1 00:00:01,400 --> 00:00:04,640 Speaker 1: It sits in with Kate Riki podcast. 2 00:00:05,680 --> 00:00:08,160 Speaker 2: Welcome to Educate another edition. 3 00:00:08,440 --> 00:00:10,480 Speaker 1: Welcome Jazz. Thank you Lizzie. 4 00:00:11,160 --> 00:00:13,480 Speaker 3: I feel as though I've missed you. We've had a 5 00:00:13,520 --> 00:00:16,720 Speaker 3: little bit of a stopdown. Yeah, long time, no educate. 6 00:00:16,760 --> 00:00:18,000 Speaker 1: As we say in the biz. 7 00:00:17,800 --> 00:00:21,040 Speaker 2: Well maybe it means we just know everything? Yeah, but 8 00:00:21,440 --> 00:00:23,160 Speaker 2: what can I say to stop you there? 9 00:00:24,480 --> 00:00:27,120 Speaker 3: No? Okay, because you messaged me when you were off, 10 00:00:27,160 --> 00:00:28,360 Speaker 3: because you've been off for two weeks. 11 00:00:28,360 --> 00:00:32,040 Speaker 1: This was serious branding thing. Yeah, no, no, no, because 12 00:00:32,040 --> 00:00:34,880 Speaker 1: I received that one. Yes, we got who is Gabriette? 13 00:00:34,880 --> 00:00:35,400 Speaker 1: Who is you know? 14 00:00:35,400 --> 00:00:37,560 Speaker 3: Maddie Healy sponsor? But on top of that, I wrote 15 00:00:37,600 --> 00:00:40,159 Speaker 3: back and said, oh, some songs on t TPD are 16 00:00:40,200 --> 00:00:40,800 Speaker 3: making sense. 17 00:00:41,200 --> 00:00:43,240 Speaker 1: Kate wrote back and said, what is t TP? 18 00:00:44,159 --> 00:00:47,760 Speaker 3: I know you, which is of course the Tortured Poet's deplotment. 19 00:00:47,920 --> 00:00:49,640 Speaker 1: So maybe we need to go back to the beginning 20 00:00:49,760 --> 00:00:50,840 Speaker 1: in reality. 21 00:00:50,440 --> 00:00:53,519 Speaker 3: Maybe I was in a different time zone, or I 22 00:00:53,520 --> 00:00:55,639 Speaker 3: didn't really know what was going on. I didn't have 23 00:00:55,680 --> 00:00:57,520 Speaker 3: my Taylor Swift brain on. 24 00:00:58,480 --> 00:00:59,400 Speaker 1: Taylor Swift Girls. 25 00:00:59,560 --> 00:01:02,480 Speaker 4: Yeah, so our brains are permanently just tail us with. 26 00:01:02,440 --> 00:01:06,800 Speaker 2: Brains they are, And I feel very worried for you. 27 00:01:07,000 --> 00:01:08,040 Speaker 1: You mean lucky to be here. 28 00:01:08,120 --> 00:01:11,360 Speaker 3: Yeah, okay, all right, so let's get to it. While 29 00:01:11,400 --> 00:01:14,800 Speaker 3: I was away, I did send through a picture of 30 00:01:14,920 --> 00:01:18,800 Speaker 3: Matt Healley, who seems to be engaged to a woman 31 00:01:19,200 --> 00:01:22,240 Speaker 3: who well I don't know who she is, and I 32 00:01:22,400 --> 00:01:24,720 Speaker 3: want to know who she is and what's going on. 33 00:01:24,920 --> 00:01:28,880 Speaker 4: Gabriette love her. I personally love her. I'm obsessed with her. 34 00:01:29,160 --> 00:01:29,960 Speaker 1: Who is she? 35 00:01:29,959 --> 00:01:33,800 Speaker 4: She's the coolest she's It's interesting because she's Charlie XX 36 00:01:33,840 --> 00:01:37,800 Speaker 4: just released her new album called Bratt and Gabriette is 37 00:01:38,720 --> 00:01:40,399 Speaker 4: one of the girls in the video clip. 38 00:01:40,520 --> 00:01:41,440 Speaker 1: But she's like an. 39 00:01:41,319 --> 00:01:43,560 Speaker 4: Influencer, a model. She does a lot of things with 40 00:01:43,680 --> 00:01:46,240 Speaker 4: food and cooking. She's like a food blogger as well. 41 00:01:46,280 --> 00:01:48,920 Speaker 4: She's super cool. Is she British? 42 00:01:49,000 --> 00:01:49,160 Speaker 3: Oh? 43 00:01:49,240 --> 00:01:52,080 Speaker 4: I don't actually not sure. I'm pretty sure she's American. 44 00:01:52,240 --> 00:01:57,520 Speaker 4: But the whole joke with Gabriette being in Bratt the 45 00:01:57,640 --> 00:02:01,600 Speaker 4: album in the music video was music video was released, 46 00:02:02,600 --> 00:02:05,760 Speaker 4: someone made a meme that Charlie XX and Julia Fox 47 00:02:05,800 --> 00:02:09,360 Speaker 4: and all those people retweeted and it said this is 48 00:02:09,560 --> 00:02:14,480 Speaker 4: like the Bad Blood but for girls who do cocaine. 49 00:02:14,520 --> 00:02:17,560 Speaker 4: Griette posted that, so it was like, was that a 50 00:02:17,560 --> 00:02:18,280 Speaker 4: bit of a dig. 51 00:02:18,520 --> 00:02:21,320 Speaker 3: Well, we also know that from this week apparently there 52 00:02:21,440 --> 00:02:24,160 Speaker 3: is a little bit of drama between Charlie XX and Taylor. 53 00:02:24,200 --> 00:02:27,240 Speaker 3: A lot of people saying, so, remember when Taylor released 54 00:02:27,600 --> 00:02:30,760 Speaker 3: the like deluxe version with the voice memo notes in 55 00:02:30,800 --> 00:02:32,880 Speaker 3: the US and blocked I think Billy from going to 56 00:02:32,960 --> 00:02:33,400 Speaker 3: number one. 57 00:02:33,800 --> 00:02:34,840 Speaker 1: We cover that on the show. 58 00:02:35,200 --> 00:02:37,800 Speaker 3: She's done the exact same thing with Charlie XCX on 59 00:02:37,880 --> 00:02:40,560 Speaker 3: BRAT has blocked her. So Charlie's gone I think number two, 60 00:02:40,680 --> 00:02:41,880 Speaker 3: Taylor's back at number one. 61 00:02:41,960 --> 00:02:43,799 Speaker 2: And why is Taylor back at number one? 62 00:02:44,120 --> 00:02:44,560 Speaker 4: Well? 63 00:02:46,040 --> 00:02:49,120 Speaker 3: What did she released that same thing, you know, with 64 00:02:49,160 --> 00:02:53,519 Speaker 3: the voice memos in the UK Solie Harley British. 65 00:02:54,960 --> 00:02:55,320 Speaker 2: Market. 66 00:02:55,600 --> 00:02:58,720 Speaker 4: But there's a song apparently on BRATT that's about Taylor 67 00:02:59,040 --> 00:03:02,760 Speaker 4: from Charlie because Charlie actually opened for Taylor on the 68 00:03:02,800 --> 00:03:07,360 Speaker 4: Reputation Stadium tour and the two were like very close 69 00:03:07,600 --> 00:03:12,320 Speaker 4: buddy buddy, bestie vibe. She would bring out Charlie along 70 00:03:12,320 --> 00:03:16,440 Speaker 4: with Camilla Cabo during shake it Off and that she 71 00:03:16,440 --> 00:03:18,520 Speaker 4: would sing shake it Off with her like it was 72 00:03:18,639 --> 00:03:20,840 Speaker 4: very she was part of the squad so to speak. 73 00:03:20,880 --> 00:03:24,640 Speaker 3: Do you think that's how Taylor met Matt Heally? Like 74 00:03:24,680 --> 00:03:26,280 Speaker 3: who introduced Taylor to Matt. 75 00:03:27,120 --> 00:03:29,639 Speaker 4: Taylor and Maddie were well established back in the nineteen 76 00:03:29,639 --> 00:03:31,040 Speaker 4: eighty ninety right, yeah. 77 00:03:30,800 --> 00:03:32,520 Speaker 1: Back in twenty fourteen. So this is the song. It's 78 00:03:32,560 --> 00:03:35,480 Speaker 1: called Sympathy is a Knife from Charlie XCX. 79 00:03:36,080 --> 00:03:36,160 Speaker 4: So. 80 00:03:36,240 --> 00:03:38,360 Speaker 3: I don't know if you've said this, but Charlie's dating 81 00:03:38,600 --> 00:03:41,400 Speaker 3: George from the nineteen seventy five Yes, I. 82 00:03:41,360 --> 00:03:43,640 Speaker 2: Know you didn't say I did. Okay, Oh but that's important. 83 00:03:43,720 --> 00:03:45,280 Speaker 1: Yes, so's Maddie's band mate. 84 00:03:45,280 --> 00:03:47,000 Speaker 3: And this is the lyric, don't want to see her 85 00:03:47,000 --> 00:03:50,280 Speaker 3: backstage at my boyfriend's show, fingers crossed behind my back. 86 00:03:50,440 --> 00:03:51,840 Speaker 1: I hope they break up quick. 87 00:03:52,440 --> 00:03:53,840 Speaker 2: Oh so she never liked Taylor. 88 00:03:54,000 --> 00:03:56,080 Speaker 3: Well, I don't know why she wouldn't. Taylor gave her 89 00:03:56,120 --> 00:03:58,720 Speaker 3: that huge opportunity on nineteen eighty nine, So obviously something 90 00:03:58,720 --> 00:04:01,120 Speaker 3: has gone down. If those lyrics are in fact about her, 91 00:04:01,400 --> 00:04:03,880 Speaker 3: they're very they're very polar opposite girlies. 92 00:04:03,920 --> 00:04:07,160 Speaker 4: Though, to be fair, yeah, it feels as though when 93 00:04:07,200 --> 00:04:10,240 Speaker 4: I look to be mean to each other. 94 00:04:10,200 --> 00:04:14,560 Speaker 3: No, Taylor is more pristine reputation. It feels like the 95 00:04:14,680 --> 00:04:17,159 Speaker 3: girls we're talking about now have more of an edge 96 00:04:17,200 --> 00:04:19,240 Speaker 3: to them. Would I be correct in saying that I'm 97 00:04:19,320 --> 00:04:21,600 Speaker 3: saying that, well, if they're saying them, yeah, if they're 98 00:04:21,640 --> 00:04:26,240 Speaker 3: saying it's almost it's almost like I'm sitting here looking 99 00:04:26,279 --> 00:04:27,520 Speaker 3: at the two different groups. 100 00:04:28,080 --> 00:04:28,600 Speaker 1: Is that right? 101 00:04:28,640 --> 00:04:30,040 Speaker 2: Which one am I? 102 00:04:30,040 --> 00:04:31,400 Speaker 1: I don't want to say legally? 103 00:04:31,800 --> 00:04:34,800 Speaker 2: Okay, okay, what else do I need to know that? 104 00:04:34,839 --> 00:04:36,600 Speaker 1: Okay? So the other thing that we've got to dive 105 00:04:36,680 --> 00:04:38,880 Speaker 1: into is this article that Joe Owen did. 106 00:04:38,920 --> 00:04:41,640 Speaker 3: We cover it on The Fit A Kate Show this week, 107 00:04:41,760 --> 00:04:44,680 Speaker 3: but Lizzie has uncovered a little bit more simply by 108 00:04:44,720 --> 00:04:47,680 Speaker 3: paying the subscription fee to read on. So Lizzie, please 109 00:04:47,720 --> 00:04:50,080 Speaker 3: talk us through what else you found that own money? 110 00:04:50,160 --> 00:04:52,200 Speaker 1: Did you own? You can change that. 111 00:04:54,320 --> 00:04:56,920 Speaker 3: So this is the first time that Joe's spoken about 112 00:04:57,040 --> 00:04:59,839 Speaker 3: Taylor since they broke up, and you know, we. 113 00:05:00,080 --> 00:05:02,520 Speaker 1: Never thought that he would. But can I say he 114 00:05:02,560 --> 00:05:03,479 Speaker 1: hasn't said too much. 115 00:05:03,520 --> 00:05:06,920 Speaker 3: I feel and I never cared much for Joe either way, 116 00:05:07,000 --> 00:05:09,000 Speaker 3: Like he's fine, he was there whatever, some great songs, 117 00:05:09,440 --> 00:05:13,040 Speaker 3: but I think he has remained a gentleman like I 118 00:05:13,200 --> 00:05:15,080 Speaker 3: just feel if her and Travis break up, we'll be 119 00:05:15,080 --> 00:05:19,120 Speaker 3: getting a podcast, sit down, newspaper tell Whereas Joe hasn't 120 00:05:19,160 --> 00:05:20,320 Speaker 3: really given us too much. 121 00:05:20,480 --> 00:05:23,040 Speaker 4: That's actually really true, and thank you for raising that. 122 00:05:23,360 --> 00:05:25,279 Speaker 1: Because I thank you for being an understanding order. 123 00:05:25,520 --> 00:05:27,880 Speaker 2: I hadn't even thought about that, to be honest. But 124 00:05:28,160 --> 00:05:31,359 Speaker 2: it does seem as though he has just continued the 125 00:05:31,400 --> 00:05:37,560 Speaker 2: way the relationship unfolded, really as it happened for not 126 00:05:37,720 --> 00:05:39,640 Speaker 2: six and a half years. They I think he has 127 00:05:39,680 --> 00:05:42,120 Speaker 2: said has anty that we didn't talk about it. This 128 00:05:42,400 --> 00:05:44,920 Speaker 2: wasn't a public this wasn't in the public domain when 129 00:05:44,920 --> 00:05:48,279 Speaker 2: we were together. Why on earth would I now come 130 00:05:48,320 --> 00:05:50,880 Speaker 2: out and start And I think. 131 00:05:50,960 --> 00:05:53,640 Speaker 3: That shows that he's true to his character and that 132 00:05:53,680 --> 00:05:55,960 Speaker 3: maybe all along he just never did like the media. 133 00:05:56,040 --> 00:05:58,520 Speaker 1: He never overly liked the fans. He didn't like all. 134 00:06:00,120 --> 00:06:04,320 Speaker 3: Is a consistent beep, very true. You know, all right, 135 00:06:04,400 --> 00:06:06,560 Speaker 3: talk us through this extra little bit that you found. 136 00:06:06,680 --> 00:06:09,160 Speaker 4: So this crazy bit as you read on which a 137 00:06:09,200 --> 00:06:12,159 Speaker 4: lot of the other publications that were reposting what he 138 00:06:12,279 --> 00:06:15,160 Speaker 4: was saying left out, which I'm like, no, no, if 139 00:06:15,200 --> 00:06:17,080 Speaker 4: you guys were swifties, you would realize that this is 140 00:06:17,120 --> 00:06:21,240 Speaker 4: the biggest part of the entire article. So one of 141 00:06:21,279 --> 00:06:25,600 Speaker 4: the songs on TTPD is called the Black Dog, which 142 00:06:25,640 --> 00:06:28,520 Speaker 4: is everybody since she released that was like this is 143 00:06:28,560 --> 00:06:31,680 Speaker 4: one hundred percent about Joe. Couldn't be more about Joe, 144 00:06:31,760 --> 00:06:33,400 Speaker 4: along with so long London. 145 00:06:34,880 --> 00:06:38,039 Speaker 1: As you work in somber called. 146 00:06:40,279 --> 00:06:43,240 Speaker 4: Beautifuls and you forgot. 147 00:06:44,480 --> 00:06:47,560 Speaker 3: But the thing is so that the point of that song, 148 00:06:47,600 --> 00:06:51,839 Speaker 3: well part of is that perhaps Taylor or some person 149 00:06:52,000 --> 00:06:54,800 Speaker 3: has a partner who is choosing going to the pub 150 00:06:55,000 --> 00:06:58,719 Speaker 3: and being somewhere else over being with them and quite 151 00:06:58,760 --> 00:07:03,240 Speaker 3: possibly having an affair or spending time with somebody else. 152 00:07:03,440 --> 00:07:04,240 Speaker 1: I took it to be. 153 00:07:04,480 --> 00:07:08,080 Speaker 4: That after they broke up, they hadn't yet finalized some 154 00:07:08,080 --> 00:07:10,400 Speaker 4: things on the phone, like turning each other's locations off. 155 00:07:10,400 --> 00:07:12,680 Speaker 4: And so she's seen that he's going on a date 156 00:07:12,880 --> 00:07:15,480 Speaker 4: or he's going to this pub where it's most likely 157 00:07:15,520 --> 00:07:17,480 Speaker 4: he's going on a date, and he's moving on, and 158 00:07:17,520 --> 00:07:20,720 Speaker 4: so that feels sad for her to realize that she's 159 00:07:20,720 --> 00:07:24,040 Speaker 4: seeing him walk into this bar when she maybe doesn't 160 00:07:24,040 --> 00:07:26,320 Speaker 4: feel ready to go do that herself, and just being like. 161 00:07:26,280 --> 00:07:27,320 Speaker 1: What is happening? 162 00:07:27,560 --> 00:07:30,040 Speaker 2: So it's post relationships, post relationship. 163 00:07:30,480 --> 00:07:34,200 Speaker 3: Oh when I read it, I thought it was within 164 00:07:34,240 --> 00:07:36,520 Speaker 3: the relationships, and I think a lot of people did, 165 00:07:36,680 --> 00:07:39,200 Speaker 3: which is why he has come out and said this 166 00:07:39,280 --> 00:07:43,120 Speaker 3: line in the article. It's so crazy so basically everyone's 167 00:07:43,120 --> 00:07:47,320 Speaker 3: thinking this is about Joe, and the interviewer kind of 168 00:07:47,400 --> 00:07:48,760 Speaker 3: asked him about it and he. 169 00:07:48,760 --> 00:07:52,880 Speaker 4: Said, I've never been to Vauxhall and does like a 170 00:07:52,920 --> 00:07:56,760 Speaker 4: little bit of a wry smile when he says that, 171 00:07:57,520 --> 00:08:00,960 Speaker 4: So he's essentially saying, I've never been to this bar 172 00:08:01,200 --> 00:08:04,239 Speaker 4: or this pub called the Black Dog, thereby shutting down 173 00:08:04,720 --> 00:08:08,800 Speaker 4: all of all the Swifties theories that this song is 174 00:08:08,840 --> 00:08:13,560 Speaker 4: about him. So then we're kind of like, Okay, please 175 00:08:13,640 --> 00:08:17,120 Speaker 4: God not again. Is this about Matti Heally? And now 176 00:08:17,160 --> 00:08:17,640 Speaker 4: that WHI. 177 00:08:17,600 --> 00:08:19,720 Speaker 1: Chessa and I have done some more digging this morning, 178 00:08:20,480 --> 00:08:21,040 Speaker 1: we think that. 179 00:08:21,080 --> 00:08:24,720 Speaker 2: It is another song about him. So Matti Heally has 180 00:08:24,720 --> 00:08:26,720 Speaker 2: got form being at the black Dog. 181 00:08:26,880 --> 00:08:28,720 Speaker 4: The Black Dog and it's one of the most heart 182 00:08:28,720 --> 00:08:32,040 Speaker 4: wrenching songs, and she's given it to the rodent Man again. 183 00:08:32,480 --> 00:08:34,680 Speaker 3: And can I point out one other lyrics so fresh 184 00:08:34,760 --> 00:08:37,839 Speaker 3: out the Slammer, which again is supposedly about leaving the 185 00:08:37,880 --> 00:08:40,240 Speaker 3: relationship with Joe and knowing who your first call is 186 00:08:40,280 --> 00:08:42,400 Speaker 3: going to be. It's going to be Maddie. One of 187 00:08:42,440 --> 00:08:46,400 Speaker 3: the lines in that is swelled you into all my poems. 188 00:08:46,600 --> 00:08:48,880 Speaker 3: Now we're at the starting line. I did my time, 189 00:08:48,960 --> 00:08:51,440 Speaker 3: and we hear that starting line reference there, and then 190 00:08:51,480 --> 00:08:53,400 Speaker 3: we hear it in the black Dog referenced again. 191 00:08:53,920 --> 00:08:55,960 Speaker 1: You know, does she jump up and sing the starting line? 192 00:08:56,040 --> 00:08:56,440 Speaker 1: She does it. 193 00:08:56,559 --> 00:08:59,280 Speaker 4: So the starting line, Maddie here. 194 00:08:59,280 --> 00:09:01,800 Speaker 2: The starting line as in the starting line of the song. 195 00:09:02,200 --> 00:09:04,000 Speaker 1: No, No, a starting line is a band. 196 00:09:04,400 --> 00:09:08,200 Speaker 2: Yeah, oh my goodness, Now I never thought it was 197 00:09:08,200 --> 00:09:09,160 Speaker 2: a running turne. 198 00:09:09,280 --> 00:09:13,679 Speaker 3: No, you are obviously a lot fitter than we are. 199 00:09:14,679 --> 00:09:17,000 Speaker 3: So then we did more digging this morning. 200 00:09:17,440 --> 00:09:21,520 Speaker 4: Maddy Healy has covered multiple songs by the starting Line 201 00:09:21,760 --> 00:09:25,120 Speaker 4: on tour. Yeah, so this song is one hundred percent 202 00:09:25,360 --> 00:09:29,080 Speaker 4: about Maddi Heally And it's just like we've spoken about 203 00:09:29,080 --> 00:09:31,400 Speaker 4: this before. We spoke about this, I think after one 204 00:09:31,440 --> 00:09:34,040 Speaker 4: of our records. They obviously are just more of a 205 00:09:34,080 --> 00:09:37,480 Speaker 4: fling kind of relationship. But how do actually know? 206 00:09:37,559 --> 00:09:37,960 Speaker 1: I get it? 207 00:09:38,360 --> 00:09:41,760 Speaker 4: Songs that are so heartbreaking and heart wrenching coming out 208 00:09:41,800 --> 00:09:45,680 Speaker 4: of something that was so situation shippy. But I guess 209 00:09:45,720 --> 00:09:48,080 Speaker 4: that is kind of where you get the most in 210 00:09:48,120 --> 00:09:49,120 Speaker 4: your feels, right. 211 00:09:49,080 --> 00:09:49,440 Speaker 1: I think. 212 00:09:49,480 --> 00:09:52,280 Speaker 3: So we've always known her to exaggerate a feeling or 213 00:09:52,280 --> 00:09:54,959 Speaker 3: an emotion like, think of but Daddy, I love him? 214 00:09:54,960 --> 00:09:57,120 Speaker 3: You know, the whole song and the lyrics are all 215 00:09:57,120 --> 00:09:58,920 Speaker 3: about getting married to this guy. We know that that 216 00:09:58,960 --> 00:10:01,240 Speaker 3: didn't happen, So it's like she just takes one moment 217 00:10:01,240 --> 00:10:03,280 Speaker 3: and runs with it in order to make you know, 218 00:10:03,360 --> 00:10:05,120 Speaker 3: these beautiful, tortured poems. 219 00:10:05,240 --> 00:10:09,200 Speaker 4: Yeah, and what's that Nruda line? It's like loving loving 220 00:10:09,280 --> 00:10:11,319 Speaker 4: is so hard, but forgetting is so long. 221 00:10:11,679 --> 00:10:14,200 Speaker 1: I think you mean, what is it? Loving him is 222 00:10:14,240 --> 00:10:20,760 Speaker 1: red ed? Oh that's a different song. Okay, So have 223 00:10:20,800 --> 00:10:21,319 Speaker 1: you caught up? 224 00:10:22,280 --> 00:10:24,320 Speaker 3: Do you feel like I don't really need to be here. 225 00:10:27,520 --> 00:10:32,400 Speaker 3: I think I could have just like slunk out. And 226 00:10:33,960 --> 00:10:36,040 Speaker 3: it was the first moment out of all these educate 227 00:10:36,080 --> 00:10:39,120 Speaker 3: podcasts that I was looking at. 228 00:10:39,000 --> 00:10:41,000 Speaker 2: The two of you thinking they have lost that much. 229 00:10:41,240 --> 00:10:43,840 Speaker 1: Well, we've missed you. We've needed you here. 230 00:10:43,760 --> 00:10:45,960 Speaker 4: Because I've been coming in every morning to Jess going 231 00:10:46,200 --> 00:10:50,080 Speaker 4: Jesse thing, and we've needed you here to talk to you. 232 00:10:50,120 --> 00:10:51,200 Speaker 4: So we're so glad you're back. 233 00:10:51,240 --> 00:10:53,400 Speaker 3: Okay, Well, and I'm glad I'm back too. But you 234 00:10:53,440 --> 00:10:57,800 Speaker 3: still haven't answered the question about the fiance. I know 235 00:10:57,840 --> 00:10:59,800 Speaker 3: that you kind, but how did they meet? 236 00:11:00,240 --> 00:11:03,760 Speaker 4: Oh? I don't know, because she's hot, probably over Instagram 237 00:11:03,800 --> 00:11:06,400 Speaker 4: hot attracts Hedo musician. 238 00:11:06,720 --> 00:11:07,640 Speaker 1: Does it so me? 239 00:11:07,840 --> 00:11:13,760 Speaker 3: For example, yeah, all right, I'm watching a musician. 240 00:11:15,880 --> 00:11:17,440 Speaker 1: All right, well, I guess everyone's caught up. 241 00:11:17,480 --> 00:11:18,840 Speaker 3: I'm going to put all of this in dot points 242 00:11:18,840 --> 00:11:20,199 Speaker 3: in an email so you know what the hell is 243 00:11:20,280 --> 00:11:22,720 Speaker 3: going on. I mean, don't push yourself. Maybe the end 244 00:11:22,760 --> 00:11:27,640 Speaker 3: of the week. Today, Oh glad you're back. It's so fine, 245 00:11:27,760 --> 00:11:28,640 Speaker 3: Thank you, guys. 246 00:11:28,880 --> 00:11:31,760 Speaker 4: Sits In Whippa with Kate Ritchie is a Nova podcast 247 00:11:32,000 --> 00:11:35,320 Speaker 4: walk great shows like this. Download the Nova Player, find 248 00:11:35,360 --> 00:11:36,959 Speaker 4: the app store or Google Playing.