.

0:16:57.760 --> 0:17:00.480
<v Speaker 2>I'm just not up to date. We've got I'm doing.

0:17:00.560 --> 0:17:01.440
<v Speaker 2>I'll say sorry as well.

0:17:01.480 --> 0:17:03.560
<v Speaker 1>I'll put my hand up and say sorry, yeah, because

0:17:03.560 --> 0:17:04.360
<v Speaker 1>that's annoying as well.

0:17:04.600 --> 0:17:06.679
<v Speaker 3>That's being accountable for your own behavior. If you make

0:17:06.720 --> 0:17:09.119
<v Speaker 3>a mistake on the roads, there's nothing wrong, there's no shame,

0:17:09.200 --> 0:17:10.320
<v Speaker 3>and it's sorry.

0:17:10.520 --> 0:17:10.960
<v Speaker 2>Sorry.

0:17:11.080 --> 0:17:14.400
<v Speaker 3>Even if the person's beat you just go yep, sorry mate.

0:17:14.400 --> 0:17:16.280
<v Speaker 2>And if it progresses from there, sure get out and

0:17:16.359 --> 0:17:17.080
<v Speaker 2>do what you have to do.

0:17:18.440 --> 0:17:21.280
<v Speaker 1>You're not encouraging that sort of behavior at all, all right,

0:17:21.680 --> 0:17:22.760
<v Speaker 1>there's too much of that sort.

0:17:22.640 --> 0:17:23.560
<v Speaker 2>Of snanding is going on.

0:17:23.680 --> 0:17:25.720
<v Speaker 3>No, let's go to that.

0:17:26.720 --> 0:17:28.960
<v Speaker 2>Let's go to Gwynneth preca.

0:17:30.480 --> 0:17:33.199
<v Speaker 3>Quick morning, go on, how are you today? Are you're

0:17:33.200 --> 0:17:37.120
<v Speaker 3>a waiver? Glenneth? Definitely? Jodie right, everyone.

0:17:36.920 --> 0:17:38.480
<v Speaker 8>Should be a waver spot on.

0:17:39.320 --> 0:17:39.840
<v Speaker 2>I love that.

0:17:39.880 --> 0:17:41.360
<v Speaker 6>I don't know, just make it Laura, if you don't

0:17:41.640 --> 0:17:42.000
<v Speaker 6>get off the.

0:17:42.040 --> 0:17:43.800
<v Speaker 2>Road, yeah, exactly right. I don't know how we're going

0:17:43.800 --> 0:17:47.879
<v Speaker 2>to enforce it. We chat to Grant Stevens and say, oh,

0:17:48.000 --> 0:17:49.960
<v Speaker 2>how could you possibly force this? But it should be law.

0:17:50.080 --> 0:17:52.760
<v Speaker 3>You will be polite and you'll love it and if

0:17:52.800 --> 0:17:54.680
<v Speaker 3>you don't, then we will find you.

0:17:54.800 --> 0:17:55.080
<v Speaker 2>Yes.

0:17:55.600 --> 0:17:59.919
<v Speaker 1>Another passionate person who really really reacts I think appropriately

0:18:00.040 --> 0:18:02.320
<v Speaker 1>when they don't get a wave is Leah from Monday Pa.

0:18:02.359 --> 0:18:04.560
<v Speaker 5>Good morning, Lea, good morning.

0:18:04.600 --> 0:18:05.320
<v Speaker 6>How are you guys?

0:18:05.480 --> 0:18:07.560
<v Speaker 2>How do you handle yourself when someone doesn't wave to you?

0:18:08.480 --> 0:18:11.359
<v Speaker 6>Look, honestly, I will honk them and I will hold

0:18:11.359 --> 0:18:15.080
<v Speaker 6>that horn until I get away. It just brings out

0:18:15.119 --> 0:18:18.000
<v Speaker 6>the road race. My partner says. It can be a

0:18:18.040 --> 0:18:20.880
<v Speaker 6>bit aggressive, but I'm a honker if you don't wave,

0:18:21.080 --> 0:18:23.760
<v Speaker 6>and also like the thank you not you know, if

0:18:23.800 --> 0:18:25.919
<v Speaker 6>I give you a thank you wave, I want a

0:18:25.960 --> 0:18:26.960
<v Speaker 6>nod back back.

0:18:27.040 --> 0:18:27.840
<v Speaker 8>Yes, yes, I.

0:18:27.960 --> 0:18:30.080
<v Speaker 6>Don't get that nod. I don't give them a honk

0:18:30.160 --> 0:18:33.960
<v Speaker 6>because they've already let me in. Yeah, if they don't

0:18:34.000 --> 0:18:36.160
<v Speaker 6>thank you wave me, it's definitely a holt.

0:18:36.840 --> 0:18:37.960
<v Speaker 3>I love that.

0:18:38.160 --> 0:18:38.880
<v Speaker 2>So appropriate.

0:18:38.960 --> 0:18:42.160
<v Speaker 3>She's got so many rules for herself as well. Someone

0:18:42.160 --> 0:18:43.560
<v Speaker 3>from Portland lunger. Are you a waiver?

0:18:44.880 --> 0:18:46.000
<v Speaker 8>I am a woven.

0:18:47.560 --> 0:18:47.760
<v Speaker 10>Yeah.

0:18:47.760 --> 0:18:48.760
<v Speaker 4>It was actually quite funny.

0:18:48.960 --> 0:18:52.480
<v Speaker 11>Literally, you guys are talking about it north on South

0:18:52.520 --> 0:18:54.320
<v Speaker 11>Throw and someone was merging in front of me from

0:18:54.320 --> 0:18:56.679
<v Speaker 11>crossroads and growing up.

0:18:56.720 --> 0:18:58.920
<v Speaker 6>I'll let them in and they gave me the wave,

0:18:58.960 --> 0:18:59.640
<v Speaker 6>and just because we were.

0:18:59.520 --> 0:19:02.000
<v Speaker 4>Talking about it, I'll probably over ectatically waved back to

0:19:02.080 --> 0:19:05.880
<v Speaker 4>the massive and I was like, I was running there

0:19:05.920 --> 0:19:08.159
<v Speaker 4>listening to the show. So if you're a drive and

0:19:08.160 --> 0:19:10.400
<v Speaker 4>I think it's a mass of six white wagon, you're

0:19:10.400 --> 0:19:11.600
<v Speaker 4>a legend waving at me.

0:19:12.080 --> 0:19:15.840
<v Speaker 1>See now you're best friends. That's what happened. Connection through

0:19:15.840 --> 0:19:19.520
<v Speaker 1>the waves, very good stuff, bringing people together, that's what

0:19:19.560 --> 0:19:23.159
<v Speaker 1>it's all about. All right, here's a way for it.

0:19:23.520 --> 0:19:28.000
<v Speaker 1>Wave back way back, Adelaides.

0:19:30.720 --> 0:19:34.439
<v Speaker 9>We're a little you tell me you built a time machine.

0:19:35.040 --> 0:19:38.440
<v Speaker 5>It's on this know what's up?

0:19:38.680 --> 0:19:38.920
<v Speaker 2>Yep?

0:19:38.960 --> 0:19:40.960
<v Speaker 1>It's a third of May and you're sitting there going wow,

0:19:41.040 --> 0:19:43.399
<v Speaker 1>I don't have any fun facts to impress my mates with.

0:19:44.080 --> 0:19:46.440
<v Speaker 3>How can I possibly go to this party on Saturday

0:19:46.520 --> 0:19:47.720
<v Speaker 3>night if I don't know stuff?

0:19:48.240 --> 0:19:50.399
<v Speaker 1>Hey, what happened on Wednesday, the third of May? At

0:19:50.560 --> 0:19:52.600
<v Speaker 1>any chance have you given a bit of a history lesson?

0:19:53.080 --> 0:19:55.520
<v Speaker 1>Well you're in luck, my good friend. Let's go back

0:19:55.520 --> 0:19:57.200
<v Speaker 1>to this day and back in nineteen ninety two to

0:19:57.280 --> 0:20:00.520
<v Speaker 1>long cred an Afour record high score two hundred thirty

0:20:00.600 --> 0:20:04.560
<v Speaker 1>nine against Brisbane, who scored seventy five points in Kerrara

0:20:05.960 --> 0:20:09.879
<v Speaker 1>had kicked the all time record score thirty seven seventy

0:20:10.000 --> 0:20:13.240
<v Speaker 1>two hundred and thirty nine and they've defeated Brisbane eleven

0:20:13.320 --> 0:20:14.399
<v Speaker 1>nine seventy five.

0:20:14.840 --> 0:20:16.119
<v Speaker 2>What a belting that would be.

0:20:16.440 --> 0:20:18.920
<v Speaker 3>And also Carra what a stadium mrah.

0:20:19.000 --> 0:20:22.520
<v Speaker 1>Yeah, I'm not sure what's how many Garrier but kicked,

0:20:22.520 --> 0:20:24.040
<v Speaker 1>but probably thirty or forty.

0:20:24.160 --> 0:20:25.560
<v Speaker 3>Yeah's lazy forty.

0:20:26.240 --> 0:20:28.880
<v Speaker 1>Nineteen seventy nine, Margaret Thatcher became the first female Prime

0:20:28.880 --> 0:20:29.840
<v Speaker 1>Minister of Great Britain.

0:20:29.920 --> 0:20:32.960
<v Speaker 10>Governments have taken away too much in earnings. They've talked

0:20:32.960 --> 0:20:37.880
<v Speaker 10>about government expenditure, public expenditure. Governments have no money. It's

0:20:37.960 --> 0:20:41.359
<v Speaker 10>taxpayers money. So I am saying to people who should

0:20:41.400 --> 0:20:44.520
<v Speaker 10>be allowed to keep more of your own earnings.

0:20:44.560 --> 0:20:44.919
<v Speaker 3>Lovely.

0:20:45.080 --> 0:20:46.760
<v Speaker 2>Yeah, it's doing very well. Market Thatcher.

0:20:46.800 --> 0:20:47.560
<v Speaker 3>What was her nickname?

0:20:47.720 --> 0:20:52.160
<v Speaker 1>I don't know, the Thatchertarian. Does she have a nickname,

0:20:52.600 --> 0:20:55.160
<v Speaker 1>the Thatchmeister, that the Thatchmobile.

0:20:57.560 --> 0:21:01.400
<v Speaker 3>It was the Iron Lady, oh right, and obviously it's

0:21:01.440 --> 0:21:02.600
<v Speaker 3>made of steel and.

0:21:02.560 --> 0:21:05.640
<v Speaker 2>The Iron Man was a spin off from the Iron Lady. Correct.

0:21:05.800 --> 0:21:07.920
<v Speaker 3>Now it's all making sense that Marvel franchise.

0:21:08.119 --> 0:21:10.800
<v Speaker 2>Oh wow, yeah, good stuff. I didn't know that you're

0:21:10.800 --> 0:21:12.639
<v Speaker 2>teaching me and I'm only supposed to be teaching this thing.

0:21:12.720 --> 0:21:13.200
<v Speaker 2>This is great.

0:21:13.880 --> 0:21:16.520
<v Speaker 1>Nineteen sixty six, Twist, the game became a sensation after

0:21:16.640 --> 0:21:19.920
<v Speaker 1>Johnny Carson and Eva Gabor played it on The Tonight Show.

0:21:20.640 --> 0:21:23.920
<v Speaker 9>I see right foot on the green. You must quickly

0:21:24.040 --> 0:21:27.840
<v Speaker 9>put your right foot up. The first guy that falls

0:21:27.840 --> 0:21:32.359
<v Speaker 9>off losers. Do you have anything breakable in your class?

0:21:33.359 --> 0:21:34.520
<v Speaker 3>Do you love a good game and twister?

0:21:34.760 --> 0:21:36.200
<v Speaker 2>I've never played Twist in my life.

0:21:36.640 --> 0:21:38.960
<v Speaker 1>I know what it's about, but no, I've never played

0:21:39.000 --> 0:21:41.320
<v Speaker 1>You know, I've never played Twister, and I've never played Monopoly.

0:21:42.440 --> 0:21:43.280
<v Speaker 3>Who are you well?

0:21:43.320 --> 0:21:44.679
<v Speaker 1>You're looking at me like I just told you that

0:21:44.720 --> 0:21:46.520
<v Speaker 1>I've done some sort of heinous crime.

0:21:46.560 --> 0:21:48.520
<v Speaker 3>Why did your parents hurt you as a child?

0:21:48.560 --> 0:21:50.160
<v Speaker 2>Would you break my family into this?

0:21:51.000 --> 0:21:54.600
<v Speaker 5>They did the best they could, just without Twister.

0:21:55.359 --> 0:21:56.720
<v Speaker 2>It was a Twister free environment.

0:21:57.400 --> 0:22:00.119
<v Speaker 1>Two thousand and two, Spider Man, starring Toby McGuire as

0:22:00.119 --> 0:22:01.840
<v Speaker 1>Peter Parker, premieres.

0:22:01.520 --> 0:22:04.400
<v Speaker 3>Okay That Upside Down, Kiss in the Rain.

0:22:04.720 --> 0:22:06.879
<v Speaker 5>Yeah, you have a knack for getting in trouble.

0:22:07.720 --> 0:22:09.200
<v Speaker 3>You have a nag for saving my low?

0:22:09.600 --> 0:22:11.280
<v Speaker 5>Do I get to say thank you this time?

0:22:12.560 --> 0:22:13.600
<v Speaker 2>That's interesting, isn't it?

0:22:13.640 --> 0:22:16.280
<v Speaker 3>And completely impracticol Yeah. Well, have you ever tried to

0:22:16.320 --> 0:22:17.159
<v Speaker 3>pash someone upside down?

0:22:17.200 --> 0:22:17.360
<v Speaker 2>Yeah?

0:22:17.400 --> 0:22:19.400
<v Speaker 1>Last time, I'm like, what am I staring at her neck?

0:22:20.880 --> 0:22:23.560
<v Speaker 1>It's not sexy? Almost staring at here? In Adam's Apple

0:22:26.640 --> 0:22:29.880
<v Speaker 1>one song on May the third, two thousand was Hey

0:22:30.080 --> 0:22:32.000
<v Speaker 1>Baby by dj OTSI.

0:22:35.520 --> 0:22:35.879
<v Speaker 2>That's it.

0:22:36.359 --> 0:22:37.520
<v Speaker 3>Yeah, I want to know.

0:22:39.200 --> 0:22:41.600
<v Speaker 1>Good for me because I can learn the entire lyrics

0:22:41.640 --> 0:22:43.199
<v Speaker 1>and not just one or two lyrics and sing the

0:22:43.240 --> 0:22:45.520
<v Speaker 1>same thing over and over and over again, to the

0:22:45.520 --> 0:22:47.760
<v Speaker 1>point my wife goes, can you just shut the hell up?

0:22:47.840 --> 0:22:48.119
<v Speaker 4>Yeah?

0:22:48.200 --> 0:22:50.200
<v Speaker 3>Exactly right. Oi. Do you want to play Twister?

0:22:52.920 --> 0:23:03.040
<v Speaker 5>She said, no, thanks, Dead or Alive?

0:23:06.480 --> 0:23:08.440
<v Speaker 1>Fun game we like to play. We just need to

0:23:08.440 --> 0:23:12.760
<v Speaker 1>correctly identify who's alive and who isn't. Someone who's obsessed

0:23:12.760 --> 0:23:15.800
<v Speaker 1>with death is producer so obsessed?

0:23:16.520 --> 0:23:20.680
<v Speaker 5>Obsessed with it? Here, I'm again great, so morbid.

0:23:22.400 --> 0:23:23.760
<v Speaker 11>It's just my favorite topic.

0:23:24.080 --> 0:23:25.920
<v Speaker 1>Just got You've got this vibe about you as well,

0:23:25.920 --> 0:23:27.119
<v Speaker 1>maybe it's what you're going through as well.

0:23:27.119 --> 0:23:30.360
<v Speaker 2>You've got this real dark eyeliner on you're wearing all black. Yeah,

0:23:30.520 --> 0:23:31.240
<v Speaker 2>black hair, like.

0:23:31.280 --> 0:23:35.840
<v Speaker 3>A real goth vibe from my motion. Yeah, do you

0:23:35.880 --> 0:23:36.760
<v Speaker 3>want to play some alive?

0:23:36.880 --> 0:23:37.080
<v Speaker 8>Yes?

0:23:37.080 --> 0:23:37.399
<v Speaker 2>Please?

0:23:37.760 --> 0:23:39.800
<v Speaker 1>Look it is a game and it's not competitive. But

0:23:39.840 --> 0:23:42.320
<v Speaker 1>if it was competitive, and who were keeping score? Who's

0:23:42.400 --> 0:23:44.920
<v Speaker 1>winning Joe's I've won the last couple.

0:23:45.040 --> 0:23:46.919
<v Speaker 11>Yeah, Joe's has one of the last two. And we

0:23:47.000 --> 0:23:49.119
<v Speaker 11>know coffees on the line lose it buys coffee. So

0:23:49.200 --> 0:23:51.600
<v Speaker 11>same as always. I'll give you three celebs when they

0:23:51.600 --> 0:23:53.000
<v Speaker 11>were born. You tell me if they're dead or alive.

0:23:53.200 --> 0:23:54.480
<v Speaker 3>You really I'm sign the zone.

0:23:54.880 --> 0:23:55.680
<v Speaker 11>Let's start local.

0:23:55.800 --> 0:23:56.960
<v Speaker 5>Bob Hawk, I tell.

0:23:56.840 --> 0:23:59.080
<v Speaker 7>You what any buss who sacks anyone but not turning

0:23:59.160 --> 0:24:02.560
<v Speaker 7>up the day as a.

0:24:01.280 --> 0:24:04.160
<v Speaker 11>Robert James Lee Hawk, an Australian politician union organizer who

0:24:04.160 --> 0:24:06.320
<v Speaker 11>served as the twenty third Prime Minister of Australia from

0:24:06.359 --> 0:24:09.400
<v Speaker 11>eighty three to ninety one. We're on December nineteen, twenty nine.

0:24:09.400 --> 0:24:09.960
<v Speaker 3>Dead or alive?

0:24:11.160 --> 0:24:13.240
<v Speaker 1>Look, Bob Hawk, I think we know if you died,

0:24:13.680 --> 0:24:15.919
<v Speaker 1>and we'd all scalar beer for him, So he fir.

0:24:16.119 --> 0:24:17.720
<v Speaker 3>I know he's still very much alive.

0:24:18.960 --> 0:24:19.440
<v Speaker 8>It's dead?

0:24:19.920 --> 0:24:23.080
<v Speaker 3>What now, I feel like I've got it wrong.

0:24:23.760 --> 0:24:28.200
<v Speaker 2>We wait which.

0:24:30.080 --> 0:24:31.200
<v Speaker 3>Bob Hawk's alive?

0:24:31.560 --> 0:24:39.280
<v Speaker 11>He died in May twenty nineteen. I can't believe you

0:24:39.320 --> 0:24:41.000
<v Speaker 11>guys just tried to gaslight me out of my own game.

0:24:42.800 --> 0:24:43.720
<v Speaker 2>We both looked at each other.

0:24:43.840 --> 0:24:47.720
<v Speaker 3>Mean, so he's so lame.

0:24:47.840 --> 0:24:48.800
<v Speaker 8>I made it too easy.

0:24:49.000 --> 0:24:50.560
<v Speaker 5>He died in mayneteen.

0:24:52.080 --> 0:24:54.560
<v Speaker 2>Well, let's all scalar beer for Bob Hawk this morning.

0:24:54.640 --> 0:24:56.800
<v Speaker 3>Oh my god, thirteen twenty fourteen. Who knew that the

0:24:57.040 --> 0:25:00.360
<v Speaker 3>Hawk was dick really long?

0:25:00.440 --> 0:25:02.440
<v Speaker 2>Let's see where you can get a.

0:25:04.040 --> 0:25:06.120
<v Speaker 3>I mean, I have faith in you. I love you.

0:25:06.119 --> 0:25:07.800
<v Speaker 3>You're like a daughter to me. But I'm going to

0:25:07.880 --> 0:25:09.640
<v Speaker 3>google that because I don't think you're right.

0:25:10.680 --> 0:25:14.320
<v Speaker 1>You made me myself really rattled. We just take some

0:25:14.320 --> 0:25:16.359
<v Speaker 1>time to absorb the fact that Bob Hawk has passed.

0:25:18.480 --> 0:25:20.879
<v Speaker 1>All right, celebrity, thank you.

0:25:21.560 --> 0:25:25.480
<v Speaker 3>Wow again, I don't not trust you, but I'm googling it.

0:25:26.920 --> 0:25:30.600
<v Speaker 5>Robbie colchrane, you're a wizard, Harry, I'm a what a wizard?

0:25:31.040 --> 0:25:33.600
<v Speaker 5>And that's something good And once you treat.

0:25:33.480 --> 0:25:36.479
<v Speaker 11>Up a little Anthony Robert McMillan, known professionally as Robbie coltrane,

0:25:36.520 --> 0:25:39.879
<v Speaker 11>a Scottish actor and comedian. He gained worldwide recognition in

0:25:39.880 --> 0:25:42.359
<v Speaker 11>the two thousands for playing Hagrid in the Harry Potter series,

0:25:42.520 --> 0:25:44.640
<v Speaker 11>but on March nineteen fifty dead or alife due.

0:25:44.560 --> 0:25:46.399
<v Speaker 2>To my Scottish roots obviously.

0:25:48.920 --> 0:25:54.560
<v Speaker 3>Scottish of course, but then you keep choosing everyone who's

0:25:54.600 --> 0:25:57.199
<v Speaker 3>not Scottish for Irish or English or.

0:25:57.400 --> 0:25:59.760
<v Speaker 1>It's fine, we're all kind of in this together. Look,

0:25:59.840 --> 0:26:02.520
<v Speaker 1>I'm fortunately Hagrid and I didn't know him really well,

0:26:02.560 --> 0:26:04.560
<v Speaker 1>but just a little bit because the whole Scottish thing.

0:26:04.800 --> 0:26:07.760
<v Speaker 2>I fortunate he's not with us anymore anyway.

0:26:07.840 --> 0:26:10.719
<v Speaker 3>Bob Hawk died on the sixteenth of May twenty nineteen.

0:26:10.760 --> 0:26:17.080
<v Speaker 3>True story. Okay, who were talking about now, Robber? Okay, Hagrid.

0:26:17.240 --> 0:26:20.560
<v Speaker 3>I'm gonna I have no idea. I'm just gonna say alive.

0:26:21.400 --> 0:26:22.800
<v Speaker 11>He died, unfortunately, but.

0:26:27.400 --> 0:26:28.520
<v Speaker 2>Little ding instead.

0:26:31.400 --> 0:26:37.000
<v Speaker 11>Yeah, one nil up, Hazy, you say up Hazy again, Just.

0:26:38.960 --> 0:26:41.000
<v Speaker 2>One up, Hazey, one up Haizy.

0:26:41.440 --> 0:26:44.640
<v Speaker 11>Jesus all right, by the way, this is for the winner.

0:26:44.680 --> 0:26:47.000
<v Speaker 11>You get this, right, Hazy deed Conn.

0:26:47.160 --> 0:26:47.760
<v Speaker 5>If only I.

0:26:47.760 --> 0:26:50.520
<v Speaker 9>Could have a guardian angel to tell me what to do,

0:26:50.760 --> 0:26:52.879
<v Speaker 9>you know, like like Debbie Reynold's hagg and Temmy.

0:26:53.160 --> 0:26:53.440
<v Speaker 5>Edith d.

0:26:53.480 --> 0:26:55.399
<v Speaker 11>D Conn an American actress who came to fame in

0:26:55.440 --> 0:26:57.280
<v Speaker 11>the seventies but is best known for her work as

0:26:57.320 --> 0:27:00.600
<v Speaker 11>the endearing beauty school drop out Frenchy in Greek one

0:27:00.680 --> 0:27:01.800
<v Speaker 11>July nineteen fifty one.

0:27:01.840 --> 0:27:08.960
<v Speaker 3>Dead or alive? Joke's a frenchy. I'm gonna say Frenchie

0:27:09.200 --> 0:27:10.480
<v Speaker 3>is dead.

0:27:11.760 --> 0:27:15.040
<v Speaker 2>I'm going to say a little wink or something there. No,

0:27:15.880 --> 0:27:17.840
<v Speaker 2>I'm going to say that she's alive.

0:27:19.960 --> 0:27:20.679
<v Speaker 5>She is alive.

0:27:23.200 --> 0:27:26.120
<v Speaker 11>The wedding street's over, Hazy, well done.

0:27:26.080 --> 0:27:28.320
<v Speaker 1>Okay, that's fine. I'm not going to glide at all.

0:27:28.400 --> 0:27:30.399
<v Speaker 1>But I'm just a lat headline sugar.

0:27:34.960 --> 0:27:35.280
<v Speaker 5>Hazy.

0:27:35.400 --> 0:27:38.640
<v Speaker 3>Our next guest is one of the sweetest, kindest men

0:27:39.040 --> 0:27:42.520
<v Speaker 3>in entertainment, I have to say. Australian entertainer, comedian, TV

0:27:42.640 --> 0:27:46.640
<v Speaker 3>personality host author Dad three boys. Welcome so much. Thanks

0:27:46.640 --> 0:27:48.080
<v Speaker 3>for having me, guys, tell us what you've been up

0:27:48.080 --> 0:27:48.399
<v Speaker 3>to do?

0:27:48.440 --> 0:27:50.440
<v Speaker 4>You know, just woke up at quarter past five this

0:27:50.640 --> 0:27:54.680
<v Speaker 4>morning to a racket going on. It's my fault for

0:27:54.800 --> 0:27:57.200
<v Speaker 4>buying like six hundred lexus for our house.

0:27:57.560 --> 0:27:59.480
<v Speaker 8>In each room they just play music all the time.

0:28:00.040 --> 0:28:00.879
<v Speaker 8>What else has been going on?

0:28:01.160 --> 0:28:03.359
<v Speaker 4>Oh, you've got a comedy show coming, yeah's going on?

0:28:05.160 --> 0:28:08.480
<v Speaker 2>Take it through Jimmy So not that kind of viral tour, Yes,

0:28:08.600 --> 0:28:08.879
<v Speaker 2>that's it.

0:28:09.280 --> 0:28:12.840
<v Speaker 4>It's just me bringing the videos that you see online

0:28:12.960 --> 0:28:13.640
<v Speaker 4>to the stage.

0:28:13.800 --> 0:28:15.919
<v Speaker 8>Now, look in my videos, I talk.

0:28:15.840 --> 0:28:18.920
<v Speaker 4>To myself in multiple different forms, so bringing that to

0:28:19.000 --> 0:28:20.440
<v Speaker 4>the stage not that easy.

0:28:21.920 --> 0:28:24.160
<v Speaker 1>Just on that as well, you do such an unbelievable job.

0:28:24.560 --> 0:28:27.560
<v Speaker 1>You'd almost call them split personalities. How was that whole

0:28:27.760 --> 0:28:29.000
<v Speaker 1>idea and concept born?

0:28:29.600 --> 0:28:29.800
<v Speaker 2>Yeah?

0:28:29.960 --> 0:28:32.080
<v Speaker 4>Oh, just born out of different situations.

0:28:32.160 --> 0:28:32.320
<v Speaker 8>You know.

0:28:32.320 --> 0:28:35.280
<v Speaker 4>I always always been interested in in media and video,

0:28:35.400 --> 0:28:37.119
<v Speaker 4>and like, I've just spent ten years on a kid

0:28:37.200 --> 0:28:39.320
<v Speaker 4>TV show, and it's always what I've wanted to do.

0:28:39.560 --> 0:28:41.920
<v Speaker 8>So when the pandemic hit in twenty twenty and I

0:28:42.000 --> 0:28:44.000
<v Speaker 8>had zero work, I had to start doing something.

0:28:44.040 --> 0:28:45.880
<v Speaker 4>So I picked up my phone, picked up a camera

0:28:46.040 --> 0:28:48.360
<v Speaker 4>and started recording myself and then, yeah, a couple of

0:28:48.400 --> 0:28:49.960
<v Speaker 4>those sort of videos that we see me talking to

0:28:50.040 --> 0:28:51.840
<v Speaker 4>myself is just how was I supposed to get this

0:28:51.920 --> 0:28:54.280
<v Speaker 4>point across of Instead of just doing it one person,

0:28:54.600 --> 0:28:56.280
<v Speaker 4>you know, and just reading it out or whatever that

0:28:56.440 --> 0:28:59.080
<v Speaker 4>I thought, you create some two characters talking to yourself

0:28:59.120 --> 0:29:01.680
<v Speaker 4>and try and full people into thinking it was two

0:29:01.760 --> 0:29:03.200
<v Speaker 4>people by putting on a.

0:29:03.320 --> 0:29:08.760
<v Speaker 8>Pair of glasses, right, Superman, Oh my god, so clever.

0:29:09.400 --> 0:29:09.680
<v Speaker 10>Jimmy.

0:29:09.720 --> 0:29:12.240
<v Speaker 3>I have to ask you. You're the dad to three boys, right,

0:29:12.680 --> 0:29:15.280
<v Speaker 3>I'm the mom to four girls. How do you make boys?

0:29:15.400 --> 0:29:16.000
<v Speaker 3>How does that work?

0:29:16.480 --> 0:29:19.880
<v Speaker 8>I don't know. Did you do it upside down or something?

0:29:19.920 --> 0:29:20.280
<v Speaker 2>I don't know.

0:29:21.360 --> 0:29:24.240
<v Speaker 4>One boy says for me, it's my fault because I'm

0:29:24.280 --> 0:29:27.320
<v Speaker 4>one of three boys and my older brother has three

0:29:27.400 --> 0:29:29.480
<v Speaker 4>boys also. So what you need to do is you

0:29:29.560 --> 0:29:30.480
<v Speaker 4>need to partner up with the.

0:29:30.960 --> 0:29:33.400
<v Speaker 3>Race, right you go? Okay?

0:29:33.960 --> 0:29:36.680
<v Speaker 1>Jimmy, I love your Instagram and look it's I mean,

0:29:36.800 --> 0:29:39.640
<v Speaker 1>it's its own company itself for almost five hundred thousand followers,

0:29:39.680 --> 0:29:42.200
<v Speaker 1>and Jimmy Reese underscore what we do love as well

0:29:42.240 --> 0:29:44.520
<v Speaker 1>and what we've all connected with in South Australia. Is

0:29:44.640 --> 0:29:47.800
<v Speaker 1>you taking the absolute piss out of Adelaide and South

0:29:47.840 --> 0:29:48.600
<v Speaker 1>Australia in general.

0:29:48.960 --> 0:29:49.880
<v Speaker 2>We'll play a little bit.

0:29:49.840 --> 0:29:53.080
<v Speaker 8>Here looking get into Adelaide. Are you okay answer these questions?

0:29:53.120 --> 0:29:53.960
<v Speaker 2>You'll be there in no time.

0:29:54.120 --> 0:29:54.280
<v Speaker 11>Yeah.

0:29:54.480 --> 0:29:57.040
<v Speaker 8>Thanks. What's the most common blood type in Adelaide?

0:29:57.160 --> 0:29:58.200
<v Speaker 5>Sures correct?

0:29:58.280 --> 0:30:00.800
<v Speaker 4>What is the only sentence, I repeat, the only sentenced

0:30:00.800 --> 0:30:02.120
<v Speaker 4>an Adelaidian can say.

0:30:02.040 --> 0:30:05.120
<v Speaker 8>To sound sophisticated lance, chance of a dance? Per chance?

0:30:05.320 --> 0:30:05.640
<v Speaker 5>Correct?

0:30:05.760 --> 0:30:08.120
<v Speaker 8>What is the ratio of churches to serial killers one

0:30:08.160 --> 0:30:10.480
<v Speaker 8>to one? Correctly? You can't be an Adelaidian without picking

0:30:10.560 --> 0:30:12.240
<v Speaker 8>up a showbag. So I've got you one here there's

0:30:12.240 --> 0:30:12.960
<v Speaker 8>a foot in there.

0:30:13.040 --> 0:30:13.680
<v Speaker 5>There's some ice.

0:30:13.880 --> 0:30:15.959
<v Speaker 8>Oh sorry about that nice coffee.

0:30:17.920 --> 0:30:20.120
<v Speaker 4>There's one ticket to the Food and Wine and dance

0:30:20.160 --> 0:30:22.360
<v Speaker 4>and art and food and wine and more food and

0:30:22.440 --> 0:30:25.200
<v Speaker 4>more wine and and dance and definitely more wine festival.

0:30:25.640 --> 0:30:29.040
<v Speaker 4>There's a Headswood T shirt and some unsolicited wine advice.

0:30:29.200 --> 0:30:31.200
<v Speaker 8>Oh thanks, mate. I heard the coffee is good here.

0:30:31.200 --> 0:30:32.760
<v Speaker 8>I might go straight to the city and get one.

0:30:33.640 --> 0:30:37.840
<v Speaker 1>No one has ever nailed summed up Adelaide in South

0:30:37.880 --> 0:30:40.200
<v Speaker 1>Australia better than you have in that video.

0:30:41.960 --> 0:30:42.880
<v Speaker 8>It's always good fun.

0:30:43.040 --> 0:30:45.640
<v Speaker 4>Oh man, just trying to think of those stupid questions.

0:30:45.720 --> 0:30:48.840
<v Speaker 4>I city are laughing at myself and said, it's quite sad. Really.

0:30:50.120 --> 0:30:51.200
<v Speaker 8>I did get sent though.

0:30:51.320 --> 0:30:54.760
<v Speaker 7>What are they called fruit shocks streach out? Yes, yeah,

0:30:55.000 --> 0:30:57.880
<v Speaker 7>the guys from Men's with a the sent me like

0:30:57.960 --> 0:30:59.800
<v Speaker 7>a whole box of them, and I was like, oh,

0:30:59.840 --> 0:31:02.440
<v Speaker 7>this is cool. I tried them, didn't like them.

0:31:02.800 --> 0:31:05.440
<v Speaker 3>Oh sorry, oh my god, oh my god.

0:31:05.760 --> 0:31:06.760
<v Speaker 4>What I also did?

0:31:06.920 --> 0:31:08.600
<v Speaker 8>This might be a Reeze Jane thing as well.

0:31:09.200 --> 0:31:11.520
<v Speaker 4>The kids thought it was amazing. There was like four

0:31:11.640 --> 0:31:13.400
<v Speaker 4>hundred little chocolate balls that they were.

0:31:13.360 --> 0:31:15.480
<v Speaker 8>Going to get their hands out. They didn't mark them either,

0:31:17.120 --> 0:31:17.880
<v Speaker 8>how very.

0:31:17.920 --> 0:31:22.640
<v Speaker 1>Deep, controversial. See, I completely know what Jimmy's talking about.

0:31:22.680 --> 0:31:24.720
<v Speaker 1>I'm from New South Walest originally, I've been here for

0:31:24.960 --> 0:31:26.320
<v Speaker 1>about seventeen years now.

0:31:26.720 --> 0:31:27.320
<v Speaker 3>But don't do it.

0:31:27.520 --> 0:31:28.680
<v Speaker 2>I suppose the question for.

0:31:28.720 --> 0:31:31.720
<v Speaker 1>The outside is the obsession with what effectively is just

0:31:31.760 --> 0:31:33.680
<v Speaker 1>a little piece of fruit and chocolate around the outside.

0:31:33.720 --> 0:31:36.120
<v Speaker 3>Okay, it's fruit with chocolate on it.

0:31:36.240 --> 0:31:37.320
<v Speaker 5>What's wrong with you too?

0:31:37.600 --> 0:31:39.760
<v Speaker 2>Well? What's what's so right with it?

0:31:40.640 --> 0:31:42.840
<v Speaker 8>You know, you're just a bunch of weirdos, That's all

0:31:42.880 --> 0:31:43.360
<v Speaker 8>we can say.

0:31:44.480 --> 0:31:47.160
<v Speaker 3>Also, what's hook like behind closed doors? Like massive diva?

0:31:47.360 --> 0:31:47.520
<v Speaker 4>How?

0:31:48.320 --> 0:31:50.400
<v Speaker 8>Oh yeah, complete diva?

0:31:50.680 --> 0:31:53.040
<v Speaker 4>Yeah, just like I don't even know because he doesn't

0:31:53.120 --> 0:31:53.640
<v Speaker 4>let me into.

0:31:53.560 --> 0:31:54.280
<v Speaker 8>His dressing room.

0:31:56.120 --> 0:31:58.400
<v Speaker 4>It's it's not a green room, it's a blue room.

0:31:58.520 --> 0:32:00.560
<v Speaker 4>Oh that's that's that's.

0:32:02.800 --> 0:32:02.920
<v Speaker 3>Hurt.

0:32:05.920 --> 0:32:08.440
<v Speaker 2>Where about that, Jimmy, We've heard it, Jimmy, thank you

0:32:08.520 --> 0:32:09.360
<v Speaker 2>so much for your time.

0:32:09.800 --> 0:32:12.560
<v Speaker 1>The national not that kind of viral too. We can't wait, mate,

0:32:12.600 --> 0:32:14.120
<v Speaker 1>We're going to get some tickets and all that. Thank

0:32:14.120 --> 0:32:15.640
<v Speaker 1>you for your time, mate, all the best and hopefully

0:32:15.640 --> 0:32:16.600
<v Speaker 1>we'll chat again really soon.

0:32:16.880 --> 0:32:20.120
<v Speaker 8>Absolutely, it's been a.

0:32:20.120 --> 0:32:20.920
<v Speaker 2>Big show, Joe.

0:32:21.160 --> 0:32:22.920
<v Speaker 3>It's been huge today, hasn't it Bigger?

0:32:22.960 --> 0:32:23.280
<v Speaker 2>Tomorrow.

0:32:23.360 --> 0:32:25.560
<v Speaker 3>Idea so really sucked the life out of meet today.

0:32:25.560 --> 0:32:26.320
<v Speaker 3>I'm going home to bed.

0:32:26.360 --> 0:32:28.920
<v Speaker 1>Do you know what, Go home, you recharge, you refuel,

0:32:28.960 --> 0:32:31.200
<v Speaker 1>and you get ready because our boy, right, it's your

0:32:31.240 --> 0:32:35.480
<v Speaker 1>Fantasia Ratsio. Ras will join us tomorrow. Looking forward to that,

0:32:35.480 --> 0:32:36.880
<v Speaker 1>and I'll tell you what I'm fuel u after all

0:32:36.920 --> 0:32:39.520
<v Speaker 1>the past we got from non Fantasia and his mom.

0:32:39.640 --> 0:32:40.360
<v Speaker 3>My kids loved it.

0:32:40.480 --> 0:32:42.680
<v Speaker 2>Yeah, my kids absolutely on top of the world.

0:32:42.520 --> 0:32:45.120
<v Speaker 3>Absolutely devoured it, real good stuff. You better bring food in.

0:32:45.120 --> 0:32:48.920
<v Speaker 1>Tomorrow, of course knows ten k a day in May.

0:32:49.000 --> 0:32:50.440
<v Speaker 1>More chance to get on a stand by a list

0:32:50.520 --> 0:32:52.920
<v Speaker 1>for that, and of course check out the podcast. You

0:32:53.080 --> 0:32:54.800
<v Speaker 1>have yourself a very nice day, please,