1 00:00:00,240 --> 00:00:03,240 Speaker 1: Are you ready this? 2 00:00:07,520 --> 00:00:10,360 Speaker 2: Welcome to because we're. 3 00:00:09,880 --> 00:00:12,840 Speaker 1: Fit and with that, this is very very exciting. And 4 00:00:12,880 --> 00:00:15,160 Speaker 1: we've got the man up on our zoom screens at 5 00:00:15,160 --> 00:00:18,000 Speaker 1: the moment. Is he we're just connecting to EDG Sheer? 6 00:00:19,000 --> 00:00:23,280 Speaker 1: Is his name tied ches? 7 00:00:23,440 --> 00:00:26,400 Speaker 2: Can you see it's I can see you can? 8 00:00:26,840 --> 00:00:33,560 Speaker 1: Is that testing? 9 00:00:33,720 --> 00:00:35,680 Speaker 2: I'm going to make it so you guys can record 10 00:00:35,720 --> 00:00:36,040 Speaker 2: as well. 11 00:00:36,080 --> 00:00:36,720 Speaker 3: Then I'll pop off. 12 00:00:38,360 --> 00:00:40,040 Speaker 2: I don't I don't know why my name is that? 13 00:00:40,120 --> 00:00:44,199 Speaker 3: Like I literally only use zoom for like radio interviews 14 00:00:44,240 --> 00:00:45,560 Speaker 3: and it just always is Taches. 15 00:00:45,640 --> 00:00:53,400 Speaker 1: But Snoop don't give you that name or no you 16 00:00:53,560 --> 00:00:57,240 Speaker 1: Snoop Snoop dog? Can we tell you? 17 00:00:57,840 --> 00:01:01,200 Speaker 3: Quite dangerous because you'd be like when in Rome, I'm 18 00:01:01,200 --> 00:01:02,840 Speaker 3: going to me you have. 19 00:01:02,800 --> 00:01:05,320 Speaker 2: To write, you have to then you're making. 20 00:01:05,520 --> 00:01:09,480 Speaker 3: I remember I was in the studio once in like 21 00:01:09,520 --> 00:01:12,280 Speaker 3: twenty thirteen. I was doing some records with the game 22 00:01:12,360 --> 00:01:14,600 Speaker 3: and he took me to Compton and we were in 23 00:01:14,720 --> 00:01:18,480 Speaker 3: the studio and we probably made like thirteen fourteen songs. Wow, 24 00:01:18,760 --> 00:01:22,360 Speaker 3: And towards the end of the session, his boys come 25 00:01:22,400 --> 00:01:26,080 Speaker 3: in and they're sort of like the lad It starts 26 00:01:26,080 --> 00:01:27,920 Speaker 3: being a bit of a party and I'm like ah, 27 00:01:28,040 --> 00:01:31,559 Speaker 3: do you know what. I'm in Compton the game and 28 00:01:32,120 --> 00:01:36,520 Speaker 3: I took I took a tiny, tiny, tiny puff on 29 00:01:36,600 --> 00:01:39,240 Speaker 3: something and got out. 30 00:01:39,760 --> 00:01:40,800 Speaker 2: I was half home. 31 00:01:41,240 --> 00:01:44,080 Speaker 4: Saron has turned green. He's over there in the corner. 32 00:01:44,840 --> 00:01:47,800 Speaker 3: You're gonna lie it's twenty thirteen. The like, I don't really, 33 00:01:47,920 --> 00:01:49,280 Speaker 3: I don't really do that as all. This is like, 34 00:01:49,320 --> 00:01:53,600 Speaker 3: this is like twenty thirteen and it was when in Romnut. 35 00:01:53,760 --> 00:01:54,880 Speaker 4: Yeah, I get it. 36 00:01:55,240 --> 00:01:57,240 Speaker 1: Can we tell you a story? We had an interview 37 00:01:57,240 --> 00:02:00,680 Speaker 1: with Snoop dog for twenty minutes, right two hours later, 38 00:02:00,680 --> 00:02:03,120 Speaker 1: we're still waiting. He doesn't rock up right, and then 39 00:02:03,320 --> 00:02:05,200 Speaker 1: all of a sudden he walked out of this hotel 40 00:02:05,320 --> 00:02:07,480 Speaker 1: room and there was smoke everywhere, and all his posse 41 00:02:07,600 --> 00:02:10,160 Speaker 1: came out and we got told that the interview with 42 00:02:10,240 --> 00:02:13,519 Speaker 1: Snoopers off and we were shattered because my mum baked 43 00:02:13,560 --> 00:02:17,560 Speaker 1: him some cookies, ed right, these special cookies, and so 44 00:02:17,600 --> 00:02:19,160 Speaker 1: we didn't get into We went back to the hotel, 45 00:02:19,200 --> 00:02:20,960 Speaker 1: remember whip, and then we got we got a phone 46 00:02:20,960 --> 00:02:23,600 Speaker 1: call half an hour later and it was like Snoop 47 00:02:23,600 --> 00:02:25,880 Speaker 1: DOGG wants to do an interview with you on the phone, 48 00:02:26,480 --> 00:02:29,240 Speaker 1: and he got on the phone and Eddie left this. 49 00:02:29,520 --> 00:02:32,919 Speaker 1: My mum's name is Claire Fitzgerald and he left this 50 00:02:33,040 --> 00:02:34,400 Speaker 1: message for my mum. 51 00:02:34,400 --> 00:02:35,080 Speaker 2: Claire Feble. 52 00:02:35,120 --> 00:02:37,840 Speaker 3: Wi's your nephew Snoopy Diggle double Jebbil. I love you 53 00:02:37,919 --> 00:02:38,720 Speaker 3: for the batch. 54 00:02:38,440 --> 00:02:42,919 Speaker 4: Of cookies, which is now her ring tonead of course. 55 00:02:42,880 --> 00:02:49,080 Speaker 2: And arguably probably better than the interview you've got. You 56 00:02:49,120 --> 00:02:52,839 Speaker 2: know this is so true, so true. 57 00:02:52,880 --> 00:02:55,320 Speaker 1: Hey, Ed, while we've got you, I don't know. Look, 58 00:02:55,360 --> 00:02:57,120 Speaker 1: we were just looking at our schedule at the moment. 59 00:02:57,200 --> 00:03:00,399 Speaker 1: We're just doing interviews for twenty twenty three and we've 60 00:03:00,400 --> 00:03:02,359 Speaker 1: got a bit of a break in fib and March 61 00:03:02,560 --> 00:03:05,040 Speaker 1: next year. Any chance you could come to Australia and 62 00:03:05,360 --> 00:03:06,280 Speaker 1: have a chat to us? 63 00:03:07,120 --> 00:03:09,320 Speaker 2: Yeah, I do you know. I was meant to be 64 00:03:09,360 --> 00:03:11,400 Speaker 2: there now to announce this tour. I was meant to 65 00:03:11,480 --> 00:03:12,280 Speaker 2: I was meant to fly over. 66 00:03:12,320 --> 00:03:17,840 Speaker 3: But I've had a few unavoidable situations in England. 67 00:03:17,919 --> 00:03:19,280 Speaker 2: But yeah, I may. 68 00:03:19,400 --> 00:03:23,520 Speaker 3: I can't bloody weight. Last time, last time I was 69 00:03:23,520 --> 00:03:27,320 Speaker 3: there for it was the Michael's Memorial. Yes, and it 70 00:03:27,560 --> 00:03:30,360 Speaker 3: just like after being in England so long and then 71 00:03:30,400 --> 00:03:33,120 Speaker 3: coming as my daughter's first flight, it was the first 72 00:03:33,120 --> 00:03:34,560 Speaker 3: time in the sea. It was like, you know, like 73 00:03:34,600 --> 00:03:38,080 Speaker 3: I just I just love Australia. So I'm very very excited. 74 00:03:37,840 --> 00:03:39,040 Speaker 4: Because you know what we're going to do to it. 75 00:03:39,120 --> 00:03:40,960 Speaker 4: Because last time when you launched the tour and it 76 00:03:41,040 --> 00:03:43,120 Speaker 4: was twenty eighteen, we were there fifting. I were there 77 00:03:43,120 --> 00:03:45,480 Speaker 4: in Perth Foot with you and Michael was there and 78 00:03:45,520 --> 00:03:47,600 Speaker 4: we had the big ice statue if you remember, because 79 00:03:47,600 --> 00:03:50,760 Speaker 4: you sold over one million tickets, like it. 80 00:03:50,800 --> 00:03:54,520 Speaker 2: Was that he ordered an ice statue like. 81 00:03:57,120 --> 00:03:57,880 Speaker 3: It's boiling. 82 00:03:58,080 --> 00:04:01,320 Speaker 1: It was boiling hot. It melted very quickly, but that 83 00:04:01,440 --> 00:04:04,280 Speaker 1: was Michael Gidinski. That was also Remember we spoke about 84 00:04:04,320 --> 00:04:06,360 Speaker 1: this last time. We got you the beer mets for 85 00:04:06,480 --> 00:04:07,839 Speaker 1: your pub that you have at home. 86 00:04:08,280 --> 00:04:08,480 Speaker 4: Mate. 87 00:04:08,520 --> 00:04:09,440 Speaker 1: We've been talking. 88 00:04:09,160 --> 00:04:12,240 Speaker 2: About yeah, yeah, and the beer I've still got the 89 00:04:12,280 --> 00:04:12,800 Speaker 2: bit and the. 90 00:04:13,440 --> 00:04:15,680 Speaker 1: Cocktail shaker, remember with Russell Crows. 91 00:04:16,520 --> 00:04:16,880 Speaker 2: You know what. 92 00:04:16,920 --> 00:04:19,320 Speaker 3: I found that the other day because I was I 93 00:04:19,520 --> 00:04:22,280 Speaker 3: basically cleaned out my pub because you know when you 94 00:04:22,360 --> 00:04:24,679 Speaker 3: just have like alcohol that ends up on the shelf 95 00:04:24,720 --> 00:04:27,599 Speaker 3: and you're like that, you know when it's like it's 96 00:04:27,680 --> 00:04:30,200 Speaker 3: unopened and it's like a mixer for like some really 97 00:04:30,240 --> 00:04:34,680 Speaker 3: obscure cocktails everything. And I found I found that cocktail 98 00:04:34,680 --> 00:04:37,719 Speaker 3: shaker on the shelf with that stuff. 99 00:04:37,760 --> 00:04:38,760 Speaker 2: So so I've got that again. 100 00:04:40,400 --> 00:04:42,480 Speaker 1: So when you come back next year, and I know 101 00:04:42,680 --> 00:04:44,400 Speaker 1: you're a humble man, but we like to get you 102 00:04:44,440 --> 00:04:46,320 Speaker 1: a gift every time you can. We were we're going 103 00:04:46,360 --> 00:04:48,320 Speaker 1: through a couple of ideas. Do you need like a 104 00:04:48,480 --> 00:04:50,440 Speaker 1: maybe a breath you know those breath alyzer kits that 105 00:04:50,480 --> 00:04:52,360 Speaker 1: are up on the wall that people can usually grab 106 00:04:52,360 --> 00:04:54,640 Speaker 1: a straw on the way out. Would you like a 107 00:04:54,720 --> 00:04:58,080 Speaker 1: last drinks bill that you could have maybe in the 108 00:04:58,120 --> 00:04:59,360 Speaker 1: pub to get everyone. 109 00:04:59,080 --> 00:05:01,760 Speaker 3: Else last drink spell? And I feel like the breath 110 00:05:01,760 --> 00:05:04,360 Speaker 3: of liser thing. I wouldn't want to waste that much. 111 00:05:04,480 --> 00:05:05,640 Speaker 3: Like single use plastic. 112 00:05:05,960 --> 00:05:09,000 Speaker 4: Yeah, it's dangerous, an. 113 00:05:08,880 --> 00:05:11,640 Speaker 2: Old one that just never gets washed. It's grubby. 114 00:05:12,160 --> 00:05:16,560 Speaker 3: Like I have a think you ever think? I mean 115 00:05:16,600 --> 00:05:21,279 Speaker 3: I'm into I'm into just stuff that's offensive. So if 116 00:05:21,320 --> 00:05:21,720 Speaker 3: you think of. 117 00:05:21,680 --> 00:05:26,280 Speaker 2: Something that's well, I've got a massive. 118 00:05:26,160 --> 00:05:28,280 Speaker 3: I've got a massive painting in my public just says 119 00:05:28,279 --> 00:05:34,200 Speaker 3: pipe down. I probably need to change at some point. 120 00:05:35,040 --> 00:05:38,400 Speaker 5: Well what about it's actually but it's actually by a 121 00:05:38,480 --> 00:05:43,200 Speaker 5: really really like artist called Harlan Miller who does these 122 00:05:43,240 --> 00:05:46,560 Speaker 5: like Penguin books, And I've got another one from him 123 00:05:46,720 --> 00:05:47,440 Speaker 5: going to replace it. 124 00:05:47,480 --> 00:05:50,800 Speaker 2: That's a bit more PG. But is I mean, I 125 00:05:50,839 --> 00:05:52,000 Speaker 2: just love it. You just walk in. 126 00:05:54,800 --> 00:05:56,599 Speaker 4: I mean, there's the one way we could give you 127 00:05:56,600 --> 00:05:59,640 Speaker 4: for your bathroom, there's the urinal. But what you wing 128 00:05:59,640 --> 00:06:02,599 Speaker 4: into a just a big set of lips. It's something 129 00:06:02,680 --> 00:06:04,679 Speaker 4: like that. It's getting a bit cheesy. 130 00:06:04,760 --> 00:06:05,760 Speaker 1: It's a bit too for long. 131 00:06:07,800 --> 00:06:10,800 Speaker 3: Do you know what some something small and offensive that 132 00:06:10,839 --> 00:06:12,120 Speaker 3: can be hung on the wall. 133 00:06:13,600 --> 00:06:15,919 Speaker 1: Do you have a karaoke machine in the bar that 134 00:06:16,200 --> 00:06:18,200 Speaker 1: other people can get up and do a bit about? 135 00:06:18,600 --> 00:06:21,800 Speaker 1: Because we could get one of those TVs for you, and. 136 00:06:21,920 --> 00:06:23,000 Speaker 4: That's annoying too much space. 137 00:06:23,240 --> 00:06:25,360 Speaker 1: You don't want to perform? Do you you want to break? 138 00:06:26,640 --> 00:06:27,080 Speaker 2: I do you know? 139 00:06:27,160 --> 00:06:29,560 Speaker 3: I don't really know how I feel about karaoke because 140 00:06:29,600 --> 00:06:32,359 Speaker 3: I feel like karaoke needs to be done by people 141 00:06:32,360 --> 00:06:34,560 Speaker 3: who like it's not fun if you see someone that 142 00:06:34,680 --> 00:06:38,080 Speaker 3: just sings well, like it's the thing about karaoke. 143 00:06:37,760 --> 00:06:41,599 Speaker 2: Is the performance exactly. It's about It's about getting into it. 144 00:06:41,640 --> 00:06:44,280 Speaker 3: So I've never really I usually do karaoke when I'm 145 00:06:44,279 --> 00:06:46,880 Speaker 3: so blitzed I can't sing in tune. Anyway you can 146 00:06:46,920 --> 00:06:50,400 Speaker 3: find you can find videos with me in Japan, like, 147 00:06:51,120 --> 00:06:55,120 Speaker 3: oh man, it's so like as a musician, like, I 148 00:06:55,160 --> 00:06:57,920 Speaker 3: find it very like when you sing in tune, it's 149 00:06:58,040 --> 00:07:03,200 Speaker 3: very difficult to sing purposefully when I'm when I'm off my. 150 00:07:03,279 --> 00:07:08,279 Speaker 1: Chops, yeah, with the Japanese yelling pipe down when you're. 151 00:07:10,400 --> 00:07:13,960 Speaker 3: Not an English I think I was singing Baby one 152 00:07:13,960 --> 00:07:17,880 Speaker 3: more Time. My mate is here with me at the 153 00:07:17,920 --> 00:07:20,240 Speaker 3: house now. I was at karaoke with him once and 154 00:07:20,280 --> 00:07:23,000 Speaker 3: he chose rock Scent and as soon as it comes 155 00:07:23,080 --> 00:07:25,240 Speaker 3: in everyone, that's. 156 00:07:25,120 --> 00:07:26,560 Speaker 2: A bit that's a bit too high. 157 00:07:26,960 --> 00:07:29,800 Speaker 3: Also, I have a friend we were in Korea and 158 00:07:29,840 --> 00:07:33,120 Speaker 3: he chose Ignition R Kelly right, And then you didn't 159 00:07:33,160 --> 00:07:36,240 Speaker 3: realize that there's a remix to Ignition and there's a 160 00:07:36,320 --> 00:07:39,200 Speaker 3: six minute song called Ignition that no one's heard. He's 161 00:07:39,240 --> 00:07:42,920 Speaker 3: just age in front of all these like the whole 162 00:07:43,440 --> 00:07:45,960 Speaker 3: Korean bar full of Korean people that just like this 163 00:07:47,000 --> 00:07:50,440 Speaker 3: there being like I don't even know him. 164 00:07:50,720 --> 00:07:51,520 Speaker 2: Got him a beauty. 165 00:07:51,600 --> 00:07:54,320 Speaker 4: Well, let if we tie that back into the touring, 166 00:07:54,600 --> 00:07:57,360 Speaker 4: because each time you come out, you're obviously putting on 167 00:07:57,400 --> 00:08:00,360 Speaker 4: a bigger show. Have you got any idea year of 168 00:08:00,400 --> 00:08:02,080 Speaker 4: what this tool is going to look like and how 169 00:08:02,120 --> 00:08:05,640 Speaker 4: big the stage and what the theater around it will be? 170 00:08:06,720 --> 00:08:08,160 Speaker 2: Yeah, well, I you know. 171 00:08:08,160 --> 00:08:11,360 Speaker 3: Actually it's a conversation that Michael planted in my head 172 00:08:11,520 --> 00:08:15,320 Speaker 3: in two twenty eighteen when we were doing it. 173 00:08:15,320 --> 00:08:17,720 Speaker 6: He was like, you have to play the MCT and 174 00:08:17,840 --> 00:08:21,280 Speaker 6: do it and I from there, I was like, I 175 00:08:21,280 --> 00:08:22,560 Speaker 6: don't know if I can do it in the round 176 00:08:22,600 --> 00:08:25,480 Speaker 6: show because it's so my show's so focused on me 177 00:08:25,560 --> 00:08:29,880 Speaker 6: being on one man, yes that you have to kind 178 00:08:29,880 --> 00:08:32,080 Speaker 6: of be all sides of the stage at once. 179 00:08:32,120 --> 00:08:33,200 Speaker 2: So I was like, how would I do that? 180 00:08:34,360 --> 00:08:38,360 Speaker 3: So we've basically built this stage over the last three years. 181 00:08:38,400 --> 00:08:40,200 Speaker 3: I got the I got the final plans for it 182 00:08:40,240 --> 00:08:41,960 Speaker 3: the last day of the Divide tour and they've been 183 00:08:41,960 --> 00:08:43,880 Speaker 3: building for three years. 184 00:08:43,920 --> 00:08:46,760 Speaker 2: And it's like, it's a it's a big financial risk. 185 00:08:46,800 --> 00:08:50,439 Speaker 2: I hope that there's not another pandemic. Touch Yeah, well 186 00:08:50,480 --> 00:08:52,520 Speaker 2: here's this one. How's this one? 187 00:08:53,000 --> 00:08:55,319 Speaker 1: Because we know the history that you've had with Naiva, 188 00:08:55,400 --> 00:08:57,280 Speaker 1: and we've got a great relationship with your ed and 189 00:08:57,320 --> 00:08:59,760 Speaker 1: you've done some amazing red rooms, you did BONDI, You've 190 00:08:59,760 --> 00:09:02,120 Speaker 1: done the Opera House. I mean, can we put our 191 00:09:02,160 --> 00:09:04,360 Speaker 1: heads together, can we have a brainstorming session? 192 00:09:04,520 --> 00:09:04,679 Speaker 6: Is it? 193 00:09:05,360 --> 00:09:07,600 Speaker 1: I don't know, there's something else in Australia that we 194 00:09:07,600 --> 00:09:09,360 Speaker 1: need to focus on and maybe try to get you 195 00:09:09,400 --> 00:09:10,520 Speaker 1: back with another Red Room. 196 00:09:11,120 --> 00:09:14,920 Speaker 2: I have never been to Tasmania, so let's do it. Actually, no, 197 00:09:15,000 --> 00:09:16,840 Speaker 2: I have. I've never played a show in Tasmania. 198 00:09:18,960 --> 00:09:20,160 Speaker 4: Better the Northern Territory in. 199 00:09:21,600 --> 00:09:23,400 Speaker 2: Can't know, I don't. 200 00:09:23,480 --> 00:09:25,960 Speaker 3: I mean maybe in the early stage I went to 201 00:09:25,960 --> 00:09:29,800 Speaker 3: Tasmania as a tourist, but I've never played a show. 202 00:09:30,080 --> 00:09:33,040 Speaker 3: But Darwin I've never been to so. 203 00:09:33,160 --> 00:09:36,239 Speaker 1: Either of those, mate, we can't. I We're so excited. 204 00:09:36,520 --> 00:09:38,520 Speaker 1: How I mean, you have been touring. This is the 205 00:09:38,559 --> 00:09:40,960 Speaker 1: thing we you know, in Australia, we're just sort of 206 00:09:41,080 --> 00:09:43,959 Speaker 1: starting you opening up now with the music industry ed. 207 00:09:44,320 --> 00:09:47,760 Speaker 1: But you've been touring since what November, you know, October 208 00:09:47,840 --> 00:09:48,360 Speaker 1: last year. 209 00:09:48,400 --> 00:09:51,480 Speaker 2: How are your shows? No? Not really I did. I 210 00:09:51,480 --> 00:09:53,920 Speaker 2: did like a few like radio show. 211 00:09:53,920 --> 00:09:55,640 Speaker 3: I did like a few radio shows, you know, like 212 00:09:55,679 --> 00:09:59,360 Speaker 3: the multi artists Christmas shows. And I think I did 213 00:09:59,720 --> 00:10:02,160 Speaker 3: one in New York at Webster Hall that was amazing. 214 00:10:02,160 --> 00:10:06,040 Speaker 3: And they did one gig in London at Hackney Church 215 00:10:06,080 --> 00:10:07,479 Speaker 3: which was amazing, but that. 216 00:10:07,200 --> 00:10:09,400 Speaker 2: That was kind of it. I basically I've got I've 217 00:10:09,400 --> 00:10:10,920 Speaker 2: got warm up shows for. 218 00:10:12,920 --> 00:10:16,040 Speaker 3: Starting next week, so I'm playing like electric ballroom, and 219 00:10:16,080 --> 00:10:17,680 Speaker 3: then I'm going down to Brighton to play a show, 220 00:10:17,720 --> 00:10:19,360 Speaker 3: then in Broil Albert Hall and blah blah blah. So 221 00:10:19,400 --> 00:10:21,480 Speaker 3: I'm basically getting back into the swing of things because 222 00:10:21,520 --> 00:10:24,240 Speaker 3: I often phoned on tour. The first three dates is 223 00:10:24,600 --> 00:10:27,480 Speaker 3: kind of like a it's not it's not great. You 224 00:10:27,559 --> 00:10:31,240 Speaker 3: use your voice and by the time the first gig happens, 225 00:10:31,280 --> 00:10:32,480 Speaker 3: I want I want it to be like a well 226 00:10:32,520 --> 00:10:33,160 Speaker 3: oiled machine. 227 00:10:33,200 --> 00:10:34,920 Speaker 1: Again. No, I can't wait like that. 228 00:10:35,440 --> 00:10:37,320 Speaker 4: Wait, maybe it's a bond I beat show. If it's 229 00:10:37,400 --> 00:10:41,120 Speaker 4: maybe it's a special one. We did Icebergs. What if 230 00:10:41,160 --> 00:10:41,960 Speaker 4: you're outdoors? 231 00:10:42,040 --> 00:10:43,320 Speaker 1: Yeah, well, well let's think about it. 232 00:10:43,320 --> 00:10:45,160 Speaker 4: All right, we're going to work on this head. We're 233 00:10:45,240 --> 00:10:47,200 Speaker 4: so pumped with the idea of you coming back down under. 234 00:10:47,600 --> 00:10:49,800 Speaker 2: Thank you. You just you just want to avoid being 235 00:10:49,840 --> 00:10:50,600 Speaker 2: in Darling, don't you. 236 00:10:51,400 --> 00:10:52,720 Speaker 4: I'm happy to do dar we can. 237 00:10:53,160 --> 00:10:54,720 Speaker 1: I love Darling. 238 00:10:54,760 --> 00:10:56,680 Speaker 4: We'll go fishing with a guitar. 239 00:10:57,160 --> 00:10:58,160 Speaker 2: Well, I don't know if you know. 240 00:10:58,640 --> 00:11:01,000 Speaker 1: You know Maddie right, the Outba Granglers. So he's the 241 00:11:01,040 --> 00:11:03,520 Speaker 1: one that at wrangles all the crocodiles. Now he's got 242 00:11:03,559 --> 00:11:05,920 Speaker 1: like a resort out at Tewe Islands. There let's do that. 243 00:11:05,960 --> 00:11:08,240 Speaker 1: We'll find a spot for you to perform Ed Sheeran, 244 00:11:08,400 --> 00:11:10,800 Speaker 1: and then you're in the middle of nowhere. We won't 245 00:11:10,800 --> 00:11:13,000 Speaker 1: have anyone there watching it. You would just be by yourself. 246 00:11:13,400 --> 00:11:14,040 Speaker 3: We'll organize. 247 00:11:14,040 --> 00:11:15,719 Speaker 4: There be one hundred crocodiles on the bank having a 248 00:11:15,760 --> 00:11:16,280 Speaker 4: good look at it. 249 00:11:16,520 --> 00:11:17,280 Speaker 2: I'll leave you guys. 250 00:11:18,400 --> 00:11:21,320 Speaker 4: So we need something that's as good as what's the 251 00:11:21,360 --> 00:11:24,480 Speaker 4: sign on you ball that's part down. We need something 252 00:11:24,480 --> 00:11:25,840 Speaker 4: as good as that to hang on the wall in 253 00:11:25,840 --> 00:11:28,120 Speaker 4: the bar. And we need to organize the best venue ever. 254 00:11:28,280 --> 00:11:29,880 Speaker 1: All right, all right, this is it, Leave it with 255 00:11:30,040 --> 00:11:32,520 Speaker 1: us said, it is the Mathematics Tour. Tickets go on 256 00:11:32,640 --> 00:11:36,560 Speaker 1: sale Wednesday, twenty third of March from frontiers Heering dot 257 00:11:36,559 --> 00:11:38,960 Speaker 1: com dot au. He's playing here in Sydney a Core 258 00:11:39,080 --> 00:11:41,600 Speaker 1: Stadium on the twenty fourth of feb That will sell 259 00:11:41,640 --> 00:11:45,000 Speaker 1: out very very quickly. He's back next year twenty twenty three. 260 00:11:45,040 --> 00:11:46,960 Speaker 1: We love you, Ed Sharon, thanks for coming on, buddy. 261 00:11:47,120 --> 00:11:50,520 Speaker 2: I'm sorry as well, Love you buddy, Love to chat mate. 262 00:11:51,320 --> 00:11:51,760 Speaker 4: It's a lot. 263 00:11:51,880 --> 00:11:53,040 Speaker 5: It fits in Whipper