1 00:00:00,080 --> 00:00:09,840 Speaker 1: It fits in, and Keith Urban joins us a live. 2 00:00:06,400 --> 00:00:09,680 Speaker 2: Got a career ahead of me, thanks, mate, a real future. 3 00:00:09,720 --> 00:00:11,520 Speaker 3: We believe in you. You've just picked up the accident. 4 00:00:11,520 --> 00:00:13,680 Speaker 3: It seems to be going quite well for you. Keith. 5 00:00:13,680 --> 00:00:14,600 Speaker 3: Where are you at the moment? 6 00:00:14,640 --> 00:00:15,040 Speaker 1: Mate? 7 00:00:16,800 --> 00:00:18,800 Speaker 2: Where are other gig at McDonald's, Because I've got to 8 00:00:18,840 --> 00:00:24,200 Speaker 2: have something to fall back on. I'm at home in 9 00:00:24,280 --> 00:00:25,040 Speaker 2: Nashville right now. 10 00:00:25,720 --> 00:00:26,400 Speaker 3: Fantastic. 11 00:00:27,160 --> 00:00:29,720 Speaker 1: Is there a certain place like is there? Is it 12 00:00:29,720 --> 00:00:31,800 Speaker 1: out in the backyard? Is it down a beach that 13 00:00:31,880 --> 00:00:34,400 Speaker 1: you can Is there a Nashville No? No? Or is 14 00:00:34,440 --> 00:00:36,080 Speaker 1: there a certain place in the world that you like 15 00:00:36,159 --> 00:00:38,239 Speaker 1: to go that you you get into the zone When 16 00:00:38,240 --> 00:00:40,240 Speaker 1: it comes to songwriting anywhere special? 17 00:00:42,520 --> 00:00:46,840 Speaker 2: No? Not a specific place. No. I mean we've written 18 00:00:46,840 --> 00:00:50,120 Speaker 2: songs in Sydney, We've written them in London, here, in Nashville, everywhere. Yeah, 19 00:00:50,240 --> 00:00:53,559 Speaker 2: Nightfall's was written out in Los Angeles about this time 20 00:00:53,640 --> 00:00:54,160 Speaker 2: last year. 21 00:00:54,480 --> 00:00:57,160 Speaker 1: How quick can you give us an example? The songwriting 22 00:00:57,200 --> 00:01:00,320 Speaker 1: fascinates me me too, And you know you're here sores 23 00:01:00,360 --> 00:01:02,840 Speaker 1: of the Beatles writing songs in less than a few hours. 24 00:01:02,880 --> 00:01:04,360 Speaker 1: But is there is there a moment that you can 25 00:01:04,400 --> 00:01:06,520 Speaker 1: remember being in a tour bus or something like that. 26 00:01:06,560 --> 00:01:08,840 Speaker 1: Way something has just come to you so quickly, and 27 00:01:08,880 --> 00:01:10,400 Speaker 1: you've written a song so quickly. 28 00:01:12,800 --> 00:01:16,040 Speaker 2: Yeah, The Fighter was like that, the song a bite 29 00:01:16,040 --> 00:01:18,959 Speaker 2: of its cary underwor that the guy I wrote it 30 00:01:19,000 --> 00:01:20,959 Speaker 2: with called Busby. We were over in London at the 31 00:01:21,000 --> 00:01:23,360 Speaker 2: time and we were working on a song. We spent 32 00:01:23,440 --> 00:01:24,840 Speaker 2: like a whole day on this song, and then I 33 00:01:24,840 --> 00:01:26,600 Speaker 2: showed up the next morning and I had this idea 34 00:01:27,120 --> 00:01:29,240 Speaker 2: for a chorus and the chords and the whole thing, 35 00:01:29,280 --> 00:01:31,759 Speaker 2: and we wrote that song in you know, an hour 36 00:01:31,880 --> 00:01:34,119 Speaker 2: or so, and then we pushed that aside and went 37 00:01:34,200 --> 00:01:38,480 Speaker 2: back to our other song. Right, Really, we weren't, you know, 38 00:01:38,560 --> 00:01:41,000 Speaker 2: we weren't thinking that The Fighter was this thing that 39 00:01:41,040 --> 00:01:41,520 Speaker 2: it became. 40 00:01:41,680 --> 00:01:44,440 Speaker 3: So you never know, Keith, You know what I loved 41 00:01:44,480 --> 00:01:46,000 Speaker 3: on the Voice this year. There was a lot of 42 00:01:46,000 --> 00:01:48,600 Speaker 3: emotional stories about you know, the power of music, and 43 00:01:48,600 --> 00:01:50,880 Speaker 3: a lot of families that were up there representing loved ones, 44 00:01:50,920 --> 00:01:53,120 Speaker 3: and you know, these sorts of great stories, But there 45 00:01:53,160 --> 00:01:55,960 Speaker 3: was a moment where you were talking about you never 46 00:01:56,080 --> 00:02:00,880 Speaker 3: understand or really grasp the reach of what your music 47 00:02:01,000 --> 00:02:04,280 Speaker 3: does or where it goes to. Have you got an 48 00:02:04,320 --> 00:02:06,560 Speaker 3: example in your life where someone stopped you on the 49 00:02:06,560 --> 00:02:08,520 Speaker 3: street and said, Hey, I just want to let you know, Keith, 50 00:02:09,040 --> 00:02:11,480 Speaker 3: this is what this song did for me or or 51 00:02:11,720 --> 00:02:13,840 Speaker 3: how it played a part in my life. 52 00:02:15,320 --> 00:02:16,200 Speaker 2: Oh so many. 53 00:02:16,480 --> 00:02:20,359 Speaker 3: Yeah, and that would be the greatest gift, wouldn't it. 54 00:02:20,360 --> 00:02:23,160 Speaker 2: It's extraordinary and it's it's really the thing. I think 55 00:02:23,200 --> 00:02:26,239 Speaker 2: that it really matters the most. You know, like you 56 00:02:26,560 --> 00:02:28,400 Speaker 2: write a song, you record it, you put it out 57 00:02:29,760 --> 00:02:31,840 Speaker 2: and whatever the song might mean to me, it may 58 00:02:31,919 --> 00:02:35,840 Speaker 2: mean something completely different to somebody else, and it goes 59 00:02:35,880 --> 00:02:38,519 Speaker 2: out and does what it's going to do, and it's 60 00:02:38,560 --> 00:02:41,679 Speaker 2: it's just it's constantly out there. It's really extraordinary. 61 00:02:41,880 --> 00:02:44,240 Speaker 1: It is. Hey, the Speed of Now World tour looking 62 00:02:44,240 --> 00:02:46,480 Speaker 1: forward to Keith. It's at the end of the year 63 00:02:46,520 --> 00:02:49,160 Speaker 1: Monday fifth and Tuesday the sixth of December at Kudos 64 00:02:49,160 --> 00:02:53,000 Speaker 1: Bank Are But I also do say on your tour 65 00:02:53,040 --> 00:02:58,560 Speaker 1: this year, you're going out to can You Do? 66 00:02:58,680 --> 00:03:01,240 Speaker 2: You're going to fuddle that on the way. 67 00:03:01,800 --> 00:03:03,400 Speaker 1: But I just want to know what that means to 68 00:03:03,480 --> 00:03:05,760 Speaker 1: you and why it's on the tour for you, Keith. 69 00:03:06,880 --> 00:03:13,079 Speaker 2: You can see where everyone just says, Denny, yeah, simple mate. Yeah. 70 00:03:13,120 --> 00:03:17,480 Speaker 2: Well they suggested that it was a way that we 71 00:03:17,480 --> 00:03:20,240 Speaker 2: could play that's not part of the ute masters. Separate 72 00:03:20,280 --> 00:03:23,519 Speaker 2: to that and just use you know, have the venue 73 00:03:23,560 --> 00:03:25,400 Speaker 2: be a concert venue. So I think they're going to, 74 00:03:25,760 --> 00:03:27,600 Speaker 2: if they haven't already started, they're going to start doing 75 00:03:27,639 --> 00:03:29,880 Speaker 2: lots of shows out at that same facility, separate to 76 00:03:29,919 --> 00:03:30,560 Speaker 2: the ute mustard. 77 00:03:31,360 --> 00:03:33,680 Speaker 3: Do you know what I saw yesterday, Keith a fashion 78 00:03:33,720 --> 00:03:37,480 Speaker 3: item which they've said has taken off in the States. 79 00:03:38,080 --> 00:03:39,840 Speaker 3: And it's a pair of if you can picture a 80 00:03:39,840 --> 00:03:43,120 Speaker 3: pair of cowboy boots right that traditionally come up just 81 00:03:43,560 --> 00:03:47,320 Speaker 3: under the knee, but then the foot has been cut out, 82 00:03:47,680 --> 00:03:50,800 Speaker 3: so the leather that's left is just like a thole, 83 00:03:51,120 --> 00:03:53,800 Speaker 3: so it still goes between your toe and then hooks 84 00:03:53,840 --> 00:03:57,240 Speaker 3: back up to the boot around the ankle. Very Australian, 85 00:03:58,160 --> 00:04:01,360 Speaker 3: Very Australian. But said the States loving this. Now, I 86 00:04:01,440 --> 00:04:03,800 Speaker 3: call bs on that. Have you seen anybody in Nashville 87 00:04:03,840 --> 00:04:04,200 Speaker 3: wearing that? 88 00:04:05,480 --> 00:04:07,800 Speaker 2: I haven't even know. I can't even picture that. 89 00:04:07,920 --> 00:04:09,960 Speaker 3: All right, let's get him a pair, Tommy for when 90 00:04:10,000 --> 00:04:14,560 Speaker 3: he gets inquy Keith's new style of boot in Denny, 91 00:04:14,720 --> 00:04:15,520 Speaker 3: Ready for Denny? 92 00:04:15,600 --> 00:04:18,640 Speaker 2: Okay, snake skin songs all right? Everywhere? 93 00:04:18,720 --> 00:04:19,960 Speaker 3: That's hot, that's hot. 94 00:04:20,000 --> 00:04:22,040 Speaker 1: Hey, this is a bit because the Sunday night it 95 00:04:22,120 --> 00:04:24,120 Speaker 1: must be tough for you. You've got to pick between 96 00:04:24,120 --> 00:04:25,800 Speaker 1: two artists on your team and he's going to be 97 00:04:26,120 --> 00:04:27,960 Speaker 1: how are you going to take to the Grand Final? 98 00:04:28,000 --> 00:04:30,440 Speaker 1: I mean, Keith, that letting somebody down like that, that 99 00:04:30,520 --> 00:04:32,279 Speaker 1: must be the toughest thing being on the show. 100 00:04:33,640 --> 00:04:38,359 Speaker 2: It is. It is because you know, you've got a 101 00:04:38,400 --> 00:04:40,960 Speaker 2: couple of people that I think are totally worthy of 102 00:04:41,040 --> 00:04:42,640 Speaker 2: knocking it out of the park. But in the end, 103 00:04:42,680 --> 00:04:43,760 Speaker 2: you're just going to make a decision. 104 00:04:44,560 --> 00:04:46,600 Speaker 1: When you got your first when you got your first 105 00:04:46,640 --> 00:04:49,880 Speaker 1: recording contract, Keith, were you knocked back a few times 106 00:04:49,920 --> 00:04:50,359 Speaker 1: before that? 107 00:04:52,720 --> 00:04:55,560 Speaker 2: Yeah? Oh, I just wasn't ready, And particularly when I 108 00:04:55,560 --> 00:04:59,720 Speaker 2: got to America that that was That was just crickets 109 00:05:00,360 --> 00:05:03,720 Speaker 2: is I'd like to say that I couldn't get arrested, 110 00:05:03,760 --> 00:05:05,359 Speaker 2: but that's one thing I absolutely could do. 111 00:05:07,720 --> 00:05:09,760 Speaker 3: I've got your name in the headlines there double Keith. 112 00:05:09,800 --> 00:05:12,000 Speaker 1: We're loving the new single night Falls, and obviously the 113 00:05:12,080 --> 00:05:13,760 Speaker 1: Voice is a big one. We've got the Grand Final 114 00:05:13,800 --> 00:05:16,680 Speaker 1: this weekend as well. It's available everywhere to stream and download. 115 00:05:16,880 --> 00:05:18,960 Speaker 1: We know how busy you are, buddy, We appreciate your time. 116 00:05:19,000 --> 00:05:23,280 Speaker 2: Thanks for coming on always, mate, Thanks Betty, Thanks and 117 00:05:23,360 --> 00:05:23,680 Speaker 2: Wipper