1 00:00:00,040 --> 00:00:02,360 Speaker 1: It fits in with us wrap up of the week time. 2 00:00:02,400 --> 00:00:04,480 Speaker 2: But we're very, very excited about this because we have 3 00:00:04,519 --> 00:00:06,240 Speaker 2: an entertainer in the. 4 00:00:06,240 --> 00:00:08,440 Speaker 3: Studio, finally, a true entertainer. 5 00:00:09,039 --> 00:00:10,680 Speaker 2: And I tell you what, it would have to be 6 00:00:10,720 --> 00:00:13,240 Speaker 2: an easy win for her today she's up against Maddie 7 00:00:13,240 --> 00:00:16,599 Speaker 2: de Greet. She's also got a Nova podcast that was 8 00:00:16,680 --> 00:00:18,120 Speaker 2: released last Friday. 9 00:00:18,280 --> 00:00:21,000 Speaker 1: Very excited about that. It's called Brenda Call Me. It's 10 00:00:21,000 --> 00:00:22,640 Speaker 1: the Magnificent Corneacy. 11 00:00:24,320 --> 00:00:26,599 Speaker 4: I am an entertainer. I have been known to entertain. 12 00:00:27,800 --> 00:00:28,560 Speaker 3: That is my thing. 13 00:00:28,840 --> 00:00:31,280 Speaker 1: I say, it's coming up. I reckon. 14 00:00:31,320 --> 00:00:34,000 Speaker 2: It's close to twenty years since we saw you on 15 00:00:34,040 --> 00:00:35,600 Speaker 2: our television screens two. 16 00:00:35,400 --> 00:00:38,320 Speaker 5: Thousand and we came to public fame around a similar 17 00:00:38,360 --> 00:00:39,040 Speaker 5: time I did. 18 00:00:38,960 --> 00:00:42,559 Speaker 2: Two thousand and four you were Australian idol and then 19 00:00:43,000 --> 00:00:45,400 Speaker 2: the other one I wanted to ask you about and 20 00:00:45,440 --> 00:00:48,080 Speaker 2: we look, a lot of people love this show, but 21 00:00:48,120 --> 00:00:51,920 Speaker 2: we don't realize how globally big it is. But RuPaul's 22 00:00:52,000 --> 00:00:54,800 Speaker 2: Drag Race, you did it. It was at twenty fourteen, 23 00:00:54,880 --> 00:00:55,320 Speaker 2: you did. 24 00:00:55,160 --> 00:00:58,280 Speaker 4: It correct season six. Some say the best, Yeah, really. 25 00:00:58,680 --> 00:01:00,840 Speaker 2: But how much did that open and an audience for 26 00:01:00,920 --> 00:01:02,360 Speaker 2: you in America and stuff like that. 27 00:01:02,440 --> 00:01:03,279 Speaker 4: It was massive. 28 00:01:03,520 --> 00:01:06,839 Speaker 5: It was like drag Race, And around that time drag 29 00:01:06,920 --> 00:01:09,680 Speaker 5: Race started becoming really popular all around the world. 30 00:01:09,880 --> 00:01:13,240 Speaker 4: It went onto Netflix in the UK and every work. 31 00:01:13,680 --> 00:01:14,280 Speaker 4: How does it work? 32 00:01:14,360 --> 00:01:17,520 Speaker 5: It's kind of like have you seen like Project Runway? 33 00:01:17,680 --> 00:01:18,600 Speaker 1: Yes, but sort of. 34 00:01:18,520 --> 00:01:23,120 Speaker 5: Like Project Runway meets Top Model, Right, Okay, there's like 35 00:01:23,160 --> 00:01:26,400 Speaker 5: twelve or fourteen drag queens and it's to be the best. 36 00:01:26,760 --> 00:01:29,000 Speaker 4: Well you know, I mean I didn't win, so. 37 00:01:30,400 --> 00:01:31,120 Speaker 1: Food, didn't you? 38 00:01:31,280 --> 00:01:34,039 Speaker 4: Well, technically actually I was in the top three, so 39 00:01:34,080 --> 00:01:34,880 Speaker 4: I could have come to. 40 00:01:37,720 --> 00:01:37,959 Speaker 1: Three. 41 00:01:38,120 --> 00:01:38,840 Speaker 3: Call it top three. 42 00:01:38,840 --> 00:01:40,360 Speaker 4: It's not sensitive subject at all. 43 00:01:40,480 --> 00:01:42,559 Speaker 2: Did you travel on the show? Did you get along 44 00:01:42,560 --> 00:01:44,160 Speaker 2: with everyone? Or did you have a few blues on 45 00:01:44,200 --> 00:01:44,640 Speaker 2: the show? No? 46 00:01:44,760 --> 00:01:46,600 Speaker 5: That was the problem is that we were all such 47 00:01:46,640 --> 00:01:49,240 Speaker 5: good friends. Yes, and so when you're not, when everyone's 48 00:01:49,280 --> 00:01:49,920 Speaker 5: a good friend on. 49 00:01:49,880 --> 00:01:52,000 Speaker 4: Reality, convision that's not good doesn't work. 50 00:01:52,120 --> 00:01:57,840 Speaker 5: So they have to, you know, manipulate reality and tell 51 00:01:57,880 --> 00:01:59,600 Speaker 5: a narrative that is more Titaly. 52 00:02:00,520 --> 00:02:03,480 Speaker 3: You know, Courtney Act great name out of drag queens 53 00:02:03,520 --> 00:02:05,720 Speaker 3: that you know? Is there any other names that stand 54 00:02:05,720 --> 00:02:07,240 Speaker 3: out for you because they're clever? 55 00:02:07,360 --> 00:02:07,600 Speaker 2: Name? 56 00:02:07,760 --> 00:02:09,680 Speaker 4: I really love Helen Earth. 57 00:02:09,880 --> 00:02:13,519 Speaker 2: Yes, great, it's a cute one, but tequila Mockingbird's pretty good. 58 00:02:13,520 --> 00:02:19,560 Speaker 4: Tequila mocking Bird. I'll take that test. Tickle, yes, which 59 00:02:19,639 --> 00:02:20,320 Speaker 4: I've been friends. 60 00:02:20,320 --> 00:02:23,320 Speaker 5: I worked with Tests for years before I actually got 61 00:02:23,360 --> 00:02:25,080 Speaker 5: that it was I was just like, her name's Tess 62 00:02:25,160 --> 00:02:26,280 Speaker 5: and her last name is Tickle. 63 00:02:27,680 --> 00:02:29,240 Speaker 6: There's a guy, there's a guy that I worked with, 64 00:02:29,320 --> 00:02:32,720 Speaker 6: Tim Ilgate, who's Tina turn On turn On. One of the 65 00:02:32,720 --> 00:02:35,080 Speaker 6: things that he always says is it blows him away 66 00:02:35,120 --> 00:02:38,080 Speaker 6: when he becomes Tina turn On. How many straight guys 67 00:02:38,720 --> 00:02:41,360 Speaker 6: know that it's him being Tina and will hit on 68 00:02:41,680 --> 00:02:42,320 Speaker 6: Tina turn On? 69 00:02:42,400 --> 00:02:42,800 Speaker 1: Anyway? 70 00:02:42,960 --> 00:02:47,160 Speaker 5: Well, thankfully that is the subject of the podcast is 71 00:02:47,480 --> 00:02:50,040 Speaker 5: coming out. It came out yesterday that our second episode 72 00:02:50,080 --> 00:02:53,840 Speaker 5: is all about sex and sexuality and the gender spectrum 73 00:02:53,919 --> 00:02:58,640 Speaker 5: and how men who traditionally identify straight sometimes have proclivities 74 00:02:58,680 --> 00:03:00,360 Speaker 5: to women who are It's a. 75 00:03:00,320 --> 00:03:03,680 Speaker 4: Pretty loose podcast there. Awesome, I beg your pardon. 76 00:03:08,200 --> 00:03:09,360 Speaker 3: Have you found that? 77 00:03:09,600 --> 00:03:09,760 Speaker 1: Oh? 78 00:03:09,840 --> 00:03:11,680 Speaker 3: Yeah, straight guys hitting on you? 79 00:03:11,800 --> 00:03:14,600 Speaker 4: Yeah, definitely. Well, because you know the problem is there's. 80 00:03:14,360 --> 00:03:17,920 Speaker 5: This binary of gay and straight, but in reality, sexuality 81 00:03:18,000 --> 00:03:19,360 Speaker 5: is more loose than that. 82 00:03:19,720 --> 00:03:22,200 Speaker 3: The straight guys that you meet, do they want to 83 00:03:22,360 --> 00:03:24,760 Speaker 3: just meet you or do they want more than that. 84 00:03:24,919 --> 00:03:27,040 Speaker 5: Well, of course they want more, want to meet and greet. 85 00:03:27,040 --> 00:03:28,600 Speaker 5: That's what the gays want. That's the problem. 86 00:03:29,040 --> 00:03:30,640 Speaker 4: The gazers want to hang out and chit chat and 87 00:03:30,680 --> 00:03:31,360 Speaker 4: do your nails. 88 00:03:31,680 --> 00:03:34,320 Speaker 5: But then the and I use the term straight identifying, 89 00:03:34,440 --> 00:03:38,120 Speaker 5: but they personally, because of the world being so rigid 90 00:03:38,160 --> 00:03:39,160 Speaker 5: and binary. 91 00:03:38,720 --> 00:03:42,280 Speaker 4: They're just like, I'm straight. I really love taking it. 92 00:03:44,840 --> 00:03:46,840 Speaker 2: Do you get any of these guys on the podcast? 93 00:03:47,000 --> 00:03:49,440 Speaker 1: Anyone? Is anyone prepared to talk about it? 94 00:03:49,560 --> 00:03:50,000 Speaker 2: Or no? 95 00:03:50,120 --> 00:03:50,680 Speaker 1: Good question? 96 00:03:51,080 --> 00:03:54,640 Speaker 5: You should in radio or something we can do one 97 00:03:54,680 --> 00:03:57,360 Speaker 5: of those, like a current affair voice code of things. 98 00:03:58,920 --> 00:03:59,560 Speaker 3: Change your voice? 99 00:03:59,720 --> 00:04:03,680 Speaker 2: Yeah, Corneac, you are a great performer, great voice. 100 00:04:04,240 --> 00:04:06,840 Speaker 1: The hip hop genre, though, how do you go with that? 101 00:04:07,160 --> 00:04:07,440 Speaker 4: Look? 102 00:04:07,560 --> 00:04:12,280 Speaker 5: I am aware that this genre is often inappropriately appropriated 103 00:04:12,360 --> 00:04:15,640 Speaker 5: by white people, of which I am definitely one. I 104 00:04:15,680 --> 00:04:20,240 Speaker 5: guess I subscribe in this instance to the well worn. 105 00:04:20,040 --> 00:04:23,480 Speaker 4: Track of eminem Iggy Azalea doing rap. 106 00:04:23,480 --> 00:04:25,800 Speaker 5: And I will not claim that I am in any 107 00:04:25,800 --> 00:04:27,320 Speaker 5: way a hip hop officinado. 108 00:04:27,839 --> 00:04:28,680 Speaker 4: But let's see how we go. 109 00:04:29,000 --> 00:04:32,919 Speaker 2: Is this is what we're wrapping to today? Okay, So 110 00:04:33,040 --> 00:04:37,839 Speaker 2: this is O dB ri I T great song, Baby 111 00:04:38,000 --> 00:04:40,320 Speaker 2: have you got My money? You get to choose if 112 00:04:40,360 --> 00:04:41,640 Speaker 2: you want to go first, or do you want mat 113 00:04:41,760 --> 00:04:42,640 Speaker 2: Degree to go first? 114 00:04:42,680 --> 00:04:45,920 Speaker 5: Corneyac Look, I think it would be embarrassing for Matt 115 00:04:46,040 --> 00:04:48,880 Speaker 5: if I went first, So I'll let him go first 116 00:04:48,920 --> 00:04:50,120 Speaker 5: and then I can destroy him. 117 00:04:52,440 --> 00:05:01,560 Speaker 1: Yes, you. 118 00:05:03,240 --> 00:05:10,200 Speaker 4: Don't know how much, Dad, we're away on the bussy. 119 00:05:11,440 --> 00:05:13,080 Speaker 4: So much masculine in here. 120 00:05:16,080 --> 00:05:20,040 Speaker 1: There's a lot of walls. Yeah. Yeah, we will be 121 00:05:20,120 --> 00:05:23,760 Speaker 1: yelling over the top. Okay, okay, put you off, Okay. Yeah. 122 00:05:23,800 --> 00:05:25,920 Speaker 6: It also just feels to twenty twenty one sort of 123 00:05:25,960 --> 00:05:28,640 Speaker 6: the wrong time to be trying to wrap and bring 124 00:05:28,680 --> 00:05:31,240 Speaker 6: down a Courtney Act. I just don't know if any 125 00:05:31,279 --> 00:05:34,680 Speaker 6: of the sledging us uses right now. 126 00:05:35,400 --> 00:05:36,640 Speaker 4: You know you're going to lose. 127 00:05:37,360 --> 00:05:43,320 Speaker 1: Here we go, Here we go, Here we go. Hm, 128 00:05:43,960 --> 00:05:46,480 Speaker 1: you're an old dirty girl on. 129 00:05:48,839 --> 00:05:51,520 Speaker 6: The key to life is knowing your hand. It's knowing 130 00:05:51,560 --> 00:05:55,640 Speaker 6: when to hold and knowing sledging. Courtney Act will probably 131 00:05:55,640 --> 00:05:57,600 Speaker 6: see your career fold. 132 00:05:57,600 --> 00:05:58,360 Speaker 1: But as my. 133 00:05:58,400 --> 00:06:01,800 Speaker 6: Career is already stuffed, this rap needs to be unbridled 134 00:06:02,240 --> 00:06:04,400 Speaker 6: for else it would be a bigger flop than you 135 00:06:04,480 --> 00:06:08,520 Speaker 6: on Australian Idol. If women are from Venus and men 136 00:06:08,560 --> 00:06:11,560 Speaker 6: are from Mars, what planets this do we reckon? I 137 00:06:11,600 --> 00:06:13,919 Speaker 6: guess it's one on Dancing with the Stars where you 138 00:06:13,920 --> 00:06:17,279 Speaker 6: can only come in second, But compared to the team, 139 00:06:17,320 --> 00:06:20,960 Speaker 6: that's pretty good. How achievements are Layman few? Like a 140 00:06:21,040 --> 00:06:24,480 Speaker 6: forty year old still talking about kicking five on debut. 141 00:06:25,279 --> 00:06:27,839 Speaker 6: You came very close to being our choice and being 142 00:06:27,880 --> 00:06:31,480 Speaker 6: on Eurovision, while the closest thing that I could do 143 00:06:31,640 --> 00:06:35,520 Speaker 6: was get an adult circumcision, whips, bat and ball. 144 00:06:35,720 --> 00:06:36,640 Speaker 1: Sarah sucks toes. 145 00:06:36,720 --> 00:06:40,160 Speaker 6: Tommy has that eternal homeless smell. Let's be honest. I 146 00:06:40,200 --> 00:06:42,000 Speaker 6: wish it as you and I on that couch at 147 00:06:42,040 --> 00:06:47,240 Speaker 6: the Pimont Bridge Hotel. 148 00:06:45,000 --> 00:06:50,320 Speaker 3: Whoa ta maake ou Cottney ADVINSA. 149 00:06:50,520 --> 00:06:57,160 Speaker 1: She's a clamor strong, Sir, that was strong. It is 150 00:06:57,240 --> 00:06:58,679 Speaker 1: time to bring it home? 151 00:07:01,960 --> 00:07:03,719 Speaker 3: Can she make the human some today? 152 00:07:06,400 --> 00:07:08,760 Speaker 5: Let's go back in time to when Matt was bond, 153 00:07:08,839 --> 00:07:09,800 Speaker 5: before his life. 154 00:07:09,560 --> 00:07:10,840 Speaker 4: Story was a police report. 155 00:07:11,000 --> 00:07:14,480 Speaker 5: We begin with Gail the lip kisser, whose family reunions 156 00:07:14,560 --> 00:07:15,559 Speaker 5: ended with naked twist. 157 00:07:16,440 --> 00:07:18,440 Speaker 4: Emily is what they say? They do? Want to bigger 158 00:07:18,480 --> 00:07:19,040 Speaker 4: all things. 159 00:07:19,040 --> 00:07:22,119 Speaker 5: On Christmas Day, on Fateful Night, he became a fire 160 00:07:22,120 --> 00:07:25,080 Speaker 5: fighter thousand cousin Rodney on fire. 161 00:07:28,400 --> 00:07:31,480 Speaker 4: Matt's hair vanished young. Sure it's true. 162 00:07:31,480 --> 00:07:33,880 Speaker 5: Even your head didn't want to be related to you. 163 00:07:34,960 --> 00:07:37,080 Speaker 5: Chase an office row mance. He'd asked snap at a 164 00:07:37,120 --> 00:07:38,720 Speaker 5: coworkers if he thought he'd stand a chair. 165 00:07:40,680 --> 00:07:42,720 Speaker 3: True story, that's true story. 166 00:07:42,920 --> 00:07:45,200 Speaker 5: Matt thinks he's Tiger Woods, and he is in a sense, 167 00:07:45,200 --> 00:07:47,520 Speaker 5: because both Matt and Tiger need to beat the sex. 168 00:07:47,800 --> 00:07:50,360 Speaker 5: Matt wanted to give Sarah's feed a lick, keeping up 169 00:07:50,440 --> 00:07:57,920 Speaker 5: on her like a horse at Randwick, settle down to 170 00:07:58,000 --> 00:08:00,280 Speaker 5: live on the beach, king to light upon fire with 171 00:08:00,360 --> 00:08:00,720 Speaker 5: all the. 172 00:08:00,720 --> 00:08:03,559 Speaker 4: Other pigs here. He is reading the news as he chokes. 173 00:08:03,680 --> 00:08:06,240 Speaker 4: Give it up, piggy because the big and it's small. 174 00:08:08,480 --> 00:08:08,840 Speaker 1: Smoke. 175 00:08:09,800 --> 00:08:12,360 Speaker 5: If this mic wasn't attached to the desk, I drop 176 00:08:12,400 --> 00:08:13,960 Speaker 5: it and walk out in the studio. 177 00:08:14,680 --> 00:08:22,800 Speaker 6: The pig has been stabbed, just ticked off every basic, incorrect. 178 00:08:24,800 --> 00:08:32,360 Speaker 6: One of the best routes we've ever had on that 179 00:08:32,559 --> 00:08:33,360 Speaker 6: was so good. 180 00:08:33,720 --> 00:08:34,000 Speaker 2: Thank you. 181 00:08:34,240 --> 00:08:37,360 Speaker 4: I feel bad, Matt. Matt looks sad. 182 00:08:37,480 --> 00:08:38,080 Speaker 1: I'm sorry. 183 00:08:38,240 --> 00:08:42,760 Speaker 3: He wants his foreskin back, So do I, Matt want 184 00:08:42,760 --> 00:08:43,400 Speaker 3: your foreskin? 185 00:08:43,440 --> 00:08:46,880 Speaker 1: I want my take a bit offisfore. 186 00:08:48,320 --> 00:08:48,840 Speaker 4: Five head? 187 00:08:49,800 --> 00:08:50,040 Speaker 6: Sorry? 188 00:08:51,120 --> 00:08:53,120 Speaker 4: Mine's a week, mine's a week. I have a five 189 00:08:53,200 --> 00:08:54,840 Speaker 4: head too, but I just turned it into a three 190 00:08:54,840 --> 00:08:55,440 Speaker 4: and a half head. 191 00:08:58,120 --> 00:09:01,679 Speaker 2: Don't forget Brenda Call Me eight podcasts. It's on Nova now. 192 00:09:01,720 --> 00:09:03,920 Speaker 2: You can get it anywhere you get your good podcast from. 193 00:09:03,920 --> 00:09:07,679 Speaker 4: Thank you very much for coming, Thank you everybody. 194 00:09:07,760 --> 00:09:08,920 Speaker 2: It fits you in Whipper