WEBVTT - Conversations with Cornesy - Lisa Simone

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<v Speaker 1>Can everyone welcome to conversations. Last year at the La

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<v Speaker 1>Cabaret Festival, Lisa Simone was a huge hit with Adelaide.

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<v Speaker 1>But I think Adelaide was a huge hit with Lisa,

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<v Speaker 1>so much so that she's asked to come back, and

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<v Speaker 1>she will be performing at the Adelaide Cabaret Festival in July,

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<v Speaker 1>the twenty six of you. I actually at Her Majesty's Theater,

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<v Speaker 1>that wonderful venue. Lisa Samione, Welcome to the program.

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<v Speaker 2>It's good to be here with you today. Thank you

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<v Speaker 2>for having me.

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<v Speaker 1>From. Where are we speaking to you?

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<v Speaker 2>I am currently in Scottsdale, Arizona in the United States

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<v Speaker 2>and America.

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<v Speaker 1>Is that home?

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<v Speaker 2>Ah, for the moment. Yes, I'm kind of parapatetic, so

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<v Speaker 2>here I'm in the Southwest and we'll see what happens

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<v Speaker 2>in the monster come.

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<v Speaker 1>So why are you so mobile?

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<v Speaker 2>Why am I say mobile? I'm a woman of the world.

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<v Speaker 2>What can I say? You know, I hope to put

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<v Speaker 2>some roots down at some point, but we'll see what

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<v Speaker 2>that looks like. But most of my life I've been traveling,

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<v Speaker 2>I mean since I was born. So you could think

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<v Speaker 2>you could say that that's my home. A suitcases, my home.

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<v Speaker 1>Well, indeed, Aman, your mother was nameless and mine a

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<v Speaker 1>huge star indeed, and I think you repraise some of

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<v Speaker 1>her legacy in your in your show. But it's more

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<v Speaker 1>than just about your mother.

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<v Speaker 2>Is it not. Absolutely, the legacy lives on. So I

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<v Speaker 2>am the walking embodiment of the Simone legacy, and so

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<v Speaker 2>I stand on her shoulders. So while I turned back

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<v Speaker 2>and give a wave, pay homage and celebrate the great

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<v Speaker 2>one who walk before me, I also do it in

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<v Speaker 2>my own way. That song My Way comes to mind.

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<v Speaker 2>And so far I've been able to walk that fine

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<v Speaker 2>line quite successfully with audiences, so that the experience that

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<v Speaker 2>I bring to the stage is not only one that

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<v Speaker 2>audiences have found to be quite thrilling and enjoyable, but

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<v Speaker 2>I have as well. And it's very important to me

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<v Speaker 2>that everybody, the musicians, the crew, myself, and the audience

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<v Speaker 2>have a good time, a participative kind of experience when

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<v Speaker 2>I get on the stage.

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<v Speaker 1>You exposed your earlier life and your mother's life, and

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<v Speaker 1>your mother's trials and tribulations in the recent Netflix documentary.

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<v Speaker 1>We are happy with it very much.

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<v Speaker 2>So I promised my mother on her deathbed that I

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<v Speaker 2>would make sure she was not forgotten. I had no

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<v Speaker 2>idea how I would go about doing that. However, the

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<v Speaker 2>impetus behind that promise was because she had spent many

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<v Speaker 2>years swirling away tapes and dats at the time, remember dats,

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<v Speaker 2>they don't even use those anymore, in case she lost

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<v Speaker 2>her voice. My mother battles cancer for six years and

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<v Speaker 2>so she was in chemo and radiation regularly, which is

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<v Speaker 2>not exactly information that the public was aware of. So

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<v Speaker 2>she was squirreling away these items in case she couldn't

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<v Speaker 2>sing anymore. And for a long period of time, Mommy

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<v Speaker 2>didn't feel appreciated. Let's just face it, she wasn't really

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<v Speaker 2>appreciated the way she is now. It took her dying,

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<v Speaker 2>which seems to be the case for many artists, before

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<v Speaker 2>she really reached her zenus. So it took twelve years

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<v Speaker 2>for the right team to come along, and that came

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<v Speaker 2>in the form of Netflix. And it was wonderful to

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<v Speaker 2>work with the people who were fearless enough to approach

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<v Speaker 2>my mother's story honestly, openly and in a manner that

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<v Speaker 2>she would want to be remembered like. And so the

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<v Speaker 2>first time I saw the first version of it, much

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<v Speaker 2>to my surprise, I thought I would cry. I actually

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<v Speaker 2>danced around the room. It felt good to release a

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<v Speaker 2>weight I didn't know that I had been carrying. I

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<v Speaker 2>didn't feel like I had to defend or justify or

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<v Speaker 2>educate anyone anymore. And now her story lives large, and

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<v Speaker 2>it's timeless, and it's in her voice, and we're all

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<v Speaker 2>on the same page.

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<v Speaker 1>But I thought you were quite fearless in your own

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<v Speaker 1>way to allow your mother's demons to be exposed. And

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<v Speaker 1>of most thoughts were recorded in the die entries, and

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<v Speaker 1>I mean, did you have any doubts at all about

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<v Speaker 1>some of the graphic stuff that was exposed?

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<v Speaker 2>No, that was really it's interesting to use the word graphic.

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<v Speaker 2>There's a lot more to the story. There's a lot

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<v Speaker 2>more to Mom's journey. What Liz Garbus, the director, was

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<v Speaker 2>able to do was to put the various elements together

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<v Speaker 2>in a way that it fit into less than an

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<v Speaker 2>hour and a half, and it flows and it gives people.

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<v Speaker 2>What I wanted people to walk away from that documentary

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<v Speaker 2>with was a sense of compassion for Mom and also saying, wow,

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<v Speaker 2>I didn't know that. And both of those desires on

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<v Speaker 2>my part were fulfilled. So I think that you know,

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<v Speaker 2>the truth is the truth. The truth is not always

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<v Speaker 2>going to be bells and whistles and flowers. It can

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<v Speaker 2>be quite ugly, but that's what enables us to appreciate

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<v Speaker 2>it and to learn from it and to grow because

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<v Speaker 2>of it.

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<v Speaker 1>I struggled with it, to be quite honest, because the

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<v Speaker 1>issues of domestic violence. Both your father and your mother

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<v Speaker 1>were so open about the episodes of domestic violence which

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<v Speaker 1>she suffered. Yes, how did you feel. Did you find

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<v Speaker 1>that confronting?

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<v Speaker 3>Well, I lived a lot of it, and as it's

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<v Speaker 3>left its scars, I've healed from many of those scars.

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<v Speaker 3>I have found my own path within my heart and

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<v Speaker 3>assized the gift and the power of forgiveness in order

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<v Speaker 3>to heal my own heart and not pass down tendencies

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<v Speaker 3>to the next generation. But I wanted my mother's story

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<v Speaker 3>to be told truthfully, and as the elders have always said,

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<v Speaker 3>especially in the South and in church, the truth shall

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<v Speaker 3>set you free. And so it's important that there's been

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<v Speaker 3>enough lies, there's been enough tall tales. I mean, before

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<v Speaker 3>the documentary came out, I was amazed at the number

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<v Speaker 3>of assumptions and just additions to my mother's story that

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<v Speaker 3>seemed to pass as truth, and I feel like I

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<v Speaker 3>got a lesson on how myths and legends are born.

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<v Speaker 3>You take a kernel of truth and then you just

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<v Speaker 3>add everything else that you want to it to turn

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<v Speaker 3>it into something that it never was.

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<v Speaker 2>It was about everybody being feeling and experiencing what Mom's

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<v Speaker 2>truth was in the first person, so that there could

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<v Speaker 2>be a real deeper understanding of the person, the daughter,

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<v Speaker 2>the artist, the black revolutionary, the wife, the mother, and

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<v Speaker 2>the human being.

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<v Speaker 1>But you touch on that point about the black litt revolutionary,

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<v Speaker 1>I mean her activism and her espousing of the civil

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<v Speaker 1>rights movement. That was a fascinating part of it. You know,

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<v Speaker 1>the people you were mixing with them, your little girl. Yeah,

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<v Speaker 1>and there's these names. There's there's mountin Lutha. King is

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<v Speaker 1>Malcolm X. You know, there's Stukeley Comichael.

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<v Speaker 2>Benny Shabbaz, Betty Shabbaz, Length and Hughes, James Baldwin, Ferdievy Grovener.

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<v Speaker 2>Lorraine Hansberry was my ordained godmother. I mean the list

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<v Speaker 2>of who's who in Black history, I mean Rock Peters

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<v Speaker 2>and I can't think of anybody else right now. There

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<v Speaker 2>are others, you know, you had secutuas His Highness Secutua

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<v Speaker 2>who was a president of Guinea, Mary Mackayba. So all

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<v Speaker 2>of these are my aunts and uncles. And as I

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<v Speaker 2>reflect now back on my life, boy, it was rich.

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<v Speaker 1>But you didn't the same debate such an activist.

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<v Speaker 2>There's no need. My mother did enough of that and

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<v Speaker 2>my family. I shared my mother with our people. I

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<v Speaker 2>shared my mother with the civil rights movement, and she

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<v Speaker 2>suffered mightily because of the choices that she made to

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<v Speaker 2>stand up for our people, to use the stage as

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<v Speaker 2>a podium, to speak out in a manner that so

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<v Speaker 2>many others were not able to. This was her mission,

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<v Speaker 2>her ministry, it was her heart and her passion. And

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<v Speaker 2>as her child, there was conflict. There was conflict between

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<v Speaker 2>you know, when you're a fighter like that, a warrior,

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<v Speaker 2>a gladiator, and then you come home and you deal

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<v Speaker 2>with your child, and you know your sword and your

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<v Speaker 2>butler and your armor is not needed. Sometimes you don't

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<v Speaker 2>know how to do that. Sometimes you don't know how

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<v Speaker 2>to separate the two. So I have made a conscious

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<v Speaker 2>decision in my career to not mix the two. And

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<v Speaker 2>music is for everybody, the protagonists and the antagonists, and

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<v Speaker 2>some people might have an issue with that, but this

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<v Speaker 2>is my personal choice, my political views. My political position

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<v Speaker 2>is personal. It's no one's business but mine.

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<v Speaker 1>Lisa's in mind is my guest, folks. She will be

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<v Speaker 1>in Adelaide on the twenty sixth of July at Her

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<v Speaker 1>Majesty's Theater. So much more to come, such an interesting life,

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<v Speaker 1>such an interesting family. Will hope to uncover that back shortly.

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<v Speaker 1>Welcome back, everybody you just churned in. We're chatting with

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<v Speaker 1>Lisa's to mine and Lisa will be here in Adelaide

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<v Speaker 1>on the twenty sixth of July about her majesty seat

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<v Speaker 1>a part of the Adelaide Cabareet Festival. Demanded to come

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<v Speaker 1>back to Adelaide after loving it so much.

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<v Speaker 2>Yes, I can't wait.

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<v Speaker 1>We can't help but talk about your mom in depth,

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<v Speaker 1>Nina's and mine. There were so many things I learned

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<v Speaker 1>in that Netflix documentary. I mean, I didn't know she

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<v Speaker 1>was such a brilliant pianist. She must have been a prodigy.

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<v Speaker 1>How did that happen?

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<v Speaker 2>She was a prodigy. She's a child prodigy and she

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<v Speaker 2>trained for many years. Her dream not only just her dream,

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<v Speaker 2>but when you watch a documentary, I think you remember

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<v Speaker 2>that it was in there. The town of Tryon, where

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<v Speaker 2>she was born in Tryon, North Carolina, came together and

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<v Speaker 2>created a Eunice Kathleen Weyman, which is her maiden name.

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<v Speaker 2>It created a fund to support the financing of her lessons.

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<v Speaker 2>She had that much talent and she was gifted, and

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<v Speaker 2>so they planted in her brain the possibility that she

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<v Speaker 2>could become the first black female classical pianist to grace

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<v Speaker 2>the classical music world. Her dream was not only to

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<v Speaker 2>attend the Curtis Institute of Music in Philadelphia, but it

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<v Speaker 2>was also to grace the stage of Carnegie Hall playing

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<v Speaker 2>classical music. So that was never her going to the

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<v Speaker 2>Curtis Institute. That dream was never realized. However, she did

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<v Speaker 2>grace the stage of Carnegie Hall many times.

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<v Speaker 1>But she studied on at Julia, that prestigious in New

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<v Speaker 1>York City.

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<v Speaker 2>In New York City, she was there for a few months, yes,

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<v Speaker 2>but her dream was to attend the Curtis Institute of Music.

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<v Speaker 1>The sentiment is she was rejected because she was black.

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<v Speaker 2>This is the wound that she carried in her heart

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<v Speaker 2>until a few days before she died. A few days

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<v Speaker 2>before she died, well unbeknownst to her, about maybe a

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<v Speaker 2>year prior to her death, she had performed in Philadelphia,

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<v Speaker 2>and while she was on stage, she recounted the experience

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<v Speaker 2>of being rejected and how she'd always carried that with her.

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<v Speaker 2>And there were a group of women, the title of

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<v Speaker 2>their affiliation is so long, I can never remember it.

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<v Speaker 2>But they took it upon themselves, unbeknownst to my mother,

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<v Speaker 2>to go to the Curtis Institute to see if they

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<v Speaker 2>could get the Institute to award my mother something. Now,

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<v Speaker 2>at this time, mommy had two honorary doctorates. She's a

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<v Speaker 2>doctorate of Humanities from the Malcolm X University as well

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<v Speaker 2>as Amherst. It's either Amherst College or Amherst University, I'm

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<v Speaker 2>not sure which one. So she was already doctor Nina Simone.

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<v Speaker 2>So when they went to the Curtis Institute to prevail

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<v Speaker 2>upon them, you know, let's do the right thing. A

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<v Speaker 2>few days before mommy died, she found out that the

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<v Speaker 2>Curtis Institute, and I have to be very specific here

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<v Speaker 2>because many journalists had gotten it wrong, they gave her

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<v Speaker 2>an honorary diploma, not a doctorate, not a degree. They

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<v Speaker 2>gave her a diploma which I accepted on her behalf,

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<v Speaker 2>because by the time it was ready, she was already dead.

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<v Speaker 2>And I read from the speech that she had started

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<v Speaker 2>to dictate to her team. But I'd have to say this,

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<v Speaker 2>I was told because I wasn't with Mom when she died. Unfortunately,

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<v Speaker 2>that at a time when she had lost all her

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<v Speaker 2>mobile skills, and she was not very responsive. When she

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<v Speaker 2>heard that the Curtis Institute had agreed to give her

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<v Speaker 2>a diploma, that she smiled, And in my heart that

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<v Speaker 2>means that that part of her that had been open

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<v Speaker 2>and painful for so long was finally able to heal.

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<v Speaker 1>I wonder about that, though, I mean, if I didn't

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<v Speaker 1>want you, then why should she accept them? Now? You know,

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<v Speaker 1>you know you didn't want me? Did jump onto my farme? Now?

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<v Speaker 1>Did you not think that?

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<v Speaker 2>That's interesting? That's an interesting way of putting it. I mean,

0:14:33.360 --> 0:14:37.760
<v Speaker 2>I can only answer you as me. Well, all my

0:14:37.840 --> 0:14:43.080
<v Speaker 2>answers are as me. But looking at it from the

0:14:43.120 --> 0:14:45.440
<v Speaker 2>perspective in which I lived my life at this time,

0:14:46.000 --> 0:14:49.040
<v Speaker 2>I think there comes a time when when you're fighting

0:14:49.080 --> 0:14:53.480
<v Speaker 2>all the time, it's exhausting. It's exhausting, and there comes

0:14:53.520 --> 0:14:58.960
<v Speaker 2>a time when, especially on your deathbed, when acceptance begins

0:14:59.000 --> 0:15:04.760
<v Speaker 2>to overshadow and eclipse a lot of the other areas

0:15:04.800 --> 0:15:08.800
<v Speaker 2>that you've been fighting against and trying to control. So

0:15:08.880 --> 0:15:12.080
<v Speaker 2>this is just me putting my perspective on there. And

0:15:12.960 --> 0:15:15.520
<v Speaker 2>you know, they hadn't given her anything. I mean, let's

0:15:15.520 --> 0:15:17.760
<v Speaker 2>think about it. They had never given her anything much

0:15:17.840 --> 0:15:23.280
<v Speaker 2>less any kind of throughout all those years, no acknowledgment whatsoever.

0:15:24.440 --> 0:15:27.760
<v Speaker 2>So I'm happy that she was in a place within

0:15:27.800 --> 0:15:34.360
<v Speaker 2>her heart where she was able to recognize the grace

0:15:35.240 --> 0:15:39.320
<v Speaker 2>in that gesture and take that with her when she

0:15:39.400 --> 0:15:40.040
<v Speaker 2>left this world.

0:15:40.720 --> 0:15:44.400
<v Speaker 1>We talked about your dad because he's an interesting Oh.

0:15:44.040 --> 0:15:45.440
<v Speaker 2>My dad, I love him.

0:15:45.480 --> 0:15:51.280
<v Speaker 1>Yes, he was a complex character, as they both were,

0:15:51.880 --> 0:15:53.080
<v Speaker 1>as I would understand it.

0:15:53.080 --> 0:15:55.440
<v Speaker 2>But they both were complex.

0:15:56.400 --> 0:15:59.200
<v Speaker 1>We would describe him here in Australia in old fashioned

0:15:59.240 --> 0:16:00.360
<v Speaker 1>terms as a man.

0:16:00.440 --> 0:16:04.520
<v Speaker 2>I think I think he would like that title. Yes, absolutely,

0:16:04.560 --> 0:16:07.720
<v Speaker 2>he was very much that Mommy was attracted to Medle

0:16:07.760 --> 0:16:11.720
<v Speaker 2>likea so she you know, I always said that. I

0:16:11.760 --> 0:16:13.760
<v Speaker 2>think I might have said this in a documentary. I

0:16:13.800 --> 0:16:18.400
<v Speaker 2>don't remember that. You know, if you told mom don't

0:16:18.400 --> 0:16:21.640
<v Speaker 2>push that button because you might blow off your finger,

0:16:22.320 --> 0:16:26.600
<v Speaker 2>she pushed it. That's that's just what she did, so

0:16:27.280 --> 0:16:30.680
<v Speaker 2>she You know, I am not defending anyone. As I

0:16:30.720 --> 0:16:33.040
<v Speaker 2>said in the documentary, I think they were both crazy

0:16:33.120 --> 0:16:36.400
<v Speaker 2>because you know, he allowed her to push her button,

0:16:36.600 --> 0:16:39.840
<v Speaker 2>but push his buttons, excuse me, And she pushed the

0:16:39.840 --> 0:16:42.640
<v Speaker 2>buttons he told her not to push. So there were

0:16:42.800 --> 0:16:46.480
<v Speaker 2>options that both of them could have taken to prevent

0:16:47.800 --> 0:16:54.040
<v Speaker 2>a lot of the dysfunction and toxic violence and conflict

0:16:54.720 --> 0:16:57.160
<v Speaker 2>that was so much a part of their relationship. But

0:16:57.360 --> 0:17:02.360
<v Speaker 2>now that I'm a woman and a grandmother, some people

0:17:02.520 --> 0:17:05.360
<v Speaker 2>thrive on that kind of step in their relationships. So

0:17:05.400 --> 0:17:07.960
<v Speaker 2>who's who can really say? None of us were in

0:17:08.000 --> 0:17:10.679
<v Speaker 2>their bed, were in their bedroom, None of us really know.

0:17:11.320 --> 0:17:14.840
<v Speaker 2>All we're doing is looking through a people, and we

0:17:14.960 --> 0:17:21.320
<v Speaker 2>are judging and placing our own labels on what we

0:17:21.359 --> 0:17:23.320
<v Speaker 2>think their relationship was, Like are we not?

0:17:24.000 --> 0:17:24.879
<v Speaker 1>But you did live it?

0:17:25.640 --> 0:17:29.119
<v Speaker 2>I did? I did, and I got through it.

0:17:30.440 --> 0:17:32.840
<v Speaker 1>We would actually tell us a bit more. It could

0:17:32.880 --> 0:17:36.760
<v Speaker 1>be he was he had music, he had a musical sense.

0:17:36.840 --> 0:17:37.479
<v Speaker 2>Oh yeah.

0:17:38.000 --> 0:17:40.440
<v Speaker 1>Then he joined the military towards the end of World

0:17:40.440 --> 0:17:44.080
<v Speaker 1>War Two and then had a career as a police

0:17:44.080 --> 0:17:47.240
<v Speaker 1>officer in New York. Now suggests to me he's a

0:17:47.240 --> 0:17:47.800
<v Speaker 1>tough man.

0:17:48.640 --> 0:17:51.680
<v Speaker 2>My father was brilliant. First of all, he was the

0:17:51.840 --> 0:17:55.280
<v Speaker 2>fifth son of a fifth son. My grandfather on Dad's

0:17:55.320 --> 0:17:58.920
<v Speaker 2>side is from Holland, so he had a white father

0:17:59.119 --> 0:18:01.840
<v Speaker 2>and a black mother, and he was born in Virginia,

0:18:02.000 --> 0:18:04.320
<v Speaker 2>in the Bible Belt of the United States of America

0:18:04.440 --> 0:18:09.480
<v Speaker 2>in nineteen twenty eight. That should tell you something, absolutely okay.

0:18:09.640 --> 0:18:12.200
<v Speaker 2>So when babies are born, as we all know, they're

0:18:12.280 --> 0:18:15.240
<v Speaker 2>pure as a tabla rosa. Everything is learned after that.

0:18:15.640 --> 0:18:18.800
<v Speaker 2>I've often wondered what happened to him in his life

0:18:19.359 --> 0:18:21.840
<v Speaker 2>that made him get to the point where he was

0:18:21.920 --> 0:18:25.280
<v Speaker 2>that guy who you didn't want to mess with. Obviously,

0:18:25.320 --> 0:18:27.560
<v Speaker 2>he was hurt, so he went into the navy. While

0:18:27.560 --> 0:18:29.919
<v Speaker 2>he was in the navy, one of the things that

0:18:30.000 --> 0:18:32.320
<v Speaker 2>he played was the trumpet. I don't know if that

0:18:32.440 --> 0:18:34.359
<v Speaker 2>was his job. I don't think that was his job,

0:18:34.440 --> 0:18:38.960
<v Speaker 2>but he did play in a naval band. So Dad's

0:18:39.080 --> 0:18:42.399
<v Speaker 2>instrument of choice was a trumpet. And for everybody who

0:18:42.440 --> 0:18:44.760
<v Speaker 2>are need a simone fans listener right now, if you

0:18:44.800 --> 0:18:47.080
<v Speaker 2>go to the High Pricess of Soul album and listen

0:18:47.119 --> 0:18:49.160
<v Speaker 2>to take Me to the Water, which is a song

0:18:49.240 --> 0:18:53.040
<v Speaker 2>that precedes going back Home, you're going to hear her

0:18:53.280 --> 0:18:55.840
<v Speaker 2>singing this gospel tune, and you're gonna hear a bunch

0:18:55.880 --> 0:18:58.679
<v Speaker 2>of people in the background backing her up. And the

0:18:58.800 --> 0:19:05.040
<v Speaker 2>loudest voice is this incredible tenor, this male tenor. And

0:19:05.119 --> 0:19:07.600
<v Speaker 2>I remember asking my dad, is that you? He was

0:19:07.640 --> 0:19:10.399
<v Speaker 2>like yes. I was like, wow, you should have been

0:19:10.440 --> 0:19:13.480
<v Speaker 2>an opera singer. Give me the story and he said

0:19:13.480 --> 0:19:17.280
<v Speaker 2>that when mom was recording that song, she wanted some backgrounds.

0:19:17.320 --> 0:19:20.760
<v Speaker 2>So they got the security guard, they got the secretary,

0:19:22.520 --> 0:19:24.240
<v Speaker 2>and all the people that are around us us come

0:19:24.280 --> 0:19:27.040
<v Speaker 2>in and seeing and Dad's voice is the loudest. My

0:19:27.080 --> 0:19:29.879
<v Speaker 2>father was brilliant. He had a brilliant business mind. He

0:19:30.040 --> 0:19:34.640
<v Speaker 2>was an exceptional musician. He was a tactician, a strategist,

0:19:35.400 --> 0:19:40.320
<v Speaker 2>and like I said, he had his office on Fifth

0:19:40.359 --> 0:19:46.480
<v Speaker 2>Avenue in the sixties, a publishing company and a production

0:19:46.600 --> 0:19:50.639
<v Speaker 2>company called Stroud Productions. So he was way ahead of

0:19:50.680 --> 0:19:54.200
<v Speaker 2>his time. He had a vision, he understood the industry,

0:19:54.640 --> 0:19:55.480
<v Speaker 2>and he had a plan.

0:19:55.960 --> 0:19:58.040
<v Speaker 1>As we got to the bright Lace, so let's see

0:19:58.040 --> 0:19:59.960
<v Speaker 1>if we can hear your dad's voice in the back

0:20:00.080 --> 0:20:04.920
<v Speaker 1>ground of this Take Me to the Water rendition. Lisa

0:20:05.000 --> 0:20:08.239
<v Speaker 1>Simone is my guess. Back shortly. Welcome back everybody. If

0:20:08.240 --> 0:20:12.399
<v Speaker 1>you just tuned in, we're chatting with Lisa Simone in Arizona.

0:20:12.520 --> 0:20:15.560
<v Speaker 1>That's sort of home for a little while. She will

0:20:15.560 --> 0:20:18.919
<v Speaker 1>be here on the twenty sixth of July doing I

0:20:18.960 --> 0:20:22.760
<v Speaker 1>think a tribute to a mother, Nina Simone. I think

0:20:22.760 --> 0:20:24.760
<v Speaker 1>that's a way of saying. But as well as had

0:20:24.800 --> 0:20:29.040
<v Speaker 1>some of her own stuff, which is quite renowned. It

0:20:29.080 --> 0:20:32.200
<v Speaker 1>did seem to me though, that you shunned any musical

0:20:33.000 --> 0:20:36.440
<v Speaker 1>pathway when you were young because you joined the military,

0:20:36.800 --> 0:20:37.560
<v Speaker 1>joined the Air Force.

0:20:37.920 --> 0:20:39.960
<v Speaker 2>I know, I still try to make sense of that.

0:20:39.960 --> 0:20:43.000
<v Speaker 2>That was an act of desperation. My parents did not

0:20:43.160 --> 0:20:48.200
<v Speaker 2>encourage me to be a musician. While when their marriage

0:20:48.280 --> 0:20:52.159
<v Speaker 2>was flourishing, I took dance class, I took piano, I

0:20:52.280 --> 0:20:57.199
<v Speaker 2>was immersed in the arts. When their relationship became freid

0:20:58.119 --> 0:21:04.080
<v Speaker 2>when I was eight years old, all of those experiences

0:21:04.160 --> 0:21:07.679
<v Speaker 2>and classes that come along with having a foundation in

0:21:07.720 --> 0:21:11.240
<v Speaker 2>your life ceased to be But the one thing that

0:21:11.320 --> 0:21:14.120
<v Speaker 2>I've always been able to do, one thing that I've

0:21:14.160 --> 0:21:20.480
<v Speaker 2>always gotten positive responses from anyone in the room because

0:21:20.520 --> 0:21:24.160
<v Speaker 2>of was when I sang or when I sing, and

0:21:24.800 --> 0:21:30.239
<v Speaker 2>harmonies come easily for me and so one thing that

0:21:30.280 --> 0:21:34.200
<v Speaker 2>I've always been able to fall back on, that's never

0:21:34.280 --> 0:21:37.800
<v Speaker 2>let me down, and that is now bringing so much

0:21:37.920 --> 0:21:42.280
<v Speaker 2>joy to others and myself is my voice. So when

0:21:42.320 --> 0:21:45.760
<v Speaker 2>I went into high school and I started living with

0:21:45.800 --> 0:21:50.720
<v Speaker 2>other family members, I started singing in an a cappella group.

0:21:51.680 --> 0:21:54.080
<v Speaker 2>There were five of us. I was fifteen, and I

0:21:54.160 --> 0:21:57.520
<v Speaker 2>used to give everybody their parts. And so the first

0:21:57.520 --> 0:22:00.080
<v Speaker 2>time I ever sang in front of a group of

0:22:00.240 --> 0:22:06.000
<v Speaker 2>people was in church, and it was very nerve wracking. However,

0:22:06.480 --> 0:22:08.520
<v Speaker 2>I guess I caught the bug because I'm talking to

0:22:08.560 --> 0:22:11.840
<v Speaker 2>you now. But I went into the military. I did

0:22:11.880 --> 0:22:14.919
<v Speaker 2>go into the military, and I was an exceptional student

0:22:15.160 --> 0:22:19.320
<v Speaker 2>in school, and my last year of high school I

0:22:19.400 --> 0:22:22.199
<v Speaker 2>combined my first year of college, or they would say yes,

0:22:22.400 --> 0:22:25.520
<v Speaker 2>university in some places, with my last year of high school.

0:22:26.160 --> 0:22:30.280
<v Speaker 2>And the college plans that I had put in place

0:22:30.520 --> 0:22:36.000
<v Speaker 2>with my uncle, my mother's brother fell through. So rather

0:22:36.080 --> 0:22:40.520
<v Speaker 2>than having patients, which does not usually come along with youth,

0:22:41.359 --> 0:22:43.760
<v Speaker 2>I said, I just don't want to stay here for

0:22:43.800 --> 0:22:45.720
<v Speaker 2>another year. I don't want to be around these grown ups.

0:22:45.720 --> 0:22:46.960
<v Speaker 2>I want to have my own life. I want to

0:22:46.960 --> 0:22:50.159
<v Speaker 2>be independent. And so I don't quite remember how the

0:22:50.200 --> 0:22:54.639
<v Speaker 2>Air Force became an option, But obviously it did because

0:22:54.680 --> 0:22:58.840
<v Speaker 2>I went into the Air Force. And my mother's best friend,

0:22:58.920 --> 0:23:01.800
<v Speaker 2>my godmother, who met her in high school, who was

0:23:03.440 --> 0:23:09.399
<v Speaker 2>in the educational world, she did her best to dissuade

0:23:09.440 --> 0:23:10.360
<v Speaker 2>me from going in.

0:23:12.000 --> 0:23:13.879
<v Speaker 1>But what what was it about it?

0:23:13.920 --> 0:23:14.080
<v Speaker 3>Though?

0:23:14.240 --> 0:23:17.520
<v Speaker 1>That was it the uniform? Was it the No?

0:23:17.760 --> 0:23:19.400
<v Speaker 2>I don't know. It wasn't the uniform.

0:23:19.480 --> 0:23:22.119
<v Speaker 1>No, it wasn't.

0:23:22.760 --> 0:23:23.000
<v Speaker 3>No.

0:23:23.320 --> 0:23:25.879
<v Speaker 2>It was me getting out of where I was. I

0:23:25.920 --> 0:23:28.320
<v Speaker 2>did not want to be where I was anymore. I

0:23:28.400 --> 0:23:30.800
<v Speaker 2>wanted to be on my own. I wanted to be independent.

0:23:30.840 --> 0:23:34.040
<v Speaker 2>I had been waiting for this. That was That was

0:23:34.080 --> 0:23:40.200
<v Speaker 2>my sole focused nothing else. I couldn't see anything else,

0:23:40.840 --> 0:23:44.600
<v Speaker 2>and so I didn't realize and when when my godmother

0:23:45.440 --> 0:23:48.800
<v Speaker 2>was as beautiful as she was, actually even got a

0:23:48.840 --> 0:23:50.920
<v Speaker 2>captain on the phone to tell me, even though you've

0:23:50.960 --> 0:23:54.880
<v Speaker 2>taken your oath and you're on delayed en listening, you

0:23:54.920 --> 0:23:57.760
<v Speaker 2>can still break your oath. And that was an issue

0:23:57.760 --> 0:24:00.000
<v Speaker 2>that I had as well, because there'd been so much

0:24:00.080 --> 0:24:03.480
<v Speaker 2>much distrust in my life. I didn't trust my parents.

0:24:03.520 --> 0:24:06.000
<v Speaker 2>I didn't trust my mother. I didn't trust I mean

0:24:06.040 --> 0:24:07.560
<v Speaker 2>when I was twelve years old, let me tell you

0:24:07.600 --> 0:24:11.240
<v Speaker 2>what my motto was, I'll never fall in love, I'll

0:24:11.240 --> 0:24:14.880
<v Speaker 2>never get married, and I'll never have children. That way,

0:24:14.920 --> 0:24:17.639
<v Speaker 2>I'll never be hurt. Because if you can't trust your

0:24:17.640 --> 0:24:21.520
<v Speaker 2>own parents, who can you trust. So fast forward to

0:24:21.600 --> 0:24:25.320
<v Speaker 2>going into the military. I had given my oath, and

0:24:25.359 --> 0:24:29.760
<v Speaker 2>my word meant something to me so much so that

0:24:30.760 --> 0:24:33.320
<v Speaker 2>no one could talk me out of not going in

0:24:33.400 --> 0:24:34.800
<v Speaker 2>because I'd already given my oath.

0:24:35.280 --> 0:24:38.640
<v Speaker 1>So many things come to mind when you tell me that.

0:24:38.680 --> 0:24:41.359
<v Speaker 1>I mean, I can imagine somebody you served within the

0:24:41.359 --> 0:24:44.199
<v Speaker 1>military signing now I know I work with.

0:24:44.880 --> 0:24:47.399
<v Speaker 2>Oh yeah, a few. There's a few. I was in

0:24:47.440 --> 0:24:50.760
<v Speaker 2>for almost eleven years. But I'll tell you what. The day,

0:24:51.720 --> 0:24:55.800
<v Speaker 2>the morning after I arrived at Basic training in San Antonio, Texas,

0:24:56.280 --> 0:25:00.240
<v Speaker 2>I looked around going, oh my god, what have I done?

0:25:02.040 --> 0:25:06.440
<v Speaker 2>Oh my goodness, Wow. I felt like I was sleepwalking.

0:25:06.520 --> 0:25:08.600
<v Speaker 2>For the next ten years, I was in a job

0:25:08.640 --> 0:25:11.240
<v Speaker 2>that I hated, but I learned a very good skill,

0:25:11.359 --> 0:25:15.600
<v Speaker 2>civil engineering, you know. And it was while I was

0:25:15.600 --> 0:25:19.680
<v Speaker 2>in the military that I was reunited with what I

0:25:19.760 --> 0:25:22.359
<v Speaker 2>love doing, which is seeing I had it.

0:25:22.440 --> 0:25:24.920
<v Speaker 1>Not falling in love, getting married and having kids work

0:25:24.920 --> 0:25:25.440
<v Speaker 1>out for you.

0:25:26.119 --> 0:25:29.480
<v Speaker 2>Not at all. I have three kids, and I've been married.

0:25:29.560 --> 0:25:33.480
<v Speaker 2>I've been married twice, so it didn't work out at all.

0:25:33.840 --> 0:25:35.760
<v Speaker 2>But I have to say that I've reached a point

0:25:35.880 --> 0:25:38.919
<v Speaker 2>in my own path and in my own relationship to

0:25:38.960 --> 0:25:42.920
<v Speaker 2>myself and life where I'm able to trust not only myself,

0:25:43.880 --> 0:25:46.920
<v Speaker 2>which was the hardest lesson. I think of all as

0:25:46.960 --> 0:25:50.080
<v Speaker 2>if you can trust yourself, you can trust others. If

0:25:50.119 --> 0:25:52.879
<v Speaker 2>you can have compassion for yourself and love yourself, you

0:25:52.920 --> 0:25:55.920
<v Speaker 2>can have the same for others. And so it took

0:25:55.960 --> 0:26:00.680
<v Speaker 2>me many years to find my own peace, and I'm

0:26:00.720 --> 0:26:05.240
<v Speaker 2>glad that I have had the colorful, textured life that

0:26:05.280 --> 0:26:05.680
<v Speaker 2>I've had.

0:26:07.160 --> 0:26:10.840
<v Speaker 1>When you when you discharge from the military, some people

0:26:10.840 --> 0:26:13.840
<v Speaker 1>are a little lost as to what they're gonna do. Now,

0:26:14.800 --> 0:26:15.840
<v Speaker 1>how was that for you?

0:26:16.840 --> 0:26:18.639
<v Speaker 2>I knew that I wanted to be an entertainer at

0:26:18.680 --> 0:26:23.560
<v Speaker 2>that point, so I started singing about man. I was

0:26:23.560 --> 0:26:25.800
<v Speaker 2>in a group called the Magic Platters. We sang all

0:26:25.800 --> 0:26:29.520
<v Speaker 2>the Platters soon songs do do Do Do Do? I?

0:26:29.640 --> 0:26:49.320
<v Speaker 2>Yeah did that? I sang background with a Cuban singer Bessuck.

0:26:42.320 --> 0:26:44.080
<v Speaker 1>A capella of a Platter song for me.

0:26:44.600 --> 0:26:54.600
<v Speaker 2>Oh my goodness, remember when do do Do Do Do Do?

0:26:54.800 --> 0:26:57.280
<v Speaker 2>I was the girl, you know, and there were there were.

0:26:57.640 --> 0:27:03.080
<v Speaker 3>Who ah, whoa, whoa, whoa whoa.

0:27:03.800 --> 0:27:07.359
<v Speaker 2>So oh my goodness, that was the easiest gig. I

0:27:07.400 --> 0:27:10.400
<v Speaker 2>loved it. So I did that. And then, like I said,

0:27:10.440 --> 0:27:12.919
<v Speaker 2>I sang with a Cuban singer. I also sang with

0:27:12.960 --> 0:27:15.080
<v Speaker 2>another R and B singer who I was reunited with

0:27:15.160 --> 0:27:18.320
<v Speaker 2>in twenty nineteen. I did. I was with a party

0:27:18.359 --> 0:27:21.760
<v Speaker 2>band that we did like Whitney Houston and Lisa Stanfield,

0:27:21.840 --> 0:27:26.679
<v Speaker 2>all those songs. So I got my feet wet doing

0:27:26.800 --> 0:27:31.240
<v Speaker 2>music when I wasn't in uniform all my off hours.

0:27:31.320 --> 0:27:33.320
<v Speaker 2>And then when I got out of the military, I

0:27:33.400 --> 0:27:35.639
<v Speaker 2>was stationed in Germany. I was in Frankfurt, Germany at

0:27:35.640 --> 0:27:39.159
<v Speaker 2>the time, at Ryan Mainair Base, and I got a

0:27:39.320 --> 0:27:43.040
<v Speaker 2>what they call a European out, meaning I stayed in

0:27:43.119 --> 0:27:46.240
<v Speaker 2>Germany and I just became a civilian. I was also

0:27:46.760 --> 0:27:49.760
<v Speaker 2>I've also always been into physical fitness, so I was

0:27:49.760 --> 0:27:54.239
<v Speaker 2>a bodybuilder and a fitness instructor aerobics instructor. So I

0:27:54.240 --> 0:27:59.080
<v Speaker 2>got a job managing the Bass gym. So and I

0:27:59.160 --> 0:28:01.760
<v Speaker 2>made my own schedule. So during the week I was

0:28:01.800 --> 0:28:04.040
<v Speaker 2>in the gym and on the weekends I was taking

0:28:04.320 --> 0:28:08.040
<v Speaker 2>the train from Germany into Belgium and France and all

0:28:08.080 --> 0:28:11.200
<v Speaker 2>these other places, performing with the Magic Platters, with Margarita

0:28:11.240 --> 0:28:16.560
<v Speaker 2>Cantaro and with Joan Faulkner. And that's how music came

0:28:16.600 --> 0:28:19.360
<v Speaker 2>into my life. And I remember I was doing I

0:28:19.400 --> 0:28:23.560
<v Speaker 2>was asked to do a gig at a resort in

0:28:23.600 --> 0:28:27.560
<v Speaker 2>Switzerland and the musician started asking me if I wanted

0:28:27.560 --> 0:28:30.200
<v Speaker 2>to do some stuff on my own with them, which

0:28:30.240 --> 0:28:32.639
<v Speaker 2>I thought was interesting. And I remember the day that

0:28:33.760 --> 0:28:35.760
<v Speaker 2>I realized I had this epiphany. I was like, wait

0:28:35.760 --> 0:28:39.440
<v Speaker 2>a minute, if I can get the response from the audience,

0:28:39.480 --> 0:28:41.080
<v Speaker 2>said I think I can, because I was going to

0:28:41.120 --> 0:28:42.880
<v Speaker 2>be doing My baby just cares for me, believe it

0:28:42.960 --> 0:28:45.560
<v Speaker 2>or not. I said, maybe this is what I should

0:28:45.560 --> 0:28:49.320
<v Speaker 2>be doing with my life. Well I got a good response.

0:28:49.680 --> 0:28:52.280
<v Speaker 2>I called my mom. I was so excited to give

0:28:52.320 --> 0:28:54.560
<v Speaker 2>her the news. Mom, I know what I want to do.

0:28:54.640 --> 0:28:56.959
<v Speaker 2>When I get out, She's like, oh, what is that.

0:28:57.040 --> 0:28:58.840
<v Speaker 2>I was like, I don't want to be a singer.

0:29:00.040 --> 0:29:00.840
<v Speaker 1>What did she say?

0:29:03.640 --> 0:29:08.160
<v Speaker 2>The pause was so long, it was like this pregnant pause.

0:29:08.480 --> 0:29:12.000
<v Speaker 2>I thought that our connection had been cut. And by

0:29:12.000 --> 0:29:15.400
<v Speaker 2>the time she found her voice, she said only one

0:29:15.440 --> 0:29:21.280
<v Speaker 2>word why. Why? And then when I told my dad,

0:29:21.320 --> 0:29:23.600
<v Speaker 2>because I was originally go to work with my dad.

0:29:24.200 --> 0:29:27.000
<v Speaker 2>When I told him I had changed my mind, he

0:29:27.040 --> 0:29:29.920
<v Speaker 2>did his best to just kind of lull me into well,

0:29:29.960 --> 0:29:32.200
<v Speaker 2>you know, and once again he had a strategic mind.

0:29:32.200 --> 0:29:34.280
<v Speaker 2>He said, well, you might want to go into computer programming.

0:29:34.880 --> 0:29:37.160
<v Speaker 2>You might want to get into the tech world, because

0:29:37.400 --> 0:29:40.440
<v Speaker 2>you know that's really going to be the place to

0:29:40.440 --> 0:29:42.320
<v Speaker 2>be in the years to come. So it got to

0:29:42.360 --> 0:29:44.040
<v Speaker 2>the point where every time he talked about that, I

0:29:44.040 --> 0:29:48.160
<v Speaker 2>would knod my head up and down and give answers. Meanwhile,

0:29:48.200 --> 0:29:53.280
<v Speaker 2>I wasn't paying him any attention, but I believed in myself.

0:29:53.280 --> 0:29:56.200
<v Speaker 2>It was the first time I can sagram that I

0:29:56.320 --> 0:30:01.400
<v Speaker 2>felt this fire in my bones. Was like, no, this

0:30:01.720 --> 0:30:03.640
<v Speaker 2>is what I'm supposed to be doing. And for the

0:30:03.680 --> 0:30:07.000
<v Speaker 2>first time ever, at twenty eight years old, I'm going

0:30:07.080 --> 0:30:10.200
<v Speaker 2>to follow my own instincts. I'm not going to be

0:30:10.440 --> 0:30:12.760
<v Speaker 2>led in a direction that someone else thinks I should

0:30:12.800 --> 0:30:15.840
<v Speaker 2>go in. And I thought it would be easy. I was,

0:30:16.520 --> 0:30:23.000
<v Speaker 2>I don't know, either arrogant, narcissistic, or just innocent ignorance,

0:30:23.640 --> 0:30:27.880
<v Speaker 2>but I never for one instant thought that being the

0:30:28.000 --> 0:30:30.720
<v Speaker 2>daughter of my mother would hinder me in any way.

0:30:31.080 --> 0:30:34.440
<v Speaker 2>That's also when I decided to drop my middle name

0:30:34.480 --> 0:30:38.840
<v Speaker 2>that saw my birth certificate and become Lisa Simone. So

0:30:39.480 --> 0:30:42.280
<v Speaker 2>I became at that time, I had another last name

0:30:42.440 --> 0:30:46.160
<v Speaker 2>because I had been married, but Simone became my middle name,

0:30:46.600 --> 0:30:50.280
<v Speaker 2>and so that's when I adopted the Simone name to

0:30:50.320 --> 0:30:53.960
<v Speaker 2>honor my mother, to honor this legacy, and I've carried

0:30:53.960 --> 0:30:54.600
<v Speaker 2>it ever since.

0:30:55.000 --> 0:30:57.400
<v Speaker 1>Lisa's mind is my guess, folkes, if we get into

0:30:57.440 --> 0:31:02.440
<v Speaker 1>her singing career, which is interesting, fascinating back shortly, Lisa

0:31:02.480 --> 0:31:06.479
<v Speaker 1>Simone is my guest, folks on conversations. It's a great story.

0:31:06.560 --> 0:31:10.520
<v Speaker 1>The daughter of Nina Samone, of course, famous black activist

0:31:10.880 --> 0:31:15.520
<v Speaker 1>and jazz singer. A lady had some troubles in her life,

0:31:15.800 --> 0:31:19.480
<v Speaker 1>I think, but Lisa's emerged from that. She joins the military,

0:31:19.600 --> 0:31:23.160
<v Speaker 1>much much to her parents, trying to dissuade her from

0:31:23.200 --> 0:31:26.080
<v Speaker 1>doing that comes up, but she realizes she can sing,

0:31:26.160 --> 0:31:27.720
<v Speaker 1>and when she gets out of the military, out of

0:31:27.760 --> 0:31:31.200
<v Speaker 1>the Air Force, she wants to be a singer. Lisa,

0:31:31.240 --> 0:31:32.840
<v Speaker 1>how do you find yourself on Broadway?

0:31:34.120 --> 0:31:38.680
<v Speaker 2>Oh? My uh. I was in California for a little

0:31:38.680 --> 0:31:43.760
<v Speaker 2>while and I was doing odd jobs and a gentleman

0:31:43.840 --> 0:31:46.720
<v Speaker 2>who I was working for spoke with a casting agent

0:31:46.840 --> 0:31:50.080
<v Speaker 2>who happened to be casting the Bus and Truck tour

0:31:50.200 --> 0:31:54.160
<v Speaker 2>of Jesus Christ Superstar with Ted Neely and Carl Anderson

0:31:54.520 --> 0:31:58.640
<v Speaker 2>Hello from the Brown Album. I got hired to be

0:31:59.120 --> 0:32:02.920
<v Speaker 2>a Solstice Mary understudied vocal coach for the whole tour.

0:32:03.480 --> 0:32:06.800
<v Speaker 2>And it's interesting because it was non union, so that

0:32:06.920 --> 0:32:11.000
<v Speaker 2>in and of itself was an experience. But when you're

0:32:11.040 --> 0:32:13.840
<v Speaker 2>young and you're doing what you love, that's those are

0:32:13.920 --> 0:32:16.760
<v Speaker 2>decisions that you make. And it's from there that I

0:32:16.960 --> 0:32:20.560
<v Speaker 2>met and made friends with a dear friend, Rodney Hicks,

0:32:20.720 --> 0:32:22.640
<v Speaker 2>who wound up being in the original cast of Rent,

0:32:23.240 --> 0:32:26.600
<v Speaker 2>and he told the casting agent, Bertie Kelsey about me.

0:32:27.240 --> 0:32:30.360
<v Speaker 2>Jonathan Larson was still alive at the time, and by

0:32:30.360 --> 0:32:33.280
<v Speaker 2>the time I auditioned, Jonathan Lawson was no longer with us.

0:32:33.320 --> 0:32:37.320
<v Speaker 2>He is the one who originally wrote the Rent and

0:32:38.080 --> 0:32:43.520
<v Speaker 2>so my second theatrical show ever was the original cast

0:32:43.560 --> 0:32:46.400
<v Speaker 2>of Rent at the Neederlander Theater in New York City

0:32:46.720 --> 0:32:50.520
<v Speaker 2>as a swing and I understudied four excuse me, I

0:32:50.560 --> 0:32:52.760
<v Speaker 2>was a swing for four of the five roles, and

0:32:52.800 --> 0:32:55.280
<v Speaker 2>then I wound up taking out well. In the midst

0:32:55.280 --> 0:32:58.880
<v Speaker 2>of that, I did the workshop of Aida as Aida

0:32:59.000 --> 0:33:03.720
<v Speaker 2>and also King as Nala, which were both Disney productions.

0:33:04.400 --> 0:33:10.240
<v Speaker 2>But the director of Rent asked me so nicely if

0:33:10.280 --> 0:33:13.840
<v Speaker 2>I would audition for the role of Mimi Marquez, which

0:33:13.880 --> 0:33:16.200
<v Speaker 2>is one of the main female role in Rent, to

0:33:16.200 --> 0:33:19.560
<v Speaker 2>take out the first National Tour, my favorite role, and

0:33:19.680 --> 0:33:21.680
<v Speaker 2>so I got that part. I took out the first

0:33:21.760 --> 0:33:25.280
<v Speaker 2>National Tour and from there I took a break and

0:33:25.360 --> 0:33:28.440
<v Speaker 2>joined the Liquid Soul band excuse me, the acid jazz band.

0:33:28.440 --> 0:33:31.640
<v Speaker 2>Liquid Soul gave Berts and my daughter. My agent called

0:33:31.640 --> 0:33:33.600
<v Speaker 2>in New York to see if I wanted to come

0:33:33.640 --> 0:33:38.080
<v Speaker 2>back to Broadway and join the Aida cast, which I did.

0:33:38.280 --> 0:33:40.480
<v Speaker 2>I was under study for Heather Hedley, who won the

0:33:40.520 --> 0:33:43.480
<v Speaker 2>Tony took out the first National Tour to critical acclaim,

0:33:43.960 --> 0:33:48.360
<v Speaker 2>came back to Broadway. Then my mom died, but the

0:33:48.440 --> 0:33:50.800
<v Speaker 2>last time I saw her she came to see me

0:33:50.960 --> 0:33:52.600
<v Speaker 2>as Aida on Broadway.

0:33:54.040 --> 0:33:57.880
<v Speaker 1>I was intrigued with Aida. I mean that Elton John

0:33:57.920 --> 0:34:01.400
<v Speaker 1>and Tim Rice is a Tree didn't return Elton John's

0:34:01.400 --> 0:34:02.200
<v Speaker 1>fine calls.

0:34:02.920 --> 0:34:06.320
<v Speaker 2>No, no, no, my mother didn't what happened. But as

0:34:06.360 --> 0:34:12.920
<v Speaker 2>we say, what had happened was I got this call

0:34:12.960 --> 0:34:15.960
<v Speaker 2>on a Saturday from a number I didn't recognize, and

0:34:16.000 --> 0:34:19.719
<v Speaker 2>the gentleman identified himself as Elton John's assistant. Well, of

0:34:19.760 --> 0:34:22.480
<v Speaker 2>course that stopped me. Called and he just said, you know,

0:34:23.160 --> 0:34:26.920
<v Speaker 2>Staying and his wife are putting on their annual concert

0:34:26.960 --> 0:34:29.359
<v Speaker 2>for the Rainforest at Carnegie Hall, and they would really

0:34:29.360 --> 0:34:33.919
<v Speaker 2>love your mother to join, but she's not accepting my calls.

0:34:34.200 --> 0:34:37.640
<v Speaker 2>Oh my god, So excuse me, mister, Sir John asked

0:34:37.640 --> 0:34:40.000
<v Speaker 2>me to call you on his behalf because your mother's

0:34:40.040 --> 0:34:43.400
<v Speaker 2>not accepting his calls, and he was hoping that you

0:34:43.520 --> 0:34:47.319
<v Speaker 2>would talk to her about the possibility of coming. So

0:34:47.400 --> 0:34:51.160
<v Speaker 2>when I called her and brought it up, she wasn't interested.

0:34:51.440 --> 0:34:53.920
<v Speaker 2>But then I said, but mom, you can come and

0:34:53.960 --> 0:34:56.879
<v Speaker 2>see me because Carnegie Hall was literally five blocks away

0:34:56.920 --> 0:34:59.600
<v Speaker 2>from where I was performing on Broadway in Aida at

0:34:59.600 --> 0:35:03.479
<v Speaker 2>the Palace Theater. And so I just kind of laid

0:35:03.480 --> 0:35:06.520
<v Speaker 2>it on really thick in terms of all of the wonderful,

0:35:06.640 --> 0:35:11.320
<v Speaker 2>fantastic experiences she could have. And so she's okay, okay,

0:35:11.600 --> 0:35:12.200
<v Speaker 2>So she came.

0:35:15.440 --> 0:35:16.160
<v Speaker 1>What does she think?

0:35:17.239 --> 0:35:20.399
<v Speaker 2>Oh, she loved it. She loved the entire experience. She

0:35:20.960 --> 0:35:24.800
<v Speaker 2>I have pictures of her on stage with what's the

0:35:25.200 --> 0:35:29.560
<v Speaker 2>the mother of the judge there was Ashley Judge, his

0:35:29.640 --> 0:35:32.040
<v Speaker 2>three It's two daughters and the mother, So the Judge,

0:35:32.080 --> 0:35:39.359
<v Speaker 2>the Jugs, Trudy Styler, sting Elton, John, Patty LaBelle. She

0:35:39.560 --> 0:35:45.759
<v Speaker 2>was she really felt welcomed by her peers, which she

0:35:45.920 --> 0:35:49.120
<v Speaker 2>wasn't used to feeling, and so that was really nice

0:35:49.160 --> 0:35:52.080
<v Speaker 2>to hear and see. And she was in a really

0:35:52.440 --> 0:35:55.520
<v Speaker 2>good place. She was so cheerful. I was like, what's

0:35:55.560 --> 0:35:58.640
<v Speaker 2>the matter with you? She was really just really like

0:35:58.920 --> 0:36:02.840
<v Speaker 2>unusually happy. And then she came to see me on Broadway.

0:36:02.960 --> 0:36:06.640
<v Speaker 2>She came twice, met the cast, and she actually broke

0:36:06.719 --> 0:36:09.839
<v Speaker 2>the fourth wall from the audience, which I usually tell

0:36:09.880 --> 0:36:12.400
<v Speaker 2>this story. I told her a lot of times. You know,

0:36:12.480 --> 0:36:15.600
<v Speaker 2>as you say to your parents, don't embarrass me, don't

0:36:15.640 --> 0:36:18.160
<v Speaker 2>embarrass me mom, whatever you do. And you know how

0:36:18.160 --> 0:36:20.440
<v Speaker 2>you know your mother's voice no matter where you are.

0:36:20.800 --> 0:36:23.560
<v Speaker 2>So I was in the middle of a scene. I

0:36:23.600 --> 0:36:26.359
<v Speaker 2>was in the middle of a scene, and a very

0:36:26.400 --> 0:36:30.960
<v Speaker 2>poignant scene because Aida is a Nubian princess. Nubia and

0:36:31.040 --> 0:36:35.400
<v Speaker 2>Egypt are at war. Aida is captured by an Egyptian

0:36:36.160 --> 0:36:39.960
<v Speaker 2>captor who becomes her love and so her father, the

0:36:40.040 --> 0:36:44.000
<v Speaker 2>Nubian king, comes to rescue her. He gets captured and

0:36:44.040 --> 0:36:47.960
<v Speaker 2>thrown in jail. From this particular scene, Aida is saying

0:36:48.040 --> 0:36:50.680
<v Speaker 2>to her father, you know we can get you out

0:36:50.719 --> 0:36:53.719
<v Speaker 2>of here. I'm wearing this ambulance that my lover gave me,

0:36:53.800 --> 0:36:56.560
<v Speaker 2>and he's like, Aida, do not tell me that these

0:36:56.600 --> 0:37:01.719
<v Speaker 2>Egyptians grieve for the Nubian men execute the women ravaged

0:37:01.920 --> 0:37:05.560
<v Speaker 2>and out of the darkness. All I heard. The whole

0:37:05.640 --> 0:37:09.320
<v Speaker 2>theater heard. Oh my god, you could have heard a

0:37:09.360 --> 0:37:13.239
<v Speaker 2>pin drop, and of course I knew who it was.

0:37:13.880 --> 0:37:18.040
<v Speaker 2>It took about maybe ten seconds before the next line

0:37:18.120 --> 0:37:22.000
<v Speaker 2>was mine. And at the end of the show, I said, Mom, Mom,

0:37:22.840 --> 0:37:24.720
<v Speaker 2>come on, why'd you do that? She said, I couldn't

0:37:24.760 --> 0:37:27.480
<v Speaker 2>help myself. I couldn't help myself. I was touched by

0:37:27.520 --> 0:37:28.760
<v Speaker 2>the scene. I'm sorry, honey.

0:37:29.560 --> 0:37:32.680
<v Speaker 1>So she burst into song where you dropped out when

0:37:32.719 --> 0:37:33.960
<v Speaker 1>you did the sound effect.

0:37:34.760 --> 0:37:38.600
<v Speaker 2>She went on, she said all she said, all right,

0:37:38.880 --> 0:37:41.839
<v Speaker 2>the word was all right, but she yelled it and

0:37:41.880 --> 0:37:45.440
<v Speaker 2>she extended the word out. And the gentleman who played

0:37:45.480 --> 0:37:49.480
<v Speaker 2>my father only had maybe five minutes in the entire show.

0:37:49.920 --> 0:37:54.839
<v Speaker 2>He was preening after that, saying, Nina Simone commented on

0:37:55.440 --> 0:37:56.600
<v Speaker 2>my scene.

0:38:00.160 --> 0:38:02.480
<v Speaker 1>Was confused about that version of it id. It was

0:38:02.520 --> 0:38:04.600
<v Speaker 1>originally an opera di verdie.

0:38:04.920 --> 0:38:07.840
<v Speaker 2>Absolutely, and it was Leontine Price, I believe, who originated

0:38:07.840 --> 0:38:09.920
<v Speaker 2>the role who came to see me when I was

0:38:09.960 --> 0:38:13.520
<v Speaker 2>performing in Aita, Thank you very much. Yes, definitely an opera.

0:38:13.640 --> 0:38:16.320
<v Speaker 1>Yes, so did you have to sing an operatic style?

0:38:17.480 --> 0:38:21.479
<v Speaker 2>No, but as the star of the show, I sang

0:38:21.520 --> 0:38:26.680
<v Speaker 2>eleven songs per show and it was a load, a

0:38:26.680 --> 0:38:30.279
<v Speaker 2>heavy load. I was in great voice. It was an

0:38:30.320 --> 0:38:33.719
<v Speaker 2>exceptional experience, and when my mother died, I was able

0:38:33.760 --> 0:38:36.520
<v Speaker 2>to immerse myself in the role like never before because,

0:38:37.040 --> 0:38:40.320
<v Speaker 2>unlike some Disney shows, I was not playing a teapot.

0:38:40.760 --> 0:38:45.200
<v Speaker 2>So there's one particular line when I came back after

0:38:45.239 --> 0:38:48.000
<v Speaker 2>my mother's funeral, I only took ten days off and

0:38:48.040 --> 0:38:50.200
<v Speaker 2>I got on that stage. There's a particular scene that

0:38:50.280 --> 0:38:53.960
<v Speaker 2>Sir Tim Rice had written that was like, you talk

0:38:54.000 --> 0:38:57.839
<v Speaker 2>about art imitating life, and it said, it goes it's

0:38:57.960 --> 0:39:01.399
<v Speaker 2>knowing what they want of me that's scares me. It's

0:39:01.480 --> 0:39:05.360
<v Speaker 2>knowing having followed, I must lead. It's knowing that each

0:39:05.440 --> 0:39:10.120
<v Speaker 2>person there compares me to those in my past whom

0:39:10.200 --> 0:39:16.080
<v Speaker 2>I now succeed. When I sang those words the first

0:39:16.080 --> 0:39:19.040
<v Speaker 2>time I came back after my mother's funeral. It was

0:39:19.080 --> 0:39:22.560
<v Speaker 2>as if I was riding a razor's edge. It took

0:39:22.640 --> 0:39:25.520
<v Speaker 2>everything I had to stay in character and to not

0:39:25.600 --> 0:39:28.920
<v Speaker 2>break down, because that is my truth. It's knowing that

0:39:29.000 --> 0:39:31.640
<v Speaker 2>each person there compares me to those in my past

0:39:31.680 --> 0:39:33.560
<v Speaker 2>whom I now succeed. Hello.

0:39:34.719 --> 0:39:36.600
<v Speaker 1>Yeah, well that is you, isn't it. I mean, do

0:39:36.920 --> 0:39:38.399
<v Speaker 1>you find yourself being compared to you.

0:39:39.000 --> 0:39:42.160
<v Speaker 2>All the time? You can say, till the cows come home,

0:39:42.600 --> 0:39:45.440
<v Speaker 2>this is just a tribute. It's an homage. There's only

0:39:45.480 --> 0:39:48.560
<v Speaker 2>one nemss Simon. People cannot help themselves. But I will

0:39:48.600 --> 0:39:50.960
<v Speaker 2>say this. I'll tell you what my father said to

0:39:51.000 --> 0:39:55.600
<v Speaker 2>me after one such concert. He said, you've been compared

0:39:55.640 --> 0:39:58.400
<v Speaker 2>to your mother, and you've done good. Baby.

0:40:00.520 --> 0:40:03.960
<v Speaker 1>I don't see that. I mean, your mother's daughter. And

0:40:04.040 --> 0:40:06.880
<v Speaker 1>I've seen the you know, I've seen clips of you.

0:40:07.040 --> 0:40:09.040
<v Speaker 1>I mean, you're very active on social media. There's lots

0:40:09.080 --> 0:40:12.360
<v Speaker 1>of stuff of you. The documentary, there was lots of

0:40:12.400 --> 0:40:14.839
<v Speaker 1>you there. I mean, your mother was your mother, an

0:40:14.880 --> 0:40:19.759
<v Speaker 1>intriguing personality. But similarly, you are forging your own way,

0:40:20.040 --> 0:40:23.440
<v Speaker 1>even though you are singing your mother's songs. But your

0:40:23.440 --> 0:40:26.440
<v Speaker 1>mother's daughter. But I don't see the comparison.

0:40:27.320 --> 0:40:29.439
<v Speaker 2>Well, first of all, I want to think, I want

0:40:29.440 --> 0:40:32.000
<v Speaker 2>to thank you. I feel it because I've always seen

0:40:32.040 --> 0:40:36.120
<v Speaker 2>me in the mirror. I've always known that, but for

0:40:36.280 --> 0:40:42.080
<v Speaker 2>many years until the documentary came out, most people would

0:40:42.160 --> 0:40:44.920
<v Speaker 2>refer to me as, oh, you're the daughter of and

0:40:44.960 --> 0:40:48.000
<v Speaker 2>I would say, I do actually have a name, you know,

0:40:48.239 --> 0:40:52.319
<v Speaker 2>So it's nice to be seen for me. I appreciate

0:40:52.400 --> 0:40:56.080
<v Speaker 2>that from you. I've even had some people literally say

0:40:56.239 --> 0:41:00.360
<v Speaker 2>to me, Nina Simone doesn't have a child. I'm a

0:41:00.360 --> 0:41:02.560
<v Speaker 2>big fan of Nima Simone, and if she had a child,

0:41:02.600 --> 0:41:04.719
<v Speaker 2>I would know serious.

0:41:05.600 --> 0:41:07.399
<v Speaker 1>Oh she has a child, and we can see her

0:41:07.440 --> 0:41:09.600
<v Speaker 1>on the twenty sixth of July and Her Majesty's Theater.

0:41:10.400 --> 0:41:12.920
<v Speaker 1>Lisa Simone, thank you so much for chatting, Thanks so

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<v Speaker 1>much for being open, and look forward to seeing you

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<v Speaker 1>back in Adelaide and I hope you enjoy coming here again.

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<v Speaker 2>I look forward to getting there and I'm eager to

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<v Speaker 2>get back on that stage again and to continue the

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<v Speaker 2>conversation that the Adelaide audience and myself began last year.

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<v Speaker 1>Lisa Simime was my guest. Folks, thank you so much

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<v Speaker 1>for joining us.